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              <name>Title</name>
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                  <text>Seminole County Public Schools Collection</text>
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              <name>Alternative Title</name>
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                  <text>SCPS Collection</text>
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                  <text>Seminole County (Fla.)</text>
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                  <text>Schools</text>
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                  <text>High schools--Florida</text>
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                  <text>Elementary schools</text>
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                  <text>Grammar schools</text>
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                  <text>Middle schools--Florida</text>
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                  <text>Education--Florida</text>
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                  <text>Collection of digital images, documents, and other records depicting the educational history of Seminole County, Florida. Items from this collection are donated by the Student Museum and UCF Public History Center.&#13;
&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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                  <text>&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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              <name>Has Part</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank"&gt;Student Museum and UCF Public History Center Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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              <name>Is Part Of</name>
              <description/>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              <name>Language</name>
              <description/>
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                  <text>eng</text>
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              <name>Type</name>
              <description/>
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                  <text>Collection</text>
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              <name>Coverage</name>
              <description/>
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                  <text>Cameron City, Sanford, Florida</text>
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                  <text>Crooms Academy, Goldsoboro, Sanford, Florida</text>
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                <elementText elementTextId="511322">
                  <text>Chuluota Primary School, Chuluota, Florida</text>
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                <elementText elementTextId="511323">
                  <text>East Side Primary School, Sanford, Florida</text>
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                <elementText elementTextId="511324">
                  <text>Forest City School, Forest City, Altamonte Springs, Florida</text>
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                <elementText elementTextId="511325">
                  <text>Fort Reed, Sanford, Florida</text>
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                <elementText elementTextId="511326">
                  <text>Gabriella Colored School, Gabriella, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511327">
                  <text>Geneva Colored School, Geneva, Florida</text>
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                <elementText elementTextId="511328">
                  <text>Geneva Elementary, Geneva, Florida</text>
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                <elementText elementTextId="511329">
                  <text>Georgetown, Sanford, Florida</text>
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                <elementText elementTextId="511330">
                  <text>Goldsboro Primary School, Goldsboro, Sanford, Florida</text>
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                <elementText elementTextId="511331">
                  <text>Hungerford School, Florida</text>
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                <elementText elementTextId="511332">
                  <text>Kolokee, Geneva, Florida</text>
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                <elementText elementTextId="511333">
                  <text>Lake Howell High School, Winter Park, Florida</text>
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                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
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                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
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                <elementText elementTextId="511336">
                  <text>Longwood School, Longwood, Florida</text>
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                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
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                <elementText elementTextId="511338">
                  <text>Lyman Elementary School, Longwood, Florida</text>
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                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
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                <elementText elementTextId="511340">
                  <text>Osceola School, Osceola, Geneva, Florida</text>
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                <elementText elementTextId="511341">
                  <text>Oviedo Colored School, Curryville, Oviedo, Florida</text>
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                  <text>Oviedo High School, Oviedo, Florida</text>
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                <elementText elementTextId="511343">
                  <text>Oviedo School, Oviedo, Florida</text>
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                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
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                  <text>Sanford Grammar School, Sanford, Florida</text>
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                <elementText elementTextId="511346">
                  <text>Sanford High School, Sanford, Florida</text>
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                <elementText elementTextId="511347">
                  <text>Sanford Junior High School, Sanford, Florida</text>
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                  <text>Sanford Middle School, Sanford, Florida</text>
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                  <text>Sanford Primary School, Sanford, Florida</text>
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                  <text>Seminole County Public Schools, Sanford, Florida</text>
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                  <text>Seminole High School, Sanford, Florida</text>
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                  <text>South Side Primary School, Sanford, Florida</text>
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                  <text>Student Museum, Sanford, Florida</text>
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                  <text>UCF Public History Center, Sanford, Florida</text>
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                  <text>Wagner Colored School, Florida</text>
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                <elementText elementTextId="511356">
                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
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                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
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                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
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                  <text>Cepero, Laura</text>
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              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>Source Repository</name>
              <description/>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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              <name>External Reference</name>
              <description/>
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                <elementText elementTextId="511362">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;&lt;span&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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            <element elementId="117">
              <name>Accrual Method</name>
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                  <text>Donation</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <description/>
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                <text>Ida Mae Hall's Seventh Grade Class at Sanford Grammar School, 1923-1924</text>
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            <description/>
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                <text>Sanford Grammar School Class</text>
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            <name>Subject</name>
            <description/>
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                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="520094">
                <text>Education--Florida</text>
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                <text> Schools</text>
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                <text> Teachers--Florida</text>
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                <text>Ida Mae Hall's seventh grade class at Sanford Grammar School during the 1923-1924 school year. Photographed in the first row, from left to right, is Jack Peters, Lofton Edenfield, Alton Talbot, Frank Du Bose, Edward Mitchell, Roscoe Wallace, and Claude Herndon. In the second row is Ernest Jowers, Dick Sneed, Kathleen Long, Ruby Booth, Hazel Appleby, Estelle Collins, Leta Rivers, Mary Nixon, Alice Viheln, and Viola Hickson. In the third row is Mildred Knight, Ida Mae Hall, Mary Bandel, Ethel Jones, Elizabeth Martin, Gladys Lee, Louise Fields, Lillie Carraway, and S. K. Musgrove. In the fourth row is H. C. Walters, Dick Holsclaw, Woodard Burtleson, Gordon Wade, Cecil Darsey, Earl Rumbley, Jack Sneed, Harold Marsh, Carson Cook, and Freda Landress.&lt;br /&gt;&lt;br /&gt;Originally located at 301 West Seventh Street in Sanford, Florida, Sanford Grammar School was first established as Sanford High School in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students.</text>
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                <text>Still Image</text>
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          <element elementId="48">
            <name>Source</name>
            <description/>
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                <text>Original 9.5 x 7 inch black and white photograph: Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Is Part Of</name>
            <description/>
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                <text>Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
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                <text>Digital reproduction of original 9.5 x 7 inch black and white photograph.</text>
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                <text>Sanford Grammar School, Sanford, Florida</text>
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            <name>Date Created</name>
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                <text>ca. 1923-1924</text>
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            <name>Format</name>
            <description/>
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                <text>image/jpg</text>
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            <description/>
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                <text>9.5 x 7 inch black and white photograph</text>
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            <name>Language</name>
            <description/>
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                <text>eng</text>
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            <name>Mediator</name>
            <description/>
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                <text>History Teacher</text>
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                <text> Geography Teacher</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520118">
                <text>Donation</text>
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            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520119">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
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                <text>Cepero, Laura</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520121">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt; RICHES MI&lt;/a&gt;</text>
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          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520122">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520123">
                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;"." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
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              <elementText elementTextId="520124">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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              <elementText elementTextId="520125">
                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
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          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="621022">
                <text>Miss Hall's 7th grade[?] 1923-24</text>
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        <name>Alton Talbot</name>
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        <name>Carson Cook</name>
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      <tag tagId="44811">
        <name>Cecil Darsey</name>
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      <tag tagId="44815">
        <name>Claude Herndon</name>
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        <name>Dick Sneed</name>
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        <name>Du Bose</name>
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        <name>Earl Rumbley</name>
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      <tag tagId="44825">
        <name>Edward Mitchell</name>
      </tag>
      <tag tagId="28439">
        <name>elementary schools</name>
      </tag>
      <tag tagId="44824">
        <name>Elizabeth Martin</name>
      </tag>
      <tag tagId="44818">
        <name>Ernest Jowers</name>
      </tag>
      <tag tagId="44809">
        <name>Estelle Collins</name>
      </tag>
      <tag tagId="44817">
        <name>Ethel Jones</name>
      </tag>
      <tag tagId="44820">
        <name>Freda Landress</name>
      </tag>
      <tag tagId="44821">
        <name>Gladys Lee</name>
      </tag>
      <tag tagId="44834">
        <name>Gordon Wade</name>
      </tag>
      <tag tagId="44170">
        <name>grammar schools</name>
      </tag>
      <tag tagId="44836">
        <name>H. C. Walters</name>
      </tag>
      <tag tagId="44823">
        <name>Harold Marsh</name>
      </tag>
      <tag tagId="44804">
        <name>Hazel Appleby</name>
      </tag>
      <tag tagId="20038">
        <name>Holsclaw</name>
      </tag>
      <tag tagId="44814">
        <name>Ida Mae Hall</name>
      </tag>
      <tag tagId="44828">
        <name>Jack Peters</name>
      </tag>
      <tag tagId="44832">
        <name>Jack Sneed</name>
      </tag>
      <tag tagId="44822">
        <name>Kathleen Long</name>
      </tag>
      <tag tagId="44829">
        <name>Leta Riveras</name>
      </tag>
      <tag tagId="44808">
        <name>Lillie Carraway</name>
      </tag>
      <tag tagId="44812">
        <name>Lofton Edenfield</name>
      </tag>
      <tag tagId="44813">
        <name>Louise Fields</name>
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      <tag tagId="44805">
        <name>Mary Bande</name>
      </tag>
      <tag tagId="44827">
        <name>Mary Nixon</name>
      </tag>
      <tag tagId="44819">
        <name>Mildred Knight</name>
      </tag>
      <tag tagId="44835">
        <name>Roscoe Wallace</name>
      </tag>
      <tag tagId="44806">
        <name>Ruby Booth</name>
      </tag>
      <tag tagId="44826">
        <name>S. K. Musgrove</name>
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      <tag tagId="400">
        <name>Sanford</name>
      </tag>
      <tag tagId="729">
        <name>Sanford Grammar School</name>
      </tag>
      <tag tagId="15110">
        <name>seventh grade</name>
      </tag>
      <tag tagId="20020">
        <name>Sneed, Dick</name>
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      <tag tagId="20043">
        <name>Sneed, Jack</name>
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      <tag tagId="12242">
        <name>students</name>
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      <tag tagId="20014">
        <name>Talbot, Alton</name>
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      <tag tagId="12241">
        <name>teachers</name>
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      <tag tagId="20027">
        <name>Viheln</name>
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      <tag tagId="44816">
        <name>Viola Hickson</name>
      </tag>
      <tag tagId="20040">
        <name>Wade, Gordon</name>
      </tag>
      <tag tagId="20017">
        <name>Wallace, Roscoe</name>
      </tag>
      <tag tagId="20037">
        <name>Walters, H. C.</name>
      </tag>
      <tag tagId="44807">
        <name>Woodard Burtleson</name>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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              <name>Title</name>
              <description/>
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                  <text>Seminole County Public Schools Collection</text>
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              <name>Alternative Title</name>
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              <elementTextContainer>
                <elementText elementTextId="511303">
                  <text>SCPS Collection</text>
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              <name>Subject</name>
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                  <text>Seminole County (Fla.)</text>
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                  <text>Schools</text>
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                  <text>Elementary schools</text>
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                <elementText elementTextId="511309">
                  <text>Middle schools--Florida</text>
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                  <text>Education--Florida</text>
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                  <text>Teachers--Florida</text>
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                <elementText elementTextId="511312">
                  <text>Educators--Florida</text>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511313">
                  <text>Collection of digital images, documents, and other records depicting the educational history of Seminole County, Florida. Items from this collection are donated by the Student Museum and UCF Public History Center.&#13;
&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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              <name>Contributor</name>
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              <elementTextContainer>
                <elementText elementTextId="511314">
                  <text>&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;</text>
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                <elementText elementTextId="511315">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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            <element elementId="101">
              <name>Has Part</name>
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              <elementTextContainer>
                <elementText elementTextId="511316">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank"&gt;Student Museum and UCF Public History Center Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511317">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              </elementTextContainer>
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            <element elementId="44">
              <name>Language</name>
              <description/>
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                <elementText elementTextId="511318">
                  <text>eng</text>
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              </elementTextContainer>
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              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511319">
                  <text>Collection</text>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511320">
                  <text>Cameron City, Sanford, Florida</text>
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                <elementText elementTextId="511321">
                  <text>Crooms Academy, Goldsoboro, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511322">
                  <text>Chuluota Primary School, Chuluota, Florida</text>
                </elementText>
                <elementText elementTextId="511323">
                  <text>East Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511324">
                  <text>Forest City School, Forest City, Altamonte Springs, Florida</text>
                </elementText>
                <elementText elementTextId="511325">
                  <text>Fort Reed, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511326">
                  <text>Gabriella Colored School, Gabriella, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511327">
                  <text>Geneva Colored School, Geneva, Florida</text>
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                <elementText elementTextId="511328">
                  <text>Geneva Elementary, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511329">
                  <text>Georgetown, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511330">
                  <text>Goldsboro Primary School, Goldsboro, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511331">
                  <text>Hungerford School, Florida</text>
                </elementText>
                <elementText elementTextId="511332">
                  <text>Kolokee, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511333">
                  <text>Lake Howell High School, Winter Park, Florida</text>
                </elementText>
                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
                </elementText>
                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511336">
                  <text>Longwood School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511338">
                  <text>Lyman Elementary School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511340">
                  <text>Osceola School, Osceola, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511341">
                  <text>Oviedo Colored School, Curryville, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511342">
                  <text>Oviedo High School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511343">
                  <text>Oviedo School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
                </elementText>
                <elementText elementTextId="511345">
                  <text>Sanford Grammar School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511346">
                  <text>Sanford High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511347">
                  <text>Sanford Junior High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511348">
                  <text>Sanford Middle School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511349">
                  <text>Sanford Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511350">
                  <text>Seminole County Public Schools, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511351">
                  <text>Seminole High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511352">
                  <text>South Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511353">
                  <text>Student Museum, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511354">
                  <text>UCF Public History Center, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511355">
                  <text>Wagner Colored School, Florida</text>
                </elementText>
                <elementText elementTextId="511356">
                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
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              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511359">
                  <text>Cepero, Laura</text>
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              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511361">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511362">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;&lt;span&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511363">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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              </elementTextContainer>
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            <element elementId="117">
              <name>Accrual Method</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511366">
                  <text>Donation</text>
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          </elementContainer>
        </elementSet>
      </elementSetContainer>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description/>
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                <text>Mrs. Lester's Sixth Grade Class at Sanford Grammar School, 1921-1922</text>
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          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520055">
                <text>Sanford Grammar School Class</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
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                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="520057">
                <text> Schools</text>
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              <elementText elementTextId="520058">
                <text>Education--Florida</text>
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                <text>Educators--Florida</text>
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              <elementText elementTextId="520060">
                <text> Teachers--Florida</text>
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            <elementTextContainer>
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                <text>Mrs. Lester's sixth grade class at Sanford Grammar School during the 1921-1922 school year. This class would eventually become the Sanford High School Class of 1928-1929. &lt;br /&gt;&lt;br /&gt; Originally located at 301 West Seventh Street in Sanford, Florida, Sanford Grammar School was first established as Sanford High School in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students.</text>
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            <name>Type</name>
            <description/>
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                <text>Still Image</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520068">
                <text>Original 9.7 x 7.3 inch black and white photograph: Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520069">
                <text>Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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              <elementText elementTextId="520070">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
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              <elementText elementTextId="520071">
                <text>Digital reproduction of original 9.7 x 7.3 inch black and white photograph.</text>
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          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
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                <text>Sanford Grammar School, Sanford, Florida</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520073">
                <text>ca. 1921-1922</text>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520074">
                <text>image/jpg</text>
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            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520075">
                <text>341 KB</text>
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            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520076">
                <text>9.7 x 7.3 inch black and white photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520078">
                <text>History Teacher</text>
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              <elementText elementTextId="520079">
                <text> Geography Teacher</text>
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            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520080">
                <text>Copyright to this resource is held by the &lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520081">
                <text>Donation</text>
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            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520082">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520083">
                <text>Cepero, Laura</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520084">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt; RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520085">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520086">
                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;"." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
              </elementText>
              <elementText elementTextId="520087">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
              </elementText>
              <elementText elementTextId="520088">
                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
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        <name>6th grade</name>
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      <tag tagId="2610">
        <name>7th Street</name>
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      <tag tagId="28439">
        <name>elementary schools</name>
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      <tag tagId="44170">
        <name>grammar schools</name>
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      <tag tagId="20010">
        <name>Lester</name>
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      <tag tagId="400">
        <name>Sanford</name>
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      <tag tagId="729">
        <name>Sanford Grammar School</name>
      </tag>
      <tag tagId="405">
        <name>Seventh Street</name>
      </tag>
      <tag tagId="12886">
        <name>sixth grade</name>
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      <tag tagId="12242">
        <name>students</name>
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      <tag tagId="12241">
        <name>teachers</name>
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              <name>Title</name>
              <description/>
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                  <text>Seminole County Public Schools Collection</text>
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                  <text>SCPS Collection</text>
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                  <text>Seminole County (Fla.)</text>
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                  <text>Elementary schools</text>
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                <elementText elementTextId="511309">
                  <text>Middle schools--Florida</text>
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                  <text>Education--Florida</text>
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            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511313">
                  <text>Collection of digital images, documents, and other records depicting the educational history of Seminole County, Florida. Items from this collection are donated by the Student Museum and UCF Public History Center.&#13;
&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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                  <text>&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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              <name>Has Part</name>
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                <elementText elementTextId="511316">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank"&gt;Student Museum and UCF Public History Center Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              <name>Language</name>
              <description/>
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                  <text>eng</text>
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              <name>Type</name>
              <description/>
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                  <text>Collection</text>
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              <name>Coverage</name>
              <description/>
              <elementTextContainer>
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                  <text>Cameron City, Sanford, Florida</text>
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                <elementText elementTextId="511321">
                  <text>Crooms Academy, Goldsoboro, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511322">
                  <text>Chuluota Primary School, Chuluota, Florida</text>
                </elementText>
                <elementText elementTextId="511323">
                  <text>East Side Primary School, Sanford, Florida</text>
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                <elementText elementTextId="511324">
                  <text>Forest City School, Forest City, Altamonte Springs, Florida</text>
                </elementText>
                <elementText elementTextId="511325">
                  <text>Fort Reed, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511326">
                  <text>Gabriella Colored School, Gabriella, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511327">
                  <text>Geneva Colored School, Geneva, Florida</text>
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                <elementText elementTextId="511328">
                  <text>Geneva Elementary, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511329">
                  <text>Georgetown, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511330">
                  <text>Goldsboro Primary School, Goldsboro, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511331">
                  <text>Hungerford School, Florida</text>
                </elementText>
                <elementText elementTextId="511332">
                  <text>Kolokee, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511333">
                  <text>Lake Howell High School, Winter Park, Florida</text>
                </elementText>
                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
                </elementText>
                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511336">
                  <text>Longwood School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511338">
                  <text>Lyman Elementary School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511340">
                  <text>Osceola School, Osceola, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511341">
                  <text>Oviedo Colored School, Curryville, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511342">
                  <text>Oviedo High School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511343">
                  <text>Oviedo School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
                </elementText>
                <elementText elementTextId="511345">
                  <text>Sanford Grammar School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511346">
                  <text>Sanford High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511347">
                  <text>Sanford Junior High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511348">
                  <text>Sanford Middle School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511349">
                  <text>Sanford Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511350">
                  <text>Seminole County Public Schools, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511351">
                  <text>Seminole High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511352">
                  <text>South Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511353">
                  <text>Student Museum, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511354">
                  <text>UCF Public History Center, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511355">
                  <text>Wagner Colored School, Florida</text>
                </elementText>
                <elementText elementTextId="511356">
                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511359">
                  <text>Cepero, Laura</text>
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              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511361">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511362">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;&lt;span&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511363">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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            <element elementId="117">
              <name>Accrual Method</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511366">
                  <text>Donation</text>
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          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
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              <elementText elementTextId="520014">
                <text>Ruth Kanner's Fifth Grade Class at Sanford Grammar School, 1921-1922</text>
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          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520015">
                <text>Sanford Grammar School Class</text>
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            </elementTextContainer>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
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                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="520017">
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              <elementText elementTextId="520018">
                <text>Education--Florida</text>
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                <text> Teachers--Florida</text>
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                <text>Educators--Florida</text>
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            <name>Description</name>
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                <text>Ruth Kanner's fifth grade class at Sanford Grammar School during the 1921-1922 school year. In the first row on the far left is Kanner with Principal Clara Millen photographed on the far right. One student identified is Frankie DeBose, pictured as the third male student from the left in the last row. This class would eventually become the Sanford High School Class of 1929. &lt;br /&gt;&lt;br /&gt;Originally located at 301 West Seventh Street in Sanford, Florida, Sanford Grammar School was first established as Sanford High School in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students.</text>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520031">
                <text>Original 9.5 x 7 inch black and white photograph: Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Is Part Of</name>
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            <elementTextContainer>
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                <text>Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <elementTextContainer>
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                <text>Digital reproduction of original 9.5 x 7 inch black and white photograph.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
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                <text>Sanford Grammar School, Sanford, Florida</text>
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            <name>Date Created</name>
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            <elementTextContainer>
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                <text>ca. 1921-1922</text>
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                <text>image/jpg</text>
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            <elementTextContainer>
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                <text>323 KB</text>
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            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520039">
                <text>9.5 x 7 inch black and white photograph</text>
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            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
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                <text>History Teacher</text>
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              <elementText elementTextId="520042">
                <text> Geography Teacher</text>
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          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520043">
                <text>Copyright to this resource is held by the &lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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            <elementTextContainer>
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                <text>Donation</text>
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            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520045">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
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                <text>Cepero, Laura</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520047">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt; RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520048">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
              </elementText>
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          </element>
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            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520049">
                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;"." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
              </elementText>
              <elementText elementTextId="520050">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
              </elementText>
              <elementText elementTextId="520051">
                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
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      <tag tagId="2610">
        <name>7th Street</name>
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      <tag tagId="44239">
        <name>Clara Millen</name>
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      <tag tagId="2000">
        <name>DeBose, Frankie</name>
      </tag>
      <tag tagId="28439">
        <name>elementary schools</name>
      </tag>
      <tag tagId="12240">
        <name>fifth grade</name>
      </tag>
      <tag tagId="44237">
        <name>Frankie DeBose</name>
      </tag>
      <tag tagId="44170">
        <name>grammar schools</name>
      </tag>
      <tag tagId="1998">
        <name>Kanner, Ruth</name>
      </tag>
      <tag tagId="1999">
        <name>Millen, Clara</name>
      </tag>
      <tag tagId="12243">
        <name>principals</name>
      </tag>
      <tag tagId="44238">
        <name>Ruth Kanner</name>
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      <tag tagId="400">
        <name>Sanford</name>
      </tag>
      <tag tagId="729">
        <name>Sanford Grammar School</name>
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        <name>Seventh Street</name>
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        <name>students</name>
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            <element elementId="50">
              <name>Title</name>
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              </elementTextContainer>
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            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511303">
                  <text>SCPS Collection</text>
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              <name>Subject</name>
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                  <text>Seminole County (Fla.)</text>
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                <elementText elementTextId="511306">
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                <elementText elementTextId="511307">
                  <text>Elementary schools</text>
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                  <text>Grammar schools</text>
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                <elementText elementTextId="511309">
                  <text>Middle schools--Florida</text>
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                <elementText elementTextId="511310">
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                  <text>Teachers--Florida</text>
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                <elementText elementTextId="511312">
                  <text>Educators--Florida</text>
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            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511313">
                  <text>Collection of digital images, documents, and other records depicting the educational history of Seminole County, Florida. Items from this collection are donated by the Student Museum and UCF Public History Center.&#13;
&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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            <element elementId="37">
              <name>Contributor</name>
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                  <text>&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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            <element elementId="101">
              <name>Has Part</name>
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                <elementText elementTextId="511316">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank"&gt;Student Museum and UCF Public History Center Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511317">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              <name>Language</name>
              <description/>
              <elementTextContainer>
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                  <text>eng</text>
                </elementText>
              </elementTextContainer>
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              <name>Type</name>
              <description/>
              <elementTextContainer>
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                  <text>Collection</text>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
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                  <text>Cameron City, Sanford, Florida</text>
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                <elementText elementTextId="511321">
                  <text>Crooms Academy, Goldsoboro, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511322">
                  <text>Chuluota Primary School, Chuluota, Florida</text>
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                <elementText elementTextId="511323">
                  <text>East Side Primary School, Sanford, Florida</text>
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                <elementText elementTextId="511324">
                  <text>Forest City School, Forest City, Altamonte Springs, Florida</text>
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                <elementText elementTextId="511325">
                  <text>Fort Reed, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511326">
                  <text>Gabriella Colored School, Gabriella, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511327">
                  <text>Geneva Colored School, Geneva, Florida</text>
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                <elementText elementTextId="511328">
                  <text>Geneva Elementary, Geneva, Florida</text>
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                <elementText elementTextId="511329">
                  <text>Georgetown, Sanford, Florida</text>
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                <elementText elementTextId="511330">
                  <text>Goldsboro Primary School, Goldsboro, Sanford, Florida</text>
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                <elementText elementTextId="511331">
                  <text>Hungerford School, Florida</text>
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                <elementText elementTextId="511332">
                  <text>Kolokee, Geneva, Florida</text>
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                <elementText elementTextId="511333">
                  <text>Lake Howell High School, Winter Park, Florida</text>
                </elementText>
                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
                </elementText>
                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511336">
                  <text>Longwood School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511338">
                  <text>Lyman Elementary School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511340">
                  <text>Osceola School, Osceola, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511341">
                  <text>Oviedo Colored School, Curryville, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511342">
                  <text>Oviedo High School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511343">
                  <text>Oviedo School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
                </elementText>
                <elementText elementTextId="511345">
                  <text>Sanford Grammar School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511346">
                  <text>Sanford High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511347">
                  <text>Sanford Junior High School, Sanford, Florida</text>
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                <elementText elementTextId="511348">
                  <text>Sanford Middle School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511349">
                  <text>Sanford Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511350">
                  <text>Seminole County Public Schools, Sanford, Florida</text>
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                <elementText elementTextId="511351">
                  <text>Seminole High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511352">
                  <text>South Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511353">
                  <text>Student Museum, Sanford, Florida</text>
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                <elementText elementTextId="511354">
                  <text>UCF Public History Center, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511355">
                  <text>Wagner Colored School, Florida</text>
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                <elementText elementTextId="511356">
                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
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                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
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                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
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            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511359">
                  <text>Cepero, Laura</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511361">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511362">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;&lt;span&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.&lt;/span&gt;</text>
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                <elementText elementTextId="511363">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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            </element>
            <element elementId="117">
              <name>Accrual Method</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511366">
                  <text>Donation</text>
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          </elementContainer>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description/>
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                <text>Early Class in Front of Sanford Grammar School</text>
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            <elementTextContainer>
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                <text>Sanford Grammar School Class</text>
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          <element elementId="49">
            <name>Subject</name>
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            <elementTextContainer>
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                <text>Sanford (Fla.)</text>
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                <text> Schools</text>
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                <text>Education--Florida</text>
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                <text>A class at Sanford Grammar School.  Originally located at 301 West Seventh Street in Sanford, Florida, Sanford Grammar School was first established as Sanford High School in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students.</text>
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            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519991">
                <text>Original 10 x 4.5 inch black and white photograph: Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519992">
