28 100 4936 https://richesmi.cah.ucf.edu/omeka/files/original/704715c814ddee403dd2476f12c52c1e.jpg a4ec26dfc7c328541ac7458c3d87a1dc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Koco with New Members Robin Subicao and Anthony Barcelo Alternative Title Koco with Subicao and Barcelo Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- White, David Tampa (Fla.) Music--Florida Rock music--United States Musicians--Southern States Description Koco, featuring, from left to right standing in the back row, David White, Terry Bollea, and Mark Keur. Robin Subicao and Anthony Barcelo sit on stools in front. Koco was the second of several bands that Terry Bollea, known commonly as the professional wrestler, Hulk Hogan, performed with during the early to mid-1970s in Tampa, Florida. Bollea, who played the bass guitar, left his band, Infinity's End, and formed the group, originally called Magic, with David White on the keyboards, Mark Keur playing the drums, and Stephen Griggs as guitar in 1973. After Koco, Bollea performed with the band Ruckus, before going on to a career in professional wrestling. Bollea was replaced with Brad Prince and eventually Pete McKay. The band changed their name to Freebird, but when Lynyrd Skynyrd released a hit song of the same name, they changed the name one last time to Firebird. The group attributed their disbanding in 1976 to the rising popularity of disco music. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/Koco2.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/Koco2.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1973-1976 Format image/jpg Extent 128 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Mark Dagostino. <a href="http://www.worldcat.org/oclc/317928638" target="_blank">My Life Outside the Ring</a>. New York: St. Martin's Press, 2009. Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/koco.php" target="_blank">Koco</a>." http://www.tampabaymusichistory.com/koco.php. band Barcelo, Anthony Bollea, Terry Firebird Freebird garage band garage rock Hogan, Hulk Keur, Mark Koco Magic music rock rock music Subicao, Robin Tampa White, David https://richesmi.cah.ucf.edu/omeka/files/original/bb621fa7fa20f1b2b57dec9ca44045b8.jpg 41be6a8fa555fd67676580fb686cce67 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Koco with New Member Brad Prince Alternative Title Koco with Prince Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- White, David Tampa (Fla.) Music--Florida Rock music--United States Description Koco, featuring, from left to right, Brad Prince, David White, Stephen Griggs, and Mark Keur. Koco was the second of several bands that Terry Bollea (1953-), known commonly as the professional wrestler, Hulk Hogan, performed with during the early to mid-1970s in Tampa, Florida. Bollea, who played the bass guitar, left his band, Infinity's End, and formed the group, originally called Magic, with David White on the keyboards, Mark Keur playing the drums, and Stephen Griggs as guitar in 1973. After Koco, Bollea performed with the band Ruckus, before going on to a career in professional wrestling. Bollea was replaced with Brad Prince and eventually Pete McKay. The band changed their name to Freebird, but when Lynyrd Skynyrd released a hit song of the same name, they changed the name one last time to Firebird. The group attributed their disbanding in 1976 to the rising popularity of disco music. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/koco.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/koco.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1973-1976 Format image/jpg Extent 87 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Mark Dagostino. <a href="http://www.worldcat.org/oclc/317928638" target="_blank">My Life Outside the Ring</a>. New York: St. Martin's Press, 2009. Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/koco.php" target="_blank">Koco</a>." http://www.tampabaymusichistory.com/koco.php. band Bollea, Terry Firebird Freebird garage band garage rock Griggs, Stephen Hogan, Hulk Keur, Mark Koco Magic music Prince, Brad rock rock music Tampa White, David https://richesmi.cah.ucf.edu/omeka/files/original/16d8c3f1d511053f6e278e61d0911661.jpg 3df70e74dd80529b3088ea6a319fec1f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Outlaws in the 2000s Alternative Title The Outlaws Subject Outlaws (Musical group) Tampa Bay (Fla.) Music--Florida Rock music--United States Musicians--Southern States Dix, David Description The Outlaws sometime between 2005 and 2006. From left to right, the photograph features guitarist Chris Anderson, drummer Monte Yoho, guitarist Hughie Thomasson, drummer David Dix, and bassist Randy Threet. Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of Original color photograph. <a href="http://www.tampabaymusichistory.com/resources/tb_outlaws_450.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/tb_outlaws_450.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 2005-2006 Format image/jpg Extent 118 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Smith, Michael Buffalo. <a href="http://www.worldcat.org/oclc/884617128" target="_blank">Rebel Yell: An Oral History of Southern Rock</a>. 2014. Bomar, Scott B., and Doug Gray. <a href="http://www.worldcat.org/oclc/855957989" target="_blank">Southbound: An Illustrated History of Southern Rock</a>. 2014. "<a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank">The Outlaws</a>." http://www.tampabaymusichistory.com/the-outlaws.php. Anderson, Chris band country country music country rock Dix, David music musician rock rock band rock music Southern rock The Florida Guitar Army The Outlaws Thomasson, Hugh "Hughie" Edward, Jr. Thomasson, Hughie Threet, Randy Yoho, Monte https://richesmi.cah.ucf.edu/omeka/files/original/1de091c4e4db1e7953c842ae170e2788.jpg 6a73b6711f6d8e52037524c80dbd6eba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Monte Yoho, Henry Paul, Billy Jones, and Hugh "Hughie" Edwards Thomasson, Jr. of The Outlaws Alternative Title The Outlaws Subject Outlaws (Musical group) Tampa Bay (Fla.) Music--Florida Rock music--United States Musicians--Southern States Jones, Billy Paul, Henry Description The Outlaws sometime between 1972 and 1977, featuring, from left to right, drummer Monte Yoho, an unidentified member (possibly bassist Frank O'Keefe), guitarist Henry Paul, guitarist/keyboardist Billy Jones, and guitarist Hughie Thomasson. Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of Original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/bde9b63600303be12e951bb679bad334.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/bde9b63600303be12e951bb679bad334.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1972-1977 Format image/jpg Extent 319 KB Medium 1 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Smith, Michael Buffalo. <a href="http://www.worldcat.org/oclc/884617128" target="_blank">Rebel Yell: An Oral History of Southern Rock</a>. 2014. Bomar, Scott B., and Doug Gray. <a href="http://www.worldcat.org/oclc/855957989" target="_blank">Southbound: An Illustrated History of Southern Rock</a>. 2014. "<a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank">The Outlaws</a>." http://www.tampabaymusichistory.com/the-outlaws.php. band country country music country rock Jones, Billy Jones, William "Billy" Harry music musician O'Keefe, Frank Paul, Henry rock rock band rock music Southern rock The Florida Guitar Army The Outlaws Thomasson, Hugh "Hughie" Edward, Jr. Thomasson, Hughie Yoho, Monte https://richesmi.cah.ucf.edu/omeka/files/original/eae9702282be24e8c534db3d4ad90115.jpg fb26e77e4f3623d2a7d7080cd09dc436 https://richesmi.cah.ucf.edu/omeka/files/original/4546b4f04f83930ff1f031db7d2a59fe.jpg d13234650a479dc22484c81e4e7afec7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 black and white photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Monte Yoho, Harvey Dalton Arnold, Hugh "Hughie" Edwards Thomasson, Jr., Billy Jones, and Henry Paul of The Outlaws Alternative Title Yoho, Arnold, Thomasson, Jones, and Paul of The Outlaws Subject Outlaws (Musical group) Tampa Bay (Fla.) Music--Florida Rock music--United States Musicians--Southern States Athens (Ga.) Jones, Billy Paul, Henry Description Two of John Gellman's classic 1 black and white photographs of The Outlaws, taken in late 1974 in a field outside Athens, Georgia, while the band was in town for a week playing a club called Between The Hedges. The first photograph features all five members wearing cowboy hats. From left to right, the photograph features drummer Monte Yoho, bassist Harvey Dalton Arnold, guitarist Hughie Thomasson, guitarist/keyboardist Billy Jones, and guitarist Henry Paul. From left to right, the second photograph features Jones, Thomasson, Paul, Arnold and Yoho. Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015. Type Still Image Source Original black and white photographs: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of Original black and white photographs. <a href="http://www.tampabaymusichistory.com/resources/the-outlaws.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/the-outlaws.jpg</a>. <a href="http://www.tampabaymusichistory.com/resources/the_outlaws.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/the_outlaws.jpg</a>. Coverage Tampa, Florida Athens, Georgia Creator Gellman, John Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1974 Format image/jpg Extent 99.1 KB 117 KB Medium 2 black and white photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by John Gellman. Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by John Gellman and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Smith, Michael Buffalo. <a href="http://www.worldcat.org/oclc/884617128" target="_blank">Rebel Yell: An Oral History of Southern Rock</a>. 2014. Bomar, Scott B., and Doug Gray. <a href="http://www.worldcat.org/oclc/855957989" target="_blank">Southbound: An Illustrated History of Southern Rock</a>. 2014. "<a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank">The Outlaws</a>." http://www.tampabaymusichistory.com/the-outlaws.php. Arnold, Harvey Dalton Athens, Georgia band concert country country music country rock Gellman, John Jones, Billy Jones, William "Billy" Harry music musician Paul, Henry rock rock band rock music Southern rock The Florida Guitar Army The Outlaws Thomasson, Hugh "Hughie" Edward, Jr. Thomasson, Hughie Yoho, Monte https://richesmi.cah.ucf.edu/omeka/files/original/d29fa9893ef14aaa2f1c99180613372d.jpg d75ac0389bc8e0043db2771761714018 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Outlaws at the Winterland Ballroom, 1975 Alternative Title Outlaws at Winterland Ballroom Subject Outlaws (Musical group) Tampa Bay (Fla.) Music--Florida Rock music--United States Musicians--Southern States Jones, Billy Paul, Henry San Francisco (Calif.) Description The Outlaws performing live at Winterland Ballroom in San Francisco, California, on October 10, 1975. From left to right, the photograph features Harvey Dalton Arnold playing bass, and Hughie Thomasson, Billy Jones, and Henry Paul playing guitar. Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015. Type Still Image Source Original sepia photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of Original sepia photograph. <a href="http://www.tampabaymusichistory.com/resources/The%20Outlaws2.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/The%20Outlaws2.jpg</a>. Coverage Tampa, Florida Winterland Ballroom, San Francisco, California Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created 1975-10-10 Format image/jpg Extent 132 KB Medium 1 sepia photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Smith, Michael Buffalo. <a href="http://www.worldcat.org/oclc/884617128" target="_blank">Rebel Yell: An Oral History of Southern Rock</a>. 2014. Bomar, Scott B., and Doug Gray. <a href="http://www.worldcat.org/oclc/855957989" target="_blank">Southbound: An Illustrated History of Southern Rock</a>. 2014. "<a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank">The Outlaws</a>." http://www.tampabaymusichistory.com/the-outlaws.php. Arnold, Harvey Dalton band bass guitar bassist concert country country music country rock guitar guitarist Jones, Billy Jones, William "Billy" Harry music musician Paul, Henry rock rock band rock music San Francisco, California Southern rock The Florida Guitar Army The Outlaws Thomasson, Hugh "Hughie" Edward, Jr. Thomasson, Hughie Winterland Ballroom https://richesmi.cah.ucf.edu/omeka/files/original/261c0c29d9bf37b4be12a971b9714b3d.jpg 088450da56a6073d159ddd38269e38ef Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Hugh "Hughie" Edwards Thomasson, Jr., Monte Yoho, Frank O'Keefe, Herbie Pino, and Billy Jones of The Outlaws Alternative Title Thomasson, Yoho, O'Keefe, Pino, and Jones of The Outlaws Subject Outlaws (Musical group) Tampa Bay (Fla.) Music--Florida Rock music--United States Musicians--Southern States Jones, Billy Description The Outlaws sometime between 1969 and 1972. This photograph features, from left to right, guitarist Hughie Thomasson and drummer Monte Yoho in the back, as well as bassist/guitarist Frank O'Keefe, guitarist Herbie Pino, and guitarist/keyboardist Billy Jones in the front row. At the bottom is the band's name and management information, which includes a cartoon logo for Ped-Dyn Productions and contact information. Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of Original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/EARLY%20OUTLAWS.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/EARLY%20OUTLAWS.jpg</a>. Coverage Tampa, Florida Publisher Ped-Dyn Productions <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1969-1972 Format image/jpg Extent 22.3 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Smith, Michael Buffalo. <a href="http://www.worldcat.org/oclc/884617128" target="_blank">Rebel Yell: An Oral History of Southern Rock</a>. 2014. Bomar, Scott B., and Doug Gray. <a href="http://www.worldcat.org/oclc/855957989" target="_blank">Southbound: An Illustrated History of Southern Rock</a>. 2014. "<a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank">The Outlaws</a>." http://www.tampabaymusichistory.com/the-outlaws.php. band country country music country rock Jones, Billy Jones, William "Billy" Harry music musician O'Keefe, Frank Ped-Dyn Productions Pino, Herbie rock rock band rock music Southern rock The Florida Guitar Army The Outlaws Thomasson, Hugh "Hughie" Edward, Jr. Thomasson, Hughie Yoho, Monte https://richesmi.cah.ucf.edu/omeka/files/original/3d876ecdb9717f426f497a92fd88890f.jpg 1e5d0cad3b030545ad5791f656364583 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Hugh "Hughie" Edwards Thomasson, Jr., Monte Yoho, and Billy Jones of The Outlaws Alternative Title Thomasson, Yoho, and Jones of The Outlaws Subject Outlaws (Musical group) Tampa Bay (Fla.) Music--Florida Rock music--United States Musicians--Southern States Dix, David Jones, Billy Anderson, Chris Description Autographed 1 color photograph of The Outlaws performing live. The photograph features, from left to right, guitarist Hughie Thomasson, drummer Monte Yoho, and guitarist/keyboardist Billy Jones. Although the photograph was taken of a much earlier version of the group sometime between 1969 and 1979, the five signatures are from Thomasson, Yoho, guitarist Chris Anderson, drummer David Dix, and bassist Randy Threet, which was the lineup from 2005-2007. Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of Original color photograph. <a href="http://www.tampabaymusichistory.com/resources/Auto%27s.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/Auto%27s.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1969-1979 Format image/jpg Extent 69.9 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally published by Ped-Dyn Productions. Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by Ped-Dyn Productions and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Smith, Michael Buffalo. <a href="http://www.worldcat.org/oclc/884617128" target="_blank">Rebel Yell: An Oral History of Southern Rock</a>. 2014. Bomar, Scott B., and Doug Gray. <a href="http://www.worldcat.org/oclc/855957989" target="_blank">Southbound: An Illustrated History of Southern Rock</a>. 2014. "<a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank">The Outlaws</a>." http://www.tampabaymusichistory.com/the-outlaws.php. Anderson, Chris autograph band concert country country music country rock Dix, David drum drummer guitar guitarist Jones, Billy Jones, William "Billy" Harry music musician rock rock band rock music Southern rock The Florida Guitar Army The Outlaws Thomasson, Hugh "Hughie" Edward, Jr. Thomasson, Hughie Threet, Randy Yoho, Monte https://richesmi.cah.ucf.edu/omeka/files/original/e73baacbaa62f831246b7071f0be06f7.jpg 57f55f0bca75986763dd168384f70574 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Original Members of The Outlaws, 1967 Alternative Title Original Members of The Outlaws Subject Outlaws (Musical group) Tampa Bay (Fla.) Music--Florida Rock music--United States Musicians--Southern States Dix, David Description The Outlaws, featuring the original five members in 1967. Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of Original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/The%20Outlaws.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/The%20Outlaws.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1967 Format image/jpg Extent 99.2 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Smith, Michael Buffalo. <a href="http://www.worldcat.org/oclc/884617128" target="_blank">Rebel Yell: An Oral History of Southern Rock</a>. 2014. Bomar, Scott B., and Doug Gray. <a href="http://www.worldcat.org/oclc/855957989" target="_blank">Southbound: An Illustrated History of Southern Rock</a>. 2014. "<a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank">The Outlaws</a>." http://www.tampabaymusichistory.com/the-outlaws.php. band country country music country rock Dix, David Guidry, Frank Holmberg, Phil music musician O'Brien, Hobie Pino, Herb rock rock band rock music Southern rock The Florida Guitar Army The Outlaws Thomasson, Hugh "Hughie" Edward, Jr. Thomasson, Hughie https://richesmi.cah.ucf.edu/omeka/files/original/e73eb0ed9e862ddccfa4b183e7238bb8.jpg 34fbe8cee4bd9e39a81bad95d71912a1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 logo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Infinity's End Logo Alternative Title Infinity's End Logo Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- Tampa (Fla.) Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Description Logo for the band, Infinity's End. Infinity's End was the first of several bands that Bollea, popularly known as Hulk Hogan, performed with during the late 1960s and early 1970s in Tampa, Florida. Bollea was in ninth grade when he formed the group, and they quickly began performing at weekend parties. Their manager was the father of keyboard player, Gary, and their costume designer was Gary's mother. The band consisted of two guitar players, a drummer, a bassist, and a keyboardist, and performed classic rock hits of the day, such as "In-A-Gadda-Da-Vida" by Iron Butterfly and various songs by Steppenwolf. After Infinity's End, Bollea performed with the bands Koko and Ruckus, before going on to a career in professional wrestling. Type Still Image Source Original logo: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original logo. <a href="http://www.tampabaymusichistory.com/resources/IE%20logo.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/IE%20logo.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 117 KB Medium 1 logo Language eng Mediator History Teacher Humanities Teacher Music Teacher Art Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/infinitys-end.php" target="_blank">Infinity's End</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/infinitys-end.php. band band logo garage band garage rock Infinity's End logo music musician rock rock band rock music Tampa https://richesmi.cah.ucf.edu/omeka/files/original/9ae9177aefd2d1a5c50f9b52f79ea303.jpg f0939f72b076d3cf7bb5f543684c0ebb https://richesmi.cah.ucf.edu/omeka/files/original/22762057cb1fc3e2a719ecb2a49c62fa.jpg 466cde8dbf09ee239a1542667cd90b16 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Infinity's End Live with Logo Alternative Title Infinity's End Live with Logo Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- Tampa (Fla.) Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Description Infinity's End performing live in 1970. The first photograph features all five members on stage. A March of Dimes sign hangs behind one of the two sets of drums. Terry Gene Bollea stands on the far right of the photograph, playing guitar. The second photograph is a close up of the keyboardist with the band's logo propped up in front of his keyboard. The drummer and another band member are also in the photograph. Infinity's End was the first of several bands that Bollea, popularly known as Hulk Hogan, performed with during the late 1960s and early 1970s in Tampa, Florida. Bollea was in ninth grade when he formed the group, and they quickly began performing at weekend parties. Their manager was the father of keyboard player, Gary, and their costume designer was Gary's mother. The band consisted of two guitar players, a drummer, a bassist, and a keyboardist, and performed classic rock hits of the day, such as "In-A-Gadda-Da-Vida" by Iron Butterfly and various songs by Steppenwolf. After Infinity's End, Bollea performed with the bands Koko and Ruckus, before going on to a career in professional wrestling. Type Still Image Source Two original color photographs, 1970: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/IE%201970.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/IE%201970.jpg</a>. Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/IE%20circa%201970.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/IE%20circa%201970.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1970 Format image/jpg Extent 116 KB 183 KB Medium 2 color photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/infinitys-end.php" target="_blank">Infinity's End</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/infinitys-end.php. audience band band logo bass guitar bass guitarist bassist Bollea, Terry Gene drum drummer garage band garage rock guitar guitarist Hogan, Hulk Infinity's End keyboard keyboardist singer vocalist March of Dimes music musician rock rock band rock music singer Tampa vocalist https://richesmi.cah.ucf.edu/omeka/files/original/fbf9b61e1ce43e946f5f97b8f678c112.jpg 02f4f91d4e7d27b11f17d05e6e14f40b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Infinity's End in Floral Pants Live Alternative Title Infinity's End in Floral Pants Live Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- Tampa (Fla.) Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Description Color photograph of the band, Infinity's End, performing live in 1968 or 1969. The photograph features the bassist, lead vocalist and drummer. Infinity's End was the first of several bands that Bollea, popularly known as Hulk Hogan, performed with during the late 1960s and early 1970s in Tampa, Florida. Bollea was in ninth grade when he formed the group, and they quickly began performing at weekend parties. Their manager was the father of keyboard player, Gary, and their costume designer was Gary's mother. The band consisted of two guitar players, a drummer, a bassist, and a keyboardist, and performed classic rock hits of the day, such as "In-A-Gadda-Da-Vida" by Iron Butterfly and various songs by Steppenwolf. After Infinity's End, Bollea performed with the bands Koko and Ruckus, before going on to a career in professional wrestling. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/IE%2068%20or%2069.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/IE%2068%20or%2069.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1969 Format image/jpg Extent 144 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/infinitys-end.php" target="_blank">Infinity's End</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/infinitys-end.php. audience band bass guitar bass guitarist bassist drum drummer garage band garage rock Infinity's End singer vocalist music musician rock rock band rock music Tampa https://richesmi.cah.ucf.edu/omeka/files/original/e9b82caf7a74d4cebcf51b50aad670aa.jpg c121a97d5fce9388ce31f3cc1a2157e2 https://richesmi.cah.ucf.edu/omeka/files/original/0f2182d83604e7056ebd8b992ca9b96d.jpg e841127e18e3f7929b0bc101c8e0cee3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 black and white photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Infinity's End Performing Live, 1969 Alternative Title Infinity's End Live with Audience Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- Tampa (Fla.) Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Description Infinity's End performing live on December 30, 1969. The first photograph was taken from the stage and it features the bassist playing guitar and singing into a microphone. The second photograph is a close up of the drummer surrounded by audience members. Infinity's End was the first of several bands that Bollea, popularly known as Hulk Hogan, performed with during the late 1960s and early 1970s in Tampa, Florida. Bollea was in ninth grade when he formed the group, and they quickly began performing at weekend parties. Their manager was the father of keyboard player, Gary, and their costume designer was Gary's mother. The band consisted of two guitar players, a drummer, a bassist, and a keyboardist, and performed classic rock hits of the day, such as "In-A-Gadda-Da-Vida" by Iron Butterfly and various songs by Steppenwolf. After Infinity's End, Bollea performed with the bands Koko and Ruckus, before going on to a career in professional wrestling. Type Still Image Source Original black and white photographs, December 30, 1969: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of two original black and white photographs. <a href="http://www.tampabaymusichistory.com/resources/IE%2012-30-69.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/IE%2012-30-69.jpg</a>. Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/IE%20december%2030%201969.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/IE%20december%2030%201969.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created 1969-12-30 Format image/jpg Extent 236 KB 195 KB Medium 2 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/infinitys-end.php" target="_blank">Infinity's End</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/infinitys-end.php. audience band bass guitar bass guitarist garage band garage rock Infinity's End music musician rock rock band rock music Tampa https://richesmi.cah.ucf.edu/omeka/files/original/938254e8e2a71af79e256b8c8ce45b8a.jpg d280cdc85bcb4640898e91ba6c40cf71 https://richesmi.cah.ucf.edu/omeka/files/original/274a908573d4d8a5cb64b07866d43c6e.jpg c5f87b9d22c6028eabaf00d048406735 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 black and white photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Infinity's End in Ascots Alternative Title Infinity's End Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- Tampa (Fla.) Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Description Infinity's End in 1969. The first photograph features Terry Gene Bollea in the center, and the second photograph shows Bollea on the bottom left. Infinity's End was the first of several bands that Bollea, popularly known as Hulk Hogan, performed with during the late 1960s and early 1970s in Tampa, Florida. Bollea was in ninth grade when he formed the group, and they quickly began performing at weekend parties. Their manager was the father of keyboard player, Gary, and their costume designer was Gary's mother. The band consisted of two guitar players, a drummer, a bassist, and a keyboardist, and performed classic rock hits of the day, such as "In-A-Gadda-Da-Vida" by Iron Butterfly and various songs by Steppenwolf. After Infinity's End, Bollea performed with the bands Koko and Ruckus, before going on to a career in professional wrestling. Type Still Image Source Original black and white photographs, 1969: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/Infinity%27s%20End%20%28circa%201969%29.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/Infinity%27s%20End%20%28circa%201969%29.jpg</a>. Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/207294_1020968211087_5843621_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/207294_1020968211087_5843621_n.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1969 Format image/jpg Extent 212 KB 78.3 KB Medium 2 black and white photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/infinitys-end.php" target="_blank">Infinity's End</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/infinitys-end.php. band Bollea, Terry Gene garage band garage rock Hogan, Hulk Infinity's End music musician palm tree rock rock band rock music Tampa https://richesmi.cah.ucf.edu/omeka/files/original/f90906ab9c11b9cb7337a1de66542f41.JPG fe1eeb98f811fcc4bb6fa68b480524ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tempests at the Firestone Grand Prix of St. Petersburg, 2010 Alternative Title Tempests at Firestone Grand Prix of St. Petersburg Subject St. Petersburg (Fla.) Music--Florida Tempests (Musical group) Rock music--United States Pop music Blues (Music)--Florida Soul music--United States Musicians--Southern States Description The Tempests performing live at the Firestone Grand Prix on March 29, 2010. The Firestone Grand Prix of St. Petersburg is a Verizon IndyCar Series race and is located at 1 Beach Drive Southeast, 42, in St. Petersburg, Florida. The photograph, from left to right, features Tommy Angarano, Darren Shaw, and Chris Winter. The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night. Type Still Image Source Original color photograph, March 29, 2010: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/Tempests.JPG" target="_blank">http://www.tampabaymusichistory.com/resources/Tempests.JPG</a>. Coverage Firestone Grand Prix of St. Petersburg, St. Petersburg, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created 2010-03-29 Format image/jpg Extent 334 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. Angarano, Tommy bass guitar bass guitarist Beach Drive blues drum drummer Firestone Grand Prix garage band garage rock Grand Prix GTE Federal Credit Union guitar guitarist keyboard pop pop music rock rock band rock music Shaw, Darren soul soul music St. Petersburg The Tempest The Tempests Verizon IndyCar Series Winter, Chris https://richesmi.cah.ucf.edu/omeka/files/original/305c22e86465e788ec96ed689b3fa860.jpg 4aaf51f01f891889a0431e790ff714ef Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 flyer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Hey Gang! Big Dance at The Village Alternative Title Hey Gang! Big Dance at The Village Subject Tampa (Fla.) Music--Florida Tempests (Musical group) Rock music--United States Pop music Blues (Music)--Florida Soul music--United States Musicians--Southern States Description Flyer for a concert for the band, The Tempests on March 12, 1966. The dance was held at The Village, located at 3003 Cypress Street in Tampa, Florida. The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night. Type Still Image Source Original flyer, ca. March 12, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original flyer. <a href="http://www.tampabaymusichistory.com/resources/tempests%20ad%20-%201966.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/tempests%20ad%20-%201966.jpg</a>. Coverage The Village, Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966-03-12 Format image/jpg Extent 81 KB Medium 1 flyer Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. blues Cypress Street dance flyer garage band garage rock pop pop music rock rock band rock music soul soul music St. Petersburg Surfers' Club Tampa The Tempest The Tempests The Village https://richesmi.cah.ucf.edu/omeka/files/original/a448604043ee033f13657f2372983444.jpg eac9801d941d1e06a84abe8f6f95f758 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 flyer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Shangri-Las and The Tempests at Mason's Hall, March 26, 1966 Alternative Title Shangri-Las and Tempests at Mason's Hall Subject Shangri-Las (Musical group) Tampa (Fla.) Music--Florida Tempests (Musical group) Rock music--United States Pop music Blues (Music)--Florida Soul music--United States Musicians--Southern States Description Flyer for a concert for The Shangri-Las and The Tempests at Mason's Hall. The "Teen Seen," which was located on the West End Buffalo Avenue Bridge in Tampa, Florida, on March 26, 1966. The flyer features a photograph of The Shangri-Las, a New York-based girl group who were scheduled to headline the event. Admission was $1.50. The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night. Type Still Image Source Original flyer, ca. March 26, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original flyer. <a href="http://www.tampabaymusichistory.com/resources/promo%20ad%20-%201960%27s.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/promo%20ad%20-%201960%27s.jpg</a>. Coverage Mason's Hall, Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966-03-26 Format image/jpg Extent 72.4 KB Medium 1 flyer Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. O'Dair, Barbara. <a href="http://www.worldcat.org/oclc/34951566" target="_blank">Trouble Girls: The Rolling Stone Book of Women in Rock</a>. New York: Random House, 1997. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. "Teen Seen" blues flyer Ganser, Marguerite "Marge" Ganser, Mary Ann garage band garage rock girl group Mason's Hall pop pop group pop music rock rock band rock music Shangri-Las, The soul soul music Tampa The Shangri-Las The Tempest The Tempests Weiss, Elizabeth "Betty" Weiss, Mary West End Buffalo Avenue Bridge https://richesmi.cah.ucf.edu/omeka/files/original/8eef5b58e10fe9afb844925ad260467e.jpg 4c9308f1fd9353137df638b8a9e85117 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tempests at Surfer's Club, 1966 Alternative Title Tempests at Surfer's Club Subject Madeira Beach (Fla.) Music--Florida Tempests (Musical group) Rock music--United States Pop music Blues (Music)--Florida Soul music--United States Musicians--Southern States Description Color photograph of the band, The Tempests, performing live at Surfer's Club in 1966. Surfer's Club was a teenage nightclub in the 1960s, located at 14966 Gulf Boulevard, in Madeira Beach, Florida. The club, which opened in July 1964 and closed in October 1966, only allowed kids ages 15-20. Nightly chaperones ensured there was no "front to back" dancing. The photograph, from left to right, features Doug Palmer, Charlie Bailey, and Tommy Angarano, as well as nine teenagers dancing in front of the stage. The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night. Type Still Image Source Original color photograph, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/Surfers%20Club%20-%201966.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/Surfers%20Club%20-%201966.jpg</a>. Coverage Surfer's Club, Madeira Beach, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966 Format image/jpg Extent 185 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. Angarano, Tommy Bailey, Charlie blues garage band garage rock Madeira Beach Palmer, Doug pop pop music rock rock band rock music soul soul music St. Petersburg Surfer's Club The Tempests https://richesmi.cah.ucf.edu/omeka/files/original/f56581ee642d1f04f1e3fa90db3266a8.jpg 65722dddcd3dff167b51199084981858 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tempests at The Joker's Club, 1964 Alternative Title Tempests at Joker's Club Subject St. Petersburg (Fla.) Music--Florida Tempests (Musical group) Rock music--United States Pop music Blues (Music)--Florida Soul music--United States Musicians--Southern States Description The Tempests, featuring the band's original lineup performing live at The Joker's Club, located at 3615 37th Street North in St. Petersburg, Florida, in 1964. The photograph, from left to right, features Tommy Angarano, Bobby Allen, Bill Hickman, Charlie Bailey, and Doug Palmer. The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night. Type Still Image Source Original black and white photograph, 1964: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/Tempests%20-%201964.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/Tempests%20-%201964.jpg</a>. Coverage The Joker's Club, St. Petersburg, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1964 Format image/jpg Extent 219 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. 37th Street Allen, Bobby Angarano, Tommy Bailey, Charlie bass guitar bassist blues drum drummer garage band garage rock guitar guitarist Hickman, Bill Joker's Club Palmer, Doug pop pop music rock rock band rock music singer soul soul music St. Petersburg The Joker's Club The Tempest The Tempests Thirty-Seventh Street vocalist https://richesmi.cah.ucf.edu/omeka/files/original/bfe3f3ab8439736a09f272d18aca728e.jpg 821b1c6255c68517c5d8a3b4f720e134 https://richesmi.cah.ucf.edu/omeka/files/original/c3827494c57854105cf3a21c5e7511c7.jpg b5579d2311be7a9140184c9cad79655a https://richesmi.cah.ucf.edu/omeka/files/original/0fc20a2517cee4fe55b6cd6d3c0a14b4.jpg 0466a4df4f7a0b9c040ea9dbb351c143 https://richesmi.cah.ucf.edu/omeka/files/original/068bab3e722705a4f144e62e0bf3f697.jpg 785141b5e64552083b831b505551a012 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 4 black and white photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tempests at the National Guard Armory, 1966 Alternative Title Tempests at National Guard Armory Subject St. Petersburg (Fla.) Music--Florida Tempests (Musical group) Rock music--United States Pop music Blues (Music)--Florida Soul music--United States Musicians--Southern States Description The Tempests performing live at the National Guard Armory, located at 3601 38th Avenue South in St. Petersburg, Florida, in 1966. The first photograph, from left to right, features Roy Delese, Tommy Angarano, Mike Hammer, Buddy Peterson, Brad Myers and Charlie Bailey. The second, third and fourth feature all but Bailey in the same order. The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night. Type Still Image Source Original black and white photographs, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of four original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966.jpg</a>. Digital reproduction of four original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966b.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966b.jpg</a>. Digital reproduction of four original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966c.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966c.jpg</a>. Digital reproduction of four original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966d.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966d.jpg</a>. Coverage National Guard Armory, St. Petersburg, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966 Format image/jpg Extent 199 KB 219 KB 214 KB 249 KB Medium 4 black and white photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. 38th Avenue amplifier Angarano, Tommy Bailey, Charlie bass guitar bassist blues Delese, Roy drum drummer garage band garage rock guitar guitarist Hammer, Mike keyboard keyboardist Myers, Brad National Guard Armory Peterson, Buddy pop pop music rock rock band rock music singer soul soul music St. Petersburg The Tempest The Tempests Thirty-Eighth Avenue vocalist https://richesmi.cah.ucf.edu/omeka/files/original/c638d2534a5423ffbec0bb8f0caa655b.jpg ba30661a435e60088a00b2c95026f432 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text 1 newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Tropics Win International Prize Alternative Title Tropics Win International Prize Subject Tropics (Musical group) Chicago (Ill.) Tampa (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Description Part of a newspaper article from the The Tampa Times describing the victory of The Tropics, a Tampa-based band, at the International Battle of the Bands. The headline reads, "Tropics Win International Prize," and was written by Nancy Trice and Carole Newman. According to the article, The Tropics played "I'm a Man," "Misirloo," and "Black-Jacket Woman." The band one new equipment from Ludwig Drum Company, recognition as the house band for WLS Radio for one year, and the opportunity to perform with The Mamas and The Papas in Chicago on August 20th. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Text Source Original newspaper article: Trice, Nancy, and Carole Newman. "Tropics Win International Prize." The Tampa Times, August 10, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original newspaper article: Trice, Nancy, and Carole Newman. "Tropics Win International Prize." The Tampa Times, August 10, 1966. <a href="http://www.tampabaymusichistory.com/resources/15743_215142242836_215085887836_4171128_3418623_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/15743_215142242836_215085887836_4171128_3418623_n.jpg</a>. Coverage Tampa, Florida McCormick Place, Chicago, Illinois Creator Trice, Nancy Newman, Carole Publisher <a href="http://www.tampabay.com/" target="_blank">The Tampa Times</a> <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966-08-10 Date Copyrighted 1966-08-10 Format image/jpg Extent 278 KB Medium 1 newspaper article Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005 "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. Battle of the Bands Black-Jacket Woman Chicago, Illinois classic rock Columbia Records contest Dryer, Mel For A Long time I'm a Man, Misirloo International Battle of the Bands Ludwig Drum Company McCormick Place music musician Newman, Carole Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie St. Petersburg Tampa Tampa Bay Teenage World's Fair The Bitchin' Red Band The Mamas and the Papas The Tampa Times The Tropics Trice, Nancy Turner, Eric WLS Radio https://richesmi.cah.ucf.edu/omeka/files/original/f781b0ee3dc76c5b46700a0e3053b9fb.jpg 3227d340fc07d50a9651c1f403747b96 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title International Battle of the Bands Official Certificate Alternative Title Battle of the Bands Certificate Subject Tropics (Musical group) Chicago (Ill.) Tampa (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Description International Battle of the Bands Official Certificate for The Tropics, a Tampa-based band. The certificate proclaims, "Be it known that the bearer of this certificate has actively participated in the 1966 International Battle of the Bands at McCormick Place, Chicago, Illinois." McCormick Place is located at 2301 South Martin Luther King Drive. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Text Source Original certificate, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original certificate, 1966. <a href="http://www.tampabaymusichistory.com/resources/15743_218662622836_215085887836_4195577_2735513_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/15743_218662622836_215085887836_4195577_2735513_n.jpg</a>. Coverage Tampa, Florida McCormick Place, Chicago, Illinois Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created 1966-07-30 Format image/jpg Extent 87.4 KB Medium 1 certificate Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. Battle of the Bands certificate Chicago, Illinois classic rock Columbia Records Dryer, Mel International Battle of the Bands McCormick Place music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Tampa Times The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/3db2256caaf113d52773107897c273d6.jpg 26600c99b44572222bb79c40ed137cb2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white newspaper photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title World Teenage Show 1966 Top Champions Alternative Title World Teenage Show Subject Young Rascals (Musical group) Rascals (Musical group) Tropics (Musical group) Tampa (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Description A newspaper photograph from The Tampa Times on January 4, 1968, describing a concert with the bands The Tropics and The Rascals. In this photograph, a large banner hangs from the upper level that reads, "WORLD TEENAGE SHOW 1966 TOP CHAMPIONS," and "INTERNATIONAL BATTLE OF THE BANDS WINNERS." The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original newspaper article. "Tropics, Rascals--Fans Love 'Em." The Tampa Times, January 4, 1968: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original newspaper article: Author unknown. <a href="http://www.tampabaymusichistory.com/resources/15743_215140827836_215085887836_4171118_2836496_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/15743_215140827836_215085887836_4171118_2836496_n.jpg</a>. Coverage Tampa, Florida McCormick Place, Chicago, Illinois Publisher <a href="http://www.tampabay.com/" target="_blank">The Tampa Times</a> <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-01-04 Date Copyrighted 1968-01-04 Format image/jpg Extent 139 KB Medium 1 newspaper photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. Battle of the Bands blue-eyed soul Chicago, Illinois classic rock Columbia Records Dryer, Mel International Battle of the Bands McCormick Place music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" soul soul music Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Rascals The Tropics The Young Rascals Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/6ad4dcfafd257de3a32f8717a9f783ec.jpg 7c47bc6a9259dedf71013438e5614b74 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics 30 Year Reunion Alternative Title The Tropics 30 Year Reunion Subject Tropics (Musical group) Tampa (Fla.) St. Petersburg (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Concerts Description The Tropics, a Tampa-based band, taken on May 7, 1999, for their 30 year reunion show at the Coliseum, located at 535 Fourth Avenue North in St. Petersburg, Florida. The show was a benefit for All Children's Hospital. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original black and white photograph, May 7, 1999: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, May 7, 1999. <a href="http://www.tampabaymusichistory.com/resources/15743_215138837836_840642_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/15743_215138837836_840642_n.jpg</a>. Coverage Tampa, Florida The Coliseum, St. Petersburg, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created 1999-05-07 Format image/jpg Extent 51.3 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. All Children's Hospital charity classic rock Columbia Records concert Dryer, Mel hospital music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B reunion reunion show rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie St. Petersburg Tampa Tampa Bay The Bitchin' Red Band The Coliseum The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/c839ecf2271c7c3d777d723de4e8ffeb.jpg 18aab34519de6069bb056ead1cb567b9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics with James Brown Alternative Title The Tropics with James Brown Subject Brown, James, 1933-2006 Tropics (Musical group) Tampa (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Funk (Music)--United States Soul music--United States Description The Tropics, a Tampa-based band, with legendary soul performer, James Brown, at a private sorority party in Tampa in 1966. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/The%20Tropics4.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/The%20Tropics4.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966 Format image/jpg Extent 122 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Brown, James, and Bruce Tucker. <a href="http://www.worldcat.org/oclc/13760564" target="_blank">James Brown, the Godfather of Soul</a>. New York: Macmillan, 1986. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. Brown, James Joseph classic rock Columbia Records Dryer, Mel funk music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" sorority party soul soul music Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Godfather of Soul The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/7887bb9e529daf0adae7646aafae1c19.jpg 7f84cafa037f924dc78032dec4b453fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics, 1965 Alternative Title The Tropics Subject Tropics (Musical group) Tampa (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Description The Tropics, a Tampa-based band, in 1965. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original black and white photograph, 1965: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, 1965. <a href="http://www.tampabaymusichistory.com/resources/The%20Tropics.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/The%20Tropics.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1965 Format image/jpg Extent 147 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. band classic rock Columbia Records Dryer, Mel music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/a5ad985b99eacec652e9f0d8a419fd14.jpg 383213cd94eb957cc70b3e460bdb1429 https://richesmi.cah.ucf.edu/omeka/files/original/5bfd76e28c962e2bf6f99c8ecad5090f.jpg 6a18398e6ae6a22a808fa43727a98bf9 https://richesmi.cah.ucf.edu/omeka/files/original/b3b6c617655fa3200d173e4e1f486706.jpg a3c9efa8183b7013834f5b4082d3c00b https://richesmi.cah.ucf.edu/omeka/files/original/0cd7d206f6264fcb1e977c0c860098c6.jpg 5aa1be84915c751b5d4aa0ba544349b0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 4 black and white photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics in Plant City, 1966 Alternative Title The Tropics in Plant City Subject Tropics (Musical group) Tampa (Fla.) Plant City (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Concerts Musicians--Southern States Description The Tropics performing live at Planteen Recreation Center, located at 301 Dort Street in Plant City, Florida, in 1966. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original black and white photographs, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, 1966. <a href="http://www.tampabaymusichistory.com/resources/17467_296462922836_215085887836_4703232_1048287_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/17467_296462922836_215085887836_4703232_1048287_n.jpg</a>. Digital reproduction of original black and white photograph, 1966. <a href="http://www.tampabaymusichistory.com/resources/17467_296462927836_215085887836_4703233_2921998_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/17467_296462927836_215085887836_4703233_2921998_n.jpg</a>. Digital reproduction of original black and white photograph, 1966. <a href="http://www.tampabaymusichistory.com/resources/17467_296462937836_215085887836_4703234_8018536_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/17467_296462937836_215085887836_4703234_8018536_n.jpg</a>. Digital reproduction of original black and white photograph, 1966. <a href="http://www.tampabaymusichistory.com/resources/17467_296462957836_215085887836_4703236_6490552_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/17467_296462957836_215085887836_4703236_6490552_n.jpg</a>. Coverage Tampa, Florida Planteen Recreational Center, Plant City, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966 Format image/jpg Extent 155 KB 150 KB 158 KB 163 KB Medium 4 black and white photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. classic rock Columbia Records concert Dryer, Mel music musician Pendergrass, Buddy Pendergrass, Hardin Plant City Planteen Recreation Center pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/0552a3ce22c23104d4ee542bf0175bf1.jpg d4d9406d3d289a25666b74dcbc3bdcda Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics in Ascots Alternative Title The Tropics Subject Tropics (Musical group) Tampa (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Description The Tropics, a Tampa-based band, wearing ascots. In the back row from left to right is Eric Turner, Bobby Shea, and Buddy Pendergrass. In the front row from left to right is Mel Dryer and Charlie Souza. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/15743_215746717836_215085887836_4175124_7881811_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/15743_215746717836_215085887836_4175124_7881811_n.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1964-1970 Format image/jpg Extent 199 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. band classic rock Columbia Records Dryer, Mel music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/c52b519603c169d8e08a7bbd09c791af.jpg 06d261fb1cbf0b54b428c550bc7e2794 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics in Red Costumes Alternative Title The Tropics Subject Tropics (Musical group) Tampa (Fla.) Cocoa Beach (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Description The Tropics, a Tampa-based band, wearing red and white costumes. From left to right is Bobby Shea, Mel Dryer, Buddy Pendergrass, Eric Turner, and Charlie Souza. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/The%20Tropics3.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/The%20Tropics3.jpg</a>. Coverage Tampa, Florida Cocoa Beach Pier, Cocoa Beach, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1964-1970 Format image/jpg Extent 135 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. band classic rock Cocoa Beach Cocoa Beach Pier Columbia Records Dryer, Mel music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/fdd8327a0c1cad000bff6431cd8090ca.jpg ba3ee27a895ce4da5ac1568f30bdbc75 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics in Suits Alternative Title The Tropics Subject Tropics (Musical group) Tampa (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Description The Tropics, a Tampa-based band, wearing pinstripe suits. From left to right is Buddy Pendergrass, Mel Dryer, Charlie Souza, Bobby Shea, and Eric Turner. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/15743_218659867836_215085887836_4195556_2936354_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/15743_218659867836_215085887836_4195556_2936354_n.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1964-1970 Format image/jpg Extent 63.2 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers &Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1/em></a>. Manchester: Headpress, 2005< "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. band classic rock Columbia Records Dryer, Mel music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/fd926d2ee53128cfb94a5c042df276c1.jpg fc7ccf709d41446462cfb32491244918 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title White Witch Outdoors Alternative Title White Witch Subject White Witch (Musical group) Tampa (Fla.) Music--Florida Rock music--United States Musicians--Southern States Richardson, Charles Description Photograph of the band, White Witch, featuring its five members, including lead singer Ronald "Ronn" Goedert, guitarist Charles "Buddy" Richardson, keyboardist Hardin "Buddy" Pendergrass, bassist Loyall "Beau" Fisher, and drummer Robert "Bobby" Shea. Formed in Tampa, Florida, in 1971, White Witch was a glam, psychedelic, hard rock band that recorded two albums with Capricorn Records in the early 1970s. Pendergrass and Shea had once belonged to the popular Tampa area rock band, The Tropics, in the mid to late 1960s. Their name was a paean to "white magic," contrary to the "black magic" of groups such as Black Sabbath. The band would announce before their shows, "To bring good where there once was evil, to bring love where there once was hate, to bring wisdom where there once was ignorance—this is the power of White Witch." They toured to support their two records, opening for such established acts as Alice Cooper, Grand Funk Railroad, and Billy Preston. The group was inducted into the Florida Musicians Hall of Fame's Florida Music Honor Roll. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. Has Format Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/onderdenaald_whitewitch_1972_band.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/onderdenaald_whitewitch_1972_band.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1972 Format image/jpg Extent 78.4 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Auslander, Philip. <a href="http://www.worldcat.org/oclc/60743181" target="_blank">Performing Glam Rock: Gender and Theatricality in Popular Music</a>. Ann Arbor, Mich: University of Michigan Press, 2006 Turner, Alwyn W. <a href="http://www.worldcat.org/oclc/857525031" target="_blank">Glam Rock: Dandies in the Underworld</a>. 2013 <a href="http://www.tampabaymusichistory.com/white-witch.php" target="_blank">"White Witch"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/white-witch.php. Fisher, Beau Fisher, Loyall "Beau" glam rock Goedert, Ronald "Ronn" "Ronn" Goedert, Ronn guitar Pendergrass, Buddy Pendergrass, Hardin "Buddy" prog rock progressive rock Richardson, Buddy Richardson, Charles Shea, Bobby" Shea, Robert "Bobby" White Witch https://richesmi.cah.ucf.edu/omeka/files/original/fe24f64f8e0c1feba01f4153139de122.jpg dff36876b5835d653e8a74e94d47059b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title White Witch on Stairs Alternative Title White Witch Subject White Witch (Musical group) Tampa (Fla.) Music--Florida Rock music--United States Musicians--Southern States Richardson, Charles Description Photograph of the band, White Witch, featuring its five members, including lead singer Ronald "Ronn" Goedert, guitarist Charles "Buddy" Richardson, keyboardist Hardin "Buddy" Pendergrass, bassist Loyall "Beau" Fisher, and drummer Robert "Bobby" Shea. Formed in Tampa, Florida, in 1971, White Witch was a glam, psychedelic, hard rock band that recorded two albums with Capricorn Records in the early 1970s. Pendergrass and Shea had once belonged to the popular Tampa area rock band, The Tropics, in the mid to late 1960s. Their name was a paean to "white magic," contrary to the "black magic" of groups such as Black Sabbath. The band would announce before their shows, "To bring good where there once was evil, to bring love where there once was hate, to bring wisdom where there once was ignorance—this is the power of White Witch." They toured to support their two records, opening for such established acts as Alice Cooper, Grand Funk Railroad, and Billy Preston. The group was inducted into the Florida Musicians Hall of Fame's Florida Music Honor Roll. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Has Format Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/Wheader-450x450.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/Wheader-450x450.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1971-1975 Format image/jpg Extent 118 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Auslander, Philip. <a href="http://www.worldcat.org/oclc/60743181" target="_blank">Performing Glam Rock: Gender and Theatricality in Popular Music</a>. Ann Arbor, Mich: University of Michigan Press, 2006 Turner, Alwyn W. <a href="http://www.worldcat.org/oclc/857525031" target="_blank">Glam Rock: Dandies in the Underworld</a>. 2013 <a href="http://www.tampabaymusichistory.com/white-witch.php" target="_blank">"White Witch"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/white-witch.php. Fisher, Beau Fisher, Loyall "Beau" glam rock Goedert, Ronald "Ronn" "Ronn" Goedert, Ronn guitar Pendergrass, Buddy Pendergrass, Hardin "Buddy" prog rock progressive rock Richardson, Buddy Richardson, Charles Shea, Bobby" Shea, Robert "Bobby" White Witch https://richesmi.cah.ucf.edu/omeka/files/original/2f636655f4cca5c454dcba00c66263b4.jpg 796d3ee0a232a32918fac08cd0a60331 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title White Witch Album Cover Alternative Title White Witch Subject White Witch (Musical group) Tampa (Fla.) Music--Florida Rock music--United States Musicians--Southern States Richardson, Charles Description Album cover for White Witch's 1972 self-titled debut. The color photograph features the five members of the band: lead singer Ronald "Ronn" Goedert, guitarist Charles "Buddy" Richardson, keyboardist Hardin "Buddy" Pendergrass, bassist Loyall "Beau" Fisher, and drummer Robert "Bobby" Shea. Formed in Tampa, Florida, in 1971, White Witch was a glam, psychedelic, hard rock band that recorded two albums with Capricorn Records in the early 1970s. Pendergrass and Shea had once belonged to the popular Tampa area rock band, The Tropics, in the mid to late 1960s. Their name was a paean to "white magic," contrary to the "black magic" of groups such as Black Sabbath. The band would announce before their shows, "To bring good where there once was evil, to bring love where there once was hate, to bring wisdom where there once was ignorance—this is the power of White Witch." They toured to support their two records, opening for such established acts as Alice Cooper, Grand Funk Railroad, and Billy Preston. The group was inducted into the Florida Musicians Hall of Fame's Florida Music Honor Roll. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Has Format Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/47884907696f071073b63db922dc6a14.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/47884907696f071073b63db922dc6a14.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1972 Format image/jpg Extent 78.6 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Auslander, Philip. <a href="http://www.worldcat.org/oclc/60743181" target="_blank">Performing Glam Rock: Gender and Theatricality in Popular Music</a>. Ann Arbor, Mich: University of Michigan Press, 2006 Turner, Alwyn W. <a href="http://www.worldcat.org/oclc/857525031" target="_blank">Glam Rock: Dandies in the Underworld</a>. 2013 <a href="http://www.tampabaymusichistory.com/white-witch.php" target="_blank">"White Witch"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/white-witch.php. album album cover Capricorn Records Fisher, Beau Fisher, Loyall "Beau" glam rock Goedert, Ronald "Ronn" "Ronn" Goedert, Ronn guitar Pendergrass, Buddy Pendergrass, Hardin "Buddy" prog rock progressive rock Richardson, Buddy Richardson, Charles Shea, Bobby" Shea, Robert "Bobby" White Witch https://richesmi.cah.ucf.edu/omeka/files/original/d4b8b675186627bfffccd5e0de4de3d9.jpg aee97b1f2f04cfd2b6581e54f7d50b37 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title White Witch - Capricorn Records Alternative Title White Witch Subject White Witch (Musical group) Tampa (Fla.) Music--Florida Rock music--United States Musicians--Southern States Richardson, Charles Description Promotional photograph of the band, White Witch, featuring its five members, lead singer Ronald "Ronn" Goedert, guitarist Charles "Buddy" Richardson, keyboardist Hardin "Buddy" Pendergrass, bassist Loyall "Beau" Fisher, drummer Robert "Bobby" Shea, and another unidentified man. Ronn Goedert is dressed in a wizard costume. The band's name is listed on the bottom left of the photograph and the record label, Capricorn Records, is listed on the bottom right. Formed in Tampa, Florida, in 1971, White Witch was a glam, psychedelic, hard rock band that recorded two albums with Capricorn Records in the early 1970s. Pendergrass and Shea had once belonged to the popular Tampa area rock band, The Tropics, in the mid to late 1960s. Their name was a paean to "white magic," contrary to the "black magic" of groups such as Black Sabbath. The band would announce before their shows, "To bring good where there once was evil, to bring love where there once was hate, to bring wisdom where there once was ignorance—this is the power of White Witch." They toured to support their two records, opening for such established acts as Alice Cooper, Grand Funk Railroad, and Billy Preston. The group was inducted into the Florida Musicians Hall of Fame's Florida Music Honor Roll. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. Has Format Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/10411087_816701458372528_5541827826245837596_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/10411087_816701458372528_5541827826245837596_n.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1971-1975 Format image/jpg Extent 68.6 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Auslander, Philip. <a href="http://www.worldcat.org/oclc/60743181" target="_blank">Performing Glam Rock: Gender and Theatricality in Popular Music</a>. Ann Arbor, Mich: University of Michigan Press, 2006 Turner, Alwyn W. <a href="http://www.worldcat.org/oclc/857525031" target="_blank">Glam Rock: Dandies in the Underworld</a>. 