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                  <text>&lt;a href="http://www.polasek.org/" target="_blank"&gt;Albin Polasek Museum &amp;amp; Sculpture Gardens&lt;/a&gt;</text>
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                  <text>Eldora, Florida</text>
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                  <text>"&lt;a href="http://www.artlegendsoc.org/" target="_blank"&gt;Art Legends of Orange County&lt;/a&gt;." Art Legends of Orange County. http://www.artlegendsoc.org/.</text>
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                  <text>&lt;p&gt;Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art.&lt;br /&gt;&lt;br /&gt;To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the &lt;em&gt;Art Legends of Orange County&lt;/em&gt; initiative.&lt;br /&gt;&lt;br /&gt;This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. &lt;em&gt;Art Legends of Orange County&lt;/em&gt; celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text> Art--Southern States</text>
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                <text>Born in Fleyh, Czechoslovakia, in 1931, pop artist Dr. Walter Gaudnek is known for his blend of his bold colors, philosophy, religious symbolism, labyrinth installations, and mixtures of performance and art. He also draws heavy inspiration from Bohemia, Caravaggio, Kazimir Malevich, and Pablo Picasso. A 1957 Fulbright Scholar who received his doctorate from New York University, he joined the art faculty of the Florida Technological University (present-day University of Central Florida) in Orlando, Florida, in 1970. Dr. Gaudnek previously taught at universities in Los Angeles, New York, and Ohio. He founded the Long Island University's Hillwood Art Museum in Greenvale, New York. His honors from UCF include Distinguished Researcher of the Year (1990), the Teaching Incentive Program Award (1995 and 2005), the Professional Excellence Program Award (1997), the President's Award (1999), and the Research Incentive Award (2002). In 1994, the Sudetendeutecher Landsmannschaft, an organization dedicated to recognizing the achievements of the Czech-German diaspora, awarded him the Kulturpreis for Fine Art and Architecture.&lt;br /&gt;&lt;br /&gt;Dr. Gaudnek's work can be seen at the Gaudnek Europe Museum (GEM) in Altomnster, Germany, as well as the UCF Library, which contains a retrospective of his work from 1945 to 2007. He has participated in more than 200 solo and group exhibitions, installations, and performances in Germany, Italy, Spain, England, Colombia, the Czech Republic, and the United States. His works have also been exhibited in museums in New York, San Francisco, Los Angeles, Virginia, Arizona, Florida, Europe, and Brazil, as well as schools, banks, office buildings, libraries, theaters, museums, and private homes in Europe and the United States. He has been featured in documentaries in San Francisco, New York, Munich, Sใo Paolo, and Paris.</text>
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                <text> Gaudnek Europe Museum, Altomnster, Dachau, Bavaria, Germany</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.cityoforlando.net/arts/" target="_blank"&gt;City of Orlando Terrace Gallery&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>"&lt;a href="http://www.gaudnek.com/?page_id=418" target="_blank"&gt;ABOUT&lt;/a&gt;." Gaudnek.com. http://www.gaudnek.com/?page_id=418.</text>
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                <text>Bishop, Philip E. "&lt;a href="http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting" target="_blank"&gt;Artist Puts His Religious Faith On Canvas In Bright Pop Style&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, November 28, 1993. http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting.</text>
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&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text>A self portrait of Steve Lotz in 2005. Lotz received his Bachelor of Fine Arts from the University of California, Los Angeles and his Master of Fine Arts from the University of Florida in Gainesville, Florida. Lotz became an instructor of art at the Florida Technological University (present-day University of Central Florida) in Orlando in 1968, and served as the chairman of the Art Department for its first 10 years. He retired as a Professor Emeritus in 2003. As head of the department, Lotz was integral in establishing the success of the University's visual arts programs. &lt;br /&gt;&lt;br /&gt;Steve Lotz is an internationally-recognized artist with solo exhibitions of his work held throughout the U.S., Europe, and the Caribbean, and he is represented in numerous public and private collections. His best known work in Central Florida is the monumental triptych, Florida Dream, which has been on view in the main terminal of the Orlando International Airport since it was commissioned in 1981.</text>
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                <text>Originally created by Steve Lotz.</text>
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                <text>Copyright to this resource is held by Steve Lotz and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Mathers, Sandra. "&lt;a href="http://articles.orlandosentinel.com/1999-05-02/news/9904300881_1_lotz-gretchen-surreal-paintings" target="_blank"&gt;A Couple Of Artists Share Their Journey Through Life: The Two Are Familiar Figures In The Cultural Community. They Recently Exhibited Their Work At The University&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, May 2, 1999. http://articles.orlandosentinel.com/1999-05-02/news/9904300881_1_lotz-gretchen-surreal-paintings.</text>
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                  <text>&lt;p&gt;Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art.&lt;br /&gt;&lt;br /&gt;To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the &lt;em&gt;Art Legends of Orange County&lt;/em&gt; initiative.&lt;br /&gt;&lt;br /&gt;This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. &lt;em&gt;Art Legends of Orange County&lt;/em&gt; celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text>Jeannette Genius McKean (1909-1989) was a painter, interior designer, and trustee, and benefactor of Rollins College in Winter Park, Florida. Born in Chicago, Illinois, she visited her grandfather, Charles Hosmer Morse, in Winter Park. On one summer visit in 1926, she enrolled in a course at Rollins, touching off a lifelong interest in the college. In 1942, Jeannette Genius founded the Morse Gallery of Art (present-day Charles Hosmer Morse Museum of American Art) on the Rollins College campus, naming it for her grandfather. She appointed Rollins art professor Hugh McKean as the gallery's director, and in 1945, she married him.</text>
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                <text>Original black and white photograph: &lt;a href="https://thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank"&gt;Art Legends of Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by the &lt;a href="https://thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.artlegendsoc.org/" target="_blank"&gt;Art Legends of Orange County&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="https://thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt;</text>
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                <text>Twardy, Chuck and Charlie Jean. "&lt;a href="http://articles.orlandosentinel.com/1989-08-11/news/8908112511_1_winter-park-rollins-mckean" target="_blank"&gt;Jeannette Genius Mckean, Famed Winter Park Artist, Dies&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, August 11, 1989. http://articles.orlandosentinel.com/1989-08-11/news/8908112511_1_winter-park-rollins-mckean.</text>
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                <text>"&lt;a href="http://www.morsemuseum.org/morse-history/Jeannette-genius-mckean" target="_blank"&gt;Charles Hosmer Morse&lt;/a&gt;." The Charles Hosmer Morse Museum of American Art. http://www.morsemuseum.org/morse-history/Jeannette-genius-mckean.</text>
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                  <text>&lt;a href="http://www.polasek.org/" target="_blank"&gt;Albin Polasek Museum &amp;amp; Sculpture Gardens&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.orangecountyfl.net/" target="_blank"&gt;Orange County Commission Chambers&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.cityoforlando.net/arts/" target="_blank"&gt;City of Orlando Gallery&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank"&gt;CityArts Factory&lt;/a&gt;</text>
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                  <text>&lt;a href="http://artandhistory.org/" target="_blank"&gt;Art &amp;amp; History Museums - Maitland&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank"&gt;Cornell Fine Arts Museum&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.crealde.org/" target="_blank"&gt;Crealdé School of Art&lt;/a&gt;</text>
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                  <text>&lt;a href="https://thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt;</text>
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                  <text>&lt;a href="http://gallery.cah.ucf.edu/"&gt;University of Central Florida Art Gallery&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                  <text>Eldora, Florida</text>
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                  <text>Gainesville, Florida</text>
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                  <text>Sanford, Florida</text>
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                  <text>&lt;a href="http://www.artlegendsoc.org/" target="_blank"&gt;Art Legends of Orange County&lt;/a&gt;</text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.artlegendsoc.org/" target="_blank"&gt;Art Legends of Orange County&lt;/a&gt;." Art Legends of Orange County. http://www.artlegendsoc.org/.</text>
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                  <text>&lt;p&gt;Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art.&lt;br /&gt;&lt;br /&gt;To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the &lt;em&gt;Art Legends of Orange County&lt;/em&gt; initiative.&lt;br /&gt;&lt;br /&gt;This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. &lt;em&gt;Art Legends of Orange County&lt;/em&gt; celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text>Hugh F. McKean (1908-1995) moved to Orlando, Florida, from College Hill in Beaver Falls, Pennsylvania, where he was raised. He earned his bachelor's degree from Rollins College in Winter Park in 1930 and joined its faculty in 1932, later heading its art department. He studied art at the Pennsylvania Academy of the Fine Arts in Philadelphia, Art Students League in New York City, the École des Beaux-Arts at Fontainebleau in France, and Harvard University. The Tiffany Foundation also selected him in 1930 to join other artists at Laurelton Hall, Louis Comfort Tiffany's mansion at Cold Spring Harbor, Long Island, New York, under Tiffany's tutelage. In 1940, he received his master's degree from Williams College in Williamstown, Massachusetts. He married Jeannette Genius , the granddaughter of Charles Hosmer Morse, in 1945. McKean then served as the president of Rollins College from 1951 to 1969 and the director of the Charles Hosmer Morse Museum of American Art from 1942 until his death in 1995.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank"&gt;Art Legends of Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Copyright to this resource is held by the &lt;a href="https://thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>"&lt;a href="http://www.morsemuseum.org/morse-history/hugh-f-mckean" target="_blank"&gt;Hugh F. McKean&lt;/a&gt;." The Charles Hosmer Morse Museum of American Art . http://www.morsemuseum.org/morse-history/hugh-f-mckean.</text>
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                <text>"&lt;a href="http://lib.rollins.edu/olin/oldsite/archives/golden/hmckean.htm" target="_blank"&gt;Hugh F. McKean (1908-1995): Artist, Educator and Philanthropist&lt;/a&gt;." Olin Library, Rollins College. http://lib.rollins.edu/olin/oldsite/archives/golden/hmckean.htm.</text>
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                  <text>"&lt;a href="http://www.artlegendsoc.org/" target="_blank"&gt;Art Legends of Orange County&lt;/a&gt;." Art Legends of Orange County. http://www.artlegendsoc.org/.</text>
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                  <text>&lt;p&gt;Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art.&lt;br /&gt;&lt;br /&gt;To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the &lt;em&gt;Art Legends of Orange County&lt;/em&gt; initiative.&lt;br /&gt;&lt;br /&gt;This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. &lt;em&gt;Art Legends of Orange County&lt;/em&gt; celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text>The venerable Grady Kimsey enjoys critical and popular success as a sculptor, potter, painter and instructor, with eight decades of life experiences to draw upon for inspiration. Kimsey was born in Knoxville, Tennessee, in 1928. He earned his Bachelor of Arts in Fine Arts from the University of Tennessee in 1950, and then completed his master's In Education from Rollins College in Winter Park in 1969. &lt;br /&gt;&lt;br /&gt;Kimsey remains modest about his many accomplishments, which began in his high school days and have continued throughout his career. He has received the Council of Arts and Sciences for Central Florida Award for "Outstanding Achievement in the Arts" in 1982, the Richard A. Florsheim Art Grant in 1992, and a State of Florida Individual Artist Fellowship in 1990 and again in 1996. &lt;br /&gt;&lt;br /&gt;Kimsey's influence was extensive on budding artists in the community, having served as a professor of art for 20 years at Seminole Community College (present-day Seminole State College of Florida). Among his many other contributions to that institution, Kimsey founded the Fine Arts Gallery in 1980. As an instructor, he was known to guide his students to explore all media and styles. When ready, his students had the confidence to stand behind their work, and many are still creating and exhibiting with the same devotion as their mentor.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank"&gt;Art Legends of Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;p&gt;Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art.&lt;br /&gt;&lt;br /&gt;To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the &lt;em&gt;Art Legends of Orange County&lt;/em&gt; initiative.&lt;br /&gt;&lt;br /&gt;This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. &lt;em&gt;Art Legends of Orange County&lt;/em&gt; celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text>William "Bill" Sterling Jenkins traveled the world, built and prospered in many different careers, recorded his travels and experiences in his paintings, and made a permanent impact on the Central Florida community. &lt;br /&gt;&lt;br /&gt;Jenkins received his Bachelor of Fine Arts in 1934 from the University of Florida and was awarded a postgraduate scholarship to study art at the Royal Academy of Fine Arts in Florence, Italy. He spent several intensive years traveling through Europe by rail and bicycle, creating figure and landscape paintings. Upon his return, he established an art school in Columbus, Georgia. In 1942, he married Alice Moberg after meeting her in Mexico, where he studied silversmithing. Following a brief stint in the U.S. Army, Jenkins received an honorable discharge after contracting pneumonia and was sent to the Veterans Administration hospital in Orlando, Florida, to recuperate. He then worked for the VA and pioneered a program of rehabilitative art therapy classes for veterans.&lt;br /&gt;&lt;br /&gt;After earning his master's degree in psychology from Florida State University in 1950, he settled in Winter Park and established Jenkins Construction Company, building many residential communities and shopping centers. In 1975, Jenkins established Creald้ฉ School of Art, donating the organization and the property to the community in 1990. He also established the Jenkins Chair at the University of Central Florida, and donated the majority of his paintings to the UCF Art Gallery.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.crealde.org/" target="_blank"&gt;Crealdé School of Art&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.polasek.org/" target="_blank"&gt;Albin Polasek Museum &amp;amp; Sculpture Gardens&lt;/a&gt;</text>
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                  <text>&lt;p&gt;Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art.&lt;br /&gt;&lt;br /&gt;To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the &lt;em&gt;Art Legends of Orange County&lt;/em&gt; initiative.&lt;br /&gt;&lt;br /&gt;This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. &lt;em&gt;Art Legends of Orange County&lt;/em&gt; celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text> Art--United States</text>
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                <text> Painting--Florida</text>
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                <text>Known to many as "Doc," Doris Marie Leeper was a trailblazing abstract painter and sculptor based in Eldora, Florida, near New Smyrna Beach. Originally from North Carolina, Leeper found an artistic oasis in Central Florida. The region provided her with the space to buy a house and work in relative isolation, but also augmented her interest in natural preservation. Today, the Doris Leeper Spruce Creek Preserve remains a testament to her environmental dedication. Leeper’s impact on Central Florida also became apparent through her support for institutions; for example, she was a founder of the Atlantic Center for the Arts in New Smyrna Beach. Leeper’s local legacy manifests itself most profoundly through her artistic production. Her bold lines, strong color palette, and propensity for clean lines aesthetically aligned her with minimalism.&lt;br /&gt;&lt;br /&gt;Leeper’s painting evolved from representational to non-objective over time. She embraced a language of abstraction more typical of the prevailing New York art world in the 1960 and 1970s, as opposed to the dominant aesthetic in Florida during the same time period. She showed her work locally and regionally with regularity. Her work was celebrated by significant solo exhibitions at the Hunter Museum of American Art in Chattanooga, Tennessee, and the Mint Museum of Art in Charlotte, North Carolina. The process of mining local histories yields the legacies of talented artists who have often been discarded from mainstream narratives. When one engages deeper with Leeper’s work, it is not difficult to conclude that her myriad two- and three-dimensional works are worthy of not only a local, but a national story.</text>
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                <text>Original black and white photograph: &lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Cornell Fine Arts Museum&lt;/a&gt;, Winter Park, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank"&gt;Art Legends of Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Cornell Fine Arts Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.artlegendsoc.org/" target="_blank"&gt;Art Legends of Orange County&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Cornell Fine Arts Museum&lt;/a&gt;</text>
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                <text>"&lt;a href="http://dos.myflorida.com/cultural/programs/florida-artists-hall-of-fame/doris-leeper/" target="_blank"&gt;Doris Leeper: SCULPTOR, PAINTER&lt;/a&gt;." Division of Cultural Affairs, Florida of Department of States. http://dos.myflorida.com/cultural/programs/florida-artists-hall-of-fame/doris-leeper/.</text>
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                <text>Moore, Roger. "&lt;a href="http://articles.orlandosentinel.com/2000-04-12/news/0004120103_1_smyrna-beach-new-smyrna-leeper" target="_blank"&gt;Doris Leeper Was A `Force For The Arts': The Atlantic Center For The Arts Was Among The Volusia Woman's Many Creations&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, April 12, 2000. http://articles.orlandosentinel.com/2000-04-12/news/0004120103_1_smyrna-beach-new-smyrna-leeper.</text>
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                  <text>&lt;a href="http://www.polasek.org/" target="_blank"&gt;Albin Polasek Museum &amp;amp; Sculpture Gardens&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.orangecountyfl.net/" target="_blank"&gt;Orange County Commission Chambers&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                  <text>&lt;p&gt;Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art.&lt;br /&gt;&lt;br /&gt;To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the &lt;em&gt;Art Legends of Orange County&lt;/em&gt; initiative.&lt;br /&gt;&lt;br /&gt;This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. &lt;em&gt;Art Legends of Orange County&lt;/em&gt; celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text>Jules André Smith sitting in the courtyard outside his art studio on the Research Studio campus (now the Maitland Art Center) around the 1940s or 1950s.&lt;br /&gt;&lt;br /&gt;Born in 1880 to American parents in Hong Kong, raised in New York and Connecticut, and educated at Cornell University, J. André Smith worked for several years as an architect, never giving up on his first love of art. His early passion was printmaking, specifically etching. In 1915, he was awarded a gold medal at the Panama-Pacific Exposition in San Francisco, California. During World War I, Smith continued to work in both drawing and printmaking, selected as one of eight artists by the U.S. government to go to France in 1918 to record military activities. He would later publish those works in a book titled &lt;em&gt;In France with the American Expeditionary Forces&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;While travelling to Miami in the 1930s, Smith made an unplanned stop in Maitland, Florida. Having experienced a stunning sunset on nearby Lake Sybelia, he decided to travel no further and would go on to build his winter home and studio here, which is now the Maitland Art Center. Frustrated and disappointed with the area’s lack of support for contemporary art, Smith began plans for a residential "Lab-Gallery" that would encourage artistic exploration and experimentation in a sheltered studio environment. The studio compound, later known as The Research Studio, was the winter residence of prominent American artists such as Ralston Crawford, David Burlick, Ernest Roth, Milton Avery, Arnold Blanch, Doris Lee, and Hal McIntosh. André Smith’s vision continued to thrive for over two decades under the generous financial support from his patron, philanthropist Mary Curtis Bok. Smith’s legacy is alive and well today at the Art &amp;amp; History Museum’s Maitland Art Center through its residency programs and exhibitions.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank"&gt;Art Legends of Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <name>Language</name>
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                <text>Copyright to this resource is held by the &lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://artandhistory.org/" target="_blank"&gt;Art &amp;amp; History Museums - Maitland&lt;/a&gt;</text>
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                <text>Brotemarkle, Ben. "&lt;a href="https://myfloridahistory.org/frontiers/article/16" target="_blank"&gt;Florida Frontiers 'Jules Andr้ฉ Smith and the Maitland Art Center'&lt;/a&gt;." &lt;em&gt;Florida Today&lt;/em&gt;, May 13, 2014. https://myfloridahistory.org/frontiers/article/16.</text>
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                <text>Palm, Matthew J. "&lt;a href="http://articles.orlandosentinel.com/2013-07-01/entertainment/os-maitland-art-center-andre-smith-20130625_1_maitland-art-center-central-floridians-recent-acquisitions" target="_blank"&gt;Maitland Art Center exhibits focus on founder Andre Smith&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, July 1, 2013. http://articles.orlandosentinel.com/2013-07-01/entertainment/os-maitland-art-center-andre-smith-20130625_1_maitland-art-center-central-floridians-recent-acquisitions.</text>
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        <name>J. Andr้ฉ Smith</name>
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                  <text>&lt;a href="http://www.polasek.org/" target="_blank"&gt;Albin Polasek Museum &amp;amp; Sculpture Gardens&lt;/a&gt;</text>
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                <elementText elementTextId="544572">
                  <text>&lt;a href="http://www.orangecountyfl.net/" target="_blank"&gt;Orange County Commission Chambers&lt;/a&gt;</text>
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                  <text>&lt;a href="http://artandhistory.org/" target="_blank"&gt;Art &amp;amp; History Museums - Maitland&lt;/a&gt;</text>
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                  <text>&lt;p&gt;Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art.&lt;br /&gt;&lt;br /&gt;To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the &lt;em&gt;Art Legends of Orange County&lt;/em&gt; initiative.&lt;br /&gt;&lt;br /&gt;This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. &lt;em&gt;Art Legends of Orange County&lt;/em&gt; celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text> Art--Southern States</text>
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                <text>Atillio Banca and Bill Orr (1925-) at the Maitland Art Center in Maitland, Florida. Banca, photographed on the left, was the Gallery Director of the Research Studio and a close, personal friend of artist Jules André Smith. The painting in the photograph is a portrait of Smith. The portait was painted by Orr, who is photographed on the right.&lt;br /&gt;&lt;br /&gt;Growing up in Michigan, Orr worked breaking in mustang ponies. When World War II broke out, Orr joined the U.S. Army and was a member of the cavalry regiment. Later seeing action on Okinawa in the Pacific Theater, he was among the first servicemen to serve in Japan after the war. Orr found his way to the Research Studio in 1961 after applying for a position through a newspaper advertisement. Orr, along with Maury Hurt, was instrumental in leading the movement to save the Art Center from developers in the 1960s. As an artist he made a living doing life-size portraits of horses. He would go on to establish himself as a leading equine artist, a tribute to his lifetime love of horses.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://artandhistory.org/" target="_blank"&gt;Art &amp;amp; History Museums - Maitland&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.artlegendsoc.org/" target="_blank"&gt;Art Legends of Orange County&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://artandhistory.org/" target="_blank"&gt;Art &amp;amp; History Museums - Maitland&lt;/a&gt;</text>
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                <text>Hoffman, Dean A. "&lt;a href="http://xwebapp.ustrotting.com/absolutenm/templates/article.aspx?articleid=42115&amp;amp;zoneid=38" target="_blank"&gt;Bill Orr: Canvassing the harness world&lt;/a&gt;." United States Trotting Association, April 27, 2011. http://xwebapp.ustrotting.com/absolutenm/templates/article.aspx?articleid=42115&amp;amp;zoneid=38.</text>
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                  <text>&lt;a href="http://www.polasek.org/" target="_blank"&gt;Albin Polasek Museum &amp;amp; Sculpture Gardens&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.orangecountyfl.net/" target="_blank"&gt;Orange County Commission Chambers&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank"&gt;CityArts Factory&lt;/a&gt;</text>
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                  <text>&lt;a href="http://artandhistory.org/" target="_blank"&gt;Art &amp;amp; History Museums - Maitland&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                  <text>Eldora, Florida</text>
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                  <text>Gainesville, Florida</text>
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                  <text>Lake Wales, Florida</text>
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                  <text>Sanford, Florida</text>
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                  <text>&lt;a href="http://www.artlegendsoc.org/" target="_blank"&gt;Art Legends of Orange County&lt;/a&gt;</text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.artlegendsoc.org/" target="_blank"&gt;Art Legends of Orange County&lt;/a&gt;." Art Legends of Orange County. http://www.artlegendsoc.org/.</text>
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                  <text>&lt;p&gt;Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art.&lt;br /&gt;&lt;br /&gt;To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the &lt;em&gt;Art Legends of Orange County&lt;/em&gt; initiative.&lt;br /&gt;&lt;br /&gt;This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. &lt;em&gt;Art Legends of Orange County&lt;/em&gt; celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text>Mary Louise Curtis Bok (1874-1970) with Jules André Smith (1880–1959) in the main garden of the Research Studio (now the Maitland Art Center) in Maitland, Florida, in the 1940s or 1950s.&lt;br /&gt;&lt;br /&gt;Born in 1874, Bok was the only child of wealthy Philadelphia-based businessman Cyrus H. K. Curtis and Louisa Knapp Curtis, whose Curtis Publishing Company produced two of the most popular magazines in America: &lt;em&gt;The Saturday Evening Post&lt;/em&gt; and &lt;em&gt;The Ladies' Home Journal&lt;/em&gt;. Bok's early interests included music and writing for the magazine her father founded under the pen name of Mary L. Knapp.&lt;br /&gt;&lt;br /&gt;Recognized for countless philanthropic pursuits, Mary Louise Curtis Bok provided J. André Smith with sufficient patronage to establish The Research Studio in the early 1930s. As heiress to the Curtis Publishing Company, she is noted for establishing the Curtis Institute of Music in Philadelphia, funding the Annie Russell Theatre at Rollins College in Winter Park, and the construction of Bok Tower Gardens near Lake Wales, along with her husband Edward W. Bok. After Edward Bok’s death in 1930, Mary Louise married Efrem Zimbalist and was thereafter known as Mary Louise Curtis Bok Zimbalist.&lt;br /&gt;&lt;br /&gt;Born in 1880 to American parents in Hong Kong, raised in New York and Connecticut, and educated at Cornell University, Smith worked for several years as an architect, never giving up on his first love of art. His early passion was printmaking, specifically etching. In 1915, he was awarded a gold medal at the Panama-Pacific Exposition in San Francisco, California. During World War I, Smith continued to work in both drawing and printmaking, selected as one of eight artists by the U.S. government to go to France in 1918 to record military activities. He would later publish those works in a book titled &lt;em&gt;In France with the American Expeditionary Forces&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;While travelling to Miami in the 1930s, Smith made an unplanned stop in Maitland, Florida. Having experienced a stunning sunset on nearby Lake Sybelia, he decided to travel no further and would go on to build his winter home and studio here, which is now the Maitland Art Center. Frustrated and disappointed with the area’s lack of support for contemporary art, Smith began plans for a residential "Lab-Gallery" that would encourage artistic exploration and experimentation in a sheltered studio environment. The studio compound, later known as The Research Studio, was the winter residence of prominent American artists such as Ralston Crawford, David Burlick, Ernest Roth, Milton Avery, Arnold Blanch, Doris Lee, and Hal McIntosh. André Smith’s vision continued to thrive for over two decades under the generous financial support from his patron, philanthropist Mary Curtis Bok. Smith’s legacy is alive and well today at the Art &amp;amp; History Museum’s Maitland Art Center through its residency programs and exhibitions.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank"&gt;Art Legends of Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;p&gt;Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art.&lt;br /&gt;&lt;br /&gt;To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the &lt;em&gt;Art Legends of Orange County&lt;/em&gt; initiative.&lt;br /&gt;&lt;br /&gt;This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. &lt;em&gt;Art Legends of Orange County&lt;/em&gt; celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text>&lt;em&gt;Receptualistic Pyramid&lt;/em&gt;, a sculpture by Johann Eyfells. Eyfells was born in Reykjavík, Iceland, in 1923. Eyfells works with a variety of media, including metal, wood, paper, plastic, and cloth, in an effort to document the interaction between time, space, and gravity. Many of his sculptures are minimal and non-objective, resembling lava or geological formations. In the 1960s, he developed the concept of Receptualism, the practice of portraying original ideas visually using non-representative and abstract forms. Eyfells considers himself more of an experimental chemist than a sculptor. &lt;br /&gt;&lt;br /&gt;Eyfells worked as an architect, artist, and teacher in Iceland before relocating to the United States. During his studies at the University of California, Berkeley, Eyfells met Kristin Halldorsdottir, a former Icelandic model and dress designer. They married in 1949 and moved to Florida together to complete their studies in 1969. Eyfells finished his degree in architecture in 1953, and in 1964, he earned a master’s degree in fine arts. In 1969, he joined the art department of the Florida Technological University (present-day University of Central Florida) and taught there for over 30 years. On retirement, he moved to Fredericksburg, Texas.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank"&gt;Art Legends of Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;p&gt;Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art.&lt;br /&gt;&lt;br /&gt;To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the &lt;em&gt;Art Legends of Orange County&lt;/em&gt; initiative.&lt;br /&gt;&lt;br /&gt;This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. &lt;em&gt;Art Legends of Orange County&lt;/em&gt; celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text>Johann Eyfells was born in Reykjavík, Iceland, in 1923. Eyfells works with a variety of media, including metal, wood, paper, plastic, and cloth, in an effort to document the interaction between time, space, and gravity. Many of his sculptures are minimal and non-objective, resembling lava or geological formations. In the 1960s, he developed the concept of Receptualism, the practice of portraying original ideas visually using non-representative and abstract forms. Eyfells considers himself more of an experimental chemist than a sculptor. &lt;br /&gt;&lt;br /&gt;Eyfells worked as an architect, artist, and teacher in Iceland before relocating to the United States. During his studies at the University of California, Berkeley, Eyfells met Kristin Halldorsdottir, a former Icelandic model and dress designer. They married in 1949 and moved to Florida together to complete their studies in 1969. Eyfells finished his degree in architecture in 1953, and in 1964, he earned a master’s degree in fine arts. In 1969, he joined the art department of the Florida Technological University (present-day University of Central Florida) and taught there for over 30 years. On retirement, he moved to Fredericksburg, Texas.</text>