                <text>Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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              <elementText elementTextId="519993">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
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                <text>Digital reproduction of original 10 x 4.5 inch black and white photograph.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
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                <text>Sanford Grammar School, Sanford, Florida</text>
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            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519996">
                <text>ca. 1911-1984</text>
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            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519997">
                <text>image/jpg</text>
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            <name>Extent</name>
            <description/>
            <elementTextContainer>
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                <text>305 KB</text>
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            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519999">
                <text>10 x 4.5 inch black and white photograph</text>
              </elementText>
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          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520000">
                <text>eng</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520001">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="520002">
                <text> Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520003">
                <text>Copyright to this resource is held by the &lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
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                <text>Donation</text>
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            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520005">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
              </elementText>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
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                <text>Cepero, Laura</text>
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            </elementTextContainer>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520007">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt; RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520008">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
              </elementText>
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          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="520009">
                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;"." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
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              <elementText elementTextId="520010">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
              </elementText>
              <elementText elementTextId="520011">
                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="618068">
                <text>Early class in front of Sanford Grammar School, Sanford, Fla. (SM-073-036)</text>
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        <name>7th Street</name>
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      <tag tagId="28439">
        <name>elementary schools</name>
      </tag>
      <tag tagId="44170">
        <name>grammar schools</name>
      </tag>
      <tag tagId="400">
        <name>Sanford</name>
      </tag>
      <tag tagId="729">
        <name>Sanford Grammar School</name>
      </tag>
      <tag tagId="405">
        <name>Seventh Street</name>
      </tag>
      <tag tagId="12242">
        <name>students</name>
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              <name>Title</name>
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                  <text>Seminole County Public Schools Collection</text>
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              <name>Alternative Title</name>
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                  <text>SCPS Collection</text>
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              <name>Subject</name>
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                  <text>Seminole County (Fla.)</text>
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                  <text>Elementary schools</text>
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                  <text>Middle schools--Florida</text>
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                  <text>Education--Florida</text>
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                  <text>Educators--Florida</text>
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            </element>
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                <elementText elementTextId="511313">
                  <text>Collection of digital images, documents, and other records depicting the educational history of Seminole County, Florida. Items from this collection are donated by the Student Museum and UCF Public History Center.&#13;
&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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              <name>Contributor</name>
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                <elementText elementTextId="511314">
                  <text>&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;</text>
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                <elementText elementTextId="511315">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank"&gt;Student Museum and UCF Public History Center Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511317">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511318">
                  <text>eng</text>
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              <name>Type</name>
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              <elementTextContainer>
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              <name>Coverage</name>
              <description/>
              <elementTextContainer>
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                  <text>Cameron City, Sanford, Florida</text>
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                <elementText elementTextId="511321">
                  <text>Crooms Academy, Goldsoboro, Sanford, Florida</text>
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                <elementText elementTextId="511322">
                  <text>Chuluota Primary School, Chuluota, Florida</text>
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                <elementText elementTextId="511323">
                  <text>East Side Primary School, Sanford, Florida</text>
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                <elementText elementTextId="511324">
                  <text>Forest City School, Forest City, Altamonte Springs, Florida</text>
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                <elementText elementTextId="511325">
                  <text>Fort Reed, Sanford, Florida</text>
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                <elementText elementTextId="511326">
                  <text>Gabriella Colored School, Gabriella, Oviedo, Florida</text>
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                <elementText elementTextId="511327">
                  <text>Geneva Colored School, Geneva, Florida</text>
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                <elementText elementTextId="511328">
                  <text>Geneva Elementary, Geneva, Florida</text>
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                <elementText elementTextId="511329">
                  <text>Georgetown, Sanford, Florida</text>
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                <elementText elementTextId="511330">
                  <text>Goldsboro Primary School, Goldsboro, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511331">
                  <text>Hungerford School, Florida</text>
                </elementText>
                <elementText elementTextId="511332">
                  <text>Kolokee, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511333">
                  <text>Lake Howell High School, Winter Park, Florida</text>
                </elementText>
                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
                </elementText>
                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511336">
                  <text>Longwood School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511338">
                  <text>Lyman Elementary School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511340">
                  <text>Osceola School, Osceola, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511341">
                  <text>Oviedo Colored School, Curryville, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511342">
                  <text>Oviedo High School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511343">
                  <text>Oviedo School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
                </elementText>
                <elementText elementTextId="511345">
                  <text>Sanford Grammar School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511346">
                  <text>Sanford High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511347">
                  <text>Sanford Junior High School, Sanford, Florida</text>
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                <elementText elementTextId="511348">
                  <text>Sanford Middle School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511349">
                  <text>Sanford Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511350">
                  <text>Seminole County Public Schools, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511351">
                  <text>Seminole High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511352">
                  <text>South Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511353">
                  <text>Student Museum, Sanford, Florida</text>
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                <elementText elementTextId="511354">
                  <text>UCF Public History Center, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511355">
                  <text>Wagner Colored School, Florida</text>
                </elementText>
                <elementText elementTextId="511356">
                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511359">
                  <text>Cepero, Laura</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511361">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511362">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;&lt;span&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.&lt;/span&gt;</text>
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                <elementText elementTextId="511363">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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            <element elementId="117">
              <name>Accrual Method</name>
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              <elementTextContainer>
                <elementText elementTextId="511366">
                  <text>Donation</text>
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      <name>Still Image</name>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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                <text>Clare Gortez's Fifth Grade Class at Sanford Grammar School, 1920-1921</text>
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                <text>Sanford Grammar School Class</text>
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          <element elementId="49">
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                <text>Sanford (Fla.)</text>
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                <text>Education--Florida</text>
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                <text> Teachers--Florida</text>
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                <text>Educators--Florida</text>
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            <elementTextContainer>
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                <text>Clare Gortez's fifth grade class at Sanford Grammar School during the 1920-1921 school year. Some of the students photographed include L. P. Hogan, Jessie Neeley, Gene Adams, Evelyn Moffett, Pearl Robinson, Harriett Rossitor, Helen Jenkins, Maggie Lynch, and Irene Brandit. &lt;br /&gt;&lt;br /&gt;Originally located at 301 West Seventh Street in Sanford, Florida, Sanford Grammar School was first established as Sanford High School in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students.</text>
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            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519958">
                <text>Original 6.7 x 4.5 inch black and white photograph: Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519959">
                <text>Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
              <elementText elementTextId="519960">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
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            <elementTextContainer>
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                <text>Digital reproduction of original 6.7 x 4.5 inch black and white photograph.</text>
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          <element elementId="38">
            <name>Coverage</name>
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            <elementTextContainer>
              <elementText elementTextId="519962">
                <text>Sanford Grammar School, Sanford, Florida</text>
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            <name>Date Created</name>
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              <elementText elementTextId="519963">
                <text>ca. 1920-1921</text>
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            <name>Format</name>
            <description/>
            <elementTextContainer>
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                <text>image/jpg</text>
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            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519965">
                <text>362 KB</text>
              </elementText>
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            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519966">
                <text>6.7 x 4.5 inch black and white photograph</text>
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            <name>Language</name>
            <description/>
            <elementTextContainer>
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                <text>eng</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519968">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="519969">
                <text> Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519970">
                <text>Copyright to this resource is held by the &lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
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          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519971">
                <text>Donation</text>
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          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519972">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
              </elementText>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
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                <text>Cepero, Laura</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519974">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt; RICHES MI&lt;/a&gt;</text>
              </elementText>
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          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519975">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519976">
                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;"." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
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              <elementText elementTextId="519977">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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              <elementText elementTextId="519978">
                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
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            </elementTextContainer>
          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="618069">
                <text>5th Grade - Sanford Grammar School 1920-21&#13;
Teacher - Miss Clare Goertz&#13;
Bottom row, (L to R) 3rd- L. P. Hogan, 4th-Jessie Neeley, 5th-Hene Adams&#13;
2nd row from bottom: (L to R) 4th-Evelyn Moffett, 5th-Pearl Robinson&#13;
7th-Harriett Rossitor, 9th-Helen Jenkins, 10th-Maggie Lynch&#13;
11th-Irene Brandt (SM-101)</text>
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        <name>elementary schools</name>
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        <name>Evelyn Moffett</name>
      </tag>
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        <name>fifth grade</name>
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        <name>Gene Adams</name>
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      <tag tagId="44242">
        <name>Glare Gortez</name>
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        <name>grammar schools</name>
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        <name>Harriett Rossitor</name>
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      <tag tagId="44244">
        <name>Helen Jenkins</name>
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      <tag tagId="44241">
        <name>Irene Brandit</name>
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      <tag tagId="44247">
        <name>Jessie Neeley</name>
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      <tag tagId="44243">
        <name>L. P. Hogan</name>
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      <tag tagId="44245">
        <name>Maggie Lynch</name>
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      <tag tagId="20004">
        <name>Moffett, Evelyn</name>
      </tag>
      <tag tagId="44248">
        <name>Pearl Robinson</name>
      </tag>
      <tag tagId="400">
        <name>Sanford</name>
      </tag>
      <tag tagId="729">
        <name>Sanford Grammar School</name>
      </tag>
      <tag tagId="405">
        <name>Seventh Street</name>
      </tag>
      <tag tagId="12242">
        <name>students</name>
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      <tag tagId="12241">
        <name>teachers</name>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
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              <description/>
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            <element elementId="86">
              <name>Alternative Title</name>
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              <elementTextContainer>
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            <element elementId="49">
              <name>Subject</name>
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              <elementTextContainer>
                <elementText elementTextId="511304">
                  <text>Seminole County (Fla.)</text>
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                <elementText elementTextId="511306">
                  <text>High schools--Florida</text>
                </elementText>
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                  <text>Elementary schools</text>
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                  <text>Middle schools--Florida</text>
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                  <text>Education--Florida</text>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
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                  <text>Collection of digital images, documents, and other records depicting the educational history of Seminole County, Florida. Items from this collection are donated by the Student Museum and UCF Public History Center.&#13;
&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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              <name>Contributor</name>
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                <elementText elementTextId="511315">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank"&gt;Student Museum and UCF Public History Center Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              <name>Language</name>
              <description/>
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                  <text>eng</text>
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                <elementText elementTextId="511321">
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                </elementText>
                <elementText elementTextId="511322">
                  <text>Chuluota Primary School, Chuluota, Florida</text>
                </elementText>
                <elementText elementTextId="511323">
                  <text>East Side Primary School, Sanford, Florida</text>
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                <elementText elementTextId="511324">
                  <text>Forest City School, Forest City, Altamonte Springs, Florida</text>
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                <elementText elementTextId="511325">
                  <text>Fort Reed, Sanford, Florida</text>
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                <elementText elementTextId="511326">
                  <text>Gabriella Colored School, Gabriella, Oviedo, Florida</text>
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                <elementText elementTextId="511327">
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                <elementText elementTextId="511328">
                  <text>Geneva Elementary, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511329">
                  <text>Georgetown, Sanford, Florida</text>
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                <elementText elementTextId="511330">
                  <text>Goldsboro Primary School, Goldsboro, Sanford, Florida</text>
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                <elementText elementTextId="511331">
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                <elementText elementTextId="511332">
                  <text>Kolokee, Geneva, Florida</text>
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                <elementText elementTextId="511333">
                  <text>Lake Howell High School, Winter Park, Florida</text>
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                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
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                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
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                <elementText elementTextId="511336">
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                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
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                <elementText elementTextId="511338">
                  <text>Lyman Elementary School, Longwood, Florida</text>
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                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511340">
                  <text>Osceola School, Osceola, Geneva, Florida</text>
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                <elementText elementTextId="511341">
                  <text>Oviedo Colored School, Curryville, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511342">
                  <text>Oviedo High School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511343">
                  <text>Oviedo School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
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                <elementText elementTextId="511345">
                  <text>Sanford Grammar School, Sanford, Florida</text>
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                <elementText elementTextId="511346">
                  <text>Sanford High School, Sanford, Florida</text>
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                <elementText elementTextId="511347">
                  <text>Sanford Junior High School, Sanford, Florida</text>
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                <elementText elementTextId="511348">
                  <text>Sanford Middle School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511349">
                  <text>Sanford Primary School, Sanford, Florida</text>
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                <elementText elementTextId="511350">
                  <text>Seminole County Public Schools, Sanford, Florida</text>
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                <elementText elementTextId="511351">
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                <elementText elementTextId="511352">
                  <text>South Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511353">
                  <text>Student Museum, Sanford, Florida</text>
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                <elementText elementTextId="511354">
                  <text>UCF Public History Center, Sanford, Florida</text>
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                <elementText elementTextId="511355">
                  <text>Wagner Colored School, Florida</text>
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                <elementText elementTextId="511356">
                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
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                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
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                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
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              <name>Curator</name>
              <description/>
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                <elementText elementTextId="511359">
                  <text>Cepero, Laura</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
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                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
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                <elementText elementTextId="511361">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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              <name>External Reference</name>
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                <elementText elementTextId="511362">
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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            <element elementId="117">
              <name>Accrual Method</name>
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              <elementTextContainer>
                <elementText elementTextId="511366">
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                <text>Gertrude Page's Fifth Grade Class at Sanford Grammar School</text>
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                <text>Sanford (Fla.)</text>
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                <text>Gertrude Page's fifth grade class at Sanford Grammar School in the 1920s. Originally located at 301 West Seventh Street in Sanford, Florida, Sanford Grammar School was first established as Sanford High School in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students.</text>
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            <description/>
            <elementTextContainer>
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                <text>Original 10 x 7 inch black and white photograph: Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Is Part Of</name>
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            <elementTextContainer>
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                <text>Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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              <elementText elementTextId="519923">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
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                <text>Digital reproduction of original 10 x 7 inch black and white photograph.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
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                <text>Sanford Grammar School, Sanford, Florida</text>
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            <name>Date Created</name>
            <description/>
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              <elementText elementTextId="519926">
                <text>ca. 1919-1920</text>
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            <name>Format</name>
            <description/>
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                <text>image/jpg</text>
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            <name>Medium</name>
            <description/>
            <elementTextContainer>
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                <text>10 x 7 inch black and white photograph</text>
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            <name>Language</name>
            <description/>
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                <text>eng</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519931">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="519932">
                <text> Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519933">
                <text>Copyright to this resource is held by the &lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
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                <text>Donation</text>
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            <name>Contributing Project</name>
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            <elementTextContainer>
              <elementText elementTextId="519935">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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          <element elementId="133">
            <name>Curator</name>
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                <text>Cepero, Laura</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519937">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt; RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
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            <elementTextContainer>
              <elementText elementTextId="519938">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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            <name>External Reference</name>
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                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;"." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
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              <elementText elementTextId="519940">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="618070">
                <text>Mrs. Gertrude Page Fifth Grade Class, Sanford Grammar&#13;
School . (Ca. 1920's) (SM-073-037)</text>
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        <name>elementary schools</name>
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        <name>fifth grade</name>
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        <name>Gertrude Page</name>
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        <name>grammar schools</name>
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        <name>Sanford</name>
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        <name>Sanford Grammar School</name>
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&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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              <elementTextContainer>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                </elementText>
                <elementText elementTextId="511327">
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                <elementText elementTextId="511329">
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                <elementText elementTextId="511330">
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                <elementText elementTextId="511331">
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                <elementText elementTextId="511333">
                  <text>Lake Howell High School, Winter Park, Florida</text>
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                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
                </elementText>
                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511336">
                  <text>Longwood School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511338">
                  <text>Lyman Elementary School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511340">
                  <text>Osceola School, Osceola, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511341">
                  <text>Oviedo Colored School, Curryville, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511342">
                  <text>Oviedo High School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511343">
                  <text>Oviedo School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
                </elementText>
                <elementText elementTextId="511345">
                  <text>Sanford Grammar School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511346">
                  <text>Sanford High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511347">
                  <text>Sanford Junior High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511348">
                  <text>Sanford Middle School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511349">
                  <text>Sanford Primary School, Sanford, Florida</text>
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                <elementText elementTextId="511350">
                  <text>Seminole County Public Schools, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511351">
                  <text>Seminole High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511352">
                  <text>South Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511353">
                  <text>Student Museum, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511354">
                  <text>UCF Public History Center, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511355">
                  <text>Wagner Colored School, Florida</text>
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                <elementText elementTextId="511356">
                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511359">
                  <text>Cepero, Laura</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
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                <elementText elementTextId="511361">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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              <name>External Reference</name>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;&lt;span&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.&lt;/span&gt;</text>
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                <elementText elementTextId="511363">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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            <element elementId="117">
              <name>Accrual Method</name>
              <description/>
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                <elementText elementTextId="511366">
                  <text>Donation</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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                <text>Fifth Grade Class at Sanford Grammar School, 1920</text>
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                <text>Sanford Grammar School Class</text>
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            <name>Subject</name>
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                <text>Sanford (Fla.)</text>
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                <text> Schools</text>
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                <text>A fifth grade class at Sanford Grammar School in 1920. Originally located at 301 West Seventh Street in Sanford, Florida, Sanford Grammar School was first established as Sanford High School in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students.</text>
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            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519884">
                <text>Original 9.5 x 7 inch black and white photograph, 1920: Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519885">
                <text>Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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              <elementText elementTextId="519886">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
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                <text>Digital reproduction of original 9.5 x 7 inch black and white photograph, 1920.</text>
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            <name>Coverage</name>
            <description/>
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                <text>Sanford Grammar School, Sanford, Florida</text>
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            <name>Date Created</name>
            <description/>
            <elementTextContainer>
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                <text>1905-04-03</text>
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            <name>Format</name>
            <description/>
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                <text>image/jpg</text>
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            <name>Extent</name>
            <description/>
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            <name>Medium</name>
            <description/>
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                <text>9.5 x 7 inch black and white photograph</text>
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          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519893">
                <text>eng</text>
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          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519894">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="519895">
                <text> Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519896">
                <text>Copyright to this resource is held by the &lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519897">
                <text>Donation</text>
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            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519898">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
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                <text>Cepero, Laura</text>
              </elementText>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519900">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt; RICHES MI&lt;/a&gt;</text>
              </elementText>
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          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519901">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519902">
                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;"." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
              </elementText>
              <elementText elementTextId="519903">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
              </elementText>
              <elementText elementTextId="519904">
                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="618004">
                <text>5 GRADE A. SANFORD GRAMMER[sic] SCHOOL, FLA. 1920</text>
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            </elementTextContainer>
          </element>
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        <name>5th grade</name>
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      <tag tagId="2610">
        <name>7th Street</name>
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      <tag tagId="28439">
        <name>elementary schools</name>
      </tag>
      <tag tagId="12240">
        <name>fifth grade</name>
      </tag>
      <tag tagId="44170">
        <name>grammar schools</name>
      </tag>
      <tag tagId="400">
        <name>Sanford</name>
      </tag>
      <tag tagId="729">
        <name>Sanford Grammar School</name>
      </tag>
      <tag tagId="405">
        <name>Seventh Street</name>
      </tag>
      <tag tagId="12242">
        <name>students</name>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
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                  <text>Seminole County Public Schools Collection</text>
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            <element elementId="86">
              <name>Alternative Title</name>
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              <elementTextContainer>
                <elementText elementTextId="511303">
                  <text>SCPS Collection</text>
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                  <text>Schools</text>
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                  <text>Elementary schools</text>
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                  <text>Grammar schools</text>
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                  <text>Education--Florida</text>
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                  <text>Collection of digital images, documents, and other records depicting the educational history of Seminole County, Florida. Items from this collection are donated by the Student Museum and UCF Public History Center.&#13;
&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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                <elementText elementTextId="511315">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511317">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              </elementTextContainer>
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              <name>Language</name>
              <description/>
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                  <text>eng</text>
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              <name>Type</name>
              <description/>
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              <description/>
              <elementTextContainer>
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                  <text>Cameron City, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511321">
                  <text>Crooms Academy, Goldsoboro, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511322">
                  <text>Chuluota Primary School, Chuluota, Florida</text>
                </elementText>
                <elementText elementTextId="511323">
                  <text>East Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511324">
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                </elementText>
                <elementText elementTextId="511325">
                  <text>Fort Reed, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511326">
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                </elementText>
                <elementText elementTextId="511327">
                  <text>Geneva Colored School, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511328">
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                </elementText>
                <elementText elementTextId="511329">
                  <text>Georgetown, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511330">
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                </elementText>
                <elementText elementTextId="511331">
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                </elementText>
                <elementText elementTextId="511332">
                  <text>Kolokee, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511333">
                  <text>Lake Howell High School, Winter Park, Florida</text>
                </elementText>
                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
                </elementText>
                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511336">
                  <text>Longwood School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511338">
                  <text>Lyman Elementary School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511340">
                  <text>Osceola School, Osceola, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511341">
                  <text>Oviedo Colored School, Curryville, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511342">
                  <text>Oviedo High School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511343">
                  <text>Oviedo School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
                </elementText>
                <elementText elementTextId="511345">
                  <text>Sanford Grammar School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511346">
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                </elementText>
                <elementText elementTextId="511347">
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                </elementText>
                <elementText elementTextId="511348">
                  <text>Sanford Middle School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511349">
                  <text>Sanford Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511350">
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                <elementText elementTextId="511351">
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                </elementText>
                <elementText elementTextId="511352">
                  <text>South Side Primary School, Sanford, Florida</text>
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                  <text>Student Museum, Sanford, Florida</text>
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                  <text>UCF Public History Center, Sanford, Florida</text>
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                <elementText elementTextId="511355">
                  <text>Wagner Colored School, Florida</text>
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                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
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                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;&lt;span&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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              <name>Accrual Method</name>
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                  <text>Donation</text>
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                <text>A class at Sanford Grammar School in 1916. Originally located at 301 West Seventh Street in Sanford, Florida, Sanford Grammar School was first established as Sanford High School in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students.</text>
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            <name>Source</name>
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                <text>Original 5.5 x 3.5 inch black and white photograph, March 29, 1916: Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Is Part Of</name>
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                <text>Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
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                <text>Digital reproduction of original 5.5 x 3.5 inch black and white photograph, March 29, 1916.</text>
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            <elementTextContainer>
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            <description/>
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                <text>1916-03-29</text>
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                <text>image/jpg</text>
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            <name>Extent</name>
            <description/>
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                <text>204 KB</text>
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            <name>Medium</name>
            <description/>
            <elementTextContainer>
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                <text>5.5 x 3.5 inch black and white photograph</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
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                <text>History Teacher</text>
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              <elementText elementTextId="519861">
                <text> Geography Teacher</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519862">
                <text>Copyright to this resource is held by the &lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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                <text>Donation</text>
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            <name>Contributing Project</name>
            <description/>
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              <elementText elementTextId="519864">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
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                <text>Cepero, Laura</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519866">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt; RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519867">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519868">
                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;"." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
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              <elementText elementTextId="519869">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
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        <name>grammar schools</name>
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        <name>Sanford</name>
      </tag>
      <tag tagId="729">
        <name>Sanford Grammar School</name>
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      <tag tagId="12242">
        <name>students</name>
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      <tag tagId="44180">
        <name>W. A. Leavits</name>
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              <name>Alternative Title</name>
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                  <text>SCPS Collection</text>
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              <name>Subject</name>
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                  <text>Schools</text>
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                  <text>Elementary schools</text>
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                  <text>Collection of digital images, documents, and other records depicting the educational history of Seminole County, Florida. Items from this collection are donated by the Student Museum and UCF Public History Center.&#13;
&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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                  <text>&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;</text>
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                <elementText elementTextId="511315">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank"&gt;Student Museum and UCF Public History Center Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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              <elementTextContainer>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              </elementTextContainer>
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              <description/>
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                  <text>eng</text>
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              </elementTextContainer>
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              <name>Type</name>
              <description/>
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              <name>Coverage</name>
              <description/>
              <elementTextContainer>
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                  <text>Cameron City, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511321">
                  <text>Crooms Academy, Goldsoboro, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511322">
                  <text>Chuluota Primary School, Chuluota, Florida</text>
                </elementText>
                <elementText elementTextId="511323">
                  <text>East Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511324">
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                </elementText>
                <elementText elementTextId="511325">
                  <text>Fort Reed, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511326">
                  <text>Gabriella Colored School, Gabriella, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511327">
                  <text>Geneva Colored School, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511328">
                  <text>Geneva Elementary, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511329">
                  <text>Georgetown, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511330">
                  <text>Goldsboro Primary School, Goldsboro, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511331">
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                </elementText>
                <elementText elementTextId="511332">
                  <text>Kolokee, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511333">
                  <text>Lake Howell High School, Winter Park, Florida</text>
                </elementText>
                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
                </elementText>
                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511336">
                  <text>Longwood School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511338">
                  <text>Lyman Elementary School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511340">
                  <text>Osceola School, Osceola, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511341">
                  <text>Oviedo Colored School, Curryville, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511342">
                  <text>Oviedo High School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511343">
                  <text>Oviedo School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
                </elementText>
                <elementText elementTextId="511345">
                  <text>Sanford Grammar School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511346">