2013 <a href="http://www.tampabaymusichistory.com/white-witch.php" target="_blank">"White Witch"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/white-witch.php. Capricorn Records Fisher, Beau Fisher, Loyall "Beau" glam rock Goedert, Ronald "Ronn" "Ronn" Goedert, Ronn guitar Pendergrass, Buddy Pendergrass, Hardin "Buddy" prog rock progressive rock Richardson, Buddy Richardson, Charles Shea, Bobby" Shea, Robert "Bobby" White Witch https://richesmi.cah.ucf.edu/omeka/files/original/9700e764deb204f3d6364b6740040202.jpg 198ca3de50f048ce784eabf688bc3b06 https://richesmi.cah.ucf.edu/omeka/files/original/45bcbef4102147c83397bcded0501f93.jpg ce62df5629bb23363b570300abb55038 https://richesmi.cah.ucf.edu/omeka/files/original/5aa46550063839781ed6d5627e22d5bc.jpeg b4c103718917f5a9677e6e67ec2fe619 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Blues Collection Alternative Title Blues Collection Subject Music--United States Blues (Music)--Florida Description Collection of digital images, documents, and other records depicting the history of blues music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. During the middle to late 19th century, African-American ex-slaves and their descendants in the Deep South began playing a style of music that evolved from Black Spirituals and chants, work songs, field hollers, rural fife and drum music, revivalist hymns, and European folk and country dance music. It was characterized by its call-and-response narrative pattern, blue notes, and specific chord progressions, of which the 12-bar blues was the most common. By the turn of the century, blues music was being performed in regions such as Louisiana, the Mississippi Delta, the Piedmont region, and Texas, typically by a solo musician on acoustic guitar, harmonica, or piano. Initially, a traditional blues verse was made up of a single line repeated four times, until the common AAB pattern was established in the early 20th century. In 1912, W. C. Handy, an African-American minstrel show band leader, published "Memphis Blues," which helped popularize the genre by transcribing and orchestrating it in a symphonic-like style. Handy is also credited with giving the blues its contemporary form, and was crowned the "Father of the Blues." The unexpected success of Mamie Smith’s "Crazy Blues," eight years later, caused record labels to begin producing “race records," featuring blues singers such as Ma Rainey and Bessie Smith. Most of the blues pioneers from the 1920s performed solo with an acoustic guitar. Among the most recognized are Robert Johnson, Blind Lemon Jefferson, Son House, Leadbelly and Charlie Patton. As blues spread from the Deep South, it took on regional characteristics and styles. The Mississippi Delta blues featured slide guitar and a rootsy, sparse style. The Piedmont blues used an elaborate ragtime-based rhythm and fingerpicking technique. The Memphis blues, popular in vaudeville and medicine shows, was influenced by jug bands, incorporating unusual instruments such as washboard, kazoo, jug, mandolin, and fiddle. Urban blues forced performers to become more elaborate, as they had to adapt to a larger, more varied audience. Boogie-woogie consisted of piano-based blues derived from barrelhouse and ragtime in Chicago. Big band blues emerged out of Kansas City and incorporated elements of jazz and swing. West Coast blues was heavily influenced by a swing beat, and popularized by Texas musicians who moved to California. Electric blues came out of Chicago, Memphis, Detroit, and St. Louis in the 1950s, using electric guitars, double bass, drums. and harmonica performed through a microphone, amplifier and PA (public address) system. By the beginning of the 1960s, the most popular genres for young Americans were rock and roll and soul music, both rooted in African-American blues. Buried in the Deep South, Central Florida has had a long blues tradition, and a number of notable blues musicians had roots in Florida, including Tampa Red, Bo Diddley, Ray Charles, "Diamond Teeth Mary" McClain, Gabriel Brown, Noble "Thin Man" Watts, Willie Green, Blind Blake, Little Mike and the Tornadoes, Barrelhouse Chuck, and the Allman Brothers Band. Muddy Waters wrote a song for his 1977 album, Hard Again, entitled "Deep Down in Florida," in which he mentions Newberry and traveling to Gainesville to see an old friend. Waters met his third wife while performing at the popular blues dance hall, the Cotton Club, in Gainesville. The club opened in 1948 and had regular performances by such future famous blues musicians as James Brown, B.B. King and Ray Charles. The Wells’ Built Hotel and Casino, which is now an African-American history museum, is located in the historic African-American community of Parramore in Downtown Orlando. The hotel hosted many notable African-American musicians and celebrities during the Segregation era. Guitar Slim, Ray Charles, Ivory Joe Hunter, B. B. King and Bo Diddley were among the bluesmen traveling along the Chitlin' Circuit who were guests at the hotel and performers at the casino. Contributor <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Bradenton, Florida The Alley, Sanford, Florida West Tampa, Tampa, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference DeVane, Dwight, Blaine Waide, Peggy A. Bulger, Doris J. Dyen, and David Evans. <a href="http://www.worldcat.org/oclc/856993560" target="_blank">Drop on Down in Florida: Field Recordings of African American Traditional Music 1977-1980</a>. Atlanta, Ga: Dust-to-Digital, 2012. Oakley, Giles. <a href="http://www.worldcat.org/oclc/3082016" target="_blank">The Devil's Music: A History of the Blues</a>. New York: Taplinger Pub. Co, 1977. Palmer, Robert. <a href="http://www.worldcat.org/oclc/6864668" target="_blank">Deep Blues: A Musical and Cultural History of the Mississippi Delta</a>. New York: Viking Press, 1981. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph 2 black and white photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Diamond Teeth" Mary Alternative Title "Diamond Teeth" Mary Subject McClain, Mary Smith Bradenton (Fla.) Concerts Music--Florida Blues (Music)--Florida Gospel music--Florida Vaudeville--Florida Description "Diamond Teeth" Mary McClain (born Mary Smith), an African-American blues, gospel, and vaudeville singer who performed from the 1910s through the 1990s. "Diamond Teeth" Mary was the half-sister of blues legend, Bessie Smith, and was present at her death following an automobile accident. Performing in various minstrel shows through the 1920s and 1930s, she was known as "Walking Mary" until the 1940s. She had diamonds removed from a bracelet and set into her front teeth, giving her famous moniker, but eventually removed them to pay for her mother's medical bills. Often promoted as "Queen of the Blues," she performed with some of the biggest names in African-American music, including Billie Holiday, Bessie Smith, Sarah Vaughan, Ray Charles, Count Basie, Nat 'King' Cole, Charlie Parker, and Duke Ellington. "Diamond Teeth" Mary moved to Bradenton, Florida, in 1960, where she began performing gospel music, rather than secular blues, and remained there until her death in April 2000. She was given national exposure in the late 1970s, when Steven Zeitlin of the Smithsonian Institution tracked her down and convinced her to perform at the American Folklife Festival. She performed for President Ronald Reagan at the White House in 1980, appeared in an off-Broadway production in 1981, became one of the first recipients of the Florida Folk Heritage Award in 1986, recorded her first album, If I Can't Sell It, I'm Gonna Sit On It, in 1993, and continued to perform at blues festivals in the United States and Europe until her death at age 97. A play about her life premiered at the Florida Folk Festival in 2000. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Original black and white photographs: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/144" target="_blank">Blues Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Original black and white photographs: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Has Format Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/34564.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/34564.jpg</a>. Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/DiamondTeethMary.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/DiamondTeethMary.jpg</a>. Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/35464352.jpeg.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/35464352.jpeg</a>. Coverage Bradenton, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1960-2000 Format image/jpg Extent 140 KB 77.5 KB 33.5 KB Medium 1 color photograph 2 black and white photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Cohn, Lawrence (ed.) "Mary 'Diamond Teeth' McClain. <a href="http://www.worldcat.org/oclc/27380574" target="_blank">Nothing but the Blues: The Music and the Musicians</a>. New York: Abbeville Press, 1993 <a href="http://www.tampabaymusichistory.com/diamond-teeth-mary.php" target="_blank">""Diamond Teeth" Mary"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/diamond-teeth-mary.php. "Diamond Teeth" Mary African American blues blues music blues singer Bradenton concert gospel music McClain, "Diamond Teeth" Mary Smith McClain, Mary "Diamond Teeth" Smith minstrel show minstrelsy singer Smith, "Diamond Teeth" Smith, Mary St. Petersburg Tampa Bay vaudeville vocalist Walking Mary https://richesmi.cah.ucf.edu/omeka/files/original/4cdd6b5bc7c13072a8419a0c09767512.jpg e24b40670a612f1f7c2020c186ffabcf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 business card Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Buckwheat Business Card Alternative Title Buckwheat Business Card Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Description Business card for the band, Buckwheat. The names of the band members appear at the top of the card, with "Buckwheat for live entertainment" printed in the center. The name Randy Stone and a phone number appear at the bottom. Known for their spontaneous blues-based jams and the pyrotechnics of their guitarist, Danny Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, Dwight Saunders played bass and Richard Radloff played drums. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Text Source Original business card: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original business card. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-bus_card.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-bus_card.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 41 KB Medium 1 business card Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band blues blues music blues-rock blues-rock music Buckwheat Clearwater concert electric bass guitar garage band garage rock musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight Stone, Randy https://richesmi.cah.ucf.edu/omeka/files/original/311558278eaa11e4707568d33477cc41.jpg b7a151e859185c91bbd45f702f943339 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Dwight Saunders of Buckwheat Alternative Title Dwight Saunders of Buckwheat Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Bassists Description Black and white photographs of Dwight Saunders performing on bass guitar with the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of their guitarist, Danny Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, and Saunders on bass, Richard Radloff played drums. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-dwight_saunders.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-dwight_saunders.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 10.2 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band bass guitar bass player bassist blues blues music blues-rock blues-rock music Buckwheat Clearwater concert electric bass guitar garage band garage rock musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight https://richesmi.cah.ucf.edu/omeka/files/original/97fe3737f4e743b9f1dc61b915a3ce05.jpg af98fd1f36039c7d56a290f2310200da Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Dwight Saunders Performing with Buckwheat Alternative Title Dwight Saunders of Buckwheat Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Bassists Description Black and white photographs of Dwight Saunders performing on bass guitar with the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of their guitarist, Danny Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, and Saunders on bass, Richard Radloff played drums. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-dwight1.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-dwight1.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 10.1 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band bass guitar bass player bassist blues blues music blues-rock blues-rock music Buckwheat Clearwater concert electric bass guitar garage band garage rock musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight https://richesmi.cah.ucf.edu/omeka/files/original/89bce75e2298cc5efe5357da7fea1bac.jpg 987600d5202699aa276fda910d1b75bd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Danny Richard and Dwight Saunders of Buckwheat Alternative Title Danny Richard and Dwight Saunders of Buckwheat Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Richard, Danny Description Danny Richard and Dwight Saunders of the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, and Saunders on bass, Richard Radloff played drums. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-danny-dwight.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-danny-dwight.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 19 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band bass player bassist blues blues music blues-rock blues-rock music Buckwheat Clearwater concert garage band garage rock guitar player guitarist musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight https://richesmi.cah.ucf.edu/omeka/files/original/bc0e60b65e0adcc6bf204bca95055caf.jpg a3345e43cd392e3802b836026b11adcb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Danny Richard of Buckwheat Alternative Title Danny Richard of Buckwheat Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Richard, Danny Guitarists--United States Description Black and white photographs of Danny Richard performing on electric guitar with the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, Richard Radloff played drums and Dwight Saunders played bass. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-danny_richard.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-danny_richard.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 8.32 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band blues blues music blues-rock blues-rock music Buckwheat Clearwater concert electric guitar garage band garage rock guitar guitar player guitarist musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight https://richesmi.cah.ucf.edu/omeka/files/original/81005d05472f01fed0c03c503e6fc362.jpg a4656de9c2066a8aa611101eca1478a7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Danny Richard Performing with Buckwheat Alternative Title Danny Richard of Buckwheat Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Richard, Danny Guitarists--United States Description Black and white photographs of Danny Richard performing on electric guitar with the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, Richard Radloff played drums and Dwight Saunders played bass. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-danny1.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-danny1.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 11.3 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band blues blues music blues-rock blues-rock music Buckwheat Clearwater concert electric guitar garage band garage rock guitar guitar player guitarist musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight https://richesmi.cah.ucf.edu/omeka/files/original/2b5dedef8923ca20ec722edb7fa8731a.jpg 8af3ed9647043ae22414c38c24e96bec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Richard Radloff Performing with Buckwheat Alternative Title Richard Radloff of Buckwheat Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Drummers (Musicians) Description Richard Radloff performing on drums with the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of their guitarist, Danny Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, and Radloff on drums, Dwight Saunders played bass. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-richard.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-richard.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 13.4 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band blues blues music blues-rock blues-rock music Buckwheat Clearwater concert drum drummer garage band garage rock musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight https://richesmi.cah.ucf.edu/omeka/files/original/b24d82a8e6ca2aca0a565cab01284b4c.jpg b546d123c845b84bb5fdd764834abfa1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Sanford Collection Description The present-day Sanford area was originally inhabited by the Mayaca/Joroco natives by the time Europeans arrived. The tribe was decimated by war and disease by 1760 and was replaced by the Seminole Indians. In 1821, the United States acquired Florida from Spain and Americans began to settled in the state. Camp Monroe was established in the mid-1830s to defend the area against Seminoles during the Seminole Wars. In 1836, the United States Army built a road (present-day Mellonville Avenue) to a location called "Camp Monroe," during the Second Seminole War. Following an attack on February 8, 1837, the camp was renamed "Fort Mellon," in honor of the battle's only American casualty, Captain Charles Mellon. The town of Mellonville was founded nearby in 1842 by Daniel Stewart. When Florida became a state three years later, Mellonville became the county seat for Orange County, which was originally a portion of Mosquito County. Citrus was the first cash crop in the area and the first fruit packing plant was constructed in 1869. In 1870, a lawyer from Connecticut by the name of Henry Shelton Sanford (1832-1891) purchased 12,548 acres of open land west of Mellonville. His vision was to make this new land a major port city, both railway and by water. Sitting on Lake Monroe, and the head of the St. Johns River, the City of Sanford earned the nickname of “The Gate City of South Florida.” Sanford became not only a transportation hub, but a leading citrus industry in Florida, and eventually globally. The Great Fire of 1887 devastated the city, which also suffered from a statewide epidemic of yellow fever the following year. The citrus industry flourished until the Great Freezes of 1894 and 1895, causing planters to begin growing celery in 1896 as an alternative. Celery replaced citrus as the city's cash crop and Sanford was nicknamed "Celery City." In 1913, Sanford became the county seat of Seminole County, once part of Orange County. Agriculture dominated the region until Walt Disney World opened in October of 1971, effectively shifting the Central Florida economy towards tourism and residential development. Alternative Title Sanford Collection Subject Sanford (Fla.) Contributor <a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank">Museum of Seminole County History</a> <a href="https://www.thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://sanfordhistory.tripod.com/" target="_blank">Sanford Historical Society, Inc.</a> <a href="http://www.sanfordfl.gov/index.aspx?page=108" target="_blank">Sanford Museum</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Sanford, Florida Curator Marra, Katherine Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. "<a href="http://www.sanfordfl.gov/index.aspx?page=48" target="_blank">Sanford: A Brief History</a>." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=48. The Seminole Herald. <a href="http://www.worldcat.org/oclc/52633016" target="_blank">Sanford: Our First 125 Years</a>. [Sanford, FL]: The Herald, 2002. Mills, Jerry W., and F. Blair Reeves. <a href="http://www.worldcat.org/oclc/11338196" target="_blank">A Chronology of the Development of the City of Sanford, Florida: With Major Emphasis on Early Growth</a>, 1975. Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/82" target="_blank">Celery Soup: Florida’s Folk Life Play Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/65" target="_blank">Churches of Sanford Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/131" target="_blank">Creative Sanford, Inc. Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank">Georgetown Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/78" target="_blank">Marie J. Francis Collection</a>, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/101" target="_blank">Sanford Avenue Collection</a>, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/79" target="_blank">Goldsboro Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/116" target="_blank">Henry L. DeForest Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/12" target="_blank">Hotel Forrest Lake Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/14" target="_blank">Ice Houses of Sanford Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/42" target="_blank">Milane Theatre Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/13" target="_blank">Naval Air Station Sanford Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/15" target="_blank">Sanford Baseball Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/61" target="_blank">Sanford Cigar Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/10" target="_blank">Sanford Riverfront Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/11" target="_blank">Sanford State Farmers' Market Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title San Lanta, 1924 Alternative Title San Lanta Subject Sanford (Fla.) Subdivisions Neighborhoods--United States Description The entry feature of the San Lanta subdivision, which was constructed at the corner of South Sanford Avenue and East Fourteenth Street in Sanford, Florida, in 1924. Type Still Image Source Original black and white photograph by Woodward: Elton Moughton Archives, Private Collection of Christine Dalton. Is Part Of Elton Moughton Archives, Private Collection of Christine Dalton. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph by Woodward. Coverage San Lanta, Sanford, Florida Creator Woodward Date Created ca. 1924 Format image/jpeg Extent 66.3 KB Medium 1 black and white photograph Language eng Mediator History Teacher Geography Teacher Provenance Originally created by Woodward. Rights Holder Copyright to the resource is held by Christine Dalton and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank">Building Blocks</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Elton Moughton Archives External Reference The Seminole Herald. <a href="http://www.worldcat.org/oclc/52633016" target="_blank">Sanford: Our First 125 Years</a>. [Sanford, FL]: The Herald, 2002. Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. "<a href="http://www.sanfordfl.gov/index.aspx?page=48" target="_blank">Sanford: A Brief History</a>." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=48. 14th Street Fourteenth Street neighborhood San Lanta Sanford Sanford Avenue subdivision https://richesmi.cah.ucf.edu/omeka/files/original/837176bd339b95a8454e6409cab76dfb.jpg bdc7624c03baa224a369ea381b440198 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Sanford Collection Description The present-day Sanford area was originally inhabited by the Mayaca/Joroco natives by the time Europeans arrived. The tribe was decimated by war and disease by 1760 and was replaced by the Seminole Indians. In 1821, the United States acquired Florida from Spain and Americans began to settled in the state. Camp Monroe was established in the mid-1830s to defend the area against Seminoles during the Seminole Wars. In 1836, the United States Army built a road (present-day Mellonville Avenue) to a location called "Camp Monroe," during the Second Seminole War. Following an attack on February 8, 1837, the camp was renamed "Fort Mellon," in honor of the battle's only American casualty, Captain Charles Mellon. The town of Mellonville was founded nearby in 1842 by Daniel Stewart. When Florida became a state three years later, Mellonville became the county seat for Orange County, which was originally a portion of Mosquito County. Citrus was the first cash crop in the area and the first fruit packing plant was constructed in 1869. In 1870, a lawyer from Connecticut by the name of Henry Shelton Sanford (1832-1891) purchased 12,548 acres of open land west of Mellonville. His vision was to make this new land a major port city, both railway and by water. Sitting on Lake Monroe, and the head of the St. Johns River, the City of Sanford earned the nickname of “The Gate City of South Florida.” Sanford became not only a transportation hub, but a leading citrus industry in Florida, and eventually globally. The Great Fire of 1887 devastated the city, which also suffered from a statewide epidemic of yellow fever the following year. The citrus industry flourished until the Great Freezes of 1894 and 1895, causing planters to begin growing celery in 1896 as an alternative. Celery replaced citrus as the city's cash crop and Sanford was nicknamed "Celery City." In 1913, Sanford became the county seat of Seminole County, once part of Orange County. Agriculture dominated the region until Walt Disney World opened in October of 1971, effectively shifting the Central Florida economy towards tourism and residential development. Alternative Title Sanford Collection Subject Sanford (Fla.) Contributor <a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank">Museum of Seminole County History</a> <a href="https://www.thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://sanfordhistory.tripod.com/" target="_blank">Sanford Historical Society, Inc.</a> <a href="http://www.sanfordfl.gov/index.aspx?page=108" target="_blank">Sanford Museum</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Sanford, Florida Curator Marra, Katherine Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. "<a href="http://www.sanfordfl.gov/index.aspx?page=48" target="_blank">Sanford: A Brief History</a>." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=48. The Seminole Herald. <a href="http://www.worldcat.org/oclc/52633016" target="_blank">Sanford: Our First 125 Years</a>. [Sanford, FL]: The Herald, 2002. Mills, Jerry W., and F. Blair Reeves. <a href="http://www.worldcat.org/oclc/11338196" target="_blank">A Chronology of the Development of the City of Sanford, Florida: With Major Emphasis on Early Growth</a>, 1975. Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/82" target="_blank">Celery Soup: Florida’s Folk Life Play Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/65" target="_blank">Churches of Sanford Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/131" target="_blank">Creative Sanford, Inc. Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank">Georgetown Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/78" target="_blank">Marie J. Francis Collection</a>, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/101" target="_blank">Sanford Avenue Collection</a>, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/79" target="_blank">Goldsboro Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/116" target="_blank">Henry L. DeForest Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/12" target="_blank">Hotel Forrest Lake Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/14" target="_blank">Ice Houses of Sanford Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/42" target="_blank">Milane Theatre Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/13" target="_blank">Naval Air Station Sanford Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/15" target="_blank">Sanford Baseball Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/61" target="_blank">Sanford Cigar Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/10" target="_blank">Sanford Riverfront Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/11" target="_blank">Sanford State Farmers' Market Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Northwest Corner of South Magnolia Avenue and East Second Street Alternative Title Magnolia Ave. and 2nd St. Subject Sanford (Fla.) Buildings--Florida Parking lots Description The parking lot on the northwest corner of South Magnolia Avenue and East Second Street in Downtown Sanford, Florida, in 2012. In the 1920s, a building designed by architect Elton James Moughton was located here. Type Still Image Source Original color photograph by Christine Dalton, 2012: Elton Moughton Archives, Private Collection of Christine Dalton. Is Part Of Elton Moughton Archives, Private Collection of Christine Dalton. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph by Christine Dalton, 2012. Coverage Downtown Sanford, Florida Creator Dalton, Christine Date Created 2012 Format image/jpeg Extent 116 KB Medium 1 color photograph Language eng Mediator History Teacher Geography Teacher Provenance Originally created by Christine Dalton. Rights Holder Copyright to the resource is held by Christine Dalton and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank">Building Blocks</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Elton Moughton Archives External Reference The Seminole Herald. <a href="http://www.worldcat.org/oclc/52633016" target="_blank">Sanford: Our First 125 Years</a>. [Sanford, FL]: The Herald, 2002. Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. "<a href="http://www.sanfordfl.gov/index.aspx?page=48" target="_blank">Sanford: A Brief History</a>." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=48. 2nd Street Downtown Sanford Magnolia Avenue parking lot Sanford Second Street https://richesmi.cah.ucf.edu/omeka/files/original/f7df7ba90a75ee6a7377bbe05968a512.jpg 52df82f860168d01c9d744c87394f69e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Sanford Collection Description The present-day Sanford area was originally inhabited by the Mayaca/Joroco natives by the time Europeans arrived. The tribe was decimated by war and disease by 1760 and was replaced by the Seminole Indians. In 1821, the United States acquired Florida from Spain and Americans began to settled in the state. Camp Monroe was established in the mid-1830s to defend the area against Seminoles during the Seminole Wars. In 1836, the United States Army built a road (present-day Mellonville Avenue) to a location called "Camp Monroe," during the Second Seminole War. Following an attack on February 8, 1837, the camp was renamed "Fort Mellon," in honor of the battle's only American casualty, Captain Charles Mellon. The town of Mellonville was founded nearby in 1842 by Daniel Stewart. When Florida became a state three years later, Mellonville became the county seat for Orange County, which was originally a portion of Mosquito County. Citrus was the first cash crop in the area and the first fruit packing plant was constructed in 1869. In 1870, a lawyer from Connecticut by the name of Henry Shelton Sanford (1832-1891) purchased 12,548 acres of open land west of Mellonville. His vision was to make this new land a major port city, both railway and by water. Sitting on Lake Monroe, and the head of the St. Johns River, the City of Sanford earned the nickname of “The Gate City of South Florida.” Sanford became not only a transportation hub, but a leading citrus industry in Florida, and eventually globally. The Great Fire of 1887 devastated the city, which also suffered from a statewide epidemic of yellow fever the following year. The citrus industry flourished until the Great Freezes of 1894 and 1895, causing planters to begin growing celery in 1896 as an alternative. Celery replaced citrus as the city's cash crop and Sanford was nicknamed "Celery City." In 1913, Sanford became the county seat of Seminole County, once part of Orange County. Agriculture dominated the region until Walt Disney World opened in October of 1971, effectively shifting the Central Florida economy towards tourism and residential development. Alternative Title Sanford Collection Subject Sanford (Fla.) Contributor <a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank">Museum of Seminole County History</a> <a href="https://www.thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://sanfordhistory.tripod.com/" target="_blank">Sanford Historical Society, Inc.</a> <a href="http://www.sanfordfl.gov/index.aspx?page=108" target="_blank">Sanford Museum</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Sanford, Florida Curator Marra, Katherine Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. "<a href="http://www.sanfordfl.gov/index.aspx?page=48" target="_blank">Sanford: A Brief History</a>." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=48. The Seminole Herald. <a href="http://www.worldcat.org/oclc/52633016" target="_blank">Sanford: Our First 125 Years</a>. [Sanford, FL]: The Herald, 2002. Mills, Jerry W., and F. Blair Reeves. <a href="http://www.worldcat.org/oclc/11338196" target="_blank">A Chronology of the Development of the City of Sanford, Florida: With Major Emphasis on Early Growth</a>, 1975. Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/82" target="_blank">Celery Soup: Florida’s Folk Life Play Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/65" target="_blank">Churches of Sanford Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/131" target="_blank">Creative Sanford, Inc. Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank">Georgetown Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/78" target="_blank">Marie J. Francis Collection</a>, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/101" target="_blank">Sanford Avenue Collection</a>, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/79" target="_blank">Goldsboro Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/116" target="_blank">Henry L. DeForest Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/12" target="_blank">Hotel Forrest Lake Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/14" target="_blank">Ice Houses of Sanford Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/42" target="_blank">Milane Theatre Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/13" target="_blank">Naval Air Station Sanford Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/15" target="_blank">Sanford Baseball Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/61" target="_blank">Sanford Cigar Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/10" target="_blank">Sanford Riverfront Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/11" target="_blank">Sanford State Farmers' Market Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Northwest Corner of South Magnolia Avenue and East Second Street, 1924 Alternative Title Magnolia Ave. and 2nd St. Subject Sanford (Fla.) Buildings--Florida Hotels--Florida Automobiles--United States Automobile industry and trade--Southern States Description The building on the northwest corner of South Magnolia Avenue and East Second Street in Downtown Sanford, Florida. The building was designed by architect Elton James Moughton. As of 2012, the location is being used as a parking lot. The Seminole Hotel, later renamed the Florida Hotel, can also be seen on the far left in this photograph. The hotel, which was located at 101 East First Street, is also known for housing the office of W. T. Cotter, a local architect, in the 1880s. Type Still Image Source Original black and white photograph by Woodward: item 14264-JJ4: Elton Moughton Archives, Private Collection of Christine Dalton. Is Part Of Elton Moughton Archives, Private Collection of Christine Dalton. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph by Woodward. Coverage Downtown Sanford, Florida Seminole Hotel, Downtown Sanford, Florida Creator Woodward Date Created ca. 1924 Format image/jpeg Extent 68.3 KB Medium 1 black and white photograph Language eng Mediator History Teacher Economics Teacher Geography Teacher Provenance Originally created by Woodward. Rights Holder Copyright to the resource is held by Christine Dalton and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank">Building Blocks</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Elton Moughton Archives External Reference The Seminole Herald. <a href="http://www.worldcat.org/oclc/52633016" target="_blank">Sanford: Our First 125 Years</a>. [Sanford, FL]: The Herald, 2002. Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. "<a href="http://www.sanfordfl.gov/index.aspx?page=48" target="_blank">Sanford: A Brief History</a>." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=48. 2nd Street automobile industry car car dealership Downtown Sanford Florida Hotel hotel automobile Magnolia Avenue Moughton, Elton James Sanford Second Street Seminole Hotel Woodward https://richesmi.cah.ucf.edu/omeka/files/original/14e063cecf9e7a2545b995d7dddcdf67.jpg 3fc626e1309decab0ee8c893c93c2133 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Sanford Collection Description The present-day Sanford area was originally inhabited by the Mayaca/Joroco natives by the time Europeans arrived. The tribe was decimated by war and disease by 1760 and was replaced by the Seminole Indians. In 1821, the United States acquired Florida from Spain and Americans began to settled in the state. Camp Monroe was established in the mid-1830s to defend the area against Seminoles during the Seminole Wars. In 1836, the United States Army built a road (present-day Mellonville Avenue) to a location called "Camp Monroe," during the Second Seminole War. Following an attack on February 8, 1837, the camp was renamed "Fort Mellon," in honor of the battle's only American casualty, Captain Charles Mellon. The town of Mellonville was founded nearby in 1842 by Daniel Stewart. When Florida became a state three years later, Mellonville became the county seat for Orange County, which was originally a portion of Mosquito County. Citrus was the first cash crop in the area and the first fruit packing plant was constructed in 1869. In 1870, a lawyer from Connecticut by the name of Henry Shelton Sanford (1832-1891) purchased 12,548 acres of open land west of Mellonville. His vision was to make this new land a major port city, both railway and by water. Sitting on Lake Monroe, and the head of the St. Johns River, the City of Sanford earned the nickname of “The Gate City of South Florida.” Sanford became not only a transportation hub, but a leading citrus industry in Florida, and eventually globally. The Great Fire of 1887 devastated the city, which also suffered from a statewide epidemic of yellow fever the following year. The citrus industry flourished until the Great Freezes of 1894 and 1895, causing planters to begin growing celery in 1896 as an alternative. Celery replaced citrus as the city's cash crop and Sanford was nicknamed "Celery City." In 1913, Sanford became the county seat of Seminole County, once part of Orange County. Agriculture dominated the region until Walt Disney World opened in October of 1971, effectively shifting the Central Florida economy towards tourism and residential development. Alternative Title Sanford Collection Subject Sanford (Fla.) Contributor <a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank">Museum of Seminole County History</a> <a href="https://www.thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://sanfordhistory.tripod.com/" target="_blank">Sanford Historical Society, Inc.</a> <a href="http://www.sanfordfl.gov/index.aspx?page=108" target="_blank">Sanford Museum</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Sanford, Florida Curator Marra, Katherine Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. "<a href="http://www.sanfordfl.gov/index.aspx?page=48" target="_blank">Sanford: A Brief History</a>." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=48. The Seminole Herald. <a href="http://www.worldcat.org/oclc/52633016" target="_blank">Sanford: Our First 125 Years</a>. [Sanford, FL]: The Herald, 2002. Mills, Jerry W., and F. Blair Reeves. <a href="http://www.worldcat.org/oclc/11338196" target="_blank">A Chronology of the Development of the City of Sanford, Florida: With Major Emphasis on Early Growth</a>, 1975. Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/82" target="_blank">Celery Soup: Florida’s Folk Life Play Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/65" target="_blank">Churches of Sanford Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/131" target="_blank">Creative Sanford, Inc. Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank">Georgetown Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/78" target="_blank">Marie J. Francis Collection</a>, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/101" target="_blank">Sanford Avenue Collection</a>, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/79" target="_blank">Goldsboro Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/116" target="_blank">Henry L. DeForest Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/12" target="_blank">Hotel Forrest Lake Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/14" target="_blank">Ice Houses of Sanford Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/42" target="_blank">Milane Theatre Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/13" target="_blank">Naval Air Station Sanford Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/15" target="_blank">Sanford Baseball Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/61" target="_blank">Sanford Cigar Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/10" target="_blank">Sanford Riverfront Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/11" target="_blank">Sanford State Farmers' Market Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Ford Motor Company Dealership in Downtown Sanford Alternative Title Ford Dealership Subject Sanford (Fla.) Ford Motor Company Automobiles--United States Automobile industry and trade--Southern States Description The Ford Motor Company dealership that was located on the southeast corner of North Palmetto Avenue and East Commercial Avenue in Downtown Sanford, Florida, around 1924. The building was designed by architect Elton James Moughton. As of 2012, the location is being used as a parking lot. Type Still Image Source Original black and white photograph by Woodward: item 14264-W: Elton Moughton Archives, Private Collection of Christine Dalton. Is Part Of Elton Moughton Archives, Private Collection of Christine Dalton. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph by Woodward. Coverage Ford Motor Company Dealership, Downtown Sanford, Florida Creator Woodward Date Created ca. 1924 Format image/jpeg Extent 131 KB Medium 1 black and white photograph Language eng Mediator History Teacher Economics Teacher Geography Teacher Provenance Originally created by Woodward. Rights Holder Copyright to the resource is held by Christine Dalton and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank">Building Blocks</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Elton Moughton Archives External Reference The Seminole Herald. <a href="http://www.worldcat.org/oclc/52633016" target="_blank">Sanford: Our First 125 Years</a>. [Sanford, FL]: The Herald, 2002. Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. "<a href="http://www.sanfordfl.gov/index.aspx?page=48" target="_blank">Sanford: A Brief History</a>." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=48. automobile automobile industry car car dealership Commercial Avenue Downtown Sanford Ford Motor Company Moughton, Elton James Palmetto Avenue Sanford Woodward https://richesmi.cah.ucf.edu/omeka/files/original/2a121b79fa72faf3525c3a00503d0403.jpg f949d095ecbad24580df852bcb4f58a7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Sanford Collection Description The present-day Sanford area was originally inhabited by the Mayaca/Joroco natives by the time Europeans arrived. The tribe was decimated by war and disease by 1760 and was replaced by the Seminole Indians. In 1821, the United States acquired Florida from Spain and Americans began to settled in the state. Camp Monroe was established in the mid-1830s to defend the area against Seminoles during the Seminole Wars. In 1836, the United States Army built a road (present-day Mellonville Avenue) to a location called "Camp Monroe," during the Second Seminole War. Following an attack on February 8, 1837, the camp was renamed "Fort Mellon," in honor of the battle's only American casualty, Captain Charles Mellon. The town of Mellonville was founded nearby in 1842 by Daniel Stewart. When Florida became a state three years later, Mellonville became the county seat for Orange County, which was originally a portion of Mosquito County. Citrus was the first cash crop in the area and the first fruit packing plant was constructed in 1869. In 1870, a lawyer from Connecticut by the name of Henry Shelton Sanford (1832-1891) purchased 12,548 acres of open land west of Mellonville. His vision was to make this new land a major port city, both railway and by water. Sitting on Lake Monroe, and the head of the St. Johns River, the City of Sanford earned the nickname of “The Gate City of South Florida.” Sanford became not only a transportation hub, but a leading citrus industry in Florida, and eventually globally. The Great Fire of 1887 devastated the city, which also suffered from a statewide epidemic of yellow fever the following year. The citrus industry flourished until the Great Freezes of 1894 and 1895, causing planters to begin growing celery in 1896 as an alternative. Celery replaced citrus as the city's cash crop and Sanford was nicknamed "Celery City." In 1913, Sanford became the county seat of Seminole County, once part of Orange County. Agriculture dominated the region until Walt Disney World opened in October of 1971, effectively shifting the Central Florida economy towards tourism and residential development. Alternative Title Sanford Collection Subject Sanford (Fla.) Contributor <a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank">Museum of Seminole County History</a> <a href="https://www.thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://sanfordhistory.tripod.com/" target="_blank">Sanford Historical Society, Inc.</a> <a href="http://www.sanfordfl.gov/index.aspx?page=108" target="_blank">Sanford Museum</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Sanford, Florida Curator Marra, Katherine Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. "<a href="http://www.sanfordfl.gov/index.aspx?page=48" target="_blank">Sanford: A Brief History</a>." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=48. The Seminole Herald. <a href="http://www.worldcat.org/oclc/52633016" target="_blank">Sanford: Our First 125 Years</a>. [Sanford, FL]: The Herald, 2002. Mills, Jerry W., and F. Blair Reeves. <a href="http://www.worldcat.org/oclc/11338196" target="_blank">A Chronology of the Development of the City of Sanford, Florida: With Major Emphasis on Early Growth</a>, 1975. Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/82" target="_blank">Celery Soup: Florida’s Folk Life Play Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/65" target="_blank">Churches of Sanford Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/131" target="_blank">Creative Sanford, Inc. Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank">Georgetown Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/78" target="_blank">Marie J. Francis Collection</a>, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/101" target="_blank">Sanford Avenue Collection</a>, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/79" target="_blank">Goldsboro Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/116" target="_blank">Henry L. DeForest Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/12" target="_blank">Hotel Forrest Lake Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/14" target="_blank">Ice Houses of Sanford Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/42" target="_blank">Milane Theatre Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/13" target="_blank">Naval Air Station Sanford Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/15" target="_blank">Sanford Baseball Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/61" target="_blank">Sanford Cigar Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/10" target="_blank">Sanford Riverfront Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/11" target="_blank">Sanford State Farmers' Market Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Former Lot of Ford Motor Company Dealership Alternative Title Former Ford Dealership Lot Subject Sanford (Fla.) Parking lots Description The former lot of the Ford Motor Company dealership that was located on the southeast corner of Palmetto Avenue and Commercial Avenue in Downtown Sanford, Florida. The dealership was located here in the 1920s. At the time that this photograph was taken in 2012, the location was being used as a parking lot. Type Still Image Source Original color photograph by Christine Dalton, 2012: Elton Moughton Archives, Private Collection of Christine Dalton. Is Part Of Elton Moughton Archives, Private Collection of Christine Dalton. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph by Christine Dalton, 2012. Coverage Downtown Sanford, Florida Creator Dalton, Christine Date Created 2012 Format image/jpeg Extent 78.7 KB Medium 1 color photograph Language eng Mediator History Teacher Geography Teacher Provenance Originally created by Christine Dalton. Rights Holder Copyright to the resource is held by Christine Dalton and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank">Building Blocks</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Elton Moughton Archives External Reference The Seminole Herald. <a href="http://www.worldcat.org/oclc/52633016" target="_blank">Sanford: Our First 125 Years</a>. [Sanford, FL]: The Herald, 2002. Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. "<a href="http://www.sanfordfl.gov/index.aspx?page=48" target="_blank">Sanford: A Brief History</a>." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=48. Commercial Avenue Dalton, Christine Downtown Sanford Ford Motor Company Palmetto Avenue parking lot Sanford https://richesmi.cah.ucf.edu/omeka/files/original/04510635174e81e5ea6f3d3a9146efca.pdf 662c717c7a532bcff96e4980fcd28e48 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Student Museum and UCF Public History Center Collection Subject Museums--Florida Schools Elementary schools Grammar schools Sanford (Fla.) Description The Student Museum and UCF Public History Center Collection encompasses a broad range of materials and items ranging from the late 19th Century into the present. The collection includes artifacts, photographs, documents, videocassettes, and other historical records pertaining to the history of the Sanford Grammar School, the Sanford community through the years, and the history of teaching and learning within the United States from the 19th century to the 2010s. The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history. Contributor Student Museum UCF Public History Center Language eng Type Collection Coverage Sanford High School, Sanford, Florida Westside Grammar Elementary School, Sanford, Florida Sanford Grammar School, Sanford, Florida Student Museum, Sanford, Florida UCF Public History Center, Sanford, Florida Contributing Project Student Museum UCF Public History Center Curator Marra, Katie Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Public History Center/Student Museum External Reference "Public History Center." Public History Center, University of Central Florida. "Student Museum." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx. Alternative Title Student Museum and PHC Collection Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/32" target="_blank">General Photographic Collection</a>, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank">Seminole County Public Schools Collection</a>, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer McLaughlin, Ian Interviewee Richards, Storm Leslie Location Geneva, Florida Original Format 1 DVD/DAT recording Duration 19 minutea and 4 seconds Bit Rate/Frequency 125kbps Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oral History of Dr. Storm Leslie Richards Alternative Title Oral History, Richards Subject Oral history--United States Sanford (Fla.) Museums--Florida Grant writing Historic preservation--Florida Historic sites--Florida Longwood (Fla.) Walt Disney World (Fla.) Urban sprawl United States. Navy Navy Nuclear weapons Archaeology--Florida Urban development Archaeologists--United States Geographers--United States Conservation--United States Lake Monroe (Seminole County and Volusia County, Fla.) Tourism--Florida Traffic Description Oral history interview of Dr. Storm Leslie Richards, an archaeologist and environmental consultant for Storm L. Richards & Associates, Inc. Dr. Richards was born in Patuxent River, Maryland, on August 20, 1950, but his family migrated to Sanford, Florida, in 1953. He graduated from Seminole High School in 1969 and received his B.A., M.A., and Ph.D from the University of Florida in Tallahassee in 1973, 1978, and 1987, respectively. Dr. Richards also wrote the grant for the Sanford Grammar School, located at 301 West Seventh Street. This interview was conducted by Ian McLaughlin at Dr. Richards' home in Geneva on October 24, 2012. Table Of Contents 0:00:00 Introduction 0:03:25 Grant writing and rehabilitation for the Student Museum and Center for the Social Studies 0:07:21 Other historic preservation projects 0:09:18 How Seminole County has changed over time 0:12:45 Impact of Walt Disney World Resort 0:15:42 Father’s experience in the Navy 0:17:57 Closing remarks Abstract Oral history interview of Dr. Storm Leslie Richards. Interview conducted by Ian McLaughlin at Dr. Richards' home in Geneva, Florida. Type Moving Image Source Richards, Storm Leslie. Interviewed by Ian McLaughlin. UCF Public History Center. October 24, 2012. Audio/video record available. UCF Public History Center, Sanford, Florida. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank">Adobe Flash Player</a>. <a href="http://java.com/en/download/index.jsp" target="_blank">Java</a>. <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of UCF Public History Center, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank">Student Museum and UCF Public History Center Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Has Format Digital transcript of original 19-minute and 04-second oral history: Richards, Storm Leslie. Interviewed by Ian McLaughlin. UCF Public History Center. October 24, 2012. Audio/video record available. UCF Public History Center, Sanford, Florida. Coverage Sanford Grammar School, Sanford, Florida Student Museum and Center for the Social Studies,Sanford, Florida UCF Public History Center, Sanford, Florida Walt Disney World, Lake Buena Vista, Florida Cuba Creator McLaughlin, Ian Richards, Storm Leslie Date Created 2012-10-24 Date Modified 2012-10-28 Format video/mp4 application/pdf Extent 46.9 MB 155 KB Medium 19-minute and 4-second DVD/DAT recording 6-page typed transcript Language eng Mediator History Teacher Civics/Government Teacher Geography Teacher Provenance Originally created by Ian McLaughlin and owned by UCF Public History Center. Rights Holder Copyright to this resource is held by the UCF Public History Center and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project UCF Public History Center Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository UCF Public History Center/Student Museum External Reference "Public History Center." Public History Center, University of Central Florida. "Exhibits." Public History Center, University of Central Florida. "Student Museum." Seminole County Public Schools. "<a href="http://www.seminolehs.scps.k12.fl.us/" target="_blank">Seminole High School</a>." Seminole High School, Seminole County Public Schools. http://www.seminolehs.scps.k12.fl.us/. Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. Click to View (Movie, Podcast, or Website) <a href="https://youtu.be/OjlBRZidNQ4" target="_blank">Oral History of Dr. Storm Leslie Richards</a> Transcript McLaughlin Alright, today is Wednesday, the 24th of October, 2012. It is 3:05 PM. I am with Dr. Storm [Leslie] Richards at his home in Geneva, Florida, and we’re going to discuss his experiences as related to historic preservation in Sanford, specifically concerning the Sanford Student Museum [and Center for the Social Studies]. Richards We moved to Sanford in 1953. My dad was in, uh, the Navy at the time, and, um, we came here, uh, when Sanford was a very small community. It was very agriculturally-oriented. Um, there were many, many schools in Sanford. Uh, I went to, uh, about four of them, uh, from about elementary school through high school—all in Sanford, and then I went to Seminole Community College,<a title="">[1]</a> which was what it was called at the time in the 1970s, uh, and got my Associate of Arts degree, and went on to the University of Florida and finished my Bachelor’s, Master’s, and Doctorate at, uh, the University of Florida in Gainesville. Um, did some graduate work at Tulane University, but, uh, for the most part, I was always at the University of Florida, and I had a very strong interest in historic preservation and archaeology and, uh, urban—urban development, and I think, uh, first time that I really became—became directly, um, associated with the school [inaudible] was I was asked to help write a grant. Um, he grant was originally through the Division of Historical Resources, which is part of Florida Department of State for doing architectural reconstruction and rehabilitation. Um, one of the things that came to me from the very, very beginning was that the school—the [Sanford] Grammar School was such a tremendous resource in terms of historically where[?] Sanford had been. It was constructed in 1907, I think—’02-’07, and, um, it had always been a real focal point for—for education for—for young kids, and I think, uh—I didn’t go to school there and—and I always remember the school having, uh, teeter-totters and having, um, jungle gyms and the having the maypole, uh, swing that the kids would swing around and stuff like that. It’s—it’s the kind of thing where you still remember the kids yelling and screaming, and just, uh, it was a very fun place. Um, academically, I can’t really speak for it, but, uh, I can remember that—that there was always a lot of activity there, and the school, uh, that I identified with the grant that I worked on was a very important hub for Sanford and for Seminole County to—to look at something historic and say that so many people had gone there and so many people’s lives had been involved. I just thought it was a wonderful focal point, um, to try to keep, and, uh, at that time, they were really the first time that they were getting into the notion of it being an historic properties, and being important for a museum, and—and I was just really, uh, excited about that for the kids to be able to go back and look at things the way they were a hundred years ago. McLaughlin All right. Um, in what capacity were you involved, specifically with the grant-writing process? Richards Um, because I was—I am a certified archaeologist, and I have a really strong background in historic preservation with the University of Florida and the Urban Re-Use and Planning Department, I was asked to—to come in and take a critical look at if the site was really historic. Now, it had already been designated on the [U.S.] National Register of Historic Places, which one would assume would make it very important, uh, but because it’s part of a district, um, that’s not necessarily the case, and you really want a building like that to stand on its own, be—because the importance not of just the neighborhood, but the importance of it being, uh, the structure that was there, uh, and so I put together, uh, all of the documentation on, uh, why it was historically important, and what it meant to the community, and why the state should look at it as being not just some local landmark, but as something that was important to the county and the State of Florida. So I wrote that up, and what really ended up happening was that the state looked at that and felt that there was enough merit there that it was designated on a, uh, state list of very important, uh, uh, schools for the State of Florida and it was designated as such with that important notice. I think that the other thing that I did was, uh, I contacted a number of commissioners and a number of people that had on a say on, uh—on how money was being spent, whether it was the school board of, uh, Seminole County, because it was certainly a focus of not just the City of Sanford, but the county also, uh, and told them the importance of preserving that, because at a certain point, older buildings have a way of just deteriorating to the point that they can no longer be used, and it takes an investment, and sometimes, that investment can actually cost more than—than new construction, you know? Rehabilitation’s a very expensive proposition, but what it does for a community, in terms of identifying the importance of a city, and importance of schools, and importance of looking at the people who got an education there and what they went on to do, and is—and it is far more important than any single dollar value. McLaughlin Right, I see. About how long did that process take from start to finish? From the beginning to the end[?]? [laughs]. Richards It took probably—the grants program probably took six months. McLaughlin Hm. Richards I think though the writing that I did, because I had a familiarity with it, was probably in days. McLaughlin [laughs]. Richards I’m very quick at what I do, and so I think I wrote the, uh, four- or five-page report of why it was important in—in a day or two days. McLaughlin Excellent, and what year was this again? Richards You know, I think it was probably about, uh, 10 or 15 years ago. I mean, it was probably in the [19]90s—[inaudible] or something like that. McLaughlin So like 90s? Richards Yeah. McLaughlin Right, and who all—do you remember which people from the museum you worked with? Richards Se—Serena [Rankin Parks] Fisher… McLaughlin Serena Fisher. Richards Uh, she was, you know—and I’ve known her for years and years before that, because she’s a geographer and an educator, and—and I’m a geographer also, and so I knew her from the Florida Alliance, um, which was a group of educators who try to—to convey the importance of educating children, and she was working the museum, and, uh, it was the kind of thing that I felt real honored to help her with, because of the possibility of helping people, and, uh, when you drive by the school even today, which I did, McLaughlin [laughs]. Richards Um, it’s one of those things that you can go look at and be proud that it’s still there, because it could be somebody’s patio brick, you know? McLaughlin Yeah. Richards And—and so it’s a real good place for kids to go and look at the way that things used to be. McLaughlin Excellent, and were there any other instances in Sanford, in which you helped with local preservation efforts? Richards Um, yes. Uh, the Hopper Academy, which was the African-American school, h, over near the stadium. Uh, I put together the environmental assessment and some of the feasibility studies for—for looking at the rehabbing of that and making that, uh, another focal point, and because it was a wooden building and it had a lot of decay, it was really difficult, and the neighborhood, uh, didn’t lend itself to, you know—there were a lot of transients in the area, and people were sleeping near—in the school, and people were doing a lot of things that were just destructive. I’m not sure that worked out as well as I would have liked, but it was a real, eh, effort for someone to go over there and say, “We’d like to see, you know this—this kept for the community,” and so I worked on that, and, um, also, when I was the senior planner with Seminole County and worked, um, on comprehensive planning, I—I worked very hard to try to get a conservation element that reflected the importance of archaeological and historic sites, um, in—in Central Florida and Seminole County. In—in the profession that I have now, we do an awful lot of work in Seminole County. Uh, we worked for the airport in Seminole—the Orlando-Sanford [International] Airport. We’ve identified historic sites and identified preservation, uh, concepts for them. [inaudible]. We’ve worked for the Division of Historic Resources on the railroad sites[?] that existed here that came from the 1900s, when they were shipping an awful lot of, uh, produce out throughout—throughout the state and throughout different parts of the country, and so I’ve, you know, worked a lot on different aspects on Seminole County on—on cultural[?] resource assessments and evaluations, uh, both historic and archaeological resources for the county, and provided information for the of State of Florida. McLaughlin Excellent, and here’s a little bit of a different question. In your experience working in Seminole County and living here and growing up, how has it changed environmentally? You—what do you think are probably the biggest ways that it’s changed? Richards You know, I think—the—the interesting part of that story—and it just hits me immediately—is how recently—this year, someone burnt down the big.