1 100 73 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format 1 audio/video recording Duration 4 minutes and 8 seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title WUCF Artisodes Short: Jazz in the Hills Alternative Title Jazz in the Hills Artisode Subject Orlando (Fla.) Music--United States Jazz--United States Education--Florida Description One of 66 affiliates of National CARES Mentoring Movement, Greater Orlando CARES, or GO CARES, uses a low-cost, high-impact group-mentoring model to nurture under-resourced children, cultivate their self-esteem, increase their academic achievement, and develop their communications, problem-solving, and other life skills. GO CARES presented the first Jazz in the Hills on September 27, 2014, providing children the opportunity to display their love and talent for jazz and expose many others to the musical culture. The event took place at Greater Orlando CARES on the Well of Hope Cornerstone's 5.3-acre campus in Pine Hills, an historical African-American neighborhood in Orlando, Florida. This Artisode also explores the positive effects that music has on brain development and learning. WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #147: Development through Diversity" on October 16, 2014. Type Moving Image Source Original 4-minute and 8-second audio/video recording of Jazz in the Hills, <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>, Orlando, Florida, October 16, 2014: WUCF-TV, University of Central Florida, Orlando, Florida. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a> <a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a> Is Part Of <a href="http://video.wucftv.org/video/2365348261/" target="_blank">WUCF Artisodes 147:Development through Diversity</a>, WUCF-TV, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Is Format Of <a href="http://video.wucftv.org/video/2365348268/" target="_blank">WUCF Artisodes Short: Jazz in the Hills</a>, WUCF-TV, Orlando, Florida. Coverage WUCF-TV, University of Central Florida, Orlando, Florida Greater Orlando CARES, Well of Hope Cornerstone, Orlando, Florida Publisher <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> Contributor Greater Orlando CARES Butler, Darrell Johnson, Keyne K. Date Created 2014-10-16 Date Issued 2014-10-16 Date Copyrighted 2014-10-16 Format application/website application/pdf Medium 4-minute and 8-second audio/video recording Language eng Mediator History Teacher Humanities Teacher Music Teacher Science Teacher Provenance Originally published by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>. Rights Holder Copyright to this resource is held by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> External Reference Storr, Anthony. <a href="http://www.worldcat.org/oclc/26095350" target="_blank">Music and the Mind</a>. New York: Free Press, 1992 Deutsch, Diana. <a href="http://www.worldcat.org/oclc/8194774" target="_blank">The Psychology of Music</a>. New York: Academic Press, 1982 Brendtro, Larry K., Martin Brokenleg, and Steve Van Bockern. <a href="http://www.worldcat.org/oclc/21981645" target="_blank">Reclaiming Youth at Risk: Our Hope for the Future</a>. Bloomington, Ind: National Educational Service, 1990 "<a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank">WUCF Artisodes</a>." WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed April 7, 2015). Click to View (Movie, Podcast, or Website) <a href="https://www.youtube.com/watch?v=zTiTHFLyG5o" target="_blank">WUCF Artisodes Short: Jazz in the Hills</a> Artisodes brain development brains Butler, Darrell concert concerts Darrell Butler Development through Diversity education functional magnetic resonance imaging functional MRI GO CARES Greater Orlando CARES Greater Orlando CARES Mentoring Movement jazz Jazz in the Hills Keyne K. Johnson learning magnetic resonance imaging mentoring mentors MRI music music education musicians National CARES Mentoring Movement neuroscience neuroscientists orlando PBS pediatric neurosurgeons Pine Hills Public Broadcasting Service students temporal lobes UCF University of Central Florida WUCF Artisodes WUCF Artisodes Short WUCF-TV Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format 1 audio/video recording Duration 5 minutes and 2 seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title WUCF Artisodes Short: Jazz Fest Alternative Title Jazz Fest Artisode Subject DeLand (Fla.) Music--United States Jazz--United States Description Noble "Thin Man" Watts (1926-2004) was a blues and jazz saxophonist from DeLand, Florida, who worked with some of the biggest names in jazz, blues, and rock, including Buddy Holly (1936-1959), Dinah Washington (1924-1963), Jerry Lee Lewis (b. 1935), Lionel Hampton (1908-2002), Chuck Berry (b. 1926), Johnny Mathis (b. 1935), and the Everly Brothers. Watts moved back to DeLand in the mid-1960s, where he remained until his death in 2004. The "Thin Man" Watts Jazz Festival began earlier that year and has continued to grow in the years since. WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. Type Moving Image Source Original 5-minute and 2-second audio/video recording of Jazz Fest, <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>, Orlando, Florida, April 21, 2014: WUCF-TV, University of Central Florida, Orlando, Florida. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a> <a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-TV, University of Central Florida, Orlando, Florida African American Museum of the Arts, DeLand, Florida Café Davinci, DeLand, Florida Publisher <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> Contributor Watts, Noble "Thin Man" Allen, Mary Armstrong, Anthony DaVinci Jazz Experiment Mark Hodgson & the Cosmic Blues Trio Pendleton, Jefferson Sheperd, Jeff Waits/Jordan Quartet Wilton, John Date Created ca. 2015-01-29 Date Issued 2014-04-21 Date Copyrighted 2014-04-21 Format application/website application/pdf Medium 5-minute and 2-second audio/video recording Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and published by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>. Rights Holder Copyright to this resource is held by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> External Reference Dahl, Bill. "<a href="http://www.allmusic.com/artist/noble-thin-man-watts-mn0000408965/biography" target="_blank">Noble 'Thin Man' Watts</a>." AllMusic.com. http://www.allmusic.com/artist/noble-thin-man-watts-mn0000408965/biography (Accessed March 31, 2015). African American Museum of the Arts. "<a href="http://www.wattsjazzfest.com/" target="_blank">Thin Man Watts Jazz Fest</a>." WattsJazzFest.com http://www.wattsjazzfest.com/ (Accessed March 31, 2015) "<a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank">WUCF Artisodes</a>." WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed April 6, 2015). Click to View (Movie, Podcast, or Website) <a href="https://www.youtube.com/watch?v=2Wqybluz2TI" target="_blank">WUCF Artisodes Short: Jazz Fest</a> African American Museum of the Arts Anthony Armstrong Artisodes Bank of America blues bluesmen Bright House Networks Cafe DaVinci Cannonball Adderley Charles Edward Anderson Berry Chuck Berry City of Deland DaVinci Jazz Experiment DeLand Dr. Noble "Thin Man" Watts Amphitheater ECHO Program Federal community Development Block Grant Program festivals Irene D. Johnson jazz Jazz Fest Jeff Sheperd Jefferson Pendleton John Wilton Johnson, Irene D. Johnson, Maxel Julian Edwin Adderley Mark Hodgson Mark Hodgson & the Cosmic Blues Trio Mary Allen music musicians Nat Adderley Nathanial Adderley Noble Watts orlando PBS Public Broadcasting Service saxophones saxophonists State of Florida tenor saxophones Thin Man Watts Thin Man Watts Jazz Fest UCF University of Central Florida Volusia County Waits/Jordan Quartet WUCF Artisodes WUCF-TV https://richesmi.cah.ucf.edu/omeka/files/original/298fa4199b1be42ccad13d5166f7c745.mp3 33ef739b315ce75f10c436b4aa8f7f60 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Hot House" by Arturo Sandoval Alternative Title "Hot House" by Arturo Sandoval Subject Orlando (Fla.) Music--Florida Jazz--United States Description An audio recording of "Hot House," composed by Tadd Dameron (1917-1965), and performed by Arturo Sandoval (b. 1949) live on-air on WUCF-FM on October 9, 1999. A protégé of trumpeter Dizzy Gillespie (1917-1993), who was the first musician to bring Latin influences into American jazz, Cuban-born Sandoval became one of the most celebrated trumpeters of all-time, winning ten Grammy Awards, six Billboard Awards, and an Emmy Award. Sandoval defected to the United States while touring with Gillespie in 1990. He was awarded the Presidential Medal of Freedom by President Barack Obama (b. 1961) in 2013. Arturo Sandoval's Jazz Club was briefly open in Miami Beach, Florida, in the late 2000s. "Hot House" was written by Dameron and recorded by Sandoval for his 1998 Grammy award-winning album of the same name. Type Sound Source Original 3-minute and 54-second audio recording: Dameron, Tadd. "Hot House," by Arturo Sandoval: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, October 9, 1999. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida Creator Dameron, Tadd Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Sandoval, Arturo Date Created 1999-10-09 Date Issued 1999-10-09 Date Copyrighted 1999-10-09 Format audio/mp3 Extent 3.57 MB Medium 3-minute and 54-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Tadd Dameron, performed by Arturo Sandoval, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Tadd Dameron and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Simon, Robert, Arturo Sandoval, and Marianela Sandoval. <a href="http://www.worldcat.org/oclc/880150347" target="_blank">John "Dizzy" Birks Gillespie: The Man Who Changed My Life: from the Memoirs of Arturo Sandoval</a>. Chicago, IL: GIA Publications, 2014 Meredith, Bill. "<a href="http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love" target="_blank">Arturo Sandoval : From Cuba, With Love</a>." Jazz Times, October 2007. http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love (Accessed March 24, 2015). Click to View (Movie, Podcast, or Website) <a href="https://richesmi.cah.ucf.edu/omeka/files/original/298fa4199b1be42ccad13d5166f7c745.mp3" target="_blank">"Hot House" by Arturo Sandoval</a> Afro-Cuban jazz Arturo Sandoval Arturo Sandoval Jazz Club bebop bop CAH College of Arts and Humanities Cubop Hot House jazz jazz ensembles Latin jazz Miami Beach music musicians National Public Radio NPR orlando pianists pianos Public Broadcasting Service Tadd Dameron Tadley Ewing Peake Dameron trumpet players trumpeters trumpets UCF University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/0fbf8109d6be4805a6257af7283bba36.mp3 6a4eeb1a87c975c0bf9716b9037867f9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Drum Solo" by Arturo Sandoval Alternative Title "Drum Solo" by Arturo Sandoval Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Drum Solo," composed and performed by Arturo Sandoval (b. 1949) live on-air on WUCF-FM on October 9, 1999. A protégé of trumpeter Dizzy Gillespie (1917-1993), who was the first musician to bring Latin influences into American jazz, Cuban-born Sandoval became one of the most celebrated trumpeters of all-time, winning ten Grammy Awards, six Billboard Awards, and an Emmy Award. Sandoval defected to the United States while touring with Gillespie in 1990. He was awarded the Presidential Medal of Freedom by President Barack Obama (b. 1961) in 2013. Arturo Sandoval's Jazz Club was briefly open in Miami Beach, Florida, in the late 2000s. Type Sound Source Original 2-minute and 26-second audio recording: Sandoval, Arturo. "Drum Solo," by Arturo Sandoval: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, October 9, 1999. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida Artemisa, Havana, Havana Province, Cuba Creator Sandoval, Arturo Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Date Created 1999-10-09 Date Issued 1999-10-09 Date Copyrighted 1999-10-09 Format audio/mp3 Extent 2.23 MB Medium 2-minute and 26-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and performed by Arturo Sandoval and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Arturo Sandoval and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Simon, Robert, Arturo Sandoval, and Marianela Sandoval. <a href="http://www.worldcat.org/oclc/880150347" target="_blank">John "Dizzy" Birks Gillespie: The Man Who Changed My Life: from the Memoirs of Arturo Sandoval</a>. Chicago, IL: GIA Publications, 2014 Meredith, Bill. "<a href="http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love" target="_blank">Arturo Sandoval : From Cuba, With Love</a>." Jazz Times, October 2007. http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love (Accessed March 24, 2015). Click to View (Movie, Podcast, or Website) <a href="https://richesmi.cah.ucf.edu/omeka/files/original/0fbf8109d6be4805a6257af7283bba36.mp3" target="_blank">"Drum Solo" by Arturo Sandoval</a> Afro-Cuban jazz Arturo Sandoval Arturo Sandoval Jazz Club bebop bop CAH College of Arts and Humanities Cuban jazz Cubop Drum Solo jazz jazz ensembles Latin jazz Miami Beach music musicians National Public Radio NPR orlando pianists pianos Public Broadcasting Service trumpet players trumpeters trumpets UCF University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/d846ac4c83f0cffbb725c7f8ff52736e.mp3 1c29bb72f5e8b65f789e71c9ce439d62 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "I Got You (I Feel Good)" by Arturo Sandoval Alternative Title "I Got You (I Feel Good)" by Arturo Sandoval Subject Orlando (Fla.) Music--United States Jazz--United States Rhythm and blues music--United States Funk (Music)--United States Soul music--United States Description An audio recording of "I Got You (I Feel Good)," composed by James Brown (1933-2006), and performed by Arturo Sandoval (b. 1949) live on-air on WUCF-FM on October 9, 1999. A protégé of trumpeter Dizzy Gillespie (1917-1993), who was the first musician to bring Latin influences into American jazz, Cuban-born Sandoval became one of the most celebrated trumpeters of all-time, winning ten Grammy Awards, six Billboard Awards, and an Emmy Award. Sandoval defected to the United States while touring with Gillespie in 1990. He was awarded the Presidential Medal of Freedom by President Barack Obama (b. 1961) in 2013. Arturo Sandoval's Jazz Club was briefly open in Miami Beach, Florida, in the late 2000s. "I Got You (I Feel Good)" was written and recorded as a single by Brown, who is often referred to as the "Godfather of Soul," in 1965, becoming his highest charting song. Type Sound Source Original 6-minute and 56-second audio recording: Brown, James. "I Got You (I Feel Good)," by Arturo Sandoval: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, October 9, 1999. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida Creator Brown, James Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Sandoval, Arturo Date Created 1999-10-09 Date Issued 1999-10-09 Date Copyrighted 1999-10-09 Format audio/mp3 Extent 6.35 MB Medium 6-minute and 56-second audio recording Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by James Brown, performed by Arturo Sandoval, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by James Brown and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Simon, Robert, Arturo Sandoval, and Marianela Sandoval. <a href="http://www.worldcat.org/oclc/880150347" target="_blank">John "Dizzy" Birks Gillespie: The Man Who Changed My Life: from the Memoirs of Arturo Sandoval</a>. Chicago, IL: GIA Publications, 2014 Meredith, Bill. "<a href="http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love" target="_blank">Arturo Sandoval : From Cuba, With Love</a>." Jazz Times, October 2007. http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love (Accessed March 24, 2015). Click to View (Movie, Podcast, or Website) <a href="https://richesmi.cah.ucf.edu/omeka/files/original/d846ac4c83f0cffbb725c7f8ff52736e.mp3" target="_blank">"I Got You (I Feel Good)" by Arturo Sandoval</a> Transcript Wo! I feel good, I knew that I would now I feel good, I knew that I would now So good, so good, I got you Wo! I feel nice, like sugar and spice I feel nice, like sugar and spice So nice, so nice, I got you When I hold you in my arms I know that I can do no wrong And when I hold you in my arms My love won't do you no harm And I feel nice, like sugar and spice I feel nice, like sugar and spice So nice, so nice, I got you When I hold you in my arms I know that I can't do no wrong And when I hold you in my arms My love can't do me no harm And I feel nice, like sugar and spice I feel nice, like sugar and spice So nice, so nice, well I got you Wo! I feel good, I knew that I would've I feel good, I knew that I would So good, so good, 'cause I got you So good, so good, 'cause I got you So good, so good, 'cause I got you Hey! Oh yeah-a Afro-Cuban jazz Arturo Sandoval bebop bop CAH College of Arts and Humanities Cubop funk I Got You (I Feel Good) James Brown James Joseph Brown jazz jazz ensembles Latin jazz Miami Beach music musicians National Public Radio NPR orlando pianists pianos Public Broadcasting Service R&B rhythm and blues trumpet players trumpeters trumpets UCF University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/06ba64498e590f6336fd917a96b608cb.mp3 a808b1917f3d1c59233ccb0203d89ffc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Jewsharp Solo" by Arturo Sandoval Alternative Title "Jewsharp Solo" by Arturo Sandoval Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Jewsharp Solo," composed and performed by Arturo Sandoval (b. 1949) live on-air on WUCF-FM on October 9, 1999. A protégé of trumpeter Dizzy Gillespie (1917-1993), who was the first musician to bring Latin influences into American jazz, Cuban-born Sandoval became one of the most celebrated trumpeters of all-time, winning ten Grammy Awards, six Billboard Awards, and an Emmy Award. Sandoval defected to the United States while touring with Gillespie in 1990. He was awarded the Presidential Medal of Freedom by President Barack Obama (b. 1961) in 2013. Arturo Sandoval's Jazz Club was briefly open in Miami Beach, Florida, in the late 2000s. Type Sound Source Original 40-second audio recording: Sandoval, Arturo. "Jewsharp Solo," by Arturo Sandoval: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, October 9, 1999. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida Artemisa, Havana, Havana Province, Cuba Creator Sandoval, Arturo Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Date Created 1999-10-09 Date Issued 1999-10-09 Date Copyrighted 1999-10-09 Format audio/mp3 Extent 636 KB Medium 40-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and performed by Arturo Sandoval and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Arturo Sandoval and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Simon, Robert, Arturo Sandoval, and Marianela Sandoval. <a href="http://www.worldcat.org/oclc/880150347" target="_blank">John "Dizzy" Birks Gillespie: The Man Who Changed My Life: from the Memoirs of Arturo Sandoval</a>. Chicago, IL: GIA Publications, 2014 Meredith, Bill. "<a href="http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love" target="_blank">Arturo Sandoval : From Cuba, With Love</a>." Jazz Times, October 2007. http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love (Accessed March 24, 2015). Click to View (Movie, Podcast, or Website) <a href="https://richesmi.cah.ucf.edu/omeka/files/original/06ba64498e590f6336fd917a96b608cb.mp3" target="_blank">"Jewsharp Solo" by Arturo Sandoval</a> Afro-Cuban jazz Arturo Sandoval bebop bop CAH College of Arts and Humanities composer Cubop jazz jazz ensembles Jewsharp Solo Latin jazz Miami Beach music musicians National Public Radio NPR orlando pianists pianos Public Broadcasting Service scat scat singing trumpet players trumpeters trumpets UCF University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/2c6f150e371ba2db36e2e413b29fe372.mp3 1ab0388531c882c60cdc38cfe3a0cfd2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Blues for Diz" by Arturo Sandoval Alternative Title "Blues for Diz" by Arturo Sandoval Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Blues for Diz," composed and performed by Arturo Sandoval (b. 1949) live on-air on WUCF-FM on October 9, 1999. A protégé of trumpeter Dizzy Gillespie (1917-1993), who was the first musician to bring Latin influences into American jazz, Cuban-born Sandoval became one of the most celebrated trumpeters of all-time, winning ten Grammy Awards, six Billboard Awards, and an Emmy Award. Sandoval defected to the United States while touring with Gillespie in 1990. He was awarded the Presidential Medal of Freedom by President Barack Obama (b. 1961) in 2013. Arturo Sandoval's Jazz Club was briefly open in Miami Beach, Florida, in the late 2000s. "Blues for Diz" was written and recorded by Sandoval on his 2005 album, Live at the Blue Note, and features Sandoval's renowned scatting. Type Sound Source Original 1-minute and 25-second audio recording: Sandoval, Arturo. "Blues for Diz," by Arturo Sandoval: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, October 9, 1999. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida Artemisa, Havana, Havana Province, Cuba Creator Sandoval, Arturo Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Date Created 1999-10-09 Date Issued 1999-10-09 Date Copyrighted 1999-10-09 Format audio/mp3 Extent 1.3 MB Medium 1-minute and 25-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and performed by Arturo Sandoval and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Arturo Sandoval and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Simon, Robert, Arturo Sandoval, and Marianela Sandoval. <a href="http://www.worldcat.org/oclc/880150347" target="_blank">John "Dizzy" Birks Gillespie: The Man Who Changed My Life: from the Memoirs of Arturo Sandoval</a>. Chicago, IL: GIA Publications, 2014 Meredith, Bill. "<a href="http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love" target="_blank">Arturo Sandoval : From Cuba, With Love</a>." Jazz Times, October 2007. http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love (Accessed March 24, 2015). Click to View (Movie, Podcast, or Website) <a href="https://richesmi.cah.ucf.edu/omeka/files/original/2c6f150e371ba2db36e2e413b29fe372.mp3" target="_blank">"Blues for Diz" by Arturo Sandoval</a> Afro-Cuban jazz Arturo Sandoval bebop Blues for Diz bop CAH College of Arts and Humanities Cubop jazz jazz ensembles Latin jazz Live at the Blue Note Miami Beach music musicians National Public Radio NPR orlando pianists pianos Public Broadcasting Service scat scat singing trumpet players trumpeters trumpets UCF University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/8eb60bd9fdc2c1a534111659653acaf8.mp3 24eb83858539334af95f4be8064da735 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Solo Scat" by Arturo Sandoval Alternative Title "Solo Scat" by Arturo Sandoval Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Solo Scat," composed and performed by Arturo Sandoval (b. 1949) live on-air on WUCF-FM on October 9, 1999. A protégé of trumpeter Dizzy Gillespie (1917-1993), who was the first musician to bring Latin influences into American jazz, Cuban-born Sandoval became one of the most celebrated trumpeters of all-time, winning ten Grammy Awards, six Billboard Awards, and an Emmy Award. Sandoval defected to the United States while touring with Gillespie in 1990. He was awarded the Presidential Medal of Freedom by President Barack Obama (b. 1961) in 2013. Arturo Sandoval's Jazz Club was briefly open in Miami Beach, Florida, in the late 2000s. Type Sound Source Original 1-minute and 12-second audio recording: Sandoval, Arturo. "Solo Scat," by Arturo Sandoval: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, October 9, 1999. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida Artemisa, Havana, Havana Province, Cuba Creator Sandoval, Arturo Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Date Created 1999-10-09 Date Issued 1999-10-09 Date Copyrighted 1999-10-09 Format audio/mp3 Extent 1.11 MB Medium 1-minute and 12-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and performed by Arturo Sandoval, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Arturo Sandoval and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Simon, Robert, Arturo Sandoval, and Marianela Sandoval. <a href="http://www.worldcat.org/oclc/880150347" target="_blank">John "Dizzy" Birks Gillespie: The Man Who Changed My Life: from the Memoirs of Arturo Sandoval</a>. Chicago, IL: GIA Publications, 2014 Meredith, Bill. "<a href="http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love" target="_blank">Arturo Sandoval : From Cuba, With Love</a>." Jazz Times, October 2007. http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love (Accessed March 24, 2015). Click to View (Movie, Podcast, or Website) <a href="" target="_blank">"Solo Scat" by Arturo Sandoval</a> Afro-Cuban jazz Arturo Sandoval bebop bop CAH College of Arts and Humanities Cubop jazz jazz ensembles Latin jazz Miami Beach music musicians National Public Radio NPR orlando pianists pianos Public Broadcasting Service scat scat singing Solo Scat trumpet players trumpeters trumpets UCF University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/b73e598e2d4c44bc54ddc5afc656f1e9.mp3 89707d15d13da7d9a71cf34833e8eaad Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Englishman in New York" by Arturo Sandoval Alternative Title "Englishman in New York" by Arturo Sandoval Subject Orlando (Fla.) Music--United States Reggae music--United States Description An audio recording of "Englishman in New York," Sting, and performed by Arturo Sandoval (b. 1949) live on-air on WUCF-FM on October 9, 1999. A protégé of trumpeter Dizzy Gillespie (1917-1993), who was the first musician to bring Latin influences into American jazz, Cuban-born Sandoval became one of the most celebrated trumpeters of all-time, winning ten Grammy Awards, six Billboard Awards, and an Emmy Award. Sandoval defected to the United States while touring with Gillespie in 1990. He was awarded the Presidential Medal of Freedom by President Barack Obama (b. 1961) in 2013. Arturo Sandoval's Jazz Club was briefly open in Miami Beach, Florida, in the late 2000s. "Englishman in New York" was written and recorded by Sting for his 1987 album, ...Nothing Like the Sun. Type Sound Source Original 9-minute and 21-second audio recording: Sting. "Englishman in New York," by Arturo Sandoval: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, October 9, 1999. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida Creator Sting Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Sandoval, Arturo Date Created 1999-10-09 Date Issued 1999-10-09 Date Copyrighted 1999-10-09 Format audio/mp3 Extent 8.56 MB Medium 9-minute and 21-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Sting, performed by Arturo Sandoval, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Sting and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Simon, Robert, Arturo Sandoval, and Marianela Sandoval. <a href="http://www.worldcat.org/oclc/880150347" target="_blank">John "Dizzy" Birks Gillespie: The Man Who Changed My Life: from the Memoirs of Arturo Sandoval</a>. Chicago, IL: GIA Publications, 2014 Meredith, Bill. "<a href="http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love" target="_blank">Arturo Sandoval : From Cuba, With Love</a>." Jazz Times, October 2007. http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love (Accessed March 24, 2015). Click to View (Movie, Podcast, or Website) <a href="https://richesmi.cah.ucf.edu/omeka/files/original/b73e598e2d4c44bc54ddc5afc656f1e9.mp3" target="_blank">"Englishman in New York" by Arturo Sandoval</a> ...Nothing Like the Sun Arturo Sandoval CAH College of Arts and Humanities Englishman in New York Gordon Matthew Thomas Sumner jazz ensembles Miami Beach music musicians National Public Radio NPR orlando pianists pianos pop Public Broadcasting Service reggae rock music scat singing Sting trumpet players trumpeters trumpets UCF University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/fb5661abb5f468bd61b07c2d823393a0.mp3 1d0da40cefc37939665ab239d4c97ba9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Rhythm of Our World" by Arturo Sandoval Alternative Title "Rhythm of Our World" by Arturo Sandoval Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Rhythm of Our World," composed and performed by Arturo Sandoval (b. 1949) live on-air on WUCF-FM on October 9, 1999. A protégé of trumpeter Dizzy Gillespie (1917-1993), who was the first musician to bring Latin influences into American jazz, Cuban-born Sandoval became one of the most celebrated trumpeters of all-time, winning ten Grammy Awards, six Billboard Awards, and an Emmy Award. Sandoval defected to the United States while touring with Gillespie in 1990. He was awarded the Presidential Medal of Freedom by President Barack Obama (b. 1961) in 2013. Arturo Sandoval's Jazz Club was briefly open in Miami Beach, Florida, in the late 2000s. "Rhythm of Our World" was written and recorded by Sandoval for his 1998 Grammy award-winning album, Hot House. Type Sound Source Original 9-minute and 39-second audio recording: Sandoval, Arturo. "Rhythm of Our World," by Arturo Sandoval: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, October 9, 1999. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida Artemisa, Havana, Havana Province, Cuba Creator Sandoval, Arturo Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Date Created 1999-10-09 Date Issued 1999-10-09 Date Copyrighted 1999-10-09 Format audio/mp3 Extent 8.84 MB Medium 9-minute and 39-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and performed by Arturo Sandoval and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Arturo Sandoval and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Simon, Robert, Arturo Sandoval, and Marianela Sandoval. <a href="http://www.worldcat.org/oclc/880150347" target="_blank">John "Dizzy" Birks Gillespie: The Man Who Changed My Life: from the Memoirs of Arturo Sandoval</a>. Chicago, IL: GIA Publications, 2014 Meredith, Bill. "<a href="http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love" target="_blank">Arturo Sandoval : From Cuba, With Love</a>." Jazz Times, October 2007. http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love (Accessed March 24, 2015). Click to View (Movie, Podcast, or Website) <a href="https://richesmi.cah.ucf.edu/omeka/files/original/fb5661abb5f468bd61b07c2d823393a0.mp3" target="_blank">"Rhythm of Our World" by Arturo Sandoval</a> Afro-Cuban jazz Arturo Sandoval bebop bop CAH College of Arts and Humanities Cubop Hot House jazz ensembles Latin jazz Miami Beach music musicians National Public Radio NPR orlando pianist pianists piano pianos Public Broadcasting Service Rhythm of Our World trumpet players trumpeters trumpets UCF University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/55e5358c1af35db3865202b5d9807065.mp3 118861dd389497f1a7efc0f71bfa6fe9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "'O Sole Mio" by Jeff Rupert + Dirty Martini Alternative Title "'O Sole Mio" by Jeff Rupert + Dirty Martini Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "'O Sole Mio," composed by Eduardo di Capua (1865-1917), with lyrics by Giovanni Capurro (1859-1920), and performed by Jeff Rupert + Dirty Martini live on-air on WUCF-FM on April 23, 2007. Jeff Rupert (b. 1964) is a freelance tenor saxophonist, Director of Jazz Studies and professor at the University of Central Florida (UCF), founder of Flying Horse Records, composer, and Yamaha performing artist. He has recorded with numerous artists, including Maynard Ferguson (1928-2006), Sam Rivers (1923-2011), Mel Tormé (1925-1999), and Benny Carter, whose 1992 album, Harlem Renaissance, Rupert appeared on, won a Grammy award. He has recorded and performed with his own bands as well, including Jeff Rupert + Dirty Martini and The Jazz Professors. "'O Sole Mio" is an internationally popular Neapolitan song composed in 1898 that has been recorded by numerous artists. The 1980 recording by Luciano Pavarotti (1935-2007) won the Grammy Award for Best Classical Vocal Performance. Type Sound Source Original 4-minute and 3-second audio recording: Capurro, Giovanni, and Eduard di Capua. "'O Sole Mio," by Jeff Rupert + Dirty Martini: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, April 23, 2007. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Naples, Campania, Italy Creator Capurro, Giovanni di Capua, Eduardo Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Jeff Rupert + Dirty Martini Date Created 2007-04-23 Date Issued 2007-04-23 Date Copyrighted 2007-04-23 Format audio/mp3 Extent 3.71 MB Medium 4-minute and 3-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Eduardo di Capua and Giovanni Capurro, performed by Jeff Rupert + Dirty Martini, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Eduardo di Capua and Giovanni Capurro and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://musicians.allaboutjazz.com/jeffrupert" target="_blank">Jeff Rupert</a>." All About Jazz. http://musicians.allaboutjazz.com/jeffrupert (accessed March 18, 2015). Click to View (Movie, Podcast, or Website) <a href="https://richesmi.cah.ucf.edu/omeka/files/original/55e5358c1af35db3865202b5d9807065.mp3" target="_blank">"'O Sole Mio" by Jeff Rupert + Dirty Martini</a> ’O Sole Mio CAH College of Arts and Humanities Dirty Martini Eduardo di Capua Flying Horse Records Giovanni Capurro Italian jazz jazz ensembles Jeff Rupert Jeff Rupert + Dirty Martini music musicians National Public Radio Neapolitan jazz NPR orlando PBS Public Broadcasting Service tenor saxophones tenor saxophonists UCF University of Central Florida WUCF-FM Yamaha https://richesmi.cah.ucf.edu/omeka/files/original/4bb860562f0d1aa5f181988c71721a13.mp3 f72fcba79fc939f42f5e342d6b7bbc06 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "No More Blues" by Jeff Rupert + Dirty Martini Alternative Title "No More Blues" by Jeff Rupert + Dirty Martini Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "No More Blues," composed by Antônio Carlos Jobim (1927-1994), with lyrics by Vinícius de Moraes (1913-1980), and performed by Jeff Rupert + Dirty Martini live on-air on WUCF-FM on April 23, 2007. Jeff Rupert (b. 1964) is a freelance tenor saxophonist, Director of Jazz Studies and professor at the University of Central Florida (UCF), founder of Flying Horse Records, composer, and Yamaha performing artist. He has recorded with numerous artists, including Maynard Ferguson (1928-2006), Sam Rivers (1923-2011), Mel Tormé (1925-1999), and Benny Carter, whose 1992 album, Harlem Renaissance, Rupert appeared on, won a Grammy award. He has recorded and performed with his own bands as well, including Jeff Rupert + Dirty Martini and The Jazz Professors. "No More Blues," or "Chega de Saudade," is a jazz standard that is considered to be the first recorded bossa nova song. The song was first recorded in 1958 by Elizete Cardoso, but the second recorded version in 1959 by João Gilberto became an international hit. Type Sound Source Original 5-minute and 35-second audio recording of Jeff Rupert + Dirty Martini, <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, April 23, 2007: WUCF-FM, University of Central Florida. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Brazil Creator Jobim, Antônio Carlos de Moraes, Vinícius Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Jeff Rupert + Dirty Martini Date Created 2007-04-23 Date Issued 2007-04-23 Date Copyrighted 2007-04-23 Format audio/mp3 Extent 5.12 MB Medium 5-minute and 35-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Antônio Carlos Jobim and Vinícius de Moraes, performed by Jeff Rupert + Dirty Martini, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Antônio "Tom" Carlos Brasileiro de Almeida Jobim and Vinícius de Moraes and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://musicians.allaboutjazz.com/jeffrupert" target="_blank">Jeff Rupert</a>." All About Jazz. http://musicians.allaboutjazz.com/jeffrupert (accessed March 18, 2015). Click to View (Movie, Podcast, or Website) <a href="https://richesmi.cah.ucf.edu/omeka/files/original/4bb860562f0d1aa5f181988c71721a13.mp3" target="_blank">"No More Blues" by Jeff Rupert + Dirty Martini</a> Antônio Carlos Brasileiro de Almeida Jobim Antônio Carlos Jobim bossa nova Brazilian jazz CAH Chega de Saudade College of Arts and Humanities Dirty Martini Flying Horse Records jazz ensembles Jeff Rupert Jeff Rupert + Dirty Martini Marcus Vinícius da Cruz e Mello Moraes music musicians National Public Radio No More Blues NPR orlando PBS Public Broadcasting Service tenor saxophones tenor saxophonists Tom Jobim UCF University of Central Florida Vinicius de Moraes WUCF-FM Yamaha https://richesmi.cah.ucf.edu/omeka/files/original/cb340dd192858625e2a5a00db0dd78de.mp3 98ec16ca888b894aa11cfe5e7d593b42 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Descarga" by Jeff Rupert + Dirty Martini Alternative Title "Descarga" by Jeff Rupert + Dirty Martini Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Descarga," composed and performed by Jeff Rupert + Dirty Martini live on-air on WUCF-FM on April 23, 2007. Jeff Rupert (b. 1964) is a freelance tenor saxophonist, Director of Jazz Studies and professor at the University of Central Florida (UCF), founder of Flying Horse Records, composer, and Yamaha performing artist. He has recorded with numerous artists, including Maynard Ferguson (1928-2006), Sam Rivers (1923-2011), Mel Tormé (1925-1999), and Benny Carter, whose 1992 album, Harlem Renaissance, Rupert appeared on, won a Grammy award. He has recorded and performed with his own bands as well, including Jeff Rupert + Dirty Martini and The Jazz Professors. "Descarga" is the Afro-Cuban equivalent to an improvised jam session. Type Sound Source Original 2-minute and 32-second audio recording: Rupert, Jeff. "Descarga," by Jeff Rupert + Dirty Martini: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, April 23, 2007. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Cuba Creator Rupert, Jeff Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Jeff Rupert + Dirty Martini Date Created 2007-04-23 Date Issued 2007-04-23 Date Copyrighted 2007-04-23 Format audio/mp3 Extent 2.32 MB Medium 2-minute and 32-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and performed by Jeff Rupert + Dirty Martini, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Jeff Rupert and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://musicians.allaboutjazz.com/jeffrupert" target="_blank">Jeff Rupert</a>." All About Jazz. http://musicians.allaboutjazz.com/jeffrupert (accessed March 18, 2015). Click to View (Movie, Podcast, or Website) <a href="https://richesmi.cah.ucf.edu/omeka/files/original/cb340dd192858625e2a5a00db0dd78de.mp3" target="_blank">"Descarga" by Jeff Rupert + Dirty Martini</a> Afro-Cuba jazz bossa nova CAH College of Arts and Humanities Descarga Dirty Martini Flying Horse Records jam sessions jazz jazz ensembles Jeff Rupert Jeff Rupert + Dirty Martini Latin jazz music musicians National Public Radio NPR orlando PBS Public Broadcasting Service tenor saxophones tenor saxophonists UCF University of Central Florida WUCF-FM Yamaha https://richesmi.cah.ucf.edu/omeka/files/original/06525c8a65caca453ff762be64ecb873.mp3 ad0448f4a90ae6470b203f112028c91a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Bad Moon" by Jeff Rupert + Dirty Martini Alternative Title "Bad Moon" by Jeff Rupert + Dirty Martini Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Bad Moon," composed and performed by Jeff Rupert + Dirty Martini live on-air on WUCF-FM on April 23, 2007. Jeff Rupert (b. 1964) is a freelance tenor saxophonist, Director of Jazz Studies and professor at the University of Central Florida (UCF), founder of Flying Horse Records, composer, and Yamaha performing artist. He has recorded with numerous artists, including Maynard Ferguson (1928-2006), Sam Rivers (1923-2011), Mel Tormé (1925-1999), and Benny Carter, whose 1992 album, Harlem Renaissance, Rupert appeared on, won a Grammy award. He has recorded and performed with his own bands as well, including Jeff Rupert + Dirty Martini and The Jazz Professors. "Bad Moon" was written by Rupert and recorded on his 2009 album, From Memphis to Mobile. Type Sound Source Original 5-minute and 10-second audio recording: Rupert, Jeff. "Bad Moon," by Jeff Rupert + Dirty Martini: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, April 23, 2007. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Brazil Creator Rupert, Jeff Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Jeff Rupert + Dirty Martini Date Created 2007-04-23 Date Issued 2007-04-23 Date Copyrighted 2007-04-23 Format audio/mp3 Extent 4.74 MB Medium 5-minute and 10-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Jeff Rupert, performed by Jeff Rupert + Dirty Martini, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Jeff Rupert and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://musicians.allaboutjazz.com/jeffrupert" target="_blank">Jeff Rupert</a>." All About Jazz. http://musicians.allaboutjazz.com/jeffrupert (accessed March 18, 2015). Click to View (Movie, Podcast, or Website) <a href="https://richesmi.cah.ucf.edu/omeka/files/original/06525c8a65caca453ff762be64ecb873.mp3" target="_blank">"Bad Moon" by Jeff Rupert + Dirty Martini</a> Bad Moon bossa nova Brazilian jazz CAH College of Arts and Humanities Dirty Martini Flying Horse Records jazz jazz ensembles Jeff Rupert Jeff Rupert + Dirty Martini music musicians National Public Radio NPR orlando PBS Public Broadcasting Service tenor saxophones tenor saxophonists UCF University of Central Florida WUCF-FM Yamaha https://richesmi.cah.ucf.edu/omeka/files/original/6cd03a6b41b54a39ae61f9b9fe266ae7.mp3 fd44df2b78928b58d464060231b35e42 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "The Jitterbug Waltz" by Jeff Rupert + Dirty Martini Alternative Title "The Jitterbug Waltz" by Jeff Rupert + Dirty Martini Subject Orlando (Fla.) Music--United State Jazz--United States Description An audio recording of "The Jitterbug Waltz," composed by Fats Waller (1904-1943), and performed by Jeff Rupert + Dirty Martini live on-air on WUCF-FM on April 23, 2007. Jeff Rupert (b. 1964) is a freelance tenor saxophonist, Director of Jazz Studies and professor at the University of Central Florida (UCF), founder of Flying Horse Records, composer, and Yamaha performing artist. He has recorded with numerous artists, including Maynard Ferguson (1928-2006), Sam Rivers (1923-2011), Mel Tormé (1925-1999), and Benny Carter, whose 1992 album, Harlem Renaissance, Rupert appeared on, won a Grammy award. He has recorded and performed with his own bands as well, including Jeff Rupert + Dirty Martini and The Jazz Professors. "The Jitterbug Waltz" is a jazz standard composed and recorded by Waller in 1942. It was one of the first jazz records that used a Hammond organ. Type Sound Source Original 4-minute and 26-second audio recording: Waller, Fats. "The Jitterbug Waltz," by Jeff Rupert + Dirty Martini: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, April 23, 2007. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Brazil Creator Waller, Fats Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Jeff Rupert + Dirty Martini Date Created 2007-04-23 Date Issued 2007-04-23 Date Copyrighted 2007-04-23 Format audio/mp3 Extent 4.07 MB Medium 4-minute and 26-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Fats Waller, performed by Jeff Rupert + Dirty Martini, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Fats Waller and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://musicians.allaboutjazz.com/jeffrupert" target="_blank">Jeff Rupert</a>." All About Jazz. http://musicians.allaboutjazz.com/jeffrupert (accessed March 18, 2015). Click to View (Movie, Podcast, or Website) <a href="https://richesmi.cah.ucf.edu/omeka/files/original/6cd03a6b41b54a39ae61f9b9fe266ae7.mp3" target="_blank">"The Jitterbug Waltz" by Jeff Rupert + Dirty Martini</a> CAH College of Arts and Humanities Dirty Martini Fats Waller Flying Horse Records jazz jazz ensembles jazz standard Jeff Rupert Jeff Rupert + Dirty Martini music musicians National Public Radio NPR orlando PBS Public Broadcasting Service tenor saxophones tenor saxophonists The Jitterbug Waltz Thomas Wright Faller UCF University of Central Florida WUCF-FM Yamaha https://richesmi.cah.ucf.edu/omeka/files/original/dd904d974435b166f49f6a24c6eb6eda.mp3 883f9095759b35d7d658b528e3c842ad Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Tenderly" by Jeff Rupert + Dirty Martini Alternative Title "Tenderly" by Jeff Rupert + Dirty Martini Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Tenderly," composed by Walter Gross (1909-1967) with lyrics by Jack Lawrence (1912-2009), and performed by Jeff Rupert + Dirty Martini live on-air on WUCF-FM on April 23, 2007. Jeff Rupert (b. 1964) is a freelance tenor saxophonist, Director of Jazz Studies and professor at the University of Central Florida (UCF), founder of Flying Horse Records, composer, and Yamaha performing artist. He has recorded with numerous artists, including Maynard Ferguson (1928-2006), Sam Rivers (1923-2011), Mel Tormé (1925-1999), and Benny Carter, whose 1992 album, Harlem Renaissance, Rupert appeared on, won a Grammy award. He has recorded and performed with his own bands as well, including Jeff Rupert + Dirty Martini and The Jazz Professors. "Tenderly" is a jazz standard first published and recorded in 1946. Sarah Vaughan's early recording was a hit in 1947, but the best-known version was by Rosemary Clooney in 1952. Type Sound Source Original 5-minute and 48-second audio recording: Gross, Walter, and Jack Lawrence. "Tenderly," by Jeff Rupert + Dirty Martini: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, April 23, 2007. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Brazil Creator Gross, Walter Lawrence, Jack Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Jeff Rupert + Dirty Martini Date Created 2007-04-23 Date Issued 2007-04-23 Date Copyrighted 2007-04-23 Format audio/mp3 Extent 5.32 MB Medium 5-minute and 48-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Walter Gross and Jack Lawrence, performed by Jeff Rupert + Dirty Martini, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Walter Gross and Jack Lawrence and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://musicians.allaboutjazz.com/jeffrupert" target="_blank">Jeff Rupert</a>." All About Jazz. http://musicians.allaboutjazz.com/jeffrupert (accessed March 18, 2015). Click to View (Movie, Podcast, or Website) <a href="https://richesmi.cah.ucf.edu/omeka/files/original/dd904d974435b166f49f6a24c6eb6eda.mp3" target="_blank">"Tenderly" by Jeff Rupert + Dirty Martini</a> CAH College of Arts and Humanities Dirty Martini Flying Horse Records Jack Lawrence jazz jazz ensembles jazz music jazz standard Jazz Studies Jeff Rupert Jeff Rupert + Dirty Martini music musicians National Public Radio NPR orlando PBS Public Broadcasting Service Tenderly tenor saxophones tenor saxophonists UCF University of Central Florida Walter Gross WUCF-FM Yamaha https://richesmi.cah.ucf.edu/omeka/files/original/72298c3432bb0437bf58f019c655e38e.mp3 798c36ad2deb28a22c030c7ca29a614f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "You're Blasé" by Jeff Rupert + Dirty Martini Alternative Title "You're Blasé" by Jeff Rupert + Dirty Martini Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "You're Blasé," composed by Ord Hamilton and Bruce Sievier, and performed by Jeff Rupert + Dirty Martini live on-air on WUCF-FM on April 23, 2007. Jeff Rupert (b. 1964) is a freelance tenor saxophonist, Director of Jazz Studies and professor at the University of Central Florida (UCF), founder of Flying Horse Records, composer, and Yamaha performing artist. He has recorded with numerous artists, including Maynard Ferguson (1928-2006), Sam Rivers (1923-2011), Mel Tormé (1925-1999), and Benny Carter, whose 1992 album, Harlem Renaissance, Rupert appeared on, won a Grammy award. He has recorded and performed with his own bands as well, including Jeff Rupert + Dirty Martini and The Jazz Professors. "You're Blasé" is a 1931 jazz standard that was popularized by Ella Fitzgerald, who recorded the song in 1957 and agian in 1973. Type Sound Source Original 7-minute and 1-second audio recording: Hamilton, Ord, and Bruce Sievier. "You're Blasé," by Jeff Rupert + Dirty Martini: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, April 23, 2007. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Brazil Creator Hamilton, Ord Sievier, Bruce Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Jeff Rupert + Dirty Martini Date Created 2007-04-23 Date Issued 2007-04-23 Date Copyrighted 2007-04-23 Format audio/mp3 Extent 6.42 MB Medium 7-minute and 1-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Ord Hamilton and Bruce Sievier, performed by Jeff Rupert + Dirty Martini, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Ord Hamilton and Bruce Sievier and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://musicians.allaboutjazz.com/jeffrupert" target="_blank">Jeff Rupert</a>." All About Jazz. http://musicians.allaboutjazz.com/jeffrupert (accessed March 18, 2015). Click to View (Movie, Podcast, or Website) <a href="https://richesmi.cah.ucf.edu/omeka/files/original/72298c3432bb0437bf58f019c655e38e.mp3" target="_blank">"You're Blasé" by Jeff Rupert + Dirty Martini</a> bossa nova Brazilian jazz Bruce Sievier CAH College of Arts and Humanities Dirty Martini Flying Horse Records jazz jazz ensembles jazz standard Jeff Rupert Jeff Rupert + Dirty Martini music musicians National Public Radio NPR Ord Hamilton orlando PBS Public Broadcasting Service tenor saxophones tenor saxophonists UCF University of Central Florida WUCF-FM Yamaha You're Blasé https://richesmi.cah.ucf.edu/omeka/files/original/582b62e48fb1577a52a9e344c5bd4828.mp3 04c89515f53edca7d74951623d82e5f1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "When Lights Are Low" by Jeff Rupert + Dirty Martini Alternative Title "When Lights Are Low" by Jeff Rupert + Dirty Martini Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "When Lights Are Low," composed by Benny Carter (1907-2003) and Spencer Williams (1889-1965), and performed by Jeff Rupert + Dirty Martini live on-air on WUCF-FM on April 23, 2007. Jeff Rupert (b. 1964) is a freelance tenor saxophonist, Director of Jazz Studies and professor at the University of Central Florida (UCF), founder of Flying Horse Records, composer, and Yamaha performing artist. He has recorded with numerous artists, including Maynard Ferguson (1928-2006), Sam Rivers (1923-2011), Mel Tormé (1925-1999), and Benny Carter, whose 1992 album, Harlem Renaissance, Rupert appeared on, won a Grammy award. He has recorded and performed with his own bands as well, including Jeff Rupert + Dirty Martini and The Jazz Professors. "When Lights Are Low" is a jazz standard that was composed in 1936 and has been recorded by numerous artists. The most famous versions were recorded by Miles Davis (1926-1991) in 1956 and Tony Bennett in 1964. Type Sound Source Original 5-minute and 21-second audio recording: Carter, Benny, and Spencer Williams. "When Lights Are Low," by Jeff Rupert + Dirty Martini: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, April 23, 2007. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Brazil Creator Carter, Benny Williams, Spencer Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Jeff Rupert + Dirty Martini Date Created 2007-04-23 Date Issued 2007-04-23 Date Copyrighted 2007-04-23 Format audio/mp3 Extent 4.9 MB Medium 5-minute and 21-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Benny Carter and Spencer Williams, performed by Jeff Rupert + Dirty Martini, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Benny Carter and Spencer Williams and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://musicians.allaboutjazz.com/jeffrupert" target="_blank">Jeff Rupert</a>." All About Jazz. http://musicians.allaboutjazz.com/jeffrupert (accessed March 18, 2015). Click to View (Movie, Podcast, or Website) <a href="https://richesmi.cah.ucf.edu/omeka/files/original/582b62e48fb1577a52a9e344c5bd4828.mp3" target="_blank">"When Lights Are Low" by Jeff Rupert + Dirty Martini</a> Bennett Lester Carter Benny Carter bossa nova Brazilian jazz CAH College of Arts and Humanities Dirty Martini Flying Horse Records jazz jazz ensembles jazz standard Jeff Rupert Jeff Rupert + Dirty Martini music musicians National Public Radio NPR orlando PBS Public Broadcasting Service Spencer Williams tenor saxophones tenor saxophonists UCF University of Central Florida When Lights Are Low WUCF-FM Yamaha https://richesmi.cah.ucf.edu/omeka/files/original/43fb19a85d75ff03587fe54876db7807.mp3 fd4c92543629a9f1d96edc7a128e50f2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Spring Can Really Hang You Up the Most" by Jeff Rupert + Dirty Martini Alternative Title "Spring Can Really Hang You Up the Most" by Jeff Rupert + Dirty Martini Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Spring Can Really Hang You Up the Most," composed by Tommy Wolf (1925-1979), with lyrics by Fran Landesman (1927-2011), and performed by Jeff Rupert + Dirty Martini live on-air on WUCF-FM on April 23, 2007. Jeff Rupert (b. 1964) is a freelance tenor saxophonist, Director of Jazz Studies and professor at the University of Central Florida (UCF), founder of Flying Horse Records, composer, and Yamaha performing artist. He has recorded with numerous artists, including Maynard Ferguson (1928-2006), Sam Rivers (1923-2011), Mel Tormé (1925-1999), and Benny Carter, whose 1992 album, Harlem Renaissance, Rupert appeared on, won a Grammy award. He has recorded and performed with his own bands as well, including Jeff Rupert + Dirty Martini and The Jazz Professors. "Spring Can Really Hang You Up the Most" is a popular song composed in 1955 and recorded by numerous artists. The most famous version is Ella Fitzgerald's 1961 recording. Type Sound Source Original 7-minute and 3-second audio recording: Wolf, Tommy, and Fran Landesman. "Spring Can Really Hang You Up the Most," by Jeff Rupert + Dirty Martini: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, April 23, 2007. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Brazil Creator Wolf, Tommy Landesman, Fran Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Jeff Rupert + Dirty Martini Date Created 2007-04-23 Date Issued 2007-04-23 Date Copyrighted 2007-04-23 Format audio/mp3 Extent 6.47 MB Medium 7-minute and 3-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Tommy Wolf and Fran Landesman, performed by Jeff Rupert + Dirty Martini, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Tommy Wolf and Fran Landesman and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://musicians.allaboutjazz.com/jeffrupert" target="_blank">Jeff Rupert</a>." All About Jazz. http://musicians.allaboutjazz.com/jeffrupert (accessed March 18, 2015). Click to View (Movie, Podcast, or Website) <a href="https://richesmi.cah.ucf.edu/omeka/files/original/43fb19a85d75ff03587fe54876db7807.mp3" target="_blank">"Spring Can Really Hang You Up the Most" by Jeff Rupert + Dirty Martini</a> bossa nova Brazilian jazz CAH College of Arts and Humanities Dirty Martini Flying Horse Records Fran Landesman jazz jazz ensembles Jeff Rupert Jeff Rupert + Dirty Martini music musicians National Public Radio NPR orlando PBS Public Broadcasting Service Spring Can Really Hang You Up the Most tenor saxophones tenor saxophonists Thomas Joseph Wolf Tommy Wolf UCF University of Central Florida WUCF-FM Yamaha https://richesmi.cah.ucf.edu/omeka/files/original/fac6b51a9de60ded25045af43867f20e.mp3 7912017379398273c2bcb6758080bda2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Con Alma" by Ira Sullivan Alternative Title "Con Alma" by Ira Sullivan Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Con Alma," composed by Dizzy Gillespie (1917-1993) and performed by Ira Sullivan (b. 1931) live on-air on WUCF-FM on December 8, 2006. A multi-instrumentalist, Sullivan was a crucial part of the Chicago jazz scene of the 1950s, performing with numerous artists, including a stint with Art Blakey (1919-1990) and the Jazz Messengers in 1956. He left the spotlight and moved to Florida to raise his family in the early 1960s, eventually starting a quintet with Red Rodney (1927-1994). Sullivan taught summers at the University of Miami's Young Musician's Camp, in which professional musicians and faculty from the UM School of Music instructed students between 7 and 18 years old in classical music, jazz, rock, songwriting, composition, and musical theater. "Con Alma" is a jazz standard written and recorded by Gillespie for his 1954 album, Afro. The song combines aspects of bebop jazz and Latin rhythm. Type Sound Source Original 7-minute and 52-second audio recording: Gillespie, Dizzy. "Con Alma," by Ira Sullivan: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 8, 2006. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Young Musicians Camp, University of Miami, Miami, Florida Chicago, Illinois Creator Gillespie, Dizzy Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Sullivan, Ira Date Created 2006-12-08 Date Issued 2006-12-08 Date Copyrighted 2006-12-08 Format audio/mp3 Extent 7.2 MB Medium 7-minute and 52-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Dizzy Gillespie, performed by Ira Sullivan, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Dizzy Gillespie and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://wucf.ucf.edu/about.php" target="_blank">About WUCF</a>." WUCF.ucf.edu. http://wucf.ucf.edu/about.php (accessed March 9, 2015) Meredith, Bill. "<a href="http://jazztimes.com/articles/19200-ira-sullivan-family-first" target="_blank">Ira Sullivan: Family First</a>." Jazz Times, December 2007. http://jazztimes.com/articles/19200-ira-sullivan-family-first (Accessed March 23, 2015). Click to View (Movie, Podcast, or Website) <a href="https://richesmi.cah.ucf.edu/omeka/files/original/fac6b51a9de60ded25045af43867f20e.mp3" target="_blank">"Con Alma" by Ira Sullivan</a> alto hornists alto saxophones alto saxophonists alton horns bebop bop CAH College of Arts and Humanities Con Alma Dizzy Gillespie flautists flugelhornists flugelhorns flutes Ira Sullivan jazz jazz ensembles jazz standard John Birks Gillespie music musicians National Public Radio NPR orlando PBS peck horns Public Broadcasting Service soprano saxophones soprano saxophonists tenor horns tenor saxophones tenor saxophonists UCF UM University of Central Florida University of Miami WUCF-FM Young Musicians Camp https://richesmi.cah.ucf.edu/omeka/files/original/0bdc571c78ac5a030d9922f0a4106e5b.mp3 f61c1760efb8641537b26ba26e6efa84 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "You Must Believe in Spring" by Ira Sullivan Alternative Title "You Must Believe in Spring" by Ira Sullivan Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "You Must Believe in Spring," composed by Michel Legrand (b. 1932), with lyrics by Alan Bergman (b. 1925), Marilyn Bergman (b. 1929), and Jacques Demy (1931-1990), and performed by Ira Sullivan (b. 1931) live on-air on WUCF-FM on December 8, 2006. A multi-instrumentalist, Sullivan was a crucial part of the Chicago jazz scene of the 1950s, performing with numerous artists, including a stint with Art Blakey (1919-1990) and the Jazz Messengers in 1956. He left the spotlight and moved to Florida to raise his family in the early 1960s, eventually starting a quintet with Red Rodney (1927-1994). Sullivan taught summers at the University of Miami's Young Musician's Camp, in which professional musicians and faculty from the UM School of Music instructed students between 7 and 18 years old in classical music, jazz, rock, songwriting, composition, and musical theater. "You Must Believe in Spring" is a 1967 jazz standard often associated with Bill Evans (1929-1980), who recorded the song for his 1981 album of the same name, and as a duet with Tony Bennett (b. 1926) on their 1977 album, Together Again. Type Sound Source Original 5-minute and 50-second audio recording: Legrand, Michel, Alan Bergman, Marilyn Bergman, and Jacque Demy. "You Must Believe in Spring," by Ira Sullivan: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 8, 2006. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Young Musicians Camp, University of Miami, Miami, Florida Chicago, Illinois Creator Legrand, Michel Bergman, Alan Bergman, Marilyn Demy, Jacques Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Sullivan, Ira Date Created 2006-12-08 Date Issued 2006-12-08 Date Copyrighted 2006-12-08 Format audio/mp3 Extent 5.35 MB Medium 5-minute and 50-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Michel Legrand, Alan Bergman, Marilyn Bergman, and Jacques Louis Demy, performed by Ira Sullivan, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Michel Legrand, Alan Bergman, Marilyn Bergman, and Jacques Louis Demy and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Meredith, Bill. "<a href="http://jazztimes.com/articles/19200-ira-sullivan-family-first" target="_blank">Ira Sullivan: Family First</a>." Jazz Times, December 2007. http://jazztimes.com/articles/19200-ira-sullivan-family-first (Accessed March 23, 2015). Click to View (Movie, Podcast, or Website) <a href="https://richesmi.cah.ucf.edu/omeka/files/original/0bdc571c78ac5a030d9922f0a4106e5b.mp3" target="_blank">"You Must Believe in Spring" by Ira Sullivan</a> Alan Bergman alto hornists alto saxophones alto saxophonists alton horns bebop bop CAH College of Arts and Humanities flautists flugelhornists flugelhorns flutes Ira Sullivan Jacques Demy jazz jazz ensembles jazz standard Marilyn Bergman Marilyn Keith Michel Legrand music musicians National Public Radio NPR orlando PBS peck horns Public Broadcasting Service soprano saxophones soprano saxophonists tenor horns tenor saxophones tenor saxophonists UCF UM University of Central Florida University of Miami WUCF-FM You Must Believe in Spring Young Musicians Camp https://richesmi.cah.ucf.edu/omeka/files/original/2d3709ae914276fe30970dcccbb3b504.mp3 fb5fac5babfe1286125176315963929b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Samba de Orpheus" by Ira Sullivan Alternative Title "Samba de Orpheus" by Ira Sullivan Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Samba de Orpheus," composed by Luiz Bonfá (1922-2001) and performed by Ira Sullivan (b. 1931) live on-air on WUCF-FM on December 8, 2006. A multi-instrumentalist, Sullivan was a crucial part of the Chicago jazz scene of the 1950s, performing with numerous artists, including a stint with Art Blakey (1919-1990) and the Jazz Messengers in 1956. He left the spotlight and moved to Florida to raise his family in the early 1960s, eventually starting a quintet with Red Rodney (1927-1994). Sullivan taught summers at the University of Miami's Young Musician's Camp, in which professional musicians and faculty from the UM School of Music instructed students between 7 and 18 years old in classical music, jazz, rock, songwriting, composition, and musical theater. One of the first bossa nova compositions to gain popularity outside Brazil, "Samba de Orpheus" has become a jazz standard. The song originally appeared in the 1959 film, Orfeu Negro ("Black Orpheus"). Type Sound Source Original 6-minute and 24-second audio recording: Bonfá, Luiz. "Samba de Orpheus," by Ira Sullivan: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 8, 2006. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Young Musicians Camp, University of Miami, Miami, Florida Chicago, Illinois Creator Bonfá, Luiz Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Sullivan, Ira Date Created 2006-12-08 Date Issued 2006-12-08 Date Copyrighted 2006-12-08 Format audio/mp3 Extent 5.86 MB Medium 6-minute and 24-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Luiz Bonfá performed by Ira Sullivan, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Luiz Bonfá and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Meredith, Bill. "<a href="http://jazztimes.com/articles/19200-ira-sullivan-family-first" target="_blank">Ira Sullivan: Family First</a>." Jazz Times, December 2007. http://jazztimes.com/articles/19200-ira-sullivan-family-first (Accessed March 23, 2015). Click to View (Movie, Podcast, or Website) <a href="https://richesmi.cah.ucf.edu/omeka/files/original/2d3709ae914276fe30970dcccbb3b504.mp3" target="_blank">"Samba de Orpheus" by Ira Sullivan</a> alto hornists alto saxophones alto saxophonists alton horns bebop bop bossa nova Brazilian jazz Brazilian music CAH College of Arts and Humanities flautists flugelhornists flugelhorns flutes Ira Sullivan jazz jazz ensemble jazz ensembles Luiz Bonfá Luiz Floriano Bonfá music musicians National Public Radio NPR orlando PBS peck horns Public Broadcasting Service samba Samba de Orpheus Samba of Orpheus soprano saxophones soprano saxophonists tenor horns tenor saxophones tenor saxophonists UCF UM University of Central Florida University of Miami WUCF-FM Young Musicians Camp https://richesmi.cah.ucf.edu/omeka/files/original/36478f45be3a7b8c35bbec95005c163c.mp3 ca4d34f28f024d80b6abdeb8dee522eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Christmas Time is Here" by Ira Sullivan Alternative Title "Christmas Time is Here" by Ira Sullivan Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Christmas Time is Here," composed by Lee Mendelson (b. 1933) and Vince Guaraldi (1928-1976), and performed by Ira Sullivan (b. 1931) live on-air on WUCF-FM on December 8, 2006. A multi-instrumentalist, Sullivan was a crucial part of the Chicago jazz scene of the 1950s, performing with numerous artists, including a stint with Art Blakey (1919-1990) and the Jazz Messengers in 1956. He left the spotlight and moved to Florida to raise his family in the early 1960s, eventually starting a quintet with Red Rodney (1927-1994). Sullivan taught summers at the University of Miami's Young Musician's Camp, in which professional musicians and faculty from the UM School of Music instructed students between 7 and 18 years old in classical music, jazz, rock, songwriting, composition, and musical theater. "Christmas Time is Here" is a jazz standard written for the 1965 network television special, A Charlie Brown Christmas. Type Sound Source Original 7-minute and 8-second audio recording: Mendelson, Lee, and Vince Guaraldi. "Christmas Time is Here," by Ira Sullivan: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 8, 2006. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Young Musicians Camp, University of Miami, Miami, Florida Chicago, Illinois Creator Mendelson, Lee Guaraldi, Vince Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Sullivan, Ira Date Created 2006-12-08 Date Issued 2006-12-08 Date Copyrighted 2006-12-08 Format audio/mp3 Extent 6.53 MB Medium 7-minute and 8-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Lee Mendelson and Vince Guaraldi, performed by Ira Sullivan, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Lee Mendelson and Vince Guaraldi and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Meredith, Bill. "<a href="http://jazztimes.com/articles/19200-ira-sullivan-family-first" target="_blank">Ira Sullivan: Family First</a>." Jazz Times, December 2007. http://jazztimes.com/articles/19200-ira-sullivan-family-first (Accessed March 23, 2015). Click to View (Movie, Podcast, or Website) <a href="https://richesmi.cah.ucf.edu/omeka/files/original/36478f45be3a7b8c35bbec95005c163c.mp3" target="_blank">"Christmas Time is Here" by Ira Sullivan</a> A Charlie Brown Christmas alto hornists alto saxophones alto saxophonists alton horns bebop bop CAH Charlie Brown Chicago, Illinois Christmas Time is Here College of Arts and Humanities flautists flugelhornists flugelhorns flutes Ira Sullivan jazz jazz ensembles jazz standard Lee Mendelson music musicians National Public Radio NPR orlando PBS peanuts peck horns Public Broadcasting Service soprano saxophones soprano saxophonists tenor horns tenor saxophones tenor saxophonists UCF UM University of Central Florida University of Miami Vince Guaraldi Vincent Anthony Dellaglio Vincent Anthony Guaraldi WUCF-FM Young Musicians Camp https://richesmi.cah.ucf.edu/omeka/files/original/de4d6f53611f7ae73ee1bed3e85b74f5.mp3 339900e337f32b87b9c883245f5ebab9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Blues-ette" by Ira Sullivan Alternative Title "Blues-ette" by Ira Sullivan Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Blues-ette," composed by Curtis Fuller (b. 1934) and performed by Ira Sullivan (b. 1931) live on-air on WUCF-FM on December 8, 2006. A multi-instrumentalist, Sullivan was a crucial part of the Chicago jazz scene of the 1950s, performing with numerous artists, including a stint with Art Blakey (1919-1990) and the Jazz Messengers in 1956. He left the spotlight and moved to Florida to raise his family in the early 1960s, eventually starting a quintet with Red Rodney (1927-1994). Sullivan taught summers at the University of Miami's Young Musician's Camp, in which professional musicians and faculty from the UM School of Music instructed students between 7 and 18 years old in classical music, jazz, rock, songwriting, composition, and musical theater. "Blues-ette" was written and recorded by Fuller for his 1959 album of the same name. Type Sound Source Original 5-minute and 4-second audio recording: Fuller, Curtis. "Blues-ette," by Ira Sullivan: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 8, 2006. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Young Musicians Camp, University of Miami, Miami, Florida Chicago, Illinois Creator Fuller, Curtis Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Sullivan, Ira Date Created 2006-12-08 Date Issued 2006-12-08 Date Copyrighted 2006-12-08 Format audio/mp3 Extent 4.64 MB Medium 5-minute and 4-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Curtis Fuller, performed by Ira Sullivan, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Curtis Fuller and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Meredith, Bill. "<a href="http://jazztimes.com/articles/19200-ira-sullivan-family-first" target="_blank">Ira Sullivan: Family First</a>." Jazz Times, December 2007. http://jazztimes.com/articles/19200-ira-sullivan-family-first (Accessed March 23, 2015). Click to View (Movie, Podcast, or Website) <a href="https://richesmi.cah.ucf.edu/omeka/files/original/de4d6f53611f7ae73ee1bed3e85b74f5.mp3" target="_blank">"Blues-ette" by Ira Sullivan</a> alto hornists alto saxophones alto saxophonists alton horns band leader bebop Blues-ette bop CAH Chicago, Illinois College of Arts and Humanities Curtis DuBois Fuller Curtis Fuller flautists flugelhornists flugelhorns flutes hard bop Ira Sullivan jazz jazz ensembles musicians National Public Radio NPR orlando PBS peck horns Public Broadcasting Service soprano saxophonists tenor horns tenor saxophones tenor saxophonists UCF UM University of Central Florida University of Miami WUCF-FM Young Musicians Camp https://richesmi.cah.ucf.edu/omeka/files/original/895a409de8de511b530c30e4a997dd1a.mp3 811ef076017fa56db2288a558577f43a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Imagination" by Ira Sullivan Alternative Title "Imagination" by Ira Sullivan Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Imagination," composed by Jimmy Van Heusen (1913-1990), with lyrics by Johnny Burke (1908-1964), and performed by Ira Sullivan (b. 1931) live on-air on WUCF-FM on December 8, 2006. A multi-instrumentalist, Sullivan was a crucial part of the Chicago jazz scene of the 1950s, performing with numerous artists, including a stint with Art Blakey (1919-1990) and the Jazz Messengers in 1956. He left the spotlight and moved to Florida to raise his family in the early 1960s, eventually starting a quintet with Red Rodney (1927-1994). Sullivan taught summers at the University of Miami's Young Musician's Camp, in which professional musicians and faculty from the UM School of Music instructed students between 7 and 18 years old in classical music, jazz, rock, songwriting, composition, and musical theater. "Imagination" is a 1940 jazz standard that has been recorded by numerous artists. The best-selling recordings were by Glenn Miller (1904-1944) and Tommy Dorsey (1905-1956) in 1940, but Ella Fitzgerald (1917-1996) is considered by many to be the definitive jazz interpreter of the song. Type Sound Source Original 7-minute and 1-second audio recording: Van Heusen, Jimmy, and Johnny Burke. "Imagination," by Ira Sullivan: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 8, 2006. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Young Musicians Camp, University of Miami, Miami, Florida Chicago, Illinois Creator Van Heusen, Jimmy Burke, Johnny Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Sullivan, Ira Date Created 2006-12-08 Date Issued 2006-12-08 Date Copyrighted 2006-12-08 Format audio/mp3 Extent 6.42 MB Medium 7-minute and 1-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Jimmy Van Heusen and Johnny Burke, performed by Ira Sullivan, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Jimmy Van Heusen and Johnny Burke and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Meredith, Bill. "<a href="http://jazztimes.com/articles/19200-ira-sullivan-family-first" target="_blank">Ira Sullivan: Family First</a>." Jazz Times, December 2007. http://jazztimes.com/articles/19200-ira-sullivan-family-first (Accessed March 23, 2015). Click to View (Movie, Podcast, or Website) <a href="https://richesmi.cah.ucf.edu/omeka/files/original/895a409de8de511b530c30e4a997dd1a.mp3" target="_blank">"Imagination" by Ira Sullivan</a> alto hornists alto saxophones alto saxophonists alton horns bebop bop CAH Chicago, Illinois College of Arts and Humanities Edward Chester Babcock flautists flugelhornists flugelhorns flutes Imagination Ira Sullivan jazz jazz ensembles jazz standard Jimmy Van Heusen John Francis Burke Johnny Burke music musicians National Public Radio NPR orlando PBS peck horns Public Broadcasting Service soprano saxophones soprano saxophonists tenor horns tenor saxophones tenor saxophonists UCF UM University of Central Florida University of Miami WUCF-FM Young Musicians Camp https://richesmi.cah.ucf.edu/omeka/files/original/875a98f98e15f470cbcd606ebcd9a2c3.mp3 bafced2003b095a3048472021c440b02 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Softly, As in a Morning Sunrise" by Ira Sullivan Alternative Title "Softly, As in a Morning Sunrise" by Ira Sullivan Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Softly, As in a Morning Sunrise," composed by Sigmund Romberg (1887-1951), with lyrics by Oscar Hammerstein II (1895-1960), and performed by Ira Sullivan (b. 1931) live on-air on WUCF-FM on December 8, 2006. A multi-instrumentalist, Sullivan was a crucial part of the Chicago jazz scene of the 1950s, performing with numerous artists, including a stint with Art Blakey (1919-1990) and the Jazz Messengers in 1956. He left the spotlight and moved to Florida to raise his family in the early 1960s, eventually starting a quintet with Red Rodney (1927-1994). Sullivan taught summers at the University of Miami's Young Musician's Camp, in which professional musicians and faculty from the UM School of Music instructed students between 7 and 18 years old in classical music, jazz, rock, songwriting, composition, and musical theater. "Softly, As in a Morning Sunrise" is a jazz standard written by Romberg and Hammerstein for the 1928 operetta, The New Moon. Originally composed as a tango, the first noteworthy jazz version is the 1938 recording by Artie Shaw (1910-2004). Type Sound Source Original 8-minute and 1-second audio recording: Romberg, Sigmund, and Oscar Hammerstein II. "Softly, As in a Morning Sunrise," by Ira Sullivan: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 8, 2006. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Young Musicians Camp, University of Miami, Miami, Florida Chicago, Illinois Creator Romberg, Sigmund Hammerstein, Oscar Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Sullivan, Ira Date Created 2006-12-08 Date Issued 2006-12-08 Date Copyrighted 2006-12-08 Format audio/mp3 Extent 7.35 MB Medium 8-minute and 1-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Sigmund Romberg and Oscar Hammerstein II, performed by Ira Sullivan, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Sigmund Romberg and Oscar Hammerstein II and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Meredith, Bill. "<a href="http://jazztimes.com/articles/19200-ira-sullivan-family-first" target="_blank">Ira Sullivan: Family First</a>." Jazz Times, December 2007. http://jazztimes.com/articles/19200-ira-sullivan-family-first (Accessed March 23, 2015). alto hornists alto saxophones alto saxophonists alton horns bebop bop CAH Chicago, Illinois College of Arts and Humanities flautists flugelhornists flugelhorns flutes Ira Sullivan jazz jazz ensembles jazz standard music musicians National Public Radio NPR orlando Oscar Greeley Clendenning Hammerstein II Oscar Hammerstein PBS peck horns Public Broadcasting Service Sigmund A. Romberg Sigmund Romberg Softly, As in a Morning Sunrise soprano saxophones soprano saxophonists tenor horns tenor saxophones tenor saxophonists The New Moon UCF UM University of Central Florida University of Miami WUCF-FM Young Musicians Camp https://richesmi.cah.ucf.edu/omeka/files/original/d2e3991118079b9dd8a39beca3636958.mp3 36343a4e993607ec2b4c222f80f0da81 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Shiny Stockings" by the John Whitney Trio Alternative Title "Shiny Stockings" by John Whitney Trio Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Shiny Stockings," composed by Frank Foster with lyrics by Ella Fitzgerald (1917-1996), and performed by the John Whitney Trio live on-air on WUCF-FM on January 4, 2000. John Whitney served as director of both orchestral studies and the University of Central Florida Jazz Lab band during his 20 years with the university. Whitney also led the UCF Jazz Lab band in invited performances at Montreux Jazz Festival in Switzerland and North Sea Jazz Festival in Holland. He established himself as a conductor, performer, composer, arranger, and teacher in both classical and jazz arenas, founding and directing the Southern Tier Symphony in Allegany, New York, in 2003, until his death in 2014. "Shiny Stockings" is a 1955 jazz standard written by Foster and Fitzgerald for the Count Basie Orchestra. Type Sound Source Original 5-minute and 45-second audio recording: Foster, Frank, and Ella Fitzgerald. "Shiny Stockings," by the John Whitney Trio: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, January 4, 2000. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Southern Tier Symphony, Allegany, New York Creator Foster, Frank Fitzgerald, Ella Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor John Whitney Trio Date Created 2000-01-04 Date Issued 2000-01-04 Date Copyrighted 2000-01-04 Format audio/mp3 Extent 5.27 MB Medium 5-minute and 45-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Frank Foster and Ella Fitzgerald, performed by the John Whitney Trio, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by FFrank Foster and Ella Fitzgerald and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://wucf.ucf.edu/about.php" target="_blank">John Whitney - Music Director</a>." Southern Tier Symphony. http://www.southerntiersymphony.org/John_Whitney_Biography.htm (accessed March 17, 2015). Click to View (Movie, Podcast, or Website) <a href="https://richesmi.cah.ucf.edu/omeka/files/original/d2e3991118079b9dd8a39beca3636958.mp3" target="_blank">"Shiny Stockings" by the John Whitney Trio</a> Axel Stordahl CAH College of Arts and Humanities conducting conductors Ella Fitzgerald Ella Jane Fitzgerald Frank Benjamin Foster III Frank Foster jazz jazz ensembles Jazz Lab jazz standard John Whitney John Whitney Trio music musicians National Public Radio NPR orlando Paul Weston Public Broadcasting Service Sammy Cahn Shiny Stockings UCF UCF Jazz Lab band University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/9a7111f2ac83a86f2412b2559779f87a.mp3 340ac851720e91dc1ed484e4cf44b3c7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "One Note Samba" by the John Whitney Trio Alternative Title "Samba de Uma Nota Só" by John Whitney Trio Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "One Note Samba," composed by Antônio Carlos Jobim (1927-1994) with Portuguese lyrics by Newton Mendon, and performed by the John Whitney Trio live on-air on WUCF-FM on January 4, 2000. John Whitney served as director of both orchestral studies and the University of Central Florida Jazz Lab band during his 20 years with the university. Whitney also led the UCF Jazz Lab band in invited performances at Montreux Jazz Festival in Switzerland and North Sea Jazz Festival in Holland. He established himself as a conductor, performer, composer, arranger, and teacher in both classical and jazz arenas, founding and directing the Southern Tier Symphony in Allegany, New York, in 2003, until his death in 2014. "One Note Samba" is a jazz standard in a bossa nova rhythm, which was made popular on the 1963 Grammy-winning, number one album, Jazz Samba. It has been recorded by numerous artists, including Quincy Jones (b. 1933), Frank Sinatra (1915-1998), Barbra Streisand (b. 1942), and Ella Fitzgerald (1917-1996). Type Sound Source Original 5-minute and 35-second audio recording: Antônio Carlos Jobim and Newton Mendon. "One Note Samba," by the John Whitney Trio: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, January 4, 2000. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Southern Tier Symphony, Allegany, New York Creator Jobim, Antônio Carlos Mendon, Newton Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor John Whitney Trio Date Created 2000-01-04 Date Issued 2000-01-04 Date Copyrighted 2000-01-04 Format audio/mp3 Extent 5.12 MB Medium 5-minute and 35-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Antônio Carlos Jobim and Newton Ferreira de Mendon, performed by the John Whitney Trio, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Antônio Carlos Jobim and Newton Ferreira de Mendon and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://wucf.ucf.edu/about.php" target="_blank">John Whitney - Music Director</a>." Southern Tier Symphony. http://www.southerntiersymphony.org/John_Whitney_Biography.htm (accessed March 17, 2015). Antônio Carlos Brasileiro de Almeida Jobim Antônio Carlos Jobim Axel Stordahl bossa nova Brazilian music CAH College of Arts and Humanities conducting conductors jazz jazz ensembles Jazz Lab Jazz Samba jazz standard John Whitney John Whitney Trio musicians National Public Radio Newton Mendon NPR One Note Samba orlando Paul Weston Public Broadcasting Service Samba de Uma Nota Só Sammy Cahn Tom Jobim UCF UCF Jazz Lab band University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/43ca42d5899312cdf06c3853aee0ef60.mp3 cb3f7e35f5de20a08da04105d107022b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Li'l Darlin'" by the John Whitney Trio Alternative Title "Li'l Darlin'" by John Whitney Trio Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Li'l Darlin'," composed by Neal Hefti (1922-2008) with lyrics by Jon Hendricks (b. 1921), and performed by the John Whitney Trio live on-air on WUCF-FM on January 4, 2000. John Whitney served as director of both orchestral studies and the University of Central Florida Jazz Lab band during his 20 years with the university. Whitney also led the UCF Jazz Lab band in invited performances at Montreux Jazz Festival in Switzerland and North Sea Jazz Festival in Holland. He established himself as a conductor, performer, composer, arranger, and teacher in both classical and jazz arenas, founding and directing the Southern Tier Symphony in Allegany, New York, in 2003, until his death in 2014. "Li'l Darlin'" is a jazz standard composed in 1957 for the Count Basie Orchestra. Type Sound Source Original 5-minute and 56-second audio recording: Hefti, Neal and Jon Hendricks. "Li'l Darlin'," by the John Whitney Trio: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, January 4, 2000. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Southern Tier Symphony, Allegany, New York Creator Hefti, Neal Hendricks, Jon Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor John Whitney Trio Date Created 2000-01-04 Date Issued 2000-01-04 Date Copyrighted 2000-01-04 Format audio/mp3 Extent 5.43 MB Medium 5-minute and 56-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Neal Hefti and Jon Hendricks, performed by the John Whitney Trio, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Neal Hefti and Jon Hendricks, and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://wucf.ucf.edu/about.php" target="_blank">John Whitney - Music Director</a>." Southern Tier Symphony. http://www.southerntiersymphony.org/John_Whitney_Biography.htm (accessed March 17, 2015). Axel Stordahl CAH College of Arts and Humanities conducting conductors jazz jazz ensembles Jazz Lab jazz standard John Whitney John Whitney Trio Jon Hendricks Li'l Darlin' musicians National Public Radio Neal Hefti Neal Paul Hefti NPR orlando Paul Weston Public Broadcasting Service Sammy Cahn swing music UCF UCF Jazz Lab band University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/6c94372240a44e20464101545a37fe77.mp3 a6762f6bbdfcefd326c2acda6bbf17cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "The Second Time Around" by the John Whitney Trio Alternative Title "Second Time Around" by John Whitney Trio Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "The Second Time Around," composed by Jimmy Van Heusen (1913-1990) and Sammy Cahn (1913-1993), and performed by the John Whitney Trio live on-air on WUCF-FM on January 4, 2000. John Whitney served as director of both orchestral studies and the University of Central Florida Jazz Lab band during his 20 years with the university. Whitney also led the UCF Jazz Lab band in invited performances at Montreux Jazz Festival in Switzerland and North Sea Jazz Festival in Holland. He established himself as a conductor, performer, composer, arranger, and teacher in both classical and jazz arenas, founding and directing the Southern Tier Symphony in Allegany, New York, in 2003, until his death in 2014. "The Second Time Around" was first recorded by Bing Crosby (1903-1977) and Henry Mancini (1924-1994), and featured in the 1960 film, High Time, where it was nominated for the Academy Award for Best Original Song. The song is associated with Frank Sinatra (1915-1998), who recorded several versions. Type Sound Source Original 4-minute and 38-second audio recording: Van Heusen, Jimmy, and Sammy Cahn. "The Second Time Around," by the John Whitney Trio: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, January 4, 2000. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Southern Tier Symphony, Allegany, New York Creator Van Heusen, Jimmy Cahn, Sammy Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor John Whitney Trio Date Created 2000-01-04 Date Issued 2000-01-04 Date Copyrighted 2000-01-04 Format audio/mp3 Extent 4.24 MB Medium 4-minute and 38-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Sammy Cahn and Jimmy Van Heusen, performed by the John Whitney Trio, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://wucf.ucf.edu/about.php" target="_blank">John Whitney - Music Director</a>." Southern Tier Symphony. http://www.southerntiersymphony.org/John_Whitney_Biography.htm (accessed March 17, 2015). Axel Stordahl band leader CAH College of Arts and Humanities conducting conductors Edward Chester Babcock High Time jazz jazz ensembles Jazz Lab Jimmy Van Heusen John Whitney John Whitney Trio musicians National Public Radio NPR orlando Paul Weston Public Broadcasting Service Sammy Cahn The Second Time Around UCF UCF Jazz Lab band University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/af834c0872bec100fb269703c5fbc7ea.mp3 95a5e82f82f90599569890937dded054 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Stella by Starlight" by the John Whitney Trio Alternative Title "Stella by Starlight" by John Whitney Trio Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Stella by Starlight," composed by Victor Young (1900-1956) and performed by the John Whitney Trio live on-air on WUCF-FM on January 4, 2000. John Whitney served as director of both orchestral studies and the University of Central Florida Jazz Lab band during his 20 years with the university. Whitney also led the UCF Jazz Lab band in invited performances at Montreux Jazz Festival in Switzerland and North Sea Jazz Festival in Holland. He established himself as a conductor, performer, composer, arranger, and teacher in both classical and jazz arenas, founding and directing the Southern Tier Symphony in Allegany, New York, in 2003, until his death in 2014. "Stella by Starlight" is a popular jazz standard first featured in the 1944 film, The Uninvited. It has since been recorded by numerous artists, including Frank Sinatra (1915-1998), Charlie Parker (1920-1955), Nat King Cole (1919-1965), Miles Davis (1926-1991), Larry Coryell (b. 1943), Ella Fitzgerald (1917-1996), and Ray Charles (1930-2004). Type Sound Source Original 5-minute and 50-second audio recording: Young, Victor. "Stella by Starlight," by the John Whitney Trio: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, January 4, 2000. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Southern Tier Symphony, Allegany, New York Creator Young, Victor Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor John Whitney Trio Date Created 2000-01-04 Date Issued 2000-01-04 Date Copyrighted 2000-01-04 Format audio/mp3 Extent 5.34 MB Medium 5-minute and 50-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Victor Young, performed by the John Whitney Trio, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Victor Young and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://wucf.ucf.edu/about.php" target="_blank">John Whitney - Music Director</a>." Southern Tier Symphony. http://www.southerntiersymphony.org/John_Whitney_Biography.htm (accessed March 17, 2015). Axel Stordahl CAH College of Arts and Humanities conducting conductors jazz jazz ensembles Jazz Lab John Whitney John Whitney Trio musicians National Public Radio NPR orlando Paul Weston Public Broadcasting Service Sammy Cahn The Uninvited UCF UCF Jazz Lab band University of Central Florida Victor Young WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/f9c784e7294e86445eb7fa3939637ca6.mp3 27e7b8c0ef31285c2b5df98a13a7fef6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "The Gentle Rain" by the John Whitney Trio Alternative Title "Gentle Rain" by John Whitney Trio Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "The Gentle Rain," composed by Luiz Bonfá (1922-2001) and performed by the John Whitney Trio live on-air on WUCF-FM on January 4, 2000. John Whitney served as director of both orchestral studies and the University of Central Florida Jazz Lab band during his 20 years with the university. Whitney also led the UCF Jazz Lab band in invited performances at Montreux Jazz Festival in Switzerland and North Sea Jazz Festival in Holland. He established himself as a conductor, performer, composer, arranger, and teacher in both classical and jazz arenas, founding and directing the Southern Tier Symphony in Allegany, New York, in 2003, until his death in 2014. Type Sound Source Original 6-minute and 27-second audio recording: Bonfá, Luiz. "The Gentle Rain," by the John Whitney Trio: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, January 4, 2000. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Southern Tier Symphony, Allegany, New York Creator Bonfá, Luiz Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor John Whitney Trio Date Created 2000-01-04 Date Issued 2000-01-04 Date Copyrighted 2000-01-04 Format audio/mp3 Extent 5.91 MB Medium 6-minute and 27-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Luiz Bonfá performed by the John Whitney Trio, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Luiz Bonfá and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://wucf.ucf.edu/about.php" target="_blank">John Whitney - Music Director</a>." Southern Tier Symphony. http://www.southerntiersymphony.org/John_Whitney_Biography.htm (accessed March 17, 2015). Axel Stordahl bossa nova Brazilian jazz CAH Chuva Delicada College of Arts and Humanities conducting conductors jazz jazz ensembles Jazz Lab John Whitney John Whitney Trio Luis Bonfá Luiz Bonfá Luiz Floriano Bonfá musicians National Public Radio NPR orlando Paul Weston Public Broadcasting Service Sammy Cahn The Gentle Rain UCF UCF Jazz Lab band University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/a3670e799cdeda4bdda7312b3f278521.mp3 672aa43ce8a6c55b90a0fe7a3c880fb5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "I Should Care" by the John Whitney Trio Alternative Title "I Should Care" by John Whitney Trio Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "I Should Care," composed by Axel Stordahl (1913-1963), Paul Weston (1912-1996), and Sammy Cahn (1913-1993), and performed by the John Whitney Trio live on-air on WUCF-FM on January 4, 2000. John Whitney served as director of both orchestral studies and the University of Central Florida Jazz Lab band during his 20 years with the university. Whitney also led the UCF Jazz Lab band in invited performances at Montreux Jazz Festival in Switzerland and North Sea Jazz Festival in Holland. He established himself as a conductor, performer, composer, arranger, and teacher in both classical and jazz arenas, founding and directing the Southern Tier Symphony in Allegany, New York, in 2003, until his death in 2014. "I Should Care" is a popular standard that was published in 1944 and first appeared in the 1945 film, Thrill of a Romance. It has been recorded by numerous artists, including Bing Crosby (1903-1977), Thelonious Monk (1917-1982), Nat King Cole (1919-1965), Dizzy Gillespie (1917-1993), Frank Sinatra (1915-1998), and Sammy Davis, Jr. (1925)-1990). Type Sound Source Original 4-minute and 39-second audio recording: Stordahl, Axel, Paul Weston, and Sammy Cahn. "I Should Care," by the John Whitney Trio: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, January 4, 2000. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Southern Tier Symphony, Allegany, New York Creator Stordahl, Axel Weston, Paul Cahn, Sammy Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor John Whitney Trio Date Created 2000-01-04 Date Issued 2000-01-04 Date Copyrighted 2000-01-04 Format audio/mp3 Extent 4.26 MB Medium 4-minute and 39-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Axel Stordahl, Paul Weston, and Sammy Cahn, performed by the John Whitney Trio, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Axel Stordahl, Paul Weston, and Sammy Cahn, and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://wucf.ucf.edu/about.php" target="_blank">John Whitney - Music Director</a>." Southern Tier Symphony. http://www.southerntiersymphony.org/John_Whitney_Biography.htm (accessed March 17, 2015). Axel Stordahl CAH College of Arts and Humanities conducting conductors I Should Care jazz jazz ensembles Jazz Lab John Whitney John Whitney Trio musicians National Public Radio NPR orlando Paul Weston popular standard Public Broadcasting Service Sammy Cahn Thrill of a Romance UCF UCF College of Arts and Humanities University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/de41c8383c5ed2a9940b166cc0155824.mp3 b9828f02c8646cf5fd27ae9c883ef1be Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Blue Bossa" by Larry Coryell Alternative Title "Blue Bossa" by Larry Coryell Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Blue Bossa," composed by Kenny Dorham (1924-1972) and performed by Larry Coryell (b. 1943) live on-air on WUCF-FM on June 8, 1999. Coryell is an American jazz fusion guitarist, composer, and one of the pioneers of jazz-rock, a fusion genre that combines elements of blues, rock, country, and bop. Considered by many to be one of the greatest guitarists of all time, Coryell has shared the stage with Miles Davis (1926-1991) and Jimi Hendrix (1942-1970). He has remained active since the 1960s, recording over 100 albums. "Blue Bossa" is a jazz standard that first appeared on the 1963 Joe Henderson album, Page One. Type Sound Source Original 9-minute and 48-second audio recording: Dorham, Kenny. "Blue Bossa," by Larry Coryell: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 8, 1999. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Dorham, Kenny Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Coryell, Larry Date Created 1999-06-08 Date Issued 1999-06-08 Date Copyrighted 1999-06-08 Format audio/mp3 Medium 9-minute and 48-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Kenny Dorham, performed by Larry Coryell, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Kenny Dorham and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Coryell, Larry. <a href="http://www.worldcat.org/oclc/72150176" target="_blank">Improvising: My Life in Music</a>. New York: Backbeat, 2007. Blue Bossa bossa nova CAH College of Arts and Humanities free jazz jazz jazz ensembles jazz fusion jazz guitarists jazz guitars jazz standard jazz-rock Kenny Dorham Larry Coryell McKinley Howard Dorham musicians National Public Radio NPR orlando PBS post-bop Public Broadcasting Service UCF University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/c854e91cd963e277416da0a930145002.mp3 1122b5da6afa1aace63e6a69f5fb4582 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Manhã de Carnaval" by Larry Coryell Alternative Title "Manhã de Carnaval" by Larry Coryell Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Manhã de Carnaval" ("Morning of the Carnival"), composed by Luiz Bonfá (1922-12001) and lyricist Antônio Maria (1921-1964), and performed by Larry Coryell (b. 1943) live on-air on WUCF-FM on June 8, 1999. Coryell is an American jazz fusion guitarist, composer, and one of the pioneers of jazz-rock, a fusion genre that combines elements of blues, rock, country, and bop. Considered by many to be one of the greatest guitarists of all time, Coryell has shared the stage with Miles Davis (1926-1991) and Jimi Hendrix (1942-1970). He has remained active since the 1960s, recording over 100 albums.One of the first bossa nova compositions to gain popularity outside Brazil, "Manhã de Carnaval" has become a jazz standard. The song appeared as the theme to the 1958 film, Orfeu Negro (Black Orpheus). Type Sound Source Original 4-minute and 26-second audio recording: Bonfá, Luiz, and Antônio Maria. "Manhã de Carnaval," by Larry Coryell: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 8, 1999. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Bonfá, Luiz Maria, Antônio Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Coryell, Larry Date Created 1999-06-08 Date Issued 1999-06-08 Date Copyrighted 1999-06-08 Format audio/mp3 Medium 4-minute and 26-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Luiz Floriano Bonfá and Antônio Maria, performed by Larry Coryell, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Luiz Floriano Bonfá and Antônio Maria and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Coryell, Larry. <a href="http://www.worldcat.org/oclc/72150176" target="_blank">Improvising: My Life in Music</a>. New York: Backbeat, 2007. Antônio Maria Antônio Maria de Araújo Morais Black Orpheus bossa nova Brazilian jazz CAH College of Arts and Humanities free jazz jazz jazz ensembles jazz fusion jazz guitarists jazz guitars jazz standard jazz-rock Larry Coryell Luis Bonfá Luiz Bonfá Luiz Floriano Bonfá Manhã de Carnaval Morning of the Carnival musicians National Public Radio NPR Orfeu Negro orlando PBS post-bop Public Broadcasting Service UCF University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/b6b60b8bb94d9e8f0f882a0e006c3d43.mp3 b38bd7fc966178df4979528321eb9476 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Something" by Larry Coryell Alternative Title "Something" by Larry Coryell Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Something," composed by George Harrison (1943-2001) and performed by Larry Coryell (b. 1943) live on-air on WUCF-FM on June 8, 1999. Coryell is an American jazz fusion guitarist, composer, and one of the pioneers of jazz-rock, a fusion genre that combines elements of blues, rock, country, and bop. Considered by many to be one of the greatest guitarists of all time, Coryell has shared the stage with Miles Davis (1926-1991) and Jimi Hendrix (1942-1970). He has remained active since the 1960s, recording over 100 albums. "Something" was written by Harrison and released on the Beatles' 1969 album, Abbey Road. It is the second-most covered Beatles song after "Yesterday." Type Sound Source Original 4-minute and 21-second audio recording: Harrison, George. "Something," by Larry Coryell: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 8, 1999. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Harrison, George Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Coryell, Larry Date Created 1999-06-08 Date Issued 1999-06-08 Date Copyrighted 1999-06-08 Format audio/mp3 Medium 4-minute and 21-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by George Harrison, performed by Larry Coryell, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by George Harrison and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Coryell, Larry. <a href="http://www.worldcat.org/oclc/72150176" target="_blank">Improvising: My Life in Music</a>. New York: Backbeat, 2007. Beatles, the CAH College of Arts and Humanities free jazz George Harrison Harrison, George jazz jazz ensembles jazz fusion jazz guitarists jazz guitars jazz-rock Larry Coryell musicians National Public Radio NPR orlando PBS post-bop Public Broadcasting Service The Beatles UCF University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/7480563401a3f01f67a5e36de82f81e8.mp3 b09dc96b3f3085af669d771f4fcc011c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Round About Midnight" by Larry Coryell Alternative Title "Round About Midnight" by Larry Coryell Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "'Round About Midnight," composed by Thelonious Monk (1917-1982), Bernie Hanighen (1908-1976), and Cootie Williams (1911-1985), and performed by Larry Coryell (b. 1943) live on-air on WUCF-FM on June 8, 1999. Coryell is an American jazz fusion guitarist, composer, and one of the pioneers of jazz-rock, a fusion genre that combines elements of blues, rock, country, and bop. Considered by many to be one of the greatest guitarists of all time, Coryell has shared the stage with Miles Davis (1926-1991) and Jimi Hendrix (1942-1970). He has remained active since the 1960s, recording over 100 albums. "'Round About Midnight" was first recorded by Miles Davis in 1955 and released on his album of the same name in 1957. It is the most recorded jazz standard composed by a jazz musician. Type Sound Source Original 8-minute and 42-second audio recording: Monk, Thelonious, Bernie Hanighen, and Cootie Williams. "'Round About Midnight," by Larry Coryell: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 8, 1999. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Monk, Thelonious Hanighen, Bernie Williams, Cootie Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Coryell, Larry Date Created 1999-06-08 Date Issued 1999-06-08 Date Copyrighted 1999-06-08 Format audio/mp3 Medium 8-minute and 42-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Thelonious Monk, Bernie Hanighen, and Cootie Williams, performed by Larry Coryell, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Thelonious Monk, Bernie Hanighen, and Cootie Williams and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Coryell, Larry. <a href="http://www.worldcat.org/oclc/72150176" target="_blank">Improvising: My Life in Music</a>. New York: Backbeat, 2007. 'Round About Midnight 'Round Midnight Bernard D. Hanighen Bernie Hanighen CAH Charles Melvin Williams College of Arts and Humanities Cootie Williams free jazz jazz jazz ensembles jazz fusion jazz guitarists jazz guitars jazz-rock Larry Coryell Monk, Thelonious Sphere musicians National Public Radio NPR orlando PBS post-bop Public Broadcasting Service Thelonious Monk Thelonious Sphere Monk UCF University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/038e0483b1294b95ff81c5b2af2fb05f.mp3 59935b4443e8f4b9c3ba2d7a9d1e2c48 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Autumn Leaves" by Larry Coryell Alternative Title "Autumn Leaves" by Coryell Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Autumn Leaves," composed by Joseph Kosma (1905-1969) with lyrics by Jacques Prévert (1900-1977, and performed by Larry Coryell (b. 1943) live on-air on WUCF-FM on June 8, 1999. Coryell is an American jazz fusion guitarist, composer, and one of the pioneers of jazz-rock, a fusion genre that combines elements of blues, rock, country, and bop. Considered by many to be one of the greatest guitarists of all time, Coryell has shared the stage with Miles Davis (1926-1991) and Jimi Hendrix (1942-1970). He has remained active since the 1960s, recording over 100 albums. "Autumn Leaves" is a jazz and pop standard composed by Kosma in 1945. American songwriter Johnny Mercer (1909-1976) wrote English lyrics in 1947. Type Sound Source Original 7-minute and 34-second audio recording: Kosma, Joseph and Jacques Prévert. "Autumn Leaves," by Larry Coryell: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 8, 1999. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Kosma, Joseph Prévert, Jacques Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Coryell, Larry Date Created 1999-06-08 Date Issued 1999-06-08 Date Copyrighted 1999-06-08 Format audio/mp3 Medium 7-minute and 34-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Joseph Kosma and Jacques Prévert, performed by Larry Coryell, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Joseph Kosma and Jacques Prévert and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Coryell, Larry. <a href="http://www.worldcat.org/oclc/72150176" target="_blank">Improvising: My Life in Music</a>. New York: Backbeat, 2007. Autumn Leaves free jazz Jacques Prévert jazz jazz ensembles jazz fusion jazz guitarists jazz guitars jazz standard jazz-rock Larry Coryell musicians National Public Radio NPR orlando PBS pop standard post-bop Public Broadcasting Service UCF University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/cac4f33d754341766925e4847db6ed60.mp3 6a1ec358c222c13a6bee944b3e21e81b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Bags' Groove" by Larry Coryell Alternative Title "Bags' Groove" by Coryell Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Bags' Groove," composed by Milt "Bags" Jackson (1923-1999) and performed by Larry Coryell (b. 1943) live on-air on WUCF-FM on June 8, 1999. Coryell is an American jazz fusion guitarist, composer, and one of the pioneers of jazz-rock, a fusion genre that combines elements of blues, rock, country, and bop. Considered by many to be one of the greatest guitarists of all time, Coryell has shared the stage with Miles Davis (1926-1991) and Jimi Hendrix (1942-1970). He has remained active since the 1960s, recording over 100 albums. "Bags' Groove" is a jazz standard first recorded by Davis' quintet in 1954. Type Sound Source Original 8-minute and 49-second audio recording: Jackson, Milt. "Bags' Groove," by the Larry Coryell: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 8, 1999. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Jackson, Milt Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Coryell, Larry Date Created 1999-06-08 Date Issued 1999-06-08 Date Copyrighted 1999-06-08 Format audio/mp3 Medium 8-minute and 49-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Milt Jackson, performed by Larry Coryell, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Milt Jackson and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Coryell, Larry. <a href="http://www.worldcat.org/oclc/72150176" target="_blank">Improvising: My Life in Music</a>. New York: Backbeat, 2007. Bags Jackson Bags' Groove free jazz jazz jazz ensembles jazz fusion jazz guitarists jazz guitars jazz standard jazz-rock Larry Coryell Milt Jackson Milton Jackson musicians National Public Radio NPR orlando PBS post-bop Public Broadcasting Service UCF University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/4911fd773c7b253c5891b1649691b736.mp3 6f2f597c81e09a14c55ec4e71caa1494 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Blues in the Key of Page" by Nathen Page Alternative Title "Blues in the Key of Page" by Page Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Blues in the Key of Page," composed and performed by Nathen Page (1937-2003) live on-air on WUCF-FM on June 23, 2000. Page was an American guitarist from West Virginia who moved to Central Florida in 1979, where he remained active until his death in 2003. Page was known for his unorthodox way of playing, including using a thumb pick on his forefinger. He performed with numerous jazz musicians, including Sonny Rollins (b. 1930), Roberta Flack (b. 1937), Sam Rivers (1923-2011), Herbie Mann (1930-2003), and Jackie McLean (1931-2006). Page released this on-air recording as a 2000 album, entitled Thinking of You. The performance included his regular quartet, with Kevin Bales on piano, Leon Anderson on drums, and Jeff Handley on bass. Type Sound Source Original 7-minute and 51-second audio recording: Page, Nathen. "Blues in the Key of Page," by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 23, 2000. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Page, Nathen Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Page, Nathen Bales, Kevin Anderson, Leon Handley, Jeff Date Created 2000-06-23 Date Issued 2000-06-23 Date Copyrighted 2000-06-23 Format audio/mp3 Medium 7-minute and 51-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally composed by Nathen Page, performed by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Nathen Page and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Gettelman, Parry. <a href="http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano" target="_blank">”Nathen Page, Jazz Maverick</a>.” The Orlando Sentinel, January 19, 1992. http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano (Accessed March 16, 2015). Blues in the Key of Page CAH College of Arts and Humanities hard bop Jackie McLean jazz jazz ensembles jazz guitarists jazz guitars Jeff Handley Kevin Bales Leon Anderson musicians Nathen Page National Public Radio NPR orlando PBS Public Broadcasting Service radio stations radios soul jazz soul music Thinking of You UCF University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/0e6d1bd8d3b63f1f7e9dc6fcae5818d3.mp3 0d7bf0d7c2577cd1ba39a87a27bb2aeb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Blues for Brad" by Nathen Page Alternative Title "Blues for Brad" by Page Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Blues for Brad," composed and performed by Nathen Page (1937-2003) live on-air on WUCF-FM on June 23, 2000. Page was an American guitarist from West Virginia who moved to Central Florida in 1979, where he remained active until his death in 2003. Page was known for his unorthodox way of playing, including using a thumb pick on his forefinger. He performed with numerous jazz musicians, including Sonny Rollins (b. 1930), Roberta Flack (b. 1937), Sam Rivers (1923-2011), Herbie Mann (1930-2003), and Jackie McLean (1931-2006). Page released this on-air recording as a 2000 album, entitled Thinking of You. The performance included his regular quartet, with Kevin Bales on piano, Leon Anderson on drums, and Jeff Handley on bass. Type Sound Source Original 6-minute and 38-second audio recording: Page, Nathen. "Blues for Brad," by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 23, 2000. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Page, Nathen Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Page, Nathen Bales, Kevin Anderson, Leon Handley, Jeff Date Created 2000-06-23 Date Issued 2000-06-23 Date Copyrighted 2000-06-23 Format audio/mp3 Medium 6-minute and 38-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally composed by Nathen Page, performed by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Nathen Page and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Gettelman, Parry. <a href="http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano" target="_blank">”Nathen Page, Jazz Maverick</a>.” The Orlando Sentinel, January 19, 1992. http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano (Accessed March 16, 2015). CAH College of Arts and Humanities hard bop Jackie McLean jazz jazz ensembles jazz guitarists jazz guitars Jeff Handley Kevin Bales Leon Anderson musicians Nathen Page National Public Radio NPR orlando PBS Public Broadcasting Service radio stations radios soul jazz soul music Thinking of You UCF University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/cde5ace2577b6e34864567cb73375225.mp3 573d30ba12388016a158abc0bed5dc47 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Thinking of You" by Nathen Page Alternative Title "Thinking of You" by Page Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Thinking of You," composed and performed by Nathen Page (1937-2003) live on-air on WUCF-FM on June 23, 2000. Page was an American guitarist from West Virginia who moved to Central Florida in 1979, where he remained active until his death in 2003. Page was known for his unorthodox way of playing, including using a thumb pick on his forefinger. He performed with numerous jazz musicians, including Sonny Rollins (b. 1930), Roberta Flack (b. 1937), Sam Rivers (1923-2011), Herbie Mann (1930-2003), and Jackie McLean (1931-2006). Page released this on-air recording as a 2000 album, entitled Thinking of You. The performance included his regular quartet, with Kevin Bales on piano, Leon Anderson on drums, and Jeff Handley on bass. Type Sound Source Original 4-minute and 57-second audio recording: Page, Nathen. "Thinking of You," by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 23, 2000. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Page, Nathen Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Page, Nathen Bales, Kevin Anderson, Leon Handley, Jeff Date Created 2000-06-23 Date Issued 2000-06-23 Date Copyrighted 2000-06-23 Format audio/mp3 Medium 4-minute and 57-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally composed by Nathen Page, performed by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Nathen Page and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Gettelman, Parry. "<a href="http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano" target="_blank">Nathen Page, Jazz Maverick</a>." The Orlando Sentinel, January 19, 1992. http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano (Accessed March 16, 2015). CAH College of Arts and Humanities guitar hard bop Jackie McLean jazz jazz ensembles jazz guitarists jazz guitars jazz music Jeff Handley Kevin Bales Leon Anderson musicians Nathen Page National Public Radio NPR orlando PBS Public Broadcasting Service radio stations radios soul jazz soul music Thinking of You UCF University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/551d470f2b43af80c42a85a28225f7e4.mp3 feae5213725efa2e24ffb128320f586e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Blues for Alvin" by Nathen Page Alternative Title "Blues for Alvin" by Nathen Page Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Blues for Alvin," composed and performed by Nathen Page (1937-2003) live on-air on WUCF-FM on June 23, 2000. Page was an American guitarist from West Virginia who moved to Central Florida in 1979, where he remained active until his death in 2003. Page was known for his unorthodox way of playing, including using a thumb pick on his forefinger. He performed with numerous jazz musicians, including Sonny Rollins (b. 1930), Roberta Flack (b. 1937), Sam Rivers (1923-2011), Herbie Mann (1930-2003), and Jackie McLean (1931-2006). Page released this on-air recording as a 2000 album, entitled Thinking of You. The performance included his regular quartet, with Kevin Bales on piano, Leon Anderson on drums, and Jeff Handley on bass. Type Sound Source Original 9-minute and 21-second audio recording: Page, Nathen. "Blues for Alvin," by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 23, 2000. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Page, Nathen Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Page, Nathen Bales, Kevin Anderson, Leon Handley, Jeff Date Created 2000-06-23 Date Issued 2000-06-23 Date Copyrighted 2000-06-23 Format audio/mp3 Medium 9-minute and 21-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally composed by Nathen Page, performed by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Nathen Page and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Gettelman, Parry. "<a href="http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano" target="_blank">Nathen Page, Jazz Maverick</a>." The Orlando Sentinel, January 19, 1992. http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano (Accessed March 16, 2015). Blues for Alvin CAH College of Arts and Humanities hard bop Jackie McLean jazz jazz ensembles jazz guitarists jazz guitars Jeff Handley Kevin Bales Leon Anderson musicians Nathen Page National Public Radio NPR orlando PBS Public Broadcasting Service radio stations radios soul jazz soul music Thinking of You UCF University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/feaa1ccd05231006ef843a7724daa7a3.mp3 6849e15178f5ec486cf509f957af9634 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Bistro Stomp" by Nathen Page Alternative Title "Bistro Stomp" by Nathen Page Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Bistro Stomp," composed and performed by Nathen Page (1937-2003) live on-air on WUCF-FM on June 23, 2000. Page was an American guitarist from West Virginia who moved to Central Florida in 1979, where he remained active until his death in 2003. Page was known for his unorthodox way of playing, including using a thumb pick on his forefinger. He performed with numerous jazz musicians, including Sonny Rollins (b. 1930), Roberta Flack (b. 1937), Sam Rivers (1923-2011), Herbie Mann (1930-2003), and Jackie McLean (1931-2006). Page released this on-air recording as a 2000 album, entitled Thinking of You. The performance included his regular quartet, with Kevin Bales on piano, Leon Anderson on drums, and Jeff Handley on bass. Type Sound Source Original 5-minute and 23-second audio recording: Page, Nathen. "Bistro Stomp," by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 23, 2000. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Page, Nathen Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Page, Nathen Bales, Kevin Anderson, Leon Handley, Jeff Date Created 2000-06-23 Date Issued 2000-06-23 Date Copyrighted 2000-06-23 Format audio/mp3 Medium 5-minute and 23-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally composed by Nathen Page, performed by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Nathen Page and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Gettelman, Parry. "<a href="http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano" target="_blank">Nathen Page, Jazz Maverick</a>." The Orlando Sentinel, January 19, 1992. http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano (Accessed March 16, 2015). Bistro Stomp CAH College of Arts and Humanities hard bop Jackie McLean jazz jazz ensembles jazz guitarists jazz guitars Jeff Handley Kevin Bales Leon Anderson musicians Nathen Page National Public Radio NPR orlando PBS Public Broadcasting Service radio stations radios soul jazz soul music Thinking of You UCF University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/7e8208ba115758a73cea7b92def254ee.mp3 63c5e0e8deb3554c073dec1e0f583c16 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Carrie" by Nathen Page Alternative Title "Carrie" by Nathen Page Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Carrie," composed and performed by Nathen Page (1937-2003) live on-air on WUCF-FM on June 23, 2000. Page was an American guitarist from West Virginia who moved to Central Florida in 1979, where he remained active until his death in 2003. Page was known for his unorthodox way of playing, including using a thumb pick on his forefinger. He performed with numerous jazz musicians, including Sonny Rollins (b. 1930), Roberta Flack (b. 1937), Sam Rivers (1923-2011), Herbie Mann (1930-2003), and Jackie McLean (1931-2006). Page released this on-air recording as a 2000 album, entitled Thinking of You. The performance included his regular quartet, with Kevin Bales on piano, Leon Anderson on drums, and Jeff Handley on bass. Type Sound Source Original 5-minute and 50-second audio recording: Page, Nathen. "Carrie," by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 23, 2000. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Page, Nathen Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Page, Nathen Bales, Kevin Anderson, Leon Handley, Jeff Date Created 2000-06-23 Date Issued 2000-06-23 Date Copyrighted 2000-06-23 Format audio/mp3 Medium 5-minute and 50-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally composed by Nathen Page, performed by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Nathen Page and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Gettelman, Parry. "<a href="http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano" target="_blank">Nathen Page, Jazz Maverick</a>." The Orlando Sentinel, January 19, 1992. http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano (Accessed March 16, 2015). CAH Carrie College of Arts and Humanities hard bop Jackie McLean jazz jazz ensembles jazz guitarists jazz guitars Jeff Handley Kevin Bales Leon Anderson musicians Nathen Page National Public Radio NPR orlando PBS Public Broadcasting Service radio stations radios soul jazz soul music Thinking of You UCF University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/2234eb20147120d2b9d33a8605f2d372.mp3 8e679381085915d1aa89c60e537cc94c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Blues in the Key of Page" by Nathen Page Alternative Title "Blues in the Key of Page" by Nathen Page Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Blues in the Key of Page," composed and performed by Nathen Page (1937-2003) live on-air on WUCF-FM on June 23, 2000. Page was an American guitarist from West Virginia who moved to Central Florida in 1979, where he remained active until his death in 2003. Page was known for his unorthodox way of playing, including using a thumb pick on his forefinger. He performed with numerous jazz musicians, including Sonny Rollins (b. 1930), Roberta Flack (b. 1937), Sam Rivers (1923-2011), Herbie Mann (1930-2003), and Jackie McLean (1931-2006). Page released this on-air recording as a 2000 album, entitled Thinking of You. The performance included his regular quartet, with Kevin Bales on piano, Leon Anderson on drums, and Jeff Handley on bass. Type Sound Source Original 7-minute and 3-second audio recording: Page, Nathen. "Blues in the Key of Page," by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 23, 2000. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Page, Nathen Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Page, Nathen Bales, Kevin Anderson, Leon Handley, Jeff Date Created 2000-06-23 Date Issued 2000-06-23 Date Copyrighted 2000-06-23 Format audio/mp3 Medium 7-minute and 3-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally composed by Nathen Page, performed by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Nathen Page and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Gettelman, Parry. "<a href="http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano" target="_blank">Nathen Page, Jazz Maverick</a>." The Orlando Sentinel, January 19, 1992. http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano (Accessed March 16, 2015). Blues in the Key of Page CAH College of Arts and Humanities hard bop Jackie McLean jazz jazz ensembles jazz guitarists jazz guitars Jeff Handley Kevin Bales Leon Anderson musicians Nathen Page National Public Radio NPR orlando PBS Public Broadcasting Service radio stations radios soul jazz soul music Thinking of You UCF University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/eb1cfbbaf18bc6b773bcffdd7b795782.mp3 50c3078e43b907cbeadfab4a6cc66792 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Stepping" by Nathen Page Alternative Title "Stepping" by Nathen Page Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Stepping," composed and performed by Nathen Page (1937-2003) live on-air on WUCF-FM on June 23, 2000. Page was an American guitarist from West Virginia who moved to Central Florida in 1979, where he remained active until his death in 2003. Page was known for his unorthodox way of playing, including using a thumb pick on his forefinger. He performed with numerous jazz musicians, including Sonny Rollins (b. 1930), Roberta Flack (b. 1937), Sam Rivers (1923-2011), Herbie Mann (1930-2003), and Jackie McLean (1931-2006). Page released this on-air recording as a 2000 album, entitled Thinking of You. The performance included his regular quartet, with Kevin Bales on piano, Leon Anderson on drums, and Jeff Handley on bass. Type Sound Source Original 8-minute and 12-second audio recording: Page, Nathen. "Stepping," by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 23, 2000. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Page, Nathen Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Page, Nathen Bales, Kevin Anderson, Leon Handley, Jeff Date Created 2000-06-23 Date Issued 2000-06-23 Date Copyrighted 2000-06-23 Format audio/mp3 Medium 8-minute and 12-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally composed by Nathen Page, performed by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Nathen Page and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Gettelman, Parry. "<a href="http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano" target="_blank">Nathen Page, Jazz Maverick</a>." The Orlando Sentinel, January 19, 1992. http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano (Accessed March 16, 2015). CAH College of Arts and Humanities hard bop Jackie McLean jazz jazz ensembles jazz guitarists jazz guitars Jeff Handley Kevin Bales Leon Anderson musicians Nathen Page National Public Radio NPR orlando Page, Nathen PBS Public Broadcasting Service radio stations radios soul jazz soul music Thinking of You UCF University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/0b6fa091cb6163d78f2b8ec5736b64f4.mp3 f922b5352315b145cb6520881dd0500c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Out" by the Sam Rivers Trio Alternative Title "Out" by Sam Rivers Trio Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Out," composed by Sam Rivers (1923-2011) and performed by the Sam Rivers Trio live on-air on WUCF-FM on December 11, 2001. Rivers was a jazz multi-instrumentalist and composer from Oklahoma, who helped popularize free jazz and avant-garde jazz. Rivers was briefly a member of the Miles Davis Quintet before going on to lead his own groups and perform as a sideman with a number of artists. Rivers and his wife, Bea Rivers, opened a public jazz loft known as Studio Rivbea in the 1970s in Lower Manhattan in New York City, New York. The couple moved to Orlando, Florida, in the early 1990s, where Rivers continued to perform with his Orchestra and Trio. This incarnation of the Sam Rivers Trio included the rhythm section from his Rivbea All-Star Orchestra: bassist Doug Mathews and drummer Anthony Cole. Type Sound Source Original 8-minute and 30-second audio recording: Rivers, Sam. "Out," by the Sam Rivers: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, August 14, 2006. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Studio Rivbea, Lower/Downtown Manhattan, New York City, New York Creator Rivers, Sam Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Rivers, Sam Mathews, Doug Cole, Anthony Date Created 2001-12-11 Date Issued 2001-12-11 Date Copyrighted 2001-12-11 Format audio/mp3 Extent 7.79 MB Medium 8-minute and 30-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Sam Rivers, performed the Sam Rivers Trio, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Sam Rivers and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Chinen, Nate. <a href="http://www.worldcat.org/oclc/755624978" target="_blank">”Sam Rivers, Jazz Artist of Loft Scene, Dies at 88</a>.” The New York Times, December 27, 2011. http://www.nytimes.com/2011/12/28/arts/music/sam-rivers-jazz-musician-dies-at-88.html?_r=0 (Accessed March 10, 2015). Anthony Cole avant-garde jazz bass clarinetists bass clarinets CAH College of Arts and Humanities Doug Mathews flautists flutes free jazz jazz ensembles jazz saxophones jazz saxophonists musicians National Public Radio NPR orlando Out PBS Public Broadcasting Service radio stations radios Sam Rivers Sam Rivers Trio Samuel Carthorne Rivers soprano saxophones soprano saxophonists Studio Rivbea tenor saxophones tenor saxophonists UCF University of Central Florida woodwind players woodwinds WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/236d20a9af719b72227029b01b272f90.mp3 9afcb38a19375b98c5fbf57f239ea7c2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Xtemporanious" by the Sam Rivers Trio Alternative Title "Xtemporanious" by Sam Rivers Trio Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Xtemporanious," composed by Sam Rivers (1923-2011) and performed by the Sam Rivers Trio live on-air on WUCF-FM on December 11, 2001. Rivers was a jazz multi-instrumentalist and composer from Oklahoma, who helped popularize free jazz and avant-garde jazz. Rivers was briefly a member of the Miles Davis Quintet before going on to lead his own groups and perform as a sideman with a number of artists. Rivers and his wife, Bea Rivers, opened a public jazz loft known as Studio Rivbea in the 1970s in Lower Manhattan in New York City, New York. The couple moved to Orlando, Florida, in the early 1990s, where Rivers continued to perform with his Orchestra and Trio. This incarnation of the Sam Rivers Trio included the rhythm section from his Rivbea All-Star Orchestra: bassist Doug Mathews and drummer Anthony Cole. Type Sound/Podcast Source Original 2-minute and 51-second audio recording: Rivers, Sam. "Xtemporanious," by the Sam Rivers: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, August 14, 2006. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Studio Rivbea, Lower/Downtown Manhattan, New York City, New York Creator Rivers, Sam Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Rivers, Sam Mathews, Doug Cole, Anthony Date Created 2001-12-11 Date Issued 2001-12-11 Date Copyrighted 2001-12-11 Format audio/mp3 Extent 2.62 MB Medium 2-minute and 51-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Sam Rivers, performed the Sam Rivers Trio, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Sam Rivers and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Chinen, Nate. <a href="http://www.worldcat.org/oclc/755624978" target="_blank">”Sam Rivers, Jazz Artist of Loft Scene, Dies at 88</a>.” The New York Times, December 27, 2011. http://www.nytimes.com/2011/12/28/arts/music/sam-rivers-jazz-musician-dies-at-88.html?_r=0 (Accessed March 10, 2015). Anthony Cole avant-garde jazz bass clarinetists bass clarinets CAH College of Arts and Humanities Doug Mathews flautists flutes free jazz jazz ensembles jazz saxophones jazz saxophonists musicians National Public Radio NPR orlando PBS Public Broadcasting Service radio stations radios Sam Rivers Sam Rivers Trio Samuel Carthorne Rivers soprano saxophones soprano saxophonists Studio Rivbea tenor saxophones tenor saxophonists UCF University of Central Florida woodwind players woodwinds WUCF-FM Xtemporanious https://richesmi.cah.ucf.edu/omeka/files/original/4f672be2f99d763903592412a11dd31a.mp3 9dede9c7ae30872ab66beaace55ad5ee Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Firestorm" by the Sam Rivers Trio Alternative Title "Firestorm" by Sam Rivers Trio Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Firestorm," composed by Sam Rivers (1923-2011) and performed by the Sam Rivers Trio live on-air on WUCF-FM on December 11, 2001. Rivers was a jazz multi-instrumentalist and composer from Oklahoma, who helped popularize free jazz and avant-garde jazz. Rivers was briefly a member of the Miles Davis Quintet before going on to lead his own groups and perform as a sideman with a number of artists. Rivers and his wife, Bea Rivers, opened a public jazz loft known as Studio Rivbea in the 1970s in Lower Manhattan in New York City, New York. The couple moved to Orlando, Florida, in the early 1990s, where Rivers continued to perform with his Orchestra and Trio. This incarnation of the Sam Rivers Trio included the rhythm section from his Rivbea All-Star Orchestra: bassist Doug Mathews and drummer Anthony Cole. "Firestorm" would be recorded and released on the 2007 Sam Rivers album of the same name. Type Sound Source Original 4-minute and 40-second audio recording: Rivers, Sam. "Firestorm," by the Sam Rivers: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, August 14, 2006. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Studio Rivbea, Lower/Downtown Manhattan, New York City, New York Creator Rivers, Sam Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Rivers, Sam Mathews, Doug Cole, Anthony Date Created 2001-12-11 Date Issued 2001-12-11 Date Copyrighted 2001-12-11 Format audio/mp3 Extent 4.27 MB Medium 4-minute and 40-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Sam Rivers, performed the Sam Rivers Trio, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Sam Rivers and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Chinen, Nate. <a href="http://www.worldcat.org/oclc/755624978" target="_blank">”Sam Rivers, Jazz Artist of Loft Scene, Dies at 88</a>.” The New York Times, December 27, 2011. http://www.nytimes.com/2011/12/28/arts/music/sam-rivers-jazz-musician-dies-at-88.html?_r=0 (Accessed March 10, 2015). Anthony Cole avant-garde jazz bass clarinetists bass clarinets CAH College of Arts and Humanities Doug Mathews Firestorm flautists flutes free jazz jazz ensembles jazz saxophones jazz saxophonists musicians National Public Radio NPR orlando PBS Public Broadcasting Service radio stations radios Sam Rivers Sam Rivers Trio Samuel Carthorne Rivers saxophonist soprano saxophones soprano saxophonists Studio Rivbea tenor saxophones tenor saxophonists UCF University of Central Florida woodwind players woodwinds WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/655878c64c211acee93af867c8c888a8.mp3 ac62695870e8c5bb4467353b35bf3a12 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Ever After" by the Sam Rivers Trio Alternative Title "Ever After" by Sam Rivers Trio Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Ever After," composed by Sam Rivers (1923-2011) and performed by the Sam Rivers Trio live on-air on WUCF-FM on December 11, 2001. Rivers was a jazz multi-instrumentalist and composer from Oklahoma, who helped popularize free jazz and avant-garde jazz. Rivers was briefly a member of the Miles Davis Quintet before going on to lead his own groups and perform as a sideman with a number of artists. Rivers and his wife, Bea Rivers, opened a public jazz loft known as Studio Rivbea in the 1970s in Lower Manhattan in New York City, New York. The couple moved to Orlando, Florida, in the early 1990s, where Rivers continued to perform with his Orchestra and Trio. This incarnation of the Sam Rivers Trio included the rhythm section from his Rivbea All-Star Orchestra: bassist Doug Mathews and drummer Anthony Cole. "Ever After" was recorded and released on the 1999 Sam Rivers album, Winter Garden. Type Sound Source Original 4-minute and 58-second audio recording: Rivers, Sam. "Ever After," by the Sam Rivers: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, August 14, 2006. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Studio Rivbea, Lower/Downtown Manhattan, New York City, New York Creator Rivers, Sam Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Rivers, Sam Mathews, Doug Cole, Anthony Date Created 2001-12-11 Date Issued 2001-12-11 Date Copyrighted 2001-12-11 Format audio/mp3 Extent 4.55 MB Medium 4-minute and 58-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Sam Rivers, performed the Sam Rivers Trio, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Sam Rivers and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Chinen, Nate. <a href="http://www.worldcat.org/oclc/755624978" target="_blank">”Sam Rivers, Jazz Artist of Loft Scene, Dies at 88</a>.” The New York Times, December 27, 2011. http://www.nytimes.com/2011/12/28/arts/music/sam-rivers-jazz-musician-dies-at-88.html?_r=0 (Accessed March 10, 2015). Anthony Cole avant-garde jazz bass clarinetists bass clarinets CAH College of Arts and Humanities Doug Mathews Ever After flautists flutes free jazz jazz ensembles jazz saxophones jazz saxophonists musicians National Public Radio NPR orlando PBS Public Broadcasting Service radio stations radios Sam Rivers Sam Rivers Trio Samuel Carthorne Rivers soprano saxophones soprano saxophonists Studio Rivbea tenor saxophones tenor saxophonists UCF University of Central Florida Winter Garden woodwind players woodwinds WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/faf673794d810b28b9804eb9224595d0.mp3 1db9655cb35f887ef476e12eacd3629f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Rapture" by the Sam Rivers Trio Alternative Title "Rapture" by Sam Rivers Trio Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Rapture," composed by Sam Rivers (1923-2011) and performed by the Sam Rivers Trio live on-air on WUCF-FM on December 11, 2001. Rivers was a jazz multi-instrumentalist and composer from Oklahoma, who helped popularize free jazz and avant-garde jazz. Rivers was briefly a member of the Miles Davis Quintet before going on to lead his own groups and perform as a sideman with a number of artists. Rivers and his wife, Bea Rivers, opened a public jazz loft known as Studio Rivbea in the 1970s in Lower Manhattan in New York City, New York. The couple moved to Orlando, Florida, in the early 1990s, where Rivers continued to perform with his Orchestra and Trio. This incarnation of the Sam Rivers Trio included the rhythm section from his Rivbea All-Star Orchestra: bassist Doug Mathews and drummer Anthony Cole. "Rapture" was recorded and released on the 1999 Sam Rivers album, Winter Garden. Type Sound Source Original 4-minute and 43-second audio recording: Rivers, Sam. "Rapture," by the Sam Rivers: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, August 14, 2006. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Studio Rivbea, Lower/Downtown Manhattan, New York City, New York Creator Rivers, Sam Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Rivers, Sam Mathews, Doug Cole, Anthony Date Created 2001-12-11 Date Issued 2001-12-11 Date Copyrighted 2001-12-11 Format audio/mp3 Extent 4.33 MB Medium 4-minute and 43-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Sam Rivers, performed the Sam Rivers Trio, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Sam Rivers and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Chinen, Nate. <a href="http://www.worldcat.org/oclc/755624978" target="_blank">”Sam Rivers, Jazz Artist of Loft Scene, Dies at 88</a>.” The New York Times, December 27, 2011. http://www.nytimes.com/2011/12/28/arts/music/sam-rivers-jazz-musician-dies-at-88.html?_r=0 (Accessed March 10, 2015). Anthony Cole avant-garde jazz bass clarinetists bass clarinets CAH College of Arts and Humanities Doug Mathews flautists flutes free jazz jazz ensembles jazz saxophones jazz saxophonists musicians National Public Radio NPR orlando PBS Public Broadcasting Service radio stations radios Rapture Sam Rivers Sam Rivers Trio Samuel Carthorne Rivers soprano saxophones soprano saxophonists Studio Rivbea tenor saxophones tenor saxophonists UCF University of Central Florida Winter Garden woodwind players woodwinds WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/8f08914cbd82ff2dbe6c7de6fd05815d.mp3 0f872aeeb2729228d3ee16edcbce756b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Beatrice" by the Sam Rivers Trio Alternative Title "Beatrice" by Sam Rivers Trio Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Beatrice," composed by Sam Rivers (1923-2011) and performed by the Sam Rivers Trio live on-air on WUCF-FM on December 11, 2001. Rivers was a jazz multi-instrumentalist and composer from Oklahoma, who helped popularize free jazz and avant-garde jazz. Rivers was briefly a member of the Miles Davis Quintet before going on to lead his own groups and perform as a sideman with a number of artists. Rivers and his wife, Bea Rivers, opened a public jazz loft known as Studio Rivbea in the 1970s in Lower Manhattan in New York City, New York. The couple moved to Orlando, Florida, in the early 1990s, where Rivers continued to perform with his Orchestra and Trio. This incarnation of the Sam Rivers Trio included the rhythm section from his Rivbea All-Star Orchestra: bassist Doug Mathews and drummer Anthony Cole. "Beatrice" was recorded and released on the 1964 Sam Rivers album, Fuschia Swing Song. Type Sound Source Original 3-minute and 44-second audio recording: Rivers, Sam. "Beatrice," by the Sam Rivers Trio: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 11, 2001. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Studio Rivbea, Lower/Downtown Manhattan, New York City, New York Creator Rivers, Sam Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Rivers, Sam Mathews, Doug Cole, Anthony Date Created 2001-12-11 Date Issued 2001-12-11 Date Copyrighted 2001-12-11 Format audio/mp3 Extent 3.43 MB Medium 3-minute and 44-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Sam Rivers, performed by the Sam Rivers Trio, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Sam Rivers and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Chinen, Nate. "<a href="http://www.worldcat.org/oclc/755624978" target="_blank">Sam Rivers, Jazz Artist of Loft Scene, Dies at 88</a>." The New York Times, December 27, 2011. http://www.nytimes.com/2011/12/28/arts/music/sam-rivers-jazz-musician-dies-at-88.html?_r=0 (Accessed March 10, 2015). Anthony Cole avant-garde jazz bass clarinetists bass clarinets Beatrice CAH College of Arts and Humanities Doug Mathews flautists flutes free jazz Fuschia Swing Song jazz jazz ensembles jazz saxophones jazz saxophonists musicians National Public Radio NPR orlando PBS Public Broadcasting Service radio stations radios Sam Rivers Sam Rivers Trio Samuel Carthorne Rivers soprano saxophones soprano saxophonists Studio Rivbea tenor saxophones tenor saxophonists UCF University of Central Florida woodwind players woodwinds WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/75e5270e88333ddfe2418bc24bf77285.mp3 53c021e5015c9e04a97973ee880af420 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Bouquet" by the Sam Rivers Trio Alternative Title "Bouquet" by Sam Rivers Trio Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Bouquet," composed by Sam Rivers (1923-2011) and performed by the Sam Rivers Trio live on-air on WUCF-FM on December 11, 2001. Rivers was a jazz multi-instrumentalist and composer from Oklahoma, who helped popularize free jazz and avant-garde jazz. Rivers was briefly a member of the Miles Davis Quintet before going on to lead his own groups and perform as a sideman with a number of artists. Rivers and his wife, Bea Rivers, opened a public jazz loft known as Studio Rivbea in the 1970s in Lower Manhattan in New York City, New York. The couple moved to Orlando, Florida, in the early 1990s, where Rivers continued to perform with his Orchestra and Trio. This incarnation of the Sam Rivers Trio included the rhythm section from his Rivbea All-Star Orchestra: bassist Doug Mathews and drummer Anthony Cole. Type Sound Source Original 5-minute and 37-second audio recording: Rivers, Sam. "Bouquet," by the Sam Rivers Trio: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 11, 2001. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Studio Rivbea, Lower/Downtown Manhattan, New York City, New York Creator Rivers, Sam Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Rivers, Sam Mathews, Doug Cole, Anthony Date Created 2001-12-11 Date Issued 2001-12-11 Date Copyrighted 2001-12-11 Format audio/mp3 Extent 5.14 MB Medium 5-minute and 37-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Sam Rivers, performed by the Sam Rivers Trio, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Sam Rivers and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Chinen, Nate. "<a href="http://www.worldcat.org/oclc/755624978" target="_blank">Sam Rivers, Jazz Artist of Loft Scene, Dies at 88</a>." The New York Times, December 27, 2011. http://www.nytimes.com/2011/12/28/arts/music/sam-rivers-jazz-musician-dies-at-88.html?_r=0 (Accessed March 10, 2015). Anthony Cole avant-garde jazz bass clarinetists bass clarinets Bouquet CAH College of Arts and Humanities Doug Mathews flautists flutes free jazz jazz jazz ensembles jazz saxophones jazz saxophonists musicians National Public Radio NPR orlando PBS Public Broadcasting Service radio stations radios Sam Rivers Samuel Carthorne Rivers soprano saxophones soprano saxophonists Studio Rivbea tenor saxophones tenor saxophonists UCF University of Central Florida woodwind players woodwinds WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/ad285e5aa755668ff3e757ad7714c954.mp3 a4964e796c61b72635abb3f70ccb1415 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Twilight" by the Sam Rivers Trio Alternative Title "Twilight" by Sam Rivers Trio Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Twilight," composed by Sam Rivers (1923-2011) and performed by the Sam Rivers Trio live on-air on WUCF-FM on December 11, 2001. Rivers was a jazz multi-instrumentalist and composer from Oklahoma, who helped popularize free jazz and avant-garde jazz. Rivers was briefly a member of the Miles Davis Quintet before going on to lead his own groups and perform as a sideman with a number of artists. Rivers and his wife, Bea Rivers, opened a public jazz loft known as Studio Rivbea in the 1970s in Lower Manhattan in New York City, New York. The couple moved to Orlando, Florida, in the early 1990s, where Rivers continued to perform with his Orchestra and Trio. This incarnation of the Sam Rivers Trio included the rhythm section from his Rivbea All-Star Orchestra: bassist Doug Mathews and drummer Anthony Cole. Type Sound Source Original 3-minute and 29-second audio recording: Rivers, Sam. "Twilight," by the Sam Rivers Trio: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 11, 2001. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Studio Rivbea, Lower/Downtown Manhattan, New York City, New York Creator Rivers, Sam Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Rivers, Sam Mathews, Doug Cole, Anthony Date Created 2001-12-11 Date Issued 2001-12-11 Date Copyrighted 2001-12-11 Format audio/mp3 Extent 3.19 MB Medium 3-minute and 29-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Sam Rivers, performed by the Sam Rivers Trio, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Sam Rivers and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Chinen, Nate. "<a href="http://www.worldcat.org/oclc/755624978" target="_blank">Sam Rivers, Jazz Artist of Loft Scene, Dies at 88</a>." The New York Times, December 27, 2011. http://www.nytimes.com/2011/12/28/arts/music/sam-rivers-jazz-musician-dies-at-88.html?