                  <text>Sanford High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511347">
                  <text>Sanford Junior High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511348">
                  <text>Sanford Middle School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511349">
                  <text>Sanford Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511350">
                  <text>Seminole County Public Schools, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511351">
                  <text>Seminole High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511352">
                  <text>South Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511353">
                  <text>Student Museum, Sanford, Florida</text>
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                <elementText elementTextId="511354">
                  <text>UCF Public History Center, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511355">
                  <text>Wagner Colored School, Florida</text>
                </elementText>
                <elementText elementTextId="511356">
                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511359">
                  <text>Cepero, Laura</text>
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            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511361">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511362">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;&lt;span&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511363">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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              </elementTextContainer>
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            <element elementId="117">
              <name>Accrual Method</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511366">
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                <text>Miss Owen's Class at Sanford Grammar School, 1919-1920</text>
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            <description/>
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                <text>Sanford (Fla.)</text>
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                <text> Schools</text>
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                <text>Miss Owen's Class at Sanford Grammar School during the 1919-1920 school year. Some of the students photographed are Billy Ball, Donald Dunn, Harley Vincent, Dave Van Ness, Eugene Turner, Harold McAlexander, Kemp Hasty, John Rotundo, and Joseph Prevatt. &lt;br /&gt;&lt;br /&gt;Originally located at 301 West Seventh Street in Sanford, Florida, Sanford Grammar School was first established as Sanford High School in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students.</text>
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            <description/>
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              <elementText elementTextId="519817">
                <text>Original 6.9 x 5 inch black and white photograph: Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
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                <text>Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
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                <text>Digital reproduction of original 6.9 x 5 inch black and white photograph.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
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                <text>Sanford Grammar School, Sanford, Florida</text>
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            </elementTextContainer>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
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                <text>ca. 1919-1920</text>
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            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519823">
                <text>image/jpg</text>
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            </elementTextContainer>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519824">
                <text>242 KB</text>
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            </elementTextContainer>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519825">
                <text>6.9 x 5 inch black and white photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519827">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="519828">
                <text> Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519829">
                <text>Copyright to this resource is held by the &lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
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                <text>Donation</text>
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          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
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                <text>Cepero, Laura</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519833">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt; RICHES MI&lt;/a&gt;</text>
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          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519835">
                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;"." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
              </elementText>
              <elementText elementTextId="519836">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
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        </elementContainer>
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        <name>Billy Ball</name>
      </tag>
      <tag tagId="44178">
        <name>Dave Van Ness</name>
      </tag>
      <tag tagId="44171">
        <name>Donald Dunn</name>
      </tag>
      <tag tagId="28439">
        <name>elementary schools</name>
      </tag>
      <tag tagId="44177">
        <name>Eugene Turner</name>
      </tag>
      <tag tagId="44170">
        <name>grammar schools</name>
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      <tag tagId="44179">
        <name>Harley Vincent</name>
      </tag>
      <tag tagId="44174">
        <name>Harold McAlexander</name>
      </tag>
      <tag tagId="44176">
        <name>John Rotundo</name>
      </tag>
      <tag tagId="44175">
        <name>Joseph Prevatt</name>
      </tag>
      <tag tagId="44173">
        <name>Kemp Hasty</name>
      </tag>
      <tag tagId="19988">
        <name>Owen</name>
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      <tag tagId="400">
        <name>Sanford</name>
      </tag>
      <tag tagId="729">
        <name>Sanford Grammar School</name>
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      <tag tagId="405">
        <name>Seventh Street</name>
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      <tag tagId="12242">
        <name>students</name>
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      <tag tagId="12241">
        <name>teachers</name>
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              <name>Title</name>
              <description/>
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                  <text>Seminole County Public Schools Collection</text>
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              <name>Alternative Title</name>
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                <elementText elementTextId="511303">
                  <text>SCPS Collection</text>
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              <name>Subject</name>
              <description/>
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                  <text>Seminole County (Fla.)</text>
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                  <text>Elementary schools</text>
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                  <text>Grammar schools</text>
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                  <text>Education--Florida</text>
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                <elementText elementTextId="511312">
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511313">
                  <text>Collection of digital images, documents, and other records depicting the educational history of Seminole County, Florida. Items from this collection are donated by the Student Museum and UCF Public History Center.&#13;
&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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              <name>Contributor</name>
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                  <text>&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="511315">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank"&gt;Student Museum and UCF Public History Center Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511317">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
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                  <text>eng</text>
                </elementText>
              </elementTextContainer>
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              <name>Type</name>
              <description/>
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                  <text>Collection</text>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
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                  <text>Cameron City, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511321">
                  <text>Crooms Academy, Goldsoboro, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511322">
                  <text>Chuluota Primary School, Chuluota, Florida</text>
                </elementText>
                <elementText elementTextId="511323">
                  <text>East Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511324">
                  <text>Forest City School, Forest City, Altamonte Springs, Florida</text>
                </elementText>
                <elementText elementTextId="511325">
                  <text>Fort Reed, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511326">
                  <text>Gabriella Colored School, Gabriella, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511327">
                  <text>Geneva Colored School, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511328">
                  <text>Geneva Elementary, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511329">
                  <text>Georgetown, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511330">
                  <text>Goldsboro Primary School, Goldsboro, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511331">
                  <text>Hungerford School, Florida</text>
                </elementText>
                <elementText elementTextId="511332">
                  <text>Kolokee, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511333">
                  <text>Lake Howell High School, Winter Park, Florida</text>
                </elementText>
                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
                </elementText>
                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511336">
                  <text>Longwood School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511338">
                  <text>Lyman Elementary School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511340">
                  <text>Osceola School, Osceola, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511341">
                  <text>Oviedo Colored School, Curryville, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511342">
                  <text>Oviedo High School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511343">
                  <text>Oviedo School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
                </elementText>
                <elementText elementTextId="511345">
                  <text>Sanford Grammar School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511346">
                  <text>Sanford High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511347">
                  <text>Sanford Junior High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511348">
                  <text>Sanford Middle School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511349">
                  <text>Sanford Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511350">
                  <text>Seminole County Public Schools, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511351">
                  <text>Seminole High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511352">
                  <text>South Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511353">
                  <text>Student Museum, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511354">
                  <text>UCF Public History Center, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511355">
                  <text>Wagner Colored School, Florida</text>
                </elementText>
                <elementText elementTextId="511356">
                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511359">
                  <text>Cepero, Laura</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511361">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511362">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;&lt;span&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511363">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="117">
              <name>Accrual Method</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511366">
                  <text>Donation</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519770">
                <text>Arlene Boardman with Her Bench in Sanford Grammar School's Shade Garden</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
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                <text>Boardman in Shade Garden</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519772">
                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="519773">
                <text>Education--Florida</text>
              </elementText>
              <elementText elementTextId="519774">
                <text> Schools</text>
              </elementText>
              <elementText elementTextId="519775">
                <text> Gardens--Florida</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
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                <text>Arlene Boardman and the bench that she donated to Sanford Grammar School's Shade Garden. Originally located at 301 West Seventh Street in Sanford, Florida, Sanford Grammar School was first established as Sanford High School in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students.</text>
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                <text>Original 6 x 4 inch color photograph: Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original 6 x 4 inch color photograph.</text>
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                <text>ca. 1980-1984</text>
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                <text>6 x 4 inch color photograph</text>
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          <element elementId="122">
            <name>Mediator</name>
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            <elementTextContainer>
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                <text>History Teacher</text>
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                <text> Geography Teacher</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519793">
                <text>Copyright to this resource is held by the &lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <elementTextContainer>
              <elementText elementTextId="519795">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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            <name>Curator</name>
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                <text>Cepero, Laura</text>
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            <elementTextContainer>
              <elementText elementTextId="519797">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt; RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519798">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
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                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;"." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
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              <elementText elementTextId="519800">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
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        <name>Arlene Boardman</name>
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        <name>bench</name>
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        <name>benches</name>
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        <name>elementary schools</name>
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      <tag tagId="8743">
        <name>gardens</name>
      </tag>
      <tag tagId="44170">
        <name>grammar schools</name>
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      <tag tagId="400">
        <name>Sanford</name>
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      <tag tagId="729">
        <name>Sanford Grammar School</name>
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      <tag tagId="26789">
        <name>shade garden</name>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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                  <text>Seminole County Public Schools Collection</text>
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                  <text>SCPS Collection</text>
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              <name>Subject</name>
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                  <text>Seminole County (Fla.)</text>
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              <name>Description</name>
              <description/>
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                <elementText elementTextId="511313">
                  <text>Collection of digital images, documents, and other records depicting the educational history of Seminole County, Florida. Items from this collection are donated by the Student Museum and UCF Public History Center.&#13;
&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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                  <text>&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank"&gt;Student Museum and UCF Public History Center Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511317">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              </elementTextContainer>
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              <name>Language</name>
              <description/>
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                  <text>eng</text>
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              <name>Type</name>
              <description/>
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                  <text>Collection</text>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
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                  <text>Cameron City, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511321">
                  <text>Crooms Academy, Goldsoboro, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511322">
                  <text>Chuluota Primary School, Chuluota, Florida</text>
                </elementText>
                <elementText elementTextId="511323">
                  <text>East Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511324">
                  <text>Forest City School, Forest City, Altamonte Springs, Florida</text>
                </elementText>
                <elementText elementTextId="511325">
                  <text>Fort Reed, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511326">
                  <text>Gabriella Colored School, Gabriella, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511327">
                  <text>Geneva Colored School, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511328">
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                </elementText>
                <elementText elementTextId="511329">
                  <text>Georgetown, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511330">
                  <text>Goldsboro Primary School, Goldsboro, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511331">
                  <text>Hungerford School, Florida</text>
                </elementText>
                <elementText elementTextId="511332">
                  <text>Kolokee, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511333">
                  <text>Lake Howell High School, Winter Park, Florida</text>
                </elementText>
                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
                </elementText>
                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511336">
                  <text>Longwood School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511338">
                  <text>Lyman Elementary School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511340">
                  <text>Osceola School, Osceola, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511341">
                  <text>Oviedo Colored School, Curryville, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511342">
                  <text>Oviedo High School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511343">
                  <text>Oviedo School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
                </elementText>
                <elementText elementTextId="511345">
                  <text>Sanford Grammar School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511346">
                  <text>Sanford High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511347">
                  <text>Sanford Junior High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511348">
                  <text>Sanford Middle School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511349">
                  <text>Sanford Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511350">
                  <text>Seminole County Public Schools, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511351">
                  <text>Seminole High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511352">
                  <text>South Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511353">
                  <text>Student Museum, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511354">
                  <text>UCF Public History Center, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511355">
                  <text>Wagner Colored School, Florida</text>
                </elementText>
                <elementText elementTextId="511356">
                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511359">
                  <text>Cepero, Laura</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511361">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511362">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;&lt;span&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511363">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="117">
              <name>Accrual Method</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511366">
                  <text>Donation</text>
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          </elementContainer>
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      </elementSetContainer>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
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                <text>Tropical Garden at Sanford Grammar School</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="519739">
                <text>Garden at Sanford Grammar</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519740">
                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="519741">
                <text> Schools</text>
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                <text>Gardens--Florida</text>
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                <text>The Tropical Garden at Sanford Grammar School. Originally located at 301 West Seventh Street in Sanford, Florida, Sanford Grammar School was first established as Sanford High School in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students.</text>
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          <element elementId="48">
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="519747">
                <text>Original 6 x 4 inch color photograph: Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            <elementTextContainer>
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                <text>Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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              <elementText elementTextId="519749">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt; RICHES MI&lt;/a&gt;</text>
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                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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Florida was first inhabited by Paleo-Indians as early as 14,000 years ago. By the 16th century, several distinct Native American tribes inhabited present-day Florida, primarily  the Apalachee of the Panhandle, the Timucua of North and Central Florida), the Ais of the Central Atlantic Coast, the Tocobaga of the Tampa Bay area, the Calusa of Southwest Florida, and the Tequesta of the Southeast Florida.&#13;
&#13;
In 1513, Juan Ponce de León of Spain became the earliest known European explorer to arrive in Florida. During the 16th, 17th, 18th, and 19th centuries, Spanish, French, and English pioneers settled various parts of the states, though not all settlement were successful. Most of the region was owned by Spain, until it was ceded to the United States via the Adams–Onís Treaty of 1819. On March 3, 1845, Florida earned statehood. Florida was marred by nearly constant warfare with the Native Americans in the region, particularly with the Seminoles during the Seminole Wars.&#13;
&#13;
On January 10, 1861, Florida seceded from the Union and joined the Confederate States of American on January 20th. The state's participation in the Civil War revolved mostly around the transportation of goods via ships.&#13;
&#13;
On June 25, 1868, Florida regained its representation in Congress. During the Reconstruction period, Florida drafted a new state constitution, which included statues that effectively disenfranchised its African-American citizens, as well as many poor white citizens.&#13;
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Through much of its early history, Florida's economy relied heavily upon agriculture, especially citrus, cattle, sugarcane, tomatoes, and strawberries. Florida's tourism industry developed greatly with the economic prosperity of the 1920s. However, this was halted by devastating hurricanes in the second half of the decade, the Wall Street Crash of 1929, and the Great Depression. The economy would not fully recover until manufacturing was stimulated by World War II. As of 2014, Florida was the third most populous state in the country.</text>
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                  <text>"&lt;a href="http://dos.myflorida.com/florida-facts/florida-history/" target="_blank"&gt;Florida History&lt;/a&gt;." Florida Department of State. http://dos.myflorida.com/florida-facts/florida-history/.</text>
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                  <text>&lt;span&gt;Knotts, Bob. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/49672975" target="_blank"&gt;&lt;em&gt;Florida History&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Chicago: Heinemann Library, 2003.&lt;/span&gt;</text>
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                <text>&lt;em&gt;Florida’s Purge: The Johns Committee Witch Hunt&lt;/em&gt;, known colloquially as &lt;em&gt;The Committee&lt;/em&gt;, is a short film about the Florida Legislative Investigation Committee's investigation of communism and homosexuality amongst students and faculty at Florida colleges and universities. Commonly known as the Johns Committee, the committee was led by state senator and former governor Charley Eugene Johns (1905-1990). The committee was established in 1956 and originally focused on the investigation of the Florida Agricultural and Mechanical University, an historically African-American university, for its faculty's and staff's involvement of the Tallahassee Bus Boycott (1956-1957). However, as the committee expanded its McCarthy era anti-communist witch hunt, it came to focus on the homosexual lifestyles of many faculty members and students at colleges and universities. After growing public critique of the committee's activities, it was eventually disbanded on July 1, 1965. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;The Committee&lt;/em&gt; centers on the anti-homosexual investigations of the Johns Committee. The film was produced and directed by University of Central Florida professor Dr. Robert Cassanello and Dr. Lisa Mills. Other producers include Slyvana Fernández and Logan Kriete, and Monica Monticello serves as associate producer. The screenplay was written by Monica Monticello, Kathryn Paulson, and Amy Simpson, with research conducted by Alex Boyce and Shay Cambre. Ben Taylor and Alex Wood were the cinematographers and the arts and graphics were created by Patrick Fenelon and Adrien Mills. The film was edited by Aaron Hosé, with the aid of assistant editors Chelsea Echols and David Mariutto. &lt;em&gt;The Committee&lt;/em&gt; includes interviews with Ruth Jense-Forbell, a lesbian student interrogated by the Florida State University Police Department in 1964-1965; Chuck Woods, a homosexual student interrogated by the University of Florida Police Department while attending the university from 1959 to 1965; John Tileston, Sr., a UF police officer who investigated various faculty members and students, including Woods; Dr. Karen Graves, a professor of education at Denison University and the author of &lt;em&gt;And They Were Wonderful Teachers: Florida’s Purge of Gay and Lesbian Teachers&lt;/em&gt;; Dr. Judith Poucher, a professor at Florida State College at Jacksonville; Bob Graham, a graduate of UF, the 38th Governor of Florida (1979-1987), and former U.S. Senator for Florida (1987-2005); and Dr. Fred Fejes, a professor of multimedia studies at Florida Atlantic University. &lt;em&gt;Florida’s Purge: The Johns Committee Witch Hunt&lt;/em&gt; won various awards and accolades, including an Emmy Award.</text>
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                <text>Original 23-minute and 58-second motion picture produced by Dr. Robert Cassanello, Dr. Lisa Mills, Slyvana Fernández, and Logan Kriete: &lt;a href="http://www.thecommitteedocumentary.org/" target="_blank"&gt;&lt;em&gt;Florida's Purge: The Johns Committee Witch Hunt&lt;/em&gt;&lt;/a&gt;, &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;, Orlando, Florida, 2013.</text>
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                  <text>Madison (Fla.)</text>
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                  <text>Collection of photographs and ephemera donated by &lt;a title="Photo of Patricia Black" href="http://s2.postimg.org/4mpxwg2u1/P3212376.jpg"&gt;Patricia Ann Black&lt;/a&gt; (1956- ), the daughter of Pilgrim Black (1905-2002) and Lula Mae Haynes Black (1917-2007). &lt;br /&gt;&lt;br /&gt;Pilgrim was born in 1905, although some records list 1907 as his birth year. Pilgrim and Lula were migrant crew leaders, and thus migrated to Upstate New York in the summers and back to their home in Sanford, Florida, for the rest of the year. Pilgrim was the son of Harry Black (d. 1911) and Maggie Benjamin Black (ca. 1870-ca. 1934), who migrated to Sanford from South Carolina in the 1800s. Harry and Maggie had several children: Leckward Black, Mustar Black, Malachi Black, Leatha Black Walker (1889-1976), Pilgrim Black, Margaret Black Jones (1889-1976), and Harriett Black Lawson.&lt;br /&gt;&lt;br /&gt;In 1911, Harry owned a grocery store at 206 South Sanford Avenue. One day, he came home from work with pneumonia and passed away shortly thereafter. Pilgrim was nine years old when his father passed away. Maggie was the daughter of former slaves, Isaac Benjamin and Roseanna Benjamin, and the sister of Nathan Benjamin, Pledge Benjamin, Sam Benjamin, Louis Benjamin, Chainey Benjamin, Lara Benjamin, Melvina Benjamin, and Katie Benjamin. Pilgrim had to quit school at age 11 in order to provide for his mother, originally working in a mill house until he was 18 years old. After declining a management position, he traveled to Wayne County in Upstate New York to pick cherries, apples, pears, and other crops. He broke a bone after falling from an apple tree his first year and decided to try farm labor on a potato farm in Red Creek instead. Don Holdridge, the farmer who owned the land, noted Pilgrim's high rate of productivity and offered him a management position supervising up to 30 workers at once, which he accepted. Pilgrim also worked as a foreman in Sanford for Chase &amp;amp; Company for over 30 years. He married Lula in 1937 and they had several children together, including Vivian Louise Black (1940-), Lula Yvonne Black (1942-), Charles Samuel Black (1945-), Pilgrim Black, Jr. (ca.1947-), and Patricia. &lt;br /&gt;&lt;br /&gt;Patricia was born August 31, 1956, and grew up at the end of East Tenth Street in Sanford, Florida. She attended Hopper Elementary through sixth grade, Lakeview Middle School for seventh grade, Sanford Junior High School for eighth grade, Crooms High School for ninth grade, and Seminole High School through twelfth grade. She also attended school in the North Rose-Wolcott district each year while in New York. During fourth grade, integration began and parents were given the choice to have their children to attend other schools, but Patricia chose to continue attending an all-black school until she entered seventh grade in 1968 and began attending integrated schools. &lt;br /&gt;&lt;br /&gt;In June 1973, Patricia married her first husband, Clint Holt (1955- ); however, the couple quickly separated due to domestic violence and divorced around 1977. Patricia gave birth to her first child, Charmion Le'Antwinetta Holt in 1974. She also had three other children with William Bigham, Jr. (1952- ), who she was married to for 33 years: William Arthur Bigham III (1982- ), Brandon Oliver Black (1990- ), and Tempestt Teonte’ Black (1992- ). She lives in the family home built by her grandmother, Maggie Benjamin Black on East Tenth Street in Sanford. &lt;br /&gt;&lt;br /&gt;Patricia endured weekly molestation for 11n years from age six to age 17, and was raped at age seventeen while pregnant with Charmion. At age 29, Patricia became severely addicted to smoking cocaine. After seven years, Patricia was able to overcome her addiction and has maintained her sobriety for 21 years. Despite her traumatic experiences, Patricia has developed a devout relationship with God. While in recovery, Patricia refocused her attention on spreading her ministry of love by becoming a foster parent, serving as the Parent Representative of the Committee for Special Education (CSE), and serving on her local school board in the North Rose-Wolcott school district. &lt;br /&gt;&lt;br /&gt;Patricia also has owned her own business making incense and importing shea butter from Africa. She also became a licensed nail technician specializing in stress-relieving pedicures. As of 2009, Patricia is retired but still maintains some involvement in her business/ministry named GIFTED.</text>
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                  <text>Madison, Florida&#13;
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                  <text>Sanford, Florida</text>
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                  <text>Rochester, New York&#13;
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                  <text>Coles, Robert. &lt;a href="http://www.worldcat.org/oclc/67637" target="_blank"&gt;&lt;em&gt;Uprooted Children; The Early Life of Migrant Farm Workers&lt;/em&gt;&lt;/a&gt;. [Pittsburgh]: University of Pittsburgh Press, 1970.</text>
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                  <text>Piore, Michael J. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;Birds of Passage: Migrant Labor and Industrial Societies&lt;/em&gt;&lt;/a&gt; Cambridge: Cambridge University Press, 1979.</text>
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                  <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2009.</text>
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                <text>Georgetown Pathways to History Project Heritage Marker #3</text>
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                <text>Heritage Marker #3 of the Georgetown Pathways to History Project, which was developed by the Georgetown Heritage Advisory Committee with assistance from the Sanford Museum and Sanford Historical Society. Georgetown was established by the city's founder, Henry Shelton Sanford (1823-1891, as a suburb for African-American residents in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.&lt;br /&gt;&lt;br /&gt;Special thanks for Heritage Marker #3 was given to Patricia Ann Black (1956-), the daughter of Pilgrim Black (1905-2002) and Lula Mae Haynes Black (1917-2007). Her father, Pilgrim, was featured on the marker. Pilgrim was born in 1905, although some records list 1907 as his birth year. Pilgrim and Lula Mae Haynes (1917-2007) Black were migrant crew leaders, and thus migrated to Wayne County in Upstate New York in the summers and back to their home in Sanford for the rest of the year. Pilgrim was the son of Harry Black (d. 1911) and Maggie Benjamin Black (ca. 1870-ca. 1934), who migrated to Sanford from South Carolina in the 1800s. Harry and Maggie had several children: Leckward Black, Mustar Black, Malachi Black, Leatha Black Walker (1889-1976), Pilgrim Black, Margaret Black Jones (1889-1976), and Harriett Black Lawson. In 1911, Harry owned a grocery store at 206 South Sanford Avenue. One day, he came home from work with pneumonia and passed away shortly thereafter. Pilgrim was nine years old when his father passed away. Maggie was the daughter of former slaves, Isaac and Roseanna Benjamin, and the sister of Nathan Benjamin, Pledge Benjamin, Sam Benjamin, Loui Benjamin, Chainey Benjamin, Lara Benjamin, Melvina Benjamin, and Katie Benjamin. &lt;br /&gt;&lt;br /&gt;Pilgrim had to quit school at age 11 in order to provide for his mother, originally working in a mill house until he was 18 years old. After declining a management position, he traveled to Wayne County to pick cherries, apples, pears, and other crops. He broke a bone after falling from an apple tree his first year and decided to try farm labor on a potato farm in Red Creek, New York, instead. Don Holdridge, the farmer who owned the land, noted Pilgrim's high rate of productivity and offered him a management position supervising up to thirty workers at once, which he accepted. While in Sanford, Pilgrim also worked as a foreman in Sanford for Chase &amp;amp; Company for over 30 years. He married Lula in 1937 and they had several children together, including Vivian Louise Black (1940-); Lula Yvonne Black (1942-); Charles Samuel Black (1945-); Pilgrim Black, Jr. (ca. 1947-), and Patricia Ann Black.</text>
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                <text>Original color marker by the Georgetown Heritage Advisory Committee, 2014: &lt;a href="http://www.sanfordfl.gov/index.aspx?page=66" target="_blank"&gt;Department of Recreation&lt;/a&gt;, City of Sanford, Sanford, Florida.</text>
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              <elementText elementTextId="519618">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/72" target="_blank"&gt;Patricia Black Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <name>Coverage</name>
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                <text>Georgetown, Sanford, Florida</text>
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            <name>Creator</name>
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                <text>Georgetown Heritage Advisory Committee</text>
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            <name>Contributor</name>
            <description/>
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                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=66" target="_blank"&gt;Department of Recreation&lt;/a&gt;, City of Sanford</text>
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                <text>eng</text>
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                <text>History Teacher</text>
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                <text>Civics/Government Teacher</text>
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                <text>Economics Teacher</text>
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                <text>Geography Teacher</text>
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                <text>Originally created by the Georgetown Heritage Advisory Committee and published by the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=66" target="_blank"&gt;Department of Recreation&lt;/a&gt; of the City of Sanford.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=66" target="_blank"&gt;Department of Recreation&lt;/a&gt; of the City of Sanford and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Curator</name>
            <description/>
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                <text>Cepero, Laura</text>
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            <name>Digital Collection</name>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.sanfordfl.gov/" target="_blank"&gt;City of Sanford&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=20&amp;amp;recordid=3760" target="_blank"&gt;Sanford Avenue Streetscape Completion and Unveiling of Heritage Markers&lt;/a&gt;." Department of Recereation, City of Sanford Government. http://www.sanfordfl.gov/index.aspx?page=20&amp;amp;recordid=3760.</text>
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                <text>Delinski, Rachel. "&lt;a href="http://mysanfordherald.com/view/full_story/26115431/article-City-to-celebrate-completion-of-Sanford-Avenue?instance=home_news_bullets" target="_blank"&gt;City to celebrate completion of Sanford Avenue&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;, November 17, 2014. http://mysanfordherald.com/view/full_story/26115431/article-City-to-celebrate-completion-of-Sanford-Avenue?instance=home_news_bullets.</text>
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                <text>Carroquino, Carmen. "&lt;a href="http://www.myfoxorlando.com/story/26308142/sanford-avenue-reopens-after-29-million-makeover" target="_blank"&gt;Sanford Avenue reopens after $2.9 million makeover&lt;/a&gt;." &lt;em&gt;MyFox.Orlando.com&lt;/em&gt;, August 18, 2014. http://www.myfoxorlando.com/story/26308142/sanford-avenue-reopens-after-29-million-makeover.</text>
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                  <text>Chase and Company (Sanford, Fla.)</text>
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                  <text>Madison (Fla.)</text>
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                  <text>Houses and homes</text>
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                  <text>Rochester (N.Y.)</text>
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                  <text>Collection of photographs and ephemera donated by &lt;a title="Photo of Patricia Black" href="http://s2.postimg.org/4mpxwg2u1/P3212376.jpg"&gt;Patricia Ann Black&lt;/a&gt; (1956- ), the daughter of Pilgrim Black (1905-2002) and Lula Mae Haynes Black (1917-2007). &lt;br /&gt;&lt;br /&gt;Pilgrim was born in 1905, although some records list 1907 as his birth year. Pilgrim and Lula were migrant crew leaders, and thus migrated to Upstate New York in the summers and back to their home in Sanford, Florida, for the rest of the year. Pilgrim was the son of Harry Black (d. 1911) and Maggie Benjamin Black (ca. 1870-ca. 1934), who migrated to Sanford from South Carolina in the 1800s. Harry and Maggie had several children: Leckward Black, Mustar Black, Malachi Black, Leatha Black Walker (1889-1976), Pilgrim Black, Margaret Black Jones (1889-1976), and Harriett Black Lawson.&lt;br /&gt;&lt;br /&gt;In 1911, Harry owned a grocery store at 206 South Sanford Avenue. One day, he came home from work with pneumonia and passed away shortly thereafter. Pilgrim was nine years old when his father passed away. Maggie was the daughter of former slaves, Isaac Benjamin and Roseanna Benjamin, and the sister of Nathan Benjamin, Pledge Benjamin, Sam Benjamin, Louis Benjamin, Chainey Benjamin, Lara Benjamin, Melvina Benjamin, and Katie Benjamin. Pilgrim had to quit school at age 11 in order to provide for his mother, originally working in a mill house until he was 18 years old. After declining a management position, he traveled to Wayne County in Upstate New York to pick cherries, apples, pears, and other crops. He broke a bone after falling from an apple tree his first year and decided to try farm labor on a potato farm in Red Creek instead. Don Holdridge, the farmer who owned the land, noted Pilgrim's high rate of productivity and offered him a management position supervising up to 30 workers at once, which he accepted. Pilgrim also worked as a foreman in Sanford for Chase &amp;amp; Company for over 30 years. He married Lula in 1937 and they had several children together, including Vivian Louise Black (1940-), Lula Yvonne Black (1942-), Charles Samuel Black (1945-), Pilgrim Black, Jr. (ca.1947-), and Patricia. &lt;br /&gt;&lt;br /&gt;Patricia was born August 31, 1956, and grew up at the end of East Tenth Street in Sanford, Florida. She attended Hopper Elementary through sixth grade, Lakeview Middle School for seventh grade, Sanford Junior High School for eighth grade, Crooms High School for ninth grade, and Seminole High School through twelfth grade. She also attended school in the North Rose-Wolcott district each year while in New York. During fourth grade, integration began and parents were given the choice to have their children to attend other schools, but Patricia chose to continue attending an all-black school until she entered seventh grade in 1968 and began attending integrated schools. &lt;br /&gt;&lt;br /&gt;In June 1973, Patricia married her first husband, Clint Holt (1955- ); however, the couple quickly separated due to domestic violence and divorced around 1977. Patricia gave birth to her first child, Charmion Le'Antwinetta Holt in 1974. She also had three other children with William Bigham, Jr. (1952- ), who she was married to for 33 years: William Arthur Bigham III (1982- ), Brandon Oliver Black (1990- ), and Tempestt Teonte’ Black (1992- ). She lives in the family home built by her grandmother, Maggie Benjamin Black on East Tenth Street in Sanford. &lt;br /&gt;&lt;br /&gt;Patricia endured weekly molestation for 11n years from age six to age 17, and was raped at age seventeen while pregnant with Charmion. At age 29, Patricia became severely addicted to smoking cocaine. After seven years, Patricia was able to overcome her addiction and has maintained her sobriety for 21 years. Despite her traumatic experiences, Patricia has developed a devout relationship with God. While in recovery, Patricia refocused her attention on spreading her ministry of love by becoming a foster parent, serving as the Parent Representative of the Committee for Special Education (CSE), and serving on her local school board in the North Rose-Wolcott school district. &lt;br /&gt;&lt;br /&gt;Patricia also has owned her own business making incense and importing shea butter from Africa. She also became a licensed nail technician specializing in stress-relieving pedicures. As of 2009, Patricia is retired but still maintains some involvement in her business/ministry named GIFTED.</text>
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                  <text>Black, Patricia Ann</text>
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                  <text>Madison, Florida&#13;
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                <elementText elementTextId="412369">
                  <text>Sanford, Florida</text>
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                  <text>Rochester, New York&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                  <text>Coles, Robert. &lt;a href="http://www.worldcat.org/oclc/67637" target="_blank"&gt;&lt;em&gt;Uprooted Children; The Early Life of Migrant Farm Workers&lt;/em&gt;&lt;/a&gt;. [Pittsburgh]: University of Pittsburgh Press, 1970.</text>
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                  <text>Piore, Michael J. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;Birds of Passage: Migrant Labor and Industrial Societies&lt;/em&gt;&lt;/a&gt; Cambridge: Cambridge University Press, 1979.</text>
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                  <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2009.</text>
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                <text>Sanford Avenue Streetscape Completion and Unveiling of Heritage Marker Ceremony Invitation</text>
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                <text>An invitation to a ceremony commemorating the completion of the Sanford Avenue Streetscape and the unveiling of several heritage markers. The unveiling of the heritage markers was held in Paulucci Park, located at the southwest corner of First Street and Palmetto Avenue in Sanford, Florida, on November 20, 2014. Patricia Ann Black (1956- ), who can be seen wearing red in the photograph, was given special thanks for Heritage Marker # 3, which featured her father, Pilgrim Black (1905-2002). Jeff Triplett, the Mayor of Sanford, can be seen standing to the right of the podium.&lt;br /&gt;&lt;br /&gt;The ceremony was followed by a presentation of the Georgetown Pathways to History Project at the Historic Sanford Welcome Center, locate at 230 East First Street. Pathways to History is a program created by Christine Dalton, Historic Preservation Office for the City of Sanford. The programs consists of eight themed tours showcasing the history and development of Sanford. The event also included a guided tour of Sanford Avenue, which had been the subject of a $3 million streetscaping project, and a reception at the Welcome Center, hosted by the Sanford Community Redevelopment Agency. The Georgetown Pathways to History Project was developed by the Georgetown Heritage Advisory Committee with assistance from the Sanford Museum and Sanford Historical Society. Georgetown was established by the city's founder, Henry Shelton Sanford (1823-1891), as a suburb for African-American residents in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                <text>Original 2-page invitation by the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=427" target="_blank"&gt;Sanford Community Redevelopment Agency&lt;/a&gt;, 2014.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/72" target="_blank"&gt;Patricia Black Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original 2-page invitation by the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=427" target="_blank"&gt;Sanford Community Redevelopment Agency&lt;/a&gt;, 2014.</text>
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                <text>Palucci Park, Sanford, Florida</text>
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                <text>Historic Sanford Welcome Center, Sanford, Florida</text>
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                <text>Georgetown Heritage Advisory Committee</text>
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            <name>Contributor</name>
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                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=66" target="_blank"&gt;Department of Recreation&lt;/a&gt;, City of Sanford</text>
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            <name>Language</name>
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            <name>Mediator</name>
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                <text>History Teacher</text>
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                <text>Civics/Government Teacher</text>
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                <text>Economics Teacher</text>
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                <text>Originally created by the Georgetown Heritage Advisory Committee and published by the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=66" target="_blank"&gt;Department of Recreation&lt;/a&gt; of the City of Sanford.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=66" target="_blank"&gt;Department of Recreation&lt;/a&gt; of the City of Sanford and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Curator</name>
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              <elementText elementTextId="519598">
                <text>Cepero, Laura</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
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              <elementText elementTextId="519599">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
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                <text>&lt;a href="http://www.sanfordfl.gov/" target="_blank"&gt;City of Sanford&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519601">
                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=20&amp;amp;recordid=3760" target="_blank"&gt;Sanford Avenue Streetscape Completion and Unveiling of Heritage Markers&lt;/a&gt;." Department of Recereation, City of Sanford Government. http://www.sanfordfl.gov/index.aspx?page=20&amp;amp;recordid=3760.</text>
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              <elementText elementTextId="519602">
                <text>Delinski, Rachel. "&lt;a href="http://mysanfordherald.com/view/full_story/26115431/article-City-to-celebrate-completion-of-Sanford-Avenue?instance=home_news_bullets" target="_blank"&gt;City to celebrate completion of Sanford Avenue&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;, November 17, 2014. http://mysanfordherald.com/view/full_story/26115431/article-City-to-celebrate-completion-of-Sanford-Avenue?instance=home_news_bullets.</text>
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              <elementText elementTextId="519603">
                <text>Carroquino, Carmen. "&lt;a href="http://www.myfoxorlando.com/story/26308142/sanford-avenue-reopens-after-29-million-makeover" target="_blank"&gt;Sanford Avenue reopens after $2.9 million makeover&lt;/a&gt;." &lt;em&gt;MyFox.Orlando.com&lt;/em&gt;, August 18, 2014. http://www.myfoxorlando.com/story/26308142/sanford-avenue-reopens-after-29-million-makeover.</text>
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              <elementText elementTextId="519604">
                <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2009.</text>
              </elementText>
              <elementText elementTextId="519605">
                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.</text>
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          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="618003">
                <text>SANFORD&#13;
COMMUNITY&#13;
REDEVELOPMENT&#13;
AGENCY&#13;
&#13;
Let's Celebrate!&#13;
&#13;
