2 100 136 https://richesmi.cah.ucf.edu/omeka/files/original/736c7ee3fe06eb67396ebccf090c910d.JPG 0759767e7f04c32ad0d2566f5460f17a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Supervillains' Bass Drum Alternative Title Supervillains' Drum Subject Supervillains (Musical group) Orlando (Fla.) Saint Cloud (Fla.) Ska (Music)--United States Concerts--United States Punk rock music--United States Reggae music--United States Drums Musicians--Southern States Funk (Music)--United States Description A bass drum used by Dominic Maresco of The Supervillains. The photograph was taken on March 14, 2003, when the band performed at Hard Rock Live in Orlando, Florida. The Supervillains were formed in 1998 by drummer/vocalist Dominic Maresco and guitarist/vocalist Scott "Skart" Suldo, while they were in high school in St. Cloud, Florida. Initially a punk-rock band, the group adapted elements of ska and reggae to their sound, leading to opportunities to support reggae acts such as The Wailers and Inner Circle, reggae-rock acts such as Slightly Stoopid and Pepper, ska acts such as Reel Big Fish and Streetlight Manifesto, punk acts such as Pennywise and Authority Zero, and rock acts such as Fishbone and 311. After several successful tours as an opening band, The Supervillains began headlining their own national tours, often performing over 200 shows per year, and released eight studio albums as of June 2015. The band incorporated several horn players and other members for eight or nine years, but have since operated as a four-piece, with Maresco, Suldo, Daniel Grundrof on bass and Tom "T-Rex" Moulton on keyboards and guitar. After selling over 100,000 records, the group formed their own label, Rah Rah Rah Records, in 2011. Type Still Image Source Original color photograph by Alicia Lyman, March 14, 2003: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph by Alicia Lyman, March 14, 2003. Coverage Hard Rock Live, Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2003-03-14 Date Copyrighted 2003-03-14 Format image/jpg Extent 26.1 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Augustyn, Heather, and Cedella Marley. <a href="http://www.worldcat.org/oclc/630498209" target="_blank">Ska: An Oral History</a>. Jefferson, N.C.: McFarland, 2010. Murray, Matthew, Addie Vassie, and Mitchell Vassie. <a href="http://www.worldcat.org/oclc/880571058" target="_blank">Ska</a>. Amsterdam Schilt Publishing, 2013. McGregor, Nick. "<a href="http://staugustine.com/surf-drift/2013-02-14/supervillains-serve-tasty-blend-reggae-ska-punk-metal-and-swamp-rock#.VXiGDc6EyM0" target="_blank">The Supervillains serve up a tasty blend of reggae, ska, punk, metal and swamp rock</a>." The St. Augustine Record. February 15, 2013. http://staugustine.com/surf-drift/2013-02-14/supervillains-serve-tasty-blend-reggae-ska-punk-metal-and-swamp-rock#.VXiGDc6EyM0. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2003-03-14-THE-SUPERVILLAINS-Hard-Rock-Live-Orlando-FL/G0000kCNUVPuuqnY/I0000BseNZVQcFm8/C0000CLAAGflTL5c" target="_blank">Click for Larger Image</a> Alicia Lyman art bass drum cartoon concert Dominic Maresco Downtown Disney drum drummer Hard Rock Live music musician orlando painting punk reggae rock rock music ska St. Cloud The Supervillains vocalist https://richesmi.cah.ucf.edu/omeka/files/original/0a7076aeff4cea56f16278946b88cf51.JPG 474bd009169eb0504afecab17ef7f229 https://richesmi.cah.ucf.edu/omeka/files/original/1f596b02f6730fd19db5d6d426513c58.JPG 08abbe90876ad09aacfa9f8b7f26cf23 https://richesmi.cah.ucf.edu/omeka/files/original/b96b789c9e964347f2f885b4c577134f.JPG 254603b7f76aaeaa9b17ed733184132f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 3 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Supervillains at the House of Blues Orlando, 2002 Alternative Title Supervillains at the House of Blues Subject Supervillains (Musical group) Lake Buena Vista (Fla.) Orlando (Fla.) Saint Cloud (Fla.) Ska (Music)--United States Concerts--United States Punk rock music--United States Reggae music--United States Musicians--Southern States Funk (Music)--United States Description The Supervillains performing live at the House of Blues Orlando in Lake Buena Vista, Florida, on December 20, 2002. The first photograph features, from left to right, Jonathan "Smally" Cestero on saxophone, Andrew Neil Estes on trombone, Scott Suldo on guitar, J. P. Thieme on trumpet, Gus Ramage on bass, Dominic Maresco on drums, and Ben Montgomery on guitar. The second photograph features Maresco. The third photograph features, from left to right, Thieme , Suldo, Cestero, Ramage, and Montgomery. The Supervillains were formed in 1998 by drummer/vocalist Dominic Maresco and guitarist/vocalist Scott "Skart" Suldo, while they were in high school in St. Cloud, Florida. Initially a punk-rock band, the group adapted elements of ska and reggae to their sound, leading to opportunities to support reggae acts such as The Wailers and Inner Circle, reggae-rock acts such as Slightly Stoopid and Pepper, ska acts such as Reel Big Fish and Streetlight Manifesto, punk acts such as Pennywise and Authority Zero, and rock acts such as Fishbone and 311. After several successful tours as an opening band, The Supervillains began headlining their own national tours, often performing over 200 shows per year, and released eight studio albums as of June 2015. The band incorporated several horn players and other members for eight or nine years, but have since operated as a four-piece, with Maresco, Suldo, Daniel Grundrof on bass and Tom "T-Rex" Moulton on keyboards and guitar. After selling over 100,000 records, the group formed their own label, Rah Rah Rah Records, in 2011. Type Still Image Source Original color photographs by Alicia Lyman, December 20, 2002: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photographs by Alicia Lyman, December 20, 2002. Coverage House of Blues Orlando, Lake Buena Vista, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2002-12-20 Date Copyrighted 2002-12-20 Format image/jpg Extent 25.7 KB 30 KB 21.5 KB Medium 3 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Augustyn, Heather, and Cedella Marley. <a href="http://www.worldcat.org/oclc/630498209" target="_blank">Ska: An Oral History</a>. Jefferson, N.C.: McFarland, 2010. Murray, Matthew, Addie Vassie, and Mitchell Vassie. <a href="http://www.worldcat.org/oclc/880571058" target="_blank">Ska</a>. Amsterdam Schilt Publishing, 2013. McGregor, Nick. "<a href="http://staugustine.com/surf-drift/2013-02-14/supervillains-serve-tasty-blend-reggae-ska-punk-metal-and-swamp-rock#.VXiGDc6EyM0" target="_blank">The Supervillains serve up a tasty blend of reggae, ska, punk, metal and swamp rock</a>." The St. Augustine Record. February 15, 2013. http://staugustine.com/surf-drift/2013-02-14/supervillains-serve-tasty-blend-reggae-ska-punk-metal-and-swamp-rock#.VXiGDc6EyM0. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2002-12-20-THE-SUPERVILLAINS-HOUSE-OF-BLUES-ORLANDO-FL/G0000GarfYzEAG2Q/I0000gp_7Ah9jCzc/C0000CLAAGflTL5c" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2002-12-20-THE-SUPERVILLAINS-HOUSE-OF-BLUES-ORLANDO-FL/G0000GarfYzEAG2Q/I0000moI9EfAV0eE/C0000CLAAGflTL5c" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2002-12-20-THE-SUPERVILLAINS-HOUSE-OF-BLUES-ORLANDO-FL/G0000GarfYzEAG2Q/I0000WJi.kXp743c/C0000CLAAGflTL5c" target="_blank">Click for Larger Image</a> Alicia Lyman Andrew Neil Estes bass guitar bassist Ben Montgomery concert Dominic Maresco Downtown Disney drum drummer electric guitar guitar guitarist Gus Ramage House of Blues Orlando J. P. Thieme Jonathan Cestero Lake Buena Vista music musician orlando punk reggae rock rock music saxophone saxophonist Scott "Skart" Suldo ska St. Cloud tambourine The Supervillains trombone trombonist trumpet trumpeter vocalist Walt Disney World Resort https://richesmi.cah.ucf.edu/omeka/files/original/90e2c64d5b7b77163edb88d50e21703b.jpg 480272780614677a88475b663adb11a5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Mick Dolan's Ticket Stub and Press Pass Collection Alternative Title Mick Dolan's Collection Subject Orlando (Fla.) Lakeland (Fla.) Concerts Rock concerts Music--Florida Rock music--United States Pop music Soul music--United States Description A collection of ticket stubs and press passes from Orlando radio personality, Mick Dolan. The items are collectively mounted and framed, along with several guitar picks, business cards and stickers. Some of the ticket stubs include Twisted Sister at the Lakeland Civic Center in Lakeland, Florida, on October 19, 1984; Uriah Heep on October 4, 1986; The Romantics on June 20, 1984; The Police at Rock Super Bowl XIX on October 29, 1983; The B-52's at Orlando Seminole Jai Alai Fronton in Fern Park on July 1983; Joe Jackson at Bob Carr Performing Arts Centre in Orlando on March 30, 1983; and Bob Seger, Triumph, and Men at Work. Some of the press passes include Molly Hatchet's 1986-1987 Tour; Ratt at Orange County Civic Center in Orlando on December 6, 1985; Van Halen at Lakeland Civic Center on January 22, 1984;, Elvis Costello at the Bob Carr Performing Arts Centre on August 5, 1984; Foghat at Tom's Point After Lounge in Orlando on November 13, 1983; Men at Work's 1985 Tour; Pat Travers Band's 1986 Tour; Rick Springfield's 1983 World Tour; Iron Maiden; REO Speed Wagon; STYX; Ted Nugent; Triumph;, A Flock of Seagulls; and Yes. Type Still Image Source Original color photograph: Private Collection of Mick Dolan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Coverage Orlando Seminole Jai Alai Fronton, Fern Park, Florida Tangerine Bowl, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Bob Carr Performing Arts Centre, Orlando, Florida Orange County Civic Center, Orlando, Florida Tom's Point After Lounge, Orlando, Florida Creator Dolan, Mick Contributor Dolan, Mick Date Created ca. 2014-03-20 Format image/jpg Extent 1.3 MB Medium 1 color photograph Language eng Mediator History Teacher Geography Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by Mick Dolan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Mick Dolan External Reference Turley, Julie, and Stella Gleitsman. <a href="http://www.worldcat.org/oclc/746725068" target="_blank">Ticket Stubs of the 80's</a>. New York, NY: The author, 2011. Brewster, Bill, and Frank Broughton. <a href="http://www.worldcat.org/oclc/43445660" target="_blank">Last Night a Dj Saved My Life: The History of the Disc Jockey</a>. New York: Grove Press, 2000. Neer, Richard. <a href="http://www.worldcat.org/oclc/46713260" target="_blank">FM: The Rise and Fall of Rock Radio</a>. New York: Villard Books, 2001. A Flock of Seagulls alternative rock art rock backstage pass Beach Club blue-eyed soul blues rock Bob Carr Performing Arts Centre Bob Seger boogie rock business card Citrus Bowl concert country rock Declan Patrick MacManus Elvis Costello Foghat glam metal guitar pick hard rock heartland rock heavy metal Iron Maiden jam rock Joe Jackson Lakeland Lakeland Civic Center Men at Work metal metal music Mick Dolan Molly Hatchet MTV Music Television new wave Nugent, Ted Orange County Civic Center orlando Orlando Citrus Bowl Stadium Orlando Seminole Jai-Alai Fronton Orlando Stadium Pat Travers Pat Travers Band Patrick "Pat" Henry Travers pop pop music pop rock post-punk power pop press pass progressive metal progressive rock pub rock punk Ratt reggae rock REO Speed Wagon Richard "Rick" Lewis Springthorpe Rick Springfield Robert "Bob" Clark Seger rock and roll rock band rock concert rock festival Rock Super Bowl Rock Super Bowl XIX rockabilly roots rock shock rock soft rock soul soul music Southern metal Southern rock sticker STYX symphonic rock synthpop Tangerine Bowl The