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                  <text>Orlando Philharmonic Orchestra Collection</text>
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                  <text>Philharmonic orchestra series</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of the Orlando Philharmonic Orchestra. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
The Orlando Philharmonic Orchestra, located at 812 East Rollins Street Suite 300 in Orlando, was inspired by the closing of the Florida Symphony in 1993. The orchestra performs in more than 125 concerts each season. In June of 2013, the Philharmonic made plans to purchase the Plaza Live, located at 425 North Bumby Avenue in downtown Orlando, for office space, a rehearsal hall, a music library, and a music hall.</text>
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                  <text>&lt;a href="http://orlandophil.org/" target="_blank"&gt;Orlando Philharmonic Orchestra&lt;/a&gt;</text>
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                  <text>&lt;a href="http://orlandophil.org/" target="_blank"&gt;Orlando Philharmonic Orchestra&lt;/a&gt;</text>
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                  <text>&lt;a href="http://orlandophil.org/" target="_blank"&gt;Orlando Philharmonic Orchestra&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://orlandophil.org/" target="_blank"&gt;Orlando Philharmonic Orchestra&lt;/a&gt;&lt;span&gt;." Orlando Philharmonic Orchestra. http://orlandophil.org/.&lt;/span&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;span&gt;Copyright to this resource is held by the &lt;/span&gt;&lt;a href="http://orlandophil.org/" target="_blank"&gt;Orlando Philharmonic Orchestra&lt;/a&gt;&lt;span&gt; and is provided here by &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; for educational purposes only.&lt;/span&gt;</text>
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                <text>WUCF Artisodes Short: Orlando Philharmonic</text>
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                <text>The Orlando Philharmonic Orchestra, Central Florida's resident professional orchestra, has appeared in over 125 performances each season since it began in 1993. The orchestra has been performing 30 Young People's Concerts annually since its first year, giving thousands of elementary school students the opportunity to experience live orchestral music, many of them for the first time. The project was devised by Orange County Public Schools (OCPS) and United Arts of Central Florida. The concerts take place at the orchestra's home, the Bob Carr Theater, which is located at 401 West Livingston Street in Orlando, Florida.&lt;br /&gt;&lt;br /&gt;WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #115: Students and Teachers" on January 16, 2014.</text>
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                <text>Original 4-minute and 11-second audio/video recording of Joe Muni, &lt;a href="http://www.wucftv.org/home/" target="_blank"&gt;WUCF-TV&lt;/a&gt;, Orlando, Florida, January 16, 2014: WUCF-TV, University of Central Florida, Orlando, Florida.</text>
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                <text>&lt;a href="http://video.wucftv.org/video/2365155743/" target="_blank"&gt;WUCF Artisodes 115: Students and Teachers&lt;/a&gt;, WUCF-TV, University of Central Florida, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/69" target="_blank"&gt;Orlando Philharmonic Orchestra Collection&lt;/a&gt;, Classical Collection, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Fawkes, Richard, and Robert Powell. &lt;a href="http://www.worldcat.org/oclc/811246350" target="_blank"&gt;&lt;em&gt;The History of Classical Music&lt;/em&gt;&lt;/a&gt;. Hong Kong: Naxos Audiobooks, 1997.</text>
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                <text>Goulding, Phil G. &lt;a href="http://www.worldcat.org/oclc/26159166" target="_blank"&gt;&lt;em&gt;Classical Music: The 50 Greatest Composers and Their 1,000 Greatest Works&lt;/em&gt;&lt;/a&gt;. New York: Fawcett Columbine, 1992</text>
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The Orlando Philharmonic Orchestra, located at 812 East Rollins Street Suite 300 in Orlando, was inspired by the closing of the Florida Symphony in 1993. The orchestra performs in more than 125 concerts each season. In June of 2013, the Philharmonic made plans to purchase the Plaza Live, located at 425 North Bumby Avenue in downtown Orlando, for office space, a rehearsal hall, a music library, and a music hall.</text>
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                <text>Episode in the Orlando Philharmonic Orchestra's 20th Anniversary video series, chronicling the orchestra's history in Central Florida. This episode features an interview with Mark Fischer, General Manager and Principal Horn. Topics in the video include the orchestra's performance for the television program &lt;em&gt;Seaquest DSV &lt;/em&gt;and community involvement in the OPO. &lt;br /&gt;&lt;br /&gt;Mark Fischer received his education in music from the University of South Florida and studied the horn with the Philadelphia Orchestra and the New York Philharmonic. From 1975 to 1993, Fischer performed as Second Horn and Fourth Horn for the Florida Symphony. A founding member of the OPO, Fischer has been serving on the Orlando Philharmonic Board of Directors since its inception. He was also appointed to the position of Principal Horn in 1995 and the position of General Manager in 1997. Finally, he has performed with the Minnesota Orchestra, the Grand Teton Festival Orchestra, the St. Paul Chamber Orchestra, the Jacksonville Symphony, the Naples Philharmonic, and the Florida Orchestra. &lt;br /&gt;&lt;br /&gt;The Orlando Philharmonic Orchestra, located at 812 East Rollins Street Suite 300 in Orlando, was inspired by the closing of the Florida Symphony in 1993. The orchestra performs in more than 125 concerts each season. In June of 2013, the Philharmonic made plans to purchase the Plaza Live, located at 425 North Bumby Avenue in downtown Orlando, for office space, a rehearsal hall, a music library, and a music hall.</text>
