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                  <text>Folk Collection</text>
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                  <text>Folk Collection</text>
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                  <text>Music--United States</text>
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                  <text>Folk music--United States</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of folk music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Folk music varies by country and region, but is typically described as acoustic-based music that embraces the life and struggles of the common man and the events of everyday life. “Folk” comes from the term “folklore,” which was derived by William Thomas in 1846, to describe “the traditions, customs, and superstitions of the uncultured classes.” Although the definition of folk music is elusive, the International Folk Music Council defines it as “the product of a musical tradition that has been evolved through the process of oral transmission. The factors that shape the tradition are: (1) continuity which links the present with the past; (2) variation which springs from the creative impulse of the individual or the group; and (3) selection by the community which determines the form or forms in which the music survives."&#13;
&#13;
Before sound recording and reproduction allowed people to listen to recorded music, songs were often passed down through oral traditions, creating variants. Cecil Sharp, considered by many to be the founding father of the folklore revival in early 20th century England, believed that competing variants of a traditional folk song created a process of natural selection, eventually creating a more perfect version, shaped by the community. By the end of the 1930s, American folk music had become a social movement, and by the 1960s, folk genres varied as much as the definition of the term itself.&#13;
&#13;
The Library of Congress attempted to capture as much North American field material as possible in the 1930s and 1940s, working through the vast collections of collectors such as Alan Lomax and Robert Winslow Gordon. On behalf of the Works Progress Administration (WPA), teams of writers and scholars across the United States collected materials about the places they saw and the people they met. Fieldworkers from the Florida Folklore Project, in conjunction with the Florida Federal Writers' Project, the Florida Music Project, and the Joint Committee on Folk Arts of the Work Projects Administration, concentrated on enclaves known for preserving ethnic traditions, documenting African-American, Arabic, Bahamian, British-American, Cuban, Greek, Italian, Minorcan, Seminole, and Slavic cultures throughout Florida. Florida is home to two significant folk festivals, including the annual Will McLean Music Festival, which is held at the Sertoma Youth Camp in Brooksville, Florida; and the Florida Folk Festival, an annual festival of music, food, and traditional arts to highlight and celebrate Florida's many folk cultures and traditions.</text>
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                  <text>&lt;a href="http://www.wucftv.org/home/" target="_blank"&gt;WUCF-TV&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              <name>Language</name>
              <description/>
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                <elementText elementTextId="524868">
                  <text>eng</text>
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                  <text>WUCF-TV, University of Central Florida, Orlando, Florida</text>
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                  <text>Valencia College, Orlando, Florida</text>
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                  <text>The Social, Downtown Orlando, Florida</text>
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              <name>Curator</name>
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="524873">
                  <text>Cravero, Geoffrey</text>
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                <elementText elementTextId="524874">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>DeVane, Dwight, Blaine Waide, Peggy A. Bulger, Doris J. Dyen, and David Evans. &lt;a href="http://www.worldcat.org/oclc/856993560" target="_blank"&gt;&lt;em&gt;Drop on Down in Florida: Field Recordings of African American Traditional Music 1977-1980&lt;/em&gt;&lt;/a&gt;. Atlanta, Ga: Dust-to-Digital, 2012.</text>
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                <elementText elementTextId="525214">
                  <text>Karpeles, Maud, and A. H. Fox Strangways. &lt;a href="http://www.worldcat.org/oclc/1292970" target="_blank"&gt;&lt;em&gt;Cecil Sharp: His Life and Work&lt;/em&gt;&lt;/a&gt;. [Chicago]: University of Chicago Press, 1967.</text>
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                  <text>Lloyd, A. L. &lt;a href="http://www.worldcat.org/oclc/429559" target="_blank"&gt;&lt;em&gt;Folk Song in England&lt;/em&gt;&lt;/a&gt;. New York: International Publishers, 1967.</text>