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                  <text>&lt;p&gt;Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art.&lt;br /&gt;&lt;br /&gt;To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the &lt;em&gt;Art Legends of Orange County&lt;/em&gt; initiative.&lt;br /&gt;&lt;br /&gt;This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. &lt;em&gt;Art Legends of Orange County&lt;/em&gt; celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text>&lt;em&gt;The Power of Passage&lt;/em&gt;, a sculpture created by Johann Eyfells in 1987. Eyfells was born in Reykjavík, Iceland, in 1923. Eyfells works with a variety of media, including metal, wood, paper, plastic, and cloth, in an effort to document the interaction between time, space, and gravity. Many of his sculptures are minimal and non-objective, resembling lava or geological formations. In the 1960s, he developed the concept of Receptualism, the practice of portraying original ideas visually using non-representative and abstract forms. Eyfells considers himself more of an experimental chemist than a sculptor. &lt;br /&gt;&lt;br /&gt;Eyfells worked as an architect, artist, and teacher in Iceland before relocating to the United States. During his studies at Berkeley, Eyfells met Kristin Halldorsdottir, a former Icelandic model and dress designer. They married in 1949 and moved to Florida together to complete their studies in 1969. Eyfells finished his degree in architecture in 1953, and in 1964, he earned a master’s degree in fine arts. In 1969, he joined the art department of the Florida Technological Institute (present-day University of Central Florida) and taught there for over 30 years. On retirement, he moved to Fredericksburg, Texas.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank"&gt;Art Legends of Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.ucf.edu/"&gt;University of Central Florida&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.artlegendsoc.org/" target="_blank"&gt;Art Legends of Orange County&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.polasek.org/" target="_blank"&gt;Albin Polasek Museum &amp;amp; Sculpture Gardens&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank"&gt;Cornell Fine Arts Museum&lt;/a&gt;</text>
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                  <text>&lt;p&gt;Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art.&lt;br /&gt;&lt;br /&gt;To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the &lt;em&gt;Art Legends of Orange County&lt;/em&gt; initiative.&lt;br /&gt;&lt;br /&gt;This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. &lt;em&gt;Art Legends of Orange County&lt;/em&gt; celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text>Born in 1927, Hal McIntosh began his formal studies at the Detroit Art Institute in Detroit, Michigan, and the Toledo Museum of Art in Toledo, Ohio. At age 18, the Art Research Studio (present-day Maitland Art Center) in Maitland, Florida, selected him as the institution’s youngest-ever artist in residence. His talent later earned him the Directorship of the Academy of Fine Arts in Lynchburg, Virginia, where he served as a museum director and teacher for five years. As a resident of Central Florida, McIntosh taught at the Loch Haven Art Center in Orlando and ran his own institution known as the McIntosh School in Winter Park for 30 years. McIntosh splits his time between his Cape Cod, Massachusetts, and Winter Park studios.&lt;br&gt;&lt;br&gt;With an artistic career lasting over 60 years, Hal McIntosh’s influence on our community is profound. His bold abstractions, tranquil waterscapes, and stirring portraiture, all masterfully painted with a touch of McIntosh’s signature Orientalism, have been widely exhibited in the area and are part of numerous regional collections, both private and public. Deep connections with the people and places of Orange County have allowed McIntosh to join the ranks as one of the greats and to be remembered eternally as an Art Legend.</text>
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                <text>Hummel, Terry. "&lt;a href="http://articles.orlandosentinel.com/2011-11-03/entertainment/os-hummel-art-events-orlando-20111103_1_area-artists-artists-share-art-galleries" target="_blank"&gt;A must-see show in Eustis: Lake Eustis Museum of Art shows works by Hal McIntosh, Maury Hurt, Bill Orr&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, November 3, 2011. http://articles.orlandosentinel.com/2011-11-03/entertainment/os-hummel-art-events-orlando-20111103_1_area-artists-artists-share-art-galleries.</text>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
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The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                <text>The Antioch Missionary Baptist Church, located at 311 East Broadway Street in Oviedo, Florida, sometime between 1875 and 1950. In 1875, members of the African-American community came together to build a small place of worship. Adjacent to the church was a traditional one room "Red School House." By 1913, another room was added due to the increase in students. In the "little room," first through fourth grades were taught, while fifth through eighth grades were taught in the "big room." By 1923, the building had begun to deteriorate and $2,000 were appropriated to renovate. However, plans were made to purchase a building that was formerly used for white students on South Division Street. For 10 years, three teachers taught with little to no resources. By 1950, a number of classrooms were added and the ninth and tenth grades were added to the school. During the 1950s, all of the Oviedo area colored schools were consolidated. A new site was built where the younger grades were held, while the older grades remained at the old site. The school went through a variety of names: Orange Academy, Seminole Academy, Oviedo Junior High School, and Oviedo Elementary School. On December 8, 1961, the Seminole County School Board officially approved the name chosen by students and the Parent-Teacher Association (PTA) members: Jackson Heights.</text>
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                <text>Original black and white photograph: The World Outside Reunion, "A Written and Pictorial History of the Oviedo Area Colored Schools": Judith Smith Publishing: Private Collection of Ida Boston.</text>
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                <text>Digital reproduction of original black and white photograph: The World Outside Reunion, "A Written and Pictorial History of the Oviedo Area Colored Schools": Judith Smith Publishing.</text>
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                <text>Copyright to this resource is held by The World Outside Reunion and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                <text>Gargamel! performing live at the wedding of Adam Phillips and Becky Osborne on October 29, 2006. Phillips is a vocalist and multi-instrumentalist and Osborne is a vocalist and washboard player, as well as a visual artist from Orlando, Florida. The first photograph features Chuck Ellis on vocals and Wayne Larsen on keyboard. The second photograph features Ellis alone on vocals and the third photograph features Ellis dancing with a wedding guest. The fourth photograph shows Ryan Dailey on guitar, Larsen on keyboards, and Ellis on vocals.&lt;br /&gt;&lt;br /&gt;Gargamel! was formed in 1992 in Orlando, consisting of Chuck "Mandaddy" Ellis on vocals, John "Webb" Webber on drums, Matt "Boy Howdy" Lapham on bass, Darin "Skyjak" Bridges on guitar, and Pat “Headless Spawn” McCurdy on guitar. In 1995, Lester “Crazy Hector” Stover replaced Lapham on bass, and Wayne “Servo Beonic Man” Larsen joined on keyboards. Ray "El Diablo Guapo" Rivera joined on guitar in 1996, and was replaced by Ryan "Professor Knuckles" Dailey in 2000. Webber was replaced by Andy Mas on drums in 2006, and Mas was replaced by Kevin "Heavie Kevie" Collado in 2011. The band is rooted in funk metal, but their music combines elements of experimental rock, jazz, funk, Latin, ska, hip hop, and reggae. Known for their offbeat sense of humor and the stage antics of lead singer, Mandaddy, who named the band after a character from the animated children’s television show, &lt;em&gt;The Smurfs&lt;/em&gt;, and who wears a black and orange outfit modeled after the cartoon villain, the band often incorporates surprising covers, such as Billy Joel songs. They have shared the stage with such national artists such as GWAR, Anthrax, Dog Fashion Disco, Tub Ring, Sleepytime Gorilla Museum, Genitorturers, Mushroomhead, Nonpoint, Bad Acid Trip, Skindred, and Skeleton Key.</text>
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                <text>Original color photographs by Alicia Lyman, October 29, 2006: &lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>Digital reproduction of original color photographs by Alicia Lyman, October 29, 2006. &lt;a href="http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000F_wWjQPWWTk/C0000UMZoXUUZnpc" target="_blank"&gt;http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000F_wWjQPWWTk/C0000UMZoXUUZnpc&lt;/a&gt;.</text>
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                <text>Originally created and published by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Alicia Lyman Collection&lt;/a&gt;</text>
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                <text>Padgett, Mark. “&lt;a href="http://www.orlandoweekly.com/orlando/gargamel-unmasked/Content?oid=2259127" target="_blank"&gt;Gargamel! Unmasked&lt;/a&gt;.” &lt;em&gt;Orlando Weekly&lt;/em&gt;, June 14, 2000. http://www.orlandoweekly.com/orlando/gargamel-unmasked/Content?oid=2259127.</text>
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                <text>Jordan, Douglas. “&lt;a href="http://www.gainesville.com/article/20030124/COLUMNS10/201240309" target="_blank"&gt;Gargamel! is in your face&lt;/a&gt;.” &lt;em&gt;Gainesville.com&lt;/em&gt;, January 24, 2003. http://www.gainesville.com/article/20030124/COLUMNS10/201240309.</text>
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                  <text>Rock Collection</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>Knickerbocker, Carl</text>
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                  <text>Wahl, Julie</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Bob Carr Theater, Orlando, Florida</text>
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                  <text>Enzian Theater, Maitland, Florida</text>
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                  <text>Great Southern Music Hall, Orlando, Florida</text>
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                  <text>Cravero, Geoffrey</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Fisher, Marc. &lt;a href="http://www.worldcat.org/oclc/69594101" target="_blank"&gt;&lt;em&gt;Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation&lt;/em&gt;&lt;/a&gt;. New York: Random House, 2007.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                  <text>eng</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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                <text> Orlando (Fla.)</text>
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                <text> Ellis, Chuck</text>
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                <text> Webber, John</text>
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                <text>Gargamel! performing live at The Social, located at 54 North Orange Avenue in Downtown Orlando, Florida, on July 31, 2003. The first photograph features, from left to right, Wayne Larsen on keyboards, Ryan Dailey on guitar, Chuck Ellis on vocals, John Webber on drums, and Lester Stover on bass. The second photograph features Ellis. &lt;br /&gt;&lt;br /&gt;Gargamel! was formed in 1992 in Orlando, consisting of Chuck "Mandaddy" Ellis on vocals, John "Webb" Webber on drums, Matt "Boy Howdy" Lapham on bass, Darin "Skyjak" Bridges on guitar, and Pat “Headless Spawn” McCurdy on guitar. In 1995, Lester “Crazy Hector” Stover replaced Lapham on bass, and Wayne “Servo Beonic Man” Larsen joined on keyboards. Ray "El Diablo Guapo" Rivera joined on guitar in 1996, and was replaced by Ryan "Professor Knuckles" Dailey in 2000. Webber was replaced by Andy Mas on drums in 2006, and Mas was replaced by Kevin "Heavie Kevie" Collado in 2011. The band is rooted in funk metal, but their music combines elements of experimental rock, jazz, funk, Latin, ska, hip hop, and reggae. Known for their offbeat sense of humor and the stage antics of lead singer, Mandaddy, who named the band after a character from the animated children’s television show, &lt;em&gt;The Smurfs&lt;/em&gt;, and who wears a black and orange outfit modeled after the cartoon villain, the band often incorporates surprising covers, such as Billy Joel songs. They have shared the stage with such national artists such as GWAR, Anthrax, Dog Fashion Disco, Tub Ring, Sleepytime Gorilla Museum, Genitorturers, Mushroomhead, Nonpoint, Bad Acid Trip, Skindred, and Skeleton Key.</text>
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                <text>Original color photographs by Alicia Lyman, July 31, 2003: &lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>Digital reproduction of original color photographs by Alicia Lyman, July 31, 2003. &lt;a href="http://alicialyman.photoshelter.com/gallery-image/2003-07-31-GARGAMEL-The-Social-Orlando-FL-2003-07-31-GARGAMEL-The-Social-Orlando-FL/G0000z.9C1sWJS7g/I0000WtEqyopMBe4/C0000UMZoXUUZnpc" target="_blank"&gt;http://alicialyman.photoshelter.com/gallery-image/2003-07-31-GARGAMEL-The-Social-Orlando-FL-2003-07-31-GARGAMEL-The-Social-Orlando-FL/G0000z.9C1sWJS7g/I0000WtEqyopMBe4/C0000UMZoXUUZnpc&lt;/a&gt;.</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-image/2003-07-31-GARGAMEL-The-Social-Orlando-FL-2003-07-31-GARGAMEL-The-Social-Orlando-FL/G0000z.9C1sWJS7g/I0000t3PoL_2EV_Y/C0000UMZoXUUZnpc" target="_blank"&gt;http://alicialyman.photoshelter.com/gallery-image/2003-07-31-GARGAMEL-The-Social-Orlando-FL-2003-07-31-GARGAMEL-The-Social-Orlando-FL/G0000z.9C1sWJS7g/I0000t3PoL_2EV_Y/C0000UMZoXUUZnpc&lt;/a&gt;.</text>
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            <name>Coverage</name>
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                <text>The Social, Downtown Orlando, Florida</text>
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            <name>Creator</name>
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                <text>Lyman, Alicia</text>
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                <text>Lyman, Alicia</text>
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                <text>7/31/2003</text>
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                <text>7/31/2003</text>
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                <text> Humanities Teacher</text>
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                <text> Music Teacher</text>
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                <text>Originally created and published by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <description/>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <elementText elementTextId="546397">
                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Alicia Lyman Collection&lt;/a&gt;</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="546398">
                <text>Padgett, Mark. “&lt;a href="http://www.orlandoweekly.com/orlando/gargamel-unmasked/Content?oid=2259127" target="_blank"&gt;Gargamel! Unmasked&lt;/a&gt;.” &lt;em&gt;Orlando Weekly&lt;/em&gt;, June 14, 2000. http://www.orlandoweekly.com/orlando/gargamel-unmasked/Content?oid=2259127.</text>
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              <elementText elementTextId="546399">
                <text>Jordan, Douglas. “&lt;a href="http://www.gainesville.com/article/20030124/COLUMNS10/201240309" target="_blank"&gt;Gargamel! is in your face&lt;/a&gt;.” &lt;em&gt;Gainesville.com&lt;/em&gt;, January 24, 2003. http://www.gainesville.com/article/20030124/COLUMNS10/201240309.</text>
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&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                <text>Beeb$ and Her Money Makers performing live at Vans Warped Tour at The Xfinity Center in Mansfield, Massachusetts, on July 13, 2014. From left to right, the photograph features saxophonist Eric Christian, an unidentified person dressed in a hot dog costume, kazoo player and vocalist Michelle Beebs, bassist Levon White, and guitarist Jeremy Lovelady.&lt;br /&gt;&lt;br /&gt;Led by Beebs, this Orlando-based band combines ska, rock, funk, and soul, gaining notoriety through their high-energy performances and unapologetically ridiculous media content. The group consists of Beebs of kazoo and vocals, Jeremy Lovelady on guitar, Levon White on bass, Paul Brisske on drums, Bunky Garrabrant on trumpet, and Eric Christian on saxophone and flute. The band was discovered by legendary promoter Kevin Lyman and asked to join the Vans Warped Tour in 2013. They were filmed for the second season of the show Warped Roadies on the FUSE Network, and returned to the Warped Tour in 2014, performing on a larger stage. The band has since toured with notable bands such as Reel Big Fish, Goldfinger, Suburban Legends, Five Iron Frenzy, Beautiful Bodies, and This Magnificent, and has shared the stage with Willie Nelson, Donovan Frankenreiter, Dirty Heads, Pepper, Cypress Hill, The Original Wailers, Zach Deputy, Keller Williams, The Lee Boys, BadFish, Dumpstaphunk, 100 Monkeys, Bobby Lee Rodgers, Big Bad VooDoo Daddy, and Perpetual Groove. Reel Big Fish's Aaron Barrett also produced their EP and their full length album. They were also featured on an episode of Travel Channel's RV Kings.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original color photograph by Alicia Lyman, July 13, 2014. &lt;a href="http://alicialyman.photoshelter.com/gallery-image/2014-07-13-BEEBS-AND-HER-MONEY-MAKERS-WARPED-TOUR-XFINITY-CENTER-HARDFORT-CT-gallery/G0000qjB8WjJpvVg/I0000DP.lSeyY0gA/C0000HvwsZBna0tw" target="_blank"&gt;http://alicialyman.photoshelter.com/gallery-image/2014-07-13-BEEBS-AND-HER-MONEY-MAKERS-WARPED-TOUR-XFINITY-CENTER-HARDFORT-CT-gallery/G0000qjB8WjJpvVg/I0000DP.lSeyY0gA/C0000HvwsZBna0tw&lt;/a&gt;</text>
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                <text>Copyright to this resource is held by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Kelly, Scott. "&lt;a href="http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever" target="_blank"&gt;Beebs and Her Money Makers - W체rst Album Ever&lt;/a&gt;." &lt;em&gt;The Prelude Press&lt;/em&gt;. June 2, 2014. http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever.</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                <text>Beeb$ and Her Money Makers at the group's CD release party at The Beacham Theater in Downtown Orlando, Florida, on . The first two photographs feature kazoo player and vocalist Michelle Beebs and the third photographs shows bassist Levon White.&lt;br /&gt;&lt;br /&gt;Led by Beebs, this Orlando-based band combines ska, rock, funk, and soul, gaining notoriety through their high-energy performances and unapologetically ridiculous media content. The group consists of Beebs of kazoo and vocals, Jeremy Lovelady on guitar, Levon White on bass, Paul Brisske on drums, Bunky Garrabrant on trumpet, and Eric Christian on saxophone and flute. The band was discovered by legendary promoter Kevin Lyman and asked to join the Vans Warped Tour in 2013. They were filmed for the second season of the show Warped Roadies on the FUSE Network, and returned to the Warped Tour in 2014, performing on a larger stage. The band has since toured with notable bands such as Reel Big Fish, Goldfinger, Suburban Legends, Five Iron Frenzy, Beautiful Bodies, and This Magnificent, and has shared the stage with Willie Nelson, Donovan Frankenreiter, Dirty Heads, Pepper, Cypress Hill, The Original Wailers, Zach Deputy, Keller Williams, The Lee Boys, BadFish, Dumpstaphunk, 100 Monkeys, Bobby Lee Rodgers, Big Bad VooDoo Daddy, and Perpetual Groove. Reel Big Fish's Aaron Barrett also produced their EP and their full length album. They were also featured on an episode of Travel Channel's RV Kings.</text>
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                <text>Original color photographs by Alicia Lyman, May 30, 2013: &lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original color photograph by Alicia Lyman. &lt;a href="http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000LiaNTL2j8Hg/C0000HvwsZBna0tw" target="_blank"&gt;http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000LiaNTL2j8Hg/C0000HvwsZBna0tw&lt;/a&gt;.</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Alicia Lyman Collection&lt;/a&gt;</text>
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                <text>Kelly, Scott. "&lt;a href="http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever" target="_blank"&gt;Beebs and Her Money Makers - W체rst Album Ever&lt;/a&gt;." &lt;em&gt;The Prelude Press&lt;/em&gt;. June 2, 2014. http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever.</text>
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                  <text>Rock Collection</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>Knickerbocker, Carl</text>
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                  <text>Wahl, Julie</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              <name>Coverage</name>
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                  <text>Bob Carr Theater, Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="523500">
                  <text>Enzian Theater, Maitland, Florida</text>
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                  <text>Great Southern Music Hall, Orlando, Florida</text>
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                  <text>Cravero, Geoffrey</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Fisher, Marc. &lt;a href="http://www.worldcat.org/oclc/69594101" target="_blank"&gt;&lt;em&gt;Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation&lt;/em&gt;&lt;/a&gt;. New York: Random House, 2007.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                <text> Orlando (Fla.)</text>
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                <text> Music--Florida</text>
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                <text> Ska (Music)</text>
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                <text> Rock music--United States</text>
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                <text> Funk (Music)--United States</text>
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                <text> Soul music--United States</text>
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                <text>Beeb$ and Her Money Makers performing live at Hard Rock Live Orlando in Orlando, Florida, on April 1, 2011. The first photograph features bassist Levon White and kazoo player and vocalist Michelle Beebs and the second photographs shows saxophonist Eric Christian&lt;br /&gt;&lt;br /&gt;Led by Beebs, this Orlando-based band combines ska, rock, funk, and soul, gaining notoriety through their high-energy performances and unapologetically ridiculous media content. The group consists of Beebs of kazoo and vocals, Jeremy Lovelady on guitar, Levon White on bass, Paul Brisske on drums, Bunky Garrabrant on trumpet, and Eric Christian on saxophone and flute. The band was discovered by legendary promoter Kevin Lyman and asked to join the Vans Warped Tour in 2013. They were filmed for the second season of the show Warped Roadies on the FUSE Network, and returned to the Warped Tour in 2014, performing on a larger stage. The band has since toured with notable bands such as Reel Big Fish, Goldfinger, Suburban Legends, Five Iron Frenzy, Beautiful Bodies, and This Magnificent, and has shared the stage with Willie Nelson, Donovan Frankenreiter, Dirty Heads, Pepper, Cypress Hill, The Original Wailers, Zach Deputy, Keller Williams, The Lee Boys, BadFish, Dumpstaphunk, 100 Monkeys, Bobby Lee Rodgers, Big Bad VooDoo Daddy, and Perpetual Groove. Reel Big Fish's Aaron Barrett also produced their EP and their full length album. They were also featured on an episode of Travel Channel's RV Kings.</text>
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                <text>Original color photographs by Alicia Lyman, April 1, 2011: &lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original color photographs by Alicia Lyman, April 1, 2011. &lt;a href="http://alicialyman.photoshelter.com/gallery-image/2011-04-01-BEEBS-AND-HER-MONEY-MAKERS-HARD-ROCK-LIVE-ORLANDO-FL/G0000GOrUzcniCk4/I0000EAtYTrRnubE/C0000HvwsZBna0tw" target="_blank"&gt;http://alicialyman.photoshelter.com/gallery-image/2011-04-01-BEEBS-AND-HER-MONEY-MAKERS-HARD-ROCK-LIVE-ORLANDO-FL/G0000GOrUzcniCk4/I0000EAtYTrRnubE/C0000HvwsZBna0tw&lt;/a&gt;.</text>
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                <text>Digital reproduction of original color photograph. &lt;a href="http://alicialyman.photoshelter.com/gallery-image/2011-04-01-BEEBS-AND-HER-MONEY-MAKERS-HARD-ROCK-LIVE-ORLANDO-FL/G0000GOrUzcniCk4/I0000NEh0rY79nt0/C0000HvwsZBna0tw" target="_blank"&gt;http://alicialyman.photoshelter.com/gallery-image/2011-04-01-BEEBS-AND-HER-MONEY-MAKERS-HARD-ROCK-LIVE-ORLANDO-FL/G0000GOrUzcniCk4/I0000NEh0rY79nt0/C0000HvwsZBna0tw&lt;/a&gt;.</text>
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                <text>Hard Rock Live Orlando, Orlando, Florida</text>
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                <text>Lyman, Alicia</text>
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                <text>Lyman, Alicia</text>
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                <text>Originally created and published by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Kelly, Scott. "&lt;a href="http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever" target="_blank"&gt;Beebs and Her Money Makers - W체rst Album Ever&lt;/a&gt;." &lt;em&gt;The Prelude Press&lt;/em&gt;. June 2, 2014. http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever.</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Bob Carr Theater, Orlando, Florida</text>
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                  <text>Enzian Theater, Maitland, Florida</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                <text>Kaleigh Baker and the Downgetters at E.L.L.A. Music Fest</text>
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                <text>Kaleigh Baker and the Downgetters performing live at E.L.L.A. Music Fest at H2O in Orlando, Florida, on November 3, 2012. These photographs feature vocalist Kaleigh Baker of The Downgetters, an all-star band from Orlando, featuring Baker, vocalist/guitarist Joseph Martens, guitarist Brian Chodorcoff, guitarist Jeff Nolan, bassist Mike Kossler, saxophonist/keyboards Nathan Anderson, and drummer Mark Janssen. The E.L.L.A. Music Festival, which stands for Elevate.Listen.Love.Appreciate, was created in 2007 by Orlando musician, promoter, and producer Robert Johnson to celebrate the heart, talent, and contributions that Florida female artists give to their communities. In its fifth year in 2012, the female-centric festival added spoken word artists, visual artists and local vendors to the stacked musical lineup.</text>
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                <text>Original color photographs by Alicia Lyman, November 3, 2012: &lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>Digital reproduction of original color photographs by Alicia Lyman, November 3, 2012. &lt;a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-03-KALEIGH-BAKER-ELLA-FEST-Orlando-FL/G0000wb3sxLak4A8/I0000G15kzTBt9Kc/C0000G5l.eE1uUuw" target="_blank"&gt;http://alicialyman.photoshelter.com/gallery-image/2012-11-03-KALEIGH-BAKER-ELLA-FEST-Orlando-FL/G0000wb3sxLak4A8/I0000G15kzTBt9Kc/C0000G5l.eE1uUuw&lt;/a&gt;.; &lt;a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-03-KALEIGH-BAKER-ELLA-FEST-Orlando-FL/G0000wb3sxLak4A8/I0000Mkv.l5ytQC4/C0000G5l.eE1uUuw" target="_blank"&gt;http://alicialyman.photoshelter.com/gallery-image/2012-11-03-KALEIGH-BAKER-ELLA-FEST-Orlando-FL/G0000wb3sxLak4A8/I0000Mkv.l5ytQC4/C0000G5l.eE1uUuw&lt;/a&gt;.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Copyright to this resource is held by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Cravero, Geoffrey</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Alicia Lyman Collection&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107" target="_blank"&gt;ELLA Music Fest: Sixth annual festival celebrates local female musicians&lt;/a&gt;." &lt;em&gt;Orlando Weekly&lt;/em&gt;. October 30, 2012. http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107.</text>
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                <text>Coffin, Kat. "&lt;a href="http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest" target="_blank"&gt;Downtown Orlando welcomes the sixth annual e.l.l.a. Fest&lt;/a&gt;." &lt;em&gt;Examiner&lt;/em&gt;. October 27, 2012. http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest.</text>
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                <text>Manes, Billy. “&lt;a href="http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322" target="_blank"&gt;Kaleigh Baker is back in town&lt;/a&gt;.” &lt;em&gt;Orlando Weekly&lt;/em&gt;. October 16, 2012. http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322.</text>
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                <text>Belanger, Ashley. “&lt;a href="http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue" target="_blank"&gt;Fringe 2015 review: ‘Janis Joplin, Little Girl Blue&lt;/a&gt;.” &lt;em&gt;Orlando Weekly&lt;/em&gt;. May 15, 2015. http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue.</text>
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                <text>Strout, Justin. “&lt;a href="http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683" target="_blank"&gt;Fire and pain: Blues-soul lady-in-waiting Kaleigh Baker makes a strong claim to the throne&lt;/a&gt;.” &lt;em&gt;Orlando Weekly&lt;/em&gt;. August 10, 2011. http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683.</text>
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        <name>E.L.L.A. Music Festival</name>
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        <name>Gamble Records</name>
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        <name>H2O Live!</name>
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        <name>HollowGram Records</name>
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        <name>Kaleigh Baker</name>
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        <name>Robert Johnson Festival</name>
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        <name>rock</name>
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        <name>rock music</name>
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                  <text>Rock Collection</text>
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              <name>Subject</name>
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                  <text>Music--United States</text>
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                  <text>Rock music--United States</text>
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                  <text>Lakeland (Fla.)</text>
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                  <text>Maitland (Fla.)</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>Knickerbocker, Carl</text>
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                  <text>Wahl, Julie</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Bob Carr Theater, Orlando, Florida</text>
                </elementText>
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                  <text>Enzian Theater, Maitland, Florida</text>
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                <elementText elementTextId="523501">
                  <text>Great Southern Music Hall, Orlando, Florida</text>
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                  <text>Lakeland Civic Center, Lakeland, Florida</text>
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              <name>Curator</name>
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                  <text>Cepero, Laura</text>
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                  <text>Cravero, Geoffrey</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Fisher, Marc. &lt;a href="http://www.worldcat.org/oclc/69594101" target="_blank"&gt;&lt;em&gt;Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation&lt;/em&gt;&lt;/a&gt;. New York: Random House, 2007.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                  <text>eng</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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                <text>Sunny Raskin at E.L.L.A. Music Fest, 2012</text>
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                <text>Orlando (Fla.)</text>
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                <text> Music--Florida</text>
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                <text> Musicians--Southern States</text>
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                <text> Concerts--United States</text>
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                <text> Rock music--United States</text>
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                <text>Sunny Raskin, also known as SUNNY, performing live at E.L.L.A. Fest at H2O Live!, located at 100 West Livingston Street in Downtown Orlando, Florida, on November 3, 2012. The E.L.L.A. Music Festival, which stands for Elevate.Listen.Love.Appreciate, was created in 2007 by Orlando musician, promoter, and producer Robert Johnson to celebrate the heart, talent, and contributions that Florida female artists give to their communities. In its fifth year in 2012, the female-centric festival added spoken word artists, visual artists and local vendors to the stacked musical lineup. SUNNY is a professional dancer, musician, vocalist, actress, and costume designer in Orlando, who is also a co-host at Ibex Puppetry and Director at Raskin Dance Studio and Music School. As of 2015, she has composed, performed, and engineered five albums.</text>
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                <text>Two original color photograph by Alicia Lyman, November 3, 2012s: &lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of two original color photograph by Alicia Lyman, November 3, 2012s. &lt;a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000LTOnhSJMdyY/C0000q_kABE1Z.zs" target="_blank"&gt;http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000LTOnhSJMdyY/C0000q_kABE1Z.zs&lt;/a&gt;.</text>
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                <text>H2O Live!, Downtown Orlando, Florida</text>
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                <text>Lyman, Alicia</text>
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                <text>Lyman, Alicia</text>
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                <text>Lyman, Alicia</text>
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            <name>Date Created</name>
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                <text>2012-11-03</text>
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                <text>11/3/2012</text>
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                <text>Originally created and published by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Alicia Lyman Collection&lt;/a&gt;</text>
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&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                <text>Meka, also known as Ms. Meka, performing live with Meka Nism at H2O Live!, located at 100 West Livingston Street in Downtown Orlando, Florida, on November 3, 2012. The E.L.L.A. Music Festival, which stands for Elevate.Listen.Love.Appreciate, was created in 2007 by Orlando musician, promoter, and producer Robert Johnson to celebrate the heart, talent, and contributions that Florida female artists give to their communities. In its fifth year in 2012, the female-centric festival added spoken word artists, visual artists and local vendors to the stacked musical lineup.&lt;br /&gt;&lt;br /&gt;Formed in 2006 in Orlando, Florida, Meka Nism is a female-fronted metal band that originated as Meka Nism and Her Rusty Tears. The band recorded their first album, &lt;em&gt;Mad to Love&lt;/em&gt;, on Florida-based Hidden Records that same year. "Break," the second track from the album, won the Songwriter's Showcase of America's (SSA) Best Experimental Song of the Year, and Meka was named SSA's Solo Artist of the Month in January 2007. While the group has always consisted of Meka on vocals, in 2010, after she returned from a Japanese tour of over 150 shows, Reed Tyack was added on drums, Alvin Bauer on bass, and Bobby Keller on guitar. In 2014, Tyack moved to guitar and Jeremy Mansfield was added on drums.</text>