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                <text>0:00:00 Introduction&lt;br /&gt;0:00:13 The orchestra's performance for the television program &lt;em&gt;seaQuest DSV&lt;/em&gt;&lt;br /&gt;0:01:35 Community involvement in the OPO&lt;br /&gt;0:02:28 Closing credits</text>
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                <text>In celebration of the Orlando Philharmonic Orchestra's 20th Anniversary season, this video series chronicles the orchestra's two decades of history in Central Florida.&#13;
&#13;
This video was produced by Joe Gennaro, Timothy G. Brown and Lisa Mills with the guidance of Stella Sung and Emily Lindahl.</text>
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                <text>Originally created by Joe Gennaro, Timothy G. Brown, and Lisa Mills and published by the &lt;a href="http://orlandophil.org/" target="_blank"&gt;Orlando Philharmonic Orchestra&lt;/a&gt;.</text>
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                <text>"&lt;a href="http://www.floridahornfest.com/artists" target="_blank"&gt;Mark Fischer - Orlando Philharmonic Orchestra&lt;/a&gt;." Florida French Horn Festival. http://www.floridahornfest.com/artists.</text>
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                <text>&lt;p&gt;&lt;strong&gt;Fischer&lt;/strong&gt;&lt;br /&gt;Well I think one of the—one of the events that stands out as we started out as an orchestra was, uh, a result of our willingness to do almost anything. And, um, Andy Lane, &lt;a title=""&gt;[1]&lt;/a&gt; who was the manager at the time, uh, received a call from a production company wanting to use an all-male orchestra dressed in, uh, boxer shorts to film a dream sequence for the, uh—um, the television show &lt;em&gt;seaQuest&lt;/em&gt; [DSV].&lt;/p&gt;
&lt;p&gt;We, uh, performed in the Lake Eola Bandshell, with the actor Roy Scheider on the podium. And, uh, Mr. Scheider was watching Andy Lane, who was behind the orchestra—not one camera—and was mirroring his motions as a conductor. And so we played the music and, um—and eventually it made it on to the dream sequence that was part of, uh, Roy Scheider’s character, uh, in the television show. And when we did that I thought, &lt;em&gt;Okay. Well, we just moved the boundary a little bit, and I think&lt;/em&gt;, um,&lt;em&gt; we’ll see what comes next.&lt;/em&gt; And, you know, there—there are no boundaries apparently.&lt;/p&gt;
&lt;p&gt; I think what amazes me most about the success of the Orlando Philharmonic [Orchestra] over the years is the extent to which it’s been embraced by people in the community. People have, uh—members of the friends of the Philharmonic would volunteer as board members, have really gone the extra mile over the years to help sustain this organization, and to see to it that even in hard economic times that it can—it can flourish. When—when musicians see that kind of commitment to the organization it makes them also more committed. Um, it, uh, gives one a sense of—of well-being. And, uh, that what—what we do as musicians is important. And, uh, and it’s considered indispensable to the community.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Andrew Lane.&lt;/p&gt;
&lt;/div&gt;
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&#13;
The Orlando Philharmonic Orchestra, located at 812 East Rollins Street Suite 300 in Orlando, was inspired by the closing of the Florida Symphony in 1993. The orchestra performs in more than 125 concerts each season. In June of 2013, the Philharmonic made plans to purchase the Plaza Live, located at 425 North Bumby Avenue in downtown Orlando, for office space, a rehearsal hall, a music library, and a music hall.</text>
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                <text>Oral History of Lyman Brodie</text>
