1 100 136 https://richesmi.cah.ucf.edu/omeka/files/original/b67ee71376228b7c38985d5d01730e88.jpg 1a2110a6646a0c05a4e56a9c157da45c https://richesmi.cah.ucf.edu/omeka/files/original/9d606ad200cb8008d3ba102ca66d8465.jpg 069603911f710b54469667337cd2723e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color digital images Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Tool Local Crew T-Shirt Alternative Title Tool T-Shirt Subject Tool (Musical group) Orlando (Fla.) Concerts--United States Music--Florida Rock music--United States Description A local crew t-shirt for Tool’s 2007 tour. Tool is an American alternative rock and metal band who formed in Los Angeles, California, in 1990. Incorporating visual arts and long, complex releases, the band gained worldwide critical and commercial success, winning three Grammy awards as of November 2015. The shirt was donated by Mick Dolan, who was a local crew member for the band’s show at the Amway Arena, located at 600 West Amelia Street in Orlando, Florida on May 31, 2007. The tour was in support of the band’s 2006 album, 10,000 Days. The lineup for the tour included Maynard James Keenan on lead vocals, Adam Jones on guitar, Justin Chancellor on bass, and Danny Carey on drums and percussion. Type Physical Object Source Original color digital images: Private Collection of Mick Dolan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Coverage Amway Arena, Orlando, Florida Date Created ca. 2007-05-31 Format image/jpg Extent 384 KB 169 KB Medium 2 color digital images Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by <a href="https://www.toolband.com/" target="_blank">Tool</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Mick Dolan External Reference Abbott, Jim. "<a href="http://articles.orlandosentinel.com/2007-06-05/news/TOOL05_1_tool-band-arena" target="_blank">For heavy-metal project, Tool provides right device</a>." The Orlando Sentinel, June 5, 2007. http://articles.orlandosentinel.com/2007-06-05/news/TOOL05_1_tool-band-arena. Grow, Kory. "<a href="http://www.rollingstone.com/music/news/tool-explain-why-they-havent-put-out-a-new-album-since-2006-20140715" target="_blank">Tool Explain Why They Haven't Put Out a New Album Since 2006</a>." Rolling Stone, July 15, 2014. http://www.rollingstone.com/music/news/tool-explain-why-they-havent-put-out-a-new-album-since-2006-20140715. Abbott, Jim. "<a href="http://articles.orlandosentinel.com/2001-10-12/news/0110120343_1_tool-band-keenan" target="_blank">Tool Tinkers With Rock, Makes It Better</a>." The Orlando Sentinel, October 12, 2001. http://articles.orlandosentinel.com/2001-10-12/news/0110120343_1_tool-band-keenan. 10,000 Days Adam Jones Adam Thomas Jones alternative rock Amway Arena concerts crews Daniel Edwin Carey Danny Carey hard rock heavy metal James Herbert Keenan Justin Chancellor Justin Gunnar Walter Chancellor Maynard James Keenan Mick Dolan music road crews roadies roady rock rock music shirts t-shirts Tool tours uniforms https://richesmi.cah.ucf.edu/omeka/files/original/96cb4c87de81ed452bd113cc8ef834c4.jpg 771469204ac40006617bc5a8facf0943 https://richesmi.cah.ucf.edu/omeka/files/original/06969064dfa33054c6ce3f809077bdec.jpg f4db91de2508282a890d3f7e01c4fc80 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color digital images Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Who Local Crew T-Shirt Alternative Title The Who T-Shirt Subject Who (Musical group) Tampa (Fla.) Concerts--United States Music--Florida Rock music--United States Description A local crew t-shirt for the Who’s 2006-2007 tour. The Who is an English rock band that are considered to be one of the greatest musical influences in rock music of the 20th century. Formed in 1964, they have gone on to sell over 100 million albums and continue to be one of the highest grossing touring bands of all time. The band’s 2006-2007 tour was in support of their album, Endless Wire, and was their first worldwide concert tour since 1997. The lineup for the tour included Roger Daltrey on vocals, Pete Townshend on guitar and vocals, Brian Kehew on keyboard, Pino Palladino on bass, Zak Starkey on drums, and Simon Townshend on guitar and vocals. The shirt was donated by Mick Dolan, who was a local crew member for the band’s show at the Ford Amphitheatre, located at 4802 North US Highway 301 in Tampa, Florida, on March 25, 2007. The show initially occurred on March 13, but abruptly ended when Daltrey was unable to sing due to a respiratory infection. Townshend stopped the band and apologized to the crowd, and the band’s manager, Bill Curbishley, rescheduled the show. There were 9,500 in attendance, and the supporting act was Rose Hill Drive. Type Physical Object Source Original color digital images: Private Collection of Mick Dolan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Coverage Ford Amphitheatre, Tampa, Florida Creator Bravado Merchandising Date Created ca. 2006 Format image/jpg Extent 300 KB 137 KB Medium 2 color digital images Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Bravado Merchandising. Rights Holder Copyright to this resource is held by <a href="http://thewho.com/" target="_blank">The Who</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Mick Dolan External Reference Marsh, Dave. <a href="http://www.worldcat.org/oclc/9555496" target="_blank">Before I Get Old: The Story of the Who</a>. New York: St. Martin's Press, 1983. Parker, Alan G. <a href="http://www.worldcat.org/oclc/660635450" target="_blank">The Who By Numbers: The Story of the Who Through Their Music</a>. Helter Skelter Publishing, 2010. "<a href="http://www.thewholive.net/concert/index.php?GroupID=1&id=1709&Jahr=2007" target="_blank">The Who Concert Guide</a>." The WhoLive.net. http://www.thewholive.net/concert/index.php?GroupID=1&id=1709&Jahr=2007 (accessed November 12, 2015). Ross, Curtis. "<a href="http://www.thewholive.net/review/index.php?showid=1709&reviewid=328&GroupID=1" target="_blank">The Who Make Howling Return To Tampa</a>." Tampa Tribune (March 26, 2007). http://www.thewholive.net/review/index.php?showid=1709&reviewid=328&GroupID=1. 1-800-ASK-GARY Amphitheatre Bravado Merchandising Brian Kehew British concerts crews Endless Wire Ford Amphitheatre Giuseppe Henry Palladino hard rock Live Nation Amphitheatre Mick Dolan MidFlorida Credit Union Amphitheatre music Pete Townshend Peter Dennis Blandford Townshend Pino Palladino punk road crews roadies roady rock rock music Roger Daltrey Roger Harry Daltrey shirts Simon Townshend t-shirts Tampa The Who tours uniform Zak Richard Starkey Zak Starkey https://richesmi.cah.ucf.edu/omeka/files/original/696406ee1532090daa5c362bbcbcfae3.jpg a5033d98a8998c05fc3885cbd94e336f https://richesmi.cah.ucf.edu/omeka/files/original/f36212481d5c0d4d7632249034689405.jpg ffd1708a4fb393b2c0e7fb8dc0fcb228 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color digital images Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Dorian Gray T-Shirt Alternative Title Dorian Gray Shirt Subject Dorian Gray (Musical group) Lane, Jani Orlando (Fla.) Cleveland (Ohio) Description A t-shirt for the band Dorian Gray. Named after Oscar Wilde’s philosophical novel, The Picture of Dorian Gray, Dorian Gray was formed in Cleveland, Ohio, in 1983. The original lineup consisted of Billy DenMead on lead vocals and guitar, Dave Chamberlain on lead guitar, Al Collins on bass, and Jani Lane on drums. Collins stayed behind when the band moved to Orlando, Florida, and was replaced by Kevin Ryan. The band performed at clubs across the southeastern United States, frequently performing at Fern Park Station in Fern Park, Florida. Lane moved to Los Angeles, California, in 1985, where he achieved superstardom as the lead vocalist of the popular glam metal band, Warrant, until leaving the group in 2004. He recorded several solo projects and became involved in acting. Lane died of acute alcohol poisoning on August 11, 2011. Dorian Gray replaced Lane with Morgan Evans and continued to perform until they disbanded around 1988. Ryan would find success performing with Rick Derringer and Pat Travers. DenMead formed Skin Deep with Orlando guitarist Angelo Jannotti in 1988, and they continue to perform as of 2015. Type Physical Object Source Original color digital images: Private Collection of Mick Dolan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color digital images. Coverage Cleveland, Ohio Orlando, Florida Contributor Dolan, Mick Date Created ca. 1983-1988 Format image/jpg Extent 109 KB 245 KB Medium 2 color digital images Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by Dorian Gray and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Mick Dolan External Reference Auslander, Philip. <a href="http://www.worldcat.org/oclc/60743181" target="_blank">Performing Glam Rock: Gender and Theatricality in Popular Music</a>. Ann Arbor, Mich: University of Michigan Press, 2006. Slotnik, Daniel E. "<a href="http://www.nytimes.com/2011/08/13/arts/music/jani-lane-warrants-lead-singer-dies-at-47.html?_r=1" target="_blank">Jani Lane, Heavy-Metal Lead Singer, Dies at 47</a>." New York Times, August 12, 2011. http://www.nytimes.com/2011/08/13/arts/music/jani-lane-warrants-lead-singer-dies-at-47.html?_r=1. "<a href="http://www.skindeeprocks.com/profiles_bd.asp" target="_blank">Billy DenMead: Guitar and Lead Vocals</a>." SkinDeepRocks.com. http://www.skindeeprocks.com/profiles_bd.asp (Accessed October 21, 2015). Al Collins bands Billy DenMead Cleveland, Ohio Dave Chamberlain Dorian Gray glam rock hard rock heavy metal Jani Lane John Kennedy Oswald John Patrick Oswald Kevin Ryan metal Mick Dolan Morgan Evans music orlando rock rock music shirts t-shirts https://richesmi.cah.ucf.edu/omeka/files/original/3b1de4981e0c27509fead77cf1948fd6.jpg 618f589a507871e1c94f6e70ba66f614 https://richesmi.cah.ucf.edu/omeka/files/original/bd3d0a4b7b912b1ec0176984e3bb8caa.jpg 1ab668655d1ee5c8d4d1b859789aa490 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color digital images Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Screaming Iguanas of Love T-Shirt Alternative Title Screaming Iguanas of Love Shirt Subject Screaming Iguanas of Love (Musical group) Melbourne (Fla.) Description A t-shirt for the band Screaming Iguanas of Love. Formed in Melbourne, Florida, in early 1987, the group consisted of singer, songwriter, and guitarist Gregory Reinel; drummer and background vocalist David Burley; and bassist and background vocalist J. T. Burley. Although their sound has been described as retro and akin to many of the British invasion bands of the mid-1960s, such as the Beatles, the Rolling Stones, the Kinks, and the Dave Clark Five, the band recorded their two albums on Naked Language, Ichiban Records' alternative-rock division, capitalizing on the popularity of the alternative rock movement of the early 1990s. Their sound is also heavily influenced by rockabilly. The artwork on this t-shirt is reminiscent of their first album, Wild Wild Wild, which was released in 1991. Their second and final album, Glad You Weren't There, was released in 1992. Although neither album was widely distributed, both were critically well-received. The band backed Roy Loney of Flamin' Groovie in a short series of Southeastern dates and also toured with the Fleshtones. Type Physical Object Source Original color digital images: Private Collection of Mick Dolan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color digital images. Coverage Melbourne, Florida Contributor Dolan, Mick Date Created ca. 1987-1992 Format image/jpg Extent 134 KB 252 KB Medium 2 color digital images Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by Screaming Iguanas of Love and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Mick Dolan External Reference Gettelman, Parry. "<a href="http://articles.orlandosentinel.com/1991-10-16/lifestyle/9110150288_1_iguanas-greenlee-wild-wild-wild" target="_blank">Big Break For Iguanas</a>." The Orlando Sentinel, October 16, 1991. http://articles.orlandosentinel.com/1991-10-16/lifestyle/9110150288_1_iguanas-greenlee-wild-wild-wild. Gettelman, Parry. "<a href="http://articles.orlandosentinel.com/1991-11-15/entertainment/9111130347_1_iguanas-wild-wild-wild-ichiban-records" target="_blank">Screaming Iguanas Of Love</a>." The Orlando Sentinel, November 15, 1991. http://articles.orlandosentinel.com/1991-11-15/entertainment/9111130347_1_iguanas-wild-wild-wild-ichiban-records. Gettelman, Parry. "<a href="http://articles.orlandosentinel.com/1992-07-24/entertainment/9207220209_1_iguanas-reinel-wild-wild-wild" target="_blank">Iguanas' 'Glad' Already On The Airways</a>." The Orlando Sentinel, July 24, 1992. http://articles.orlandosentinel.com/1992-07-24/entertainment/9207220209_1_iguanas-reinel-wild-wild-wild. Gettelman, Parry. "<a href="http://articles.orlandosentinel.com/1992-09-04/entertainment/9209020923_1_iguanas-fireproof-guitar" target="_blank">Screaming Iguanas Of Love</a>." The Orlando Sentinel, September 4, 1992. http://articles.orlandosentinel.com/1992-09-04/entertainment/9209020923_1_iguanas-fireproof-guitar. Gettelman, Parry. "<a href="https://books.google.com/books?id=rw8EAAAAMBAJ&pg=RA1-PA55&lpg=RA1-PA55&dq=screaming+iguanas+of+love+florida&source=bl&ots=WxFz-baPVJ&sig=YyO2QPmzEmSucQuDhhC6PxnwhxM&hl=en&sa=X&ved=0CD8Q6AEwCGoVChMI_KjDnarRyAIVhqceCh3PsQ2F#v=onepage&q=screaming%20iguanas%20of%20love%20florida&f=false" target="_blank">Deep Blues and Alternative Iguanas. Orlando: In the Shadow of ‘Tourist World,’ Real Music Breaks on Through</a>." Billboard (March 6, 1993): 55-57. alternative alternative rock bands David Burley Gregory Reinel Guns N' Iguanas hard rock J. T. Burley Melbourne Mick Dolan music retro rock rock rock music rockabilly Screaming Iguanas of Love shirts t-shirts https://richesmi.cah.ucf.edu/omeka/files/original/18e0857c5f4ee438de81230714bfe698.jpg 3c3e77cf47b269aaf0d80a724532bc34 https://richesmi.cah.ucf.edu/omeka/files/original/14ac17108f4aedae192c514bddcc9b75.jpg 542e6e2e4fde19b0601d2d12089cbd8b https://richesmi.cah.ucf.edu/omeka/files/original/89ece90e8c16cf7c7f416a8fe89def1c.jpg bc94bc173bce271290746a5fc07c76a3 https://richesmi.cah.ucf.edu/omeka/files/original/db91b4722d296e0b8d132cbfaa04f3a0.jpg fd9923380d12cca006c66820e0c0a5a0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 4 color digital images Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Fern Park Station T-Shirt Alternative Title Fern Park Station Shirt Subject Nightclubs Casselberry (Fla.) Description A t-shirt for the music venue and bar, Fern Park Station. Also known as The Station at Fern Park, the bar was located at 140 Fernwood Boulevard in Casselberry. The former hard rock club with 1980s décor hosted local and national acts. While acting as drummer for the Orlando-based rock band, Dorian Gray, Jani Lane, who would go on to international fame as the lead vocalist for the glam rock band, Warrant, performed his vocal debut at the venue. The Station closed around 2003. Type Physical Object Source Original color digital images: Private Collection of Mick Dolan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color digital images. Coverage Fern Park Station, Casselberry, Florida Contributor Dolan, Mick Date Created ca. 1980-2003 Format image/jpg Extent 127 KB 226 KB 192 KB 112 KB Medium 4 color digital images Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by Fern Park Station and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Mick Dolan External Reference Gettelman, Parry. "<a href="https://books.google.com/books?id=rw8EAAAAMBAJ&pg=RA1-PA55&lpg=RA1-PA55&dq=screaming+iguanas+of+love+florida&source=bl&ots=WxFz-baPVJ&sig=YyO2QPmzEmSucQuDhhC6PxnwhxM&hl=en&sa=X&ved=0CD8Q6AEwCGoVChMI_KjDnarRyAIVhqceCh3PsQ2F#v=onepage&q=screaming%20iguanas%20of%20love%20florida&f=false" target="_blank">Deep Blues and Alternative Iguanas. Orlando: In the Shadow of ‘Tourist World,’ Real Music Breaks on Through</a>." Billboard (March 6, 1993): 55-57. bars Casselberry clubs Fern Park Fern Park Station Fernwood Boulevard logo Mick Dolan music nightclubs railroads shirts Still Rocking Orlando t-shirts The Station trains https://richesmi.cah.ucf.edu/omeka/files/original/b2f61fb23ca976ed3ff558ba4aeb9b68.jpg 4a893d4e231ab44cdcc473ef19e06948 https://richesmi.cah.ucf.edu/omeka/files/original/3f725d5d7e92df5f542f1ae0d7ff8490.jpg ef8170ed0edd190d94894f41116a6309 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color digital images Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Secret Service T-Shirt Alternative Title Secret Service Shirt Subject Tampa Bay (Fla.) Rock music--United States Music--Florida Description A t-shirt for the band Secret Service. Secret Service, which eventually changed its name to The Trial, was a hard rock band formed in Tampa Bay, Florida, in the 1980s. The lineup consisted of Steve Gruden on vocals and guitar, Rick Moran on guitar, Mark Busto on drums, and Tom Perry on bass. While Gruden and Moran were the predominant songwriters, they also collaborated with Todd Cerney, who was an acclaimed Nashville country music writer who wrote songs for Loverboy, Cheap Trick,, and others. The group often performed at the original Killian's Rock Cafe at 4235 West Waters Avenue in Tampa. Steve Gruden won Best Male Vocalist at the 4th Annual Tampa Bay Music Awards on July 3, 1992. The band was also nominated for Band of the Year. The group signed a management deal with Cliff Witherspoon in January 1993. The group's final performance was on Sunday, February 20, 1994. Steve Gruden passed away a month later on March 19, 1994. Type Physical Object Source Original color digital images: Private Collection of Mick Dolan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color digital images. Coverage Tampa Bay, Florida Contributor Dolan, Mick Date Created ca. 1990-1994 Format image/jpg Extent 112 KB 254 KB Medium 2 color digital images Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by Secret Service and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Mick Dolan External Reference Harrison, Thomas. <a href="http://www.worldcat.org/oclc/701807954" target="_blank">Music of the 1990s (American History Through Music)</a>. Santa Barbara, Calif: Greenwood, 2011. Wilson, M. “<a href="http://www.wpr1.com/Steve/A_Srapbook.html" target="_blank">The Trial</a>.” Music and Business Forum Vol. 1, Issue 7 (July 1993). http://www.wpr1.com/Steve/A_Srapbook.html (Accessed October 15, 2015). bands hard rock Mark Busto Mick Dolan music orlando Rick Morgan rock rock music Secret Service shirts Steve Gruden t-shirts Tampa Tampa Bay Tom Perry https://richesmi.cah.ucf.edu/omeka/files/original/7f679587f055045211935f0d0a3f8978.jpg 528084463da59e20f90206d862513c4c https://richesmi.cah.ucf.edu/omeka/files/original/1ea906c3db77f60188af13b0be86785e.jpg 73693a0a8e892e2941b2a58fb6f21983 https://richesmi.cah.ucf.edu/omeka/files/original/0abd14e167e5f7fa3bde822a6c2d72d8.jpg cddc6ec0b8151c12760d8416c4bd98ac https://richesmi.cah.ucf.edu/omeka/files/original/8454b97a5ffdede719b9022858dc01e9.jpg 8ed6b2c6a9b8658cbc9ac6374e28f313 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 4 color digital images Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Stiff Kitten T-Shirt Alternative Title Stiff Kitten Shirt Subject Orlando (Fla.) Tampa (Fla.) Rock music--United States Music--Florida Description A t-shirt for the band Stiff Kitten. Originally called Bulz Eye, Stiff Kitten was formed in Orlando, Florida, around 1983. The group consisted of Deryle Hughes on lead vocals, slide guitar, and harmonica; Jamie Baker on bass and vocals; Gary Groves on keyboard and vocals; and Greg Saxonis on drums. Saxonis would be eventually be replaced by Dave Tinney and then Jeff Bonenfant. The band moved to Tampa for a brief time before returning to Orlando, eventually changing their name to Sons of Doctors, which became the name most closely associated with them. Largely a classic rock cover band during the 1980s and early 1990s, Hughes began composing music by the mid-1990s. Joe Stump joined in 1996 and contributed guitar and vocals. The group regularly performed at Orlando clubs such as Junkyard, Townsend's, Green Parrot, as well as at the Full Moon Saloon in Daytona Beach during bike weeks. They opened up the Daytona 500 on the infield on February 14, 1999. The band signed with Sony Records and recorded several original tracks, but disbanded in 1999. Deryle Hughes formed Simple Southern Boys with keyboardist Doug Bare in Orlando in 2004. He opened a recording studio called Big Shot Studios in Altamonte Springs in June 2006. Type Physical Object Source Original color digital images: Private Collection of Mick Dolan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color digital images. Coverage Orlando, Florida Tampa, Florida Contributor Dolan, Mick Date Created ca. 1983-1999 Format image/jpg Extent 107 KB 203 KB 128 KB 112 KB Medium 4 color digital images Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by Stiff Kitten and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Mick Dolan External Reference Harrison, Thomas. <a href="http://www.worldcat.org/oclc/701807954" target="_blank">Music of the 1990s (American History Through Music)</a>. Santa Barbara, Calif: Greenwood, 2011 Brunot, Luc. "<a href="http://www.sweethomemusic.fr/Interviews/SimpleSouthernBoysUS.php" target="_blank">Deryle Hughes: Simple Southern Boys</a>." Sweethomemusic.fr. http://www.sweethomemusic.fr/Interviews/SimpleSouthernBoysUS.php (Accessed October 19, 2015). bands Bulz Eye cats classic rock cover bands Dave Tinney Deryle Hughes Gary Groves Greg Saxonis hard rock Jamie Baker Jeff Bonenfant Joe Stump logo Mick Dolan music on the prowl orlando rock rock music shirts Sons of Doctors Stiff Kitten t-shirts Tampa https://richesmi.cah.ucf.edu/omeka/files/original/77950f1629ea3b225c4a3a21e694fbc7.jpg 7fa57e558131666c2ea044da82dcf5a9 https://richesmi.cah.ucf.edu/omeka/files/original/e40e1315aa0044957b23899cd8cf9a02.jpg 8a282d45fa520e46e3d40863f588d120 https://richesmi.cah.ucf.edu/omeka/files/original/19654ccfc197697c9c8ec450d29ee945.jpg 22520c97edf0b4d8b34c0bc7517a6b4c https://richesmi.cah.ucf.edu/omeka/files/original/9227e2b3170784fb68a3649d6cc4f647.jpg 67486530d65e9db0aae184a848684891 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 4 color digital images Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Barrage T-Shirt Alternative Title Barrage Shirt Subject Orlando (Fla.) Rock music--United States Music--Florida Description A t-shirt for the band Barrage. Barrage was a hard rock band formed in Orlando, Florida, in 1988. The original lineup consisted of Jamie Barker on keyboard and background vocals, Jeffrey Alan Bonenfant on drums and percussion, Andy McKinney on bass and backing vocals, Steve Tedesco on lead vocals and guitar, and Tony Visconti on background vocals and guitar. The group won Best Band in Jam Magazine's Jammy Awards in 1991 and were nominated for Entertainer of the Year in 1995. The released a self-produced album, Constant Pounding, in 1991, which contained lead and background vocalist, David Hayes, and an album for Signature/Barrage Productions, Barrage, in 1994. Barrage disbanded in 1994, and Tedesco and Visconti eventually reunited in the band, Black Canvas, in 2012. Type Physical Object Source Original color digital images: Private Collection of Mick Dolan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color digital images. Coverage Orlando, Florida Contributor Dolan, Mick Date Created ca. 1988-1994 Format image/jpg Extent 220 KB 98 KB 208 KB 277 KB Medium 4 color digital images Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by Barrage and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Mick Dolan External Reference Harrison, Thomas. <a href="http://www.worldcat.org/oclc/701807954" target="_blank">Music of the 1990s (American History Through Music)</a>. Santa Barbara, Calif: Greenwood, 2011. Page, Roby. "<a href="http://blackcanvasband.com/the-band/steve/" target="_blank">Black Canvas: The Band</a>." Blackcanvasband.com. http://blackcanvasband.com/the-band/steve/ (Accessed October 7, 2015). airplanes Andy McKinney bands Barrage David Hayes hard rock Jamie Barker Jeffrey Alan Bonenfant Mick Dolan orlando planes rock rock music shirts Steve Tedesco t-shirts tie-dye Tony Visconti World War II WWII https://richesmi.cah.ucf.edu/omeka/files/original/260232d522a8c13d8b2b3977354cbe20.jpg 5a7a094a63fe89446156c7c35cded7b7 https://richesmi.cah.ucf.edu/omeka/files/original/4ccdcc6838769540f1a975d591d5416d.jpg 8c592b7d27711b6207bc05e6a0ca133e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color digital images Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Saints & Sinners Pub T-Shirt Alternative Title Saints & Sinners Pub Shirt Subject Ormond Beach (Fla.) Nightclubs Description A t-shirt for the bar/nightclub Saint & Sinners Pub. The pub is part of Bruce Rossmeyer's Destination Daytona Complex, which is an internationally recognized commercial and residential real estate complex in Ormond Beach, Florida. In addition to Saints & Sinners, the complex includes Rossmeyer's Harley-Davidson showroom, several retail shops, restaurants, and a luxury hotel. The complex is a popular tourist destination, especially during Daytona's Bike Week. The Saints & Sinners Pub is located at 1635 North U.S. Highway 1. Type Physical Object Source Original color digital images: Private Collection of Mick Dolan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color digital images. Coverage Saints & Sinners Pub, Ormond Beach, Florida Contributor Dolan, Mick Date Created ca. 1980-2015 Format image/jpg Extent 114 KB 191 KB Medium 2 color digital images Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by Saints &amp Sinners and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Mick Dolan External Reference Page, Roby. <a href="http://www.worldcat.org/oclc/56876713" target="_blank">Bike Week at Daytona Beach: Bad Boys and Fancy Toys</a>. Jackson: University Press of Mississippi, 2005. Spencer, Donald D. <a href="http://www.worldcat.org/oclc/226354520" target="_blank">Daytona Bike Week</a>. Atglen, Pa: Schiffer Pub, 2008. bars biker bars Bruce Rossmeyer Bruce Rossmeyer's Destination Daytona Complex clubs Daytona Beach Destination Daytona Complex Harley-Davidson Mick Dolan music nightclubs Ormond Beach pubs Saints & Sinners Pub shirts t-shirts https://richesmi.cah.ucf.edu/omeka/files/original/37a9260cb413810aadf0359cf705293b.pdf 66b4b1fb5a6bf7e5a58e5a527e05413e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Click to View (Movie, Podcast, or Website) <a href="https://youtu.be/hw7cnP6DoyY" target="_blank">Oral History of Mick Dolan</a> Title Oral History of Mick Dolan Alternative Title Oral History, Dolan Subject Disc jockeys--United States Shock radio Orlando (Fla.) Altamonte Springs (Fla.) Music--Florida Description An oral history interview of Mick Dolan, a radio personality, news and traffic reporter, voiceover actor, promotions director, talk show producer and social media blogger based in Central Florida. The interview was conducted by Geoffrey Cravero at the Salem Media Group radio stations in Altamonte Springs, on July 30, 2015. Topics covered in the interview include how Dolan got into broadcasting, his experiences working on The Baxter and Mark Show, Clear Channel’s impact on broadcasting, the evolution of the Orlando music scene, including some of his favorite musicians and venues, Rock Super Bowls at the Tangerine Bowl, interviewing David Lee Roth and George Thorogood, being onstage for The Who, his attempt to put together a country music fantasy camp with CMT’s Camp Nashville, what he’s been up to lately, and his final thoughts and advice to young musical artists and broadcasters. Abstract Oral history interview of Mick Dolan. Interview conducted by Geoffrey Cravero in Orlando, Florida. Table Of Contents 0:00:00 Introduction 0:02:46 The Baxter and Mark Show 0:05:54 Clear Channel's impact on broadcasting 0:08:31 Evolution of the Orlando's music scene 0:11:48 Rock Super Bowls 0:14:17 Backstage stories 0:17:15 Camp Nashville 0:19:04 Closing remarks Creator Cravero, Geoffrey Dolan, Mick Source Dolan, Mick. Interviewed by Geoffrey Cravero. Audio/video record available. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>, Orlando, Florida. Date Created 2015-07-30 Date Copyrighted 2015-07-30 Has Format Digital transcript of original 21-minute, and 11-second oral history: Dolan, Mick. Interviewed by Geoffrey Cravero. Audio/video record available. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>, Orlando, Florida. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Requires <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a> <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Language eng Type Moving Image Coverage Amway Arena, Orlando, Florida Camp Nashville, Nashville, Tennessee Fern Park Station, Longwood, Florida Lakeland Civic Center, Lakeland, Florida Orlando Citrus Bowl Stadium, Orlando, Florida Salem Media Group, Altamonte Springs, Florida WDIZ-FM, Orlando, Florida WLOQ-FM, Maitland, Florida Accrual Method Item Creation Mediator History Teacher Humanities Teacher Music Teacher Economics Teacher Provenance Originally created by Mick Dolan and Geoffrey Cravero and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> External Reference Brewster, Bill, and Frank Broughton. <a href="http://www.worldcat.org/oclc/43445660" target="_blank">Last Night a Dj Saved My Life: The History of the Disc Jockey</a>. New York: Grove Press, 2000.<a href="%E2%80%9Dhttp%3A//www.rockshowvideos.com/rocksuperbowl12.html%E2%80%9D"> </a> Neer, Richard. <a href="http://www.worldcat.org/oclc/46713260" target="_blank">FM: The Rise and Fall of Rock Radio</a>. New York: Villard Books, 2001. Willis, Nicole A. "<a href="http://articles.orlandosentinel.com/2011-04-06/news/os-obituary-mark-samansky-20110406_1_baxter-and-mark-show-mark-samansky-rock-station" target="_blank">Mark Samansky: Radio antics hooked his audience</a>." The Orlando Sentinel, April 6, 2011. http://articles.orlandosentinel.com/2011-04-06/news/os-obituary-mark-samansky-20110406_1_baxter-and-mark-show-mark-samansky-rock-station. "<a href="%E2%80%9Dhttp%3A//www.rockshowvideos.com/rocksuperbowl12.html%E2%80%9D">Rock Super Bowl XII</a>.” Orlando Rock Super Bowls. Rock Show Videos.com http://www.rockshowvideos.com/rocksuperbowl12.html. Transcript Cravero Today’s Thursday, July 30, 2015. My name’s Geoff Cravero. I’m speaking with Mick Dolan at the Salem Media Group radio stations in Altamonte Springs, Florida. Thanks for speaking with me today, Mick. Dolan No problem. Cravero Uh, let’s just begin I guess with a little of your biography. Could you, uh, tell us a little about where you’re from originally and, uh, early kind of bio details? DolanI was found under a rock… Cravero [laughs]. Dolan About, uh 64 years ago. Cravero [laughs]. Dolan [laughs] Uh, my radio career started in, uh, Topeka, Kansas. I was, uh, at a station there. Then I went to Kansas City[, Missouri], spent a couple years there, and, uh, about five years in Louisville[, Kentucky], but, on July 28, uh, 1980, I came here, uh, and started at [W]DIZ[–FM 100.3]. So uh, 35 years—I’m celebrating my 35th, eh, on the radio here. Unidentified [inaudible]. Dolan Uh, DIZ, uh, was a great radio station. It’s gone now. Uh, then I went on—took a break, got out of the, eh—the business completely, and about three or four years later, uh, somebody—I saw a friend at a—in line at the post office and she goes, “You know what? They’re looking for people over at WLOQ[-FM 107.7], the smooth jazz station.” So I said, “Eh.” I went over there—I actually interviewed for the promotions director job, but, uh, I didn’t get it. The program director says, “Hey, man, we need to get you back on the air here.” So they—they—we did a part-time job for a while. It worked into a full-time job. I was a morning host with another guy, Mark Taylor. Unidentified [inaudible]. Dolan And, uh, then went to the nights, and then the station got sold. So [laughs] I’ve actually killed two radio stations in my career here, but, uh, after that, uh, took another little break and found a job here doing news and traffic now at, uh, the Salem [Salem Media Group] stations: WORL[-AM 660] and WBZW[–AM 1520]. So afternoon drive, man. I’m the news guy and the traffic guy. So, you know, what goes around comes around. Cravero [laughs] Dolan And, uh… Unidentified [inaudible]. Dolan But, you know what? It—it is always beat working. Unidentified [inaudible]. Dolan I’ve never, uh—you know, I—I never really wanted a real job. Unidentified [inaudible]. Dolan I wanted to do what I liked to do, and isn’t that the whole reason? Uh, I mean, come on. If you can’t like what you’re doing, then what are you—what are you doing? So that’s what I tell people: “Always beats working.” Unidentified [inaudible]. Dolan Let’s close that door. Cravero Alright [laughs]. Dolan That’s awful noise in here. Cravero [laughs]. Unidentified [inaudible]. Dolan We make a lot of noise here at Salem. Cravero [laughs] That’s okay. [door closes] Dolan Most of it’s good. Cravero Yeah [laughs]. Dolan Alright. Should I be looking at there? Or… Cravero Oh, no. Just—this works fine. Dolan Okay, alright, okay. Cravero That’s good. Um, yeah, I guess, uh—let’s see. Tell us a little about the, uh—the Baxter and Mark Show.