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                <text>Two original color photograph by Alicia Lyman, November 3, 2012s: &lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Lyman, Alicia</text>
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                <text>Lyman, Alicia</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107" target="_blank"&gt;ELLA Music Fest: Sixth annual festival celebrates local female musicians&lt;/a&gt;." &lt;em&gt;Orlando Weekly&lt;/em&gt;. October 30, 2012. http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107.</text>
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                <text>Coffin, Kat. "&lt;a href="http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest" target="_blank"&gt;Downtown Orlando welcomes the sixth annual e.l.l.a. Fest&lt;/a&gt;." &lt;em&gt;Examiner&lt;/em&gt;. October 27, 2012. http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest.</text>
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                <text>Gettings, Gina. "&lt;a href="https://flink.to/stories/53c980cf4f32c55daf000007" target="_blank"&gt;Meka Nism's Trailblazing Approach to Art Metals&lt;/a&gt;." &lt;em&gt;Flink To: Totally Obsessed&lt;/em&gt;. www.flink.to. (Accessed July 1, 2015). https://flink.to/stories/53c980cf4f32c55daf000007.</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Bob Carr Theater, Orlando, Florida</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                <text>Kaleigh Baker and the Downgetters performing live at E.L.L.A. Music Fest at H2O Live!, located at 100 West Livingston Street in Downtown Orlando, Florida, on November 3, 2012. This photograph features saxophonist/keyboardist Nathan Anderson and vocalist Kaleigh Baker of The Downgetters, an all-star band from Orlando, featuring Baker, vocalist/guitarist Joseph Martens, guitarist Brian Chodorcoff, guitarist Jeff Nolan, bassist Mike Kossler, Anderson, and drummer Mark Janssen. The E.L.L.A. Music Festival, which stands for Elevate.Listen.Love.Appreciate, was created in 2007 by Orlando musician, promoter, and producer Robert Johnson to celebrate the heart, talent, and contributions that Florida female artists give to their communities. In its fifth year in 2012, the female-centric festival added spoken word artists, visual artists and local vendors to the stacked musical lineup.</text>
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                <text>Original color photograph by Alicia Lyman, November 3, 2012: &lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Copyright to this resource is held by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Alicia Lyman Collection&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107" target="_blank"&gt;ELLA Music Fest: Sixth annual festival celebrates local female musicians&lt;/a&gt;." &lt;em&gt;Orlando Weekly&lt;/em&gt;. October 30, 2012. http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107.</text>
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                <text>Coffin, Kat. "&lt;a href="http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest" target="_blank"&gt;Downtown Orlando welcomes the sixth annual e.l.l.a. Fest&lt;/a&gt;." &lt;em&gt;Examiner&lt;/em&gt;. October 27, 2012. http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest.</text>
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                <text>Manes, Billy. &lt;a href="http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322" target="_blank"&gt;Kaleigh Baker is back in town&lt;/a&gt;.” &lt;em&gt;Orlando Weekly&lt;/em&gt;. October 16, 2012. http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322.</text>
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                <text>Belanger, Ashley. &lt;a href="http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue" target="_blank"&gt;Fringe 2015 review: ‘Janis Joplin, Little Girl Blue&lt;/a&gt;.” &lt;em&gt;Orlando Weekly&lt;/em&gt;. May 15, 2015. http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue.</text>
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&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                <text>Milkanette "Milka" Ramos performing live with MILKA at E.L.L.A. Music Fest at H2O Live!, located at 100 West Livingston Street in Downtown Orlando, Florida, on November 3, 2012. The E.L.L.A. Music Festival, which stands for Elevate.Listen.Love.Appreciate, was created in 2007 by Orlando musician, promoter, and producer Robert Johnson to celebrate the heart, talent, and contributions that Florida female artists give to their communities. In its fifth year in 2012, the female-centric festival added spoken word artists, visual artists and local vendors to the stacked musical lineup.&lt;br /&gt;&lt;br /&gt;MILKA is a rock band formed in Orlando, consisting of Ramos on guitar and vocals, Tony Roman on bass, and Troy Garfield Goins on drums. The combination of bilingual feminist front-woman Ramos and the Latin-influenced percussion creates a unique hard rock sound that transcends genres. The band released an album in 2002, entitled, &lt;em&gt;Fire in the Sky&lt;/em&gt;.</text>
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                <text>Original color photograph by Alicia Lyman, November 3, 2012: &lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>Wahl, Julie</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Bob Carr Theater, Orlando, Florida</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Fisher, Marc. &lt;a href="http://www.worldcat.org/oclc/69594101" target="_blank"&gt;&lt;em&gt;Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation&lt;/em&gt;&lt;/a&gt;. New York: Random House, 2007.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                  <text>eng</text>
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                <text>Beeb$ and Her Money Makers (Musical group)</text>
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                <text> Orlando (Fla.)</text>
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                <text> Ska (Music)</text>
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                <text> Rock music--United States</text>
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                <text> Soul music--United States</text>
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                <text>Michelle Beebs performing live with Beeb$ and Her Money Makers at E.L.L.A. Music Fest at H2O Live!, located at 100 West Livingston Street in Downtown Orlando, Florida, on November 3, 2012. The E.L.L.A. Music Festival, which stands for Elevate.Listen.Love.Appreciate, was created in 2007 by Orlando musician, promoter, and producer Robert Johnson to celebrate the heart, talent, and contributions that Florida female artists give to their communities. In its fifth year in 2012, the female-centric festival added spoken word artists, visual artists and local vendors to the stacked musical lineup.&lt;br /&gt;&lt;br /&gt;Led by Michelle Beebs, this Orlando-based band combines ska, rock, funk, and soul, gaining notoriety through their high-energy performances and unapologetically ridiculous media content. The group consists of Beebs of kazoo and vocals, Jeremy Lovelady on guitar, Levon White on bass, Paul Brisske on drums, Bunky Garrabrant on trumpet, and Eric Christian on saxophone and flute. The band was discovered by legendary promoter Kevin Lyman and asked to join the Vans Warped Tour in 2013. They were filmed for the second season of the show Warped Roadies on the FUSE Network, and returned to the Warped Tour in 2014, performing on a larger stage. The band has since toured with notable bands such as Reel Big Fish, Goldfinger, Suburban Legends, Five Iron Frenzy, Beautiful Bodies, and This Magnificent, and has shared the stage with Willie Nelson, Donovan Frankenreiter, Dirty Heads, Pepper, Cypress Hill, The Original Wailers, Zach Deputy, Keller Williams, The Lee Boys, BadFish, Dumpstaphunk, 100 Monkeys, Bobby Lee Rodgers, Big Bad VooDoo Daddy, and Perpetual Groove. Reel Big Fish's Aaron Barrett also produced their EP and their full length album. They were also featured on an episode of Travel Channel's RV Kings.</text>
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                <text>Original color photograph by Alicia Lyman, November 3, 2012: &lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original color photograph by Alicia Lyman, November 3, 2012. &lt;a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000RA_rkzn84YU/C0000q_kABE1Z.zs" target="_blank"&gt;http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000RA_rkzn84YU/C0000q_kABE1Z.zs&lt;/a&gt;.</text>
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            <name>Coverage</name>
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                <text>H2O Live!, Downtown Orlando, Florida</text>
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                <text>Lyman, Alicia</text>
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                <text>Lyman, Alicia</text>
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                <text>Lyman, Alicia</text>
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                <text>2012-11-03</text>
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                <text>Originally created and published by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Alicia Lyman Collection&lt;/a&gt;</text>
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            <description/>
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                <text>"&lt;a href="http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107" target="_blank"&gt;ELLA Music Fest: Sixth annual festival celebrates local female musicians&lt;/a&gt;." &lt;em&gt;Orlando Weekly&lt;/em&gt;. October 30, 2012. http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107.</text>
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                <text>Coffin, Kat. "&lt;a href="http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest" target="_blank"&gt;Downtown Orlando welcomes the sixth annual e.l.l.a. Fest&lt;/a&gt;." &lt;em&gt;Examiner&lt;/em&gt;. October 27, 2012. http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest.</text>
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                <text>Kelly, Scott. "&lt;a href="http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever" target="_blank"&gt;Beeb$ and Her Money Makers - Würst Album Ever&lt;/a&gt;." &lt;em&gt;The Prelude Press&lt;/em&gt;. June 2, 2014. http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever.</text>
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        <name>HollowGram Productions</name>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>Wahl, Julie</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              <description/>
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                  <text>Bob Carr Theater, Orlando, Florida</text>
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                  <text>Enzian Theater, Maitland, Florida</text>
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                  <text>Great Southern Music Hall, Orlando, Florida</text>
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                  <text>Cravero, Geoffrey</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Fisher, Marc. &lt;a href="http://www.worldcat.org/oclc/69594101" target="_blank"&gt;&lt;em&gt;Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation&lt;/em&gt;&lt;/a&gt;. New York: Random House, 2007.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                  <text>eng</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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                <text>JunkieRush at the House of Blues Orlando, 2012</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I0000HEX08_vj40E/C0000i75h9FD_Cjw" target="_blank"&gt;Click for Larger Image&lt;/a&gt;</text>
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                <text>JunkieRush at House of Blues</text>
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                <text>Concerts--United States</text>
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                <text>Reggae music--Florida</text>
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                <text>Rock music--United States</text>
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                <text>Music--Florida</text>
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                <text>Musicians--Southern States</text>
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                <text>Funk (Music)--United States</text>
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                <text>Ska (Music)</text>
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                <text>Nightclubs--United States</text>
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                <text>JunkieRush "In the Morning" performing live with Dominic Maresco of The Supervillain at JunkieRush's reunion show at House of Blues Orlando, located at 1490 East Buena Vista Drive in Lake Buena Vista, Florida, on August 8, 2012. The first photograph features Bobby Koelble and Dominic Maresco of The Supervillains. The second photograph shows Koelbe with his infant daughter. The third photograph features Nathan Anderson playing the saxophone.&lt;br /&gt;&lt;br /&gt;Formed in 2000 by guitarist/vocalist/songwriter Bobby Koelble, who was also a member of the seminal metal band Death, JunkieRush is an Orlando-based rock band that combines elements of funk, punk, Latin, reggae, ska and world music into a unique original sound. The band has gained a reputation for its live shows, performing up the east coast from Florida to New York, as well as the Virgin Islands and Puerto Rico. Although quite a departure from his metal roots, JunkieRush still features the strong guitar work that Koelble is known for. The original lineup consisted of Koelble on vocals and guitar, Chris Charles on saxophone and keyboard, Aaron O'Riley on bass, Marc Clermont on percussion, and Matt Hughen on drums. As of 2015, the lineup consisted of Koelble, bassist/vocalist Matt Gallagher, saxophonist/flutist/vocalist Nathan Anderson, drummer Thatcher on drums, and percussionist George "Ito" Colon. The band's albums include &lt;em&gt;Junkie Rush&lt;/em&gt; (2000), &lt;em&gt;II&lt;/em&gt; (2004), &lt;em&gt;Live&lt;/em&gt; (2006), and &lt;em&gt;Musica&lt;/em&gt; (2009).</text>
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                <text>Original color photograph by Alicia Lyman, August 25, 2012: &lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>2012-08-25</text>
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                <text>Digital reproduction of original color photograph by Alicia Lyman, August 25, 2012: &lt;a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I0000HEX08_vj40E/C0000i75h9FD_Cjw" target="_blank"&gt;http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I0000HEX08_vj40E/C0000i75h9FD_Cjw&lt;/a&gt;.</text>
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                <text>Digital reproduction of original color photograph by Alicia Lyman, August 25, 2012: &lt;a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I00007Ck.4XvfFdo/C0000i75h9FD_Cjw" target="_blank"&gt;http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I00007Ck.4XvfFdo/C0000i75h9FD_Cjw&lt;/a&gt;.</text>
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                <text>Digital reproduction of original color photograph by Alicia Lyman, August 25, 2012: &lt;a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I00008lDhgRCWDhs/C0000i75h9FD_Cjw" target="_blank"&gt;http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I00008lDhgRCWDhs/C0000i75h9FD_Cjw&lt;/a&gt;.</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Originally created and published by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Alicia Lyman Collection&lt;/a&gt;</text>
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                <text>Manes, Billy. “&lt;a href="http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145" target="_blank"&gt;Under the influence of Bobby Koelble&lt;/a&gt;.” &lt;em&gt;Orlando Weekly&lt;/em&gt;. April 26, 2000. http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145.</text>
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                <text>Freed, Tim. “&lt;a href="http://today.ucf.edu/koelbles-relentless-curiosity-about-music/" target="_blank"&gt;Koelble's Relentless Curiosity About Music&lt;/a&gt;.” &lt;em&gt;UCF Today&lt;/em&gt;. March 19, 2012. http://today.ucf.edu/koelbles-relentless-curiosity-about-music/.</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Bob Carr Theater, Orlando, Florida</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                <text>JunkieRush at a sold-out show at The Social, located at 54 North Orange Avenue in Downtown Orlando on July 30, 2007. This photograph features drummer Bobby Koelble.&lt;br /&gt;&lt;br /&gt;Formed in 2000 by guitarist/vocalist/songwriter Bobby Koelble, who was also a member of the seminal metal band Death, JunkieRush is an Orlando-based rock band that combines elements of funk, punk, Latin, reggae, ska and world music into a unique original sound. The band has gained a reputation for its live shows, performing up the east coast from Florida to New York, as well as the Virgin Islands and Puerto Rico. Although quite a departure from his metal roots, JunkieRush still features the strong guitar work that Koelble is known for. The original lineup consisted of Koelble on vocals and guitar, Chris Charles on saxophone and keyboard, Aaron O'Riley on bass, Marc Clermont on percussion, and Matt Hughen on drums. As of 2015, the lineup consisted of Koelble, bassist/vocalist Matt Gallagher, saxophonist/flutist/vocalist Nathan Anderson, drummer Thatcher on drums, and percussionist George "Ito" Colon. The band's albums include &lt;em&gt;Junkie Rush&lt;/em&gt; (2000), &lt;em&gt;II&lt;/em&gt; (2004), &lt;em&gt;Live&lt;/em&gt; (2006), and &lt;em&gt;Musica&lt;/em&gt; (2009).</text>
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                <text>Original color photograph by Alicia Lyman, July 30, 2007: &lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Originally created and published by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt;.</text>
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                <text>Manes, Billy. &lt;a href="http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145" target="_blank"&gt;Under the influence of Bobby Koelble&lt;/a&gt;.” &lt;em&gt;Orlando Weekly&lt;/em&gt;. April 26, 2000. http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145.</text>
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                <text>Freed, Tim. &lt;a href="http://today.ucf.edu/koelbles-relentless-curiosity-about-music/" target="_blank"&gt;Koelble's Relentless Curiosity About Music&lt;/a&gt;.” &lt;em&gt;UCF Today&lt;/em&gt;. March 19, 2012. http://today.ucf.edu/koelbles-relentless-curiosity-about-music/.</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                <text>A crowd lined up down the street for a sold-out JunkieRush show at The Social, located at 54 North Orange Avenue in Downtown Orlando, Florida, on July 30, 2007. The Social is an Indie music venue in Downtown Orlando that hosts international, national, and local acts. With a mere 400-person capacity, the intimate setting has made the venue a staple in the Orlando music scene. Originally called The Downtown Jazz &amp;amp; Blues Club, it became Sapphire Supper Club in April 1995, and during its six-year run under that name, the venue showcased an A-list of indie-rock, swing, and folk acts and nurtured the budding careers of musicians that would rise to broader fame in bands, such as Seven Mary Three, My Friend Steve, and Matchbox Twenty. The venue became The Social in 2002, and has remained one of the most popular venues in Orlando. Neighboring Bar BQ Bar, at 64 North Orange Avenue, also appears in the photograph.</text>
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&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                <text>JunkieRush performing live at Will's Pub in Orlando, Florida, on January 29, 2003. Thie first photograph features, from left to right, Aaron O'Riley on bass guitar, Bobby Koelble on electric guitar, Matt Hughen on drums, and Marc Clermont on percussion. The second photograph shows Koelble playing an acoustic guitar, and the third features Koelble playing an electric guitar, using a Rolling Rock beer bottle as a slide.&lt;br /&gt;&lt;br /&gt;Formed in 2000 by guitarist/vocalist/songwriter Bobby Koelble, who was also a member of the seminal metal band Death, JunkieRush is an Orlando-based rock band that combines elements of funk, punk, Latin, reggae, ska and world music into a unique original sound. The band has gained a reputation for its live shows, performing up the east coast from Florida to New York, as well as the Virgin Islands and Puerto Rico. Although quite a departure from his metal roots, JunkieRush still features the strong guitar work that Koelble is known for. The original lineup consisted of Koelble on vocals and guitar, Chris Charles on saxophone and keyboard, Aaron O'Riley on bass, Marc Clermont on percussion, and Matt Hughen on drums. As of 2015, the lineup consisted of Koelble, bassist/vocalist Matt Gallagher, saxophonist/flutist/vocalist Nathan Anderson, drummer Thatcher on drums, and percussionist George "Ito" Colon. The band's albums include &lt;em&gt;Junkie Rush&lt;/em&gt; (2000), &lt;em&gt;II&lt;/em&gt; (2004), &lt;em&gt;Live&lt;/em&gt; (2006), and &lt;em&gt;Musica&lt;/em&gt; (2009).</text>
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                <text>Copyright to this resource is held by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Manes, Billy. &lt;a href="http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145" target="_blank"&gt;Under the influence of Bobby Koelble&lt;/a&gt;.” &lt;em&gt;Orlando Weekly&lt;/em&gt;. April 26, 2000. http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145.</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                <text>Kaleigh Baker and the Downgetters performing live at Ralphfest 2 at The Beacham Theater in Downtown Orlando, Florida, on November 24, 2012. The photograph features, from left to right, guitarist Brian Chodorcoff, drummer Mark Janssen, vocalist Kaleigh Baker, bassist Mike Kossler, and guitarist Jeff Nolan. The Downgetters is an all-star band from Orlando, featuring Baker, vocalist/guitarist Joseph Martens, Chodorcoff, Nolan, Kossler, saxophonist/keyboards Nathan Anderson, and Janssen.&lt;br /&gt;&lt;br /&gt;Ralphfest is an annual concert festival in Downtown Orlando, Florida, that celebrates the memory and musical influence of Ralph Ameduri, Jr. Ameduri was an Orlando musician who was murdered on September 10, 2011, in a robbery attempt on a patio behind Jessie's Bar, a Winter Haven music club where he was filling in for a member of local band, Thomas Wynn &amp;amp; the Believers. The inaugural concert was arranged to cover his funeral expenses and, since then, proceeds from the events have gone to the Ralph Ameduri, Jr. Music Scholarship Fund, which operates through the Foundation for Seminole County Public Schools, awarding a musical instruments to graduating high school students. Ralphfest 2 took place on November 24, 2012, on three different stages: one at The Beacham Theater, one at The Social, and one at The Outside Elixir Stage on Washington Street. The benefit features 26 bands that Ameduri was part of, worked with, had close ties to, or enjoyed, as well as multiple DJs. Some of the performers included Thomas Wynn &amp;amp; the Believers, The Ludes, Music's Milka Ramos, SUNNY, The Downgetters featuring Kaleigh Baker, Riverbottom Nightmare Band, The Legendary JC's, funkUs, and The Woolly Bushmen. Ralphfest 2 raised $10,000.</text>
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                <text>Original color photographs by Alicia Lyman, November 24, 2012: &lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>The Beacham Theater, Downtown Orlando, Florida</text>
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                <text> Music Teacher</text>
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                <text>Originally created and published by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <elementTextContainer>
              <elementText elementTextId="545774">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Alicia Lyman Collection&lt;/a&gt;</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="545776">
                <text>Abbott, Jim. "&lt;a href="http://www.orlandosentinel.com/entertainment/music/os-ralph-fest-2015-jim-abbott-010215-20150101-column.html" target="_blank"&gt;Ralphfest 4 moves beyond the grief&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;. January 1, 2015. http://www.orlandosentinel.com/entertainment/music/os-ralph-fest-2015-jim-abbott-010215-20150101-column.html.</text>
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                <text>Manes, Billy. "&lt;a href="http://www.orlandoweekly.com/orlando/trial-of-local-musician-ralph-ameduris-killer-concludes/Content?oid=2242170" target="_blank"&gt;Trial of local musician Ralph Ameduri's killer concludes&lt;/a&gt;." &lt;em&gt;Orlando Weekly&lt;/em&gt;. February 4, 2014. http://www.orlandoweekly.com/orlando/trial-of-local-musician-ralph-ameduris-killer-concludes/Content?oid=2242170.</text>
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                <text>Manes, Billy. &lt;a href="http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322" target="_blank"&gt;Kaleigh Baker is back in town&lt;/a&gt;.” &lt;em&gt;Orlando Weekly&lt;/em&gt;. October 16, 2012. http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322.</text>
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                <text>Belanger, Ashley. &lt;a href="http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue" target="_blank"&gt;Fringe 2015 review: ‘Janis Joplin, Little Girl Blue&lt;/a&gt;.” &lt;em&gt;Orlando Weekly&lt;/em&gt;. May 15, 2015. http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue.</text>
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                <text>Strout, Justin. &lt;a href="http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683" target="_blank"&gt;Fire and pain: Blues-soul lady-in-waiting Kaleigh Baker makes a strong claim to the throne&lt;/a&gt;.” &lt;em&gt;Orlando Weekly&lt;/em&gt;. August 10, 2011. http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683.</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Bob Carr Theater, Orlando, Florida</text>
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                  <text>Enzian Theater, Maitland, Florida</text>
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                  <text>Great Southern Music Hall, Orlando, Florida</text>
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                  <text>Lakeland Civic Center, Lakeland, Florida</text>
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                  <text>Orlando-Seminole Jai Alai Fronton, Fern Park, Florida</text>
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              <name>Curator</name>
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                  <text>Cravero, Geoffrey</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Fisher, Marc. &lt;a href="http://www.worldcat.org/oclc/69594101" target="_blank"&gt;&lt;em&gt;Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation&lt;/em&gt;&lt;/a&gt;. New York: Random House, 2007.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                <text> Music--Florida</text>
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                <text> Musicians--Southern States</text>
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                <text> Concerts--United States</text>
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                <text> Nightclubs--United States</text>
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                <text> Rock music--United States</text>
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                <text> Jazz--United States</text>
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                <text> Blues (Music)--Florida</text>
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                <text>Kaleigh Baker and the Downgetters performing live at House of Blues Orlando, located at 1490 East Buena Vista Drive in Lake Buena Vista, Florida on August 25, 2012. This photograph features guitarist Brian Chodorcoff, vocalist Kaleigh Baker, bassist Erin Nolan, and saxophonist/keyboardist Nathan Anderson. The Downgetters is an all-star band from Orlando, featuring Baker, vocalist/guitarist Joseph Martens, guitarist Chodorcoff, guitarist Jeff Nolan, bassist Mike Kossler, Anderson, and drummer Mark Janssen.</text>
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                <text>Original color photograph by Alicia Lyman, August 25, 2012: &lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
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                <text>Digital reproduction of original color photograph by Alicia Lyman, August 25, 2012. &lt;a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-KALEIGH-BAKER-House-of-Blues-Orlando-FL/G00007TLEMM6IWvE/I0000jKXSZFZ.5K0/C0000G5l.eE1uUuw/" target="_blank"&gt;http://alicialyman.photoshelter.com/gallery-image/2012-08-25-KALEIGH-BAKER-House-of-Blues-Orlando-FL/G00007TLEMM6IWvE/I0000jKXSZFZ.5K0/C0000G5l.eE1uUuw/&lt;/a&gt;.</text>
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                <text>House of Blues Orlando, Lake Buena Vista, Florida</text>
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                <text> Humanities Teacher</text>
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                <text> Music Teacher</text>
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                <text>Originally created and published by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
            <description/>
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                <text>Copyright to this resource is held by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Alicia Lyman Collection&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
            <elementTextContainer>
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                <text>Manes, Billy. "&lt;a href="http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322" target="_blank"&gt;Kaleigh Baker is back in town&lt;/a&gt;." &lt;em&gt;Orlando Weekly&lt;/em&gt;. October 16, 2012. http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322.</text>
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                <text>Belanger, Ashley. "&lt;a href="http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue" target="_blank"&gt;Fringe 2015 review: ‘Janis Joplin, Little Girl Blue&lt;/a&gt;." &lt;em&gt;Orlando Weekly&lt;/em&gt;. May 15, 2015. http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue.</text>
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                <text>Strout, Justin. "&lt;a href="http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683" target="_blank"&gt;Fire and pain: Blues-soul lady-in-waiting Kaleigh Baker makes a strong claim to the throne&lt;/a&gt;." &lt;em&gt;Orlando Weekly&lt;/em&gt;. August 10, 2011. http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683.</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-KALEIGH-BAKER-House-of-Blues-Orlando-FL/G00007TLEMM6IWvE/I0000jKXSZFZ.5K0/C0000G5l.eE1uUuw/" target="_blank"&gt;Click for Larger Image&lt;/a&gt;</text>
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        <name>bass guitar</name>
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        <name>bassist</name>
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        <name>blues</name>
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        <name>Brian Chodorcoff</name>
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        <name>Buena Vista Drive</name>
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        <name>Erin Nolan</name>
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        <name>guitar</name>
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      <tag tagId="25498">
        <name>House of Blues Orlando</name>
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        <name>Kaleigh Baker and the Downgetters</name>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                <text>Kaleigh Baker and the Downgetters performing live at the Orlando Calling music festival at Florida Citrus Bowl Stadium, located at 1 Citrus Bowl Plaza in Orlando, Florida, on November 12, 2011. Orlando Calling was a two-day music festival that showcased local as well as popular international artists. The 2011 headliners included Bob Seger, The Killers, The Raconteurs, Kid Rock, The Pixies, Blake Shelton, The Doobie Brothers and The Roots. The festival would not return the next year due to poor ticket sales.&lt;br /&gt;&lt;br /&gt;The first photograph features guitarist Brian Chodorcoff, saxophonist/keyboardist Nathan Anderson, vocalist Kaleigh Baker, an unidentified drummer, and bassist Erin Nolan. The second photograph shows Anderson and Baker. The Downgetters is an all-star band from Orlando, featuring Baker, vocalist/guitarist Joseph Martens, guitarist Brian Chodorcoff, guitarist Jeff Nolan, bassist Mike Kossler, Anderson, and drummer Mark Janssen.</text>
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                <text>Originally created and published by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Alicia Lyman Collection&lt;/a&gt;</text>
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                <text>Manes, Billy. "&lt;a href="http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322" target="_blank"&gt;Kaleigh Baker is back in town&lt;/a&gt;." &lt;em&gt;Orlando Weekly&lt;/em&gt;. October 16, 2012. http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322.</text>
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                <text>Belanger, Ashley. "&lt;a href="http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue" target="_blank"&gt;Fringe 2015 review: ‘Janis Joplin, Little Girl Blue&lt;/a&gt;." &lt;em&gt;Orlando Weekly&lt;/em&gt;. May 15, 2015. http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue.</text>
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                <text>Strout, Justin. "&lt;a href="http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683" target="_blank"&gt;Fire and pain: Blues-soul lady-in-waiting Kaleigh Baker makes a strong claim to the throne&lt;/a&gt;." &lt;em&gt;Orlando Weekly&lt;/em&gt;. August 10, 2011. http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683.</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Originally created and published by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt;.</text>
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                <text>Bolden, Tony. &lt;a href="http://www.worldcat.org/oclc/212328134" target="_blank"&gt;&lt;em&gt;The Funk Era and Beyond: New Perspectives on Black Popular Culture&lt;/em&gt;&lt;/a&gt;. New York, NY: Palgrave Macmillan, 2008.</text>
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                <text>Vincent, Rickey. &lt;a href="http://www.worldcat.org/oclc/32820668" target="_blank"&gt;&lt;em&gt;Funk: The Music, the People, and the Rhythm of the One&lt;/em&gt;&lt;/a&gt;. New York: St. Martin's Griffin, 1996.</text>
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                <text>Guralnick, Peter. &lt;a href="http://www.worldcat.org/oclc/13002980" target="_blank"&gt;&lt;em&gt;Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom&lt;/em&gt;&lt;/a&gt;. New York: Harper &amp;amp;amp</text>
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                <text>Row, 1986.</text>