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                <text>Episode in the Orlando Philharmonic Orchestra's 20th Anniversary video series, chronicling the orchestra's history in Central Florida. This episode features an interview with Lyman Brodie, Principal Trumpet and board member. Topics in the video include an anecdote about outdoor concert, the earliest days of the OPO, educational programs, venues, performing with John Williams and other experiences with the orchestra, music played by the Philharmonic, and the role of orchestra members as community members. &lt;br /&gt;&lt;br /&gt;In addition to the Orlando Philharmonic Orchestra, Lyman A. Brodie performs for the Dallas Wind Symphony and the Black Music Repertory Ensemble. He also is the Associate Dean of the College of Arts and Humanities and a Professor of Music at the University of Central Florida (UCF). Previous positions that Brodie has held at UCF include Chair of the Department of Music and President of the University Wide Counsel of Chairs and Chairmen of the Campus Review for the Strategic Planning Initiative. Additionally, Brodie has served as a national grant review panelist for the National Endowment for the Arts Music Program, an elected board member of Chamber Music Directors of the Orlando Philharmonic, an Advisory Board member of the Arts Presenters, and a voting member of the National Academy of Recording Arts and Sciences. &lt;br /&gt;&lt;br /&gt;The Orlando Philharmonic Orchestra, located at 812 East Rollins Street Suite 300 in Orlando, was inspired by the closing of the Florida Symphony in 1993. The orchestra performs in more than 125 concerts each season. In June of 2013, the Philharmonic made plans to purchase the Plaza Live, located at 425 North Bumby Avenue in downtown Orlando, for office space, a rehearsal hall, a music library, and a music hall.</text>
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                <text>0:00:00 Introduction&#13;
0:00:13 Trumpeter Lyman Brodie performing&#13;
0:00:46 Anecdote about outdoor concert&#13;
0:01:25 Earliest days of the OPO&#13;
0:01:40 Educational programs and venues&#13;
0:02:28 Performing with John Williams and other experiences with the orchestra&#13;
0:02:53 Music played by the Philharmonic&#13;
0:01:45 Closing credits</text>
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                <text>In celebration of the Orlando Philharmonic Orchestra's 20th Anniversary season, this video series chronicles the orchestra's two decades of history in Central Florida. In this episode, Principal Trumpet and board member Lyman Brodie talks about his role in the orchestra.&#13;
&#13;
This video was produced by Joe Gennaro, Timothy G. Brown and Lisa Mills with the guidance of Stella Sung and Emily Lindahl.</text>
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                <text>Originally created by Joe Gennaro, Timothy G. Brown, and Lisa Mills and published by the &lt;a href="http://orlandophil.org/" target="_blank"&gt;Orlando Philharmonic Orchestra&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://orlandophil.org/" target="_blank"&gt;Orlando Philharmonic Orchestra&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>"&lt;a href="http://www.youtube.com/user/TheOrlandoPhil" target="_blank"&gt;Orlando Philharmonic Orchestra&lt;/a&gt;." YouTube. http://www.youtube.com/user/TheOrlandoPhil.</text>
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                <text>"&lt;a href="http://music.cah.ucf.edu/staff.php?id=10" target="_blank"&gt;Lyman Brodie&lt;/a&gt;." Music Department, College of Arts &amp;amp; Humanities, University of Central Florida. http://music.cah.ucf.edu/staff.php?id=10.</text>
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                <text>&lt;p&gt;&lt;strong&gt;Brodie&lt;/strong&gt;&lt;br /&gt;We were doing a—an outdoor concert—a park concert. And I honestly can't remember exactly where it was, but the interesting thing about it was it started raining. I mean, downpour. And, uh, instead of us stopping the program, uh—I remember Andy Lane&lt;a title=""&gt;[1]&lt;/a&gt; was conducting the concert and he invited the audience to come under the tent [&lt;em&gt;laughs&lt;/em&gt;]. And so we had the entire audience that was out there. Instead of being in the rain, they were under the tent with the orchestra. And we continue playing the concert [&lt;em&gt;laughs&lt;/em&gt;].’&lt;/p&gt;
&lt;p&gt;The, um—the early days, of course, um, were pretty tough, uh, because we didn't have a home. Um, we did concerts in various venues around the city.&lt;/p&gt;
&lt;p&gt;Um, we, um, started of course by doing programs to—of educational quality. Both for young people's concerts, and for the opera, and for the ballet. And, um—and we started by doing those kinds of service-related kinds of things and then programs that were, uh, basically, um fee-based. So we weren't doing subscription programs as such at the very beginning. And, um, as we grew, we start doing more those kinds of things, but the venues changed quite a bit for the first three years. I think it was not until the third or fourth year that we actually were able to mount a problem in the performing arts center—Bob Carr [Performing Arts Centre].&lt;/p&gt;
&lt;p&gt;Performing with John Williams for the opening of the Harry Potter theme park, you know, was a real thrill. There have been many, many, many great experiences performing with the Orlando Philharmonic.&lt;/p&gt;
&lt;p&gt;The, uh—the same music that we look at in Orlando is the same music that the performers look at a New York [City, New York] in Chicago[, Illinois], and Dallas[, Texas], and Los Angeles[, California], in Berlin[, Germany], and Vienna[, Austria].&lt;/p&gt;