<a title="">[2]</a> They got inside the tree and they lit it on fire, and you have a tree that is older than the for—the 1400s. Before [Christopher] Columbus and… McLaughlin Wow. Richards This country. McLaughlin [laughs]. Richards And the tree was there, and they burnt it up and destroyed it, and it was considered an “accident,” and it was considered of no great significance, and I can remember riding my bike out to the tree when I was a child from Sanford. It’s—it’s probably halfway between Sanford and Longwood on [U.S. Route] 17-92. Uh, I can remember there was a wonderful book written by [Elvira] Gardner, it was called Ezekiel’s Travels. McLaughlin Mmhmm. Richards And—and Ezekiel, a little black boy, rode his bicycle out to the big tree and they documented that in the 1930s. McLaughlin Wow. Richards You know, and—and—and they burnt this tree up and it was considered just kind of a… McLaughlin An accident. Richards An accident. So, uh—and I think that—it really has an impact, you know? McLaughlin Yeah. Richards The—the other thing that I can remember that’s changed so much is, when I was, uh, very young, I used to ride my bike down to the—the band shell, and to the, uh—to Lake Monroe, and used to fish there, and there used to be just the band shell, and just the sea wall, and in the last 25 years, you know, they’ve built, uh—they built hotels there, and, uh, they built, uh, mixed used development there. They have had varying degrees of non-success. McLaughlin [laughs]. Richards Uh, but it’s taken away much of the character, you know? I can remember when the zoo was in Downtown Sanford, and, you know, it was a very small zoo. Sorta not like the really nice complex that they have now, but—but Sanford was [inaudible], you know—libraries were there, and it was a place that—that kids went, and young people went, and it was just very different. The [Sanford] Civic Center was a big, big deal, and they had dances every week, and it was just, you know—it was just a place that people went all the time, and, uh, I don’t see that in Sanford anymore. I don’t see that. McLaughlin You think some of the character is gone? Richards I think—I think the character—and I think that, you know, its—its, um—its environment, and its, um—the neighborhood, and it’s, um—it’s just the changes that have taken place, you know? I can remember the parades in Downtown Park Avenue, and just, um, very large parades that everybody in the community got involved in, and we have something like that now, but [inaudible]—it’s just a, uh—an agglomeration of people with big bands, and—and crazy things happen from early afternoon to way late McLaughlin [laughs]. Richards [inaudible], and it’s just not something that I’m interested in participating in, you know? Probably there are a lot of people that do, but it’s—it’s just very different from when I was raised in Sanford. McLaughlin Yeah. As far as developmentally, what effect do you think that the arrival of like Disney Corporation<a title="">[3]</a> and things like that had on the change, if any? Richards Yeah, eh, Disney is a very large beast. McLaughlin [laughs]. Richards And it has a lot of beasts that, uh, have attracted to it—whether it’s the whale beast or the, you know, uh, any number of other international destinations that I think that it’s affected probably not just all of Florida, but the Southeast. It’s the number one tourist destination, you know, in the world, u, and I think it makes Interstate [Highway] 4, which used to be a wonderful opportunity to go to Orlando and you just got on the interstate and ten minutes later, you were in Orlando, and today, it’s, um—it’s questionable if it even functions at all. McLaughlin [laughs]. Richards You know, we have a—we have a toll road system, in which, uh, I was assigned to that. I was Deputy Director of the toll way [inaudible] before they actually started developing it, and it was supposed to relieve the traffic and make traffic a lot different in Central Florida, but Central Florida is so densely populated that it was probably nothing can significantly change that. You know, whether it’s a rail system that they won’t put in, it will cost billions of dollars, whether it’s increasing lanes on I-4, or whether the [Central Florida] GreeneWay builds out. It’s—it’s not going to make the quality of life significantly different, in my opinion, you know, but that’s just part of the price you pay. McLaughlin Yeah. Just out of curiosity, how many lanes did I-4 use to be? [laughs]. Richards You know, I think it was always six—divided six. McLaughlin Divided six? Richards Yeah, um, eh, it—it had fewer ramps. McLaughlin Mmhmm. Richards And so they put in more ramps and more access, and it’s—it’s—the speed is much quicker today than it’s ever been. Uh, the Fairbanks [Avenue] curb is a problem that people have been having for years, and everybody’s looking at the engineering and saying, “It’s got to be engineering.” They say, “It’s got to be, you know, your problems,” you know? People are traveling between their ears if they don’t pay attention to traffic, and that’s why we gotta have people at such a quick pace today, you know? It used to be if you made it to work at 8- 8:30, you know, or if you, you know, were just there. Now, everybody fills the building up at 10-to-8, and, you know, so consequently, everybody gets on the interstate and it’s as fast as they can go, and it reminds me a little bit of Atlanta[, Georgia]. McLaughlin Yeah. Richards You know, if you’re not doing 80 [miles per hour], you’re not getting there. McLaughlin [laughs]. Richards I think that the—I think that I-4 is quickly approaching that. If you’re not doing 70, you’re probably not going to make it. McLaughlin Yeah. Richards You know, that’s just part of reality, part of the [inaudible], and the—the—it’s the quickness of what happens today. It wasn’t like that in the, you know, 1960s. McLaughlin Okay, before we go, if you could—would you like to share the story about your father Richards Uh… McLaughlin And what he did at the Navy base? Richards We moved to Sanford in—in ’53. My dad was stationed in Jacksonville, um, before that in the, um—in the Navy, and—and when we moved here, my dad was a navigator bombardier and a mechanic, and when the first jets, which were the [Douglas] A-3D[ Skywarrior]s came from California, my dad was part of the crew that flew the jets from California to Florida. That was before the [North American A-5] Vigilantes, before the larger aircraft. These were, you know twin-engine jets, but their total design and their total purpose was, uh, to launch a, uh, nuclear strike, and—and art of what Sanford, you know—Orlando-Sanford Airport today has the bunkers that they kept the nuclear weapons in, and they were going to load onboard the A-3Ds and—and go to Cuba, and my dad was the slim pickins’ of the aircraft, because it was his job to arm the nuclear weapons—To go back in the bomb bays and arm the nuclear weapons with, uh, I guess a detonation device that you screwed in the—in the nose of the bomb, and that was his job. It—and it was very, very stressful, and you know, at the time, I can just barely remember—I guess I was probably about seven—six or seven years old that all these young kids from the Navy would come over to the house, and they would have parties and stuff, and—and what they were doing was, h, the vanguard of changing the world, if—if they had to, and they all agreed to that—that that’s what they were going to do, and my dad was a really big part of that, and I guess there’s—there’s some pride in that, but there’s also some looking back and saying, “Is this really where we were?” You know, and [inaudible], and I know today—you know, 2012—we’re still talking about the Cuban Missile Crisis and trying to figure out what really happened, and when you think about the people that were going to do whatever they were told to do, you know, there’s a lot of frighteningness[sic] there, and there is a lot of, Have we gone that far? Or, Are we still in the same place? I kinda think about that occasionally. McLaughlin Do you have any other thoughts about Sanford or Seminole County or the Student Museum that you would like to share with us before we… Richards I think that the Student Museum is, you know—it—it—it—it’s probably a lot bigger than most people really think. It’s—it’s not a matter of postcards and maps and little things that you can touch or handle, but it’s the notion of where we come from and where we’re going, and will people identify those things in 10 years, in 20 years, in 30 years, and say that, uh—that there was something that was very valuable here? It was something that was very important to a lot of people, and I hope we can still see that, and I hope that that’s, uh, a multicultural thing that—that, uh, everybody can look at and say, “This is—this is where we were, and this is where we are, and lot of good things have taken place.” McLaughlin Excellent, and once again, my name is Ian McLaughlin, and I’m interviewing Dr. Storm Richards at his home in Geneva, Florida. Today is Wednesday, the 24th of October, 2012. <div> <div> <a title="">[1]</a> Present-day Seminole State College. </div> <div> <a title="">[2]</a> The Senator. </div> <div> <a title="">[3]</a> Correction: The Walt Disney Company. </div> </div> 17-92 7th Street A3-D band shell Big Tree Park Central Florida City of Sanford Columbus, Christopher Cuban Missile Crisis deputy directory Disney Disney Corporation Disney World Division of Historical Resources environmental consultant Ezekiel’s Travels Fairbanks Fairbanks Ave. Fairbanks Avenue Fisher, Serena Florida Alliance Florida Department of State Garner, Elvira Georgetown grant writer Greenway Hopper Hopper Academy I-4 Interstate 4 Interstate Highway 4 maypole McLaughlin, Ian mechanic National Register of Historic Places navigator bombardier Orlando-Sanford Airport Orlando-Sanford International Airport parade Park Avenue Patuxent River PHC Reconstruction rehabilitation Richards, Storm Leslie Sanford Civic Center Sanford Grammar School Sanford State College SCC School Board of Seminole County Seminole Seminole Community College Seminole County Seminole High Seminole High School Seminole HS senator senior planner Seventh Street SHS SSC State of Florida Storm L. Richards & Associates Storm L. Richards & Associates, Inc. Student Museum Toll Way TU Tulane Tulane University U.S. Route 17-92 UCF Public History Center UF University of Florida Urban Re-Use and Planning Department Vigilante WDW zoo https://richesmi.cah.ucf.edu/omeka/files/original/051ee286f0903797947a051e97cf081a.pdf d6d7cde96721d18bba333d517c8663a9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Student Museum and UCF Public History Center Collection Subject Museums--Florida Schools Elementary schools Grammar schools Sanford (Fla.) Description The Student Museum and UCF Public History Center Collection encompasses a broad range of materials and items ranging from the late 19th Century into the present. The collection includes artifacts, photographs, documents, videocassettes, and other historical records pertaining to the history of the Sanford Grammar School, the Sanford community through the years, and the history of teaching and learning within the United States from the 19th century to the 2010s. The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history. Contributor Student Museum UCF Public History Center Language eng Type Collection Coverage Sanford High School, Sanford, Florida Westside Grammar Elementary School, Sanford, Florida Sanford Grammar School, Sanford, Florida Student Museum, Sanford, Florida UCF Public History Center, Sanford, Florida Contributing Project Student Museum UCF Public History Center Curator Marra, Katie Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Public History Center/Student Museum External Reference "Public History Center." Public History Center, University of Central Florida. "Student Museum." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx. Alternative Title Student Museum and PHC Collection Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/32" target="_blank">General Photographic Collection</a>, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank">Seminole County Public Schools Collection</a>, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer Kelley, Katie Interviewee O'Connor, Florence Location UCF Public History Center, Sanford, Florida Original Format 1 DVD Duration 28 minutes and 57 seconds Bit Rate/Frequency 127kbps Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oral History of Florence Patchell O'Connor Alternative Title Oral History, O'Connor Subject Oral history--United States Sanford (Fla.) Museums--Florida Teachers--Florida Educators--Florida Substitute teachers--United States University of Central Florida. Department of History DeBary (Fla.) Description Oral history interview of Florence Patchell O'Connor, a docent for the Student Museum and Center for Social Studies, located at 301 West Seventh Street in Sanford, Florida. O'Connor was born in Philadelphia, Pennsylvania, on November 10, 1931. While living in Pennsylvania, she taught elementary school for nine years. After marrying, she moved to Marlton, New Jersey, and continued teaching and then substitute teaching until 1991. That same year, she moved to Florida. O'Connor worked as a substitute teacher, and began volunteering as a docent in 1996. This interview was conducted by Katie Kelley at the UCF Public History Center on October 11, 2012. Table Of Contents 0:00:00 Introduction 0:01:55 Student Museum and Center for the Social Studies 0:05:00 Typical day at the museum 0:07:22 Teaching techniques 0:11:32 How the museum has changed over time 0:13:46 Teaching in a museum versus teaching in a classroom 0:15:30 Native American Exhibit: Life in an Ancient Timucuan Village 0:17:47 Pioneer Exhibit: Before the Settlement of Sanford 0:19:40 Memorable moments 0:21:50 UCF Public History Center 0:25:23 Lemonade Lectures at DeBary Hall 0:27:19 Closing remarks Abstract Oral history interview of Florence Patchell O'Connor. Interview conducted by Mary "Katie" Kelley at the UCF Public History Center, in Sanford, Florida. Type Moving Image Source O'Connor, Florence Patchell. Interviewed by Mary "Katie" Kelley. UCF Public History Center. October 11, 2012. Audio/video record available. UCF Public History Center, Sanford, Florida. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank">Adobe Flash Player</a> <a href="http://java.com/en/download/index.jsp" target="_blank">Java</a> <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of UCF Public History Center, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank">Student Museum and UCF Public History Center Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Has Format Digital transcript of original 28-minute and 57-second oral history: O'Connor, Florence Patchell. Interviewed by Mary "Katie" Kelley. UCF Public History Center. October 11, 2012. Audio/video record available. UCF Public History Center, Sanford, Florida. Coverage Student Museum and Center for the Social Studies,Sanford, Florida UCF Public History Center, Sanford, Florida DeBary Hall, DeBary, Florida Creator Kelley, Katie O'Connor, Florence Patchell Date Created 2012-10-11 Date Modified 2012-10-16 2012-11-08 Format video/mp4 application/pdf Extent 350 MB 171 KB Medium 28-minute and 57-second DVD 9-page typed transcript Language eng Mediator History Teacher Civics/Government Teacher Geography Teacher Provenance Originally created by Mary "Katie" Kelley and Florence Patchell O'Connor and published by UCF Public History Center. Rights Holder Copyright to this resource is held by the UCF Public History Center and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project UCF Public History Center Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository UCF Public History Center/Student Museum External Reference "Public History Center." Public History Center, University of Central Florida. "Exhibits." Public History Center, University of Central Florida. "Student Museum." Seminole County Public Schools. "<a href="http://www.seminolehs.scps.k12.fl.us/" target="_blank">Seminole High School</a>." Seminole High School, Seminole County Public Schools. http://www.seminolehs.scps.k12.fl.us/. Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. Click to View (Movie, Podcast, or Website) <a href="https://youtu.be/mYUJ04qWmyY" target="_blank">Oral History of Florence Patchell O'Connor</a> Transcript Kelley Okay, I’m with Florence [Patchell] O’Connor. Florence was born November 10th, 1931. Florence has been a volunteer at the [UCF] Public History Center since 1996. She started in the 1996-1997 school year, when it was still called the Student Museum [and Center for the Social Studies]. We are conducting this interview for the Public History Center’s History Harvest event and we’ll be hearing about Florence’s experiences as a teacher and volunteer at the Student Museum. Today is October 11th, 2012, we are at the Public History Center in Sanford, Florida, and my name is [Mary] “Katie” Kelley. Okay, Florence. Can you tell me a little bit about yourself, um—about you childhood and your experiences prior to, um, coming to the museum? O’Connor About my childhood? I—I can’t remember that far back. Kelley [laughs]. O’Connor But [clears throat] I am a school teacher. I don’t want to say former, ‘cause school teachers never die, I guess. Uh, I was in Pennsylvania teaching, and then when I was 29, I married my husband and moved to New Jersey. I was able to acquire two children through the marriage, so I did not keep teaching, but I stayed home to raise them and to raise the other three children that came along. However, I did do some substitute work at that time in New Jersey. Uh, we moved to Florida in 2000—no, we didn’t—in 19—uh, boo boo, right? 1991 and again we—our children were all gone by then, but we were co-parenting three grandchildren. So I was not able to go back to teaching right away, but by 1996, I was able to think about coming back, and you might be interested—I have, uh, notes here. You might be interested to know that the way I got to the museum was—there was an article in the newspaper and they were asking for docents, uh—people who would like to teach in the museum. My husband and I drove over. There was no one outside. He said, “My, this is a very busy place,” but I did go in, and, uh Serena [Rankin Parks] Fisher, who was the director at that time—[clears throat] pardon me [clears throat]—took me around the building and told me about the different rooms. We had no Geography [Lab: Where in the World Are We?] room at that time, or the [American] Ingenuity room. They were not open as far—as I recall. I like to joke that I always wanted to work in Williamsburg[, Pennsylvania], and to be one of those people there in one of the buildings. However, this, to me, was a poor man’s Williamsburg. I was able to dress up and, um, be, um, an active teacher in the different rooms. Kelley Can you tell me a little bit about what it was like when you first started volunteering at the museum? O’Connor Okay, when I first started, I truly did more in the Native American [Exhibit: Life in an Ancient Timucuan Village] room. For some reason, I leaned toward that room. I would do the others every once and a while, but, uh, that was my one I really liked the best, and then, I tried the [Turn of the Century] Classroom[: Lessons from 1902], and again, in the classroom you were wearing the costume of the day—of 1990—of 1902, where you would have a black skirt and a white blouse and you carried your hanky, ‘cause that’s what they did in those days, and you were very strict. Uh, [clears throat] Pardon me. Uh, I had fun. I wasn’t as strict as I am now, when I first started, it—it sort of eroded that I became more strict, and one of the things that I do make them do is to sit outside of the room and we discuss the fact that in 1902, children had to sit straight, had to sit with their hands folded, their feet flat on the floor, and put their hand up if they want to participate and talk to me [laughs]. Kelley Um, why did you decide to become involved, um—uh, you talked a little bit about this, but what—what was it about the fact—it was the poor man’s Williamsburg that made you want to volunteer? O’Connor Well, the thing is, as I say, “School teachers never die. They just sort of fade away,” and, uh, I wanted something extra to do. My grandchildren had moved on—back to with their mom—well, their mom was with us, but she remarried and they moved on, and I had really nothing to do. I was subbing—at that time, I was subbing at Wilson School, and I would keep Thursday open to come to the museum. That was my day. I did not take any substituting jobs on that day, because I was depended on here at the museum. Kelley Can you describe what your typical day, uh, at the Student Museum has been like, or at the Public History Center has been like? O’Connor I sure can. Okay, at the museum, what I would do when the children came in—again, it would depend if I was substituting or if I was just a docent.—when I substituted, I would do the, uh, verbal reading outside, and then we go upstairs and we talk a little more, and then we would go into a 45-minute class each time, and, uh, as I said before, they would start out in the hallway, and then I would take them in and they were not allowed to speak, and it was really cute to see that they really took on the character of the children in, uh, 1902, and then while I’m in the room—I think that’s part of this question you, uh—I would have them look around the room to see what was different from their classroom and what was different here at the museum. Kelley Um… O’Connor [laughs]. Kelley Do—do you have any—I mean, what else did you do when you, um—did you just teach or did you assist with lunch and that kind of thing? Or… O’Connor Oh, with the children? Well, they would have two classes in the morning and then they would break for lunch, and again, it would depend on whether I was just a docent or a volunteer or in charge, because at lunch time, when we went upstairs, the director of the museum or the person in charge would talk about 1902 lunches and how they would not eat up there, because that was the auditorium, and then we also would show them, um, a box of animal crackers, which was first started—made in 1903, and why did it look the way it did, and the reason was the string was put on it to use to hang on the tree. It was a Christmas ornament. So they ate the cookies, they hung ‘em on the tree—the box—and then the box itself became a toy for them, and we shared all that and again, about their lunches with their bottles of soda and their water, you know? We would go out to the well and we would try to just show them, even at lunch time, the difference between 1902 and now, when they were eating. Kelley Um, why was it so—why was it such an important teaching technique for you to show them the differences? O’Connor Well, I don’t think children realize how well-off they have things sometimes, and, uh, eh, it was one of those things where, um, they didn’t think about the differences, you know, when they—the flag in the 1902 classroom is a[sic] artifact from 1902, and big and dirty and they never—they would try to guess why it was different, and usually a child would put their hand up, stand up to talk to me, and realize there were fewer stars in the blue field than now, and that was what—and just comparing what they have now and what we had then. Kelley What do you think, um—what do you think was the value then for them in—in coming here? When they left, what do you think that the students walked away with? O’Connor I meant to look up the sign and I didn’t come in time for it, but we have a sign that says, “Tell me and I forget. Show me and I might remember. Involve me and I will—it will become part of me.” Something like that, and I think that’s the whole thing, by them having hands-on. When we did—when I do the classroom, after they look around and decide different things, um, we would read from a McGuffey reader, again, trying to compare the difference from what their books are to our books now—or, uh, then rather—and, uh, we wrote on slates with the chalk, and I do have a—a funny situation, I guess, that could come in here. Um, when I do teach the classroom, I always have my hanky, and [inaudible] right before that, I do walk through the classroom with a ruler, and the children would say, “Are you going to hit me?” And I’d look at them and say, “Well, it is 1902, so if you don’t behave…” And, you know, I had the ruler, and then when their hands were folded, I—if a girl had nail polish on, I would hit the desk, and then I’d laugh and say, “I didn’t hit you now, but would you please stand up?” And they would and they’d be scared really, and, um, then I would point out to them—or I would ask them, “Why am I so upset?” Well, they had different answers, but the main answer is nail polish was not invented in 1902, and they would say, “Well, you’re not allowed to wear it in school,” “Children aren’t allowed to wear it.” No, it wasn’t invented, and then I would ask them if they brought their hanky to school, and, uh, of course, they didn’t. So I would blow my nose and put my hanky back in my pocket, and you should have seen the faces like… Kelley [laughs]. O’Connor You know, and I would say, “Well, what do you do?” And their answer was “Well, we use tissues.” So then I would ask them to explain a tissue to me, and basically they’d say it—“It’s paper,” and then I would be shocked and say, “You want me to blow my nose on paper when I have such a nice soft hanky?” And, uh, then I would explain to them that tissues—or Kleenex, whatever—were not made until 1929, and then we’d have a little laugh, because that’s when my husband was invented. Kelley [laughs]. O’Connor And they think that’s funny, but that was the kind of thing—I do have an example and it’s sort of a funny one. I had them sitting like this and I saw nail polish, and it was a little boy that had nail polish on, and I had to continue, ‘cause I’d already told Katie or Mary to stand up, and I said, “Oh my goodness,” and he goes, “I have it on, ‘cause I made a bet with my sister and she said I wouldn’t do it and I’m getting five dollars.” So there again we just had a good laugh, and the children, uh—I asked if it was worth five dollars and some of them said, “No,” and some said it would have been, so that’s—that was that. Kelley Do you think you—you’ve been here for quite a long time teaching at the Student Museum. Um, have your experiences changed from the early days until know with either how the students react, or with how you teach, or—what has been the difference? O’Connor Okay, there’s[sic] two things—I did make a list last night—you sort of—we sort of fell right into my next thing. Kelley [laughs]. O’Connor I was teaching one day in this classroom, and after the—we were ready to go home, a little girl came up to me and she said, “Well, I liked your classroom, but I didn’t like you,” and I said, “Well, that’s okay, Katie, because I didn’t like you too much either,” and she looked at me and she said, “You can’t say that to me,” and I said, “Well, I just did,” ‘cause she was a little—little—you know, little 2011-type child who was just trying to rule the room, and another thing that I thought was so neat, um—I was the substitute at this time, and, uh, I did welcome the bus that came, and the group comes off with their chaperones and we take them upstairs, and at that time, we were not ringing the bell. The bell has been fixed and it’s wonderful. We can hear the school bell ring, but anyway, we went upstairs and I continued and the mother looked at—called me over, I guess, and she said, uh, “Are you from New Jersey?” And I said, “Yes, ma’am, I am.” Uh, “From Marlton, New Jersey?” And I said, “Yes, ma’am.” Well, here the mother was a child that I had taught—or when she was a child, I had taught here in New Jersey, and her comment was, “When I got off that bus and I saw you—I get the chills— saw you standing there, I couldn’t believe that I saw you again,” and that was a neat experience. I really—it’s a shame to think I didn’t change in those last 10 years, but, uh, she did remember me, and she lived right up the street from me. In fact, I believe she played with my older girls, but I’m not—not that sure about that. Kelley It’s a small world. My goodness. O’Connor Isn’t that something? Kelley Uh, how does—speaking of your previous teaching experiences, how does teaching at the museum compare to the more formal classroom setting from when you were, um, teaching at a… O’Connor Well, again, this is more hands-on. uh, as I do explain to the children going into the classroom, that I know that their teachers—and I will look at the teachers—allows[sic] you to talk a little bit, but eh, not in my room [laughs], you know, but each room is so different that it’s hard to compare, and again we only have them for 45 minutes, and you can almost put up with anything for even the—I al—I always will tell them that, you know, “If you don’t like sitting this way, realize in 45 minutes, you’ll be in the Native American room. You’ll be in Grandmom’s[sic] Attic. You will be able to walk around, but in my room, that’s the way we do it.” Kelley Are most of the children pretty willing to play along? Do they… O’Connor Yes. Kelley Do they take on the role? O’Connor Yes, they really are, except sometimes, I’d ask a question and they wouldn’t put their hands up and I’d laugh. I’d say, “I think that’s because I make ‘em stand up.” You know, they just went [inaudible], but they—they really did behave. I mean, the—I, uh—I ran a tight ship. I really did, but it was fun, and that’s why I say I started out in the Native American room and it was more casual, and then for some reason, I was in the classroom and I liked it [laughs]. I liked being mean. The only think I didn’t like was one of our uh, form—uh, former—she’s former now. Uh, she would announce to the children that I was the mean teacher and I just wish she’d let them not know that till they got in my room, but that’s alright. Kelley So you taught in the Native American room? What were your experiences like in there? O’Connor Okay, I’ve done that. I’ve done basically all of them. I’ll start with Native American. Uh, y experience there was, uh—again, my way of teaching it—I had them come in and sit on the floor, and then we would discuss the room, and then I would send them on a scavenger hunt, and I would tell them the different things that, uh, are in the room, and one of them was a six-legged deer, and if they found it—you know, not tell the others—and I’d give them time to walk around and go in the buildings and—because we do have two buildings and one, uh, hut—and, um, they were not allowed to sit in the boat—in the dugout, because it’s so old—but they were allowed to pick up and look at and find—and then they’d come back to the circle and we would discuss what they found, and, uh, we have three bears in there, and we have—and the six-legged deer was just the idea that a Native American had the deerskin on him and that way he could come closer to, you know—to, uh, hunt, and then, uh, I would pick a child to be the fish and he had swim—and some of them are crazy, you know, and I would talk about the costume that they wore, and of course, there’s no costume we can wear, because the Native Americans went topless, and when I would tell that to some of the chi—some of the groups, some of the children—boys and girls—would sort of snicker, not often, and I would say, “Have you been to the beach recently? They don’t wear too much either,” and so we got over that hump, but, uh, it was fun. It was a fun room and they, uh—they liked it. We used to paint—long ago, when I first started, we used to put, uh, the paint on their faces, and that was to show them—it wasn’t war paint. it was the, uh, chief—I couldn’t think for a minute—chief and their family wore the—the painting on their body to show that they were the—and then it has slowly dwindled down, and we don’t do that anymore, and in a way it’s better, I think, really. They’re not walking around with their faces all painted up. O’Connor Oh, and then if you want the other room—I’ve been in the Native—the, uh—oh, I can’t think for a minute—the Pioneer [Exhibit: Before the Settlement of Sanford] room, and there—in there, again, it’s a different format, because they do have clipboards and they go on a hunt there, but write things down, and again, the circle to introduce the fact about pioneers and anyone, even now, could be a pioneer, and they figure out by going to the Moon or going under the sea, and, um, we talk little bit about that, and then I break them into groups. Some go in the cabin with me, which is a three quarter cabin, and we again talk about that, and the others stay outside. You can always learn something, because I’ve been here since 1906—1906? [laughs] 1996, and Warren, one of our newer docents, taught me that in the cabin there’s a quilt that has no backing to it. Not at all. It’s just fabric, and I just never—I just used to tell the children, “There’s a quilt,” you know, and he’s pointed out to a group of children that that was used for privacy—that at night, they would drape that across the cabin so Mom and Dad would have privacy and the children—so you can always learn something. The Grandmom’s[sic] Attic was definitely set up as an attic. Really cluttered, and again we had the fun there. We dipped candles—we don’t do that anymore—and we churned butter, and again, there you’d talk a little bit, and then you divide them to go explore and do those things, and then the, uh, Geography Lab[: Where in the World Are We?] is, again, another exploring situation. Did I cover them all? Kelley I think so [laughs]. Um, do you have any, um, really memorable experiences that stand out in your mind? O’Connor Well, as I say, the—one with the boy with the nail polish. Kelley Mmhmm. O’Connor I almost like—What do I do now? There’s a boy with nail polish, and then the little girl who didn’t like me very—oh, and there is another one—and then the lady who I taught years ago and it just was thrilling to see her, and then the other experience I had, basically, was there was a group of mothers—maybe three mothers in the back of the line while we were waiting to come in, and children were being a little noisy and I corrected them, but I corrected them not nicely. I corrected them as a 1902 teacher, because I was dressed for that, and you could see the mothers, like, What is this woman doing talking to my child? And I didn’t—I wasn’t nasty. I was—I just said, “Katie, stop talking.” You know? And, um—I’m using your name—and anyway, you could almost see the wheels turning, that I was so sure they were going to call the superintendent of schools and tell them this woman at the museum, you know—and all that. So anyway, I told the director, who was, uh, a different one now—than we have now, and they did come into my classroom, and again, I was strict, and she did speak with them and they said, “That teacher—we didn’t understand. she was so mean,” and so, uh—I can’t think of her first name, but the director said, “Well, once Mrs. O’Connor puts on the costume, she becomes that 1902 teacher,” and, uh, after the whole day was over, one of the women came up to me and told me what had happened and I said, “Yes, I noticed you were really upset,” and she said, “Well, I want to tell you that I understand and you did a very nice job.” So, what—whatever, right? Kelley [laughs]. O’Connor You have to be careful though. You do have to be careful. Kelley Um, since UCF [University of Central Florida] took over with the Public History Center,<a title="">[1]</a> do you, um, [laughs] do[sic] want us to talk anything about that? I mean, is it… O’Connor I will. I—I think it’s wonderful. Kelley Mmhmm. O’Connor I do think you might want—after we get this done, you might want to take this part out. I am just very upset over Grandmom’s[sic] Attic. They have chosen to not have it be an attic. It’s set up as a class—not a classroom—as a room back in the 1900s, and, uh, we had such interesting things in there. It was a clutter. It really was cluttered, and if you don’t want that, I understand Dr. [Rosalind “Rose” J.] Beiler’s, uh, under—thinking, but the children that used to come were just so amazed at what they saw, you know, and they even had, in the room, my skate key, which might sound funny, but the museum had the skates that they used back in the 1930s, when I was a little girl, and I had the skate key. You had it on a ri—string around your neck and you had the key, so you could fix your skates—tightening them and all that. They didn’t have the key, so I donated my key to the museum and to go with the skates. I think they’re still in there in the room. Kelley Mmhmm. O’Connor And then another thing that happened was, uh, my one daughter, who’s now mother of two and, uh, in her early forties—she, uh, had a big brown bear and I had it. Don’t ask me why I brought it to Florida with me. I have no idea, but I had it and she didn’t want it, and so I donated that to the museum. I donated Cootie game to the museum and I don’t—I haven’t really been back in the attic too much, but I don’t know, you know, where they are, and it was just the toys were in one area and the children could touch them, play with them, see the difference in how that monkey was not like soft and cuddly like they are now, and, so I’d, uh—I—I miss that. We had a wedding dress in there from Serena’s mother, I believe. We had a 1900-bathing suit and I’d ask the children, “Well, what—what—where would you wear this?” “Oh, you’d go to a party.” “Really?” You know? And then we’d talk about that and how everything would be covered in 1902. The hat the glo—they even had socks, not gloves, and, uh—and then we also had a chamber pot, and I don’t think it’s back there now. So these are the changes and I have to roll with it. I mean, I have to understand it goes on, but the chamber pot was so funny, ‘cause they had two different sized potties and then a big glass one—or ceramic one—and I’d hold up the one and I’d ask, “What would this be for?” They didn’t have to stand up in Grandmom’s Attic, see? That was gone. They didn’t have—and it’d be, “Oh, we could cook our soup in that.” “No, I don’t think you’d want to do that,” and they’d ask, you know, and I’d say, “Well, that’s what they put under the bed because you didn’t want to go out to the outhouse in the middle of the night,” and then, “Who’s the oldest one here in your family?” Well, hands would go up and I said, “Because you would be the one to empty the chamber pot.” Well, then the hands would go down. Kelley [laughs]. O’Connor But that’s my—my hang up. There’s[sic] things that I miss in Grandmom’s[sic] Attic and, uh—but I know progress moves on, and I know they’re planning something different, so… Kelley Well, that’s all of my questions. Um, I—I would like for you to share what you shared with me before the interview about the number of kids that you’ve, that you… O’Connor Oh, okay. Kelley How you figured it out O’Connor Well, last night I was doing my list of paper with—oh, I do have something else to tell you… Kelley Oh, sure. Oh, sure. Yeah, go ahead. O’Connor Before I do that. There’s a, eh—I don’t know what to call it, but they’re doing Lemonade Lectures over in DeBary at DeBary Hall. Every—this is a plug for them—every other Saturday, and it’s experts, and I don’t consider myself an expert really—come in and they talk about lighthouses, or they talk about, this, that and the other thing, and they asked me if I would go and talk about the museum, and I said, “Yes, I would,” and, um, I did bring—I took some artifacts over and some things over. The girls let me borrow them, and I went over there with my charts and my—my costume on, and I talked about that with them, and I guess it might sound conceited, but up until then, there weren’t that many people coming to the Lemonade Lectures. they were just starting. Well, they had to get extra chairs. People from John Knox [Village] came over, ‘cause it was in the paper… Kelley Mmhmm. O’Connor About this lady who was gonna talk about a museum from 1902, and some of the people even went to school there, and that was fun, and then the other thing I pointed out there was that, in 1902—and I do it in the classroom too—that boys and girls did not play on the same playground. So I would ask that question, and of course, if they did [claps hands], they got a smack on the bottom from the principal and, uh—but that was something that I really felt honored that I did it. At first, I was a little scared, but that wore off, and the Lemonade Lecture was really fun. Now, Katie has asked me—I got thinking last night. Uh, I worked here at the museum for 15 years, and if I taught 30 children a day, and let’s say, uh, I worked 30 days out of the year, okay? That would be 900 children I’d see in a year, and then I multiplied it by the, um—[inaudible] did I do? Oh, yeah, that was 15—yeah. I added that, rather, what all did I do here? Oh, yeah, okay. I’m with it, I’m with it. The total of that would have been in 15 years—okay, I would have been working with 13,500 children in my career here at the museum. I have chosen to no longer teach here for health reasons, but I do want to still be a part. So they’ve asked me to be a greeter, and maybe a little later, I’ll become a substitute in the, uh—in the classroom. I don’t know. Kelley Well, that’s excellent. Well, thank you, Florence. Um, I don’t have anything else, unless do you have anything else you’d like to add? O’Connor I don’t think so, no. Kelley Alright, well, thank you so much for sharing your experiences with me, and, um, you know, now your interview will become part of the history of this building as well. O’Connor Well, thank you for asking me. Kelley Thank you. <div> <div> <a title="">[1]</a> Correction: Student Museum. </div> </div> 7th Street American Ingenuity animal cracker Beiler, Rosalind chamber pot Christmas Cootie DeBary Hall deer fish Fisher, Serena Geography Lab: Where in the World Are We? Grandma's Attic greeter History Harvest John Knox Village Kelley, Katie Kleenex Lemonade Lectures McGuffey reader nail polish Native American Exhibit: Life in an Ancient Timucuan Village O'Connor, Florence Ann Patchell Patchell, Florence Ann PHC Pioneer Exhibit: Before the Settlement of Sanford quilt Seventh Street six-legged deer skate key skates Student Museum Turn of the Century Classroom: Lessons from 1902 UCF UCF Public History Center University of Central Florida volunteer Williamsburg Wilson School https://richesmi.cah.ucf.edu/omeka/files/original/2bca9f886cd7f48ed94fe8e02c1e5686.pdf 01843f1fd8a2b1c52a97b9fce648a676 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Student Museum and UCF Public History Center Collection Subject Museums--Florida Schools Elementary schools Grammar schools Sanford (Fla.) Description The Student Museum and UCF Public History Center Collection encompasses a broad range of materials and items ranging from the late 19th Century into the present. The collection includes artifacts, photographs, documents, videocassettes, and other historical records pertaining to the history of the Sanford Grammar School, the Sanford community through the years, and the history of teaching and learning within the United States from the 19th century to the 2010s. The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history. Contributor Student Museum UCF Public History Center Language eng Type Collection Coverage Sanford High School, Sanford, Florida Westside Grammar Elementary School, Sanford, Florida Sanford Grammar School, Sanford, Florida Student Museum, Sanford, Florida UCF Public History Center, Sanford, Florida Contributing Project Student Museum UCF Public History Center Curator Marra, Katie Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Public History Center/Student Museum External Reference "Public History Center." Public History Center, University of Central Florida. "Student Museum." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx. Alternative Title Student Museum and PHC Collection Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/32" target="_blank">General Photographic Collection</a>, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank">Seminole County Public Schools Collection</a>, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer Glasshoff, Jesse Interviewee Muse, Shirley Location UCF Public History Center, Sanford, Florida Original Format 1 DVD/DAT recording Duration 23 minutes and 33 seconds Bit Rate/Frequency 141kbps Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oral History of Shirley Muse Alternative Title Oral History, Muse Subject Oral history--United States Sanford (Fla.) Museums--Florida Archives--Florida--Administration Archivists--United States University of Central Florida. Department of History Sanford, Henry Shelton, 1823-1891 Description Oral history interview of Shirley Muse, collection cataloger for the UCF Public History Center, located at 301 West Seventh Street in Sanford, Florida. Muse was born in Corvallis, Oregon, on May 16, 1936. She was raised in the Panama Canal Zone. In 1958, Muse married her husband while attending Florida State University in Tallahassee. She received a Bachelor of Arts degree in Library Science that same year. She worked in the Florida Public School System as a Librarian/Media Specialist for 20 years until 1999. Following her retirement, Muse began volunteering at the Student Museum and Center for Social Studies. This interview was conducted by Jesse Glasshoff at the UCF Public History Center on October 12, 2012. Table Of Contents 00:00 Introduction 0:00:48 Student Museum Collections Manager 0:02:47 Museum visitors 0:03:50 How the museum has changed over time 0:06:23 Exhibits 0:12:29 How the museum has impacted visitors 0:15:23 How the community has impacted the museum 0:16:34 How the museum has impacted Muse’s life 0:19:14 Most memorable visitor 0:20:54 History Harvest and future projects 0:23:00 Closing remarks Abstract Oral history interview of Shirley Muse. Interview conducted by Jesse Glasshoff at the UCF Public History Center, in Sanford, Florida. Type Moving Image Source Muse, Shirley. Interviewed by Jesse Glasshoff. UCF Public History Center. October 12, 2012. Audio/video record available. UCF Public History Center, Sanford, Florida. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank">Adobe Flash Player</a>. <a href="http://java.com/en/download/index.jsp" target="_blank">Java</a>. <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of UCF Public History Center, Sanford, Florida. Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Has Format Digital transcript of original 23-minute and 33-second oral history: Muse, Shirley. Interviewed by Jesse Glasshoff. UCF Public History Center. October 12, 2012. Audio/video record available. UCF Public History Center, Sanford, Florida. Coverage Student Museum and Center for the Social Studies,Sanford, Florida UCF Public History Center, Sanford, Florida Creator Glasshoff, Jesse Muse, Shirley Date Created 2012-10-12 Format video/mp4 application/pdf Extent 99.9 MB 161 KB Medium 23-minute and 33-second DVD/DAT recording 9 page typed transcript Language eng Mediator History Teacher Civics/Government Teacher Geography Teacher Provenance Originally created by Jesse Glasshoff and owned by UCF Public History Center. Rights Holder Copyright to this resource is held by the UCF Public History Center and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project UCF Public History Center Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository UCF Public History Center/Student Museum External Reference "Public History Center." Public History Center, University of Central Florida. "Exhibits." Public History Center, University of Central Florida. "Student Museum." Seminole County Public Schools. "<a href="http://www.seminolehs.scps.k12.fl.us/" target="_blank">Seminole High School</a>." Seminole High School, Seminole County Public Schools. http://www.seminolehs.scps.k12.fl.us/. Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. Click to View (Movie, Podcast, or Website) <a href="https://youtu.be/JOXJPIjHHPU" target="_blank">Oral History of Shirley Muse</a> Transcript Shirley Muse Interviewed by Jesse Glasshoff October 12, 2012 Glasshoff Okay, we’re on. So—let’s see. Today’s date is October 12th, 2012, and it is 10 AM and we’re here at the [UCF] Public History Center in Sanford, Florida—formerly the Student Museum. Uh, my name is Jesse Glasshoff. I’m a graduate student at the University of Central Florida, and I’m interviewing Shirley Muse. Do you want to introduce yourself, Shirley? Muse Good morning. I’m Shirley Muse. I’m the collections person in charge of the collection, and I’ve been here for 13 years—almost 14—and loved every minute of it. Glasshoff All right. Well, we’ll go ahead and jump right into these questions. So how did you—how’d come to be working at the museum? Muse Well, Serena [Rankin Parks] Fisher, who was the director of the museum in 1999, um, asked me if I wanted to volunteer, ‘cause we were both media specialists together, and I worked at Sanford Middle School, and I knew a lot of the old timers here and their children, and I’ve enjoyed it very much, because I could follow it up over here and see pictures of the grandparents and etcetera [laughs]. Glasshoff So what—what has been your involvement in the museum? You said you’re the Collections Manager right now. Uh… Muse I have been doing all the numbering of the pictures, cleaning the glass, putting them back with new labels, trying to make the print larger so that older people can read it without having to get right up to it, and then if they want a copy of it, they’ll tell me, or if they can identify someone in the picture that is not identified, then they will get in touch with me, make a note, and take the number down, then we go get the picture, and then I take it apart and put in the identity of that person that we didn’t have, and it helps a lot, and they’ve identified family members, and they’ve identified classmates from way back when, and it is really very, very satisfying to do. Glasshoff Now, is that—is this the same job you’ve always had here? Muse Yes. Glasshoff Or have you done… Muse I have done only that, because I was the only one that[sic] knew about cataloging, because I’m a retired media specialist. So it’s all gone into the computer and we are getting there… Glasshoff [laughs]. Muse Eventually, to the end, I hope. Glasshoff [laughs] Okay. Well, it sounds like a pretty big task, and it sounds like you’re the right person for it. Muse I love it. I love it. Glasshoff I think everyone else agrees, because you’re the person doing it. Muse [laughs]. Glasshoff Uh, so what—what kind of people—since you’ve been here, what kind of people do you see visiting the museum? Muse Well, we have visitors to the area, especially those that may be putting their car on AMTRAK to send back up north, or to pick up their car from the trains, and then they come into town and want something to do, and we are listed, I believe, at the [Historic Sanford] Welcome Center, and also maybe at the Amtrak Station. Then we have the old-timers that want to come back and look at the pictures and think about the old days, and then we have students. Glasshoff Okay. Muse So we have quite a… Glasshoff So tell me a little bit about the students. Muse The students—we have mainly K[indergarten] through—well, we mainly have fourth- graders, ‘cause we are with the fourth-grade curriculum. Glasshoff Uh huh. Muse And we teach to that, but then we have a lot of other students that[sic] come in for the events that we have, and they like to look at the pictures that go into the rooms and peruse what we have on display. Glasshoff So—since you’ve been here for quite a while—you have been volunteering for quite a while… Muse Uh huh. Glasshoff What would you think—what would you say has changed in the museum since you’ve been with them? Muse Well, for many years there wasn’t much change, but now that we have UCF [University of Central Florida] as a partner, things are changing for the better, and they are just doing a tremendous job, and I can see that it will go on and prosper and, I think just get better and better, and we are changing things now that we didn’t have the people to do it before, ‘cause there was only like a handful of us volunteers—maybe five or six that worked in the building, teaching the classes, and all of that, but I was the only one doing the cataloging, but then there were the gardeners, and they strictly stayed out in the Pioneer Gardens. So it’s been so many more people helping now, and we can see a real difference taking place now. Glasshoff Okay, what was it like when you first got here? Muse It was very quiet. We didn’t have many visitors. Well, we first had quite a few visitors for a while, but then when fourth grade would come, we were not allowed to have visitors at the same time, because we couldn’t have them intermingle with the students at that time, and that was, uh, school law to keep the children from wandering off or talking to strangers and everything, and we had to always abide by that. Glasshoff So… Muse Yeah. Glasshoff Just to make sure I’ve got it clear: when you first started, fourth-graders weren’t coming in, and then, shortly thereafter, they were? Muse No, they’d been coming in for years. Glasshoff Oh, they were? Muse Yeah, I misstated that. Glasshoff Oh, okay. Muse Yeah, yeah. Glasshoff That’s all right. I misunderstood you. Muse Yeah, but they’d been coming—that’s the main thing—the main that, uh, we did. Glasshoff Yeah. Muse Was with them, but then as soon as they left, it was open to the public, but then when the economy went down, we had to close down, and only had three days, we had to cut if off early, uh, so… Glasshoff Okay, when was that? Muse That was I think about three or four years ago. We had to start closing at 3, which didn’t give you much time, ‘cause the children were here until 1:30, and that was only an hour and a half, and a lot of people would have liked to come in, but we couldn’t allow them to come in until 1:30, but many-a-times—I will say—the director stayed until 4 and 4:30 on their[sic] own, to let those people go through and give them a tour. So I—I had to hand it to them. Glasshoff [inaudible].So kind of in line with that, who do you—who would you say the exhibits are targeted towards? What are the goals of the exhibits? Muse I—I think most of the goals of the exhibits are the fourth-grade curriculum, and the geography of Florida is included in that, and the history of the Native American, and also the pioneers—the early people that settled Florida, and—and that[sic] was[sic] the main ones, and that fit into the curriculum at that time, and I think now it’s been broadened more, since we have other people coming in, and we’ve got new ideas, which we needed, and I think we also have welcomed it, because you get a little stagnant if you don’t have new blood brought in, and I think that’s been very good. Glasshoff And it, eh—so would you say since you’ve been here, the exhibits have generally been the same? Muse They have generally been the same. There’s[sic] only been a few small changes when we got something that was really pertinent to that room, then we set up a little bit of a—a new part to that room, but that didn’t happen too often, because we weren’t really on the map that well. We didn’t get the publicity that we’ve gotten now. Glasshoff Can you give me an example? You said that every now and then, maybe one little part would change? Muse Well, um, they were talking about, um, fossils, and one of our, um, gardeners was very interested in fossils and came from a part—a place in Georgia that they’d a lot of them. So when he went up there, he brought back a whole lot of them, and then they put this sand box in and then they put the fossils into the sand so the kids could take little rakes and find them, like they would out in the desert, you know, when looking for things. So that was a new one that was nice at that time, and I can’t tell you exactly when it was. Glasshoff That’s okay. Muse [laughs]. Glasshoff That's why we write things down [laughs]. Muse [laughs]. Glasshoff So what do you think they’re meant to teach, uh—these exhibits? What—they’re directed towards the students? Muse Well, the Pioneer [Exhibit: Before the Settlement of Sanford] room showed how they lived, and how big of space—because we have a small, pioneer, log cabin. We have the cooking utensils that they used at that time in there. We have, uh, like, um, the—the pots that they used on the fire. We have, um, certain clothing. We have an old, pioneer-time nightgown that was actually donated, uh, just about—oh, about a year ago. The lady had two of them, and they’re really tattered and torn, but we washed them, and we hung them up in—one in there to show that they wore a long-sleeved, uh, long nightgowns and long to the floor, you know, and then they, uh—we put one also into the, uh, Grandma’s Attic. Yeah, so it was very neat, because the kids didn’t ever think about what they would sleep in [laughs]. Glasshoff Right[?]. Muse But it—it was fun, and the kids got a big kick out of it. Yeah, and if they just learn a few things, you know, and then they go home and tell their parents. Usually, they come back with their parents and their sisters and brothers to see it on their own. Glasshoff Yeah. Muse It’s nice, yeah. Glasshoff Well, what, uh—through all the exhibits you’ve seen—and you’ve seen all of them really, since you’ve been here—which exhibit was your favorite? Muse My favorite was Grandma’s Attic. Glasshoff Grandma’s Attic? Muse ‘Cause I had a grandma that[sic] had an attic like that. Glasshoff What was it like? Muse Well, the Grandma’s Attic—it used to have wallpaper, but they’ve since taken that down, and they’d pictures on the wall, but they were crooked, just like they would be if Grandma had put them up there to store them, and they got crooked. Grandma didn’t go up there to clean it. They just let them hang, and they were just out of the way, and then there was[sic] toys in the attic, and you would know which ones were yours to play with, and they saw that, and then they showed, uh, cooking utensils that Grandma used in the kitchen area, at that time. They had, uh, the irons that you used to heat on the big, uh, stoves that had coal in it or wood-burning stoves, and then they have the iron that they would have to put the coals in the iron and do it, and, uh, they had a coffee grinder there. They ground the coffee to let the children see that. They made candles also, so the kids could see how to make the candles, and everybody got a turn to dip it, but we had to be careful of that—and you might get burnt. So we had to take that out, much to our discouragement, but sometimes you’ve to do that for safety problems. Yeah, but it—it was just fascinating, because there were instruments that were hung from the ceiling on wires, just to keep them out of the way, you know, ‘cause Grandma stored all of that stuff up in the attic, you know, but it—it looked like a real grandma’s attic. Yeah, and everybody—I think the majority of people liked that one. It brought back a lot of memories. You had the old-fashioned toys—the ones that were made of iron and they were very heavy, but the kids still played with them, you know, but, uh, we had a little bit of everything, and we always let them play with the toys. We had, um, the old, um, wood toys that you could—I forget what they were—but they had this—pieces of wood—it was called something. I cannot remember what it was, but you always had to get it back together and it clicked. It was really neat, and the kids had never seen something like that. I should have brought one with me. Yeah, but I didn’t think about it. Yeah. Glasshoff [inaudible].Thinking about the exhibits and the changes through time, which parts of the museum do you think had the most impact on the children that have visited—the K through 12[th grade] children? Muse I think the Geography [Lab: Where in the World Are We?] room, because the map of Florida is large enough they can walk on, and then they have to learn the names of the cities and where they’re located, and then they have kind of like tops—there's holes driven in the actual map, and you have to take the top that has the name written on it. Pensacola—they learned that it went up in the panhandle. Um, Tallahassee was up north—part, and then there was Miami, and there was Orlando, and they’d to put the right one—the answer— in that position, and they loved doing that, because it was big enough they could walk around it and look, you know, and then actually put that in themselves, like they named it, and they felt real good about that in fourth grade. Glasshoff Mmhmm. Muse And then I the second best was Grandma’s Attic. They liked the interaction, because they always gave them time to play with the toys and pick them up and touch things, because that’s how we believe, that you should be able to touch things. Glasshoff Mmhmm. So aside from the children that have visited, uh, how do you think, uh—how do you see that the museum has had the most impact on the larger community? Muse Well, I think Sanford citizens that have been here for years love to come back and reminisce, and they see the houses that they used to walk by on their way to school, because they are still here in the pictures the same. A lot of them in Sanford have been restored and that’s just beautiful thing, but they can come back, and they find people on there that[sic] they haven’t seen in a long time, and it brings back memories, and if you get two or three of them from the same class, they start talking, and they really enjoy it, and they end up spending several hours here many-a-times, particularly the older people, because they are just so excited to be back in their element of time, you know? Yeah, and that toy with the blocks was the Jacob’s ladder, and I know a lot of people would know exactly what I’m talking about. Yeah, there. Glasshoff So the decisions to make changes in the, um, museum that have happened recently—and through the time of the museum since you’ve been here—how do you feel that the larger community has impacted the goals and the direction of the museum? Muse Um, that’s a good question, because not many changes were made for many years, ‘cause we didn’t have the people to do—to make the changes, and we didn’t have an assessment of what we needed. We didn’t have time to do that, and it’s something we are working on very diligently right now, and I’m very pleased about how it’s going, but at the time, we were so shorthanded, and we weren’t all professional museum people, and that makes a big difference, ‘cause you don’t realize exactly what goes into making a museum meaningful to that community until you start studying it like we are now, and it's really, I think, had a big impact on everybody working here, and I find we all are working together as a good unit, and that’s—makes me feel real good [laughs]. I really do. Glasshoff So how has the museum affected your life? Muse Well, my husband passed away, um, in 2007, and I find if I don’t get here to work at least two days a week, I get down, because I meet all the people here, I have something that's purposeful in my life, and I’m seeing things coming to fruition, and that makes me feel real good, but I’ve always liked detail-work, and I always feel like anything that has to do with books and pictures and things that have to do with one particular area has got to be a good situation to present to the public. I really do. Glasshoff And how has it—how has it affected the way that you understand Sanford? Muse I find the people are so friendly and so happy to know that we treasure them and their city as something very worthwhile, and has been very, very, um, very instrument—instrumentally with the—sending things from Jacksonville, the transportation, the steamships all here, and then it's disseminated out along the—the coast—the east coast, the west coast of Florida, and it’s been very interesting for me to learn about it, and they, I think, are proud that we are studying this and keeping track of all the pictures and everything, so that we can look back and see it, and General [Henry Shelton] Sanford—he lived right here in Florida, right at the top of the hill here for many years, and he has a real connection to this city, and I’ve been amazed at how many people have visited his grave up in Connecticut, and we have pictures of that downstairs on the Sanford, uh, bulletin board right outside the office, and the man came and brought me the pictures all on a CD, and I made copies of them with his permission, and I—I thought it was very exciting, and then when people come in and see it, they’re even—they say, “Oh, that’s new,” you know, and I say, “Yeah, we got those by him giving them to us,” and it was wonderful. Yeah. Glasshoff So kind of moving in a different direction now [laughs]—you’ve worked here quite a while, and you’ve seen a tons of people come and go. Uh, who do you think was the most memorable person to you that has come to visit the museum? Muse Well, I think, Mr. Douglas Stenstrom, who was born here in 1921, and he passed away in 2010. He was a fantastic person, and he—he was in the World War II in the South Pacific. He attended the University of Florida, the University of Virginia, Stetson College.