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        <name>Ralph Ameduri, Jr.</name>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Enzian Theater, Maitland, Florida</text>
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                  <text>Cepero, Laura</text>
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                  <text>Cravero, Geoffrey</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Fisher, Marc. &lt;a href="http://www.worldcat.org/oclc/69594101" target="_blank"&gt;&lt;em&gt;Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation&lt;/em&gt;&lt;/a&gt;. New York: Random House, 2007.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                <text>Kaleigh Baker and The Downgetters performing live at Ralphfest 2 at The Beacham Theater, located at 46 North Orange Avenue in Downtown Orlando, Florida, on November 24, 2012. The Downgetters is an all-star band from Orlando, featuring, from left to right, guitarist Brian Chodorcoff, drummer Mark Janssen, vocalist Kaleigh Baker, bassist Mike Kossler, and guitarist Jeff Nolan. The band also includes vocalist/guitarist Joseph Martens and saxophonist/keyboardist Nathan Anderson, neither of whom appear in the photograph. &lt;br /&gt;&lt;br /&gt;Originally from Western New York, Kaleigh Baker is a jazz/blues/rock singer-songwriter based out of Orlando. Known for her soulful vocal delivery and incredible range, Baker tours relentlessly, sharing the stage with notable performers such as B. B. King, Buddy Guy, Trombone Shorty, Tony Hall, Kevn Kinney, Aaron Lee Tasjan, Boz Scaggs, Juliette Lewis, and Terri Binion. Baker played Janis Joplin in a play entitled, "Janis Joplin, Little Girl Blue," at the 2015 Orlando International Fringe Festival, winning several audience choice awards, including Best of the Fest, Best Female Performer, and Best Show in the Gold Venue.</text>
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                <text>Original color photograph by Alicia Lyman, November 24, 2012: &lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>Digital reproduction of original color photograph by Alicia Lyman, November 24, 2012. &lt;a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000x7d02lDORLU/C0000fnM5ntjHkP8" target="_blank"&gt;http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000x7d02lDORLU/C0000fnM5ntjHkP8&lt;/a&gt;.</text>
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                <text>The Beacham Theater, Downtown Orlando, Florida</text>
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                <text> Humanities Teacher</text>
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                <text> Music Teacher</text>
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                <text>Originally created and published by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Alicia Lyman Collection&lt;/a&gt;</text>
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            <description/>
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                <text>Manes, Billy. &lt;a href="http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322" target="_blank"&gt;Kaleigh Baker is back in town&lt;/a&gt;.” &lt;em&gt;Orlando Weekly&lt;/em&gt;. October 16, 2012. http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322.</text>
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                <text>Belanger, Ashley. &lt;a href="http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue" target="_blank"&gt;Fringe 2015 review: ‘Janis Joplin, Little Girl Blue&lt;/a&gt;.” &lt;em&gt;Orlando Weekly&lt;/em&gt;. May 15, 2015. http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue.</text>
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                <text>Strout, Justin. &lt;a href="http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683" target="_blank"&gt;Fire and pain: Blues-soul lady-in-waiting Kaleigh Baker makes a strong claim to the throne&lt;/a&gt;.” &lt;em&gt;Orlando Weekly&lt;/em&gt;. August 10, 2011. http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683.</text>
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        <name>bassist</name>
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        <name>Brian Chodorcoff</name>
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        <name>electric guitar</name>
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        <name>Foundation for Seminole County Public Schools</name>
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        <name>Jeffrey Nolan</name>
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        <name>Kaleigh Baker</name>
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        <name>Ralph Ameduri, Jr.</name>
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        <name>Ralphfest</name>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>Wahl, Julie</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Bob Carr Theater, Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="523500">
                  <text>Enzian Theater, Maitland, Florida</text>
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                <text>Milkanette "Milka" Ramos performing live with the band, MILKA, at Ralphfest 2 at The Social, located at 54 North Orange Avenue in Downtown Orlando, Florida, on November 24, 2012. MILKA is a rock band formed in Orlando, consisting of Ramos on guitar and vocals, Tony Roman on bass, and Troy Garfield Goins on drums. The combination of bilingual feminist front-woman Ramos and the Latin-influenced percussion creates a unique hard rock sound that transcends genres. The band released an album in 2002, entitled, &lt;em&gt;Fire in the Sky&lt;/em&gt;.</text>
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&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                <text>The Beacham Theater, located at 46 North Orange Avenue in Downtown Orlando, Florida, during Ralphfest 2. Ralphfest is an annual concert festival in Downtown Orlando, Florida, that celebrates the memory and musical influence of Ralph Ameduri, Jr. Ameduri was an Orlando musician who was murdered on September 10, 2011, in a robbery attempt on a patio behind Jessie's Bar, a Winter Haven music club where he was filling in for a member of local band, Thomas Wynn &amp;amp;amp</text>
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                <text>the Believers. The inaugural concert was arranged to cover his funeral expenses and, since then, proceeds from the events have gone to the Ralph Ameduri, Jr. Music Scholarship Fund, which operates through the Foundation for Seminole County Public Schools, awarding a musical instruments to graduating high school students. Ralphfest 2 took place on November 24, 2012, on three different stages: one at The Beacham Theater, one at The Social, and one at The Outside Elixir Stage on Washington Street. The benefit features 26 bands that Ameduri was part of, worked with, had close ties to, or enjoyed, as well as multiple DJs. Some of the performers included Thomas Wynn &amp;amp;amp</text>
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                <text>the Believers, The Ludes, Music's Milka Ramos, SUNNY, The Downgetters featuring Kaleigh Baker, Riverbottom Nightmare Band, The Legendary JC's, funkUs, and The Woolly Bushmen. Ralphfest 2 raised $10,000.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Abbott, Jim. "&lt;a href="http://www.orlandosentinel.com/entertainment/music/os-ralph-fest-2015-jim-abbott-010215-20150101-column.html" target="_blank"&gt;Ralphfest 4 moves beyond the grief&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;. January 1, 2015. http://www.orlandosentinel.com/entertainment/music/os-ralph-fest-2015-jim-abbott-010215-20150101-column.html.</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Bob Carr Theater, Orlando, Florida</text>
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                  <text>Enzian Theater, Maitland, Florida</text>
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                  <text>Cravero, Geoffrey</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                <text>The stage times for Ralphfest 2. Ralphfest is an annual concert festival in Downtown Orlando, Florida, that celebrates the memory and musical influence of Ralph Ameduri, Jr. Ameduri was an Orlando musician who was murdered on September 10, 2011, in a robbery attempt on a patio behind Jessie's Bar, a Winter Haven music club where he was filling in for a member of local band, Thomas Wynn &amp;amp;amp</text>
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                <text>the Believers. The inaugural concert was arranged to cover his funeral expenses and, since then, proceeds from the events have gone to the Ralph Ameduri, Jr. Music Scholarship Fund, which operates through the Foundation for Seminole County Public Schools, awarding a musical instruments to graduating high school students. Ralphfest 2 took place on November 24, 2012, on three different stages: one at The Beacham Theater, one at The Social, and one at The Outside Elixir Stage on Washington Street. The benefit features 26 bands that Ameduri was part of, worked with, had close ties to, or enjoyed, as well as multiple DJs. Some of the performers included Thomas Wynn &amp;amp;amp</text>
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                <text>the Believers, The Ludes, Music's Milka Ramos, SUNNY, The Downgetters featuring Kaleigh Baker, Riverbottom Nightmare Band, The Legendary JC's, funkUs, and The Woolly Bushmen. Ralphfest 2 raised $10,000.</text>
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Folk music varies by country and region, but is typically described as acoustic-based music that embraces the life and struggles of the common man and the events of everyday life. “Folk” comes from the term “folklore,” which was derived by William Thomas in 1846, to describe “the traditions, customs, and superstitions of the uncultured classes.” Although the definition of folk music is elusive, the International Folk Music Council defines it as “the product of a musical tradition that has been evolved through the process of oral transmission. The factors that shape the tradition are: (1) continuity which links the present with the past; (2) variation which springs from the creative impulse of the individual or the group; and (3) selection by the community which determines the form or forms in which the music survives."&#13;
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Before sound recording and reproduction allowed people to listen to recorded music, songs were often passed down through oral traditions, creating variants. Cecil Sharp, considered by many to be the founding father of the folklore revival in early 20th century England, believed that competing variants of a traditional folk song created a process of natural selection, eventually creating a more perfect version, shaped by the community. By the end of the 1930s, American folk music had become a social movement, and by the 1960s, folk genres varied as much as the definition of the term itself.&#13;
&#13;
The Library of Congress attempted to capture as much North American field material as possible in the 1930s and 1940s, working through the vast collections of collectors such as Alan Lomax and Robert Winslow Gordon. On behalf of the Works Progress Administration (WPA), teams of writers and scholars across the United States collected materials about the places they saw and the people they met. Fieldworkers from the Florida Folklore Project, in conjunction with the Florida Federal Writers' Project, the Florida Music Project, and the Joint Committee on Folk Arts of the Work Projects Administration, concentrated on enclaves known for preserving ethnic traditions, documenting African-American, Arabic, Bahamian, British-American, Cuban, Greek, Italian, Minorcan, Seminole, and Slavic cultures throughout Florida. Florida is home to two significant folk festivals, including the annual Will McLean Music Festival, which is held at the Sertoma Youth Camp in Brooksville, Florida; and the Florida Folk Festival, an annual festival of music, food, and traditional arts to highlight and celebrate Florida's many folk cultures and traditions.</text>
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                <text>The Bloody Jug Band at The Social, located at 54 North Orange Avenue in Downtown Orlando, Florida, during the Florida Music Festival on April 26, 2014. The Florida Music Festival, or FMF, was founded by aXis Magazine &amp;amp; Promotions in 2002 as a three day music festival and conference that showcases unsigned artists while promoting major national acts. The Bloody Jug Band is an eight-piece band that formed in Orlando in 2009, whose music combines elements of folk, blues, country, bluegrass, rock, and Americana. Drawing inspiration from historic jug bands of the 1920s and 1930s, the group employs traditional jug band instruments, such as a washboard, washtub bass, cajón, spoons, mandolin and harmonica, and incorporates acoustic guitar, electric guitar, and drums. The band consists of John Theisen (Cragmire Peace) on vocals and washboard, Stormy Jean Casselman (Stormy Jean) on vocals and cowbell, Brian Blodgett (Brian Shredder) on acoustic guitar and mandolin, Seth Ambler (Seth Funky) on washtub bass, Rick Lane (Bloody Rick) on harmonica, Jermichael Duffy (Big Daddy Jerm, Dracula Mohammad) on jug, percussion and kazoo, Dakota Butts (Baby Dingo) on cajón and spoons, and Steven Marshall (Ste-evil) on electric guitar and banjo. Raymond Krugh (DeathRay) took over on electric guitar briefly while Marshall spent time with his newborn baby. The band has performed across the Southeastern United States, sharing the stage with notable acts such as Reverend Peyton's Big Damn Band, Joe Buck, Edwin McCain, 3 Bad Jacks, and Old Man Markley. In 2013, the band appeared in a music video for the song, "Timber," by hip-hop recording artists Pitbull and Kesha. The first photograph features Theisen and Lane. The rest of the photographs show individual band members Butts, Lane, Duffy, Theisen, and Casselman, respectively.</text>
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                <text>Original color photographs by Alicia Lyman, April 26, 2014: &lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/143" target="_blank"&gt;Folk Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Originally created and published by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Abbott, Jim. "&lt;a href="http://www.orlandosentinel.com/entertainment/music/soundboard/os-florida-music-festival-saturday-20140426-post.html" target="_blank"&gt;Florida Music Festival 2014: Saturday&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;. April 27, 2014. http://www.orlandosentinel.com/entertainment/music/soundboard/os-florida-music-festival-saturday-20140426-post.html.</text>
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                <text>Limnios, Michael. "&lt;a href="http://blues.gr/profiles/blogs/an-interview-with-the-bloody-jug-band-the-darker-side-of-blues" target="_blank"&gt;An Interview with the Bloody Jug Band: The darker side of Blues and Rock n’ Roll from swamps of Florida&lt;/a&gt;." &lt;em&gt;Blues.gr&lt;/em&gt;. http://blues.gr/profiles/blogs/an-interview-with-the-bloody-jug-band-the-darker-side-of-blues.</text>
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                <text>Jones, Michael L. &lt;a href="http://www.worldcat.org/oclc/870099163" target="_blank"&gt;&lt;em&gt;Louisville Jug Music: From Earl McDonald to the National Jubilee&lt;/em&gt;&lt;/a&gt;. 2014.</text>
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                  <text>Hip Hop Collection</text>
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                  <text>Hip Hop Collection</text>
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                  <text>Around the early 1970s, an underground urban cultural movement began to develop in the South Bronx in New York City, New York. As block parties became increasingly prevalent in the region, disc jockeys (DJs) would play popular musical genres, such as funk, disco, and soul, and began isolating the percussive instrumental breaks of songs. Immigrants from the Caribbean islands introduced this technique, known as dub music. Since the percussive breaks in these songs tended to be short, DJs extended them using two turntables. The movement that would become known as “hip hop” involved four distinct characteristics. In addition to turntablism, which is considered the aural element, the other characteristics include rap music, which is the oral element, b-boying—also known as breakdancing, which is the physical element—and graffiti art, which is the visual element. Other elements include beatboxing, which is a form of vocal percussion using one’s mouth to mimic a drum machine, and sampling, which is the act of taking a portion of a sound recording and reusing it as an instrument. &lt;br /&gt;&lt;br /&gt;Clive Campbell, known by his stage name DJ Kool Herc, is credited as the originator of hip hop music in the early 1970s. Although the genre developed in several places in the early 1970s, a concert performed by Herc is considered to be one of the pivotal and formative events that led to the rise of hip hop music and culture. Among those who claimed to be in attendance were a number of future hip hop stars, including Grandmaster Flash, Afrika Bambaaraa, Red Alert, KRS-One, and Grandmaster Caz. &lt;br /&gt;&lt;br /&gt;In 1979, the Sugarhill Gang’s song, “Rapper’s Delight,” became the first hip hop record to gain widespread popularity in the mainstream. During the 1980s, the genre evolved and developed more complex styles, spreading across the country and throughout the world and leading to what would be known as new school hip hop. This Golden Age hip hop era spanned from around 1983 to the early 1990s, spawning innovators such as LL Cool J, Run-D.M.C., Public Enemy, Eric B. &amp;amp; Rakim, Big Daddy Kane, De La Soul, the Beastie Boys, and Juice Crew. Gangsta rap, a subgenre of hip hop with a lyrical focus on political and social commentary mixed with the realities of a criminal lifestyle, was pioneered in the mid-1980s by rappers such as Ice T, N.W.A., KRS-One, Just-Ice, Schoolly D, and the Geto Boys. By the early 1990s, gangsta rap further split into regional genres when West Coast rappers such as Ice Cube, Eazy E, Dr. Dre, Snoop Doggy Dogg, Warren G, Nate Dog, and 2Pac Shakur squared off against their East Coast counterparts, such as the Notorious B.I.G. (also known as Biggie Smalls), Puff Daddy, Lil’ Kim, the Wu-Tang Clan, Mobb Deep, and Nas. After the murders of Shakur and Smalls, gangsta rap peaked in its popularity, paving the way for mainstream rappers like Jay-Z, DMX, 50 Cent, Eminem, Nelly, and Drake. Mainstream rap has been criticized by hip hop fans and pioneers for its concern with image over substance, as opposed to alternative hip hop, which emerged simultaneously with artists such as OutKast, The Roots, Mos Def, Kanye West, Gnarls Barkley, Gorillas, M.I.A., and the Fugees, leading the way in innovating and revitalizing the genre. &lt;br /&gt;&lt;br /&gt;Florida has maintained a role in influencing and developing hip hop music and culture. Southern hip hop, which is also known as Dirty South, is a subgenre of hip hop that emerged in the Southeastern United States in cities such as Atlanta, Houston, Memphis, New Orleans, and Miami. Miami native, Debbie Harry, who was the lead singer of the American punk rock band Blondie in the mid-to-late 1970s, released a song entitled “Rapture” in 1981, which became the first rap song to top the Billboard Top 100 chart. The music video for the song became the first rap video to be broadcast on Music Television (MTV). Miami Bass, also known as booty music, emerged in the mid-1980s, with an emphasis on synthesizers and drum machines, raised dance tempos, and frequently sexually explicit lyrics and samples. Luther Campbell, also known as Uncle Luke, and his group, 2 Live Crew, played a crucial role in popularizing Miami Bass in the late 1980s and early 1990s. The group gained international notoriety in 1988, when a record store clerk was cited for selling a copy of their explicit album to an undercover police officer, which was the first time in the United States that a record store owner was held liable for an obscenity violation. Although the clerk was found not guilty by a jury, the group’s next album, &lt;em&gt;As Nasty As They Wanna Be&lt;/em&gt;, was ruled obscene and illegal to sell by U.S. District Court Judge Jose Gonzalez, leading to the arrest of a local retailer two days later for selling a copy to an undercover officer, and to three of the members of the band after a performance in Hollywood, Florida. The U.S. Court of Appeals for the Eleventh Circuit overturned the obscenity ruling in 1992, and the United States Supreme Court refused to hear Broward County’s appeal. Other notable hip hop artists from Florida include Rick Ross and Flo Rida, both from Carol City, Trick Daddy, Pitbull and Trina from Miami, T-Pain from Tallahassee, and Solillaquists of Sound from Orlando.</text>
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                  <text>Rose, Tricia. &lt;a href="http://www.worldcat.org/oclc/29358082" target="_blank"&gt;&lt;em&gt;Black Noise: Rap Music and Black Culture in Contemporary America&lt;/em&gt;&lt;/a&gt;. Hanover, NH: University Press of New England, 1994.</text>
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                  <text>Ogbar, Jeffrey Ogbonna Green. &lt;a href="http://www.worldcat.org/oclc/153580063" target="_blank"&gt;&lt;em&gt;Hip-Hop Revolution: The Culture and Politics of Rap&lt;/em&gt;&lt;/a&gt;. Lawrence: University Press of Kansas, 2007.</text>
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                  <text>Charnas, Dan. &lt;a href="http://www.worldcat.org/oclc/426803687" target="_blank"&gt;&lt;em&gt;The Big Payback: The History of the Business of Hip-Hop&lt;/em&gt;&lt;/a&gt;. New York, N.Y.: New American Library, 2010.</text>
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                  <text>Light, Alan. &lt;a href="http://www.worldcat.org/oclc/41572698" target="_blank"&gt;&lt;em&gt;The Vibe History of Hip Hop&lt;/em&gt;&lt;/a&gt;. New York: Three Rivers Press, 1999.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;&lt;span&gt;, RICHES of Central Florida.&lt;/span&gt;</text>
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                <text>Solillaquists of Sound performing live at the Florida Music Festival, held at Wall Street Plaza in Downtown Orlando, Florida, on April 24, 2014. These photographs features, from left to right, Tonya Combs, Asaan Brooks, Glen Valencia, Jr., and Alexandra Sarton. The Florida Music Festival (FMF) was founded by aXis Magazine &amp;amp; Promotions in 2002 as a three-day music festival and conference that showcases unsigned artists while promoting major national acts. &lt;br /&gt;&lt;br /&gt;Solillaquists of Sound, also known as Solilla, is an American hip-hop quartet formed in Orlando in August 2002. The group, consisting of MCs (masters of ceremonies) Swamburger and Alexandrah, poet/vocalist Tonya Combs, and producer/composer/MPC player DiViNCi, employs sophisticated, socially conscious lyrics and musical composition, based on the life-affirming, justice-oriented views held by the members. The group utilizes melody and harmony in their vocals, often delivering many punctuated syllables in rapid succession in tight synchronicity. In 2002, Asaan Brooks, also known as Swamburger, began having weekly meetings in his Orlando home about music, community involvement, spirituality, and veganism. At one of these meetings, Brooks and his friend, producer and MPC player Glen Valencia, Jr., also known as DiViNCi, with whom he had already recorded material, decided to begin performing together. A frequent attendee of their shows, Tonya Combs, joined them on background vocals, and soon the group's friend, singer Alexandra Sarton, also known as Alexandrah, left her home in Chicago, Illinois, to join the band. The group categorized themselves in their own genre, FAHEEM (funk/astro/hip-hop/extraterrestrially energized message), which they felt more accurately conveyed both their music and their beliefs regarding spirituality, life, and love. They were invited by hip-hop artist Sage Francis to tour with him, and his label, Epitaph, signed them to their sister label, Anti-, in early 2006. They recorded two albums under the label, &lt;em&gt;As If We Existed&lt;/em&gt; (2006) and &lt;em&gt;No More Heroes&lt;/em&gt; (2008), before leaving the label and producing their own albums, &lt;em&gt;The 4th Wall: Part 1&lt;/em&gt; (2012) and &lt;em&gt;The 4th Wall: Part 2&lt;/em&gt; (2013). In addition to Francis, the band has toured with artists such as Michael Franti &amp;amp; Spearhead, KRS-One, Bad Brains, Ozomatli, El-P, and Lyrics Born. &lt;br /&gt;&lt;br /&gt;The group is also known for their community involvement, appearing on a tribute record for fellow rapper/producer J Dilla, also known as James Dewitt Yancey, who passed away in 2006 from a blood disease. The album, &lt;em&gt;Death of the Muse&lt;/em&gt;, featured J-Live, Chali 2na of Jurassic 5, and Maureen "Ma Dukes" Yancey,Maureen Yancey, the mother of J Dilla. Okayplayer.com featured the effort as one of their top news stories, and LA Weekly called the track "the most awesome song in the history of awesomedom." The group hopes to open the Solilla Center 4 Creative Kids, a non-profit school designed to empower youth with the knowledge of all things good for mind, body, and spirit, offering kids yoga, an art gallery, massage, a cafe, smoothie and juice bar, language, art, poetry, gardening, and vegan cooking classes, as well as an after-school tutoring program.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/154" target="_blank"&gt;Hip Hop Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Copyright to this resource is held by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Light, Alan. &lt;a href="http://www.worldcat.org/oclc/41572698" target="_blank"&gt;&lt;em&gt;The Vibe History of Hip Hop&lt;/em&gt;&lt;/a&gt;. New York: Three Rivers Press, 1999.</text>
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                <text>Le-Huu, Bao. "&lt;a href="http://www.orlandoweekly.com/orlando/solillaquists-of-sounds-saga-comes-to-its-natural-conclusion/Content?oid=2241323" target="_blank"&gt;Solillaquists of Sound's saga comes to its natural conclusion: 'The 4th Wall' completes the group's epic listener's trilogy&lt;/a&gt;." &lt;em&gt;Orlando Weekly&lt;/em&gt;. January 7, 2014. http://www.orlandoweekly.com/orlando/solillaquists-of-sounds-saga-comes-to-its-natural-conclusion/Content?oid=2241323.</text>
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                  <text>Hip Hop Collection</text>
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                  <text>Around the early 1970s, an underground urban cultural movement began to develop in the South Bronx in New York City, New York. As block parties became increasingly prevalent in the region, disc jockeys (DJs) would play popular musical genres, such as funk, disco, and soul, and began isolating the percussive instrumental breaks of songs. Immigrants from the Caribbean islands introduced this technique, known as dub music. Since the percussive breaks in these songs tended to be short, DJs extended them using two turntables. The movement that would become known as “hip hop” involved four distinct characteristics. In addition to turntablism, which is considered the aural element, the other characteristics include rap music, which is the oral element, b-boying—also known as breakdancing, which is the physical element—and graffiti art, which is the visual element. Other elements include beatboxing, which is a form of vocal percussion using one’s mouth to mimic a drum machine, and sampling, which is the act of taking a portion of a sound recording and reusing it as an instrument. &lt;br /&gt;&lt;br /&gt;Clive Campbell, known by his stage name DJ Kool Herc, is credited as the originator of hip hop music in the early 1970s. Although the genre developed in several places in the early 1970s, a concert performed by Herc is considered to be one of the pivotal and formative events that led to the rise of hip hop music and culture. Among those who claimed to be in attendance were a number of future hip hop stars, including Grandmaster Flash, Afrika Bambaaraa, Red Alert, KRS-One, and Grandmaster Caz. &lt;br /&gt;&lt;br /&gt;In 1979, the Sugarhill Gang’s song, “Rapper’s Delight,” became the first hip hop record to gain widespread popularity in the mainstream. During the 1980s, the genre evolved and developed more complex styles, spreading across the country and throughout the world and leading to what would be known as new school hip hop. This Golden Age hip hop era spanned from around 1983 to the early 1990s, spawning innovators such as LL Cool J, Run-D.M.C., Public Enemy, Eric B. &amp;amp; Rakim, Big Daddy Kane, De La Soul, the Beastie Boys, and Juice Crew. Gangsta rap, a subgenre of hip hop with a lyrical focus on political and social commentary mixed with the realities of a criminal lifestyle, was pioneered in the mid-1980s by rappers such as Ice T, N.W.A., KRS-One, Just-Ice, Schoolly D, and the Geto Boys. By the early 1990s, gangsta rap further split into regional genres when West Coast rappers such as Ice Cube, Eazy E, Dr. Dre, Snoop Doggy Dogg, Warren G, Nate Dog, and 2Pac Shakur squared off against their East Coast counterparts, such as the Notorious B.I.G. (also known as Biggie Smalls), Puff Daddy, Lil’ Kim, the Wu-Tang Clan, Mobb Deep, and Nas. After the murders of Shakur and Smalls, gangsta rap peaked in its popularity, paving the way for mainstream rappers like Jay-Z, DMX, 50 Cent, Eminem, Nelly, and Drake. Mainstream rap has been criticized by hip hop fans and pioneers for its concern with image over substance, as opposed to alternative hip hop, which emerged simultaneously with artists such as OutKast, The Roots, Mos Def, Kanye West, Gnarls Barkley, Gorillas, M.I.A., and the Fugees, leading the way in innovating and revitalizing the genre. &lt;br /&gt;&lt;br /&gt;Florida has maintained a role in influencing and developing hip hop music and culture. Southern hip hop, which is also known as Dirty South, is a subgenre of hip hop that emerged in the Southeastern United States in cities such as Atlanta, Houston, Memphis, New Orleans, and Miami. Miami native, Debbie Harry, who was the lead singer of the American punk rock band Blondie in the mid-to-late 1970s, released a song entitled “Rapture” in 1981, which became the first rap song to top the Billboard Top 100 chart. The music video for the song became the first rap video to be broadcast on Music Television (MTV). Miami Bass, also known as booty music, emerged in the mid-1980s, with an emphasis on synthesizers and drum machines, raised dance tempos, and frequently sexually explicit lyrics and samples. Luther Campbell, also known as Uncle Luke, and his group, 2 Live Crew, played a crucial role in popularizing Miami Bass in the late 1980s and early 1990s. The group gained international notoriety in 1988, when a record store clerk was cited for selling a copy of their explicit album to an undercover police officer, which was the first time in the United States that a record store owner was held liable for an obscenity violation. Although the clerk was found not guilty by a jury, the group’s next album, &lt;em&gt;As Nasty As They Wanna Be&lt;/em&gt;, was ruled obscene and illegal to sell by U.S. District Court Judge Jose Gonzalez, leading to the arrest of a local retailer two days later for selling a copy to an undercover officer, and to three of the members of the band after a performance in Hollywood, Florida. The U.S. Court of Appeals for the Eleventh Circuit overturned the obscenity ruling in 1992, and the United States Supreme Court refused to hear Broward County’s appeal. Other notable hip hop artists from Florida include Rick Ross and Flo Rida, both from Carol City, Trick Daddy, Pitbull and Trina from Miami, T-Pain from Tallahassee, and Solillaquists of Sound from Orlando.</text>
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                  <text>Rose, Tricia. &lt;a href="http://www.worldcat.org/oclc/29358082" target="_blank"&gt;&lt;em&gt;Black Noise: Rap Music and Black Culture in Contemporary America&lt;/em&gt;&lt;/a&gt;. Hanover, NH: University Press of New England, 1994.</text>
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                  <text>Ogbar, Jeffrey Ogbonna Green. &lt;a href="http://www.worldcat.org/oclc/153580063" target="_blank"&gt;&lt;em&gt;Hip-Hop Revolution: The Culture and Politics of Rap&lt;/em&gt;&lt;/a&gt;. Lawrence: University Press of Kansas, 2007.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;&lt;span&gt;, RICHES of Central Florida.&lt;/span&gt;</text>
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                <text>Solillaquists of Sound performing live at BackBooth, located at 37 West Pine Street in Downtown Orlando, Florida, on October 25, 2003. The first photograph features Alexandra Sarton, popularly known as Alexandrah, and the second photograph shows, from left to right, Tonya Combs, and DiViNCi.&lt;br /&gt;&lt;br /&gt;Solillaquists of Sound, also known as Solilla, is an American hip-hop quartet formed in Orlando in August 2002. The group, consisting of MCs (masters of ceremonies) Swamburger and Alexandrah, poet/vocalist Tonya Combs, and producer/composer/MPC player DiViNCi, employs sophisticated, socially conscious lyrics and musical composition, based on the life-affirming, justice-oriented views held by the members. The group utilizes melody and harmony in their vocals, often delivering many punctuated syllables in rapid succession in tight synchronicity. In 2002, Asaan Brooks, also known as Swamburger, began having weekly meetings in his Orlando home about music, community involvement, spirituality, and veganism. At one of these meetings, Brooks and his friend, producer and MPC player Glen Valencia, Jr., also known as DiViNCi, with whom he had already recorded material, decided to begin performing together. A frequent attendee of their shows, Tonya Combs, joined them on background vocals, and soon the group's friend, singer Alexandra Sarton, also known as Alexandrah, left her home in Chicago, Illinois, to join the band. The group categorized themselves in their own genre, FAHEEM (funk/astro/hip-hop/extraterrestrially energized message), which they felt more accurately conveyed both their music and their beliefs regarding spirituality, life, and love. They were invited by hip-hop artist Sage Francis to tour with him, and his label, Epitaph, signed them to their sister label, Anti-, in early 2006. They recorded two albums under the label, &lt;em&gt;As If We Existed&lt;/em&gt; (2006) and &lt;em&gt;No More Heroes&lt;/em&gt; (2008), before leaving the label and producing their own albums, &lt;em&gt;The 4th Wall: Part 1&lt;/em&gt; (2012) and &lt;em&gt;The 4th Wall: Part 2&lt;/em&gt; (2013). In addition to Francis, the band has toured with artists such as Michael Franti &amp;amp; Spearhead, KRS-One, Bad Brains, Ozomatli, El-P, and Lyrics Born. &lt;br /&gt;&lt;br /&gt;The group is also known for their community involvement, appearing on a tribute record for fellow rapper/producer J Dilla, also known as James Dewitt Yancey, who passed away in 2006 from a blood disease. The album, &lt;em&gt;Death of the Muse&lt;/em&gt;, featured J-Live, Chali 2na of Jurassic 5, and Maureen "Ma Dukes" Yancey,Maureen Yancey, the mother of J Dilla. Okayplayer.com featured the effort as one of their top news stories, and LA Weekly called the track "the most awesome song in the history of awesomedom." The group hopes to open the Solilla Center 4 Creative Kids, a non-profit school designed to empower youth with the knowledge of all things good for mind, body, and spirit, offering kids yoga, an art gallery, massage, a cafe, smoothie and juice bar, language, art, poetry, gardening, and vegan cooking classes, as well as an after-school tutoring program.</text>
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                <text>Original color photographs by Alicia Lyman, October 25, 2003: &lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/154" target="_blank"&gt;Hip Hop Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original color photographs by Alicia Lyman, October 25, 2003. &lt;a href="http://alicialyman.photoshelter.com/gallery-image/2003-10-25-SOLILLAQUISTS-OF-SOUND-Back-Booth-Orlando-FL/G0000cvnah3oFtms/I00006PYpGIWwnkA/C0000fGs2siRdnQY" target="_blank"&gt;http://alicialyman.photoshelter.com/gallery-image/2003-10-25-SOLILLAQUISTS-OF-SOUND-Back-Booth-Orlando-FL/G0000cvnah3oFtms/I00006PYpGIWwnkA/C0000fGs2siRdnQY&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Light, Alan. &lt;a href="http://www.worldcat.org/oclc/41572698" target="_blank"&gt;&lt;em&gt;The Vibe History of Hip Hop&lt;/em&gt;&lt;/a&gt;. New York: Three Rivers Press, 1999.</text>