&lt;p&gt;Um, when we perform [Gustav] Mahler, or [Johann] Strauss, or [Sergei] Prokofiev, or [Dmitri] Shostakovich, those are the same parts everyone are performing all over the world. The members of the orchestra are members of the community. Um, we’ve been able to, fortunate enough to told a number of additions and—and bring in some really, really good performers, so we're really fortunate for that. And all of those people have become part on the community as well.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Andrew Lane.&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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The Orlando Philharmonic Orchestra, located at 812 East Rollins Street Suite 300 in Orlando, was inspired by the closing of the Florida Symphony in 1993. The orchestra performs in more than 125 concerts each season. In June of 2013, the Philharmonic made plans to purchase the Plaza Live, located at 425 North Bumby Avenue in downtown Orlando, for office space, a rehearsal hall, a music library, and a music hall.</text>
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                <text>Episode in the Orlando Philharmonic Orchestra's 20th Anniversary video series, chronicling the orchestra's history in Central Florida. This episode features an interview with Hugh James and Caroline James, patrons of the orchestra. Topics in the video include how the James got involved with the orchestra, working with the people and musicians of the OPO, the Philharmonic's relationship with patrons, the orchestra's role in the community, and ticket sales and subscribers. &lt;br /&gt;&lt;br /&gt;Hugh and Caroline are members of the Friends of the Orlando Philharmonic Orchestra, an organization dedicated to supporting the Orlando Philharmonic Orchestra. The Orlando Philharmonic Guild first met in February of 1996 and changed its name to the Friends of the Orlando Philharmonic Orchestra in July of that same year. They held their first invitational fundraiser, "The Holiday Pops Dinner Gala," at the Hyatt Regency Hotel in December of 1996. The Friends celebrated its 15th anniversary in October of 2011, and continues to host fundraising events focused on garnering financial and community support of the OPO. &lt;br /&gt;&lt;br /&gt;The Orlando Philharmonic Orchestra, located at 812 East Rollins Street Suite 300 in Orlando, was inspired by the closing of the Florida Symphony in 1993. The orchestra performs in more than 125 concerts each season. In June of 2013, the Philharmonic made plans to purchase the Plaza Live, located at 425 North Bumby Avenue in downtown Orlando, for office space, a rehearsal hall, a music library, and a music hall.</text>
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                <text>0:00:00 Introduction&#13;
0:00:13 How the James got involved with the orchestra&#13;
0:00:21 Working with the people and musicians of the OPO&#13;
0:00:44 The Philharmonic's relationship with patrons&#13;
0:01:06	The orchestra's role in the community&#13;
0:01:45 Closing credits</text>
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                <text>In celebration of the Orlando Philharmonic Orchestra's 20th Anniversary season, this video series chronicles the orchestra's two decades of history in Central Florida. In this episode, Caroline and Hugh James talk about why they are Friends of the Orlando Philharmonic Orchestra.&#13;
&#13;
This video was produced by Joe Gennaro, Timothy G. Brown and Lisa Mills with the guidance of Stella Sung and Emily Lindahl.</text>
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                <text>Originally created by Joe Gennaro, Timothy G. Brown, and Lisa Mills and published by the &lt;a href="http://orlandophil.org/" target="_blank"&gt;Orlando Philharmonic Orchestra&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://orlandophil.org/" target="_blank"&gt;Orlando Philharmonic Orchestra&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>"&lt;a href="http://www.friendsorlandophil.org/about.htm" target="_blank"&gt;About the Friends&lt;/a&gt;." Friends of the Orlando Philharmonic. http://www.friendsorlandophil.org/about.htm.</text>
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                <text>&lt;p&gt;&lt;strong&gt;Caroline&lt;br /&gt;&lt;/strong&gt;I was retired. He was still working. Uh, so I dragged him in slowly but surely it's well.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hugh&lt;br /&gt;&lt;/strong&gt;If you sort of had to ask, “What is the nicest thing about working with the OPO[ Orlando Philharmonic Orchestra]?” It's the people. it's the people. Um, especially, in some ways, the musicians. They’re not people in fancy suits across there on the stage. They’re regular folks and they are just nice people. They’re all such nice people.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caroline&lt;br /&gt;&lt;/strong&gt;The Philharmonic really reaches out to its patrons and wants every patron to know they are the most important person in that auditorium. And we, um—we have post-concert receptions, where you get to meet the musicians, the staff, guest artists, fellow patrons. And there’s a real mixing and mingling and you feel like you're part of a big family.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hugh&lt;br /&gt;&lt;/strong&gt;The Philharmonic has become an integral part of the community. Um, both with its concerts, with its presentations, with its opera, and with all the things that it's doing for young people. So, um, I think the recognition in the community is far, far higher than it was 10 years ago. With each concert, we have less general seating tickets to sell. That’s the bad news [&lt;em&gt;laughs&lt;/em&gt;]. The good news is that’s because they are full of subscribers. &lt;/p&gt;</text>