<a title="">[1]</a> He was a county judge, he was a state senator, and he did many more things than that, and he would come and sit and talk with us when we had an event, and he’d sit for an hour or two, and when he left, he always left a check for us to put into the—the—the bank for keeping this place going, because he was very attached to it—both he and his wife, and they were lovely people, and with all that education and everything, he always found time to stop by, and we just really delighted in him, and I think everybody did, because you couldn’t walk by him without saying something to him, ‘cause everybody knew him. Yeah, it was wonderful. He was a wonderful man. Plus he has a school named after him out in Oviedo, Stenstrom Elementary. Yeah, he[sic] a very generous gentleman. Glasshoff So kind of moving away from that, uh—do you’ve any people in mind that[sic] might have gone to the school here that we could contact for future projects at the museum? Muse Well, to tell you the truth, Jesse, I gave a whole list of them to Dr. [Rosalind “Rose” J.] Beiler, and they are a lot of the people—the Stiffys—and they are local people that have been here for years and donated their time in many schools and for many activities, and then, um, there’s, um, Bill Robinson. He’s a local person that lives here, and he is just as friendly and happy a man as I’ve ever known, and he went to school here, and his picture’s down one of the bulletin boards downstairs. Plus there is a number of other ones, but I—I can’t remember them all, but I did give her a long list of them with phone numbers, and how to get a hold of them. Glasshoff That’s good news [laughs]. Muse [laughs] In fact, you could get that list, if you’re interested, from her. I’m sure. Glasshoff Do you’ve any ideas about spreading the word about the history harvest? Muse Well, I think one of the best ways we could do it is to get The Orlando Sentinel columnists—there’s, I think, a Kay—Kay Richardson or—or something. I can’t remember her name, but there’s[sic] several columnists that[sic] do stories on this, and also The Sanford Herald, and if they would do a piece on it and tell ‘em we’re looking for people to bring in things for this, um, um, history harvest, I think it would get out real quick that way, because most people take that Sanford Herald, and if—if they don’t get The Orlando Sentinel—I know friends do, and they pass it around the neighborhood, but I’m sure there would be a lot of people that would be interested in it if they explained what it was and what they want to do. I think it would be great, and I’m excited about it. I really think it will be great. Glasshoff Well, thank you for doing the interview. I think that’s[sic] all the questions I have. Muse You’re quite welcome. Glasshoff Is there anything that you wanted to say—that you wanted to add? Muse No, I’m just so happy with the partnership that we have. The people that are coming to work and help are so good, and they are doing a tremendous job, and it makes me feel so good that it’s going to be carried on for years to come, really. Glasshoff [inaudible]. Muse Yeah, I really am. Glasshoff Okay. Again, thank you for doing the interview. Muse You’re quite welcome. Shirley Muse Interviewed by Jesse Glasshoff October 12, 2012 <div> <div> <a title="">[1]</a> Present-day Stetson University. </div> </div> 7th Street Amtrak archival collection Beiler, Rosalind collection cataloger collections manager columnist county judge Florida State University fossil FSU gardener general Geography Lab: Where in the World Are We? Glasshoff, Jesse Grandma’s Attic Historic Sanford Welcome Center History Harvest Jacob’s Ladder librarian Library Science media specialist Million, Shirley Muse, Shirley Orlando Sentinel Panama Canal Zone PHC Pioneer Exhibit: Before the Settlement of Sanford Richardson, Kay Robinson, Bill Sanford Herald Sanford Middle Sanford Middle School Sanford MS Sanford Welcome Center Seventh Street South Pacific state senator Stenstrom Stenstrom Elementary Stenstrom, Douglas Stetson College Stetson University Stiffy's Student Museum The Orlando Sentinel UCF UCF Public History Center UF University of Central Florida University of Florida University of Virginia UV volunteer https://richesmi.cah.ucf.edu/omeka/files/original/5361858e574a773bd9ef69022c09f284.pdf b461139bed7cf82e625d3a9a91f777f4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Student Museum and UCF Public History Center Collection Subject Museums--Florida Schools Elementary schools Grammar schools Sanford (Fla.) Description The Student Museum and UCF Public History Center Collection encompasses a broad range of materials and items ranging from the late 19th Century into the present. The collection includes artifacts, photographs, documents, videocassettes, and other historical records pertaining to the history of the Sanford Grammar School, the Sanford community through the years, and the history of teaching and learning within the United States from the 19th century to the 2010s. The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history. Contributor Student Museum UCF Public History Center Language eng Type Collection Coverage Sanford High School, Sanford, Florida Westside Grammar Elementary School, Sanford, Florida Sanford Grammar School, Sanford, Florida Student Museum, Sanford, Florida UCF Public History Center, Sanford, Florida Contributing Project Student Museum UCF Public History Center Curator Marra, Katie Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Public History Center/Student Museum External Reference "Public History Center." Public History Center, University of Central Florida. "Student Museum." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx. Alternative Title Student Museum and PHC Collection Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/32" target="_blank">General Photographic Collection</a>, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank">Seminole County Public Schools Collection</a>, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer Vance, Meghan Interviewee Miller, Algerine Location <a href="http://www.goldsboromuseum.com/" target="_blank">Goldsboro Museum</a>, Goldsboro, Sanford, Florida Original Format 1 DVD Duration 35 minutes and 40 seconds Bit Rate/Frequency 195kbps Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oral History of Algerine Miller Alternative Title Oral History, Miller Subject Oral history--United States Sanford (Fla.) African Americans--Florida--Sanford Museums--Florida Schools High schools Integration Desegregation Civil rights--Florida Description Oral history interview of Algerine Miller, who was born on December 6, 1940, in Sanford, Florida. Miller graduated from Crooms Academy, located at 2200 West Thirteenth Street, in 1958. After high school, she attended the Walker Business School for one year. Miller worked for the State of Florida as an Eligibility Interviewer for 16 years and for Seminole County Community College as an Assistant Financial Interviewer. Miller has also worked with the UCF Public History Center as a volunteer, especially within the Crooms Academy Alumni Exhibit: Triumph Through Adversity. This interview was conducted by Meghan Vance at the Goldsboro Museum, located at 1211 West Thirteenth Street, on November 7, 2012, in Goldsboro, an African-American neighborhood in Sanford. Table Of Contents 0:00:00 Introduction 0:00:60 Life after graduation 0:01:58 Crooms Academy Alumni Exhibit: Triumph Through Adversity 0:06:34 Alumni events 0:07:24 Future of the exhibit and memorable moments 0:10:19 Connecting the exhibit with other museums 0:14:57 Sanford 0:17:00 Crooms and school segregation 0:21:34 Other museums in Sanford 0:22:55 Teaching history 0:25:19 Integration and the Civil Rights Movement 0:28:59 Motivation for working with the exhibit 0:30:01 Local ice house and family history 0:33:08 Closing remarks Abstract Oral history interview of Algerine Miller. Interview conducted by Meghan Vance at the <a href="http://www.goldsboromuseum.com/" target="_blank">Goldsboro Museum</a>, in Goldsboro, Sanford, Florida. Type Moving Image Source Miller, Algerine. Interviewed by Meghan Vance. UCF Public History Center. November 7, 2012. Audio/video record available. UCF Public History Center, Sanford, Florida. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank">Adobe Flash Player</a>. <a href="http://java.com/en/download/index.jsp" target="_blank">Java</a>. <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of UCF Public History Center, Sanford, Florida. Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Has Format Digital transcript of original 35-minute and 40-second oral history: Miller, Algerine. Interviewed by Meghan Vance. UCF Public History Center. November 7, 2012. Audio/video record available. UCF Public History Center, Sanford, Florida. Coverage Crooms Academy, Sanford, Florida Goldsboro, Sanford, Florida Public History Center,Sanford, Florida Hopper Academy, Georgetown, Sanford, Florida Creator Vance, Meghan Miller, Algerine Date Created 2012-10-23 Date Modified 2012-10-25 2012-11-18 Format video/mp4 application/pdf Extent 112 MB 53.4 KB Medium 35-minute and 40-second DVD 24- page typed transcript Language eng Mediator History Teacher Economics Teacher Geography Teacher Provenance Originally created by Meghan Vance and Algerine Miller. Rights Holder Copyright to this resource is held by the UCF Public History Center and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project UCF Public History Center Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository UCF Public History Center/Student Museum External Reference "Public History Center." Public History Center, University of Central Florida. "Exhibits." Public History Center, University of Central Florida. "Student Museum." Seminole County Public Schools. "<a href="http://www.seminolehs.scps.k12.fl.us/" target="_blank">Seminole High School</a>." Seminole High School, Seminole County Public Schools. http://www.seminolehs.scps.k12.fl.us/. Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. Click to View (Movie, Podcast, or Website) <a href="http://youtu.be/I5YudPwNnn0" target="_blank">Oral History of Algerine Miller</a> 13th Street 7th Street A. Duda & Son, Inc. African Americans Beiler, Rosalind J. civil rights Civil Rights Movement class reunion Crooms Academy Crooms Academy Alumni Association Crooms Academy Alumni Exhibit: Triumph Through Adversity Crooms Academy of Information Technology desegregation Duda, D. A. executive secretary exhibit Five Points Operation Complex Gibson, Colonel Goldsboro Goldsboro Museum high school Hopper Academy ice house integration King, Martin Luther, Jr. Miller, Algerine museum Museum of Seminole County History Oliver, Francis oral history Orangeburg pool Sanford Sanford Civic Center Sanford Museum Savannah State University school SCPS segregation Seminole County Board of Education Seminole County Community College Seminole County Public Schools Seminole County Public Schools School Board Seminole High School Seventh Street SSU State of Florida Student Museum and Center for Social Studies Thirteenth Street trade school Vance, Meghan Walker Business School Williams https://richesmi.cah.ucf.edu/omeka/files/original/874b525f5ae8dd9a254d791ebd51e153.pdf 43350c88e67fa6cd7d91553b015fdf21 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Student Museum and UCF Public History Center Collection Subject Museums--Florida Schools Elementary schools Grammar schools Sanford (Fla.) Description The Student Museum and UCF Public History Center Collection encompasses a broad range of materials and items ranging from the late 19th Century into the present. The collection includes artifacts, photographs, documents, videocassettes, and other historical records pertaining to the history of the Sanford Grammar School, the Sanford community through the years, and the history of teaching and learning within the United States from the 19th century to the 2010s. The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history. Contributor Student Museum UCF Public History Center Language eng Type Collection Coverage Sanford High School, Sanford, Florida Westside Grammar Elementary School, Sanford, Florida Sanford Grammar School, Sanford, Florida Student Museum, Sanford, Florida UCF Public History Center, Sanford, Florida Contributing Project Student Museum UCF Public History Center Curator Marra, Katie Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Public History Center/Student Museum External Reference "Public History Center." Public History Center, University of Central Florida. "Student Museum." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx. Alternative Title Student Museum and PHC Collection Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/32" target="_blank">General Photographic Collection</a>, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank">Seminole County Public Schools Collection</a>, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer Rotton, Patrick Interviewee Michels, Helen Location UCF Public History Center, in Sanford, Florida Original Format 1 CD/DVD Duration 42 minutes and 51 seconds Bit Rate/Frequency 126kbps Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oral History of Helen Michels Alternative Title Oral History, Michels Subject Oral history--United States Sanford (Fla.) Elementary schools Grammar schools Schools Students--Florida Palm Bay (Fla.) Teachers--Florida Educators--Florida Tutors and tutoring--United States Halfway houses May Day (Labor holiday)--United States Social justice--Florida Segregation--Florida World War II San Juan (P.R.) Description Oral history interview of Helen Michels, who was born in Palm Bay, Florida, on May 4, 1936. Michels, her parents, and her thirteen siblings migrated to Sanford in 1942. She attended Sanford Grammar School, located at 301 West Seventh Street, and Seminole High School, at 1700 French Avenue. When Michels entered college, she originally began as a lab technician, but changed her major to education. Following college, she taught as a schoolteacher in Hollywood, Melbourne, and Puerto Rico. After witnessing social justice issues while teaching in Puerto Rico, Michels decided to enter into drug therapy work for about 10 years. She then became the director of a halfway house for federal prisons. Upon retirement, she moved back to Sanford. This interview was conducted by Patrick Rotton at the UCF Public History Center in Sanford, Florida, on October 23, 2012. Table Of Contents 0:00:00 Introduction 0:01:27 Sanford Grammar School 0:05:17 Teachers and school activities 0:11:28 Layout of the school 0:12:54 School clubs, sports, and extracurricular activities 0:15:02 Memories with siblings and classmates 0:18:15 Career 0:21:38 May Day 0:22:50 High school and physical education 0:27:54 Pig'n'Whistle 0:30:3 Keeping in touch with classmates 0:32:47 School memories 0:37:01 World War II 0:39:50 Closing remarks Abstract Oral history interview of Helen Michels. Interview conducted by Patrick Rotton at the UCF Public History Center, in Sanford, Florida. Type Moving Image Source Michels, Helen. Interviewed by Patrick Rotton. UCF Public History Center. October 23, 2012. Audio/video record available. UCF Public History Center, Sanford, Florida. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank">Adobe Flash Player</a>. <a href="http://java.com/en/download/index.jsp" target="_blank">Java</a>. <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of UCF Public History Center, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank">Student Museum and UCF Public History Center Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Has Format Digital transcript of original 42-minute and 51-second oral history: Michels, Helen. Interviewed by Patrick Rotton. UCF Public History Center. October 23, 2012. Audio/video record available. UCF Public History Center, Sanford, Florida. Coverage Sanford Grammar School, Sanford, Florida Seminole High School, Sanford, Florida Federal Halfway House, San Juan, Puerto Rico Creator Rotton, Patrick Michels, Helen Date Created 2012-10-23 Date Modified 2012-10-25 2012-11-18 Format video/mp4 application/pdf Extent 117 MB 51.5 KB Medium 42-minute and 51-second CD/DVD 18-page typed transcript Language eng Mediator History Teacher Civics/Government Teacher Geography Teacher Provenance Originally created by Patrick Rotton and Helen Michels. Rights Holder Copyright to this resource is held by the UCF Public History Center and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project UCF Public History Center Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository UCF Public History Center/Student Museum External Reference "Public History Center." Public History Center, University of Central Florida. "Exhibits." Public History Center, University of Central Florida. "Student Museum." Seminole County Public Schools. "<a href="http://www.seminolehs.scps.k12.fl.us/" target="_blank">Seminole High School</a>." Seminole High School, Seminole County Public Schools. http://www.seminolehs.scps.k12.fl.us/. Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. Click to View (Movie, Podcast, or Website) <a href="http://youtu.be/mq0CDArmXOI" target="_blank">Oral History of Helen Michels</a> 1st Street 25th Street 7th Street arithmetic education art education Bible Book of Psalms cafeteria can drives CB celery Celery Crate celery field Celeryfeds chemistry chemistry set Christmas citizenship citizenship education City of Sanford class historian class reunions communion current events Davis, Lavinia R. Dewey Decimal System Downtown Sanford drug therapy drug treatment drug treatment company Easter Easter Seals educator elementary school federal prisoners First Street French Avenue Girl Scouts of the United States of America grammar school gym education gym teacher halfway house Halloween high school history education horse intramural sports junior high justice movement lab technician library marionette May Day maypole Michels, Helen music education oral history P.E. Page Palm Bay Park Avenue Parks, David patriotism pep club PHC physical education Pig 'n Whistle playtime Pledge of Allegiance public library rationing reading education recess Ritz Theatre Rotton, Patrick Ruth, Babe Ruth, George "Babe" Herman, Jr. San Juan, Puerto Rico Sanford Sanford Grammar School savings bond school schoolteacher science education science teacher Seabee segregation Seminole High School Seventh Street social justice softball softball team Southside Elementary School spelling education sports program Star Spangled Banner Stinecipher, Grace Marie student Student Museum and Center for the Social Studies study hall teacher The Plow Penny Mystery tutor Twenty-Fifth Street U.S. Navy UCF UCF College of Graduate Studies UCF Department of History UCF Public History Center United States Naval Mobile Construction Battalio victory garden war bond war effort Welch World War II WWII https://richesmi.cah.ucf.edu/omeka/files/original/71a5f2fdec8a5e8c214d9cf29f22b692.pdf e3ea0bfd10f0ad36bfc81e8bcb2337db Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Student Museum and UCF Public History Center Collection Subject Museums--Florida Schools Elementary schools Grammar schools Sanford (Fla.) Description The Student Museum and UCF Public History Center Collection encompasses a broad range of materials and items ranging from the late 19th Century into the present. The collection includes artifacts, photographs, documents, videocassettes, and other historical records pertaining to the history of the Sanford Grammar School, the Sanford community through the years, and the history of teaching and learning within the United States from the 19th century to the 2010s. The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history. Contributor Student Museum UCF Public History Center Language eng Type Collection Coverage Sanford High School, Sanford, Florida Westside Grammar Elementary School, Sanford, Florida Sanford Grammar School, Sanford, Florida Student Museum, Sanford, Florida UCF Public History Center, Sanford, Florida Contributing Project Student Museum UCF Public History Center Curator Marra, Katie Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Public History Center/Student Museum External Reference "Public History Center." Public History Center, University of Central Florida. "Student Museum." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx. Alternative Title Student Museum and PHC Collection Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/32" target="_blank">General Photographic Collection</a>, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank">Seminole County Public Schools Collection</a>, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer Kaczmarek, Megan Interviewee Kruckemyer, Gene Location Univesity of Central Florida, Orlando, Florida Original Format 1 audio/video recording Duration 11 minutes and 19 seconds Bit Rate/Frequency 158kbps Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oral History of Gene Kruckemyer Alternative Title Oral History, Kruckemyer Subject Oral history--United States Sanford (Fla.) Orlando (Fla.) Museums--Florida Bells--United States Historic preservation--Florida University of Central Florida. Department of History Newspaper editors--Florida Description Oral history of Gene Kruckemyer, editor for UCF News at the University of Central Florida's News and Information Office. Kruckemyer moved from Orlando to Sanford in 2004, following a series of hurricanes. He worked as a publisher for The Sanford Herald for three years and as an editor for The Orlando Sentinel for 33 years. This interview was conducted by Megan Kaczmarek at Kruckemyer's office at the University of Central Florida on October 31, 2012. Within the oral history, Kruckemyer discusses his involvement with the UCF Public History Center, located at 301 West Seventh Street in Sanford, Florida. Table Of Contents 0:00:00 Introduction 0:02:30 Restoration of the school bell 0:07:10 Life in Sanford and working for The Sanford Herald and The Orlando Sentinel 0:11:02 Closing remarks Abstract Oral history interview of Gene Kruckemyer. Interview conducted by Megan Kaczmarek at the UCF Public History Center, in Sanford, Florida. Type Moving Image Source Kruckemyer, Gene. Interviewed by Megan Kaczmarek. UCF Public History Center. October 31, 2012. Audio/video record available. UCF Public History Center, Sanford, Florida. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank">Adobe Flash Player</a>. <a href="http://java.com/en/download/index.jsp" target="_blank">Java</a>. <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of UCF Public History Center, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank">Student Museum and UCF Public History Center Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Has Format Digital transcript of original 11-minute and 19-second oral history: Kruckemyer, Gene. Interviewed by Megan Kaczmarek. UCF Public History Center. October 31, 2012. Audio/video record available. UCF Public History Center, Sanford, Florida. Coverage The Orlando Sentinel, Orlando, Florida University of Central Florida, Orlando, Florida Sanford High School, Sanford, Florida Westside Grammar Elementary School, Sanford, Florida Student Museum and Center for Social Studies, Sanford, Florida Public History Center, Sanford, Florida The Sanford Herald, Sanford, Florida Creator Kaczmarek, Megan Kruckemyer, Gene Date Created 2012-10-31 Date Modified 2012-11-04 2014-02-25 2014-04-03 Format video/w4v application/pdf Extent 27.7 MB 141 KB Medium 11-minute and 19-second audio/video recording 9-page typed transcript Language eng Mediator History Teacher Civics/Government Teacher Geography Teacher Provenance Originally created by Megan Kaczmarek and owned by UCF Public History Center. Rights Holder Copyright to this resource is held by the UCF Public History Center and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project UCF Public History Center Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository UCF Public History Center/Student Museum External Reference "Public History Center." Public History Center, University of Central Florida. "Student Museum." Seminole County Public Schools. Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. "<a href="http://mysanfordherald.com/pages/about_us" target="_blank">About Us</a>." The Sanford Herald. http://mysanfordherald.com/pages/about_us. "<a href="http://www.orlandosentinel.com/" target="_blank">Orlando Sentinel</a>." The Orlando Sentinel. http://www.orlandosentinel.com/. "<a href="http://knightnews.com/about/" target="_blank">About</a>." KnightsNews.com. http://knightnews.com/about/. Click to View (Movie, Podcast, or Website) <a href="https://youtu.be/uNCCbk3pQEM" target="_blank">Oral History of Gene Kruckemyer</a> Transcript Kaczmarek Alright, uh, today’s date is Wednesday, October 31st, 2012. I’m interviews— interviewing Mr. Gene Kruckemyer in his office at University of Central Florida about his involvement with the [UCF] Public History Center and the Student Museum [and Center for Social Studies]. When did you first move to Sanford[, Florida]? Kruckemyer I moved to Sanford in 2004. So I’ve lived within view of the museum for the past eight years. I can see it from my front porch. Kaczmarek Nice, and where are you originally from? Kruckemyer From Orlando. Kaczmarek Oh, Orlando. Okay, and what brought you specifically to Sanford? Kruckemyer Uh, back in 2004, when with a succession of three hurricanes coming through Central Florida. Uh, the first hurricane came—we had purchased a house in Sanford as an investment actually, and we weren’t going to move there, but, uh, the first hurricane came and knocked our power out in Orlando. Uh, we had the house in Sanford. It had power. We decided to just move up there until everything was okay back in Orlando, and then two more hurricanes came, and did the same thing, and we just finally decided to stay in Stan—in Sanford, uh, because we enjoyed living there. We enjoyed the town. We enjoyed the people. Kaczmarek Nice[?], and, um, you worked at The Sanford Herald for a while? Kruckemyer Currently, uh, I’m at the University’s News and Information office. I’m the news editor. Previous—previous three years, I was the publisher of The Sanford Herald, and for the 33 years before that, I worked at The Orlando Sentinel. Kaczmarek Oh, okay, Um, and what did you do at The Sanford Herald? Kruckemyer I was a publisher. Kaczmarek Publisher? Okay. Kruckemyer Which is—which is basically the, you know, CEO [chief executive officer] of the newspaper. Making sure all the different departments worked together and… Kaczmarek And how did you first learn about the Student Museum? Kruckemyer Well, it was—in my time as publisher at The Herald, uh, while living right across the park from it. I, uh—I couldn’t avoid it, but—but the issues that were coming to the museum were that, uh—it was during a critical time, while I was the publisher, that—that the school—the Seminole [County Public] School[s] Board was considering closing the building down, because of economic reasons, and, uh, people in town and the county—the whole county—got involved and started creating committees to preserve the building, and that’s how The Herald got involved, and, uh, one of the things that we did was to, um, uh, redo the school bell that had not been used for decades. The building was built in 1902, and, uh, it was first used as a—as a, uh, senior high school.1 Uh, I think, in 1911, it became a, uh—a grammar school.2 And it was that until 1984, when it was put on the [U.S.] National Register for Historic Places, and it was turned to the Seminole County, uh, Student Museum—or actually they called it—it had a longer name like—you probably know what it is. It had like—it was the, um—uh, the Student Museum and Center for the Social Studies, but most people just called it the Student Museum, and it was a place where fourth graders go to learn Florida history, and it was a hands-on, uh, interpretive museum for other people come in during the week and learn different things about local history, and Florida history and, the native, uh, Floridians, uh, pioneers—a demonstration garden in the back show what people used to grow in the 20th, uh—at the turn of the 20th century. So it’s an interesting place. Kaczmarek And how did you get specifically involved with the bell? Kruckemyer Um, I did a column one time. Uh, it was a Q&A with the building. I asked building questions and answered questions, and, uh, I talked to a friend of mine in Sanford—her name is Bette Skates—and she was student at the, uh—uh, I think she was there when it was a grammar school, and, uh, she said she wished that bell would be, you know—able to be rung again. It hadn’t been rung in decades. Nobody knows why it stopped being used, but, uh, in 1916, the building got electricity, so they put in an electric bell. Sometime after that, they stopped using the bell, which had a, uh—a pull cord that went from the bell tower to the principal’s office, but the—but the hole was blocked off, so it wasn’t used, and I was talking to Bette, and she said she sure wished that bell would be able to be used again. So, uh, I thought that’d be a good project for The Sanford Herald. We, uh—we decided to make it work. So I talked with the then superintendent, whose name is Bill Vogel, and, uh, we—we figured out how much it was going to cost, and, uh, I had, uh—I contacted a friend of mine in Sanford—his name is Steve Meyers[sp]. He’s a[sic] historic preservationist and he does construction work, and—and, uh, he and I went up one day and he did all the work, and I was the gopher[?], and I ran his errands, and he made a new channel for the rope and put a marine-grade rope up there, and, uh, now it goes to the principal’s office, and every year they use the bell on the first day of school to signal the start of school for each year. Kaczmarek Wow. Um, and what was—you talked a little bit about the process of restoration. Um, what was the community, um, reaction to you this project? Kruckemyer Well, you can imagine, a lot of people that, uh, went to school there over the years had a—had a soft spot for the building. So, uh, they were objecting to the plans to either close the school on purpose, or just let it fade away, you know? Uh, so a lot of people formed committees to, uh, preserve the building. Um, uh, they raised money different ways. They had sales. I think—I think they still have periodic garage sale, at least until I think UCF [University of Central Florida] took over. They used to have periodic garage sales to help, you know offset the costs, ‘cause the school board was in some dire financial problems, because of the economy. So they didn’t have the money for it, but, uh, at least the community groups kept it going long enough, until UCF thankfully came in and, uh—and leased the building to use it for the Public History Center. Kaczmarek And, um—let’s see. Are you—what—what other projects were you involved with the museum, if any? Kruckemyer Um, that was—that’s pretty much, uh—as far as The Sanford Herald—I mean, uh, that’s pretty much right there in my neighborhood. Kaczmarek [laughs]. Kruckemyer So, uh, I’m sorta a—a watchdog to see if there’s anything that needs to be reported. That’s been going on so the only thing. Kaczmarek And, how are you involved with the Public History Center now? Kruckemyer Um, I’ve been to several of the events that have been there. Kaczmarek [laughs]. Kruckemyer They just had the, uh, Pumpkin Fest, and I was there on the opening day of school, and, uh, there was another event recently I went to, um… Kaczmarek The open house? Kruckemyer The open house. Kaczmarek And, you’ve lived in Sanford for—since 2004. Um, have you seen a lot of changes within the community of Sanford, since the time you’ve lived there? Kruckemyer Um, I—I live in the historic district, and the museum, er—the Public History Center was in the museum—in the—in the, uh, historic district. So we live in an area that doesn’t see as much change as a lot of places, uh, because there are[sic] a lot of restrictions of what you can and can’t do, but I don’t mind. I moved into the neighborhood not even knowing that was the case, and I think that history’s—or the, uh, historic district is one of the things that’s really saved Sanford, because people got interest in preserving the neighborhood, preserving the houses, preserving the way things used to be, and that’s something I enjoy. Kaczmarek Nice. Um, and when you said you worked at The Herald, what would—what would you say would be one of your more memorable experiences with The Herald? I know The Herald goes back and it’s a part of Sanford and that it’s been around for a long time. Um, what would you say would be one of your most memorable experiences as working at the smaller paper—as compared to The Sentinel—is? Kruckemyer Well, um, in my time there, I—I always maintained that the community papers were going to be the ones to survive, because, um, bigger papers—they carry a lot of things that you can get online at a hundred different sources. The things that are in a community paper are only in the community paper, and one of my goals was to—to make sure that we could provide to the community with what—what, uh—what they needed to know, and people seemed to respond. We did all kinds of, uh, reader interactive things and, uh, contests, and—and, uh, I started something called the “Centennial Forum,” which was, uh, like, uh, every edition. We’d have an, uh, opinion piece written by somebody from our, uh, town. We had all kinds of people running for supervisor of elections to, um, handymen, to teachers, to just everybody. So that was something that got a lot of positive response, and, uh, it worked so well that once I came here, I sorta, uh, hijacked that idea. Brought it to the university, and we started a similar thing called “UCF Forum,” and, uh, every Wednesday, we have an opinion piece by somebody that’s on our panel. We had nine people on the panel and they’d rotate, and, uh, so the, uh, opinion piece runs on the UCF website every Wednesday. Kaczmarek Very nice, and now, you said you had a column about—with the museum. What—can you tell me a little bit about that? Kruckemyer Uh, the original one was a column I wrote when I was at The Sentinel, and, uh, that was the one where I had the Q&A, where I talked about the building. Kaczmarek Yes. Kruckemyer And they asked how old it was, you know, and its interest and its favorite movies—that sort of thing [laughs]. Kaczmarek [laughs] And what were its answers? [laughs]. Kruckemyer [sighs] Oh, um, I don’t remember offhand. I know I asked about relatives, and it said it had relatives all over the world, like the Louvre, the Smithsonian [Institution], and… Kaczmarek [laughs] And how would you describe the community of Sanford to someone that doesn’t, like, know Sanford? Kruckemyer Uh, as I said, I moved 8 years ago, and, uh, it’s not as congested as Orlando is. Uh, it’s—it’s a community that I enjoy. In fact, they’re undergoing, uh, a program right now called Imagine Sanford [Community Vision and Strategic Planning]. It’s a, uh, group that’s been called together, and I’m on the committee to do that. Um, so we’re just looking to see what’s Sanford wants to be like within the next 10, 20, 30 years. What are the things we value? What are the things we want to improve? What are the things we want to change? Uh, so this something that we’re undergoing right now, and, uh, hopefully by next May, we’ll have a report to, uh, give to the [Sanford] City Commission to—to tell what we think should be done. Kaczmarek Wow. That’s really interesting. Well, thank you very much for your time. I really much appreciate you doing this interview with me. Kruckemyer You’re welcome. Kaczmarek Uh… Kruckemyer [inaudible]. 7th Street bell Centennial Forum historic preservation Imagine Sanford Community Vision and Strategic Planning Kaczmarek, Megan Kruckemyer, Gene Meyers, Steve museum National Register for Historical Places newspaper newspaper column newspaper editor oral history orlando PHC Pumpkin Fest restoration Sanford Sanford City Commission Sanford High School school bell Seventh Street Skates, Betty Student Museum Student Museum and Center for the Social Studies The Orlando Sentinel The Sanford Herald UCF UCF Department of History UCF Forum UCF News UCF News and Information UCF Public History Center University of Central Florida Vogel, Bill Westside Grammar Elementary School https://richesmi.cah.ucf.edu/omeka/files/original/14b93c17287a076148840608e8dc9534.pdf 9a986791d7846893de4742a36fcb83af Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Student Museum and UCF Public History Center Collection Subject Museums--Florida Schools Elementary schools Grammar schools Sanford (Fla.) Description The Student Museum and UCF Public History Center Collection encompasses a broad range of materials and items ranging from the late 19th Century into the present. The collection includes artifacts, photographs, documents, videocassettes, and other historical records pertaining to the history of the Sanford Grammar School, the Sanford community through the years, and the history of teaching and learning within the United States from the 19th century to the 2010s. The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history. Contributor Student Museum UCF Public History Center Language eng Type Collection Coverage Sanford High School, Sanford, Florida Westside Grammar Elementary School, Sanford, Florida Sanford Grammar School, Sanford, Florida Student Museum, Sanford, Florida UCF Public History Center, Sanford, Florida Contributing Project Student Museum UCF Public History Center Curator Marra, Katie Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Public History Center/Student Museum External Reference "Public History Center." Public History Center, University of Central Florida. "Student Museum." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx. Alternative Title Student Museum and PHC Collection Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/32" target="_blank">General Photographic Collection</a>, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank">Seminole County Public Schools Collection</a>, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer Reisz, Autumn Interviewee Grace, David C. Location UCF Public History Center, Sanford, Florida Original Format 1 audio/video recording Duration 34 minutes and 56 seconds Bit Rate/Frequency 194kbps Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oral History of David C. Grace Alternative Title Oral History, Grace Subject Oral history--United States Fort Myers (Fla.) Museums--Florida Gardens--Florida Army Veterans--Florida Okahumpka (Fla.) Native Americans--Florida Description Oral history of David C. Grace, the Master Gardener and docent at the Student Museum and Center for Social Studies, located at 301 West Seventh Street in Sanford, Florida. Grace was born in Wichita, Kansas, on December 2, 1942. He attended Wichita State University and was commissioned as Second Lieutenant in the United States Army in 1965. He performed missile maintenance at Redstone Arsenal in Huntsville, Alabama, until he retired after three years. He accepted a job with United Telephone and moved to Fort Myers around 1970. When United Telephone purchased the Winter Park Telephone, Grave migrated to Central Florida. After being laid off, he decided to become a Master Gardener for the Student Museum, while also working as a Chief Financial Officer for the Florida Safety County. This interview was conducted by Autumn Reisz in Sanford on October 30, 2012. Table Of Contents 0:00:00 Introduction 0:03:42 Student Museum 0:10:20 Garden maintenance 0:16:32 Being a docent 0:28:01 Favorite stories 0:29:50 RECORDING CUTS OFF 0:29:50 Favorite stories 0:33:30 Closing remarks Abstract Oral history interview of David C. Grace. Interview conducted by Autumn Reisz in Sanford, Florida. Type Moving Image Source Grace, David C.. Interviewed by Autumn Reisz. UCF Public History Center. October 30, 2012. Audio/video record available. UCF Public History Center, Sanford, Florida. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank">Adobe Flash Player</a>. <a href="http://java.com/en/download/index.jsp" target="_blank">Java</a>. <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of UCF Public History Center, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank">Student Museum and UCF Public History Center Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Has Format Digital transcript of original 34-minute and 56-second oral history: Grace, David C.. Interviewed by Autumn Reisz. UCF Public History Center. October 30, 2012. Audio/video record available. UCF Public History Center, Sanford, Florida. Coverage Fort Myers, Florida Ocala, Florida Winter Park, Florida Student Museum and Center for Social Studies, Sanford, Florida Creator Reisz, Autumn Grace, David C. Date Created 2012-10-30 Date Modified 2012-10-30 Format video/mp4 application/pdf Extent 248 MB 183 KB Medium 34-minute and 56-second audio/video recording 13-page typed transcript Language eng Mediator History Teacher Geography Teacher Provenance Originally created by Autumn Reisz and David C. Grace. Rights Holder Copyright to this resource is held by the UCF Public History Center and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project UCF Public History Center Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository UCF Public History Center/Student Museum External Reference "Public History Center." Public History Center, University of Central Florida. "Exhibits." Public History Center, University of Central Florida. "Student Museum." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx. Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. Click to View (Movie, Podcast, or Website) <a href="http://youtu.be/Rq-r1Elhi_s" target="_blank">Oral History of David C. Grace</a> Transcript Reisz Okay, alright. Here we go. So I’m going to do a little intro, uh, that—I am Autumn Reisz and I am interviewing David [C.] Grace this morning, and we’re gonna talk about, um, his experiences and work at the Student Museum in Sanford, um, as a Master Gardener and also a docent, and then—so if you want to start with telling us where you grew up, and went to school, and—and how you ended up here in Florida. Grace Okay, uh, how I wound up in Florida goes back in history. I am from Wichita, Kansas, where I was born in 1942. Went to, uh, high school there at Wichita [High School] East. One of my close buddies was [Robert] “Bob” [Michael] Gates… Reisz Nice. Grace Uh, the Secretary of the Defense, formerly. Went to Wichita State University, graduated, unfortunately, four years later. Uh, I didn’t think I was going to make it. I say “unfortunately,” because I graduated with a business emphasis in accounting, and I was also commissioned as a Second Lieutenant United States Army in 1965. So I tried to work on a Master’s Degree, and that didn’t work too well. So I found myself going on active duty and Redstone Arsenal in [Huntsville,] Alabama—missile command. So I was a missile maintenance officer for three years. Then I, uh, then I decided to retire early, after three years. I interviewed with a number of companies, and, uh—Firestone [Tire and Rubber Company], um, uh—some other companies in the Midwest, but then somebody offered me a job in Fort Myers, Florida. Now my connection to Florida goes back to 1914. My dad was born here in Okahumpka in Lake County. Uh, my grandparents—my grandmother grew up in a little town called Bloomfield, Florida, which no longer exists. It’s on the south side of, uh, Lake Harris—close to Yalaha. My dad was named after, uh, the kaolin pit. Kaolin is a white chalk used as a filler in paper, china, that sort of thing. So, uh, things did not work out, eh, the price of kaolin went south, so the family had to move to Central Georgia, where the Kaolin was better quality. Dad decided in, uh, about 1937, he didn’t want to be a pig farmer, or be in Central Georgia, where it was just a mining town. He went to aviation school and was later hired by Walter Beech—Beech Aircraft<a title="">[1]</a> in Wichita. So, uh, that is where my mom comes in and, uh—so my, uh—so, uh, that’s where my life started in 1942. Now, you know, we’d always go to Grandma’s house in Central Georgia every year, until I was 17 years old, and from there, we’d always venture down to Florida. So I knew something about Florida and I guess that one of my decisions about going to work for United Telephone [Company of Florida] in Fort Myers. I’ve been here in Florida basically since 1970. I followed the purchases of, uh, Florida Telephone Corporation in Ocala. So I was there in Ocala for a few years, came here in 1978, with the purchase of Winter Park Telephone [Company], and, uh, now we know United Telephone has the, uh, the company that is Sprint [Corporation], and the other company is right now called CenturyTel. So that’s how I got here. Reisz Nice. That is quite the journey [laughs]. So how did you become involved with the Sanford museum?<a title="">[2]</a> Grace Uh, when I retired, and I was at the regulatory with the phone company, the regulation went away. The telephone company was deregulated. Uh, so in 1997, at the age of 55, they said, “The regulation has gone away and so are you.” So I retired and, uh, [clears throat] one of the things that I wanted to do was be a—a gardener. Moving to Florida and being a gardener—you have to understand that things don’t grow like they do in Kansas. So, um, I guess I wanted to be a Master Gardener. So I took the 14-week course, which is one day a week—essentially from 9 to 3. After that time—time you become a Master Gardener. So the day that I graduated from being a Master Gardener, I also went back to work with a, uh—as a CFO [Chief Financial Officer] for the Florida Safety Council. So I gave that up after three years. Now, what was beautiful about, um—about workin’ at the Central Florida Safety Council, being a Master Gardener—which requires 35 hours a year of volunteer service—every last Saturday of the month, here at the Student Museum was an opportunity to volunteer in the gardens. The gardens started here in about 1997-98 time frame. So over a period of three years, I was up here once a month to get my 35 hours a year, and after that, I just kinda hung around. Reisz Um, can you tell us a little bit about the teaching gardens? Um, and how they are used to teach the students? Grace [clears throat] Okay, well, when I retired the second time, I was asked to come in and be a docent, and, uh, I used to teach the majority of all the rooms here, but I did fall in love with Native American history [clears throat]. The individual that started the gardens was, uh, Walter Padgent, who, at that time, owned Higgins House [Bed and Breakfast], just up the street here, and he was also in the same class as I was for the Master Gardener organization. So, uh, being here, at the—at the Student Museum, I kind of fell in love with [clears throat] Native American history, and, uh—and Walt Padgent—that’s how the gardens started—was he had this vision of—and he used to be, I believe, a pioneer docent. So he wanted something out here—immediately right outside the windows here—uh, where the first grounds of a vegetable garden, or pioneer garden, which allowed the fourth grade students to come here, dig a trench, plant their beans, cover it up, water it, and end the exhibit part outside. Couple of years ago, I challenged a lady—and I didn’t actually challenge her. I just said to her one day, “Wouldn’t it be nice to have a three sisters garden out here?” The three sisters—corn, uh—three sisters garden are corn, beans, and squash, and it, uh—it’s part of the—we gave up painting faces, which was about a 10-minute mission there, in the Native American [Exhibit: Life in an Ancient Timucuan Village] room, and what else are you going to do with the 10 minutes? I said, “Well, let’s take them out to the gardens.” ‘Cause out here, in the teaching gardens, we did have the three sisters garden. We showed the kids. It’d be surprising that maybe some kids don’t what corn looks like, other than what’s on the breakfast cereal box, and of course, the three sisters are complimentary to each other. They give a balanced diet to the Native Americans. You—you get your carbs from corn, you get your protein from the beans, and you get a well-balanced, nourished diet from squash. So, uh, we also have, out here, the coontie plant, which became a major industry here in Florida, because it was a source of, um, uh, starch. Everybody needs a li’l starch. The coontie plant would provide that starch, and it became an industry, uh—it was an industry up until 1909. Up here in DeLand, Florida, a company manufactured coontie starch. So I show the kids that, because the Native Americans used that. Uh, it is a poisonous plant, uh—with the red berries. It is kinda common. Nowadays, it’s become more popular in the local landscape. Then we move on over to a beautyberry—the American beautyberry bush—which at this time of year, has some really beautiful purple berries on the stems, and we tell ‘em that grandma used to make jelly from those. Uh, Native Americans can use that as, uh, some—sometimes they say there’s a little color in there. It could get used for body paint, or ‘bout the best use I know of is it’s a good insect repellent. Uh, we also stop at the herb garden, and, uh, most kids don’t—they understand what an herb might be, um, but they probably have never seen one, like rosemary. Uh, I try to show ‘em like four different kinds of herbs: rosemary—aloe that we use for sunburns—thyme—you could use for casseroles and soups—and there’s another—there’s another one out there I throw in there if it is out there in the herb garden. We go around and talk about the sassafras tree, and then lastly I take them to yaupon holly. We have a weeping yaupon holly here in our gardens, and, uh, the botanical name for that is ilex vomitia, and it doesn’t take too long for the kids to understand there’s something about the word vomitia. Uh, the yaupon holly was used as a ceremonial tea—a drink. Every morning, the chief and the elders of the tribe or branch would partake of yaupon holly tea—or we know it today—they called it “black drink.” It’d make you—it’d make you sweat profusely. Uh, I’ve told it has six or seven times more caffeine than a cup of coffee. It’ll keep you awake for 48 hours. So the hunters of the tribe would drink this. Uh, drink all they could get, throw up which was good luck. Uh, and they’d go out to the hunt and they would—would, uh, be in the stand—the steer dan—deer stand for 48 hours, and, uh, that was the hunt. Reisz Wow. How so—do you do plantings that are seasonal here? Do you change as the cycle goes around? Or do you try and continue to keep the same basic things around to teach the students? Grace Um, we replenish, like the herbs, and we plant, of course, the three sisters garden. We didn’t have irrigation here, until about 2003, which meant before that, uh—that in the summertime, we just covered up the gardens with plastic, go home, and don’t come back until September. Reisz Oh. Grace Now we have irrigation year-round. Um, so it’s all up to the climate and, uh, we’ve been a mode for the last several years, probably since about—since 2005, and that mode is—is what you’d basically call “maintenance.” Maintaining what we have because of the, uh, things that we heard about the school’s gonna close up. It’s gonna be sold, and some Master Gardeners even thought about coming here and digging up the plants, and moving back to the extension, which to me is called trespassing. So what’s good about the gardens right now, we’ve maintained them. Haven’t done a lot of planting, other than what we do here for the students: the vegetable garden, the herb garden, uh, butterfly garden. We kinda keep up on that, but the other plants and the other gardens, like our shade garden, subtropical garden, our wildlife habitat, is going wild and is flourishing, and we can stand back and trim and prune, as necessary. Reisz Yeah, do you have to do any extra maintenance with the roses or anything like that, other than regular pruning, or do you just let them be? Grace You’d be surprised that the roses we have here, which are maintained by the Orlando Area Historical Rose Society. Uh, they’re the ones that set it up back in 1997. They are what we call “antique roses.” They have very little response to, uh—in other words, they don’t get black spot. They don’t get diseases. Um, you can get an antique rose of any size, any color. We have one rose out there, which is probably about 15 feet in diameter—about 8 feet tall. Beautiful rose—pink rose. Ah, we have the other roses that crawl on the ground, like a ground cover. Uh, the rosarium that takes care of that rose garden right now is the president of that society. So he’s an expert on roses, and, uh, while a homeowner might not think that, uh, they need a lot of care. I don’t really care. I have some in my own yard. They don’t get a lot of care. So they’re by themselves. They’re happy, but, uh, as an exhibit here, he comes out maybe two or three times a year. Gives ‘em—gives ‘em a good heavy feeding of fertilizer, uh, in the fall, we try to round up at least 20 bags. I mean big bags of leaves—oak leaves—and spread them in the rose garden, as well. So is there a lot of maintenance? Not really. Reisz Yeah. Grace We just make ‘em happy. Reisz Yeah, make them happy. Um, I saw online—I looked up, um, the Master Gardeners, and it—there’s a newsletter called The Seminole County, uh, Green Thumb. Grace Yup. Reisz It mentions that people can stop in and ask questions of the Master Gardeners.<a title="">[3]</a> Do you get a lot of, like, adults coming in to ask you questions about planting—Florida planting—anything like that? Or they just come in and see the gardens? Grace Especially they just come in on special occasions, and, uh, hoping that UCF [University of Central Florida] here—that we get people to—when they come in the front door, you want to get them to go out the back door, ‘cause that’s where the gardens are, and, historically, uh, people that have come and visited the gardens do ask questions, but, uh, sometimes getting traffic back here to the garden has been difficult. Reisz Yeah. Possibly that will change, since they changed the parking situation as well, since people have to see the garden… Grace Right, right. Reisz Before they go in. Um, how much time do you devote to the gardens now? I know you had said that you were doing, like, one Saturday a month to get your yearly. Is that the same? Are you doin’ more time? Are you doin’ little less time? Grace Historically, we found out, over the years, that people get more active on the weekends. Reisz Yeah. Grace Especially at this time of year when there are a lot of festivals going on, and this is the best time to come out to the gardens and work. So, uh—and it’s difficult to get volunteers to come here. The Master Gardeners—the main membership is probably about 40—maybe 50—members, and a lot of times they take the classes for one or two purposes. The guys come out—maybe they run a landscaping business—they want to become a Master Gardener and have that in their portfolio, so they can sell their services. We have a lot of ladies that come out. The last class of 24, uh, attendees—23 of them were women, and so the odds are in my favor, because, uh, today, if maybe it was a little warmer, I’d have at least three ladies here on Tuesdays. So, uh, we quit having the Saturday end of month work day. It just was not working out. People were not coming out. They’re more active with families. So, uh, I try to designate, as each graduating class comes along. I tell ‘em come on out, get interested in a project, uh, tell me when you can come out, and, uh, Tuesdays have become a favorite day. Uh, trying to get Thursday and maybe another day. Some people come out here on a—on a monthly basis. The ones I associate with on Tuesdays, come out on a weekly basis. We spend anywhere from—uh, right now, a day like today, we could work out here for six hours and think nothing of it. When the church bells ring across the street at noon, I call it quits. Reisz Okay, so we talked a little bit earlier, um, about you being a docent with the museum. Um, when did you become a docent? Grace I was asked to come inside, uh, to be a docent in the year 2001, after I had retired the second time. Reisz And then you said—you had mentioned you, um, you had taught the Native American room. Did you teach any of the other rooms? Grace I’ve taught—one of my favorite ones—which I can get emotional about sometimes when I taught it—is Grandma’s Attic. Reisz Yeah. Grace Because I’m old enough to realize that, when I went as a young man—to grandma’s house or to a great aunt’s house that lived down in Florida or Kansas, uh—you still had to go to the well to get your water. The outhouse was out in the back. Uh, we tried not to take a bath, because basically a bathtub did not exist. So you get all those, uh, things lined up and you try to tell these kids, uh, how life was. In fact, the—teaching Native American history and pioneer history and Grandma’s Attic—which is about a 100 years ago—wasn’t that much different, and I taught the other rooms, as well. Reisz Yeah? Grace Geography [Lab: Where in the World Are We?]. Um, it was kind of interesting. When I came here, uh, my life as a young man, uh—going into adult—it kind of fits. I was in accounting for 30 years. I did so, because that’s how you make money. Dad says, if you want to make a decent salary, uh, be an accountant—be in business. That didn’t really fit like a glove. Uh, my dad and I used to look for Indian artifacts in—in Central Kansas, ever since I was five years old. Uh, we were members of the rock society, Wichita Gem and Mineral Society for, uh—I quit paying dues about five years ago. Uh, so I’ve been involved in archeology, paleontology, minerals—you name it. Uh, I fit here. Reisz Yeah. Grace And, uh, I love Native American history, ‘cause I’ve been involved in that. We may have talked on the phone about—I was a member of Indian Guides. For Indian Guides, you’re a Cub Scout in Wichita, Kansas. It’s about Native American history. For Eagle Scout, Order of the Arrow. So all my life, in the summertime, we used to go out to the camp—Boy Scout[s of America] camp, every week, ‘cause we were a special troop. We had, uh, costumes, you might say, and we danced for the audience. So, uh, Native American history been a part of my life, even though I am 50 percent German and 50 percent English and Scottish. Reisz Um, was the Native American room your favorite room to teach? Or was Grandma’s Attic your favorite room to teach? Grace Native American is probably one of the favorite rooms to teach. Grandma’s Attic coming in second. Ah, [Turn of the Century] Classroom[: Lessons from 1902] coming is third. Pioneer [Pioneer Exhibit: Before the Settlement of Sanford] room is fourth, I would say. Geography, uh—it comes in fifth, and, uh, when I started here the coordinator—the program coordinator—she was the one that taught geography. So the other three rooms I—I used to teach the classroom. It was okay. It takes a special person. We had a special person, by the name of Florence. Uh, she is a little older than I am, but she knew how teachers were in 1902, and she demanded that same, uh, discipline. So that’s kinda cool. Pioneer, uh—since I’m not a native Floridian, I don’t really understand that, until I read that book Remembered Land or [A] Land Remembered. I could really find out something about the pioneers of Florida. So, uh, being a collector of artifacts, uh, since I was a kid—we’re talking about 60 years plus. I’ve donated artifacts, fossils to the museum, so that’s where I fit. Reisz Mmhmm. Do you have a particular, like, favorite teaching tool with the kids in any of the rooms? I know, that, um, for a lot of the docents—like especially with Grandma’s Attic or the Native American room—they’d have one particular artifact that they really used—liked to use to teach the children. Did you have anything particular like that? Grace Well, one of the things that kids would always come and ask, the number one question: “Is this real?” So it kinda irritated me for some time, so I said, “Don’t ask me that question. I’m going to tell you it’s real, even though it’s not.” A lot of the materials we’ve had here—they’re not exactly real, of course. You don’t expect things to be real that go back to about 1500, but in my collection, we used to collect a lot of artifacts out of Central Georgia, which are approximately three to four to five thousand years old, and I bring those with me. Sometimes, I’d wear pants that have the mini pockets and I’ll fill the pockets up with anything from shark teeth, Uh—I’ve brought in a couple of meteorites that I found in Texas in a parking lot that was a gravel parking lot. Just so happens to be something I picked up, and it was determined by the University of Kansas to be a meteorite. I bring that in and I pass it around. Uh, sometimes I, uh, go out bounds. Sometimes, the, uh, program director sometimes gets a little—little irritated with me. Sometimes I go out of bounds, and—and teach some things and touch on some things that, uh, they don’t want me to teach, but I—I bring artifacts. Uh, that’s one thing I liked about Grandma’s Attic. Before UCF came, it was all cluttered. It looked like an antique store. So just about everything I looked at or touched is a memory. So it’s kinda like the same thing with Native Americans, even though I didn’t go back to 1513. It’s about artifacts, pottery, uh—I’ve brought in pottery shards of different designs, and asked the kids, “Well, how did this pattern get on this piece of pottery?” It was done with a paddle. It was done with pine needles. So I’ve tried to bring in the real stuff, and I use the artifacts—the things in the room—uh, to get their attention. I like the “wow” factor. I like to challenge the kids, that when they leave they might go to the library, and grab a bunch of Native American books, and go home and read ‘em, ‘cause I think it is the most fascinating history about how that—how it’s all about survival. The hunters, the male [inaudible], the female [inaudible], okay? That was survival. The lady had to fix the guys buttons. The guy had to fix his meals. I ask the kids, “When you go home, who do ask—who do you ask in your family what’s for supper? Do you ask your dad?” Probably not, ‘cause he’s in the living room. He’s being a warrior. His face is painted orange on one side, blue on the other side, and he’s got a big bowl of popcorn. Mom, she’s slaving in the kitchen fixing your dinner for you. That’s the person you go and ask. So nothing’s changed over—since 1500. The men are still hunters—still warriors. Mom does everything else. Reisz So what is it like teaching fourth graders? How do you keep the children focused and—and engaged in what you’re telling them? Grace Well, sometimes that’s interesting. It depends upon, the, uh, school that comes, unfortunately. I used to have a list of—Okay, this, uh—this school’s coming this week. Okay, I’ll bring some of my artifacts.