You are invited to celebrate the completion of the Sanford Avenue Streetscape and the unveiling of Georgetown Heritage Markers on Thursday, November 20, 2014&#13;
&#13;
4:30PM Univelling of Heritage Markers in Paulucci Park (Southwest corner of 1st Street and Palmetto Avenue)&#13;
&#13;
5:30PM Presentation of Georgetown Pathways to History Project at the Historic Sanford Welcome Center (230 E. 1st Street)&#13;
&#13;
7:00PM Guided tour of Sanford Avenue heritage marker locations, departing from the Welcome Center&#13;
&#13;
All activities are free and open to the public. Food and refreshments will be provided at the Historic Sanford Welcome Center during the presentation/reception, sponsored by the Sanford Community Redevelopment Agency.</text>
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        <name>1st Street</name>
      </tag>
      <tag tagId="1027">
        <name>African Americans</name>
      </tag>
      <tag tagId="278">
        <name>First Street</name>
      </tag>
      <tag tagId="1025">
        <name>Georgetown</name>
      </tag>
      <tag tagId="19783">
        <name>Georgetown Pathways to History Project</name>
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      <tag tagId="1026">
        <name>Historic Markers</name>
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      <tag tagId="7017">
        <name>Historic Sanford Welcome Center</name>
      </tag>
      <tag tagId="339">
        <name>Palmetto Avenue</name>
      </tag>
      <tag tagId="32381">
        <name>Patricia Ann Black</name>
      </tag>
      <tag tagId="32382">
        <name>Patricia Ann Black Bigham</name>
      </tag>
      <tag tagId="19781">
        <name>Paulucci Park</name>
      </tag>
      <tag tagId="400">
        <name>Sanford</name>
      </tag>
      <tag tagId="396">
        <name>Sanford Avenue</name>
      </tag>
      <tag tagId="19782">
        <name>Sanford Avenue Streetscape</name>
      </tag>
      <tag tagId="19788">
        <name>Sanford Community Redevelopment Agency</name>
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              <description/>
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                  <text>Patricia Black Collection</text>
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            </element>
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              <name>Alternative Title</name>
              <description/>
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                  <text>Black Collection</text>
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              <name>Subject</name>
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                  <text>Sanford (Fla.)</text>
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                <elementText elementTextId="412353">
                  <text>Migrant workers</text>
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                  <text>Agricultural laborers--Florida</text>
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                <elementText elementTextId="412355">
                  <text>Migration, Internal--United States</text>
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                  <text>Farm laborers</text>
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                <elementText elementTextId="412357">
                  <text>Upstate New York (N.Y.)</text>
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                <elementText elementTextId="412358">
                  <text>Chase and Company (Sanford, Fla.)</text>
                </elementText>
                <elementText elementTextId="412359">
                  <text>Madison (Fla.)</text>
                </elementText>
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                  <text>Houses and homes</text>
                </elementText>
                <elementText elementTextId="412361">
                  <text>Rochester (N.Y.)</text>
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                  <text>Collection of photographs and ephemera donated by &lt;a title="Photo of Patricia Black" href="http://s2.postimg.org/4mpxwg2u1/P3212376.jpg"&gt;Patricia Ann Black&lt;/a&gt; (1956- ), the daughter of Pilgrim Black (1905-2002) and Lula Mae Haynes Black (1917-2007). &lt;br /&gt;&lt;br /&gt;Pilgrim was born in 1905, although some records list 1907 as his birth year. Pilgrim and Lula were migrant crew leaders, and thus migrated to Upstate New York in the summers and back to their home in Sanford, Florida, for the rest of the year. Pilgrim was the son of Harry Black (d. 1911) and Maggie Benjamin Black (ca. 1870-ca. 1934), who migrated to Sanford from South Carolina in the 1800s. Harry and Maggie had several children: Leckward Black, Mustar Black, Malachi Black, Leatha Black Walker (1889-1976), Pilgrim Black, Margaret Black Jones (1889-1976), and Harriett Black Lawson.&lt;br /&gt;&lt;br /&gt;In 1911, Harry owned a grocery store at 206 South Sanford Avenue. One day, he came home from work with pneumonia and passed away shortly thereafter. Pilgrim was nine years old when his father passed away. Maggie was the daughter of former slaves, Isaac Benjamin and Roseanna Benjamin, and the sister of Nathan Benjamin, Pledge Benjamin, Sam Benjamin, Louis Benjamin, Chainey Benjamin, Lara Benjamin, Melvina Benjamin, and Katie Benjamin. Pilgrim had to quit school at age 11 in order to provide for his mother, originally working in a mill house until he was 18 years old. After declining a management position, he traveled to Wayne County in Upstate New York to pick cherries, apples, pears, and other crops. He broke a bone after falling from an apple tree his first year and decided to try farm labor on a potato farm in Red Creek instead. Don Holdridge, the farmer who owned the land, noted Pilgrim's high rate of productivity and offered him a management position supervising up to 30 workers at once, which he accepted. Pilgrim also worked as a foreman in Sanford for Chase &amp;amp; Company for over 30 years. He married Lula in 1937 and they had several children together, including Vivian Louise Black (1940-), Lula Yvonne Black (1942-), Charles Samuel Black (1945-), Pilgrim Black, Jr. (ca.1947-), and Patricia. &lt;br /&gt;&lt;br /&gt;Patricia was born August 31, 1956, and grew up at the end of East Tenth Street in Sanford, Florida. She attended Hopper Elementary through sixth grade, Lakeview Middle School for seventh grade, Sanford Junior High School for eighth grade, Crooms High School for ninth grade, and Seminole High School through twelfth grade. She also attended school in the North Rose-Wolcott district each year while in New York. During fourth grade, integration began and parents were given the choice to have their children to attend other schools, but Patricia chose to continue attending an all-black school until she entered seventh grade in 1968 and began attending integrated schools. &lt;br /&gt;&lt;br /&gt;In June 1973, Patricia married her first husband, Clint Holt (1955- ); however, the couple quickly separated due to domestic violence and divorced around 1977. Patricia gave birth to her first child, Charmion Le'Antwinetta Holt in 1974. She also had three other children with William Bigham, Jr. (1952- ), who she was married to for 33 years: William Arthur Bigham III (1982- ), Brandon Oliver Black (1990- ), and Tempestt Teonte’ Black (1992- ). She lives in the family home built by her grandmother, Maggie Benjamin Black on East Tenth Street in Sanford. &lt;br /&gt;&lt;br /&gt;Patricia endured weekly molestation for 11n years from age six to age 17, and was raped at age seventeen while pregnant with Charmion. At age 29, Patricia became severely addicted to smoking cocaine. After seven years, Patricia was able to overcome her addiction and has maintained her sobriety for 21 years. Despite her traumatic experiences, Patricia has developed a devout relationship with God. While in recovery, Patricia refocused her attention on spreading her ministry of love by becoming a foster parent, serving as the Parent Representative of the Committee for Special Education (CSE), and serving on her local school board in the North Rose-Wolcott school district. &lt;br /&gt;&lt;br /&gt;Patricia also has owned her own business making incense and importing shea butter from Africa. She also became a licensed nail technician specializing in stress-relieving pedicures. As of 2009, Patricia is retired but still maintains some involvement in her business/ministry named GIFTED.</text>
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              <name>Contributor</name>
              <description/>
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                  <text>Black, Patricia Ann</text>
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            </element>
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              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="412366">
                  <text>eng</text>
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            </element>
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              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="412367">
                  <text>Collection</text>
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            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="412368">
                  <text>Madison, Florida&#13;
</text>
                </elementText>
                <elementText elementTextId="412369">
                  <text>Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="412370">
                  <text>Rochester, New York&#13;
</text>
                </elementText>
                <elementText elementTextId="412371">
                  <text>Wayne County, New York&#13;
</text>
                </elementText>
                <elementText elementTextId="412372">
                  <text>Wolcott, New York</text>
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            <element elementId="117">
              <name>Accrual Method</name>
              <description/>
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                <elementText elementTextId="412379">
                  <text>Donation</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
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                <elementText elementTextId="412381">
                  <text>Cepero, Laura</text>
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              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="412382">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511298">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511299">
                  <text>Private Collection of Patricia Ann Black</text>
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              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511300">
                  <text>Coles, Robert. &lt;a href="http://www.worldcat.org/oclc/67637" target="_blank"&gt;&lt;em&gt;Uprooted Children; The Early Life of Migrant Farm Workers&lt;/em&gt;&lt;/a&gt;. [Pittsburgh]: University of Pittsburgh Press, 1970.</text>
                </elementText>
                <elementText elementTextId="511301">
                  <text>Piore, Michael J. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;Birds of Passage: Migrant Labor and Industrial Societies&lt;/em&gt;&lt;/a&gt; Cambridge: Cambridge University Press, 1979.</text>
                </elementText>
                <elementText elementTextId="511302">
                  <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2009.</text>
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              </elementTextContainer>
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        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519532">
                <text>Georgetown Heritage Advisory Committee at the Sanford Avenue Streetscape Completion and Unveiling of Heritage Marker Ceremony</text>
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          </element>
          <element elementId="86">
            <name>Alternative Title</name>
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            <elementTextContainer>
              <elementText elementTextId="519533">
                <text>Georgetown Heritage Advisory Committee and Heritage Marker #3</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
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              <elementText elementTextId="519534">
                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="519535">
                <text>Georgetown (Sanford, Fla.)</text>
              </elementText>
              <elementText elementTextId="519536">
                <text>African Americans--Florida</text>
              </elementText>
              <elementText elementTextId="519537">
                <text>Historical markers--Florida</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519539">
                <text>The Georgetown Heritage Advisory Committee a the ceremony commemorating the completion of the Sanford Avenue Streetscape and the unveiling of several heritage markers. The unveiling of the heritage markers was held in Paulucci Park, located at the southwest corner of First Street and Palmetto Avenue in Sanford, Florida, on November 20, 2014. Pictured in the photographs, from left to right, are Dr. Stephen Caldwell Wright, Bette Robinson, Ollie Williams, Christine Dalton, Patricia Ann Black, and Christine Kinlaw-Best.&lt;br /&gt;&lt;br /&gt;Special thanks for Heritage Marker #3 was given to Patricia Black (1956- ). Her father, Pilgrim Black (1905-2002), was featured on the marker. Pilgrim was born in 1905, although some records list 1907 as his birth year. Pilgrim and Lula Mae Haynes (1917-2007) Black were migrant crew leaders, and thus migrated to Wayne County in Upstate New York in the summers and back to their home in Sanford for the rest of the year. Pilgrim was the son of Harry Black (d. 1911) and Maggie Benjamin Black (ca. 1870-ca. 1934), who migrated to Sanford from South Carolina in the 1800s. Harry and Maggie had several children: Leckward Black, Mustar Black, Malachi Black, Leatha Black Walker (1889-1976), Pilgrim Black, Margaret Black Jones (1889-1976), and Harriett Black Lawson. In 1911, Harry owned a grocery store at 206 South Sanford Avenue. One day, he came home from work with pneumonia and passed away shortly thereafter. Pilgrim was nine years old when his father passed away. Maggie was the daughter of former slaves, Isaac and Roseanna Benjamin, and the sister of Nathan Benjamin, Pledge Benjamin, Sam Benjamin, Loui Benjamin, Chainey Benjamin, Lara Benjamin, Melvina Benjamin, and Katie Benjamin. &lt;br /&gt;&lt;br /&gt; Pilgrim had to quit school at age 11 in order to provide for his mother, originally working in a mill house until he was 18 years old. After declining a management position, he traveled to Wayne County to pick cherries, apples, pears, and other crops. He broke a bone after falling from an apple tree his first year and decided to try farm labor on a potato farm in Red Creek, New York, instead. Don Holdridge, the farmer who owned the land, noted Pilgrim's high rate of productivity and offered him a management position supervising up to thirty workers at once, which he accepted. While in Sanford, Pilgrim also worked as a foreman in Sanford for Chase &amp;amp; Company for over 30 years. He married Lula in 1937 and they had several children together, including Vivian Louise Black (1940-); Lula Yvonne Black (1942-); Charles Samuel Black (1945-); Pilgrim Black, Jr. (ca. 1947-), and Patricia Ann Black (1956-).</text>
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            <description/>
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          <element elementId="48">
            <name>Source</name>
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            <elementTextContainer>
              <elementText elementTextId="519542">
                <text>Original color digital images by Connie L. Lester, November 20, 2014.</text>
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            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519543">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/72" target="_blank"&gt;Patricia Black Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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          <element elementId="38">
            <name>Coverage</name>
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                <text>Georgetown, Sanford, Florida</text>
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            <name>Creator</name>
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                <text>Lester, Connie L.</text>
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            <name>Date Created</name>
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                <text>2014-11-20</text>
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            <name>Format</name>
            <description/>
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            <name>Medium</name>
            <description/>
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          <element elementId="44">
            <name>Language</name>
            <description/>
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              <elementText elementTextId="519552">
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
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                <text>History Teacher</text>
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              <elementText elementTextId="519554">
                <text>Geography Teacher</text>
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          </element>
          <element elementId="124">
            <name>Provenance</name>
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              <elementText elementTextId="519555">
                <text>Originally created by Connie L. Lester.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519556">
                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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            <name>Accrual Method</name>
            <description/>
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          <element elementId="133">
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          <element elementId="134">
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="519559">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>Source Repository</name>
            <description/>
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                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=20&amp;amp;recordid=3760" target="_blank"&gt;Sanford Avenue Streetscape Completion and Unveiling of Heritage Markers&lt;/a&gt;." Department of Recereation, City of Sanford Government. http://www.sanfordfl.gov/index.aspx?page=20&amp;amp;recordid=3760.</text>
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                <text>Delinski, Rachel. "&lt;a href="http://mysanfordherald.com/view/full_story/26115431/article-City-to-celebrate-completion-of-Sanford-Avenue?instance=home_news_bullets" target="_blank"&gt;City to celebrate completion of Sanford Avenue&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;, November 17, 2014. http://mysanfordherald.com/view/full_story/26115431/article-City-to-celebrate-completion-of-Sanford-Avenue?instance=home_news_bullets.</text>
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                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.</text>
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        <name>African Americans</name>
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      <tag tagId="44055">
        <name>Bette Robinson</name>
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      <tag tagId="44054">
        <name>Christine Dalton</name>
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      <tag tagId="6882">
        <name>Christine Kinlaw-Best</name>
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        <name>First Street</name>
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        <name>Georgetown Pathways to History Project</name>
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        <name>Historic Sanford Welcome Center</name>
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        <name>Ollie Williams</name>
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        <name>Palmetto Avenue</name>
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        <name>Patricia Ann Black</name>
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      <tag tagId="32382">
        <name>Patricia Ann Black Bigham</name>
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        <name>Paulucci Park</name>
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      <tag tagId="32388">
        <name>Pilgrim Black</name>
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        <name>Robinson, Bette</name>
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                  <text>Chase and Company (Sanford, Fla.)</text>
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                  <text>Madison (Fla.)</text>
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                  <text>Collection of photographs and ephemera donated by &lt;a title="Photo of Patricia Black" href="http://s2.postimg.org/4mpxwg2u1/P3212376.jpg"&gt;Patricia Ann Black&lt;/a&gt; (1956- ), the daughter of Pilgrim Black (1905-2002) and Lula Mae Haynes Black (1917-2007). &lt;br /&gt;&lt;br /&gt;Pilgrim was born in 1905, although some records list 1907 as his birth year. Pilgrim and Lula were migrant crew leaders, and thus migrated to Upstate New York in the summers and back to their home in Sanford, Florida, for the rest of the year. Pilgrim was the son of Harry Black (d. 1911) and Maggie Benjamin Black (ca. 1870-ca. 1934), who migrated to Sanford from South Carolina in the 1800s. Harry and Maggie had several children: Leckward Black, Mustar Black, Malachi Black, Leatha Black Walker (1889-1976), Pilgrim Black, Margaret Black Jones (1889-1976), and Harriett Black Lawson.&lt;br /&gt;&lt;br /&gt;In 1911, Harry owned a grocery store at 206 South Sanford Avenue. One day, he came home from work with pneumonia and passed away shortly thereafter. Pilgrim was nine years old when his father passed away. Maggie was the daughter of former slaves, Isaac Benjamin and Roseanna Benjamin, and the sister of Nathan Benjamin, Pledge Benjamin, Sam Benjamin, Louis Benjamin, Chainey Benjamin, Lara Benjamin, Melvina Benjamin, and Katie Benjamin. Pilgrim had to quit school at age 11 in order to provide for his mother, originally working in a mill house until he was 18 years old. After declining a management position, he traveled to Wayne County in Upstate New York to pick cherries, apples, pears, and other crops. He broke a bone after falling from an apple tree his first year and decided to try farm labor on a potato farm in Red Creek instead. Don Holdridge, the farmer who owned the land, noted Pilgrim's high rate of productivity and offered him a management position supervising up to 30 workers at once, which he accepted. Pilgrim also worked as a foreman in Sanford for Chase &amp;amp; Company for over 30 years. He married Lula in 1937 and they had several children together, including Vivian Louise Black (1940-), Lula Yvonne Black (1942-), Charles Samuel Black (1945-), Pilgrim Black, Jr. (ca.1947-), and Patricia. &lt;br /&gt;&lt;br /&gt;Patricia was born August 31, 1956, and grew up at the end of East Tenth Street in Sanford, Florida. She attended Hopper Elementary through sixth grade, Lakeview Middle School for seventh grade, Sanford Junior High School for eighth grade, Crooms High School for ninth grade, and Seminole High School through twelfth grade. She also attended school in the North Rose-Wolcott district each year while in New York. During fourth grade, integration began and parents were given the choice to have their children to attend other schools, but Patricia chose to continue attending an all-black school until she entered seventh grade in 1968 and began attending integrated schools. &lt;br /&gt;&lt;br /&gt;In June 1973, Patricia married her first husband, Clint Holt (1955- ); however, the couple quickly separated due to domestic violence and divorced around 1977. Patricia gave birth to her first child, Charmion Le'Antwinetta Holt in 1974. She also had three other children with William Bigham, Jr. (1952- ), who she was married to for 33 years: William Arthur Bigham III (1982- ), Brandon Oliver Black (1990- ), and Tempestt Teonte’ Black (1992- ). She lives in the family home built by her grandmother, Maggie Benjamin Black on East Tenth Street in Sanford. &lt;br /&gt;&lt;br /&gt;Patricia endured weekly molestation for 11n years from age six to age 17, and was raped at age seventeen while pregnant with Charmion. At age 29, Patricia became severely addicted to smoking cocaine. After seven years, Patricia was able to overcome her addiction and has maintained her sobriety for 21 years. Despite her traumatic experiences, Patricia has developed a devout relationship with God. While in recovery, Patricia refocused her attention on spreading her ministry of love by becoming a foster parent, serving as the Parent Representative of the Committee for Special Education (CSE), and serving on her local school board in the North Rose-Wolcott school district. &lt;br /&gt;&lt;br /&gt;Patricia also has owned her own business making incense and importing shea butter from Africa. She also became a licensed nail technician specializing in stress-relieving pedicures. As of 2009, Patricia is retired but still maintains some involvement in her business/ministry named GIFTED.</text>
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                  <text>Black, Patricia Ann</text>
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              <name>Language</name>
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                  <text>Rochester, New York&#13;
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="412382">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                  <text>Private Collection of Patricia Ann Black</text>
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              <description/>
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                  <text>Coles, Robert. &lt;a href="http://www.worldcat.org/oclc/67637" target="_blank"&gt;&lt;em&gt;Uprooted Children; The Early Life of Migrant Farm Workers&lt;/em&gt;&lt;/a&gt;. [Pittsburgh]: University of Pittsburgh Press, 1970.</text>
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                  <text>Piore, Michael J. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;Birds of Passage: Migrant Labor and Industrial Societies&lt;/em&gt;&lt;/a&gt; Cambridge: Cambridge University Press, 1979.</text>
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                  <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2009.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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                <text>Special Thanks to Patricia Ann Black at the Sanford Avenue Streetscape Completion and Unveiling of Heritage Marker Ceremony</text>
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                <text>Patricia Black and Heritage Marker #3</text>
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                <text>Special thanks being given to Patricia Ann Black (1956- ), who can be seen wearing red in the photographs, at a ceremony commemorating the completion of the Sanford Avenue Streetscape and the unveiling of several heritage markers. The unveiling of the heritage markers was held in Paulucci Park, located at the southwest corner of First Street and Palmetto Avenue in Sanford, Florida, on November 20, 2014. Sanford Mayor Jeff Triplett is seen standing in the center of the photographs.&lt;br /&gt;&lt;br /&gt;Black's father, Pilgrim Black (1905-2002), was featured on the Heritage Marker #3. Pilgrim Black was born in 1905, although some records list 1907 as his birth year. Pilgrim and Lula Mae Haynes (1917-2007) Black were migrant crew leaders, and thus migrated to Wayne County in Upstate New York in the summers and back to their home in Sanford for the rest of the year. Pilgrim was the son of Harry Black (d. 1911) and Maggie Benjamin Black (ca. 1870-ca. 1934), who migrated to Sanford from South Carolina in the 1800s. Harry and Maggie had several children: Leckward Black, Mustar Black, Malachi Black, Leatha Black Walker (1889-1976), Pilgrim Black, Margaret Black Jones (1889-1976), and Harriett Black Lawson. In 1911, Harry owned a grocery store at 206 South Sanford Avenue. One day, he came home from work with pneumonia and passed away shortly thereafter. Pilgrim was nine years old when his father passed away. Maggie was the daughter of former slaves, Isaac and Roseanna Benjamin, and the sister of Nathan Benjamin, Pledge Benjamin, Sam Benjamin, Loui Benjamin, Chainey Benjamin, Lara Benjamin, Melvina Benjamin, and Katie Benjamin. &lt;br /&gt;&lt;br /&gt; Pilgrim had to quit school at age 11 in order to provide for his mother, originally working in a mill house until he was 18 years old. After declining a management position, he traveled to Wayne County to pick cherries, apples, pears, and other crops. He broke a bone after falling from an apple tree his first year and decided to try farm labor on a potato farm in Red Creek, New York, instead. Don Holdridge, the farmer who owned the land, noted Pilgrim's high rate of productivity and offered him a management position supervising up to thirty workers at once, which he accepted. While in Sanford, Pilgrim also worked as a foreman in Sanford for Chase &amp;amp; Company for over 30 years. He married Lula in 1937 and they had several children together, including Vivian Louise Black (1940-); Lula Yvonne Black (1942-); Charles Samuel Black (1945-); Pilgrim Black, Jr. (ca. 1947-), and Patricia Ann Black.</text>
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                <text>Original color digital images by Connie L. Lester, November 20, 2014.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/72" target="_blank"&gt;Patricia Black Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Georgetown, Sanford, Florida</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=20&amp;amp;recordid=3760" target="_blank"&gt;Sanford Avenue Streetscape Completion and Unveiling of Heritage Markers&lt;/a&gt;." Department of Recereation, City of Sanford Government. http://www.sanfordfl.gov/index.aspx?page=20&amp;amp;recordid=3760.</text>
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                <text>Delinski, Rachel. "&lt;a href="http://mysanfordherald.com/view/full_story/26115431/article-City-to-celebrate-completion-of-Sanford-Avenue?instance=home_news_bullets" target="_blank"&gt;City to celebrate completion of Sanford Avenue&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;, November 17, 2014. http://mysanfordherald.com/view/full_story/26115431/article-City-to-celebrate-completion-of-Sanford-Avenue?instance=home_news_bullets.</text>
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                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.</text>
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        <name>Patricia Ann Black</name>
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        <name>Patricia Ann Black Bigham</name>
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                  <text>Madison (Fla.)</text>
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                  <text>Collection of photographs and ephemera donated by &lt;a title="Photo of Patricia Black" href="http://s2.postimg.org/4mpxwg2u1/P3212376.jpg"&gt;Patricia Ann Black&lt;/a&gt; (1956- ), the daughter of Pilgrim Black (1905-2002) and Lula Mae Haynes Black (1917-2007). &lt;br /&gt;&lt;br /&gt;Pilgrim was born in 1905, although some records list 1907 as his birth year. Pilgrim and Lula were migrant crew leaders, and thus migrated to Upstate New York in the summers and back to their home in Sanford, Florida, for the rest of the year. Pilgrim was the son of Harry Black (d. 1911) and Maggie Benjamin Black (ca. 1870-ca. 1934), who migrated to Sanford from South Carolina in the 1800s. Harry and Maggie had several children: Leckward Black, Mustar Black, Malachi Black, Leatha Black Walker (1889-1976), Pilgrim Black, Margaret Black Jones (1889-1976), and Harriett Black Lawson.&lt;br /&gt;&lt;br /&gt;In 1911, Harry owned a grocery store at 206 South Sanford Avenue. One day, he came home from work with pneumonia and passed away shortly thereafter. Pilgrim was nine years old when his father passed away. Maggie was the daughter of former slaves, Isaac Benjamin and Roseanna Benjamin, and the sister of Nathan Benjamin, Pledge Benjamin, Sam Benjamin, Louis Benjamin, Chainey Benjamin, Lara Benjamin, Melvina Benjamin, and Katie Benjamin. Pilgrim had to quit school at age 11 in order to provide for his mother, originally working in a mill house until he was 18 years old. After declining a management position, he traveled to Wayne County in Upstate New York to pick cherries, apples, pears, and other crops. He broke a bone after falling from an apple tree his first year and decided to try farm labor on a potato farm in Red Creek instead. Don Holdridge, the farmer who owned the land, noted Pilgrim's high rate of productivity and offered him a management position supervising up to 30 workers at once, which he accepted. Pilgrim also worked as a foreman in Sanford for Chase &amp;amp; Company for over 30 years. He married Lula in 1937 and they had several children together, including Vivian Louise Black (1940-), Lula Yvonne Black (1942-), Charles Samuel Black (1945-), Pilgrim Black, Jr. (ca.1947-), and Patricia. &lt;br /&gt;&lt;br /&gt;Patricia was born August 31, 1956, and grew up at the end of East Tenth Street in Sanford, Florida. She attended Hopper Elementary through sixth grade, Lakeview Middle School for seventh grade, Sanford Junior High School for eighth grade, Crooms High School for ninth grade, and Seminole High School through twelfth grade. She also attended school in the North Rose-Wolcott district each year while in New York. During fourth grade, integration began and parents were given the choice to have their children to attend other schools, but Patricia chose to continue attending an all-black school until she entered seventh grade in 1968 and began attending integrated schools. &lt;br /&gt;&lt;br /&gt;In June 1973, Patricia married her first husband, Clint Holt (1955- ); however, the couple quickly separated due to domestic violence and divorced around 1977. Patricia gave birth to her first child, Charmion Le'Antwinetta Holt in 1974. She also had three other children with William Bigham, Jr. (1952- ), who she was married to for 33 years: William Arthur Bigham III (1982- ), Brandon Oliver Black (1990- ), and Tempestt Teonte’ Black (1992- ). She lives in the family home built by her grandmother, Maggie Benjamin Black on East Tenth Street in Sanford. &lt;br /&gt;&lt;br /&gt;Patricia endured weekly molestation for 11n years from age six to age 17, and was raped at age seventeen while pregnant with Charmion. At age 29, Patricia became severely addicted to smoking cocaine. After seven years, Patricia was able to overcome her addiction and has maintained her sobriety for 21 years. Despite her traumatic experiences, Patricia has developed a devout relationship with God. While in recovery, Patricia refocused her attention on spreading her ministry of love by becoming a foster parent, serving as the Parent Representative of the Committee for Special Education (CSE), and serving on her local school board in the North Rose-Wolcott school district. &lt;br /&gt;&lt;br /&gt;Patricia also has owned her own business making incense and importing shea butter from Africa. She also became a licensed nail technician specializing in stress-relieving pedicures. As of 2009, Patricia is retired but still maintains some involvement in her business/ministry named GIFTED.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                  <text>Coles, Robert. &lt;a href="http://www.worldcat.org/oclc/67637" target="_blank"&gt;&lt;em&gt;Uprooted Children; The Early Life of Migrant Farm Workers&lt;/em&gt;&lt;/a&gt;. [Pittsburgh]: University of Pittsburgh Press, 1970.</text>
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                  <text>Piore, Michael J. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;Birds of Passage: Migrant Labor and Industrial Societies&lt;/em&gt;&lt;/a&gt; Cambridge: Cambridge University Press, 1979.</text>
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                  <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2009.</text>
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                <text>Sanford Mayor Jeff Triplett Sanford Avenue Streetscape Completion and Unveiling of Heritage Markers</text>
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                <text>Sanford Ave. Streetscape and Heritage Markers</text>
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                <text>Sanford Mayor Jeff Triplett addressing the audience at a ceremony commemorating the completion of the Sanford Avenue Streetscape and the unveiling of several heritage markers. The unveiling of the heritage markers was held in Paulucci Park, located at the southwest corner of First Street and Palmetto Avenue in Sanford, Florida, on November 20, 2014. The ceremony was followed by a presentation of the Georgetown Pathways to History Project at the Historic Sanford Welcome Center, locate at 230 East First Street. Pathways to History is a program created by Christine Dalton, Historic Preservation Office for the City of Sanford. The programs consists of eight themed tours showcasing the history and development of Sanford. The event also included a guided tour of Sanford Avenue, which had been the subject of a $3 million streetscaping project, and a reception at the Welcome Center, hosted by the Sanford Community Redevelopment Agency.&lt;br /&gt;&lt;br /&gt;The Georgetown Pathways to History Project was developed by the Georgetown Heritage Advisory Committee with assistance from the Sanford Museum and Sanford Historical Society. Georgetown was established by the city's founder, Henry Shelton Sanford, as a suburb for African-American residents in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                <text>Original color digital image by Connie L. Lester, November 20, 2014.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/72" target="_blank"&gt;Patricia Black Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=20&amp;amp;recordid=3760" target="_blank"&gt;Sanford Avenue Streetscape Completion and Unveiling of Heritage Markers&lt;/a&gt;." Department of Recereation, City of Sanford Government. http://www.sanfordfl.gov/index.aspx?page=20&amp;amp;recordid=3760.</text>
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                <text>Delinski, Rachel. "&lt;a href="http://mysanfordherald.com/view/full_story/26115431/article-City-to-celebrate-completion-of-Sanford-Avenue?instance=home_news_bullets" target="_blank"&gt;City to celebrate completion of Sanford Avenue&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;, November 17, 2014. http://mysanfordherald.com/view/full_story/26115431/article-City-to-celebrate-completion-of-Sanford-Avenue?instance=home_news_bullets.</text>
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                <text>Carroquino, Carmen. "&lt;a href="http://www.myfoxorlando.com/story/26308142/sanford-avenue-reopens-after-29-million-makeover" target="_blank"&gt;Sanford Avenue reopens after $2.9 million makeover&lt;/a&gt;." &lt;em&gt;MyFox.Orlando.com&lt;/em&gt;, August 18, 2014. http://www.myfoxorlando.com/story/26308142/sanford-avenue-reopens-after-29-million-makeover.</text>
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                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.</text>
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                  <text>Patricia Black Collection</text>
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              <description/>
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                  <text>Black Collection</text>
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              <name>Subject</name>
              <description/>
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                  <text>Sanford (Fla.)</text>
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                  <text>Migrant workers</text>
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                  <text>Agricultural laborers--Florida</text>
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                  <text>Migration, Internal--United States</text>
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                  <text>Farm laborers</text>
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                  <text>Upstate New York (N.Y.)</text>
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                  <text>Chase and Company (Sanford, Fla.)</text>
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                  <text>Madison (Fla.)</text>
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                  <text>Houses and homes</text>
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                  <text>Rochester (N.Y.)</text>
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                  <text>Collection of photographs and ephemera donated by &lt;a title="Photo of Patricia Black" href="http://s2.postimg.org/4mpxwg2u1/P3212376.jpg"&gt;Patricia Ann Black&lt;/a&gt; (1956- ), the daughter of Pilgrim Black (1905-2002) and Lula Mae Haynes Black (1917-2007). &lt;br /&gt;&lt;br /&gt;Pilgrim was born in 1905, although some records list 1907 as his birth year. Pilgrim and Lula were migrant crew leaders, and thus migrated to Upstate New York in the summers and back to their home in Sanford, Florida, for the rest of the year. Pilgrim was the son of Harry Black (d. 1911) and Maggie Benjamin Black (ca. 1870-ca. 1934), who migrated to Sanford from South Carolina in the 1800s. Harry and Maggie had several children: Leckward Black, Mustar Black, Malachi Black, Leatha Black Walker (1889-1976), Pilgrim Black, Margaret Black Jones (1889-1976), and Harriett Black Lawson.&lt;br /&gt;&lt;br /&gt;In 1911, Harry owned a grocery store at 206 South Sanford Avenue. One day, he came home from work with pneumonia and passed away shortly thereafter. Pilgrim was nine years old when his father passed away. Maggie was the daughter of former slaves, Isaac Benjamin and Roseanna Benjamin, and the sister of Nathan Benjamin, Pledge Benjamin, Sam Benjamin, Louis Benjamin, Chainey Benjamin, Lara Benjamin, Melvina Benjamin, and Katie Benjamin. Pilgrim had to quit school at age 11 in order to provide for his mother, originally working in a mill house until he was 18 years old. After declining a management position, he traveled to Wayne County in Upstate New York to pick cherries, apples, pears, and other crops. He broke a bone after falling from an apple tree his first year and decided to try farm labor on a potato farm in Red Creek instead. Don Holdridge, the farmer who owned the land, noted Pilgrim's high rate of productivity and offered him a management position supervising up to 30 workers at once, which he accepted. Pilgrim also worked as a foreman in Sanford for Chase &amp;amp; Company for over 30 years. He married Lula in 1937 and they had several children together, including Vivian Louise Black (1940-), Lula Yvonne Black (1942-), Charles Samuel Black (1945-), Pilgrim Black, Jr. (ca.1947-), and Patricia. &lt;br /&gt;&lt;br /&gt;Patricia was born August 31, 1956, and grew up at the end of East Tenth Street in Sanford, Florida. She attended Hopper Elementary through sixth grade, Lakeview Middle School for seventh grade, Sanford Junior High School for eighth grade, Crooms High School for ninth grade, and Seminole High School through twelfth grade. She also attended school in the North Rose-Wolcott district each year while in New York. During fourth grade, integration began and parents were given the choice to have their children to attend other schools, but Patricia chose to continue attending an all-black school until she entered seventh grade in 1968 and began attending integrated schools. &lt;br /&gt;&lt;br /&gt;In June 1973, Patricia married her first husband, Clint Holt (1955- ); however, the couple quickly separated due to domestic violence and divorced around 1977. Patricia gave birth to her first child, Charmion Le'Antwinetta Holt in 1974. She also had three other children with William Bigham, Jr. (1952- ), who she was married to for 33 years: William Arthur Bigham III (1982- ), Brandon Oliver Black (1990- ), and Tempestt Teonte’ Black (1992- ). She lives in the family home built by her grandmother, Maggie Benjamin Black on East Tenth Street in Sanford. &lt;br /&gt;&lt;br /&gt;Patricia endured weekly molestation for 11n years from age six to age 17, and was raped at age seventeen while pregnant with Charmion. At age 29, Patricia became severely addicted to smoking cocaine. After seven years, Patricia was able to overcome her addiction and has maintained her sobriety for 21 years. Despite her traumatic experiences, Patricia has developed a devout relationship with God. While in recovery, Patricia refocused her attention on spreading her ministry of love by becoming a foster parent, serving as the Parent Representative of the Committee for Special Education (CSE), and serving on her local school board in the North Rose-Wolcott school district. &lt;br /&gt;&lt;br /&gt;Patricia also has owned her own business making incense and importing shea butter from Africa. She also became a licensed nail technician specializing in stress-relieving pedicures. As of 2009, Patricia is retired but still maintains some involvement in her business/ministry named GIFTED.</text>
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              <name>Contributor</name>
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                  <text>Black, Patricia Ann</text>
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              <name>Language</name>
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                  <text>eng</text>
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              <name>Type</name>
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                <elementText elementTextId="412367">
                  <text>Collection</text>
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            <element elementId="38">
              <name>Coverage</name>
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                <elementText elementTextId="412368">
                  <text>Madison, Florida&#13;
</text>
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                <elementText elementTextId="412369">
                  <text>Sanford, Florida</text>
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                <elementText elementTextId="412370">
                  <text>Rochester, New York&#13;
</text>
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                <elementText elementTextId="412371">
                  <text>Wayne County, New York&#13;
</text>
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                  <text>Wolcott, New York</text>
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            <element elementId="117">
              <name>Accrual Method</name>
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                  <text>Donation</text>
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            <element elementId="133">
              <name>Curator</name>
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                <elementText elementTextId="412381">
                  <text>Cepero, Laura</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="412382">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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              <name>Source Repository</name>
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                  <text>Private Collection of Patricia Ann Black</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
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                <elementText elementTextId="511300">
                  <text>Coles, Robert. &lt;a href="http://www.worldcat.org/oclc/67637" target="_blank"&gt;&lt;em&gt;Uprooted Children; The Early Life of Migrant Farm Workers&lt;/em&gt;&lt;/a&gt;. [Pittsburgh]: University of Pittsburgh Press, 1970.</text>
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                  <text>Piore, Michael J. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;Birds of Passage: Migrant Labor and Industrial Societies&lt;/em&gt;&lt;/a&gt; Cambridge: Cambridge University Press, 1979.</text>
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                <elementText elementTextId="511302">
                  <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2009.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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                <text>Sanford Avenue Streetscape Completion and Unveiling of Heritage Markers</text>
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                <text>Sanford Ave. Streetscape and Heritage Markers</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
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                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="519431">
                <text>Georgetown (Sanford, Fla.)</text>
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              <elementText elementTextId="519432">
                <text>African Americans--Florida--Sanford</text>
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              <elementText elementTextId="519433">
                <text>Streetscapes (Urban design)</text>
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              <elementText elementTextId="519434">
                <text>Historical markers--Florida</text>
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          <element elementId="41">
            <name>Description</name>
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                <text>The ceremony commemorating the completion of the Sanford Avenue Streetscape and the unveiling of several heritage markers. The unveiling of the heritage markers was held in Paulucci Park, located at the southwest corner of First Street and Palmetto Avenue in Sanford, Florida, on November 20, 2014. Patricia Ann Black (1956- ), who can be seen wearing red in the photograph, was given special thanks for Heritage Marker # 3, which featured her father, Pilgrim Black (1905-2002). Jeff Triplett, the Mayor of Sanford, can be seen standing to the right of the podium. The ceremony was followed by a presentation of the Georgetown Pathways to History Project at the Historic Sanford Welcome Center, locate at 230 East First Street. Pathways to History is a program created by Christine Dalton, Historic Preservation Office for the City of Sanford. The programs consists of eight themed tours showcasing the history and development of Sanford. The event also included a guided tour of Sanford Avenue, which had been the subject of a $3 million streetscaping project, and a reception at the Welcome Center, hosted by the Sanford Community Redevelopment Agency. The Georgetown Pathways to History Project was developed by the Georgetown Heritage Advisory Committee with assistance from the Sanford Museum and Sanford Historical Society. Georgetown was established by the city's founder, Henry Shelton Sanford, as a suburb for African-American residents in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                <text>Original color digital image by Connie L. Lester, November 20, 2014.</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519438">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/72" target="_blank"&gt;Patricia Black Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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          <element elementId="38">
            <name>Coverage</name>
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                <text>Palucci Park, Sanford, Florida</text>
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              <elementText elementTextId="519440">
                <text>Georgetown, Sanford, Florida</text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519441">
                <text>Lester, Connie L.</text>
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            <name>Date Created</name>
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                <text>2014-11-20</text>
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          <element elementId="42">
            <name>Format</name>
            <description/>
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                <text>image/jpg</text>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
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            <name>Medium</name>
            <description/>
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              <elementText elementTextId="519445">
                <text>1 color digital image</text>
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          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519446">
                <text>eng</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519447">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="519448">
                <text>Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519449">
                <text>Originally created by Connie L. Lester.</text>
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            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519450">
                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519451">
                <text>Donation</text>
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            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519452">
                <text>Cepero, Laura</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="519453">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>Source Repository</name>
            <description/>
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              <elementText elementTextId="519454">
                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
            <elementTextContainer>
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                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=20&amp;amp;recordid=3760" target="_blank"&gt;Sanford Avenue Streetscape Completion and Unveiling of Heritage Markers&lt;/a&gt;." Department of Recereation, City of Sanford Government. http://www.sanfordfl.gov/index.aspx?page=20&amp;amp;recordid=3760.</text>
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              <elementText elementTextId="519456">
                <text>Delinski, Rachel. "&lt;a href="http://mysanfordherald.com/view/full_story/26115431/article-City-to-celebrate-completion-of-Sanford-Avenue?instance=home_news_bullets" target="_blank"&gt;City to celebrate completion of Sanford Avenue&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;, November 17, 2014. http://mysanfordherald.com/view/full_story/26115431/article-City-to-celebrate-completion-of-Sanford-Avenue?instance=home_news_bullets.</text>
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              <elementText elementTextId="519457">
                <text>Carroquino, Carmen. "&lt;a href="http://www.myfoxorlando.com/story/26308142/sanford-avenue-reopens-after-29-million-makeover" target="_blank"&gt;Sanford Avenue reopens after $2.9 million makeover&lt;/a&gt;." &lt;em&gt;MyFox.Orlando.com&lt;/em&gt;, August 18, 2014. http://www.myfoxorlando.com/story/26308142/sanford-avenue-reopens-after-29-million-makeover.</text>
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              <elementText elementTextId="519458">