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The Orlando Philharmonic Orchestra, located at 812 East Rollins Street Suite 300 in Orlando, was inspired by the closing of the Florida Symphony in 1993. The orchestra performs in more than 125 concerts each season. In June of 2013, the Philharmonic made plans to purchase the Plaza Live, located at 425 North Bumby Avenue in downtown Orlando, for office space, a rehearsal hall, a music library, and a music hall.</text>
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                <text>Episode in the Orlando Philharmonic Orchestra's 20th Anniversary video series, chronicling the orchestra's history in Central Florida. This episode features an interview with David Schillhammer, Executive Director since 2010. Topics in the video include performing at the Grand Opening of Universal's Wizarding World of Harry Potter, being conducted by John Williams, sales and programming, the concert experience, the involvement of musicians on the Board, the Orlando Philharmonic's track record of fiscal responsibility, and educational programs offered by the orchestra. &lt;br /&gt;&lt;br /&gt;David Schillhammer was born and raised in Burlington, Vermont, and received his Bachelor of Music in Bassoon Performance from the Eastman School of Music. He has also served as the executive director of the San Antonio Symphony, general manager of the Saint Paul Chamber Orchestra, and production and education coordinator for the Rochester Philharmonic. On April 30, 2010, Orlando Mayor Buddy Dyer declared April 30th to be "David Schillhammer Day." &lt;br /&gt;&lt;br /&gt;The Orlando Philharmonic Orchestra, located at 812 East Rollins Street Suite 300 in Orlando, was inspired by the closing of the Florida Symphony in 1993. The orchestra performs in more than 125 concerts each season. In June of 2013, the Philharmonic made plans to purchase the Plaza Live, located at 425 North Bumby Avenue in downtown Orlando, for office space, a rehearsal hall, a music library, and a music hall.</text>
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                <text>0:00:00 Introduction&#13;
0:00:13 Grand Opening of Universal's Wizarding World of Harry Potter&#13;
0:01:54 Sales and programming&#13;
0:03:06 Involvement of musicians on the board&#13;
0:03:49 Fiscal responsibility&#13;
0:04:05 Educational programs&#13;
0:05:40 Closing credits</text>
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                <text>In celebration of the Orlando Philharmonic Orchestra's 20th Anniversary season, this video series chronicles the orchestra's two decades of history in Central Florida. In this episode, Executive Director David Schillhammer talks about his history with the orchestra.&#13;
&#13;
This video was produced by Joe Gennaro, Timothy G. Brown and Lisa Mills with the guidance of Stella Sung and Emily Lindahl.</text>
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                <text>Originally created by Joe Gennaro, Timothy G. Brown, and Lisa Mills and published by the &lt;a href="http://orlandophil.org/" target="_blank"&gt;Orlando Philharmonic Orchestra&lt;/a&gt;.</text>
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                <text>&lt;p&gt;&lt;strong&gt;Schillhammer&lt;br /&gt;&lt;/strong&gt;In my 13 years with the Orlando Philharmonic [Orchestra], there are so many great stories, but I think one of the really great highlights and one of the great honors bestowed upon the Orlando Philharmonic was the opportunity to play for the grand opening of Universal [Studios Florida]’s Wondrous—Harry Potter's Wondrous World.&lt;a title=""&gt;[1]&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;And that, in of itself, was an honor enough, but we were conducted by the great John Williams, who of course has composed all of that great music and is truly, you know, um, America's genius. As soon as he picked up his baton and started conducting, it transformed the sound of the Orlando Philharmonic. The conductor can have that. It was so inspiring for the musicians of the Orlando Philharmonic—for those of us who were there to witness it—to see the kind of music making that he could bring to the Orlando Philharmonic.&lt;/p&gt;
&lt;p&gt;He had put his foot down. He wanted either the London Symphony [Orchestra] or the Boston Pops [Orchestra], and they were going to have to fly in these orchestras from either London[, England, United Kingdom] or Boston[, Massachusetts], and, uh, that was, those were his demands and once we sent him recordings of the orchestra and once, uh, some people from Universal came to the concerts, they knew they had a prize-winning, award-winning orchestra right here in their backyard. And he penned the most genuinely, kind, sincere complimentary letter, um, that we have ever received. He didn’t have to do that. And, um, I get goose bumps right to this day thinking about what a great thrill it was performing with John Williams.&lt;/p&gt;
&lt;p&gt;We have had incredible success with ticket sales. It is an enormous increase. we've had double-digit growth increase in subscription sales each and every year during what has been the worst [Great] Recession in American history since the—since the Great Depression. and people have remained passionate about the programming of the Orlando Philharmonic. Our mantra is “exciting programming marketed well.”&lt;/p&gt;