<a title="">[1]</a> I noticed you—you sent us some photos of them, and, uh… Dolan Unbelievable. Cravero I read a little bit about, uh, the shock jock-era kind of thing. Uh… Dolan Yeah, that was before your time. Right? Cravero [laughs]. Dolan You young guys—I just don’t—well, uh, they were one of the best morning shows ever, and the thing that they did was they interacted with people. They—they’re not talking to ya. They’re getting ya—they had callers all the time. They were always pulling stunts and pranks and, uh, just [laughs]—just some amazing stuff on the radio, and, uh, unfortunately, uh, because the business is the business, uh, the management, uh, felt that, uh, after a while that they’d outlived, uh, you know, their—their run, and they replaced them with Ron and Ron—another good show—but, just kind of kicking them to the curb after five, six, seven years, that’s—that’s crazy, but, uh, they were not able to carry on the team. So they split up, and Mark Samansky died back in 2011, uh, and we try to do a, uh, reunion for him. I haven’t been able to do it the last couple of years. Uh, it’s kind of a—it’s a lot of work, but, uh, just in his memory, because he was such as talented guy. I mean, “Dr. Zonas” and, uh, you know, the [laughs]—“Opie Gets Nookie”, all these songs that they did that, uh, just—you—you know, they would take a song—a popular song—and—and, uh—and change it around a little bit and—and make a funny out of it, and, you know, it’s such[?], uh—the wake-up calls were legendary. Uh, they were doing this stuff before anybody else did. So they were—they were true groundbreakers. They really were, and Baxter’s still around. He’s up in, uh, Washington D.C. He’s doing voice work, but, um, you know, he’s the kind of guy who just anything in radio. I mean, he can do the commercials, he’s—he was an operations guy. Uh, he was really the—he sort of kept them on the ground [laughs]. [inaudible]. Samansky was out of his mind, so they worked so well together. It was a great show, but, uh, long live Baxter and Mark. You can still see them, uh—I can’t think of the—it’s—it’s Baxterradio.com. He’s got a bunch of their old bits. Uh, one of my favorites ev—ever was Mr. Bradley. This was an old black guy that thought he was calling the radio station to win Michael Jackson tickets, and they [laughs]—they turned that poor boy every which way. They recorded the bit and then later would split it, you know, chop it up. They could make him say anything. It was the most unbelievable thing, and they got—I don’t know how many bits they did. It wa—you know, every once in a while Mr. Bradley would call, and, uh, so you know—it just—stuff like that that was just epic. Unbelievable [laughs], but, anyway, we’ve got the memories. Uh, and, you know, it’s hard to believe that radio station went away—it’ll be 20 years next year. 1996. Uh, Clear Channel bought them, turned them into soft rock, and then they went to Spanish and then, uh—I don’t know. what is it now? I—I don’t know, but, I—I think it’s still Spanish, and—but, uh, it was pretty amazing. That’s the way radio is. Nothing ever stays the same. Well, that’s an—any media it’s like, uh, it’s always changing, and you’ve got to stay one step ahead, and, uh, quite frankly that—that—that’s[sic] has been a problem. I haven’t been able to do that [laughs], but, you know, it’s hard to be a 64 year old disc jockey in rock radio, and, uh, I can—I can still bring a lot to the table, but, it—it is what it is—what it is. Cravero When you talked about, uh, you know, Clear Channel in ’96, buying out a lot of the… Dolan [inaudible]. Cravero The radio stations, yeah. Dolan 104. Uh, that’s—that was—these were all free standing radio stations, ‘cause back then, you could only own an AM and an FM [clears throat]. That was it. Now, I think it’s like seven total, uh, you can own. So you’ve got three companies that dominate the market here: Cox [Media Group], uh, Clear Channel, and, uh inaudible what is it? CBS [Columbia Broadcasting System], I think. I’m not sure. Maybe they call it something else. I have no idea, but those three guys dominate, uh, still, and, you know, it’s what deregulation did. Can’t win them all. Put a lot of good people out of work, I can tell you that, and, uh, is the quality of radio any better? [buzzer noise] I don’t think so. No, no. I mean what [W]MMO[-FM 98.9] does, what [W]JRR[-FM 101.1] does—they do what they do. That’s good, but it just doesn’t have the soul. It doesn’t have the heart that—that we had back in the day, because those guys are doing a bunch of other jobs. You don’t just do radio. When I was hired back in the day, I—I mean, in my case I was promotions director, too, and—and, uh—so I did that, as well as be on the air, and I was also the production director. I had three jobs there, but really, most people just did one—you were on the air. You did your four hour shift and you were done. It’s like, “Wow.” What a job that is. Not anymore. Now, uh, you gotta pay the piper. So anyway, business has changed. You can’t win them all [laughs]. Cravero What was the, uh—the Orlando music scene like, uh, when you first came and—and kind of had, you know—how did it evolve? Dolan Uh, it—it—it was—it blew up in the ‘80s. I mean, uh, there was a rock club on every corner. Point After [Tom’s Point After], Fern Park Station, Plus 3 Lounge, uh, gosh, the ABC Lounges were doing live music, uh, and I’m, uh—I’m forgetting a bunch of others, but, uh, you know, it was—it was fun. I mean, you could—and it didn’t hurt that I lived like two blocks from Fern Park Station, and my car knew the way home. So I had no problems there, but it was just a fun time. It was kind of an innocent time. It was anything goes. It was back when you could get away with stuff, and—and now you’ve got laws. So uh, it—it was just a really special time and there was—there were booking agents that—oh, my god—Ricky Young and Steve, uh, Brewton— “Brewster” Brewton—uh, these—Steve Peck. These guys—Earl Tennent—these guys made big money booking bands. Now, the clubs don’t want to pay for it. That’s the—that’s the problem. The clubs don’t want to pay for their entertainment. Plus, everybody think he can be a rock star, and so there’s a million bands out there, and there’s some good bands. You’re in a good band.<a title="">[2]</a> So [laughs] where’s the outlet? How do you guys make money? I should be asking you that. Cravero [laughs]. Dolan Uh, so it—it’s—it was real special, and then I think just a combination of the economy just kind of went another direction and, you know, the deregulation of—of radio, and, uh, I—I think that just—it really hurt, and now, there’s still clubs out there—there’s still—you can still hear a good band, but, they’re not making any money. Uh, it’s too bad, but they’re just not. So… Cravero Do you have any, uh—any favorites? Like local bands from the ‘80s, or ‘90s, or… Dolan Oh, then there re was the Bobby Friss Band, and Stranger, and Foreign Legion, and, uh, uh—in fact, Stranger Band, uh, they lost a couple of people. They lost their guitar player.<a title="">[3]</a> He, uh, passed, uh, years ago, and then their drummer, uh, [John] “J.P.” [Price], recently had, uh—he had cancer or something, but—so they’re all getting old and dying, but Greg Billings was in that band. He still has his band, the Greg Billings Band. So—but, those were special bands. Uh, oh, I don’t know. I—I—I can’t—there’s a million of them. Cravero [laughs]. Dolan I can’t remember any of them right now, but, uh, those bands were able to make a living and have a lot of fun. You know, back in—opening up for Van Halen and, you know, things like that. So they were big, uh, but, it’s all gone now. There was a band called Sons of Doctors [laughs]. That was great too. They were a little bit later—late ‘80s—but, uh, Angelo Jannotti, those guys—they’re still around, you know? So, uh, it—it—it was a special time. It really was. Cravero What about, um—I read a little about the Rock Super Bowls they did… Dolan Oh. Cravero At the Citrus Bowl. Dolan Epic, epic. Unbelievable. I came from Louisville in 1980, and it was funny, because they—those big stadium shows were just starting back, you know, late ‘70s, early ‘80s, and I had seen, uh, ZZ Top and, uh, Lynyrd Skynyrd, uh, in—in Louisville, and that same show that had Bob Seger, and they came that [clears throat]—that summer. So I—I caught them there too, but those Super Bowl[s], they—they had big name acts, every one of them, and I think that fell victim to the times, as well. The people—the bands, who are big and popular, they want too much money, and—and a show like that, you just couldn’t put it together, uh, like they—they could then. Uh, then, of course, there was The [Rolling] Stones and The Who, and, uh, Stones came back—I did not see that show. I wanted to, but I missed it, and, uh—well, because I had to pay now. Cravero [laughs]. Dolan [laughs] I didn’t have to pay back then, and I ain’t going to pay hundreds of dollars. I’m sorry. I love the band, but uh-uh. I’ve got better things to do with that money. I shouldn’t say that. I probably shot myself in the foot, but that’s alright. It’s only rock and roll. So uh—but those—that was a community thing, man, and the memories, and—and again, what you can get away with. It’s like—it’s crazy. It was all good, and you—you talk to anybody who’s been around a while and you mention Rock Super Bowls, and they’re going to go, “Oh, oh, I remember that one, yeah.” Ted Nugent, uh—it was pretty cool. Very nice, but I don’t think they could pull that off now. You just can’t do that. It would have to be part of a tour, and—and I know there’s tours like that, but—but not in that environment. I mean, it’s just something else, and the—and the Citrus Bowl wasn’t even that big back then. They still put 50,000 in there. So, you know, promoters made a lot of money. Everybody was happy, and the tickets—I don’t know—I—those Super Bowl tickets probably weren’t more than 20 dollars. Oh, my god. How—can you imagine that? You know, those were the days. It is. Cravero Yeah, did you, uh, have any interesting, uh, stories about being backstage at any of them? Dolan [laughs]. Cravero [laughs] That you can share. Dolan That I can talk about today? Cravero [laughs]. Dolan One of my favorites was, uh, uh, David Lee Roth of Van Halen and—because I got to do an interview with him, and, you know, it—those days it wasn’t, you know, wireless—there wasn’t any of that, but—so I recorded it on a cassette player, and we took a bus over there to see him. It was in Lakeland[, Florida], and, uh—that’s where—that’s where the concerts were—was Lakeland Civic Center. There was no Orlando Arena. There was no Amway Center. There was nothing. So you had to go to Lakeland to see a show, and the same for Tampa. So the—the two converged—the markets converged there, and—and it was kind of cool because backstage you’d see the Tampa radio guys and, you know, it was a kind of a family, but, uh, David Lee Roth was out of his mind. Took over the interview. I mean—I—he was interviewing me. So I had that and I—I played it for the people on the bus back home, uh—on the way back, and it was just epic. Uh, I had a—I’ll tell you the worst interview I ever had was George Thorogood. Guy was a total asshole. Cravero [laughs]. Dolan I’m sorry. He was. Great music. Love the guy. [cell phone beeps] Dolan Couldn’t believe that—that—but, he was obnoxious, he was making fun of radio, he was, you know, uh, dissing on everybody… [cell phone beeps] Dolan And it was like, “What?” You know, “Hey, man, I’m sorry. I’m trying to help you. I’m doing this for you as much as for me.” So just left a really bad taste in my mouth, but, uh, um—and then, you know, I got to be onstage for The Who. I got to bring on The B-52’s. They opened for The Who, and [laughs] that was the punk rock scene there, and that was—they were considered, you know, new wave. Uh, that was, uh [makes sound]—the rock guys did not like—they were booed[sic] ‘em. They were throwing stuff onstage. I’m bringing them on and I dodge a can—a Converse [Chuck Taylor] All Star [shoe] that—a red one. I’ll never forget it. So I dodged that one, brought on the band. They lasted maybe three songs, and while I was onstage, the other Converse All Star—the other red one—came flying up on the stage. So they only lasted three songs and walked off and I can’t blame them, but, uh [laughs] there’s just—just epic stuff like that, but, uh, there’s no—I mean, you can’t even describe what it’s like to be out on that stage in front of 50,000 people, and when you speak, there’s a delay. There’s like a half to a full second delay. So you’re hearing, you know—that’s very—that’s hard to get used to, but, you know, the—the—the—the experience was just unbelievable. Great stuff. Cravero That’s cool. Dolan Yeah. Cravero [laughs]. Cravero I read also you did, uh,—you, uh—CMT’s [Country Music Television], uh—they did like a fantasy camp? Dolan Yeah, Camp Nashville [laughs]. Cravero What was that? Dolan My—my friend and I, Lee Bailey, who was a promoter himself—in fact, he was of the only guys to lose money on Larry the Cable Guy,<a title="">[4]</a> if you can believe that, uh, and—so he had some bad luck, but, uh, we—we were trying to do, uh—it was patterned after Rock and Roll Fantasy Camp, uh, which is hugely successful. I—and what the concept is: you gather musicians, you pay to be a camper, and, you know, they jam with you, they teach you some stuff, they have sessions. You know, it’s all—it’s very cool. Very cool concept. Well, we thought we could do it and we went to Nashville and, uh, found out that it was a little harder than we thought, and so it never even got off the ground. Uh, we—we had—we opened it, uh, we were taking camper, you know, registrations, but, uh, just didn’t have the money or the contacts to—to make it happen, and I still think it’s a good idea, but we just couldn’t pull it off. So, uh—I like all kinds of music. I mean, I’ve worked rock and smooth jazz, always, you know, news and traffic, but, I like country. Uh, I’m not real fond of rap, but, uh—I mean, every music has something in it, and every music—Americana? uh, I mean, come on. Bon Iver? I like that guy.<a title="">[5]</a> I think that guy is talented, uh, but—but, you know, I don’t know all of the new music. I—I don’t know how anybody keeps up with it. There’s just so much out there, and so much that’s never heard by, you know, anybody but the real fans. Uh, so I depend on my two, uh, sons to keep me up on that. Dolan But, uh, it’s—it’s just a great—a great career, if you can find your niche. That’s the whole key, and you’ve got to remember that it changes every day [laughs] practically, and so uh, be ready to move, you know? Cravero Well, I know you’ve got a show to get to. Dolan Yeah, man. Cravero So, uh… Dolan The news and traffic never stops. Cravero [laughs]. Dolan And there’s plenty to do, but, uh, let’s make sure—yeah, I’m good. Cravero Alright. Dolan Okay, but, uh, you know—just in closing, it—it—it’s so good to be remembered, I think, in a positive way, and I just try to be myself and—and try to connect, try to—I mean, I love people, and—and that’s what you have to have. You have to have that empathy for your audience, and, uh—onstage, as well. Uh, I love to do onstage, love to bring bands on. I—I just brought, uh—uh—uh, Blandini—Jeff Blando was an old rocker. It’s—he’s still around, and, uh, you know, played with, uh, uh, uh, Slaughter and, uh, I can’t think of it. Anyway—but—but he—he’s got his own band, Blandini. I just brought him on. It’s a new place called Paradise Cove in Seminole County, right by the river. Man, it’s got a pool, boat slips—you can pull your boat right up, uh, and so my friend, uh, Randy—he’s—he’s got that, uh, place, and so you know, I still do that all the time. I’ll bring—I love these—especially these bands that have been around for a while and are still doing it, and it’s like, hey. You know, one relic introduces the others. Cravero [laughs]. Dolan Right? So it—it’s just—it’s—it beats working always, and I appreciate you coming by and talking to me [laughs]. Cravero I appreciate you talking to us, Mick. Thanks a lot. Dolan And get the word out. We’re still here. Cravero [laughs]. Dolan [laughs]. Cravero Will do. Dolan Okay. Cravero Alright, man. Thanks. Dolan Thank you. Alright. <div> <div> <a title="">[1]</a> Starring Alan Baxter and Mark Samansky. </div> <div> <a title="">[2]</a> Prison Wine. </div> <div> <a title="">[3]</a> Ronald “Ronnie” Wayne Garvin. </div> <div> <a title="">[4]</a> Daniel Lawrence Whitney. </div> <div> <a title="">[5]</a> Justin Vernon. </div> </div> "Brewster" Brewton ABC Lounge Alan Baxter Altamonte Springs AM radio Amway Arena Angelo Jannotti Blandini blogger Bob Seger Bobby Friss Band Bon Iver booking agent Camp Nashville CBS Cinco de Marko Citrus Bowl Clear Channel Clear Channel Radio CMT Columbia Broadcasting System concert Converse All Star Converse Chuck Taylor All Star country music Country Music Television Cox Media Group Daniel Lawrence Whitney David Lee Roth deregulation disc jockey DJ Dr. Zonas Earl Tennent fantasy camp Fern Park Fern Park Station Florida Citrus Bowl FM radio Foreign Legion George Thorogood Greg Billings Greg Billings Band J.P. Price jazz Jeff Blando John "J.P." Price Justin Vernon Kansas City, Missouri Lakeland Lakeland Civic Center Larry the Cable Guy Lee Bailey Louisville, Kentucky Lynyrd Skynyrd Mark Samansky Mark Taylor Michael Jackson Mick Dolan Mr. Bradley music music fantasy camp music venue Nashville, Tennessee new wave new wave music news reporter Opie Gets Nookie orlando Orlando Arena Orlando Citrus Bowl Stadium Paradise Cove Plus 3 Lounge Point After production director promotions director punk rock radio radio personality radio station reporter Rick Young rock Rock and Roll Fantasy Camp rock club rock music rock radio Rock Super Bowl Rock Super Bowl 12 Rock Super Bowl XII Rolling Stones American Tour 1981 Ron and Ron Ronald ''Ronnie'' Wayne Garvin Ronnie Garvin Salem Media Group Sanford Seminole County shock jock shock radio smooth jazz smooth jazz radio social media song parody Sons of Doctors Steve "Brewster" Brewton Steve Brewton Steve Peck Stranger talk show talk show producer Tangerine Bowl Ted Nugent The B-52's The Baxter and Mark Show The Rolling Stones The Who Tom's Point After Topeka, Kansas traffic reporter Van Halen voiceover actor Washington, D.C. WBZW-AM WDIZ-FM WJRR-FM WLOQ-FM WMMO-FM WORL-AM ZZ Top https://richesmi.cah.ucf.edu/omeka/files/original/375c9aad197402ccd3d709626c07bd56.jpg cd5405188d73849d37ed641a37f7e7a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rovin' Flames with Tour Van Alternative Title Rovin' Flames with Van Subject Rovin' Flames (Musical group) Tampa (Fla.) Music--United States Musicians--Southern States Rock music--United States Morris, Jimmy Davis, Jim Rogers, Johnny Tabaḳ, David Description The Rovin' Flames, taken between September and December of 1966. The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969. Type Still Image Source Original black and white photograph, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, 1966. <a href="http://www.tampabaymusichistory.com/resources/307085_435002073199347_838502425_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/307085_435002073199347_838502425_n.jpg</a>. Coverage Tampa, Florida Date Created ca. 1966-09 Format image/jpg Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank">The Rovin' Flames</a>." http://www.tampabaymusichistory.com/the-rovin-flames.php. band Davis, Jim garage garage band Maietta, J. R. Morris, Jim Morris, Jimmy Morris, Jimmy "Mouse" music musician rock rock band rock music Rogers, Johnny Tabak, David The Rovin' Flames https://richesmi.cah.ucf.edu/omeka/files/original/d8d5c43bf8d1cf3de2f856f966f6e305.jpg dfa557bfa6d206acc3edac41fa1e98f3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text 1 newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Pop Bands—The Rovin' Flames Alternative Title Pop Bands—The Rovin' Flames Subject Rovin' Flames (Musical group) Tampa (Fla.) Music--United States Musicians--Southern States Rock music--United States Goff, Jerry Morris, Jimmy Description A newspaper article published in The Tampa Tribune on September 1, 1966, describing an interview with The Rovin' Flames. The article was written by Rose Marie Almas and Cherie Wallace. In the upper right corner is a photograph of the band standing on a truck. Photographed from left to right is Paul Battle, Hardy Dial, J. R. Maietta (seated), Jim Morris, and Jerry Goff. The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969. Type Text Source Original newspaper article: Almas, Rose Marie, and Cherie Wallace. "Pop Bands—The Rovin' Flames." Tampa Tribune, September 1, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original newspaper article: Almas, Rose Marie, and Cherie Wallace. "Pop Bands—The Rovin' Flames." Tampa Tribune, September 1, 1966. Coverage Tampa, Florida Publisher <a href="http://tbo.com/" target="_blank">The Tampa Tribune</a> Date Created 1966-09-01 Format image/jpg Medium 1 newspaper article Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and <a href="http://tbo.com/" target="_blank">Tampa Tribune</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank">The Rovin' Flames</a>." http://www.tampabaymusichistory.com/the-rovin-flames.php. Almas, Rose Marie band Battle, Paul Dial, Hardy garage garage band Goff, Jerry Maietta, J. R. Morris, Jim Morris, Jimmy Morris, Jimmy "Mouse" music musician rock rock band rock music Tampa Tribune The Rovin' Flames Wallace, Cherie https://richesmi.cah.ucf.edu/omeka/files/original/2ebb918e2beb2fdb47c7fa829806cc04.jpg 0f817c448b419080f5d49c917c2255aa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Rovin' Flames, 1967 Alternative Title Rovin' Flames Subject Rovin' Flames (Musical group) Tampa (Fla.) Music--United States Musicians--Southern States Rock music--United States Morris, Jimmy Rogers, Johnny Taylor, Eddie Description The Rovin' Flames, sitting and laying on a couch in the summer of 1967. The names of the members are written at the bottom of the photograph. In the back row, from left to right, are J. R. Maietta and Johnny Rogers, and in the front row, from left to right, are Eddie Taylor, John DeLise, and Jimmy Morris. The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969. Type Still Image Source Original black and white photograph, 1967: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, 1967. <a href="http://www.tampabaymusichistory.com/resources/RovinFlamesPhotoSummer67.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/RovinFlamesPhotoSummer67.jpg</a>. Coverage Tampa, Florida Date Created ca. 1967-06 Format image/jpg Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank">The Rovin' Flames</a>." http://www.tampabaymusichistory.com/the-rovin-flames.php. band DeLise, John garage garage band Maietta, J. R. Morris, Jim Morris, Jimmy Morris, Jimmy "Mouse" music musician rock rock band rock music Rogers, Johnny Taylor, Eddie The Rovin' Flames https://richesmi.cah.ucf.edu/omeka/files/original/9ba7e452556ea0eccc68bc700f64f229.jpg ff33a36758c8781e6ce04302371ebd35 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Rovin' Flames at a Soap Box Derby Parade Alternative Title Rovin' Flames at Parade Subject Rovin' Flames (Musical group) Tampa (Fla.) Music--United States Musicians--Southern States Rock music--United States Parades--United States Goedert, Ron Morris, Jimmy Soap box derbies Description The Rovin' Flames performing live in the bed of a truck in Downtown Tampa, Florida, at the Soap Box Derby Parade on July 13, 1968. The names of the members are written at the bottom. From left to right, they are listed as Jerry Nickerson, J. R. Maietta, Jay Colding, Jimmy Morris, and Ronnie Goedert. The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969. Type Still Image Source Original black and white photograph, July 13, 1968: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, July 13, 1968. <a href="http://www.tampabaymusichistory.com/resources/RovinFlamesSoapBoxDerbyParade1968July13b.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/RovinFlamesSoapBoxDerbyParade1968July13b.jpg</a>. Coverage Tampa, Florida Date Created 1968-07-13 Format image/jpg Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank">The Rovin' Flames</a>." http://www.tampabaymusichistory.com/the-rovin-flames.php. band Colding, Jay garage garage band Goedert, Ronnie Maietta, J. R. Morris, Jim Morris, Jimmy Morris, Jimmy "Mouse" music musician Nickerson, Jerry rock rock band rock music Soap Box Derby Parade Tampa The Rovin' Flames https://richesmi.cah.ucf.edu/omeka/files/original/9e085a2c44d9b40f0b51017d33d08bfa.jpg e9fb3e9869cabfc14d7c1bda1c509d78 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Rovin' Flames Alternative Title Rovin' Flames Subject Rovin' Flames (Musical group) Tampa (Fla.) Music--United States Musicians--Southern States Rock music--United States Description The Rovin' Flames in the autumn of 1967. From left to right, the photograph features John DeLise, Johnny Rogers, Jimmy Morris, Eddie Taylor and J. R. Maietta. The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969. Type Still Image Source Original black and white photograph, 1967: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, 1967. <a href="http://www.tampabaymusichistory.com/resources/the_rovin_flames.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/the_rovin_flames.jpg</a>. Coverage Tampa, Florida Date Created ca. 1967-09 Format image/jpg Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank">The Rovin' Flames</a>." http://www.tampabaymusichistory.com/the-rovin-flames.php. band DeLise, John garage garage band Maietta, J. R. Morris, Jim Morris, Jimmy Morris, Jimmy "Mouse" music musician rock rock band rock music Rogers, Johnny Taylor, Eddie The Rovin' Flames https://richesmi.cah.ucf.edu/omeka/files/original/628dac867948558603bc03a148207640.jpg 11569d975ec41143eaccf1edd4257264 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "How Many Times" by The Rovin' Flames Alternative Title "How Many Times" by Rovin' Flames Subject Rovin' Flames (Musical group) Tampa (Fla.) Music--United States Musicians--Southern States Rock music--United States Morris, Jimmy Rogers, Johnny Taylor, Eddie Description A 45 RPM vinyl record single of the song, "How Many Times," recorded by The Rovin' Flames for Decca Records in September of 1967. The song was written by John DeLise and Uncapher, produced by John Brumage, and published by Nozark Music Publishing Company and Fuller Music Publishing Company. The B-side is "Love Song No. 6." The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969. Type Still Image Source Original vinyl record, September 1967: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original vinyl record, September 1967. <a href="http://www.tampabaymusichistory.com/resources/RovinFlamesDecca45HowManyTimes.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/RovinFlamesDecca45HowManyTimes.jpg</a>. Coverage Tampa, Florida Creator DeLise, John Uncapher The Rovin' Flames Publisher <a href="http://www.decca.com/" target="_blank">Decca Records</a> Nozark Music Publishing Company Fuller Music Publishing Company Date Created 1967-09 Format image/jpg Medium 45 RPM vinyl record Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank">The Rovin' Flames</a>." http://www.tampabaymusichistory.com/the-rovin-flames.php. band Brumage, John Decca Records DeLise, John Fuller Music Publishing Company garage garage band Love Song No. 6 Maietta, J. R. Morris, Jim Morris, Jimmy Morris, Jimmy "Mouse" music musician Nozark Music Publishing Company rock rock band rock music Rogers, John Taylor, Eddie The Rovin' Flames Uncapher https://richesmi.cah.ucf.edu/omeka/files/original/842a33a39c858b84ac8e196a8eb966c3.jpg 26fae25dc69d59615c794b532816cd2c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Bo Diddley" by The Rovin' Flames Alternative Title "Bo Diddley" by Rovin' Flames Subject Rovin' Flames (Musical group) Tampa (Fla.) Music--United States Musicians--Southern States Rock music--United States Diddley, Bo, 1928-2008 Bates, Ellas, 1928-2008 Goff, Jerry Morris, Jimmy Description A 45 RPM vinyl record single of the song, "Bo Diddley," recorded by The Rovin' Flames on Tampa Bay Records at H and H Productions in Tampa, Florida, in June of 1966. The record was produced by Phil Kempin and the song was written by Bo Diddley, a.k.a. Ellas Otha Bates or Ellas McDaniel. The B-side is "Seven Million People." The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969. Type Still Image Source Original vinyl record, June 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original vinyl record, June 1966. <a href="http://www.tampabaymusichistory.com/resources/capture-20130201-091134.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/capture-20130201-091134.jpg</a>. Coverage Tampa, Florida Creator Diddley, Bo The Rovin' Flames Publisher Tampa Bay Records Date Created 1966-06 Format image/jpg Medium 45 RPM vinyl record Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank">The Rovin' Flames</a>." http://www.tampabaymusichistory.com/the-rovin-flames.php. band Bates, Ellas Otha Battle, Paul Bo Diddley Dial, Hardy Diddley, Bo garage garage band Goff, Jerry H and H Productions Kempin, Phil Maietta, J. R. McDaniel, Ellas Morris, Jimmy "Mouse" music musician record rock rock band rock music Tampa Tampa Bay Records The Rovin' Flames vinyl record https://richesmi.cah.ucf.edu/omeka/files/original/b89df67e8a51d2309eb3233a9ee9371e.jpg 05d9fbacd4dc506b125ed542c5d9dfce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rovin' Flames at Safety Village, U.S.A. Alternative Title Rovin' Flames at Safety Village, U.S.A. Subject Rovin' Flames (Musical group) Tampa (Fla.) Music--United States Musicians--Southern States Rock music--United States Theme parks Amusement parks--Florida Description The Rovin' Flames at the Safety Village, U.S.A. theme park in Tampa, Florida, in 1966. Safety Village, U.S.A. was the City of Tampa's 1965 Christmas gift to the children of the city. Located at 7550 North Boulevard, it was a child-size town located next to Fairyland, a popular amusement park, that was designed to train pre-school children and first and second grade children in traffic, home, personal, and fire safety habits. The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/RovinFlames1966PromoPhotoPoliceA.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/RovinFlames1966PromoPhotoPoliceA.jpg</a>. Coverage Safety Village, U.S.A., Tampa, Florida Date Created ca. 1966 Format image/jpg Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank">The Rovin' Flames</a>." http://www.tampabaymusichistory.com/the-rovin-flames.php. amusement park band garage garage band Leisure Avenue Maietta, C. music musician North Boulevard police police department rock rock band rock music Safety Village, U.S.A. Tampa Tampa Police Department The Rovin' Flames theme park https://richesmi.cah.ucf.edu/omeka/files/original/059ae8c1cdee447aac47b01555d57a56.jpg 1c8127960087dda098cdbf7522c5125a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Soul Trippers Alternative Title The Soul Trippers Subject Tampa (Fla.) Music--Florida Rock music--United States Musicians--Southern States Description The Soul Trippers, originally called The Outsiders, sometime between 1966 and 1967. Photographed, from left to right, is bassist Ronnie Elliot, drummer Spencer Hinkle, lead guitarist Buddy Richardson, vocalist John DeLise, and rhythm guitarist Ronnie Vaskovsky. The Outsiders formed in Tampa, Florida, in 1964, consisting of Hardy Dial on vocals, Buddy Richardson and Ronnie Vaskovsky on guitar, Ronnie Elliot on bass guitar, and Spencer Hinkle on drums. They recorded their debut single, "She's Coming On Stronger," for the Tampa record label, Knight, in late 1965. Dial was replaced on vocals by John DeLise and the band recorded its second single, a cover of Eddie Cochran's "Summertime Blues," in the spring of 1966. The record was a regional success and the band was picked up by the Laurie Records subsidiary Providence, which convinced them to change their name to The Soul Trippers, in order to avoid conflict with several bands that had the same name. In July 1966, they recorded a garage rock version of James Moore's "I'm a King Bee," which sold 20,000 copies. When radio station managers discovered the band was white, they pulled the record from their playlists, and the group departed ways shortly thereafter. Buddy Richardson later formed White Witch and John DeLise went on to play in The Rovin' Flames. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/the_soul_trippers%20%281%29.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/the_soul_trippers%20%281%29.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966-1967 Format image/jpg Extent 24.3 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by the <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by the <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-soul-trippers.php" target="_blank">The Soul Trippers</a>." http://www.tampabaymusichistory.com/the-soul-trippers.php. band DeLise, John Elliot, Ronnie garage music Hinkle, Spencer music musician Richardson, Buddy rock rock music Tampa The Outsiders The Soul Trippers Vaskovsky, Ronnie https://richesmi.cah.ucf.edu/omeka/files/original/700559b3475091b10cc02583b073bdc5.jpg b838d8e581c694ca5a92bbd0753629c0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white record cover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Soul Trippers Record Alternative Title Soul Trippers Record Cover Subject Tampa (Fla.) St. Petersburg (Fla.) Music--Florida Rock music--United States Musicians--Southern States Description A record cover for The Soul Trippers, originally called The Outsiders, sometime between 1966 and 1967. Photographed, from left to right, is rhythm guitarist Ronnie Vaskovsky, drummer Spencer Hinkle, lead guitarist Buddy Richardson, bassist Ronnie Elliot, and singer John DeLise. According to the record, the band recorded with Laurie Records, located at 35 West 4th Street in New York City, New York, and was managed by Briarwood Enterprises, based in St. Petersburg and Tampa. The Outsiders formed in Tampa, Florida, in 1964, consisting of Hardy Dial on vocals, Buddy Richardson and Ronnie Vaskovsky on guitar, Ronnie Elliot on bass guitar, and Spencer Hinkle on drums. They recorded their debut single, "She's Coming On Stronger," for the Tampa record label, Knight, in late 1965. Dial was replaced on vocals by John DeLise and the band recorded its second single, a cover of Eddie Cochran's "Summertime Blues," in the spring of 1966. The record was a regional success and the band was picked up by the Laurie Records subsidiary Providence, which convinced them to change their name to The Soul Trippers, in order to avoid conflict with several bands that had the same name. In July 1966, they recorded a garage rock version of James Moore's "I'm a King Bee," which sold 20,000 copies. When radio station managers discovered the band was white, they pulled the record from their playlists, and the group departed ways shortly thereafter. Buddy Richardson later formed White Witch and John DeLise went on to play in The Rovin' Flames. Type Still Image Source Original black and white photographic record cover: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photographic record cover. <a href="http://www.tampabaymusichistory.com/resources/the_soul_trippers2.