                <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2009.</text>
              </elementText>
              <elementText elementTextId="519459">
                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.</text>
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        <name>1st Street</name>
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        <name>African Americans</name>
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        <name>First Street</name>
      </tag>
      <tag tagId="1025">
        <name>Georgetown</name>
      </tag>
      <tag tagId="19783">
        <name>Georgetown Pathways to History Project</name>
      </tag>
      <tag tagId="1026">
        <name>Historic Markers</name>
      </tag>
      <tag tagId="7017">
        <name>Historic Sanford Welcome Center</name>
      </tag>
      <tag tagId="43696">
        <name>Jeff Triplett</name>
      </tag>
      <tag tagId="339">
        <name>Palmetto Avenue</name>
      </tag>
      <tag tagId="32381">
        <name>Patricia Ann Black</name>
      </tag>
      <tag tagId="32382">
        <name>Patricia Ann Black Bigham</name>
      </tag>
      <tag tagId="19781">
        <name>Paulucci Park</name>
      </tag>
      <tag tagId="400">
        <name>Sanford</name>
      </tag>
      <tag tagId="396">
        <name>Sanford Avenue</name>
      </tag>
      <tag tagId="19782">
        <name>Sanford Avenue Streetscape</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="4653" public="1" featured="0">
    <fileContainer>
      <file fileId="4063">
        <src>https://richesmi.cah.ucf.edu/omeka/files/original/176524b4785d3a97f5dfd947cf33bc23.jpg</src>
        <authentication>065c18ea41e3dde6f5c43c5dafd9d483</authentication>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="503736">
                  <text>Up From the Ashes Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="503737">
                  <text>Up From the Ashes Collection</text>
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              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="503738">
                  <text>Winter Garden (Fla.)</text>
                </elementText>
                <elementText elementTextId="503739">
                  <text>Stores, Retail--United States</text>
                </elementText>
                <elementText elementTextId="503740">
                  <text>Railroads--Florida</text>
                </elementText>
                <elementText elementTextId="503741">
                  <text>Orange industry--Florida</text>
                </elementText>
                <elementText elementTextId="503742">
                  <text>Citrus fruit industry--Florida</text>
                </elementText>
                <elementText elementTextId="503743">
                  <text>Garages--United States</text>
                </elementText>
                <elementText elementTextId="503744">
                  <text>Fires--United States</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
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                  <text>Collection of digital images from the &lt;em&gt;Up From the Ashes&lt;/em&gt; exhibit displayed at the Winter Garden Heritage Foundation in Winter Garden, Florida. The exhibit depicts the history of Winter Garden's business district following two devastating fires in 1909 and 1912.</text>
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              </elementTextContainer>
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              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="503750">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank"&gt;Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/105" target="_blank"&gt;Winter Garden Collection&lt;/a&gt;, Orange County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="560047">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/115" target="_blank"&gt;Winter Garden Heritage Foundation Collection&lt;/a&gt;, Orange County Collection, Winter Garden Collection, RICHES of Central Florida.</text>
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              <name>Language</name>
              <description/>
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                  <text>Cappleman, Kay, and Rod Reeves. &lt;a href="http://www.worldcat.org/oclc/651031169" target="_blank"&gt;&lt;em&gt;Sundays in the South: Touring West Orange County&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: Winter Garden Heritage Foundation, 2009.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank"&gt;Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Winter Garden Heritage Foundation. &lt;a href="http://www.worldcat.org/oclc/39368776" target="_blank"&gt;&lt;em&gt;All Aboard!: A Journey Through Historic Winter Garden, 1880-1950&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: The Foundation, 1997.</text>
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&#13;
BANK&#13;
OF WINTER GARDEN</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank"&gt;Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Cappleman, Kay, and Rod Reeves. &lt;a href="http://www.worldcat.org/oclc/651031169" target="_blank"&gt;&lt;em&gt;Sundays in the South: Touring West Orange County&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: Winter Garden Heritage Foundation, 2009.</text>
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                  <text>"&lt;a href="http://www.cwgdn.com/" target="_blank"&gt;Welcome&lt;/a&gt;." City of Winter Garden. http://www.cwgdn.com/.</text>
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                  <text>Winter Garden Heritage Foundation. &lt;a href="http://www.worldcat.org/oclc/39368776" target="_blank"&gt;&lt;em&gt;All Aboard!: A Journey Through Historic Winter Garden, 1880-1950&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: The Foundation, 1997.</text>
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                <text>This photograph highlights the Tavares &amp;amp; Gulf Railroad Depot, a water tower, and Winter Garden Light &amp;amp; Water Company around 1913. This depot replaced the original 1889 structure in 1913, at a cost of $1,765. The western portion, built of Florida sand brick, contained the agent's office and passengers' waiting rooms. The eastern portion of the building, made of wood and covered with tin, was used for freight and baggage storage. This building replaced the original 1899 structure that was located on the other end of the block facing Main Street.&lt;br /&gt;&lt;br /&gt;The T&amp;amp;G Railroad was well known for both excellent customer service and frequent derailments. It had many nicknames, including "the Turtle and Gopher," "the Tug and Grunt," and "the Try and Go." Even with only 32 miles of track running from Tavares to Ocoee and a 6-mile spur to Clermont, the railroad was active and productive when Winter Garden was the largest citrus shipping point in the world. In 1949, the T&amp;amp;G generated more perishable freight per mile of track than any Class I railroad in the United States.&lt;br /&gt;&lt;br /&gt;On December 31, 1969, the line between Winter Garden and Astatula was abandoned. The station continued to operate as an agency for the Seaboard Coast Line Railroad (SCL) until March 1978, when it was closed and all services were transferred to a mobile agency. In 1979, the Central Florida Chapter of the National Railway Historical Society purchased and rehabilitated the building for use as its headquarters. The railroad museum opened in 1983. In 2003, the museum became part of the Winter Garden Heritage Foundation.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.wghf.org/" target="_blank"&gt;Winter Garden Heritage Foundation&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>"&lt;a href="http://www.cwgdn.com/" target="_blank"&gt;Welcome&lt;/a&gt;." City of Winter Garden. http://www.cwgdn.com/.</text>
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                <text>Winter Garden Heritage Foundation. &lt;a href="http://www.worldcat.org/oclc/39368776" target="_blank"&gt;&lt;em&gt;All Aboard!: A Journey Through Historic Winter Garden, 1880-1950&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: The Foundation, 1997.</text>
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                <text>BOYD ST.&#13;
&#13;
R.R. SEABOARD COASTLINE DEPOT&#13;
- AND -&#13;
WINTER GARDEN POWER UTILITY PLANT</text>
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                  <text>Winter Garden Heritage Foundation. &lt;a href="http://www.worldcat.org/oclc/39368776" target="_blank"&gt;&lt;em&gt;All Aboard!: A Journey Through Historic Winter Garden, 1880-1950&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: The Foundation, 1997.</text>
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                <text>James Lafayette Dillard (1858-1943) built the Shelby Hotel in 1913 on 1 West Plant Street in Winter Garden, Florida. In this photograph, it is evident that construction was still in progress. The hotel was located a block away from both the Tavares &amp;amp; Gulf Railroad Company line and the Atlantic Coast Line Railroad (ACL) line.&lt;br /&gt;&lt;br /&gt;Dillard migrated to Central Florida from Virginia with his wife, Mattie Showalter, in 1887. He established himself primarily as a citrus and vegetable grower, but he also operated the M. V. Dillard and Company Garage, which was managed by his son, Marvin Dillard. In addition, he founded the Bank of Winter Garden, served as Wnter garden City Commissioner and a Florida State Legislator, and helped rebuild Downtown Winter Garden after two destructive fires in 1909 and 1912. Some of the buildings that Dillard helped construct include the Dillard and Boyd General Merchandise Store, the Shelby Hotel, and the Mann and Mills Dry Goods Store. He also donated land to the First Baptist Church of Winter Garden.</text>
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                <text>Original black and white photograph: &lt;a href="http://www.wghf.org/wp-content/uploads/2011/03/ASHES-FINAL-POSTER-page-001-JPG1.jpg" target="_blank"&gt;&lt;em&gt;Up From the Ashes&lt;/em&gt; Exhibit&lt;/a&gt;, Winter Garden Heritage Foundation, Winter Garden, Florida.</text>
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                <text>&lt;a href="http://www.wghf.org/wp-content/uploads/2011/03/ASHES-FINAL-POSTER-page-001-JPG1.jpg" target="_blank"&gt;&lt;em&gt;Up From the Ashes&lt;/em&gt; Exhibit&lt;/a&gt;, Winter Garden Heritage Foundation, Winter Garden, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/124" target="_blank"&gt;Up From the Ashes Collection&lt;/a&gt;, Winter Garden Heritage Foundation Collection, Winter Garden Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original black and white photograph.</text>
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                <text>ca. 1913</text>
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                <text>image/jpg</text>
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            <name>Extent</name>
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                <text>112 KB</text>
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                <text>1 black and white photograph</text>
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          <element elementId="122">
            <name>Mediator</name>
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              <elementText elementTextId="519276">
                <text>History Teacher</text>
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                <text>Economics Teacher</text>
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              <elementText elementTextId="519278">
                <text>Geography Teacher</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
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              <elementText elementTextId="519279">
                <text>Copyright to this resource is held by the &lt;a href="http://www.wghf.org/" target="_blank"&gt;Winter Garden Heritage Foundation&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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          <element elementId="133">
            <name>Curator</name>
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                <text>Bowers, Katherine</text>
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                <text>Cepero, Laura</text>
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          <element elementId="134">
            <name>Digital Collection</name>
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              <elementText elementTextId="519284">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.wghf.org/" target="_blank"&gt;Winter Garden Heritage Foundation&lt;/a&gt;</text>
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            <name>External Reference</name>
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            <elementTextContainer>
              <elementText elementTextId="519286">
                <text>Cappleman, Kay, and Rod Reeves. &lt;a href="http://www.worldcat.org/oclc/651031169" target="_blank"&gt;&lt;em&gt;Sundays in the South: Touring West Orange County&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: Winter Garden Heritage Foundation, 2009.</text>
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              <elementText elementTextId="519287">
                <text>"&lt;a href="http://www.cwgdn.com/" target="_blank"&gt;Welcome&lt;/a&gt;." City of Winter Garden. http://www.cwgdn.com/.</text>
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              <elementText elementTextId="519288">
                <text>Winter Garden Heritage Foundation. &lt;a href="http://www.worldcat.org/oclc/39368776" target="_blank"&gt;&lt;em&gt;All Aboard!: A Journey Through Historic Winter Garden, 1880-1950&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: The Foundation, 1997.</text>
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        <name>construction</name>
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        <name>hotels</name>
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        <name>Plant Street</name>
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        <name>Shelby Hotel</name>
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        <name>Up From the Ashes</name>
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        <name>Winter Garden</name>
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              <description/>
              <elementTextContainer>
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                  <text>Up From the Ashes Collection</text>
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                  <text>Up From the Ashes Collection</text>
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                  <text>Collection of digital images from the &lt;em&gt;Up From the Ashes&lt;/em&gt; exhibit displayed at the Winter Garden Heritage Foundation in Winter Garden, Florida. The exhibit depicts the history of Winter Garden's business district following two devastating fires in 1909 and 1912.</text>
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                <elementText elementTextId="503750">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank"&gt;Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/105" target="_blank"&gt;Winter Garden Collection&lt;/a&gt;, Orange County Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/115" target="_blank"&gt;Winter Garden Heritage Foundation Collection&lt;/a&gt;, Orange County Collection, Winter Garden Collection, RICHES of Central Florida.</text>
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                  <text>eng</text>
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              <name>Rights Holder</name>
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                <elementText elementTextId="503758">
                  <text>Copyright to these resources are held by the &lt;a href="http://www.wghf.org/" target="_blank"&gt;Winter Garden Heritage Foundation&lt;/a&gt; and are provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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              <name>Curator</name>
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                  <text>Cepero, Laura</text>
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="503760">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.wghf.org/" target="_blank"&gt;Winter Garden Heritage Foundation&lt;/a&gt;</text>
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                  <text>Cappleman, Kay, and Rod Reeves. &lt;a href="http://www.worldcat.org/oclc/651031169" target="_blank"&gt;&lt;em&gt;Sundays in the South: Touring West Orange County&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: Winter Garden Heritage Foundation, 2009.</text>
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                  <text>"&lt;a href="http://www.cwgdn.com/" target="_blank"&gt;Welcome&lt;/a&gt;." City of Winter Garden. http://www.cwgdn.com/.</text>
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                <elementText elementTextId="503764">
                  <text>Winter Garden Heritage Foundation. &lt;a href="http://www.worldcat.org/oclc/39368776" target="_blank"&gt;&lt;em&gt;All Aboard!: A Journey Through Historic Winter Garden, 1880-1950&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: The Foundation, 1997.</text>
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                  <text>&lt;a href="http://www.wghf.org/" target="_blank"&gt;Winter Garden Heritage Foundation&lt;/a&gt;</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
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                <text>Arthur Bullard Newton's Fourth Store</text>
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                <text>A. B. Newton's Fourth Store</text>
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                <text>Arthur Bullard Newton's fourth store in Winter Garden, Florida, the 1920s. Over the years other businesses would take root in the building. However, in the early 1920s the store's interior was burned. Until it was repaired, Newton worked at a different location. The building was demolished in 1984.&lt;br /&gt;&lt;br /&gt;Often called "Mr. First," Newton moved to Winter Garden, Florida, in 1892 where he was continually busy with varied pursuits in business, politics, and services. In his long line of being first, he established the first post office for the city, the first newspaper, was the first depot agent, and was Winter Garden's first mayor. He also ran a general merchandise store and worked as a cashier for the First National Bank of Winter Garden. Newton has been given the nickname of "Godfather of Winter Garden" for all of his achievements and milestones. In honor of his achievements, Newton Park at 31 West Garden Avenue is named in his honor.</text>
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              <elementText elementTextId="519234">
                <text>Original black and white photograph: &lt;a href="http://www.wghf.org/wp-content/uploads/2011/03/ASHES-FINAL-POSTER-page-001-JPG1.jpg" target="_blank"&gt;&lt;em&gt;Up From the Ashes&lt;/em&gt; Exhibit&lt;/a&gt;, Winter Garden Heritage Foundation, Winter Garden, Florida.</text>
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                <text>&lt;a href="http://www.wghf.org/wp-content/uploads/2011/03/ASHES-FINAL-POSTER-page-001-JPG1.jpg" target="_blank"&gt;&lt;em&gt;Up From the Ashes&lt;/em&gt; Exhibit&lt;/a&gt;, Winter Garden Heritage Foundation, Winter Garden, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/124" target="_blank"&gt;Up From the Ashes Collection&lt;/a&gt;, Winter Garden Heritage Foundation Collection, Winter Garden Collection, RICHES of Central Florida.</text>
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            <elementTextContainer>
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            <name>Coverage</name>
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                <text>A. B. Newton's Store, Winter Garden, Florida</text>
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                <text>ca. 1920-1929</text>
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            <description/>
            <elementTextContainer>
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            <elementTextContainer>
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          <element elementId="122">
            <name>Mediator</name>
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            <elementTextContainer>
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                <text>History Teacher</text>
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              <elementText elementTextId="519245">
                <text>Economics Teacher</text>
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              <elementText elementTextId="519246">
                <text>Geography Teacher</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.wghf.org/" target="_blank"&gt;Winter Garden Heritage Foundation&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.wghf.org/" target="_blank"&gt;Winter Garden Heritage Foundation&lt;/a&gt;</text>
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                <text>Bowers, Katherine</text>
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                <text>Cepero, Laura</text>
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            <elementTextContainer>
              <elementText elementTextId="519252">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>Source Repository</name>
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                <text>&lt;a href="http://www.wghf.org/" target="_blank"&gt;Winter Garden Heritage Foundation&lt;/a&gt;</text>
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                <text>The First National Bank of Winter Garden, located at the corner of Plant Street and Boyd Street around 1919. The bank opened on the previous location of Arthur Bullard Newton's dry goods store, which was built in 1909. In 1919, Newton served as the bank's first cashier. His dry goods store moved to South Main Street.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;&lt;span&gt;Often called "Mr. First," Newton moved to Winter Garden, Florida, in 1892 where he was continually busy with varied pursuits in business, politics, and services. In his long line of being first, he established the first post office for the city, the first newspaper, was the first depot agent, and was Winter Garden's first mayor. He also ran a general merchandise store and worked as a cashier for the First National Bank of Winter Garden. Newton has been given the nickname of "Godfather of Winter Garden" for all of his achievements and milestones. In honor of his achievements, Newton Park at 31 West Garden Avenue is named in his honor.&lt;/span&gt;&lt;/span&gt;</text>
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                <text>Cappleman, Kay, and Rod Reeves. &lt;a href="http://www.worldcat.org/oclc/651031169" target="_blank"&gt;&lt;em&gt;Sundays in the South: Touring West Orange County&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: Winter Garden Heritage Foundation, 2009.</text>
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                <text>A.B. NEWTON.&#13;
DRY-&#13;
GOODS-&#13;
&#13;
NOTIONS&#13;
&#13;
HATS&#13;
AND&#13;
SHOES&#13;
&#13;
FURNI-&#13;
TURE&#13;
</text>
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                  <text>Winter Garden Heritage Foundation. &lt;a href="http://www.worldcat.org/oclc/39368776" target="_blank"&gt;&lt;em&gt;All Aboard!: A Journey Through Historic Winter Garden, 1880-1950&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: The Foundation, 1997.</text>
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                <text>Arthur Bullard Newton in 1909. Often called "Mr. First," Newton moved to Winter Garden, Florida, in 1892 where he was continually busy with varied pursuits in business, politics, and services. In his long line of being first, he established the first post office for the city, the first newspaper, was the first depot agent, and was Winter Garden's first mayor. He also ran a general merchandise store and worked as a cashier for the First National Bank of Winter Garden. Newton has been given the nickname of "Godfather of Winter Garden" for all of his achievements and milestones. In honor of his achievements, Newton Park at 31 West Garden Avenue is named in his honor.</text>
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                  <text>Cappleman, Kay, and Rod Reeves. &lt;a href="http://www.worldcat.org/oclc/651031169" target="_blank"&gt;&lt;em&gt;Sundays in the South: Touring West Orange County&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: Winter Garden Heritage Foundation, 2009.</text>
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                  <text>Winter Garden Heritage Foundation. &lt;a href="http://www.worldcat.org/oclc/39368776" target="_blank"&gt;&lt;em&gt;All Aboard!: A Journey Through Historic Winter Garden, 1880-1950&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: The Foundation, 1997.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.wghf.org/" target="_blank"&gt;Winter Garden Heritage Foundation&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.wghf.org/" target="_blank"&gt;Winter Garden Heritage Foundation&lt;/a&gt;</text>
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                <text>Cappleman, Kay, and Rod Reeves. &lt;a href="http://www.worldcat.org/oclc/651031169" target="_blank"&gt;&lt;em&gt;Sundays in the South: Touring West Orange County&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: Winter Garden Heritage Foundation, 2009.</text>
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                <text>"&lt;a href="http://www.cwgdn.com/" target="_blank"&gt;Welcome&lt;/a&gt;." City of Winter Garden. http://www.cwgdn.com/.</text>
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                <text>Winter Garden Heritage Foundation. &lt;a href="http://www.worldcat.org/oclc/39368776" target="_blank"&gt;&lt;em&gt;All Aboard!: A Journey Through Historic Winter Garden, 1880-1950&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: The Foundation, 1997.</text>
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MERCHANDISE&#13;
&#13;
That is G. T. Smith&#13;
in the door&#13;
&#13;
Bank[?]&#13;
&#13;
Winter[?] Garden&#13;
&#13;
in the [illegible]</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank"&gt;Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Cappleman, Kay, and Rod Reeves. &lt;a href="http://www.worldcat.org/oclc/651031169" target="_blank"&gt;&lt;em&gt;Sundays in the South: Touring West Orange County&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: Winter Garden Heritage Foundation, 2009.</text>
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                  <text>"&lt;a href="http://www.cwgdn.com/" target="_blank"&gt;Welcome&lt;/a&gt;." City of Winter Garden. http://www.cwgdn.com/.</text>
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                  <text>Winter Garden Heritage Foundation. &lt;a href="http://www.worldcat.org/oclc/39368776" target="_blank"&gt;&lt;em&gt;All Aboard!: A Journey Through Historic Winter Garden, 1880-1950&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: The Foundation, 1997.</text>
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OF&#13;
WINTER GARDEN&#13;
&#13;
BAKER&#13;
&#13;
REAL ESTATE [illegible]&#13;
Carl W. Ewing&#13;
APOPKA[?] SUPPLY CO.&#13;
&#13;
[illegible]&#13;
&#13;
WINTER GARDEN&#13;
LAND AND IMPROVEMENT CO.&#13;
&#13;
WINTER GARDEN PHARMACY&#13;
PRESCRIPTIONS&#13;
CAREFULLY COMPOUNDED DAY AND NIGHT</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank"&gt;Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Cappleman, Kay, and Rod Reeves. &lt;a href="http://www.worldcat.org/oclc/651031169" target="_blank"&gt;&lt;em&gt;Sundays in the South: Touring West Orange County&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: Winter Garden Heritage Foundation, 2009.</text>
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                  <text>"&lt;a href="http://www.cwgdn.com/" target="_blank"&gt;Welcome&lt;/a&gt;." City of Winter Garden. http://www.cwgdn.com/.</text>
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                  <text>Winter Garden Heritage Foundation. &lt;a href="http://www.worldcat.org/oclc/39368776" target="_blank"&gt;&lt;em&gt;All Aboard!: A Journey Through Historic Winter Garden, 1880-1950&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: The Foundation, 1997.</text>
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                <text>The construction of the First Baptist Church of Winter Garden, Florida, around 1922. The congregation was originally organized in Ocoee, Florida, in August of 1888 with nine charter members. After eight years, the church voted to relocate to 125 East Plant Street in Winter Garden, on land donated by James Lafayette Dillard (1858-1943). Before construction, which occurred in the early 1920s, the site was occupied by a small sawmill operated by Will Pennington. The first wooden building in Winter Garden was constructed at the southwest corner of Plant Street and Woodland Street.&lt;br /&gt;&lt;br /&gt;In 1921, members initiated a building campaign and commissioned architect J. J. Baldwin to design a new building. The cornerstone of the present church was laid in 1922, and the church was completed in 1923 at a cost of $150,000, a substantial amount for a small community. The construction of the church was supervised by R. W. Wimbish, who also oversaw the construction of the Edgewater Hotel and the Black Building (now known as the Cappleman Building).</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.wghf.org/" target="_blank"&gt;Winter Garden Heritage Foundation&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>"&lt;a href="http://fbcwg.org/church/church-history/" target="_blank"&gt;Church History&lt;/a&gt;." First Baptist Church of Winter Garden. http://fbcwg.org/church/church-history/.</text>
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                <text>"&lt;a href="http://www.wghf.org/" target="_blank"&gt;Winter Garden Heritage Foundation&lt;/a&gt;." Winter Garden Heritage Foundation. http://www.wghf.org/.</text>
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                <text>Cappleman, Kay, and Rod Reeves. &lt;a href="http://www.worldcat.org/oclc/651031169" target="_blank"&gt;&lt;em&gt;Sundays in the South: Touring West Orange County&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: Winter Garden Heritage Foundation, 2009.</text>
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                <text>"&lt;a href="http://www.cwgdn.com/" target="_blank"&gt;Welcome&lt;/a&gt;." City of Winter Garden. http://www.cwgdn.com/.</text>
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                <text>Edwards, Wynette. &lt;a href="http://www.worldcat.org/oclc/48909411" target="_blank"&gt;&lt;em&gt;Orlando and Orange County&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2001.</text>
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                <text>Joiner, E. Earl. &lt;a href="http://www.worldcat.org/oclc/348410" target="_blank"&gt;&lt;em&gt;A History of Florida Baptists&lt;/em&gt;&lt;/a&gt;. Jacksonville, Fla: Printed by Convention Press, 1972.</text>
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                  <text>Cappleman, Kay, and Rod Reeves. &lt;a href="http://www.worldcat.org/oclc/651031169" target="_blank"&gt;&lt;em&gt;Sundays in the South: Touring West Orange County&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: Winter Garden Heritage Foundation, 2009.</text>
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                  <text>"&lt;a href="http://www.cwgdn.com/" target="_blank"&gt;Welcome&lt;/a&gt;." City of Winter Garden. http://www.cwgdn.com/.</text>
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                  <text>Winter Garden Heritage Foundation. &lt;a href="http://www.worldcat.org/oclc/39368776" target="_blank"&gt;&lt;em&gt;All Aboard!: A Journey Through Historic Winter Garden, 1880-1950&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: The Foundation, 1997.</text>
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                <text>Orange Hotel</text>
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                <text>Orange Hotel</text>
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                <text>Winter Garden (Fla.)</text>
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                <text>One of Winter Garden's first hotels was the Orange Hotel, located on the east side of South Main Street. The hotel had various types of guests, such as fishermen, salesmen, and regular visitors. The hotel burned down in the fire of 1912.</text>
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                <text>Still Image</text>
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                <text>Original black and white photograph: &lt;a href="http://www.wghf.org/wp-content/uploads/2011/03/ASHES-FINAL-POSTER-page-001-JPG1.jpg" target="_blank"&gt;&lt;em&gt;Up From the Ashes&lt;/em&gt; Exhibit&lt;/a&gt;, Winter Garden Heritage Foundation, Winter Garden, Florida.</text>
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                <text>&lt;a href="http://www.wghf.org/wp-content/uploads/2011/03/ASHES-FINAL-POSTER-page-001-JPG1.jpg" target="_blank"&gt;&lt;em&gt;Up From the Ashes&lt;/em&gt; Exhibit&lt;/a&gt;, Winter Garden Heritage Foundation, Winter Garden, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/124" target="_blank"&gt;Up From the Ashes Collection&lt;/a&gt;Winter Garden Heritage Foundation Collection, Winter Garden Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original black and white photograph.</text>
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                <text>Orange Hotel, Winter Garden, Florida</text>
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            <name>Date Created</name>
            <description/>
            <elementTextContainer>
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                <text>ca. 1880-1912</text>
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            <name>Format</name>
            <description/>
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                <text>image/jpg</text>
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                <text>112 KB</text>
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                <text>1 black and white photograph</text>
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            <name>Mediator</name>
            <description/>
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                <text>History Teacher</text>
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                <text>Economics Teacher</text>
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              <elementText elementTextId="518973">
                <text>Geography Teacher</text>
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            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="518974">
                <text>Copyright to this resource is held by the &lt;a href="http://www.wghf.org/" target="_blank"&gt;Winter Garden Heritage Foundation&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
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                <text>Bowers, Katherine</text>
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              <elementText elementTextId="518978">
                <text>Cepero, Laura</text>
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          <element elementId="134">
            <name>Digital Collection</name>
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              <elementText elementTextId="518979">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
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                <text>&lt;a href="http://www.wghf.org/" target="_blank"&gt;Winter Garden Heritage Foundation&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
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              <elementText elementTextId="518981">
                <text>Cappleman, Kay, and Rod Reeves. &lt;a href="http://www.worldcat.org/oclc/651031169" target="_blank"&gt;&lt;em&gt;Sundays in the South: Touring West Orange County&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: Winter Garden Heritage Foundation, 2009.</text>
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              <elementText elementTextId="518982">
                <text>"&lt;a href="http://www.cwgdn.com/" target="_blank"&gt;Welcome&lt;/a&gt;." City of Winter Garden. http://www.cwgdn.com/.</text>
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              <elementText elementTextId="518983">
                <text>Winter Garden Heritage Foundation. &lt;a href="http://www.worldcat.org/oclc/39368776" target="_blank"&gt;&lt;em&gt;All Aboard!: A Journey Through Historic Winter Garden, 1880-1950&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: The Foundation, 1997.</text>
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        <name>hotels</name>
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        <name>Main Street</name>
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        <name>Orange Hotel</name>
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        <name>Up From the Ashes</name>
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        <name>Winter Garden</name>
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              <name>Title</name>
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                  <text>Sanford Collection</text>
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            <element elementId="86">
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                  <text>Sanford Collection</text>
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                  <text>Sanford (Fla.)</text>
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                <elementText elementTextId="444399">
                  <text>Chase and Company (Sanford, Fla.)</text>
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            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="444402">
                  <text>Select images, correspondence, and other records from the Chase Collection (MS 14) at Special and Area Studies Collections at the University of Florida in Gainesville, Florida. According to the biographical sketch in the collection's finding aid:&#13;
&#13;
"The story of the Chases in Florida began in 1878 when Sydney Octavius Chase (1860-1941), having read about orange groves in Scribner's Magazine, came to Florida from Philadelphia. His brother, Joshua Coffin Chase (1858-1948), joined him in 1884 and together they formed Chase and Company that year. The Chase brothers came to Florida at the right time for Florida citrus and at the right time for them as investment entrepreneurs. Strong family ties in the North provided them with financial backing for their ventures. Joshua left Florida in 1895 to work in the California citrus industry. He returned to Florida in 1904 and rejoined his brother. Another brother, Randall, remained in Philadelphia and augmented his brothers' finances when convenient. Sydney and Joshua were also important civic leaders who took part in community development, most notably in the City of Sanford. Both were elected to the Sanford city commission. They also supported the development of Rollins College, worked with the Florida Historical Society, and were the benefactors of numerous charities.&#13;
&#13;
Chase and Company began as an insurance company and branched out to storage facilities and fertilizer sales. The latter was the beginning of the company's lucrative agricultural supply division which remained in operation throughout the existence of the company. Although citrus was the primary interest, the company also invested in other agricultural pursuits including celery in central Florida, tung oil production in Jefferson County, and winter vegetables and sugar cane in the Lake Okeechobee muck lands. The company was also involved in the peach business in Georgia and North Carolina. The company was incorporated in 1914, with the Chase brothers owning 75 percent of the stock, and reincorporated in 1948. A second generation of Chases began its involvement in the family operations when Sydney O. Chase, Jr. ( b. 1890) became a citrus buyer in 1922. He was later joined by his brother Randall who served as president of Chase and Company from 1948-1965. Outside the Chase Family, Alfred Foster, W. R. Harney, and William "Billy" Leffler figured prominently as company executives and investors. The company dissolved in 1979 when its principal assets were sold to Sunniland for $5.5 million.&#13;
&#13;
The Chases' interest in citrus began when Sydney came to Florida and became associated with General Henry S. Sanford. The Chases would eventually own General Sanford's experimental farm, Belair, and the Chase family home in Sanford was located there. Over the years, the Chases invested in a number of citrus groves and owned others outright. In 1912, they organized the Chase Investment Company as a holding company for their farms. Initially, the company operated the Isleworth, Nocatee, Belair, and Kelly citrus groves as well as celery farms in Sanford. The company was renamed Chase Groves, Inc. in 1951. From time to time, Chase Investment was involved in real estate in Florida and North Carolina. The latter included Fort Caswell, a former military property that was held for a time and then sold. Unquestionably, the jewel in the Chase crown was the Isleworth grove at Windermere. Isleworth's four hundred lake-tempered acres carried the Chases through many difficult times. It proved to be the principal asset at the company's demise when it was sold to golf legend Arnold Palmer in 1984. Chase Groves dissolved that same year, 100 years after the founding of Chase and Company."</text>
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              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="444404">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/23" target="_blank"&gt;Chase Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            </element>
            <element elementId="105">
              <name>Is Referenced By</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="444405">
                  <text>&lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;A Guide to the Chase Collection&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="444406">
                  <text>eng</text>
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              </elementTextContainer>
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              <name>Type</name>
              <description/>
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                <elementText elementTextId="444407">
                  <text>Collection</text>
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            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="444408">
                  <text>Holy Cross Episcopal Church, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511493">
                  <text>Sanford Country Club and Golf Course, Sanford, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="444411">
                  <text>&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, University of Florida</text>
                </elementText>
                <elementText elementTextId="444412">
                  <text>&lt;a href="http://ufdc.ufl.edu/" target="_blank"&gt;Digital Collections (UFDC)&lt;/a&gt;&lt;span&gt;, University of Florida&lt;/span&gt;</text>
                </elementText>
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            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="444413">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="444414">
                  <text>Marra, Katherine</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="444415">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="444416">
                  <text>&lt;span&gt;University of Florida, &lt;/span&gt;&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="444417">
                  <text>Warner, S.C. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1923%20Vol.%2036/198-200%20%28WARNER%29.pdf" target="_blank"&gt;Development of Marketing Citrus Fruits in Florida&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; vol. 36 (1923): 198-200.</text>
                </elementText>
                <elementText elementTextId="444418">
                  <text>&lt;span&gt;Hopkins, James T. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/1219230" target="_blank"&gt;&lt;em&gt;Fifty Years of Citrus, the Florida Citrus Exchange: 1909-1959&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville, Florida: University of Florida Press: 1960.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="444419">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=600" target="_blank"&gt;Sydney Chase Sr. (1860-1941)&lt;/a&gt;&lt;span&gt;." &lt;/span&gt;&lt;em&gt;Florida Citrus Hall of Fame&lt;/em&gt;&lt;span&gt;. Copyright 2012. http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=600.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511494">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://articles.orlandosentinel.com/1986-09-30/news/0260060057_1_chase-isleworth-golf-florida-citrus" target="_blank"&gt;Franklin Chase, 'Towering Figure in Citrus Industry&lt;/a&gt;&lt;span&gt;.'" &lt;/span&gt;&lt;em&gt;The Orlando Sentinel&lt;/em&gt;&lt;span&gt;, September 30, 1986. http://articles.orlandosentinel.com/1986-09-30/news/0260060057_1_chase-isleworth-golf-florida-citrus.&lt;/span&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511490">
                  <text>&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;&lt;span&gt;, University of Florida&lt;/span&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="101">
              <name>Has Part</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511491">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/94" target="_blank"&gt;Holy Cross Episcopal Church Collection&lt;/a&gt;, Chase Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="511492">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/87" target="_blank"&gt;Sanford Country Club and Golf Course Collection&lt;/a&gt;, Chase Collection, RICHES of Central Florida.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="124">
              <name>Provenance</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511499">
                  <text>&lt;span&gt;Entire &lt;/span&gt;&lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;Chase Collection&lt;/a&gt;&lt;span&gt; is comprised of four separate accessions from various donors, including Cecilia Johnson, the granddaughter of Joshua Coffin Chase and the children of Randall Chase.&lt;/span&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="125">
              <name>Rights Holder</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511500">
                  <text>&lt;span&gt;The displayed collection is housed at &lt;/span&gt;&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;&lt;span&gt; at the University of Florida in Gainesville, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from Special and Area Studies Collections at the University of Florida to display this item for educational purposes only.&lt;/span&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="518372">
              <text>1 newspaper article</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="518340">
                <text>Ku Klux Klan 120 Parades Sanford By Night</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="518341">
                <text>KKK Parades Sanford</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="518342">
                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="518343">
                <text>Race relations--United States</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="518344">
                <text>A newspaper article about a Ku Klux Klan (KKK) parade in Sanford, Florida, on December 5, 1921. The KKK was first organized by ex-Confederate soldiers in in Tennessee in 1866, but was disbanded by the first Imperial Wizard Nathan Bedford Forrest (1821-1877) in 1869 in order to avoid government sanctions. The second klan was reformed by William Joseph Simmons (1880-1945)  in 1915. Although the KKK deteriorated nationally during the Great Depression, it still flourished in Florida until a $685,000 lien was filed against the national klan in 1944 for back taxes from the 1920s.&#13;
&#13;
In 1948, Dr. Samuel Green (1889-1949) revived the KKK in Georgia, which spread to Florida and other states. In 1951, the Florida KKK responded violently to the activities of Harry T.Moore's (1905-1951) Progressive Voters' League and the National Association for the Advancement of Colored People (NAACP) during a period dubbed "The Florida Terror." As of the early 2000s, the Florida KKK remained to be on of the more active klans in the country.</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="518345">
                <text>Original newspaper article: "Ku Klux Klan 120 Parades Sanford By Night." December 5, 1921: box 173, folder 2.36, &lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;Chase Collection (MS 14)&lt;/a&gt;, Special and Area Studies Collections, George A. Smathers Libraries, University of Florida, Gainesville, Florida.</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="518346">
                <text>ca. 1921-12-05</text>
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          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="518347">
                <text>1921-12-05</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="94">
            <name>Date Issued</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="518348">
                <text>1921-12-05</text>
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                <text>Original &lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2531" target="_blank"&gt;letter from Sydney Octavius Chase to Cary D. Landis, Esq.&lt;/a&gt;: box 173, folder 2.36, &lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;Chase Collection (MS 14)&lt;/a&gt;, Special and Area Studies Collections, George A. Smathers Libraries, University of Florida, Gainesville, Florida.</text>
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                <text>Digital reproduction of original newspaper article: "Ku Klux Klan 120 Parades Sanford By Night." December 5, 1921.</text>
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                <text>&lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;Chase Collection (MS 14)&lt;/a&gt;, Special and Area Studies Collections, George A. Smathers Libraries, University of Florida, Gainesville, Florida.</text>
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              <elementText elementTextId="518352">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/86" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Chase Collection, RICHES of Central Florida.</text>
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            <name>Is Referenced By</name>
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                <text>Folder referenced in Chase Collection finding guide, &lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;http://web.uflib.ufl.edu/spec/pkyonge/chase.htm&lt;/a&gt;.</text>
              </elementText>
              <elementText elementTextId="518354">
                <text>Original &lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2531" target="_blank"&gt;letter from Sydney Octavius Chase to Cary D. Landis, Esq.&lt;/a&gt;: box 173, folder 2.36, &lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;Chase Collection (MS 14)&lt;/a&gt;, Special and Area Studies Collections, George A. Smathers Libraries, University of Florida, Gainesville, Florida.</text>
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          <element elementId="42">
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            <name>Extent</name>
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            <name>Language</name>
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                <text>eng</text>
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                <text>Sanford, Florida</text>
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            <name>Mediator</name>
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                <text>History Teacher</text>
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            <name>Provenance</name>
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                <text>Entire &lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;Chase Collection&lt;/a&gt; is comprised of four separate accessions from various donors, including Cecilia Johnson, the granddaughter of Joshua Coffin Chase and the children of Randall Chase.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
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                <text>The displayed collection item is housed at &lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt; at the University of Florida in Gainesville, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from Special and Area Studies Collections at the University of Florida to display this item for educational purposes only.</text>
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                <text>&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, University of Florida</text>
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                <text>&lt;a href="http://ufdc.ufl.edu/" target="_blank"&gt;Digital Collections (UFDC)&lt;/a&gt;, University of Florida</text>
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          <element elementId="133">
            <name>Curator</name>
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                <text>Cepero, Laura</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="518369">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;University of Florida, Special and Area Studies Collections&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
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                <text>Newton, Michael. &lt;a href="http://www.worldcat.org/oclc/47136480" target="_blank"&gt;&lt;em&gt;The Invisible Empire: The Ku Klux Klan in Florida&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2001.</text>
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            <name>Transcript</name>
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                <text>Ku Klux Klan 120 Parades Sanford Street By Night&#13;
&#13;
SANFORD, Dec. 5.-(Special.)- Knights of the Ku Klux Klan, in white robes and carrying torch-lights, paraded silently and impressively through the main business section of Sanford tonight. &#13;
Some of the marchers carried signs of warning against wrong-doers. &#13;
There were 120 klansmen in the parade, which was witnessed by several thousand persons.</text>
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        <name>Klans</name>
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      <tag tagId="18923">
        <name>klansman</name>
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      <tag tagId="12954">
        <name>Ku Klux Klan</name>
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      <tag tagId="37698">
        <name>parades</name>
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      <tag tagId="12982">
        <name>race relations</name>
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      <tag tagId="12958">
        <name>racism</name>