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                  <text>Around the early 1970s, an underground urban cultural movement began to develop in the South Bronx in New York City, New York. As block parties became increasingly prevalent in the region, disc jockeys (DJs) would play popular musical genres, such as funk, disco, and soul, and began isolating the percussive instrumental breaks of songs. Immigrants from the Caribbean islands introduced this technique, known as dub music. Since the percussive breaks in these songs tended to be short, DJs extended them using two turntables. The movement that would become known as “hip hop” involved four distinct characteristics. In addition to turntablism, which is considered the aural element, the other characteristics include rap music, which is the oral element, b-boying—also known as breakdancing, which is the physical element—and graffiti art, which is the visual element. Other elements include beatboxing, which is a form of vocal percussion using one’s mouth to mimic a drum machine, and sampling, which is the act of taking a portion of a sound recording and reusing it as an instrument. &lt;br /&gt;&lt;br /&gt;Clive Campbell, known by his stage name DJ Kool Herc, is credited as the originator of hip hop music in the early 1970s. Although the genre developed in several places in the early 1970s, a concert performed by Herc is considered to be one of the pivotal and formative events that led to the rise of hip hop music and culture. Among those who claimed to be in attendance were a number of future hip hop stars, including Grandmaster Flash, Afrika Bambaaraa, Red Alert, KRS-One, and Grandmaster Caz. &lt;br /&gt;&lt;br /&gt;In 1979, the Sugarhill Gang’s song, “Rapper’s Delight,” became the first hip hop record to gain widespread popularity in the mainstream. During the 1980s, the genre evolved and developed more complex styles, spreading across the country and throughout the world and leading to what would be known as new school hip hop. This Golden Age hip hop era spanned from around 1983 to the early 1990s, spawning innovators such as LL Cool J, Run-D.M.C., Public Enemy, Eric B. &amp;amp; Rakim, Big Daddy Kane, De La Soul, the Beastie Boys, and Juice Crew. Gangsta rap, a subgenre of hip hop with a lyrical focus on political and social commentary mixed with the realities of a criminal lifestyle, was pioneered in the mid-1980s by rappers such as Ice T, N.W.A., KRS-One, Just-Ice, Schoolly D, and the Geto Boys. By the early 1990s, gangsta rap further split into regional genres when West Coast rappers such as Ice Cube, Eazy E, Dr. Dre, Snoop Doggy Dogg, Warren G, Nate Dog, and 2Pac Shakur squared off against their East Coast counterparts, such as the Notorious B.I.G. (also known as Biggie Smalls), Puff Daddy, Lil’ Kim, the Wu-Tang Clan, Mobb Deep, and Nas. After the murders of Shakur and Smalls, gangsta rap peaked in its popularity, paving the way for mainstream rappers like Jay-Z, DMX, 50 Cent, Eminem, Nelly, and Drake. Mainstream rap has been criticized by hip hop fans and pioneers for its concern with image over substance, as opposed to alternative hip hop, which emerged simultaneously with artists such as OutKast, The Roots, Mos Def, Kanye West, Gnarls Barkley, Gorillas, M.I.A., and the Fugees, leading the way in innovating and revitalizing the genre. &lt;br /&gt;&lt;br /&gt;Florida has maintained a role in influencing and developing hip hop music and culture. Southern hip hop, which is also known as Dirty South, is a subgenre of hip hop that emerged in the Southeastern United States in cities such as Atlanta, Houston, Memphis, New Orleans, and Miami. Miami native, Debbie Harry, who was the lead singer of the American punk rock band Blondie in the mid-to-late 1970s, released a song entitled “Rapture” in 1981, which became the first rap song to top the Billboard Top 100 chart. The music video for the song became the first rap video to be broadcast on Music Television (MTV). Miami Bass, also known as booty music, emerged in the mid-1980s, with an emphasis on synthesizers and drum machines, raised dance tempos, and frequently sexually explicit lyrics and samples. Luther Campbell, also known as Uncle Luke, and his group, 2 Live Crew, played a crucial role in popularizing Miami Bass in the late 1980s and early 1990s. The group gained international notoriety in 1988, when a record store clerk was cited for selling a copy of their explicit album to an undercover police officer, which was the first time in the United States that a record store owner was held liable for an obscenity violation. Although the clerk was found not guilty by a jury, the group’s next album, &lt;em&gt;As Nasty As They Wanna Be&lt;/em&gt;, was ruled obscene and illegal to sell by U.S. District Court Judge Jose Gonzalez, leading to the arrest of a local retailer two days later for selling a copy to an undercover officer, and to three of the members of the band after a performance in Hollywood, Florida. The U.S. Court of Appeals for the Eleventh Circuit overturned the obscenity ruling in 1992, and the United States Supreme Court refused to hear Broward County’s appeal. Other notable hip hop artists from Florida include Rick Ross and Flo Rida, both from Carol City, Trick Daddy, Pitbull and Trina from Miami, T-Pain from Tallahassee, and Solillaquists of Sound from Orlando.</text>
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                  <text>Rose, Tricia. &lt;a href="http://www.worldcat.org/oclc/29358082" target="_blank"&gt;&lt;em&gt;Black Noise: Rap Music and Black Culture in Contemporary America&lt;/em&gt;&lt;/a&gt;. Hanover, NH: University Press of New England, 1994.</text>
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                  <text>Ogbar, Jeffrey Ogbonna Green. &lt;a href="http://www.worldcat.org/oclc/153580063" target="_blank"&gt;&lt;em&gt;Hip-Hop Revolution: The Culture and Politics of Rap&lt;/em&gt;&lt;/a&gt;. Lawrence: University Press of Kansas, 2007.</text>
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                  <text>Charnas, Dan. &lt;a href="http://www.worldcat.org/oclc/426803687" target="_blank"&gt;&lt;em&gt;The Big Payback: The History of the Business of Hip-Hop&lt;/em&gt;&lt;/a&gt;. New York, N.Y.: New American Library, 2010.</text>
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                  <text>Light, Alan. &lt;a href="http://www.worldcat.org/oclc/41572698" target="_blank"&gt;&lt;em&gt;The Vibe History of Hip Hop&lt;/em&gt;&lt;/a&gt;. New York: Three Rivers Press, 1999.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;&lt;span&gt;, RICHES of Central Florida.&lt;/span&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Solillaquists of Sound performing live at at Slingapour's, a venue located at 18 Wall Street in Wall Street Plaza in Downtown Orlando, Florida, on February 19, 2003. The first photograph features, from left to right, Tonya Combs, Alexandrah, DiViNCi and MC Swamburger. The second photograph the first three, minus Swamburger. The third and fourth photographs feature Swamburger with Alexandrah and then with DiViNCi, respectively. The final photograph shows DiViNCi playing a Media Player Classic (MPC).&lt;br /&gt;&lt;br /&gt;Solillaquists of Sound, also known as Solilla, is an American hip-hop quartet formed in Orlando in August 2002. The group, consisting of MCs (masters of ceremonies) Swamburger and Alexandrah, poet/vocalist Tonya Combs, and producer/composer/MPC player DiViNCi, employs sophisticated, socially conscious lyrics and musical composition, based on the life-affirming, justice-oriented views held by the members. The group utilizes melody and harmony in their vocals, often delivering many punctuated syllables in rapid succession in tight synchronicity. In 2002, Asaan Brooks, also known as Swamburger, began having weekly meetings in his Orlando home about music, community involvement, spirituality, and veganism. At one of these meetings, Brooks and his friend, producer and MPC player Glen Valencia, Jr., also known as DiViNCi, with whom he had already recorded material, decided to begin performing together. A frequent attendee of their shows, Tonya Combs, joined them on background vocals, and soon the group's friend, singer Alexandra Sarton, also known as Alexandrah, left her home in Chicago, Illinois, to join the band. The group categorized themselves in their own genre, FAHEEM (funk/astro/hip-hop/extraterrestrially energized message), which they felt more accurately conveyed both their music and their beliefs regarding spirituality, life, and love. They were invited by hip-hop artist Sage Francis to tour with him, and his label, Epitaph, signed them to their sister label, Anti-, in early 2006. They recorded two albums under the label, &lt;em&gt;As If We Existed&lt;/em&gt; (2006) and &lt;em&gt;No More Heroes&lt;/em&gt; (2008), before leaving the label and producing their own albums, &lt;em&gt;The 4th Wall: Part 1&lt;/em&gt; (2012) and &lt;em&gt;The 4th Wall: Part 2&lt;/em&gt; (2013). In addition to Francis, the band has toured with artists such as Michael Franti &amp;amp; Spearhead, KRS-One, Bad Brains, Ozomatli, El-P, and Lyrics Born. &lt;br /&gt;&lt;br /&gt;The group is also known for their community involvement, appearing on a tribute record for fellow rapper/producer J Dilla, also known as James Dewitt Yancey, who passed away in 2006 from a blood disease. The album, &lt;em&gt;Death of the Muse&lt;/em&gt;, featured J-Live, Chali 2na of Jurassic 5, and Maureen "Ma Dukes" Yancey,Maureen Yancey, the mother of J Dilla. Okayplayer.com featured the effort as one of their top news stories, and LA Weekly called the track "the most awesome song in the history of awesomedom." The group hopes to open the Solilla Center 4 Creative Kids, a non-profit school designed to empower youth with the knowledge of all things good for mind, body, and spirit, offering kids yoga, an art gallery, massage, a cafe, smoothie and juice bar, language, art, poetry, gardening, and vegan cooking classes, as well as an after-school tutoring program.</text>
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                <text>Original color photographs by Alicia Lyman, February 19, 2003: &lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/154" target="_blank"&gt;Hip Hop Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original color photographs by Alicia Lyman, February 19, 2003. &lt;a href="http://alicialyman.photoshelter.com/gallery-image/2003-02-19-SOLILLAQUISTS-OF-SOUND-Slingapours-Orlando-FL/G0000QfFR9S.U_KM/I0000JhsX5jxoFgM/C0000fGs2siRdnQY" target="_blank"&gt;http://alicialyman.photoshelter.com/gallery-image/2003-02-19-SOLILLAQUISTS-OF-SOUND-Slingapours-Orlando-FL/G0000QfFR9S.U_KM/I0000JhsX5jxoFgM/C0000fGs2siRdnQY&lt;/a&gt;</text>
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                <text>Originally created and published by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Light, Alan. &lt;a href="http://www.worldcat.org/oclc/41572698" target="_blank"&gt;&lt;em&gt;The Vibe History of Hip Hop&lt;/em&gt;&lt;/a&gt;. New York: Three Rivers Press, 1999.</text>
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&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                <text> Ska (Music)--United States</text>
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                <text>The Supervillains performing live at the Beacham Theater, located at 46 North Orange Avenue in Downtown Orlando, Florida, on November 21, 2012. The first and second photographs feature, from left to right, drummer/vocalist Dominic Maresco and bassist Daniel Grundorf. The third photograph shows keyboardist/guitarist Tom "T-Rex" Moulton.&lt;br /&gt;&lt;br /&gt;The Supervillains were formed in 1998 by drummer/vocalist Dominic Maresco and guitarist/vocalist Scott "Skart" Suldo, while they were in high school in St. Cloud, Florida. Initially a punk-rock band, the group adapted elements of ska and reggae to their sound, leading to opportunities to support reggae acts such as The Wailers and Inner Circle, reggae-rock acts such as Slightly Stoopid and Pepper, ska acts such as Reel Big Fish and Streetlight Manifesto, punk acts such as Pennywise and Authority Zero, and rock acts such as Fishbone and 311. After several successful tours as an opening band, The Supervillains began headlining their own national tours, often performing over 200 shows per year, and released eight studio albums as of June 2015. The band incorporated several horn players and other members for eight or nine years, but have since operated as a four-piece, with Maresco, Suldo, Daniel Grundrof on bass and Tom "T-Rex" Moulton on keyboards and guitar. After selling over 100,000 records, the group formed their own label, Rah Rah Rah Records, in 2011.</text>
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                <text>Original color photograph by Alicia Lyman, November 21, 2012: &lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Alicia Lyman Collection&lt;/a&gt;</text>
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                <text>Augustyn, Heather, and Cedella Marley. &lt;a href="http://www.worldcat.org/oclc/630498209" target="_blank"&gt;&lt;em&gt;Ska: An Oral History&lt;/em&gt;&lt;/a&gt;. Jefferson, N.C.: McFarland, 2010.</text>
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                <text>Murray, Matthew, Addie Vassie, and Mitchell Vassie. &lt;a href="http://www.worldcat.org/oclc/880571058" target="_blank"&gt;&lt;em&gt;Ska&lt;/em&gt;&lt;/a&gt;. Amsterdam Schilt Publishing, 2013.</text>
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&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                <text> Ska (Music)--United States</text>
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                <text>The Supervillains performing live at The Social, located at 54 North Orange Avenue in Downtown Orlando, Florida, on July 20, 2007. The first photograph features, from left to right, Scott "Skart" Suldo on guitar, Dominic Maresco on drums, Jonathan "Smally" Cestero on saxophone, and an unidentified trumpet player. The second photograph shows Suldo and the third photograph shows Suldo with Maresco.&lt;br /&gt;&lt;br /&gt;The Supervillains were formed in 1998 by drummer/vocalist Dominic Maresco and guitarist/vocalist Scott "Skart" Suldo, while they were in high school in St. Cloud, Florida. Initially a punk-rock band, the group adapted elements of ska and reggae to their sound, leading to opportunities to support reggae acts such as The Wailers and Inner Circle, reggae-rock acts such as Slightly Stoopid and Pepper, ska acts such as Reel Big Fish and Streetlight Manifesto, punk acts such as Pennywise and Authority Zero, and rock acts such as Fishbone and 311. After several successful tours as an opening band, The Supervillains began headlining their own national tours, often performing over 200 shows per year, and released eight studio albums as of June 2015. The band incorporated several horn players and other members for eight or nine years, but have since operated as a four-piece, with Maresco, Suldo, Daniel Grundrof on bass and Tom "T-Rex" Moulton on keyboards and guitar. After selling over 100,000 records, the group formed their own label, Rah Rah Rah Records, in 2011.</text>
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                <text>Augustyn, Heather, and Cedella Marley. &lt;a href="http://www.worldcat.org/oclc/630498209" target="_blank"&gt;&lt;em&gt;Ska: An Oral History&lt;/em&gt;&lt;/a&gt;. Jefferson, N.C.: McFarland, 2010.</text>
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&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                <text> Ska (Music)--United States</text>
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                <text>A bass drum used by Dominic Maresco of The Supervillains. The photograph was taken on March 14, 2003, when the band performed at Hard Rock Live in Orlando, Florida. The Supervillains were formed in 1998 by drummer/vocalist Dominic Maresco and guitarist/vocalist Scott "Skart" Suldo, while they were in high school in St. Cloud, Florida. Initially a punk-rock band, the group adapted elements of ska and reggae to their sound, leading to opportunities to support reggae acts such as The Wailers and Inner Circle, reggae-rock acts such as Slightly Stoopid and Pepper, ska acts such as Reel Big Fish and Streetlight Manifesto, punk acts such as Pennywise and Authority Zero, and rock acts such as Fishbone and 311. After several successful tours as an opening band, The Supervillains began headlining their own national tours, often performing over 200 shows per year, and released eight studio albums as of June 2015. The band incorporated several horn players and other members for eight or nine years, but have since operated as a four-piece, with Maresco, Suldo, Daniel Grundrof on bass and Tom "T-Rex" Moulton on keyboards and guitar. After selling over 100,000 records, the group formed their own label, Rah Rah Rah Records, in 2011.</text>
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                  <text>Rock Collection</text>
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                  <text>Music--United States</text>
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                  <text>Lakeland (Fla.)</text>
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                  <text>Maitland (Fla.)</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>Knickerbocker, Carl</text>
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                  <text>Wahl, Julie</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Bob Carr Theater, Orlando, Florida</text>
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                  <text>Enzian Theater, Maitland, Florida</text>
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                  <text>Great Southern Music Hall, Orlando, Florida</text>
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                  <text>Cravero, Geoffrey</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <description/>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Fisher, Marc. &lt;a href="http://www.worldcat.org/oclc/69594101" target="_blank"&gt;&lt;em&gt;Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation&lt;/em&gt;&lt;/a&gt;. New York: Random House, 2007.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                  <text>eng</text>
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      <name>Still Image</name>
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          <name>Original Format</name>
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                <text> Lake Buena Vista (Fla.)</text>
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                <text> Orlando (Fla.)</text>
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                <text> Saint Cloud (Fla.)</text>
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                <text> Ska (Music)--United States</text>
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                <text> Concerts--United States</text>
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                <text> Punk rock music--United States</text>
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                <text> Reggae music--United States</text>
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                <text> Musicians--Southern States</text>
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                <text> Funk (Music)--United States</text>
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                <text>The Supervillains performing live at the House of Blues Orlando in Lake Buena Vista, Florida, on December 20, 2002. The first photograph features, from left to right, Jonathan "Smally" Cestero on saxophone, Andrew Neil Estes on trombone, Scott Suldo on guitar, J. P. Thieme on trumpet, Gus Ramage on bass, Dominic Maresco on drums, and Ben Montgomery on guitar. The second photograph features Maresco. The third photograph features, from left to right, Thieme , Suldo, Cestero, Ramage, and Montgomery.&lt;br /&gt;&lt;br /&gt;The Supervillains were formed in 1998 by drummer/vocalist Dominic Maresco and guitarist/vocalist Scott "Skart" Suldo, while they were in high school in St. Cloud, Florida. Initially a punk-rock band, the group adapted elements of ska and reggae to their sound, leading to opportunities to support reggae acts such as The Wailers and Inner Circle, reggae-rock acts such as Slightly Stoopid and Pepper, ska acts such as Reel Big Fish and Streetlight Manifesto, punk acts such as Pennywise and Authority Zero, and rock acts such as Fishbone and 311. After several successful tours as an opening band, The Supervillains began headlining their own national tours, often performing over 200 shows per year, and released eight studio albums as of June 2015. The band incorporated several horn players and other members for eight or nine years, but have since operated as a four-piece, with Maresco, Suldo, Daniel Grundrof on bass and Tom "T-Rex" Moulton on keyboards and guitar. After selling over 100,000 records, the group formed their own label, Rah Rah Rah Records, in 2011.</text>
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                <text>Original color photographs by Alicia Lyman, December 20, 2002: &lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original color photographs by Alicia Lyman, December 20, 2002.</text>
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            <name>Creator</name>
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                <text>Lyman, Alicia</text>
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                <text>Lyman, Alicia</text>
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                <text>2002-12-20</text>
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                <text>2002-12-20</text>
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                <text>Copyright to this resource is held by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Alicia Lyman Collection&lt;/a&gt;</text>
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                <text>Augustyn, Heather, and Cedella Marley. &lt;a href="http://www.worldcat.org/oclc/630498209" target="_blank"&gt;&lt;em&gt;Ska: An Oral History&lt;/em&gt;&lt;/a&gt;. Jefferson, N.C.: McFarland, 2010.</text>
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                <text>Murray, Matthew, Addie Vassie, and Mitchell Vassie. &lt;a href="http://www.worldcat.org/oclc/880571058" target="_blank"&gt;&lt;em&gt;Ska&lt;/em&gt;&lt;/a&gt;. Amsterdam Schilt Publishing, 2013.</text>
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                <text>McGregor, Nick. "&lt;a href="http://staugustine.com/surf-drift/2013-02-14/supervillains-serve-tasty-blend-reggae-ska-punk-metal-and-swamp-rock#.VXiGDc6EyM0" target="_blank"&gt;The Supervillains serve up a tasty blend of reggae, ska, punk, metal and swamp rock&lt;/a&gt;." &lt;em&gt;The St. Augustine Record&lt;/em&gt;. February 15, 2013. http://staugustine.com/surf-drift/2013-02-14/supervillains-serve-tasty-blend-reggae-ska-punk-metal-and-swamp-rock#.VXiGDc6EyM0.</text>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank"&gt;Oviedo Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                <text>An oral history of Ida Boston, conducted by Porsha Dossie on April 18, 2015. Boston is a resident of Oviedo, Florida, and a retired school bus driver for the Seminole County Public Schools. In 1956, she married her husband, Russell Boston, who is the grandson of Prince Butler Boston, a leading figure in Oviedo's black community. In this oral history, Boston discusses the legacy of Prince Butler Boston, establishing a colored cemetery, funding colored schools in the Oviedo area, and the Antioch Missionary Baptist Church. Boston also discusses black life in Oviedo, including membership in the Oviedo Citizens in Action Committee (OCIAC), which desegregated public places in Oviedo and fought for integration of Oviedo's schools.</text>
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                <text>&lt;br /&gt;0:00:00 Introduction&lt;br /&gt;0:01:08 Prince Butler Boston and the Boston Family&lt;br /&gt;0:04:17 Married life&lt;br /&gt;0:05:46 History Harvest&lt;br /&gt;0:07:51 Oviedo Citizens in Action Committee&lt;br /&gt;0:10:47 Black life in Seminole County&lt;br /&gt;0:13:24 Boston Hill Cemetery and Antioch Missionary Baptist Church&lt;br /&gt;0:15:20 Closing remarks</text>
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                <text>Oral history interview of Ida Boston. Interview conducted by Porsha Dossie at the &lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt; in Oviedo, Florida, on April 18, 2015.</text>
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                <text>Boston, Ida. Interviewed by Porsha Dossie, April 18, 2015. Audio/video record available. Oviedo History Harvest, &lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;, Oviedo, Florida.</text>
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                <text>&lt;a href="http://java.com/en/download/index.jsp" target="_blank"&gt; Java&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank"&gt;Oviedo Historical Society Collection&lt;/a&gt;, Oviedo Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>10-page digital transcript of original 15-minute and 38-second oral history: Boston, Ida. Interviewed by Porsha Dossie, April 18, 2015. Audio/video record available. Oviedo History Harvest, &lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;, Oviedo, Florida.</text>
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                <text> Antioch Missionary Baptist Church, Oviedo, Florida</text>
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                <text> Home of Prince Butler Boston, Oviedo, Florida</text>
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                <text>Originally created by Ida Boston and Porsha Dossie and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <elementText elementTextId="544883">
                <text>Robinson, Jim. "&lt;a href="http://articles.orlandosentinel.com/1989-02-02/news/8902030156_1_oviedo-grove-boston" target="_blank"&gt;Boston's dedication bears fruit in community, citrus industry&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 2, 1989. http://articles.orlandosentinel.com/1989-02-02/news/8902030156_1_oviedo-grove-boston.</text>
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              <elementText elementTextId="544884">
                <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
              </elementText>
              <elementText elementTextId="544887">
                <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
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&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
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                <text>&lt;em&gt;The String&lt;/em&gt; by Hal McIntosh. Born in 1927, McIntosh began his formal studies at the Detroit Art Institute in Detroit, Michigan, and the Toledo Museum of Art in Toledo, Ohio. At age 18, the Art Research Studio (present-day Maitland Art Center) in Maitland, Florida, selected him as the institution's youngest-ever artist in residence. His talent later earned him the Directorship of the Academy of Fine Arts in Lynchburg, Virginia, where he served as a museum director and teacher for five years. As a resident of Central Florida, McIntosh taught at the Loch Haven Art Center in Orlando and ran his own institution known as the McIntosh School in Winter Park for 30 years. McIntosh splits his time between his Cape Cod, Massachusetts, and Winter Park studios.&lt;br /&gt;&lt;br /&gt;With an artistic career lasting over 60 years, Hal McIntosh's influence on our community is profound. His bold abstractions, tranquil waterscapes, and stirring portraiture, all masterfully painted with a touch of McIntosh's signature Orientalism, have been widely exhibited in the area and are part of numerous regional collections, both private and public. Deep connections with the people and places of Orange County have allowed McIntosh to join the ranks as one of the greats and to be remembered eternally as an Art Legend.</text>
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                <text>Copyright to this resource is held by Hal McIntosh and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Bishop, Philip E. "&lt;a href="http://articles.orlandosentinel.com/2005-02-15/news/0502140273_1_mcintosh-koi-painting" target="_blank"&gt;Winter Park Artist Mcintosh Spices Life With Variety&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 15, 2005. http://articles.orlandosentinel.com/2005-02-15/news/0502140273_1_mcintosh-koi-painting.</text>
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                  <text>&lt;p&gt;Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art.&lt;br /&gt;&lt;br /&gt;To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the &lt;em&gt;Art Legends of Orange County&lt;/em&gt; initiative.&lt;br /&gt;&lt;br /&gt;This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. &lt;em&gt;Art Legends of Orange County&lt;/em&gt; celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text>&lt;em&gt;Study Without Violin&lt;/em&gt; by Hal McIntosh. Born in 1927, McIntosh began his formal studies at the Detroit Art Institute in Detroit, Michigan, and the Toledo Museum of Art in Toledo, Ohio. At age 18, the Art Research Studio (present-day Maitland Art Center) in Maitland, Florida, selected him as the institution's youngest-ever artist in residence. His talent later earned him the Directorship of the Academy of Fine Arts in Lynchburg, Virginia, where he served as a museum director and teacher for five years. As a resident of Central Florida, McIntosh taught at the Loch Haven Art Center in Orlando and ran his own institution known as the McIntosh School in Winter Park for 30 years. McIntosh splits his time between his Cape Cod, Massachusetts, and Winter Park studios.&lt;br /&gt;&lt;br /&gt;With an artistic career lasting over 60 years, Hal McIntosh's influence on our community is profound. His bold abstractions, tranquil waterscapes, and stirring portraiture, all masterfully painted with a touch of McIntosh's signature Orientalism, have been widely exhibited in the area and are part of numerous regional collections, both private and public. Deep connections with the people and places of Orange County have allowed McIntosh to join the ranks as one of the greats and to be remembered eternally as an Art Legend.</text>
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                <text>Original painting: McIntosh, Hal. &lt;em&gt;Study Without Violin&lt;/em&gt; (painting): &lt;a href="http://www.polasek.org/" target="_blank"&gt;Albin Polasek Museum &amp;amp; Sculpture Gardens&lt;/a&gt;, Winter Park, Florida.</text>
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                <text>Originally created by Hal McIntosh.</text>
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                <text>Copyright to this resource is held by Hal McIntosh and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.polasek.org/" target="_blank"&gt;Albin Polasek Museum &amp;amp; Sculpture Gardens&lt;/a&gt;</text>
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                <text>Bishop, Philip E. "&lt;a href="http://articles.orlandosentinel.com/2005-02-15/news/0502140273_1_mcintosh-koi-painting" target="_blank"&gt;Winter Park Artist Mcintosh Spices Life With Variety&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 15, 2005. http://articles.orlandosentinel.com/2005-02-15/news/0502140273_1_mcintosh-koi-painting.</text>
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                <text>Hummel, Terry. "&lt;a href="http://articles.orlandosentinel.com/2011-11-03/entertainment/os-hummel-art-events-orlando-20111103_1_area-artists-artists-share-art-galleries" target="_blank"&gt;A must-see show in Eustis: Lake Eustis Museum of Art shows works by Hal McIntosh, Maury Hurt, Bill Orr&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, November 3, 2011. http://articles.orlandosentinel.com/2011-11-03/entertainment/os-hummel-art-events-orlando-20111103_1_area-artists-artists-share-art-galleries.</text>
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                  <text>"&lt;a href="http://www.artlegendsoc.org/" target="_blank"&gt;Art Legends of Orange County&lt;/a&gt;." Art Legends of Orange County. http://www.artlegendsoc.org/.</text>
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&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text>&lt;em&gt;Still Life with Pears&lt;/em&gt; by Hal McIntosh. Born in 1927, McIntosh began his formal studies at the Detroit Art Institute in Detroit, Michigan, and the Toledo Museum of Art in Toledo, Ohio. At age 18, the Art Research Studio (present-day Maitland Art Center) in Maitland, Florida, selected him as the institution's youngest-ever artist in residence. His talent later earned him the Directorship of the Academy of Fine Arts in Lynchburg, Virginia, where he served as a museum director and teacher for five years. As a resident of Central Florida, McIntosh taught at the Loch Haven Art Center in Orlando and ran his own institution known as the McIntosh School in Winter Park for 30 years. McIntosh splits his time between his Cape Cod, Massachusetts, and Winter Park studios.&lt;br /&gt;&lt;br /&gt;With an artistic career lasting over 60 years, Hal McIntosh's influence on our community is profound. His bold abstractions, tranquil waterscapes, and stirring portraiture, all masterfully painted with a touch of McIntosh's signature Orientalism, have been widely exhibited in the area and are part of numerous regional collections, both private and public. Deep connections with the people and places of Orange County have allowed McIntosh to join the ranks as one of the greats and to be remembered eternally as an Art Legend.</text>
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                <text>Original painting: McIntosh, Hal. &lt;em&gt;Still Life with Pears&lt;/em&gt; (painting): &lt;a href="http://www.polasek.org/" target="_blank"&gt;Albin Polasek Museum &amp;amp; Sculpture Gardens&lt;/a&gt;, Winter Park, Florida.</text>
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                <text>Digital reproduction of original painting: McIntosh, Hal. &lt;em&gt;Still Life with Pears&lt;/em&gt; (painting).</text>
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            <name>Language</name>
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                <text>eng</text>
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                <text> Humanities Teacher</text>
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                <text> Visual Arts Teacher</text>
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                <text>Originally created by Hal McIntosh.</text>
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                <text>Copyright to this resource is held by Hal McIntosh and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.artlegendsoc.org/" target="_blank"&gt;Art Legends of Orange County&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.polasek.org/" target="_blank"&gt;Albin Polasek Museum &amp;amp; Sculpture Gardens&lt;/a&gt;</text>
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            <name>External Reference</name>
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                <text>Bishop, Philip E. "&lt;a href="http://articles.orlandosentinel.com/2005-02-15/news/0502140273_1_mcintosh-koi-painting" target="_blank"&gt;Winter Park Artist Mcintosh Spices Life With Variety&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 15, 2005. http://articles.orlandosentinel.com/2005-02-15/news/0502140273_1_mcintosh-koi-painting.</text>
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                <text>Hummel, Terry. "&lt;a href="http://articles.orlandosentinel.com/2011-11-03/entertainment/os-hummel-art-events-orlando-20111103_1_area-artists-artists-share-art-galleries" target="_blank"&gt;A must-see show in Eustis: Lake Eustis Museum of Art shows works by Hal McIntosh, Maury Hurt, Bill Orr&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, November 3, 2011. http://articles.orlandosentinel.com/2011-11-03/entertainment/os-hummel-art-events-orlando-20111103_1_area-artists-artists-share-art-galleries.</text>