&lt;p&gt;You have to have both. We have to have exciting programming and we have to tell the story about why it’s exciting programming. I like to think and I—I do believe that every Orlando Philharmonic concert is an event. And the musicians are some of the best in the country, if not the world. I mean, our performances are as good as any American orchestra. I’ll put us up against anybody. And, uh, uh, people respect and appreciate that and they come in record numbers.&lt;/p&gt;
&lt;p&gt;We elevated the musicians from what is generally the bottom of the totem pole and put them at the top of the totem pole, equal setting with the—with the community board of directors. Our bylaws mandate that 25 percent of the positions on the board of directors be filled by musicians in the orchestra—unheard of to this day. Most American officers have no musicians on the board on purpose. Uh, some might have one or two. Um often, they’re non-voting, and they're never on executive committee, where the real decisions are made and we break down all those barriers. We have a musician who serves on the five-member executive committee, and we talk about things open and honestly at every level, no matter how difficult it is.&lt;/p&gt;
&lt;p&gt;Well, we have a tremendous track record of fiscal responsibility. I really give credit to the founders and to the Board of Directors. We all work together to ensure financial equilibrium each and every year. We've never had a penny of red ink.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Unidentified&lt;br /&gt;&lt;/strong&gt;Okay, now if I take that down a half step [&lt;em&gt;plays trumpet&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schillhammer&lt;br /&gt;&lt;/strong&gt;Our educational programs are something for which we’re very proud. Our young people's concerts—every year we perform 28 young people’s concerts for close to 60,000 elementary school students in Orange, Seminole, and Osceola Counties. It’s one of the largest of its kind in the country.&lt;/p&gt;
&lt;p&gt;We also have “Tiny Tots” for daycare centers we have “Notes in Your Neighborhood” that goes into the school, primarily in those critical after school hours. We have our young composers challenge which is also very special. It started out as the Orlando Young Composers Challenge and now it's the National Young Composers Challenge.&lt;/p&gt;
&lt;p&gt;I think that you'll find this event has all drama of a spelling bee combined with the passion of great music making.&lt;/p&gt;
&lt;p&gt;We have adult classes. We have, uh—it’s called “Sounds of Music in Adult Music Appreciation” class we have about a hundred people who sign up every year. They want to know more. They go to the concerts and there’s mysteries about symphony orchestras. They want to know this information and when they know this information they can enjoy the performances more. They become more passionate supporters. And, uh yeah. So our adult music appreciation classes have been really great. So we’re—we’re out there as much as we possibly can, nurturing people’s interests and passion for symphonic music.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Correction: Universal's Wizarding World of Harry Potter.&lt;/p&gt;
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The Orlando Philharmonic Orchestra, located at 812 East Rollins Street Suite 300 in Orlando, was inspired by the closing of the Florida Symphony in 1993. The orchestra performs in more than 125 concerts each season. In June of 2013, the Philharmonic made plans to purchase the Plaza Live, located at 425 North Bumby Avenue in downtown Orlando, for office space, a rehearsal hall, a music library, and a music hall.</text>
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                <text>Episode in the Orlando Philharmonic Orchestra's 20th Anniversary video series, chronicling the orchestra's history in Central Florida. This episode features an interview with Andrew Lane, who is a horn player, one of the orchestra's founding members, former Principal Pop, and current Resident Conductor. Topics in the video include the closing of the Florida Symphony, the creation of a new orchestra, how the orchestra obtained funding, trombonist and general manager Mark Fisher, an early concert in Kissimmee, and Lane's proudest accomplishment. &lt;br /&gt;&lt;br /&gt;Andrew Lane began his career with the United States Navy Band in Washington, D.C. Following his resignation in 1986, Lane performed as a freelancer with the American Chamber Orchestra, Washington Chamber Orchestra, Kennedy Center Orchestra, and National Gallery Orchestra. He joined the Florida Symphony in 1990 and the Florida Symphony Orchestra of Orlando in 1991. Other past positions held by Lane include: music director of the Florida Symphony Youth Orchestra from 1994 to May 2005; principal conductor of the Southern Ballet Theatre, presently called the Orlando Ballet; and guest conductor for the Chicago Symphony Orchestra, Rochester Philharmonic, Naples Philharmonic, and the Florida Orchestra. As of the fall of 2002, Lane is currently the conductor of the Florida West Coast Symphony Youth Philharmonic and the principal conductor of the Florida West Coast Symphony Youth Orchestra Program. &lt;br /&gt;&lt;br /&gt;The Orlando Philharmonic Orchestra, located at 812 East Rollins Street Suite 300 in Orlando, was inspired by the closing of the Florida Symphony in 1993. The orchestra performs in more than 125 concerts each season. In June of 2013, the Philharmonic made plans to purchase the Plaza Live, located at 425 North Bumby Avenue in downtown Orlando, for office space, a rehearsal hall, a music library, and a music hall.</text>