‘Cause I—‘cause I know, in the past they—I can get their attention real quick. Some of the other schools—little bit differently. So I just go down the middle of the road, and stick with the subject matter, ‘cause some of the kids that come here, I—I extend myself. Um, some of the other students, I can almost figure it out, based on which elementary school comes. They’re about the same as last year. So sometimes the days are difficult. Um, you know, chaperones—I don’t know if I can say this on tape—but we have chaperones that like to chit chat, when I am trying to present my presentation. Sometimes, the teachers are down here looking at stuff we’re trying to sell in a rummage sale. So it’s kind interesting just to see as each group comes through. They’re all unique. They’re all different, and as a volunteer, uh, sometimes you have a problem with discipline. Can’t figure out how to do that. Sometimes, being an old codger like I am, uh, I’ve got in trouble a couple of times. In Grandma’s Attic, I point to the back and say there’s a blue outfit. Give some clues. I might say, you know, it was a Victoria’s Secret original. I’d say, Oops. I just stepped in it. ‘Cause it is a swim suit that goes back to 1907. Uh, okay. So I’ve been called down for that, but what the heck? I’m a volunteer. Reisz Yeah, is it hard to stay on, um—with the kids that you’re really engaged in, Um, I know you said you do go off script. Is hard to make sure you cover everything that is set out in the curriculum, while still covering the things you think are important? Grace I’ve been kind of a rebel the last few years. Um, I guess it is because when I first came on board, who taught me how to do this was the program director or the secretary. The secretary was very knowledgeable, because she was called upon numerous of times to do teaching. Secretary—yeah. Well, I gotta go teach that, close the door and, uh, ‘cause I’ve gotta go teach Grandma’s Attic or be a school teacher today. They’re the ones that taught me what to say, uh, and it continues today. I’ve gone through, I think, three program directors, and the same wording I heard—what I learned—specifically is still used today. I mean, we go outside and we meet the school bus, and talk about Romanesque revival architecture, and I’ve learned this since day one. You ask a student—you ask a class, “I wonder where Roman architecture comes from?” If a kid says, “Rome[, Italy],” okay. He gets a pat on the head. After 14 years, they still get a pat on the head. I mean, it’s just like going around telling a story from number one to number 20. I seem to stick with the idea that ,when a student gives a correct answer, give ‘em a pat on the shoulder—or, “You’re a straight A student today.” Reisz Do you have a favorite story about, um, either the gardens or, you know, being a docent at the Student Museum? Is there a favorite moment with a child or story with a child? Or even just, you know… Grace One… Reisz Working in an exhibit? Grace One of my favorite stories—again, this is something I don’t know if it’s unique to our education system. We used to have animals in, uh, the Native American room. We used to have a bobcat, and, uh, I’d tell the story when things were getting kind of slow. Or, you know, this is—again, being kinda like a rebel—I’d tell the legend of how the bobcat got its, uh, spots on its fur. Well, he was chasing a rabbit one day, and, uh, the rabbit went into a tree trunk—a hollow tree trunk. Well, the rabbit knew he was gonna get caught, ‘cause here comes the bobcat. The bobcat knows he’s in there, and the rabbit tries negotiating. What am I going to do now? So he says, “I know you’ve got me now. So why don’t you just set this tree trunk on fire?” Sometimes, the kids ask, “Well, how does the bobcat set the tree on fire?” I just say, “Well, that’s for another time and I’ve got to keep this story kind of short.” So when he set the tree trunk on fire, smoke and sparks were billowing out of the top of the tree trunk, and, uh, all of the sudden the bobcat realizes that these sparks are landing on his fur. Well, he’s got to pay more attention to these little fires that are now appearing on his fur, and he loses attention of, well, you know, what happened to the rabbit. Now that the bobcat has all these spots on his fur, the rabbit is now gone. He’s on up the trail. He has escaped. “That his spots come from this story about 5,000 years ago.” So I think it is a kind of a cool story. Reisz Yeah, I think so. Grace It is legend. It’s[sic] stories. It’s, in some cases, superstition, and I’ve been—I’ve been careful to be—not to say a whole lot about superstition. It’s like our three sister garden is—is grown in a circle, and that circle is because they believed that there were higher frequencies or things out there in the universe that were focused down on a—on a circular garden. Same thing with a dunce cap. Sometimes—sometimes, I tell the kids that you won’t learn this when you go to the classroom, but the dunce class—the dunce cap that you will see in there was invented by Mr. [John] Duns [Scotus] in England in the 1700s. It was for a therapy of—of slow learners. Again, the dunce cap is in what form? A cone. So that cone focused down all this knowledge for you to absorb between your ears. Like, in the 1800s, of course, the dunce cap became a disciplinary method, but again, that’s going back to superstition. Reisz Mmhmm. Grace It’s common. You find it all over the place today. Go down to the local café, and underneath the counter you’ve got these little books that all about fortunetelling, uh, things you can do with your dog and get his emotions straightened out. Kinda cool. Reisz Very cool. Any other stories you’d like to share? About the museum? Your experiences here? Grace Well, you know, it’s—it’s, uh, somebody mentioned today that, since they did the tenting of the termites, that the place smells better. I said, “You know, I kind of miss that—what it really used to smell like,” ‘cause you can imagine, when you walk around here [clears throat] a lot of times, you’d say, If only the walls could talk. This building goes back to 1902. Sometimes, we—we don’t really tell the whole story. [coughs] Like, uh, what happened during the [Great] Depression years? What did the kids wear to school? I know most of the kids—or a lot of the kids—came to school barefooted. A lot of the girls wore the same—uh, their dresses looked the same. Why is that? That’s because their dresses were made by feed bags. Their mom sewed the—the feed bags. The lady down the street did the same thing. The girls came to school wearing basically the same thing, and you wonder, Well, you know, it must’a been cooler around here in Florida. Which to me, I’ve thought about, Why didn’t I move to Florida? If it wasn’t for air-conditioning, I know I wouldn’t be here. So it’s—it’s kinda cool. We’ve had visitors drop by that came here to school in the [19]50s, they relate to, uh—there was no air-conditioning. Uh, the railroad yard was just down the street belching out—the steam locomotives in the morning belching out smoke and soot and whatever comes out of locomotive stacks, and settled all over the city here. Imagine what, kind of—when—when you’re walking to school as a kid, you hear the school bell ring, I mean, it’s so cool. Those are the kinda things—I like—this public history, because I forgot to ask my grandmother what life was back when she was a kid. So that’s what I like about public history. Reminds us to, uh, start asking questions about how life really was—not about dates, people, things. I don’t care about what— [Thomas Alva] Edison invented the light bulb. We have light bulbs, but it would’ve been nice to ask him, “What was life like in Fort Myers in 1900 or—er, 1900?” I don’t care about your light bulb. I want to know about your life. “How’d your friend [Harvey] Firestone get down here to Florida?” I mean, I’m still trying to find out—my relatives came from Bearaboo, Wisconsin, and settled in Lake County, which was—at that time, was Sumter County, in about 1870. How’d they get here? I have no idea. From Bearaboo, Wisconsin. They came here. Why? ‘Cause somebody said, “You’ve got a child with asthma?” “Yeah.” I had a great-uncle that had asthma. That’s why they moved to Florida. I still don’t know how they got here. Reisz Wow. Thank you very much. Um, we’ve covered everything that I wanted to ask about the gardens, and then your work as a—as a docent. Um, if there’s anything else feel free. If not, I think we’re all set. Grace I think that’s about it. Reisz Okay. Grace I really don’t talk about—or I generally don’t talk much at all [laughs]. Reisz Well, I’m glad you talked to me. Thank you very much. Grace That’s why I am out in the garden, ya know? Reisz Yeah. Grace Dig a hole, fertilize[?] it, fill it in. Reisz Fill it in, yup. <div> <div> <a title="">[1]</a> Correction: Beechcraft Corporation. </div> <div> <a title="">[2]</a> Correction: Student Museum and Center for Social Studies. </div> <div> <a title="">[3]</a> Seminole County Master Gardener Program. </div> </div> 7th Street A Land Remembered aloe American Beauty berry bush antique rose archaeology beans Beech Aircraft Beech, Walter bobcat Boy Scouts of America butterfly garden Central Florida Safety Council Central Georgia CenturyTel CFO Chief Financial Officer coontie corn Cub Scout docent dunce cap Eagle Scout Edison, Thomas Alva exhibit Firestone Florida Safety Council Florida Telephone Corporation Fort Myers garden gardener Gates, Bob gems geology Grace, David C. herb herb garden Higgins House Bed and Breakfast ilex vomitia Indian Guides Lake Harris Master Gardener minerals missile command missile maintenance officer museum Native American Exhibit: Life in an Ancient Timucuan Village Native Americans Okahumpka oral history Order of the Arrow Orlando Area Historical Rose Society Padgent, Walt paleontology pig farmer Pioneer Exhibit: Before the Settlement of Sanford rabbit Reisz, Autumn Robert Michael Gates Romanesque revival architecture rosarium rose rosemary Sanford Grammar School sassafras tree Scotus, John Duns Second Lieutenant Seminole County Green Thumb Seminole County Master Gardener Program Seventh Street shade garden Sprint Corporation squash Student Museum and Center for Social Studies subtropical garden superstition thyme Turn of the Century Classroom: Lessons from 1902 U.S. Army UCF Department of History UK United Telephone Company of Florida University of Central Florida, UCF University of Kansas vegetable garden veteran Wichita Gem and Mineral Society Wichita Gem and Mineral Society, Inc. Wichita High School East Wichita State University Wichita, Kansas wildlife habitat Winter Park Telephone Company WSU Yalaha yaupon holly https://richesmi.cah.ucf.edu/omeka/files/original/1382d312f61236de0818f1d85f3c268a.pdf 6a8fc9e72438766c811fa07b8b83cba5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Student Museum and UCF Public History Center Collection Subject Museums--Florida Schools Elementary schools Grammar schools Sanford (Fla.) Description The Student Museum and UCF Public History Center Collection encompasses a broad range of materials and items ranging from the late 19th Century into the present. The collection includes artifacts, photographs, documents, videocassettes, and other historical records pertaining to the history of the Sanford Grammar School, the Sanford community through the years, and the history of teaching and learning within the United States from the 19th century to the 2010s. The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history. Contributor Student Museum UCF Public History Center Language eng Type Collection Coverage Sanford High School, Sanford, Florida Westside Grammar Elementary School, Sanford, Florida Sanford Grammar School, Sanford, Florida Student Museum, Sanford, Florida UCF Public History Center, Sanford, Florida Contributing Project Student Museum UCF Public History Center Curator Marra, Katie Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Public History Center/Student Museum External Reference "Public History Center." Public History Center, University of Central Florida. "Student Museum." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx. Alternative Title Student Museum and PHC Collection Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/32" target="_blank">General Photographic Collection</a>, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank">Seminole County Public Schools Collection</a>, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer See, MacKenzie Interviewee Parks, Serena Fisher Rankin Location Sanford, Florida Original Format 1 DVD Duration 32 minutes and 5 seconds Bit Rate/Frequency 195kbps Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oral History of Serena Rankin Parks Fisher Alternative Title Oral History, Fisher Parks Subject Sanford (Fla.) Teachers--Florida Educators--Florida Museums--Florida Schools Gardens--Florida Students--Florida Special education--Florida Description Oral history of Serena Rankin Parks Fisher, a resident of Seminole County, Florida. Parks was born in Concord, North Carolina, on March 3, 1941. She has worked as a social studies teacher, a media center specialist, and a social studies resource teacher for Seminole County Public Schools, as wells as a Museum Specialist/Teacher Curator from 1992-2000. She then as a Volunteer/Docent at the Student Museum and Center for Social Studies, located at 301 West Seventh Street in Sanford, Florida. This interview was conducted by MacKenzie See at UCF Public History Center on October 8, 2012. Table Of Contents 0:00:00 Introduction 0:01:01 Involvement with the Student Museum 0:03:52 Influence on the community 0:06:02 Accomplishments 0:09:23 Favorite stories 0:13:51 Field trips and student behavior 0:15:43 Role of the UCF Public History Center 0:18:03 Favorite room 0:19:43 Advice for volunteers and future of the museum 0:23:19 Hands-on learning, students, and other purposes Abstract Oral history interview of Serena Rankin Parks Fisher. Interview conducted by MacKenzie See at the UCF Public History Center, in Sanford, Florida. Type Moving Image Source Parks, Serena Fisher Rankin. Interviewed by MacKenzie See. UCF Public History Center, IMG_0036. October 8, 2012. Audio/video record available. UCF Public History Center, Sanford, Florida. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank">Adobe Flash Player</a>. <a href="http://java.com/en/download/index.jsp" target="_blank">Java</a>. <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of UCF Public History Center, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank">Student Museum and UCF Public History Center Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Has Format Digital transcript of original 32-minute and 5-second oral history: Oral history interview of Serena Rankin Parks Fisher. Interview conducted by MacKenzie See at the UCF Public History Center, in Sanford, Florida. Coverage University of Central Florida, Orlando, Florida Student Museum and Center for Social Studies, Sanford, Florida Public History Center, Sanford, Florida Creator See, MacKenzie Parks, Serena Fisher Rankin Date Created 2012-10-08 Date Modified 2012-11-14 2014-07-16 Format video/mp4 application/pdf Extent 466 MB 160 KB Medium 32-minute and 5-second DVD 13-page typed transcript Language eng Mediator History Teacher Civics/Government Teacher Geography Teacher Humanities Teacher Provenance Originally created by MacKenzie See and Serena Rankin Parks Fisher. Rights Holder Copyright to this resource is held by the UCF Public History Center and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project UCF Public History Center Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository UCF Public History Center/Student Museum External Reference "Public History Center." Public History Center, University of Central Florida. "Exhibits." Public History Center, University of Central Florida. "Student Museum." Seminole County Public Schools. Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. Click to View (Movie, Podcast, or Website) <a href="http://youtu.be/WU_e8k8SgOA" target="_blank">Oral History of Serena Rankin Parks Fisher</a> Transcript See This is an oral history interview of Serena [Rankin Parks] Fisher. The interview was conducted by MacKenzie See at the [UCF] Public History Center on Augu—er, on October 8th of 2012. Interview topics include experience with the Sanford Student Museum [and Center for the Social Studies] and Public History Center. Okay. Um, what is your name? Fisher My name is Serena Parks Fisher. See Um, and what is your occupation? Fisher My occupation is dilettante. In other words, I’m a retired teacher and I now do things that I enjoy doing. A little of this and a little of that. See Um, and how long have you lived in the Sanford[, Florida] area? Fisher I don’t live—well, it depends on what you consider the Sanford area. I do not live in Sanford, but I have lived in Seminole County since 1978. See Okay, um, how did you become involved with the Public History Center and what is your role here? Fisher Okay, uh, um, I’m a little confused about you asking me about the Public History Center, because, uh, my involvement with the Public History Center came as a result of my involvement with the Seminole County Public School[s’] Student Museum, and I was involved with the Student Museum. First, as a social studies teacher in the school district. At the time the museum was created, I was hearing about it, etc., and at that point, every school was asked to submit a display that gave information about their school. Now, that would have been during the time period of [19]85-‘86 and so forth. Um, then as time went on, I left the social studies classroom, and went into a media center at a middle school, and again, I would hear about groups going to the Student Museum, and then later, I became, uh, the social studies resource teacher for the district, and then from that position, had the opportunity to become the museum specialist, which was the teaching position at the Student Museum, and as such, I was the teacher, curator, what—whatever, and so, uh, I retired in 2000 and went about my merry way just being a volunteer at the Student Museum, until there was a crisis regarding the restoration of the building, and there was some, um, controversy regarding that, and so I was involved as a member of the restoration committee, and then that morphed into, uh, UCF [University of Central Florida] having the agreement with the school district and the Public History Center, and I must say that I could not be more delighted about this relationship between the University of Central Florida Public History Center and what, uh, has taken place with the school district, because I feel now that the Student Museum—Public History Center—will be achieving the goal that it originally was intended to achieve. See Um, in what ways do you feel that the Student Museum is important to the community? Fisher Well, I feel that the Public History Center and the Student Museum is important to the community—just the building itself. One of the few remaining examples of Romanesque revival architecture—educational architecture—that is, uh, in the state of Florida. So just from an architectural standpoint, I think the building has a special purpose, but I think more importantly, the reason for me that it is so important is that it is a hands-on museum for students coming through, so that they learn by being involved and actually doing work here at the center. I think that for adults in the community, um, in many ways it’s a reminder of what their school days might have been like and also a reminder of things they have heard their family, um, talk about, and I feel something that the Public History Center will be working on now is using the archives here at the Public History Center, so that those who are doing research can find out more about the past in this area. Um, uh, so I think that is more speaking to the building and the interpretive exhibits, uh, here in the building. Uh, I also feel that this is a very unique setting, because of the teaching gardens here, and there are other hands-on museums in [U.S.] National Register [of Historic Places] buildings, but I don’t know of any other that is a hands-on museum in a National Register building and also has the teaching gardens, and I think this is an added dimension here. See Um, you were telling me earlier about the three things that you thought were really important about, um… Fisher During me my time here? See During your time here [laughs], yes. Can you tell me more about those? Fisher Okay, I interpreted my job here—as a museum specialist—that I was a teacher—that my job was to work with students every day and to also work with the teachers, uh, and this gave me many opportunities, not only for, uh, elaborating on curriculum, but also in providing for in-services and so forth, but looking back over my time here at the museum, the three things that I am most proud of—that I can say, “Well, this is something tangible that I did,” uh, was seeing that, um, the gardens were established. This was something I wanted to do, and I realized when I was talking to the students in the Native American room<a title="">[1]</a> about the three sisters and, um, about the plants, the crops that were grown by the Native Americans, or in the Pioneer Room<a title="">[2]</a> talking about the three G’s—grits, greens, and gravy. I realized that many students did not quite understand about—what I was talking about. “What are these vegetable for?” For them, these things just came from the store in frozen packages or in cans, and so I thought if they could actually see the plants growing, that that would be important, and fortunately there was, in the neighborhood, a master gardener, Walt Paget, who needed to have a project, and therefore, he was the one who actually came, and we worked together in establishing the very first garden, which was more of a pioneer-oriented garden, but I felt that the establishment of the teaching gardens—showing plants, herbs, and also the historic rose garden— that this was a significant, uh, development during my time here, and the other two things may seem trivial, but to me, they made a difference, and one was having the animal sounds in the Native American room. I thought that, with the subdued lighting, that created more of an atmosphere of traveling back in time to a Native American village, and then here in the Turn of the Century Classroom[: Lessons from 1902]—the ticking of the clock. because I realized that many students could—are just accustomed to digital clocks and had never heard a clock ticking, and so we not only have a clock that ticks, but the face of the clock has Roman numerals, which again, served as a teaching tool. So I guess the three things, when I look back on my tenure here as a museum specialist, were the gardens, the animal sounds, and the ticking clock. See What’s your favorite story about the Public History Center or the Student Museum? Fisher I have many, many [laughs] that I guess would be favorites that are quite different. Um, two immediately come to mind. One involves students. I had the privilege of working with the tea—uh, a teacher of the autistic, uh, students at Eastbrook Elementary [School], and we worked on a curriculum that we would have the students visited once a month throughout the entire school year. I found that most of the students who were coming were not able to communicate with us verbally, but they seemed to have a real appreciation. They could identify items and so on and so forth. So we felt that we were accomplishing something, and then one day, we were in the Pioneer room, and I had brought down the items from the American Girls book that corresponded to the pioneer period or to a pioneer period, and one of the students in the class was examining the items, and he picked up the item and called it by the name in the book—the, uh, American Girls book, and the teacher had told me earlier that he had read all of the books, but they weren’t sure if he were—was really understanding what he had read. He picked up the lunch pail—and the pail was called a “tenet”—and he picked it up and said that word, and the teacher was astounded and she said, “Did you tell him this?” And I said, “No,” and she said, “I did not.” His mother could not believe it, and that’s when the teacher and the mother realized that this student was reading these books and truly was understanding. That was a memorable day. Another memorable day was a very early morning knock on the door, uh, at the Student Museum, and an older man was there with his wife and asked if he could come in, and he explained that he had just come in on the auto train—uh, was here in Sanford, because of the auto train, and they were headed on into South Florida, but as a child he had lived here in Sanford, and this was his elementary school, and he wanted to show it to his wife. He asked if he might go upstairs to the auditorium, and he began telling his wife about the plays that the students put on here, and that one of the most proud moments in his life was being in a school play, and that his parents had come to the performance, and how proud he felt, and that he was just bursting with pride when he greeted his parents after the play, and they told him—this was in the depths of the [Great] Depression—that this would be his last time at the school—that they had lost their house, and they moved from the area, and he said that they had to move in with relatives in another state, and he went from this high point, where he was feeling so good to—about himself to a point where he felt that he was—he—he didn’t have anything anymore, and he wanted to come back and show his wife this location, where he had once felt so good about himself. See Um, did you ever have any students who misbehaved during a field trip [laughs]? Fisher Um, it depends on what you call “misbehave.” Um, I dressed in the role of a turn-of-the-century teacher, and I—I—I did not have any real problems. I had some I had to speak to, and, uh, I tend to use a lower voice when I am really serious and really stern, and it worked out. I think one of my interesting experiences, though, uh, took place when I student came in at lunchtime, and I just—he was joining his class—and I just assumed the student had been to a doctor’s appointment or something like that, and I noticed that the other students were very much interested in talking to him and I thought, Well, you know, maybe it was an unusual appointment or something, but it was at lunch and they were chatting, you know? So that was it, and after lunch, I took the group to Grandma’s Attic, where they had the opportunity to try on clothing and so forth, and, uh, that’s when I realized that the student had been given—at the appointment in the morning—an ankle monitor, and that’s why [laughs] his classmates were very much interested in how his appointment had gone, but it—it was no problem with the child. He cooperated beautifully. See Um, how do you see the Public History Center’s role in the community changing, now that it’s open to the public, instead of just for fourth grade field trips? Fisher Okay, the key thing there is “open to the public.” Because of very limited staff— it was very difficult to have it open for extended hours, and working under the school district, we could not have the public in when students were here, and so that meant there were just limited opportunities for the public to come. I now see this for—as an opportunity for, uh, people from all over whether they’re coming in by auto train or the airport or, uh, wherever—having the opportunity to visit here, because of the extended hours and the fact that the, um, Public History Center will be open on the weekend. I also envision that there will be learning opportunities—special programs for adults here, and I had mentioned one that I hope—I would love to see it develop—um, where there was to be a workshop here for adults, where they would be given the opportunity to start writing down their own personal history—their own life story, [air conditioner turns on] and I think that this would be an ideal setting for that, because there are so many visual props that would remind them of episodes in their own life, that they might want to jot down these stories and pass on. Now, we’re probably being distracted by the sound of the air conditioner, but that points out [laughs] a challenge now, but it also points out something special about this building—that the building itself can be used as a teaching tool, with the wonderful windows, and how they were used for light, as well as ventilation, and how the design of the building was also used to take advantage of cross- ventilation, but we obviously have a very loud air conditioner. See [laughs] Um, do you have a favorite room in the museum? Fisher I guess, being a teacher, this Turn of the Century Classroom is my absolute favorite room. Uh, I feel very much at home here, and, um, I have very happy memories of teaching in this room. I have very happy memories of teaching in other areas, but I’m the daughter of a teacher, and in many ways this reminds me of things my mother would tell me about. See Um, do students seem to get more out of some rooms in the museum than others, or does it just depend on the student, or all the rooms equally valuable? Fisher It depends on the students, and it depends on the preparation they have had before they had come here. I think, for me, the beauty of the hands-on experience is that students, who might not excel at the written word or reading in the traditional classroom, all can do very well here because of hands-on and verbal participation, but, um, I think—I think it depends on the student’s own interests, and, uh, again, it probably has a lot to do with the enthusiasm of the guide who is showing them the particular area. That might be a factor, as well. See Um, what advice would you give people who want to volunteer at the museum? Fisher Do it. Uh, the beauty of the Public History Center is that there are so many volunteer opportunities, not just for working with the students. Now, the main[?] one that I found most rewarding was working with the students and the exchange—the interaction—but there are jobs that are needed to be done behind the scenes. Whether it is inventorying the suitcases or books, or whether it is working with the archives, or whether it is working as a gardener in the teaching gardens. I think that there is—or a greeter. Oh, that is a wonderful job for someone who enjoys people, but really does not want to, uh, work with the students in the instructional program. That is a wonderful opportunity. So I really—that there is something here for everyone, and so, if someone is a little tentative about volunteering, I would suggest that they come and tour, and say, “Alright. This is what I like to do. What can I do to help you?” See Um, if you could describe your ideal future for the Public History Center and the Student Museum, what would it be? Fisher [laughs] For the instructional program to continue for fourth graders, but also for that program to be expanded, and again, during the time, I was here, I had the opportunity—we had year-round school. We had multi-age classes—that was a phase that the district was going through. I especially enjoyed working with the multi-age classes, because that meant that students came here one year and then they would come the following year, and so we could do different things. I also liked working with teachers on special programs, and I think this is where the Public History Center, working with UCF students, could do a great deal—is working with teachers collaborating—using the resources here at the Public History Center—to develop special programs. I would like to see more in-service staff development done with, um, teachers here. So that teachers, who are required to do certificate renewal, could take a course here at the Public History Center. Again, going back to what I had mentioned about community programs—and I hope that someday there is an elevator, so that we aren’t limited in the use of the auditorium and use of the, um, second level, but I just see this more as a very active center in the community and—where all of us can learn about changes in education and innovation in the education. See Um, what do you think is the ideal age for students to come to the Student Museum? I mean, we’ve heard about the fourth grade field trip. Is—is that about the ideal age or… Fisher Oh, I think it depends on what you are offering. I think that, uh, the fourth grade fit in with the Florida curriculum, but again, depending on what the teacher might be doing—or special programs that could be developed. You see, uh, at one time there was an eighth grade program here as well, and, um, due to budget cuts and so forth, that program had to be eliminated, and also, there were problems scheduling with the middle school schedule, but, um, I—and I have had the opportunity again with year-round education to work with senior high students. So this is the beauty of this facility. It can be taught at so many different levels, depending on where you’re putting your focus. See Um… Fisher I think everyone should come here and, as I said, I am delighted at the potential that I am seeing, the enthusiasm with those from UCF, uh, in transforming this into a Public History Center, and I’m delighted that the public will now have greater access to this facility. See Um, I’ve heard that the Public History Center serves—or has served—a lot of other purposes in the community, other than just as a museum and a teaching facility. I even heard a story about someone getting married here. Um, do you have any experiences with it in other capacities, other than as just the, uh, museum? Fisher Well, I was not involved with someone getting married here, but I know that it has been open, thanks to the Sanford Historic Trust, several years ago inviting the museum to be part of the annual tour. It was opened for that. So for—that would be more of a social, um, learning experience too, but I—I really do not know beyond that. I know students always want to know about ghosts. “Are there ghosts here at the Student Museum?” But I, um, don’t know about that. See Well, speaking of ghosts, um, do you have a favorite aspect of the history of this place? I mean, as a school, as Sanford Grammar, or, um… Fisher Uh, no. I do not. Uh, I think that could definitely be addressed by students who came here, and something that I found very rewarding was when reunion groups from what had been Sanford High School and now is Seminole High School, when they would have their reunions and request that the museum be open on the weekend, so that they could come back and visit. I enjoyed hearing the stories of that and since I had no grown up in the Sanford community. Um, I learned a lot from that, but, um, no. Nothing else I don’t think. See Um, so I’ve heard that there are a lot, um, of seasonal celebrations that take place here, um, especially around fall and things like that. Do you—do you go to those? Or… Fisher Well, in the past, I have volunteered with those, and, um, one of the favorite celebrations—it depends on how the, uh, calendar goes—is the Spring Fest around May Day, because when this was Sanford Grammar School, the May Day celebration was a major celebration for students here, and so—for several years, the Spring Fest has included that dancing of the May Pole, and that was of appeal to those who had gone here remembering their days as students. See Um, we’ve talked a lot about school-age children coming to the Student Museum and Public History Center. Um, is there a minimum age where it’s appropriate to bring children? Fisher Uh, I think it depends on the parents, who would be bringing them. Um, uh, I would think that a child from, I would say, maybe three on—although we have had them in strollers and so forth coming through, but, um, I—I think it depends on—are you talking about them coming just to visit the building, just to see the building or to participate in a program? I—I would think that three would be about the youngest, but it depends on the parents, and, um, what the children have been exposed to before. See Um, what about adults coming here? I mean, I know Student Museum sort of implies that it’s only for children, but do you think there’s something for adults also? Fisher Oh, absolutely, and, um, again, uh—going back to things that I remember—um, I remember, um, an adult friend of mine bringing her mother here, and the mother, uh, was quite elderly and had limited vision, but coming into this classroom and hearing the sound of the footsteps on the hardwood pine floor and so forth, and the ticking of the clock, and just feeling the chalkboards and so forth, brought back memories of her school days, and the mother just began sharing these stories that the daughter had never heard. So I think that this is a multi-generational location. Student Museum—remember that its origins are with the Seminole County Public Schools, so I think that that is larger, but there was another part to that name. It was the School Board of Seminole County’s Student Museum and Center for the Social Studies, and this goes back to the point that I was—wanted to make earlier—was that I think with, um, UCF now and with the emphasis on public history, that this is going to be more of a center for social studies and for adults to be involved. See Alright. Thank you so much for talking to me. Fisher Okay, thank you. <div> <div> <a title="">[1]</a> The Native America Exhibit: Life in an Ancient Timucuan Village. </div> <div> <a title="">[2]</a> Pioneer Exhibit: Before the Settlement of Sanford. </div> </div> 7th Street American Girls archive curator docent Eastbrook Elementary educator exhibit Fisher, Serena Rankin garden Geography Lab: Where in the World Are We? ghost Grandma’s Attic May Day maypole media center museum museum specialist National Register of Historic Places Native American Exhibit: Life in an Ancient Timucuan Village oral history Paget, Walt Parks, Serena Fisher Rankin PHC Pioneer Exhibit: Before the Settlement of Sanford Romanesque revival architecture Sanford Sanford Grammar School Sanford Highs School Sanford Historic Trust school SCPS See, MacKenzie Seminole County Seminole County Public Schools Seminole High School Seventh Street social studies social studies resource teacher social studies teacher special education Spring Fest student Student Museum Student Museum and Center for the Social Studies teacher Turn of the Century Classroom: Lessons from 1902 UCF UCF Department of History UCF Public History Center University of Central Florida volunteer https://richesmi.cah.ucf.edu/omeka/files/original/04d83ac62271044ec1fce5f45cfe1f90.pdf 87bca60c29340d57cb26a85733bea164 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Student Museum and UCF Public History Center Collection Subject Museums--Florida Schools Elementary schools Grammar schools Sanford (Fla.) Description The Student Museum and UCF Public History Center Collection encompasses a broad range of materials and items ranging from the late 19th Century into the present. The collection includes artifacts, photographs, documents, videocassettes, and other historical records pertaining to the history of the Sanford Grammar School, the Sanford community through the years, and the history of teaching and learning within the United States from the 19th century to the 2010s. The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history. Contributor Student Museum UCF Public History Center Language eng Type Collection Coverage Sanford High School, Sanford, Florida Westside Grammar Elementary School, Sanford, Florida Sanford Grammar School, Sanford, Florida Student Museum, Sanford, Florida UCF Public History Center, Sanford, Florida Contributing Project Student Museum UCF Public History Center Curator Marra, Katie Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Public History Center/Student Museum External Reference "Public History Center." Public History Center, University of Central Florida. "Student Museum." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx. Alternative Title Student Museum and PHC Collection Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/32" target="_blank">General Photographic Collection</a>, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank">Seminole County Public Schools Collection</a>, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer Ford, Frank "Chip" Interviewee Caolo, Jackie Location Groveland, Florida Original Format 1 CD/DVD Duration 31 minutes and 54 seconds Bit Rate/Frequency 127kbps Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oral History of Jackie Caolo Alternative Title Oral History, Caolo Subject Oral history--United States Sanford (Fla.) Education--Florida Swimming--Florida Swimmers--United States United States. Navy Teachers--Florida Educators--Florida Water safety Students--Florida Poems Swimming pools--Florida Head Start Program (U.S.) American Red Cross Description Oral history of Jackie Caolo, a resident of Groveland, Florida. Caolo was born in Texas but raised in Florida. As an adult, she traveled with her husband for 20 years while he was in the United States Navy. In 1956, the Caolo's husband was transferred to the Naval Technical Training Command in Sanford. The Caolos stayed in Sanford for a year and then were transferred to Texas. After Caolo's husband retired, the couple settled back in Sanford. Caolo spent much of her time working as a swim instructor. This interview was conducted by Frank "Chip" Ford at Caolo's home on October 20, 2012. Table Of Contents 0:00:00 Introduction 0:00:35 Migrating to Sanford 0:01:32 Swimming lessons 0:04:25 Students 0:08:28 Swimming poem 0:09:40 Teaching locations 0:12:10 Teaching methods 0:17:00 Water safety 0:23:00 Staying in touch with students 0:24:38 Memories and accomplishments 0:29:39 Breaking the color barrier Abstract Oral history interview of Jackie Caolo. Interview conducted by Frank "Chip" Ford at Jackie Caolo's home in Groveland, Florida. Type Moving Image Source Caolo, Jackie. Interviewed by Frank "Chip" Ford. UCF Public History Center, TOSH0002. October 20, 2012. Audio/video record available. UCF Public History Center, Sanford, Florida. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank">Adobe Flash Player</a>. <a href="http://java.com/en/download/index.jsp" target="_blank">Java</a>. <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of UCF Public History Center, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank">Student Museum and UCF Public History Center Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Has Format Digital transcript of original 31-minute and 54-second oral history: Caolo, Jackie. Interviewed by Frank "Chip" Ford. UCF Public History Center, TOSH0002. October 20, 2012. Audio/video record available. UCF Public History Center, Sanford, Florida. Coverage Sanford, Florida Crystal Lake, Lakeland, Florida Wekiva Springs, Florida Creator Ford, Frank "Chip" Caolo, Jackie Date Created 2012-10-20 Date Modified 2012-10-21 2012-10-24 2014-11-26 Format video/mp4 application/pdf Extent 2.78 GB 146 KB Medium 31-minute and 54-second CD/DVD 14-page typed transcript Language eng Mediator History Teacher Geography Teacher Provenance Originally created by Frank "Chip" Ford and Jackie Caolo. Rights Holder Copyright to this resource is held by the UCF Public History Center and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project UCF Public History Center Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository UCF Public History Center/Student Museum External Reference The Seminole Herald. <a href="http://www.worldcat.org/oclc/52633016" target="_blank">Sanford: Our First 125 Years</a>. [Sanford, FL]: The Herald, 2002. Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. "<a href="http://www.sanfordfl.gov/index.aspx?page=48" target="_blank">Sanford: A Brief History</a>." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=48. Brochure, <a href="http://www.sanfordfl.gov/media/pdf/leisure_services/20110407_historic_brochure.pdf" target="_blank">Sanford: Central Florida's Waterfront Gateway. Sanford, Florida: City of Sanford, 2005.</a> Click to View (Movie, Podcast, or Website) <a href="https://youtu.be/1FVTAggOkLk" target="_blank">Oral History of Jackie Caolo</a> Transcript Ford Hi. My name is [Frank] “Chip” Ford. I’m with Jackie Caolo. It is October 20th, 2012, and we are at Jackie Caolo’s home. Jackie, um, where are you from originally? Caolo Actually, born in Texas, raised in Florida, then travelled for 20 years with the Navy with my husband. Ford And—well, when did you move to Sanford[, Florida]? Caolo Actually, 1956. Ford Mmhmm. Caolo My husband was transferred here with the—the Naval Technical Training Command. Ford And what was Sanford like back then when you moved here in 1956? Caolo Wonderful. It was just wonderful. It was really a Navy town, and most everybody here was—that you talked to—was from the Navy, and, uh, a nice place to raise children. Wonderful teachers in the schools. We just always—we picked Sanford. Uh, my husband was able to pick his own, uh, place of deployment. So we were here for a year, and then we had to go to Texas for a year for, uh—and then he retired there, and then we settled down, came back to Sanford, and stayed here the rest of the time. Ford So, uh, what were some of the factors that got you into teaching people how to swim? Caolo Well, I had always been a swimmer when I was a young girl, and one of my friends won the swimming and diving championship in Berlin[, Germany]—Catherine Rawls[sp]—and I was always so proud of her and I always wanted to kinda be like her, but, uh—also, I thought everyone knew how to swim and when I found out they didn’t know how to swim, I thought, Well, it’s—uh, I went out to the Navy base actually to get my children started in advanced swimming, and the teacher there needed assistance, because her husband was, um, in a squadron in, uh, Vietnam. So I offered to help her and that’s how I really started teaching—assisting her in 1956 and ‘57. So… Ford And what were some of your experiences with those early lessons? Do you remember, like, how they were set up or… Caolo Well, you—you mean the, uh—my classes? Ford Mmhmm. Caolo Well, I always felt it was important to teach water safety, because if you teach them how to swim, but don’t teach them the water safety—so that was always emphasized—was water safety, how to behave in and around the water, and, uh, just as long—and I felt just as long as they were happy doing that, that they would learn faster, which they did, and… Ford Were you nervous at first? Caolo No, not really. I always just had—I knew that I could reach anybody at any, uh—because I knew I was young and agile, and I could get from one end of that pool to the other in nothin’ flat. Uh, so I had classes on the hour, every hour, from eight in the morning to nine o’clock—10 o’clock—and hopefully just 10 to a class, but quite often people would say, “Well, we brought our neighbor over. Is that all right if they swim?” And I couldn’t help but say, “Okay, go ahead,” and, uh, I just kept right on with the classes, until, uh, adults came at night, of course, at eight o’clock and nine o’clock, and it was a hard time getting them out of the pool. They had such a good time they never wanted to leave too, so we just had a good time. Ford And you mentioned adults. Uh, who—who were some of the people you, uh—you were teaching to swim back then? Did you teach all ages—adults, kids? Caolo Oh, all ages, yes. The older children, of course, came earlier. Uh, I’d say the adults I taught actually—Emory Blake brought his children—Jeff Blake and his sisters and brother—and, um, also I taught, um, a little girl named Dana Morosini. In fact, her father’s letter is in my folder, but Dana had her swimming lessons here, and I didn’t realize that later she had married Christopher Reeves[sic], and, uh, I saw ‘em on television, so I called her mother in New York and I said, “Is that my little Dana?” And she said, “Absolutely, sure is. So be sure an’ watch it this weekend. They’re gonna have a big program about it.” So I saw her on television. Then unfortunately, Chris died. Then her mother, Helen [Morosini], who was my good friend. She died from elective surgery, uh, and then later on, Dana also did, but she was one of my students here that—a lot of people’ve[sic] grown up to be pretty famous. They weren’t famous when I knew ‘em, but they got famous when I got through [laughs]. Ford Ah, so—and, uh—so what were your experiences like teaching African- American children how to swim back in the 1950s? Caolo Well, uh, they were just so anxious, because they never had the opportunity to go swimming, and they didn’t know that the water was wet, and they didn’t know that if you jump in, you were gonna go to the bottom, but it was fun teaching them to learn to understand the water and to learn how to enjoy it, and I learned that they—the black children—learned just as fast if not faster, because of their—they’re so anxious, and, uh, I thoroughly enjoyed it and got to know a lot of people, and a lady they used to call Mother Wilson—everybody in Sanford knew her, because she used to take care of, uh, people out in a nursing home. So she came to watch on a patio one day, and I was real pleased. She came to the edge of the pool and she put her finger up. She said, “I see that they learn more than just to swim when they come here,” and I was very flattered with that. She was right. The children learned early that I said what I meant and meant what I said, and they listened to me and I listened to them. So we got along just fine. Ford Did you have any negative experiences? Caolo Well, yeah. The—not really. One little girl came, and she told me—she says, “You’ve got a yucky pool. Yucky, yucky, yucky.” She didn’t want to swim. [laughs], but she did—but that was her—I couldn’t help but laugh at her, but, uh, I think that there might have been some people that felt at first that the children were—they didn’t think they could understand in mind. Well, children understand in mind very well, if you say what you mean and mean what you say. Yep. Ford Uh… Caolo I told you about the poem that I wrote. So they all learned how to say that poem first and then we’d go on the swimming sidewalk. You don’t go near the swimming sidewalk when you have your clothes on. You wait until you—until you’re in your bathing suit. Ford You want to say that poem for us? Caolo Oh, sure. I’d love to. I’d say: Sit down first and look around, ‘Cause we’re the smartest kids in town. Never, never swim alone, Practice 9-1-1 on the phone. Big black clouds will spoil your fun, And pretty soon here comes the sun. Lots of laughs help learning too, Underwater, I see you. Underwater hear me sing, Swim and turn and do your thing. Safety first and safety last, Say the whistle, get out fast. Attention friends, Now have some fun. I love you, You’re number one. Yay! Ford [laughs]. Caolo Also there are mirrors underwater. That’s—when they’re underwater, “I see you”—that’s when they’d go underwater and look at themselves in the swimming, uh, mirror. Ford [laughs] So did you teach at one location or did you go all over Sanford and Seminole County to teach people how to swim? Caolo At first, I went all over, until we built the pool here, and, uh—and I went wherever they, uh, went—downtown at the downtown pool, but that does remind me, the downtown pool was, uh, like a two-story pool, and they asked me if I would teach down there. They gave me nine mornings to teach in the swimming—and I said, “Well, I’m so free. I would…” “Well that’s all the time we can give you.” So the children would come and there were just dozens of them in the class, and they would go upstairs, but the parents were made to stay downstairs—but upstairs, I had to ask—I went to Seminole High School and asked volunteers to help me, because the children couldn’t touch bottom there. So it was difficult teaching ‘em swimmin’ when your feet won’t go down. So I had a group—in fact, one of the mothers that helped me way back then is still—she went in to teach swimming herself, and she’s still teaching, uh, but one day, after the swimming classes, they all left and there was a whole group of children, and later on that day, the mothers—two of the mothers took five of the children out to Crystal Lake in Lake Mary, and they sat on the—way up on the side of the hill, and they let the children go in the—in the pool, not realizing the children would swim, then they’d would stand up and take a breath. They could not pass—they hadn’t done enough to pass their test, and one little boy would swim and then he’d stand up. Then he’d swim and stand up, and swim and stand up, and then disappeared, and the parents did not have enough time to go out in the water and get him and he drowned. I was—that was so that many years ago. I was so upset when I heard about that, and that’s when I decided that the parents needed to learn as much as the children. So the parents were always allowed to pay attention in, but that was—that was a terrible thing. Ford Um, so what were some of the methods that you used to teach children? Did you, like, get them all in the pool and then you jumped in there with them? Or… Caolo No, uh, the children—when they would do their safety walk around the pool—and the reason you do that—when you have a pool, there could be a snake in the water, and you could get in trouble. One time there was a opossum that had fallen through the screen, and it was hangin’ on underneath a chair. So you did your safety walk first, and then you listened to directions. Swim up, swim back. Swimmers up, swimmers back, and they learned that you just don’t go out and just jump in, and then, um, they would sit down and they’d do their kicking on the side of the pool, and then they would learn to turn over on their stomach and slip in the pool and monkey around to the step. Monkey around—you let your hands take you around the pool, and I had my pool built so that a young child—there’s a little ledge on the bottom where their feet could touch. When they feel like they could touch, they’ll feel more secure. So they would walk around and let their feet touch and they would swim over to the side of the pool, and then one at a time, they would jump out to me, and when they would jump out, gradually they’d let ‘em get a little wetter and a little wetter, and then turn around and swim back to the step. That was their first—“to jump out pick a bale of cotton. Jump out turn around pick a bale of hay. Jump out pick a bale of cotton.” That’s the way the children learned—sing their little song happily and do their swimmin’. Ford So you mentioned that the pool was here at the house and you gave lessons here. What’d the neighbors think? Caolo Well, at first, they didn’t mind so much [laughs], but when it got so there were dozens of cars—but they never really complained. I felt that my neighbors were very, very tolerant, and they realized what I was doing was to benefit everyone in town, and so nobody ever stopped me or ever complained, uh, except when I brought in the Head Start [Program] children in. At first the chief of police at that time, didn’t think I should do it, but he was a good friend. He never stopped me. I continued teaching and—right up until I actually saw him years—years later, and, uh, when he saw me, I was at a private party, and, uh, when he saw me and gave me a big hug and thanked me for all the work. So he wasn’t against it. He just wasn’t used to it, you know, and one young black man told me—he said that the first day when they let him sit at the edge of the pool downtown and stick his water[sic] in that wonderful cool water, he said it just felt like something he had never ever experienced before, but they knocked down the pool and that was the end of that and the only place you could take swimming, uh—and teach the black children was to come here. They knew that then and they know it now. We’d go out there today if we could [laughs]. Ford [laughs] Now—so you’ve been involved in teaching swimming now for basically 40 years? Caolo 50 years. Ford 50 years? Caolo 50 years with the American Red Cross Water Safety. The entire 50 years from start to finish. Ford So how—how did your curriculum or style of teaching change over the years from the—from beginning to when you retired? Caolo Actually, I would say it’s never changed. There’s[sic] some techniques that I’m not very fond of that I hear that other—they fall in the pool. They’re supposed to roll over onto their back. Well, I had people bring their children here who had been through that technique, and they roll on their back and their face is gettin’ all wet. They’re gurgling and sputtering and cryin’, and I like to teach my children, if they fall in, you turn around and go back to the wall. I don’t want you to turn over on your back and stay out in the middle of the pool. Somebody’s gotta go get ya. So I—my technique really never changed much. Ford So what were some of the factors that made you concentrate on water safety as the focus of swimming instruction? Caolo Well, you know, the—you know, the, um, American Pediatric Association would say that you should never teach your children how to swim before five years old, but what they really, um, should say and do say now is, uh, you should start teaching your children water safety from the time they’re babies. You start in the bathtub and let them learn that the water is wet, and how to splash their little hands, and, um—the point I was gonna make was, uh, their safe—their water safety, as opposed to—yeah. You teach water safety, and teach them how to love the water and understand the water from the time they’re—well, actually six months is—is a good time to start. You can start earlier in the bathtub, then you play around ‘til they’re six months old, and then you can start lettin’ ‘em fall off the sides and into the water. My grandson—at four months old, he was able to fall off the step and turn around by himself and get to the step at four months old, but he just—I’ve been teaching him since—well, the doctor says he can get wet at three days old. So into the pool—into the bathtub actually, not the pool—into the bathtub, and you want to learn that water is wet. So many people, uh, prevent them, and you start teaching the actual swimming strokes and swimming lessons possibly at four to five years old, and that’s when swimming lessons—such as the overarm crawl, American crawl, breaststroke, backstroke—when they’re five, but you certainly start teaching water safety long before then. Ford So when did, uh—when did you start teaching children five and under how to swim? What made you decide that that’s where you wanted to focus as well? Caolo Well, actually, uh, whenever anybody ever brought a baby here, I’d say, “Well, let me—let me get ‘em used to the…” I guess, show them how to let them go into the bathtub and get started, and then when they were old enough, to bring ‘em here. Age never made much difference to me. The only thing I did was teach the older children, you know, at eight in the morning, before they went to school perhaps, and, uh, I took the babies as soon as they were born. Ford How many babies do you estimate that you taught how to swim? Caolo Thousands, thousands. I, uh—it’s almost unbelievable to, uh—when I say “thousands,” I mean thousands, but sometimes I’d have a hundred children a day here for all summer long, and, um… Ford So what were some of the factors that made you decide to do the Miss Jackie and Sally Seal Water Safety Video? Caolo Oh, actually that was kind of accidental. On my birthday, they were gonna have a surprise birthday party for me at the [Sanford] Civic Center, and they’d made arrangements with the school of dance and arts to bring their dancers, and the singers to bring their singers. So they—my son sent over a photographer—an underwater photographer—and a young lady that did the typing. So they made the tribute, which is at the back of the, uh, video, but that was the first thing we did, and, um, with the leftover film from that, my son took it to a photograph—uh, producer—in Dallas[, Texas], and said, “What do you think we could do with this?” And he said “Well, I think you got somethin’ there.” So I put together the video, and that video later—uh, it’s been used all over Miami, uh, Sanford, even in Holland. Um, when I was over there travelling with my daughter, um—but, um, the video was submitted, without my knowledge actually, to, um—um, to a safety-for-children program. It took first place and I got a wonderful, uh—it’s equivalent to an Oscar.<a title="">[1]</a> Uh, it’s called a Telly, I think, and I’ve got it here somewhere. It’s a beautiful bronze statuette that we took first place for safety on the video for children’s safety. Not necessarily water safety, but all safety for children. I was proud of that. Ford Do you feel like you’ve—you’ve kind of expanded your teaching methods through the use of the video out to more and more kids? Caolo Absolutely, yes. We—my son founded a children’s water safety organization, and whenever he has the opportunity—need be[sic]—he sends the video to help when there’s been a problem somewhere in, uh, another state. He sends a letter and the video to have them, uh, help with that. Yes, I think it’s expanded a lot.s Ford So out of those thousands of children that you taught, do you stay in regular contact with a lot of them? Caolo Absolutely, yes. Ford Like who? Caolo Like who? Ford Mmhmm. Caolo Well, one little boy—the—Brady Sapp. He was one year old when his mother brought him, and he swam the length of the pool before he was two years old and the pool’s the—the long pool. Well, Brady, he will—every year, I have a joint birthday party and have a lot of my friends, and Brady will be there. He’s now over 30 years old—maybe 35, and he will be at the party with his children and grandchildren, and, uh, his mother brought him every year, until he was five years old, when they started going to kindergarten. They would come here until five and then they’d go off to kindergarten, and by then, they were such good swimmers, they’d either need to go to competition or just more swimming, and, um—but Brady will be here and his own children will be there too. Their mother is very good at teaching, ‘cause she spent so much time here watching and helping me with the books. I never charged anything. Only enough to pay for the electric bill and the chlorine expenses. I didn’t even like charging even then, but you have to charge to continue what you’re doin’. Ford Hm, so, if you could tell me only one time in your experience as a swimming instructor, what would be that story? Caolo Oh, my. Well, I’m afraid I… Ford How about any several stories? Anything that like—that really stick out in your mind that you really want to convey? Caolo Hm, well, lemme see. When it comes to the—the children, I guess the things that stick out in my mind is Brady, for one. To know that it’s possible to swim that well—which is a 38- foot pool—uh, at two years old—before he was two, and then later on, before he was three years old, he swam underwater the length of the pool. He’s just one little child that I remember, and I also told you about the little girl who came that was terrified to get her eyes wet, and she came, after listening to—watching the video for two weeks. Her parents and grandparents brought her, and before her hour was up, she had—this three year old—had swum the entire length of the pool just exactly like she learned on Miss Jackie’s video. Ford Well, Miss Jackie, is there anything else you’d like to add to our interview, before we wrap things up? Caolo Well, anytime you can use the video to help other people, um, it would just be—would make me feel real good, and, um, I would do it all over again. I have a little bit of sun damage, but other than that, [laughs] it’s, uh, been very exciting. Ford Do you—I know you’re very proud of your accomplishments and—and such around the area. Um, are you proud of the children that you got to teach, both African-American and white? Caolo Absolutely, absolutely. I learned to understand people a little better than I did before, and I always admired the people that went out of their way to put all kids and their neighbors in the car and bring ‘em over here. I gave ‘em credit for wanting their children to learn to swim, and I think I told you—Jeff Blake, who came as a two year old—when he grew up, he went to meetings with me to build a new swimming pool, and, uh, that’s—the result of that was that well’re[sic] building that wonderful pool, which is being used constantly at Seminole High School for the young people. Of course, I think that all the children should know how to swim before they graduate high school, and in some states, that’s the case, but not in Florida, but, uh, they do their best to teach as many as they possibly can, and now Jeff’s son—he’s now retired as a football player and his son is one of the big players today. So… Ford Um [clears throat], you were telling me a story about Jeff Blake’s family earlier that was really, really interesting. Would you like saying that—would you like telling that story again? Caolo Well, yes. Um, when Jeff Blake was a baby, his family would take him out to Wekiva Springs for some—there’s a little place where you can stand in the sand and you can play, but his aunt stepped off the ledge, and was in the process of drowning, when her sister, who was Jeff Blake’s mother, jumped out there to save her and threw her back to safety, and everybody was so happy to see her and so intent on watching her, they failed to look around and realize that Jeff’s mother was in trouble, and she did drown that day at Wekiva Springs, which was a terrible, sad day, and then, um—so the father brought Jeff as a baby for swimming and we’ve been friends ever since. Ford Mmhmm. Uh, one final question and then we’ll—we’ll go ahead and stop the interview, but what were some of the factors that made you decide that you were going to go ahead and teach African-American children how to swim? Like because—what were some of the… Caolo Well, there was never any decision to be made about it, but being Navy, of course, I was accustomed to swimming. Uh—they were always permitted in the Navy base pools, but, um, I realized they didn’t have the opportunity. That’s the reason they couldn’t swim. Their grand—their mothers would tell them, “Don’t you dare go near that water. I’ll spank you good.” So they were always, uh, told to be frightened of the water. So when they came and found out how much fun it was and how fast they—and they—they can learn absolutely, one child against the other. In the video, you’ll see. There’s, um, some black children in the video that dived off the diving board, but what’s so amusing to me about that is those two were older children. They had never dived off the diving board, because they were gonna be on film. They wanted to get up there to [laughs]—and they just got on the end of that diving board and stuck their heads down and fell into the water [laughs]. It didn’t bother ‘em, because they knew they were gonna be saved. I have the reaching pole, which is—every swimming pool should have a reaching pole that you can reach out and pull them in and teach them how to do that. So I have to laugh every time I see that video and see those children. I’ve forgotten their names, but I knew them well at the time. ‘Course, they’re all grown up now. Ford All right. Well, Miss Jackie, I’d like to thank you for myself and on behalf of the Public History Center for granting us this interview. Thank you so much for your time. Caolo You’re so welcome. Thank you so much. Ford Thank you, ma’am. <div> <div> <a title="">[1]</a> Academy Award. </div> </div> American crawl American Pediatric Association American Red Cross American Red Cross Water Safety APA backstroke Blake, Emory Blake, Jeff breaststroke Caolo, Jackie Crystal Lake Downtown Sanford education Ford, Frank "Chip" Head Star Program Lake Mary Lakeland Miss Jackie and Sally Seal Safety Video Morosini, Dana Morosini, Helen Mother Wilson Navy opossums oral history overarm crawl PHC Public History Center Rawls, Catherine Reeve, Christopher Sanford Sanford Civic Center Sanford Grammar School Sapp, Brady Seminole High School swimmer swimming swimming lessons swimming pool teacher Telly UCF Public History Center water safety Wekiva Springs Wilson https://richesmi.cah.ucf.edu/omeka/files/original/79191e540615f38cb0be4a80a6f9d6dc.pdf 4ecf0dce25b9d9647ffa25655dca7dc0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 25-page homestead document Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Homestead Documentation for Henry Jackson Alternative Title Jackson Homestead Subject Oviedo (Fla.) Property--Florida Homesteading Description The homestead documentation for Henry Jackson. Jackson, an African American raised by a white family, homesteaded 40 acres on both sides of Long Lake in Oviedo, Florida. The area became a predominantly black settlement, now known as Jackson Heights. For 25 years he worked for Oliver P. Swope and N. F. Lezette clearing land. Type Text Source Original homestead document: Private Collection of Kathy Parry. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original homestead document. Coverage Henry Jackson Homestead, Jackson Heights, Oviedo, Florida Contributor Parry, Kathy Date Created 1910-08-08 Format application/pdf Extent 4.37 MB Medium 25-page homestead document Language eng Mediator History Teacher Rights Holder Copyright to this resource is held Kathy Parry and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://Oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Kathy Parry External Reference "<a href="http://www.reocities.com/yosemite/rapids/8428/hikeplans/oviedo/planoviedo.html" target="_blank">Oviedo Historical Trail</a>." Oviedo Historical Trail. http://www.reocities.com/yosemite/rapids/8428/hikeplans/oviedo/planoviedo.html. African American B. M. Robinson C. W. Atkinson Charlie Adams Clarence Burk DOI E. A. Douglas E. R. Bailey Edward Garvin Fred McQuay Gainesville H. M. Haynes Henry Jackson Henry S. Chubb Homestead homesteader homesteading Jackson Heights L. T. Hurst Lila Mae Johnson Oviedo pea potato property Robert M. Davis Sanford Shield Warren The Sanford Herald U.S. Department of the Interior U.S. Land Office https://richesmi.cah.ucf.edu/omeka/files/original/0c3012c74321a22212af498de9f0acd7.pdf f6d117717b28823ec18ce0c500b957cc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 21-page homestead document Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Homestead Documentation for Colnel B. Holmes Alternative Title Holmes Homestead Subject Oviedo (Fla.) Description The homestead documentation for Colnel B. Holmes. Holmes' homestead was located in Oviedo, Florida. According to the documentation, Holmes was born in Marietta, Georgia, and grew potatoes and corn were on his homestead. Little else is known of this homesteader. Type Text Source Original homestead document: Private Collection of Kathy Parry. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original homestead document. Coverage Oviedo, Florida Contributor Parry, Kathy Date Created 1914-03-16 Format application/pdf Extent 3.29 MB Medium 21-page homestead document Language eng Mediator History Teacher Rights Holder Copyright to this resource is held Kathy Parry and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://Oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Kathy Parry External Reference "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. Andrew Aulin Benjamin G. Smith C. Herfluer C. W. Atkinson Charles L. West chicken Colnel B. Holmes corn DOI E. A. Douglas fruit Gainesville H. M. Haynes Harper Smith Henry S. Chubb Homestead homesteader homesteading J. D. Warren Oviedo potato Prince Butler Boston property Robert W. Davis Sanford The Sanford Herald U.S. Department of the Interior U.S. Land Office https://richesmi.cah.ucf.edu/omeka/files/original/638e4b0a8c50ba3f1a6c0ddf22c2745a.pdf c81473ceb7dd7fa84c93106b72d7ab14 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 22-page homestead document Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Homestead Documentation for Benjamin James Alternative Title James Homestead Subject Oviedo (Fla.) Property--Florida Homesteading Description The homestead documentation for Benjamin James. James' homestead was located in the southwestern portion of present-day Oviedo. James was born Savannah, Georgia, and migrated to Hastings, Florida, where he met his wife, Esther James. The couple married on January 24, 1913, at what then was called The Woods, on the eastern side of the town of Gabriella, near Bear Gully Lake. The couple had nine children, in addition to the four children from Esther's previous marriage. On July 8, 1921, James filed a homestead for 160 acres for his growing family at The Woods. Following a hurricane devastated Miami on September 11, 1926, the James family opened their property to Floridians left homeless in the aftermath. These refugees became the first settlers of the Jamestown and included Bob and Flossie Wells, George and Nettie Davis, and Morris J. "Preacher" and Margaret Williams, the Nails, the Olivers, the Perrys, the Bryants, the Evans, the Brannons, the Walkers, and the Ryans. James is the only African American to have a Central Florida town named after him. Type Text Source Original homestead document: Private Collection of Kathy Parry. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original homestead document. Coverage Benjamin James Homestead, Jamestown, Oviedo, Florida Contributor Parry, Kathy Date Created 1917-10 Format application/pdf Extent 3.78 MB Medium 22-page homestead document Language eng Mediator History Teacher Rights Holder Copyright to this resource is held Kathy Parry and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://Oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Kathy Parry External Reference Robison, Jim."<a href="http://articles.orlandosentinel.com/2004-06-20/news/0406180557_1_esther-james-jamestown-pine" target="_blank">Family, Faith, Farming Built Hamlet</a>." The Orlando Sentinel, June 20, 2004. http://articles.orlandosentinel.com/2004-06-20/news/0406180557_1_esther-james-jamestown-pine. African American agriculture B. M. Robinson bean Benjamin James chicken citrus corn DOI E. R. Bailey farm farming Gainesville grape Homestead homesteader homesteading James W. Neal Jamestown M. J. Williams Maitland Marian H. Smith melon orange orlando Oviedo pea potato property Richard Adams Richard H. Adams Robert Finnell Robert W. Davis The Orlando Morning Sentinel The Woods U.S. Department of the Interior U.S. Land Office vegetable W. C. Essington William Long https://richesmi.cah.ucf.edu/omeka/files/original/d730a398c0574aecd3e3561d48c03289.JPG fde409118ebe0df63d388646006d8ac8 https://richesmi.cah.ucf.edu/omeka/files/original/6c5b5497bed5ad60e8b057df2aa96d2f.JPG 05451bbb20cd74550ede9a931c2b7ac5 https://richesmi.cah.ucf.edu/omeka/files/original/5c12d0b70f74ce534947cdec6372e11b.JPG 45da02308ac72cc4706f71dacd0ea177 https://richesmi.cah.ucf.edu/omeka/files/original/8d4b37e8f808696a8f0c2bfaa51cca44.JPG fc99ee6ab811c6023697cc2125a3e1c5 https://richesmi.cah.ucf.edu/omeka/files/original/b80eb1c2a93390cdae19f30d175e1edf.JPG e78db8703b0e064ae14e6aa1c2edcd9d https://richesmi.cah.ucf.edu/omeka/files/original/b9c88b62ca6bb6ae85c469153889106b.JPG 40e5ec4833f6937de1d40fa6e9ab931d https://richesmi.cah.ucf.edu/omeka/files/original/20d7bd1e0e2cf5c0c03c873eb79d26f3.JPG 35c0a402df59d3497aa82d8d124f60ef https://richesmi.cah.ucf.edu/omeka/files/original/a20fe58f7e6253a9646d061bb6cb01da.JPG ae7cca1a4a1a73a7aae1defa48d7b6b8 https://richesmi.cah.ucf.edu/omeka/files/original/765eb67451c34daaa831bf2cc3eb0549.JPG d15595b4cb3724aabdbe8c892d679ed4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 9 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Dickey Betts & Great Southern Alternative Title Dickey Betts & Great Southern Subject Betts, Dickey Dickey Betts & Great Southern (Musical group) Concerts--United States Rock (Music)--United States Blues (Music)--Florida Country music--Southern States Music--United States Musicians--Southern States Sarasota (Fla.) Bradenton (Fla.) Description Dickey Betts & Great Southern performing live at a private party of over 300 friends and family in the swamplands of Fruitville, Florida, on February 24, 2013. The first four photographs feature Betts on electric guitar and the fourth photograph shows James Varnado on drums. The fifth and sixth photographs feature Duane Betts and Dickey Betts on guitar, the fourth features a crowd of friends and family at the show, and the fifth features Pedro Arevalo on bass guitar. Forrest Richard “Dickey” Betts is considered one of the most influential guitar players of the 20th century. He was born in West Palm Beach, raised in Bradenton, and has lived in Sarasota for most of his life. Beginning at age 16, he began performing in a series of rock bands on the Florida circuit. A founding member of the Allman Brothers Band in 1969, Betts matched bandleader Duane Allman lick for lick on electric guitar, writing many of their songs. The guitar duo introduced melodic twin guitar harmony and counterpoint, redefining the traditional rhythm/lead roles of rock guitarists. When Allman died in a motorcycle accident in 1971, Betts and Duane’s brother, Gregg Allman, shared leadership of the band, with Betts becoming the sole guitar player and taking a larger role in writing and singing. Betts wrote and sang on the group’s biggest hit, "Ramblin’ Man" in 1973 Betts recorded his first solo album in 1974, and when the band split up in 1976, he formed Dickey Betts & Great Southern. He rejoined the Allman Brothers Band when they reformed in 1978.The band split up again for several years during the 1980s, reformed again in 1989, and Betts remained with them until he was suspended for substance abuse problems in 2000. He reformed Great Southern that year, adding his son, Duane Betts, on guitar. Along with the Allman Brothers Band, Betts was inducted into the Rock and Roll Hall of Fame in 1995. Type Still Image Source Original color photographs by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Format Of Digital reproduction of original color photograph by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000ax_QozXAnSg/C0000N3GwcxUcDDU" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000ax_QozXAnSg/C0000N3GwcxUcDDU</a>. Digital reproduction of original color photograph by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000vh2M_YSRX1w/C0000N3GwcxUcDDU" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000vh2M_YSRX1w/C0000N3GwcxUcDDU</a>. Digital reproduction of original color photograph by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000Qdud6VMKEyU/C0000N3GwcxUcDDU" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000Qdud6VMKEyU/C0000N3GwcxUcDDU</a>. Digital reproduction of original color photograph by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000wRDx4FIsFfw/C0000N3GwcxUcDDU" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000wRDx4FIsFfw/C0000N3GwcxUcDDU</a>. Digital reproduction of original color photograph by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I00006M.HvA2EXsM/C0000N3GwcxUcDDU" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I00006M.HvA2EXsM/C0000N3GwcxUcDDU</a>. Digital reproduction of original color photograph by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I00009rpZ5NxQRV8/C0000N3GwcxUcDDU" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I00009rpZ5NxQRV8/C0000N3GwcxUcDDU</a>. Digital reproduction of original color photograph by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000VSQD9kg0sfA/C0000N3GwcxUcDDU" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000VSQD9kg0sfA/C0000N3GwcxUcDDU</a>. Digital reproduction of original color photograph by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000FApIE8cOrW0/C0000N3GwcxUcDDU" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000FApIE8cOrW0/C0000N3GwcxUcDDU</a>. Digital reproduction of original color photograph by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000ZO8CCkujD6s/C0000N3GwcxUcDDU" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000ZO8CCkujD6s/C0000N3GwcxUcDDU</a>. Coverage Fruitville, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2013-02-24 Date Copyrighted 2013-02-24 Format image/jpg Extent 22.7 KB 21.4 KB 23.3 KB 27.2 KB 24.5 KB 21.5 KB 24.7 KB 18.5 KB 22.3 KB Medium 9 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Paul, Alan. <a href="http://www.worldcat.org/oclc/846545832" target="_blank">One Way Out: The Inside History of the Allman Brothers Band</a>. 2014. Tatangelo, Wade. “<a href="http://www.ticketsarasota.com/2014/10/29/dickey-betts-on-his-days-before-with-and-after-allman-brothers-interview/" target="_blank">Dickey Betts on his days before, with and after Allman Brothers: interview</a>.” Ticket Sarasota. October 29, 2014. http://www.ticketsarasota.com/2014/10/29/dickey-betts-on-his-days-before-with-and-after-allman-brothers-interview/. bass guitar bassist blues blues rock Bradenton concert country country music country rock Dick Betts Dickey Betts Dickey Betts & Great Southern drum drummer Duane Betts electric guitar Forrest "Dickey" Richard Betts Fruitville Gibson guitar Gibson Guitar Corporation Great Southern guitar guitarist James Varnado jazz jazz fusion Pedro Arevalo rock rock music Sarasota Sarasota County Southern rock vocalist https://richesmi.cah.ucf.edu/omeka/files/original/943814eeeae99747025cf148ee0d8bcf.JPG 37898ed5b38d6d6bcfdc4ccf4a050a8f https://richesmi.cah.ucf.edu/omeka/files/original/f65962824b814409fae904f6e9490037.JPG 816d61553dbce99075a2bdefde24745d https://richesmi.cah.ucf.edu/omeka/files/original/de5f6324774806992907fd32e4c4656d.JPG 49e1cf1b6f816f0637ac32a9676a4893 https://richesmi.cah.ucf.edu/omeka/files/original/9afe9c5878d5212f1c1c320c95bcf82a.JPG 4675568622067aee89eaef151f050bf7 https://richesmi.cah.ucf.edu/omeka/files/original/a31a785ffa5f4f635250d012a2d9023d.JPG 1bb4ea7fc950f1005938a2aa65234c4e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 5 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title funkUs at The Plaza Theater, 2013 Alternative Title funkUs at The Plaza Theater Subject Funk (Music)--United States Orlando (Fla.) Music--United States Musicians--Southern States Concerts--United States Rock (Music)--United States Blues (Music)--Florida Jazz--United States Rhythm and blues music--United States R&B (Music) Description funkUs, performing live at The Plaza Theater, located at 425 North Bumby Avenue in Orlando, Florida, on January 16, 2013. The band was the opening act for Galactic, a jam band from New Orleans, Louisiana. The first photograph features Adam Freeman on drums, Clay Watson on trombone, Eugene Snowden on vocals, and Dave Mann on electric guitar. The second photograph shows Mann on electric guitar, Alessandro Ceserani on bass guitar, and Bill Bairley on keyboard. The third photograph features Mann and Ceserani, the fourth photograph features Freeman, and the fifth features Clay Watson on trombone. Formed in Orlando in 1998, funkUs earned a reputation as a band with a unique blend of eclectic musical genres, following in the footsteps of jam bands such as the Grateful Dead, the Allman Brothers Band, and Phish, by combining elements of rock, blues, jazz, rhythm and blues, and funk. The band’s live performances incorporate an improvisational structure with groove-heavy rhythms. Their albums include flavor (2001); strobe light (2002); free (2005), which features Tom Constanten, a former keyboard player for the Grateful Dead; got problems (2009); funkUs meets the Curious Circus (2009); and coconut monkey (2012). Regularly performing throughout Florida, the band has appeared at premier music festivals, including the Purple Hatter's Ball in 2013, Bear Creek Music Festival in 2009 and 2011, Orange Blossom Jamboree in 2010 and 2011, Jambando in the Park in 2010, 2011 and 2012, and many others. They have shared stages with notable bands such as Galactic, Soulive, Dumpstaphunk, Robby Krieger of The Doors, Victor Wooten, Steve Kimock Band, Zach Deputy, and Consider the Source. The lineup is ever-changing, based around its core members: Adam Freeman on drums and percussion, Alex Ceserani on bass and vocals, Bill Bairley on keyboard and vocals, and Dave Mann on guitar and vocals. Type Still Image Source Original color photographs by Alicia Lyman, January 16, 2013: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000sTvtoceq7FM/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000sTvtoceq7FM/C00004bs5i3cZxfk</a>. Digital reproduction of original color photograph: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000IN78g_a9elM/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000IN78g_a9elM/C00004bs5i3cZxfk</a>. Digital reproduction of original color photograph: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000Z5fghjKIE24/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000Z5fghjKIE24/C00004bs5i3cZxfk</a>. Digital reproduction of original color photograph: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000eO7V.BRq_j8/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000eO7V.BRq_j8/C00004bs5i3cZxfk</a>. Digital reproduction of original color photograph: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000I.ooMyq1YQ8/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000I.ooMyq1YQ8/C00004bs5i3cZxfk</a>. Coverage The Plaza Theater, Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2013-01-14 Date Copyrighted 2013-01-14 Format image/jpg Extent 24 KB 17.6 KB 18.9 KB 25.9 KB 17.2 KB Medium 5 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Bolden, Tony. <a href="http://www.worldcat.org/oclc/212328134" target="_blank">The Funk Era and Beyond: New Perspectives on Black Popular Culture</a>. New York, NY: Palgrave Macmillan, 2008. Vincent, Rickey. <a href="http://www.worldcat.org/oclc/32820668" target="_blank">Funk: The Music, the People, and the Rhythm of the One</a>. New York: St. Martin's Griffin, 1996. Abbitt, Jim. “<a href="http://articles.orlandosentinel.com/2013-04-25/entertainment/os-jim-abbott-jambando-orlando-20130425_1_hindu-cowboys-music-fans-bonnaroo" target="_blank">Jambando still jams after 10 years</a>.” Orlando Sentinel. April 25, 2013. http://articles.orlandosentinel.com/2013-04-25/entertainment/os-jim-abbott-jambando-orlando-20130425_1_hindu-cowboys-music-fans-bonnaroo. Ruff, Emily. “<a href="http://www.orlandoweekly.com/orlando/noodling-towards-nirvana/Content?oid=2258931" target="_blank">Noodling towards Nirvana</a>.” Orlando Weekly. March 18, 2004. http://www.orlandoweekly.com/orlando/noodling-towards-nirvana/Content?oid=2258931. Adam Freeman Alessandro Cesarani Alex Cesarani Alicia Lyman bar bass guitar bassist Bill Bairley blues Bumby Avenue Clay Watson concert Dave Mann drummer drums electric guitar Eugene Snowden funk guitar guitarist jam band jazz keyboard keyboardist nightclub orlando R&B rhythm and blues rock rock music singer The Plaza Live The Plaza Live Theater The Plaza Live Theatre The Plaza Theater The Plaza Theatre trombone trombonist vocalist https://richesmi.cah.ucf.edu/omeka/files/original/a27dbf52a1c6f921e38ab9216f26231f.jpg 448a6215f084f2d8a25d8ddd88f222fa https://richesmi.cah.ucf.edu/omeka/files/original/2e7654538a4c69d1078ef885fd654987.jpg ba955638d487d96f1aa05373c8bbc53a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title funkUs at the 7th Annual Spring Jambando, 2012 Alternative Title funkUs at the Annual Spring Jambando Subject Funk (Music)--United States Orlando (Fla.) Music--United States Musicians--Southern States Concerts--United States Rock (Music)--United States Blues (Music)--Florida Jazz--United States Rhythm and blues music--United States R&B (Music) Description funkUs performing live at the 7th Annual Spring Jambando at The Plaza Theater, located at 425 North Bumby Avenue in Orlando, Florida, on April 28, 2012. The first photograph features Brian Burgess on bass guitar, and the second photograph features Burgess on bass guitar with Dave Mann on electric guitar. Formed in Orlando in 1998, funkUs earned a reputation as a band with a unique blend of eclectic musical genres, following in the footsteps of jam bands such as the Grateful Dead, the Allman Brothers Band, and Phish, by combining elements of rock, blues, jazz, rhythm and blues, and funk. The band’s live performances incorporate an improvisational structure with groove-heavy rhythms. Their albums include flavor (2001); strobe light (2002); free (2005), which features Tom Constanten, a former keyboard player for the Grateful Dead; got problems (2009); funkUs meets the Curious Circus (2009); and coconut monkey (2012). Regularly performing throughout Florida, the band has appeared at premier music festivals, including the Purple Hatter's Ball in 2013, Bear Creek Music Festival in 2009 and 2011, Orange Blossom Jamboree in 2010 and 2011, Jambando in the Park in 2010, 2011 and 2012, and many others. They have shared stages with notable bands such as Galactic, Soulive, Dumpstaphunk, Robby Krieger of The Doors, Victor Wooten, Steve Kimock Band, Zach Deputy, and Consider the Source. The lineup is ever-changing, based around its core members: Adam Freeman on drums and percussion, Alex Ceserani on bass and vocals, Bill Bairley on keyboard and vocals, and Dave Mann on guitar and vocals. A leading figure in the Orlando music scene, the band is also responsible for organizing Jambando, a musical concert series designed to showcase and stimulate Orlando's burgeoning jam band scene. Beginning in 2003 as an idea for the Orlando Fringe Festival, the concept was further developed through an ongoing concert series at Hard Rock Live, and has since made its current homes at The Plaza Theatre in Downtown Orlando's Milk District and The Spirit of Suwannee Music Park in Live Oak. Each concert is created through a collective of musicians and volunteers in a united and conscious effort to establish a musical brand for multi-genre Central Florida music. Type Still Image Source Original color photographs by Alicia Lyman, April 28, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photographs by Alicia Lyman, April 28, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/2012-04-28-FUNKUS-THE-PLAZA-LIVE-JAMBANDO-Orlando-FL/G0000xDQReyYIRsg/I0000Ig9Uv5r8z7M/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-04-28-FUNKUS-THE-PLAZA-LIVE-JAMBANDO-Orlando-FL/G0000xDQReyYIRsg/I0000Ig9Uv5r8z7M/C00004bs5i3cZxfk</a>. <a href="http://alicialyman.photoshelter.com/gallery-image/2012-04-28-FUNKUS-THE-PLAZA-LIVE-JAMBANDO-Orlando-FL/G0000xDQReyYIRsg/I000012K8zQt_Pcw/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-04-28-FUNKUS-THE-PLAZA-LIVE-JAMBANDO-Orlando-FL/G0000xDQReyYIRsg/I000012K8zQt_Pcw/C00004bs5i3cZxfk</a>. Coverage The Plaza Theater, Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-04-28 Date Copyrighted 2012-04-28 Format image/jpg Extent 33 KB 35.2 KB Medium 2 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Bolden, Tony. <a href="http://www.worldcat.org/oclc/212328134" target="_blank">The Funk Era and Beyond: New Perspectives on Black Popular Culture</a>. New York, NY: Palgrave Macmillan, 2008. Vincent, Rickey. <a href="http://www.worldcat.org/oclc/32820668" target="_blank">Funk: The Music, the People, and the Rhythm of the One</a>. New York: St. Martin's Griffin, 1996. Abbitt, Jim. “<a href="http://articles.orlandosentinel.com/2013-04-25/entertainment/os-jim-abbott-jambando-orlando-20130425_1_hindu-cowboys-music-fans-bonnaroo" target="_blank">Jambando still jams after 10 years</a>.” Orlando Sentinel. April 25, 2013. http://articles.orlandosentinel.com/2013-04-25/entertainment/os-jim-abbott-jambando-orlando-20130425_1_hindu-cowboys-music-fans-bonnaroo. Ruff, Emily. “<a href="http://www.orlandoweekly.com/orlando/noodling-towards-nirvana/Content?oid=2258931" target="_blank">Noodling towards Nirvana</a>.” Orlando Weekly. March 18, 2004. http://www.orlandoweekly.com/orlando/noodling-towards-nirvana/Content?oid=2258931. Alicia Lyman bar bass guitar bassist blues Brian Burgess Bumby Avenue concert Dave Mann electric guitar funk guitar guitarist jam bando jazz nightclub orlando R&B rhythm and blues rock rock music singer Spring Jambando The Plaza Live vocalist https://richesmi.cah.ucf.edu/omeka/files/original/03f9bab217494c1158b91112ed424fdf.pdf 33ecfcf91145417f6d7aa6b501a7573a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 529-page ledger Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title R. W. Estes Celery Company Ledger, 1947-1950 Alternative Title R. W. Estes Celery Company Ledger Subject Oviedo (Fla.) Agriculture--Florida Farming Farms--Florida Farmers--Southern States Celery Celery industry Shipping--Florida Accounting--United States Description An account ledger for the R. W. Estes Celery Company, Estes' personal accounts, and the personal accounts of Estes' wife, Ruth H. Estes. R. W. Estes Celery Company was a celery growing and shipping business in Oviedo, Florida. The R. W. Estes Celery Company Precooler Historic District is located at 159 North Central Avenue and was added to the U.S. National Register of Historic Places on September 20, 2001. Type Text Source Original ledger: <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>, Oviedo, Florida. Is Part Of <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>, Oviedo, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original ledger. Coverage R. W. Estes Celery Company, Oviedo, Florida Creator R. W. Estes Celery Company Contributor Sladek, Megan Date Created ca. 1947-1950 Format application/pdf Extent 87.1 MB Medium 529-page ledger Language eng Mediator History Teacher Economics Teacher Provenance Originally created by R. W. Estes Celery Company. Owned by Megan Sladek. Donated to the <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> in 2015. Rights Holder Copyright to this resource is held the <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> External Reference "<a href="http://www.nationalregisterofhistoricplaces.com/FL/Seminole/districts.html" target="_blank">FLORIDA - Seminole County - Historic Districts </a>." National Register of Historic Places. http://www.nationalregisterofhistoricplaces.com/FL/Seminole/districts.html. . A. Harris A. Aulin A. Duda and Sons A. E. Bramble and Son A. H. Malcom Company A. J. Lossing Transfer and Storage A. J. Peterson A. K. Rossetter A. W. Towne Agency Abbott & Cobb ACL Adkins and Adkins Company agriculture Airplane Dusting Service of Zellwood Alex Leinhart American Red Cross American Rug and Linoleum Company Anderson Brothers Andrew Carraway Agency Annie C. Merriweather Annie Laura Bennett Annie May Davis Antioch Missionary Baptist Church Arch Eug. and Construction Company Asa Pendleton Atlantic Coast Line Railroad Company Austin, Inc. B. E. Taylor B. J. Ward B. Jones Bailey Motor Company Baltimore and Ohio Railroad Bank of Zephyrhills Beggs Company Ben G. Wainwright Ben Jones Ben Jones Drug Company Bertha Mason Bethel Methodist Church Bill Crey Bill Slater Bisese & Console Black Hammock Drainage Fund Block B Blunk Furniture Company BO Bob Jones University Borden's Dairy Boy Scouts of American Brainard and Horne Trucking Company Britt Tractor Company Brown and Loe, Inc. Buster Henderson Byron Thompson and Company, Inc. C. D. Beggs C. G. Rakeshaw C. G. Shaffer C. Henderson C. O. Smith C. R. Clonts C. R. Clonts and Associates C. T. Nublack C. T. Walker Radiator Shop C. W. Baker cabbage California Spray and Chew Company Camp Bearwalla Carraway & Smothers Caruso Fruit Distributors celery Celery City Printing Company celery industry Cell-u-Mop Company Central Avenue Central City Bag Company Central Florida Bag Exchange Central Florida Quick Freeze and Storage Company Charles G. Shaffer Charles J. Collins Charles T. Niblack Chase and Company Cherrito Celery Company Chester D. Hiatt Citizens Bank of Oviedo City Ice and Fuel Company Clarence Ashe Clarence Henderson Cleveland Celery Market Clontz Zellwood Farms Commissioner on Claims Community Church Community Produce Company Consumers Lumber and Veneer Company, Inc. Cook's Pharmacy Cook's Prescription Stop Cooperative Inspection Fund Crawford Amoco Service D. Caruise D. R. Ulrey D. Rubey D'Arrigo Brothers Company Demase and Manna Dick Harrow Dorothy Pulmley DOT Duda Tire Sales, Inc. Dunham concrete Company E. G. Kilpatrick, Jr. E. L. Kempf E. P. Collins E. Williams Earl Higgingbotham Earnest Ingram Eastwest Produce Econlockhatchee Hunt Club Elberta Crate and Box Company Eleanor Lotz Elwyn Evans Estes, Ulrey, & Gore Evelyn Williams F. A. Long Farm F. Washington Falkner, Inc. farm Farm and Home Irrigation Supplies Farm and Home Machinery Company, Inc. farmer farming Farnell's Grocery feed Fernald Laughton fertilizer Fields Firestone Store Firestone Stores, Inc. First National Bank First National Bank of Orlando Florida Bank and Trust Company Florida Farmer Corporation Florida Fruit and Vegetable Association Florida Fruit Digest Company Florida Power Corporation Florida State Bank Florida State Bank of Sanford flower Food Machinery Corporation Frank Marshall Fred Diplin Fred Washington freight Frisco G. C. Williams G. J. Rhodes G. M. Arie Garrett-Holmes, Inc. George A. Speer, Jr. George Armistead Smathers George D. Daudes George H. Spohn George Jakobian Georgia Crate and Basket Company Gibbs Corporation Gibbs Machine Company Shop Good Neighbors Magazine Grace C. Hardy Grady Page Grant Chapel African Methodist Episcopal Church Grant Chapel AME Church Great Southern Stores, Inc. grower Growers and Shippers League of Florida growing Gulf Fertilizer Company H. & W. B. Drew Company H. M. Gleason H. P. Newhouse H. P. Newhouse Celery Company H. T. Kitson H. W. Lowell Haley Stewart Electric Company Halloway Concrete Products Harry Becker Harry Beeker and Company Harry P. Leu Hays and Russell, Inc. Hazel W. Nowell Heintzelman Motors, Inc, Helen E. Leinhart Henry A. Russell Seed Company Henry Detriville Hern's Photo Supply Hiatt's Dairy Hill Implement Company Hinky Dinky Stores Howard Gould Howard Young Hubert Lee Gray Hungerford School Hunt Mercury Company Hunt's Garage Hunt's Tuxedo Feed Store Hutchinson Tractor Equipment Company ICRR Illinois Central Railroad Independent Supply Company Industrial Equipment Company insecticide insurance Internal Revenue Service Ira Tossie IRS J. A. Harris J. Baker J. C. Faircloth J. C. Hutchinson J. C. Kassell J. D. Dillon and Sous Stores Company J. D. Driggers J. D. Moore J. E. Clontz J. E. Jackson J. F. Wilson J. Frank Wilson J. Miller J. R. Chappell J. W. Craddock J. William Martin J. Y. Harris Jack C. Kassell Jack C. Kendall Jack F. Wakeman Jack Gore James Apothecary James Craddock James Gilbert Lyerly James H. Gut Agency James Miller Jim Wilson Jimmie Cowan Joe Leinhart Joe Merritt Joe Priest John A. Eick John Deere John L. Galloway John Miceli John Rocher Chappell Jones and McLaughlin Trucking Service Jones Prescription Shop Joseph L. Stecher K. Brown K. C. Baker Karl Daul Karl Schneeder Kay Estes Kennong Bearing Service Kilgore Seed Company Kingman and Hearty, Inc. Kissam Builders Supply Company Kooter Brown Krick Weather Service, Inc. J. H. Daniell Kroger Company L. A. Hardy L. W. Wilkerson labor LaJune Estes Lake Charm Fruit Company Lake Jessup Lakeland Cash Feed Company Lee Brothers Lee Daniels Leight Banana Case Company Leinhart Floral Gardens Leland Chubb, Jr. Lena I. Hunt Levy Grant Lloyd's Furniture Company Loniel E. Metcalf Lonnie Wilkerson Lot 26 Lot 3 Lot 45 Louis Roesch Company lumber M. C. Hagan M. L. Gore M. M. Estes M. P. Mickler Company, Inc. G. M. Arie M. Roth M. Vinson Mallory Mamie Allen Mandell March of Dimes Martin Martin Equipment Company Mary I. Young Mary King Masonic Home Endowment Fund Mathers Mattie McCoy Max Leinhart Medlock Tractor Company Megan Sladek Mercury 6 Merrill Wattles Methodist Church of Oviedo Mill Suppliers, Inv. Millikan Brothers Garage Milton Gore Miracle Concrete Company Mitchell Company Monroe Vinson Montgomery Ward Company Morgan Morgan Tire and Battery Company Mount Zion Baptist Church National Bellas Hess National Marketing Company National Society for Crippled Children Nelson and Company, Inc. New York Life Insurance Company New York, New Haven, and Hartford Railroad Company O. P. Hendon O'Neal Branch Company Orange Belt Truck and Track company Orange Memorial Hospital Orlando Farm Equipment Store Orlando Forge Orlando Office Supply Company Oviedo Oviedo Baseball Club Oviedo Drug Company Oviedo Farm Equipment Store Oviedo Garage Oviedo Lumber and Supply Company Oviedo Lumber Company Oviedo School Oviedo Service Station P. C. McMichen P. C. McMicher P. H. Lansing's Garage P. I. Oviedo Drug Store for Medicine Patrick Fruit Company Paul E. Mary Paul W. Heasley Paymaser Corporation payroll pecan Pennie Olliff Pennsylvania Railroad Company Pentland and Gray Pere Marquette Perkinson-Robison Peter P. Volante Peter P. Volaute Peter S. Schaulan Phillip Zwigg Pioneer Fruit Plywood Industries, Inc. Produce Reporter Company Prudential Insurance Company Public Relations Service R. C. DeGuehery R. H. Johnson R. K. Evans R. L. Ragsdale R. L. Scarick R. L. Slavik R. L. Stephens R. N. Fisk Company R. R. Bass R. R. Stephens R. S. Carlson R. S. Woodruff R. W. Estes R. W. Estes Celery Company Ralph Sirianni Ratliff and Sons Ray Clontz, Jr. Remington-Rend, Inc. Reynolds Produce company Rice, Frew, and Rice Company, Inc. Richard Allen Richard H. Walker, Jr. Roger W. Gidley Rome Lincoln Mercury company Ruby H. Estes Russell R. Jones Rutland's S. E. Parker S. F. Long SAL Salvation Army Samuel P. Mandell San Juan Drug company Sanford Produce Company Sarah Vinson Seaboard Air Line Railroad Sears, Roebuick, and Company Seatt Mill Work Company Seminole County Chamber of Commerce Seminole County Farm Bureau Seminole County Motors Seminole County Tuberculosis Health Association Seminole Truck and Tractor Company Senter Brothers Seventeen Magazine Sherman Concrete Company shipper shipping Smathers for Senate Club Southern Bell Telephone and Telegraph Company Southern Chemicals, Inc. Southern Crate and Veneer Company Southern Pipe and Supply company St. Louis-San Francisco Railway Standard Growers' Association Standard Oil Company Stanley P. Curtis Stephens Brothers Steward Stock Yard District Agency Strickland-Morrison, Inc. Super Concrete, Inc. Swift and Company T. Cobb Texas Company Thad L. Lingo The Lions club The Orlando Morning Star Sentinel The Sanford Herald The Shoe Box Theodore Glassmire Thomas H. Daniell Thomas H. Daniell, Jr. Thomas Lumber and Supply Company Thomas Moon Tilden Tilden Tiling Title Guaranty and Abstract Company of Sanford Town of Oviedo Treasurer of the United States U.S. Collector of Internal Revenue U.S. Department of the Treasury USDOT V. H. Slay W. A. Meek W. A. Teague W. C. Hutchinson W. F. Maulding W. G. Kilby W. J. Chance W. j. Flowers W. J. Lawton W. L. Daniels W. T. Whitehead W. Vincent Roberts wage Walker Fertilizer Company Walton Wall Ward's Garage Ward's Garage and Filing Station warehouse warehousing Wesco Foods Wesley Reddick Wesleyan College Western Union Telegraph Company Wheeler William C. Hutchinson William Enderlsin and Company Willie Cray Willie Daniell Wilson-Horne Winpark Roofing company Womarath Woody's Radio Shop Yoriville Young Harris Supply Company Yowell-Drew Ivey Company Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A History of Central Florida Collection Alternative Title History of Central Florida Collection Subject Podcasts Documentaries Description A History of Central Florida Podcast series explores Central Florida's history through the artifacts found in local area museums and historical societies. Contributor <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Cassanello, Robert Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/70" target="_blank">RICHES Podcast Documentaries Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Altoona, Florida Astor, Florida Brevard County, Florida Bushnell, Florida Clermont, Florida Cocoa Beach, Florida Daytona Beach, Florida DeLand, Florida Disston City, Florida Fort King, Florida Geneva, Florida Goldenrod, Florida Groveland, Florida Holly Hill, Florida Hontoon Island, DeLand, Florida Jacksonville, Florida Kissimmee, Florida Lake Apopka, Florida Lake County, Florida Lake Mary, Florida Marion County, Florida Merritt Island, Florida Miami, Florida Mims, Florida Mount Dora, Florida Newnans Lake, Gainesville, Florida New Smyrna, Florida New Smyrna Beach, Florida Ocala, Florida Ocklawaha River, Florida Orlando, Florida Ormond Beach, Florida Osceola County, Florida Sanford, Florida Silver Springs, Florida St. Augustine, Florida St. Cloud, Florida St. Johns River, Florida St. Petersburg, Florida Tampa, Florida Tavares, Florida Weirsdale, Florida Winter Garden, Florida Winter Park, Florida Ybor City, Tampa, Florida Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference "<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php. Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format 1 podcast Duration 16 minutes and 57 seconds Compression 136kbps Producer Cassanello, Robert Director Velásquez, Daniel Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A History of Central Florida, Episode 50: Vernacular Exhibits Alternative Title Vernacular Exhibits Podcast Subject Podcasts Documentaries Winter Park (Fla.) Orlando (Fla.) Longwood (Fla.) Restaurants--Florida Monuments--Southern States Memorials--Florida Hinduism--United States Lanterns--China Parades--United States Homosexuality--Florida Lesbianism--Southern States Bisexuality--United States Transgender people--United States Parks--Florida Description Episode 50 of A History of Central Florida podcasts: Vernacular Exhibits. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. Episode 50 features a discussion of vernacular exhibits throughout Central Florida, including those at Gateway to India, Chuan Lu Garden, . This podcast also includes interviews with Dr. Tammy S. Gordon of the North Carolina State University, Drs. Deepa Nair, Hong Zhang, and Fon Gordon of the University of Central Florida, and Dr. Katherine McFarland Bruce of Wake Forest University. Type Moving Image Source Original 16-minute and 57-second podcast by Daniel Velásquez and Robert Cassanello, 2015: RICHES Podcast Documentaries, Orlando, Florida. <a href="https://youtu.be/LaEksy9Pb90" target="_blank">https://youtu.be/LaEksy9Pb90</a>. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a> Application software, such as <a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a> Is Part Of <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/137" target="_blank">A History of Central Florida Collection</a>, RICHES Podcast Documentaries Collection, RICHES of Central Florida. Coverage Gateway to India, Longwood, Florida Chuan Lu Garden, Mills 50, Orlando, Florida Flag of South Vietnam, Little Vietnam, Mills 50, Orlando, Florida International Plaza, Lake Eola Park, Downtown Orlando, Florida Creator Velásquez, Daniel Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Contributor Gordon, Tammy S. Nair, Deepa Zhang, Hong Gordon, Fon Bruce, Katherine McFarland Cassanello, Robert Clarke, Bob Ford, Chip Gibson, Ella Hazen, Kendra Kelly, Katie Wong, Shally Stephenson, Chris <a href="http://www.asiatrend.org/" target="_blank">Asia Trend Magazine</a> <a href="http://comeoutwithpride.com/" target="_blank">Orlando Come Out With Pride</a> Hosé, Aaron <a href="https://archive.org/" target="_blank">Internet Archive</a> <a href="http://harrismattei.photos/" target="_blank">Harris Mattei Photography</a> Date Created ca. 2015-06-09 Date Issued 2015-06-09 Date Copyrighted 2015-06-09 Format application/website Extent 219 MB Medium 16-minute and 57-second podcast Language eng Mediator History Teacher Geography Teacher Provenance Originally created by Daniel Velásquez and Robert Cassanello and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Accrual Method Item Creation Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference "<a href="http://www.gatewaytoindiarestaurant.biz/about-us/" target="_blank">About Chef Kapoor</a>." Gateway to Indian Restaurant. http://www.gatewaytoindiarestaurant.biz/about-us/. "<a href="http://www.chuanluyuan.com/" target="_blank">CHUAN LU GARDEN</a>." Chuan Lu Garden. http://www.chuanluyuan.com/. Ketcham, Sandra. "<a href="http://www.visitflorida.com/en-us/articles/2012/august/2305-the-evolving-identity-of-orlandos-little-vietnam.html" target="_blank">The Evolving Identity of Orlando's Little Vietnam</a>." Visit Florida. http://www.visitflorida.com/en-us/articles/2012/august/2305-the-evolving-identity-of-orlandos-little-vietnam.html. Click to View (Movie, Podcast, or Website) <a href="https://youtu.be/LaEksy9Pb90" target="_blank">A History of Central Florida, Episode 50: Vernacular Exhibits</a> A History of Central Florida Aaron Hosé Asia Trend Magazine Bapu bear bisexual Bob Clarke China Chinese Chip Ford Chris Stephenson Chuan Lu Garden City of Orlando colonial Colonial Drive colonialism community curation Cuba Cuban curation curator Daniel Velásquez and Robert A. Cassanello Deepa Nair deity Democratic Republic of Vietnam Di Vang Downtown Orlando DRV Ella Gibson exhibit festival Filipino Florida State Road 434 Fon Gordon Ganapati Ganesha Gateway to India gay gay pride Gay-Straight Alliance god Green Revolution Hindu Hinduism holiday homosexual Hong Zhang icon immigrant immigration independence Indian International Plaza José Julián Martí Pérez José Martí José Protasio Mercado Rizal y Alonzo Realonda José Rizal Katie Kelley Khai Thue and Ditru CDQ Services Kim Nga Travel Kim Thanh Krishna Lake Eola Park lantern Lantern Festival lesbian LGBT Little Vietnam Longwood Mahatma Gandhi memorial Mexican Mexico migrant migration Miguel Gregorio Antonio Ignacio Hidalgo-Costilla y Gallaga Mandarte Villaseñor Miguel Hidalgo y Costilla Mills 50 Mohandas Karamchand Gandhi monument museum NCSU North Carolina State University North Vietnam OCRHC Orange County Regional History Center orlando Orlando City Bear Club Orlando Come Out With Pride Panjab paper lantern parade park Philippines podcast Punjab rainbow religion Republic of Vietnam restaurant Robert Cassanello Shally Wong Sikh Sikhism Simón Bolívar Simón José Antonio de la Santísima Trinidad Bolívar y Palacios Socialist Republic of Vietnam South Vietnam SR 434 Sunset International Realty Tammy S. Gordon transgender UCF University of Central Florida Valencia Community College VCC Veggie Garden Venezuela Venezuelan vernacular exhibit Vietnam Vietnam War Vietnamese Vinayaka Wake Forest University WFU Winter Springs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A History of Central Florida Collection Alternative Title History of Central Florida Collection Subject Podcasts Documentaries Description A History of Central Florida Podcast series explores Central Florida's history through the artifacts found in local area museums and historical societies. Contributor <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Cassanello, Robert Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/70" target="_blank">RICHES Podcast Documentaries Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Altoona, Florida Astor, Florida Brevard County, Florida Bushnell, Florida Clermont, Florida Cocoa Beach, Florida Daytona Beach, Florida DeLand, Florida Disston City, Florida Fort King, Florida Geneva, Florida Goldenrod, Florida Groveland, Florida Holly Hill, Florida Hontoon Island, DeLand, Florida Jacksonville, Florida Kissimmee, Florida Lake Apopka, Florida Lake County, Florida Lake Mary, Florida Marion County, Florida Merritt Island, Florida Miami, Florida Mims, Florida Mount Dora, Florida Newnans Lake, Gainesville, Florida New Smyrna, Florida New Smyrna Beach, Florida Ocala, Florida Ocklawaha River, Florida Orlando, Florida Ormond Beach, Florida Osceola County, Florida Sanford, Florida Silver Springs, Florida St. Augustine, Florida St. Cloud, Florida St. Johns River, Florida St. Petersburg, Florida Tampa, Florida Tavares, Florida Weirsdale, Florida Winter Garden, Florida Winter Park, Florida Ybor City, Tampa, Florida Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference "<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php. Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format 1 podcast Duration 12 minutes and 43 seconds Compression 137kbps Producer Cassanello, Robert A. Director Stapleton, Kevin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A History of Central Florida, Episode 49: La Garita Alternative Title La Garita Podcast Subject Podcasts Documentaries Orlando (Fla.) San Juan (P.R.) Immigrants--Florida Immigration Puerto Ricans--Florida Description Episode 49 of A History of Central Florida podcasts: La Garita. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. Episode 49 features a discussion of La Garita. This podcast also includes interviews with Dr. Gary R. Mormino of the University of South Florida at St. Petersburg, Luis Martínez-Fernández of the University of Central Florida, and Harry Pecunia of the Asociación Borinqueña de la Florida Central. Type Moving Image Source Original 12-minute and 43-second podcast by Kevin Stapleton, 2015: RICHES Podcast Documentaries, Orlando, Florida. <a href="https://youtu.be/EduFzw7pC1E" target="_blank">https://youtu.be/EduFzw7pC1E</a>. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a> Application software, such as <a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a> Is Part Of <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/137" target="_blank">A History of Central Florida Collection</a>, RICHES Podcast Documentaries Collection, RICHES of Central Florida. Coverage Orlando, Florida Asociación Borinqueña de la Florida Central, Orlando, Florida Asociación Borinqueña de la Florida Central, Orlando, Florida Garita del Diablo, San Juan, Puerto Rico Creator Stapleton, Kevin Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Contributor Mormino, Gary R. Martínez-Fernández, Luis Pecunia, Harry Cassanello, Robert Clarke, Bob Gibson, Ella Hazen, Kendra Kelley, Katie Velásquez, Daniel Silver, Patricia Ruiz, Ramon Luis <a href="https://www.thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> Date Created ca. 2015-06-09 Date Issued 2015-06-09 Date Copyrighted 2015-06-09 Format application/website Extent 52.2 MB Medium 12-minute and 43-second podcast Language eng Mediator History Teacher Geography Teacher Provenance Originally created by Kevin Stapleton and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES.</a> Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Accrual Method Item Creation Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference Duany, Jorge, and Félix V. Matos Rodríguez. <a href="http://www.worldcat.org/oclc/66525859" target="_blank">Puerto Ricans in Orlando and Central Florida</a>. New York, N.Y.: Centro de Estudios Puertorriqueños, Hunter College (CUNY), 2006. Click to View (Movie, Podcast, or Website) <a href="https://youtu.be/EduFzw7pC1E" target="_blank">A History of Central Florida, Episode 49: La Garita</a> A History of Central Florida Asociación Borinqueña de la Florida Central Bob Clarke Central Florida Puerto Rican Association Chip Ford colonial colonization colony Daniel Velásquez Devil's Sentry Box Econlockhatchee Trail Ella Gibson exploration Gary R. Mormino Harry Pecunia Hispanic immigrant immigration Kendra Hazen Kevin Stapleton La Gartia Latino Luis Martínez-Fernández migrant New Spain OCRHC Orange County Regional History Center Patricia Silver podcast Public Super Markets Publix Sabor Puerto Rican Puerto Rico Ramon Luis Ruiz Robert Cassanello San Juan, Puerto Rico sentry box Spain Spanish territory UCF University of Central Florida University of South Florida USF Valencia College Lane Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A History of Central Florida Collection Alternative Title History of Central Florida Collection Subject Podcasts Documentaries Description A History of Central Florida Podcast series explores Central Florida's history through the artifacts found in local area museums and historical societies. Contributor <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Cassanello, Robert Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/70" target="_blank">RICHES Podcast Documentaries Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Altoona, Florida Astor, Florida Brevard County, Florida Bushnell, Florida Clermont, Florida Cocoa Beach, Florida Daytona Beach, Florida DeLand, Florida Disston City, Florida Fort King, Florida Geneva, Florida Goldenrod, Florida Groveland, Florida Holly Hill, Florida Hontoon Island, DeLand, Florida Jacksonville, Florida Kissimmee, Florida Lake Apopka, Florida Lake County, Florida Lake Mary, Florida Marion County, Florida Merritt Island, Florida Miami, Florida Mims, Florida Mount Dora, Florida Newnans Lake, Gainesville, Florida New Smyrna, Florida New Smyrna Beach, Florida Ocala, Florida Ocklawaha River, Florida Orlando, Florida Ormond Beach, Florida Osceola County, Florida Sanford, Florida Silver Springs, Florida St. Augustine, Florida St. Cloud, Florida St. Johns River, Florida St. Petersburg, Florida Tampa, Florida Tavares, Florida Weirsdale, Florida Winter Garden, Florida Winter Park, Florida Ybor City, Tampa, Florida Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference "<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php. Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format 1 podcast Duration 16 minutes and 11 seconds Compression 134kbps Producer Cassanello, Robert Director Velásquez, Daniel Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A History of Central Florida, Episode 48: Electronic Communication Alternative Title Electronic Communication Podcast Subject Podcasts Documentaries Communication--United States Post offices Postal service--Florida Telegraph--Florida Telephone--United States Computers--United States Email Description Episode 48 of A History of Central Florida podcasts: Electronic Communication. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. Episode 48 features a discussion of several artifacts of communication technology: a post office box from the Winter Garden Heritage Museum, a telegraph from the New Smyrna Museum of History, a telephone from the Telephone Museum, a computer from the Museum of Seminole County History. This podcast also includes interviews with Nancy Pope of the Smithsonian National Postal Museum and Richard R. John of Columbia University. Type Moving Image Source Original 16-minute and 11-second podcast by Daniel Velásquez, 2015: RICHES Podcast Documentaries, Orlando, Florida. <a href="https://youtu.be/vrrYHVLV7qM" target="_blank">https://youtu.be/vrrYHVLV7qM</a>. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a> Application software, such as <a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a> Is Part Of <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/137" target="_blank">A History of Central Florida Collection</a>, RICHES Podcast Documentaries Collection, RICHES of Central Florida. Coverage Killarney, Florida Winter Garden Heritage Museum, Winter Garden, Florida New Smyrna Museum of History, New Smyrna Beach, Florida Telephone Museum, Maitland Historical Museum, Maitland, Florida Museum of Seminole County History, Sanford, Florida Creator Velásquez, Daniel Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Contributor Pope, Nancy John, Richard R. Cassanello, Robert Clarke, Bob Ford, Chip Gibson, Ella Hazen, Kendra Kelly, Katie <a href="http://www.floridamemory.com/" target="_blank">Florida Memory Project</a> <a href="http://www.loc.gov" target="_blank">Library of Congress</a> <a href="https://archive.org/" target="_blank">Internet Archive</a> Date Created ca. 2015-06-09 Date Issued 2015-06-09 Date Copyrighted 2015-06-09 Format application/website Extent 119 MB Medium 16-minute and 11-second podcast Language eng Mediator History Teacher Civics/Government Teacher Economics Teacher Geography Teacher Provenance Originally created by Daniel Velásquez and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Accrual Method Item Creation Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference United States Postal Service. <a href="http://www.worldcat.org/oclc/30386820" target="_blank">History of the United States Postal Service, 1775-1993. Washington, DC: The Service, 1993.</a> Winston, Brian, and Brian Winston. <a href="http://www.worldcat.org/oclc/51733682" target="_blank">Media Technology and Society A History from the Telegraph to the Internet</a>. London: Routledge, 1998. Click to View (Movie, Podcast, or Website) <a href="https://youtu.be/vrrYHVLV7qM" target="_blank">A History of Central Florida, Episode 48: Electronic Communication</a> A History of Central Florida analog Bob Clarke Bush Boulevard Chip Ford Columbia University communication computer Daniel Velásquez electronic communication electronic mail Ella Gibson email First Class Mail Gemini Electronics, Inc. Internet Katie Kelley Kendra Hazen Killarney letter mail mail on-the-fly Main Street Maitland Maitland Historical Museum Museum of Seminole County History Nancy Pope New Smyrna Beach New Smyrna Museum of history OCRHC Orange County Regional History Center Packwood Avenue podcast post office postmark Prince Albert railroad Richard R. John Robert Cassanello Sams Avenue Sanford Smithsonian National Postal Museum telecommunication telegraph telephone Telephone Museum U.S. Postal Service Western Union Company WGHF Winter Garden Winter Garden Heritage Foundation Winter Garden Heritage Museum Zorba Portable Computer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A History of Central Florida Collection Alternative Title History of Central Florida Collection Subject Podcasts Documentaries Description A History of Central Florida Podcast series explores Central Florida's history through the artifacts found in local area museums and historical societies. Contributor <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Cassanello, Robert Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/70" target="_blank">RICHES Podcast Documentaries Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Altoona, Florida Astor, Florida Brevard County, Florida Bushnell, Florida Clermont, Florida Cocoa Beach, Florida Daytona Beach, Florida DeLand, Florida Disston City, Florida Fort King, Florida Geneva, Florida Goldenrod, Florida Groveland, Florida Holly Hill, Florida Hontoon Island, DeLand, Florida Jacksonville, Florida Kissimmee, Florida Lake Apopka, Florida Lake County, Florida Lake Mary, Florida Marion County, Florida Merritt Island, Florida Miami, Florida Mims, Florida Mount Dora, Florida Newnans Lake, Gainesville, Florida New Smyrna, Florida New Smyrna Beach, Florida Ocala, Florida Ocklawaha River, Florida Orlando, Florida Ormond Beach, Florida Osceola County, Florida Sanford, Florida Silver Springs, Florida St. Augustine, Florida St. Cloud, Florida St. Johns River, Florida St. Petersburg, Florida Tampa, Florida Tavares, Florida Weirsdale, Florida Winter Garden, Florida Winter Park, Florida Ybor City, Tampa, Florida Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference "<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php. Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format 1 podcast Duration 10 minutes and 29 seconds Compression 136kbps Producer Cassanello, Robert Director Kelley, Katie Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A History of Central Florida, Episode 47: John Young's Flight Suit Alternative Title John Young's Flight Suit Podcast Subject Podcasts Documentaries Columbia (Spacecraft) Astronauts--United States National Aeronautics and Space Administration (U.S.) NASA Young, John Watts, 1930- Description Episode 47 of A History of Central Florida podcasts: John Young's Flight Suit. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. Episode 47 features a discussion of the spacesuit worn by astronaut John Watts Young, which is now housed at the Orange County Regional History Center in Downtown Orlando, Florida. This podcast also includes interviews with Dr. Amy Foster of the University of Central Florida and Cathleen Lewis Lewis of the Smithsonian National Air and Space Museum. Type Moving Image Source Original 10-minute and 29-second podcast by Katie Kelley, 2015: RICHES Podcast Documentaries, Orlando, Florida. <a href="https://youtu.be/s3dqTz7MrbI" target="_blank">https://youtu.be/s3dqTz7MrbI</a>. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a> Application software, such as <a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a> Is Part Of <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/137" target="_blank">A History of Central Florida Collection</a>, RICHES Podcast Documentaries Collection, RICHES of Central Florida. Coverage John F. Kennedy Space Center, Merritt Island, Florida Creator Kelley, Katie Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Contributor Foster, Amy Lewis, Cathleen Lewis Cassanello, Robert Ford, Chip Clarke, Bob Gibson, Ella Hazen, Kendra Kelley, Katie Velásquez, Daniel <a href="https://www.thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.floridamemory.com/" target="_blank">Florida Memory Project</a> <a href="https://archive.org/" target="_blank">Internet Archive</a> <a href="http://www.nasa.gov/%20target=">National Aeronautics and Space Administration</a> Date Created ca. 2015-06-09 Date Issued 2015-06-09 Date Copyrighted 2015-06-09 Format application/website Extent 77.1 MB Medium 10-minute and 29-second podcast Language eng Mediator History Teacher Civics/Government Teacher Geography Teacher Provenance Originally created by Katie Kelley and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Accrual Method Item Creation Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference "<a href="http://science.ksc.nasa.gov/shuttle/resources/orbiters/columbia.html" target="_blank">Columbia (OV-102)</a>." John F. Kennedy Space Center, National Aeronautics and Space Administration. http://science.ksc.nasa.gov/shuttle/resources/orbiters/columbia.html. "<a href="http://history.nasa.gov/spacesuits.pdf" target="_blank">Space Suit Evolution: From Custom Tailored To Off-The-Rack</a>." National Aeronautics and Space Administration. http://history.nasa.gov/spacesuits.pdf. Klesius, Michael. "<a href="http://www.airspacemag.com/space/space-suits-past-and-future-29286484/?no-ist=" target="_blank">Space Suits Past and Future: Bill Elkins has been outfitting astronauts since before NASA was born</a>." Air &amp Space Magazine, June 9, 2009. http://www.airspacemag.com/space/space-suits-past-and-future-29286484/?no-ist=. Click to View (Movie, Podcast, or Website) <a href="https://youtu.be/s3dqTz7MrbI" target="_blank">A History of Central Florida, Episode 47: John Young's Flight Suit</a> A History of Central Florida Amy Foster astronaut Bob Clarke Bob Crippen Cathleen Lewis Lewis Central Boulevard Challenger Chip Ford Daniel Velásquez Downtown Orlando Ella Gibson John F. Kennedy Space Center John Watts Young Johnson Space Center JSC Katie Kelley Kendra Hazen Kennedy Space Center KSC launch Lyndon B. Johnson Space Center Merritt Island military Moon NASA National Aeronautics and Space Administration OCRHC Orange County Regional History Center orbiter orlando outer space pilot podcast Robert "Bob" Laurel Crippen Robert Cassanello Smithsonian National Air and Space Museum space space exploration Space Shuttle Space Shuttle Columbia Space Transportation System spacecraft spacesuit STS STS-1 UCF University of Central Florida Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A History of Central Florida Collection Alternative Title History of Central Florida Collection Subject Podcasts Documentaries Description A History of Central Florida Podcast series explores Central Florida's history through the artifacts found in local area museums and historical societies. Contributor <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Cassanello, Robert Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/70" target="_blank">RICHES Podcast Documentaries Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Altoona, Florida Astor, Florida Brevard County, Florida Bushnell, Florida Clermont, Florida Cocoa Beach, Florida Daytona Beach, Florida DeLand, Florida Disston City, Florida Fort King, Florida Geneva, Florida Goldenrod, Florida Groveland, Florida Holly Hill, Florida Hontoon Island, DeLand, Florida Jacksonville, Florida Kissimmee, Florida Lake Apopka, Florida Lake County, Florida Lake Mary, Florida Marion County, Florida Merritt Island, Florida Miami, Florida Mims, Florida Mount Dora, Florida Newnans Lake, Gainesville, Florida New Smyrna, Florida New Smyrna Beach, Florida Ocala, Florida Ocklawaha River, Florida Orlando, Florida Ormond Beach, Florida Osceola County, Florida Sanford, Florida Silver Springs, Florida St. Augustine, Florida St. Cloud, Florida St. Johns River, Florida St. Petersburg, Florida Tampa, Florida Tavares, Florida Weirsdale, Florida Winter Garden, Florida Winter Park, Florida Ybor City, Tampa, Florida Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference "<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php. Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format 1 podcast Duration 12 minutes and 19 seconds Compression 135kbps Producer Cassanello, Robert Director Gibson, Ella Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A History of Central Florida, Episode 46: Mickey's Ears Alternative Title Mickey's Ears Podcast Subject Podcasts Documentaries Walt Disney World (Fla.) Magic Kingdom (Fla.) Lake Buena Vista (Fla.) Orlando (Fla.) Theme parks Amusement parks--Florida Mickey Mouse (Fictitious character) Tourism--Florida Souvenirs (Keepsakes)--United States Description Episode 46 of A History of Central Florida podcasts: Mickey's Ears. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. Episode 46 features a discussion of Mickey's Ears, an iconic souvenir sold at Walt Disney World in Lake Buena Vista, Florida. This podcast also includes interviews with Dr.Tracy J. Revels of Wofford College, Ronald Logan of the University of Central Florida, and Dr. Gary R. Mormino of the University of South Florida at St. Petersburg. Type Moving Image Source Original 12-minute and 19-second podcast by Daniel Velásquez, 2015: RICHES Podcast Documentaries, Orlando, Florida. <a href="https://youtu.be/l0fYaoggB7o" target="_blank">https://youtu.be/l0fYaoggB7o</a>. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a> Application software, such as <a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a> Is Part Of <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/137" target="_blank">A History of Central Florida Collection</a>, RICHES Podcast Documentaries Collection, RICHES of Central Florida. Coverage Magic Kingdom Park, Walt Disney World Resort, Lake Buena Vista, Florida Orlando, Florida Creator Gibson, Ella Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Contributor Cassanello, Robert Revels, Tracy J. Logan, Ronald Mormino, Gary R. Clarke, Bob Ford, Chip Gibson, Ella Hazen, Kendra Kelly, Katie <a href="https://www.thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.floridamemory.com/" target="_blank">Florida Memory Project</a> Date Created ca. 2015-06-09 Date Issued 2015-06-09 Date Copyrighted 2015-06-09 Format application/website Extent 50.5 MB Medium 12-minute and 19-second podcast Language eng Mediator History Teacher Economics Teacher Geography Teacher Provenance Originally created by Daniel Velásquez and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Accrual Method Item Creation Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference "<a href="https://disneyworld.disney.go.com/destinations/magic-kingdom/" target="_blank">Magic Kingdom Park</a>." Walt Disney World. https://disneyworld.disney.go.com/destinations/magic-kingdom/. Watts, Steven. <a href="http://www.worldcat.org/oclc/37331494" target="_blank">The Magic Kingdom: Walt Disney and the American Way of Life</a>. Boston: Houghton Mifflin, 1974. Foglesong, Richard E. <a href="http://www.worldcat.org/oclc/45420221" target="_blank">Married to the Mouse: Walt Disney World and Orlando</a>. New Haven: Yale University Press, 2001. Click to View (Movie, Podcast, or Website) <a href="https://youtu.be/l0fYaoggB7o" target="_blank">A History of Central Florida, Episode 46: Mickey's Ears</a> A History of Central Florida amusement park Bob Clarke Central Boulevard Chip Ford consumerism corporate Daniel Velásquez ear Ella Gibson Florida Cypress Gardens Gary R. Mormino Gatorland hat Jao Carlos Medau Katie Kelley Kendra Hazen Lake Buena Vista Magic Kingdom Park Mickey Mouse Mickey Mouse Club OCRHC Orange County Regional History Center orlando podcast roadside attraction Robert Cassanello Ronald Logan SeaWorld Orlando souvenir theme park tourism tourist Tracy J. Revels UCF Universal Studios Florida University of Central Florida University of South Florida. USF Walt Disney Walt Disney World Walter "Walt" Elias Disney Wofford College https://richesmi.cah.ucf.edu/omeka/files/original/61afbab29e1c782c5c275d00aa526a27.pdf bc3a1254a045c2f94ca80ba04218df8b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A History of Central Florida Collection Alternative Title History of Central Florida Collection Subject Podcasts Documentaries Description A History of Central Florida Podcast series explores Central Florida's history through the artifacts found in local area museums and historical societies. Contributor <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Cassanello, Robert Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/70" target="_blank">RICHES Podcast Documentaries Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Altoona, Florida Astor, Florida Brevard County, Florida Bushnell, Florida Clermont, Florida Cocoa Beach, Florida Daytona Beach, Florida DeLand, Florida Disston City, Florida Fort King, Florida Geneva, Florida Goldenrod, Florida Groveland, Florida Holly Hill, Florida Hontoon Island, DeLand, Florida Jacksonville, Florida Kissimmee, Florida Lake Apopka, Florida Lake County, Florida Lake Mary, Florida Marion County, Florida Merritt Island, Florida Miami, Florida Mims, Florida Mount Dora, Florida Newnans Lake, Gainesville, Florida New Smyrna, Florida New Smyrna Beach, Florida Ocala, Florida Ocklawaha River, Florida Orlando, Florida Ormond Beach, Florida Osceola County, Florida Sanford, Florida Silver Springs, Florida St. Augustine, Florida St. Cloud, Florida St. Johns River, Florida St. Petersburg, Florida Tampa, Florida Tavares, Florida Weirsdale, Florida Winter Garden, Florida Winter Park, Florida Ybor City, Tampa, Florida Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference "<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php. Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format 1 podcast Duration 14 minutes and 16 seconds Compression 135kbps Producer Cassanello, Robert Director Stapleton, Kevin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A History of Central Florida, Episode 42: Jim Crow Signs Alternative Title Jim Crow Signs Podcast Subject Podcasts Documentaries Eatonville (Fla.) African Americans--Florida--Sanford Sanford (Fla.) African Americans--Segregation--Florida Desegregation Description Episode 42 of A History of Central Florida podcasts: Jim Crow Signs. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. Episode 42 features a discussion of racial segregation signs used in the Jim Crow South, which are housed at the Orange County Regional History Center in Orlando, Florida. This podcast also includes interviews with Dr. Stephen Caldwell Wright of Seminole State College and Dr. Julian C. Chambliss of Rollins College. Table Of Contents 0:00:00 Introduction 0:01:52 The Jim Crow South 0:02:35 Origins of racial segregation 0:04:24 Origins of “Jim Crow” 0:05:08 Segregation in practice 0:07:07 African-American communities and business districts 0:09:09 Brown v. the Board of Education of Topeka and desegregation 0:11:12 Desegregating schools 0:11:59 African-American communities post-segregation 0:14:58 Conclusion 0:15:21 Credits Type Moving Image Source Original 15-minute and 48-second podcast by Kevin Stapleton, 2015: RICHES Podcast Documentaries, Orlando, Florida. <a href="http://youtu.be/wvzC9ergWHg" target="_blank">http://youtu.be/wvzC9ergWHg</a>. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a> Application software, such as <a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a> Is Part Of <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/137" target="_blank">A History of Central Florida Collection</a>, RICHES Podcast Documentaries Collection, RICHES. Coverage Orange County Regional History Center, Orlando, Florida Hannibal Square, Winter Park, Florida Goldsboro, Sanford, Florida Eatonville, Orlando, Florida Parramore, Orlando, Florida Derns Elementary School, Orange County, Florida Durrance Elementary School, Orlando, Florida Creator Stapleton, Kevin Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Contributor Stapleton, Kevin Wright, Stephen Caldwell Chambliss, Julian French, Scot Cassanello, Robert Ford, Chip Clarke, Bob Gibson, Ella Hazen, Kendra Kelley, Katie Velásquez, Daniel <a href="https://www.thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.floridamemory.com/" target="_blank">Florida Memory Project</a> <a href="http://www.loc.gov/" target="_blank">Library of Congress</a> Date Created ca. 2015-03-30 Date Issued 2015-03-30 Date Copyrighted 2015-03-30 Format application/website Extent 75.1 MB 160 KB Medium 15-minute and 48-second podcast 9-page digital transcript Language eng Mediator History Teacher Civics/Government Teacher Economics Teacher Geography Teacher Provenance Originally created by Kevin Stapleton and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Accrual Method Item Creation Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Raffel, Sara Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference Winsboro, Irvin D. S. <a href="http://www.worldcat.org/oclc/797855859" target="_blank">Old South, New South, or Down South?: Florida and the Modern Civil Rights Movement</a>. 