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      <tag tagId="400">
        <name>Sanford</name>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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              <name>Title</name>
              <description/>
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                  <text>Downtown Orlando Information Center Collection</text>
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            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
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                  <text>Downtown Orlando Information Center Collection</text>
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              <name>Subject</name>
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              <name>Contributor</name>
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                  <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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              <name>Is Part Of</name>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock" target="_blank"&gt;A Transformed Block: The Development of South Orange Avenue&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank"&gt;Orlando Remembered Collection&lt;/a&gt;, Orlando Collection, Orange County Collection. RICHES of Central Florida.</text>
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                  <text>Downtown Orlando Information Center, Downtown Orlando, Florida</text>
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                <elementText elementTextId="504782">
                  <text>American Fire and Casualty Company, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560048">
                  <text>Cervantes Spanish Restaurant, Downtown Orlando, Florida</text>
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                <elementText elementTextId="560049">
                  <text>City Cab Company Taxi Service, Downtown Orlando, Florida</text>
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                <elementText elementTextId="560050">
                  <text>Hotel Bass, Downtown Orlando, Florida</text>
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                <elementText elementTextId="560051">
                  <text>Jackson Sporting Goods, Downtown Orlando, Florida</text>
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                <elementText elementTextId="560052">
                  <text>Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560053">
                  <text>Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida</text>
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              <name>Contributing Project</name>
              <description/>
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                <elementText elementTextId="504783">
                  <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
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                <elementText elementTextId="504784">
                  <text>Cepero, Laura</text>
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              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="504785">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="504787">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="504788">
                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
                </elementText>
                <elementText elementTextId="504789">
                  <text>&lt;span&gt;Rajtar, Steve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511881">
                  <text>eng</text>
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            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511925">
                  <text>Historic artifacts from an exhibit created by Orlando Remembered at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The Orlando Remembered Committee of the Historical Society of Central Florida, Inc. was created to "showcase artistic renderings of the time depicted, with artifacts and historical memorabilia from the location in an effort to preserve the memory of Orlando's history while acknowledging the potential of the City's future." This exhibit features the history of the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street, particularly in the 1940s and 1950s. In the early 1960s, the buildings within the block were demolished and replaced by the Barnett Plaza and CNA Tower in 1952. The lot now includes the Downtown Orlando Information Center and the BB&amp;T Bank building.</text>
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      </elementSetContainer>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="518323">
              <text>2 color digital images</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
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                <text>Orlando Remembered Exhibit at the Downtown Orlando Information Center</text>
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            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
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                <text>Orlando Remembered Exhibit</text>
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          <element elementId="49">
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                <text>Orlando (Fla.)</text>
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          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="518275">
                <text>The Orlando Remembered Exhibit at the Downtown Orlando Information Center, located at 400 South Orange Avenue in Downtown Orlando, Florida. The exhibit features the history of the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street, particularly in the 1940s and 1950s. Businesses and institutions featured in the exhibit include the Bass Hotel (formerly the Astor Hotel), Gator Bar, Economy Auto Store, City Cab Company Taxi Service, the Bumby-Yothers House, American Fire and Casualty Company, Nick Serros' Fish and Poultry Company, Winn-Dixie, the First Methodist Church of Orlando, the Thomas Building, Brass Rail, Fems Printing Company, American Dry Cleaners, Chamberlin’s Natural Foods, Menendez Spanish Restaurant, Foster’s Quality Foods, the Wilmott Building, Irwin's Shoes, Star Barber Shop, Keene &amp; Keene, and Ferrell Jewelry. In the early 1960s, the buildings within the block were demolished and replaced by the Barnett Plaza and CNA Tower in 1952. The lot now includes the Downtown Orlando Information Center and the BB&amp;T Bank building.</text>
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            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="518276">
                <text>Original exhibit by &lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;: Orlando Remembered Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
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          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="518277">
                <text>Original color digital image by Robert Randall, September 22, 2014.</text>
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          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="518278">
                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;&lt;br /&gt;&lt;/a&gt;</text>
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              <elementText elementTextId="518279">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;Downtown Information Center Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection. RICHES of Central Florida.</text>
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            <description/>
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            <elementTextContainer>
              <elementText elementTextId="518284">
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            <description/>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
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              <elementText elementTextId="518288">
                <text>Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="518289">
                <text>City Cab Company Taxi Service, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="518290">
                <text>American Fire and Casualty Company, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="518291">
                <text>Hotel Bass, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="518292">
                <text>Thomas Building, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="518293">
                <text>Brass Rail, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="518294">
                <text>Chamberlin Natural Foods, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="518295">
                <text>Star Barber Shop, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="518296">
                <text>Ferrell Jewelry, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="518297">
                <text>Economy Auto Store, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="518298">
                <text>Winn-Dixie, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="518299">
                <text>First Methodist Church, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="518300">
                <text>Fems Printing Company, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="518301">
                <text>American Dry Cleaners, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="518302">
                <text>Menendez Spanish Restaurant, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="518303">
                <text>Foster’s Quality Foods, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="518304">
                <text>Wilmott Building, Downtown Orlando, Florida</text>
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                <text>Gator Bar, Downtown Orlando, Florida</text>
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                <text>Bumby-Yothers House, Downtown Orlando, Florida</text>
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            <name>Accrual Method</name>
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                <text>Donation</text>
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                <text>History Teacher</text>
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                <text>Economics Teacher;</text>
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                <text>Geography Teacher</text>
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                <text>Originally created by &lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by the &lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Cepero, Laura</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.</text>
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                <text>"&lt;a href="http://dc.ocls.info/memory/image/albertson-public-library-orlando-public-library" target="_blank"&gt;Albertson Public Library - Orlando Public Library&lt;/a&gt;." Orlando Memory, January 14, 2010. http://dc.ocls.info/memory/image/albertson-public-library-orlando-public-library.;</text>
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                <text>"&lt;a href="http://orlandomemory.info/memory/topic/orlando-street-railway-car-model" target="_blank"&gt;Orlando Street Railway Car Model Created: May 17, 2010&lt;/a&gt;." Orlando Memory. http://orlandomemory.info/memory/topic/orlando-street-railway-car-model.</text>
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                <text>Dickinson, Joy Wallace"&lt;a href="http://articles.orlandosentinel.com/2003-08-24/news/0308220528_1_history-of-orlando-downtown-orlando-orlando-remembered" target="_blank"&gt;Time Capsules Nestle In Orlando Buildings&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, August 24, 2003. http://articles.orlandosentinel.com/2003-08-24/news/0308220528_1_history-of-orlando-downtown-orlando-orlando-remembered.</text>
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              <description/>
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                  <text>As part of RICHES of Central Florida, UCF intends to record, archive, and make accessible oral history interviews of Central Florida veterans. Diversity is a main focus for this project since there are many different subgroups under the group veterans, all with important stories. While the histories will be largely archived and made available through the UCF library, a portion will be contributed to the ongoing Veterans History Project based out of the Library of Congress.</text>
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                  <text>&lt;a href="http://library.ucf.edu/about/departments/special-collections-university-archives/" target="_blank"&gt;Special Collections and University Archives&lt;/a&gt;, University of Central Florida Libraries, University of Central Florida</text>
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              <description/>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                  <text>Pearl Harbor, Hawaii</text>
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                <elementText elementTextId="510800">
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                  <text>Norfolk, Virginia</text>
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                  <text>Germany</text>
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                  <text>Qaasuitsup, Greenland</text>
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                  <text>Azores Islands, Portugal</text>
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                <elementText elementTextId="510807">
                  <text>Mediterranean Sea</text>
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              <description/>
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                  <text>&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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              <description/>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, UCF Digital Collections, University of Central Florida</text>
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                <elementText elementTextId="505468">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, UCF Digital Collections, University of Central Florida</text>
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            </element>
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              <name>External Reference</name>
              <description/>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;About the Project&lt;/a&gt;." UCF Community Veterans History Project, RICHES of Central Florida, University of Central Florida. http://riches.cah.ucf.edu/veterans/.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/109" target="_blank"&gt;Lone Sailor Navy Memorial History Project Collection&lt;/a&gt;, UCF Community Veterans History Project, RICHES of Central Florida.</text>
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                <text>Oral History of Sharon L. Ekern</text>
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                <text> Veterans--Florida</text>
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                <text>Marine Corps</text>
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                <text>An oral history interview of Sharon Ekern, who served in the U.S. Marine Corps (USMC) from 1981 to1990 and now works at the University of Central Florida (UCF) with the Student Development and Enrollment Service. This interview was conducted by Roy McKinney at UCF on November 13, 2014. Interview topics include Ekern's family life, her education, enlistment in the Marines, boot camp, advanced training, her first duty station, the San Diego Recruit Depot, Parris Island, the Cold War, being assigned to Orlando, serving as a female Marine, the Tailhook Scandal, Camp Smith, her awards and medals, life after service, her employment at UCF, and being an expert markswoman.</text>
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                <text>0:00:00 Introduction&lt;br /&gt;0:00:40 Family life&lt;br /&gt;0:01:05 Family in the Military&lt;br /&gt;0:01:19 Education before joining the Marine Corps&lt;br /&gt;0:01:45 Reason for enlistment in the Marines &lt;br /&gt;0:02:30 Family reaction to enlistment&lt;br /&gt;0:02:49 Boot camp&lt;br /&gt;0:03:42 View of instructors - then and now&lt;br /&gt;0:04:26 Most memorable experience in boot camp&lt;br /&gt;0:04:59 Being a woman in boot camp&lt;br /&gt;0:05:20 Advanced training&lt;br /&gt;0:06:01 First duty station&lt;br /&gt;0:06:24 Role at first duty station&lt;br /&gt;0:06:37 Typical day at first duty station&lt;br /&gt;0:07:20 Life at San Diego Recruit Depot&lt;br /&gt;0:08:00 How Parris Island compared to San Diego&lt;br /&gt;0:08:20 Cold War's effect on Military life&lt;br /&gt;0:08:59 Entertainment in the Military&lt;br /&gt;0:09:55 Assignment in Orlando&lt;br /&gt;0:11:10 Being a woman in the Marine Corps/ "Tailhook"&lt;br /&gt;0:12:55 Memorable moments at Camp Smith&lt;br /&gt;0:14:07 Leaving the Military&lt;br /&gt;0:14:58 Reason for leaving the Marines rather than applying to Officer Program&lt;br /&gt;0:15:31 Highest rank in the Marines&lt;br /&gt;0:15:51 Awards and medals&lt;br /&gt;0:16:33 Life after the Marines&lt;br /&gt;0:17:04 Joining UCF&lt;br /&gt;0:17:04 Contracting and purchasing&lt;br /&gt;0:17:50 Contact with Marines&lt;br /&gt;0:18:06 Military influence on life&lt;br /&gt;0:18:37 Utilizing military experience with UCF&lt;br /&gt;0:19:15 Expert marksmanship</text>
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                <text>Oral history interview of Sharon Ekern. Interview conducted by Roy McKinney in Orlando, Florida.</text>
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                <text>Pawelczyk, J. 2014. "&lt;a href="http://www.worldcat.org/oclc/5611524379" target="_blank"&gt;Constructing American Female War Veterans' Military Identity in the Context of Interviews&lt;/a&gt;." &lt;em&gt;Women and Language&lt;/em&gt;: WL. 37, no. 1: 87-112.</text>
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                <text>Chema, J. Richard. &lt;a href="http://www.worldcat.org/oclc/227212744" target="_blank"&gt;&lt;em&gt;Arresting Tailhook The Prosecution of Sexual Harassment in the Military&lt;/em&gt;&lt;/a&gt;&lt;em&gt;. Thesis (LL. M.)--Judge Advocate General's School, United States Army, 1993, 1993.&lt;/em&gt;</text>
              </elementText>
              <elementText elementTextId="517756">
                <text>Browne, Kingsley R. &lt;a href="http://www.worldcat.org/oclc/795374552" target="_blank"&gt;&lt;em&gt;Military Sex Scandals from Tailhook to the Present: The Cure Can Be Worse than the Disease&lt;/em&gt;&lt;/a&gt;. Duke Journal of Gender Law &amp;amp; Policy. Duke University School of Law, 2007.</text>
              </elementText>
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                <text>Biank, Tanya. &lt;a href="http://www.worldcat.org/oclc/795168521" target="_blank"&gt;&lt;em&gt;Undaunted: The Real Story of America's Servicewomen in Today's Military&lt;/em&gt;&lt;/a&gt;. New York, N.Y.: NAL Caliber, 2013.</text>
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                <text>&lt;a href="http://stars.library.ucf.edu/veteransoralhistories/324/" target="_blank"&gt;Ekern, Sharon L.&lt;/a&gt;</text>
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                <text>&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Today is the 13&lt;sup&gt;th&lt;/sup&gt; of November, 2014. My name is Roy McKinney and we are interviewing Dr. Sharon [L.] Ekern. She served in the United States Marine Corps from 1981 to1990 and now works at the University of Central Florida with the Student Development and Enrollment Service. I am interviewing Dr. Sharon Ekern as part of the University of Central Florida’s Community Veterans History Project. This interview is being conducted in Orlando, Florida.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;/strong&gt; &lt;br /&gt;Where and when were you born?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Union, South Carolina. September 18&lt;sup&gt;th,&lt;/sup&gt; 1962.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;What did you parents do for a living?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;My dad retired from AT&amp;amp;T, and my mom, um, who has been passed away for—gosh—uh, 28 years today, as a matter of fact. She worked for the attorney general of South Carolina.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;How big was your family growing up?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;It was my parents and two sisters.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Were any of your family members in the Military?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Yes. Um, my stepfather was full time National Guard. My uncle is a retired Navy captain, and I have a couple other uncles who served in the Air Force and Navy.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;What type of education did you have before entering the Marine Corps?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Uh, I went to a small, um, junior college, right out of high school, and was there for two semesters. So I had basically one year of college.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Was there any focus of your studies while there?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;No, not really.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Uh, why did you decide to enlist in the Marines?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Uh, I had decided during that second semester that I wasn’t ready for college at that time, and I had moved to Myrtle Beach, South Carolina, where my grandparents had retired, and there was an Air Force Base there. Uh, so I had met some Air Force friends and decided at that point that I would join the Air Force. And then when I went to MEPs [United States Military Entrance Processing Command] to do my processing, they couldn’t take me until like maybe the following year. It was maybe nine months, and I wanted to leave in the fall when my friends would be going back to school. So, um, I basically—when I got—when I was there at MEPs, I told them to take me to see the Marines. That—I didn’t want to go in the Army. I didn’t like the uniform that the Navy wore. So...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;How did your family relac—react to you enlisting?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Eh, well, they had just got used to the idea of me joining the Air Force, so when I came home and told them I was going in to the Marines, Um, it took a little while, especially for my mother and grandmother to get used to that idea.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;And where did you go to boot camp?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Parris Island, South Carolina.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;How did you feel when you entered boot camp and the whole process of going through—just getting there and your first reactions?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;I was scared to death. Um, my processing station MEPs was in Colombia, South Carolina. And it wasn’t that—maybe two hours or so. We shipped out on a bus to Parris Island, and I was the only female on the bus. and, um, the person at MEPs had, um, gi—given my package to somebody, uh—to one of the guys that was also, uh, sh—shipping out that day, and he got off the bus with my information with this drill instructor just, you know—he came on the bus and was yelling at them get on the yellow footprints. And then I had to get off the bus and go—and go tell him, you know, that somebody had my package. So I was scared to death.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;How did you feel about you instructors?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;/strong&gt; &lt;br /&gt;Um, how I felt about them now and how I felt about them then is probably different. Um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;How about both?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Yeah. I was—they kind of played different roles. There was one who was more like the motherly type, and one who was just downright mean, and the other one, who was kind of in between. Um, I was really scared of the one that was just mean, you know? I—I’ve actually been in contact recently with our senior drill instructor on Facebook, so it has been kind of nice, um, you know, touching base with her again. She retired—gosh—after—I don’t know—maybe 25 years in the Marine Corps, there at Parris Island. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;So what was your most memorable experience at boot camp?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;At boot camp? Gosh. Um, probably the physical training. I, you know—I’ve always been, um—well, probably, more so since. I’ve gotten out. I’ve been athletic, but I don’t know that I was totally prepared when I went in, so that was difficult—the ph—the physical training. So that was probably one of my more memorable.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;How did being a woman affect you in boot camp?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;/strong&gt; &lt;br /&gt;Well, in the Marines, we’re totally separate. I know in some of the, um—maybe all of the other branches—they train together, but we don’t. We’re a separate battalion and, uh, we have no contact with the men. So we were all just together.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Did you receive any advanced training?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Yeah. I went to several schools. Um, I went to a school right out of boot camp in Albany, Georgia. Um, then I went to my first duty station in San Diego. And, I believe, it was after—yeah. It was—it was after I—no. Maybe it wasn’t San Diego—where I went to another, um, supply school at Camp Lejeune, North Carolina. And then after I came to Orlando, I went into the contracting and purchasing field and went to several schools. They were at Lowry Air Force Base, because, at the time, the Marines didn’t have a contracting school so we went to the Air—Air Force schools.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;So where were you stationed after you were done with training?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;My first duty station was the Marine Corps Recruit Depot in San Diego. And then, from there I came here to Orlando to the, uh, recruiting headquarters. I was not a recruiter. I did supply, but I—I was at headquarters. And then from there, I went to Camp [H. M.] Smith in [Aiea,] Hawaii.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;What was your assignment or job while you were there?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Uh, I started out in supply and, like I said at some point, uh, in my career, I changed to contracts and purchasing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;/strong&gt; &lt;br /&gt;And, uh, what was a typical day like for you?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;We usually got—usually PT [physical training] was, you know, the first thing we did at least three days a week, if not more. Um, you know, we’d have—PT was around six A.M. and then have to be at work at 7:30. Most days were like typical work day. You know, you went to work, you had your lunch—you know, you got off at a certain time. There were other days when there might be inspections or parades or, you know, other things that might be going on. But ordinarily it was like a typical work day.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Can you describe what it was like working at the Marine—Marine Corps Recruitment Depot at Parris Island?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Well, I didn’t work there. That’s where—that’s where I received recruit training.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Okay. Can you describe what it was like working at San Dieg—the depot in San Diego?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Yeah. It was—I mean—San Diego, of course, is beautiful. And, um, it was good. Um, out there they only trained male Marines. They don’t—they don’t train any women Marines out there, but, um, it was, uh—I think it was a—you know, it was a good first duty station, uh, working with all of the recruits and, um, doing the different, you know, jobs that were assigned to me at the time. And then I worked for a colonel, just in his office, for a good bit of my time there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;How did the environments of Parris Island and San Diego compare?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Um, well, I mean—it was two totally different experiences. At Parris Island, I was a recruit, you know. I was going through recruit training and at MCRD [Marine Corps Recruit Depot]. I was—I was basically working there. I was a Marine at that point. So totally different experiences.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;How did the Cold War affect everyday life in the Military?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Um, hmm. I would say, at least for me and my job, um, you know, it di—didn’t have a big effect. We basically did what we were, you know, assigned to do at, um—at the recruit depot. It was training Marines at the, uh, MCRD—I mean, at, um, the recruiting headquarters here, it was enlisting Marines. So, um, in my everyday job, I wouldn’t say it had a big effect.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;How would you entertain yourselves, uh, during your service?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Well, um, hmm. Let me think back on that. Uh, like I said, it was—since I wasn’t a—a grunt, per se, you know, um, I left and I went home most days, unless there was something special going on, or we were out in the field, or had some special training. So, you know, I think we did pretty much what everybody would do. When I was in, um—here at the recruit station, I had a child. So, you know, I had a family just like most people and I did live in base housing. So it was—it’s a different community, Um—a different culture. But I would say we did what most people would do.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Why were you assigned to the recruitment headquarters in Orlando?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;I’m not exactly sure. Uh—we have what’s called a “monitor” in the Marines, and they decide where you’re going to be—be stationed. And, um, they just decide based on when it’s time for you to depart a duty station and what the needs are. Um, you can put in for several different things, um—several different duty stations. And this was just one that I had, you know, put in for that needed a supply person at the time. So I was fortunate enough to, you know, be stationed here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Where else did you, um, apply for a duty station at?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Gosh, you know, I really don’t remember. Um, I know one of them was in Georgia, because I’m in South Carolina. And I can’t recall now where—oh, Macon, Georgia, I believe it was, because it had a recruiting headquarters there. Um, I thought it’d be nice to be somewhat close to home. Um, but besides that, I really don’t recall.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Were you excited when you were assigned to Orlando? Or how did—how did you feel about the…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Yeah. I was excited. Um, I was excited about the job. I mean it is a bit different being in a recruiting headquarters with maybe 15 Marines ver—versus being on a base full of Marines. Uh, so it was going to be something different. And yeah. I was excited about coming to Florida.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;What was it like being a woman in the Marine Corps?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Um, hmm [&lt;em&gt;laughs&lt;/em&gt;]. It could be different at times. Um, the period that I was in was before Tailhook [Scandal]—if you’ve ever even heard of “Tailhook.” No?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;No.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;It was a big sexual harassment scandal, uh, that occurred soon after I got out of the Marine Corps. But when I was in, um, basically, sexual harassment—it was—it wasn’t something that you heard about. So—and women at that time, um, depending on where you were and who you worked with—most men—I won’t say most. Some men made it very clear that didn’t think women should be in their Marine Corps. And so it was—it could be difficult at times. I feel like you always had to, um, you know—you had to be the one to give 110 percent, you know, if you were out on runs or just in your everyday job just to prove yourself.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;/strong&gt; &lt;br /&gt;Was there any time that you felt that you had to prove yourself to someone that was—that looked down on you as a woman in the Marine Corps?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;/strong&gt; &lt;br /&gt;Oh, yeah. Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Is there any—any example that you can—you can tell us?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Um, hmm. I don’t know that I can think of just something—like a particular example. It was more the comments—the everyday comments. Um, it was the things—when we did have to go out on marches or runs, and there were women who couldn’t keep up and, you know, there were women who made up excuses&lt;strong&gt;. &lt;/strong&gt;And, you know, that—I think that made it harder for the rest of us, but…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Are there any specific events during your service that stand out in your memory?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;/strong&gt;              Events such as?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Um, anything. Um, s—something that you enjoyed, or something that you didn’t enjoy, or just something that sticks out in your memory?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Yeah. At Camp Smith—Camp Smith is built on like the side of a big—I guess you’d call it a mountain. Um, so everything we did was either going up or going down. So anytime we PT’d, we were either running up or we were running down. And we would go on like these marches with, you know, the packs and the Kevlar helmets. And along the side of this mountain—and you’d look down and there wouldn’t be much over there. So that has always stuck out in my mind a lot.&lt;/p&gt;
&lt;p&gt;But it was also beautiful there, which, um—I mean, I will definitely have to say I really enjoyed probably being in Hawaii the most, where we were at Camp Smith. Um, with it being on the side of a mountain, you know, we’d look out one side of where we worked and you’d see, um, Diamond Head and look out the other side and there was Pearl Harbor. I mean, it was—it was just a beautiful place to be.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;And when did you leave the Military?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;1990.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;What was your last day like in the Marine Corps?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Sad. Yeah. Really sad. Um, you know, it—even though it was my choice to leave, uh, I had just kind of come to a point where I had to decide. I had finished my bachelor degree and I had to decide if I wanted to, um, try to get into an officer program or, you know, or to get out. And I had made that decision at that point to get out. And, uh, even though I had, you know—it was still difficult to do. You know, I had done this for nine years, and I really, um—I really liked what I did. I felt proud of what I did and I still do. So it was hard going from that to the unknown, you know.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;What motivated you to decide to leave the Marines and not go into an officer program?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Well, an officer program isn’t a guarantee. So if I had signed another enlistment, you know, for three to four years, there’s no guarantee that I would have gotten an officer program. And at the time, I had a three year old son, um, and was a single parent. So that had a lot to do with it.&lt;/p&gt;
&lt;p&gt;Um, [Operation] Desert Storm&lt;a title=""&gt;[1]&lt;/a&gt; was right on the horizon. That started like three months after I got out. So at that point, I did feel like I had, you know, made the right decision. But…&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;What was the—your highest rank, uh, at the time you left the Marines?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;I was an E[nlisted Rank]-5 Sergeant, but I was a Staff Sergeant Selectee. Meaning: I had been selected for the next rank. Um, but you just have to wait for a certain date. Um, so I was a Staff Sergeant Selectee.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Were you awarded any, uh—any awards or medals or citations?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Yeah. There were several things, like good conduct medals, national, uh—no. meritorious, um—oh gosh. I had it on my, um, commendation medals, meritorious. Uh, can I look at my DD [Form] 214 [Certificate of Release or Discharge from Active Duty]? I’ve got it with me.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;‘Cause I thought I might not remember something [&lt;em&gt;laughs&lt;/em&gt;]. Let’s see. Meritorious unit commendations, um, certificate of commendations, good conduct medals, meritorious mast, certificate of appreciations, letter of commendations and recognition. So those kinds of things.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;What did you do after you left the Marines?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Uh, I decided to come back here to Orlando. Um, I didn’t have a job, at the time, lined up, but, um, I had real—I liked Orlando when I was here, uh—when I had been stationed here. And Orlando was sort of close enough to home, but not, you know, too close. So, uh—and I still had some friends here.  So I decided to come back to Orlando. I had a job. I had a civilian job, um, for about six months before I started work here at UCF [University of Central Florida].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;How did you come—how did you come—become involved with UCF?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Well, when I—I—like I had said, I was a contract—I did contracts and purchasing when I was in the Marines. And, um, the job opening here was for the assistant director of purchasing. So I had applied for that and got that job. So that was my—my first position here. So my training in the Marine Corps had, you know, a direct effect on what I do now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;I know this is kind of late but what does contracting and purchasing entail?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Um, basically we purchased anything that, you know, was needed there on the base. So, it’s—yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Is there anyone you still keep in contact with from the Marines?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Mmhmm. Mostly on Facebook. So that’s been a—yeah—a good way to connect with people. And then, um, I went to my first Marine Corps ball in like 25 years this past weekend. So that was—that was really nice. Brought back a lot of good memories.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Do you feel your Military experience changed you?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Oh, yes. Definitely. Yeah. Um, like I—like I said, it’s—it’s such a different culture. It’s—it’s even hard to explain, you know? It’s—it’s like I had a 100,000 big brothers and they could pick on me, but nobody else could. And, you know, the—the skills and the leadership, and the, um—they’re just all things that I don’t think I could have learned anywhere else.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Did you find it easy incorporating that into—your Military experience into your career here at UCF?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt; I think it was difficult in the beginning, because the Military is very, you know, black and white. Um, and coming here wasn’t exactly that way. So, even in purchasing, now there are a lot of rules and regulations, uh, in the field of purchasing with the State [of Florida]. It’s still very different than, um, being in the Military. But I think my work ethic, my discipline, um, you know, leadership—I think all of those skills were definitely transferable to what I do here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Is there anything else you would like to talk about with us today?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Hmm. I can’t really think of anything at this time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;I noticed that you had, uh—you were an expert marks[wo]man in the M16-A1…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Yeah. Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;How was, uh—do you still shoot?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;No. I don’t. I did it with my son a couple of times, but it’s been awhile. Um, as a matter of fact, when I first went into the Marine Corps, women did not even qualify with the rifle, which they all do now. But, um—so, in San Diego, that was the first time I’d had to do rifle qualifications, and I was actually second on the—on the, uh—uh, at the range that week. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Yeah. I noticed it said you were “expert marksman.” That’s very impressive.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Yeah. Yeah. Expert with the rifle. Only a marksmen with the, uh, pistol. But yeah, I was a good shot [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;I’d like to thank you for joining us here today, for helping us out with the Community, uh, Veterans [History] Project and thank you for your service.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;You’re welcome.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; First Persian Gulf War.&lt;/p&gt;
&lt;/div&gt;
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                  <text>Operation Enduring Freedom is the official name for the "military conflict" commonly known as the "War in Afghanistan," which is a group of military actions within the Global War on Terror (GWOT). The operation in Afghanistan is an ongoing conflict between Afghanistan, the United States, Russia, the United Kingdom, France, Canada, Poland, Germany, Italy, Spain, Australia, New Zealand, the North Atlantic Treaty Organization (NATO), Uzbekistan, Turkmenistan, Tajikistan, and the International Security Assistance Force (ISAF) against two Islamic fundamentalist groups in Afghanistan: the Taliban and Al-Qaeda. &#13;
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The Taliban came to power in Afghanistan in 1996, the same year that international terrorist and Al-Qaeda leader Osama bin Laden immigrated to the country with the invitation of the Northern Alliance. Following the terrorist attacks on September 11, 2001, the United States presented the Taliban with a  five-point ultimatum to the Taliban government, which was suspected of providing asylum to Al-Qaeda terrorists. After the Taliban rejected the ultimatum and the U.S. rejected Taliban proposals to try suspected terrorists under Islamic Shari'a law, the United States and the United Kingdom initiated military action on October 7, 2001. Although the U.S.-led coalition removed the Taliban from power initially and severely damaged Al-Qaeda in Afghanistan, the operation has overall had little success in defeating the Taliban insurgency. Operation Enduring Freedom has been transformed into a full war and has thus far lasted significantly longer than expected.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;About the Project&lt;/a&gt;&lt;span&gt;." UCF Community Veterans History Project, RICHES of Central Florida, University of Central Florida. http://riches.cah.ucf.edu/veterans/.&lt;/span&gt;</text>
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                  <text>Center of Military History. &lt;a href="http://www.worldcat.org/oclc/55079497" target="_blank"&gt;&lt;em&gt;Operation Enduring Freedom: October 2001-March 2002&lt;/em&gt;&lt;/a&gt;. Washington, D.C.: [U.S. Army Center of Military History], 2004.</text>
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                <elementText elementTextId="511566">
                  <text>Neumann, Brian F., Lisa M. Mundey, and Jon Mikolashek. &lt;a href="http://www.worldcat.org/oclc/856994805" target="_blank"&gt;&lt;em&gt;Operation Enduring Freedom&lt;/em&gt;&lt;/a&gt;. 2013.</text>
                </elementText>
                <elementText elementTextId="511567">
                  <text>Tripp, Robert S., Kristin F. Lynch, John G. Drew, and Edward Wei-Min Chan. &lt;a href="http://www.worldcat.org/oclc/427704785" target="_blank"&gt;&lt;em&gt;Lessons from Operation Enduring Freedom&lt;/em&gt;&lt;/a&gt;. Santa Monica, CA: RAND, 2004.</text>
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                <elementText elementTextId="511568">
                  <text>Wright, Donald P. &lt;a href="http://www.worldcat.org/oclc/316737060" target="_blank"&gt;&lt;em&gt;A Different Kind of War: The United States Army in Operation Enduring Freedom (OEF), October 2001-September 2005&lt;/em&gt;&lt;/a&gt;. Fort Leavenworth, KS: Combat Studies Institute Press, US Army Combined Arms Center, 2010.</text>
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                <text>Oral History of Joshua "Josh" R. Dull</text>
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                <text> Veterans--Florida</text>
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                <text> Global War on Terror, 2001-2009</text>
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                <text> Afghan War, 2001-</text>
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                <text> Post-traumatic stress disorder--United States</text>
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                <text>An oral history of Joshua R. Dull, a Creative Writing student at the University of Central Florida (UCF) in Orlando, Florida. Dull served in the U.S. Air Force (USAF) during the Global War of Terror (2001-2009) and completed his service as a Senior Airman. Dull discusses his family's military background, his experience in basic training, tech school, the Davis-Monthan Air Force Base, deployments in Qatar at Al Udeid Air Base and in Afghanistan, operating cryogenics, leisure time in a war zone, maintaining a romantic relationship while deployed, struggles in life after service, and working at the UCF Veterans Academic Resource Center (VARC) and helping veteran students.</text>
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                <text>0:00:00 Introduction&#13;
0:00:26 Early childhood&#13;
0:03:45 Basic training&#13;
0:06:15 Tech school&#13;
0:07:09 Active duty/Davis-Monthan Air Force Base&#13;
0:07:47 First deployment - Qatar - Al Udeid Air Base&#13;
0:09:20 First impression of Qatar&#13;
0:10:07 Locals in Qatar&#13;
0:12:09 Memorable day in Qatar/leaving&#13;
0:13:45 Second deployment ─ Afghanistan&#13;
0:15:42 First impression of Afghanistan&#13;
0:17:04 Operating cryogenics elements&#13;
0:17:30 Memorable day in Afghanistan/movie night&#13;
0:19:11 9/11 in Afghanistan&#13;
0:20:52 Rocket attack response&#13;
0:22:32 Funny story – sabotaging supervisor&#13;
0:24:40 Feelings leaving Afghanistan&#13;
0:25:58 Being in relationship while in Afghanistan&#13;
0:27:49 Life after service&#13;
0:29:45 Awards/medals earned for service&#13;
0:31:18 Today's activities&#13;
0:32:11 Working at the UCF VARC and helping veteran students&#13;
0:32:42 How service has affected life</text>
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                <text>Oral history of Joshua R. Dull. Interview conducted by Rachel Williams at the &lt;a href="http://www.ucf.edu/" target="_blank"&gt;University of Central Florida&lt;/a&gt; in Orlando, Florida.</text>
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                <text>&lt;a href="http://stars.library.ucf.edu/veteransoralhistories/278/" target="_blank"&gt;Dull, Joshua R.&lt;/a&gt; Interviewed by Rachel Williams. Audio/video record available. &lt;a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, RICHES of Central Florida, University of Central Florida, Orlando, Florida.</text>
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                <text>&lt;a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, RICHES of Central Florida, University of Central Florida, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/96" target="_blank"&gt;War in Afghanistan Collection&lt;/a&gt;, UCF Community Veterans History Project Collection, RICHES of Central Florida.</text>
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                <text>Digital transcript of original 34-minute and 2-second oral history: &lt;a href="http://stars.library.ucf.edu/veteransoralhistories/278/" target="_blank"&gt;Dull, Joshua R.&lt;/a&gt; Interviewed by Rachel Williams. Audio/video record available. &lt;a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, RICHES of Central Florida, University of Central Florida, Orlando, Florida.</text>
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                <text> Davis-Monthan  Air Force Base, Tucson, Arizona</text>
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                <text> Bagram Airfield, Bagram, Parwan, Afghanistan</text>
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                <text> Dull, Joshua R.</text>
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                <text> 20-page digital transcript</text>
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              <elementText elementTextId="517684">
                <text>Originally created by Rachel Williams and Joshua Dull and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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                <text>&lt;a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, UCF Digital Collections, University of Central Florida</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <elementText elementTextId="517692">
                <text>Belasco, Amy. &lt;a href="http://www.worldcat.org/oclc/73526824" target="_blank"&gt;&lt;em&gt;The Cost of Iraq, Afghanistan, and Other Global War on Terror Operations Since 9/11&lt;/em&gt;&lt;/a&gt;. [Washington, D.C.]: Congressional Research Service, Library of Congress, 2006.</text>
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                <text>Baker, K. J. &lt;a href="http://www.worldcat.org/oclc/795120466" target="_blank"&gt;&lt;em&gt;War in Afghanistan A Short History of Eighty Wars and Conflicts in Afghanistan and the North-West Frontier 1839-2011&lt;/em&gt;&lt;/a&gt;. Dural Delivery Centre NSW: Rosenberg Publishing, 2011.</text>
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                <text>Collins, Joseph J. &lt;a href="http://www.worldcat.org/oclc/720899564" target="_blank"&gt;&lt;em&gt;Understanding War in Afghanistan&lt;/em&gt;&lt;/a&gt;. Washington, DC: National Defense University Press, 2011.</text>
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                <text>Finley, Finley, Erin P. &lt;a href="http://www.worldcat.org/oclc/732959290" target="_blank"&gt;&lt;em&gt;Fields of Combat Understanding PTSD Among Veterans of Iraq and Afghanistan&lt;/em&gt;&lt;/a&gt;. Ithaca: ILR Press, 2011.</text>
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                <text>&lt;a href="http://stars.library.ucf.edu/veteransoralhistories/278/" target="_blank"&gt;Dull, Joshua R.&lt;/a&gt;</text>
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              <elementText elementTextId="517697">
                <text>&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;Today is November 13&lt;sup&gt;th&lt;/sup&gt;, 2014. I am interviewing Mr. [Joshua] "Josh" [R.] Dull, who served in the United States Air Force. He served during the [Global] War on Terror and completed his service as a senior airman. My name is Rachel Williams and I am interviewing Mr. Dull as part of the UCF [University of Central Florida] Community Veterans History Project. We are recording this interview at UCF in Orlando, Florida.&lt;/p&gt;
&lt;p&gt;Alright. So to start, I’m just going to ask you some basic questions about your early childhood. So can you tell me where you were born?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Melbourne, Florida.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;And what was your child like—childhood like?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull &lt;br /&gt;&lt;/strong&gt;Childhood?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams &lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;It’s a very broad question. Um, lower middle class suburban. My dad was actually in the Air Force. I was what prompted him to join the Air Force. So my earliest memories are actually in Alaska. That’s where my youngest sister was born, Heather [Dull], and—yeah. We were stationed at Elmendorf [Air Force Base], at the time. Shortly after that, we moved to Washington. We had two houses there, but we lived in the Tacoma[, Washington] area. I think that could be McChord [Field], but I could be mistaken.&lt;/p&gt;
&lt;p&gt;So my dad got out the Air Force and, um—that year. About 1992-’93, we moved back to Florida, so we could be around our grandparents, because our whole family is from the Brevard County area. So, um, yeah. My parents basically stayed broke trying to give us a good—at least, middle class—upbringing. We had a strong support group with our aunts, uncles, grandparents, especially—few of our cousins. So we moved from there to Wyoming when I was in eighth grade—when I was 13. So that was kind of rough, ‘cause we left that whole support group around. Love my parents and they were good people, but they’re kind of hard-lined disciplinarians and kept us pretty sheltered too. At least me anyway, ‘cause I was the oldest. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams &lt;br /&gt;&lt;/strong&gt;Alright. So you said your dad was in the Air Force. What did your mother do for a living?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Good question. She kind of bounced around from job to job while we were in Florida. She kind of—her and my dad met at the airport in Melbourne.&lt;a title=""&gt;[1]&lt;/a&gt; That’s where they—yeah. They were working there at the time and got married from there, but—I don’t know if she worked while my dad was in the Air Force. and then I just remember her having an array of jobs when I was a kid. I think the last one was a—she was a secretary at a[sic] optometrist or an optometry clinic. So she’s working now for Empower Wyoming, which helps teach women self-defense skills, and I believe she has a—yeah. she does something with substance abuse prevention in Wyoming, so yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;So your dad served in the Air Force. Did any other family members serve?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;My granddad was in the Navy, on my mom’s side. He was—he served during World War II. I had a couple cousins who were—or great cousins, I guess—who were—I’m not sure—Army or Marines or whatever. They served during Vietnam [War]. Great-grandfather served in World War I. I mean, I currently have one cousin who’s in the Marines. another who’s honorably discharged from the Marines.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;So how much education did you have before going into the military?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;High school and like one semester of college.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;How long were you in the service?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Five years.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams &lt;br /&gt;&lt;/strong&gt;And when did you start basic training?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;I began basic training on May 20&lt;sup&gt;th&lt;/sup&gt; of 2008.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;And what did you think of basic training?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Sucked.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;Why do you say that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Well, let’s see. We were herded onto a bus at about 3 in the morning, and as soon as we stepped off, people are yelling and screaming and cussing at you. Well, actually not necessarily cussing. That wasn’t allowed by this time. back in the day it was. They cuss at you in private, but whatever. But yeah.&lt;/p&gt;