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                <elementText elementTextId="525216">
                  <text>Lornell, Kip. &lt;a href="http://www.worldcat.org/oclc/56942443" target="_blank"&gt;&lt;em&gt;The NPR Curious Listener's Guide to American Folk Music&lt;/em&gt;&lt;/a&gt;. New York: Berkley Pub. Group, 2004.</text>
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                  <text>McLean, Will. &lt;a href="http://www.worldcat.org/oclc/1599000" target="_blank"&gt;&lt;em&gt;Florida Sand; Original Songs and Stories of Florida&lt;/em&gt;&lt;/a&gt;. 1969.</text>
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                <elementText elementTextId="525218">
                  <text>Morris, Alton Chester, and Leonhard Deutsch. &lt;a href="http://www.worldcat.org/oclc/20853347" target="_blank"&gt;&lt;em&gt;Folksongs of Florida&lt;/em&gt;&lt;/a&gt;. Gainesville: University of Florida Press, 1990.</text>
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                  <text>Seeger, Ruth Crawford, Larry Polansky, and Judith Tick. &lt;a href="http://www.worldcat.org/oclc/46909473" target="_blank"&gt;&lt;em&gt;"The Music of American Folk Song" and Selected Other Writings on American Folk Music&lt;/em&gt;&lt;/a&gt;. Rochester, NY: University of Rochester Press, 2001.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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              <text>7 color photographs</text>
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            <name>Title</name>
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                <text>The Bloody Jug Band, 2014</text>
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              <elementText elementTextId="545374">
                <text>Bloody Jug Band</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
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              <elementText elementTextId="545375">
                <text>Orlando (Fla.)</text>
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              <elementText elementTextId="545376">
                <text> Concerts--United States</text>
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              <elementText elementTextId="545377">
                <text> Music--Florida</text>
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              <elementText elementTextId="545378">
                <text> Musicians--Southern States</text>
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              <elementText elementTextId="545379">
                <text> Folk music--Florida</text>
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                <text>Blues (Music)--Florida</text>
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            <name>Description</name>
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                <text>The Bloody Jug Band at The Social, located at 54 North Orange Avenue in Downtown Orlando, Florida, during the Florida Music Festival on April 26, 2014. The Florida Music Festival, or FMF, was founded by aXis Magazine &amp;amp; Promotions in 2002 as a three day music festival and conference that showcases unsigned artists while promoting major national acts. The Bloody Jug Band is an eight-piece band that formed in Orlando in 2009, whose music combines elements of folk, blues, country, bluegrass, rock, and Americana. Drawing inspiration from historic jug bands of the 1920s and 1930s, the group employs traditional jug band instruments, such as a washboard, washtub bass, cajón, spoons, mandolin and harmonica, and incorporates acoustic guitar, electric guitar, and drums. The band consists of John Theisen (Cragmire Peace) on vocals and washboard, Stormy Jean Casselman (Stormy Jean) on vocals and cowbell, Brian Blodgett (Brian Shredder) on acoustic guitar and mandolin, Seth Ambler (Seth Funky) on washtub bass, Rick Lane (Bloody Rick) on harmonica, Jermichael Duffy (Big Daddy Jerm, Dracula Mohammad) on jug, percussion and kazoo, Dakota Butts (Baby Dingo) on cajón and spoons, and Steven Marshall (Ste-evil) on electric guitar and banjo. Raymond Krugh (DeathRay) took over on electric guitar briefly while Marshall spent time with his newborn baby. The band has performed across the Southeastern United States, sharing the stage with notable acts such as Reverend Peyton's Big Damn Band, Joe Buck, Edwin McCain, 3 Bad Jacks, and Old Man Markley. In 2013, the band appeared in a music video for the song, "Timber," by hip-hop recording artists Pitbull and Kesha. The first photograph features Theisen and Lane. The rest of the photographs show individual band members Butts, Lane, Duffy, Theisen, and Casselman, respectively.</text>
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              <elementText elementTextId="545383">