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/the_soul_trippers2.jpg</a>. Coverage Tampa, Florida Laurie Records, New York City, New York Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966-1967 Date Copyrighted ca. 1966-1967 Format image/jpg Extent 59.1 KB Medium 1 black and white photographic record cover Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally published by Laurie Records. Public digitally by the <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by the <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-soul-trippers.php" target="_blank">The Soul Trippers</a>." http://www.tampabaymusichistory.com/the-soul-trippers.php. band DeLise, John Elliot, Ronnie garage music Hinkle, Spencer music musician record Richardson, Buddy rock rock music Tampa The Outsiders The Soul Trippers Vaskovsky, Ronnie https://richesmi.cah.ucf.edu/omeka/files/original/693d7ff633b5b01f5a24e69e9686d7c0.jpg 848e8f09a7e2f60248a93edf9af3fc0c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Outsiders Alternative Title The Outsiders Subject Tampa (Fla.) Music--Florida Rock music--United States Musicians--Southern States Description The Outsiders, later called The Soul Trippers, sometime between 1964 and 1966. The Outsiders formed in Tampa, Florida, in 1964, consisting of Hardy Dial on vocals, Buddy Richardson and Ronnie Vaskovsky on guitar, Ronnie Elliot on bass guitar, and Spencer Hinkle on drums. They recorded their debut single, "She's Coming On Stronger," for the Tampa record label, Knight, in late 1965. Dial was replaced on vocals by John DeLise and the band recorded its second single, a cover of Eddie Cochran's "Summertime Blues," in the spring of 1966. The record was a regional success and the band was picked up by the Laurie Records subsidiary Providence, which convinced them to change their name to The Soul Trippers, in order to avoid conflict with several bands that had the same name. In July 1966, they recorded a garage rock version of James Moore's "I'm a King Bee," which sold 20,000 copies. When radio station managers discovered the band was white, they pulled the record from their playlists, and the group departed ways shortly thereafter. Buddy Richardson later formed White Witch and John DeLise went on to play in The Rovin' Flames. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/the_outsiders.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/the_outsiders.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1964-1966 Format image/jpg Extent 42.6 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by the <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by the <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-soul-trippers.php" target="_blank">The Soul Trippers</a>." http://www.tampabaymusichistory.com/the-soul-trippers.php. band Dial, Hardy Elliot, Ronnie garage music Hinkle, Spencer music musician Richardson, Buddy rock rock music Tampa The Outsiders The Soul Trippers Vaskovsky, Ronnie https://richesmi.cah.ucf.edu/omeka/files/original/5875584a1d5c9e35037928aba6b8e79e.jpg fd9d925747397fea3fa547830317f578 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Arena Twins with Dave Archard Alternative Title The Arena Twins with Archard Subject Tampa (Fla.) St. Petersburg (Fla.) Miami (Fla.) Music--Florida Rock music--Florida Lounge music rock rock music Musicians--Southern States Description The Arena Twins with Dave Archard around 1958. Dave Archard became a Top 40 radio deejay at Tampa's WALT-AM 1110 in 1958 and moved to St. Petersburg's WTSP the next year, where he remained until 1963, when he moved to Miami's WFUN. Sammy and Andrew "Andy" Arena, who performed together as The Arena Twins, were among Tampa's first recording artists in the late 1950s. Born in Tampa, Florida, the brothers entertained audiences since the age of 14, when they first took the stage at the Cuban Club's "Fiesta in Tampa." In 1958, they signed with Kapp Records and released six singles, before signing with Columbia Records in 1960. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/WALT_daveArchard_arena_twins_1958_R.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/WALT_daveArchard_arena_twins_1958_R.jpg</a>. Coverage Tampa, Florida St. Petersburg, Florida Miami, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1958 Date Modified 2012-12-18 Format image/jpg Extent 62.6 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/the-arena-twins.php" target="_blank">The Arena Twins</a>." http://www.tampabaymusichistory.com/the-arena-twins.php. Ryan, Patty. "<a href="http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873" target="_blank">Sammy Arena, one of singing Tampa twins, dies at 81</a>.” Tampa Bay Times, December 5, 2012. http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873. Archard, Dave Arena, Andrew "Andy" Arena, Andy Arena, Sammy deejay DJ lounge music Miami music radio rock rock music St. Petersburg The Arena Twins WALT-AM 1110 WFUN WTSP https://richesmi.cah.ucf.edu/omeka/files/original/dbcf2a5e8492729a82c7887859fceea9.jpg 30d656ceeead60ad621021da01b7f156 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Arena Twins Alternative Title The Arena Twins Subject Tampa (Fla.) Music--Florida Rock music--Florida Lounge music rock rock music Musicians--Southern States Description Sammy and Andrew "Andy" Arena, who performed together as The Arena Twins, were among Tampa's first recording artists in the late 1950s. Born in Tampa, Florida, the brothers entertained audiences since the age of 14, when they first took the stage at the Cuban Club's "Fiesta in Tampa." In 1958, they signed with Kapp Records and released six singles, before signing with Columbia Records in 1960. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/the_arena_twins.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/the_arena_twins.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1958-2012 Date Modified 2012-12-18 Format image/jpg Extent 3.3 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/the-arena-twins.php" target="_blank">The Arena Twins</a>." http://www.tampabaymusichistory.com/the-arena-twins.php. Ryan, Patty. "<a href="http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873" target="_blank">Sammy Arena, one of singing Tampa twins, dies at 81</a>.” Tampa Bay Times, December 5, 2012. http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873. Arena, Andrew "Andy" Arena, Andy Arena, Sammy lounge music music rock rock music The Arena Twins https://richesmi.cah.ucf.edu/omeka/files/original/28165847c10cfa39be76b6ccec5e7527.jpeg 9c4f79dc8fe10da7982cf00afb802131 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Sammy Arena and Andrew "Andy" Arena Alternative Title The Arena Twins Subject Tampa (Fla.) Music--Florida Rock music--Florida Lounge music rock rock music Musicians--Southern States Description Seated is Sammy Arena, with Andy Arena standing to his sife. Sammy and Andrew "Andy" Arena, who performed together as The Arena Twins, were among Tampa's first recording artists in the late 1950s. Born in Tampa, Florida, the brothers entertained audiences since the age of 14, when they first took the stage at the Cuban Club's "Fiesta in Tampa." In 1958, they signed with Kapp Records and released six singles, before signing with Columbia Records in 1960. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/sotto-01-aug-weds-column-01-cu.jpeg" target="_blank">http://www.tampabaymusichistory.com/resources/sotto-01-aug-weds-column-01-cu.jpeg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1958-2012 Date Modified 2012-12-18 Format image/jpg Extent 59.4 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/the-arena-twins.php" target="_blank">The Arena Twins</a>." http://www.tampabaymusichistory.com/the-arena-twins.php. Ryan, Patty. "<a href="http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873" target="_blank">Sammy Arena, one of singing Tampa twins, dies at 81</a>.” Tampa Bay Times, December 5, 2012. http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873. Arena, Andrew "Andy" Arena, Andy Arena, Sammy lounge music music rock rock music The Arena Twins https://richesmi.cah.ucf.edu/omeka/files/original/3fdfdb44e78235a414e6cb94968bdc1c.jpg c7c94589b0f459cad0e688f903c7aeb3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Arena Twins in Their Later Years Alternative Title The Arena Twins Subject Tampa (Fla.) Music--Florida Rock music--Florida Lounge music rock rock music Musicians--Southern States Description The Arena Twins in their later years. On the right is Sammy Arena and on the left is Andrew "Andy" Arena. Together, they performed as The Arena Twins and were among Tampa's first recording artists in the late 1950s. Born in Tampa, Florida, the brothers entertained audiences since the age of 14, when they first took the stage at the Cuban Club's "Fiesta in Tampa." In 1958, they signed with Kapp Records and released six singles, before signing with Columbia Records in 1960. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/Full.jpeg" target="_blank">http://www.tampabaymusichistory.com/resources/Full.jpeg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1958-2012 Date Modified 2012-12-18 Format image/jpg Extent 69.1 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/the-arena-twins.php" target="_blank">The Arena Twins</a>." http://www.tampabaymusichistory.com/the-arena-twins.php. Ryan, Patty. "<a href="http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873" target="_blank">Sammy Arena, one of singing Tampa twins, dies at 81</a>.” Tampa Bay Times, December 5, 2012. http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873. Arena, Andrew "Andy" Arena, Andy Arena, Sammy lounge music music rock rock music The Arena Twins https://richesmi.cah.ucf.edu/omeka/files/original/7380dbd669fb218cf59b4a092e089c66.jpg 9b534b1ab1aa00c2bf3f3d96cc2b804f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Arena Twins Performing Live Alternative Title The Arena Twins Live Subject Tampa (Fla.) Music--Florida Rock music--Florida Lounge music rock rock music Musicians--Southern States Description The Arena Twins performing live. Sammy and Andrew "Andy" Arena, who performed together as The Arena Twins, were among Tampa's first recording artists in the late 1950s. Born in Tampa, Florida, the brothers entertained audiences since the age of 14, when they first took the stage at the Cuban Club's "Fiesta in Tampa." In 1958, they signed with Kapp Records and released six singles, before signing with Columbia Records in 1960. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/arenatwinspic.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/arenatwinspic.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1958-2012 Date Modified 2012-12-18 Format image/jpg Extent 13 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/the-arena-twins.php" target="_blank">The Arena Twins</a>." http://www.tampabaymusichistory.com/the-arena-twins.php. Ryan, Patty. "<a href="http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873" target="_blank">Sammy Arena, one of singing Tampa twins, dies at 81</a>.” Tampa Bay Times, December 5, 2012. http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873. Arena, Andrew "Andy" Arena, Andy Arena, Sammy concert lounge music music rock rock music The Arena Twins https://richesmi.cah.ucf.edu/omeka/files/original/3648585baf12994aeb741489e3b93687.jpeg a53a8d6e4a9721d19b1261ecddae221b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Arena Twins Live with Bassist and Drummer Alternative Title The Arena Twins Live Subject Tampa (Fla.) Music--Florida Rock music--Florida Lounge music rock rock music Musicians--Southern States Description The Arena Twins performing live with a bassist and drummer. Sammy and Andrew "Andy" Arena, who performed together as The Arena Twins, were among Tampa's first recording artists in the late 1950s. Born in Tampa, Florida, the brothers entertained audiences since the age of 14, when they first took the stage at the Cuban Club's "Fiesta in Tampa." In 1958, they signed with Kapp Records and released six singles, before signing with Columbia Records in 1960. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/arena-twins-3jpg.jpeg" target="_blank">http://www.tampabaymusichistory.com/resources/arena-twins-3jpg.jpeg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1958-2012 Date Modified 2012-12-18 Format image/jpg Extent 81.2 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/the-arena-twins.php" target="_blank">The Arena Twins</a>." http://www.tampabaymusichistory.com/the-arena-twins.php. Ryan, Patty. "<a href="http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873" target="_blank">Sammy Arena, one of singing Tampa twins, dies at 81</a>.” Tampa Bay Times, December 5, 2012. http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873. Arena, Andrew "Andy" Arena, Andy Arena, Sammy bass guitar bassist concert drummer drums lounge music music rock rock music The Arena Twins https://richesmi.cah.ucf.edu/omeka/files/original/dd54a59281019528fe3c5e323ab0fff1.JPG 79a70e3cb0d34375d15fbc6dcfeef667 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Oh, What a Shame" by The Arena Twins Alternative Title "Oh, What a Shame" (The Arena Twins) Subject Tampa (Fla.) Music--Florida Rock music--Florida Lounge music rock rock music Musicians--Southern States Columbia Records, Inc. Description Seven-inch 33 RPM vinyl record single of the song, "Oh, What a Shame," recorded by The Arena Twins, and arranged and conducted by Marty Manning. "Oh, What a Shame" is the B-side to the single, "Notify the F.B.I.," released in 1960 on Columbia Records, Inc. Sammy and Andrew "Andy" Arena, who performed together as The Arena Twins, were among Tampa's first recording artists in the late 1950s. Born in Tampa, Florida, the brothers entertained audiences since the age of 14, when they first took the stage at the Cuban Club's "Fiesta in Tampa." In 1958, they signed with Kapp Records and released six singles, before signing with Columbia Records in 1960. Type Still Image Source Original color photograph, 1960: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph, 1960. <a href="http://www.tampabaymusichistory.com/resources/Arena%20twins%2COh%20what%20a%20shame%2C33rpm.JPG" target="_blank">http://www.tampabaymusichistory.com/resources/Arena%20twins%2COh%20what%20a%20shame%2C33rpm.JPG</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Contributor Arena, Andrew "Andy" Arena, Sammy Manning, Marty <a href="http://columbiarecords.com/home" target="_blank">Columbia Records, Inc.</a> Date Created 1960 Date Issued 1960 Date Modified 2012-12-18 Date Copyrighted 1960 Format image/jpg Extent 171 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/the-arena-twins.php" target="_blank">The Arena Twins</a>." http://www.tampabaymusichistory.com/the-arena-twins.php. Ryan, Patty. "<a href="http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873" target="_blank">Sammy Arena, one of singing Tampa twins, dies at 81</a>.” Tampa Bay Times, December 5, 2012. http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873. Arena, Andrew "Andy" Arena, Andy Arena, Sammy Columbia Records, Inc. lounge music Manning, Marty music Notify the F.B.I. Oh, What a Shame record record single rock rock music Tampa The Arena Twins vinyl record https://richesmi.cah.ucf.edu/omeka/files/original/e2e71ecd8214643fedf3217d0fa0dd86.JPG 4e0c71f2935e783ab95ba5b7f814eb84 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "I'd Just As Soon Forget" by The Arena Twins Alternative Title "I'd Just As Soon Forget" (The Arena Twins) Subject Tampa (Fla.) Music--Florida Rock music--Florida Lounge music rock rock music Musicians--Southern States Columbia Records, Inc. Description Seven-inch 45 RPM radio station copy of a vinyl record single of the song, "I'd Just As Soon Forget," recorded by The Arena Twins, and arranged and conducted by Marty Manning. "I'd Just As Soon Forget" is the B-side to the single, "Judy Says," released in 1961 by Columbia Records, Inc. Sammy and Andrew "Andy" Arena, who performed together as The Arena Twins, were among Tampa's first recording artists in the late 1950s. Born in Tampa, Florida, the brothers entertained audiences since the age of 14, when they first took the stage at the Cuban Club's "Fiesta in Tampa." In 1958, they signed with Kapp Records and released six singles, before signing with Columbia Records in 1960. Marty Manning conducted and arranged for some the most well known jazz performers, including Dinah Washington and Sarah Vaughn. Type Still Image Source Original color photograph, 1961: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph, 1961. <a href="http://www.tampabaymusichistory.com/resources/!Bn6du5QBmk~%24%28KGrHqYH-DwEtr8S9nD6BLlZie26QQ~~_35.JPG" target="_blank">http://www.tampabaymusichistory.com/resources/!Bn6du5QBmk~%24%28KGrHqYH-DwEtr8S9nD6BLlZie26QQ~~_35.JPG</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Contributor Arena, Andrew "Andy" Arena, Sammy Manning, Marty <a href="http://columbiarecords.com/home" target="_blank">Columbia Records, Inc.</a> Date Created 1961 Date Issued 1961 Date Modified 2012-12-18 Date Copyrighted 1961 Format image/jpg Extent 17.6 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/the-arena-twins.php" target="_blank">The Arena Twins</a>." http://www.tampabaymusichistory.com/the-arena-twins.php. Ryan, Patty. "<a href="http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873" target="_blank">Sammy Arena, one of singing Tampa twins, dies at 81</a>.” Tampa Bay Times, December 5, 2012. http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873. Arena, Andrew "Andy" Arena, Andy Arena, Sammy Columbia Records, Inc. I'd Just As Soon Forget Judy Says lounge music Manning, Marty music record record single rock rock music Tampa The Arena Twins vinyl record https://richesmi.cah.ucf.edu/omeka/files/original/da54ec022477dc69bdde973fcf5d36e6.jpg 354ab9cd12bdc295490c7eed596613bc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Boot Alternative Title Boot Subject Boot (Musical group) Port Richey (Fla.) Music--Florida Rock music--Florida Musicians--Southern States Description The band, Boot, in a photograph was taken during a photo shoot for the group's 1972 self-titled record. Drummer Jim O'Brock is wearing a boot. Recorded at James Brown's Starday/King Studio in Nashville, Tennessee, the record was produced by the Texas-based Agape Records. In 1963, the band formed in Port Richey, Florida, as The Kingsmen. the band would change their name to The Allusions, The Split Ends, and finally, Boot, an acronym for Blues Of Our Time. The group featured Dan Eliassen on bass and vocals, Bruce Knox on lead guitar and vocals, Mike Mycz on rhythm guitar and vocals, and Jim O'Brock on drums and vocals. All four original members remained together for 10 years before breaking up in 1973. Career highlights include performing on Dick Clark's "Happening '67" Tour and the Dick Clark band contest show, "Happening '68," as well as performing with The Allman Brothers Band, Lynyrd Skynyrd, Jefferson Airplane, Canned Heat, The Outlaws, Steppenwolf, Iron Butterfly, B. B. King, and Neil Diamond. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/boot-01.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/boot-01.jpg</a>. Coverage Port Richey, Florida Publisher Agape Records <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1972 Date Copyrighted ca. 1972 Format image/jpg Extent 10.4 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally published by Agape Records. Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by Agape Records and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/boot.php" target="_blank">Boot</a>." Tampa Bay Music Scene Historical Society. http://www.tampabaymusichistory.com/boot.php (Accessed May 18, 2015). Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. Agape Records band Blues Of Our Time Boot Eliassen, Dan garage band garage rock Knox, Bruce music Mycz, Mike O'Brock, Jim Port Richey rock rock band rock music The Allusions The Kingsmen The Split Ends https://richesmi.cah.ucf.edu/omeka/files/original/102c3d4330f68d0b35880fc0c737314c.jpg da7359aaa2c3a6c451b63fc35e6959f1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title BOOT Album Cover Alternative Title BOOT Album Subject Boot (Musical group) Port Richey (Fla.) Music--Florida Rock music--Florida Musicians--Southern States Description The album cover for Boot's 1972 self-titled record. The album cover features a photograph of the four band members from the waist down, standing side by side. Drummer Jim O'Brock is wearing a boot. Recorded at James Brown's Starday/King Studio in Nashville, Tennessee, the record was produced by the Texas-based Agape Records. In 1963, the band formed in Port Richey, Florida, as The Kingsmen. the band would change their name to The Allusions, The Split Ends, and finally, Boot, an acronym for Blues Of Our Time. The group featured Dan Eliassen on bass and vocals, Bruce Knox on lead guitar and vocals, Mike Mycz on rhythm guitar and vocals, and Jim O'Brock on drums and vocals. All four original members remained together for 10 years before breaking up in 1973. Career highlights include performing on Dick Clark's "Happening '67" Tour and the Dick Clark band contest show, "Happening '68," as well as performing with The Allman Brothers Band, Lynyrd Skynyrd, Jefferson Airplane, Canned Heat, The Outlaws, Steppenwolf, Iron Butterfly, B. B. King, and Neil Diamond. Type Still Image Source Original black and white photographic album cover: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photographic album cover. <a href="http://www.tampabaymusichistory.com/resources/boot-02.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/boot-02.jpg</a>. Coverage Port Richey, Florida Publisher Agape Records <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1972 Date Copyrighted ca. 1972 Format image/jpg Extent 10.9 KB Medium 1 black and white photographic album cover Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally published by Agape Records. Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by Agape Records and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/boot.php" target="_blank">Boot</a>." Tampa Bay Music Scene Historical Society. http://www.tampabaymusichistory.com/boot.php (Accessed May 18, 2015). Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. Agape Records album band Blues Of Our Time Boot Eliassen, Dan garage band garage rock Knox, Bruce music Mycz, Mike O'Brock, Jim Port Richey record rock rock band rock music The Allusions The Kingsmen The Split Ends https://richesmi.cah.ucf.edu/omeka/files/original/704715c814ddee403dd2476f12c52c1e.jpg a4ec26dfc7c328541ac7458c3d87a1dc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Koco with New Members Robin Subicao and Anthony Barcelo Alternative Title Koco with Subicao and Barcelo Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- White, David Tampa (Fla.) Music--Florida Rock music--United States Musicians--Southern States Description Koco, featuring, from left to right standing in the back row, David White, Terry Bollea, and Mark Keur. Robin Subicao and Anthony Barcelo sit on stools in front. Koco was the second of several bands that Terry Bollea, known commonly as the professional wrestler, Hulk Hogan, performed with during the early to mid-1970s in Tampa, Florida. Bollea, who played the bass guitar, left his band, Infinity's End, and formed the group, originally called Magic, with David White on the keyboards, Mark Keur playing the drums, and Stephen Griggs as guitar in 1973. After Koco, Bollea performed with the band Ruckus, before going on to a career in professional wrestling. Bollea was replaced with Brad Prince and eventually Pete McKay. The band changed their name to Freebird, but when Lynyrd Skynyrd released a hit song of the same name, they changed the name one last time to Firebird. The group attributed their disbanding in 1976 to the rising popularity of disco music. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/Koco2.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/Koco2.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1973-1976 Format image/jpg Extent 128 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Mark Dagostino. <a href="http://www.worldcat.org/oclc/317928638" target="_blank">My Life Outside the Ring</a>. New York: St. Martin's Press, 2009. Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/koco.php" target="_blank">Koco</a>." http://www.tampabaymusichistory.com/koco.php. band Barcelo, Anthony Bollea, Terry Firebird Freebird garage band garage rock Hogan, Hulk Keur, Mark Koco Magic music rock rock music Subicao, Robin Tampa White, David https://richesmi.cah.ucf.edu/omeka/files/original/bb621fa7fa20f1b2b57dec9ca44045b8.jpg 41be6a8fa555fd67676580fb686cce67 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Koco with New Member Brad Prince Alternative Title Koco with Prince Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- White, David Tampa (Fla.) Music--Florida Rock music--United States Description Koco, featuring, from left to right, Brad Prince, David White, Stephen Griggs, and Mark Keur. Koco was the second of several bands that Terry Bollea (1953-), known commonly as the professional wrestler, Hulk Hogan, performed with during the early to mid-1970s in Tampa, Florida. Bollea, who played the bass guitar, left his band, Infinity's End, and formed the group, originally called Magic, with David White on the keyboards, Mark Keur playing the drums, and Stephen Griggs as guitar in 1973. After Koco, Bollea performed with the band Ruckus, before going on to a career in professional wrestling. Bollea was replaced with Brad Prince and eventually Pete McKay. The band changed their name to Freebird, but when Lynyrd Skynyrd released a hit song of the same name, they changed the name one last time to Firebird. The group attributed their disbanding in 1976 to the rising popularity of disco music. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/koco.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/koco.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1973-1976 Format image/jpg Extent 87 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Mark Dagostino. <a href="http://www.worldcat.org/oclc/317928638" target="_blank">My Life Outside the Ring</a>. New York: St. Martin's Press, 2009. Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/koco.php" target="_blank">Koco</a>." http://www.tampabaymusichistory.com/koco.php. band Bollea, Terry Firebird Freebird garage band garage rock Griggs, Stephen Hogan, Hulk Keur, Mark Koco Magic music Prince, Brad rock rock music Tampa White, David https://richesmi.cah.ucf.edu/omeka/files/original/16d8c3f1d511053f6e278e61d0911661.jpg 3df70e74dd80529b3088ea6a319fec1f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Outlaws in the 2000s Alternative Title The Outlaws Subject Outlaws (Musical group) Tampa Bay (Fla.) Music--Florida Rock music--United States Musicians--Southern States Dix, David Description The Outlaws sometime between 2005 and 2006. From left to right, the photograph features guitarist Chris Anderson, drummer Monte Yoho, guitarist Hughie Thomasson, drummer David Dix, and bassist Randy Threet. Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of Original color photograph. <a href="http://www.tampabaymusichistory.com/resources/tb_outlaws_450.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/tb_outlaws_450.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 2005-2006 Format image/jpg Extent 118 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Smith, Michael Buffalo. <a href="http://www.worldcat.org/oclc/884617128" target="_blank">Rebel Yell: An Oral History of Southern Rock</a>. 2014. Bomar, Scott B., and Doug Gray. <a href="http://www.worldcat.org/oclc/855957989" target="_blank">Southbound: An Illustrated History of Southern Rock</a>. 2014. "<a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank">The Outlaws</a>." http://www.tampabaymusichistory.com/the-outlaws.php. Anderson, Chris band country country music country rock Dix, David music musician rock rock band rock music Southern rock The Florida Guitar Army The Outlaws Thomasson, Hugh "Hughie" Edward, Jr. Thomasson, Hughie Threet, Randy Yoho, Monte https://richesmi.cah.ucf.edu/omeka/files/original/1de091c4e4db1e7953c842ae170e2788.jpg 6a73b6711f6d8e52037524c80dbd6eba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Monte Yoho, Henry Paul, Billy Jones, and Hugh "Hughie" Edwards Thomasson, Jr. of The Outlaws Alternative Title The Outlaws Subject Outlaws (Musical group) Tampa Bay (Fla.) Music--Florida Rock music--United States Musicians--Southern States Jones, Billy Paul, Henry Description The Outlaws sometime between 1972 and 1977, featuring, from left to right, drummer Monte Yoho, an unidentified member (possibly bassist Frank O'Keefe), guitarist Henry Paul, guitarist/keyboardist Billy Jones, and guitarist Hughie Thomasson. Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of Original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/bde9b63600303be12e951bb679bad334.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/bde9b63600303be12e951bb679bad334.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1972-1977 Format image/jpg Extent 319 KB Medium 1 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Smith, Michael Buffalo. <a href="http://www.worldcat.org/oclc/884617128" target="_blank">Rebel Yell: An Oral History of Southern Rock</a>. 2014. Bomar, Scott B., and Doug Gray. <a href="http://www.worldcat.org/oclc/855957989" target="_blank">Southbound: An Illustrated History of Southern Rock</a>. 2014. "<a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank">The Outlaws</a>." http://www.tampabaymusichistory.com/the-outlaws.php. band country country music country rock Jones, Billy Jones, William "Billy" Harry music musician O'Keefe, Frank Paul, Henry rock rock band rock music Southern rock The Florida Guitar Army The Outlaws Thomasson, Hugh "Hughie" Edward, Jr. Thomasson, Hughie Yoho, Monte https://richesmi.cah.ucf.edu/omeka/files/original/eae9702282be24e8c534db3d4ad90115.jpg fb26e77e4f3623d2a7d7080cd09dc436 https://richesmi.cah.ucf.edu/omeka/files/original/4546b4f04f83930ff1f031db7d2a59fe.jpg d13234650a479dc22484c81e4e7afec7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 black and white photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Monte Yoho, Harvey Dalton Arnold, Hugh "Hughie" Edwards Thomasson, Jr., Billy Jones, and Henry Paul of The Outlaws Alternative Title Yoho, Arnold, Thomasson, Jones, and Paul of The Outlaws Subject Outlaws (Musical group) Tampa Bay (Fla.) Music--Florida Rock music--United States Musicians--Southern States Athens (Ga.) Jones, Billy Paul, Henry Description Two of John Gellman's classic 1 black and white photographs of The Outlaws, taken in late 1974 in a field outside Athens, Georgia, while the band was in town for a week playing a club called Between The Hedges. The first photograph features all five members wearing cowboy hats. From left to right, the photograph features drummer Monte Yoho, bassist Harvey Dalton Arnold, guitarist Hughie Thomasson, guitarist/keyboardist Billy Jones, and guitarist Henry Paul. From left to right, the second photograph features Jones, Thomasson, Paul, Arnold and Yoho. Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015. Type Still Image Source Original black and white photographs: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of Original black and white photographs. <a href="http://www.tampabaymusichistory.com/resources/the-outlaws.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/the-outlaws.jpg</a>. <a href="http://www.tampabaymusichistory.com/resources/the_outlaws.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/the_outlaws.jpg</a>. Coverage Tampa, Florida Athens, Georgia Creator Gellman, John Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1974 Format image/jpg Extent 99.1 KB 117 KB Medium 2 black and white photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by John Gellman. Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by John Gellman and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Smith, Michael Buffalo. <a href="http://www.worldcat.org/oclc/884617128" target="_blank">Rebel Yell: An Oral History of Southern Rock</a>. 2014. Bomar, Scott B., and Doug Gray. <a href="http://www.worldcat.org/oclc/855957989" target="_blank">Southbound: An Illustrated History of Southern Rock</a>. 2014. "<a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank">The Outlaws</a>." http://www.tampabaymusichistory.com/the-outlaws.php. Arnold, Harvey Dalton Athens, Georgia band concert country country music country rock Gellman, John Jones, Billy Jones, William "Billy" Harry music musician Paul, Henry rock rock band rock music Southern rock The Florida Guitar Army The Outlaws Thomasson, Hugh "Hughie" Edward, Jr. Thomasson, Hughie Yoho, Monte https://richesmi.cah.ucf.edu/omeka/files/original/d29fa9893ef14aaa2f1c99180613372d.jpg d75ac0389bc8e0043db2771761714018 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Outlaws at the Winterland Ballroom, 1975 Alternative Title Outlaws at Winterland Ballroom Subject Outlaws (Musical group) Tampa Bay (Fla.) Music--Florida Rock music--United States Musicians--Southern States Jones, Billy Paul, Henry San Francisco (Calif.) Description The Outlaws performing live at Winterland Ballroom in San Francisco, California, on October 10, 1975. From left to right, the photograph features Harvey Dalton Arnold playing bass, and Hughie Thomasson, Billy Jones, and Henry Paul playing guitar. Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015. Type Still Image Source Original sepia photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of Original sepia photograph. <a href="http://www.tampabaymusichistory.com/resources/The%20Outlaws2.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/The%20Outlaws2.jpg</a>. Coverage Tampa, Florida Winterland Ballroom, San Francisco, California Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created 1975-10-10 Format image/jpg Extent 132 KB Medium 1 sepia photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Smith, Michael Buffalo. <a href="http://www.worldcat.org/oclc/884617128" target="_blank">Rebel Yell: An Oral History of Southern Rock</a>. 2014. Bomar, Scott B., and Doug Gray. <a href="http://www.worldcat.org/oclc/855957989" target="_blank">Southbound: An Illustrated History of Southern Rock</a>. 2014. "<a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank">The Outlaws</a>." http://www.tampabaymusichistory.com/the-outlaws.php. Arnold, Harvey Dalton band bass guitar bassist concert country country music country rock guitar guitarist Jones, Billy Jones, William "Billy" Harry music musician Paul, Henry rock rock band rock music San Francisco, California Southern rock The Florida Guitar Army The Outlaws Thomasson, Hugh "Hughie" Edward, Jr. Thomasson, Hughie Winterland Ballroom https://richesmi.cah.ucf.edu/omeka/files/original/261c0c29d9bf37b4be12a971b9714b3d.jpg 088450da56a6073d159ddd38269e38ef Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Hugh "Hughie" Edwards Thomasson, Jr., Monte Yoho, Frank O'Keefe, Herbie Pino, and Billy Jones of The Outlaws Alternative Title Thomasson, Yoho, O'Keefe, Pino, and Jones of The Outlaws Subject Outlaws (Musical group) Tampa Bay (Fla.) Music--Florida Rock music--United States Musicians--Southern States Jones, Billy Description The Outlaws sometime between 1969 and 1972. This photograph features, from left to right, guitarist Hughie Thomasson and drummer Monte Yoho in the back, as well as bassist/guitarist Frank O'Keefe, guitarist Herbie Pino, and guitarist/keyboardist Billy Jones in the front row. At the bottom is the band's name and management information, which includes a cartoon logo for Ped-Dyn Productions and contact information. Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of Original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/EARLY%20OUTLAWS.