&lt;p&gt;You know, basic training—it’s not designed to be fun. It’s not designed to be easy. Yeah. my first memories were doing my best to not get yelled at. Kind of following in the group think almost. And I remember we’re standing in our bay outside our beds and there’s this guy named Master Sargent Romero just screaming at us. And he kinda looked like Danny Trejo from &lt;em&gt;Once Upon a Time in Mexico&lt;/em&gt;. Scary guy, you know? [&lt;em&gt;laughs&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;Alright. Describe a typical day during basic training.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull &lt;br /&gt;&lt;/strong&gt;During basic training? Well, at 4:45 in the morning, &lt;em&gt;Reveille&lt;/em&gt; plays. Sleep is fleeing from your eyes as your TI [Training Instructor] and others are screaming at you. “Get up! Get up! You make me sick! Get your ass outta bed!” Whatever. You line up in the hallways and wait for the element leaders or whoever to lead us down—down to the pad, which is outside the squadrons. All the squadrons or all the flights in the squadrons had to sound off—the TIs leading them. You start the day with PT—physical training. So running, push-ups. All the while, people are yelling at you. It got better throughout the course of basic training, but at the beginning, definitely not.&lt;/p&gt;
&lt;p&gt;Then you had chow. That lasted about five minutes, if you were lucky. You learned to basically just put all your breakfast items between two thick pieces of French toast and that was your breakfast, ‘cause that’s the only way you could eat everything. Then you had to fall out. Then it was just a lot of marching and folding laundry and cleaning up the bay and doing military in-processing stuff. Regular appointments. And also prepping for the graduation ceremony.&lt;/p&gt;
&lt;p&gt;So nighttime, the TI would have a—at about 5 o’clock, TI would wind down with us. He’d tell us what went on that day, what we need to accomplish the next day. He gradually got nicer as the course of basic training went on. That was also when you got your letters and stuff, so yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;Did you have any special training?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Special training? Like, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;Anything other than basic training to get you ready for some special…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Yeah. Everybody goes to—in the Air Force—well, in the Army, it’s called “A-School,” but in the Air Force it’s called “Tech School.” That’s immediately following basic training. My original job was supposed to be Explosive Ordinance Disposal. So that’s what I began doing. Learning about various explosive devices, bombs, missiles, other projectiles; how to disarm them; which is mainly blow them up in place. We actually got to do that. That was pretty cool. One of the highlights of my service. But unfortunately, I didn’t make it through EOD training. Well, actually I say “fortunately” now in retrospect, but yeah.&lt;/p&gt;
&lt;p&gt;So after that, I went to fuels tech school in Wichita Falls, Texas. And that was completed in six weeks, and then I was ready for active duty.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;So, where did you go once you were ready for active duty?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;My first and only duty station was Davis-Monthan Air Force Base in Tucson, Arizona.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;And what did you do there?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;I refueled planes and also worked with the lab out there—the fuels lab. And operated the hydro system as well.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;And how long were you there?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Well, that was my entire enlistment. However, I deployed out of there twice, so, give or take two deployments, five years. Well, actually, that’s a lie, ‘cause I forgot training and all that. I got there February 2009. So from February 2009 to end of May 2013.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;So you said you had two deployments. Where was your first deployment to?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;To [Doha, ]Qatar. Al Udeid Air Base.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;And how long were you there?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Six months, give or take a few days.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams &lt;br /&gt;&lt;/strong&gt;And what did you do there?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;I refueled planes. Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;So describe a typical day when you were deployed there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;In Qatar?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Qatar was an awesome deployment, in retrospect. Well, a typical day was—at least before the Iraq War ended, ‘cause I was there right when that occurred, I think. It was very busy. You’d get there at work at about—well, you rode a bus to work at about—I—6:30 in the morning. Got there at 7. you’d have a morning briefing. Then you’d just take your backpack, you’d load it up—load it up with water, Gatorade—we used these energy drinks called “Rip Its.” If you can find them over here, you, like, stock up on them, because that’s what you had when you were deployed. But yeah, we had like this big stash of just free food that had been donated throughout. You just—that was basically it. You went to truck and you saw the—the shop again for lunch and the—again, when somebody was relieving you for the next shift to come on. After the Iraq—after the actions in Iraq started winding down, though the work load started to decrease, so you actually got to hang out in the building a little more throughout the day. So that was both good and bad. Got a lot of reading done.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;So what was your first impression when you got to Qatar?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Mmm. Kind of a culture shock really, ‘cause, to be honest, I had never left the country before that so. And, I guess, the reality of actually being in a deployed zone, like, never in my—at that time, I think, 22-23 years of life—did I ever actually think I would be in that place. and—I don’t know—it was kind of scary at first, ‘cause I’m removed from everything. I don’t have as much freedom, just because—it’s not a distinctly oppressive environment. it’s just long shifts and you’re away from everything. Don’t have a car. Stuff like that. And I got so used to my little world over here that—so it was a bit of an adjustment.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;Did you encounter any locals there?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull &lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;What did you think of them?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Well, Qatar was—that was a very awesome experience, I thought. Very—very eye-opening, in a sense, too. We were actually—because it’s a non-hostile country, we were actually allowed to occasionally go downtown with commander’s approval. I got to do that about three times. I could have done it more, but I worked night shift and that basically meant going off base—meant being awake 24 hours straight [&lt;em&gt;laughs&lt;/em&gt;]. But I met, um—I didn’t meet a lot of the actual Qatari nationals, ‘cause they’re considered royalty over there. You see them, but it’s not like you actually stop and converse with them. The few I did, they were seemingly pleasant. Um, there were a lot of Sri Lankan-Nepalese people there that—they worked most the areas and, you know, shops and whatnot.&lt;/p&gt;
&lt;p&gt;I had my first experience with bargaining. It was an Indian man named Hakthor. I’ll never forget the guy, ‘cause I remember he’s got this jewelry shop. And I just remember I was looking for presents to send home and he tells me a price and I’m like, “No. I’m not paying that.” He’s like—so he sits here, like trying to justify. He’s like yelling, so I’m yelling back at him like, “No. No way. There’s no way I’m paying for that.” I’m finally walking out the door, I say—he’s like, “Come on. Just tell me a price.” I’m like, “Fine. I’ll give you about 400 riyal for that and that’s it. I’m leaving.” He’s like, “You know how much I sell these for? 800 riyal. I’ll do it for you, but nobody else.” So after I buy it, suddenly he’s my best friend. He’s like, “Thank you so much,” and starts giving me all this free stuff, asking me if I want tea. Pours me up some tea, asks me if I want it with milk, and we just sat there and talked. I still remember where his shop is, so if I’m ever in the souqs in Doha, Qatar, I know all I got to do is walk down this little alleyway and turn right and I can find Hakthor’s shop. So yep.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;So tell me about your most memorable day there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;My most memorable day in Qatar?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull &lt;br /&gt;&lt;/strong&gt;Leaving [&lt;em&gt;laughs&lt;/em&gt;]. Um, I don’t know, ‘cause most of the days were just so similar. Even the days off—like, I had my own routine. Um—crap. Most memorable day—yeah…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;Well, why don’t you tell me about leaving—that day.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Okay. Well, it was a very elating experience, because you spent six months just daydreaming about all the stuff you were going to do once you got back. Because that’s one thing you realize once you get there, is how much of being stateside you take for granted. like being able to just drive somewhere and see people, just being able to go to your favorite sushi restaurant, or you know, just the various things you can do to unwind, like hiking out in the desert. That was something I liked to do out there.&lt;/p&gt;
&lt;p&gt;There was a place called Picacho Peak [State Park] between Phoenix[, Arizona] and Tucson. I’d just—randomly, I’d drive there and hike the thing and come down, but you can’t do that over there. You live in a very small compound and—similar area, so—it was—everybody actually cheered when my plane actually left the tarmac, ‘cause we were finally going home. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;So that was your first deployment.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull &lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;Where was your second deployment?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;That was Afghanistan.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;And what was it like there?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull &lt;br /&gt;&lt;/strong&gt;Not as cushy [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams        &lt;/strong&gt;How so?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Well, because you don’t get to go off base there, ‘cause it’s actually dangerous outside. V-22 rockets and mortars are launched at you about twice a week. A little bit more during Ramadan, ‘cause I was deployed for those months. 9/11&lt;a title=""&gt;[2]&lt;/a&gt; was a particularly scary day. I’m sure those questions are coming up though.&lt;/p&gt;
&lt;p&gt;But no, there’s the big burn pits. The air was always kind of smoky. The place was kind of just like—I was in Bagram Airfield[, Bagram, Parwan, Afghanistan], and it was basically like living on a big construction site with an airport. So a lot of left over buildings from the early days of the campaign, and also from the Russian occupation.&lt;a title=""&gt;[3]&lt;/a&gt; Right where I was living, there was this big, old, disused—well, it’s been renovated, but it used to be the air traffic control tower when the Russians&lt;a title=""&gt;[4]&lt;/a&gt; owned it. So we—it was rumored to be haunted. Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;So how long were you in Afghanistan?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;That was six months and some change. We actually got held over for a couple weeks. We were supposed to be back around Thanksgiving. didn’t get back until December 4&lt;sup&gt;th&lt;/sup&gt;. Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;Why was that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull &lt;br /&gt;&lt;/strong&gt;Um, it’s tough to catch a flight out of there, to be honest. They had to constantly change the itineraries. ‘Cause every time somebody updates on social media, they see it, and then they got to change it, so someone outside isn’t watching and knowing what planes to shoot at. At least that was what I was told. I don’t know.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;Makes sense.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;What did you think of Afghanistan when you first got there?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;I was a little more prepared for it, but when I finally saw, like, the living quarters and just the base itself, I thought, &lt;em&gt;Man, I miss Qatar.&lt;/em&gt; I used to complain about that place and—yeah. yeah. At least I had a swimming pool there [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;So in what way was Afghanistan’s living quarters different from Qatar’s?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull &lt;br /&gt;&lt;/strong&gt;Well, in Qatar—in Qatar, I lived in these things called—well, I don’t remember what the name for them was. I think it was “trailers” probably. It was two to a room—I mean, it was supposed to be four to a room, but they didn’t do that to you. They just put you in with two people. You had like a mini fridge and all that. Bathrooms were located outside though. that kind of sucked. It was basically just this long hallway with rooms off each side, and it was a single-story building. Guys and girls in both buildings—in—in the building. So you weren’t allowed to go in each other’s rooms but, you know.&lt;/p&gt;
&lt;p&gt;Afghanistan—there were more dorm-like buildings. They were about three or four stories. Had bathrooms located inside, so that was cool. But it was like three and four to a room and a lot smaller. Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;So what were your duties in Afghanistan?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Afghanistan—I ran the cryogenic element and the fuels department. So basically, my duties were to store liquid oxygen and issue it to the various agencies on base that needed it. mainly aerospace ground equipment. I was also in charge of shipping and receiving replacement cryogenic fluid from Al Udeid. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;And what was your most memorable day in Afghanistan?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Hmm. Once again, a lot of similar days. I’ll say one of my favorite memories from that was the first time we had a movie night, just—yeah. It’s simple, but it was fun. I mean, it was towards the end, and I guess we were kind of like finally growing closer as a unit, just the few of us that were on day shift.&lt;/p&gt;
&lt;p&gt;So one night, we decided to make this like, uh—it was somebody’s day off, so that’s how we do it. it was a tradition. We’d run to the chow hall and load up on like whatever free food we could get. It was all free, but, you know. Then we just rolled back to—we had this tent that was basically designated for recreation and stuff, like there was stuff to work out with. It was a big open space and you could just go in there and chill. And one of our supervisors—this guy, Sargent Little, had a projector. And so we just put a big sheet up, and just picked a movie off of somebody’s external, and just sat there and hung out. I mean, if there had been a 12-pack right there, it would have felt like home. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;Do you remember what movie you watched?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Well, I remember we watched &lt;em&gt;Spider-Man&lt;/em&gt; and [&lt;em&gt;The&lt;/em&gt;]&lt;em&gt; Cabin in the Woods&lt;/em&gt;—a couple others. So I don’t know. It was just one of those—it was where it almost felt like I was back home, so that was kind of cool.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;So you said that 9/11 was particularly kind of scary. Why was that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;That’s ‘cause rockets were falling out of the sky all night around base. Every time—and every time something explodes, like usually they landed on the opposite side of where I was—the east side of base. so you’d hear a boom somewhere. It sounded like somebody was setting a dumpster down, you know? But then, all of a sudden, you’d hear the alarms going off and “Incoming! Incoming!” if they saw it on time. If they didn’t see it, then it’s “IDF&lt;a title=""&gt;[5]&lt;/a&gt; impact! Take shelter! Don IBA!”&lt;a title=""&gt;[6]&lt;/a&gt; You hear every emergency vehicle on the base and that just kept going on all night.&lt;/p&gt;
&lt;p&gt;They were trying to have—they had a commemorative, like five—not 5K [kilometer]—but like “fun run” or something for, you know—to commemorate 9/11,&lt;a title=""&gt;[7]&lt;/a&gt; which, I think—I thought was a stupid idea, but that’s just me. Gathering a bunch of people in one spot in a war zone. Sure enough, at—this is the first time a rocket landed during the day. It’s like 8 in the morning, the sun’s up, and I just—I was in the bathroom, I heard “BOOM!” And I thought, &lt;em&gt;They have a signal gun or something? They never shoot at us during the day.&lt;/em&gt; Sure enough, I hear the alarm. “IDF impact! Take shelter!” So that was when they actually started attacking us, you know, during the day, at more sporadic, less predictable times, so…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;So in that event, what did you do? Like when they were attacking during the day?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Well, you stay in your dorm basically. You weren’t allowed to leave. If they—if you were like, you know—if you had to take shelter, there’s[sic] bunkers that you can dive into if you’re caught outside. If there’s nothing around, you’ve got to basically hit the ground, open your mouth, cover your ears.&lt;/p&gt;
&lt;p&gt;But that definitely wasn’t the worst one, as far as my experience though. Worst one came a couple weeks later. I was, thankfully, still in the dorms, but, the PAX [passengers] terminal right across the street got hit, and that was a loud rocking explosion. Like, it was wasn’t just the sound of, you know, a dumpster being set down. It was real. like I jumped out of my seat. I was sitting there reading, and one of my roommates was outside, and he came running upstairs white as a ghost saying, “I heard it whistle right over my head.” And suddenly you just start to hear stuff just exploding all over the base. I was actually kind of scared at that one—at that point. So we were—yeah, I think I was about an hour—two hours late to work. One of our fuel trucks got hit. One of the contractors was driving it. If he had been parked about three feet back, he’d be dead. Our expeditor pick-up actually took shrapnel too. Busted out the back windows, holes up and down sides. So that was the closest to home it came. Actually, I think I kept a piece of shrapnel. So yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams        &lt;/strong&gt;So do you have any, like—a funny story that sticks out in your mind while being either in Qatar or in Afghanistan?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull                &lt;/strong&gt;Um, yeah. Can I say it on a camera?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;Go for it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull &lt;br /&gt;&lt;/strong&gt;Okay. We had a supervisor that pissed us off. He was this guy named Sargent Myer and—just no one liked him but supervision. He threw people under the bus. He was in charge of another shop and he just dealt out these draconian punishments for rules that didn’t even exist. Like doing a walk around. Walking around your truck to inspect it after you parked it. It’s not necessary, but somebody didn’t do that, so he took away all their reading materials—whatever. This guy was a douche.&lt;/p&gt;
&lt;p&gt;So I found out about a site called stickerjunkie.com, where you can pay like 25 dollars for a hundred stickers. So I was bored one day sitting at my computer, and I decided to mess around with it and wrote, “Sergeant Myer licks balls and jerks off donkeys with his mouth.” [&lt;em&gt;laughs&lt;/em&gt;] My supervisor read it. He’s like, “That’s hilarious. You’re not buying that, are you?” And I’m like, “We get hazardous duty pay. sure, why not?” I bought a hundred of those stickers and distributed them to everybody in the—in the flight that was in on it. And those are to this day still decorating various places in Bagram Airfield, Kyrgyzstan Air Base,&lt;a title=""&gt;[8]&lt;/a&gt; um, a jet engine somewhere in Al Udeid. Yeah [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;How did your supervisor feel about that? [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Well, he didn’t find out until like the last day we left. He saw one of them sitting on the USO [United Service Organizations. So he’s like, “Oh, no.” He tried to laugh it off, you know, like, “It’s cool. I’m not mad,” but he was. He had no idea who did it to him either.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams &lt;br /&gt;&lt;/strong&gt;So did you serve anywhere else overseas other than Qatar and Afghanistan?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull &lt;br /&gt;&lt;/strong&gt;No.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;What did—or how did you feel once you were leaving Afghanistan? Describe your last day there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Um, a lot of kind of mixed emotions. I was definitely glad, but—I don’t know. There was just a lot—um, my plan was—well, this is what ended up happening. My deed of discharge was coming up about four months after I got back from Afghanistan. So there was a lot of that on my mind. Knowing that once I landed, I was pretty much gonna have to start getting ready to, um, basically end my entire military career and move back to Florida. Most of that was already in the works. It was just applying to UCF and getting my affairs in order, so there was a bitter sweetness.&lt;/p&gt;
&lt;p&gt;Plus, I was in a relationship that was kind of just on its downward spiral. Like, I’d actually—we’d actually broken up once like a week before I got back, but then got back together and—I don’t know. it was just different. I was definitely glad to be back, of course, but it wasn’t—it wasn’t the elating experience that it was leaving Qatar. I guess, just because—I don’t know. I was in a different place then. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;So you said that you were in a relationship while you were overseas in Afghanistan?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;What was that like?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Hmm. Well, definitely strained. Part of it was—I don’t know. Um, it was cool at first, but that was because we had like just met up before I left, so we were still in that stage of the relationship. We were talking everyday, messaging each other on Facebook, talking about the future when I get back. I’d always—I’d post YouTube songs on her Facebook, you know. Cute stuff like that.&lt;/p&gt;
&lt;p&gt;But, after a while, it just sort of—I don’t know—tapered off. I said something insensitive at some point, I guess. I don’t know. I’d probably be—I undoubtedly became insensitive, because, after a while, the stress of the place just gets to you. Pretty soon you can’t, you know—you’re not in a good mood. When you’ve seen enough fallen warrior ceremonies—I helped out with a couple casket missions. I had to see casualties, um, you know—you see stuff like that, suddenly you don’t really want to sit here and type out, “Oh, I love you,” and “Hugs and kisses,” and “Butterflies,” and, you know. So she sees that change and can’t really appreciate it, I guess. so pretty soon, every conversation we were having was just—had this undercurrent of like—what’s the word I’m looking for—I actually wrote a non-fiction piece about it that described it perfectly, but I’ll be damned if I can think of it now. But yeah. Needless to say, there was a lot of strain on that. I’m surprised it lasted as long as it did.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;So what has life been like after leaving the service?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;It was a stressful transition for me, but part of that was ‘cause, as soon as I landed from Afghanistan, I was trying to deconstruct that life and try and start a new one so. I didn’t really have the time to come down from it, I guess. Um, yeah. I dealt with a lot of just anxiety and depression. I had some—I’d say alcohol abuse. I wasn’t an alcoholic, but it was enough to where it was causing certain people—the VA [Veterans Administration] and others concern. Yeah.&lt;/p&gt;
&lt;p&gt;So I don’t know, there was a long period when I first got back here where I was consistently pissed off 24/7. If I wasn’t mad, pissed off, whatever, I was depressed. Um, it sucks, but I only remember like one or two days of that first summer here being actually, you know, kind of happy and at peace. Part of that is just—school’s tough, and part of it was an end of another relationship in Arizona that was anterior to the military. But, also yeah. Just having to face that lack of structure for the first time in a while and kind of being in an alien place again. so…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;So do you feel like you still kind of deal with that depression and anxiety today? Or have you kind of gotten over it a little bit?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;I’m definitely a lot better off now than I was a year ago. So it’s still there, but most of that is mostly early childhood stuff that, according to my psychotherapist, was reactivated by my experiences in the military. So, um, yeah. So still kind of a struggle, but not near as bad.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams &lt;br /&gt;&lt;/strong&gt;When was your discharge date for the military?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;19 May 2013.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;And did you earn any awards or medals for your service?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Mmhmm. There are several medals that they give you, like I have Outstanding Unit Award. That wasn’t a personal achievement. That was—I won an achievement medal for my duties in Qatar, actually. and that was probably the only one I can think of that I earned on my own personal merit. And that was just for, um—for working hard, basically being proactive. I impressed enough people and also did some volunteering there too. I took some college courses while I was over there and helped process some blood units to send to other areas of the AOR [area of responsibility]. so…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;So what are you doing today?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Today? As in—this. Okay. So today I’m doing an oral history project. Then I’m—I’ve got a class—Women in Hispanic Literature. then I’m going to be conducting my own interview on my friend, Lynette, for that same class. I’m supposed to go to my anthropology lecture hall today, and then community group at my church tonight. and that’s about it. Revising a story.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;So what do you do in like your everyday life now-a-days?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull &lt;br /&gt;&lt;/strong&gt;Day-to-day life. I work at the VARC [Veterans Academic Resource Center] about three hours a day there. just helping out other student veterans with whatever issues they have. Our big focus this semester, besides Military Appreciation Week, was just trying to get people off the academic probation list, touching base with them, seeing what we can do to them to help them out and try to direct them to whatever resources we have available for them.&lt;/p&gt;
&lt;p&gt;Then I’m taking a full course load. I’m majoring in Creative Writing, so—taking Women in Hispanic Lit, ‘cause you need literature courses and diversity. Advanced Fiction Writing. I’m an intern at &lt;em&gt;The Florida Review&lt;/em&gt;, as well. So I’ve been doing a lot of work with them. And then just a gen[eral]-ed[ucation] class. so…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;Do you feel that working at the VARC and helping other veteran students—do you feel like that helps you as well?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Mmhmm. Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;In what ways?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Well, it’s fulfilling to know that you can—that you’ve helped somebody out. And I also enjoy interacting with the other veterans on campus too. I’ve grown pretty close with the work study staff there, as well. Like, we all hang out together and everything. And I’ve made a lot of friends just from people coming in and out of the—out of the VARC. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;So how did your time in the Air Force affect your life today?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Well, mostly positive. I mean, before I was living in an apartment in Cocoa Beach with a drug dealer, and a—yeah—psychopath. and I basically had a decision to make. It was either stay in this lifestyle and struggle. I’d undoubtedly end up in jail. No future there. I was always working minimum wage jobs.&lt;/p&gt;
&lt;p&gt;Or I could join the military, have a shot at going to college. I’d always wanted to be an author, and I’d always wanted to go to college, but didn’t really get that opportunity coming out of high school. So the military definitely served its purpose. The GI Bill [Servicemen’s Readjustment Act of 1944] had been excellent. I’m done with most of the requirements for my degree next semester. So, yeah. I’ve basically attained a dream. Came at a price though, but…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;Is there anything else that we have not discussed that you would like to talk about?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;Hmm. Not that I can think of.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;Alright.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull&lt;br /&gt;&lt;/strong&gt;I’m better with questions, so…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Williams&lt;br /&gt;&lt;/strong&gt;Alright. Well, that will conclude the interview. Thank you so much for your service and for talking with us today.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dull &lt;br /&gt;&lt;/strong&gt;Yeah. Absolutely. Thank you.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Melbourne International Airport.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; September 11&lt;sup&gt;th&lt;/sup&gt;.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; The Soviet Union invaded Afghanistan in December of 1979.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[4]&lt;/a&gt; Correction: Soviets.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[5]&lt;/a&gt; Indirect fire.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[6]&lt;/a&gt; Interceptor body armor.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[7]&lt;/a&gt; Terrorist attacks on September 11&lt;sup&gt;th&lt;/sup&gt;, 2001.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[8]&lt;/a&gt; Correction: Manas Air Base.&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;</text>
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                  <text>The Vietnam War was a Cold War Era "military conflict." The war was originally waged between Cambodia, Vietnam, and Laos. The United States became involved as a preventive measure to combat communism. The date of the war has been disputed, but a study in 1998 by the Department of Defense definitively put the start of the Vietnam War as November 1, 1955.&#13;
&#13;
The first combat military troops 9th Marine Expeditionary Brigade didn't arrive until 1965. With the arrival of the combat troops came the first traditional battles of combat fighting in the war. During the Vietnam War, not only did American military go into battle with and for South Vietnam, the military also trained members of South Vietnam to fight alongside during the war. Peace talks were attempted, with France moderating, beginning on May 10, 1968. These talks were unsuccessful and lasted over three years.&#13;
&#13;
The longest battle of the Vietnam War began on January 21, 1968 and didn't end until the U.S. reclaimed Route 9 on April 8, 1968, 77 days later. While the military conflict ended in April of 1975, it was a long process towards reunification and redevelopment as a country. The conflict left Vietnam in both political and economical ruins.</text>
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                  <text>&lt;a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/24" target="_blank"&gt;UCF Community Veterans History Project Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;&lt;span&gt;, UCF Digital Collections, University of Central Florida&lt;/span&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;&lt;span&gt;, UCF Digital Collections, University of Central Florida&lt;/span&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;About the Project&lt;/a&gt;&lt;span&gt;." UCF Community Veterans History Project, RICHES of Central Florida, University of Central Florida. http://riches.cah.ucf.edu/veterans/.&lt;/span&gt;</text>
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                  <text>Herring, George C. &lt;a href="http://www.worldcat.org/oclc/5126110" target="_blank"&gt;&lt;em&gt;America's Longest War: The United States and Vietnam, 1950-1975&lt;/em&gt;&lt;/a&gt;. New York: Wiley, 1979.</text>
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                  <text>"&lt;a title="American Experience" href="http://www.pbs.org/wgbh/amex/vietnam/timeline/tl3.html" target="_blank"&gt;American Experience&lt;/a&gt;." Public Broadcasting Company. http://www.pbs.org/wgbh/amex/vietnam/timeline/tl3.html.</text>
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              <text>Blank, William "Bill"</text>
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            <name>Title</name>
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                <text>Oral History of Dr. William "Bill" Blank</text>
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                <text>Oral History, Blank</text>
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                <text>  Veterans--Florida</text>
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                <text>Army</text>
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              <elementText elementTextId="517584">
                <text> Persian Gulf War, 1991</text>
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                <text> Cold War</text>
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              <elementText elementTextId="517586">
                <text> Global War on Terror, 2001-2009</text>
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              <elementText elementTextId="517587">
                <text> Yom Kippur War, 1973</text>
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              <elementText elementTextId="517588">
                <text> Iraq War, 2003-2011</text>
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              <elementText elementTextId="517589">
                <text> World War II--United States</text>
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                <text>An oral history of Dr. William Blank, who served in the U.S. Army (USA) from 1971 until 1974. Dr. Blank ultimately reached the rank of Specialist 4 and was stationed in Mannheim, Germany. Now the Director of Career Development at the University of Central Florida (UCF), Dr. Blank discusses his experiences during and after his military service. Some of the topics include the Yom Kippur War and the 1972 Summer Olympics in Munich, benefits of being in the military, personal experiences in Europe, the evolution of the military and public opinion of veterans, working with international students, and opinions of the military today and modern conflicts.</text>
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                <text>0:00:01 Introduction&#13;
0:00:32 Entering the Military&#13;
0:03:32 Training and assignment&#13;
0:04:59 Feelings on the Vietnam War&#13;
0:07:17 First experience in Germany&#13;
0:08:41 1972 Summer Olympics&#13;
0:10:28 The Yom Kippur War&#13;
0:12:42 Personal benefits of being in the military&#13;
0:14:06 Post-military experiences&#13;
0:17:13 Preparation and thought process in the Army&#13;
0:18:52 Personal time in Germany&#13;
0:20:58 Destruction of the Berlin Wall&#13;
0:22:17 Evolution of the military and public opinion of veterans&#13;
0:26:09 Issues with government&#13;
0:27:43 Homecoming&#13;
0:28:22 Family feelings on enlistment and war&#13;
0:29:07 Feelings on assignment &#13;
0:29:47 Relationships in the Army&#13;
0:31:39 Fun in the Army&#13;
0:33:00 Travel experiences and relationship with host family&#13;
0:34:43 Working with international students&#13;
0:35:12 Summary of international experience&#13;
0:35:32 Stand-out memories&#13;
0:37:13 Opinion of entering military today&#13;
0:41:16 Opinion of recent wars&#13;
0:43:37 Admiration for evolution of military and public opinion</text>
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            <name>Abstract</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517595">
                <text>Oral history interview of Dr. William Blank. Interview conducted by Gabrielle Hanke.</text>
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            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517596">
                <text>Moving Image</text>
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            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517597">
                <text>&lt;a href="http://stars.library.ucf.edu/veteransoralhistories/264/" target="_blank"&gt;Blank, Bill&lt;/a&gt;. Interviewed by Gabrielle Hank. Audio/video record available. &lt;a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, RICHES of Central Florida, University of Central Florida, Orlando, Florida.</text>
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          <element elementId="111">
            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517598">
                <text>Multimedia software, such as &lt;a href="http://www.apple.com/quicktime/download/" target="_blank"&gt; QuickTime&lt;/a&gt;.</text>
              </elementText>
              <elementText elementTextId="517599">
                <text>&lt;a href="https://get.adobe.com/reader/" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517600">
                <text>&lt;a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, RICHES of Central Florida, University of Central Florida, Orlando, Florida.</text>
              </elementText>
              <elementText elementTextId="517601">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/92" target="_blank"&gt;Vietnam War Collection&lt;/a&gt;, UCF Community Veterans History Project Collection, RICHES of Central Florida.</text>
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            <name>Has Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517602">
                <text>Digital transcript of original 45-minute and 8-second oral history: &lt;a href="http://stars.library.ucf.edu/veteransoralhistories/264/" target="_blank"&gt;Blank, Bill&lt;/a&gt;. Interviewed by Gabrielle Hanke. Audio/video record available. &lt;a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, RICHES of Central Florida, University of Central Florida, Orlando, Florida.</text>
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            <name>Conforms To</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517603">
                <text>Standards established by the &lt;a href="http://www.loc.gov/vets/" target="_blank"&gt;Veterans History Projects&lt;/a&gt;, Library of Congress.</text>
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            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517604">
                <text>Mannheim, Germany</text>
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              <elementText elementTextId="517605">
                <text> University of Central Florida, Orlando, Florida</text>
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              <elementText elementTextId="517606">
                <text> Kent State University, Kent, Ohio</text>
              </elementText>
              <elementText elementTextId="517607">
                <text> Munich, Germany</text>
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              <elementText elementTextId="517608">
                <text> Francis E. Warren Air Force Base, Cheyenne, Wyoming</text>
              </elementText>
              <elementText elementTextId="517609">
                <text> Marine Corps Base Quantico, Triangle, Virginia</text>
              </elementText>
              <elementText elementTextId="517610">
                <text> Vietnam</text>
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              <elementText elementTextId="517611">
                <text> Watergate Office Complex, Washington, D.C.</text>
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              <elementText elementTextId="517612">
                <text> Bad Tölz, Germany</text>
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              <elementText elementTextId="517613">
                <text> Bastogne, Belgium</text>
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              <elementText elementTextId="517614">
                <text> Kehlsteinhaus, Germany</text>
              </elementText>
              <elementText elementTextId="517615">
                <text> Palace of Versailles, Versailles, France</text>
              </elementText>
            </elementTextContainer>
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            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517616">
                <text>Hanke, Gabrielle</text>
              </elementText>
              <elementText elementTextId="517617">
                <text> Blank, William</text>
              </elementText>
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            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517618">
                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517619">
                <text>2014-11-21</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517620">
                <text>2014-11-21</text>
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            </elementTextContainer>
          </element>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="517621">
                <text>video/mp4</text>
              </elementText>
              <elementText elementTextId="517622">
                <text> application/pdf</text>
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            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517623">
                <text>45-minute and 8-second oral history</text>
              </elementText>
              <elementText elementTextId="517624">
                <text> 21-page digital transcript</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517625">
                <text>eng</text>
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            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517626">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="517627">
                <text> Civics/Government Teacher</text>
              </elementText>
              <elementText elementTextId="517628">
                <text> Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517629">
                <text>Originally created by Gabrielle Hanke and William Blank and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
              </elementText>
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            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517630">
                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517631">
                <text>Item Creation</text>
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          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517632">
                <text>&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517633">
                <text>Cravero, Geoffrey</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517634">
                <text>&lt;a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, UCF Digital Collections, University of Central Florida</text>
              </elementText>
              <elementText elementTextId="517635">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517637">
                <text>"&lt;a href="http://www.pbs.org/wgbh/amex/vietnam/timeline/tl3.html" target="_blank"&gt;American Experience&lt;/a&gt;." Public Broadcasting Company. http://www.pbs.org/wgbh/amex/vietnam/timeline/tl3.html.</text>
              </elementText>
              <elementText elementTextId="517638">
                <text>Herring, George C. &lt;a href="http://www.worldcat.org/oclc/5126110" target="_blank"&gt;&lt;em&gt;America's Longest War: The United States and Vietnam, 1950-1975&lt;/em&gt;&lt;/a&gt;. New York: Wiley, 1979.</text>
              </elementText>
              <elementText elementTextId="517639">
                <text>Rottman, Gordon L., and Duncan Anderson. &lt;a href="http://www.worldcat.org/oclc/190967872" target="_blank"&gt;&lt;em&gt;The US Army in the Vietnam War 1965-73&lt;/em&gt;&lt;/a&gt;. Oxford: Osprey, 2008.</text>
              </elementText>
              <elementText elementTextId="517640">
                <text>Rabinovich, Abraham. &lt;a href="http://www.worldcat.org/oclc/52464595" target="_blank"&gt;&lt;em&gt;The Yom Kippur War: The Epic Encounter That Transformed the Middle East&lt;/em&gt;&lt;/a&gt;. New York: Schocken Books, 2004.</text>
              </elementText>
              <elementText elementTextId="517641">
                <text>&lt;span&gt;Herzog, Chaim. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/1500167" target="_blank"&gt;&lt;em&gt;The War of Atonement: October, 1973&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Boston: Little, Brown, 1975.&lt;/span&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517642">
                <text>&lt;p&gt;&lt;strong&gt;Hanke&lt;br /&gt;&lt;/strong&gt;Okay. Today is the 21&lt;sup&gt;st&lt;/sup&gt; of November, 2014. My name is Gabrielle Hanke and I am here interviewing Dr. William "Bill" Blank. He served in the Army from 1971 until 1974. He ultimately reached the rank of Specialist 4 and was stationed in Mannheim, [Baden-Württemberg,] Germany. I am interviewing him as part of the University of Central Florida’s [Community] Veterans History Project and this interview is being conducted in Orlando, Florida. Alright, so let’s start off with your early years.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blank&lt;br /&gt;&lt;/strong&gt;Okay. Um, well as with most military vets, I would guess they would say a couple of words that might define their experience would be “conflict” and “adventure.” I think, you know, traditionally, that the military definitely offered both of those, and when I think of the conflict, I actually think of conflict here at home rather than abroad. Um, that was a—a pretty tumultuous time, um, in our society regarding world events, world affairs, and the military’s involvement in those events, um, specifically looking at the Vietnam War. And uh—it—it really began after I had already begun college.&lt;/p&gt;
&lt;p&gt;I was a—a college student. I’d been going to school for several months and, uh, back in 1971. In the fall of 1971, they had the lottery, and it’s not like you think of the lottery today where you can win a million dollars, but rather, the lottery was determining who was going to be getting a draft notice. And, uh, my number happened to be 31. And up until about 100, those individuals could be expecting to get a draft notice. And so, uh, we—we had a—an opportunity—I guess I’m going to call it, uh—if you knew you that you were going to be getting a draft notice, you had several months typically to enlist as a—a prelude to getting that draft notice or—or in lieu of getting that draft notice. What were the advantages of that? One was that we—we had—we were actually kind of transitioning into what they called the “all-volunteer Army,” which began a year later. So this was really a year to sort of field test some of the constructs of that all-volunteer Army. And by enlisting prior to getting the draft notice, we were able to go in under something they called the “buddy system.”&lt;/p&gt;
&lt;p&gt;And so my best friend from high school—who was coincidentally my college roommate—who also had a very low number for that lottery, we decided together to go ahead and enlist in the Army and that would give us the opportunity of going in under the buddy system. And what that really meant is that we were able to go through basic training together. And if you can imagine a couple of kids from a small industrial town, uh, in North Central Wisconsin, who had not previously ventured far from their backyard, were going to be going somewhere around the world, um, experiencing this major adventure. And so by at least starting off by having that kind of security blanket, that—that familiar face going through basic was really important and, um—and it actually meant a lot, I think, to many people, um, who had that opportunity.&lt;/p&gt;
&lt;p&gt; So we went in, we volunteered, uh—enlisted. Uh, we—we went to basic training together. And then the second benefit of enlisting rather than actually getting the draft notice was we had the ability to have input in terms of what we would be doing in the military. And since I had taken electronics classes in high school, uh, they had determined to send me to a—a communications technician program—electronics training basically—which worked well for me.&lt;/p&gt;
&lt;p&gt;And then the third benefit of enlisting was that—although it was not a guarantee—it—it really came down to the demand of the military at that time, but, um, you could at least give preferences for where you wanted to be stationed. um, and one of mine was to—to be able to go to Germany and, uh—actually, when we finished our training, I—I started off with orders for Vietnam, but because they were starting to pull back on the numbers of people they were sending to Vietnam, uh—they backed down on the Vietnam, uh, orders and transitioned them to Germany, and so I did get to go to Germany for three years. So I thought that was going to be a pretty positive experience for me.&lt;/p&gt;
&lt;p&gt;And—and, um, to—to maybe give just a little bit more background, it was—it was a really difficult time actually, um, for young men primarily—although there were some women that were also going in—but men were the ones that were getting drafted, because of the societal views on the Vietnam War.&lt;/p&gt;
&lt;p&gt;It was not a righteous war. Um, America had not been threatened. Our interests abroad had not been threatened. And so for many people in the country, um, there was resistance to the war and—and that was especially evident, um, on college campuses. Uh, having been a college student, you know, we all—we all had kind of a common perception of the war and, um, and that probably peaked in 1970, when at Kent State [University], the [Ohio] National Guard killed—I believe it was four or five students and then many others were injured as well, when the Ohio National Guard opened up on—on a group of protesters at that institution.&lt;/p&gt;
&lt;p&gt;Um, and so, going into the military, going from student to—to soldier literally in a couple of short months created, I guess, a great deal of, um, cognitive dissonance, or at least it made me really question my values and philosophies about living and learning versus, um, you know, doing my duty and, um, you know, agreeing to uh, protect, and pr—um, protect society, uh, which—which was something that, um—in my family, you know—it was pretty conservative. That was kind of a—a passed down value, um, or—or philosophy, I guess, on life.&lt;/p&gt;
&lt;p&gt;You do what you’re told to do by the authorities and—and you do it gladly. And uh, my grandfather had been in World War I and I—I remembered talking to him frequently and seeing all of his photographs. And so there was kind of that sense that, um, I need to pick up the torch in my family system and—and do my job for the military. So, two—two conflicting, um, life views really. Um—and—and I was not alone. That was pretty common I think for many young people at that time.&lt;/p&gt;
&lt;p&gt;But nevertheless, I ended up going to Germany. And, um, one of my very first experiences in Germany, ironically, was being the point person, um, in a riot squad. When you think of a riot squad as a “V” and—and they ask for somebody, or they told somebody, “You’re going to be the point person.” And that was developed because of some of the international protests to the Vietnam War. Uh, [President Richard Milhous] Nixon had been doing quite a lot of carpet-bombing, where he would just saturate the country with explosives and—and so European students were protesting, as well. So I’m a student one day and a few months later, I’m actually wearing a uniform with an M-16, with a bayonet on it, and I’m the point person with students from Germany, um, attempting to infiltrate our base or—or surge our fences—and—and that put me in a really awkward position as well. Fortunately, um, nothing happened to the extent that we had to make contact with them, um, but—but nevertheless, it—it really made me question what I was doing and—and whether or not it was a valid, um, experience. Uh, so—so that was my introduction to Germany.&lt;/p&gt;
&lt;p&gt;And then, um, just about a year later, I was actually going to teletype school, which was just outside of Munich[, Bavaria, Germany] in a small town called Bad Tölz [, Bavaria, Germany]. Teletype was sort of the prelude or the precursor to, um, e-mail. And, uh, just a—a few weeks into that training, uh, there was an attack at Olympic Village.&lt;a title=""&gt;[1]&lt;/a&gt; the—the 1972 Summer Olympics were going in Munich, by, um, a group of, um—uh, I guess for a lack of a better word, I would call them “terrorists”—the Black September [Organization] group—the—they were known as, attacked Israeli athletes and ended up—they kidnapped them initially in exchange for, um, over 200 prisoners that were in Israeli jails, uh—Arab prisoners. And, um, when Israel did not negotiate with them, they—they actually ended up killing all of the athletes, along with a German police officer. And, being in Munich at that time, all of the American soldiers were put on alert and, um, it was a pretty tense few days not knowing if that terror would—would, um, transition into some of the American facilities. Um, Mark Spitz was a—a—like a five—I think he won five golds that year for swimming. Uh, they—they rushed him out of Germany and—and flew him back to the United States being a—a Jewish athlete. So again, political, um, unrest and violence across the world, um, was starting to really boil. I think that was probably a, uh, maybe a—an omen of what was to come for America up the road, um, with the Middle East.&lt;/p&gt;