                <text>Original color photographs by Alicia Lyman, April 26, 2014: &lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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            <name>Is Part Of</name>
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              <elementText elementTextId="545384">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/143" target="_blank"&gt;Folk Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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            <name>Is Format Of</name>
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            <elementTextContainer>
              <elementText elementTextId="545386">
                <text>Digital reproduction of original color photographs by Alicia Lyman, April 26, 2014.</text>
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                <text>The Social, Downtown Orlando, Florida</text>
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            <name>Creator</name>
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              <elementText elementTextId="545388">
                <text>Lyman, Alicia</text>
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            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="545389">
                <text>Lyman, Alicia</text>
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              <elementText elementTextId="545390">
                <text>&lt;a href="http://www.wucftv.org/home/" target="_blank"&gt;WUCF-TV&lt;/a&gt;</text>
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            <name>Contributor</name>
            <description/>
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              <elementText elementTextId="545391">
                <text>Lyman, Alicia</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="545392">
                <text>2014-04-26</text>
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            <elementTextContainer>
              <elementText elementTextId="545393">
                <text>2014-04-26</text>
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              <elementText elementTextId="545395">
                <text>7 color photographs</text>
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                <text> Humanities Teacher</text>
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                <text> Music Teacher</text>
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            <name>Provenance</name>
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              <elementText elementTextId="545399">
                <text>Originally created and published by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
            <description/>
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                <text>Copyright to this resource is held by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Curator</name>
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                <text>Cravero, Geoffrey</text>
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            <description/>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Alicia Lyman Collection&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
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                <text>Abbott, Jim. "&lt;a href="http://www.orlandosentinel.com/entertainment/music/soundboard/os-florida-music-festival-saturday-20140426-post.html" target="_blank"&gt;Florida Music Festival 2014: Saturday&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;. April 27, 2014. http://www.orlandosentinel.com/entertainment/music/soundboard/os-florida-music-festival-saturday-20140426-post.html.</text>
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                <text>Limnios, Michael. "&lt;a href="http://blues.gr/profiles/blogs/an-interview-with-the-bloody-jug-band-the-darker-side-of-blues" target="_blank"&gt;An Interview with the Bloody Jug Band: The darker side of Blues and Rock n’ Roll from swamps of Florida&lt;/a&gt;." &lt;em&gt;Blues.gr&lt;/em&gt;. http://blues.gr/profiles/blogs/an-interview-with-the-bloody-jug-band-the-darker-side-of-blues.</text>
              </elementText>
              <elementText elementTextId="545407">
                <text>Jones, Michael L. &lt;a href="http://www.worldcat.org/oclc/870099163" target="_blank"&gt;&lt;em&gt;Louisville Jug Music: From Earl McDonald to the National Jubilee&lt;/em&gt;&lt;/a&gt;. 2014.</text>
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            <name>Click to View (Movie, Podcast, or Website)</name>
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&#13;
Folk music varies by country and region, but is typically described as acoustic-based music that embraces the life and struggles of the common man and the events of everyday life. “Folk” comes from the term “folklore,” which was derived by William Thomas in 1846, to describe “the traditions, customs, and superstitions of the uncultured classes.” Although the definition of folk music is elusive, the International Folk Music Council defines it as “the product of a musical tradition that has been evolved through the process of oral transmission. The factors that shape the tradition are: (1) continuity which links the present with the past; (2) variation which springs from the creative impulse of the individual or the group; and (3) selection by the community which determines the form or forms in which the music survives."&#13;