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                  <text>&lt;a href="http://www.polasek.org/" target="_blank"&gt;Albin Polasek Museum &amp;amp; Sculpture Gardens&lt;/a&gt;</text>
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                  <text>&lt;a href="http://gallery.cah.ucf.edu/"&gt;University of Central Florida Art Gallery&lt;/a&gt;</text>
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                  <text>&lt;p&gt;Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art.&lt;br /&gt;&lt;br /&gt;To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the &lt;em&gt;Art Legends of Orange County&lt;/em&gt; initiative.&lt;br /&gt;&lt;br /&gt;This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. &lt;em&gt;Art Legends of Orange County&lt;/em&gt; celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text> Art--Southern States</text>
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                <text>Hal McIntosh at an exhibit of his artwork at the Truro Public Library, located at 7 Standish Way in North Truro, Massachusetts, during the summer of 2011. The painting to the left of McIntosh depicts his cottage on the beachfront.&lt;br /&gt;&lt;br /&gt;Born in 1927, McIntosh began his formal studies at the Detroit Art Institute in Detroit, Michigan, and the Toledo Museum of Art in Toledo, Ohio. At age 18, the Art Research Studio (present-day Maitland Art Center) in Maitland, Florida, selected him as the institution's youngest-ever artist in residence. His talent later earned him the Directorship of the Academy of Fine Arts in Lynchburg, Virginia, where he served as a museum director and teacher for five years. As a resident of Central Florida, McIntosh taught at the Loch Haven Art Center in Orlando and ran his own institution known as the McIntosh School in Winter Park for 30 years. McIntosh splits his time between his Cape Cod, Massachusetts, and Winter Park studios.&lt;br /&gt;&lt;br /&gt;With an artistic career lasting over 60 years, Hal McIntosh's influence on our community is profound. His bold abstractions, tranquil waterscapes, and stirring portraiture, all masterfully painted with a touch of McIntosh's signature Orientalism, have been widely exhibited in the area and are part of numerous regional collections, both private and public. Deep connections with the people and places of Orange County have allowed McIntosh to join the ranks as one of the greats and to be remembered eternally as an Art Legend.</text>
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                <text>Original color photograph: &lt;a href="http://www.polasek.org/" target="_blank"&gt;Albin Polasek Museum &amp;amp; Sculpture Gardens&lt;/a&gt;, Winter Park, Florida.</text>
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                <text> Visual Arts Teacher</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.polasek.org/" target="_blank"&gt;Albin Polasek Museum &amp;amp; Sculpture Gardens&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.artlegendsoc.org/" target="_blank"&gt;Art Legends of Orange County&lt;/a&gt;</text>
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                <text>Cepero, Laura</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.polasek.org/" target="_blank"&gt;Albin Polasek Museum &amp;amp; Sculpture Gardens&lt;/a&gt;</text>
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                <text>Bishop, Philip E. "&lt;a href="http://articles.orlandosentinel.com/2005-02-15/news/0502140273_1_mcintosh-koi-painting" target="_blank"&gt;Winter Park Artist Mcintosh Spices Life With Variety&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 15, 2005. http://articles.orlandosentinel.com/2005-02-15/news/0502140273_1_mcintosh-koi-painting.</text>
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                <text>Hummel, Terry. "&lt;a href="http://articles.orlandosentinel.com/2011-11-03/entertainment/os-hummel-art-events-orlando-20111103_1_area-artists-artists-share-art-galleries" target="_blank"&gt;A must-see show in Eustis: Lake Eustis Museum of Art shows works by Hal McIntosh, Maury Hurt, Bill Orr&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, November 3, 2011. http://articles.orlandosentinel.com/2011-11-03/entertainment/os-hummel-art-events-orlando-20111103_1_area-artists-artists-share-art-galleries.</text>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank"&gt;Oviedo Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                  <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                <text>Robison, Jim. "&lt;a href="http://articles.orlandosentinel.com/2003-02-02/news/0301310510_1_boston-oviedo-grove" target="_blank"&gt;Bostons Of Oviedo Built Ball Field, Pioneered In Citrus&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 2, 2003. http://articles.orlandosentinel.com/2003-02-02/news/0301310510_1_boston-oviedo-grove.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/5289" target="_blank"&gt;In Loving Memory of Mr. Harry Boston&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/5289.</text>
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                <text>In Memory of Harry "Big Newt" Boston, Sr. </text>
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                <text>This is the dedication from former members of the Oviedo Black Hawks baseball team for Harry "Big Newt" Homer, Sr. Boston, who was an integral part of Oviedo's African-American community. Originally from Valdosta, Georgia, he graduate from Valdosta State College (now Valdosta State University). After college, he joined the U,S, Army, where he served as a medic during World War II. After migrating to Oviedo, Florida, Boston built a baseball diamond where local black youths played. The teams were known as the Oviedo Black Hawks for boys and Oviedo Lady Black Hawks for girls. On his bus, affectionately nicknamed the "Big Newt Bus," Boston would take the teams to games across Florida and other states as far north as Tennessee. The City of Oviedo honored him by naming Boston Hill Park, located at 777 South Central Avenue, in his honor.  On May 21, 1994, the city also proclaimed that date Harry "Big Newt" Boston Day. Boston passed away on October 3 of that same year at the Winter Park Memorial Hospital in Winter Park.</text>
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                <text>Original 4-page pamphlet by the Oviedo Black Hawks, May 2000: Private Collection of Jacqueline Morgan.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank"&gt;Oviedo Historical Society Collection&lt;/a&gt;, Oviedo Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Copyright to this resource is held by the Oviedo Black Hawks and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                  <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                <text>In Loving Memory of Mr. Harry Boston</text>
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                <text>Robison, Jim. "&lt;a href="http://articles.orlandosentinel.com/2003-02-02/news/0301310510_1_boston-oviedo-grove" target="_blank"&gt;Bostons Of Oviedo Built Ball Field, Pioneered In Citrus&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 2, 2003. http://articles.orlandosentinel.com/2003-02-02/news/0301310510_1_boston-oviedo-grove.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/5290" target="_blank"&gt;In Memory of Harry 'Big Newt' Boston, Sr.&lt;/a&gt;" RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/5290.</text>
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                <text>The funeral program for Harry "Big Newt" Homer, Sr. Boston, who was an integral part of Oviedo's African-American community. Originally from Valdosta, Georgia, he graduate from Valdosta State College (now Valdosta State University). After college, he joined the U,S, Army, where he served as a medic during World War II. After migrating to Oviedo, Florida, Boston built a baseball diamond where local black youths played. The teams were known as the Oviedo Black Hawks for boys and Oviedo Lady Black Hawks for girls. On his bus, affectionately nicknamed the "Big Newt Bus," Boston would take the teams to games across Florida and other states as far north as Tennessee. The City of Oviedo honored him by naming Boston Hill Park, located at 777 South Central Avenue, in his honor.  On May 21, 1994, the city also proclaimed that date Harry "Big Newt" Boston Day. Boston passed away on October 3 of that same year at the Winter Park Memorial Hospital in Winter Park.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank"&gt;Oviedo Historical Society Collection&lt;/a&gt;, Oviedo Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Copyright to this resource is held by Jacqueline Morgan and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                <text>Mitchell Hammock Road when it was being paved in 1989. Oviedo City Council members signed a deal with Seminole County officials and a developer to pave Mitchell Hammock Road and turn it into a major highway. The developer, the Anden Group, paid for the road to be paved from Lockwood Road to Florida State Road 426. The City of Oviedo would pay for the addition of two lanes. Developing Mitchell Hammock became a priority because of the development of the Twin Rivers and Alafaya Woods communities by the Anden Group, which would generate a huge amount of traffic congestion, thus necessitating pavement.</text>
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                <text>Copyright to this resource is held by Karen Jacobs and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Pinnock, Tom. "&lt;a href="http://articles.orlandosentinel.com/1987-06-01/news/0130260157_1_dirt-road-oviedo-mitchell-hammock-road/2" target="_blank"&gt;South Oviedo Dirt Road to Be 4 Lanes in 1 1/2 Years Related Map See Oviedo in Clipping File&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, June 1, 1987, http://articles.orlandosentinel.com/1987-06-01/news/0130260157_1_dirt-road-oviedo-mitchell-hammock-road/2.</text>
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&#13;
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                <text>Copyright to this resource is held by Colene Ward and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Dudley, Bruce. "Mead Manor Brings New Lifestyle to Oviedo." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, September 5, 1971.</text>
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                <text>"Oviedo." &lt;em&gt;Homebuyer&lt;/em&gt;, Spring 2000.</text>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                  <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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          <name>Original Format</name>
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            <name>Title</name>
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                <text>...And Another Learns His Lesson</text>
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                <text>Another Learns His Lesson</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
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                <text> Roads--Florida</text>
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                <text> Cars</text>
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                <text> Automobiles</text>
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          <element elementId="41">
            <name>Description</name>
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                <text>A newspaper photograph published by &lt;em&gt;The Oviedo Outlook&lt;/em&gt; on July 7, 1971. This photograph shows a car stuck in a ditch off of Florida State Road 426 in Slavia, Florida. According to the caption, the driver's car slipped off the road when it was raining.</text>
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                <text>Original newspaper article: "...And Another Learns His Lesson." &lt;em&gt;The Oviedo Outlook&lt;/em&gt;, Vol. 1, No. 3, July 7, 1971: Private Collection of Dan Beistel.</text>
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                <text>Digital reproduction of original newspaper article: "...And Another Learns His Lesson." &lt;a href="http://www.seminolevoice.com/" target="_blank"&gt;&lt;em&gt;The Oviedo Outlook&lt;/em&gt;&lt;/a&gt;, Vol. 1, No. 3, July 7, 1971.</text>
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            <name>Coverage</name>
            <description/>
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            <name>Publisher</name>
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              <elementText elementTextId="543961">
                <text>&lt;a href="http://www.seminolevoice.com/" target="_blank"&gt;&lt;em&gt;The Oviedo Outlook&lt;/em&gt;&lt;/a&gt;</text>
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                <text> Geography Teacher</text>
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                <text>Originally published by &lt;a href="http://www.seminolevoice.com/" target="_blank"&gt;&lt;em&gt;The Oviedo Outlook&lt;/em&gt;&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="http://www.seminolevoice.com/" target="_blank"&gt;&lt;em&gt;The Seminole Voice&lt;/em&gt;&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <elementTextContainer>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>A newspaper article published by &lt;em&gt;The Oviedo Outlook&lt;/em&gt; on July 7, 1971. This article discusses the Seminole-Goldenrod Fire Association membership drive. Goldenrod formed its volunteer fire department in the 1950s with its own trucks and erected a building on Palmetto Avenue in Goldenrod, Florida, to serve both Orange County and Seminole County residents. Around 1969, Orange County established a fire department at that location at 4755 Palmetto Avenue. In order to service the Seminole County residents of Goldenrod, the volunteer fire department moved to this location and became the Seminole-Goldenrod Volunteer Fire Department. The location was later taken over by Seminole County and renamed the Seminole County Fire Station 23.</text>
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                <text>&lt;a href="http://www.seminolevoice.com/" target="_blank"&gt;&lt;em&gt;The Oviedo Outlook&lt;/em&gt;&lt;/a&gt;</text>
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                <text>Originally created by Marilyn Mathers and published by &lt;a href="http://www.seminolevoice.com/" target="_blank"&gt;&lt;em&gt;The Oviedo Outlook&lt;/em&gt;&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="http://www.seminolevoice.com/" target="_blank"&gt;&lt;em&gt;The Seminole Voice&lt;/em&gt;&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.goldenrodhistoricalsociety.com/" target="_blank"&gt;Goldenrod Historical Society &amp;amp; Museum&lt;/a&gt;." Goldenrod Historical Society &amp;amp; Museum. http://www.goldenrodhistoricalsociety.com/.</text>
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        <name>Gladys James</name>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                <text>A newspaper article published by &lt;em&gt;The Oviedo Outlook&lt;/em&gt; on July 7, 1971. This article is the publication of an open letter by Oviedo High School band director, Richard A. Feinberg, asking for donations for the marching band. The article also outlines upcoming football games and marching band performances. &lt;br /&gt;&lt;br /&gt;Oviedo High School is a Seminole County Public School located in Oviedo, Florida. Originally called the Oviedo School, the institution was first established in 1922 as a K-12 school. In 1948, the secondary grades separated from the elementary school. The upper grade levels formed Oviedo High School and moved to the campus at 601 King Street. Oviedo High School is notable for &lt;em&gt;The Lion's Tale&lt;/em&gt;, the award-winning school newspaper recognized by various national and state scholastic press associations; its high ratings from the Governor's A+ Plan for Education; and its successful athletics programs.</text>
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                <text>Original newspaper article: Feinberg, Richard A.. "Patron Donations Help Band." &lt;em&gt;The Oviedo Outlook&lt;/em&gt;, Vol. 1, No. 3, July 7, 1971: Private Collection of Dan Beistel.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank" rel="noreferrer noopener"&gt;Oviedo Historical Society Collection&lt;/a&gt;, Oviedo Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original newspaper article by Feinberg, Richard A.. "Patron Donations Help Band." &lt;a href="http://www.seminolevoice.com/" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;The Oviedo Outlook&lt;/em&gt;&lt;/a&gt;, Vol. 1, No. 3, July 7, 1971.</text>
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&#13;
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                <text>A newspaper article published by &lt;em&gt;The Oviedo Outlook&lt;/em&gt; on July 7, 1971. This article is about Oviedo's Fourth of July celebration that took place the previous weekend. According to the article, Mr. and Mrs. Ed Hayslett of Chuluota, Florida, won a General Electric freezer and a side of beef. A number of businesses and local community members participated in the celebration and sponsored a several games and prizes.</text>
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                <text>Original newspaper article: "Mr. and Mrs. Ed Hayslett Win Freezer and Beef." &lt;em&gt;The Oviedo Outlook&lt;/em&gt;, Vol. 1, No. 3, July 7, 1971: Private Collection of Dan Beistel.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank"&gt;Oviedo Historical Society Collection&lt;/a&gt;, Oviedo Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original newspaper article: "Mr. and Mrs. Ed Hayslett Win Freezer and Beef." &lt;a href="http://www.seminolevoice.com/" target="_blank"&gt;&lt;em&gt;The Oviedo Outlook&lt;/em&gt;&lt;/a&gt;, Vol. 1, No. 3, July 7, 1971.</text>
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                <text>John Courier Field, Oviedo High School, Oviedo, Florida</text>
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                <text>Originally published by &lt;a href="http://www.seminolevoice.com/" target="_blank"&gt;&lt;em&gt;The Oviedo Outlook&lt;/em&gt;&lt;/a&gt;.</text>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                <text>Original newspaper article: "Requirements for Athletes 'Raised'." &lt;em&gt;The Lion's Tale&lt;/em&gt;, Vol. XIII, No. 5, February 1984: Private Collection of Dan Beistel.</text>
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                <text>Digital reproduction of original newspaper article: "Requirements for Athletes 'Raised'." &lt;a href="http://www.oviedo.scps.k12.fl.us/" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;The Lion's Tale&lt;/em&gt;&lt;/a&gt;, Vol. XIII, No. 5, February 1984.</text>
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                <text>Originally published by &lt;a href="http://www.oviedo.scps.k12.fl.us/" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;The Lion's Tale&lt;/em&gt;&lt;/a&gt;.</text>
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                <text>"&lt;a href="http://www.oviedo.scps.k12.fl.us/" target="_blank" rel="noreferrer noopener"&gt;Oviedo High School&lt;/a&gt;." Oviedo High School, Seminole County Public Schools. http://www.oviedo.scps.k12.fl.us/.</text>
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                <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                <text>"&lt;a href="http://www.oviedo.scps.k12.fl.us/" target="_blank" rel="noreferrer noopener"&gt;Oviedo High School&lt;/a&gt;." Oviedo High School, Seminole County Public Schools. http://www.oviedo.scps.k12.fl.us/.</text>
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                <text>"&lt;a href="http://www.ohsr.net/about-oviedo-high-school" target="_blank" rel="noreferrer noopener"&gt;About Oviedo High School&lt;/a&gt;." Oviedo High School Reunions. http://www.ohsr.net/about-oviedo-high-school.</text>
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                <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                <text>A newspaper article published by &lt;em&gt;The Lion's Tale&lt;/em&gt;, Oviedo High School's student newspaper, in February of 1984. This article discusses the Secondary Level Examination Program (SLEP), which grants high school credits to students that successfully passed tests for courses. Several students from Oviedo High School, Lake Brantley High School, and Lake Mary High School earned credits from the examination. &lt;br /&gt;&lt;br /&gt;Oviedo High School is a Seminole County Public School located in Oviedo, Florida. Originally called the Oviedo School, the institution was first established in 1932 as a K-12 school. In 1948, the secondary grades separated from the elementary school. The upper grade levels formed Oviedo High School and moved to the campus at 601 King Street. Oviedo High School is notable for &lt;em&gt;The Lion's Tale&lt;/em&gt;, the award-winning school newspaper recognized by various national and state scholastic press associations; its high ratings from the Governor's A+ Plan for Education; and its successful athletics programs.</text>
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                <text>Original newspaper article: "Students Earn Credits by Examination." &lt;em&gt;The Lion's Tale&lt;/em&gt;, Vol. XIII, No. 5, February 1984: Private Collection of Dan Beistel.</text>
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                <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                <text>A newspaper article published by &lt;em&gt;The Lion's Tale&lt;/em&gt;, Oviedo High School's student newspaper, in February of 1984. This article discusses the schedule changes affecting certain English teachers and their students in order to maintain funding from the Enhanced Writing Program. &lt;br /&gt;&lt;br /&gt;Oviedo High School is a Seminole County Public School located in Oviedo, Florida. Originally called the Oviedo School, the institution was first established in 1922 as a K-12 school. In 1948, the secondary grades separated from the elementary school. The upper grade levels formed Oviedo High School and moved to the campus at 601 King Street. Oviedo High School is notable for &lt;em&gt;The Lion's Tale&lt;/em&gt;, the award-winning school newspaper recognized by various national and state scholastic press associations; its high ratings from the Governor's A+ Plan for Education; and its successful athletics programs.</text>
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                <text>Original newspaper article: Keene, Karen. "Teachers, Students Undergo Major Schedule Changes." &lt;em&gt;The Lion's Tale&lt;/em&gt;, Vol. XIII, No. 5, February 1984: Private Collection of Dan Beistel.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank" rel="noreferrer noopener"&gt;Oviedo Historical Society Collection&lt;/a&gt;, Oviedo Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
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                <text>In August of 1973, &lt;em&gt;The Oviedo Outlook&lt;/em&gt;, Vol. 1, No. 7, August 1, 1973 reported that the Oviedo's new sanitary sewer system was still on schedule to be built that year. Through a joint effort between a group of developers, engineers, and city officials, the 10-acre site, just south of the city limits and east of Florida State Road 520, should generate enough revenue according to most projections.</text>
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&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                <text>Ella Milner in front of the Citizen's Bank of Oviedo, which originally opened on East Broadway Street on July 2, 1946. The land on which the bank sits was originally the Bill Browning celery farm. The Citizens Bank of Oviedo took in over half a million dollars in deposits on its first day, with B. F. Wheeler as president, C. R. Clonts as vice president, and Charles Shaffer as the cashier. In 1949, the bank moved to the Memorial Building, which is located at 38 South Central Avenue. On March 25, 1974, the Citizens' Bank of Oviedo reopened at 156 Geneva Drive. The bank is now the Citizens' Bank of Florida with locations throughout Seminole County.</text>
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                <text>Originally created by Dan Beistel.</text>
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                <text>Copyright to this resource is held by Dan Beistel and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;</text>
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                <text>Neely, Larry. "Citizens Bank Founded in 1946." &lt;em&gt;The Oviedo Heritage&lt;/em&gt;, June 30, 1977</text>
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                <text>Rajtar, Steve. "&lt;a href="http://www.geocities.ws/krdvry/hikeplans/oviedo/planoviedo.html" target="_blank"&gt;Oviedo Historical Trail&lt;/a&gt;". Steve Rajtar. http://www.geocities.ws/krdvry/hikeplans/oviedo/planoviedo.html</text>
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&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                <text>A centennial celebration program booklet for the First United Methodist Church, located at 300 Ruth Street in Oviedo, Florida. The program covers the events of the day, centennial celebrations, the church history, and a number of hymns and sermons. The Methodist Church has a far-reaching history in the South that goes back to the schism of 1844. Divided by the issue of slavery, Southern churches moved to create their own polity during a conference in Louisville, Kentucky. The Southern church eventually reunited with the elder Methodist Episcopal Church, as well as the Methodist Presbyterian Church in 1939, becoming a single polity. In 1940, more conservative congregations dissented from the merge and formed the Southern Methodist Church. The United Methodist Church was finally created on April 23, 1968, when the Evangelical United Brethren Church and the Methodist Church merged.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.fumco.net/" target="_blank"&gt;First United Methodist Church of Oviedo&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Alexander, Gross, James Brown Scouller, R. V. Foster, and Thomas Cary Johnson. &lt;a href="http://www.geocities.ws/krdvry/hikeplans/oviedo/planoviedo.html" target="_blank"&gt;&lt;em&gt;A History of the Methodist Church, South: The United Presbyterian Church, The Cumberland Presbyterian Church and the Presbyterian Church, South, in the United States&lt;/em&gt;&lt;/a&gt;. New York: Christian Literature Co, 1894.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Robinson, Jim. "&lt;a href="http://articles.orlandosentinel.com/1989-02-02/news/8902030156_1_oviedo-grove-boston" target="_blank"&gt;Boston's dedication bears fruit in community, citrus industry&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 2, 1989. http://articles.orlandosentinel.com/1989-02-02/news/8902030156_1_oviedo-grove-boston.</text>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                <text>In 2001, former students of the African-American schools planned a class reunion for alumni who attended the schools between 1953 and 1967. The schools included were Oviedo Colored School (later called Oviedo Elementary School), Jackson Heights Elementary School, Geneva Colored School, Wagner Colored School, Kolokee Colored School, and Gabriella Colored School. This booklet details the history of black community's drive to create a place to educate the children of the community with a general overview and timeline of the consolidation of the Oviedo-area schools into two distinct campuses in the predominantly African-American Jackson Heights neighborhood. This document demonstrates segregation in education in Seminole County, Florida, a subject that has not be fully explored in relation to Oviedo's history.</text>
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                <text>Original 76-page booklet: The World Outside Reunion, "A Written and Pictorial History of the Oviedo Area Colored Schools": Judith Smith Publishing: Private Collection of Ida Boston.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank"&gt;Oviedo Historical Society Collection&lt;/a&gt;, Oviedo Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of 76-page original booklet: The World Outside Reunion, "A Written and Pictorial History of the Oviedo Area Colored Schools": Judith Smith Publishing.</text>
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        <name>G. Stallworth</name>
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        <name>G. Washington</name>
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        <name>G. Williams</name>
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        <name>G. Wilson</name>
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      <tag tagId="6796">
        <name>Gabriella Colored School</name>
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        <name>Geneva</name>
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        <name>Geneva Colored School</name>
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        <name>Georgianna McClendon</name>
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        <name>Georgianna Thompson</name>
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        <name>Gertrude Davis</name>
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        <name>Gladys Finney</name>
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        <name>Gladys Holmes</name>
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        <name>Gladys Holmes Smith</name>
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        <name>Gladys Ingram</name>
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        <name>Gladys Smith</name>
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        <name>Gloria Godwin</name>
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        <name>Gracia Muller</name>
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        <name>Gracia Muller-Miller</name>
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        <name>graduate</name>
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        <name>graduation</name>
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        <name>Greg Tossie</name>
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        <name>H. Bass</name>
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        <name>H. Bush</name>
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        <name>H. Carwise</name>
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        <name>H. Davis</name>
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        <name>H. Denard</name>
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        <name>H. Denard. C. Carwise</name>
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        <name>H. Detreville</name>
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        <name>H. Dumas</name>
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        <name>H. Jones</name>
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        <name>H. Muller</name>
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        <name>H. Rhodes</name>
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        <name>H. Washington</name>
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        <name>Hamilton Elementary School</name>
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        <name>Harry Stewart</name>
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        <name>Hattie McGee</name>
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        <name>Hayley Miller</name>
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        <name>Herbert Cherry</name>
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        <name>Herbert Washington</name>
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        <name>Holly Malcolm</name>
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        <name>Horace Jackson</name>
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        <name>Hortense Givings</name>
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        <name>Hortense Givings Evans</name>
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        <name>Howard Bass</name>
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        <name>I. Barkley</name>
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        <name>I. Brinson</name>
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        <name>I. Browers</name>
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        <name>I. Cobb</name>
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        <name>I. Muller</name>
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        <name>Ida Muller</name>
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        <name>Ida Muller Anderson</name>
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        <name>Inez Barthwell</name>
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        <name>Inez Barthwell Rhodes</name>
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        <name>Ingrid Muller Witherspoon</name>
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        <name>integration</name>
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        <name>Isaac Bowers</name>
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        <name>J. Argo</name>
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        <name>J. Bass</name>
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        <name>J. Boston</name>
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        <name>J. Browdy</name>
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        <name>J. Brown</name>
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        <name>J. Bryant</name>
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        <name>J. Bumont</name>
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        <name>J. Cobb</name>
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        <name>J. E. Oxedine</name>
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        <name>J. Fields</name>
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        <name>J. H. Browdy</name>
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        <name>J. Hird</name>
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        <name>J. Hodges</name>
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        <name>J. Izzard</name>
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        <name>J. Jackson</name>
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        <name>J. Jones</name>
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        <name>J. King</name>
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        <name>J. Knight</name>
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        <name>J. Matthew</name>
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        <name>J. Moore</name>
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        <name>J. Robinson</name>
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        <name>J. Smith</name>
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        <name>J. Tilden Jacobs</name>
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        <name>J. W. Muller</name>
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        <name>J. W. Wright. H. Boston</name>
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        <name>J. Washington</name>
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        <name>J. Williams</name>
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        <name>J. Wynn</name>
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        <name>Jackie Morgan</name>
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        <name>Jackson</name>
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        <name>Jackson Heights Elementary School</name>
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        <name>Jackson Heights Middle School</name>
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        <name>James Golden</name>