B-52's The Police The Romantics Theodore "Ted" Anthony Nugent ticket Tom's Point After Lounge Triumph Twisted Sister Uriah Heep Van Halen VIP pass WDIZ-FM Yes https://richesmi.cah.ucf.edu/omeka/files/original/ce1fbf2ed14edc71c111843d69533a52.jpg 21b847f70e4a59a5d41f008dbb03c418 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Alan Baxter and Mick Dolan Alternative Title Alan Baxter and Mick Dolan Subject Orlando (Fla.) Longwood (Fla.) Disc jockeys--United States Shock radio Radio--United States Music--Florida Rock music--United States Description Alan Baxter, an unidentified man, and radio personality, radio personality Mick Dolan, on May 5, 2012, at the Shovelhead Lounge in Longwood, Florida. The three men are wearing black t-shirts with a photograph of Mark Samansky and the caption, "CINCO DE MARKO" printed on them. Baxter and Samansky co-hosted the "Baxter and Mark Show," which aired from 5:30 am to 10:00 am weekdays on 100.3 WDIZ-FM, from 1983 to 1992. Known for their twisted and irreverent sense of humor, extensive knowledge of rock music, and musical parodies, the pair performed on-air and at various small Orlando venues and was a staple of rock radio in Orlando. Samansky passed away in 2011, and "Cinco de Marko" became a celebration of his life, since he was born on May 5. Type Still Image Source Original color photograph: Private Collection of Mick Dolan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Coverage Shovelhead Lounge, Longwood, Florida Creator Dolan, Mick Contributor Dolan, Mick Date Created 2012-05-05 Format image/jpg Extent 51.8 KB Medium 1 color photograph Mediator History Teacher Geography Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by Mick Dolan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Mick Dolan External Reference Brewster, Bill, and Frank Broughton. <a href="http://www.worldcat.org/oclc/43445660" target="_blank">Last Night a Dj Saved My Life: The History of the Disc Jockey</a>. New York: Grove Press, 2000. Neer, Richard. <a href="http://www.worldcat.org/oclc/46713260" target="_blank">FM: The Rise and Fall of Rock Radio</a>. New York: Villard Books, 2001. Willis, Nicole A. "<a href="http://articles.orlandosentinel.com/2011-04-06/news/os-obituary-mark-samansky-20110406_1_baxter-and-mark-show-mark-samansky-rock-station" target="_blank">Mark Samansky: Radio antics hooked his audience</a>." Orlando Sentinel (April 6, 2011). http://articles.orlandosentinel.com/2011-04-06/news/os-obituary-mark-samansky-20110406_1_baxter-and-mark-show-mark-samansky-rock-station (accessed May 28, 2015). Alan Baxter Baxter and Mark Show Cinco de Marko disc jockey DJ Longwood Mark Samansky Mick Dolan orlando radio radio personality rock rock music rock radio shock jock shock radio Shovelhead Lounge WDIZ-FM https://richesmi.cah.ucf.edu/omeka/files/original/5f04ed46397dd32ff855de2c0abd6924.jpg 0817a7d2070d401d32bbc9e65ea2dfa1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Mark Samansky Alternative Title Mark Samansky Subject Orlando (Fla.) Disc jockeys--United States Shock radio Radio--United States Music--Florida Rock music--United States Description Mark Samansky, a popular radio personality, a pioneering DJ, and one of the earliest "shock jocks" in Orlando, Florida. He was half of the iconic “Baxter and Mark Show," which aired from 5:30 am to 10:00 am weekdays on 100.3 WDIZ-FM, from 1983 to 1992. Known for his twisted and irreverent sense of humor, extensive knowledge of rock music, and musical parodies, Samansky performed on-air and at various small Orlando venues, Samansky was a staple of rock radio in the region for 20 years. Samansky's radio career began in 1976 in Cheyenne, Wyoming, before he moved to Denver, Colorado; Chicago, Illinois; and finally, Houston, Texas, where he began a hit show with fellow disc jockey Alan Baxter, "The Baxter and Mark Show," which they brought to Orlando in 1983. The show was the #1 rated radio show among adults 18 to 34 years old in Orlando for a period. Samansky left the show in 1992 and moved to 740 WWNZ-AM in Orlando, where he remained until he was fired in 1993 for an off-color comment he made on-air. He next moved to the Orlando classic-rock station 96.5 WHTQ-FM, experiencing a ratings-topping summer in 1996 among 25- to 54-year-olds. Samansky later served a one-year stint at 101.1 WJRR-FM in 2000 alongside Larry the Cable Guy, and helped produce the future-famous comedian's first album. Samansky passed away in 2011. Type Still Image Source Original black and white photograph: Private Collection of Mick Dolan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. Coverage WDIZ-FM, Orlando, Florida Creator Dolan, Mick Contributor Dolan, Mick Date Created ca. 1983-1991 Format image/jpg Extent 45.2 KB Medium 1 black and white photograph Mediator History Teacher Geography Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by Mick Dolan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Mick Dolan External Reference Brewster, Bill, and Frank Broughton. <a href="http://www.worldcat.org/oclc/43445660" target="_blank">Last Night a Dj Saved My Life: The History of the Disc Jockey</a>. New York: Grove Press, 2000. Neer, Richard. <a href="http://www.worldcat.org/oclc/46713260" target="_blank">FM: The Rise and Fall of Rock Radio</a>. New York: Villard Books, 2001. Willis, Nicole A. "<a href="http://articles.orlandosentinel.com/2011-04-06/news/os-obituary-mark-samansky-20110406_1_baxter-and-mark-show-mark-samansky-rock-station" target="_blank">Mark Samansky: Radio antics hooked his audience</a>." Orlando Sentinel (April 6, 2011). http://articles.orlandosentinel.com/2011-04-06/news/os-obituary-mark-samansky-20110406_1_baxter-and-mark-show-mark-samansky-rock-station (accessed May 28, 2015). Baxter and Mark Show disc jockey DJ Mark Samansky orlando radio radio personality rock rock music shock jock shock radio WDIZ-FM WHTQ-FM WJRR-FM WWNZ-AM https://richesmi.cah.ucf.edu/omeka/files/original/734e17ee6c6fb9eb1ea03c0d20733bc9.jpg 0fa5d161504c727fa7a0c699bbea212f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Crowd for the Rolling Stones at Rock Superbowl XII Alternative Title Rock Superbowl XII Subject Rolling Stones Orlando (Fla.) Concerts Rock concerts Stadiums--Florida Music--Florida Rock music--United States Description The crowd at Rock Superbowl XII featuring the Rolling Stones at the Tangerine Bowl in Orlando, Florida, on October 25, 1981. The ticket price was $15.60, including tax, and the show began at noon, with the doors opening at 9 am. The opening act was Van Halen. The concert was promoted by Cellar Door Productions and Beach Club Productions. This photograph was taken by Orlando radio personality, Mick Dolan. The Rolling Stones are an English rock and blues band formed in 1962 that have become one of the most successful musical acts of all time. The band enjoyed the height of their commercial and critical success during the 1960s and 1970s. The Tangerine Bowl has also been known as Orlando Stadium, the Citrus Bowl, Florida Citrus Bowl Stadium and is currently known as Orlando Citrus Bowl Stadium. It opened in 1936 and has been home to numerous sporting and entertainment events throughout its existence. The Rolling Stones 1981 Tour was the first time a band had a corporate sponsorship, allowing Jovan Musk to pay them several million dollars to sponsor the tour without the band having to officially endorse the company. The band explained that "selling out" to corporate sponsors would help keep ticket prices down. The average ticket price was $16 and the tour grossed $50 million in tickets sales, the highest of any tour in 1981. This would be the last time the band toured the United States until 1989. Type Still Image Source Original color photograph: Private Collection of Mick Dolan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Coverage Tangerine Bowl, Orlando, Florida Creator Dolan, Mick Contributor Dolan, Mick Date Created ca. 1981-10-25 Format image/jpg Extent 274 KB Medium 1 color photograph Mediator History Teacher Geography Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by Mick Dolan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Mick Dolan External Reference Booth, Stanley. <a href="http://www.worldcat.org/oclc/42435091" target="_blank">The True Adventures of the Rolling Stones</a>. Chicago, IL: A Capella, 2000. Kozak, Roman. “<a href="%E2%80%9Dhttps%3A//books.google.com/books?id=GyQEAAAAMBAJ&pg=PT5&lpg=PT5&dq=rockbill+ties+music+acts+with+advertisers&source=bl&ots=KASyezuHJN&sig=A5DZ_sKefJU65nhT6BsS8H-TLGQ&hl=en&sa=X&ei=RDxnVfqQO8TAggTQi4DABA&ved=0CBQQ6AEwAA#v=onepage&q=rockbill%20ties%20music%20acts%20with%20advertisers&f=false" target="_blank">Rockbill Ties Music Acts With Advertisers</a>." Billboard Newspaper (October 17, 1981): 6, 17. Loder, Kurt and Steven Pond. “<a href="%E2%80%9Dhttp%3A//www.rollingstone.com/music/news/stones-tour-pays-off-19820121%E2%80%9D">Stones Tour Pays Off</a>." Rolling Stone 361 (January 21, 1982). http://www.rollingstone.com/music/news/stones-tour-pays-off-19820121. Galbraith, Gary. “<a href="%E2%80%9D" target="_blank">1981 American Tour 1981 (Still Life) Part 1: 14th September to 26th October</a>." The "Rocks Off" Rolling Stones Setlists Page. http://rocksoff.org/1981.htm. “<a href="%E2%80%9Dhttp%3A//www.rockshowvideos.com/rocksuperbowl12.html%E2%80%9D">Rock Super Bowl XII</a>.” Orlando Rock Super Bowls. Rock Show Videos.com http://www.rockshowvideos.com/rocksuperbowl12.html. Beach Club Productions Capital One Bowl Cellar Door Productions Citrus Bowl concerts Florida Citrus Bowl Jovan Fragrances Jovan Musk Jovan, Inc. Mick Dolan music orlando Orlando Citrus Bowl Stadium Orlando Stadium rock rock music Rock Superbowl Rock Superbowl XII Rolling Stones Rolling Stones American Tour 1981 stadiums Tangerine Bowl Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format 1 audio/video recording Duration 6 minutes and 23 seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title WUCF Artisodes Short: Violectric Alternative Title Violectric Artisode Subject Orlando (Fla.) Music--Florida Rock music--United States Education--Florida Description Violectric is an Orlando-based band that combines the classical sound of violins, violas, and stringed instruments with the energy and irreverence of rock music. In addition to performing, members of the groups teach music to eager students. WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #147: Development through Diversity" on October 16, 2014. Type Moving Image Source Original 6-minute and 23-second audio/video recording of Violectric, <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>, Orlando, Florida, April 9, 2015: WUCF-TV, University of Central Florida, Orlando, Florida. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a> <a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a> Is Part Of <a href="http://video.wucftv.org/video/2365462795/" target="_blank">WUCF Artisodes 167: Mix & Match</a>, WUCF-TV, University of Central Florida, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida Is Format Of <a href="http://video.wucftv.org/video/2365463463/" target="_blank">WUCF Artisodes Short: Violectric</a>, WUCF-TV, University of Central Florida, Orlando, Florida. Coverage WUCF-TV, University of Central Florida, Orlando, Florida Dr. Phillips Center for the Performing Arts, Orlando, Florida Publisher <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> Contributor Brazil, Dana Jones, Michelle May, Nathan PPurutcuoglu, Laine Raymond, Danny Trujillo, Yamilet Violectric Woodbury, Laura Date Created 2015-04-09 Date Issued 2015-04-09 Date Copyrighted 2015-04-09 Format application/website application/pdf Medium 6-minute and 23-second audio/video recording Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally published by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>. Rights Holder Copyright to this resource is held by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> External Reference Ammer, Christine. <a href="http://www.worldcat.org/oclc/5289380" target="_blank">Unsung: A History of Women in American Music</a>. Westport, Conn: Greenwood Press, 1980 "<a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank">WUCF Artisodes</a>." WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed April 13, 2015). Click to View (Movie, Podcast, or Website) <a href="https://www.youtube.com/watch?v=W2slnqI64cA" target="_blank">WUCF Artisodes Short: Violectric</a> Artisodes bass guitars bassists cellists cellos concerts Dana Brazil Danny Raymond Dr. Phillips Center for the Performing Arts drummers drums education educators Guns N' Roses James Patrick Page Jimmy Page Kashmir keyboardists keyboards Laine Purutcuoglu Laura Woodbury Led Zeppelin Maroon 5 Michaelle Jones Mix & Match Moves like Jagger music education Nathan May orlando PBS Physical Graffiti Public Broadcasting Service Robert Anthony Plant Robert Plant string quintets Sweet Child o' Mine teachers UCF University of Central Florida upright bass violas Violectric violinists violists WUCF Artisodes WUCF Artisodes Short WUCF-TV Yamilet Trujillo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format 1 audio/video recording Duration 3 minutes and 38 seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title WUCF Artisodes Short: ATLAS Alternative Title ATLAS Artisode Subject Orlando (Fla.) Music--United States Rock music--United States Description Members of the Orlando-based heavy metal band, ATLAS, discuss how their genre makes up for the fact that heavy metal is not mainstream with a dedicated fan base. WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #139: Music Music Music" on July 31, 2014. Type Moving Image Source Original 3-minute and 38-second audio/video recording of ATLAS, <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>, Orlando, Florida, July 31, 2014: WUCF-TV, University of Central Florida, Orlando, Florida. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a> <a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a> Is Part Of <a href="http://video.wucftv.org/video/2365300701/" target="_blank">WUCF Artisodes 139: Music Music Music</a>, WUCF-TV, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of <a href="http://video.wucftv.org/video/2365305285/" target="_blank">WUCF Artisodes Short: ATLAS</a>, WUCF-TV, Orlando, Florida. Coverage WUCF-TV, University of Central Florida, Orlando, Florida The Boondocks Bar & Music Venue, Melbourne, Florida Publisher <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> Contributor ATLAS Matta, Sonny Davey, Zach Oglesby, Chris Miller, Logan Date Created 2014-07-31 Date Issued 2014-07-31 Date Copyrighted 2014-07-31 Format application/website application/pdf Medium 3-minute and 38-second audio/video recording Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally published by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>. Rights Holder Copyright to this resource is held by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> External Reference Walser, Robert. <a href="http://www.worldcat.org/oclc/48138450" target="_blank">Running with the Devil Power, Gender, and Madness in Heavy Metal Music</a>. Hanover, NH: University Press of New England, 1993. . "<a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank">WUCF Artisodes</a>." WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed April 7, 2015). Click to View (Movie, Podcast, or Website) <a href="https://www.youtube.com/watch?v=Ax4rU5_TGJ4" target="_blank">WUCF Artisodes Short: ATLAS</a> Artisodes Atlas bassists Chris Oglesby composers drummers guitarists heavy metal Iron Maiden lead singers lead vocalists Logan Miller Megadeth Melbourne metal music music Music Music Music musicians orlando PBS Public Broadcasting Service rock music songwriters Sonny Matta The Boondocks UCF University of Central Florida WUCF Artisodes WUCF Artisodes Short WUCF-TV Zach Davey Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format 1 audio/video recording Duration 4 minutes and 46 seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title WUCF Artisodes Short: Song Peddler Alternative Title Song Peddler Artisode Subject New Smyrna Beach (Fla.) Music--United States Rock music--United States Description After performing for years as the "Piano Man" on numerous cruise ships, Ted White grew tired of travel and built a unique musical contraption. Since then, Ted performs regularly on the beach on his bicycle/keyboard that he built to resemble a grand piano. WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #130" on May 15, 2014. Type Moving Image Source Original 4-minute and 46-second audio/video recording of Song Peddler, <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>, Orlando, Florida, May 15, 2014: WUCF-TV, University of Central Florida, Orlando, Florida. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a> <a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://video.wucftv.org/video/2365246709/" target="_blank">WUCF Artisodes 130</a>, WUCF-TV, University of Central Florida, Orlando, Florida. Is Format Of <a href="http://video.wucftv.org/video/2365253722/" target="_blank">WUCF Artisodes Short: Song Peddler</a>, WUCF-TV, University of Central Florida, Orlando, Florida. Coverage WUCF-TV, University of Central Florida, Orlando, Florida Flagler Boardwalk, New Smyrna Beach, Florida Key West, Florida Publisher <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> Contributor White, Ted Date Created ca. 2015-01-29 Date Issued 2014-05-15 Date Copyrighted 2014-05-15 Format application/website application/pdf Medium 4-minute and 46-second audio/video recording Language eng Mediator History Teacher Geography Teacher Humanities Teacher Music Teacher Economics Teacher Provenance Originally published by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>. Rights Holder Copyright to this resource is held by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> External Reference Mason, Bim. <a href="http://www.worldcat.org/oclc/24907210" target="_blank">Street Theatre and Other Outdoor Performance</a>. London: Routledge, 1992. <a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank">”WUCF Artisodes</a>.” WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed March 31, 2015). Click to View (Movie, Podcast, or Website) <a href="https://www.youtube.com/watch?v=CVFzzWDUrSk" target="_blank">WUCF Artisodes Short: Piano Man</a> Artisodes bicycles bikes Billy Joel Flagler Boardwalk inventors Key West keyboardists keyboards mixing boards monitors musicians New Smyrna Beach orlando PBS pianists piano bicycles Piano Man pianos pop music pop rock Public Broadcasting Service soft rock Song Peddler street musicians street performances street performers Ted White UCF University of Central Florida William Martin Joel WUCF Artisodes WUCF-TV Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format 1 audio/video recording Duration 5 minutes and 31 seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title WUCF Artisodes Short: Enmanuel Chacin Alternative Title Enmanuel Chacin Artisode Subject Orlando (Fla.) Music--United States Rock music--United States Description One of Central Florida's most unique and talented drummers/percussionists, Enmanuel Chacin, shares his thoughts on what he considers to be the blueprint of life: music. Chacin, who is blind, grew up in Caracas, Venezuela, where he claims the culture is driven by drums and percussion. WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #161: We've Got the Beat" on February 12, 2015. Type Moving Image Source Original 5-minute and 31-second audio/video recording of Enmanuel Chacin, <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>, Orlando, Florida, February 12, 2015: WUCF-TV, University of Central Florida, Orlando, Florida. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a> <a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://video.wucftv.org/video/2365422312/" target="_blank">WUCF Artisodes 161: We've Got the Beat</a>, WUCF-TV, University of Central Florida, Orlando, Florida. Is Format Of <a href="http://video.wucftv.org/video/2365425045/" target="_blank">WUCF Artisodes Short: Enmanuel Chacin</a>, WUCF-TV, University of Central Florida, Orlando, Florida. Coverage WUCF-TV, University of Central Florida, Orlando, Florida Valencia College, Orlando, Florida Caracas, Venezuela Publisher <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> Contributor Chacin, Enmanuel Browning, Barbara Date Created ca. 2015-01-29 Date Issued 2015-02-12 Date Copyrighted 2015-02-12 Format application/website application/pdf Medium 5-minute and 31-second audio/video recording Language eng Mediator History Teacher Geography Teacher Humanities Teacher Music Teacher Provenance Originally published by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>. Rights Holder Copyright to this resource is held by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> External Reference Price, Jim. <a href="http://www.guidedogs.com/site/PageServer?pagename=stories_echacin" target="_blank">"Enmanuel Chacin</a>." Guidedogs for the Blind. http://www.guidedogs.com/site/PageServer?pagename=stories_echacin (Accessed March 30, 2015). <a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank">”WUCF Artisodes</a>.” WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed March 30, 2015). Click to View (Movie, Podcast, or Website) <a href="https://www.youtube.com/watch?v=L55f31AOaUA" target="_blank">WUCF Artisodes Short: Enmanuel Chacin</a> Artisodes Barbara Browning blind blindness Caracas, Venezuela disabilities disability drummers drums Enmanuel Chacin musicians orlando PBS Pearl drums percussion percussionists Public Broadcasting Service rock rock music UCF University of Central Florida Valencia College VC visual impairments visually impaired We've Got the Beat WUCF Artisodes WUCF-TV https://richesmi.cah.ucf.edu/omeka/files/original/73c23eb44f4068857b6315d2328f13e3.jpg 642bdfaf16216b6b4f809636ddbcec27 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Atlanta Rhythm Section Ticket Stub Alternative Title Atlanta Rhythm Section Ticket Subject Orlando (Fla.) Music--United States Rock music--United States Description A ticket stub for a concert featuring Atlanta Rhythm Section at the Orlando Sports Stadium, which was also known as the Eddie Graham Sports Complex. The concert took place on February 23, 1979. The show was presented by Zeta 7 and produced by Bishop Productions. The doors opened at 7 p.m. and the showtime was at 8 p.m. The ticket price was $5.00, including tax. Once host to some of the top names in sports and music, the Orlando Sports Complex was demolished by the Orange County Building Department in 1995 due to code violations. Type Text Source Original ticket stub: Private Collection of Julie Wahl. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original ticket stub. Coverage Orlando Sports Stadium, Orlando, Florida Contributor Wahl, Julie Date Created ca. 1979-02-23 Date Issued ca. 1979-02-23 Format image/jpg Extent 81.4 KB Medium 1 ticket stub Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by Julie Wahl and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a> Source Repository Private Collection of Julie Wahl External Reference Mixon, Bernie. "<a href="http://articles.orlandosentinel.com/1995-11-15/news/9511141684_1_sports-stadium-orlando-sports-hoffman" target="_blank">Sports Stadium Down For The Count</a>." The Orlando Sentinel, November 15, 1995. Accessed February 16, 2015. http://articles.orlandosentinel.com/1995-11-15/news/9511141684_1_sports-stadium-orlando-sports-hoffman. ARS Atlanta Rhythm Section Bishop Productions concerts Econ River Estates Eddie Graham Sports Complex folk rock orlando Orlando Sports Stadium rock music soft rock Southern rock Zeta 7 https://richesmi.cah.ucf.edu/omeka/files/original/65c38a8aa631116cbb5f4659861f8193.jpg 7656592a7477e5e4691628f4d664d9f3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rick Derringer Ticket Stub Alternative Title Rick Derringer Ticket Subject Orlando (Fla.) Music--United States Rock music--United States Blues (Music)--United States Pop music Description A ticket stub for a concert featuring Rick Derringer (b. 1947) at the Great Southern Music Hall, located at 46 North Orange Avenue in Orlando, Florida, on August 19, 1978. The show began at 11 p.m. The Great Southern Music Hall, which changed its name to the Beacham Theater after renovations in 1976, was a music venue located at 46 North Orange Avenue in Downtown Orlando. The theater opened on December 9, 1921, as a vaudeville and movie theater. Type Text Source Original ticket stub: Private Collection of Julie Wahl. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original ticket stub. Coverage Great Southern Music Hall, Orlando, Florida Contributor Wahl, Julie Date Created ca. 1978-08-19 Date Issued ca. 1978-08-19 Format image/jpg Extent 85.9 KB Medium 1 ticket stub Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by Julie Wahl and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a> Source Repository Private Collection of Julie Wahl External Reference Muise, Dan. <a href="http://www.worldcat.org/oclc/49842572" target="_blank">Gallagher, Marriott, Derringer & Trower: Their Lives and Music</a>. Milwaukee, WI: Hal Leonard Corp, 2002. Beacham Beacham Theater blues blues rock Christian rock concerts Great Southern Music Hall guitar players hard rock jazz fusion orlando Orlando concerts pop music Rick Derringer Ricky Dean Zehringer rock music https://richesmi.cah.ucf.edu/omeka/files/original/7937fafc57e90a3aa6c7ce2c0f88064c.jpg 72a893a4fca4f632b54059102c212fff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Head East Ticket Stub Alternative Title Head East Ticket Subject Orlando (Fla.) Music--United States Rock music--United States Description A ticket stub for a concert featuring Head East at the Great Southern Music Hall, located at 46 North Orange Avenue in Orlando, Florida. The concert took place on February 10, 1979, at midnight. The ticket price was $6.50 for general admission, including tax. The Great Southern Music Hall, which changed its name to the Beacham Theater after renovations in 1976, was a music venue located at 46 North Orange Avenue in Downtown Orlando. The theater opened on December 9, 1921, as a vaudeville and movie theater. Type Text Source Original ticket stub: Private Collection of Julie Wahl. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original ticket stub. Coverage Great Southern Music Hall, Orlando, Florida Contributor Wahl, Julie Date Created ca. 1979-02-10 Date Issued ca. 1979-02-10 Format image/jpg Extent 94.6 KB Medium 1 ticket stub Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by Julie Wahl and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a> Source Repository Private Collection of Julie Wahl External Reference "<a href="http://www.head-east.com/bandhistory.html" target="_blank">Head East Band History</a>." Head-East.com. www.head-east.com/bandhistory.html (accessed March 4, 2015). Beacham Beacham Theater concerts Downtown Orlando Great Southern Music Hall hard rock Head East orlando rock music https://richesmi.cah.ucf.edu/omeka/files/original/2b3c1433ed1a45afeea27419ff4420d5.jpg 2f4b9e414ea1dbe30592240ec26a11c8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Mahogany Rush Ticket Stub Alternative Title Mahogany Rush Ticket Subject Lakeland (Fla.) Music--United States Rock music--United States Description A ticket stub for a concert featuring Mahogany Rush at the Lakeland Civic Center in Lakeland, Florida. The concert took place on April 20, 1980, at 7 p.m. and was presented by Cellar Door Concerts. The ticket price was $6.50, including tax. The Lakeland Civic Center is a multi-purpose arena that opened in 1974, and is located at 701 West Lime Street in Lakeland. Type Text Source Original ticket stub: Private Collection of Julie Wahl. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original ticket stub. Coverage Lakeland Civic Center, Lakeland, Florida Contributor Wahl, Julie Date Created ca. 1980-04-20 Date Issued ca. 1980-04-20 Format image/jpg Extent 70.2 KB Medium 1 ticket stub Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by Julie Wahl and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a> Source Repository Private Collection of Julie Wahl External Reference Parsons, Willie. "<a href="http://www.mahoganyrush.com/history.htm" target="_blank">Band History</a>." Mahoganyrush.com. http://www.mahoganyrush.com/history.htm (accessed March 3, 2015). Canadian music Canadian-American music Cellar Door Concerts concerts funk rock hard rock heavy metal Lakeland Lakeland Civic Center Mahogany Rush psychedelic rock rock music https://richesmi.cah.ucf.edu/omeka/files/original/d62117da05b0d23f614b22a815fcc9ca.jpg c6f0b9c4f0c1bb1755d29669ac83d746 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Next Sunday Alternative Title Next Sunday Subject Orlando (Fla.) Music--United States Rock music--United States Description A newspaper clipping about Rock Super Bowl III, featuring Peter Frampton (b. 1950), Kansas, The J. Geils Band, and Rick Derringer (b. 1947) at the Tangerine Bowl in Orlando, Florida. The concert took place on September 4, 1977, and was presented by Beach Club. The ticket prices ranged between $8.50 and $12.50, including tax. From 1977 to 1983 the Tangerine Bowl hosted a series of music festivals known as "Rock Super Bowls." The Tangerine Bowl has also been known as Orlando Stadium, the Citrus Bowl, Florida Citrus Bowl Stadium, and is currently known as Orlando Citrus Bowl Stadium. The stadium opened in 1936 and has been home to numerous sporting and entertainment events throughout its existence. The Tangerine Bowl was located at 1 Citrus Bowl Place in Orlando. Type Text Source Original article: "NEXT SUNDAY." 1977: Private Collection of Julie Wahl. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original article: "NEXT SUNDAY." 1977. Coverage Tangerine Bowl, Orlando, Florida Contributor Wahl, Julie Date Created ca. 1977 Date Issued ca. 1977 Format image/jpg Extent 65.8 KB Medium 1 newspaper article Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by Julie Wahl and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a> Source Repository Private Collection of Julie Wahl External Reference "<a href="http://www.rockshowvideos.com/rocksuperbowl3.html" target="_blank">Rock Super Bowl III</a>." Orlando Rock Super Bowls. http://www.rockshowvideos.com/rocksuperbowl3.html (accessed February 23, 2015). Beach Club blues blues rock Christian rock Citrus Bowl concerts Florida Citrus Bowl hard rock Infinite Mushroom J. Geils Band jazz fusion Kansas Labor Day Lakeland Civic Center music festivals orlando Orlando Citrus Bowl Stadium Orlando Stadium Peter Frampton Peter Kenneth Frampton pop music progressive rock Rick Derringer Ricky Dean Zehringer rock band rock concert rock festival rock music Rock Super Bowl Rock Super Bowl III soft rock Streep's Tangerine Bowl https://richesmi.cah.ucf.edu/omeka/files/original/73e598a2908f9e7cd45ef5278ff492ba.jpg 351bc7626c0872d215793cc4fabef35f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Kansas to Play Sunday Alternative Title Kansas to Play Sunday Subject Orlando (Fla.) Music--United States Rock music--United States Description A newspaper article about Rock Super Bowl III, featuring Peter Frampton (b. 1950), Kansas, The J. Geils Band, and Rick Derringer (b. 1947) at the Tangerine Bowl in Orlando, Florida. The concert took place on September 4, 1977, and was presented by the Beach Club. The ticket prices ranged between $8.50 and $12.50, including tax. This clipping includes a photograph of the band members of Kansas: Steve Walsh (b. 1951), Phil Ehart (b. 1951), Rich Williams (b. 1950), Dave Hope (b. 1949), Kerry Livgren (b. 1949), Robby Steinhardt (b. 1950). From 1977 to 1983 the Tangerine Bowl hosted a series of music festivals known as "Rock Super Bowls." The Tangerine Bowl has also been known as Orlando Stadium, the Citrus Bowl, Florida Citrus Bowl Stadium, and is currently known as Orlando Citrus Bowl Stadium. The stadium opened in 1936 and has been home to numerous sporting and entertainment events throughout its existence. The Tangerine Bowl is located at 1 Citrus Bowl Place in Orlando. Type Text Source Original article: "Kansas to play Sunday."1977: Private Collection of Julie Wahl. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original article: "Kansas to play Sunday." 1977. Coverage Tangerine Bowl, Orlando, Florida Contributor Wahl, Julie Date Created 1977 Date Issued 1977 Format image/jpg Extent 98.9 KB Medium 1 newspaper article Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by Julie Wahl and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a> Source Repository Private Collection of Julie Wahl External Reference "<a href="http://www.rockshowvideos.com/rocksuperbowl3.html" target="_blank">Rock Super Bowl III</a>." Orlando Rock Super Bowls. http://www.rockshowvideos.com/rocksuperbowl3.html (accessed February 23, 2015). Beach Club Carry On Wayward Son Citrus Bowl concert concerts Dave Hope Florida Citrus Bowl Infinite Mushroom J. Geils Band Kansas Kerry Allen Livgren Kerry Livgren Lakeland Lakeland Civic Center music festivals orlando Orlando Citrus Bowl Stadium Orlando Stadium Peter Frampton Peter Kenneth Frampton Phil Ehart Philip W. Ehart progressive rock Rich Williams Richard Allen Williams Rick Derringer Robby Steinhardy Robert Eugene Steinhardt rock music Rock Super Bowl Rock Super Bowl III Steve Walsh Streep's Tangerine Bowl https://richesmi.cah.ucf.edu/omeka/files/original/d273dab13e1f7da21f885a8265c5b24d.jpg edb6450e66265152aacc45ea91275cb5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Frampton Alternative Title Frampton Subject Orlando (Fla.) Music--United States Rock music--United States Description A newspaper article about Rock Super Bowl III, featuring Peter Frampton (b. 1950), Kansas, The J. Geils Band, and Rick Derringer (b. 1947) at the Tangerine Bowl in Orlando, Florida. The concert took place on September 4, 1977, and was presented by the Beach Club. The ticket prices ranged between $8.50 and $12.50, including tax. This page is the continuation of an article on the front page. From 1977 to 1983 the Tangerine Bowl hosted a series of music festivals known as "Rock Super Bowls." The Tangerine Bowl has also been known as Orlando Stadium, the Citrus Bowl, Florida Citrus Bowl Stadium, and is currently known as Orlando Citrus Bowl Stadium. The stadium opened in 1936 and has been home to numerous sporting and entertainment events throughout its existence. The Tangerine Bowl is located at 1 Citrus Bowl Place in Orlando. Type Text Source Original article: "Frampton - From 1-A." 1977: Private Collection of Julie Wahl. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original article: "Frampton - From 1-A." 1977. Coverage Tangerine Bowl, Orlando, Florida Contributor Wahl, Julie Date Created 1977 Date Issued 1977 Format image/jpg Extent 123 KB Medium 1 newspaper article Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by Julie Wahl and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a> Source Repository Private Collection of Julie Wahl External Reference "<a href="http://www.rockshowvideos.com/rocksuperbowl3.html" target="_blank">Rock Super Bowl III</a>." Orlando Rock Super Bowls. http://www.rockshowvideos.com/rocksuperbowl3.html (accessed February 23, 2015). Beach Club blues rock Citrus Bowl concerts Florida Citrus Bowl hard rock J. Geils Band Kansas music festivals orlando Orlando Citrus Bowl Stadium Orlando Stadium Peter Frampton Peter Kenneth Frampton Plant City Rick Derringer rock music Rock Super Bowl Rock Super Bowl III soft rock T-bowl Tampa Tangerine Bowl https://richesmi.cah.ucf.edu/omeka/files/original/f43523a5dd3f80fe303ff2141b03a1c9.jpg 40a709adb64456444db7c51dada91149 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Nazareth Tops Bill Alternative Title Nazareth Tops Bill Subject Music--United States Rock music--United States Description A newspaper clipping about a concert featuring Nazareth with Mahogany Rush and Sammy Hagar (b. 1947) at the Orlando-Seminole Jai Alai Fronton in Fern Park, Florida. The concert took place on February 24, 1978, and was presented by Albert Promotions and FM 107. The ticket price was $6.50. This clipping contains a photograph of the members of Nazareth, from left to right, bottom to top: Darrell Sweet (1947-1999), Manny Charlton (b. 1941), Dan McCafferty (b. 1946), and Pete Agnew (b. 1946). Orlando-Seminole Jai Alai Fronton was built in 1962 and hosted concerts, graduations and events in addition to jai-alai matches, which remained popular through the mid-1980s, when its popularity began to decline. The building was rebranded Orlando Live Events (OLE) in 2014. It is located at 6405 South U.S. Route 17-92 (U.S. 17-92) in Fern Park. Type Text Source Original newspaper article: "Nazareth tops bill." February 24, 1978: Private Collection of Julie Wahl. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original newspaper article: "Nazareth tops bill." February 24, 1978. Coverage Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Contributor Wahl, Julie Date Created ca. 1978-02-24 Date Issued ca. 1978-02-24 Format image/jpg Extent 113 KB Medium 1 newspaper article Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by Julie Wahl and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a> Source Repository Private Collection of Julie Wahl External Reference Comas, Martin E. "<a href="orlando-jai-alai-fronton-events-20131020_1_orlando-jai-alai-francisco-elorriaga-national-jai-alai-association" target="_blank">As sport declines, Orlando Jai-Alai adds movies, other events</a>." The Orlando Sentinel. (October 20, 2013). Accessed February 24, 2015. http://articles.orlandosentinel.com/2013-10-20/news/os-orlando-jai-alai-fronton-events-20131020_1_orlando-jai-alai-francisco-elorriaga-national-jai-alai-association. Agnew, Pete Albert Promotions Altamonte Mall Altamonte Springs concert concerts Dan Cafferty Darrell Anthony Sweet Darrell Sweet Fern Park FM 107 funk rock hard rock heavy metal Infinite Mushroom Mahogany Rush Manny Charlton Manual Charlton metal Nazareth OLE orlando Orlando Fashion Square Orlando Live Events Orlando-Seminole Jai-Alai Fronton Pete Agnew pop music pop rock psychedelic rock rock music Sammy Hagar Samuel Roy Hagar Southern Music Hall William Daniel McCafferty https://richesmi.cah.ucf.edu/omeka/files/original/ce37612adebdc89f7fe355ba32534968.jpg 698ad155b5409869bd71abffe166564e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Steppenwolf Ticket Stub Alternative Title Steppenwolf Ticket Subject Orlando (Fla.) Music--United States Rock music--United States Description A ticket stub for a concert featuring Steppenwolf at the Orlando Sports Stadium, which was also known as the Eddie Graham Sports Complex. The concert took place on New Year's Eve in 1977. The show was presented by TMT Productions and BJ Booking Agency. The opening bands were Somf City, Friends, and Cantamos Jazz Band, and the ticket price was $5. Once host to some of the top names in sports and music, the Orlando Sports Complex was demolished by the Orange County Building Department in 1995 due to code violations. Type Text Source Original ticket stub: Private Collection of Julie Wahl. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original ticket stub. Coverage Orlando Sports Stadium, Orlando, Florida Contributor Wahl, Julie Date Created ca. 1977-12-31 Date Issued ca. 1977-12-31 Format image/jpg Extent 71.5 KB Medium 1 ticket stub Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by Julie Wahl and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a> Source Repository Private Collection of Julie Wahl External Reference Mixon, Bernie. "<a href="http://articles.orlandosentinel.com/1995-11-15/news/9511141684_1_sports-stadium-orlando-sports-hoffman" target="_blank">Sports Stadium Down For The Count</a>." The Orlando Sentinel, November 15, 1995. Accessed February 16, 2015. http://articles.orlandosentinel.com/1995-11-15/news/9511141684_1_sports-stadium-orlando-sports-hoffman. BJ Booking Agency Canadian rock Cantamos Jazz Band concerts Econ River Estates Eddie Graham Sports Complex Friends hard rock heavy metal New Year's Eve orlando Orlando Sports Stadium psychedelic rock rock music Somf City Steppenwolf TMT Productions https://richesmi.cah.ucf.edu/omeka/files/original/94bae885629b37b305c6d512c8139b7b.jpg 4ca685e4d4dbf45764deec8849b2d538 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Nazareth Ticket Stub Alternative Title Nazareth Ticket Subject Music--United States Rock music--United States Description A ticket stub for a concert featuring Nazareth at Orlando Seminole Jai-Alai Fonton in Fern Park, Florida. The opening bands were Mahogany Rush and Sammy Hagar (b. 1947). The concert took place on February 24, 1978, and was presented by Albert Promotions and FM 107. The ticket price was $6.50. Orlando-Seminole Jai Alai Fronton was built in 1962 and hosted concerts, graduations, and events in addition to jai-alai matches, which remained popular through the mid-1980s, when its popularity began to decline. The building was re-branded Orlando Live Events (OLE) in 2014. It is located at 6405 South U.S. Route 17-92 in Fern Park. Type Text Source Original ticket stub: Private Collection of Julie Wahl. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original ticket stub. Coverage Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Contributor Wahl, Julie Date Created ca. 1978-02-24 Date Issued ca. 1978-02-24 Format image/jpg Extent 58.4 Medium 1 ticket stub Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by Julie Wahl and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a> Source Repository Private Collection of Julie Wahl External Reference Hagar, Sammy, and Joel Selvin. <a href="http://www.worldcat.org/oclc/641532203" target="_blank">Red: My Uncensored Life in Rock</a>. New York: !t Books, 2011. Erlewine, Stephen Thomas. "<a href="http://www.allmusic.com/artist/nazareth-mn0000377891/biography" target="_blank">Nazareth: Artist Biography</a>." AllMusic.com. http://www.allmusic.com/artist/nazareth-mn0000377891/biography (accessed February 24, 2015). Comas, Martin E. "<a href="http://articles.orlandosentinel.com/2013-10-20/news/os-orlando-jai-alai-fronton-events-20131020_1_orlando-jai-alai-francisco-elorriaga-national-jai-alai-association" target="_blank">As sport declines, Orlando Jai-Alai adds movies, other events</a>." The Orlando Sentinel. (October 20, 2013). Accessed February 24, 2015. http://articles.orlandosentinel.com/2013-10-20/news/os-orlando-jai-alai-fronton-events-20131020_1_orlando-jai-alai-francisco-elorriaga-national-jai-alai-association. Albert Promotions concerts Fern Park FM 107 funk rock hard rock heavy metal Mahogany Rush Nazareth orlando Orlando Jai-Alai Orlando Live Events Orlando-Seminole Jai Alai Fronton Orlando-Seminole Jai-Alai Fronton pop music pop rock psychedelic rock Sammy Hagar Samuel Roy Hagar https://richesmi.cah.ucf.edu/omeka/files/original/4418c2a1e46ae209a48898bf1c24a080.jpg 5482634cddca25406edb5d99814f6d09 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Peter Frampton Ticket Stub Alternative Title Peter Frampton Ticket Subject Orlando (Fla.) Music--United States Rock music--United States Description A ticket stub for Rock Super Bowl III, featuring Peter Frampton (b. 1950), Kansas, The J. Geils Band, and Rick Derringer (b. 1947), at the Tangerine Bowl in Orlando, Florida. The concert took place on September 4, 1977, and was presented by the Beach Club. The ticket prices were between $8.50 and $12.50, including tax. From 1977 to 1983 the Tangerine Bowl hosted a series of music festivals known as "Rock Super Bowls." The Tangerine Bowl has also been known as Orlando Stadium, the Citrus Bowl, Florida Citrus Bowl Stadium and is currently known as Orlando Citrus Bowl Stadium. It opened in 1936 and has been home to numerous sporting and entertainment events throughout its existence. The Tangerine Bowl is located at 1 Citrus Bowl Place in Orlando. Type Text Source Original ticket stub: Private Collection of Julie Wahl. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original ticket stub. Coverage Tangerine Bowl, Orlando, Florida Contributor Wahl, Julie Date Created ca. 1977-09-04 Date Issued ca. 1977-09-04 Format image/jpg Extent 57.8 KB Medium 1 ticket stub Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by Julie Wahl and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a> Source Repository Private Collection of Julie Wahl External Reference Clarke, Steve. <a href="http://www.worldcat.org/oclc/3522464" target="_blank">Peter Frampton: The Man Who Came Alive : a Fascinating Biography in Words, Interviews and Photographs</a>. H. Bunch Associates, 1977. "<a href="http://www.rockshowvideos.com/rocksuperbowl3.html" target="_blank">Rock Super Bowl III</a>." Orlando Rock Super Bowls. http://www.rockshowvideos.com/rocksuperbowl3.html (accessed February 23, 2015). Muise, Dan. <a href="http://www.worldcat.org/oclc/49842572" target="_blank">Gallagher, Marriott, Derringer & Trower: Their Lives and Music</a>. Milwaukee, WI: Hal Leonard Corp, 2002. Beach Club blues blues rock Christian rock Citrus Bowl concerts Derringer, Rick Florida Citrus Bowl hard rock jazz fusion Kansas music festivals orlando Orlando Citrus Bowl Stadium Orlando Stadium Peter Frampton Peter Kenneth Frampton pop music progressive rock Rick Derringer Ricky Dean Zehringer Rock Super Bowl Rock Super Bowl III soft rock Tangerine Bowl The J. Geils Band https://richesmi.cah.ucf.edu/omeka/files/original/4e69c91e5091774a8bc345773e214099.jpg 6f7fe8de4f03caacdea0247ae6421998 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Outlaws Ticket Stub Alternative Title Outlaws Ticket Subject Orlando (Fla.) Music--Florida Rock music--United States Description A ticket stub for a concert featuring The Outlaws at the Orlando Sports Stadium, which was also known as the Eddie Graham Sports Complex. The Outlaws is a rock and country band from Tampa, Florida, that had two hits in 1975 with their songs "Green Grass and High Tide" and "There Goes Another Love Song." This concert took place on December 29, 1977, at 8 p.m. The show was presented by the Beach Club. Once host to some of the top names in sports and music, the Orlando Sports Complex was demolished by the Orange County Building Department in 1995 due to code violations. Type Text Source Original ticket stub: Private Collection of Julie Wahl. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original ticket stub. Coverage Orlando Sports Stadium, Orlando, Florida Contributor Wahl, Julie Date Created ca. 1977-12-09 Date Issued ca. 1977-12-09 Format image/jpg Extent 159 KB Medium 1 ticket stub Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by Julie Wahl and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a> Source Repository Private Collection of Julie Wahl External Reference Mixon, Bernie. "<a href="http://articles.orlandosentinel.com/1995-11-15/news/9511141684_1_sports-stadium-orlando-sports-hoffman" target="_blank">Sports Stadium Down For The Count</a>." The Orlando Sentinel, November 15, 1995. Accessed February 16, 2015. http://articles.orlandosentinel.com/1995-11-15/news/9511141684_1_sports-stadium-orlando-sports-hoffman. Beach Club concerts country rock Econ River Estates Eddie Graham Sports Complex orlando Orlando Sports Stadium rock music Southern rock sports stadiums The Outlaws https://richesmi.cah.ucf.edu/omeka/files/original/63d1b57d756970633615f368e5a6dd37.jpg c71617ee00780a868d80fe22ad5ba496 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Bob Seger & The Silver Bullet Band Ticket Stub Alternative Title Bob Seger Ticket Subject Orlando (Fla.) Music--United States Rock music--United States Soul music--United States Description A ticket stub for Rock Super Bowl V, featuring Jimmy Buffett (b. 1946) and The Coral Reefer Band, The Steve Miller Band, The Little River Band, Randy Meisner (b. 1946), and South Paw, at the Tangerine Bowl in Orlando, Florida. The concert took place on August 5, 1978, and was presented by the Beach Club. The ticket price was $10, including tax. From 1977 to 1983 the Tangerine Bowl hosted a series of music festivals known as "Rock Super Bowls." The Tangerine Bowl has also been known as Orlando Stadium, the Citrus Bowl, Florida Citrus Bowl Stadium, and is currently known as Orlando Citrus Bowl Stadium. It opened in 1936 and has been home to numerous sporting and entertainment events throughout its existence. The Tangerine Bowl is located at 1 Citrus Bowl Place in Orlando. Type Text Source Original ticket stub: Private Collection of Julie Wahl. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original ticket stub. Coverage Tangerine Bowl, Orlando, Florida Contributor Wahl, Julie Date Created ca. 1977-07-02 Date Issued ca. 1977-07-02 Format image/jpg Extent 136 KB Medium 1 ticket stub Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by Julie Wahl and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a> Source Repository Private Collection of Julie Wahl External Reference Weschler, Tom, and Gary Graff. <a href="http://www.worldcat.org/oclc/755624978" target="_blank">Travelin' Man On the Road and Behind the Scenes with Bob Seger</a>. Detroit, Mich: Wayne State University Press, 2009. "<a href="http://rockshowvideos.com/rocksuperbowlshome.html" target="_blank">Tangerine Bowl: Rock Superbowls, Orlando, Florida</a>." Orlando Rock Super Bowls. http://rockshowvideos.com/rocksuperbowlshome.html (accessed February 23, 2015). Gramm, Lou, and Scott Pitoniak. <a href="http://www.worldcat.org/oclc/815824935" target="_blank">Juke Box Hero: My Five Decades in Rock 'n' Roll</a>. Chicago, Ill.: Triumph Books LLC, 2013. arena rock Beach Club blue-eyed soul Bob Seger Bob Welch Citrus Bowl concerts country rock Florida Citrus Bowl Foreigner hard rock Head East heartland rock jazz music festivals orlando Orlando Citrus Bowl Stadium Orlando Stadium Pablo Cruise pop music pop rock Robert Clark Seger Robert Lawrence Welch Rock Super Bowl Rock Super Bowl IV roots rock Seger, Robert "Bob" Clark soft rock soul music Tangerine Bowl The Silver Bullet Band Toby Beau https://richesmi.cah.ucf.edu/omeka/files/original/05c6090914d28f0e15fb4bb003719cf7.jpg 68a6f12520c10fe566c45e753880c92d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jimmy Buffett and Steve Miller Ticket Stub Alternative Title Jimmy Buffett and Steve Miller Ticket Subject Orlando (Fla.) Music--United States Rock music--United States Country music--United States Description A ticket stub for Rock Super Bowl V, featuring Jimmy Buffett (b. 1946) and The Coral Reefer Band, The Steve Miller Band, The Little River Band, Randy Meisner (b. 1946), and South Paw, at the Tangerine Bowl in Orlando, Florida. The concert took place on August 5, 1978, and was presented by the Beach Club. The ticket price was $10, including tax. From 1977 to 1983 the Tangerine Bowl hosted a series of music festivals known as "Rock Super Bowls." The Tangerine Bowl has also been known as Orlando Stadium, the Citrus Bowl, Florida Citrus Bowl Stadium, and is currently known as Orlando Citrus Bowl Stadium. It opened in 1936 and has been home to numerous sporting and entertainment events throughout its existence. The Tangerine Bowl is located at 1 Citrus Bowl Place in Orlando. Type Text Source Original ticket stub: Private Collection of Julie Wahl. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original ticket stub. Coverage Tangerine Bowl, Orlando, Florida Contributor Wahl, Julie Date Created ca. 1978-08-05 Date Issued ca. 1978-08-05 Format image/jpg Extent 93.7 KB Medium 1 ticket stub Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by Julie Wahl and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a> Source Repository Private Collection of Julie Wahl External Reference Buffett, Jimmy. <a href="http://www.worldcat.org/oclc/38206991" target="_blank">A Pirate Looks at Fifty</a>. New York: Random House, 1998. "<a href="http://rockshowvideos.com/rocksuperbowlshome.html" target="_blank">Tangerine Bowl: Rock Superbowls, Orlando, Florida</a>." Orlando Rock Super Bowls. http://rockshowvideos.com/rocksuperbowlshome.html (accessed February 23, 2015). Vaughan, Andrew. <a href="http://www.worldcat.org/oclc/548555975" target="_blank">The Eagles: An American Band</a>. New York: Sterling, 2010. art rock Beach Club blues-rock Citrus Bowl concerts country music Florida Citrus Bowl Gulf and Western music James William Buffett Jimmy Buffett Little River Band LRB music festivals orlando Orlando Citrus Bowl Stadium Orlando Stadium Randy Herman Meisner Rock Super Bowl Rock Super Bowl V soft rock South Paw Steve Miller Steven Haworth Miller surf music Tangerine Bowl The Coral Reefer Band The Steve Miller Band https://richesmi.cah.ucf.edu/omeka/files/original/56e317ba57220a1acdeafa741e80849c.jpg ee4c543046e49199ede472a85b4c2a0f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Kenny G Ticket Stub Alternative Title Kenny G Ticket Subject Orlando (Fla.) Jazz--United States Music--United States Description A ticket stub for a concert featuring Kenny G (b. 1956) at the Bob Carr Theater on November 23, 1987, at 8 p.m. The ticket price was $17.50, including tax, and the concert was presented by Fantasma and Villa Nova. The Bob Carr Theater has been a center for performing arts since 1926 and is located at 401 West Livingston Street in Orlando, Florida. Kenny G is an American soprano saxophonist who plays adult contemporary and smooth jazz music. He is the biggest-selling instrumental musician of the modern era, selling over 75 million records. Type Text Source Original ticket stub: Private Collection of Julie Wahl. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original ticket stub. Coverage Bob Carr Theater, Orlando, Florida Contributor Wahl, Julie Date Created ca. 1987-11-23 Date Issued ca. 1987-11-23 Format image/jpg Extent 147 KB Medium 1 ticket stub Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by Julie Wahl and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a> Source Repository Private Collection of Julie Wahl External Reference Yanow, Scott. "<a href="http://www.allmusic.com/artist/kenny-g-mn0000068934/biography" target="_blank">Kenny G Biography</a>." AllMusic.com. http://www.allmusic.com/artist/kenny-g-mn0000068934/biography (accessed February 23, 2015). adult contemporary music Bob Carr Theater Carl Knickerbocker concerts Fantasma jazz Kenneth Bruce Gorelick Kenny G Kenny Gorelick musicians orlando saxophonists smooth jazz soprano saxophones Villa Nova https://richesmi.cah.ucf.edu/omeka/files/original/4240f8046e2256f256491343b1e63dd9.jpg 9f8297a651b6c162a9aa9e86cb52ce55 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Bryan Adams Ticket Stub Alternative Title Bryan Adams Ticket Subject Orlando (Fla.) Music--United States Rock music--United States Description A ticket stub for a concert featuring Bryan Adams (b. 1959) at the Orange County Civic Center on May 25, 1985, at 8 p.m. The ticket price was $13.50, including tax. The concert was presented by Beaver Productions and the Beach Club. The Orange County Civic Center, also known as the Orange County Convention Center (OCCC) and the Orange County Convention and Civic Center (OCCCC) is located at 9800 International Drive in Orlando, Florida. Adams is a Grammy Award-winning Canadian singer-songwriter who has enjoyed over three decades of success. Selling over 100 million records, he is the best-selling Canadian rock artist of all time. Type Text Source Original ticket stub: Private Collection of Julie Wahl. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original ticket stub. Coverage Orange County Civic Center, Orlando, Florida Contributor Wahl, Julie Date Created ca. 1985-05-25 Date Issued ca. 1985-05-25 Format image/jpg Extent 170 KB Medium 1 ticket stub Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by Julie Wahl and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a> Source Repository Private Collection of Julie Wahl External Reference Gregory, Hugh. <a href="http://www.worldcat.org/oclc/27975596" target="_blank">Bryan Adams: The Inside Story</a>. London: Boxtree, 1992. Adams, Bryan Guy Beach Club Beaver Productions Bryan Guy Adams Carl Knickerbocker concerts musicians OCCC OCCCC Orange County Convention and Civic Center Orange County Convention Center orlando rock music https://richesmi.cah.ucf.edu/omeka/files/original/a00096a1c3cb0448505d20080843f988.jpg 94cb46f428a471260b9838feee95a268 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Eagles Ticket Stub Alternative Title The Eagles Ticket Subject Orlando (Fla.) Music--United States Rock music--United States Description A ticket stub for Rock Super Bowl II, featuring the Eagles, Jimmy (b. 1946) & the Coral Reefer Band, Hall & Oates, and Andrew Gold (1951-2011), at the Tangerine Bowl in Orlando, Florida. The concert took place on July 3, 1977, and was presented by Beach Club Cellar Door. The ticket price was $10, including tax. From 1977 to 1983 the Tangerine Bowl hosted a series of music festivals known as "Rock Super Bowls." The Tangerine Bowl has also been known as Orlando Stadium, the Citrus Bowl, Florida Citrus Bowl Stadium and is currently known as Orlando Citrus Bowl Stadium. It opened in 1936 and has been home to numerous sporting and entertainment events throughout its existence. The Tangerine Bowl is located at 1 Citrus Bowl Place in Orlando, Florida. Type Text Source Original ticket stub: Private Collection of Julie Wahl. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original ticket stub. Coverage Tangerine Bowl, Orlando, Florida Contributor Wahl, Julie Date Created ca. 1977-07-03 Date Issued ca. 1977-07-03 Format image/jpg Extent 139 KB Medium 1 ticket stub Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by Julie Wahl and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a> Source Repository Private Collection of Julie Wahl External Reference "<a href="http://rockshowvideos.com/rocksuperbowlshome.html" target="_blank">Rock Super Bowl II</a>." Orlando Rock Super Bowls. http://rockshowvideos.com/rocksuperbowlshome.html (accessed February 23, 2015). Andrew Gold Andrew Maurice Gold Beach Club Carl Knickerbocker Cellar Door Citrus Bowl concerts Daryl Franklin Hohl Daryl Hall Don Felder Don Henley Donald Hugh Henley Donald William Felder Florida Citrus Bowl Glenn Frey Glenn Lewis Frey Hall & Oates James William Buffett Jimmy Bufftt Joe Walsh John Oates John William Oates Joseph Fidler Walsh music festivals musicians orlando Orlando Citrus Bowl Stadium Orlando Stadium Randy Herman Meisner rock music Rock Super Bowl Rock Super Bowl II Tangerine Bowl The Coral Reefer Band The Eagles https://richesmi.cah.ucf.edu/omeka/files/original/1dff01512ae3cd729183c289e821558c.jpg 8a11c5565c22ba74cefc31b112807dbe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Who Ticket Stub Alternative Title The Who Ticket Subject Orlando (Fla.) Music--United States Rock music--United States Description A ticket stub for a concert featuring The Who at the Tangerine Bowl, located at 1610 West Church Street in Downtown Orlando, Florida, on November 27, 1982. The ticket was $15.75, including tax, and the show began at 3 p.m., with the gates opening at noon. The opening acts were Joan Jett (b. 1958) and the Black Hearts and the B-52's. The ticket warns concert goers, "DO NOT ARRIVE EARLY." The Tangerine Bowl has been also known as Orlando Stadium, the Citrus Bowl, Florida Citrus Bowl Stadium and is currently known as Orlando Citrus Bowl Stadium. It opened in 1936 and has been home to numerous sporting and entertainment events throughout its existence. The Who is an English rock band that are considered to be one of the greatest musical influences in rock music of the 20th century. Formed in 1964, they have gone on to sell over 100 million albums and continue to be one of the highest grossing touring bands of all time. Although The Who have since reunited several times, the band announced that this 1982 tour would be their final. The Orlando show was the first of the band's second North American leg, after a four week break. Type Text Source Original ticket stub for the Who at the Tangerine Bowl: Private Collection of Carl Knickerbocker. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original ticket stub for the Who at the Tangerine Bowl. Coverage Tangerine Bowl, Orlando, Florida Contributor Knickerbocker, Carl Date Created ca. 1982-11-27 Format image/jpg Extent 199 KB Medium 1 ticket stub Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by Carl Knickerbocker and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Carl Knickerbocker External Reference Marsh, Dave. <a href="http://www.worldcat.org/oclc/9555496" target="_blank">Before I Get Old: The Story of the Who</a>. New York: St. Martin's Press, 1983. Grantley, Steve, Alan G. Parker, and Sean Body. <a href="http://www.worldcat.org/oclc/660635450" target="_blank">The Who by Numbers: The Story of The Who Through Their Music</a>. London: Helter Skelter Pub, 2010. "<a href="http://www.thewholive.net/concert/index.php?id=493&GroupID=1" target="_blank">The Who Concert Guide</a>." The WhoLive.net. http://www.thewholive.net/concert/index.php?id=493& GroupID=1 (accessed February 17, 2015). alternative rock B-52's B-52s Beach Club Beach Club Productions British rock Capital One Bowl Carl Knickerbocker Citrus Bowl concert concerts corporate sponsorship Downtown Orlando Florida Citrus Bowl hard rock Joan Jett Joan Jett and the Black Hearts Joan Marie Larkin Kenneth Thomas Jones Kenney Jones music musicians new wave orlando Orlando Citrus Bowl Stadium Orlando Stadium Pete Townshend Peter Dennis Blanford Townshend pop music pop rock post-punk power pop punk rock rock music rockabilly Roger Daltrey Schlitz Schlitz malt liquor sports stadiums Tangerine Bowl https://richesmi.cah.ucf.edu/omeka/files/original/bf6eca40e851447251121f2b743150a4.jpg 5d0894a7ced9c489cf1ba9fae88cc3bf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Steppenwolf Ticket Stub Alternative Title Steppenwolf Ticket Subject Orlando (Fla.) Music--United States Rock music--United States Description A ticket stub for a concert featuring Steppenwolf at the Orlando Sports Stadium, which was also known as the Eddie Graham Sports Complex. Steppenwolf is a Canadian-American rock group that enjoyed worldwide success in the late 1960s and early 1970s, coining the term "heavy metal." Their Top 10 songs include "Born to Be Wild," "Magic Carpet Ride," and "Rock Me." The concert took place on November 14, 1970, at 8 p.m. and cost $4. Once host to some of the top names in sports and music, the Orlando Sports Complex was demolished by the Orange County Building Department in 1995 due to code violations. Type Text Source Original ticket stub: Private Collection of Carl Knickerbocker. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original ticket stub. Coverage Orlando Sports Stadium, Orlando, Florida Publisher Globe Ticket Company Contributor Knickerbocker, Carl Date Created ca. 1970-11-14 Format image/jpg Extent 42.2 KB Medium 1 ticket stub Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by Carl Knickerbocker and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Carl Knickerbocker External Reference Kay, John, and John Einarson. <a href="http://www.worldcat.org/oclc/30975237" target="_blank">Magic Carpet Ride: The Autobiography of John Kay and Steppenwolf</a>. Kingston, Ont: Quarry Press, 1994. Mixon, Bernie. "<a href="http://articles.orlandosentinel.com/1995-11-15/news/9511141684_1_sports-stadium-orlando-sports-hoffman" target="_blank">Sports Stadium Down For The Count</a>." The Orlando Sentinel, November 15, 1995. http://articles.orlandosentinel.com/1995-11-15/news/9511141684_1_sports-stadium-orlando-sports-hoffman. Canadian rock Carl Knickerbocker concerts Econ River Estates Eddie Graham Sports Complex Gerald McCrohan Globe Ticket Company hard rock heavy metal indoor arenas Jerry Edmonton Joachim Fritz Krauledat John Kay metal music orlando Orlando Sports Stadium psychedelic rock rock rock music sports stadiums Steppenwolf The Sparrows https://richesmi.cah.ucf.edu/omeka/files/original/2da820aaec4bd16d09ebb31f3000902c.jpg 1adbcabc3df43b4de771399cc8ba27e3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rolling Stones Ticket Stub Alternative Title Rolling Stones Ticket Subject Orlando (Fla.) Music--United States Blues (Music)--United States Rock music--United States Description A ticket stub for a concert featuring The Rolling Stones at the Tangerine Bowl, located at 1610 West Church Street in Downtown Orlando, Florida, on October 25, 1981. The ticket was $15.60, including tax, and the show began at noon, with the doors opening at 9 a.m. with Van Halen as the opening act. The concert was promoted by Cellar Door Productions and Beach Club Productions. The Tangerine Bowl has been also known as Orlando Stadium, the Citrus Bowl, Florida Citrus Bowl Stadium and is currently known as Orlando Citrus Bowl Stadium. It opened in 1936 and has been home to numerous sporting and entertainment events throughout its existence. The Rolling Stones is a British rock and blues band formed in 1962 that has become one of the most successful musical acts of all time. The band enjoyed the height of their commercial and critical success during the 1960s and 1970s. The Rolling Stones 1981 Tour was the first time a band had a corporate sponsorship, allowing Jōvan Musk to pay them "several million dollars" to sponsor the tour without the band having to officially endorse the company. The band explained that "selling out" to corporate sponsors would help keep ticket prices down. The average ticket price was $16 and the tour grossed $50 million in tickets sales, the highest of any tour in 1981. This would be the last time the band toured the United States until 1989. Type Text Source Original ticket stub: Private Collection of Carl Knickerbocker. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original ticket stub. Coverage Tangerine Bowl, Orlando, Florida Contributor Knickerbocker, Carl Date Created ca. 1981-10-25 Format image/jpg Extent 338 KB Medium 1 ticket stub Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by Carl Knickerbocker and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Carl Knickerbocker External Reference Booth, Stanley. <a href="http://www.worldcat.org/oclc/586148170" target="_blank">The True Adventures of the Rolling Stones</a>. Chicago, IL: A Capella, 2000. Kozak, Roman. "<a href="https://books.google.com/books?id=GyQEAAAAMBAJ&lpg=PT16&ots=KARA7FrBII&dq=jovan%20presentation%20rolling%20stones&pg=PT16#v=onepage&q=jovan%20presentation%20rolling%20stones&f=false" target="_blank">Rockbill Ties Music Acts With Advertisers</a>." Billboard Newspaper (October 17, 1981): 6, 17. Loder, Kurt and Steven Pond. "<a href="http://www.rollingstone.com/music/news/stones-tour-pays-off-19820121" target="_blank">Stones Tour Pays Off</a>." Rolling Stone 361 (January 21, 1982). http://www.rollingstone.com/music/news/stones-tour-pays-off-19820121 (accessed February 17, 2015). Galbraith, Gary. "<a href="http://rocksoff.org/1981.htm" target="_blank">1981 American Tour 1981 (Still Life) Part 1: 14th September to 26th October</a>." The "Rocks Off" Rolling Stones Setlists Page. http://rocksoff.org/1981.htm (accessed February 17, 2015). Alex Van Halen Alexander Arthur Van Halen Beach Club Beach Club Productions Bill Grahamal Bill Wyman blues blues rock British rock Capital One Bowl Carl Knickerbocker Cellar Door Cellar Door Productions Charles Robert Wood Charlies Wood Citrus Bowl concerts David Lee Roth Downtown Orlando Eddie Van Halen Edward Lodewijk Van Halen Florida Citrus Bowl glam metal hard rock heavy metal Jovan Musk Jovan, Inc. Keith Richards metal Michael Anthony Sobolewski Michael Philip Jagger Mick Jagger music orlando Orlando Citrus Bowl Stadium Orlando Stadium R&B rhythm and blues rock & roll Rolling Stones Rolling Stones American Tour Ronald David Wood Ronnie Wood sports stadium stadium Tangerine Bowl The Rolling Stones The Stones Van Halen William George Perkas Wolfgang William Van Halen https://richesmi.cah.ucf.edu/omeka/files/original/c62e08fbeca322c6009edefc18224268.jpg fecc1e4b24780180f09a205baf02a8a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Philip Glass Ensemble Ticket Stub Alternative Title Philip Glass Ensemble Ticket Subject Maitland (Fla.) Music--United States Description A ticket stub for a concert featuring The Philip Glass Ensemble at the Enzian Theater, located at 1300 South Orlando Avenue in Maitland, Florida, on April 10, 1985. Ticket prices were $15 in advance and $20 at the door. The Philip Glass Ensemble was founded by prolific experimental minimalist composer Philip Glass (b. 1937) in 1968. Aside from the Philip Glass Ensemble, Glass has written operas, symphonies, musical theatre, concertos, and Academy Award-nominated film scores. The concert took place at the Enzian Theater, a non-profit art house theater. Type Text Source Original ticket stub: Private Collection of Carl Knickerbocker. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original ticket stub. Coverage Enzian Theater, Maitland, Florida Contributor Knickerbocker, Carl Date Created ca. 1985-04-10 Format image/jpg Extent 178 KB Medium 1 ticket stub Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by Carl Knickerbocker and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Carl Knickerbocker External Reference Fink, Robert Wallace. <a href="http://www.worldcat.org/oclc/61730530" target="_blank">Repeating Ourselves American Minimal Music As Cultural Practice</a>. Berkeley: University of California Press, 2005. amplified woodwinds arthouse movie theaters Carl Knickerbocker chamber music classical music composers concerts Enzian Theater experimental music keyboard synthesizers Maitland minimal art minimal music minimalism music opera PGE Philip Glass Ensemble Philip Morris Glass solo soprano solo sopranos ticket stub https://richesmi.cah.ucf.edu/omeka/files/original/97081d2dd256288de8d6628156292b15.jpg 135fe7e1e67b3a7cad1f4d66a8c4c4eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Edgar Winter Ticket Stub Alternative Title Edgar Winter Ticket Subject Orlando (Fla.) Music--United States Rock music--United States Soul music--United States Pop music Description A ticket stub for a concert featuring Edgar Winter (b. 1946) at the Orlando Sports Stadium, which was also known as the Eddie Graham Sports Complex. Edgar Winter is multi-instrumentalist American musician whose music encompasses many genres, including rock, blues, jazz, soul, and pop. The concert took place on Saturday, April 3, 1971, at 8:00 p.m. and cost $3.50. Once host to some of the top names in sports and music, the Orlando Sports Complex was demolished by the Orange County Building Department in 1995 due to code violations. Type Text Source Original ticket stub: Private Collection of Carl Knickerbocker. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original ticket stub. Coverage Orlando Sports Stadium, Orlando, Florida Publisher Quick Tick International Contributor Knickerbocker, Carl Date Created ca. 1971-04-03 Format image/jpg Extent 124 KB Medium 1 ticket stub Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by Carl Knickerbocker and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Carl Knickerbocker External Reference Klosterman, Chuck. "<a href="http://grantland.com/features/frankenstein-monster/" target="_blank">Frankenstein'ss Monster: A second-by-second analysis of Edgar Winter's finest nine minutes</a>.” Grantland (blog). ESPN, August 8, 2011. http://grantland.com/features/frankenstein-monster/. Mixon, Bernie. "<a href="http://articles.orlandosentinel.com/1995-11-15/news/9511141684_1_sports-stadium-orlando-sports-hoffman" target="_blank">Sports Stadium Down For The Count</a>." The Orlando Sentinel, November 15, 1995. http://articles.orlandosentinel.com/1995-11-15/news/9511141684_1_sports-stadium-orlando-sports-hoffman. blue-eyed soul blues music blues rock boogie rock Carl Knickerbocker concerts Econ River Estates Eddie Graham Sports Complex Edgar Holland Winter indoor arenas jazz jazz fusion multi-instrumentalists music musicians orlando Orlando Sports Stadium pop music rock music soul music sports stadiums Tin House https://richesmi.cah.ucf.edu/omeka/files/original/37c436d26add8bdfd0996d1d30cb7727.jpg 99b8dd389044e833be9d6a826ece1608 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Leo Kottke Ticket Stub Alternative Title Leo Kottke Ticket Subject Orlando (Fla.) Music--United States Folk music--United States Description A ticket stub for concert featuring Leo Kottke (b. 1945) at the Great Southern Music Hall, located at 46 North Orange Avenue in Downtown Orlando, Florida, on August 16, 1979. The ticket was $6.50 and the show began at 8 p.m. Leo Kottke is an innovative acoustic guitar virtuoso from Athens, Georgia, debuting his first album of folk music in 1969. An American folk artist, Kottke's music also blends elements of blues and jazz. The Great Southern Music Hall, which changed its name to the Beacham Theater after renovations in 1976, was a music venue located in Downtown Orlando, Florida. The theater originally opened in 1921 as a vaudeville and movie theater. Type Text Source Original ticket stub: Private Collection of Carl Knickerbocker. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original ticket stub. Coverage Great Southern Music Hall, Orlando, Florida Contributor Knickerbocker, Carl Date Created ca. 1979-08-16 Format image/jpg Extent 239 KB Medium 1 ticket stub Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by Carl Knickerbocker and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Carl Knickerbocker External Reference Stropes, John, and Peter Lang. <a href="http://www.worldcat.org/oclc/9466082" target="_blank">20th Century Masters of Finger-Style Guitar</a>. Milwaukee, Wis: Stropes Editions, 1982. acoustic guitarists acoustic music American primitivism Beacham Theater Carl Knickerbocker concerts Downtown Orlando folk music Great Southern Music Hall Leo Kottke music musicians orlando The Beacham https://richesmi.cah.ucf.edu/omeka/files/original/b883ba6d0e6c490184a6264c2fdd591a.jpg 73538b831234cc6e8344d2c0063f7879 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jethro Tull Ticket Stub Alternative Title Jethro Tull Ticket Subject Orlando (Fla.) Music--United States Rock music--United States Description A ticket stub for a concert featuring Jethro Tull at the Orlando Sports Stadium, which was also known as the Eddie Graham Sports Complex in Orlando, Florida. Jethro Tull was a British progressive rock group that was active from 1967 to 2001 and led by flautist/vocalist/guitarist Ian Anderson (b. 1947). The concert took place on July 7, 1971, at 8 PM and cost $4. Once host to some of the top names in sports and music, the Orlando Sports Complex was demolished by the Orange County Building Department in 1995 due to code violations. Type Text Source Original ticket stub: Private Collection of Carl Knickerbocker. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original ticket stub. Coverage Orlando Sports Stadium, Orlando, Florida Publisher Globe Ticket Company Contributor Knickerbocker, Carl Date Created ca. 1971-07-07 Format image/jpg Extent 90.1 KB Medium 1 ticket stub Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by Carl Knickerbocker and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Carl Knickerbocker External Reference Mixon, Bernie. "<a href="http://articles.orlandosentinel.com/1995-11-15/news/9511141684_1_sports-stadium-orlando-sports-hoffman" target="_blank">Sports Stadium Down For The Count</a>." The Orlando Sentinel, November 15, 1995. http://articles.orlandosentinel.com/1995-11-15/news/9511141684_1_sports-stadium-orlando-sports-hoffman. Nollen, Scott Allen. <a href="http://www.worldcat.org/oclc/48065335" target="_blank">Jethro Tull: A History of the Band, 1968-2001</a>. Jefferson, N.C.: McFarland, 2002. blues rock British music British rock Carl Knickerbocker concert tour concerts demolished building Econ River Estates Eddie Graham Sports Complex flautists folk rock Globe Ticket Company hard rock Ian Anderson Jethro Tull music orlando Orlando Sports Stadium progressive rock rock rock bands rock concert rock music sports arenas sports stadium https://richesmi.cah.ucf.edu/omeka/files/original/101531e3f47bca516b9b6ae6a1ed79c7.jpg 37422796275cc7c428e3584223034471 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Cactus, Bloodrock, Potliquor, Dr. John, and Heaven Ticket Stub Alternative Title Cactus, Bloodrock, Potliquor, Dr. John & Heaven Ticket Subject Orlando (Fla.) Music--United States Rock music--United States Blues (Music)--United States Jazz--United States Funk (Music)--United States Description A ticket stub for a concert featuring Cactus, Bloodrock, Potliquor, Dr. John (b. 1940), and Heaven at the Tangerine Bowl, located at 1610 West Church Street in Downtown Orlando, Florida, on April 1, 1972. The ticket was $4 and the show began at 1 p.m. The Tangerine Bowl has been also known as Orlando Stadium, the Citrus Bowl, Florida Citrus Bowl Stadium and is currently known as Orlando Citrus Bowl Stadium. It opened in 1936 and has been home to numerous sporting and entertainment events throughout its existence. Cactus is an American hard rock and blues band formed in 1969 in New York. They were known as "the American Led Zeppelin." Bloodrock was an American hard rock and blues band from Fort Worth, Texas, that enjoyed considerable success from 1969 to 1975. Potliquor was a Southern Rock band from Baton Rouge, Louisiana, that formed in 1969 and disbanded in 1979. Dr. John, the stage name of Malcolm John "Mac" Rebennack, is an American multi-instrumentalist wh.ose music blended New Orleans blues, jazz, rock, and R&B Heaven was a British jazz-influenced rock band that formed in 1968 and disbanded shortly after the release of their 1971 album. Type Text Source Original ticket stub: Private Collection of Carl Knickerbocker. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original ticket stub. Coverage Tangerine Bowl, Orlando, Florida Contributor Knickerbocker, Carl Date Created ca. 1972-04-01 Format image/jpg Extent 133 KB Medium 1 ticket stub Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by Carl Knickerbocker and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Carl Knickerbocker External Reference Aswell, Tom. <a href="http://www.worldcat.org/oclc/317927942" target="_blank">Louisiana Rocks!: The True Genesis of Rock & Roll</a>. Gretna, La: Pelican Pub. Co, 2010. John, and Jack Rummel. <a href="http://www.worldcat.org/oclc/29428815" target="_blank">Under a Hoodoo Moon: The Life of Dr. John the Night Tripper</a>. New York: St. Martin's Press, 1994. American Led Zeppelin blues blues rock boogie rock Cactus Capital One Bowl Carl Knickerbocker Carmen Appice Citrus Bowl concert concert tour concerts Downtown Orlando Dr. John Dr. John Creaux Dr. John the Night Tripper Florida Citrus Bowl funk hard rock Heaven heavy metal jazz Mac Rebennack Malcolm John Rebennack metal music New Orleans blues New Orleans R&B orlando Orlando Citrus Bowl Stadium Orlando Stadium Potliquor progressive rock psychedelic rock R&B Rebennack, Mac rhythm & blues rock rock & roll rock music sports stadium Tangerine Bowl Tim Bogert zydeco https://richesmi.cah.ucf.edu/omeka/files/original/a2a4f236eb164a56451127f626500c1b.jpg 53e280b37946323fc3dd97b53c98b8a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Bob Seger System Ticket Stub Alternative Title Bob Seger Ticket Subject Orlando (Fla.) Music--United States Rock music--United States Soul music--United States Description A ticket stub for a concert featuring the Bob Seger System at the Orlando Sports Stadium, which was also known as the Eddie Graham Sports Complex. A member of the Rock and Roll Hall of Fame, Bob Seger is an American rock musician from Michigan who has been performing since the 1960s and is known for his gruff, powerful voice. Some of his hits include "Old Time Rock and Roll," "Night Moves," "Turn the Page," "Like a Rock," and "Against the Wind." The concert took place on Saturday, December 19, 1970, at 8 PM and cost $3. Once host to some of the top names in sports and music, the Orlando Sports Complex was demolished by the Orange County Building Department in 1995 due to code violations. Type Text Source Original ticket: Private Collection of Carl Knickerbocker. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original ticket stub. Coverage Orlando Sports Stadium, Orlando, Florida Contributor Knickerbocker, Carl Date Created ca. 1970-12-19 Format image/jpg Extent 98.6 KB Medium 1 ticket stub Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by Carl Knickerbocker and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Carl Knickerbocker External Reference Weschler, Tom, and Gary Graff. <a href="http://www.worldcat.org/oclc/755624978" target="_blank">Travelin' Man On the Road and Behind the Scenes with Bob Seger</a>. Detroit, Mich: Wayne State University Press, 2009. Mixon, Bernie. "<a href="http://articles.orlandosentinel.com/1995-11-15/news/9511141684_1_sports-stadium-orlando-sports-hoffman" target="_blank">Sports Stadium Down For The Count</a>." The Orlando Sentinel, November 15, 1995. http://articles.orlandosentinel.com/1995-11-15/news/9511141684_1_sports-stadium-orlando-sports-hoffman. blue-eye soul Bob Seger Bob Seger System Carl Knickerbocker concerts Econ River Estates Econlockhatchee Trail Eddie Graham Sports Complex hard rock heartland rock indoor arenas music orlando Orlando Sports Stadium pop rock Robert Clark Seger rock music roots rock soul music sports stadiums