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/EARLY%20OUTLAWS.jpg</a>. Coverage Tampa, Florida Publisher Ped-Dyn Productions <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1969-1972 Format image/jpg Extent 22.3 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Smith, Michael Buffalo. <a href="http://www.worldcat.org/oclc/884617128" target="_blank">Rebel Yell: An Oral History of Southern Rock</a>. 2014. Bomar, Scott B., and Doug Gray. <a href="http://www.worldcat.org/oclc/855957989" target="_blank">Southbound: An Illustrated History of Southern Rock</a>. 2014. "<a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank">The Outlaws</a>." http://www.tampabaymusichistory.com/the-outlaws.php. band country country music country rock Jones, Billy Jones, William "Billy" Harry music musician O'Keefe, Frank Ped-Dyn Productions Pino, Herbie rock rock band rock music Southern rock The Florida Guitar Army The Outlaws Thomasson, Hugh "Hughie" Edward, Jr. Thomasson, Hughie Yoho, Monte https://richesmi.cah.ucf.edu/omeka/files/original/3d876ecdb9717f426f497a92fd88890f.jpg 1e5d0cad3b030545ad5791f656364583 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Hugh "Hughie" Edwards Thomasson, Jr., Monte Yoho, and Billy Jones of The Outlaws Alternative Title Thomasson, Yoho, and Jones of The Outlaws Subject Outlaws (Musical group) Tampa Bay (Fla.) Music--Florida Rock music--United States Musicians--Southern States Dix, David Jones, Billy Anderson, Chris Description Autographed 1 color photograph of The Outlaws performing live. The photograph features, from left to right, guitarist Hughie Thomasson, drummer Monte Yoho, and guitarist/keyboardist Billy Jones. Although the photograph was taken of a much earlier version of the group sometime between 1969 and 1979, the five signatures are from Thomasson, Yoho, guitarist Chris Anderson, drummer David Dix, and bassist Randy Threet, which was the lineup from 2005-2007. Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of Original color photograph. <a href="http://www.tampabaymusichistory.com/resources/Auto%27s.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/Auto%27s.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1969-1979 Format image/jpg Extent 69.9 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally published by Ped-Dyn Productions. Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by Ped-Dyn Productions and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Smith, Michael Buffalo. <a href="http://www.worldcat.org/oclc/884617128" target="_blank">Rebel Yell: An Oral History of Southern Rock</a>. 2014. Bomar, Scott B., and Doug Gray. <a href="http://www.worldcat.org/oclc/855957989" target="_blank">Southbound: An Illustrated History of Southern Rock</a>. 2014. "<a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank">The Outlaws</a>." http://www.tampabaymusichistory.com/the-outlaws.php. Anderson, Chris autograph band concert country country music country rock Dix, David drum drummer guitar guitarist Jones, Billy Jones, William "Billy" Harry music musician rock rock band rock music Southern rock The Florida Guitar Army The Outlaws Thomasson, Hugh "Hughie" Edward, Jr. Thomasson, Hughie Threet, Randy Yoho, Monte https://richesmi.cah.ucf.edu/omeka/files/original/e73baacbaa62f831246b7071f0be06f7.jpg 57f55f0bca75986763dd168384f70574 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Original Members of The Outlaws, 1967 Alternative Title Original Members of The Outlaws Subject Outlaws (Musical group) Tampa Bay (Fla.) Music--Florida Rock music--United States Musicians--Southern States Dix, David Description The Outlaws, featuring the original five members in 1967. Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of Original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/The%20Outlaws.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/The%20Outlaws.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1967 Format image/jpg Extent 99.2 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Smith, Michael Buffalo. <a href="http://www.worldcat.org/oclc/884617128" target="_blank">Rebel Yell: An Oral History of Southern Rock</a>. 2014. Bomar, Scott B., and Doug Gray. <a href="http://www.worldcat.org/oclc/855957989" target="_blank">Southbound: An Illustrated History of Southern Rock</a>. 2014. "<a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank">The Outlaws</a>." http://www.tampabaymusichistory.com/the-outlaws.php. band country country music country rock Dix, David Guidry, Frank Holmberg, Phil music musician O'Brien, Hobie Pino, Herb rock rock band rock music Southern rock The Florida Guitar Army The Outlaws Thomasson, Hugh "Hughie" Edward, Jr. Thomasson, Hughie https://richesmi.cah.ucf.edu/omeka/files/original/e73eb0ed9e862ddccfa4b183e7238bb8.jpg 34fbe8cee4bd9e39a81bad95d71912a1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 logo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Infinity's End Logo Alternative Title Infinity's End Logo Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- Tampa (Fla.) Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Description Logo for the band, Infinity's End. Infinity's End was the first of several bands that Bollea, popularly known as Hulk Hogan, performed with during the late 1960s and early 1970s in Tampa, Florida. Bollea was in ninth grade when he formed the group, and they quickly began performing at weekend parties. Their manager was the father of keyboard player, Gary, and their costume designer was Gary's mother. The band consisted of two guitar players, a drummer, a bassist, and a keyboardist, and performed classic rock hits of the day, such as "In-A-Gadda-Da-Vida" by Iron Butterfly and various songs by Steppenwolf. After Infinity's End, Bollea performed with the bands Koko and Ruckus, before going on to a career in professional wrestling. Type Still Image Source Original logo: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original logo. <a href="http://www.tampabaymusichistory.com/resources/IE%20logo.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/IE%20logo.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 117 KB Medium 1 logo Language eng Mediator History Teacher Humanities Teacher Music Teacher Art Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/infinitys-end.php" target="_blank">Infinity's End</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/infinitys-end.php. band band logo garage band garage rock Infinity's End logo music musician rock rock band rock music Tampa https://richesmi.cah.ucf.edu/omeka/files/original/9ae9177aefd2d1a5c50f9b52f79ea303.jpg f0939f72b076d3cf7bb5f543684c0ebb https://richesmi.cah.ucf.edu/omeka/files/original/22762057cb1fc3e2a719ecb2a49c62fa.jpg 466cde8dbf09ee239a1542667cd90b16 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Infinity's End Live with Logo Alternative Title Infinity's End Live with Logo Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- Tampa (Fla.) Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Description Infinity's End performing live in 1970. The first photograph features all five members on stage. A March of Dimes sign hangs behind one of the two sets of drums. Terry Gene Bollea stands on the far right of the photograph, playing guitar. The second photograph is a close up of the keyboardist with the band's logo propped up in front of his keyboard. The drummer and another band member are also in the photograph. Infinity's End was the first of several bands that Bollea, popularly known as Hulk Hogan, performed with during the late 1960s and early 1970s in Tampa, Florida. Bollea was in ninth grade when he formed the group, and they quickly began performing at weekend parties. Their manager was the father of keyboard player, Gary, and their costume designer was Gary's mother. The band consisted of two guitar players, a drummer, a bassist, and a keyboardist, and performed classic rock hits of the day, such as "In-A-Gadda-Da-Vida" by Iron Butterfly and various songs by Steppenwolf. After Infinity's End, Bollea performed with the bands Koko and Ruckus, before going on to a career in professional wrestling. Type Still Image Source Two original color photographs, 1970: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/IE%201970.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/IE%201970.jpg</a>. Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/IE%20circa%201970.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/IE%20circa%201970.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1970 Format image/jpg Extent 116 KB 183 KB Medium 2 color photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/infinitys-end.php" target="_blank">Infinity's End</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/infinitys-end.php. audience band band logo bass guitar bass guitarist bassist Bollea, Terry Gene drum drummer garage band garage rock guitar guitarist Hogan, Hulk Infinity's End keyboard keyboardist singer vocalist March of Dimes music musician rock rock band rock music singer Tampa vocalist https://richesmi.cah.ucf.edu/omeka/files/original/fbf9b61e1ce43e946f5f97b8f678c112.jpg 02f4f91d4e7d27b11f17d05e6e14f40b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Infinity's End in Floral Pants Live Alternative Title Infinity's End in Floral Pants Live Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- Tampa (Fla.) Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Description Color photograph of the band, Infinity's End, performing live in 1968 or 1969. The photograph features the bassist, lead vocalist and drummer. Infinity's End was the first of several bands that Bollea, popularly known as Hulk Hogan, performed with during the late 1960s and early 1970s in Tampa, Florida. Bollea was in ninth grade when he formed the group, and they quickly began performing at weekend parties. Their manager was the father of keyboard player, Gary, and their costume designer was Gary's mother. The band consisted of two guitar players, a drummer, a bassist, and a keyboardist, and performed classic rock hits of the day, such as "In-A-Gadda-Da-Vida" by Iron Butterfly and various songs by Steppenwolf. After Infinity's End, Bollea performed with the bands Koko and Ruckus, before going on to a career in professional wrestling. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/IE%2068%20or%2069.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/IE%2068%20or%2069.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1969 Format image/jpg Extent 144 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/infinitys-end.php" target="_blank">Infinity's End</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/infinitys-end.php. audience band bass guitar bass guitarist bassist drum drummer garage band garage rock Infinity's End singer vocalist music musician rock rock band rock music Tampa https://richesmi.cah.ucf.edu/omeka/files/original/e9b82caf7a74d4cebcf51b50aad670aa.jpg c121a97d5fce9388ce31f3cc1a2157e2 https://richesmi.cah.ucf.edu/omeka/files/original/0f2182d83604e7056ebd8b992ca9b96d.jpg e841127e18e3f7929b0bc101c8e0cee3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 black and white photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Infinity's End Performing Live, 1969 Alternative Title Infinity's End Live with Audience Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- Tampa (Fla.) Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Description Infinity's End performing live on December 30, 1969. The first photograph was taken from the stage and it features the bassist playing guitar and singing into a microphone. The second photograph is a close up of the drummer surrounded by audience members. Infinity's End was the first of several bands that Bollea, popularly known as Hulk Hogan, performed with during the late 1960s and early 1970s in Tampa, Florida. Bollea was in ninth grade when he formed the group, and they quickly began performing at weekend parties. Their manager was the father of keyboard player, Gary, and their costume designer was Gary's mother. The band consisted of two guitar players, a drummer, a bassist, and a keyboardist, and performed classic rock hits of the day, such as "In-A-Gadda-Da-Vida" by Iron Butterfly and various songs by Steppenwolf. After Infinity's End, Bollea performed with the bands Koko and Ruckus, before going on to a career in professional wrestling. Type Still Image Source Original black and white photographs, December 30, 1969: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of two original black and white photographs. <a href="http://www.tampabaymusichistory.com/resources/IE%2012-30-69.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/IE%2012-30-69.jpg</a>. Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/IE%20december%2030%201969.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/IE%20december%2030%201969.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created 1969-12-30 Format image/jpg Extent 236 KB 195 KB Medium 2 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/infinitys-end.php" target="_blank">Infinity's End</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/infinitys-end.php. audience band bass guitar bass guitarist garage band garage rock Infinity's End music musician rock rock band rock music Tampa https://richesmi.cah.ucf.edu/omeka/files/original/938254e8e2a71af79e256b8c8ce45b8a.jpg d280cdc85bcb4640898e91ba6c40cf71 https://richesmi.cah.ucf.edu/omeka/files/original/274a908573d4d8a5cb64b07866d43c6e.jpg c5f87b9d22c6028eabaf00d048406735 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 black and white photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Infinity's End in Ascots Alternative Title Infinity's End Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- Tampa (Fla.) Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Description Infinity's End in 1969. The first photograph features Terry Gene Bollea in the center, and the second photograph shows Bollea on the bottom left. Infinity's End was the first of several bands that Bollea, popularly known as Hulk Hogan, performed with during the late 1960s and early 1970s in Tampa, Florida. Bollea was in ninth grade when he formed the group, and they quickly began performing at weekend parties. Their manager was the father of keyboard player, Gary, and their costume designer was Gary's mother. The band consisted of two guitar players, a drummer, a bassist, and a keyboardist, and performed classic rock hits of the day, such as "In-A-Gadda-Da-Vida" by Iron Butterfly and various songs by Steppenwolf. After Infinity's End, Bollea performed with the bands Koko and Ruckus, before going on to a career in professional wrestling. Type Still Image Source Original black and white photographs, 1969: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/Infinity%27s%20End%20%28circa%201969%29.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/Infinity%27s%20End%20%28circa%201969%29.jpg</a>. Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/207294_1020968211087_5843621_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/207294_1020968211087_5843621_n.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1969 Format image/jpg Extent 212 KB 78.3 KB Medium 2 black and white photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/infinitys-end.php" target="_blank">Infinity's End</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/infinitys-end.php. band Bollea, Terry Gene garage band garage rock Hogan, Hulk Infinity's End music musician palm tree rock rock band rock music Tampa https://richesmi.cah.ucf.edu/omeka/files/original/f90906ab9c11b9cb7337a1de66542f41.JPG fe1eeb98f811fcc4bb6fa68b480524ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tempests at the Firestone Grand Prix of St. Petersburg, 2010 Alternative Title Tempests at Firestone Grand Prix of St. Petersburg Subject St. Petersburg (Fla.) Music--Florida Tempests (Musical group) Rock music--United States Pop music Blues (Music)--Florida Soul music--United States Musicians--Southern States Description The Tempests performing live at the Firestone Grand Prix on March 29, 2010. The Firestone Grand Prix of St. Petersburg is a Verizon IndyCar Series race and is located at 1 Beach Drive Southeast, 42, in St. Petersburg, Florida. The photograph, from left to right, features Tommy Angarano, Darren Shaw, and Chris Winter. The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night. Type Still Image Source Original color photograph, March 29, 2010: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/Tempests.JPG" target="_blank">http://www.tampabaymusichistory.com/resources/Tempests.JPG</a>. Coverage Firestone Grand Prix of St. Petersburg, St. Petersburg, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created 2010-03-29 Format image/jpg Extent 334 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. Angarano, Tommy bass guitar bass guitarist Beach Drive blues drum drummer Firestone Grand Prix garage band garage rock Grand Prix GTE Federal Credit Union guitar guitarist keyboard pop pop music rock rock band rock music Shaw, Darren soul soul music St. Petersburg The Tempest The Tempests Verizon IndyCar Series Winter, Chris https://richesmi.cah.ucf.edu/omeka/files/original/305c22e86465e788ec96ed689b3fa860.jpg 4aaf51f01f891889a0431e790ff714ef Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 flyer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Hey Gang! Big Dance at The Village Alternative Title Hey Gang! Big Dance at The Village Subject Tampa (Fla.) Music--Florida Tempests (Musical group) Rock music--United States Pop music Blues (Music)--Florida Soul music--United States Musicians--Southern States Description Flyer for a concert for the band, The Tempests on March 12, 1966. The dance was held at The Village, located at 3003 Cypress Street in Tampa, Florida. The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night. Type Still Image Source Original flyer, ca. March 12, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original flyer. <a href="http://www.tampabaymusichistory.com/resources/tempests%20ad%20-%201966.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/tempests%20ad%20-%201966.jpg</a>. Coverage The Village, Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966-03-12 Format image/jpg Extent 81 KB Medium 1 flyer Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. blues Cypress Street dance flyer garage band garage rock pop pop music rock rock band rock music soul soul music St. Petersburg Surfers' Club Tampa The Tempest The Tempests The Village https://richesmi.cah.ucf.edu/omeka/files/original/a448604043ee033f13657f2372983444.jpg eac9801d941d1e06a84abe8f6f95f758 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 flyer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Shangri-Las and The Tempests at Mason's Hall, March 26, 1966 Alternative Title Shangri-Las and Tempests at Mason's Hall Subject Shangri-Las (Musical group) Tampa (Fla.) Music--Florida Tempests (Musical group) Rock music--United States Pop music Blues (Music)--Florida Soul music--United States Musicians--Southern States Description Flyer for a concert for The Shangri-Las and The Tempests at Mason's Hall. The "Teen Seen," which was located on the West End Buffalo Avenue Bridge in Tampa, Florida, on March 26, 1966. The flyer features a photograph of The Shangri-Las, a New York-based girl group who were scheduled to headline the event. Admission was $1.50. The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night. Type Still Image Source Original flyer, ca. March 26, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original flyer. <a href="http://www.tampabaymusichistory.com/resources/promo%20ad%20-%201960%27s.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/promo%20ad%20-%201960%27s.jpg</a>. Coverage Mason's Hall, Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966-03-26 Format image/jpg Extent 72.4 KB Medium 1 flyer Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. O'Dair, Barbara. <a href="http://www.worldcat.org/oclc/34951566" target="_blank">Trouble Girls: The Rolling Stone Book of Women in Rock</a>. New York: Random House, 1997. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. "Teen Seen" blues flyer Ganser, Marguerite "Marge" Ganser, Mary Ann garage band garage rock girl group Mason's Hall pop pop group pop music rock rock band rock music Shangri-Las, The soul soul music Tampa The Shangri-Las The Tempest The Tempests Weiss, Elizabeth "Betty" Weiss, Mary West End Buffalo Avenue Bridge https://richesmi.cah.ucf.edu/omeka/files/original/8eef5b58e10fe9afb844925ad260467e.jpg 4c9308f1fd9353137df638b8a9e85117 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tempests at Surfer's Club, 1966 Alternative Title Tempests at Surfer's Club Subject Madeira Beach (Fla.) Music--Florida Tempests (Musical group) Rock music--United States Pop music Blues (Music)--Florida Soul music--United States Musicians--Southern States Description Color photograph of the band, The Tempests, performing live at Surfer's Club in 1966. Surfer's Club was a teenage nightclub in the 1960s, located at 14966 Gulf Boulevard, in Madeira Beach, Florida. The club, which opened in July 1964 and closed in October 1966, only allowed kids ages 15-20. Nightly chaperones ensured there was no "front to back" dancing. The photograph, from left to right, features Doug Palmer, Charlie Bailey, and Tommy Angarano, as well as nine teenagers dancing in front of the stage. The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night. Type Still Image Source Original color photograph, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/Surfers%20Club%20-%201966.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/Surfers%20Club%20-%201966.jpg</a>. Coverage Surfer's Club, Madeira Beach, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966 Format image/jpg Extent 185 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. Angarano, Tommy Bailey, Charlie blues garage band garage rock Madeira Beach Palmer, Doug pop pop music rock rock band rock music soul soul music St. Petersburg Surfer's Club The Tempests https://richesmi.cah.ucf.edu/omeka/files/original/f56581ee642d1f04f1e3fa90db3266a8.jpg 65722dddcd3dff167b51199084981858 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tempests at The Joker's Club, 1964 Alternative Title Tempests at Joker's Club Subject St. Petersburg (Fla.) Music--Florida Tempests (Musical group) Rock music--United States Pop music Blues (Music)--Florida Soul music--United States Musicians--Southern States Description The Tempests, featuring the band's original lineup performing live at The Joker's Club, located at 3615 37th Street North in St. Petersburg, Florida, in 1964. The photograph, from left to right, features Tommy Angarano, Bobby Allen, Bill Hickman, Charlie Bailey, and Doug Palmer. The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night. Type Still Image Source Original black and white photograph, 1964: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/Tempests%20-%201964.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/Tempests%20-%201964.jpg</a>. Coverage The Joker's Club, St. Petersburg, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1964 Format image/jpg Extent 219 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. 37th Street Allen, Bobby Angarano, Tommy Bailey, Charlie bass guitar bassist blues drum drummer garage band garage rock guitar guitarist Hickman, Bill Joker's Club Palmer, Doug pop pop music rock rock band rock music singer soul soul music St. Petersburg The Joker's Club The Tempest The Tempests Thirty-Seventh Street vocalist https://richesmi.cah.ucf.edu/omeka/files/original/bfe3f3ab8439736a09f272d18aca728e.jpg 821b1c6255c68517c5d8a3b4f720e134 https://richesmi.cah.ucf.edu/omeka/files/original/c3827494c57854105cf3a21c5e7511c7.jpg b5579d2311be7a9140184c9cad79655a https://richesmi.cah.ucf.edu/omeka/files/original/0fc20a2517cee4fe55b6cd6d3c0a14b4.jpg 0466a4df4f7a0b9c040ea9dbb351c143 https://richesmi.cah.ucf.edu/omeka/files/original/068bab3e722705a4f144e62e0bf3f697.jpg 785141b5e64552083b831b505551a012 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 4 black and white photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tempests at the National Guard Armory, 1966 Alternative Title Tempests at National Guard Armory Subject St. Petersburg (Fla.) Music--Florida Tempests (Musical group) Rock music--United States Pop music Blues (Music)--Florida Soul music--United States Musicians--Southern States Description The Tempests performing live at the National Guard Armory, located at 3601 38th Avenue South in St. Petersburg, Florida, in 1966. The first photograph, from left to right, features Roy Delese, Tommy Angarano, Mike Hammer, Buddy Peterson, Brad Myers and Charlie Bailey. The second, third and fourth feature all but Bailey in the same order. The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night. Type Still Image Source Original black and white photographs, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of four original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966.jpg</a>. Digital reproduction of four original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966b.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966b.jpg</a>. Digital reproduction of four original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966c.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966c.jpg</a>. Digital reproduction of four original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966d.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966d.jpg</a>. Coverage National Guard Armory, St. Petersburg, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966 Format image/jpg Extent 199 KB 219 KB 214 KB 249 KB Medium 4 black and white photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. 38th Avenue amplifier Angarano, Tommy Bailey, Charlie bass guitar bassist blues Delese, Roy drum drummer garage band garage rock guitar guitarist Hammer, Mike keyboard keyboardist Myers, Brad National Guard Armory Peterson, Buddy pop pop music rock rock band rock music singer soul soul music St. Petersburg The Tempest The Tempests Thirty-Eighth Avenue vocalist https://richesmi.cah.ucf.edu/omeka/files/original/c638d2534a5423ffbec0bb8f0caa655b.jpg ba30661a435e60088a00b2c95026f432 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text 1 newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Tropics Win International Prize Alternative Title Tropics Win International Prize Subject Tropics (Musical group) Chicago (Ill.) Tampa (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Description Part of a newspaper article from the The Tampa Times describing the victory of The Tropics, a Tampa-based band, at the International Battle of the Bands. The headline reads, "Tropics Win International Prize," and was written by Nancy Trice and Carole Newman. According to the article, The Tropics played "I'm a Man," "Misirloo," and "Black-Jacket Woman." The band one new equipment from Ludwig Drum Company, recognition as the house band for WLS Radio for one year, and the opportunity to perform with The Mamas and The Papas in Chicago on August 20th. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Text Source Original newspaper article: Trice, Nancy, and Carole Newman. "Tropics Win International Prize." The Tampa Times, August 10, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original newspaper article: Trice, Nancy, and Carole Newman. "Tropics Win International Prize." The Tampa Times, August 10, 1966. <a href="http://www.tampabaymusichistory.com/resources/15743_215142242836_215085887836_4171128_3418623_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/15743_215142242836_215085887836_4171128_3418623_n.jpg</a>. Coverage Tampa, Florida McCormick Place, Chicago, Illinois Creator Trice, Nancy Newman, Carole Publisher <a href="http://www.tampabay.com/" target="_blank">The Tampa Times</a> <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966-08-10 Date Copyrighted 1966-08-10 Format image/jpg Extent 278 KB Medium 1 newspaper article Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005 "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. Battle of the Bands Black-Jacket Woman Chicago, Illinois classic rock Columbia Records contest Dryer, Mel For A Long time I'm a Man, Misirloo International Battle of the Bands Ludwig Drum Company McCormick Place music musician Newman, Carole Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie St. Petersburg Tampa Tampa Bay Teenage World's Fair The Bitchin' Red Band The Mamas and the Papas The Tampa Times The Tropics Trice, Nancy Turner, Eric WLS Radio https://richesmi.cah.ucf.edu/omeka/files/original/f781b0ee3dc76c5b46700a0e3053b9fb.jpg 3227d340fc07d50a9651c1f403747b96 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title International Battle of the Bands Official Certificate Alternative Title Battle of the Bands Certificate Subject Tropics (Musical group) Chicago (Ill.) Tampa (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Description International Battle of the Bands Official Certificate for The Tropics, a Tampa-based band. The certificate proclaims, "Be it known that the bearer of this certificate has actively participated in the 1966 International Battle of the Bands at McCormick Place, Chicago, Illinois." McCormick Place is located at 2301 South Martin Luther King Drive. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Text Source Original certificate, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original certificate, 1966. <a href="http://www.tampabaymusichistory.com/resources/15743_218662622836_215085887836_4195577_2735513_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/15743_218662622836_215085887836_4195577_2735513_n.jpg</a>. Coverage Tampa, Florida McCormick Place, Chicago, Illinois Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created 1966-07-30 Format image/jpg Extent 87.4 KB Medium 1 certificate Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. Battle of the Bands certificate Chicago, Illinois classic rock Columbia Records Dryer, Mel International Battle of the Bands McCormick Place music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Tampa Times The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/3db2256caaf113d52773107897c273d6.jpg 26600c99b44572222bb79c40ed137cb2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white newspaper photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title World Teenage Show 1966 Top Champions Alternative Title World Teenage Show Subject Young Rascals (Musical group) Rascals (Musical group) Tropics (Musical group) Tampa (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Description A newspaper photograph from The Tampa Times on January 4, 1968, describing a concert with the bands The Tropics and The Rascals. In this photograph, a large banner hangs from the upper level that reads, "WORLD TEENAGE SHOW 1966 TOP CHAMPIONS," and "INTERNATIONAL BATTLE OF THE BANDS WINNERS." The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original newspaper article. "Tropics, Rascals--Fans Love 'Em." The Tampa Times, January 4, 1968: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original newspaper article: Author unknown. <a href="http://www.tampabaymusichistory.com/resources/15743_215140827836_215085887836_4171118_2836496_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/15743_215140827836_215085887836_4171118_2836496_n.jpg</a>. Coverage Tampa, Florida McCormick Place, Chicago, Illinois Publisher <a href="http://www.tampabay.com/" target="_blank">The Tampa Times</a> <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-01-04 Date Copyrighted 1968-01-04 Format image/jpg Extent 139 KB Medium 1 newspaper photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. Battle of the Bands blue-eyed soul Chicago, Illinois classic rock Columbia Records Dryer, Mel International Battle of the Bands McCormick Place music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" soul soul music Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Rascals The Tropics The Young Rascals Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/6ad4dcfafd257de3a32f8717a9f783ec.jpg 7c47bc6a9259dedf71013438e5614b74 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics 30 Year Reunion Alternative Title The Tropics 30 Year Reunion Subject Tropics (Musical group) Tampa (Fla.) St. Petersburg (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Concerts Description The Tropics, a Tampa-based band, taken on May 7, 1999, for their 30 year reunion show at the Coliseum, located at 535 Fourth Avenue North in St. Petersburg, Florida. The show was a benefit for All Children's Hospital. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original black and white photograph, May 7, 1999: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, May 7, 1999. <a href="http://www.tampabaymusichistory.com/resources/15743_215138837836_840642_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/15743_215138837836_840642_n.jpg</a>. Coverage Tampa, Florida The Coliseum, St. Petersburg, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created 1999-05-07 Format image/jpg Extent 51.3 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. All Children's Hospital charity classic rock Columbia Records concert Dryer, Mel hospital music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B reunion reunion show rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie St. Petersburg Tampa Tampa Bay The Bitchin' Red Band The Coliseum The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/c839ecf2271c7c3d777d723de4e8ffeb.jpg 18aab34519de6069bb056ead1cb567b9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics with James Brown Alternative Title The Tropics with James Brown Subject Brown, James, 1933-2006 Tropics (Musical group) Tampa (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Funk (Music)--United States Soul music--United States Description The Tropics, a Tampa-based band, with legendary soul performer, James Brown, at a private sorority party in Tampa in 1966. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/The%20Tropics4.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/The%20Tropics4.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966 Format image/jpg Extent 122 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Brown, James, and Bruce Tucker. <a href="http://www.worldcat.org/oclc/13760564" target="_blank">James Brown, the Godfather of Soul</a>. New York: Macmillan, 1986. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. Brown, James Joseph classic rock Columbia Records Dryer, Mel funk music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" sorority party soul soul music Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Godfather of Soul The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/7887bb9e529daf0adae7646aafae1c19.jpg 7f84cafa037f924dc78032dec4b453fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics, 1965 Alternative Title The Tropics Subject Tropics (Musical group) Tampa (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Description The Tropics, a Tampa-based band, in 1965. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original black and white photograph, 1965: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, 1965. <a href="http://www.tampabaymusichistory.com/resources/The%20Tropics.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/The%20Tropics.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1965 Format image/jpg Extent 147 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. band classic rock Columbia Records Dryer, Mel music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/a5ad985b99eacec652e9f0d8a419fd14.jpg 383213cd94eb957cc70b3e460bdb1429 https://richesmi.cah.ucf.edu/omeka/files/original/5bfd76e28c962e2bf6f99c8ecad5090f.jpg 6a18398e6ae6a22a808fa43727a98bf9 https://richesmi.cah.ucf.edu/omeka/files/original/b3b6c617655fa3200d173e4e1f486706.jpg a3c9efa8183b7013834f5b4082d3c00b https://richesmi.cah.ucf.edu/omeka/files/original/0cd7d206f6264fcb1e977c0c860098c6.jpg 5aa1be84915c751b5d4aa0ba544349b0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 4 black and white photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics in Plant City, 1966 Alternative Title The Tropics in Plant City Subject Tropics (Musical group) Tampa (Fla.) Plant City (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Concerts Musicians--Southern States Description The Tropics performing live at Planteen Recreation Center, located at 301 Dort Street in Plant City, Florida, in 1966. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original black and white photographs, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, 1966. <a href="http://www.tampabaymusichistory.com/resources/17467_296462922836_215085887836_4703232_1048287_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/17467_296462922836_215085887836_4703232_1048287_n.jpg</a>. Digital reproduction of original black and white photograph, 1966. <a href="http://www.tampabaymusichistory.com/resources/17467_296462927836_215085887836_4703233_2921998_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/17467_296462927836_215085887836_4703233_2921998_n.jpg</a>. Digital reproduction of original black and white photograph, 1966. <a href="http://www.tampabaymusichistory.com/resources/17467_296462937836_215085887836_4703234_8018536_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/17467_296462937836_215085887836_4703234_8018536_n.jpg</a>. Digital reproduction of original black and white photograph, 1966. <a href="http://www.tampabaymusichistory.com/resources/17467_296462957836_215085887836_4703236_6490552_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/17467_296462957836_215085887836_4703236_6490552_n.jpg</a>. Coverage Tampa, Florida Planteen Recreational Center, Plant City, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966 Format image/jpg Extent 155 KB 150 KB 158 KB 163 KB Medium 4 black and white photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. classic rock Columbia Records concert Dryer, Mel music musician Pendergrass, Buddy Pendergrass, Hardin Plant City Planteen Recreation Center pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/0552a3ce22c23104d4ee542bf0175bf1.jpg d4d9406d3d289a25666b74dcbc3bdcda Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics in Ascots Alternative Title The Tropics Subject Tropics (Musical group) Tampa (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Description The Tropics, a Tampa-based band, wearing ascots. In the back row from left to right is Eric Turner, Bobby Shea, and Buddy Pendergrass. In the front row from left to right is Mel Dryer and Charlie Souza. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/15743_215746717836_215085887836_4175124_7881811_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/15743_215746717836_215085887836_4175124_7881811_n.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1964-1970 Format image/jpg Extent 199 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. band classic rock Columbia Records Dryer, Mel music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/c52b519603c169d8e08a7bbd09c791af.jpg 06d261fb1cbf0b54b428c550bc7e2794 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics in Red Costumes Alternative Title The Tropics Subject Tropics (Musical group) Tampa (Fla.) Cocoa Beach (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Description The Tropics, a Tampa-based band, wearing red and white costumes. From left to right is Bobby Shea, Mel Dryer, Buddy Pendergrass, Eric Turner, and Charlie Souza. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/The%20Tropics3.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/The%20Tropics3.jpg</a>. Coverage Tampa, Florida Cocoa Beach Pier, Cocoa Beach, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1964-1970 Format image/jpg Extent 135 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. band classic rock Cocoa Beach Cocoa Beach Pier Columbia Records Dryer, Mel music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/fdd8327a0c1cad000bff6431cd8090ca.jpg ba3ee27a895ce4da5ac1568f30bdbc75 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics in Suits Alternative Title The Tropics Subject Tropics (Musical group) Tampa (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Description The Tropics, a Tampa-based band, wearing pinstripe suits. From left to right is Buddy Pendergrass, Mel Dryer, Charlie Souza, Bobby Shea, and Eric Turner. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/15743_218659867836_215085887836_4195556_2936354_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/15743_218659867836_215085887836_4195556_2936354_n.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1964-1970 Format image/jpg Extent 63.2 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers &Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1/em></a>. Manchester: Headpress, 2005< "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. band classic rock Columbia Records Dryer, Mel music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/fd926d2ee53128cfb94a5c042df276c1.jpg fc7ccf709d41446462cfb32491244918 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title White Witch Outdoors Alternative Title White Witch Subject White Witch (Musical group) Tampa (Fla.) Music--Florida Rock music--United States Musicians--Southern States Richardson, Charles Description Photograph of the band, White Witch, featuring its five members, including lead singer Ronald "Ronn" Goedert, guitarist Charles "Buddy" Richardson, keyboardist Hardin "Buddy" Pendergrass, bassist Loyall "Beau" Fisher, and drummer Robert "Bobby" Shea. Formed in Tampa, Florida, in 1971, White Witch was a glam, psychedelic, hard rock band that recorded two albums with Capricorn Records in the early 1970s. Pendergrass and Shea had once belonged to the popular Tampa area rock band, The Tropics, in the mid to late 1960s. Their name was a paean to "white magic," contrary to the "black magic" of groups such as Black Sabbath. The band would announce before their shows, "To bring good where there once was evil, to bring love where there once was hate, to bring wisdom where there once was ignorance—this is the power of White Witch." They toured to support their two records, opening for such established acts as Alice Cooper, Grand Funk Railroad, and Billy Preston. The group was inducted into the Florida Musicians Hall of Fame's Florida Music Honor Roll. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. Has Format Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/onderdenaald_whitewitch_1972_band.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/onderdenaald_whitewitch_1972_band.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1972 Format image/jpg Extent 78.4 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Auslander, Philip. <a href="http://www.worldcat.org/oclc/60743181" target="_blank">Performing Glam Rock: Gender and Theatricality in Popular Music</a>. Ann Arbor, Mich: University of Michigan Press, 2006 Turner, Alwyn W. <a href="http://www.worldcat.org/oclc/857525031" target="_blank">Glam Rock: Dandies in the Underworld</a>. 2013 <a href="http://www.tampabaymusichistory.com/white-witch.php" target="_blank">"White Witch"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/white-witch.php. Fisher, Beau Fisher, Loyall "Beau" glam rock Goedert, Ronald "Ronn" "Ronn" Goedert, Ronn guitar Pendergrass, Buddy Pendergrass, Hardin "Buddy" prog rock progressive rock Richardson, Buddy Richardson, Charles Shea, Bobby" Shea, Robert "Bobby" White Witch https://richesmi.cah.ucf.edu/omeka/files/original/fe24f64f8e0c1feba01f4153139de122.jpg dff36876b5835d653e8a74e94d47059b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title White Witch on Stairs Alternative Title White Witch Subject White Witch (Musical group) Tampa (Fla.) Music--Florida Rock music--United States Musicians--Southern States Richardson, Charles Description Photograph of the band, White Witch, featuring its five members, including lead singer Ronald "Ronn" Goedert, guitarist Charles "Buddy" Richardson, keyboardist Hardin "Buddy" Pendergrass, bassist Loyall "Beau" Fisher, and drummer Robert "Bobby" Shea. Formed in Tampa, Florida, in 1971, White Witch was a glam, psychedelic, hard rock band that recorded two albums with Capricorn Records in the early 1970s. Pendergrass and Shea had once belonged to the popular Tampa area rock band, The Tropics, in the mid to late 1960s. Their name was a paean to "white magic," contrary to the "black magic" of groups such as Black Sabbath. The band would announce before their shows, "To bring good where there once was evil, to bring love where there once was hate, to bring wisdom where there once was ignorance—this is the power of White Witch." They toured to support their two records, opening for such established acts as Alice Cooper, Grand Funk Railroad, and Billy Preston. The group was inducted into the Florida Musicians Hall of Fame's Florida Music Honor Roll. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Has Format Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/Wheader-450x450.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/Wheader-450x450.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1971-1975 Format image/jpg Extent 118 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Auslander, Philip. <a href="http://www.worldcat.org/oclc/60743181" target="_blank">Performing Glam Rock: Gender and Theatricality in Popular Music</a>. Ann Arbor, Mich: University of Michigan Press, 2006 Turner, Alwyn W. <a href="http://www.worldcat.org/oclc/857525031" target="_blank">Glam Rock: Dandies in the Underworld</a>. 2013 <a href="http://www.tampabaymusichistory.com/white-witch.php" target="_blank">"White Witch"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/white-witch.php. Fisher, Beau Fisher, Loyall "Beau" glam rock Goedert, Ronald "Ronn" "Ronn" Goedert, Ronn guitar Pendergrass, Buddy Pendergrass, Hardin "Buddy" prog rock progressive rock Richardson, Buddy Richardson, Charles Shea, Bobby" Shea, Robert "Bobby" White Witch https://richesmi.cah.ucf.edu/omeka/files/original/2f636655f4cca5c454dcba00c66263b4.jpg 796d3ee0a232a32918fac08cd0a60331 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title White Witch Album Cover Alternative Title White Witch Subject White Witch (Musical group) Tampa (Fla.) Music--Florida Rock music--United States Musicians--Southern States Richardson, Charles Description Album cover for White Witch's 1972 self-titled debut. The color photograph features the five members of the band: lead singer Ronald "Ronn" Goedert, guitarist Charles "Buddy" Richardson, keyboardist Hardin "Buddy" Pendergrass, bassist Loyall "Beau" Fisher, and drummer Robert "Bobby" Shea. Formed in Tampa, Florida, in 1971, White Witch was a glam, psychedelic, hard rock band that recorded two albums with Capricorn Records in the early 1970s. Pendergrass and Shea had once belonged to the popular Tampa area rock band, The Tropics, in the mid to late 1960s. Their name was a paean to "white magic," contrary to the "black magic" of groups such as Black Sabbath. The band would announce before their shows, "To bring good where there once was evil, to bring love where there once was hate, to bring wisdom where there once was ignorance—this is the power of White Witch." They toured to support their two records, opening for such established acts as Alice Cooper, Grand Funk Railroad, and Billy Preston. The group was inducted into the Florida Musicians Hall of Fame's Florida Music Honor Roll. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Has Format Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/47884907696f071073b63db922dc6a14.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/47884907696f071073b63db922dc6a14.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1972 Format image/jpg Extent 78.6 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Auslander, Philip. <a href="http://www.worldcat.org/oclc/60743181" target="_blank">Performing Glam Rock: Gender and Theatricality in Popular Music</a>. Ann Arbor, Mich: University of Michigan Press, 2006 Turner, Alwyn W. <a href="http://www.worldcat.org/oclc/857525031" target="_blank">Glam Rock: Dandies in the Underworld</a>. 2013 <a href="http://www.tampabaymusichistory.com/white-witch.php" target="_blank">"White Witch"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/white-witch.php. album album cover Capricorn Records Fisher, Beau Fisher, Loyall "Beau" glam rock Goedert, Ronald "Ronn" "Ronn" Goedert, Ronn guitar Pendergrass, Buddy Pendergrass, Hardin "Buddy" prog rock progressive rock Richardson, Buddy Richardson, Charles Shea, Bobby" Shea, Robert "Bobby" White Witch https://richesmi.cah.ucf.edu/omeka/files/original/d4b8b675186627bfffccd5e0de4de3d9.jpg aee97b1f2f04cfd2b6581e54f7d50b37 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title White Witch - Capricorn Records Alternative Title White Witch Subject White Witch (Musical group) Tampa (Fla.) Music--Florida Rock music--United States Musicians--Southern States Richardson, Charles Description Promotional photograph of the band, White Witch, featuring its five members, lead singer Ronald "Ronn" Goedert, guitarist Charles "Buddy" Richardson, keyboardist Hardin "Buddy" Pendergrass, bassist Loyall "Beau" Fisher, drummer Robert "Bobby" Shea, and another unidentified man. Ronn Goedert is dressed in a wizard costume. The band's name is listed on the bottom left of the photograph and the record label, Capricorn Records, is listed on the bottom right. Formed in Tampa, Florida, in 1971, White Witch was a glam, psychedelic, hard rock band that recorded two albums with Capricorn Records in the early 1970s. Pendergrass and Shea had once belonged to the popular Tampa area rock band, The Tropics, in the mid to late 1960s. Their name was a paean to "white magic," contrary to the "black magic" of groups such as Black Sabbath. The band would announce before their shows, "To bring good where there once was evil, to bring love where there once was hate, to bring wisdom where there once was ignorance—this is the power of White Witch." They toured to support their two records, opening for such established acts as Alice Cooper, Grand Funk Railroad, and Billy Preston. The group was inducted into the Florida Musicians Hall of Fame's Florida Music Honor Roll. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. Has Format Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/10411087_816701458372528_5541827826245837596_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/10411087_816701458372528_5541827826245837596_n.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1971-1975 Format image/jpg Extent 68.6 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Auslander, Philip. <a href="http://www.worldcat.org/oclc/60743181" target="_blank">Performing Glam Rock: Gender and Theatricality in Popular Music</a>. Ann Arbor, Mich: University of Michigan Press, 2006 Turner, Alwyn W. <a href="http://www.worldcat.org/oclc/857525031" target="_blank">Glam Rock: Dandies in the Underworld</a>. 2013 <a href="http://www.tampabaymusichistory.com/white-witch.php" target="_blank">"White Witch"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/white-witch.php. Capricorn Records Fisher, Beau Fisher, Loyall "Beau" glam rock Goedert, Ronald "Ronn" "Ronn" Goedert, Ronn guitar Pendergrass, Buddy Pendergrass, Hardin "Buddy" prog rock progressive rock Richardson, Buddy Richardson, Charles Shea, Bobby" Shea, Robert "Bobby" White Witch https://richesmi.cah.ucf.edu/omeka/files/original/4cdd6b5bc7c13072a8419a0c09767512.jpg e24b40670a612f1f7c2020c186ffabcf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 business card Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Buckwheat Business Card Alternative Title Buckwheat Business Card Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Description Business card for the band, Buckwheat. The names of the band members appear at the top of the card, with "Buckwheat for live entertainment" printed in the center. The name Randy Stone and a phone number appear at the bottom. Known for their spontaneous blues-based jams and the pyrotechnics of their guitarist, Danny Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, Dwight Saunders played bass and Richard Radloff played drums. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Text Source Original business card: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original business card. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-bus_card.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-bus_card.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 41 KB Medium 1 business card Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band blues blues music blues-rock blues-rock music Buckwheat Clearwater concert electric bass guitar garage band garage rock musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight Stone, Randy https://richesmi.cah.ucf.edu/omeka/files/original/311558278eaa11e4707568d33477cc41.jpg b7a151e859185c91bbd45f702f943339 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Dwight Saunders of Buckwheat Alternative Title Dwight Saunders of Buckwheat Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Bassists Description Black and white photographs of Dwight Saunders performing on bass guitar with the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of their guitarist, Danny Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, and Saunders on bass, Richard Radloff played drums. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-dwight_saunders.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-dwight_saunders.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 10.2 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band bass guitar bass player bassist blues blues music blues-rock blues-rock music Buckwheat Clearwater concert electric bass guitar garage band garage rock musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight https://richesmi.cah.ucf.edu/omeka/files/original/97fe3737f4e743b9f1dc61b915a3ce05.jpg af98fd1f36039c7d56a290f2310200da Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Dwight Saunders Performing with Buckwheat Alternative Title Dwight Saunders of Buckwheat Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Bassists Description Black and white photographs of Dwight Saunders performing on bass guitar with the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of their guitarist, Danny Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, and Saunders on bass, Richard Radloff played drums. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-dwight1.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-dwight1.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 10.1 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band bass guitar bass player bassist blues blues music blues-rock blues-rock music Buckwheat Clearwater concert electric bass guitar garage band garage rock musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight https://richesmi.cah.ucf.edu/omeka/files/original/89bce75e2298cc5efe5357da7fea1bac.jpg 987600d5202699aa276fda910d1b75bd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Danny Richard and Dwight Saunders of Buckwheat Alternative Title Danny Richard and Dwight Saunders of Buckwheat Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Richard, Danny Description Danny Richard and Dwight Saunders of the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, and Saunders on bass, Richard Radloff played drums. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-danny-dwight.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-danny-dwight.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 19 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band bass player bassist blues blues music blues-rock blues-rock music Buckwheat Clearwater concert garage band garage rock guitar player guitarist musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight https://richesmi.cah.ucf.edu/omeka/files/original/bc0e60b65e0adcc6bf204bca95055caf.jpg a3345e43cd392e3802b836026b11adcb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Danny Richard of Buckwheat Alternative Title Danny Richard of Buckwheat Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Richard, Danny Guitarists--United States Description Black and white photographs of Danny Richard performing on electric guitar with the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, Richard Radloff played drums and Dwight Saunders played bass. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-danny_richard.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-danny_richard.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 8.32 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band blues blues music blues-rock blues-rock music Buckwheat Clearwater concert electric guitar garage band garage rock guitar guitar player guitarist musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight https://richesmi.cah.ucf.edu/omeka/files/original/81005d05472f01fed0c03c503e6fc362.jpg a4656de9c2066a8aa611101eca1478a7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Danny Richard Performing with Buckwheat Alternative Title Danny Richard of Buckwheat Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Richard, Danny Guitarists--United States Description Black and white photographs of Danny Richard performing on electric guitar with the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, Richard Radloff played drums and Dwight Saunders played bass. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-danny1.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-danny1.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 11.3 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band blues blues music blues-rock blues-rock music Buckwheat Clearwater concert electric guitar garage band garage rock guitar guitar player guitarist musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight https://richesmi.cah.ucf.edu/omeka/files/original/2b5dedef8923ca20ec722edb7fa8731a.jpg 8af3ed9647043ae22414c38c24e96bec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Richard Radloff Performing with Buckwheat Alternative Title Richard Radloff of Buckwheat Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Drummers (Musicians) Description Richard Radloff performing on drums with the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of their guitarist, Danny Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, and Radloff on drums, Dwight Saunders played bass. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-richard.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-richard.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 13.4 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band blues blues music blues-rock blues-rock music Buckwheat Clearwater concert drum drummer garage band garage rock musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight https://richesmi.cah.ucf.edu/omeka/files/original/d730a398c0574aecd3e3561d48c03289.JPG fde409118ebe0df63d388646006d8ac8 https://richesmi.cah.ucf.edu/omeka/files/original/6c5b5497bed5ad60e8b057df2aa96d2f.JPG 05451bbb20cd74550ede9a931c2b7ac5 https://richesmi.cah.ucf.edu/omeka/files/original/5c12d0b70f74ce534947cdec6372e11b.JPG 45da02308ac72cc4706f71dacd0ea177 https://richesmi.cah.ucf.edu/omeka/files/original/8d4b37e8f808696a8f0c2bfaa51cca44.JPG fc99ee6ab811c6023697cc2125a3e1c5 https://richesmi.cah.ucf.edu/omeka/files/original/b80eb1c2a93390cdae19f30d175e1edf.JPG e78db8703b0e064ae14e6aa1c2edcd9d https://richesmi.cah.ucf.edu/omeka/files/original/b9c88b62ca6bb6ae85c469153889106b.JPG 40e5ec4833f6937de1d40fa6e9ab931d https://richesmi.cah.ucf.edu/omeka/files/original/20d7bd1e0e2cf5c0c03c873eb79d26f3.JPG 35c0a402df59d3497aa82d8d124f60ef https://richesmi.cah.ucf.edu/omeka/files/original/a20fe58f7e6253a9646d061bb6cb01da.JPG ae7cca1a4a1a73a7aae1defa48d7b6b8 https://richesmi.cah.ucf.edu/omeka/files/original/765eb67451c34daaa831bf2cc3eb0549.JPG d15595b4cb3724aabdbe8c892d679ed4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 9 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Dickey Betts & Great Southern Alternative Title Dickey Betts & Great Southern Subject Betts, Dickey Dickey Betts & Great Southern (Musical group) Concerts--United States Rock (Music)--United States Blues (Music)--Florida Country music--Southern States Music--United States Musicians--Southern States Sarasota (Fla.) Bradenton (Fla.) Description Dickey Betts & Great Southern performing live at a private party of over 300 friends and family in the swamplands of Fruitville, Florida, on February 24, 2013. The first four photographs feature Betts on electric guitar and the fourth photograph shows James Varnado on drums. The fifth and sixth photographs feature Duane Betts and Dickey Betts on guitar, the fourth features a crowd of friends and family at the show, and the fifth features Pedro Arevalo on bass guitar. Forrest Richard “Dickey” Betts is considered one of the most influential guitar players of the 20th century. He was born in West Palm Beach, raised in Bradenton, and has lived in Sarasota for most of his life. Beginning at age 16, he began performing in a series of rock bands on the Florida circuit. A founding member of the Allman Brothers Band in 1969, Betts matched bandleader Duane Allman lick for lick on electric guitar, writing many of their songs. The guitar duo introduced melodic twin guitar harmony and counterpoint, redefining the traditional rhythm/lead roles of rock guitarists. When Allman died in a motorcycle accident in 1971, Betts and Duane’s brother, Gregg Allman, shared leadership of the band, with Betts becoming the sole guitar player and taking a larger role in writing and singing. Betts wrote and sang on the group’s biggest hit, "Ramblin’ Man" in 1973 Betts recorded his first solo album in 1974, and when the band split up in 1976, he formed Dickey Betts & Great Southern. He rejoined the Allman Brothers Band when they reformed in 1978.The band split up again for several years during the 1980s, reformed again in 1989, and Betts remained with them until he was suspended for substance abuse problems in 2000. He reformed Great Southern that year, adding his son, Duane Betts, on guitar. Along with the Allman Brothers Band, Betts was inducted into the Rock and Roll Hall of Fame in 1995. Type Still Image Source Original color photographs by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Format Of Digital reproduction of original color photograph by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000ax_QozXAnSg/C0000N3GwcxUcDDU" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000ax_QozXAnSg/C0000N3GwcxUcDDU</a>. Digital reproduction of original color photograph by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000vh2M_YSRX1w/C0000N3GwcxUcDDU" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000vh2M_YSRX1w/C0000N3GwcxUcDDU</a>. Digital reproduction of original color photograph by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000Qdud6VMKEyU/C0000N3GwcxUcDDU" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000Qdud6VMKEyU/C0000N3GwcxUcDDU</a>. Digital reproduction of original color photograph by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000wRDx4FIsFfw/C0000N3GwcxUcDDU" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000wRDx4FIsFfw/C0000N3GwcxUcDDU</a>. Digital reproduction of original color photograph by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I00006M.HvA2EXsM/C0000N3GwcxUcDDU" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I00006M.HvA2EXsM/C0000N3GwcxUcDDU</a>. Digital reproduction of original color photograph by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I00009rpZ5NxQRV8/C0000N3GwcxUcDDU" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I00009rpZ5NxQRV8/C0000N3GwcxUcDDU</a>. Digital reproduction of original color photograph by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000VSQD9kg0sfA/C0000N3GwcxUcDDU" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000VSQD9kg0sfA/C0000N3GwcxUcDDU</a>. Digital reproduction of original color photograph by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000FApIE8cOrW0/C0000N3GwcxUcDDU" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000FApIE8cOrW0/C0000N3GwcxUcDDU</a>. Digital reproduction of original color photograph by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000ZO8CCkujD6s/C0000N3GwcxUcDDU" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000ZO8CCkujD6s/C0000N3GwcxUcDDU</a>. Coverage Fruitville, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2013-02-24 Date Copyrighted 2013-02-24 Format image/jpg Extent 22.7 KB 21.4 KB 23.3 KB 27.2 KB 24.5 KB 21.5 KB 24.7 KB 18.5 KB 22.3 KB Medium 9 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Paul, Alan. <a href="http://www.worldcat.org/oclc/846545832" target="_blank">One Way Out: The Inside History of the Allman Brothers Band</a>. 