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        <name>Jameson Studio</name>
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        <name>Janice Brockington-Renn</name>
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        <name>Janie Jackson</name>
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        <name>janitor</name>
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        <name>Jannie Jackson</name>
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        <name>Jeannette Glover Oliver</name>
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        <name>Jennie Jackson</name>
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        <name>Jennie McPherson</name>
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        <name>Jessie Bronson</name>
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        <name>JHES</name>
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        <name>Jimmie Lee Blair</name>
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        <name>John Richard Edward Jones</name>
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        <name>Johnnie Copper</name>
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        <name>Johnnie M. McGee</name>
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        <name>Joseph S. Smith</name>
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        <name>Juanita McClendon</name>
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        <name>Judith Smith</name>
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        <name>Judith Smith Publishing</name>
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        <name>Julia Merritt</name>
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        <name>K. Ashe</name>
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        <name>K. Washington</name>
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        <name>Karen Jacobs</name>
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        <name>Karen Ponder</name>
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        <name>Kathy Denard</name>
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        <name>Katie R. Burke</name>
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        <name>Kelley Muller-Smith</name>
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        <name>L. Alexander</name>
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        <name>L. Bruce</name>
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        <name>L. Elliot</name>
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        <name>L. Lewis</name>
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        <name>L. Sapp</name>
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        <name>L. Smith</name>
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        <name>L. Whipper</name>
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        <name>Lamar</name>
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        <name>Linda Johnson</name>
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        <name>Linda Smith Johnson</name>
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        <name>Lois Smith</name>
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        <name>Lola Nettles</name>
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        <name>Lucille Jackson</name>
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        <name>M. Allen</name>
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        <name>Mary Helen Carwise Smith</name>
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        <name>N. Brown</name>
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&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                <text>This World War II-era war ration book belonged to Prince Butler Boston, a prominent African American leader in Oviedo, Florida, who was integral to creating a vibrant black community in Seminole County through industry and his patronage. Boston was the son of a Georgia slave owner, Dr. Alexander Atkinson, who moved to Central Florida in 1885, when Boston was 14 years old. After the citrus freeze during the 1890s, Atkinson abandoned citrus growing and moved to Miami, leaving most his land to Boston. Boston was a member of Antioch Missionary Baptist Church for nearly 61 years, beginning in 1886 until his death in 1947. He was ordained as a deacon in the church and also became the superintendent of the Sunday school, as well. Once membership in the church began to grow, he designed a second choir stand and two additional classrooms. Boston also gave five acres of land to the church to build a cemetery, which is now known as the Boston Hill Cemetery. &lt;br /&gt;&lt;br /&gt;In May 1942, the U.S. Office of Price Administration froze prices on everyday goods, such as coffee, sugar, and gasoline. Families were issued war ration books and tokens, which dictated how many and how much goods could be purchased by any one family. Various types of rationing included certificate rationing, differential coupon rationing, point rationing, and uniform coupon rationing. Sugar is an example of uniform coupon rationing which provided equal shares of a single product to every American; point rationing issued coupons for points. Theses points could be used for any combination of items in processed foods and meats. Differential coupon rationing provided products based on varying needs. These products included gasoline and fuel oil. In the case of certificate rationing, individuals had to demonstrate need for the products, such as tires, cars, and stoves.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank"&gt;Oviedo Historical Society Collection&lt;/a&gt;, Oviedo Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text> Economics Teacher</text>
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                <text>Copyright to this resource is held by Ida Boston and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.ameshistory.org/exhibits/events/rationing.htm" target="_blank"&gt;World War II Rationing on the U.S. Homefront&lt;/a&gt;." Exhibits, America History http://www.ameshistory.org/exhibits/events/rationing.htm.</text>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                <text>Horner, Desta. "&lt;a href="http://cmfmedia.org/2013/07/oviedo-and-jim-crow/" target="_blank"&gt;Oviedo and Jim Crow&lt;/a&gt;." Issues and Voices that Matter. http://cmfmedia.org/2013/07/oviedo-and-jim-crow/.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                <text>Copyright to this resource is held by Ida Boston and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank"&gt;Oviedo Historical Society Collection&lt;/a&gt;, Oviedo Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Barnett, Cynthia. "&lt;a href="http://www.floridafarmers.org/news/articles/TheDudaWay.htm" target="_blank"&gt;The Duda Way: A. Duda &amp;amp; Sons Co.&lt;/a&gt;." &lt;em&gt;Florida Trend&lt;/em&gt;, September 2006. http://www.floridafarmers.org/news/articles/TheDudaWay.htm.</text>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                <text>The A. Duda and Sons farm in Slavia, Florida, in the 1970s. Andrew Duda, Sr. immigrated from Slovakia to Cleveland, Ohio, in 1909, later settling in Central Florida to try his hand at farming. Initially successful growing Irish potatoes, the market value of the crop could not cover shipping costs and the Duda family struggled financially to survive. Soon after they returned to Cleveland, where Duda and his sons worked in a factory to support the family. By 1926, the Duda family had saved enough money to return to Slavia. This time, their crops prospered and they formed A. Duda and Sons. The family owned company remains in existence today and is an international brand with locations across the globe.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Barnett, Cynthia. "&lt;a href="http://www.floridatrend.com/article/10678/cultivating-generations" target="_blank"&gt;THE DUDA WAY: Cultivating Generations.&lt;/a&gt;" &lt;em&gt;Florida Trend&lt;/em&gt;, September 2006. http://www.floridatrend.com/article/10678/cultivating-generations.</text>
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                <text>"&lt;a href="http://www.dudafresh.com/about/history.php" target="_blank"&gt;History&lt;/a&gt;." Duda Farm Fresh Foods. http://www.dudafresh.com/about/history.php.</text>
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                  <text>The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.fola.org/" target="_blank"&gt;Our Mission &amp;amp; Purpose&lt;/a&gt;." Friends of Lake Apopka. http://www.fola.org/.</text>
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                <text>Conference on Lake Apopka Fish Kills, June 12, 1963</text>
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                <text>Lake Apopka (Fla.)</text>
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                <text> Winter Garden (Fla.)</text>
              </elementText>
              <elementText elementTextId="542542">
                <text> Water quality--Florida</text>
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              <elementText elementTextId="542543">
                <text> Pesticides--United States</text>
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              <elementText elementTextId="542544">
                <text> Fishing--Florida</text>
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              <elementText elementTextId="542545">
                <text> Insecticides--United States</text>
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              <elementText elementTextId="542546">
                <text> Pollution--Florida</text>
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          <element elementId="41">
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                <text>A report by Harold L. Moody for a conference held by various state officials to investigate the fish kills in Lake Apopka, Florida. Moody's notes describe the current fish kill, some past kills, and efforts by the different State departments to investigate the fish kills. Various causes of the fish kills are discussed. Moody disagrees with the State Board of Health that oxygen supersaturation is causing the kills; &lt;span&gt;Moody believes the cause is either pesticides or an unknown fish disease.&lt;/span&gt;</text>
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          <element elementId="38">
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            <description/>
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              <elementText elementTextId="542559">
                <text>Lake Apopka, Florida</text>
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                <text> Winter Garden, Florida</text>
              </elementText>
              <elementText elementTextId="542561">
                <text> Angebilt Hotel, Orlando, Florida</text>
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              <elementText elementTextId="542562">
                <text> Oakland, Florida </text>
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                <text>Moody, Harold L.</text>
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                <text>ca. 1963-06-12</text>
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            <description/>
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              <elementText elementTextId="542569">
                <text>History Teacher</text>
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              <elementText elementTextId="542570">
                <text> Science Teacher</text>
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                <text> Geography Teacher</text>
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                <text>Originally created by Harold L. Moody.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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        <name>Don Rider</name>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Lake Apopka Woes Not Answered</text>
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                <text>Lake Apopka (Fla.)</text>
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                <text> Pesticides--United States</text>
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                <text> Insecticides--United States</text>
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                <text>A newspaper article from &lt;em&gt;The Orlando Evening Star&lt;/em&gt; from December 18, 1963. The article discusses the current polluted state of Lake Apopka and various theories about the source of Lake Apopka's problems. The article also mentions possible methods to clean up the lake.</text>
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                <text>Photocopy of original newspaper article: Rider, Don. "Lake Apopka Woes Not Answered." &lt;em&gt;The Orlando Evening Star&lt;/em&gt;: binder 1963, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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                <text>Binder 1963, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank"&gt;Oakland Nature Preserve Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Winter Garden, Florida</text>
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                <text> Lake Apopka, Florida</text>
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                <text> Zellwood, Florida</text>
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                <text>Rider, Don</text>
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                <text>&lt;em&gt;The Orlando Evening Star&lt;/em&gt;</text>
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              <elementText elementTextId="542480">
                <text>ca. 1963-12-18</text>
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              <elementText elementTextId="542481">
                <text>1963-12-18</text>
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                <text>1963-12-18</text>
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              <elementText elementTextId="542484">
                <text>270 KB</text>
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                <text>eng</text>
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            <elementTextContainer>
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                <text>History Teacher</text>
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                <text>Originally created by Don Rider and published by &lt;em&gt;The Orlando Evening Star&lt;/em&gt;.</text>
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                <text>Copyright to this resource is held by &lt;em&gt;The Orlando Evening Star&lt;/em&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
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          <element elementId="133">
            <name>Curator</name>
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                <text>King, Joshua</text>
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              <elementText elementTextId="542495">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
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              <elementText elementTextId="542497">
                <text>"&lt;a href="http://www.protectingourwater.org/watersheds/map/ocklawaha/" target="_blank"&gt;Learn About Your Watershed: Ocklawaha River Watershed&lt;/a&gt;." Florida's Water: Ours to Protect, Florida Department of Environmental Protection. Accessed June 12, 2015. http://www.protectingourwater.org/watersheds/map/ocklawaha/.</text>
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        <name>bass</name>
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      <tag tagId="24284">
        <name>Bob Sherman</name>
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        <name>C. W. Sheffield</name>
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        <name>chemical</name>
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        <name>dichlorodiphenyltrichloroethane</name>
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        <name>Don Rider</name>
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      <tag tagId="24474">
        <name>Ed Zagar</name>
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      <tag tagId="16511">
        <name>farmer</name>
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        <name>farming</name>
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        <name>fish camps</name>
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        <name>fish kill</name>
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        <name>fishing</name>
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        <name>Florida Game and Freshwater Fish Commission</name>
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        <name>Florida State Board of Health</name>
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        <name>hyacinth</name>
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        <name>insecticide</name>
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        <name>K. K. Hufstutler</name>
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        <name>lake</name>
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        <name>Lake Apopka</name>
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        <name>The Orlando Evening Star</name>
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                  <text>The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.</text>
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              <name>Contributor</name>
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                  <text>Orlando, Florida</text>
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                  <text>Saint Johns River, Florida</text>
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                  <text>Zellwood, Florida</text>
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                  <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
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            <element elementId="133">
              <name>Curator</name>
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                  <text>Cepero, Laura</text>
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                  <text>King, Joshua</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560109">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              </elementTextContainer>
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            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560110">
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              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560111">
                  <text>"&lt;a href="http://www.fola.org/" target="_blank"&gt;Our Mission &amp;amp; Purpose&lt;/a&gt;." Friends of Lake Apopka. http://www.fola.org/.</text>
                </elementText>
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    </collection>
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      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542413">
                <text>Letter from Doyle C. Golden to A. D. Aldrich (August 26, 1963)</text>
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            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542414">
                <text>Letter from Golden to Aldrich (August 26, 1963)</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542415">
                <text>Lake Apopka (Fla.)</text>
              </elementText>
              <elementText elementTextId="542416">
                <text> Water quality--Florida</text>
              </elementText>
              <elementText elementTextId="542417">
                <text> Water conservation</text>
              </elementText>
              <elementText elementTextId="542418">
                <text> Pesticides--United States</text>
              </elementText>
              <elementText elementTextId="542419">
                <text> Fishing--Florida</text>
              </elementText>
              <elementText elementTextId="542420">
                <text> Insecticides--United States</text>
              </elementText>
              <elementText elementTextId="542421">
                <text> Pollution--Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542426">
                <text>A letter of correspondence from Doyle C. Golden, the Administrative Assistant for the Division of Chemistry of the U.S. Department of Agriculture, to A. D. Aldrich, the Director of the Florida Game and Freshwater Fish Commission. The report gives data from the analysis of fish samples collected from Lake Apopka, Florida, by Chester Burke and L. E. Cromwell on June 24-25, 1963. DDT and DDT metabolites were found to be present in all samples examined.</text>
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                <text>Photocopy of original 3-page typewritten letter from Doyle C. Golden to A. D. Aldrich, August 26, 1963: binder 1963, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="542429">
                <text>&lt;a href="http://get.adobe.com/flashplayer/" target="_blank"&gt; Adobe Flash Player&lt;/a&gt;</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542430">
                <text>Binder 1963, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
              </elementText>
              <elementText elementTextId="542431">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank"&gt;Oakland Nature Preserve Collection&lt;/a&gt;, RICHES of Central Florida.</text>
              </elementText>
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                <text>Originally created by Doyle C. Golden.</text>
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                <text>"&lt;a href="http://www.protectingourwater.org/watersheds/map/ocklawaha/" target="_blank"&gt;Learn About Your Watershed: Ocklawaha River Watershed&lt;/a&gt;." Florida's Water: Ours to Protect, Florida Department of Environmental Protection. Accessed June 12, 2015. http://www.protectingourwater.org/watersheds/map/ocklawaha/.</text>
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        <name>dichlorodiphenyldichloroethylene</name>
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        <name>dieldrin</name>
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        <name>Division of Chemistry</name>
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        <name>Doyle C. Golden</name>
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                  <text>The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.</text>
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                  <text>Cepero, Laura</text>
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            <element elementId="134">
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.fola.org/" target="_blank"&gt;Our Mission &amp;amp; Purpose&lt;/a&gt;." Friends of Lake Apopka. http://www.fola.org/.</text>
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            <name>Title</name>
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                <text>Inspection of Fish Kills at Lake Apopka, Florida</text>
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                <text>Lake Apopka (Fla.)</text>
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                <text> Water quality--Florida</text>
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                <text> Water conservation</text>
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                <text> Pesticides--United States</text>
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                <text> Fishing--Florida</text>
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                <text> Insecticides--United States</text>
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                <text> Pollution--Florida</text>
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                <text>A report detailing Thomas L. Wellborn, Jr.'s visit to Lake Apopka, Florida in June 1963. Wellborn, a biologist with the Bureau of Sport Fisheries and Wildlife of the Fish and Wildlife Service, an agency of the U.S. Department of the Interior, visited Lake Apopka to examine fish for signs of disease. Though some fish parasites were identified, Wellborn found no evidence of infectious diseases among the moribund fish in Lake Apopka. Samples were taken and sent to be examined for viral disease. Wellborn details his observations of planes spraying pesticides into Lake Apopka on three separate mornings.</text>
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                <text>Photocopy of original 2-page typewritten report, June 1963: binder 1963, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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                <text>Binder 1963, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank"&gt;Oakland Nature Preserve Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
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                  <text>The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.fola.org/" target="_blank"&gt;Our Mission &amp;amp; Purpose&lt;/a&gt;." Friends of Lake Apopka. http://www.fola.org/.</text>
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                <text>Letter from Robert "Bob" W. Sherman to Henry F. Swanson (June 19, 1963)</text>
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                <text> Water conservation</text>
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                <text> Pollution--Florida</text>
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                <text>A letter of correspondence from Robert "Bob" W. Sherman, the Killarney Fish Camp Operator, to Henry F. Swanson, the Orange County Agriculture Extension Agent. The letter is written in response to a farming brochure, "A to Zellwood", describing the Zellwood Drainage and Water Control District. Sherman disputes some of the claims made in this brochure, and reminds Swanson that experts convened by the State in June 1963 to examine the fish kills in Lake Apopka did not rule out pesticides as the cause of death.</text>
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                <text>Photocopy of original 2-page typewritten letter from Robert "Bob" W. Sherman to Henry F. Swanson, June 19, 1963: binder 1963, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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                <text>Originally created by Robert "Bob" W. Sherman.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                  <text>"&lt;a href="http://www.fola.org/" target="_blank"&gt;Our Mission &amp;amp; Purpose&lt;/a&gt;." Friends of Lake Apopka. http://www.fola.org/.</text>
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                <text>Letter from F. G. Banks to Clayton Phillippy (September 5, 1963)</text>
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                <text>A letter of correspondence from F. G. Banks, the Assistant Chief of the Fisheries Division of the Florida Game and Freshwater Commission, to Clayton Phillippy, a biologist with the commission. The letter describes an attached report by Doyle C. Golden regarding pesticide content in Lake Apopka fish samples and makes recommendations for future samples.</text>
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                <text>Originally created by F. G. Banks.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>"&lt;a href="http://www.protectingourwater.org/watersheds/map/ocklawaha/" target="_blank"&gt;Learn About Your Watershed: Ocklawaha River Watershed&lt;/a&gt;." Florida's Water: Ours to Protect, Florida Department of Environmental Protection. Accessed June 12, 2015. http://www.protectingourwater.org/watersheds/map/ocklawaha/.</text>
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                <text>State of Florida&#13;
Game and Fresh Water Fish Committion&#13;
Tallahassee&#13;
32304&#13;
September 5, 1963&#13;
&#13;
A.D. Aldrich, Director&#13;
O.E. Frye, Ass't Director&#13;
&#13;
Mr, Clayton Phillippy&#13;
2202 Lakeland Hills Boulevard&#13;
Lakeland, Florida&#13;
&#13;
Dear Flip:&#13;
&#13;
Mr. Doyle Golden submitted his report yesterday on the Lake Apopka fish which were forwarded to him for analysis.&#13;
&#13;
Attached is a copy of the report which indicated the presence of three types of insecticides found in both the bream and bass. We discussed the possibility of his agency conducting additional tests, and he informed us that there is a possibility that he could handle a limited number of samples during the last week of October.&#13;
&#13;
It is recommended that the next sample contain gizzard shad and catfish. In my opinion, the catfish sample should include some of the smaller fish which are in poor condition. It is also desirable that a sample be obtained from a commercial fisherman if possible. Keep this sample separate.&#13;
&#13;
Eddie Cromwell is familiar with the Department of Agriculture procedure and the name of the gentleman to contact in Sanford. Their representative may wish to be present when the fish samples are taken. It is suggested that Eddie contact Mr. Burke Chester sometime during the first or second week in October to make final arrangements.&#13;
&#13;
Sincerely,&#13;
Jerry&#13;
F.G. Banks, Ass;t Chief&#13;
Fisheries Division&#13;
&#13;
FGB/cr&#13;
Encl.&#13;
cc: Mr. Jim Clugston&#13;
Mr. Eddie Cromwell&#13;
&#13;
Ed Madill&#13;
Chairman, Dade City&#13;
&#13;
Ronald Wise&#13;
Defuniak Springs&#13;
&#13;
Marcus Milan&#13;
Gainesville&#13;
&#13;
W. Thomas McBroom&#13;
Miami&#13;
&#13;
Don Southwell&#13;
Ormond Beach</text>
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                <text>Originally created by John R. Thoman.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.protectingourwater.org/watersheds/map/ocklawaha/" target="_blank"&gt;Learn About Your Watershed: Ocklawaha River Watershed&lt;/a&gt;." Florida's Water: Ours to Protect, Florida Department of Environmental Protection. Accessed June 12, 2015. http://www.protectingourwater.org/watersheds/map/ocklawaha/.</text>
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                <text>Schafer, M.L., K.A. Busch, and J.E. Campbell. 1963. "&lt;a href="http://www.journalofdairyscience.org/article/S0022-0302(63)89202-4/pdf" target="_blank"&gt;Rapid Screening Method for DDT in Milk with Gas Chromatography&lt;/a&gt;." &lt;em&gt;The Journal of Dairy Science&lt;/em&gt;. 46, no. 10: 1025-1032.</text>
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          <element elementId="50">
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                <text> Winter Garden (Fla.)</text>
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                <text> Oakland (Fla.)</text>
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                <text> Zellwood (Fla.)</text>
              </elementText>
              <elementText elementTextId="542215">
                <text> Water quality--Florida</text>
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                <text> Water conservation</text>
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                <text> Pesticides--United States</text>
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                <text> Fishing--Florida</text>
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                <text> DDT (Insecticide)</text>
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                <text> Insecticides--United States</text>
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                <text> Pollution--Florida</text>
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            <description/>
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                <text>A report by Eugene W. Surber on the May 1963 Lake Apopka Fish Kill. Surber describes his visit to Lake Apopka, Florida, and examines samples of dead and dying fish recovered from the lake. It is estimated that roughly 3 millions pounds of fish were killed in May 1963. Surber interviews several locals regarding aerial spraying of pesticide and its correlation to the Apopka fish kills. He concludes that pesticide the most likely cause of the fish kills, due to the extremely fast and intermittent nature of the kills.</text>
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                <text>Photocopy of original 5-page typewritten report: binder 1963, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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            <name>Requires</name>
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                <text>&lt;a href="http://get.adobe.com/flashplayer/" target="_blank"&gt; Adobe Flash Player&lt;/a&gt;</text>
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                <text>Binder 1963, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank"&gt;Oakland Nature Preserve Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Digital reproduction of photocopied 5-page typewritten report.</text>
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                <text>Cincinnati, Ohio</text>
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                <text> Lake Apopka, Florida</text>
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                <text> Zellwood, Florida</text>
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                <text> Winter Garden, Florida</text>
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                <text> Oakland, Florida</text>
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              <elementText elementTextId="542239">
                <text>Surber, E. W.</text>
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            <name>Publisher</name>
            <description/>
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                <text>Aquatic Biology Section, Robert A. Taft Sanitary Engineering Center</text>
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                <text>ca. 1963-06-12</text>
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                <text>785 KB</text>
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            <description/>
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                <text>5-page typewritten report</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="542245">
                <text>eng</text>
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            <name>Mediator</name>
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            <elementTextContainer>
              <elementText elementTextId="542246">
                <text>History Teacher</text>
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                <text> Science Teacher</text>
              </elementText>
              <elementText elementTextId="542248">
                <text> Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542249">
                <text>Originally created by Eugene W. Surber.</text>
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          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542250">
                <text>Copyright to this resource is held by the &lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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                <text>Donation</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="542252">
                <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
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            <name>Curator</name>
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                <text>King, Joshua</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542254">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
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                <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542256">
                <text>"&lt;a href="http://www.protectingourwater.org/watersheds/map/ocklawaha/" target="_blank"&gt;Learn About Your Watershed: Ocklawaha River Watershed&lt;/a&gt;." Florida's Water: Ours to Protect, Florida Department of Environmental Protection. Accessed June 12, 2015. http://www.protectingourwater.org/watersheds/map/ocklawaha/.</text>
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        <name>Aquatic Biology Section</name>