2009. Colburn, David R., and Jane Landers. <a href="http://www.worldcat.org/oclc/48138716" target="_blank">The African American Heritage of Florida</a>. Gainesville: University Press of Florida, 1995. Borman, Kathryn M., and Sherman Dorn. <a href="http://www.worldcat.org/oclc/137526262" target="_blank">Education Reform in Florida Diversity and Equity in Public Policy</a>. Albany: State University of New York Press, 2007. Click to View (Movie, Podcast, or Website) <a href="http://youtu.be/RjOg09aeokc" target="_blank">A History of Central Florida, Episode 42: Jim Crow Signs</a> Transcript A History of Central Florida Presented By RICHES OF CENTRAL FLORIDA ORANGE COUNTY REGIONAL HISTORY CENTER Smart. Surprising. Fun. A History of Central Florida RICHES OF CENTRAL FLORIDA PODCAST DOCUMENTARIES Stapleton Thank you for downloading this episode of A History of Central Florida podcast. This is the podcast where we explore Central Florida’s history through the artifacts found in local museums and historical societies. This series is brought to you by RICHES, the Regional Initiative to Collect the History, Experiences, and Stories of Central Florida, and the Orange County Regional History Center. ORANGE COUNTY REGIONAL HISTORY CENTER Smart. Surprising. Fun. Stapleton I am Kevin Stapleton, and I will be your host for this episode titled, “Jim Crow Signs.” Episode 42 Jim Crow Signs WHITE ONLY Stapleton As Central Florida grew in the late 19th century, urban centers like Orlando and Sanford, as well as smaller communities in the region, became racially segregated. Segregation was initially and tacitly supported by most white residents, and soon became the official policy supported by the state government, cities, and local communities in Florida and the rest of the South. In this episode, we will examine the artifacts of racial segregation in Orlando. WHITE ENTRANCE CIVIL RIGHTS Stapleton Signs denoting separate places for white and black residents had its origins in the late 19th century, as a way to remind African Americans of their second-class status. COLORED ENTRANCE Stapleton The same governments and legislatures—that only decades later granted citizenship and equal rights to blacks after slavery and the [American] Civil War—now gave sanction to the strict separation of the races. LINCOLN WITH MALICE TOWARD NONE WITH CHARITY FOR ALL. “Equal Rights Before the Law. The “Jim Crow” Street Car THE WAY IT WORKS IN [illegible] Stapleton These signs were colloquially known as “Jim Crow Signs,” which transmitted their social and cultural meaning as spaces or places of inferior status and accommodation. Dr. Stephen Caldwell Wright was born in Sanford, Florida, and came of age during the height of the Civil Rights Movement. He tells us what Jim Crow meant. COLORED Wright Uh, Jim Crow was a system of segregation, essentially. Um, separate, uh, economic, political, social systems within a community and throughout the nation, and, uh, it simply meant, um, supposedly, “separate but equal” after a while, but somehow the “equal” got lost [laughs]. Stapleton Racial segregation came from a series of laws passed at the state and local level at the end of the 19th century. This cumulated with the 1896 U.S. Supreme Court decision Plessy v. Ferguson—that established that separate but equal facilities—was constitutional. Dr. Scot French, from the University of Central Florida, tells us about the philosophy behind these segregation laws. COLORED MEN Orange County Courthouse 1950s Restroom Sign French These signs are really a product of a system of racial control that replaced slavery. In the aftermath of, uh, Reconstruction, there was a lot of conflict, obviously, in the streets and in public places… COLORED ENTRANCE French And, uh, the politics of space became very personalized, and of course, this—this problem gets multiplied in the age of railroads when, uh, strangers are confronting one another in passenger cars, and there’s a real effort to control this population of free people, and to remind them of their place in society, and that place in the eyes of the powers that be, the—the white redeemers of the southern, uh, government and politics—their place was, uh, underneath the white man, that this was a white man’s country. After the Plessy decision, the Supreme Court decision which—well, made the—the—the principle of “separate but equal,” uh, the law of the land, there was en effort to begin to codify all of these practices in law to… COLORED ENTRANCE French Designate certain spaces as for colored and certain spaces as for white… WHITE ENTRANCE CIVIL RIGHTS French and the idea behind this was that it would keep black people and white people from brushing up against each other in ways that would lead to—to conflict. “Equal Rights Before the Law. The “Jim Crow” Street Car Stapleton The word “Jim Crow” originally came from African-American activists in the middle of the 19th century. African Americans used the term to describe the ways in which they were treated differently from whites in public accommodations and services. From then on, the name stuck. JIM CROW. [illegible] Stapleton Jim Crow was a blackface character, performed by white stage actors, during that time which portrayed blacks without human dignity or humanity through racist stereotypes. For African Americans, the system of racial segregation was part of that same dehumanizing legacy. DIRECTORY 1ST FLOOR COUNTY WELFARE DEPT WHITE WAITING ROOM 8 COLORED 6 COUNTY CLINIC 8 DISTRICT WELFARE BOARD INTAKE OFFICE Stapleton Even though according to the law and court decisions, separate was to be equal, it never was. “Separate” was only a way to reinforce difference. Dr. Wright tells us how he experienced segregation growing up in Central Florida. Wright Usually, there was a black section, um, if I remember correctly, uh, usually a smaller area, and usually more crowded than the larger so-called “white section,” and the black sections, uh—what were then called the “colored sections,” were not nearly as well-kept, and—and—and—and the like. That would be true in terms of the bathrooms, as well. For instance, I remember… COLORED Wright Um, in many instances, um, men and women shared the same bathroom, while in the other section, you’d have women and then men, uh, facilities. Uh, taking the bus was, um, notable, because it was understood that when you got on the bus you went to the back, and that was understood. There were no signs. The signs were the faces. The driver would, you know—knew that you were going to go to the back, and would give you a funny look if you sat too close up front, and that kind of thing. Not all of them, but some of them would. If you went downtown, and you were standing at the counter, then you knew that everybody else was going to be waited on, served before you. So you could be standing there, but if a person who was white walked up, then they would reach around you and just continually serve all of them, until they had gone. Then, they would serve you. Stapleton Although racial segregation translated to second-class citizenship for African Americans, it did not mean that residents of Central Florida stood idly by. 7UP BOO-BOO’S BAR TOWN& COUNTRY Stone’s[?] Stapleton African Americans founded their own businesses, churches, civic associations, and even towns. Local communities usually had a segregated downtown district, where African American businesses and residents lived. In Sanford, there was Georgetown; in Winter Park, there was Hannibal Square; and Parramore, on the west side of Downtown Orlando. African Americans even established entire incorporated towns, which elected black officials, such as Goldsboro, west of Sanford, and Eatonville, north of Orlando. Goldsboro eventually was absorbed into the City of Sanford in 1911, but Eatonville is one of the few black municipalities founded during this period that still exists. Dr. Julian [C.] Chambliss, from Rollins College, tells us about these black business districts that emerged out of racially segregated cities. THIS HOME IS FINANCED BY Washington Shores Federal Savings And Loan Association 715 GOLDWYN AVE. 293-7320 • ORLANDO Chambliss Well, segregation’s sort of unplanned, perhaps on some level, uh, benefit for an African-American community is to coalesce, uh, the [inaudible] community within the boundaries established by white society. As a result, what you see is a whole infrastructure created around servicing the black community—servicing—so black professionals, doctors, lawyers, teachers, um, black businesses that are serving black residents. All those are situated around the core of the black community. So if you look at a place like, for instance, Hannibal Square in Winter Park, Florida… [illegible] HOTEL [illegible] Chambliss You have everything that African Americans could possibly need within the confines of their segregated community, and this, of course, bolsters the economic standing of those, uh, business owners and those professionals. They are, in fact, servicing a captured audience, but that doesn’t mean that they’re not doing good service to the community. Stapleton By the 1950s, many public places did not admit blacks at all, and separate entrances and facilities were common in courthouses and other public buildings for access by African Americans. Another Supreme Court decision in 1954, Brown v. the Board of Education [of Topeka], finally overturned the Plessy decision, and the Federal Government finally declared that “separate” was not only unequal, but also unconstitutional. Tallahassee Democrat Court Bans Segregation In Public School Cases Court Ruling Is Unanimous Cases Directly Involve Only Five States But 17 Others May Be Affected [illegible] Paroled Man’s Captures Ends Reign of Terror [illegible] Retrieved As Mayor [illegible] [illegible] Court Questions Suit Challenging Second Primary [illegible] Secrecy Clamp Put On Talks McCarthy Calls Order “Cover Up” [illegible] French Cancel Air Evacuation In Indochina All Out Attack Will Be Resumed On Rebel Troops [illegible] Frank Costello Gets Five Year Prison Term [illegible] New US Bomber Test Seen Near [illegible] Sober, Careful Thought Urged By Tom Bailey [illegible] Stapleton Although by the 1950s, many Americans were recognizing that racial segregation was wrong, it was a long process for state and local communities to dismantle Jim Crow’s segregation. Dr. French explains. French It was really not any secret. Everybody knew this. In many ways… COLORED ENTRANCE French The—that the—these signs were a part of a fiction of “separate but equal,” but for African Americans, of course, it was never equal. And, in fact, this was the basis for the great challenges to, uh… WHITE ENTRANCE CIVIL RIGHTS French Segregated society. the great legal challenges was the “equal” was not equal under this system, and, uh, you began to see in the 20th century a chipping away at this edifice of—of Jim Crow law… Segregation IS UnAmerican[sic] French Based on the fact that the facilities provided to African Americans were profoundly unequal or absent altogether. After Brown v. Board of Education, many civil rights advocates—activists white and black—decided to test the law, to—to take the idea that public spaces should be open, uh, as there were increasingly being made open. The courts began to open up public spaces, particularly in places like interstate travel, and so the waiting rooms at bus stations or railroad stations became desegregated, technically. However, in practice, states and localities continued to enforce segregation. They left those signs on the walls, and they continued to insist that persons of color sit in different waiting rooms—in waiting rooms designated for them. Stapleton In Central Florida, racially segregated schools were the norm until the 1960s, when Durrance Elementary was integrated under pressure from the Federal Government. And soon, other Orange County schools agreed to desegregate. [illegible] Stapleton Because of demonstrations by civil rights activists, community leaders, and students, local officials closed some public facilities, rather than allow them to be racially integrated. This public activism and protest against Jim Crow segregation… FT. LAUDERDALE NAACP YOUTH COUNCIL FT. LAUDERDALE BRANCH NAACP NAACP FORT LAUDERDALE NAACP KEY WEST BRANCH PASS THE CIVIL RIGHTS BILL! NAACP MIAMI BRANCH Stapleton Was similar to events throughout the state and the rest of the South. It was through this activism, and because of the passing… THE Civil Rights Act of 1964 Stapleton Of the 1964 Civil Rights Act by the U.S. Congress that outlawed these forms of racial segregation and relegated the Jim Crow signs to the dust bin of history. Although the system of Jim Crow disappeared, its absence, while welcomed by all segments of society, left a vacuum in the once-thriving black downtowns, as Dr. Chambliss explains. CAMPUS THEATER Chambliss In order to make sure African Americans had full sorta status as—as Americans, um, they had to break down the segregation system. As a consequence, the restrictions in terms of movement, and space, and regulations associated with zoning housing, uh, gave way, and with that, African Americans had the choice of where they wanted to live and how they wanted to live. This had a direct negative impact—impact on the strong cohesion that was created by that outward force constraining African Americans into their, uh, communities. So you see a spread—a spreading out, but you also, I think, see a kind of breaking down. The strong cohesion created by the outside force threatening the black community goes away. African Americans are able—‘cause, especially middle-class and upper-class African Americans, are able to move to places that are better, and this leaves the working-class African Americans… 7UP BOO-BOO’S BAR TOWN& COUNTRY Stone’s[?] Chambliss Um, in that former space, but without the sort of economic and social connections that they had during segregation. Stapleton As Dr. Chambliss mentioned, the legacy of Jim Crow is bittersweet. It is a legacy that residents of these communities confront today. Dr. Wright recalls for us his struggle with this legacy, and the conversation he had with his mentor and friend, the late Gwendolyn [Elizabeth] Brooks, the famous African-American poet. Wright It’s interesting that, um, when I think of, um, integration, uh, and the whole business of… CARVER DOUBLE FEATURE ROBERT TAYLOR THE BRIBE LOUIS JORDAN BEWARE [illegible] NEWS WORZ • ARM CLUB• KIDDIE SHOW Free STAGE SHOW Here • AUCTION • PRIZES • FUN • Wright Uh, segregation supposedly going away, one of the—one of the great losses is, in fact, the—the black community—the black business community. Um, members of the black community are—are now affiliated with, uh, non-black institutions, and—and that’s the way it is. Reminds me of what Gwendolyn Brooks said to me when I said to her one day, “All of the black principals have moved out of the community,” and she said, “Oh.” Looked at me and she said, “I’m glad you stayed. I’m glad you stayed. They need to see you.” [illegible] Wright “The children need to see you,” and that’s I think the great loss with—with the, um—with that. But when, um, integration advanced, as far as I’m concerned, uh… COLORED ENTRANCE Wright The black community suffered irreparably. It will never recover. Uh… Stapleton We hope that you have enjoyed this episode of A History of Central Florida podcast. For more information on the objects featured in this episode… Orange County Regional History Center 65 E Central Blvd. Orlando, FL 32801 Stapleton Please visit the Orange County Regional History Center at 65 East Central Boulevard, Orlando, Florida, 32801. Episode 43 Surf Boards Stapleton Make sure to join us for our next episode entitled “Surf Boards.” Executive Producer Robert Cassanello Episode Producer Kevin Stapleton Written by Kevin Stapleton Directed by Kevin Stapleton Edited by Chip Ford Photos Bob Clarke Photos & Images Florida Memory Project Photos & Images Library of Congress Voices Kevin Stapleton Voices Dr. Julian Chambliss Voices Dr. Scot French Voices Dr. Stephen Caldwell Wright Production Staff Bob Clarke Production Staff Chip Ford Production Staff Ella Gibson Production Staff Kendra Hazen Production Staff Katie Kelley Production Staff Daniel Velásquez 15th Amendment 7-Up A History of Central Florida activism African American Amendment XV American Civil War Bailey, Tom bomber Boo-Boo's Bar Brooks, Gwendolyn Brooks, Gwendolyn Elizabeth Brown v. the Board of Education of Topeka bus business Campus Theater Carver Theater Castiglia, Francesco Central Boulevard Chambliss, Julian C. City of Sanford civil rights Civil Rights Act of 1964 Civil Rights Movement Civil War Clarke, Bob class clinic colored section Constitution constitutionality Costello, Frank "The Prime Minister county government Crow, Jim desegregation Downtown Orlando Durrance Elementary School Eatonville economic class economics education equal rights equality Fifteenth Amendment Ford, Chip Fort Lauderdale France French French Republic French, Scot gang Georgetown Gibson, Ella Goldsboro Goldwyn Avenue government Hannibal Square Hazen, Kendra imprisonment incarceration Indochina integration jail Jim Crow Jordan, Louis Jordan, Lucius Kelley, Katie Key West law Lincoln, Abraham local business local government Mainland Southeast Asia mayor McCarthy Miami middle class minstrel minstrelsy mob movie theater NAACP National Association for the Advancement of Colored People OCRHC orange county Orange County Courthouse Orange County Public Schools Orange County Regional History Center organized crime orlando parole Parramore Plessy v. Ferguson podcast primary election Prime Minister of the Underworld prison public education public school race relations racism racist railroad Reconstruction RICHES Robert Cassanello Rollins College Sanford school segregation Seminole State College separate but equal sign slavery social class SSC Stapleton, Kevin state government State of Florida stereotype Stone's street car Supreme Court Taylor, Robert The Bribe The Prime Minister The Tallahassee Democrat theater Town & Country U.S. Constitution U.S. Supreme Court UCF unconstitutional University of Central Florida upper class Velásquez, Daniel war Washington Shores Federal Savings and Loan Association welfare welfare board welfare department Winter Park working class Wright, Stephen Caldwell Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A History of Central Florida Collection Alternative Title History of Central Florida Collection Subject Podcasts Documentaries Description A History of Central Florida Podcast series explores Central Florida's history through the artifacts found in local area museums and historical societies. Contributor <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Cassanello, Robert Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/70" target="_blank">RICHES Podcast Documentaries Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Altoona, Florida Astor, Florida Brevard County, Florida Bushnell, Florida Clermont, Florida Cocoa Beach, Florida Daytona Beach, Florida DeLand, Florida Disston City, Florida Fort King, Florida Geneva, Florida Goldenrod, Florida Groveland, Florida Holly Hill, Florida Hontoon Island, DeLand, Florida Jacksonville, Florida Kissimmee, Florida Lake Apopka, Florida Lake County, Florida Lake Mary, Florida Marion County, Florida Merritt Island, Florida Miami, Florida Mims, Florida Mount Dora, Florida Newnans Lake, Gainesville, Florida New Smyrna, Florida New Smyrna Beach, Florida Ocala, Florida Ocklawaha River, Florida Orlando, Florida Ormond Beach, Florida Osceola County, Florida Sanford, Florida Silver Springs, Florida St. Augustine, Florida St. Cloud, Florida St. Johns River, Florida St. Petersburg, Florida Tampa, Florida Tavares, Florida Weirsdale, Florida Winter Garden, Florida Winter Park, Florida Ybor City, Tampa, Florida Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference "<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php. Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format 1 podcast Duration 14 minutes and 16 seconds Compression 134kbps Producer Cassanello, Robert Director Gibson, Ella Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A History of Central Florida, Episode 41: Recorded Music Alternative Title Recorded Music Podcast Subject Podcasts Documentaries Music--Florida Gramophone Phonograph--United States Jukeboxes--United States Recorded music industry Music industry Description Episode 41 of A History of Central Florida podcasts: Recorded Music. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. Episode 41 features a discussion of recorded music, included an Edison Cylinder Gramophone displayed at the Clermont Historic Village in Clermont, a Brunswick Phonograph at the Lake County Historical Museum in Tavares, and a Rock-Ola juke box featured at the Groveland Historic Museum in Groveland, Florida. This podcast also includes interviews with Drs. Scott Warfield and Warren Waren of the University of Central Florida. Type Moving Image Source Original 14-minute and 16-second podcast by Ella Gibson and Robert Cassanello, 2015: RICHES Podcast Documentaries, Orlando, Florida. <a href="http://youtu.be/E5H3HK8vyy8" target="_blank">http://youtu.be/E5H3HK8vyy8</a>. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a> Application software, such as <a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a> Is Part Of <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/137" target="_blank">A History of Central Florida Collection</a>, RICHES Podcast Documentaries Collection, RICHES of Central Florida. Coverage Clermont Historic Village, Clermont, Florida Groveland Historical Museum, Groveland, Florida Lake County Historical Museum, Tavares, Florida Creator Gibson, Ella Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES </a> Contributor Cassanello, Robert Clarke, Bob Ford, Chip Hazen, Kendra Kelly, Katie Velásquez, Daniel <a href="http://www.s-lchs.org/" target="_blank">Clermont Historic Village</a> <a href="https://archive.org/" target="_blank">Archive.org</a> <a href="http://www.floridamemory.com/" target="_blank">Florida Memory Project</a> <a href="http://www.lakecountyfl.gov/historical_museum/" target="_blank">Lake County Historical Museum</a> <a href="http://www.loc.gov/" target="_blank">Library of Congress</a> <a href="https://www.youtube.com/user/MusicBoxBoy/" target="_blank">MusicBoxBoy</a> <a href="https://www.thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://commons.wikimedia.org/wiki/User:Tokyoship" target="_blank">Tokyoship</a> Date Created ca. 2015-03-30 Date Issued 2015-03-30 Date Copyrighted 2015-03-30 Format application/website Extent 91.5 MB Medium 14-minute and 16-second podcast Language eng Mediator History Teacher Geography Teacher Humanities Teacher Music Teacher Provenance Originally created by Ella Gibson and Robert Cassanello and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Accrual Method Item Creation Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference Chanan, Michael. <a href="http://www.worldcat.org/oclc/32940990" target="_blank">Repeated Takes: A Short History of Recording and Its Effects on Music</a>. London: Verso, 1995. Eisenberg, Evan. <a href="http://www.worldcat.org/oclc/60371025" target="_blank">The Recording Angel: Music, Records and Culture from Aristotle to Zappa</a>. New Haven: Yale University Press, 2005. Morton, David. <a href="http://www.worldcat.org/oclc/54972798" target="_blank">Sound Recording: The Life Story of a Technology</a>. Westport, CT: Greenwood Press, 2004. Click to View (Movie, Podcast, or Website) <a href="http://youtu.be/E5H3HK8vyy8" target="_blank">A History of Central Florida, Episode 41: Recorded Music</a> A History of Central Florida banjo Berliner, Emil Berliner, Emile Blake, George E. Brunswick Corporation Brunswick Phonograph Brunswick-Balke-Collender Company Clarke, Bob Clermont Clermont Historic Village Dans la Gypsy drum Edison Cylinder Gramophone Edison, Thomas Alva Elssler, Fanny Ford, Chip G. E. Blake Gibson, Ella gramophone Groveland Groveland Women's Club Hazen, Kendra invention inventor Johnson, Elridge Reeves jukebox Kelley, Katie Lake Avenue Lake County Lake County Historical Museum live music Main Street Mozart, Johannes Chrysostomus Wolfgangus Theophilus Mozart, Wolfgang Amadeus music music player National Phonograph-Records Recruiting Corps Now for Some Music OCRHC Orange County Regional History Center phonograph piano podcast radio record disc recorded music RICHES Robert Cassanello Rock-Ola juke box Rudolph Wurlitzer Company Seeburg Corporation Seeburg jukebox sheet music sheet music industry Sony Corporation Sony Walkman Sousa, John Philip Super Rocket Rock-Ola TAMU tape recorder Tavares Texas A&M University Texas Agricultural and Mechanical University transistor radio UCF University of Central Florida Velásquez, Daniel Victor Talking Machine Company violin Walkman Waren, Warren Warfield, Scott West Avenue Wurlitzer Wurlitzer jukebox Zimmermann, Marc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A History of Central Florida Collection Alternative Title History of Central Florida Collection Subject Podcasts Documentaries Description A History of Central Florida Podcast series explores Central Florida's history through the artifacts found in local area museums and historical societies. Contributor <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Cassanello, Robert Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/70" target="_blank">RICHES Podcast Documentaries Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Altoona, Florida Astor, Florida Brevard County, Florida Bushnell, Florida Clermont, Florida Cocoa Beach, Florida Daytona Beach, Florida DeLand, Florida Disston City, Florida Fort King, Florida Geneva, Florida Goldenrod, Florida Groveland, Florida Holly Hill, Florida Hontoon Island, DeLand, Florida Jacksonville, Florida Kissimmee, Florida Lake Apopka, Florida Lake County, Florida Lake Mary, Florida Marion County, Florida Merritt Island, Florida Miami, Florida Mims, Florida Mount Dora, Florida Newnans Lake, Gainesville, Florida New Smyrna, Florida New Smyrna Beach, Florida Ocala, Florida Ocklawaha River, Florida Orlando, Florida Ormond Beach, Florida Osceola County, Florida Sanford, Florida Silver Springs, Florida St. Augustine, Florida St. Cloud, Florida St. Johns River, Florida St. Petersburg, Florida Tampa, Florida Tavares, Florida Weirsdale, Florida Winter Garden, Florida Winter Park, Florida Ybor City, Tampa, Florida Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference "<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php. Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format 1 podcast Duration 13 minutes and 36 seconds Compression 137kbps Producer Cassanello, Robert Director Kelley, Katie Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A History of Central Florida, Episode 40: Icons of Hate Alternative Title Icons of Hate Podcast Subject Podcasts Documentaries Ku Klux Klan (1915- )--Florida--History Moore, Harry T., -1951 Racism--Florida--History Civil rights--Florida Civil Rights Movement Civil rights movements--Florida Mims (Fla.) Description Episode 40 of A History of Central Florida Podcast: Icons of Hate. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. Episode 40 features a discussion of the Ku Klux Klan in Florida and their involvement in the murder of the African-American civil rights activist Harry Tyson Moore and his wife, Harriette Vyda Simms Moore. This podcast also includes interviews with Michael Newton, author of The Invisible Empire: The Ku Klux Klan in Florida, and Ben Green, the author of Before His Time: The Untold Story of Harry T. Moore, America's First Civil Rights Martyr. Type Sound/Podcast Source Original 13-minute and 36-second podcast by Katie Kelley, 2013: RICHES Podcast Documentaries, Orlando, Florida. <a href="http://youtu.be/v9NsFcxNZW8" target="_blank">http://youtu.be/v9NsFcxNZW8</a>. Requires <a href="http://www.apple.com/itunes/affiliates/download/" target="_blank">iTunes</a> Is Part Of <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/137" target="_blank">A History of Central Florida Collection</a>, RICHES Podcast Documentaries Collection, RICHES of Central Florida. Coverage Orange County Regional History Center, Orlando, Florida Harry & Harriette Moore Memorial Park, Mims, Florida Creator Kelley, Katie Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Contributor Newton, Michael Green, Ben Cassanello, Robert Dickens, Bethany Clarke, Bob Ford, Chip Gibson, Ella Hazen, Kendra Velásquez, Daniel <a href="https://www.thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.harryharriettemoore.org/%20target=">Harry & Harriette Moore Memorial Park</a> <a href="http://www.floridamemory.com/" target="_blank">Florida Memory Project</a> <a href="http://www.loc.gov/" target="_blank">Library of Congress</a> Date Created 2013 Date Issued 2015-01-11 Date Copyrighted 2015-01-11 Format application/website Medium 13-minute and 36-second podcast Language eng Mediator History Teacher Civics/Government Teacher Geography Teacher Provenance Originally created by Katie Kelley and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Accrual Method Item Creation Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference "<a href="http://youtu.be/v9NsFcxNZW8" target="_blank">A History of Central Florida, Episode 40: Icons of Hate</a>." RICHES of Central Florida. "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2488" target="_blank">RICHES Podcast Documentaries, Episode 35: Harry T. Moore, Part 1</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2488. "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2489" target="_blank">RICHES Podcast Documentaries, Episode 36: Harry T. Moore, Part 2</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2489. "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2463" target="_blank">RICHES Podcast Documentaries, Episode 11: Harry T. Moore: An Interview with Dr. Jim Clark</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2463. Newton, Michael. <a href="http://www.worldcat.org/oclc/47136480" target="_blank">The Invisible Empire: The Ku Klux Klan in Florida</a>. Gainesville: University Press of Florida, 2001. Green, Ben. <a href="http://www.worldcat.org/oclc/40403600" target="_blank">Before His Time: The Untold Story of Harry T. Moore, America's First Civil Rights Martyr</a>. New York, NY: Free Press, 1999. Click to View (Movie, Podcast, or Website) <a href="http://youtu.be/v9NsFcxNZW8" target="_blank">A History of Central Florida, Episode 40: Icons of Hate</a> 1st Avenue A History of Central Florida African American assassination Before His Time: The Untold Story of Harry T. Moore, America's First Civil Rights Martyr bomb Central Boulevard Chamberlain, J. N. Christmas civil rights civil rights activist Civil Rights Movement Civil War Clarke, Bob Confederacy Confederate Flag Confederate States of American Confederate veteran Democrat Democratic Party desegregation Dixon, Thomas Evers, Medgar Wiley First Avenue Flagler Street Ford, Chip fraternal organization Freedom Avenue Gibson, Ella Greater Miami Estates Green, Ben Griffith, D. W. Harry and Harriette Moore Memorial Park Harry T. and Harriette V. Moore Cultural Complex hate group Hazen, Kendra Hialeah Riding Academy Hughes, Langston Imperial Wizard integration Kelley, Katie Kendall Road King, Martin Luther, Jr. KKK Klan Circus Klan robe Krome Avenue Ku Klux Klan Ku Klux Klan of Florida, Inc. Meacher Brothers Miami Mims Moore, Harriette V. Moore, Harry T. murder NAACP National Association for the Advancement of Colored People Newton, Michael OCRHC orange county Orange County Regional History Center orlando parade podcast poem political rally race relations racism Reconstruction RICHES Robert Cassanello segregation Simmons, William Joseph slave slavery South Southern Democrat Spingarn Medal St. Johns Manor terrorism terrorist The Ballad of Harry Moore The Birth of a Nation The Invisible Empire: The Ku Klux Klan in Florida Velásquez, Daniel veteran Vigilante vigilantism White Knights of the Ku Klux Klan White League white power World War I WWI Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A History of Central Florida Collection Alternative Title History of Central Florida Collection Subject Podcasts Documentaries Description A History of Central Florida Podcast series explores Central Florida's history through the artifacts found in local area museums and historical societies. Contributor <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Cassanello, Robert Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/70" target="_blank">RICHES Podcast Documentaries Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Altoona, Florida Astor, Florida Brevard County, Florida Bushnell, Florida Clermont, Florida Cocoa Beach, Florida Daytona Beach, Florida DeLand, Florida Disston City, Florida Fort King, Florida Geneva, Florida Goldenrod, Florida Groveland, Florida Holly Hill, Florida Hontoon Island, DeLand, Florida Jacksonville, Florida Kissimmee, Florida Lake Apopka, Florida Lake County, Florida Lake Mary, Florida Marion County, Florida Merritt Island, Florida Miami, Florida Mims, Florida Mount Dora, Florida Newnans Lake, Gainesville, Florida New Smyrna, Florida New Smyrna Beach, Florida Ocala, Florida Ocklawaha River, Florida Orlando, Florida Ormond Beach, Florida Osceola County, Florida Sanford, Florida Silver Springs, Florida St. Augustine, Florida St. Cloud, Florida St. Johns River, Florida St. Petersburg, Florida Tampa, Florida Tavares, Florida Weirsdale, Florida Winter Garden, Florida Winter Park, Florida Ybor City, Tampa, Florida Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference "<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php. Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format 1 podcast Duration 11 minutes and 36 seconds Compression 136kbps Producer Cassanello, Robert Director Clarke, Bob Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A History of Central Florida, Episode 39: Wartime Civil Defense Alternative Title Wartime Civil Defense Podcast Subject Podcasts Documentaries World War II, 1939-1945 Civil defense--Florida Description Episode 39 of A History of Central Florida Podcast: Wartime Civil Defense. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. Episode 39 features a discussion of World War II-era civil defense training materials located at the Museum of Geneva History in Geneva. This podcast also includes interview with Dr. Mark Howard Long of the University of Central Florida, Central Florida local George "Speedy" Harrell, Mary Jo Martin of the Museum of Geneva History, and Dr. Gary Ross Mormino of the University of South Florida. Type Moving Image Source Original 11-minute and 36-second podcast by Bob Clarke, 2013: RICHES Podcast Documentaries, Orlando, Florida. <a href="http://youtu.be/SlTpnIlLeA4" target="_blank">http://youtu.be/SlTpnIlLeA4</a>. Requires <a href="http://www.apple.com/itunes/affiliates/download/" target="_blank">iTunes</a> Is Part Of <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/137" target="_blank">A History of Central Florida Collection</a>, RICHES Podcast Documentaries Collection, RICHES of Central Florida. Coverage Museum of Geneva History, Geneva, Florida Creator Clarke, Bob Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Contributor Long, Mark Howard Harrell, George "Speedy" Martin, Mary Jo Mormino, Gary Ross Cassanello, Robert Gibson, Ella Hazen, Kendra Kelley, Katie Velásquez, Daniel <a href="http://www.usgennet.org/usa/fl/county/seminole/Geneva/museum.htm" target="_blank"> Museum of Geneva History</a> <a href="http://www.floridamemory.com/" target="_blank">Florida Memory Project</a> <a href="http://www.loc.gov/" target="_blank">Library of Congress</a> Date Created 2013 Date Issued 2015-01-11 Date Copyrighted 2015-01-11 Format application/website Medium 11-minute and 36-second podcast Language eng Mediator History Teacher Civics/Government Teacher Provenance Originally created by Bob Clarke and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES </a> Accrual Method Item Creation Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference "<a href="http://youtu.be/SlTpnIlLeA4" target="_blank">A History of Central Florida, Episode 39: Wartime Civil Defense</a>." RICHES of Central Florida. Abrahamson, James L. <a href="http://www.worldcat.org/oclc/10049744" target="_blank">The American Home Front: Revolutionary War, Civil War, World War I, World War II</a>. Fort Lesley J. McNair, Washington, DC: National Defense University Press, 1983. Click to View (Movie, Podcast, or Website) <a href="http://youtu.be/SlTpnIlLeA4" target="_blank">A History of Central Florida, Episode 39: Wartime Civil Defense</a> 1st Street 3rd Inceptor Command A History of Central Florida air raid warning siren aircraft Aircraft Warning Service airplane Aldeman, Helen American Legion, Inc. AP Associated Press Attack of Pearl Harbor AWS Benevolent and Protective Order of Elks Blanding, Albert H. BPOE Cees, Jay Civic Exhibition Center civil defense civilian civilian volunteer Civitan Club Clarke, Bob club Coates, Hope cold war College Club Elks Lodge Empire State Building Fenton, B. J. First Street Ford, Chip Fort Kent, Maine Fortune Magazine Frank, Walter Geneva German Germany Gibson, Ella Hannon, Barbara Harrell, George "Speedy" Hazen, Kendra homefront Japan Japanese Johnnie Walker Whisky Kelley, Katie Key West Kiwanis Club La Paz labor Lions Club Long, Mark Howard Martin, Mary Jo Messerschmitt Me 262 Meyers, Betty Mormino, Gary Ross Morrison Field Army Air Base Museum of Geneva History Nazi Nazi German New York City, New York Norton Gallery and School of Art observation station OCRHC Orange County Regional History Center Palm Beach Palm Beach Art League Pearl Harbor, Hawaii Pioneer Hall podcast RICHES Robb, Inex Robert Cassanello Rotary Club Soviet Soviet Union spotter spotters' neck State Defense Council of Florida Strain, Ralph Stumpf submarine Tallahassee Tampa The Palm Beach Post Third Inceptor Command Thomas, Tommy training training disc Tylander, Ray U-boat U.S. Air Corps U.S. Army U.S. Army Ground Observer Corps UCF University of Central Florida USAAC Velásquez, Daniel Walker, Johnnie war effort warship Witek, J. R. women World War II WWII Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A History of Central Florida Collection Alternative Title History of Central Florida Collection Subject Podcasts Documentaries Description A History of Central Florida Podcast series explores Central Florida's history through the artifacts found in local area museums and historical societies. Contributor <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Cassanello, Robert Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/70" target="_blank">RICHES Podcast Documentaries Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Altoona, Florida Astor, Florida Brevard County, Florida Bushnell, Florida Clermont, Florida Cocoa Beach, Florida Daytona Beach, Florida DeLand, Florida Disston City, Florida Fort King, Florida Geneva, Florida Goldenrod, Florida Groveland, Florida Holly Hill, Florida Hontoon Island, DeLand, Florida Jacksonville, Florida Kissimmee, Florida Lake Apopka, Florida Lake County, Florida Lake Mary, Florida Marion County, Florida Merritt Island, Florida Miami, Florida Mims, Florida Mount Dora, Florida Newnans Lake, Gainesville, Florida New Smyrna, Florida New Smyrna Beach, Florida Ocala, Florida Ocklawaha River, Florida Orlando, Florida Ormond Beach, Florida Osceola County, Florida Sanford, Florida Silver Springs, Florida St. Augustine, Florida St. Cloud, Florida St. Johns River, Florida St. Petersburg, Florida Tampa, Florida Tavares, Florida Weirsdale, Florida Winter Garden, Florida Winter Park, Florida Ybor City, Tampa, Florida Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference "<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php. Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format 1 podcast Duration 14 minutes and 19 seconds Compression 135kbps Producer Cassanello, Robert Director Velásquez, Daniel Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A History of Central Florida, Episode 38: Citrus Industry Alternative Title Citrus Industry Podcast Subject Podcasts Documentaries Citrus--Florida Citrus fruit industry--Florida Orange industry--Florida Oranges--Florida Vero Beach (Fla.) Winter Garden (Fla.) Orlando (Fla.) Description Episode 38 of A History of Central Florida Podcast: Citrus Industry. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. Episode 38 features Florida's citrus industry and related artifacts at the Indian River Citrus Museum in Vero Beach and the Winter Garden Heritage Museum in Winter Garden. This podcast also includes interviews with Mark Howard Long of the University of Central Florida, local citrus grower George "Speedy" Harrell, Jim Crescitelli of the Winter Garden Heritage Foundation, and Dr. Gary Ross Mormino of the University of South Florida. Type Moving Image Source Original 14-minute and 19-second podcast by Daniel Velásquez, 2013: RICHES Podcast Documentaries, Orlando, Florida. <a href="http://youtu.be/VJEJ_Tz4ZO0" target="_blank">http://youtu.be/VJEJ_Tz4ZO0</a>. Requires <a href="http://www.apple.com/itunes/affiliates/download/" target="_blank">iTunes</a> Is Part Of <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/137" target="_blank">A History of Central Florida Collection</a>, RICHES Podcast Documentaries Collection, RICHES of Central Florida. Coverage Indian River Citrus Museum, Vero Beach, Florida Winter Garden Heritage Museum, Winter Garden, Florida Creator Velásquez, Daniel Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Contributor Long, Mark Howard Harrell, George "Speedy" Crescitelli, Jim Mormino, Gary Ross Cassanello, Robert Clarke, Bob Ford, Chip Gibson, Ella Hazen, Kendra Kelly, Katie Wollsdstat, Roger <a href="http://www.veroheritage.org/CitrusMuseum.html" target="_blank">Indian River Citrus Museum</a> <a href="http://www.wghf.org/" target="_blank">Winter Garden Heritage Museum/a&gt</a> <a href="http://www.floridamemory.com/" target="_blank">Florida Memory Project</a> <a href="http://www.loc.gov/" target="_blank">Library of Congress</a> <a href="https://archive.org/details/prelinger" target="_blank">Prelinger Archives</a> Date Created 2013 Date Issued 2015-01-11 Date Copyrighted 2015-01-11 Format application/website Medium 14-minute and 19-second podcast Language eng Mediator History Teacher Economics Teacher Geography Teacher Provenance Originally created by Daniel Velásquez and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Accrual Method Item Creation Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference "<a href="http://youtu.be/VJEJ_Tz4ZO0" target="_blank">A History of Central Florida, Episode 38: Citrus Industry</a>." RICHES. Warner, S.C. "<a href="http://www.fshs.org/Proceedings/Password%20Protected/1923%20Vol.%2036/198-200%20%28WARNER%29.pdf" target="_blank">Development of Marketing Citrus Fruits in Florida</a>." Florida State Horticultural Society vol. 36 (1923): 198-200. Hopkins, James T. <a href="http://www.worldcat.org/oclc/1219230" target="_blank">Fifty Years of Citrus, the Florida Citrus Exchange: 1909-1959</a>. Gainesville, Florida: University of Florida Press: 1960. Weaver, Brian. <a href="http://www.worldcat.org/oclc/43312643" target="_blank">The Citrus Industry in the Sunshine State</a>. Charleston, SC: Arcadia, 1999. Click to View (Movie, Podcast, or Website) <a href="http://youtu.be/VJEJ_Tz4ZO0" target="_blank">A History of Central Florida, Episode 38: Citrus Industry</a> 14th Avenue A History of Central Florida Adams Citrus Products Reception Center advertising Arcadia Barbadoan Bluebird Caribbean Islander citrus Citrus Belt citrus grove citrus industry Citrus Tower Clarke, Bob Clermont Crescitelli, Jim Deer Island Dipper Dunedin factory FDA Flagler, Henry Morrison Ford, Chip Fourteenth Avenue freeze frozen concentrate fruit preservation Gibson, Ella Gus Hall Citrus Fruit Hall, Gus Harrell, George "Speedy" Hazen, Kendra Indian River Indian River Citrus Museum Indian River Packing Company Jamaican Jax juice Just Fine Keene, R. D. Kelley, Katie Killarney labor Lake Garfield Long, Mark Howard Main Street marketing Minute Maid Mormino, Gary Ross OCRHC orange orange county Orange County Regional History Center orange grove orange industry orange juice orlando packing packing house packing industry Parramore Parramore Road pineapple orange Plant, Henry Bradley podcast preservation R. D. Keene, Inc. RICHES Robert Cassanello Saint Augustine sawdust shipping shipping industry Spain Spaniard Spanish spoilage The Orange State U.S. Food and Drug Administration UCF University of Central Florida Valencia orange Velásquez, Daniel Vero Beach WGHF Whole Sun Winter Garden Winter Garden Heritage Foundation Winter Garden Heritage Museum World War II WWII Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A History of Central Florida Collection Alternative Title History of Central Florida Collection Subject Podcasts Documentaries Description A History of Central Florida Podcast series explores Central Florida's history through the artifacts found in local area museums and historical societies. Contributor <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Cassanello, Robert Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/70" target="_blank">RICHES Podcast Documentaries Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Altoona, Florida Astor, Florida Brevard County, Florida Bushnell, Florida Clermont, Florida Cocoa Beach, Florida Daytona Beach, Florida DeLand, Florida Disston City, Florida Fort King, Florida Geneva, Florida Goldenrod, Florida Groveland, Florida Holly Hill, Florida Hontoon Island, DeLand, Florida Jacksonville, Florida Kissimmee, Florida Lake Apopka, Florida Lake County, Florida Lake Mary, Florida Marion County, Florida Merritt Island, Florida Miami, Florida Mims, Florida Mount Dora, Florida Newnans Lake, Gainesville, Florida New Smyrna, Florida New Smyrna Beach, Florida Ocala, Florida Ocklawaha River, Florida Orlando, Florida Ormond Beach, Florida Osceola County, Florida Sanford, Florida Silver Springs, Florida St. Augustine, Florida St. Cloud, Florida St. Johns River, Florida St. Petersburg, Florida Tampa, Florida Tavares, Florida Weirsdale, Florida Winter Garden, Florida Winter Park, Florida Ybor City, Tampa, Florida Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference "<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php. Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format 1 podcast Duration 12 minutes and 10 seconds Compression 136kbps Producer Cassanello, Robert Director Bethany, Dickens Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A History of Central Florida, Episode 37: Uniforms Alternative Title Uniforms Podcast Subject Podcasts Documentaries United States. Army Women's Army Corps (U.S.) Women--Florida World War II, 1939-1945 Daytona Beach (Fla.) Description Episode 37 of A History of Central Florida Podcast: Uniforms. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. Episode 37 features a discussion of the Women's Army Corps (WAC) uniform displayed at the Halifax Historical Museum in Daytona Beach, Florida. This podcast also includes interviews with Dr. Tracy J. Revels of Wofford College and Dr. Leonard Lemple of Daytona State College. Type Moving Image Source Original 12-minute and 10-second podcast by Bethany Dickens, 2013: RICHES Podcast Documentaries, Orlando, Florida. <a href="http://youtu.be/RjOg09aeokc" target="_blank">http://youtu.be/RjOg09aeokc</a>. Requires <a href="http://www.apple.com/itunes/affiliates/download/" target="_blank">iTunes</a> Is Part Of <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/137" target="_blank">A History of Central Florida Collection</a>, RICHES Podcast Documentaries Collection, RICHES of Central Florida. Coverage Halifax Historical Museum, Daytona Beach, Florida Creator Bethany, Dickens Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Contributor Revels, Tracy J. Lemple, Leonard Cassanello, Robert Clarke, Bob Ford, Chip Gibson, Ella Hazen, Kendra Kelley, Katie Velásquez, Daniel <a href="http://halifaxhistorical.org/" target="_blank">Halifax Historical Museum</a> <a href="http://www.loc.gov/" target="_blank">Library of Congress</a> <a href="http://www.floridamemory.com/" target="_blank">Florida Memory Project</a> <a href="http://www.archives.gov/" target="_blank">National Archives and Records Administration</a> Date Created 2013 Date Issued 2015-01-11 Date Copyrighted 2015-01-11 Format application/website Medium 12-minute and 10-second podcast Language eng Mediator History Teacher Civics/Government Teacher Provenance Originally created by Bethany Dickens and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Accrual Method Item Creation Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference "<a href="http://youtu.be/RjOg09aeokc" target="_blank">A History of Central Florida, Episode 37: Uniforms</a>." RICHES of Central Florida. Williams, Vera S. <a href="http://www.worldcat.org/oclc/36949896" target="_blank">WACs: Women's Army Corps</a>. Osceola, Wis: Motorbooks International, 1997. Holm, Jeanne. <a href="http://www.worldcat.org/oclc/8588924" target="_blank">Women in the Military: An Unfinished Revolution</a>. Novato, CA: Presidio Press, 1982. Click to View (Movie, Podcast, or Website) <a href="http://youtu.be/RjOg09aeokc" target="_blank">A History of Central Florida, Episode 37: Uniforms</a> A History of Central Florida African American Albright, Helen Army Beach Street Bethune-Cookman College Bethune, Mary McLeod civil rights Civil War Clarke, Bob coat Daytona Beach Daytona State College desegregaiton Dickens, Bethany DSC Ford, Chip Gibson, Ella Great Depression Halifax Historical Museum Hazen, Kendra Hobby, Oveta Culp Howard, Alice integration Iowa Jewish Jewish American Kelley, Katie Lemple, Leonard liberty Ship nurse OCRHC Orange County Regional History Center pilot podcast race relations Raymond, H. H. recruitment Redondo Beach, California Revels, Tracy J. RICHES Robert Cassanello Roosevelt, Anna Eleanor Roosevelt, Eleanor Roosevelt, Franklin Delanor segregation service industry souvenir patch St. Petersburg St. Regis Restaurant tourism training Tyndall Field U.S. Armed Forces U.S. Army uniform Van Nuys, Los Angeles, California Velásquez, Daniel WAAC WAC war effort Wofford College women Women's Army Auxiliary Corps Women's Army Corps women's rights Works Progress Administration World War I World War II WPA WWI WWII Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A History of Central Florida Collection Alternative Title History of Central Florida Collection Subject Podcasts Documentaries Description A History of Central Florida Podcast series explores Central Florida's history through the artifacts found in local area museums and historical societies. Contributor <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Cassanello, Robert Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/70" target="_blank">RICHES Podcast Documentaries Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Altoona, Florida Astor, Florida Brevard County, Florida Bushnell, Florida Clermont, Florida Cocoa Beach, Florida Daytona Beach, Florida DeLand, Florida Disston City, Florida Fort King, Florida Geneva, Florida Goldenrod, Florida Groveland, Florida Holly Hill, Florida Hontoon Island, DeLand, Florida Jacksonville, Florida Kissimmee, Florida Lake Apopka, Florida Lake County, Florida Lake Mary, Florida Marion County, Florida Merritt Island, Florida Miami, Florida Mims, Florida Mount Dora, Florida Newnans Lake, Gainesville, Florida New Smyrna, Florida New Smyrna Beach, Florida Ocala, Florida Ocklawaha River, Florida Orlando, Florida Ormond Beach, Florida Osceola County, Florida Sanford, Florida Silver Springs, Florida St. Augustine, Florida St. Cloud, Florida St. Johns River, Florida St. Petersburg, Florida Tampa, Florida Tavares, Florida Weirsdale, Florida Winter Garden, Florida Winter Park, Florida Ybor City, Tampa, Florida Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference "<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php. Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format 1 podcast Duration 11 minutes and 28 seconds Compression 137kbps Producer Cassanello, Robert Director Stapleton, Kevin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A History of Central Florida, Episode 36: The Art Colony Bell Alternative Title Art Colony Bell Podcast Subject Podcasts Documentaries Maitland Art Center Maitland (Fla.) Art--Southern States Artists--Florida Eatonville (Fla.) Race relations--United States Hurston, Zora Neale Description Episode 36 of A History of Central Florida Podcast: The Art Colony Bell. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. Episode 36 features a discussion of the Art Colony Bell located at the Maitland Art Center, which was formerly the Maitland Research Studio. This podcast also includes interviews with Bethany Gray of the Maitland Art Center and Richard Colvin of the Lake Eustis Museum of Art. Type Moving Image Source Original 11-minute and 28-second podcast by Kevin Stapleton, 2013: RICHES Podcast Documentaries, Orlando, Florida. <a href="http://youtu.be/E5H3HK8vyy8" target="_blank">http://youtu.be/E5H3HK8vyy8</a>. Requires <a href="http://www.apple.com/itunes/affiliates/download/" target="_blank">iTunes</a> Is Part Of <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/137" target="_blank">A History of Central Florida Collection</a>, RICHES Podcast Documentaries Collection, RICHES of Central Florida. Is Referenced By "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2504" target="_blank">RICHES Podcast Documentaries, New Podcast Preview: A History of Central Florida</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2504. Coverage Maitland Research Studio, Maitland, Florida Eatonville, Florida Maitland Art Center, Maitland, Florida Creator Stapleton, Kevin Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Contributor Gray, Bethany Colvin, Richard Cassanello, Robert Clarke, Bob Ford, Chip Gibson, Ella Hazen, Kendra Kelley, Katie Velásquez, Daniel <a href="http://artandhistory.org/maitland-art-center/" target="_blank">Maitland Art Center</a> <a href="http://www.floridamemory.com/" target="_blank">Florida Memory Project</a> <a href="http://www.rollins.edu/library/archives/" target="_blank"> Department of College Archives and Special Collections, Olin Library, Rollins College</a> Date Created 2013 Date Issued 2015-01-11 Date Copyrighted 2015-01-11 Format application/website Medium 11-minute and 28-second podcast Language eng Mediator History Teacher Economics Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Kevin Stapleton and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Accrual Method Item Creation Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference "<a href="http://youtu.be/E5H3HK8vyy8" target="_blank">A History of Central Florida, Episode 36: The Art Colony Bell</a>." RICHES of Central Florida. "<a href="http://artandhistory.org/artists-in-action/" target="_blank">Artists-In-Action</a>." Art & History Museums, Maitland. http://artandhistory.org/artists-in-action/. "<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">Art & History Museums-Maitland Artist in Residence</a>." Alliance of Artists Communities. http://www.artistcommunities.org/residencies/art-history-museums-maitland-artist-residence. Click to View (Movie, Podcast, or Website) <a href="http://youtu.be/E5H3HK8vyy8" target="_blank">A History of Central Florida, Episode 36: The Art Colony Bell</a> A History of Central Florida African American Annie Russell Theatre art Art Colony Bell artist artist commune bell Bok Tower Gardens Bok, Mary L. Curtis Clarke, Bob colony Colvin, Richard Curtis, Mary L. Eatonville Eatonville Choir Ford, Chip Gibson, Ella Gray, Bethany Hazen, Kendra Hurston, Zora Neale Kelley, Katie Ladies' Home Journal Lake Eustis Museum of Art Lake Wales Maitland Maitland Art Center Maitland Research Studio OCRHC Orange County Regional History Center Packwood Avenue podcast race relations RICHES Robert Cassanello Rollins College Russell, Annie Smith, J. André Spanish architecture Stapleton, Kevin Velásquez, Daniel Winter Park https://richesmi.cah.ucf.edu/omeka/files/original/be840cd0b73a021a2972da011fd69f8c.JPG 8f7e934b9ea84ca37522c9d47f76a599 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Mapping the Florida Terrain by Dr. Walter Gaudnek Alternative Title Mapping the Florida Terrain by Gaudnek Subject Gaudnek, Walter, 1931- Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Description Mapping the Florida Terrain, a painting created by Dr. Walter Gaudnek in 1989. Born in Fleyh, Czechoslovakia, in 1931, pop artist Dr. Gaudnek is known for his blend of his bold colors, philosophy, religious symbolism, labyrinth installations, and mixtures of performance and art. He also draws heavy inspiration from Bohemia, Caravaggio, Kazimir Malevich, and Pablo Picasso. A 1957 Fulbright Scholar who received his doctorate from New York University, he joined the art faculty of the Florida Technological University (present-day University of Central Florida) in Orlando, Florida, in 1970. Dr. Gaudnek previously taught at universities in Los Angeles, New York, and Ohio. He founded the Long Island University's Hillwood Art Museum in Greenvale, New York. His honors from UCF include Distinguished Researcher of the Year (1990), the Teaching Incentive Program Award (1995 and 2005), the Professional Excellence Program Award (1997), the President’s Award (1999), and the Research Incentive Award (2002). In 1994, the Sudetendeutecher Landsmannschaft, an organization dedicated to recognizing the achievements of the Czech-German diaspora, awarded him the Kulturpreis for Fine Art and Architecture. Dr. Gaudnek’s work can be seen at the Gaudnek Europe Museum (GEM) in Altomünster, Germany, as well as the UCF Library, which contains a retrospective of his work from 1945 to 2007. He has participated in more than 200 solo and group exhibitions, installations, and performances in Germany, Italy, Spain, England, Colombia, the Czech Republic, and the United States. His works have also been exhibited in museums in New York, San Francisco, Los Angeles, Virginia, Arizona, Florida, Europe, and Brazil, as well as schools, banks, office buildings, libraries, theaters, museums, and private homes in Europe and the United States. He has been featured in documentaries in San Francisco, New York, Munich, São Paolo, and Paris. Creator Gaudnek, Walter Source Original 106 x 240 inch painting: Gaudnek, Walter. Mapping the Florida Terrain, 1989: <a href="http://library.ucf.edu/">University of Central Florida Libraries</a>, Orlando, Florida. Date Created 1989 Date Copyrighted 1989 Is Format Of Digital reproduction of original 106 x 240 inch painting: Gaudnek, Walter. Mapping the Florida Terrain, 1989. Is Part Of <a href="http://library.ucf.edu/">University of Central Florida Libraries</a>, Orlando, Florida.<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank"> </a> <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Format image/jpg Extent 262 KB Medium 106 x 240 inch painting Language eng Type Still Image Coverage Orlando, Florida Accrual Method Donation Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Walter Gaudnek. Rights Holder Copyright to this resource is held by Walter Gaudnek and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> External Reference Bishop, Philip E. "<a href="http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting" target="_blank">Artist Puts His Religious Faith On Canvas In Bright Pop Style</a>." The Orlando Sentinel, November 28, 1993. http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting. art artist Mapping the Florida Terrain modern art painter painting pop art Walter Gaudnek https://richesmi.cah.ucf.edu/omeka/files/original/37190da4dfbf1af1e76f3ece65bacd54.jpg 1b987d996788aae00f4e5fb7436746ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 70.5 x 80 inch acrylic painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Garden of Proteus by Steve Lotz Alternative Title Garden of Proteus by Steve Lotz Subject Lotz, Steve Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Description Garden of Proteus, an acrylic painting created by Steve Lotz in 2005. Lotz received his Bachelor of Fine Arts from the University of California, Los Angeles and his Master of Fine Arts from the University of Florida in Gainesville, Florida. Lotz became an instructor of art at the Florida Technological University (present-day University of Central Florida) in Orlando in 1968, and served as the chairman of the Art Department for its first 10 years. He retired as a Professor Emeritus in 2003. As head of the department, Lotz was integral in establishing the success of the University’s visual arts programs. Steve Lotz is an internationally-recognized artist with solo exhibitions of his work held throughout the U.S., Europe, and the Caribbean, and he is represented in numerous public and private collections. His best known work in Central Florida is the monumental triptych, Florida Dream, which has been on view in the main terminal of the Orlando International Airport since it was commissioned in 1981. Type Still Image Source Original 70.5 x 80 inch acrylic painting: Lotz, Steve. Garden of Proteus, 2005: Private Collection of Steve Lotz. Is Part Of <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original 70.5 x 80 inch acrylic painting: Lotz, Steve. Garden of Proteus, 2005. Coverage Orlando, Florida Creator Lotz, Steve Date Created 2005 Date Copyrighted 2005 Format image/jpg Extent 33 KB Medium 70.5 x 80 inch acrylic painting Language eng Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Steve Lotz. Rights Holder Copyright to this resource is held by Steve Lotz and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Steve Lotz External Reference Mathers, Sandra. "<a href="http://articles.orlandosentinel.com/1999-05-02/news/9904300881_1_lotz-gretchen-surreal-paintings" target="_blank">A Couple Of Artists Share Their Journey Through Life: The Two Are Familiar Figures In The Cultural Community. They Recently Exhibited Their Work At The University</a>." The Orlando Sentinel, May 2, 1999. http://articles.orlandosentinel.com/1999-05-02/news/9904300881_1_lotz-gretchen-surreal-paintings. acrylic painting art artist Garden of Proteus painter painting Steve Lotz https://richesmi.cah.ucf.edu/omeka/files/original/7d730077d1236871b3aa3543bfa10cbf.jpg d32ec65aa498ed7ddfe2d412c07b9659 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 79 x 70 inch painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Genesis II by Steve Lotz Alternative Title Genesis II by Steve Lotz Subject Lotz, Steve Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Description Genesis II, a painting created by Steve Lotz in 1998. Lotz received his Bachelor of Fine Arts from the University of California, Los Angeles and his Master of Fine Arts from the University of Florida in Gainesville, Florida. Lotz became an instructor of art at the Florida Technological University (present-day University of Central Florida) in Orlando in 1968, and served as the chairman of the Art Department for its first 10 years. He retired as a Professor Emeritus in 2003. As head of the department, Lotz was integral in establishing the success of the University’s visual arts programs. Steve Lotz is an internationally-recognized artist with solo exhibitions of his work held throughout the U.S., Europe, and the Caribbean, and he is represented in numerous public and private collections. His best known work in Central Florida is the monumental triptych, Florida Dream, which has been on view in the main terminal of the Orlando International Airport since it was commissioned in 1981. Type Still Image Source Original 79 x 70 inch painting: Lotz, Steve. Genesis II, 1998: <a href="http://www.ninthcircuit.org/about/courthouses/orange-county-courthouse" target="_blank">Orange County Courthouse</a>, Orlando, Florida. Is Part Of <a href="http://www.ninthcircuit.org/about/courthouses/orange-county-courthouse" target="_blank">Orange County Courthouse</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original 79 x 70 inch painting: Lotz, Steve. Genesis II, 1998. Coverage Orlando, Florida Creator Lotz, Steve Date Created 1998 Format image/jpg Extent 9.79 KB Medium 79 x 70 inch painting Language eng Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Steve Lotz. Rights Holder Copyright to this resource is held by Steve Lotz and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.ninthcircuit.org/about/courthouses/orange-county-courthouse" target="_blank">Orange County Courthouse</a> External Reference Mathers, Sandra. "<a href="http://articles.orlandosentinel.com/1999-05-02/news/9904300881_1_lotz-gretchen-surreal-paintings" target="_blank">A Couple Of Artists Share Their Journey Through Life: The Two Are Familiar Figures In The Cultural Community. They Recently Exhibited Their Work At The University</a>." The Orlando Sentinel, May 2, 1999. http://articles.orlandosentinel.com/1999-05-02/news/9904300881_1_lotz-gretchen-surreal-paintings. art artist Genesis II painter painting Steve Lotz https://richesmi.cah.ucf.edu/omeka/files/original/64dec9d37195170bda56e7b2c94727a5.jpg e329b85d1e1e6fa44f42fb4119f8937a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Texann Ivy Buck Alternative Title Texann Ivy Buck Subject Artists--Florida Art--Southern States Sculptors--United States Printmaking Printmakers--United States Description Texann Ivy Buck is a graduate of Edgewater High School in Orlando, Florida, and Baylor University in Waco, Texas. Specializing in 20th Century American prints, sculpture, and in the Federal Works Progress Administration (WPA) prints, Buck established Texann Ivy Fine Arts, located at 818 Ellwood Avenue in Orlando, in 1977. In the 1980s, she curated an exhibition on 1930s American printmaking at the Cornell Museum of Art at Rollins College in Winter Park. In 2013, she created a display honoring Dr. Jerry B. Callahan, which is on permanent display at the Callahan Neighborhood Center, located on Parramore Avenue in Orlando. She remains involved with Orange County art, history, and cultural institutions. Type Still Image Source Original color photograph: <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a>, Orlando, Florida. Is Part Of <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Coverage Orlando, Florida Baylor University Waco, Texas Texann Ivy Fine Arts, Orlando, Florida Date Created ca. 1977-2015 Format image/jpg Extent 60.3 KB Medium 1 color photograph Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. art artist Baylor University Ellwood Avenue orlando print art printer printmaking sculpting sculptor sculpture Texann Ivy Buck Texann Ivy Fine Arts Waco, Texas https://richesmi.cah.ucf.edu/omeka/files/original/8c32293323413edaf2efe65da4c98c87.jpg 9bcad905cb31a3de9f73681999e9edc7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Louise Peterson Alternative Title Louise Peterson Subject Peterson, Louise Art--Southern States Winter Park (Fla.) Description Louise Peterson (1920-2009) opened Galleries International in Winter Park, Florida, in 1969 with an impetus on exhibiting emerging artists and introducing the original print medium to the Central Florida market. These "educational practices" were well received by the community, both in the private sector and especially those with corporate interests. A relationship with the Orlando Museum of Art and the Council of Arts and Sciences soon developed. In 1984, Galleries International became the Albertson-Peterson Gallery when she partnered with long-time friend Judy Albertson. Louise Peterson was a member of the Council of 101 of the Orlando Museum of Art, advisory to the Committee of Acquisition of the 20th Century American prints for that museum and also a lecturer and juror for community and collegiate competitions. Type Still Image Source Original color photograph: Private Collection of Judy Albertson. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Coverage Galleries International, Winter Park, Florida Albertson-Peterson Gallery, Winter Park, Florida Date Created ca. 1969-2009 Format image/jpg Extent 102 KB Medium 1 color photograph Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Judy Albertson External Reference Powalski, Katie. "<a href="http://articles.orlandosentinel.com/2009-07-24/news/louise_1_louise-peterson-harold-peterson-winter-park" target="_blank">Gallery owner embraced art, Winter Park</a>." The Orlando Sentinel, July 24, 2009. http://articles.orlandosentinel.com/2009-07-24/news/louise_1_louise-peterson-harold-peterson-winter-park. Albertson-Peterson Gallery art art gallery Committee of Acquisition Council of 101 Dorothy Louise Kreps Dorothy Louise Peterson Galleries International Louise Peterson Orlando Museum of Art print art https://richesmi.cah.ucf.edu/omeka/files/original/da04f9d4605bfba9be94f4f70d04ff3e.jpg 2cd667f8d1581884b6ce9610d39a6462 https://richesmi.cah.ucf.edu/omeka/files/original/f01772c452e014cbcd8b861ee0d31401.jpg e1a8346893caffcd302bfb589662c477 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Dr. Walter Gaudnek with Art Alternative Title Walter Gaudnek Subject Gaudnek, Walter, 1931- Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Educators--Florida Teachers--Florida Florida Technological University University of Central Florida Orlando (Fla.) Description Born in Fleyh, Czechoslovakia, in 1931, pop artist Dr. Walter Gaudnek is known for his blend of his bold colors, philosophy, religious symbolism, labyrinth installations, and mixtures of performance and art. He also draws heavy inspiration from Bohemia, Caravaggio, Kazimir Malevich, and Pablo Picasso. A 1957 Fulbright Scholar who received his doctorate from New York University, he joined the art faculty of the Florida Technological University (present-day University of Central Florida) in Orlando, Florida, in 1970. Dr. Gaudnek previously taught at universities in Los Angeles, New York, and Ohio. He founded the Long Island University's Hillwood Art Museum in Greenvale, New York. His honors from UCF include Distinguished Researcher of the Year (1990), the Teaching Incentive Program Award (1995 and 2005), the Professional Excellence Program Award (1997), the President’s Award (1999), and the Research Incentive Award (2002). In 1994, the Sudetendeutecher Landsmannschaft, an organization dedicated to recognizing the achievements of the Czech-German diaspora, awarded him the Kulturpreis for Fine Art and Architecture. Dr. Gaudnek’s work can be seen at the Gaudnek Europe Museum (GEM) in Altomünster, Germany, as well as the UCF Library, which contains a retrospective of his work from 1945 to 2007. He has participated in more than 200 solo and group exhibitions, installations, and performances in Germany, Italy, Spain, England, Colombia, the Czech Republic, and the United States. His works have also been exhibited in museums in New York, San Francisco, Los Angeles, Virginia, Arizona, Florida, Europe, and Brazil, as well as schools, banks, office buildings, libraries, theaters, museums, and private homes in Europe and the United States. He has been featured in documentaries in San Francisco, New York, Munich, São Paolo, and Paris. Type Still Image Source Original color photographs: <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. Is Part Of <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color photographs. Coverage Orlando, Florida Date Created ca. 1931-2015 Format image/jpg Extent 187 KB 194 KB Medium 2 color photographs Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> External Reference "<a href="http://www.gaudnek.com/?page_id=418" target="_blank">ABOUT</a>." Gaudnek.com. http://www.gaudnek.com/?page_id=418. Bishop, Philip E. "<a href="http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting" target="_blank">Artist Puts His Religious Faith On Canvas In Bright Pop Style</a>." The Orlando Sentinel, November 28, 1993. http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting. art artist college Czech education educator Florida Technological University FTU Hillwood Art Museum LIU Long Island University modern art museum orlando painter painting pop art school teacher university Walter Gaudnek https://richesmi.cah.ucf.edu/omeka/files/original/33c6ec5e1255790a0117ec114cab043d.jpg c96c3f4cadef0adb6964cda73eaa2079 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Remember Holbein by Walter Gaudnek Alternative Title Remember Holbein by Gaudnek Subject Gaudnek, Walter, 1931- Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Description Remember Holbein, a painting created by Dr. Walter Gaudnek in 1994. Remember Holbein Born in Fleyh, Czechoslovakia, in 1931, pop artist Dr. Gaudnek is known for his blend of his bold colors, philosophy, religious symbolism, labyrinth installations, and mixtures of performance and art. He also draws heavy inspiration from Bohemia, Caravaggio, Kazimir Malevich, and Pablo Picasso. A 1957 Fulbright Scholar who received his doctorate from New York University, he joined the art faculty of the Florida Technological University (present-day University of Central Florida) in Orlando, Florida, in 1970. Dr. Gaudnek previously taught at universities in Los Angeles, New York, and Ohio. He founded the Long Island University's Hillwood Art Museum in Greenvale, New York. His honors from UCF include Distinguished Researcher of the Year (1990), the Teaching Incentive Program Award (1995 and 2005), the Professional Excellence Program Award (1997), the President’s Award (1999), and the Research Incentive Award (2002). In 1994, the Sudetendeutecher Landsmannschaft, an organization dedicated to recognizing the achievements of the Czech-German diaspora, awarded him the Kulturpreis for Fine Art and Architecture. Dr. Gaudnek’s work can be seen at the Gaudnek Europe Museum (GEM) in Altomünster, Germany, as well as the UCF Library, which contains a retrospective of his work from 1945 to 2007. He has participated in more than 200 solo and group exhibitions, installations, and performances in Germany, Italy, Spain, England, Colombia, the Czech Republic, and the United States. His works have also been exhibited in museums in New York, San Francisco, Los Angeles, Virginia, Arizona, Florida, Europe, and Brazil, as well as schools, banks, office buildings, libraries, theaters, museums, and private homes in Europe and the United States. He has been featured in documentaries in San Francisco, New York, Munich, São Paolo, and Paris. Type Still Image Source Original painting: Gaudnek, Walter. Remember Holbein, 1996: <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. Is Part Of <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Gaudnek, Walter. Remember Holbein, 1996. Coverage Orlando, Florida Creator Gaudnek, Walter Date Created 1994 Format image/jpg Extent 185 KB Medium 1 painting Language eng Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Walter Gaudnek. Rights Holder Copyright to this resource is held by Walter Gaudnek and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> External Reference Bishop, Philip E. "<a href="http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting" target="_blank">Artist Puts His Religious Faith On Canvas In Bright Pop Style</a>." The Orlando Sentinel, November 28, 1993. http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting. art artist modern art painter painting pop art Remember Holbein Walter Gaudnek https://richesmi.cah.ucf.edu/omeka/files/original/e34bc684f43514a0ca043d893bb691a0.jpg edc8153b8ae7b10993933bb411ff8fe1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 acrylic painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Go by Walter Gaudnek Alternative Title Go by Gaudnek Subject Gaudnek, Walter, 1931- Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Space Shuttle Program (U.S.) Description Go, an acrylic painting created by Dr. Walter Gaudnek in 1974. Go depicts a spacecraft in outer space, with the Sun and Saturn in the background. Born in Fleyh, Czechoslovakia, in 1931, pop artist Dr. Gaudnek is known for his blend of his bold colors, philosophy, religious symbolism, labyrinth installations, and mixtures of performance and art. He also draws heavy inspiration from Bohemia, Caravaggio, Kazimir Malevich, and Pablo Picasso. A 1957 Fulbright Scholar who received his doctorate from New York University, he joined the art faculty of the Florida Technological University (present-day University of Central Florida) in Orlando, Florida, in 1970. Dr. Gaudnek previously taught at universities in Los Angeles, New York, and Ohio. He founded the Long Island University's Hillwood Art Museum in Greenvale, New York. His honors from UCF include Distinguished Researcher of the Year (1990), the Teaching Incentive Program Award (1995 and 2005), the Professional Excellence Program Award (1997), the President’s Award (1999), and the Research Incentive Award (2002). In 1994, the Sudetendeutecher Landsmannschaft, an organization dedicated to recognizing the achievements of the Czech-German diaspora, awarded him the Kulturpreis for Fine Art and Architecture. Dr. Gaudnek’s work can be seen at the Gaudnek Europe Museum (GEM) in Altomünster, Germany, as well as the UCF Library, which contains a retrospective of his work from 1945 to 2007. He has participated in more than 200 solo and group exhibitions, installations, and performances in Germany, Italy, Spain, England, Colombia, the Czech Republic, and the United States. His works have also been exhibited in museums in New York, San Francisco, Los Angeles, Virginia, Arizona, Florida, Europe, and Brazil, as well as schools, banks, office buildings, libraries, theaters, museums, and private homes in Europe and the United States. He has been featured in documentaries in San Francisco, New York, Munich, São Paolo, and Paris. Type Still Image Source Original acrylic painting: Gaudnek, Walter. Go, 1974: <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. Is Part Of <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original acrylic painting: Gaudnek, Walter. Go, 1974. Coverage Orlando, Florida Creator Gaudnek, Walter Date Created 1974 Format image/jpg Extent 142 KB Medium 1 acrylic painting Language eng Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Walter Gaudnek. Rights Holder Copyright to this resource is held by Walter Gaudnek and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> External Reference Bishop, Philip E. "<a href="http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting" target="_blank">Artist Puts His Religious Faith On Canvas In Bright Pop Style</a>." The Orlando Sentinel, November 28, 1993. http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting. acrylic painting art artist Go modern art NASA National Aeronautics and Space Administration outer space painter painting planet pop art Saturn Space Shuttle spacecraft spaceship Star Sun Walter Gaudnek https://richesmi.cah.ucf.edu/omeka/files/original/3529a55b6d6a5626f566ab19f07d1325.jpg 173a32d52aedb840b5d7be614dcd68b7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Roofs and Palms by Jules André Smith Alternative Title Roofs and Palms by André Smith Subject Smith, J. André (Jules André), 1880-1959 Artists--Florida Art--Southern States Description Roofs and Palms by Jules André Smith. Born in 1880 to American parents in Hong Kong, raised in New York and Connecticut, and educated at Cornell University, J. André Smith worked for several years as an architect, never giving up on his first love of art. His early passion was printmaking, specifically etching. In 1915, he was awarded a gold medal at the Panama-Pacific Exposition in San Francisco, California. During World War I, Smith continued to work in both drawing and printmaking, selected as one of eight artists by the U.S. government to go to France in 1918 to record military activities. He would later publish those works in a book titled In France with the American Expeditionary Forces. While travelling to Miami in the 1930s, Smith made an unplanned stop in Maitland, Florida. Having experienced a stunning sunset on nearby Lake Sybelia, he decided to travel no further and would go on to build his winter home and studio here, which is now the Maitland Art Center. Frustrated and disappointed with the area’s lack of support for contemporary art, Smith began plans for a residential "Lab-Gallery" that would encourage artistic exploration and experimentation in a sheltered studio environment. The studio compound, later known as The Research Studio, was the winter residence of prominent American artists such as Ralston Crawford, David Burlick, Ernest Roth, Milton Avery, Arnold Blanch, Doris Lee, and Hal McIntosh. André Smith’s vision continued to thrive for over two decades under the generous financial support from his patron, philanthropist Mary Curtis Bok. Smith’s legacy is alive and well today at the Art & History Museum’s Maitland Art Center through its residency programs and exhibitions. Type Still Image Source Original painting: Smith, Jules André. Roofs and Palms: <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum, Art & History Museums - Maitland</a>, Maitland, Florida. Is Part Of <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum, Art & History Museums - Maitland</a>, Maitland, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Smith, Jules André. Roofs and Palms. Coverage Maitland, Florida Creator Smith, Jules André Date Created ca. 1880-1959 Format image/jpg Extent 127 KB Medium 1 painting Language eng Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Jules André Smith. Rights Holder Copyright to this resource is held by <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Art & History Museums - Maitland</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> External Reference Brotemarkle, Ben. "<a href="https://myfloridahistory.org/frontiers/article/16" target="_blank">Florida Frontiers 'Jules André Smith and the Maitland Art Center'</a>." Florida Today, May 13, 2014. https://myfloridahistory.org/frontiers/article/16. Palm, Matthew J. "<a href="http://articles.orlandosentinel.com/2013-07-01/entertainment/os-maitland-art-center-andre-smith-20130625_1_maitland-art-center-central-floridians-recent-acquisitions" target="_blank">Maitland Art Center exhibits focus on founder Andre Smith</a>." The Orlando Sentinel, July 1, 2013. http://articles.orlandosentinel.com/2013-07-01/entertainment/os-maitland-art-center-andre-smith-20130625_1_maitland-art-center-central-floridians-recent-acquisitions. art artist J. André Smith Jules André Smith painter painting Roofs and Palms https://richesmi.cah.ucf.edu/omeka/files/original/d20e1ceb5bc6a469fcc6b9cb29cb9506.jpg 26fe48e678820289d9efc9d9c7c07e00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Albin Polasek Chiseling Man Carving His Own Destiny Alternative Title Man Carving His Own Destiny by Polasek Subject Polasek, Albin, 1879-1965 Art--Southern States Artists--Florida Sculptors--United States Sculpture--United States Description Sculptor Albin Polasek chisteling Man Carving His Own Destiny from limestone, with his assistant, Robert A. Baille, around 1960. Polasek sculpted his first version of Man Carving His Own Destiny while studying under Charles Grafly at the Pennsylvania Academy of Fine Arts in Philadelphia, Pennsylvania, in 1907. Reminisicent of Michaelangelo's Slaves, the sculpture depicts a man chiseling himself out of stone. Polasek has sculpted 53 different variations of Man Carving His Own Destiny throughout his lifetime. His various recreations depict differences in arm positions, the look of the hair, and how much of the man's body is emerged from the rock. Polasek was born in 1879 in Frenštát pod Radhoštěm, Moravia (now part of the Czech Republic). He apprenticed as a woodcarver in Vienna, Austria, and immigrated to the United States in 1901. After working in the Midwest for nearly four years, Polasek finally began his formal training at the Pennsylvania Academy of Fine Arts in Philadelphia, Pennsylvania. In 1910, Polasek won the Prix de Rome competition, spending three years at the American Academy of Art in Rome, Italy. Once he completed his studies in Rome, Polasek moved to New York City, New York, and set up a studio there. In 1916, the Art Institute of Chicago invited him to head its sculpture department, where he remained for nearly 30 years. In 1949, Polasek retired to Winter Park, Florida, building a home on Lake Osceola. In spite of suffering a stroke in 1950 that left him confined to a wheelchair and his left side paralyzed, Polasek continued to paint, draw, sculpt clay, and carve wood, creating a total of 18 major works before his death in 1965. In 1961, Polasek established the Polasek Foundation, designating his personal galleries, chapel, and gardens as a museum. Each year, thousands of local and international guests come to Winter Park to visit Polasek’s historic home and studio at the Albin Polasek Museum & Sculpture Gardens. Polasek’s works can be found in Europe, all over the United States, and locally in Winter Park and Orlando. Type Still Image Source Original black and white photograph: <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a>, Winter Park, Florida. Is Part Of <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a>, Winter Park, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. Coverage Winter Park, Florida Date Created ca. 1960 Format image/jpg Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Visual Arts Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> and is provided here by RICHES of Central Florida for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> External Reference "<a href="http://www.polasek.org/about/albin-polasek-biography/" target="_blank">ALBIN POLASEK BIOGRAPHY</a>." Albin Polasek Museum & Sculpture Gardens. http://www.polasek.org/about/albin-polasek-biography/. Polasek, Emily M. K., and Albin Polasek. <a href="http://www.worldcat.org/oclc/2724030" target="_blank">Albin Polasek: Man Carving His Own Destiny</a>. 1970. Sherwood, Ruth. <a href="http://www.worldcat.org/oclc/1240669" target="_blank">Carving His Own Destiny: The Story of Albin Polášek</a>. Chicago: R.F. Seymour, 1954. Albin Polasek art artist Man Carving His Own Destiny Robert A. Baille sculpting sculptor sculpture https://richesmi.cah.ucf.edu/omeka/files/original/a75e0932268a0f87ec57c84d0916bb72.jpg 45758e214f8c1309999f8453bb76146a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 32.5 x 38.75 inch oil painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Changing South by Bill Jenkins Alternative Title The Changing South by Jenkins Subject Jenkins, Bill (William Sterling), 1909-1996 Artists--Florida Art--Southern States African Americans--Alabama Description The Changing South, an oil painting created by William "Bill" Sterling Jenkins in 1940. The painting depicts two African-American boys in Alabama. Jenkins received his Bachelor of Fine Arts in 1934 from the University of Florida and was awarded a postgraduate scholarship to study art at the Royal Academy of Fine Arts in Florence, Italy. He spent several intensive years traveling through Europe by rail and bicycle, creating figure and landscape paintings. Upon his return, he established an art school in Columbus, Georgia. In 1942, he married Alice Moberg after meeting her in Mexico, where he studied silversmithing. Following a brief stint in the U.S. Army, Jenkins received an honorable discharge after contracting pneumonia and was sent to the Veterans Administration hospital in Orlando, Florida, to recuperate. He then worked for the VA and pioneered a program of rehabilitative art therapy classes for veterans. After earning his master’s degree in psychology from Florida State University in 1950, he settled in Winter Park and established Jenkins Construction Company, building many residential communities and shopping centers. In 1975, Jenkins established Crealdé School of Art, donating the organization and the property to the community in 1990. He also established the Jenkins Chair at the University of Central Florida, and donated the majority of his paintings to the UCF Art Gallery. Type Still Image Source Original 32.5 x 38.75 inch oil painting: Jenkins, Bill. The Changing South, 1940: <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a>, Orlando, Florida. Is Part Of <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph by Rick Lang. Coverage Alabama Winter Park, Florida Orlando, Florida Creator Jenkins, William "Bill" Sterling Date Created 1940 Date Copyrighted 1940 Format image/jpg Extent 388 KB Medium 32.5 x 38.75 inch oil painting Language eng Mediator History Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bill Sterling Jenkins. Rights Holder Copyright to this resource is held by Bill Sterling Jenkins and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> External Reference "<a href="http://lib.rollins.edu/olin/oldsite/archives/golden/jenkins.htm" target="_blank">William Jenkins (1910-1996): Founder of Crealde School of Art</a>." Olin Library, Rollins College. http://lib.rollins.edu/olin/oldsite/archives/golden/jenkins.htm. Shields, Gerard. "<a href="http://articles.orlandosentinel.com/1996-04-01/news/9603310506_1_jenkins-school-of-art-crealde-school" target="_blank">Remembering Jenkins: A 'Cornerstone In Art Community': Businessman, Benefactor And Accomplished Painter William Sterling Jenkins Is Dead At 86. He Created The Crealde School Of Art In Winter Park</a>." The Orlando Sentinel, April 1, 1996. http://articles.orlandosentinel.com/1996-04-01/news/9603310506_1_jenkins-school-of-art-crealde-school. African American Alabama art artist Bill Sterling Jenkins oil painting painter painting South The Changing South William "Bill" Sterling Jenkins https://richesmi.cah.ucf.edu/omeka/files/original/c5ecc8f7c54e20581ed1c68bba080d40.jpg 5cdbb97586781ca2c7589af6ff96aee3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 26.5 x 18.5 inch oil painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Bell Towers by Bill Sterling Jenkins Alternative Title Bell Towers by Jenkins Subject Jenkins, Bill (William Sterling), 1909-1996 Artists--Florida Art--Southern States Taxco de Alarcón (Mexico) Description Bell Towers, an oil painting created by William "Bill" Sterling Jenkins in 1941. The painting depicts the small town of Taxco de Alarcón in Mexico. Jenkins received his Bachelor of Fine Arts in 1934 from the University of Florida and was awarded a postgraduate scholarship to study art at the Royal Academy of Fine Arts in Florence, Italy. He spent several intensive years traveling through Europe by rail and bicycle, creating figure and landscape paintings. Upon his return, he established an art school in Columbus, Georgia. In 1942, he married Alice Moberg after meeting her in Mexico, where he studied silversmithing. Following a brief stint in the U.S. Army, Jenkins received an honorable discharge after contracting pneumonia and was sent to the Veterans Administration hospital in Orlando, Florida, to recuperate. He then worked for the VA and pioneered a program of rehabilitative art therapy classes for veterans. After earning his master’s degree in psychology from Florida State University in 1950, he settled in Winter Park and established Jenkins Construction Company, building many residential communities and shopping centers. In 1975, Jenkins established Crealdé School of Art, donating the organization and the property to the community in 1990. He also established the Jenkins Chair at the University of Central Florida, and donated the majority of his paintings to the UCF Art Gallery. Type Still Image Source Original 26.5 x 18.5 inch oil painting: Jenkins, Bill. Bell Towers, 1941: Private Collection of the Jenkins Family. Is Part Of Private Collection of the Jenkins Family. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original 26.5 x 18.5 inch oil painting: Jenkins, Bill. Bell Towers, 1941. Coverage Taxco de Alarcón, Guerrero, Mexico Winter Park, Florida Orlando, Florida Creator Jenkins, Bill Sterling Date Created 1941 Date Copyrighted 1941 Format image/jpg Extent 296 KB Medium 26.5 x 18.5 inch oil painting Language eng Mediator History Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bill Sterling Jenkins. Rights Holder Copyright to this resource is held by Bill Sterling Jenkins and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of the Jenkins Family External Reference "<a href="http://lib.rollins.edu/olin/oldsite/archives/golden/jenkins.htm" target="_blank">William Jenkins (1910-1996): Founder of Crealde School of Art</a>." Olin Library, Rollins College. http://lib.rollins.edu/olin/oldsite/archives/golden/jenkins.htm. Shields, Gerard. "<a href="http://articles.orlandosentinel.com/1996-04-01/news/9603310506_1_jenkins-school-of-art-crealde-school" target="_blank">Remembering Jenkins: A 'Cornerstone In Art Community': Businessman, Benefactor And Accomplished Painter William Sterling Jenkins Is Dead At 86. He Created The Crealde School Of Art In Winter Park</a>." The Orlando Sentinel, April 1, 1996. http://articles.orlandosentinel.com/1996-04-01/news/9603310506_1_jenkins-school-of-art-crealde-school. art artist Bell Towers Bill Sterling Jenkins oil painting painter painting Taxco de Alarcón, Guerrero, Mexico William "Bill" Sterling Jenkins https://richesmi.cah.ucf.edu/omeka/files/original/b0cc7befdde187eff695e9cac64389cf.jpg dabe40589816786e978a86407b38534a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 24 x 48 inch painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Seekers by Grady Kimsey Alternative Title Seekers by Kimsey Subject Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Description Seekers, an oil painting created by Grady Kimsey in 2014. Kimsey enjoys critical and popular success as a sculptor, potter, painter and instructor, with eight decades of life experiences to draw upon for inspiration. Kimsey was born in Knoxville, Tennessee, in 1928. He earned his Bachelor of Arts in Fine Arts from the University of Tennessee in 1950, and then completed his master’s In Education from Rollins College in Winter Park in 1969. Kimsey remains modest about his many accomplishments, which began in his high school days and have continued throughout his career. He has received the Council of Arts and Sciences for Central Florida Award for "Outstanding Achievement in the Arts" in 1982, the Richard A. Florsheim Art Grant in 1992, and a State of Florida Individual Artist Fellowship in 1990 and again in 1996. Kimsey's influence was extensive on budding artists in the community, having served as a professor of art for 20 years at Seminole Community College (present-day Seminole State College of Florida). Among his many other contributions to that institution, Kimsey founded the Fine Arts Gallery in 1980. As an instructor, he was known to guide his students to explore all media and styles. When ready, his students had the confidence to stand behind their work, and many are still creating and exhibiting with the same devotion as their mentor. Type Still Image Source Original 24 x 48 inch painting: Kimsey, Grady. Seekers, 2014: <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a>, Winter Park, Florida. Is Part Of <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a>, Winter Park, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original 24 x 48 inch painting: Kimsey, Grady. Seekers, 2014. Coverage Winter Park, Florida Sanford, Florida Creator Kimsey, Grady Date Created 2014 Date Copyrighted 2014 Format image/jpg Extent 103 KB Medium 24 x 48 inch painting Language eng Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Grady Kimsey. Rights Holder Copyright to this resource is held by Grady Kimsey and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> External Reference Reep, Richard. "<a href="http://www.orlandoweekly.com/orlando/grady-kimsey-the-minds-eye-at-crealde-gallery/Content?oid=2241665" target="_blank">‘Grady Kimsey: The Mind’s Eye’ at Crealdé gallery: Primitive masterpieces are a suite of stories told in miniature</a>." Orlando Weekly, January 21, 2014. http://www.orlandoweekly.com/orlando/grady-kimsey-the-minds-eye-at-crealde-gallery/Content?oid=2241665l. art artist Grady Kimsey oil painting painter painting Seekers https://richesmi.cah.ucf.edu/omeka/files/original/c46d0a1b47e45e648234b9b3e0ac253d.jpg 7cec7a5ad491d366b0252f91d2f3b37d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 oil painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Untitled (Tondo) by Doris "Doc" Marie Leeper Alternative Title Untitled (Tondo) by Leeper Subject Leeper, Doris, 1929-2000 Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Description Untitled (Tondo), an oil on masonite painting created by Doris Marie Leeper around 1960. Known to many as "Doc," Leeper was a trailblazing abstract painter and sculptor based in Eldora, Florida near New Smyrna Beach. Originally from North Carolina, Leeper found an artistic oasis in Central Florida. The region provided her with the space to buy a house and work in relative isolation, but also augmented her interest in natural preservation. Today, the Doris Leeper Spruce Creek Preserve remains a testament to her environmental dedication. Leeper’s impact on Central Florida also became apparent through her support for institutions; for example, she was a founder of the Atlantic Center for the Arts in New Smyrna Beach. Leeper’s local legacy manifests itself most profoundly through her artistic production. Her bold lines, strong color palette, and propensity for clean lines aesthetically aligned her with minimalism. Leeper’s painting evolved from representational to non-objective over time. She embraced a language of abstraction more typical of the prevailing New York art world in the 1960 and 1970s, as opposed to the dominant aesthetic in Florida during the same time period. She showed her work locally and regionally with regularity. Her work was celebrated by significant solo exhibitions at the Hunter Museum of American Art in Chattanooga, Tennessee, and the Mint Museum of Art in Charlotte, North Carolina. The process of mining local histories yields the legacies of talented artists who have often been discarded from mainstream narratives. When one engages deeper with Leeper’s work, it is not difficult to conclude that her myriad two- and three-dimensional works are worthy of not only a local, but a national story. Type Still Image Source Original oil painting: Leeper, Doris Marie. Untitled (Tondo): item 1995.13, <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Cornell Fine Arts Museum</a>, Winter Park, Florida. Is Part Of <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Cornell Fine Arts Museum</a>, Winter Park, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original oil painting: Leeper, Doris Marie. Untitled (Tondo). Coverage Eldora, Florida New Smyrna Beach, Florida Creator Leeper, Doris "Doc" Marie Date Created ca. 1960 Date Copyrighted ca. 1960 Format image/jpg Extent 278 KB Medium 1 oil painting Language eng Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Doris "Doc" Marie Leeper. Donated to the <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Cornell Fine Arts Museum</a> by Dyer Moss in 1961. Rights Holder Copyright to this resource is held by Doris "Doc" Marie Leeper and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Cornell Fine Arts Museum</a> External Reference "<a href="http://dos.myflorida.com/cultural/programs/florida-artists-hall-of-fame/doris-leeper/" target="_blank">Doris Leeper: SCULPTOR, PAINTER</a>." Division of Cultural Affairs, Florida of Department of States. http://dos.myflorida.com/cultural/programs/florida-artists-hall-of-fame/doris-leeper/. Moore, Roger. "<a href="http://articles.orlandosentinel.com/2000-04-12/news/0004120103_1_smyrna-beach-new-smyrna-leeper" target="_blank">Doris Leeper Was A `Force For The Arts':The Atlantic Center For The Arts Was Among The Volusia Woman's Many Creations</a>." The Orlando Sentinel, April 12, 2000. http://articles.orlandosentinel.com/2000-04-12/news/0004120103_1_smyrna-beach-new-smyrna-leeper. abstract art art artist Doris "Doc" Marie Leeper Dyer Moss oil painting painter painting Untitled (Tondo) https://richesmi.cah.ucf.edu/omeka/files/original/17d1586f9a1279e69bc381d2b2897e1a.jpg a657dfb4cc7a198be1b1c17d6c59df3e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 oil painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Composition by Ralph L. Bagley Alternative Title Composition by Bagley Subject Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Description Composition, an oil painting by Ralph L. Bagley (ca. 1914-2008). Bagley was an artist and instructor who taught in Central Florida from the 1950s until his death in 2008, when he was 94 years old. He was born in Bertrand, Missouri, and attended the Flint Institute of Art in Flint, Michigan, continuing his studies in New York and Washington, D.C. Bagley and his wife, Marianne Bagley, moved to Orlando, Florida in 1950, where Bagley founded the Orlando Institute of Art, the city’s first fine-arts school. Bagley depicted landscapes, still lifes, and portraits in a variety of media, including oil, watercolor, and charcoal. Bagley also taught at Orlando Junior College, becoming head of the school’s art department in 1965. After the college closed in 1971, he taught at Lake-Sumter Community College in Leesburg, the Maitland Art Center in Maitland, and the Loch Haven Art Center (now the Orlando Museum of Art). He toured the nation with at least 30 one-man art shows featuring his paintings. Among many positions he held in art organizations, Bagley was president of the Orlando Art Association and a founding member and president of the Artists’ League of Orange County. The works of his many students sustain his legacy. Type Still Image Source Original oil painting: Bagley, Ralph L. Composition: <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. Is Part Of <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original oil painting: Bagley, Ralph L. Composition. Coverage Orlando, Florida Creator Bagley, Ralph L. Date Created ca. 1914-2008 Format image/jpg Extent 622 KB Medium 1 oil painting Language eng Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Ralph L. Bagley. Rights Holder Copyright to this resource is held by Ralph L. Bagley and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> External Reference Finley, Gabrielle. "<a href="http://articles.orlandosentinel.com/2008-01-13/news/dead13_1_bagley-art-center-institute-of-art" target="_blank">Obit: Art teacher Ralph L. Bagley, 94, stressed creativity among students</a>." The Orlando Sentinel, January 13, 2008. http://articles.orlandosentinel.com/2008-01-13/news/dead13_1_bagley-art-center-institute-of-art. Abandoned art artist education educator oil painting painter painting Ralph L. Bagley teacher https://richesmi.cah.ucf.edu/omeka/files/original/446093b989807e6354371eb4975c59c7.jpg ee4208a0c57ec758151ffe212d0324fe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 oil painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Abandoned by Ralph L. Bagley Alternative Title Abandoned by Bagley Subject Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Description Abandoned, an oil painting by Ralph L. Bagley (ca. 1914-2008). Bagley was an artist and instructor who taught in Central Florida from the 1950s until his death in 2008, when he was 94 years old. He was born in Bertrand, Missouri, and attended the Flint Institute of Art in Flint, Michigan, continuing his studies in New York and Washington, D.C. Bagley and his wife, Marianne Bagley, moved to Orlando, Florida in 1950, where Bagley founded the Orlando Institute of Art, the city’s first fine-arts school. Bagley depicted landscapes, still lifes, and portraits in a variety of media, including oil, watercolor, and charcoal. Bagley also taught at Orlando Junior College, becoming head of the school’s art department in 1965. After the college closed in 1971, he taught at Lake-Sumter Community College in Leesburg, the Maitland Art Center in Maitland, and the Loch Haven Art Center (now the Orlando Museum of Art). He toured the nation with at least 30 one-man art shows featuring his paintings. Among many positions he held in art organizations, Bagley was president of the Orlando Art Association and a founding member and president of the Artists’ League of Orange County. The works of his many students sustain his legacy. Type Still Image Source Original oil painting: Bagley, Ralph L. Abandoned: <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. Is Part Of <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original oil painting: Bagley, Ralph L. Abandoned. Coverage Orlando, Florida Creator Bagley, Ralph L. Date Created ca. 1914-2008 Format image/jpg Extent 792 KB Medium 1 oil painting Language eng Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Ralph L. Bagley. Rights Holder Copyright to this resource is held by Ralph L. Bagley and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> External Reference Finley, Gabrielle. "<a href="http://articles.orlandosentinel.com/2008-01-13/news/dead13_1_bagley-art-center-institute-of-art" target="_blank">Obit: Art teacher Ralph L. Bagley, 94, stressed creativity among students</a>." The Orlando Sentinel, January 13, 2008. http://articles.orlandosentinel.com/2008-01-13/news/dead13_1_bagley-art-center-institute-of-art. Abandoned art artist education educator oil painting painter painting Ralph L. Bagley teacher https://richesmi.cah.ucf.edu/omeka/files/original/91e95e79291dca70c249853468b7dfa2.jpg f99236acc2cfbb09f4f3e6a370d8bdb0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Ralph L. Bagley Alternative Title Ralph Bagley Subject Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Educators--Florida Teachers--Florida Orlando (Fla.) Leesburg (Fla.) Maitland (Fla.) Lake-Sumter Community College Orlando Museum of Art Description Ralph L. Bagley (ca. 1914-2008) with his paintings. Bagley was an artist and instructor who taught in Central Florida from the 1950s until his death in 2008, when he was 94 years old. He was born in Bertrand, Missouri, and attended the Flint Institute of Art in Flint, Michigan, continuing his studies in New York and Washington, D.C. Bagley and his wife, Marianne Bagley, moved to Orlando, Florida in 1950, where Bagley founded the Orlando Institute of Art, the city’s first fine-arts school. Bagley depicted landscapes, still lifes, and portraits in a variety of media, including oil, watercolor, and charcoal. Bagley also taught at Orlando Junior College, becoming head of the school’s art department in 1965. After the college closed in 1971, he taught at Lake-Sumter Community College in Leesburg, the Maitland Art Center in Maitland, and the Loch Haven Art Center (now the Orlando Museum of Art). He toured the nation with at least 30 one-man art shows featuring his paintings. Among many positions he held in art organizations, Bagley was president of the Orlando Art Association and a founding member and president of the Artists’ League of Orange County. The works of his many students sustain his legacy. Type Still Image Source Original black and white photograph: <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. Is Part Of <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. Coverage Flint Institute of Art, Flint, Michigan Orlando, Florida Orlando Institute of Art, Orlando, Florida Orlando Junior College, Orlando, Florida Lake-Sumter Community College, Leesburg, Florida Maitland Art Center, Maitland, Florida Loch Haven Art Center, Orlando, Florida Date Created ca. 1970 Format image/jpg Extent 304 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Visual Arts Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> External Reference Finley, Gabrielle. "<a href="http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting" target="_blank">stressed creativity among students</a>." The Orlando Sentinel, January 13, 2008. http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting. art artist Artists’ League of Orange County education educator Flint Institute of Art Flint, Michigan Lake-Sumter Community College Leesburg Loch Haven Art Center Maitland Maitland Art Center orlando Orlando Art Association Orlando Institute of Art Orlando Junior College Orlando Museum of Art painter painting Ralph L. Bagley teacher https://richesmi.cah.ucf.edu/omeka/files/original/9f00569cbe94d56f4cee4d12a06a5f04.jpg 7636dcb52173622ec4013cd916938043 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title World Champion Pine Chip by Bill Orr Alternative Title World Champion Pine Chip by Orr Subject Orr, Bill Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Horses--Florida Description World Champion Pine Chip by Bill Orr. Growing up in Michigan, Orr (1925-) worked breaking in mustang ponies. When World War II broke out, Orr joined the U.S. Army and was a member of the cavalry regiment. Later seeing action on Okinawa in the Pacific Theater, he was among the first servicemen to serve in Japan after the war. Orr found his way to the Research Studio in 1961 after applying for a position through a newspaper advertisement. Orr, along with Maury Hurt, was instrumental in leading the movement to save the Art Center from developers in the 1960s. As an artist he made a living doing life-size portraits of horses. He would go on to establish himself as a leading equine artist, a tribute to his lifetime love of horses. Type Still Image Source Original painting: Orr, Bill. World Champion Pine Chip: <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum, Art & History Museums - Maitland</a>, Maitland, Florida. Is Part Of <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum, Art & History Museums - Maitland</a>, Maitland, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Orr, Bill. World Champion Pine Chip. Coverage Research Studio, Maitland, Florida Maitland Art Center, Maitland, Florida Creator Orr, Bill Date Created ca. 1934-2015 Format image/jpg Extent 80.2 KB Medium 1 painting Language eng Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bill Orr. Rights Holder Copyright to this resource is held by Bill Orr and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> External Reference Hoffman, Dean A. "<a href="http://xwebapp.ustrotting.com/absolutenm/templates/article.aspx?articleid=42115&zoneid=38" target="_blank">Bill Orr: Canvassing the harness world</a>." United States Trotting Association, April 27, 2011. http://xwebapp.ustrotting.com/absolutenm/templates/article.aspx?articleid=42115&zoneid=38. art artist Bill Orr horse painter painting World Champion Pine Chip https://richesmi.cah.ucf.edu/omeka/files/original/bf69dffe86e1ea808f3e3efa00eb71a3.jpg 7852e0fa92f65d9ea0772290761c1736 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 oil painting Physical Dimensions 42 x 36 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Untitled by Maury Hurt Alternative Title Untitled by Hurt Subject Hurt, Maury, 1934- Hurt, James, 1934- Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Description Untitled, an oil painting by Orlando native Maury Hurt (1934-2013), who graduated from the University of Florida with a design degree in 1956. Hurt continued to work in the graphic arts fields for several years after serving a short tour in the U.S. Army before abandoning the profession to become a full-time painter. From a studio at the Art & History Museums’s Maitland Art Center, Hurt’s work centered on primitive and archaic themes often focusing on the relationship of humans, animals, and early prehistoric life. Hurst, along with Bill Orr, was instrumental in leading the movement to save the Art Center from developers in the 1960s. His legacy lies in his masterful work and is mentorship of artists across Central Florida. Type Still Image Source Original 42 x 36 inch oil painting: Hurt, Maury. Untitled: <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a>, Maitland, Florida. Is Part Of <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a>, Maitland, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original 42 x 36 inch oil painting: Hurt, Maury. Untitled. Coverage Orlando, Florida University of Florida, Gainesville, Florida Maitland Art Center, Maitland, Florida Creator Hurt, Maury Date Created ca. 1934-2013 Format image/jpg Extent 119 KB Medium 42 x 36 inch oil painting Language eng Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Maury Hurt. Rights Holder Copyright to this resource is held by <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> External Reference Schlueb, Mark. "<a href="http://articles.orlandosentinel.com/2013-03-25/news/os-maury-hurt-obituary-20130325_1_graphic-artist-orlando-museum-michael-mennello" target="_blank">James Maury Hurt: Local painter who mentored other artists</a>." The Orlando Sentinel, March 25, 2013. http://articles.orlandosentinel.com/2013-03-25/news/os-maury-hurt-obituary-20130325_1_graphic-artist-orlando-museum-michael-mennello. art artist James Maury Hurt Maury Hurt painter painting https://richesmi.cah.ucf.edu/omeka/files/original/5b45dcf97c091829e4cf092ba2582eae.jpg 212a49ac295d78e2c0d3840223a92016 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Doris "Doc" Marie Leeper, 1956 Alternative Title Doris Leeper Subject Leeper, Doris, 1929-2000 Artists--Florida Art--Southern States Painters--Southern States Painting--Florida New Smyrna Beach (Fla.) Description Doris Marie Leeper in her studio in 1956. Known to many as "Doc," Leeper was a trailblazing abstract painter and sculptor based in Eldora, Florida, near New Smyrna Beach. Originally from North Carolina, Leeper found an artistic oasis in Central Florida. The region provided her with the space to buy a house and work in relative isolation, but also augmented her interest in natural preservation. Today, the Doris Leeper Spruce Creek Preserve remains a testament to her environmental dedication. Leeper’s impact on Central Florida also became apparent through her support for institutions; for example, she was a founder of the Atlantic Center for the Arts in New Smyrna Beach. Leeper’s local legacy manifests itself most profoundly through her artistic production. Her bold lines, strong color palette, and propensity for clean lines aesthetically aligned her with minimalism. Leeper’s painting evolved from representational to non-objective over time. She embraced a language of abstraction more typical of the prevailing New York art world in the 1960 and 1970s, as opposed to the dominant aesthetic in Florida during the same time period. She showed her work locally and regionally with regularity. Her work was celebrated by significant solo exhibitions at the Hunter Museum of American Art in Chattanooga, Tennessee, and the Mint Museum of Art in Charlotte, North Carolina. The process of mining local histories yields the legacies of talented artists who have often been discarded from mainstream narratives. When one engages deeper with Leeper’s work, it is not difficult to conclude that her myriad two- and three-dimensional works are worthy of not only a local, but a national story. Type Still Image Source Original black and white photograph, 1956: <a href="http://www.atlanticcenterforthearts.org/" target="_blank">Atlantic Center for the Arts</a>, New Smyrna Beach, Florida. Is Part Of <a href="http://www.atlanticcenterforthearts.org/" target="_blank">Atlantic Center for the Arts</a>, New Smyrna Beach, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Pioneers Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, 1956. Coverage Atlantic Center for the Arts, New Smyrna Beach, Florida Date Created 1956 Format image/jpg Extent 320 KB Medium 1 black and white photograph Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.atlanticcenterforthearts.org/" target="_blank">Atlantic Center for the Arts</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.atlanticcenterforthearts.org/" target="_blank">Atlantic Center for the Arts</a> External Reference "<a href="http://dos.myflorida.com/cultural/programs/florida-artists-hall-of-fame/doris-leeper/" target="_blank">Doris Leeper: SCULPTOR, PAINTER</a>." Division of Cultural Affairs, Florida of Department of States. http://dos.myflorida.com/cultural/programs/florida-artists-hall-of-fame/doris-leeper/. Moore, Roger. "<a href="http://articles.orlandosentinel.com/2000-04-12/news/0004120103_1_smyrna-beach-new-smyrna-leeper" target="_blank">Doris Leeper Was A `Force For The Arts':The Atlantic Center For The Arts Was Among The Volusia Woman's Many Creations</a>." The Orlando Sentinel, April 12, 2000. http://articles.orlandosentinel.com/2000-04-12/news/0004120103_1_smyrna-beach-new-smyrna-leeper. abstract art art artist Atlantic Center for the Arts Doris "Doc" Marie Leeper Jack Mitchell New Smyrna Beach painter painting https://richesmi.cah.ucf.edu/omeka/files/original/d84f610b43a304996928502dbe498543.jpg a4d089a0f30502f58a6ed248c5acd160 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Doris "Doc" Marie Leeper, 1996 Alternative Title Doris Leeper Subject Leeper, Doris, 1929-2000 Artists--Florida Art--Southern States Painters--Southern States Painting--Florida New Smyrna Beach (Fla.) Description Doris Marie Leeper in 1996. Known to many as "Doc," Leeper was a trailblazing abstract painter and sculptor based in Eldora, Florida, near New Smyrna Beach. Originally from North Carolina, Leeper found an artistic oasis in Central Florida. The region provided her with the space to buy a house and work in relative isolation, but also augmented her interest in natural preservation. Today, the Doris Leeper Spruce Creek Preserve remains a testament to her environmental dedication. Leeper’s impact on Central Florida also became apparent through her support for institutions; for example, she was a founder of the Atlantic Center for the Arts in New Smyrna Beach. Leeper’s local legacy manifests itself most profoundly through her artistic production. Her bold lines, strong color palette, and propensity for clean lines aesthetically aligned her with minimalism. Leeper’s painting evolved from representational to non-objective over time. She embraced a language of abstraction more typical of the prevailing New York art world in the 1960 and 1970s, as opposed to the dominant aesthetic in Florida during the same time period. She showed her work locally and regionally with regularity. Her work was celebrated by significant solo exhibitions at the Hunter Museum of American Art in Chattanooga, Tennessee, and the Mint Museum of Art in Charlotte, North Carolina. The process of mining local histories yields the legacies of talented artists who have often been discarded from mainstream narratives. When one engages deeper with Leeper’s work, it is not difficult to conclude that her myriad two- and three-dimensional works are worthy of not only a local, but a national story. Type Still Image Source Original black and white photograph by Jack Mitchell, 1996: <a href="http://www.atlanticcenterforthearts.org/" target="_blank">Atlantic Center for the Arts</a>, New Smyrna Beach, Florida. Is Part Of <a href="http://www.atlanticcenterforthearts.org/" target="_blank">Atlantic Center for the Arts</a>, New Smyrna Beach, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Pioneers Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph by Jack Mitchell, 1996. Coverage Atlantic Center for the Arts, New Smyrna Beach, Florida Creator Mitchell, Jack Date Created 1996 Format image/jpg Extent 123 KB Medium 1 black and white photograph Language eng Mediator History Teacher Provenance Originally created by Jack Mitchell. Rights Holder Copyright to this resource is held by the <a href="http://www.atlanticcenterforthearts.org/" target="_blank">Atlantic Center for the Arts</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.atlanticcenterforthearts.org/" target="_blank">Atlantic Center for the Arts</a> External Reference "<a href="http://dos.myflorida.com/cultural/programs/florida-artists-hall-of-fame/doris-leeper/" target="_blank">Doris Leeper: SCULPTOR, PAINTER</a>." Division of Cultural Affairs, Florida of Department of States. http://dos.myflorida.com/cultural/programs/florida-artists-hall-of-fame/doris-leeper/. Moore, Roger. "<a href="http://articles.orlandosentinel.com/2000-04-12/news/0004120103_1_smyrna-beach-new-smyrna-leeper" target="_blank">Doris Leeper Was A `Force For The Arts':The Atlantic Center For The Arts Was Among The Volusia Woman's Many Creations</a>." The Orlando Sentinel, April 12, 2000. http://articles.orlandosentinel.com/2000-04-12/news/0004120103_1_smyrna-beach-new-smyrna-leeper. abstract art art artist Atlantic Center for the Arts Doris "Doc" Marie Leeper Jack Mitchell New Smyrna Beach painter painting sculpture https://richesmi.cah.ucf.edu/omeka/files/original/ccbf8aa7312a0d69e1698ee7c415babf.jpg dfc2c10f31c2920f176f0047d5f7d802 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Doris "Doc" Marie Leeper with Sculpture, 1996 Alternative Title Doris Leeper Subject Leeper, Doris, 1929-2000 Artists--Florida Art--Southern States Painters--Southern States Painting--Florida New Smyrna Beach (Fla.) Description Doris Marie Leeper in 1996. Known to many as "Doc," Leeper was a trailblazing abstract painter and sculptor based in Eldora, Florida, near New Smyrna Beach. Originally from North Carolina, Leeper found an artistic oasis in Central Florida. The region provided her with the space to buy a house and work in relative isolation, but also augmented her interest in natural preservation. Today, the Doris Leeper Spruce Creek Preserve remains a testament to her environmental dedication. Leeper’s impact on Central Florida also became apparent through her support for institutions; for example, she was a founder of the Atlantic Center for the Arts in New Smyrna Beach. Leeper’s local legacy manifests itself most profoundly through her artistic production. Her bold lines, strong color palette, and propensity for clean lines aesthetically aligned her with minimalism. Leeper’s painting evolved from representational to non-objective over time. She embraced a language of abstraction more typical of the prevailing New York art world in the 1960 and 1970s, as opposed to the dominant aesthetic in Florida during the same time period. She showed her work locally and regionally with regularity. Her work was celebrated by significant solo exhibitions at the Hunter Museum of American Art in Chattanooga, Tennessee, and the Mint Museum of Art in Charlotte, North Carolina. The process of mining local histories yields the legacies of talented artists who have often been discarded from mainstream narratives. When one engages deeper with Leeper’s work, it is not difficult to conclude that her myriad two- and three-dimensional works are worthy of not only a local, but a national story. Type Still Image Source Original black and white photograph by Jack Mitchell, 1996: <a href="http://www.atlanticcenterforthearts.org/" target="_blank">Atlantic Center for the Arts</a>, New Smyrna Beach, Florida. Is Part Of <a href="http://www.atlanticcenterforthearts.org/" target="_blank">Atlantic Center for the Arts</a>, New Smyrna Beach, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Pioneers Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph by Jack Mitchell, 1996. Coverage Atlantic Center for the Arts, New Smyrna Beach, Florida Creator Mitchell, Jack Date Created 1996 Format image/jpg Extent 446 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Jack Mitchell. Rights Holder Copyright to this resource is held by the <a href="http://www.atlanticcenterforthearts.org/" target="_blank">Atlantic Center for the Arts</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.atlanticcenterforthearts.org/" target="_blank">Atlantic Center for the Arts</a> External Reference "<a href="http://dos.myflorida.com/cultural/programs/florida-artists-hall-of-fame/doris-leeper/" target="_blank">Doris Leeper: SCULPTOR, PAINTER</a>." Division of Cultural Affairs, Florida of Department of States. http://dos.myflorida.com/cultural/programs/florida-artists-hall-of-fame/doris-leeper/. Moore, Roger. "<a href="http://articles.orlandosentinel.com/2000-04-12/news/0004120103_1_smyrna-beach-new-smyrna-leeper" target="_blank">Doris Leeper Was A `Force For The Arts':The Atlantic Center For The Arts Was Among The Volusia Woman's Many Creations</a>." The Orlando Sentinel, April 12, 2000. http://articles.orlandosentinel.com/2000-04-12/news/0004120103_1_smyrna-beach-new-smyrna-leeper. abstract art art artist Atlantic Center for the Arts Doris "Doc" Marie Leeper Jack Mitchell New Smyrna Beach painter painting https://richesmi.cah.ucf.edu/omeka/files/original/e80d94ea24158e5022e72caa0c4807d0.jpg 6bde2b792bc627fe90e460ef511fb4de Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Judy Albertson Alternative Title Judy Albertson Subject Art--Southern States Orlando (Fla.) University of Central Florida Description Judy Albertson was active in the art community when she met gallery owner Louise Peterson. Fifteen years later, they established the Albertson-Peterson Gallery as a unique fine arts crafts gallery. Together, the pair developed a dialogue that led to greater interest in the importance of a solid link between business and the art community. Independent of the commercial gallery, the Art Consulting Program Planning Division helped give direction and dedication to corporations through the acquisition of visual arts. Albertson was involved in helping University of Central Florida develop its educational and arts programs from its early years. She has served on the UCF Board of Trustees and the UCF Foundation and helped establish Friends of UCF (a nonprofit organization dealing with the arts, humanities and culture). She has been a member of the Board of Trustees of the Orlando Museum of Art, a member of the Board of Visitors of the Cornell Fine Arts Museum at Rollins College and was on the board of the Cultural Alliance. Type Still Image Source Original color photograph: <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a>, Orlando, Florida. Is Part Of <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Coverage Albertson-Peterson Gallery, Winter Park, Florida University of Central Florida, Orlando, Florida Date Created ca. 1960-2015 Format image/jpg Extent 127 KB Medium 1 color photograph Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> External Reference "<a href="http://articles.orlandosentinel.com/1987-04-05/news/0120150289_1_reese-watercolors-school-of-art" target="_blank">Art Center Shows Reese's Watercolors</a>." The Orlando Sentinel, April 5, 1987. http://articles.orlandosentinel.com/1987-04-05/news/0120150289_1_reese-watercolors-school-of-art. Albertson-Peterson Gallery art Art Consulting Program Planning Division college Cornell Fine Arts Museum Cultural Alliance education Friends of UCF gallery Judy Albertson Orlando Museum of Art school UCF UCF Board of Trustees UCF Foundation university University of Central Florida https://richesmi.cah.ucf.edu/omeka/files/original/1fcbeec47448146615457ef730afea1c.JPG 70ebfc5f2e65c5fba30f4b85353edbb4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 watercolor painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Red Azalea by David Reese Alternative Title Red Azalea by David Reese Subject Reese, David Art--Southern States Painting--Florida Paintings (Visual works) Orlando (Fla.) Azaleas--United States Flowers--Florida Description Red Azalea by David Reese, one of Central Florida's best known watercolorists. Reese began his art studies at the High Museum School of Art in Atlanta, Georgia, and continued at the Art Students League and the Fashion Academy (both in New York), and at Florida State University in Tallahassee, Florida. He taught at the Fashion Academy, Atlanta Art Institute, Armstrong State College in Savannah, Stetson University in Deland, and Valencia Community College (present-day Valencia College) in Orlando. Reese, formerly the director of the Loch Haven Art Center in Orlando, was also an instructor at the Creald้ฉ School of Art in Winter Park, where he taught classes and workshops in watercolor. Reese typically paints segments of nature by taking a small portion of a scene and blowing it up as big as 30 inches by 40 inches. He also occasionally uses slides as references, and says he will take a scene as small as a quarter of the slide and magnify it to huge proportions. Finally, Reese also occasionally paints landscapes. In his technique, Reese relies mainly on composition and subject matter for impact. Type Still Image Source Original watercolor painting by David Reese: <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. Is Part Of <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original watercolor painting by David Reese. Coverage Orlando, Florida Creator Reese, David Date Created ca. 1950-2015 Format image/jpg Extent 373 KB Medium 1 watercolor painting Language eng Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by David Reese. Rights Holder Copyright to this resource is held by the <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> External Reference "<a href="http://articles.orlandosentinel.com/1987-04-05/news/0120150289_1_reese-watercolors-school-of-art" target="_blank">Art Center Shows Reese's Watercolors</a>." The Orlando Sentinel, April 5, 1987. http://articles.orlandosentinel.com/1987-04-05/news/0120150289_1_reese-watercolors-school-of-art. art artist azalea David Reese flower orlando painter painting Red Azalea watercolor watercolorist https://richesmi.cah.ucf.edu/omeka/files/original/2145c2c0412c325245b2a096ce73ef24.jpg cbe45f58cc6927ab852582a0c7054b12 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Painting by Harri Klotz Alternative Title Painting by Harri Klotz Subject Art--Southern States Painting--Florida Paintings (Visual works) Orlando (Fla.) Description Born in New York City, Harri Klotz has worked in New York, Florida, and Provincetown, Massachusetts. Settling in Orlando in 1946, she and husband, Solomon Klotz, collected jewelry from around the world along with pre-Columbian artifacts, which was donated to the Orlando Museum of Art upon her death at age 84. Discovering a lack of interest and support for the arts in Central Florida, Klotz formed the Creative Workshop, an artist's cooperative, in 1962. Members were encouraged to exhibit their work and share critique and ideas. She eventually opened a commercial gallery, as well. Klotz was a colorist who employed layers upon layers of paint. One can look at one color area and see further and further within, but always return to the surface, as when a person looks into a pool of water that reflect the sky. Her jagged edgings enhance the dynamism of her surfaces. Free from any particular boundaries while retaining control of the elements, the emphasis is focused on the subject of the interior state with the intense feeling evoked by the abstract qualities of nature. The interplay of free shapes and the intensity of color expression float in an atmospheric continuum. Harri employs the full prism of colors in many ranges and categories. Type Still Image Source Original color painting by Harri Klotz: <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. Is Part Of <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color painting by Harri Klotz. Coverage Orlando, Florida Creator Klotz, Harri Date Created ca. 1926-2015 Format image/jpg Extent 104 KB Medium 1 painting Language eng Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Harri Klotz. Rights Holder Copyright to this resource is held by the <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> External Reference "<a href="http://www.orlandoatplay.com/event/detail/20004/Art_Legends_of_Orange_County" target="_blank">Art Legends of Orange County</a>." OrlandoAtPlay.com. http://www.orlandoatplay.com/event/detail/20004/Art_Legends_of_Orange_County. art artist colorist Creative Workshop Harri Klotz orlando painter painting