2014. Tatangelo, Wade. “<a href="http://www.ticketsarasota.com/2014/10/29/dickey-betts-on-his-days-before-with-and-after-allman-brothers-interview/" target="_blank">Dickey Betts on his days before, with and after Allman Brothers: interview</a>.” Ticket Sarasota. October 29, 2014. http://www.ticketsarasota.com/2014/10/29/dickey-betts-on-his-days-before-with-and-after-allman-brothers-interview/. bass guitar bassist blues blues rock Bradenton concert country country music country rock Dick Betts Dickey Betts Dickey Betts & Great Southern drum drummer Duane Betts electric guitar Forrest "Dickey" Richard Betts Fruitville Gibson guitar Gibson Guitar Corporation Great Southern guitar guitarist James Varnado jazz jazz fusion Pedro Arevalo rock rock music Sarasota Sarasota County Southern rock vocalist https://richesmi.cah.ucf.edu/omeka/files/original/943814eeeae99747025cf148ee0d8bcf.JPG 37898ed5b38d6d6bcfdc4ccf4a050a8f https://richesmi.cah.ucf.edu/omeka/files/original/f65962824b814409fae904f6e9490037.JPG 816d61553dbce99075a2bdefde24745d https://richesmi.cah.ucf.edu/omeka/files/original/de5f6324774806992907fd32e4c4656d.JPG 49e1cf1b6f816f0637ac32a9676a4893 https://richesmi.cah.ucf.edu/omeka/files/original/9afe9c5878d5212f1c1c320c95bcf82a.JPG 4675568622067aee89eaef151f050bf7 https://richesmi.cah.ucf.edu/omeka/files/original/a31a785ffa5f4f635250d012a2d9023d.JPG 1bb4ea7fc950f1005938a2aa65234c4e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 5 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title funkUs at The Plaza Theater, 2013 Alternative Title funkUs at The Plaza Theater Subject Funk (Music)--United States Orlando (Fla.) Music--United States Musicians--Southern States Concerts--United States Rock (Music)--United States Blues (Music)--Florida Jazz--United States Rhythm and blues music--United States R&B (Music) Description funkUs, performing live at The Plaza Theater, located at 425 North Bumby Avenue in Orlando, Florida, on January 16, 2013. The band was the opening act for Galactic, a jam band from New Orleans, Louisiana. The first photograph features Adam Freeman on drums, Clay Watson on trombone, Eugene Snowden on vocals, and Dave Mann on electric guitar. The second photograph shows Mann on electric guitar, Alessandro Ceserani on bass guitar, and Bill Bairley on keyboard. The third photograph features Mann and Ceserani, the fourth photograph features Freeman, and the fifth features Clay Watson on trombone. Formed in Orlando in 1998, funkUs earned a reputation as a band with a unique blend of eclectic musical genres, following in the footsteps of jam bands such as the Grateful Dead, the Allman Brothers Band, and Phish, by combining elements of rock, blues, jazz, rhythm and blues, and funk. The band’s live performances incorporate an improvisational structure with groove-heavy rhythms. Their albums include flavor (2001); strobe light (2002); free (2005), which features Tom Constanten, a former keyboard player for the Grateful Dead; got problems (2009); funkUs meets the Curious Circus (2009); and coconut monkey (2012). Regularly performing throughout Florida, the band has appeared at premier music festivals, including the Purple Hatter's Ball in 2013, Bear Creek Music Festival in 2009 and 2011, Orange Blossom Jamboree in 2010 and 2011, Jambando in the Park in 2010, 2011 and 2012, and many others. They have shared stages with notable bands such as Galactic, Soulive, Dumpstaphunk, Robby Krieger of The Doors, Victor Wooten, Steve Kimock Band, Zach Deputy, and Consider the Source. The lineup is ever-changing, based around its core members: Adam Freeman on drums and percussion, Alex Ceserani on bass and vocals, Bill Bairley on keyboard and vocals, and Dave Mann on guitar and vocals. Type Still Image Source Original color photographs by Alicia Lyman, January 16, 2013: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000sTvtoceq7FM/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000sTvtoceq7FM/C00004bs5i3cZxfk</a>. Digital reproduction of original color photograph: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000IN78g_a9elM/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000IN78g_a9elM/C00004bs5i3cZxfk</a>. Digital reproduction of original color photograph: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000Z5fghjKIE24/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000Z5fghjKIE24/C00004bs5i3cZxfk</a>. Digital reproduction of original color photograph: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000eO7V.BRq_j8/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000eO7V.BRq_j8/C00004bs5i3cZxfk</a>. Digital reproduction of original color photograph: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000I.ooMyq1YQ8/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000I.ooMyq1YQ8/C00004bs5i3cZxfk</a>. Coverage The Plaza Theater, Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2013-01-14 Date Copyrighted 2013-01-14 Format image/jpg Extent 24 KB 17.6 KB 18.9 KB 25.9 KB 17.2 KB Medium 5 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Bolden, Tony. <a href="http://www.worldcat.org/oclc/212328134" target="_blank">The Funk Era and Beyond: New Perspectives on Black Popular Culture</a>. New York, NY: Palgrave Macmillan, 2008. Vincent, Rickey. <a href="http://www.worldcat.org/oclc/32820668" target="_blank">Funk: The Music, the People, and the Rhythm of the One</a>. New York: St. Martin's Griffin, 1996. Abbitt, Jim. “<a href="http://articles.orlandosentinel.com/2013-04-25/entertainment/os-jim-abbott-jambando-orlando-20130425_1_hindu-cowboys-music-fans-bonnaroo" target="_blank">Jambando still jams after 10 years</a>.” Orlando Sentinel. April 25, 2013. http://articles.orlandosentinel.com/2013-04-25/entertainment/os-jim-abbott-jambando-orlando-20130425_1_hindu-cowboys-music-fans-bonnaroo. Ruff, Emily. “<a href="http://www.orlandoweekly.com/orlando/noodling-towards-nirvana/Content?oid=2258931" target="_blank">Noodling towards Nirvana</a>.” Orlando Weekly. March 18, 2004. http://www.orlandoweekly.com/orlando/noodling-towards-nirvana/Content?oid=2258931. Adam Freeman Alessandro Cesarani Alex Cesarani Alicia Lyman bar bass guitar bassist Bill Bairley blues Bumby Avenue Clay Watson concert Dave Mann drummer drums electric guitar Eugene Snowden funk guitar guitarist jam band jazz keyboard keyboardist nightclub orlando R&B rhythm and blues rock rock music singer The Plaza Live The Plaza Live Theater The Plaza Live Theatre The Plaza Theater The Plaza Theatre trombone trombonist vocalist https://richesmi.cah.ucf.edu/omeka/files/original/a27dbf52a1c6f921e38ab9216f26231f.jpg 448a6215f084f2d8a25d8ddd88f222fa https://richesmi.cah.ucf.edu/omeka/files/original/2e7654538a4c69d1078ef885fd654987.jpg ba955638d487d96f1aa05373c8bbc53a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title funkUs at the 7th Annual Spring Jambando, 2012 Alternative Title funkUs at the Annual Spring Jambando Subject Funk (Music)--United States Orlando (Fla.) Music--United States Musicians--Southern States Concerts--United States Rock (Music)--United States Blues (Music)--Florida Jazz--United States Rhythm and blues music--United States R&B (Music) Description funkUs performing live at the 7th Annual Spring Jambando at The Plaza Theater, located at 425 North Bumby Avenue in Orlando, Florida, on April 28, 2012. The first photograph features Brian Burgess on bass guitar, and the second photograph features Burgess on bass guitar with Dave Mann on electric guitar. Formed in Orlando in 1998, funkUs earned a reputation as a band with a unique blend of eclectic musical genres, following in the footsteps of jam bands such as the Grateful Dead, the Allman Brothers Band, and Phish, by combining elements of rock, blues, jazz, rhythm and blues, and funk. The band’s live performances incorporate an improvisational structure with groove-heavy rhythms. Their albums include flavor (2001); strobe light (2002); free (2005), which features Tom Constanten, a former keyboard player for the Grateful Dead; got problems (2009); funkUs meets the Curious Circus (2009); and coconut monkey (2012). Regularly performing throughout Florida, the band has appeared at premier music festivals, including the Purple Hatter's Ball in 2013, Bear Creek Music Festival in 2009 and 2011, Orange Blossom Jamboree in 2010 and 2011, Jambando in the Park in 2010, 2011 and 2012, and many others. They have shared stages with notable bands such as Galactic, Soulive, Dumpstaphunk, Robby Krieger of The Doors, Victor Wooten, Steve Kimock Band, Zach Deputy, and Consider the Source. The lineup is ever-changing, based around its core members: Adam Freeman on drums and percussion, Alex Ceserani on bass and vocals, Bill Bairley on keyboard and vocals, and Dave Mann on guitar and vocals. A leading figure in the Orlando music scene, the band is also responsible for organizing Jambando, a musical concert series designed to showcase and stimulate Orlando's burgeoning jam band scene. Beginning in 2003 as an idea for the Orlando Fringe Festival, the concept was further developed through an ongoing concert series at Hard Rock Live, and has since made its current homes at The Plaza Theatre in Downtown Orlando's Milk District and The Spirit of Suwannee Music Park in Live Oak. Each concert is created through a collective of musicians and volunteers in a united and conscious effort to establish a musical brand for multi-genre Central Florida music. Type Still Image Source Original color photographs by Alicia Lyman, April 28, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photographs by Alicia Lyman, April 28, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/2012-04-28-FUNKUS-THE-PLAZA-LIVE-JAMBANDO-Orlando-FL/G0000xDQReyYIRsg/I0000Ig9Uv5r8z7M/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-04-28-FUNKUS-THE-PLAZA-LIVE-JAMBANDO-Orlando-FL/G0000xDQReyYIRsg/I0000Ig9Uv5r8z7M/C00004bs5i3cZxfk</a>. <a href="http://alicialyman.photoshelter.com/gallery-image/2012-04-28-FUNKUS-THE-PLAZA-LIVE-JAMBANDO-Orlando-FL/G0000xDQReyYIRsg/I000012K8zQt_Pcw/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-04-28-FUNKUS-THE-PLAZA-LIVE-JAMBANDO-Orlando-FL/G0000xDQReyYIRsg/I000012K8zQt_Pcw/C00004bs5i3cZxfk</a>. Coverage The Plaza Theater, Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-04-28 Date Copyrighted 2012-04-28 Format image/jpg Extent 33 KB 35.2 KB Medium 2 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Bolden, Tony. <a href="http://www.worldcat.org/oclc/212328134" target="_blank">The Funk Era and Beyond: New Perspectives on Black Popular Culture</a>. New York, NY: Palgrave Macmillan, 2008. Vincent, Rickey. <a href="http://www.worldcat.org/oclc/32820668" target="_blank">Funk: The Music, the People, and the Rhythm of the One</a>. New York: St. Martin's Griffin, 1996. Abbitt, Jim. “<a href="http://articles.orlandosentinel.com/2013-04-25/entertainment/os-jim-abbott-jambando-orlando-20130425_1_hindu-cowboys-music-fans-bonnaroo" target="_blank">Jambando still jams after 10 years</a>.” Orlando Sentinel. April 25, 2013. http://articles.orlandosentinel.com/2013-04-25/entertainment/os-jim-abbott-jambando-orlando-20130425_1_hindu-cowboys-music-fans-bonnaroo. Ruff, Emily. “<a href="http://www.orlandoweekly.com/orlando/noodling-towards-nirvana/Content?oid=2258931" target="_blank">Noodling towards Nirvana</a>.” Orlando Weekly. March 18, 2004. http://www.orlandoweekly.com/orlando/noodling-towards-nirvana/Content?oid=2258931. Alicia Lyman bar bass guitar bassist blues Brian Burgess Bumby Avenue concert Dave Mann electric guitar funk guitar guitarist jam bando jazz nightclub orlando R&B rhythm and blues rock rock music singer Spring Jambando The Plaza Live vocalist https://richesmi.cah.ucf.edu/omeka/files/original/e195c0e5fbbb524403e73d5cb13163b4.JPG 4a01dde0d7d14c17c6bd5fb21909c5ed https://richesmi.cah.ucf.edu/omeka/files/original/81d4e5bdcb10f7c45ccf848d04848ecb.JPG dacdac36d5b391997de5f2d5491e9c9a https://richesmi.cah.ucf.edu/omeka/files/original/b7fa59d2349b0d5e4095c9d6430d3654.JPG bea36df004f2a827ce82f7aff8816240 https://richesmi.cah.ucf.edu/omeka/files/original/609be4bdfab8283b1cad881e5fbf8e69.JPG 61f3134085075fb61a0ce6c9ccb4696c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 4 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Gargamel! at the Philips-Osbourne Wedding, 2006 Alternative Title Gargamel! at Philips-Osbourne Wedding Subject Gargamel! (Musical group) Orlando (Fla.) Concerts--United States Rock music--United States Funk (Music)--United States Music--Florida Musicians--Southern States Ellis, Chuck Weddings--United States Description Gargamel! performing live at the wedding of Adam Phillips and Becky Osborne on October 29, 2006. Phillips is a vocalist and multi-instrumentalist and Osborne is a vocalist and washboard player, as well as a visual artist from Orlando, Florida. The first photograph features Chuck Ellis on vocals and Wayne Larsen on keyboard. The second photograph features Ellis alone on vocals and the third photograph features Ellis dancing with a wedding guest. The fourth photograph shows Ryan Dailey on guitar, Larsen on keyboards, and Ellis on vocals. Gargamel! was formed in 1992 in Orlando, consisting of Chuck "Mandaddy" Ellis on vocals, John "Webb" Webber on drums, Matt "Boy Howdy" Lapham on bass, Darin "Skyjak" Bridges on guitar, and Pat “Headless Spawn” McCurdy on guitar. In 1995, Lester “Crazy Hector” Stover replaced Lapham on bass, and Wayne “Servo Beonic Man” Larsen joined on keyboards. Ray "El Diablo Guapo" Rivera joined on guitar in 1996, and was replaced by Ryan "Professor Knuckles" Dailey in 2000. Webber was replaced by Andy Mas on drums in 2006, and Mas was replaced by Kevin "Heavie Kevie" Collado in 2011. The band is rooted in funk metal, but their music combines elements of experimental rock, jazz, funk, Latin, ska, hip hop, and reggae. Known for their offbeat sense of humor and the stage antics of lead singer, Mandaddy, who named the band after a character from the animated children’s television show, The Smurfs, and who wears a black and orange outfit modeled after the cartoon villain, the band often incorporates surprising covers, such as Billy Joel songs. They have shared the stage with such national artists such as GWAR, Anthrax, Dog Fashion Disco, Tub Ring, Sleepytime Gorilla Museum, Genitorturers, Mushroomhead, Nonpoint, Bad Acid Trip, Skindred, and Skeleton Key. Type Still Image Source Original color photographs by Alicia Lyman, October 29, 2006: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Format Of Digital reproduction of original color photographs by Alicia Lyman, October 29, 2006. <a href="http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000F_wWjQPWWTk/C0000UMZoXUUZnpc" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000F_wWjQPWWTk/C0000UMZoXUUZnpc</a>. <a href="http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000GpWUZ4rzPaM/C0000UMZoXUUZnpc" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000GpWUZ4rzPaM/C0000UMZoXUUZnpc</a>. <a href="http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000FUhMbHrtjfM/C0000UMZoXUUZnpc" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000FUhMbHrtjfM/C0000UMZoXUUZnpc</a>. <a href="http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000lRuC7Sgs9SM/C0000UMZoXUUZnpc" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000lRuC7Sgs9SM/C0000UMZoXUUZnpc</a>. Coverage Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 10/29/2006 Date Copyrighted 10/29/2006 Format image/jpg Extent 23.6 KB 22.4 KB 26.3 KB 26.9 KB Medium 4 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Padgett, Mark. “<a href="http://www.orlandoweekly.com/orlando/gargamel-unmasked/Content?oid=2259127" target="_blank">Gargamel! Unmasked</a>.” Orlando Weekly, June 14, 2000. http://www.orlandoweekly.com/orlando/gargamel-unmasked/Content?oid=2259127. Jordan, Douglas. “<a href="http://www.gainesville.com/article/20030124/COLUMNS10/201240309" target="_blank">Gargamel! is in your face</a>.” Gainesville.com, January 24, 2003. http://www.gainesville.com/article/20030124/COLUMNS10/201240309. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000F_wWjQPWWTk/C0000UMZoXUUZnpc" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000GpWUZ4rzPaM/C0000UMZoXUUZnpc" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000FUhMbHrtjfM/C0000UMZoXUUZnpc" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000lRuC7Sgs9SM/C0000UMZoXUUZnpc" target="_blank">Click for Larger Image</a> Adam Phillips Becky Osborne Becky Osborne Phillips Chuck "Mandaddy" Ellis concert experimental rock funk funk metal Gargamel! heavy metal hip hop jazz Latin Mandaddy music musician orlando Professor Knuckles rap Rebecca Osborne Rebecca Osborne Phillips reggae-rock rock rock music Ryan Dailey Servo Beonic Man ska Wayne Larsen wedding https://richesmi.cah.ucf.edu/omeka/files/original/d18db7f6a5066e0845df1c017e6b6875.JPG 4e1082b9419dc4ee1ce88bd12decc09c https://richesmi.cah.ucf.edu/omeka/files/original/66f10432b45d2e25acf62f8e570cefab.JPG 314196285438ba00acdee51215a42c3f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Gargamel! at The Social, 2003 Alternative Title Gargamel! at The Social Subject Gargamel! (Musical group) Orlando (Fla.) Concerts--United States Rock music--United States Metal (Music) Funk (Music)--United States Music--Florida Musicians--Southern States Nightclubs--United States Ellis, Chuck Webber, John Description Gargamel! performing live at The Social, located at 54 North Orange Avenue in Downtown Orlando, Florida, on July 31, 2003. The first photograph features, from left to right, Wayne Larsen on keyboards, Ryan Dailey on guitar, Chuck Ellis on vocals, John Webber on drums, and Lester Stover on bass. The second photograph features Ellis. Gargamel! was formed in 1992 in Orlando, consisting of Chuck "Mandaddy" Ellis on vocals, John "Webb" Webber on drums, Matt "Boy Howdy" Lapham on bass, Darin "Skyjak" Bridges on guitar, and Pat “Headless Spawn” McCurdy on guitar. In 1995, Lester “Crazy Hector” Stover replaced Lapham on bass, and Wayne “Servo Beonic Man” Larsen joined on keyboards. Ray "El Diablo Guapo" Rivera joined on guitar in 1996, and was replaced by Ryan "Professor Knuckles" Dailey in 2000. Webber was replaced by Andy Mas on drums in 2006, and Mas was replaced by Kevin "Heavie Kevie" Collado in 2011. The band is rooted in funk metal, but their music combines elements of experimental rock, jazz, funk, Latin, ska, hip hop, and reggae. Known for their offbeat sense of humor and the stage antics of lead singer, Mandaddy, who named the band after a character from the animated children’s television show, The Smurfs, and who wears a black and orange outfit modeled after the cartoon villain, the band often incorporates surprising covers, such as Billy Joel songs. They have shared the stage with such national artists such as GWAR, Anthrax, Dog Fashion Disco, Tub Ring, Sleepytime Gorilla Museum, Genitorturers, Mushroomhead, Nonpoint, Bad Acid Trip, Skindred, and Skeleton Key. Type Still Image Source Original color photographs by Alicia Lyman, July 31, 2003: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Format Of Digital reproduction of original color photographs by Alicia Lyman, July 31, 2003. <a href="http://alicialyman.photoshelter.com/gallery-image/2003-07-31-GARGAMEL-The-Social-Orlando-FL-2003-07-31-GARGAMEL-The-Social-Orlando-FL/G0000z.9C1sWJS7g/I0000WtEqyopMBe4/C0000UMZoXUUZnpc" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2003-07-31-GARGAMEL-The-Social-Orlando-FL-2003-07-31-GARGAMEL-The-Social-Orlando-FL/G0000z.9C1sWJS7g/I0000WtEqyopMBe4/C0000UMZoXUUZnpc</a>. <a href="http://alicialyman.photoshelter.com/gallery-image/2003-07-31-GARGAMEL-The-Social-Orlando-FL-2003-07-31-GARGAMEL-The-Social-Orlando-FL/G0000z.9C1sWJS7g/I0000t3PoL_2EV_Y/C0000UMZoXUUZnpc" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2003-07-31-GARGAMEL-The-Social-Orlando-FL-2003-07-31-GARGAMEL-The-Social-Orlando-FL/G0000z.9C1sWJS7g/I0000t3PoL_2EV_Y/C0000UMZoXUUZnpc</a>. Coverage The Social, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 7/31/2003 Date Copyrighted 7/31/2003 Format image/jpg Extent 20.9 KB 20.3 KB Medium 2 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Padgett, Mark. “<a href="http://www.orlandoweekly.com/orlando/gargamel-unmasked/Content?oid=2259127" target="_blank">Gargamel! Unmasked</a>.” Orlando Weekly, June 14, 2000. http://www.orlandoweekly.com/orlando/gargamel-unmasked/Content?oid=2259127. Jordan, Douglas. “<a href="http://www.gainesville.com/article/20030124/COLUMNS10/201240309" target="_blank">Gargamel! is in your face</a>.” Gainesville.com, January 24, 2003. http://www.gainesville.com/article/20030124/COLUMNS10/201240309. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2003-07-31-GARGAMEL-The-Social-Orlando-FL-2003-07-31-GARGAMEL-The-Social-Orlando-FL/G0000z.9C1sWJS7g/I0000WtEqyopMBe4/C0000UMZoXUUZnpc" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2003-07-31-GARGAMEL-The-Social-Orlando-FL-2003-07-31-GARGAMEL-The-Social-Orlando-FL/G0000z.9C1sWJS7g/I0000t3PoL_2EV_Y/C0000UMZoXUUZnpc" target="_blank">Click for Larger Image</a> bar bass guitar bassist Chuck "Mandaddy" Ellis concert Crazy Hector Downtown Orlando drum drummer experimental rock funk funk metal Gargamel! guitar guitarist heavy metal hip hop jazz John "Webb" Webber keyboard keyboardist Latin Lester "Crazy" Stover Mandaddy music musician nightclub Orange Avenue orlando Professor Knuckles rap reggae-rock rock rock music Ryan Dailey Servo Beonic Man singer ska The Social vocalist Wayne Larsen Webb https://richesmi.cah.ucf.edu/omeka/files/original/3a3978f71b03e232ec3913ed7f3611d9.jpg 306c7bdcd453fff4484fcbb564782b22 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Beeb$ and Her Money Makers at The Xfinity Center, 2014 Alternative Title Beeb$ and Her Money Makers at Xfinity Center Subject Beeb$ and Her Money Makers (Musical group) Mansfield (Mass.) Music--Florida Musicians--Southern States Concerts--United States Ska (Music) Rock music--United States Funk (Music)--United States Soul music--United States Description Beeb$ and Her Money Makers performing live at Vans Warped Tour at The Xfinity Center in Mansfield, Massachusetts, on July 13, 2014. From left to right, the photograph features saxophonist Eric Christian, an unidentified person dressed in a hot dog costume, kazoo player and vocalist Michelle Beebs, bassist Levon White, and guitarist Jeremy Lovelady. Led by Beebs, this Orlando-based band combines ska, rock, funk, and soul, gaining notoriety through their high-energy performances and unapologetically ridiculous media content. The group consists of Beebs of kazoo and vocals, Jeremy Lovelady on guitar, Levon White on bass, Paul Brisske on drums, Bunky Garrabrant on trumpet, and Eric Christian on saxophone and flute. The band was discovered by legendary promoter Kevin Lyman and asked to join the Vans Warped Tour in 2013. They were filmed for the second season of the show Warped Roadies on the FUSE Network, and returned to the Warped Tour in 2014, performing on a larger stage. The band has since toured with notable bands such as Reel Big Fish, Goldfinger, Suburban Legends, Five Iron Frenzy, Beautiful Bodies, and This Magnificent, and has shared the stage with Willie Nelson, Donovan Frankenreiter, Dirty Heads, Pepper, Cypress Hill, The Original Wailers, Zach Deputy, Keller Williams, The Lee Boys, BadFish, Dumpstaphunk, 100 Monkeys, Bobby Lee Rodgers, Big Bad VooDoo Daddy, and Perpetual Groove. Reel Big Fish's Aaron Barrett also produced their EP and their full length album. They were also featured on an episode of Travel Channel's RV Kings. Type Still Image Source Original color photograph by Alicia Lyman, July 13, 2014: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph by Alicia Lyman, July 13, 2014. <a href="http://alicialyman.photoshelter.com/gallery-image/2014-07-13-BEEBS-AND-HER-MONEY-MAKERS-WARPED-TOUR-XFINITY-CENTER-HARDFORT-CT-gallery/G0000qjB8WjJpvVg/I0000DP.lSeyY0gA/C0000HvwsZBna0tw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2014-07-13-BEEBS-AND-HER-MONEY-MAKERS-WARPED-TOUR-XFINITY-CENTER-HARDFORT-CT-gallery/G0000qjB8WjJpvVg/I0000DP.lSeyY0gA/C0000HvwsZBna0tw</a> Coverage The Xfinity Center, Mansfield, Massachusetts Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2014-07-13 Date Copyrighted 2014-07-13 Format image/jpg Extent 48.7 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Kelly, Scott. "<a href="http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever" target="_blank">Beebs and Her Money Makers - W체rst Album Ever</a>." The Prelude Press. June 2, 2014. http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever. Rolland, David. "<a href="http://www.miaminewtimes.com/music/beebs-and-her-money-makers-were-mostly-inspired-by-goats-and-donkeys-lately-6464951" target="_blank">Beebs and Her Money Makers: 'We're Mostly Inspired By Goats and Donkeys Lately'</a>." Miami New Times. February 6, 2015. http://www.miaminewtimes.com/music/beebs-and-her-money-makers-were-mostly-inspired-by-goats-and-donkeys-lately-6464951. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2014-07-13-BEEBS-AND-HER-MONEY-MAKERS-WARPED-TOUR-XFINITY-CENTER-HARDFORT-CT-gallery/G0000qjB8WjJpvVg/I0000DP.lSeyY0gA/C0000HvwsZBna0tw" target="_blank">Click for Larger Image</a> bar bass guitar bassist Beacham Theater Beeb$ and Her Money Makers Beebs and Her Money Makers concert Eric Christian funk guitar guitarist Hardfort Jeremy Lovelady Levon White Main Street Mansfield, Massachusetts Michelle Beebs music musician nightclub rock rock music saxophone saxophonist singer ska soul soul music The Beacham vans Vans Warped Tour vocalist Xfinity Center https://richesmi.cah.ucf.edu/omeka/files/original/daac8ed9cb29a3d376dc5f2c8fe7834a.JPG 8321d3b10123c501301be2cd339ace87 https://richesmi.cah.ucf.edu/omeka/files/original/419b89515cc1dd2183b641a90acd6209.JPG aee0d08e1fdf0818786ea6e720909e3d https://richesmi.cah.ucf.edu/omeka/files/original/7a631067d7d6d6138c102285c9555d21.JPG 7b11143411c943a961a1f8a5d40744cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 3 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Beeb$ and Her Money Makers at The Beacham Theater, 2013 Alternative Title Beeb$ and Her Money Makers at The Beacham Subject Beeb$ and Her Money Makers (Musical group) Orlando (Fla.) Music--Florida Musicians--Southern States Concerts--United States Ska (Music) Rock music--United States Funk (Music)--United States Soul music--United States Description Beeb$ and Her Money Makers at the group's CD release party at The Beacham Theater in Downtown Orlando, Florida, on . The first two photographs feature kazoo player and vocalist Michelle Beebs and the third photographs shows bassist Levon White. Led by Beebs, this Orlando-based band combines ska, rock, funk, and soul, gaining notoriety through their high-energy performances and unapologetically ridiculous media content. The group consists of Beebs of kazoo and vocals, Jeremy Lovelady on guitar, Levon White on bass, Paul Brisske on drums, Bunky Garrabrant on trumpet, and Eric Christian on saxophone and flute. The band was discovered by legendary promoter Kevin Lyman and asked to join the Vans Warped Tour in 2013. They were filmed for the second season of the show Warped Roadies on the FUSE Network, and returned to the Warped Tour in 2014, performing on a larger stage. The band has since toured with notable bands such as Reel Big Fish, Goldfinger, Suburban Legends, Five Iron Frenzy, Beautiful Bodies, and This Magnificent, and has shared the stage with Willie Nelson, Donovan Frankenreiter, Dirty Heads, Pepper, Cypress Hill, The Original Wailers, Zach Deputy, Keller Williams, The Lee Boys, BadFish, Dumpstaphunk, 100 Monkeys, Bobby Lee Rodgers, Big Bad VooDoo Daddy, and Perpetual Groove. Reel Big Fish's Aaron Barrett also produced their EP and their full length album. They were also featured on an episode of Travel Channel's RV Kings. Type Still Image Source Original color photographs by Alicia Lyman, May 30, 2013: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photographs by Alicia Lyman, May 30, 2013. <a href="http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000McZxM4AM_7M/C0000HvwsZBna0tw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000McZxM4AM_7M/C0000HvwsZBna0tw</a>. Digital reproduction of original color photograph by Alicia Lyman. <a href="http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000RNzOqBWuh58/C0000HvwsZBna0tw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000RNzOqBWuh58/C0000HvwsZBna0tw</a>. Digital reproduction of original color photograph by Alicia Lyman. <a href="http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000LiaNTL2j8Hg/C0000HvwsZBna0tw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000LiaNTL2j8Hg/C0000HvwsZBna0tw</a>. Coverage The Beacham Theater, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2013-05-30 Date Copyrighted 2013-05-30 Format image/jpg Extent 23.7 KB 21.3 KB 22.7 KB Medium 3 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Kelly, Scott. "<a href="http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever" target="_blank">Beebs and Her Money Makers - W체rst Album Ever</a>." The Prelude Press. June 2, 2014. http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever. Rolland, David. "<a href="http://www.miaminewtimes.com/music/beebs-and-her-money-makers-were-mostly-inspired-by-goats-and-donkeys-lately-6464951" target="_blank">Beebs and Her Money Makers: 'We're Mostly Inspired By Goats and Donkeys Lately'</a>." Miami New Times. February 6, 2015. http://www.miaminewtimes.com/music/beebs-and-her-money-makers-were-mostly-inspired-by-goats-and-donkeys-lately-6464951. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000McZxM4AM_7M/C0000HvwsZBna0tw" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000RNzOqBWuh58/C0000HvwsZBna0tw" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000LiaNTL2j8Hg/C0000HvwsZBna0tw" target="_blank">Click for Larger Image</a> bar bass guitar bassist Beacham Theater Beeb$ and Her Money Makers Beebs and Her Money Makers concert Downtown Orlando funk Levon White Michelle Beebs music musician nightclub Orange Avenue orlando rock rock music singer ska soul soul music The Beacham vocalist https://richesmi.cah.ucf.edu/omeka/files/original/621116229d5d8c5728b3ef88e86a680d.JPG b52958de94797b3c843a4d8d4d8db46a https://richesmi.cah.ucf.edu/omeka/files/original/9504266fa0edcc0ac16e7f0f3cb15dbb.JPG 0c2b65a7f5c866f6a98af4334da518c9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Beeb$ and Her Money Makers at Hard Rock Live Orlando, 2011 Alternative Title Beeb$ and Her Money Makers at Hard Rock Live Subject Beeb$ and Her Money Makers (Musical group) Orlando (Fla.) Music--Florida Musicians--Southern States Concerts--United States Ska (Music) Rock music--United States Funk (Music)--United States Soul music--United States Description Beeb$ and Her Money Makers performing live at Hard Rock Live Orlando in Orlando, Florida, on April 1, 2011. The first photograph features bassist Levon White and kazoo player and vocalist Michelle Beebs and the second photographs shows saxophonist Eric Christian Led by Beebs, this Orlando-based band combines ska, rock, funk, and soul, gaining notoriety through their high-energy performances and unapologetically ridiculous media content. The group consists of Beebs of kazoo and vocals, Jeremy Lovelady on guitar, Levon White on bass, Paul Brisske on drums, Bunky Garrabrant on trumpet, and Eric Christian on saxophone and flute. The band was discovered by legendary promoter Kevin Lyman and asked to join the Vans Warped Tour in 2013. They were filmed for the second season of the show Warped Roadies on the FUSE Network, and returned to the Warped Tour in 2014, performing on a larger stage. The band has since toured with notable bands such as Reel Big Fish, Goldfinger, Suburban Legends, Five Iron Frenzy, Beautiful Bodies, and This Magnificent, and has shared the stage with Willie Nelson, Donovan Frankenreiter, Dirty Heads, Pepper, Cypress Hill, The Original Wailers, Zach Deputy, Keller Williams, The Lee Boys, BadFish, Dumpstaphunk, 100 Monkeys, Bobby Lee Rodgers, Big Bad VooDoo Daddy, and Perpetual Groove. Reel Big Fish's Aaron Barrett also produced their EP and their full length album. They were also featured on an episode of Travel Channel's RV Kings. Type Still Image Source Original color photographs by Alicia Lyman, April 1, 2011: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photographs by Alicia Lyman, April 1, 2011. <a href="http://alicialyman.photoshelter.com/gallery-image/2011-04-01-BEEBS-AND-HER-MONEY-MAKERS-HARD-ROCK-LIVE-ORLANDO-FL/G0000GOrUzcniCk4/I0000EAtYTrRnubE/C0000HvwsZBna0tw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2011-04-01-BEEBS-AND-HER-MONEY-MAKERS-HARD-ROCK-LIVE-ORLANDO-FL/G0000GOrUzcniCk4/I0000EAtYTrRnubE/C0000HvwsZBna0tw</a>. Digital reproduction of original color photograph. <a href="http://alicialyman.photoshelter.com/gallery-image/2011-04-01-BEEBS-AND-HER-MONEY-MAKERS-HARD-ROCK-LIVE-ORLANDO-FL/G0000GOrUzcniCk4/I0000NEh0rY79nt0/C0000HvwsZBna0tw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2011-04-01-BEEBS-AND-HER-MONEY-MAKERS-HARD-ROCK-LIVE-ORLANDO-FL/G0000GOrUzcniCk4/I0000NEh0rY79nt0/C0000HvwsZBna0tw</a>. Coverage Hard Rock Live Orlando, Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2011-04-01 Date Copyrighted 2011-04-01 Format image/jpg Extent 23 KB 15.3 KB Medium 2 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Kelly, Scott. "<a href="http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever" target="_blank">Beebs and Her Money Makers - W체rst Album Ever</a>." The Prelude Press. June 2, 2014. http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever. Rolland, David. "<a href="http://www.miaminewtimes.com/music/beebs-and-her-money-makers-were-mostly-inspired-by-goats-and-donkeys-lately-6464951" target="_blank">Beebs and Her Money Makers: 'We're Mostly Inspired By Goats and Donkeys Lately'</a>." Miami New Times. February 6, 2015. http://www.miaminewtimes.com/music/beebs-and-her-money-makers-were-mostly-inspired-by-goats-and-donkeys-lately-6464951. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2011-04-01-BEEBS-AND-HER-MONEY-MAKERS-HARD-ROCK-LIVE-ORLANDO-FL/G0000GOrUzcniCk4/I0000EAtYTrRnubE/C0000HvwsZBna0tw" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2011-04-01-BEEBS-AND-HER-MONEY-MAKERS-HARD-ROCK-LIVE-ORLANDO-FL/G0000GOrUzcniCk4/I0000EAtYTrRnubE/C0000HvwsZBna0tw" target="_blank">Click for Larger Image</a> bar bass guitar bassist Beeb$ and Her Money Makers Beebs and Her Money Makers concert Eric Christian funk Hard Rock Live Orlando Levon White Michelle Beebs music musician nightclub orlando rock rock music saxophone saxophonist singer ska soul soul music Universal Boulevard vocalist https://richesmi.cah.ucf.edu/omeka/files/original/97fe8f26a677e704c94ffdc54cf15b73.jpg f62c034cea248031240f766a17b31b24 https://richesmi.cah.ucf.edu/omeka/files/original/9dc3fbbc7b4d8ef8be9a00258b223f72.JPG 28881aca9edf1ff9c9deb2dd1adddaf7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Kaleigh Baker and the Downgetters at E.L.L.A. Music Fest, 2012 Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-03-KALEIGH-BAKER-ELLA-FEST-Orlando-FL/G0000wb3sxLak4A8/I0000G15kzTBt9Kc/C0000G5l.eE1uUuw" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-03-KALEIGH-BAKER-ELLA-FEST-Orlando-FL/G0000wb3sxLak4A8/I0000Mkv.l5ytQC4/C0000G5l.eE1uUuw" target="_blank">Click for Larger Image</a> Alternative Title Kaleigh Baker and the Downgetters at E.L.L.A. Music Fest Subject Orlando (Fla.) Music--Florida Musicians--Southern States Concerts--United States Nightclubs--United States Rock music--United States Jazz--United States Blues (Music)--Florida Description Kaleigh Baker and the Downgetters performing live at E.L.L.A. Music Fest at H2O in Orlando, Florida, on November 3, 2012. These photographs feature vocalist Kaleigh Baker of The Downgetters, an all-star band from Orlando, featuring Baker, vocalist/guitarist Joseph Martens, guitarist Brian Chodorcoff, guitarist Jeff Nolan, bassist Mike Kossler, saxophonist/keyboards Nathan Anderson, and drummer Mark Janssen. The E.L.L.A. Music Festival, which stands for Elevate.Listen.Love.Appreciate, was created in 2007 by Orlando musician, promoter, and producer Robert Johnson to celebrate the heart, talent, and contributions that Florida female artists give to their communities. In its fifth year in 2012, the female-centric festival added spoken word artists, visual artists and local vendors to the stacked musical lineup. Creator Lyman, Alicia Source Original color photographs by Alicia Lyman, November 3, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Publisher Lyman, Alicia Date Created 2012-11-03 Date Copyrighted 2012-11-03 Contributor Lyman, Alicia Has Format Digital reproduction of original color photographs by Alicia Lyman, November 3, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-03-KALEIGH-BAKER-ELLA-FEST-Orlando-FL/G0000wb3sxLak4A8/I0000G15kzTBt9Kc/C0000G5l.eE1uUuw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-11-03-KALEIGH-BAKER-ELLA-FEST-Orlando-FL/G0000wb3sxLak4A8/I0000G15kzTBt9Kc/C0000G5l.eE1uUuw</a>.; <a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-03-KALEIGH-BAKER-ELLA-FEST-Orlando-FL/G0000wb3sxLak4A8/I0000Mkv.l5ytQC4/C0000G5l.eE1uUuw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-11-03-KALEIGH-BAKER-ELLA-FEST-Orlando-FL/G0000wb3sxLak4A8/I0000Mkv.l5ytQC4/C0000G5l.eE1uUuw</a>. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"> </a> <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Format image/jpg Extent 23.2 KB 20.1 KB Medium 2 color photographs Type Still Image Coverage H2O Live!, Orlando, Florida Accrual Method Donation Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference "<a href="http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107" target="_blank">ELLA Music Fest: Sixth annual festival celebrates local female musicians</a>." Orlando Weekly. October 30, 2012. http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107. Coffin, Kat. "<a href="http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest" target="_blank">Downtown Orlando welcomes the sixth annual e.l.l.a. Fest</a>." Examiner. October 27, 2012. http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest. Manes, Billy. “<a href="http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322" target="_blank">Kaleigh Baker is back in town</a>.” Orlando Weekly. October 16, 2012. http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322. Belanger, Ashley. “<a href="http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue" target="_blank">Fringe 2015 review: ‘Janis Joplin, Little Girl Blue</a>.” Orlando Weekly. May 15, 2015. http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue. Strout, Justin. “<a href="http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683" target="_blank">Fire and pain: Blues-soul lady-in-waiting Kaleigh Baker makes a strong claim to the throne</a>.” Orlando Weekly. August 10, 2011. http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683. blues concert E.L.L.A. Music Festival festival Gamble Records H2O Live! HollowGram Records jazz Kaleigh Baker Kaleigh Baker and the Downgetters music musician nightclub orlando Robert Johnson Festival rock rock music https://richesmi.cah.ucf.edu/omeka/files/original/3fc03733f47ae51e968ab1ca77bfea6a.JPG 5a0b78e980922970a615e1be5e28362e https://richesmi.cah.ucf.edu/omeka/files/original/e60c9d21e3eca0d231e038f25138b6bb.JPG 47bbcb822992d300203f9d43cc52f8c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Sunny Raskin at E.L.L.A. Music Fest, 2012 Alternative Title SUNNY at E.L.L.A. Music Fest Subject Orlando (Fla.) Music--Florida Musicians--Southern States Concerts--United States Rock music--United States Description Sunny Raskin, also known as SUNNY, performing live at E.L.L.A. Fest at H2O Live!, located at 100 West Livingston Street in Downtown Orlando, Florida, on November 3, 2012. The E.L.L.A. Music Festival, which stands for Elevate.Listen.Love.Appreciate, was created in 2007 by Orlando musician, promoter, and producer Robert Johnson to celebrate the heart, talent, and contributions that Florida female artists give to their communities. In its fifth year in 2012, the female-centric festival added spoken word artists, visual artists and local vendors to the stacked musical lineup. SUNNY is a professional dancer, musician, vocalist, actress, and costume designer in Orlando, who is also a co-host at Ibex Puppetry and Director at Raskin Dance Studio and Music School. As of 2015, she has composed, performed, and engineered five albums. Type Still Image Source Two original color photograph by Alicia Lyman, November 3, 2012s: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of two original color photograph by Alicia Lyman, November 3, 2012s. <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000LTOnhSJMdyY/C0000q_kABE1Z.zs" target="_blank">http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000LTOnhSJMdyY/C0000q_kABE1Z.zs</a>. <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I00002qtK0.mngww/C0000q_kABE1Z.zs" target="_blank">http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I00002qtK0.mngww/C0000q_kABE1Z.zs</a>. Coverage H2O Live!, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-11-03 Date Copyrighted 11/3/2012 Format image/jpg Extent 15.8 KB 18.6 KB Medium 2 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference "<a href="http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107" target="_blank">ELLA Music Fest: Sixth annual festival celebrates local female musicians</a>." Orlando Weekly. October 30, 2012. http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107. Coffin, Kat. "<a href="http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest" target="_blank">Downtown Orlando welcomes the sixth annual e.l.l.a. Fest</a>." Examiner. October 27, 2012. http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000LTOnhSJMdyY/C0000q_kABE1Z.zs" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I00002qtK0.mngww/C0000q_kABE1Z.zs" target="_blank">Click for Larger Image</a> concert Downtown Orlando E.L.L.A. Music Fest festival Gamble Records guitar guitarist H2O Live! HollowGram Records Livingston Street music music festival musician orlando rock rock music singer SUNNY Sunny Raskin vocalist https://richesmi.cah.ucf.edu/omeka/files/original/683d766b3b99f75b5ab4810d8f35187f.JPG 910bcbb7814c83430872a2fc32252947 https://richesmi.cah.ucf.edu/omeka/files/original/74a581fe4410ac7f33c6e3f68a69e7df.JPG b1ccbaa56fa1680d07ce854ec0bbb279 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Meka Nism at E.L.L.A. Music Fest, 2012 Alternative Title Meka Nism at E.L.L.A. Music Fest Subject Orlando (Fla.) Music--Florida Musicians--Southern States Concerts--United States Rock music--United States Description Meka, also known as Ms. Meka, performing live with Meka Nism at H2O Live!, located at 100 West Livingston Street in Downtown Orlando, Florida, on November 3, 2012. The E.L.L.A. Music Festival, which stands for Elevate.Listen.Love.Appreciate, was created in 2007 by Orlando musician, promoter, and producer Robert Johnson to celebrate the heart, talent, and contributions that Florida female artists give to their communities. In its fifth year in 2012, the female-centric festival added spoken word artists, visual artists and local vendors to the stacked musical lineup. Formed in 2006 in Orlando, Florida, Meka Nism is a female-fronted metal band that originated as Meka Nism and Her Rusty Tears. The band recorded their first album, Mad to Love, on Florida-based Hidden Records that same year. "Break," the second track from the album, won the Songwriter's Showcase of America's (SSA) Best Experimental Song of the Year, and Meka was named SSA's Solo Artist of the Month in January 2007. While the group has always consisted of Meka on vocals, in 2010, after she returned from a Japanese tour of over 150 shows, Reed Tyack was added on drums, Alvin Bauer on bass, and Bobby Keller on guitar. In 2014, Tyack moved to guitar and Jeremy Mansfield was added on drums. Type Still Image Source Two original color photograph by Alicia Lyman, November 3, 2012s: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of two original color photograph by Alicia Lyman, November 3, 2012s. <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000XbxWw55bha0/C0000q_kABE1Z.zs" target="_blank">http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000XbxWw55bha0/C0000q_kABE1Z.zs</a>. <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000uf5dkNFre1o/C0000q_kABE1Z.zs" target="_blank">http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000uf5dkNFre1o/C0000q_kABE1Z.zs</a>. Coverage H2O Live!, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-11-03 Date Copyrighted 11/3/2012 Format image/jpg Extent 18.4 KB 12.7 KB Medium 2 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference "<a href="http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107" target="_blank">ELLA Music Fest: Sixth annual festival celebrates local female musicians</a>." Orlando Weekly. October 30, 2012. http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107. Coffin, Kat. "<a href="http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest" target="_blank">Downtown Orlando welcomes the sixth annual e.l.l.a. Fest</a>." Examiner. October 27, 2012. http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest. Gettings, Gina. "<a href="https://flink.to/stories/53c980cf4f32c55daf000007" target="_blank">Meka Nism's Trailblazing Approach to Art Metals</a>." Flink To: Totally Obsessed. www.flink.to. (Accessed July 1, 2015). https://flink.to/stories/53c980cf4f32c55daf000007. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000XbxWw55bha0/C0000q_kABE1Z.zs" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000uf5dkNFre1o/C0000q_kABE1Z.zs" target="_blank">Click for Larger Image</a> art metal concert Downtown Orlando E.L.L.A. Music Fest festival Gamble Records H2O Live! hard rock heavy metal HollowGram Records Livingston Street Meka Meka Nism Meka Nism and Her Rusty Tears Meka Shama Nism metal Ms. Meka music music festival musician orlando rock rock music singer vocalist https://richesmi.cah.ucf.edu/omeka/files/original/fbe9c39474bd3812858223f3f147890e.JPG 5c1e87b0aab5fea238f2d9334a555d93 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Kaleigh Baker and the Downgetters at E.L.L.A. Music Fest, 2012 Alternative Title Kaleigh Baker and the Downgetters at E.L.L.A. Music Fest Subject Orlando (Fla.) Music--Florida Musicians--Southern States Concerts--United States Rock music--United States Jazz--United States Blues (Music)--Florida Description Kaleigh Baker and the Downgetters performing live at E.L.L.A. Music Fest at H2O Live!, located at 100 West Livingston Street in Downtown Orlando, Florida, on November 3, 2012. This photograph features saxophonist/keyboardist Nathan Anderson and vocalist Kaleigh Baker of The Downgetters, an all-star band from Orlando, featuring Baker, vocalist/guitarist Joseph Martens, guitarist Brian Chodorcoff, guitarist Jeff Nolan, bassist Mike Kossler, Anderson, and drummer Mark Janssen. The E.L.L.A. Music Festival, which stands for Elevate.Listen.Love.Appreciate, was created in 2007 by Orlando musician, promoter, and producer Robert Johnson to celebrate the heart, talent, and contributions that Florida female artists give to their communities. In its fifth year in 2012, the female-centric festival added spoken word artists, visual artists and local vendors to the stacked musical lineup. Type Still Image Source Original color photograph by Alicia Lyman, November 3, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph by Alicia Lyman, November 3, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I00006aX8Ds2Ix6A/C0000q_kABE1Z.zs" target="_blank">http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I00006aX8Ds2Ix6A/C0000q_kABE1Z.zs</a>. Coverage H2O Live!, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-11-03 Date Copyrighted 11/3/2012 Format image/jpg Extent 21.5 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference "<a href="http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107" target="_blank">ELLA Music Fest: Sixth annual festival celebrates local female musicians</a>." Orlando Weekly. October 30, 2012. http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107. Coffin, Kat. "<a href="http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest" target="_blank">Downtown Orlando welcomes the sixth annual e.l.l.a. Fest</a>." Examiner. October 27, 2012. http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest. Manes, Billy. <a href="http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322" target="_blank">Kaleigh Baker is back in town</a>.” Orlando Weekly. October 16, 2012. http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322. Belanger, Ashley. <a href="http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue" target="_blank">Fringe 2015 review: ‘Janis Joplin, Little Girl Blue</a>.” Orlando Weekly. May 15, 2015. http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue. Strout, Justin. <a href="http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683" target="_blank">Fire and pain: Blues-soul lady-in-waiting Kaleigh Baker makes a strong claim to the throne</a>.” Orlando Weekly. August 10, 2011. http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I00006aX8Ds2Ix6A/C0000q_kABE1Z.zs" target="_blank">Click for Larger Image</a> blues concert Downtown Orlando E.L.L.A. Music Fest festival Gamble Records guitar guitarist H2O Live! HollowGram Records jazz Kaleigh Baker Livingston Street music music festival musician Nathan Anderson orlando rock rock music singer vocalist https://richesmi.cah.ucf.edu/omeka/files/original/71258c45832c4681cd701fcd18ce5456.JPG bc54c892143782d2f83f4a8e06b0cd70 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title MILKA at E.L.L.A. Music Fest, 2012 Alternative Title MILKA at E.L.L.A. Music Fest Subject Orlando (Fla.) Music--Florida Musicians--Southern States Concerts--United States Rock music--United States Description Milkanette "Milka" Ramos performing live with MILKA at E.L.L.A. Music Fest at H2O Live!, located at 100 West Livingston Street in Downtown Orlando, Florida, on November 3, 2012. The E.L.L.A. Music Festival, which stands for Elevate.Listen.Love.Appreciate, was created in 2007 by Orlando musician, promoter, and producer Robert Johnson to celebrate the heart, talent, and contributions that Florida female artists give to their communities. In its fifth year in 2012, the female-centric festival added spoken word artists, visual artists and local vendors to the stacked musical lineup. MILKA is a rock band formed in Orlando, consisting of Ramos on guitar and vocals, Tony Roman on bass, and Troy Garfield Goins on drums. The combination of bilingual feminist front-woman Ramos and the Latin-influenced percussion creates a unique hard rock sound that transcends genres. The band released an album in 2002, entitled, Fire in the Sky. Type Still Image Source Original color photograph by Alicia Lyman, November 3, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph by Alicia Lyman, November 3, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000MwFZHpc0dW0/C0000q_kABE1Z.zs" target="_blank">http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000MwFZHpc0dW0/C0000q_kABE1Z.zs</a>. Coverage H2O Live!, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-11-03 Date Copyrighted 11/3/2012 Format image/jpg Extent 17 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference "<a href="http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107" target="_blank">ELLA Music Fest: Sixth annual festival celebrates local female musicians</a>." Orlando Weekly. October 30, 2012. http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107. Coffin, Kat. "<a href="http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest" target="_blank">Downtown Orlando welcomes the sixth annual e.l.l.a. Fest</a>." Examiner. October 27, 2012. http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest. Le-Huu, Bao. <a href="http://www.orlandoweekly.com/orlando/this-little-underground/Content?oid=2252720" target="_blank">This Little Underground</a>.” Orlando Weekly. May 10, 2007. http://www.orlandoweekly.com/orlando/this-little-underground/Content?oid=2252720. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000MwFZHpc0dW0/C0000q_kABE1Z.zs" target="_blank">Click for Larger Image</a> concert Downtown Orlando E.L.L.A. Music Fest festival Gamble Records guitar guitarist H2O Live! HollowGram Records Livingston Street MILKA Milka Ramos Milkanette "Milka" Ramos music music festival musician orlando rock rock music https://richesmi.cah.ucf.edu/omeka/files/original/6203e3a4214316b82ae5c273b8880732.JPG 7dba4a20e4c139fc7031e67d09e96e3c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Beeb$ and Her Money Makers at E.L.L.A. Music Fest, 2012 Alternative Title Beeb$ and Her Money Makers at E.L.L.A. Music Fest Subject Beeb$ and Her Money Makers (Musical group) Orlando (Fla.) Music--Florida Musicians--Southern States Concerts--United States Ska (Music) Rock music--United States Funk (Music)--United States Soul music--United States Description Michelle Beebs performing live with Beeb$ and Her Money Makers at E.L.L.A. Music Fest at H2O Live!, located at 100 West Livingston Street in Downtown Orlando, Florida, on November 3, 2012. The E.L.L.A. Music Festival, which stands for Elevate.Listen.Love.Appreciate, was created in 2007 by Orlando musician, promoter, and producer Robert Johnson to celebrate the heart, talent, and contributions that Florida female artists give to their communities. In its fifth year in 2012, the female-centric festival added spoken word artists, visual artists and local vendors to the stacked musical lineup. Led by Michelle Beebs, this Orlando-based band combines ska, rock, funk, and soul, gaining notoriety through their high-energy performances and unapologetically ridiculous media content. The group consists of Beebs of kazoo and vocals, Jeremy Lovelady on guitar, Levon White on bass, Paul Brisske on drums, Bunky Garrabrant on trumpet, and Eric Christian on saxophone and flute. The band was discovered by legendary promoter Kevin Lyman and asked to join the Vans Warped Tour in 2013. They were filmed for the second season of the show Warped Roadies on the FUSE Network, and returned to the Warped Tour in 2014, performing on a larger stage. The band has since toured with notable bands such as Reel Big Fish, Goldfinger, Suburban Legends, Five Iron Frenzy, Beautiful Bodies, and This Magnificent, and has shared the stage with Willie Nelson, Donovan Frankenreiter, Dirty Heads, Pepper, Cypress Hill, The Original Wailers, Zach Deputy, Keller Williams, The Lee Boys, BadFish, Dumpstaphunk, 100 Monkeys, Bobby Lee Rodgers, Big Bad VooDoo Daddy, and Perpetual Groove. Reel Big Fish's Aaron Barrett also produced their EP and their full length album. They were also featured on an episode of Travel Channel's RV Kings. Type Still Image Source Original color photograph by Alicia Lyman, November 3, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph by Alicia Lyman, November 3, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000RA_rkzn84YU/C0000q_kABE1Z.zs" target="_blank">http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000RA_rkzn84YU/C0000q_kABE1Z.zs</a>. Coverage H2O Live!, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-11-03 Date Copyrighted 2012-11-03 Format image/jpg Extent 22 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference "<a href="http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107" target="_blank">ELLA Music Fest: Sixth annual festival celebrates local female musicians</a>." Orlando Weekly. October 30, 2012. http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107. Coffin, Kat. "<a href="http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest" target="_blank">Downtown Orlando welcomes the sixth annual e.l.l.a. Fest</a>." Examiner. October 27, 2012. http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest. Kelly, Scott. "<a href="http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever" target="_blank">Beeb$ and Her Money Makers - Würst Album Ever</a>." The Prelude Press. June 2, 2014. http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever. Rolland, David. "<a href="http://www.miaminewtimes.com/music/beebs-and-her-money-makers-were-mostly-inspired-by-goats-and-donkeys-lately-6464951" target="_blank">Beeb$ and Her Money Makers: 'We're Mostly Inspired By Goats and Donkeys Lately'</a>." Miami New Times. February 6, 2015. http://www.miaminewtimes.com/music/beebs-and-her-money-makers-were-mostly-inspired-by-goats-and-donkeys-lately-6464951. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000RA_rkzn84YU/C0000q_kABE1Z.zs" target="_blank">Click for Larger Image</a> Beeb$ and Her Money Makers Beebs and Her Money Makers concert Downtown Orlando E.L.L.A. Music Fest festival funk Gamble Records H2O Live! HollowGram Productions Livingston Street Michelle Beebs music music festival musician orlando rock rock music singer ska soul soul music vocalist https://richesmi.cah.ucf.edu/omeka/files/original/bc67dba97404e39770279f40acb236ad.jpg 7c68532a9ea56edd64a0ffe8735b8cf0 https://richesmi.cah.ucf.edu/omeka/files/original/42529b22cc1379a0719694750411bd82.jpg 59c1584e133c394fe6264f809469fbf9 https://richesmi.cah.ucf.edu/omeka/files/original/154f752368a8e15409b0a1142c010da1.jpg 27e47103964b1eaed7d2d38531512fc5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 3 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title JunkieRush at the House of Blues Orlando, 2012 Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I0000HEX08_vj40E/C0000i75h9FD_Cjw" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I00007Ck.4XvfFdo/C0000i75h9FD_Cjw" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I00008lDhgRCWDhs/C0000i75h9FD_Cjw" target="_blank">Click for Larger Image</a> Alternative Title JunkieRush at House of Blues Subject Lake Buena Vista (Fla.) Concerts--United States Reggae music--Florida Rock music--United States Music--Florida Musicians--Southern States Funk (Music)--United States Ska (Music) Nightclubs--United States Description JunkieRush "In the Morning" performing live with Dominic Maresco of The Supervillain at JunkieRush's reunion show at House of Blues Orlando, located at 1490 East Buena Vista Drive in Lake Buena Vista, Florida, on August 8, 2012. The first photograph features Bobby Koelble and Dominic Maresco of The Supervillains. The second photograph shows Koelbe with his infant daughter. The third photograph features Nathan Anderson playing the saxophone. Formed in 2000 by guitarist/vocalist/songwriter Bobby Koelble, who was also a member of the seminal metal band Death, JunkieRush is an Orlando-based rock band that combines elements of funk, punk, Latin, reggae, ska and world music into a unique original sound. The band has gained a reputation for its live shows, performing up the east coast from Florida to New York, as well as the Virgin Islands and Puerto Rico. Although quite a departure from his metal roots, JunkieRush still features the strong guitar work that Koelble is known for. The original lineup consisted of Koelble on vocals and guitar, Chris Charles on saxophone and keyboard, Aaron O'Riley on bass, Marc Clermont on percussion, and Matt Hughen on drums. As of 2015, the lineup consisted of Koelble, bassist/vocalist Matt Gallagher, saxophonist/flutist/vocalist Nathan Anderson, drummer Thatcher on drums, and percussionist George "Ito" Colon. The band's albums include Junkie Rush (2000), II (2004), Live (2006), and Musica (2009). Creator Lyman, Alicia Source Original color photograph by Alicia Lyman, August 25, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Publisher Lyman, Alicia Date Created 2012-08-25 Date Copyrighted 2012-08-25 Contributor Lyman, Alicia Has Format Digital reproduction of original color photograph by Alicia Lyman, August 25, 2012: <a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I0000HEX08_vj40E/C0000i75h9FD_Cjw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I0000HEX08_vj40E/C0000i75h9FD_Cjw</a>. Digital reproduction of original color photograph by Alicia Lyman, August 25, 2012: <a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I00007Ck.4XvfFdo/C0000i75h9FD_Cjw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I00007Ck.4XvfFdo/C0000i75h9FD_Cjw</a>. Digital reproduction of original color photograph by Alicia Lyman, August 25, 2012: <a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I00008lDhgRCWDhs/C0000i75h9FD_Cjw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I00008lDhgRCWDhs/C0000i75h9FD_Cjw</a>. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Format image/jpg Extent 43.6 KB 30 KB 47.4 KB Medium 3 color photographs Language eng Type Still Image Coverage House of Blues Orlando, Lake Buena Vista, Florida Accrual Method Donation Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Manes, Billy. “<a href="http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145" target="_blank">Under the influence of Bobby Koelble</a>.” Orlando Weekly. April 26, 2000. http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145. Freed, Tim. “<a href="http://today.ucf.edu/koelbles-relentless-curiosity-about-music/" target="_blank">Koelble's Relentless Curiosity About Music</a>.” UCF Today. March 19, 2012. http://today.ucf.edu/koelbles-relentless-curiosity-about-music/. Alicia Lyman Bobby Koelble concert Dominic Maresco Downtown Disney funk guitar guitarist House of Blues Orlando In the Morning JunkieRush Lake Buena Vista music musician punk reggae rock rock music saxophone saxophonist singer ska The Supervillains vocalist https://richesmi.cah.ucf.edu/omeka/files/original/419eaf49fe4b681caace64f199e00dab.JPG f11e0e131b67e4d2fa9659a1aba531b7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title JunkieRush at The Social, 2007 Alternative Title JunkieRush at The Social Subject Orlando (Fla.) Concerts--United States Reggae music--Florida Rock music--United States Music--Florida Musicians--Southern States Funk (Music)--United States Ska (Music) Nightclubs--United States Description JunkieRush at a sold-out show at The Social, located at 54 North Orange Avenue in Downtown Orlando on July 30, 2007. This photograph features drummer Bobby Koelble. Formed in 2000 by guitarist/vocalist/songwriter Bobby Koelble, who was also a member of the seminal metal band Death, JunkieRush is an Orlando-based rock band that combines elements of funk, punk, Latin, reggae, ska and world music into a unique original sound. The band has gained a reputation for its live shows, performing up the east coast from Florida to New York, as well as the Virgin Islands and Puerto Rico. Although quite a departure from his metal roots, JunkieRush still features the strong guitar work that Koelble is known for. The original lineup consisted of Koelble on vocals and guitar, Chris Charles on saxophone and keyboard, Aaron O'Riley on bass, Marc Clermont on percussion, and Matt Hughen on drums. As of 2015, the lineup consisted of Koelble, bassist/vocalist Matt Gallagher, saxophonist/flutist/vocalist Nathan Anderson, drummer Thatcher on drums, and percussionist George "Ito" Colon. The band's albums include Junkie Rush (2000), II (2004), Live (2006), and Musica (2009). Type Still Image Source Original color photograph by Alicia Lyman, July 30, 2007: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph by Alicia Lyman, July 30, 2007: <a href="http://alicialyman.photoshelter.com/gallery-image/2007-07-30-JUNKIE-RUSH-THE-SOCIAL-Orlando-FL/G0000qlue4u.ulow/I0000864dqSG2OfA/C0000i75h9FD_Cjw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2007-07-30-JUNKIE-RUSH-THE-SOCIAL-Orlando-FL/G0000qlue4u.ulow/I0000864dqSG2OfA/C0000i75h9FD_Cjw</a>. Coverage The Social, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2007-07-30 Date Copyrighted 2007-07-30 Format image/jpg Extent 20.9 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Manes, Billy. <a href="http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145" target="_blank">Under the influence of Bobby Koelble</a>.” Orlando Weekly. April 26, 2000. http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145. Freed, Tim. <a href="http://today.ucf.edu/koelbles-relentless-curiosity-about-music/" target="_blank">Koelble's Relentless Curiosity About Music</a>.” UCF Today. March 19, 2012. http://today.ucf.edu/koelbles-relentless-curiosity-about-music/. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2007-07-30-JUNKIE-RUSH-THE-SOCIAL-Orlando-FL/G0000qlue4u.ulow/I0000864dqSG2OfA/C0000i75h9FD_Cjw" target="_blank">Click for Larger Image</a> Alicia Lyman Bobby Koelble concert Downtown Orlando drum drummer funk JunkieRush music musician Orange Avenue orlando punk reggae rock rock music singer ska The Social vocalist https://richesmi.cah.ucf.edu/omeka/files/original/422c08b219cfdf738b7826d4d53d14d3.JPG 8c42a7df554c563d7925b711598af01a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Social, 2007 Alternative Title The Social Subject Orlando (Fla.) Nightclubs--United States Description A crowd lined up down the street for a sold-out JunkieRush show at The Social, located at 54 North Orange Avenue in Downtown Orlando, Florida, on July 30, 2007. The Social is an Indie music venue in Downtown Orlando that hosts international, national, and local acts. With a mere 400-person capacity, the intimate setting has made the venue a staple in the Orlando music scene. Originally called The Downtown Jazz & Blues Club, it became Sapphire Supper Club in April 1995, and during its six-year run under that name, the venue showcased an A-list of indie-rock, swing, and folk acts and nurtured the budding careers of musicians that would rise to broader fame in bands, such as Seven Mary Three, My Friend Steve, and Matchbox Twenty. The venue became The Social in 2002, and has remained one of the most popular venues in Orlando. Neighboring Bar BQ Bar, at 64 North Orange Avenue, also appears in the photograph. Type Still Image Source Original color photograph by Alicia Lyman, July 30, 2007: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph by Alicia Lyman, July 30, 2007: <a href="http://alicialyman.photoshelter.com/gallery-image/2007-07-30-JUNKIE-RUSH-THE-SOCIAL-Orlando-FL/G0000qlue4u.ulow/I0000cfT3iqz94fw/C0000i75h9FD_Cjw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2007-07-30-JUNKIE-RUSH-THE-SOCIAL-Orlando-FL/G0000qlue4u.ulow/I0000cfT3iqz94fw/C0000i75h9FD_Cjw</a>. Coverage The Social, Downtown Orlando, Florida Bar BQ Bar, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2007-07-30 Date Copyrighted 2007-07-30 Format image/jpg Extent 22.2 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Manes, Billy. <a href="http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145" target="_blank">Under the influence of Bobby Koelble</a>.” Orlando Weekly. April 26, 2000. http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145. Freed, Tim. <a href="http://today.ucf.edu/koelbles-relentless-curiosity-about-music/" target="_blank">Koelble's Relentless Curiosity About Music</a>.” UCF Today. March 19, 2012. http://today.ucf.edu/koelbles-relentless-curiosity-about-music/. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2007-07-30-JUNKIE-RUSH-THE-SOCIAL-Orlando-FL/G0000qlue4u.ulow/I0000cfT3iqz94fw/C0000i75h9FD_Cjw" target="_blank">Click for Larger Image</a> Alicia Lyman Bar BQ Bar concert Downtown Orlando funk JunkieRush music musician Old '64 Orange Avenue orlando punk reggae rock rock music ska The Social https://richesmi.cah.ucf.edu/omeka/files/original/51acd98dc78a37dbf2a25c8bc796385d.JPG 3364fb1b69f027030167304c0e93afea https://richesmi.cah.ucf.edu/omeka/files/original/e3b37492d2933b5abda2f3ce7b4f9c33.JPG e2cd3bf728439e3aa80ccaf043f4e251 https://richesmi.cah.ucf.edu/omeka/files/original/99dceea6cbccf1d34e7f4ead85a15a17.JPG d0380a652d076e51676a2d0393bd9efe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 3 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title JunkieRush at Will's Pub, 2003 Alternative Title JunkieRush at Will's Pub Subject Orlando (Fla.) Concerts--United States Reggae music--Florida Rock music--United States Music--Florida Musicians--Southern States Funk (Music)--United States Ska (Music) Nightclubs--United States Description JunkieRush performing live at Will's Pub in Orlando, Florida, on January 29, 2003. Thie first photograph features, from left to right, Aaron O'Riley on bass guitar, Bobby Koelble on electric guitar, Matt Hughen on drums, and Marc Clermont on percussion. The second photograph shows Koelble playing an acoustic guitar, and the third features Koelble playing an electric guitar, using a Rolling Rock beer bottle as a slide. Formed in 2000 by guitarist/vocalist/songwriter Bobby Koelble, who was also a member of the seminal metal band Death, JunkieRush is an Orlando-based rock band that combines elements of funk, punk, Latin, reggae, ska and world music into a unique original sound. The band has gained a reputation for its live shows, performing up the east coast from Florida to New York, as well as the Virgin Islands and Puerto Rico. Although quite a departure from his metal roots, JunkieRush still features the strong guitar work that Koelble is known for. The original lineup consisted of Koelble on vocals and guitar, Chris Charles on saxophone and keyboard, Aaron O'Riley on bass, Marc Clermont on percussion, and Matt Hughen on drums. As of 2015, the lineup consisted of Koelble, bassist/vocalist Matt Gallagher, saxophonist/flutist/vocalist Nathan Anderson, drummer Thatcher on drums, and percussionist George "Ito" Colon. The band's albums include Junkie Rush (2000), II (2004), Live (2006), and Musica (2009). Type Still Image Source Original color photographs by Alicia Lyman: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph by Alicia Lyman, January 29, 2003: <a href="http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000zbWCJBYP8j8/C0000i75h9FD_Cjw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000zbWCJBYP8j8/C0000i75h9FD_Cjw</a>. Digital reproduction of original color photograph by Alicia Lyman, January 29, 2003s=. <a href="http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000p.WZdclksxk/C0000i75h9FD_Cjw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000p.WZdclksxk/C0000i75h9FD_Cjw</a>. <a href="http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000U92X1933pvU/C0000i75h9FD_Cjw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000U92X1933pvU/C0000i75h9FD_Cjw</a>. Coverage Will's Pub, Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2003-01-29 Date Copyrighted 2003-01-29 Format image/jpg Extent 22.7 KB 19.7 KB 21.1 KB Medium 3 color photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Manes, Billy. <a href="http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145" target="_blank">Under the influence of Bobby Koelble</a>.” Orlando Weekly. April 26, 2000. http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145. Freed, Tim. <a href="http://today.ucf.edu/koelbles-relentless-curiosity-about-music/" target="_blank">Koelble's Relentless Curiosity About Music</a>.” UCF Today. March 19, 2012. http://today.ucf.edu/koelbles-relentless-curiosity-about-music/. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000zbWCJBYP8j8/C0000i75h9FD_Cjw" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000p.WZdclksxk/C0000i75h9FD_Cjw" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000U92X1933pvU/C0000i75h9FD_Cjw" target="_blank">Click for Larger Image</a> Aaron O'Riley Alicia Lyman bass guitar bassist concert drum drummer electric guitar Fender Stratocaster funk George "Ito" Colon guitar guitarist JunkieRush Marc Clermont Matt Hughen music musician orlando percussionist punk reggae rock rock music singer ska vocalist Will's Pub https://richesmi.cah.ucf.edu/omeka/files/original/24d9147fd431606fb48d95c62d4fb5b9.jpg 5eccc8c7e1cc544c06dd7d66be538032 https://richesmi.cah.ucf.edu/omeka/files/original/02b4ae72ed63a879ee9cf93c3a12d003.jpg c9d5a3f23d44b53d1797f731fbcfb773 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Kaleigh Baker and the Downgetters at The Beacham Theater, 2012 Alternative Title Kaleigh Baker and the Downgetters at The Beacham Subject Orlando (Fla.) Music--Florida Musicians--Southern States Concerts--United States Nightclubs--United States Rock music--United States Jazz--United States Blues (Music)--Florida Description Kaleigh Baker and the Downgetters performing live at Ralphfest 2 at The Beacham Theater in Downtown Orlando, Florida, on November 24, 2012. The photograph features, from left to right, guitarist Brian Chodorcoff, drummer Mark Janssen, vocalist Kaleigh Baker, bassist Mike Kossler, and guitarist Jeff Nolan. The Downgetters is an all-star band from Orlando, featuring Baker, vocalist/guitarist Joseph Martens, Chodorcoff, Nolan, Kossler, saxophonist/keyboards Nathan Anderson, and Janssen. Ralphfest is an annual concert festival in Downtown Orlando, Florida, that celebrates the memory and musical influence of Ralph Ameduri, Jr. Ameduri was an Orlando musician who was murdered on September 10, 2011, in a robbery attempt on a patio behind Jessie's Bar, a Winter Haven music club where he was filling in for a member of local band, Thomas Wynn & the Believers. The inaugural concert was arranged to cover his funeral expenses and, since then, proceeds from the events have gone to the Ralph Ameduri, Jr. Music Scholarship Fund, which operates through the Foundation for Seminole County Public Schools, awarding a musical instruments to graduating high school students. Ralphfest 2 took place on November 24, 2012, on three different stages: one at The Beacham Theater, one at The Social, and one at The Outside Elixir Stage on Washington Street. The benefit features 26 bands that Ameduri was part of, worked with, had close ties to, or enjoyed, as well as multiple DJs. Some of the performers included Thomas Wynn & the Believers, The Ludes, Music's Milka Ramos, SUNNY, The Downgetters featuring Kaleigh Baker, Riverbottom Nightmare Band, The Legendary JC's, funkUs, and The Woolly Bushmen. Ralphfest 2 raised $10,000. Type Still Image Source Original color photographs by Alicia Lyman, November 24, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photographs by Alicia Lyman, November 24, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-24-KALEIGH-BAKER-with-THE-DOWNGETTERS-RALPHFEST-The-Beacham-Theater-Orlando-FL/G0000qkgT9LRSImY/I00001HEMzJ.arPo/C0000G5l.eE1uUuw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-11-24-KALEIGH-BAKER-with-THE-DOWNGETTERS-RALPHFEST-The-Beacham-Theater-Orlando-FL/G0000qkgT9LRSImY/I00001HEMzJ.arPo/C0000G5l.eE1uUuw</a>. Digital reproduction of original color photograph by Alicia Lyman. <a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-24-KALEIGH-BAKER-with-THE-DOWNGETTERS-RALPHFEST-The-Beacham-Theater-Orlando-FL/G0000qkgT9LRSImY/I00007.Hm9G7_.0c/C0000G5l.eE1uUuw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-11-24-KALEIGH-BAKER-with-THE-DOWNGETTERS-RALPHFEST-The-Beacham-Theater-Orlando-FL/G0000qkgT9LRSImY/I00007.Hm9G7_.0c/C0000G5l.eE1uUuw</a>. Coverage The Beacham Theater, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-11-24 Date Copyrighted 2012-11-24 Format image/jpg Extent 37.3 KB 36.8 KB Medium 2 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Abbott, Jim. "<a href="http://www.orlandosentinel.com/entertainment/music/os-ralph-fest-2015-jim-abbott-010215-20150101-column.html" target="_blank">Ralphfest 4 moves beyond the grief</a>." Orlando Sentinel. January 1, 2015. http://www.orlandosentinel.com/entertainment/music/os-ralph-fest-2015-jim-abbott-010215-20150101-column.html. Manes, Billy. "<a href="http://www.orlandoweekly.com/orlando/trial-of-local-musician-ralph-ameduris-killer-concludes/Content?oid=2242170" target="_blank">Trial of local musician Ralph Ameduri's killer concludes</a>." Orlando Weekly. February 4, 2014. http://www.orlandoweekly.com/orlando/trial-of-local-musician-ralph-ameduris-killer-concludes/Content?oid=2242170. Manes, Billy. <a href="http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322" target="_blank">Kaleigh Baker is back in town</a>.” Orlando Weekly. October 16, 2012. http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322. Belanger, Ashley. <a href="http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue" target="_blank">Fringe 2015 review: ‘Janis Joplin, Little Girl Blue</a>.” Orlando Weekly. May 15, 2015. http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue. Strout, Justin. <a href="http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683" target="_blank">Fire and pain: Blues-soul lady-in-waiting Kaleigh Baker makes a strong claim to the throne</a>.” Orlando Weekly. August 10, 2011. http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-24-KALEIGH-BAKER-with-THE-DOWNGETTERS-RALPHFEST-The-Beacham-Theater-Orlando-FL/G0000qkgT9LRSImY/I00001HEMzJ.arPo/C0000G5l.eE1uUuw" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-24-KALEIGH-BAKER-with-THE-DOWNGETTERS-RALPHFEST-The-Beacham-Theater-Orlando-FL/G0000qkgT9LRSImY/I00007.Hm9G7_.0c/C0000G5l.eE1uUuw" target="_blank">Click for Larger Image</a> bass guitar bassist blues Brian Chodorcoff concert Downtown Orlando drum drummer electric guitar festival Foundation for Seminole County Public Schools fundraiser fundraising guitar guitarist jazz Jeffrey Nolan Joseph Martens Kaleigh Baker Kaleigh Baker and the Downgetters Mark Janssen Michael Kossler music musician Nathan Anderson nightclub orlando Ralph Ameduri Jr. Music Scholarship Fund Ralph Ameduri, Jr. Ralphfest 2 Ralphfest II rock rock music singer The Downgetters vocalist https://richesmi.cah.ucf.edu/omeka/files/original/0e29fcb559f3a813314cf4af7aebed14.jpg 7551bd3f27e1a33a1ff727fa9d827317 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Kaleigh Baker and the Downgetters at House of Blues Orlando, 2012 Alternative Title Kaleigh Baker and the Downgetters at House of Blues Subject Orlando (Fla.) Lake Buena Vista (Fla.) Music--Florida Musicians--Southern States Concerts--United States Nightclubs--United States Rock music--United States Jazz--United States Blues (Music)--Florida Description Kaleigh Baker and the Downgetters performing live at House of Blues Orlando, located at 1490 East Buena Vista Drive in Lake Buena Vista, Florida on August 25, 2012. This photograph features guitarist Brian Chodorcoff, vocalist Kaleigh Baker, bassist Erin Nolan, and saxophonist/keyboardist Nathan Anderson. The Downgetters is an all-star band from Orlando, featuring Baker, vocalist/guitarist Joseph Martens, guitarist Chodorcoff, guitarist Jeff Nolan, bassist Mike Kossler, Anderson, and drummer Mark Janssen. Type Still Image Source Original color photograph by Alicia Lyman, August 25, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph by Alicia Lyman, August 25, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-KALEIGH-BAKER-House-of-Blues-Orlando-FL/G00007TLEMM6IWvE/I0000jKXSZFZ.5K0/C0000G5l.eE1uUuw/" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-08-25-KALEIGH-BAKER-House-of-Blues-Orlando-FL/G00007TLEMM6IWvE/I0000jKXSZFZ.5K0/C0000G5l.eE1uUuw/</a>. Coverage House of Blues Orlando, Lake Buena Vista, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-08-25 Date Copyrighted 2012-08-25 Format image/jpg Extent 39 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Manes, Billy. "<a href="http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322" target="_blank">Kaleigh Baker is back in town</a>." Orlando Weekly. October 16, 2012. http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322. Belanger, Ashley. "<a href="http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue" target="_blank">Fringe 2015 review: ‘Janis Joplin, Little Girl Blue</a>." Orlando Weekly. May 15, 2015. http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue. Strout, Justin. "<a href="http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683" target="_blank">Fire and pain: Blues-soul lady-in-waiting Kaleigh Baker makes a strong claim to the throne</a>." Orlando Weekly. August 10, 2011. http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-KALEIGH-BAKER-House-of-Blues-Orlando-FL/G00007TLEMM6IWvE/I0000jKXSZFZ.5K0/C0000G5l.eE1uUuw/" target="_blank">Click for Larger Image</a> bass guitar bassist blues Brian Chodorcoff Buena Vista Drive concert Erin Nolan guitar guitarist House of Blues Orlando jazz Kaleigh Baker Kaleigh Baker and the Downgetters Lake Buena Vista music musician Nathan Anderson nightclub orlando rock rock music vocalist https://richesmi.cah.ucf.edu/omeka/files/original/926bfd7a01619b0d1d1ad97734fa2211.jpg cbbfb4fcd15b877baa814b37b57982c4 https://richesmi.cah.ucf.edu/omeka/files/original/08f0a740f5ea8e22911099d9ab86a5a9.jpg 7384d4c8a33776733815607c526a4530 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Kaleigh Baker and the Downgetters at Orlando Calling, 2011 Alternative Title Kaleigh Baker and the Downgetters at Orlando Calling Subject Orlando (Fla.) Music--Florida Musicians--Southern States Festivals--Southern States Concerts--United States Nightclubs--United States Rock music--United States Jazz--United States Blues (Music)--Florida Description Kaleigh Baker and the Downgetters performing live at the Orlando Calling music festival at Florida Citrus Bowl Stadium, located at 1 Citrus Bowl Plaza in Orlando, Florida, on November 12, 2011. Orlando Calling was a two-day music festival that showcased local as well as popular international artists. The 2011 headliners included Bob Seger, The Killers, The Raconteurs, Kid Rock, The Pixies, Blake Shelton, The Doobie Brothers and The Roots. The festival would not return the next year due to poor ticket sales. The first photograph features guitarist Brian Chodorcoff, saxophonist/keyboardist Nathan Anderson, vocalist Kaleigh Baker, an unidentified drummer, and bassist Erin Nolan. The second photograph shows Anderson and Baker. The Downgetters is an all-star band from Orlando, featuring Baker, vocalist/guitarist Joseph Martens, guitarist Brian Chodorcoff, guitarist Jeff Nolan, bassist Mike Kossler, Anderson, and drummer Mark Janssen. Type Still Image Source Original color photographs by Alicia Lyman, November 22, 2011: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photographs by Alicia Lyman, November 22, 2011. <a href="http://alicialyman.photoshelter.com/gallery-image/2011-11-22-KALEIGH-BAKER-Orlando-Calling-Orlando-FL/G0000gcv5TNwE1GM/I0000Caunyy48YO4/C0000G5l.eE1uUuw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2011-11-22-KALEIGH-BAKER-Orlando-Calling-Orlando-FL/G0000gcv5TNwE1GM/I0000Caunyy48YO4/C0000G5l.eE1uUuw</a>. Digital reproduction of original color photograph by Alicia Lyman. <a href="http://alicialyman.photoshelter.com/gallery-image/2011-11-22-KALEIGH-BAKER-Orlando-Calling-Orlando-FL/G0000gcv5TNwE1GM/I0000kFK8FgRBr78/C0000G5l.eE1uUuw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2011-11-22-KALEIGH-BAKER-Orlando-Calling-Orlando-FL/G0000gcv5TNwE1GM/I0000kFK8FgRBr78/C0000G5l.eE1uUuw</a>. Coverage Florida Citrus Bowl Stadium, Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2011-11-22 Date Copyrighted 2011-11-22 Format image/jpg Extent 32.9 KB Medium 2 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Manes, Billy. "<a href="http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322" target="_blank">Kaleigh Baker is back in town</a>." Orlando Weekly. October 16, 2012. http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322. Belanger, Ashley. "<a href="http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue" target="_blank">Fringe 2015 review: ‘Janis Joplin, Little Girl Blue</a>." Orlando Weekly. May 15, 2015. http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue. Strout, Justin. "<a href="http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683" target="_blank">Fire and pain: Blues-soul lady-in-waiting Kaleigh Baker makes a strong claim to the throne</a>." Orlando Weekly. August 10, 2011. http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2011-11-22-KALEIGH-BAKER-Orlando-Calling-Orlando-FL/G0000gcv5TNwE1GM/I0000Caunyy48YO4/C0000G5l.eE1uUuw" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2011-11-22-KALEIGH-BAKER-Orlando-Calling-Orlando-FL/G0000gcv5TNwE1GM/I0000kFK8FgRBr78/C0000G5l.eE1uUuw" target="_blank">Click for Larger Image</a> bass guitar bassist blues Brian Chodorcoff Citrus Bowl Plaza concert drum drummer Erin Nolan festival Florida Citrus Bowl Florida Citrus Bowl Stadium guitar guitarist jazz Kaleigh Baker Kaleigh Baker and the Downgetters music musician Nathan Anderson nightclub orlando Orlando Calling rock rock music saxophone saxophonist singer vocalist https://richesmi.cah.ucf.edu/omeka/files/original/8c730a185300cf7ae33c45f5d95aebd1.jpg 598ba583c8f06fe0f08dba5245fc7643 https://richesmi.cah.ucf.edu/omeka/files/original/f6163b7c585416e0b70fc1eb03ba0420.jpg 651e720e33a98c1823fb71ad3cb0d9f6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Legendary JC's at Ralphfest 2 Alternative Title Legendary JC's at Ralphfest Subject Orlando (Fla.) Music--Florida Musicians--Southern States Festivals--Southern States Concerts--United States Rhythm and blues music--United States R&B (Music) Soul music--United States Funk (Music)--United States Blues (Music)--Florida Nightclubs--United States Description The Legendary JC's performing live at Ralphfest 2 at The Beacham Theater, located at 46 North Orange Avenue in Downtown Orlando, Florida, on November 24, 2012. The Legendary JC’s, also known as The Joint Chiefs, are an R&B/soul/funk/blues band that was formed by lead vocalist Eugene Snowden in 2000, consisting of an alternating lineup of all-star Central Florida musicians. This photograph features, from left to right, an unidentified guitar player, Roland Simmons, an unidentified harmonica player, Eugene Snowden, Craig Cobb, Katie Burkess, Michael Lashinsky, and an unidentified keyboardist. Type Still Image Source Original color photographs by Alicia Lyman, November 24, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Format Of Digital reproduction of original color photographs by Alicia Lyman, November 24, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000tYq35m54Fx4/C0000fnM5ntjHkP8" target="_blank">http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000tYq35m54Fx4/C0000fnM5ntjHkP8</a>. Digital reproduction of original color photograph. <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000GjmLESU9Jew/C0000fnM5ntjHkP8" target="_blank">http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000GjmLESU9Jew/C0000fnM5ntjHkP8</a>. Coverage The Beacham Theater, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-11-24 Date Copyrighted 2012-11-24 Format image/jpg Extent 40.2 KB 38.2 KB Medium 2 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Bolden, Tony. <a href="http://www.worldcat.org/oclc/212328134" target="_blank">The Funk Era and Beyond: New Perspectives on Black Popular Culture</a>. New York, NY: Palgrave Macmillan, 2008. Vincent, Rickey. <a href="http://www.worldcat.org/oclc/32820668" target="_blank">Funk: The Music, the People, and the Rhythm of the One</a>. New York: St. Martin's Griffin, 1996. Guralnick, Peter. <a href="http://www.worldcat.org/oclc/13002980" target="_blank">Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom</a>. New York: Harper &amp Row, 1986. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000tYq35m54Fx4/C0000fnM5ntjHkP8" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000GjmLESU9Jew/C0000fnM5ntjHkP8" target="_blank">Click for Larger Image</a> blues Clay Watson concert Craig Cobb Eugene Snowden festival Foundation for Seminole County Public Schools fundraiser fundraising funk Joint Chiefs Katie Burkess Michael Lashinsky music musician orlando R&B Ralph Ameduri, Jr. Ralph Ameduri, Jr. Music Scholarship Fund Ralphfest Ralphfest 2 Ralphfest II rhythm and blues Roland Simmons soul soul music The Joint Chiefs The Legendary JC's https://richesmi.cah.ucf.edu/omeka/files/original/c8ae6f89d78d8b76cbd26170afba3e0a.jpg 99ae2650489f88be09660ec6b45139a1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Kaleigh Baker and The Downgetters at Ralphfest 2 Alternative Title Baker and Downgetters at Ralphfest Subject Orlando (Fla.) Music--Florida Musicians--Southern States Festivals--Southern States Concerts--United States Nightclubs--United States Description Kaleigh Baker and The Downgetters performing live at Ralphfest 2 at The Beacham Theater, located at 46 North Orange Avenue in Downtown Orlando, Florida, on November 24, 2012. The Downgetters is an all-star band from Orlando, featuring, from left to right, guitarist Brian Chodorcoff, drummer Mark Janssen, vocalist Kaleigh Baker, bassist Mike Kossler, and guitarist Jeff Nolan. The band also includes vocalist/guitarist Joseph Martens and saxophonist/keyboardist Nathan Anderson, neither of whom appear in the photograph. Originally from Western New York, Kaleigh Baker is a jazz/blues/rock singer-songwriter based out of Orlando. Known for her soulful vocal delivery and incredible range, Baker tours relentlessly, sharing the stage with notable performers such as B. B. King, Buddy Guy, Trombone Shorty, Tony Hall, Kevn Kinney, Aaron Lee Tasjan, Boz Scaggs, Juliette Lewis, and Terri Binion. Baker played Janis Joplin in a play entitled, "Janis Joplin, Little Girl Blue," at the 2015 Orlando International Fringe Festival, winning several audience choice awards, including Best of the Fest, Best Female Performer, and Best Show in the Gold Venue. Type Still Image Source Original color photograph by Alicia Lyman, November 24, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Format Of Digital reproduction of original color photograph by Alicia Lyman, November 24, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000x7d02lDORLU/C0000fnM5ntjHkP8" target="_blank">http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000x7d02lDORLU/C0000fnM5ntjHkP8</a>. Coverage The Beacham Theater, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-11-24 Date Copyrighted 2012-11-24 Format image/jpg Extent 32.1 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Manes, Billy. <a href="http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322" target="_blank">Kaleigh Baker is back in town</a>.” Orlando Weekly. October 16, 2012. http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322. Belanger, Ashley. <a href="http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue" target="_blank">Fringe 2015 review: ‘Janis Joplin, Little Girl Blue</a>.” Orlando Weekly. May 15, 2015. http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue. Strout, Justin. <a href="http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683" target="_blank">Fire and pain: Blues-soul lady-in-waiting Kaleigh Baker makes a strong claim to the throne</a>.” Orlando Weekly. August 10, 2011. http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000x7d02lDORLU/C0000fnM5ntjHkP8" target="_blank">Click for Larger Image</a> bass guitar bassist Brian Chodorcoff concert drum drummer electric guitar festival Foundation for Seminole County Public Schools fundraiser fundraising guitar guitarist Jeffrey Nolan Joseph Martens Kaleigh Baker Mark Janssen Michael Kossler music musician Nathan Anderson Orange Avenue orlando Ralph Ameduri, Jr. Ralph Ameduri, Jr. Music Scholarship Fund Ralphfest Ralphfest 2 Ralphfest II The Beacham Theater The Downgetters vocalist https://richesmi.cah.ucf.edu/omeka/files/original/4789aed7b1f4d04d8b6f5a97734bf416.jpg d7cf7d288265dd4dd38728f89e135c81 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Milkanette "Milka" Ramos at Ralphfest 2 Alternative Title Milka Ramos at Ralphfest Subject Orlando (Fla.) Music--Florida Musicians--Southern States Festivals--Southern States Concerts--United States Rock music--United States Nightclubs--United States Description Milkanette "Milka" Ramos performing live with the band, MILKA, at Ralphfest 2 at The Social, located at 54 North Orange Avenue in Downtown Orlando, Florida, on November 24, 2012. MILKA is a rock band formed in Orlando, consisting of Ramos on guitar and vocals, Tony Roman on bass, and Troy Garfield Goins on drums. The combination of bilingual feminist front-woman Ramos and the Latin-influenced percussion creates a unique hard rock sound that transcends genres. The band released an album in 2002, entitled, Fire in the Sky. Type Still Image Source Original black and white photograph by Alicia Lyman, November 24, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Format Of Digital reproduction of original black and white photograph by Alicia Lyman, November 24, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I00007_4gjMpH.xU/C0000fnM5ntjHkP8" target="_blank">http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I00007_4gjMpH.xU/C0000fnM5ntjHkP8</a>. Coverage The Social, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-11-24 Date Copyrighted 2012-11-24 Format image/jpg Extent 25.6 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Le-Huu, Bao. <a href="http://www.orlandoweekly.com/orlando/this-little-underground/Content?oid=2252720" target="_blank">This Little Underground</a>.” Orlando Weekly. May 10, 2007. http://www.orlandoweekly.com/orlando/this-little-underground/Content?oid=2252720. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I00007_4gjMpH.xU/C0000fnM5ntjHkP8" target="_blank">Click for Larger Image</a> concert festival Foundation for Seminole County Public Schools fundraiser fundraising hard rock MILKA Milka Ramos Milkanette "Milka" Ramos music musician Orange Avenue orlando Ralph Ameduri, Jr. Ralph Ameduri, Jr. Music Scholarship Fund Ralphfest Ralphfest 2 Ralphfest II rock rock music The Social https://richesmi.cah.ucf.edu/omeka/files/original/fa654b2121622ae5b1e3f56002b133ed.jpg 0c03360dd5aadea6fe5417db9a1f64b7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Ralphfest 2 at The Beacham Alternative Title Ralphfest at Beacham Subject Orlando (Fla.) Music--Florida Musicians--Southern States Festivals--Southern States Concerts--United States Nightclubs--United States Description The Beacham Theater, located at 46 North Orange Avenue in Downtown Orlando, Florida, during Ralphfest 2. Ralphfest is an annual concert festival in Downtown Orlando, Florida, that celebrates the memory and musical influence of Ralph Ameduri, Jr. Ameduri was an Orlando musician who was murdered on September 10, 2011, in a robbery attempt on a patio behind Jessie's Bar, a Winter Haven music club where he was filling in for a member of local band, Thomas Wynn &amp the Believers. The inaugural concert was arranged to cover his funeral expenses and, since then, proceeds from the events have gone to the Ralph Ameduri, Jr. Music Scholarship Fund, which operates through the Foundation for Seminole County Public Schools, awarding a musical instruments to graduating high school students. Ralphfest 2 took place on November 24, 2012, on three different stages: one at The Beacham Theater, one at The Social, and one at The Outside Elixir Stage on Washington Street. The benefit features 26 bands that Ameduri was part of, worked with, had close ties to, or enjoyed, as well as multiple DJs. Some of the performers included Thomas Wynn &amp the Believers, The Ludes, Music's Milka Ramos, SUNNY, The Downgetters featuring Kaleigh Baker, Riverbottom Nightmare Band, The Legendary JC's, funkUs, and The Woolly Bushmen. Ralphfest 2 raised $10,000. Type Still Image Source Original color photograph by Alicia Lyman, November 24, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Format Of Digital reproduction of original color photograph by Alicia Lyman, November 24, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000T9fKyDE5T7E/C0000fnM5ntjHkP8" target="_blank">http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000T9fKyDE5T7E/C0000fnM5ntjHkP8</a>. Coverage The Beacham Theater, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-11-24 Date Copyrighted 2012-11-24 Format image/jpg Extent 37.2 KB Medium 1 color photograph Language eng Mediator History Teacher Geography Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Abbott, Jim. "<a href="http://www.orlandosentinel.com/entertainment/music/os-ralph-fest-2015-jim-abbott-010215-20150101-column.html" target="_blank">Ralphfest 4 moves beyond the grief</a>." Orlando Sentinel. January 1, 2015. http://www.orlandosentinel.com/entertainment/music/os-ralph-fest-2015-jim-abbott-010215-20150101-column.html. Manes, Billy. "<a href="http://www.orlandoweekly.com/orlando/trial-of-local-musician-ralph-ameduris-killer-concludes/Content?oid=2242170" target="_blank">Trial of local musician Ralph Ameduri's killer concludes</a>." Orlando Weekly. February 4, 2014. http://www.orlandoweekly.com/orlando/trial-of-local-musician-ralph-ameduris-killer-concludes/Content?oid=2242170. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000T9fKyDE5T7E/C0000fnM5ntjHkP8" target="_blank">Click for Larger Image</a> accordion acoustic guitar bar concert Downtown Orlando Fedde Le Grand festival Foundation for Seminole County Public Schools fundraiser fundraising guitar music musician nightclub Orange Avenue orlando Ralph Ameduri, Jr. Ralph Ameduri, Jr. Music Scholarship Fund Ralphfest Ralphfest 2 Ralphfest II Sun Barrios The Beacham Theater Yodock https://richesmi.cah.ucf.edu/omeka/files/original/2da904ebeaf91768bd7010ba09d62866.jpg 67afa663607c210437d224eccce09cf4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text 1-page schedule Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Ralphfest 2 Stage Times Alternative Title Ralphfest 2 Stage Times Subject Orlando (Fla.) Music--Florida Musicians--Southern States Festivals--Southern States Concerts--United States Description The stage times for Ralphfest 2. Ralphfest is an annual concert festival in Downtown Orlando, Florida, that celebrates the memory and musical influence of Ralph Ameduri, Jr. Ameduri was an Orlando musician who was murdered on September 10, 2011, in a robbery attempt on a patio behind Jessie's Bar, a Winter Haven music club where he was filling in for a member of local band, Thomas Wynn &amp the Believers. The inaugural concert was arranged to cover his funeral expenses and, since then, proceeds from the events have gone to the Ralph Ameduri, Jr. Music Scholarship Fund, which operates through the Foundation for Seminole County Public Schools, awarding a musical instruments to graduating high school students. Ralphfest 2 took place on November 24, 2012, on three different stages: one at The Beacham Theater, one at The Social, and one at The Outside Elixir Stage on Washington Street. The benefit features 26 bands that Ameduri was part of, worked with, had close ties to, or enjoyed, as well as multiple DJs. Some of the performers included Thomas Wynn &amp the Believers, The Ludes, Music's Milka Ramos, SUNNY, The Downgetters featuring Kaleigh Baker, Riverbottom Nightmare Band, The Legendary JC's, funkUs, and The Woolly Bushmen. Ralphfest 2 raised $10,000. Type Text Source Original 1-page schedule, November 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Format Of Digital reproduction of original 1-page schedule, November 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000e6xySHHj.8A/C0000fnM5ntjHkP8" target="_blank">http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000e6xySHHj.8A/C0000fnM5ntjHkP8</a>. Coverage The Social, Downtown Orlando, Florida The Beacham Theater, Downtown Orlando, Florida Elixir, Downtown Orlando, Florida Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-11 Date Copyrighted 2012-11 Format image/jpg Extent 13.8 KB Medium 1-page schedule Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Abbott, Jim. "<a href="http://www.orlandosentinel.com/entertainment/music/os-ralph-fest-2015-jim-abbott-010215-20150101-column.html" target="_blank">Ralphfest 4 moves beyond the grief</a>." Orlando Sentinel. January 1, 2015. http://www.orlandosentinel.com/entertainment/music/os-ralph-fest-2015-jim-abbott-010215-20150101-column.html. Manes, Billy. "<a href="http://www.orlandoweekly.com/orlando/trial-of-local-musician-ralph-ameduris-killer-concludes/Content?oid=2242170" target="_blank">Trial of local musician Ralph Ameduri's killer concludes</a>." Orlando Weekly. February 4, 2014. http://www.orlandoweekly.com/orlando/trial-of-local-musician-ralph-ameduris-killer-concludes/Content?oid=2242170. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000e6xySHHj.8A/C0000fnM5ntjHkP8" target="_blank">Click for Larger Image</a> Basements of Florida Big Jef Special Brown Note Chris Charles Jazz concert Downtown Orlando Elixir festival Foundation for Seminole County Public Schools fundraiser fundraising funkUs Happy Valley Holy Moley Jazz X Jim O'Rourke Kaleigh Baker Lorn Los Diggaz Mr. Richard music Music's Milka Ramos musician My Fried Steve orlando Paddington Ambush Princeton's Guff Professional Russian Ralph Ameduri, Jr. Ralph Ameduri, Jr. Music Scholarship Fund Ralphfest Ralphfest 2 Ralphfest II Rickey Dickens Riverbottom Nightmare Band Sam Rivers Shew'Bird SUNNY The Beacham Theater The Believers The Downgetters The Goldminers The Hindu Cowboys The Legendary JC's The Ludes The New Lows The Red Fox Lounger The Rugs The Social The Woolly Bushmen Throcket Luther Tomas Wynn Washington Street https://richesmi.cah.ucf.edu/omeka/files/original/fc37c23b722d31df93676a38f19fd1af.jpg c16ba534a08a334045c7bb4df87d9d77 https://richesmi.cah.ucf.edu/omeka/files/original/87a47595e258c20956bf3526b8323c30.jpg d67a6cc785c4b679c48317b217703041 https://richesmi.cah.ucf.edu/omeka/files/original/8fcda14278f43c78d22358b92d04dcf4.jpg 9a83bfd0eb0c1ec4d240be3b4c3653d3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 3 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Supervillains at the Beacham Theater, 2012 Alternative Title Supervillains at Beacham Theater Subject Supervillains (Musical group) Orlando (Fla.) Saint Cloud (Fla.) Ska (Music)--United States Concerts--United States Punk rock music--United States Reggae music--United States Musicians--Southern States Funk (Music)--United States Description The Supervillains performing live at the Beacham Theater, located at 46 North Orange Avenue in Downtown Orlando, Florida, on November 21, 2012. The first and second photographs feature, from left to right, drummer/vocalist Dominic Maresco and bassist Daniel Grundorf. The third photograph shows keyboardist/guitarist Tom "T-Rex" Moulton. The Supervillains were formed in 1998 by drummer/vocalist Dominic Maresco and guitarist/vocalist Scott "Skart" Suldo, while they were in high school in St. Cloud, Florida. Initially a punk-rock band, the group adapted elements of ska and reggae to their sound, leading to opportunities to support reggae acts such as The Wailers and Inner Circle, reggae-rock acts such as Slightly Stoopid and Pepper, ska acts such as Reel Big Fish and Streetlight Manifesto, punk acts such as Pennywise and Authority Zero, and rock acts such as Fishbone and 311. After several successful tours as an opening band, The Supervillains began headlining their own national tours, often performing over 200 shows per year, and released eight studio albums as of June 2015. The band incorporated several horn players and other members for eight or nine years, but have since operated as a four-piece, with Maresco, Suldo, Daniel Grundrof on bass and Tom "T-Rex" Moulton on keyboards and guitar. After selling over 100,000 records, the group formed their own label, Rah Rah Rah Records, in 2011. Type Still Image Source Original color photograph by Alicia Lyman, November 21, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph by Alicia Lyman, November 21, 2012 Coverage The Beacham Theater, Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-11-21 Date Copyrighted 2012-11-21 Format image/jpg Extent 28.1 KB 39 KB 40.6 KB Medium 3 color photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Augustyn, Heather, and Cedella Marley. <a href="http://www.worldcat.org/oclc/630498209" target="_blank">Ska: An Oral History</a>. Jefferson, N.C.: McFarland, 2010. Murray, Matthew, Addie Vassie, and Mitchell Vassie. <a href="http://www.worldcat.org/oclc/880571058" target="_blank">Ska</a>. Amsterdam Schilt Publishing, 2013. McGregor, Nick. "<a href="http://staugustine.com/surf-drift/2013-02-14/supervillains-serve-tasty-blend-reggae-ska-punk-metal-and-swamp-rock#.VXiGDc6EyM0" target="_blank">The Supervillains serve up a tasty blend of reggae, ska, punk, metal and swamp rock</a>." The St. Augustine Record. February 15, 2013. http://staugustine.com/surf-drift/2013-02-14/supervillains-serve-tasty-blend-reggae-ska-punk-metal-and-swamp-rock#.VXiGDc6EyM0. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-21-THE-SUPERVILLAINS-THE-BEACHAM-THEATER-ORLANDO-FL/G0000YLzcwh33Mz0/I0000PxDBuUn6rs4/C0000CLAAGflTL5c" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-21-THE-SUPERVILLAINS-THE-BEACHAM-THEATER-ORLANDO-FL/G0000YLzcwh33Mz0/I0000EayPw8hmRgg/C0000CLAAGflTL5c" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-21-THE-SUPERVILLAINS-THE-BEACHAM-THEATER-ORLANDO-FL/G0000YLzcwh33Mz0/I00003B0t71EcjNk/C0000CLAAGflTL5c" target="_blank">Click for Larger Image</a> Alicia Lyman bassist Beacham Theater concert Daniel Grundorf Dominic Maresco Downtown Orlando drum drummer keyboard keyboardist music musician Orange Avenue orlando painting punk reggae rock rock music ska St. Cloud The Beacham The Supervillains Tom "T-Rex" Moulton vocalist https://richesmi.cah.ucf.edu/omeka/files/original/b6f600b5487a13d42c877982f0f329bf.JPG dcd8795ae0e647b02fa900fc1d2fcea9 https://richesmi.cah.ucf.edu/omeka/files/original/91541db11574fe4af0dad22ca74d090a.JPG 0f3fffe0e0bad15db7811c6aa2866760 https://richesmi.cah.ucf.edu/omeka/files/original/1884288583914073e11288377371f6c2.JPG 82980f34da9b82c0466358d865b427bf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 3 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Supervillains at The Social, 2007 Alternative Title Supervillains at The Social Subject Supervillains (Musical group) Orlando (Fla.) Saint Cloud (Fla.) Ska (Music)--United States Concerts--United States Punk rock music--United States Reggae music--United States Musicians--Southern States Funk (Music)--United States Description The Supervillains performing live at The Social, located at 54 North Orange Avenue in Downtown Orlando, Florida, on July 20, 2007. The first photograph features, from left to right, Scott "Skart" Suldo on guitar, Dominic Maresco on drums, Jonathan "Smally" Cestero on saxophone, and an unidentified trumpet player. The second photograph shows Suldo and the third photograph shows Suldo with Maresco. The Supervillains were formed in 1998 by drummer/vocalist Dominic Maresco and guitarist/vocalist Scott "Skart" Suldo, while they were in high school in St. Cloud, Florida. Initially a punk-rock band, the group adapted elements of ska and reggae to their sound, leading to opportunities to support reggae acts such as The Wailers and Inner Circle, reggae-rock acts such as Slightly Stoopid and Pepper, ska acts such as Reel Big Fish and Streetlight Manifesto, punk acts such as Pennywise and Authority Zero, and rock acts such as Fishbone and 311. After several successful tours as an opening band, The Supervillains began headlining their own national tours, often performing over 200 shows per year, and released eight studio albums as of June 2015. The band incorporated several horn players and other members for eight or nine years, but have since operated as a four-piece, with Maresco, Suldo, Daniel Grundrof on bass and Tom "T-Rex" Moulton on keyboards and guitar. After selling over 100,000 records, the group formed their own label, Rah Rah Rah Records, in 2011. Type Still Image Source Original color photographs by Alicia Lyman, July 30, 2007: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photographs by Alicia Lyman, July 30, 2007. Coverage The Social, Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2007-07-30 Date Copyrighted 2007-07-30 Format image/jpg Extent 30.8 KB 22.2 KB 28.2 KB Medium 3 color photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Augustyn, Heather, and Cedella Marley. <a href="http://www.worldcat.org/oclc/630498209" target="_blank">Ska: An Oral History</a>. Jefferson, N.C.: McFarland, 2010. Murray, Matthew, Addie Vassie, and Mitchell Vassie. <a href="http://www.worldcat.org/oclc/880571058" target="_blank">Ska</a>. Amsterdam Schilt Publishing, 2013. McGregor, Nick. "<a href="http://staugustine.com/surf-drift/2013-02-14/supervillains-serve-tasty-blend-reggae-ska-punk-metal-and-swamp-rock#.VXiGDc6EyM0" target="_blank">The Supervillains serve up a tasty blend of reggae, ska, punk, metal and swamp rock</a>." The St. Augustine Record. February 15, 2013. http://staugustine.com/surf-drift/2013-02-14/supervillains-serve-tasty-blend-reggae-ska-punk-metal-and-swamp-rock#.VXiGDc6EyM0. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2007-07-30-THE-SUPERVILLAINS-The-Social-Orlando-FL/G0000mg8LfHqYYxk/I0000qGBlhwISHuU/C0000CLAAGflTL5c" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2007-07-30-THE-SUPERVILLAINS-The-Social-Orlando-FL/G0000mg8LfHqYYxk/I0000Q1UEzQR1PwE/C0000CLAAGflTL5c" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2007-07-30-THE-SUPERVILLAINS-The-Social-Orlando-FL/G0000mg8LfHqYYxk/I0000Bl3mBxGXSwY/C0000CLAAGflTL5c" target="_blank">Click for Larger Image</a> Alicia Lyman concert Dominic Maresco Downtown Orlando drum drummer guitarist J Jonathan Cestero Marshall amplifier music musician Orange Avenue orlando punk reggae rock rock music saxophone saxophonist Scott "Skart" Suldo ska ska band ska music St. Cloud band The Social The Supervillains trumpet trumpeter vocalist