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        <name>Bacillus columnaris</name>
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        <name>bacteria</name>
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        <name>black crappie</name>
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        <name>bullhead</name>
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        <name>catfish</name>
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        <name>Chic Archer</name>
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        <name>corn</name>
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        <name>crop</name>
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        <name>Cytophaga columnaris</name>
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        <name>DDT</name>
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        <name>detritus</name>
      </tag>
      <tag tagId="17856">
        <name>dichlorodiphenyltrichloroethane</name>
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        <name>Duda</name>
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        <name>Eugene W. Surber</name>
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        <name>fish kill</name>
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        <name>flatworm</name>
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        <name>Flavobacterium columnare</name>
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        <name>Flexibacter columnaris</name>
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        <name>Florida Game and Freshwater Fish Commission</name>
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        <name>Florida State Board of Health</name>
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        <name>game fish</name>
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        <name>gill</name>
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        <name>gizzard shad</name>
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        <name>Graham</name>
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        <name>Harold L. Moody</name>
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        <name>lake</name>
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        <name>Montverde Fish Camp</name>
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        <name>Oakland</name>
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              <description/>
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                  <text>The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.</text>
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                  <text>Saint Johns River, Florida</text>
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            <element elementId="133">
              <name>Curator</name>
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              <elementTextContainer>
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                  <text>Cepero, Laura</text>
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                  <text>King, Joshua</text>
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            <element elementId="134">
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="560109">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560110">
                  <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
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            </element>
            <element elementId="136">
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              <elementTextContainer>
                <elementText elementTextId="560111">
                  <text>"&lt;a href="http://www.fola.org/" target="_blank"&gt;Our Mission &amp;amp; Purpose&lt;/a&gt;." Friends of Lake Apopka. http://www.fola.org/.</text>
                </elementText>
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          <name>Original Format</name>
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              <text>2-page typewritten letter on Florida Game and Fresh Water Fish Commission letterhead</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
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                <text>Letter from Harold L. Moody to O. E. Frye, Jr. (June 11, 1962)</text>
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            <name>Alternative Title</name>
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                <text>Letter from Moody to Frye (June 11, 1962)</text>
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              <elementText elementTextId="542173">
                <text>Water quality--Florida</text>
              </elementText>
              <elementText elementTextId="542174">
                <text>Pesticides--United States</text>
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                <text>Fishing--Florid</text>
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                <text>Fish</text>
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                <text>DDT (Insecticide)</text>
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                <text>Pollution--Florida</text>
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                <text>Parathion</text>
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                <text>A letter of correspondence from Harold L. Moody, fishery biologist, to O. E. Frye, Jr., Assistant Director of the Florida Game and Freshwater Fish Commission. The letter discusses a fish kill on Lake Apopka in May 1962. Moody reports that eyewitnesses observed an agricultural spray plane disperse pesticides over the lake shortly before the fish kill began. Fish kills are usually associated with low levels of dissolved oxygen in the water. Moody notes that his samples showed the oxygen levels to be low, but rather than being evenly dispersed through the lake, the fish kill was concentrated at the north shore adjacent to the farming operations. Moody also notes the presence of dead reptiles and amphibians not normally found during an oxygen-related kill. The fish kill was estimated at 50,000 pounds, at that time the largest fish kill of 1962.</text>
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            <name>Creator</name>
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              <elementText elementTextId="542181">
                <text>Moody, Harold L.</text>
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          <element elementId="48">
            <name>Source</name>
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            <elementTextContainer>
              <elementText elementTextId="542182">
                <text>Photocopy of original 2-page letter from Harold L. Moody to O. E. Frye, Jr., June 11, 1962: binder 1962, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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          <element elementId="90">
            <name>Date Created</name>
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                <text>1962-06-11</text>
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            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542184">
                <text>Digital reproduction of photocopied 2-page letter from Harold L. Moody to O. E. Frye, Jr., June 11, 1962.</text>
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          <element elementId="104">
            <name>Is Part Of</name>
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            <elementTextContainer>
              <elementText elementTextId="542185">
                <text>Binder 1962, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank"&gt;&lt;br /&gt;&lt;/a&gt;</text>
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              <elementText elementTextId="542186">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank"&gt;Oakland Nature Preserve Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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          <element elementId="111">
            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542187">
                <text>&lt;a href="http://get.adobe.com/flashplayer/" target="_blank"&gt; Adobe Flash Player&lt;/a&gt;</text>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542188">
                <text>application/pdf</text>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542189">
                <text>310 KB</text>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542190">
                <text>2-page typewritten letter on Florida Game and Fresh Water Fish Commission letterhead</text>
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            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542191">
                <text>eng</text>
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            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542192">
                <text>Text</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542193">
                <text>Lake Apopka, Florida</text>
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              <elementText elementTextId="542194">
                <text>Leesburg, Florida</text>
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              <elementText elementTextId="542195">
                <text>Tallahasse, Florida</text>
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            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542196">
                <text>Donation</text>
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            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542197">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="542198">
                <text>Science Teacher</text>
              </elementText>
              <elementText elementTextId="542199">
                <text>Geography Teacher</text>
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              <elementText elementTextId="542200">
                <text>Civics/Government Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
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              <elementText elementTextId="542201">
                <text>Originally created by Harold L. Moody</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542202">
                <text>Copyright to this resource is held by the &lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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          <element elementId="138">
            <name>Contributing Project</name>
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            <elementTextContainer>
              <elementText elementTextId="542203">
                <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
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          <element elementId="133">
            <name>Curator</name>
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              <elementText elementTextId="542204">
                <text>King, Joshua</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542205">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542206">
                <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542207">
                <text>"&lt;a&gt;Learn About Your Watershed: Ocklawaha River Watershed&lt;/a&gt;." Florida's Water: Ours to Protect, Florida Department of Environmental Protection. Accessed June 12, 2015. http://www.protectingourwater.org/watersheds/map/ocklawaha/.</text>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="24300">
        <name>agricultural pollution</name>
      </tag>
      <tag tagId="24310">
        <name>Apopka Moose Head Lodge</name>
      </tag>
      <tag tagId="24309">
        <name>Bill Fulford</name>
      </tag>
      <tag tagId="24285">
        <name>Bill Turk</name>
      </tag>
      <tag tagId="5398">
        <name>Board of Commissioners</name>
      </tag>
      <tag tagId="24284">
        <name>Bob Sherman</name>
      </tag>
      <tag tagId="271">
        <name>chamber of commerce</name>
      </tag>
      <tag tagId="24312">
        <name>chemical</name>
      </tag>
      <tag tagId="17857">
        <name>DDT</name>
      </tag>
      <tag tagId="17856">
        <name>dichlorodiphenyltrichloroethane</name>
      </tag>
      <tag tagId="24305">
        <name>diethyl parathion</name>
      </tag>
      <tag tagId="24311">
        <name>dissolved oxygen</name>
      </tag>
      <tag tagId="24308">
        <name>Don McAllister</name>
      </tag>
      <tag tagId="17807">
        <name>fish camp</name>
      </tag>
      <tag tagId="24298">
        <name>fish kill</name>
      </tag>
      <tag tagId="238">
        <name>fishing</name>
      </tag>
      <tag tagId="24302">
        <name>fishing lodge</name>
      </tag>
      <tag tagId="24228">
        <name>Florida Game and Freshwater Fish Commission</name>
      </tag>
      <tag tagId="24306">
        <name>Folidol</name>
      </tag>
      <tag tagId="24313">
        <name>freshwater fishing</name>
      </tag>
      <tag tagId="24315">
        <name>frog</name>
      </tag>
      <tag tagId="24227">
        <name>Harold L. Moody</name>
      </tag>
      <tag tagId="17858">
        <name>insecticide</name>
      </tag>
      <tag tagId="24286">
        <name>Jeb Stuart</name>
      </tag>
      <tag tagId="24283">
        <name>Joe Jacobs</name>
      </tag>
      <tag tagId="24279">
        <name>John A. Sutton</name>
      </tag>
      <tag tagId="3057">
        <name>Lake Apopka</name>
      </tag>
      <tag tagId="24289">
        <name>Lake County Board of Commissioners</name>
      </tag>
      <tag tagId="24287">
        <name>M. W. Hammond</name>
      </tag>
      <tag tagId="24307">
        <name>O. E. Frye Jr.</name>
      </tag>
      <tag tagId="13379">
        <name>Orange County Board of Commissioners</name>
      </tag>
      <tag tagId="18688">
        <name>oxygen</name>
      </tag>
      <tag tagId="24303">
        <name>parathion</name>
      </tag>
      <tag tagId="24304">
        <name>parathion-ethyl</name>
      </tag>
      <tag tagId="16090">
        <name>pesticide</name>
      </tag>
      <tag tagId="16089">
        <name>pollution</name>
      </tag>
      <tag tagId="24316">
        <name>snake</name>
      </tag>
      <tag tagId="24314">
        <name>sportsfishing</name>
      </tag>
      <tag tagId="24282">
        <name>Tom Denmark</name>
      </tag>
      <tag tagId="24317">
        <name>turtle</name>
      </tag>
      <tag tagId="24294">
        <name>W. R. Peavy, Jr.</name>
      </tag>
      <tag tagId="16476">
        <name>water quality</name>
      </tag>
      <tag tagId="24291">
        <name>Winter Garden Chamber of Commerce</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="5227" public="1" featured="0">
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        <src>https://richesmi.cah.ucf.edu/omeka/files/original/91963639374e2b65ddd7ca96bdbba321.pdf</src>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
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                  <text>Friends of Lake Apopka Collection</text>
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            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560090">
                  <text>FOLA Collection</text>
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            <element elementId="49">
              <name>Subject</name>
              <description/>
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                <elementText elementTextId="560091">
                  <text>Lake Apopka (Fla.)</text>
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                <elementText elementTextId="560092">
                  <text>Water quality--Florida</text>
                </elementText>
                <elementText elementTextId="560093">
                  <text>Pollution--Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560094">
                  <text>The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.</text>
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              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560095">
                  <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
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              <name>Language</name>
              <description/>
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                <elementText elementTextId="560096">
                  <text>eng</text>
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              </elementTextContainer>
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              <name>Type</name>
              <description/>
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              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560098">
                  <text>Lake Apopka, Florida</text>
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                <elementText elementTextId="560099">
                  <text>Florida Game and Fresh Water Commission, Tallahassee, Florida</text>
                </elementText>
                <elementText elementTextId="560100">
                  <text>Oakland, Florida</text>
                </elementText>
                <elementText elementTextId="560101">
                  <text>Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560102">
                  <text>Saint Johns River, Florida</text>
                </elementText>
                <elementText elementTextId="560103">
                  <text>Winter Garden, Florida</text>
                </elementText>
                <elementText elementTextId="560104">
                  <text>Winter Haven, Florida</text>
                </elementText>
                <elementText elementTextId="560105">
                  <text>Zellwood, Florida</text>
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              </elementTextContainer>
            </element>
            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560106">
                  <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560107">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="560108">
                  <text>King, Joshua</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560109">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560110">
                  <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560111">
                  <text>"&lt;a href="http://www.fola.org/" target="_blank"&gt;Our Mission &amp;amp; Purpose&lt;/a&gt;." Friends of Lake Apopka. http://www.fola.org/.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="542169">
              <text>15-page brochure</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542123">
                <text>A to Z: Zellwood Drainage and Water Control District Brochure</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542124">
                <text>Zellwood Drainage and Water Control Brochure</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542125">
                <text>Lake Apopka (Fla.)</text>
              </elementText>
              <elementText elementTextId="542126">
                <text> Zellwood (Fla.)</text>
              </elementText>
              <elementText elementTextId="542127">
                <text> Water quality--Florida</text>
              </elementText>
              <elementText elementTextId="542128">
                <text> Pesticides--United States</text>
              </elementText>
              <elementText elementTextId="542129">
                <text> Pollution--Florida</text>
              </elementText>
              <elementText elementTextId="542130">
                <text> Agriculture--Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542131">
                <text>A brochure detailing the creation of the Zellwood Farming District. The brochure gives a timeline of the district's creation and funding, and gives data regarding the District's economic output and employment. The brochure also discusses the District's impact on Lake Apopka.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542132">
                <text>Text</text>
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            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542133">
                <text>Photocopy of original 15-page brochure by Henry Swanson: binder 1962, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="111">
            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542134">
                <text>&lt;a href="http://get.adobe.com/flashplayer/" target="_blank"&gt; Adobe Flash Player&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542135">
                <text>Binder 1962, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
              </elementText>
              <elementText elementTextId="542136">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank"&gt;Oakland Nature Preserve Collection&lt;/a&gt;, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="105">
            <name>Is Referenced By</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542137">
                <text>"Letter from Robert "Bob" W. Sherman to Henry F. Swanson (June 19, 1963)." RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542138">
                <text>Digital reproduction of photocopied 15-page brochure by Henry Swanson.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542139">
                <text>Lake Apopka, Florida</text>
              </elementText>
              <elementText elementTextId="542140">
                <text> Zellwood, Florida</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542141">
                <text>Swanson, Henry</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542142">
                <text>Zellwood Drainage and Water Control District</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542143">
                <text>ca. 1962</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542144">
                <text>application/pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542145">
                <text>1.87 MB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542146">
                <text>15-page brochure</text>
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                <text> Geography Teacher</text>
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                <text> Economics Teacher</text>
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                <text>Originally created by Henry Swanson.</text>
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              <elementText elementTextId="542153">
                <text>Copyright to this resource is held by the &lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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              <elementText elementTextId="542157">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.protectingourwater.org/watersheds/map/ocklawaha/" target="_blank"&gt;Learn About Your Watershed: Ocklawaha River Watershed&lt;/a&gt;." Florida's Water: Ours to Protect, Florida Department of Environmental Protection. Accessed June 12, 2015. http://www.protectingourwater.org/watersheds/map/ocklawaha/.</text>
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        <name>Dalton Harrison</name>
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        <name>fisheries Division</name>
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        <name>Florida Agricultural Extension Service</name>
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        <name>Florida Humus Company</name>
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        <name>Florida Legislature</name>
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        <name>Game and Fresh Water Fish Commission</name>
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        <name>George B. Hills</name>
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        <name>Henry Swanson</name>
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        <name>John F. White</name>
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        <name>rainfall</name>
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        <name>Richard Whitney</name>
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        <name>U.S. Army Corps of Engineers</name>
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        <name>U.S. Department of Agriculture</name>
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        <name>U.S.. Geological Survey</name>
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        <name>W. T. Cox</name>
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                  <text>Friends of Lake Apopka Collection</text>
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                  <text>FOLA Collection</text>
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                  <text>Lake Apopka (Fla.)</text>
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                  <text>The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.</text>
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              <name>Contributor</name>
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                  <text>Saint Johns River, Florida</text>
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                  <text>Winter Haven, Florida</text>
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                  <text>Zellwood, Florida</text>
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            <element elementId="133">
              <name>Curator</name>
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="560108">
                  <text>King, Joshua</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560109">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <elementText elementTextId="560110">
                  <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560111">
                  <text>"&lt;a href="http://www.fola.org/" target="_blank"&gt;Our Mission &amp;amp; Purpose&lt;/a&gt;." Friends of Lake Apopka. http://www.fola.org/.</text>
                </elementText>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="542168">
              <text>1-page typewritten press release</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description/>
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                <text>The Tallahassee News Release, June 1962</text>
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            <description/>
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                <text>Lake Apopka Fish Kill News Release</text>
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            <description/>
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                <text>Lake Apopka (Fla.)</text>
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                <text> Water quality--Florida</text>
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              <elementText elementTextId="542087">
                <text> Pesticides--United States</text>
              </elementText>
              <elementText elementTextId="542088">
                <text> Fishing--Florida</text>
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              <elementText elementTextId="542089">
                <text> DDT (Insecticide)</text>
              </elementText>
              <elementText elementTextId="542090">
                <text> Pollution--Florida</text>
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                <text> Parathion</text>
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              <elementText elementTextId="542092">
                <text> Sewage--United States</text>
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                <text> Citrus fruit industry--Florida</text>
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              <elementText elementTextId="542094">
                <text> Florida. State Board of Health</text>
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                <text>A news release from &lt;em&gt;The Tallahassee News&lt;/em&gt; detailing the May 1962 fish kills on Lake Apopka. Two fish kills occurred within three days, killing an estimated three million pounds of gizzard and threadfin shad. Water samples were sent to the Florida State Board of Health for testing. The kills are believed to be a result of a combination of various pollutions, including pesticide from aerial spraying, fertilizer run-off, and waste discharge from sewage plants and citrus processing.</text>
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                <text>Photocopy of original 1-page typewritten press release, June 1962: &lt;a href="http://www.thetallahasseenews.com/" target="_blank"&gt;&lt;em&gt;The Tallahassee News&lt;/em&gt;&lt;/a&gt;, Tallahassee, Florida: binder 1962, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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                <text>Binder 1962, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank"&gt;Oakland Nature Preserve Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Digital reproduction of photocopied 1-page typewritten press release, June 1962: &lt;a href="http://www.thetallahasseenews.com/" target="_blank"&gt;&lt;em&gt;The Tallahassee News&lt;/em&gt;&lt;/a&gt;, Tallahassee, Florida.</text>
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            <name>Coverage</name>
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                <text>Tallahassee, Florida</text>
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                <text> Lake Apopka, Florida</text>
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                <text> Winter Haven, Florida</text>
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                <text>&lt;a href="http://www.thetallahasseenews.com/" target="_blank"&gt;&lt;em&gt;The Tallahassee News&lt;/em&gt;&lt;/a&gt;</text>
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                <text>ca. 1962-06</text>
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            <name>Format</name>
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                <text>image/jpg</text>
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            <name>Extent</name>
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                <text>165 KB</text>
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            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542109">
                <text>1-page typewritten press release</text>
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            <name>Language</name>
            <description/>
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                <text>eng</text>
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            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542111">
                <text>History Teacher</text>
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              <elementText elementTextId="542112">
                <text> Science Teacher</text>
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              <elementText elementTextId="542113">
                <text> Geography Teacher</text>
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                <text> Civics/Government Teacher</text>
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            <name>Provenance</name>
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                <text>Originally published by &lt;a href="http://www.thetallahasseenews.com/" target="_blank"&gt;&lt;em&gt;The Tallahassee News&lt;/em&gt;&lt;/a&gt;.</text>
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                <text>TALLAHASSEE NEWS RELEASE&#13;
June, 1962&#13;
&#13;
More than 3 million pounds of gizzard and threadfin shad are dead in Lake Apopka today according to Bob Peavy and Harold Moody, Fishery Biologists for the Florida Game and Fresh Water Fish Commission. The massive fish kill has involved very few game fishes so far. However, the mortality is still progressing and it is feared that dead game fishes will increase as the situation continues,&#13;
&#13;
Commission biologists began their investigation on Thursday May 16th when the first massed fish kill was observed. They noted a second kill of very large proportions on Sunday May 19th. Water samples were collected and tests made to diagnose the trouble. Other samples were sent to the laboratory of the State Board of Health in Winter Haven. Personnel of that agency are cooperating with the Game and Fresh Water Fish Commission in the investigation.&#13;
&#13;
The situation was caused by a change in the water conditions. It is believed that change has been gradually brought about as the interrelated result of the materials which man has been introducing into the lake over a period of years, combined with the low water level at which Lake Apopka has been maintained.&#13;
&#13;
Introduced materials include fertilizers from groves and vegetable farms, effluents from sewage disposal and citrus processing plants, and insecticides sprayed from the air.&#13;
&#13;
Game and Fresh Water Fish Commission officials emphasize that the condition is serious, and that a large kill of gamefishes is possible.&#13;
&#13;
They recommend that steps be taken to insure water levels in Lake Apopka. Discharge of wastes should be curtailed, and an introduction of insecticides discontinued.</text>
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                  <text>The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.fola.org/" target="_blank"&gt;Our Mission &amp;amp; Purpose&lt;/a&gt;." Friends of Lake Apopka. http://www.fola.org/.</text>
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                <text>Memorandum from W. R. Peavy, Jr. (July 23, 1962)</text>
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                <text> DDT (Insecticide)</text>
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                <text>A 1-page memorandum from W. R. Peavy, Jr., a fishery biologist with the Florida Game and Freshwater Fish Commission, regarding the May 1962 Lake Apopka fish kill. The memorandum revises the earlier estimate of fish killed, found in Harold L. Moody's memorandum toO. E. Frye, Jr., Assistant Director of the commission, from 50,000 lbs to 120,000 pounds. Frye states his belief that DDT (dichlorodiphenyltrichloroethane) and parathion sprayed from agricultural aircraft were responsible for the kill. Samples of the dead fish were shipped to the University of North Carolina for analysis by Dr. Charles Weiss, Professor of Sanitary Science. The results were inconclusive regarding pesticides, as the cause of the kill due to decay suffered in transit. However, some samples did show evidence of exposure to pesticide.</text>
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                <text>Photocopy of original 1-page typewritten memorandum from W. R. Peavy, Jr., July 23, 1962: binder 1962, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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                <text> University of North Carolina at Chapel Hill, Chapel Hill, North Carolina</text>
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                <text>Peavy, W. R., Jr.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.fola.org/" target="_blank"&gt;Our Mission &amp;amp; Purpose&lt;/a&gt;." Friends of Lake Apopka. http://www.fola.org/.</text>
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                <text>A table of measurements of various dissolved substances found in Lake Apopka, gathered from random points across the surface of the lake in March 1961, September 1961, and January 1962.</text>
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                <text>Photocopy of original table: binder 1962, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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                <text>eng</text>
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                <text> Science Teacher</text>
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                <text> Geography Teacher</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.protectingourwater.org/watersheds/map/ocklawaha/" target="_blank"&gt;Learn About Your Watershed: Ocklawaha River Watershed&lt;/a&gt;." Florida's Water: Ours to Protect, Florida Department of Environmental Protection. Accessed June 12, 2015. http://www.protectingourwater.org/watersheds/map/ocklawaha/.</text>
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