_r=0 (Accessed March 10, 2015). Anthony Cole avant-garde jazz bass clarinetists bass clarinets CAH College of Arts and Humanities Doug Mathews flautists flutes free jazz jazz jazz ensembles jazz saxophone jazz saxophones jazz saxophonists musicians National Public Radio NPR orlando PBS Public Broadcasting Service radio stations radios Sam Rivers Sam Rivers Trio Samuel Carthorne Rivers soprano saxophones soprano saxophonists Studio Rivbea tenor saxophones tenor saxophonists Twilight UCF University of Central Florida woodwind players woodwinds WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/feecd261d2ee499e16ba006220859b72.mp3 2b5bd74b5fb4cffd1d446a2df427f150 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Torch" by the Sam Rivers Trio Alternative Title "Torch" by Sam Rivers Trio Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Torch," composed by Sam Rivers (1923-2011) and performed by the Sam Rivers Trio live on-air on WUCF-FM on December 11, 2001. Rivers was a jazz multi-instrumentalist and composer from Oklahoma, who helped popularize free jazz and avant-garde jazz. Rivers was briefly a member of the Miles Davis Quintet before going on to lead his own groups and perform as a sideman with a number of artists. Rivers and his wife, Bea Rivers, opened a public jazz loft known as Studio Rivbea in the 1970s in Lower Manhattan in New York City, New York. The couple moved to Orlando, Florida, in the early 1990s, where Rivers continued to perform with his Orchestra and Trio. This incarnation of the Sam Rivers Trio included the rhythm section from his Rivbea All-Star Orchestra: bassist Doug Mathews and drummer Anthony Cole. "Torch" was recorded and released on the 1978 Sam Rivers album, Waves. Type Sound Source Original 3-minute and 42-second audio recording: Rivers, Sam. "Torch," by the Sam Rivers Trio: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 11, 2001. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Studio Rivbea, Lower/Downtown Manhattan, New York City, New York Creator Rivers, Sam Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Rivers, Sam Mathews, Doug Cole, Anthony Date Created 2001-12-11 Date Issued 2001-12-11 Date Copyrighted 2001-12-11 Format audio/mp3 Extent 3.39 MB Medium 3-minute and 42-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Sam Rivers, performed by the Sam Rivers Trio, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Sam Rivers and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference Chinen, Nate. "<a href="http://www.worldcat.org/oclc/755624978" target="_blank">Sam Rivers, Jazz Artist of Loft Scene, Dies at 88</a>." The New York Times, December 27, 2011. http://www.nytimes.com/2011/12/28/arts/music/sam-rivers-jazz-musician-dies-at-88.html?_r=0 (Accessed March 10, 2015). Anthony Cole avant-garde jazz bass clarinetists bass clarinets CAH College of Arts and Humanities Doug Mathews flautists flutes free jazz jazz jazz ensembles jazz saxophones jazz saxophonists musicians National Public Radio NPR orlando PBS Public Broadcasting Service radio stations radios Sam Rivers Sam Rivers Trio Samuel Carthorne Rivers soprano saxophones soprano saxophonists Studio Rivbea tenor saxophones tenor saxophonists Torch UCF University of Central Florida WAVES woodwind players woodwinds WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/363d02de7cb206c705f066f5539cb10b.mp3 fc292b63460ba50b9b542f7c83779b97 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Do Nothin' Till You Hear From Me" by Terry Myers Alternative Title "Do Nothing Til You Hear From Me" by Myers Subject Orlando (Fla.) Music--United States Jazz--United States R&B (Music) Description An audio recording of "Do Nothing till You Hear from Me," composed by Duke Ellington (1899-1974), and performed by Terry Myers live on-air on WUCF-FM on August 14, 2006. Myers is a reed player from Iowa who developed a successful career in Nashville, Tennessee, and New York before moving to Central Florida, where he became a band leader at Walt Disney World's Epcot theme park and the band leader at Rosie O'Grady's Good Time Jazz Emporium at Church Street Station in Orlando. Myers has played at jazz festivals across the United States, Europe, and Asia, and is currently the director of the Tommy Dorsey Orchestra. "Do Nothin' Till You Hear From Me" was composed by Ellington in 1940 and lyrics were later added by Bob Russell (1914-1970). It was recorded by Ellington in 1944, reaching number one in the rhythm and blues charts. Type Sound Source Original 6-minute and 15-second audio recording: Ellington, Duke and Bob Russell. "Do Nothing Til You Hear From Me," by Terry Myers: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, August 14, 2006. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Ellington, Duke Russell, Bob Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Myers, Terry Date Created 2006-08-14 Date Issued 2006-08-14 Date Copyrighted 2006-08-14 Format audio/mp3 Extent 5.72 Medium 6-minute and 15-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Duke Ellington and Bob Russell, performed by Terry Myers, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Duke Ellington and Bob Russell and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://www.buddymorrowproductions.com/terry-meyers.html" target="_blank">Meet Terry Myers</a>." BuddyMorrowProductions.com. http://www.buddymorrowproductions.com/terry-meyers.html (accessed March 10, 2015). Bob Russell CAH Church Street Station College of Arts and Humanities Do Nothin' Till You Hear From Me Duke Ellington Edward Kennedy Ellington Ellington, Duke Ellington, Edward "Duke" Kennedy Epcot Francis Albert Sinatra Frank Sinatra jazz jazz ensembles jazz saxophones jazz saxophonists musicians National Public Radio NPR orlando PBS Public Broadcasting Service R&B radio stations radios Reed reed players Reuben Bloom rhythm and blues Rosie O'Grady's Good Time Jazz Emporium Rube Bloom Sidney Keith Russell soprano saxophones soprano saxophonists tenor saxophones tenor saxophonists Terry Myers Tommy Dorsey Orchestra UCF University of Central Florida Walt Disney World woodwind players woodwinds WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/fff8a7b681743b6c27e74b48fe485a68.mp3 c69d8cd269ef99518d9ae1338c9ce9e6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "My One and Only Love" by Terry Myers Alternative Title "My One and Only Love" by Myers Subject Orlando (Fla.) Music--United States Jazz--United States Pop music Description An audio recording of "My One and Only Love," composed by Guy Wood (1911-2001) with lyrics by Robert Mellin (1902-1994), and performed by Terry Myers live on-air on WUCF-FM on August 14, 2006. Myers is a reed player from Iowa who developed a successful career in Nashville, Tennessee, and New York before moving to Central Florida, where he became a band leader at Walt Disney World's Epcot theme park and the band leader at Rosie O'Grady's Good Time Jazz Emporium at Church Street Station in Orlando. Myers has played at jazz festivals across the United States, Europe, and Asia, and is currently the director of the Tommy Dorsey Orchestra. "My One and Only Love" is a pop standard composed and published by Wood and Mellin in 1952 and recorded by Frank Sinatra (1915-1998) in 1953. It has since been recorded by numerous artists. Type Sound Source Original 5-minute and 58-second audio recording: Wood, Guy and Robert Mellin. "My One and Only Love," by Terry Myers: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, August 14, 2006. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Wood, Guy Mellin, Robert Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Myers, Terry Date Created 2006-08-14 Date Issued 2006-08-14 Date Copyrighted 2006-08-14 Format audio/mp3 Extent 5.47 MB Medium 5-minute and 58-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Guy Wood and Robert Mellin, performed by Terry Myers, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Guy Wood and Robert Mellin and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://www.buddymorrowproductions.com/terry-meyers.html" target="_blank">Meet Terry Myers</a>." BuddyMorrowProductions.com. http://www.buddymorrowproductions.com/terry-meyers.html (accessed March 10, 2015). CAH Church Street Station College of Arts and Humanities Epcot Francis Albert Sinatra Frank Sinatra Guy B. Wood Guy Wood jazz jazz ensembles jazz saxophones jazz saxophonists musicians My One and Only Love National Public Radio NPR orlando PBS pop music pop standard Public Broadcasting Service radio stations radios Reed reed players Reuben Bloom Robert Mellin Rosie O'Grady's Good Time Jazz Emporium Rube Bloom soprano saxophones soprano saxophonists tenor saxophones tenor saxophonists Terry Myers Tommy Dorsey Orchestra UCF University of Central Florida Walt Disney World woodwind players woodwinds WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/15787dfd68243bc27ed8df5c5359f9ef.mp3 53d55d09c661bc1032338dd0f7d3400f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Strike Up the Band" by Terry Myers Alternative Title "Strike Up the Band" by Myers Subject Orlando (Fla.) Music--United States Jazz--United States Pop music Description An audio recording of "Strike Up the Band," composed by George Gershwin (1898-1937) and Ira Gershwin (1896-1983), and performed by Terry Myers live on-air on WUCF-FM on August 14, 2006. Myers is a reed player from Iowa who developed a successful career in Nashville, Tennessee, and New York before moving to Central Florida, where he became a band leader at Walt Disney World's Epcot theme park and the band leader at Rosie O'Grady's Good Time Jazz Emporium at Church Street Station in Orlando. Myers has played at jazz festivals across the United States, Europe, and Asia, and is currently the director of the Tommy Dorsey Orchestra. Brothers George and Ira Gershwin composed "Strike Up the Band" in 1927 for a musical of the same name. Although the musical was unsuccessful, the song became popular. Type Sound Source Original 5-minute and 44-second audio recording: Gershwin, George and Ira Gershwin. "Strike Up the Band," by Terry Myers: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, August 14, 2006. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Gershwin, George Gershwin, Ira Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Myers, Terry Date Created 2006-08-14 Date Issued 2006-08-14 Date Copyrighted 2006-08-14 Format audio/mp3 Extent 5.25 MB Medium 5-minute and 44-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by George Gershwin and Ira Gershwin, performed by Terry Myers, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by George Gershwin and Ira Gershwin and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://www.buddymorrowproductions.com/terry-meyers.html" target="_blank">Meet Terry Myers</a>." BuddyMorrowProductions.com. http://www.buddymorrowproductions.com/terry-meyers.html (accessed March 10, 2015). CAH Church Street Station College of Arts and Humanities Epcot Francis Albert Sinatra Frank Sinatra George Gershwin Ira Gershwin jazz jazz ensembles jazz saxophones jazz saxophonists musicals musicians National Public Radio NPR orlando PBS pop music pop standard Public Broadcasting Service radio stations radios Reed reed players Reuben Bloom Rosie O'Grady's Good Time Jazz Emporium Rube Bloom soprano saxophones soprano saxophonists Strike Up the Band tenor saxophones tenor saxophonists Terry Myers Tommy Dorsey Orchestra UCF University of Central Florida Walt Disney World woodwind players woodwinds WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/52a1d60538b3174fdc0e56c8af9e73b4.mp3 f49986224ee0bb82986c5dcac394beb3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "It's a Wonderful World" by Terry Myers Alternative Title "It's a Wonderful World" by Myers Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "It's a Wonderful World," composed by Jan Savitt (1907-1948), Harold Adamson (1906-1980), and "Johnny Guitar" Watson (1935-1996), and performed by Terry Myers live on-air on WUCF-FM on August 14, 2006. Myers is a reed player from Iowa who developed a successful career in Nashville, Tennessee, and New York before moving to Central Florida, where he became a band leader at Walt Disney World's Epcot theme park and the band leader at Rosie O'Grady's Good Time Jazz Emporium at Church Street Station in Orlando. Myers has played at jazz festivals across the United States, Europe, and Asia, and is currently the director of the Tommy Dorsey Orchestra. Although most songwriters were under contract to publishers during the big band era, in rare cases, a bandleader would write his/her own song. Savitt, along with Adamson and Watson, composed "It's a Wonderful World," and recorded it on Savitt's 1938-1941 recording collection, It's Time to Jump and Shout. Type Sound Source Original 4-minute and 21-second audio recording: Savitt, Jan, Harold Adamson, and Johnny Watson. "It's a Wonderful World," by Terry Myers: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, August 14, 2006. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Savitt, Jan Adamson, Harold Watson, Johnny Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Myers, Terry Date Created 2006-08-14 Date Issued 2006-08-14 Date Copyrighted 2006-08-14 Format audio/mp3 Extent 3.99 MB Medium 4-minute and 21-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Jan Savitt, Harold Adamson and Johnny Watson, performed by Terry Myers, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Jan Savitt, Harold Adamson and John "Johnny Guitar" Watson, Jr. and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://www.buddymorrowproductions.com/terry-meyers.html" target="_blank">Meet Terry Myers</a>." BuddyMorrowProductions.com. http://www.buddymorrowproductions.com/terry-meyers.html (accessed March 10, 2015). CAH Church Street Station College of Arts and Humanities Epcot Francis Albert Sinatra Frank Sinatra Harold Adamson It's a Wonderful World It's Time to Jump and Shout Jacob Savetnick Jan Savitt jazz jazz ensembles jazz saxophones jazz saxophonists John Watson, Jr. Johnny Guitar Watson musicians National Public Radio NPR orlando PBS Public Broadcasting Service radio stations radios Reed reed players Reuben Bloom Rosie O'Grady's Good Time Jazz Emporium Rube Bloom soprano saxophones soprano saxophonists tenor saxophones tenor saxophonists Terry Myers Tommy Dorsey Orchestra UCF University of Central Florida Walt Disney World woodwind players woodwinds WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/c50e2ea092f19ce47ee01e86a745117f.mp3 c3f8dbdf59d96ba1b58133305e221e38 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Recado Bossa Nova" by Terry Myers Alternative Title "Recado Bossa Nova" by Myers Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Recado Bossa Nova," composed by Luiz Antonio and Djalma Ferreira, and performed by Terry Myers live on-air on WUCF-FM on August 14, 2006. Myers is a reed player from Iowa who developed a successful career in Nashville, Tennessee, and New York before moving to Central Florida, where he became a band leader at Walt Disney World's Epcot theme park and the band leader at Rosie O'Grady's Good Time Jazz Emporium at Church Street Station in Orlando. Myers has played at jazz festivals across the United States, Europe, and Asia, and is currently the director of the Tommy Dorsey Orchestra. "Recado Bossa Nova" was written by Brazilian composers/musicians Antonio and Ferreira and first recorded by Hank Mobley (1930-1986) on his 1965 album, Dippin'. Type Sound Source Original 6-minute and 13-second audio recording: Antonio, Luiz and Djalma Ferreira. "Recado Bossa Nova," by Terry Myers: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, August 14, 2006. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Rio de Janeiro, Greater Rio de Janeiro, Brazil Creator Antonio, Luiz Ferreira, Djalma Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Myers, Terry Date Created 2006-08-14 Date Issued 2006-08-14 Date Copyrighted 2006-08-14 Format audio/mp3 Extent 5.7 MB Medium 6-minute and 13-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Luiz Antonio and Djalma Ferreira, performed by Terry Myers, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Luiz Antonio and Djalma Ferreira and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://www.buddymorrowproductions.com/terry-meyers.html" target="_blank">Meet Terry Myers</a>." BuddyMorrowProductions.com. http://www.buddymorrowproductions.com/terry-meyers.html (accessed March 10, 2015). bossa nova Brazilian jazz Brazilians CAH Church Street Station College of Arts and Humanities composers Djalma Ferreira Epcot Francis Albert Sinatra Frank Sinatra Hank Mobley Henry Mobley jazz jazz ensembles jazz saxophones jazz saxophonists Luiz Antonio musicians National Public Radio NPR orlando PBS Public Broadcasting Service radio stations radios Recado Bossa Nova Reed reed player reed players Reuben Bloom Rio de Janeiro, Brazil Rosie O'Grady's Good Time Jazz Emporium Rube Bloom soprano saxophones soprano saxophonists tenor saxophones tenor saxophonist tenor saxophonists Terry Myers Tommy Dorsey Orchestra UCF University of Central Florida Walt Disney World woodwind players woodwinds WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/ff2c257bf19b64a1f84e3100b5e68733.mp3 b36e7fc0a7de96ba4a7ef81b49453cc5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Gone With the Wind" by Terry Myers Alternative Title "Gone With the Wind" by Myers Subject Orlando (Fla.) Music--United States Jazz--United States Pop music Description An audio recording of "Gone with the Wind," composed by Allie Wrubel (1905-1973) with lyrics by Herb Magidson (1906-1986), and performed by Terry Myers live on-air on WUCF-FM on August 14, 2006. Myers is a reed player from Iowa who developed a successful career in Nashville, Tennessee, and New York before moving to Central Florida, where he became a band leader at Walt Disney World's Epcot theme park and the band leader at Rosie O'Grady's Good Time Jazz Emporium at Church Street Station in Orlando. Myers has played at jazz festivals across the United States, Europe, and Asia, and is currently the director of the Tommy Dorsey Orchestra. "Gone with the Wind" is a pop standard written by Wrubel and Magidson in 1937. It was a number one song for Horace Heidt (1901-1986) that same year, and recorded by numerous artists over the next several decades. Type Sound Source Original 5-minute and 26-second audio recording: Wrubel, Allie and Herb Magidson. "Gone With the Wind," by Terry Myers: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, August 14, 2006. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Wrubel, Allie Magidson, Herb Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Myers, Terry Date Created 2006-08-14 Date Issued 2006-08-14 Date Copyrighted 2006-08-14 Format audio/mp3 Extent 4.98 MB Medium 5-minute and 26-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Allie Wrubel and Herb Magidson, performed by Terry Myers, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Allie Wrubel and Herb Magidson and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://www.buddymorrowproductions.com/terry-meyers.html" target="_blank">Meet Terry Myers</a>." BuddyMorrowProductions.com. http://www.buddymorrowproductions.com/terry-meyers.html (accessed March 10, 2015). Allie Wrubel CAH Church Street Station College of Arts and Humanities Elias Paul Wrubel Epcot Francis Albert Sinatra Frank Sinatra Gone With the Wind Herb Magidson Herbert A. Magidson Horace Heidt jazz jazz ensembles jazz saxophones jazz saxophonists musicians National Public Radio NPR orlando PBS pop pop music pop standard Public Broadcasting Service radio stations radios Reed reed players Reuben Bloom Rosie O'Grady's Good Time Jazz Emporium Rube Bloom soprano saxophones soprano saxophonists tenor saxophones tenor saxophonists Terry Myers Tommy Dorsey Orchestra UCF University of Central Florida Walt Disney World woodwind players woodwinds WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/153f1936f31ed3518f50e03f8552c2eb.mp3 1086aa5382e5073065e479126ed05187 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Don't Worry 'Bout Me" by Terry Myers Alternative Title "Don't Worry 'Bout Me" by Myers Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Don't Worry 'Bout Me," composed by Rube Bloom (1902-1976) with lyrics by Ted Koehler (1894-1983), and performed by Terry Myers live on-air on WUCF-FM on August 14, 2006. Myers is a reed player from Iowa who developed a successful career in Nashville, Tennessee, and New York before moving to Central Florida, where he became a band leader at Walt Disney World's Epcot theme park and the band leader at Rosie O'Grady's Good Time Jazz Emporium at Church Street Station in Orlando. Myers has played at jazz festivals across the United States, Europe, and Asia, and is currently the director of the Tommy Dorsey Orchestra. "Don't Worry 'Bout Me" was composed by Bloom and Koehler in 1938 and has been recorded by numerous artists, including Ella Fitzgerald (1917-1996), Billie Holiday (1915-1959), and Frank Sinatra (1915-1998). Type Sound Source Original 5-minute and 40-second audio recording: Bloom, Rube abd Ted Koehler. "Don't Worry 'Bout Me," by Terry Myers: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, August 14, 2006. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Bloom, Rube Koehler, Ted Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Myers, Terry Date Created 2006-08-14 Date Issued 2006-08-14 Date Copyrighted 2006-08-14 Format audio/mp3 Extent 5.2 MB Medium 5-minute and 40-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Rube Bloom and Ted Koehler, performed by Terry Myers, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Reuben "Rube" Bloom and Ted L. Koehler and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://www.buddymorrowproductions.com/terry-meyers.html" target="_blank">Meet Terry Myers</a>." BuddyMorrowProductions.com. http://www.buddymorrowproductions.com/terry-meyers.html (accessed March 10, 2015). Billie Holiday CAH Church Street Station College of Arts and Humanities Don't Worry 'Bout Me Eleanora Fagan Ella Fitzgerald Ella Jane Fitzgerald Epcot Francis Albert Sinatra Frank Sinatra jazz jazz ensembles jazz saxophones jazz saxophonists musicians National Public Radio NPR orlando PBS Public Broadcasting Service radio stations radios Reed reed players Reuben Bloom Rosie O'Grady's Good Time Jazz Emporium Rube Bloom soprano saxophones soprano saxophonists Ted Koehler Ted L. Koehler tenor saxophones tenor saxophonists Terry Myers Tommy Dorsey Orchestra UCF University of Central Florida Walt Disney World woodwind players woodwinds WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/5aee10848080824c892b973fde31650f.mp3 391c3ca39117ee2fd2e40942c72e5b56 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "I Thought About You" by Terry Myers Alternative Title "I Thought About You" by Myers Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "I Thought About You," composed by Jimmy Van Heusen (1913-1990) with lyrics by Johnny Mercer (1909-1976), and performed by Terry Myers live on-air on WUCF-FM on August 14, 2006. Myers is a reed player from Iowa who developed a successful career in Nashville, Tennessee, and New York before moving to Central Florida, where he became a band leader at Walt Disney World's Epcot theme park and the band leader at Rosie O'Grady's Good Time Jazz Emporium at Church Street Station in Orlando. Myers has played at jazz festivals across the United States, Europe, and Asia, and is currently the director of the Tommy Dorsey Orchestra. The jazz standard, "I Thought About You," was written by Van Heusen and Mercer in 1939 and has been performed and recorded by numerous jazz artists, including Miles Davis (1926-1991), Ella Fitzgerald (1917-1996), Billie Holiday (1915-1959), Frank Sinatra (1915-1998), Mal Waldron (1925-2002), and Dinah Washington (1924-1963). Type Sound Source Original 7-minute and 31-second audio recording: Van Heusen, Jimmy and Johnny Mercer. "I Thought About You," by Terry Myers: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, August 14, 2006. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Van Heusen, Jimmy Mercer, Johnny Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor Myers, Terry Date Created 2006-08-14 Date Issued 2006-08-14 Date Copyrighted 2006-08-14 Format audio/mp3 Extent 6.89 MB Medium 7-minute and 31-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Jimmy Van Heusen and Johnny Herndon Mercer, performed by Terry Myers, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Jimmy Van Heusen and John "Johnny" Herndon Mercer and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://www.buddymorrowproductions.com/terry-meyers.html" target="_blank">Meet Terry Myers</a>." BuddyMorrowProductions.com. http://www.buddymorrowproductions.com/terry-meyers.html (accessed March 10, 2015). Billie Holiday CAH Church Street Station College of Arts and Humanities Dinah Washington Edward Chester Babcock Eleanora Fagan Ella Fitzgerald Ella Jane Fitzgerald Epcot Fagan, Eleanora Fitzgerald, Ella Jane Francis Albert Sinatra Frank Sinatra Holiday, Billie I Thought About You jazz jazz ensembles jazz saxophones jazz saxophonists Jimmy Van Heusen John Herndon Mercer Johnny Mercer Mal Waldron Malcolm Earl Waldron Miles Davis Miles Dewey Davis III musicians National Public Radio NPR orlando PBS Public Broadcasting Service radio stations radios Reed reed players Rosie O'Grady's Good Time Jazz Emporium Ruth Lee Jones soprano saxophones soprano saxophonists tenor saxophones tenor saxophonists Terry Myers Tommy Dorsey Orchestra UCF University of Central Florida Walt Disney World woodwind players woodwinds WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/ed1c6aedbd6f5f10454867a62a027c0e.mp3 9b7c2b7040386b9bfb49efeb65c47713 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Yes or No" by The Jazz Professors Alternative Title "Yes or No" by Jazz Professors Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Yes or No," composed by Wayne Shorter (b. 1933) and performed by The Jazz Professors live on-air on WUCF-FM on December 10, 2007. The Jazz Professors are a sextet of professors from the University of Central Florida (UCF) in Orlando, Florida, who play professionally and have released two albums with Flying Horse Records, a professional jazz record label operated by the university. They have recorded and toured with a number of prominent guest musicians "Yes or No" was written and recorded by Shorter for his 1964 album, JuJu. The album demonstrates the influence of John Coltrane (1926-1967), who Shorter studied under. Type Sound Source Original 4-minute and 29-second audio recording: Shorter, Wayne. "Yes or No," by the Jazz Professors: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 10, 2007. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Shorter, Wayne Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor The Jazz Professors Rupert, Jeff Danielsson, Per Wilkinson, Michael Koelble, Bobby Drexler, Richard Morell, Marty Date Created 2007-12-10 Date Issued 2007-12-10 Date Copyrighted 2007-12-10 Format audio/mp3 Extent 4.12 MB Medium 4-minute and 29-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Wayne Shorter, performed by The Jazz Professors, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Wayne Shorter and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw" target="_blank">The Jazz Professors</a>." Allaboutjazz.com. http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw (accessed March 9, 2015). alto saxophones alto saxophonists bass guitarists bass guitars bebop Bobby Koelble CAH College of Arts and Humanities drummers drums educators Flying Horse Records higher education jazz jazz ensembles jazz guitars jazz pianists jazz pianos jazz trombones jazz trombonists Jeff Rupert JuJu Marty Morrell Michael Wilkinson music musicians National Public Radio NPR orlando PBS Per Danielsson professors Public Broadcasting Service radio radio stations Richard Drexler teachers tenor saxophones tenor saxophonists The Jazz Musicians UCF University of Central Florida Wayne Shorter WUCF-FM Yes or No https://richesmi.cah.ucf.edu/omeka/files/original/51fafc22571d4246ea959cd31fce8e28.mp3 3b8cb35f8570d8d3fee913e20dff6f91 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "My Shining Hour" by The Jazz Professors Alternative Title "My Shining Hour" by Jazz Professors Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "My Shining Hour," composed by Harold Arlen (1905-1986), with lyrics by Johnny Mercer (1909-1976), and performed by The Jazz Professors live on-air on WUCF-FM on December 10, 2007. The Jazz Professors are a sextet of professors from the University of Central Florida (UCF) in Orlando, Florida, who play professionally and have released two albums with Flying Horse Records, a professional jazz record label operated by the university. They have recorded and toured with a number of prominent guest musicians "My Shining Hour" was written by Arlen and Mercer for the 1943 film, The Sky's the Limit, for which it was nominated for and Academy Award for Best Song. Type Sound Source Original 4-minute and 55-second audio recording: Arlen, Harold. "My Shining Hour," by the Jazz Professors: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 10, 2007. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Arlen, Harold Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> The Jazz Professors Rupert, Jeff Danielsson, Per Wilkinson, Michael Koelble, Bobby Drexler, Richard Morell, Marty Date Created 2007-12-10 Date Issued 2007-12-10 Date Copyrighted 2007-12-10 Format audio/mp3 Extent 4.5 MB Medium 4-minute and 55-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Harold Arlen, performed by The Jazz Professors, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Harold Arlen and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw" target="_blank">The Jazz Professors</a>." Allaboutjazz.com. http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw (accessed March 9, 2015). Academy Awards alto saxophones alto saxophonists bass guitarists bass guitars bebop Bobby Koelble CAH College of Arts and Humanities drummers drums educators Flying Horse Records Harold Arlen higher education jazz jazz ensembles jazz guitars jazz pianists jazz pianos jazz trombones jazz trombonists Jeff Rupert John Herndon Mercer Johnny Mercer Marty Morrell Michael Wilkinson music musicians My Shining Hour National Public Radio NPR orlando PBS Per Danielsson professors Public Broadcasting Service radio radio stations Richard Drexler teachers tenor saxophones tenor saxophonists The Jazz Professors The Sky's Limit UCF University of Central Florida WUCF WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/ef9455dc8072358bd9ca63c7c5d2af1b.mp3 e881dac85e146445183aeb0326563905 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Two Bats" by The Jazz Professors Alternative Title "Two Bats" by Jazz Professors Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Two Bats," composed and performed by The Jazz Professors live on-air on WUCF-FM on December 10, 2007. The Jazz Professors are a sextet of professors from the University of Central Florida (UCF) in Orlando, Florida, who play professionally and have released two albums with Flying Horse Records, a professional jazz record label operated by the university. They have recorded and toured with a number of prominent guest musicians. "Two Bats" would be recorded on the band's second album, Do That Again, which was released in 2013 and reached Number 6 on the JazzWeek charts. Type Sound Source Original 7-minute and 10-second audio recording: Rupert, Jeff, Per Danielsson, Michael Wilkinson, Bobby Koelblle, Richard Drexler, and Marty Morell. "Two Bats," by the Jazz Professors: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 10, 2007. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Rupert, Jeff Danielsson, Per Wilkinson, Michael Koelble, Bobby Drexler, Richard Morell, Marty Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor The Jazz Professors Date Created 2007-12-10 Date Issued 2007-12-10 Date Copyrighted 2007-12-10 Format audio/mp3 Extent 6.56 MB Medium 7-minute and 10-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and performed by The Jazz Professors and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by The Jazz Professors and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw" target="_blank">The Jazz Professors</a>." Allaboutjazz.com. http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw (accessed March 9, 2015). alto saxophones alto saxophonists bass guitarists bass guitars bebop Bobby Koelble CAH College of Arts and Humanities drummers drums educators Flying Horse Records higher education jazz jazz ensembles jazz guitars jazz pianists jazz pianos jazz trombone jazz trombones jazz trombonists Jeff Rupert Marty Morrell Michael Wilkinson musicians National Public Radio NPR orlando PBS Per Danielsson professors Public Broadcasting Service radio radio stations Richard Drexler teachers tenor saxophones tenor saxophonists The Jazz Professors Two Bats UCF University of Central Florida WUCF WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/ffe9bbea8548a4967ceeea6bbf889fc1.mp3 8c5a48dcf3ed80e64b63e37e614279b1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Nardis" by The Jazz Professors Alternative Title "Nardis" by Jazz Professors Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Nardis," composed by Miles Davis (1926-1991) and performed by The Jazz Professors live on-air on WUCF-FM on December 10, 2007. The Jazz Professors are a sextet of professors from the University of Central Florida (UCF) in Orlando, Florida, who play professionally and have released two albums with Flying Horse Records, a professional jazz record label operated by the university. They have recorded and toured with a number of prominent guest musicians. "Nardis" was written by Davis in 1958, during his modal period. In modal jazz, musical modes are used as a harmonic framework, rather than chord progressions. The song is often associated with Bill Evans (1929-1980), who recorded several versions. Type Sound Source Original 4-minute and 34-second audio recording: Davis, Miles. "Nardis," by the Jazz Professors: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 10, 2007. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Davis, Miles Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> The Jazz Professors Rupert, Jeff Danielsson, Per Wilkinson, Michael Koelble, Bobby Drexler, Richard Morell, Marty Date Created 2007-12-10 Date Issued 2007-12-10 Date Copyrighted 2007-12-10 Format audio/mp3 Extent 4.19 MB Medium 4-minute and 34-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally composed by Miles Davis, performed by The Jazz Professors, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Miles Dewey Davis III and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw" target="_blank">The Jazz Professors</a>." Allaboutjazz.com. http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw (accessed March 9, 2015). bebop Bill Evans Drexler Flying Horse Records higher education jazz Miles Davis Miles Dewey Davis III modal jazz music Nardis National Public Radio NPR orlando PBS Public Broadcasting Service Richard The Jazz Musicians UCF University of Central Florida William John Evans WUCF WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/0f51cb0d448d6fc8967308c0849ca186.mp3 87a33179910829841c881a3e33b774e9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Lover Man" by The Jazz Professors Alternative Title "Lover Man" by Jazz Professors Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Lover Man," composed by Jimmy Davis (1915-1997), Ram Ramirez (1913-1994), and James Sherman and performed by The Jazz Professors live on-air on WUCF-FM on December 10, 2007. The Jazz Professors are a sextet of professors from the University of Central Florida (UCF) in Orlando, Florida, who play professionally and have released two albums with Flying Horse Records, a professional jazz record label operated by the university. They have recorded and toured with a number of prominent guest musicians. The jazz standard, "Lover Man," was written in 1941 by Davis, Ramirez, and Sherman for Billie Holiday (1915-1959), whose 1945 version would be inducted into the Grammy Hall of Fame. Type Sound Source Original 4-minute and 35-second audio recording: Davis, Jimmy, Ram Ramirez, and James Sherman. "Lover Man," by the Jazz Professors: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 10, 2007. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Davis, Jimmy Ramirez, Ram Sherman, James Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> The Jazz Professors Rupert, Jeff Danielsson, Per Wilkinson, Michael Koelble, Bobby Drexler, Richard Morell, Marty Date Created 2007-12-10 Date Issued 2007-12-10 Date Copyrighted 2007-12-10 Format audio/mp3 Extent 4.19 MB Medium 4-minute and 35-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally composed by Jimmy Davis, Ram Ramirez, and James Sherman, performed by The Jazz Professors, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Jimmy Davis, Roger "Ram" J. Ramirez, and James Sherman, and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw" target="_blank">The Jazz Professors</a>." Allaboutjazz.com. http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw (accessed March 9, 2015). alto saxophones alto saxophonists bass guitarists bass guitars bebop Billie Holiday Bobby Koelble CAH College of Arts and Humanities Drexler drummers drums educators Eleanora Fagan Flying Horse Records James Edward Davis James Sherman jazz jazz ensembles jazz guitars jazz pianists jazz pianos jazz standards jazz trombones jazz trombonists Jeff Rupert Jimmy Davis Lover Man Marty Morrell Michael Wilkinson music musicians National Public Radio NPR orlando PBS Per Danielsson professors Public Broadcasting Service radio radio stations Ram Ramirez Richard Roger J. Ramirez teachers tenor saxophones tenor saxophonists The Jazz Professors UCF University of Central Florida WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/6c0a2fd47ce358a787e9a657b5f91655.mp3 b8a08ba38be782beb67c2c4657480bb3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "This is for Albert" by The Jazz Professors Alternative Title "This is for Albert" by Jazz Professors Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "This is for Albert," composed by Wayne Shorter (b. 1933) and performed by The Jazz Professors live on-air on WUCF-FM on December 10, 2007. The Jazz Professors are a sextet of professors from the University of Central Florida (UCF) in Orlando, Florida, who play professionally and have released two albums with Flying Horse Records, a professional jazz record label operated by the university. They have recorded and toured with a number of prominent guest musicians. "This is for Albert" was composed by Shorter for the 1963 album, Caravan, by Art Blakey (1919-1990) and the Jazz Messengers, with whom Shorter played tenor saxophone and was musical director. Type Sound Source Original 4-minute and 46-second audio recording: Shorter, Wayne, "This is for Albert," by the Jazz Professors: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 10, 2007. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Shorter, Wayne Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> The Jazz Professors Rupert, Jeff Danielsson, Per Wilkinson, Michael Koelble, Bobby Drexler, Richard Morell, Marty Date Created 2007-12-10 Date Issued 2007-12-10 Date Copyrighted 2007-12-10 Format audio/mp3 Extent 4.37 MB Medium 4-minute and 46-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally composed by Wayne Shorter, performed by The Jazz Professors, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Wayne Shorter and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw" target="_blank">The Jazz Professors</a>." Allaboutjazz.com. http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw (accessed March 9, 2015). Abdullah Ibn Buhaina alto saxophones alto saxophonists Art Blakey Art Blakey and the Jazz Messengers Arthur Blakey bass guitarists bass guitars bebop Bobby Koelble CAH Caravan College of Arts and Humanities Drexler drummers drums educators Flying Horse Records higher education jazz jazz ensembles jazz guitars jazz pianists jazz pianos jazz trombones jazz trombonists Jeff Rupert Marty Morrell Michael Wilkinson music musicians National Public Radio NPR orlando PBS Per Danielsson professors Public Broadcasting Service radio radio stations Richard Rupert, Jeff teachers tenor saxophones tenor saxophonists The Jazz Messengers The Jazz Professors This is for Albert UCF University of Central Florida Wayne Shorter WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/19bc9750db9ccde841c8e9a295dcf2d4.mp3 889a944c88f419bb0851554ca98489b5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Soul Eyes" by The Jazz Professors Alternative Title "Soul Eyes" by Jazz Professors Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Soul Eyes," composed by Mal Waldron (1925-2002) and performed by The Jazz Professors live on-air on WUCF-FM on December 10, 2007. The Jazz Professors are a sextet of professors from the University of Central Florida (UCF) in Orlando, Florida, who play professionally and have released two albums with Flying Horse Records, a professional jazz record label operated by the university. They have recorded and toured with a number of prominent guest musicians "Soul Eyes" is a jazz standard first recorded for the 1957 Prestige All Stars album, Interplay for 2 Trumpets and 2 Tenors. Composer Waldron, who was in the group, wrote the song with bandmate and tenor saxophonist, John Coltrane (1926-1967), in mind, who would make the song famous with his own recording in 1962. Type Sound Source Original 4-minute and 31-second audio recording: Waldron, Mal. "Soul Eyes," by the Jazz Professors: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 10, 2007. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Waldron, Mal Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> The Jazz Professors Rupert, Jeff Danielsson, Per Wilkinson, Michael Koelble, Bobby Drexler, Richard Morell, Marty Date Created 2007-12-10 Date Issued 2007-12-10 Date Copyrighted 2007-12-10 Format audio/mp3 Extent 4.14 Medium 4-minute and 31-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally composed by Mal Waldron, performed by The Jazz Professors, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Mal Waldron and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw" target="_blank">The Jazz Professors</a>." Allaboutjazz.com. http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw (accessed March 9, 2015). alto saxophones alto saxophonists bass guitarists bass guitars bebop Bobby Koelble CAH College of Arts and Humanities Drexler drummers drums educators Flying Horse Records higher education Interplay for 2 Trumpets and 2 Tenors jazz jazz ensembles jazz guitars jazz pianists jazz pianos jazz standards jazz trombones jazz trombonists Jeff Rupert John Coltrane John William Coltrane Mal Waldron Malcolm Earl Waldron Marty Morrell Michael Wilkinson music musicians National Public Radio NPR orlando PBS Per Danielsson Prestige All Stars professors Public Broadcasting Service radio radio stations Richard Soul Eyes teachers tenor saxophones tenor saxophonists The Jazz Professors UCF University of Central Florida WUCF WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/47d3a7a847d7f67026cf4e424c212428.mp3 bd8a7ddaaf7a1b174e083f0e8d78fc7d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Grandfather's Waltz" by The Jazz Professors Alternative Title "Grandfather's Waltz" by Jazz Professors Subject Orlando (Fla.) Music--United States Jazz--United States Description An audio recording of "Grandfather's Waltz," composed by Lasse Farnlof (1942-1994) and Gene Lees (1928-2010) and performed by The Jazz Professors live on-air on WUCF-FM on December 10, 2007. The Jazz Professors are a sextet of professors from the University of Central Florida (UCF) in Orlando, Florida, who play professionally and have released two albums with Flying Horse Records, a professional jazz record label operated by the university. They have recorded and toured with a number of prominent guest musicians. "Grandfather's Waltz" was first recorded by Stan Getz (1927-1991) and Bill Evans (1929-1980) in May 1964 and released on their self-titled album in 1973. Type Sound Source Original 5-minute and 1-second audio recording: Farnlof, Lasse and Gene Lees. "Grandfather's Waltz," by the Jazz Professors: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 10, 2007. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Farnlof, Lasse Lees, Gene Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> The Jazz Professors Rupert, Jeff Danielsson, Per Wilkinson, Michael Koelble, Bobby Drexler, Richard Morell, Marty Date Created 2007-12-10 Date Issued 2007-12-10 Date Copyrighted 2007-12-10 Format audio/mp3 Extent 4.6 MB Medium 5-minute and 1-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally composed by Lasse Farnlof and Gene Lees, performed by The Jazz Professors, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Lasse Farnlof and Frederick "Gene" Eugene John Lees and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw" target="_blank">The Jazz Professors</a>." Allaboutjazz.com. http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw (accessed March 9, 2015). alto saxophones alto saxophonists bass guitarists bass guitars bebop Bill Evans Bobby Koelble CAH College of Arts and Humanities Drexler drummers drums educators Flying Horse Records Frederick Eugene John Lees Gene Lees Grandfather's Waltz higher education jazz jazz ensembles jazz guitars jazz pianists jazz pianos jazz trombones jazz trombonists Jeff Rupert Lasse Farnlof Marty Morrell Michael Wilkinson musicians National Public Radio NPR orlando PBS Per Danielsson professors radio radio stations Richard Stan Getz Stan Getz & Bill Evans Stanley Getz teachers tenor saxophones tenor saxophonists The Jazz Professors UCF University of Central Florida William John Evans WUCF WUCF-FM https://richesmi.cah.ucf.edu/omeka/files/original/d20c9e1f3aa795067dc1be7b5b6a207e.mp3 00c60665816027538678ac8123f54f47 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jazz Collection Alternative Title Jazz Collection Subject Music--United States Jazz--United States Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.” By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s. The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance. Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors. Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida DeLand, Florida Young Musicians Camp, University of Miami, Miami, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</a>. New York: Hal Leonard, 2009. Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank">The History of Jazz</a>. New York: Oxford University Press, 1997. Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank">Jazz: A History of America's Music</a>. New York: Alfred A. Knopf, 2000. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "One by One" by The Jazz Professors Alternative Title "One by One" by Jazz Professors Subject Orlando (Fla.) Music--Florida Jazz--United States Description An audio recording of "One by One," composed by Wayne Shorter (b. 1933) and performed by The Jazz Professors live on-air on WUCF-FM on December 10, 2007. The Jazz Professors is a sextet of professors from the University of Central Florida (UCF) in Orlando, Florida, who play professionally and have released two albums with Flying Horse Records, a professional jazz record label operated by the university. They have recorded and toured with a number of prominent guest musicians. The medium swinger, "One by One," was composed by Shorter and first recorded by Art Blakey (1919-1990) and the Jazz Messengers, with whom Shorter played tenor saxophone and was musical director, for their 1963 album, Ugetsu: Art Blakey's Jazz Messengers at Birdland. Type Sound Source Original 4-minute and 9-second audio recording: Shoter, Wayne."One on One," by the Jazz Professors: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 10, 2007. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Coverage WUCF-FM, University of Central Florida, Orlando, Florida Creator Shorter, Wayne Publisher <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> Contributor <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> The Jazz Professors Rupert, Jeff Danielsson, Per Wilkinson, Michael Koelble, Bobby Drexler, Richard Morell, Marty Date Created 2007-12-10 Date Issued 2007-12-10 Date Copyrighted 2007-12-10 Format audio/mp3 Extent 3.81 MB Medium 4-minute and 9-second audio recording Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally composed by Wayne Shorter, performed by The Jazz Professors, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>. Rights Holder Copyright to this resource is held by Wayne Shorter and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a> External Reference "<a href="http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw" target="_blank">The Jazz Professors</a>." Allaboutjazz.com. http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw (accessed March 9, 2015). Click to View (Movie, Podcast, or Website) <a href="https://richesmi.cah.ucf.edu/omeka/files/original/d20c9e1f3aa795067dc1be7b5b6a207e.mp3" target="_blank">"One by One" by The Jazz Professors</a> alto saxophones alto saxophonists Art Blakely Art Blakey's Jazz Messengers Arthur Blakely bass guitarists bass guitars bebop Bobby Koelble CAH College of Arts and Humanities college professors Drexler drummers drums educators Flying Horse Records guitar higher education jazz jazz ensembles jazz guitarists jazz guitars jazz pianists jazz pianos jazz trombones jazz trombonists Jeff Rupert Marty Morell Michael Wilkinson music musicians National Public Radio NPR One by One orlando PBS Per Danielsson Public Broadcasting Service radio stations radios saxophone saxophonist Shorter, Wayne teacher teachers tenor saxophone tenor saxophonist The Jazz Messengers The Jazz Professors UCF Ugetsu University of Central Florida WUCF-FM