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0:03:16 Lane's proudest accomplishment&#13;
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&#13;
This video was produced by Joe Gennaro, Timothy G. Brown and Lisa Mills with the guidance of Stella Sung and Emily Lindahl.</text>
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            <description/>
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                <text>eng</text>
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            <name>Mediator</name>
            <description/>
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              <elementText elementTextId="393005">
                <text>History Teacher</text>
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              <elementText elementTextId="393006">
                <text> Humanities Teacher</text>
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              <elementText elementTextId="505246">
                <text>Music Teacher</text>
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            <name>Provenance</name>
            <description/>
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              <elementText elementTextId="393027">
                <text>Originally created by Joe Gennaro, Timothy G. Brown, and Lisa Mills and published by the &lt;a href="http://orlandophil.org/" target="_blank"&gt;Orlando Philharmonic Orchestra&lt;/a&gt;.</text>
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            </elementTextContainer>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="393028">
                <text>Copyright to this resource is held by the &lt;a href="http://orlandophil.org/" target="_blank"&gt;Orlando Philharmonic Orchestra&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
            <description/>
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              <elementText elementTextId="393029">
                <text>Loan</text>
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            <name>Contributing Project</name>
            <description/>
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              <elementText elementTextId="393035">
                <text>&lt;a href="http://orlandophil.org/" target="_blank"&gt;Orlando Philharmonic Orchestra&lt;/a&gt;</text>
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            <name>Curator</name>
            <description/>
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                <text>Cepero, Laura</text>
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            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="393037">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>Source Repository</name>
            <description/>
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              <elementText elementTextId="393038">
                <text>&lt;a href="http://orlandophil.org/" target="_blank"&gt;Orlando Philharmonic Orchestra&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
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              <elementText elementTextId="393039">
                <text>"&lt;a href="http://orlandophil.org/" target="_blank"&gt;Orlando Philharmonic Orchestra&lt;/a&gt;." Orlando Philharmonic Orchestra. http://orlandophil.org/.</text>
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              <elementText elementTextId="393040">
                <text>"&lt;a href="http://www.youtube.com/user/TheOrlandoPhil" target="_blank"&gt;Orlando Philharmonic Orchestra&lt;/a&gt;." YouTube. http://www.youtube.com/user/TheOrlandoPhil.</text>
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              <elementText elementTextId="393041">
                <text>"&lt;a href="http://orlandophil.org/biographies/andrew-lane/" target="_blank"&gt;Andrew Lane&lt;/a&gt;." Orlando Philharmonic Orchestra. http://orlandophil.org/biographies/andrew-lane/.</text>
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              <elementText elementTextId="393042">
                <text>Carpenter, Marilyn D. "&lt;a href="http://news.google.com/newspapers?id=LGFhAAAAIBAJ&amp;amp;sjid=6YQEAAAAIBAJ&amp;amp;dq=orlando-philharmonic%20andrew-lane&amp;amp;pg=6059%2C3117607" target="_blank"&gt;Patriotic Music Highlights Concert&lt;/a&gt;." &lt;em&gt;The Sarasota Herald-Tribune&lt;/em&gt;, May 18, 2007. http://news.google.com/newspapers?id=LGFhAAAAIBAJ&amp;amp;sjid=6YQEAAAAIBAJ&amp;amp;pg=6059,3117607&amp;amp;dq=orlando-philharmonic+andrew-lane&amp;amp;hl=en.</text>
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            <name>Click to View (Movie, Podcast, or Website)</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="393056">
                <text>&lt;a href="http://youtu.be/_8UV_UUR9Rg" target="_blank"&gt;Oral History of Andrew Lane&lt;/a&gt;</text>
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            <name>Transcript</name>
            <description/>
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              <elementText elementTextId="505119">
                <text>&lt;p&gt;Before the Florida Symphony, um, went outta business it was difficult for a lot of people. It was difficult for the concert-goers, certainly the musicians. I was chairman of the orchestra committee, uh, French horn player in the Florida Symphony. Um, and we were just exhausted when the orchestra went out of business. It was a very difficult time and, at the time, I never imagined that we would start a new orchestra so soon.&lt;/p&gt;