&#13;
Before sound recording and reproduction allowed people to listen to recorded music, songs were often passed down through oral traditions, creating variants. Cecil Sharp, considered by many to be the founding father of the folklore revival in early 20th century England, believed that competing variants of a traditional folk song created a process of natural selection, eventually creating a more perfect version, shaped by the community. By the end of the 1930s, American folk music had become a social movement, and by the 1960s, folk genres varied as much as the definition of the term itself.&#13;
&#13;
The Library of Congress attempted to capture as much North American field material as possible in the 1930s and 1940s, working through the vast collections of collectors such as Alan Lomax and Robert Winslow Gordon. On behalf of the Works Progress Administration (WPA), teams of writers and scholars across the United States collected materials about the places they saw and the people they met. Fieldworkers from the Florida Folklore Project, in conjunction with the Florida Federal Writers' Project, the Florida Music Project, and the Joint Committee on Folk Arts of the Work Projects Administration, concentrated on enclaves known for preserving ethnic traditions, documenting African-American, Arabic, Bahamian, British-American, Cuban, Greek, Italian, Minorcan, Seminole, and Slavic cultures throughout Florida. Florida is home to two significant folk festivals, including the annual Will McLean Music Festival, which is held at the Sertoma Youth Camp in Brooksville, Florida; and the Florida Folk Festival, an annual festival of music, food, and traditional arts to highlight and celebrate Florida's many folk cultures and traditions.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>DeVane, Dwight, Blaine Waide, Peggy A. Bulger, Doris J. Dyen, and David Evans. &lt;a href="http://www.worldcat.org/oclc/856993560" target="_blank"&gt;&lt;em&gt;Drop on Down in Florida: Field Recordings of African American Traditional Music 1977-1980&lt;/em&gt;&lt;/a&gt;. Atlanta, Ga: Dust-to-Digital, 2012.</text>
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                  <text>Karpeles, Maud, and A. H. Fox Strangways. &lt;a href="http://www.worldcat.org/oclc/1292970" target="_blank"&gt;&lt;em&gt;Cecil Sharp: His Life and Work&lt;/em&gt;&lt;/a&gt;. [Chicago]: University of Chicago Press, 1967.</text>
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                  <text>Lloyd, A. L. &lt;a href="http://www.worldcat.org/oclc/429559" target="_blank"&gt;&lt;em&gt;Folk Song in England&lt;/em&gt;&lt;/a&gt;. New York: International Publishers, 1967.</text>
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                  <text>Lornell, Kip. &lt;a href="http://www.worldcat.org/oclc/56942443" target="_blank"&gt;&lt;em&gt;The NPR Curious Listener's Guide to American Folk Music&lt;/em&gt;&lt;/a&gt;. New York: Berkley Pub. Group, 2004.</text>
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                  <text>Morris, Alton Chester, and Leonhard Deutsch. &lt;a href="http://www.worldcat.org/oclc/20853347" target="_blank"&gt;&lt;em&gt;Folksongs of Florida&lt;/em&gt;&lt;/a&gt;. Gainesville: University of Florida Press, 1990.</text>
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                  <text>Seeger, Ruth Crawford, Larry Polansky, and Judith Tick. &lt;a href="http://www.worldcat.org/oclc/46909473" target="_blank"&gt;&lt;em&gt;"The Music of American Folk Song" and Selected Other Writings on American Folk Music&lt;/em&gt;&lt;/a&gt;. Rochester, NY: University of Rochester Press, 2001.</text>
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                <text>Sandy Shugart became the President of Valencia College, one of the country's largest colleges, in 2000, and led them to win the prestigious Aspen Prize for Community College Excellence in 2011. As a folk artist and poet, Shugart believes these seemingly unrelated endeavors are integral aspects of his life journey.&lt;br /&gt;&lt;br /&gt;WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #159: Music is Life" on January 29, 2015.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Ordway, Denise-Marie. "&lt;a href="http://articles.orlandosentinel.com/2014-01-18/features/os-valencia-president-folk-music-20140118_1_garden-theatre-valencia-college-folk-music" target="_blank"&gt;Valencia President Sandy Shugart shows musical side&lt;/a&gt;." The Orlando Sentinel, January 18, 2014. http://articles.orlandosentinel.com/2014-01-18/features/os-valencia-president-folk-music-20140118_1_garden-theatre-valencia-college-folk-music (Accessed March 30, 2015).</text>
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