&lt;p&gt;And the reason we did that—the reason we tried to—to build something back quickly, uh—there were a lot of fine musicians in the area that have lost their jobs. We wanted to keep them in the area. And, um, of course we wanted to go back to the supporters of the Florida Symphony and say, “Look, you know, we’re gonna try to do something new here—something that works for our community.” So we did exactly that, but what we found out was people who had contributed a lot of money to the Florida Symphony were not ready to contribute to another orchestra. They were concerned about how it would be managed and we learn that very quickly and it was a very difficult learning process.&lt;/p&gt;
&lt;p&gt;We didn't start from scratch in the sense that there were—there was a core group of musicians in town. Um, and—but what the challenge was they had other options. They had family they had to feed, you know. They had to do everything that they could. So going to them and saying, “Hey, look. Donate your time to us and we'll create this orchestra again,” you know, really wasn't gonna fly. We had to find funding to put this together an, um, you know, the—the artistic integrity of the organization was first and foremost on our mind. And so that was that was another big challenge we have to find the funds to put together a concert series that would keep these musicians involved and I think, you know—looking back on it I think that work pretty well.&lt;/p&gt;
&lt;p&gt;The story that I think dates back the furthest in an organization, that I kinda chuckle about every now then, had to do with Mark Fisher, who’s now general manager and principal horn of the orchestra. When we were first starting the orchestra, we were doing everything we could to get support. I mean, everything we could. And we were fortunate enough to be asked by the City of Kissimmee to do a concert at a local park in Kissimmee. And with the concert was really well attended. it was really great for the organization to do it. The problem was that we didn't have a lot of money to produce this concert. So I conducted the concert, and Mark played French horn in the concert. But we are also stage crew and, you know, we had to get out hours before the event. we had to set up the entire orchestra. The orchestra performed. We had to tear down the orchestra, put everything back on the truck, and drive all the way back to Orlando, unloaded the truck. Mark and I—we were exhausted and we sat down on the kind of the lift on the track and it was about one o'clock in the morning. And Mark looks at me and he says, “I hope we don't ever talk about this as the good old days.”&lt;/p&gt;
When I think about the accomplishment, I think how lucky I am that I even got to do it and it was really by default. The orchestra needed somebody to conduct for a concert. I had had conducting classes in college, had always had an interest in it, um, and I have my opportunity to do it. So I’d really have to say my proudest accomplishment was the first time I did it for the Orlando Philharmonic [Orchestra], because, as I said, these musicians fabulous and all I had to do was get up there and be concerned about myself and they took care of the rest.</text>
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          <element elementId="94">
            <name>Date Issued</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="505237">
                <text>2012-10-03</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="100">
            <name>Has Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="505239">
                <text>Original 4-minute and 2-second video by Joe Gennaro, Timothy G. Brown, and Lisa Mills: "&lt;a href="http://youtu.be/_8UV_UUR9Rg" target="_blank"&gt;The Orlando Phil's 20th Anniversary | Andrew Lane&lt;/a&gt;." &lt;a href="http://orlandophil.org/" target="_blank"&gt;Orlando Philharmonic Orchestra&lt;/a&gt;, October 3, 2012. http://youtu.be/_8UV_UUR9Rg.</text>
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            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="505240">
                <text>&lt;a href="http://orlandophil.org/" target="_blank"&gt;Orlando Philharmonic Orchestra&lt;/a&gt;, Orlando, Florida.</text>
              </elementText>
              <elementText elementTextId="505241">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
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              <elementText elementTextId="505243">
                <text>105 KB</text>
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        <name>20th Anniversary</name>
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        <name>City of Kissimmee</name>
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        <name>conductor</name>
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        <name>Fischer, Mark</name>
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        <name>Principal Pop</name>
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      <tag tagId="2625">
        <name>Resident Conductor</name>
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        <name>Rollins Street</name>
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