&lt;p&gt;And—and we got through it and things seemed to settle down a bit and then, literally a year later, um, my armor unit, we had about 30 to 40 tanks in—in the unit that I was stationed with in Germany, um—80-ton tanks—60-ton tanks, I guess they were. And each year, we would go up to Northern Germany to qualify those tank crews on the firing ranges. And in 1973—in the fall of ‘73—we were up there doing just that, when, um, a number of Arab countries, um, attacked Israel, um, and—and that that was led, um, primarily by, um, let me see. I need to—to—to kind of just refresh my memory. The coalition of Arab states&lt;a title=""&gt;[2]&lt;/a&gt; was led by Syria. Egypt and Syria were the two countries that were really kind of spearheading that attack. Um, they were trying to win back, uh, land that was lost years earlier in the Three Day War. This was called the Yom Kippur Wer[sic]—Wer[sic]—War, because it was occurring during that holiday—that Jewish holiday&lt;a title=""&gt;[3]&lt;/a&gt;—um, and also the Arab&lt;a title=""&gt;[4]&lt;/a&gt; holiday of Ramadan. And so, um, it was kind of ironic that we’re celebrating these two religious holidays, and in the midst of them, they—they create another war.&lt;/p&gt;
&lt;p&gt;At any rate, um, literally overnight, all of our tanks were, um, repainted in desert camouflage to—to make us ready to, um, be transported to the Middle East to intervene. Both Russia and the U.S., uh, really mustered their forces in terms of supplies and armament to their respective allies in the Middle East. And—and—and we came this close to, um, a world war with Russia at this point—the two superpowers colliding. Um, fortunately after three weeks, a—a ceasefire though occurred and, uh, that was, uh, the beginning of, um, a series of peace talks that helped to create a little bit more harmony in the Middle East.&lt;/p&gt;
&lt;p&gt;Uh, so at any rate, I—I had a number of conflicts that were right on the edge of reality, in terms of drawing my unit into all of them. And so, probably not unlike with most soldiers, there’s always that, um, impeding war or that impending, um, “police action”—as Vietnam and Korea were called—uh, on the cusp of—of every morning.&lt;/p&gt;
&lt;p&gt;Um, but—but in spite of all of that, I would say that I—I got a great deal out of the experience that I had in the military. I think when—when I look at, um, what that did for me, in terms of just the confidence and the self-responsibility, um, just the—the, um, I—I think ability to—to live my life more independently and autonomously. Um, the military was truly responsible for that. I think, in addition to that, there were relationships that were forged while in the military that were like no other relationships since, in terms of being very authentic and—and really, um, having that sense of cohesion that common bond or shared reality with other soldiers. Um, those relationships really truly turned out to be lifelong relationships.&lt;/p&gt;
&lt;p&gt;And then, in addition to, um, being able to benefit from the GI Bill [Servicemen’s Readjustment Act of 1944], as a first generation college student, I was able to—to get my education—undergraduate and graduate education—um, at least partially funded by the military. um, gave me the opportunity to really get back to the, uh, goal of—of living and learning life, helping other people, uh, develop academically as a—an educational counselor and—and educational teacher. I think ultimately, all of that cumulatively allowed me to give back to the military in that, after getting my—my graduate degree in counseling, I was able to, um, develop a course for chronically unemployed Vietnam vet[eran]s, and—and, um, administer that six-week course throughout the state of Wisconsin, resulting in a national award with an over 80 percent placement rate at the end of that year for—for these, uh, participants.&lt;/p&gt;
&lt;p&gt;And then, beyond that at other institutions, um, at Warren Air Force Base in Cheyenne[, Wyoming], I—I taught ongoing workshops for military, who are retiring after 20 or 30 years, to help them more easily transition into civilian life and the civilian workforce. And then even here at—at UCF [University of Central Florida], I have the opportunity to work closely with veterans.&lt;/p&gt;
&lt;p&gt;When we had the war with Iraq, and many of our UCF students were called out who were National Guard or Reservists, I actually created a—a long distance career counseling service for those veterans and extended it to all of their cohorts. um, and—and helped them to really, um, evaluate their life experiences in—in the face of being a warrior and how that was influencing changing career goals and helping them to adjust their academic programs, and then also to help assist them with the transition once they came back to college. Um, so, and—and then more recently, with the—the veterans academic resource grant that we got, I’m one of the committee members for that grant, and I’ve been able to really help infuse some professional development programing for veterans with job fairs and things of that nature.&lt;/p&gt;
&lt;p&gt;So ultimately, you know, I—I can go back 40 years and I can see how the military really shaped me and—and how that military thread has consistently woven through my life, um, to, you know, my—my early 60s, where I am now, and—and how that’s been such a—a, I guess a pivotal experience in my life. It shaped me truly more than any other experience I’ve had thus far. So, that’s—that’s the summary of my story and, um, I stand by it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hanke&lt;br /&gt;&lt;/strong&gt;Well, that was very good. Um, if we could go into some more details such as, uh, how were you trained during this time of there was conflict, but then there wasn’t almost. Like, it was a very iffy time. Could you tell me a little more about that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blank&lt;br /&gt;&lt;/strong&gt;Well, I—I think with—with anyone in the military at any time, you’re—you’re on constant alert and you’re involved in continuous training and we were always prepared for the worst. Um, we were ready to be mobilized as with, uh, the war, uh, in the Middle East. Literally in a few days, our entire, uh, battalion would be ready to transition over to the Middle East from Germany. Um, constant training. And I think, uh, there was also, um, quite a lot of educational programming, um, helping us to—I—I think, understand where we fit with all of the world events that were going on. Um, I don’t think we were discouraged from challenging ideas and beliefs, but I think because we were the military, there was always that, um, underlying focus on it’s our job to—to go in the event that we’re called out and do what we’ve been trained to do. It was our duty—our responsibility. So no matter where one might have been, um, in terms of their political ideologies, they were ready to do their job. And I am absolutely confident that—that we all would have done what we would have been asked to do as—as were soldiers in every war before ours.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hanke&lt;/strong&gt;Okay. And then, um, I know there was, um, the issue of the Warsaw Pact&lt;a title=""&gt;[5]&lt;/a&gt; coming around. Um, what was it like uh—I mean like the air? The aura almost of being in Germany—being so close?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blank&lt;br /&gt;&lt;/strong&gt;Well I—I did, because I was in Germany and—and because I so much enjoy and appreciate history, I did spend a—a great deal of my personal time while there learning about the history of, um, all of the events of World War II and how Europe had transformed as a result of the war.&lt;/p&gt;
&lt;p&gt;And then with the Berlin Wall going up around, um, the time of my birth, uh, it was interesting to learn more about that and—and experience what it was like behind the Curtain—the Iron Curtain. And while I was there, I spent all of my—my vacation time, uh, travelling throughout Europe, um, going actually to Southern Europe to, um, the—the Third Reich headquarters, um, and Bavaria[, Germany], and seeing some of the—the facilities—the Eagle’s Nest&lt;a title=""&gt;[6]&lt;/a&gt; that [Martin] Bormann had built for [Adolf] Hitler.&lt;/p&gt;
&lt;p&gt;And, um, and then also going to some of the countries that had been, um, uh, freed as a result of American intervention in the war. Um, France, and going up to Belgium, Holland, Luxembourg, seeing where the Battle of the Bulge occurred in Bastogne[, Belgium]. Um, and talking to people up there and actually living with a German family for the three years. I was there and hearing their stories. They were terrified of the Nazis,&lt;a title=""&gt;[7]&lt;/a&gt; I think, as any European may have been at that time. Um, it—it was really interesting to get that personal perspective from people and—and talk to people who had actually been there during those wars—during that war—and, uh, hearing their, um, personal life histories.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hanke&lt;br /&gt;&lt;/strong&gt;Yeah. That’s very interesting. And then, um, let’s see. How did you feel—I know you weren’t there at the time—but when the Berlin Wall finally came down?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blank&lt;br /&gt;&lt;/strong&gt;Um, it—it was amazing to me. and—and I—I guess what—what I guess the personal connection for me—it went up the year I was born and it was torn down the year my sons were born.&lt;a title=""&gt;[8]&lt;/a&gt; And—and so I look at, within that lifetime, what a dramatic change. And that was certainly an indication of, uh, what was to come with some of the, um, eastern countries, and now the Middle Eastern countries as well, um, as far as that goes—in terms of democracy and in terms of people having freedom of choice.&lt;/p&gt;
&lt;p&gt;So when I thought about that, it helped to legitimize my involvement during the Vietnam period, again which was pretty tumultuous, um, politically- and society-wise, um, especially as a—an 18 year old not very knowledgeable about much in life at that point. Um, every experience I had, uh, was sort of a first time exposure for me. I didn’t have the—I guess the cognitive ability to—to maybe put it all in perspective early on, it really evolved over time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hanke&lt;br /&gt;&lt;/strong&gt;And then, um—how do you feel? Has the military changed in its attitudes? As you were saying, um, your generation—you did your duty. Do you feel that that has carried over to this generation?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blank&lt;br /&gt; &lt;/strong&gt;It—it—it has, um, to my amazement and to my pleasure. I have seen amazing, amazing, changes. Colonel [Richard] Toliver talked about that even from, uh, pre-Vietnam era and World War II era—how things have changed. And I think for veterans, in particular—during the Vietnam era, we were either openly discriminated against, um, chastised, or we were politely tolerated at best, but we were never, never celebrated. I can honestly say that in 40 years, not one person ever even acknowledged my time in the service, much less thank me for it, until a couple years ago, um, here at UCF when—when the veterans’ memorial was—was opened up, about two years ago, I guess it was.&lt;/p&gt;
&lt;p&gt;And now, it’s totally amazing, is that anytime people realize that—that I had been a veteran, if I have my—my flag on or if I go to a—a veteran program here, um, they all say “Bill, thank you for your service.” I came into work on Veterans’ Day and—and there was a—a card taped to my door and all my staff had signed it, uh, thanking me for my service. And that’s like something I never ever would have expected to happen. I mean, you can’t imagine, unless you lived through it, um, you know, returning war veterans being spit upon and—and criticized and—and yelled at—to—to being thanked. I mean, that is a true, positive transition. I think it speaks volumes about how the American military is viewed in this country, at least today. Um, I had an opportunity to go to the, um, the Marine officer training school in [Marine Corps Base] Quantico[, Triangle, Virginia], and, uh, it was amazing how—how they were so excited about the opportunity to—to put themselves in harm’s way to protect their country. Um, a real different attitude, not just by society, but by soldiers as well.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hanke&lt;br /&gt;&lt;/strong&gt;Do you have an opinion on what caused this?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blank&lt;br /&gt;&lt;/strong&gt;Well, you know the concept of nationalism. During World War II, there was this wave of nationalism. We were attacked and we were going to defend our country. We were going to do what we needed to—to protect our families and our way of life. And, um, now again, with the attack on the World Trade Centers[sic] and—and the terrorist attacks coming from the Middle East, we have been threatened. And, um, our—our interests abroad have been threatened. Um, our—our homeland has been threatened and, indeed, attacked. And so, that’s what it requires, I think, for that wave of nationalism to occur.&lt;/p&gt;
&lt;p&gt;During Vietnam, again as—as I said earlier, none of that was threatened, and there were so many questions about why are we there, what we were doing. Um, are we causing more harm than good? And so, when—when the war’s not a righteous war, you’re not going to get that support. When the war is righteous, that support with be there. Hopefully, um, our s—our government, our politicians, you know, learn something from that and they—they won’t be too eager to go to war un—unless there’s just cause.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hanke&lt;br /&gt;&lt;/strong&gt;Yeah, and, um, speaking of politicians, I know it was around the Vietnam War where things were really—people were starting to question it and especially with Watergate [Scandal] —what do you remember of that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blank&lt;br /&gt;&lt;/strong&gt;Yeah. Watergate actually happened when I was still in Germany, but I remember coming back and, um, you know—how that—that was the—I guess you could call it the—the straw that broke the camel’s back, so to speak for Nixon. Um, as early as the—the late 60s, he was—Nixon was—was being viewed as the person who was escalating the Vietnam War. Um, I think already there was a—a tide of resistance about him and then Watergate pretty much cinched it for him.&lt;/p&gt;
&lt;p&gt;Um, but it—it—it didn’t help to sort of regain confidence in government. I think it helped to further, um, support the concept that the government doesn’t always make good decisions and—and they’re not always, um, principled and ethical people who are running government. And so I think for—for Vietnam era veterans, you know, it—it sort of justified the views that they may have held about government. And—and we were separating military from government. A lot of people in the military didn’t necessarily support what heads of government—heads of state were—were doing and—and the kinds of decisions that they were making.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hanke&lt;br /&gt;&lt;/strong&gt;And then, um, what was your homecoming like? Did people distinguish between you were in Vietnam or you were in Germany? Or did they…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blank&lt;br /&gt;&lt;/strong&gt;No. If you had a uniform on, you weren’t seen in in a positive light. And so veterans quickly learned to not present themselves as returning veterans. Um, as soon as we got back, um, I can vividly recall my duffel bag with all my uniforms and gear went into a Goodwill bin. Um, the first thing I did was grow my hair out so I wouldn’t look like a veteran. Um, I didn’t want to be, um, targeted and—and truly they—they were. We were.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hanke&lt;br /&gt;&lt;/strong&gt;And, um, how did your family feel about you going into the military at this time and…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blank&lt;br /&gt;&lt;/strong&gt;They didn’t really want me to, quite honestly. But again with—with the draft, there wasn’t really an option. I—I think they were probably ambivalent about the war as well. and when literally every single night for a—at least a full hour on the national news, we were seeing clips of Vietnam with—with people’s sons and husbands and fathers being killed left and right and in large numbers. Um, there—there wasn’t a lot of support from family members for their sons to go into that situation.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hanke&lt;br /&gt;&lt;/strong&gt;So, now you said you were initially, um, listed as going to Vietnam, correct? How did…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blank&lt;/strong&gt;Right. Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hanke&lt;br /&gt;&lt;/strong&gt;How did you feel about that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blank&lt;br /&gt;&lt;/strong&gt;I—I was concerned about it, but, you know, if—if that’s where they needed me to be, uh—just like every other individual who went through basic training or advanced individual training, you went where they told you to go. The military was very effective at, um, kind of creating that—that cohesion and that common bond where you go and support your fellow veteran—your fellow, um, soldiers, rather.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hanke&lt;br /&gt;&lt;/strong&gt;And then, um, you said uh, it was thr—through the military you made these very unique relationships. Do you still keep in contact with people?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blank&lt;br /&gt;&lt;/strong&gt;Um, not—not so much anymore at this point in in my life, um, but for the first decade or so after getting out, um, there—there was ongoing contact. Unfortunately, um, probably of the—the two or three people that I really bonded tightly with in my unit, uh, one of them was killed, um, in Germany, um, through—through an accident. And, uh, the other one relocated back to Pennsylvania, which was on the other side of the country as me. I was, um, in Wisconsin and then ultimately Colorado. So we—we sort of lost touch as well.&lt;/p&gt;
&lt;p&gt;But, um, one of my coworkers picked up grandparents the other day from the airport, and took them to Lakeland, where her grandfather was reconnecting with a—a military cohort from his time during World War II. And she was sharing with me how rewarding it was when she saw them, um, connect, um, for the first time. and—and they embraced each other and literally, uh, began crying because, I—I think when—when you see those people after so many years, it’s that whole flood of emotions that that come to the surface. Colonel [Richard] Toliver talked about that when he wrote his book,&lt;a title=""&gt;[9]&lt;/a&gt; um—how it’s a bit difficult, because so many of the emotions from wartime resurface. But—but I think they can be positive emotions too. It’s not just all negative memory. It’s—it’s the relationships that were so crucial, I think, to that lifelong, I guess, association with the military.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hanke&lt;br /&gt;&lt;/strong&gt;And, um, I know it was a very serious time, but what did you guys do for fun?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blank&lt;br /&gt;&lt;/strong&gt;Well, that’s the, uh, the other side I talked about, you know, for everybody going in the military. It’s conflict and adventure. And—and it’s kind of a strange combination, because sometimes they may be one and the same. But, um, being in an armored unit, um, as an 18 year old kid and we have these 60-ton tanks, uh, it was pretty amazing to be able to play with them. We—we had some areas where we would practice, um, driving them. And—and Americans would discard cars in that area that they couldn’t take back to the States, because they didn’t have seatbelts, safety glass, all of that. So imagine a Volkswagen with—with 60-ton tanks driving over it, one after another. Um, those—that was the kind of activity that made it pretty exciting.&lt;/p&gt;
&lt;p&gt;But then beyond what we did in the military, um, uh, you know, beyond when—when we’d go on maneuvers, I would be driving our operations major, scouting a place to camp out with—with you know 30 tanks and all the crews and support peoples. So I had a four-wheel drive Jeep and we’d—we would be going through the hillsides and having quite an adventure of it.&lt;/p&gt;
&lt;p&gt;But, in addition to all of that, when I wasn’t working, um, I traveled a lot. I got my international driver’s license as soon as I could, bought a car, and every single weekend I was gone. I was visiting all parts of Western Europe. In a weekend, you could go just about anywhere, because Europe is such a small landmass. Took all my vacations over there. Um, my parents came over, um, for a couple weeks to—to visit, and we traveled all over Western Europe to—to help them experience it, as well.&lt;/p&gt;
&lt;p&gt;Um, and then the German family I lived with, they—they sort of adopted me as a—a[sic] international, um, son—I guess for lack of a better term. And they—they took me everywhere with them when they would go off on weekends. They helped me to really experience the culture and the diversity of Germany and really learn to appreciate what Germany is today. And I think as a result of that, um, you know, knowing what it felt like to be a stranger in a foreign land and then to have people befriend me and kind of help me. Whether it was, you know, teaching me how to, um—say “vergaser,” which is German for carburetor, which I needed to know when I went to the auto-mechanic to tell him I needed a—a “neu vergaser.” Um, to—to, you know, teaching me how they celebrated, um, the holidays and—and what Christmas meant to them, taking me to church with them on Christmas Eve. Uh, all of that was really eye opening.&lt;/p&gt;
&lt;p&gt;As a result of that, I became an international student mentor here, um, for our international students, where each year I take one on and, um, have that mentor-mentee relationship to help them adapt and adjust to the United States and to UCF, and just guide them through the everyday issues that—that one faces when—when one is in a foreign land.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hanke&lt;br /&gt;&lt;/strong&gt;That’s very good.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blank &lt;br /&gt;&lt;/strong&gt;So a lot of adventure, um, and—and again, I think it’s that combination of coming into adulthood and experiencing, um, all of those new challenges and—and adventures that, um, people in the military never ever, ever forget.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hanke&lt;br /&gt;&lt;/strong&gt;Is there, uh, any specific moments that stand out to you? That you can still see?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blank &lt;br /&gt;&lt;/strong&gt;Um, well, one time, when—when we were on a maneuver—in terms of a memorable experience—the German forests are pretty dense and—and pretty rugged still. They have wild boars which—which have large, razor-like teeth, and—and—and, um, horns, and they can be literally deadly, if you’re caught out in the open with them—if they do attack you. And I recall one night—this may seem a bit bizarre—but having to relieve myself, I left the safety of the 60-ton tank and walked out into the woods, and I heard something snorting. And it didn’t take me but about two and a half seconds to get back on top of that tank. And sure enough, a herd of razorback came running by me, and, um, I felt fortunate I wasn’t out there.&lt;/p&gt;
&lt;p&gt;Um, and—and then—and then maybe, um, another time I—I guess I remember well—was actually a trip to Paris[, France] to do some sight-seeing. And—and I was able to really experience Paris and [the Palace of] Versailles and all the history, and—and I didn’t fully appreciate what I was witness to until I got back to the States and began college. And I was in a world history class where the professor was talking about the French Revolution, and, um, Queen [Marie] Antoinette, and—and the guil—guillotines, and Versailles and—and all the other students had kind of a blank look on their face. And I’m thinking &lt;em&gt;Oh, yeah, I—I know that, I was actually there.&lt;/em&gt; When he talked about the Hall of Mirrors in the Palace of Versailles, I was there.&lt;/p&gt;
&lt;p&gt;Um, when they got into the World War II history and—and talked about some of the early meetings between, um, the different diplomats at, uh, the Eagle’s Nest, or Hitler’s tea house, I was there. Um, everything that was being discussed, I had actually been there in person and had experienced personally. Um, and so, it, I think it made me fully, at that point, understand what a treasure that was for me to have had that opportunity for travel and just seeing parts of the world unknown that I never would have been able to experience had I not been in the military.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hanke&lt;br /&gt;&lt;/strong&gt;So, what would you say to someone who is considering enlisting in the military today?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blank&lt;br /&gt;&lt;/strong&gt;It—it’s a—it’s a dangerous time to go in the military right now, uh, but I would never discourage it. Um, I actually teach a course—a graduate career counseling course—for, uh, graduate students who are preparing to go into school counseling. And every semester, I bring in, uh, representatives from the military to teach them about opportunities in the military, so that they at least are aware of them when they work with their high school students up the road. And—and I share with them, you know—it’s a personal decision for individuals, but we need to be letting young people know this is an opportunity.&lt;/p&gt;
&lt;p&gt;Um, war—war can certainly be dangerous, but there are so many benefits in the military and—and especially in terms of helping to, um, complete one’s education. The military is so supportive of that financially and otherwise. Um, and so, I wouldn’t discourage anyone. um, it—it’s awkward though, because I—I know there’s a good chance today that people could absolutely be, um, in a combat situation and, um, knowing what can happen in combat it—it creates a bit of dissonance with me. But I—I regret that young people today don’t have the same opportunity I did. They—they—young men, in particular—we—we needed that kind of safe haven to—to mature and develop.&lt;/p&gt;
&lt;p&gt;                        At 18, most young men are not ready for college and they’re not ready for life. And so to have that three year period where they—they have the protection of the military. Someone to feed and clothe and house you, but yet challenge you to mature and become responsible. I—I regret that young men don’t have that today. I regret that my own sons, who are 25, have never had that experience.&lt;/p&gt;
&lt;p&gt;Ironically, I’ve got a 29 year old, young man who works for me now—a new staff member—and, um, he’s never ironed his shirt. And in the military, we learn to press and starch all of our uniforms to great precision. And, um, this is probably my experience of the year—for me this year. He brought his ironing board, his iron, and a can of starch along with a shirt and a pair of pants and he asked me to teach him how to iron based on my knowledge of how to do that from the military. We—we took pride in our appearance and we were called on it if we weren’t attentive to it. And I—I try to encourage young men today to do the same. One—one of many, many, um, benefits or—or attributes to being in the military.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hanke            &lt;/strong&gt;Yeah. Um, uh, speaking of the recent conflicts in the Middle East, you said the conflicts that you experienced personally—you feel they were ominous almost?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blank              &lt;/strong&gt;Absolutely.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hanke            &lt;/strong&gt;So, um, how did you feel about first [Operation] Desert Storm&lt;a title=""&gt;[10]&lt;/a&gt; and then the recent [Iraq] War?&lt;a title=""&gt;[11]&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blank              &lt;/strong&gt;Supportive of it, because their sovereign country had been attacked—Kuwait had been attacked. And—and, uh, I—I—I think, as—as, I believe, every past veteran would have seen, that was a—a just action.&lt;/p&gt;
&lt;p&gt;And, um, I think the difference though there versus in Vietnam, um—they put the full military behind it. In Vietnam, uh, there—there were so many restrictions about how that war was approached. And—and as a result of that, it went on. It actually started in in 1954 with [President Dwight David] Eisenhower, when—when he showed political and financial support for South Vietnam.&lt;a title=""&gt;[12]&lt;/a&gt; Um, but then, as it continued, uh, into the 60s—with the advisors and over war, and then escalated numbers of U.S. soldiers going there, um, it was never looked at as, “Here’s a war. Let’s put the full force of the military behind it.” But it was rather a trickle of U.S. soldiers going, um, for an extended period of time, not getting the kind of support that that they needed to—to do it right. And—and I was proud—proud of—of the military for the way they handled the first Iraq War.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hanke&lt;br /&gt;&lt;/strong&gt;Now with, um, these most recent wars, they’ve been going on for quite a while.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blank&lt;br /&gt;&lt;/strong&gt;Yeah, the—the face of war has really changed. Starting with Vietnam, you didn’t know who your enemy was and—and same today with terrorism. But, because terrorism directly threatens the United States and all of us who live here, um, it has to be addressed. You know, I—I don’t see other options than to continue to be involved in in what we’re doing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hanke &lt;br /&gt;&lt;/strong&gt;And then, um—I think you’ve answered almost everything. Um, so, is there anything else you’d like to talk about?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blank &lt;br /&gt;&lt;/strong&gt;Um, I—I think just my—my delight at how things have changed with the military. Um, when we—we saw, um—we hosted the film &lt;em&gt;Red Tails&lt;/em&gt; in our office. The Tuskegee Airmen, and—and it was during [National] Veterans [Awareness] Week. Um, it was really amazing to see the pioneers for, um, bringing equality into the military, which, in my era, then continued with women coming into the military.&lt;/p&gt;
&lt;p&gt;And then I think the second major thing that I’m really pleased to see is that not only has the military, um, really come to a point where they honor diversity and recruit for diversity, but I think they—they also now are being valued more. All—all veterans of every war are being so much more highly valued than was ever the case, from my perspective. And that brings me great joy to—to just know, even after having waited four decades to—to see that, finally, you know, people are supportive. The—the general public is supportive of what the military is doing and—and honoring those past veterans as well.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hanke&lt;br /&gt;&lt;/strong&gt;We’re good? Time is good? Okay. Alright. Well, that concludes the interview, and I would like to personally thank you for both your time and your service.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blank&lt;br /&gt;&lt;/strong&gt;You’re welcome.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hanke &lt;br /&gt;&lt;/strong&gt;Thank you very much.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blank&lt;br /&gt;&lt;/strong&gt;Thank you.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Munich Massacre.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; The coalition also included Iraq, Jordan, Algeria, Morocco, and Tunisia, as well as Cuba.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; Yom Kippur.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[4]&lt;/a&gt; Correction: Muslim holiday.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[5]&lt;/a&gt; Treaty of Friendship, Co-operation, and Mutual Assistance.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[6]&lt;/a&gt; Kehlsteinhaus.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[7]&lt;/a&gt; National Socialist German Workers' Party (NSDAP).&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[8]&lt;/a&gt; 1961.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[9]&lt;/a&gt; &lt;em&gt;An Uncaged Eagle: True Freedom&lt;/em&gt;.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[10]&lt;/a&gt; There is only one Operation Desert Storm.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[11]&lt;/a&gt; Operation Iraqi Freedom.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[12]&lt;/a&gt; Republic of Vietnam.&lt;/p&gt;
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                  <text>Linda McKnight Batman Collection</text>
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              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="502250">
                  <text>Ocala (Fla.)</text>
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                <elementText elementTextId="511860">
                  <text>Orlando (Fla.)</text>
                </elementText>
                <elementText elementTextId="511861">
                  <text>Oviedo (Fla.)</text>
                </elementText>
                <elementText elementTextId="511862">
                  <text>Port Tampa (Fla.)</text>
                </elementText>
                <elementText elementTextId="511863">
                  <text>Sanford (Fla.)</text>
                </elementText>
                <elementText elementTextId="511864">
                  <text>Silver Springs (Fla.)</text>
                </elementText>
                <elementText elementTextId="511865">
                  <text>Titusville (Fla.)</text>
                </elementText>
                <elementText elementTextId="511866">
                  <text>Zellwood (Fla.)</text>
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            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="502251">
                  <text>Collection of oral histories depicting the history of Seminole County, Florida. The project was funded by Linda McKnight Batman, a former teacher, historian, and Vice President of the State of Florida Commission on Ethics.</text>
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                <elementText elementTextId="502253">
                  <text>eng</text>
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              <name>Curator</name>
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                  <text>Cepero, Laura</text>
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              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>Source Repository</name>
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                  <text>&lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt;</text>
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                <elementText elementTextId="502259">
                  <text>&lt;span&gt;Museum of Seminole County History, and University of Central Florida. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/744676869" target="_blank"&gt;&lt;em&gt;Researcher's Guide to Seminole County Oral Histories: Linda McKnight Batman Oral History Project&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. [Sanford, Fla.]: Museum of Seminole County History, 2010.&lt;/span&gt;</text>
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                  <text>&lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt;</text>
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              <name>Coverage</name>
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                <elementText elementTextId="511868">
                  <text>Seminole County, Florida</text>
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                <elementText elementTextId="511869">
                  <text>Ocala, Florida</text>
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                  <text>Oviedo, Florida</text>
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                  <text>Port Tampa, Florida</text>
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                <elementText elementTextId="511872">
                  <text>Sanford, Florida</text>
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                <elementText elementTextId="511873">
                  <text>Silver Springs, Florida</text>
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                <elementText elementTextId="511874">
                  <text>Titusville, Florida</text>
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                <elementText elementTextId="511875">
                  <text>Zellwood, Florida</text>
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              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511876">
                  <text>Linda McKnight Batman Oral History Project</text>
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      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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          <name>Interviewer</name>
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              <text>Morris, Joseph</text>
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              <text>White, Garnett</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
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              <elementText elementTextId="517283">
                <text>Oral History of Garnett White</text>
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              <elementText elementTextId="517284">
                <text>Oral History, White</text>
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            <name>Subject</name>
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              <elementText elementTextId="517285">
                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="517286">
                <text>World War II--United States</text>
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              <elementText elementTextId="517287">
                <text>Navy</text>
              </elementText>
              <elementText elementTextId="517288">
                <text>Real estate--Florida</text>
              </elementText>
              <elementText elementTextId="517289">
                <text>Celery</text>
              </elementText>
              <elementText elementTextId="517290">
                <text>Citrus--Florida</text>
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          <element elementId="41">
            <name>Description</name>
            <description/>
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              <elementText elementTextId="517296">
                <text>An oral history of Garnett White, conducted by Joseph Morris on October 13, 2011. Born in St. Augustine, Florida, White moved with his family to Sanford at a young age. In the interview, he discusses attending Southside Elementary School during World War II, running a paper route and riding bikes around Sanford, his experiences as a real estate broker, Sanford's celery industry, the history of Chase and Company, Red Hill Groves and the citrus industry, his service in the U.S. Navy, his civic service, and his family.</text>
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          <element elementId="88">
            <name>Table Of Contents</name>
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            <elementTextContainer>
              <elementText elementTextId="517297">
                <text>0:00:00 Introduction&#13;
0:01:42 Education&#13;
0:05:58 Riding bikes around Sanford&#13;
0:11:12 Experiences as a real estate broker&#13;
0:13:32 Celery industry and citrus industry&#13;
0:22:54 Growing up in Sanford&#13;
0:24:01 Running a paper route&#13;
0:27:51 Working in a grocery store and as a golf caddy&#13;
0:29:24 Serving in the Navy&#13;
0:32:27 Community involvement&#13;
0:37:17 Wife, children, and grandchildren&#13;
0:41:03 Farmers in Sanford&#13;
0:43:36 Growing citrus&#13;
0:48:35 Closing remarks</text>
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          <element elementId="87">
            <name>Abstract</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517298">
                <text>Oral history interview of Garnett White Interview conducted by Joseph Morris at the &lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt; in Sanford, Florida.</text>
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            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517299">
                <text>Sound&#13;
</text>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517300">
                <text>White, Garnett. Interviewed by Joseph Morris. October 13, 2011. Audio record available. &lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt;, Sanford, Florida.</text>
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          <element elementId="111">
            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517301">
                <text>Multimedia software, such as &lt;a href="http://www.apple.com/quicktime/download/" target="_blank"&gt; QuickTime&lt;/a&gt;.</text>
              </elementText>
              <elementText elementTextId="517302">
                <text>&lt;a href="https://get.adobe.com/reader/" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517303">
                <text>&lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt;, Sanford, Florida.</text>
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              <elementText elementTextId="517304">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/123" target="_blank"&gt;Linda McKnight Batman Oral History Project Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
              </elementText>
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          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517305">
                <text>West 10th Street and South Laurel Avenue, Sanford, Florida</text>
              </elementText>
              <elementText elementTextId="517306">
                <text>Triple S Groceteria, Sanford, Florida</text>
              </elementText>
              <elementText elementTextId="517307">
                <text>Sanford Grammar School, Sanford, Florida</text>
              </elementText>
              <elementText elementTextId="517308">
                <text>Lake Monroe, Sanford, Florida</text>
              </elementText>
              <elementText elementTextId="517309">
                <text>Chase &amp; Company Washhouse, Sanford, Florida</text>
              </elementText>
              <elementText elementTextId="517310">
                <text>Red Hill Groves, Orlando, Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517311">
                <text>Morris, Joseph</text>
              </elementText>
              <elementText elementTextId="615723">
                <text>White, Garnett</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517312">
                <text>Vickers, Savannah</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517314">
                <text>2011-10-13</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="95">
            <name>Date Modified</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517315">
                <text>2014-10-30</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517316">
                <text>2011-10-13</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517317">
                <text>audio/mp3</text>
              </elementText>
              <elementText elementTextId="517318">
                <text>application/pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517319">
                <text>493 MB</text>
              </elementText>
              <elementText elementTextId="517320">
                <text>174 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517321">
                <text>48-minute and 51-second audio recording</text>
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              <elementText elementTextId="517322">
                <text>16-page digital transcript</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517323">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517324">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="517325">
                <text>Civics/Government Teacher</text>
              </elementText>
              <elementText elementTextId="517326">
                <text>Economics Teacher</text>
              </elementText>
              <elementText elementTextId="517327">
                <text>Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517328">
                <text>Originally created by Joseph Morris and Garnett White.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517329">
                <text>Copyright to this resource is held by the &lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517330">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517331">
                <text>Cepero, Laura</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517332">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517333">
                <text>&lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517334">
                <text>"&lt;a href="http://www.redhillgroves.com/#!our-story/cqi7" target="_blank"&gt;About Red Hill Groves&lt;/a&gt;." Red Hill Groves. http://www.redhillgroves.com/#!our-story/cqi7.</text>
              </elementText>
              <elementText elementTextId="517335">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517452">
                <text>&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;This is an interview with Garnett White. This interview is being conducted on October 13&lt;sup&gt;th&lt;/sup&gt;, 2011, at the Museum of Seminole County History. The interviewer is Joseph Morris, representing the Linda McKnight Batman Oral History Project for the Historical Society of Central Florida. Sir, could you tell us a little bit about yourself?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Well, yes. I was born in St. Augustine, Florida. My father was a butcher—or meat-cutter, I guess we would call it. We moved to Sanford when I was maybe three years old. I remember when I was four years old going to a birthday party to a neighbor girl—and as I’ve over the years have tried to think when that was. I believe I was about four years old. We lived on [West] Tenth Street in Sanford, and my father worked as a butcher—meat-cutter—and he moved here from southwest Georgia—called Pelham, Georgia—and he went to work here for a man from Pelham, Georgia, named Bluitt Stevens.&lt;/p&gt;
&lt;p class="Body"&gt;We lived on Tenth Street until I was in about second grade, and my father had a house built on Tenth and [South] Laurel Avenue, and he still worked for Mr. Stevens. Mr. Stevens owned a store in Downtown Sanford where the Colonial Room Restaurant is now, and it was called Triple S Groceteria—the red front store, and that time is about the time I started school, and I went to Southside Elementary [School], where my first grade teacher was a Mrs. Jacobs, and the principal was Mrs. Harrington. And I remember those times. I went up through the fourth grade. And in the second grade, Elizabeth Wigham was my teacher. And the third grade, was a lady named Bobbi Goff. And the fourth grade, was a lady named Bobbi Goff. And this was only about three—maybe four—blocks from my home, and back then, of course, you didn’t have buses like that, and I remember walking to school when I’m six years old, and of course today, they don’t allow that type of thing, but it was not out of the ordinary at all.&lt;/p&gt;
&lt;p class="Body"&gt;One memory I have of that is that the lunch. The lunches cost 11 cents. You got a blue ticket for five cents, and that gave you the food—a roll usually, amongst other things—and milk was six cents. That was a yellow ticket. And I think you could get all five for 25—all five of a week for 25 cents, as well as I remember. But most people brought their own lunches. They did buy milk for six cents. And that was kind of interesting.&lt;/p&gt;
&lt;p class="Body"&gt;This would have been in about 1940 or ’41, and the Second World War started in 1941, and I remember big piles of metal, particularly aluminum, and rubber. This was to help the war effort, with aluminum to build airplanes out of—and I don’t know what they did with the rubber. But that was my first recollection of playing baseball—or softball, I guess it was—was at Southside Elementary.&lt;/p&gt;
&lt;p class="Body"&gt;Then we, uh—my grandfather was from Athens, Georgia, and he had his arm taken off. He had cancer, and my mother went up there to take care of him for about six weeks, and I, of course, went with her, and so I went to school for that six weeks in Winterville, Georgia.&lt;/p&gt;
&lt;p class="Body"&gt;Of course, coming back to Sanford, continued with school at—we called it [Sanford] “Grammar School,” which is now the Student Museum on Seventh Street and Elm Avenue in Sanford. They’d talk about it being so old, and so on. Of course, that was 70 years ago almost, but it doesn’t look any different today than it did back then. And they’d talk about it being old, and so on and so forth. Didn’t mean anything to us. You know, you had a seat and that was it. You know, scribbling all over the desks with knives. So on. So, you know, times—it just did not mean anything to us, as far as how new something was, and apparently nowadays you got to have a new school, or they don’t—or the children don’t accomplish as much, I guess, is a word [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p class="Body"&gt;But then—about when I was 11 years old, I got a paper route. Remember, this is during the war—the Second World War. And I got a paper route delivering &lt;em&gt;The Florida Times-Union&lt;/em&gt;, which is the Jacksonville paper. They weren’t—the Sanford paper came out in the afternoon, and it was very hard to get newspaper or newsprint, and presses would break down, and I delivered &lt;em&gt;The Sanford Herald&lt;/em&gt; also, about that time, and they had brown paper. It looked like the brown paper that’s used by butchers to wrap meat in, and that was kind of odd. And I’ve talked to people in the last few years, and they remember the paper being printed on that brown paper.&lt;/p&gt;
&lt;p class="Body"&gt;But something that is really kind of interesting is, over the years, I have talked and had coffee with Senator Mac Cleaver, and we would always talk about our paper routes. He was older than I was, but it never changes. And we would talk about who lived in certain houses, and where they would leave the money for the newspaper, and they still—me being eight years younger than Mac—they still left it at the same place—on the banister, on the porch, that type of thing.&lt;/p&gt;
&lt;p class="Body"&gt;Of course, after that, we went to Sanford Junior High School, which was over on Ninth Street and Sanford Avenue, and I guess that’s when we started growing up a little bit, and getting around town on our bicycles more than we did when we were very young. But we would ride our bikes down to the lakefront—which is Lake Monroe, down where the motel is now—and we’d jump off the seawall. It was there at that time. We’d jump off. We’d swim out to one of the beacons or markers out in the water. Another time—me and another fellow—we swam across the lake all the way to the power plant, and truthfully, we walked most of the way. It was very shallow out in the middle. We didn’t really walk. We just kind of touched bottom, and my father picked us up on the other side at the power plant on the north side of Lake Monroe.&lt;/p&gt;
&lt;p class="Body"&gt;But those were good times. It was not out of the ordinary to go downtown and walk around. Go through the alleys and see what people—or I’m talking about stores—had thrown away and did we want it, and that sort of thing, you know. It was—I really remember one time we went behind a place called [B. L.] Perkins. That was a men’s store. And there was a book of swaths of material that you could pick out what you—the men—would want their suits made out of. And we thought that—they were little old things about three by three inches, about three inches—and we thought that was a big deal. We took those home, and I think our parents threw them away. Anyway, as time goes on, in high school, went further from home, and went through all of the things, I guess, that happen in high school. And immediately after that, I joined the Navy and spent my hitch on board a fleet OR, and this would have been in 1950-51. But going all over town with paper routes, you just got to where you saw things you would never have seen, or people that you talked to or knew—you knew who they were, uh, if you didn’t have a paper route.&lt;/p&gt;
&lt;p class="Body"&gt;And then, as time goes on and I got out of the Navy, I got my—went to the real estate—school of real estate law—and, uh, got my broker’s license. And shortly thereafter, I met my wife, my now-wife. And we got married and had three children. As far as the real estate business is concerned, that was 50—I still have a license—and that’s 56 years ago. That’s a long time. I actually made a living at it. Only way I’ve made a living, up until about 6-7 years ago. And I’m 78 now, so it was time. But in the meantime, there’s quite a bit of property—not houses, but I never was much in the house business—that I’ve sold over that period of time three different times. There was one piece of property I sold three times. All three times were to people named Hall, and that they had never known each other, of course.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Of course.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;So it’s interesting. And land would sell for—I can remember appraising. I did quite a bit of appraisals for the banks in Sanford and the First Federal Savings &amp;amp; Loan, and that really got me back into going to places that you normally wouldn’t go if you weren’t in the real estate business. As time goes on, I was handling acreage, as I said, and they pretty well quit farming in Sanford.&lt;/p&gt;
&lt;p class="Body"&gt;Uh, farming as they knew it at that time, which was produce—which was celery. You know, at one time, they said that Sanford—Seminole County I guess—was the celery capital of the world. And it was actually a picture in one of the school books that said “harvesting celery in Sanford.” I remember that. But after the war, they—the farming kind of petered out, because it all went to the muck, and the muck means that you don’t have to spend as much money on fertilizer. And the type soils that we have around Sanford—the farming areas—was good to hold the roots in place and that’s all. And that’s come from the farmers that said, “No, you got to fertilize.”&lt;/p&gt;
&lt;p class="Body"&gt;So muck farms in Zellwood and down in Lake Okeechobee pretty well had an end to the farming in the area. It’s my understanding from the owner of Chase and Co[mpany], which was a very large company—probably the largest farmer in Central Florida back in the ‘20s and—but the last celery grown in the Sanford area was in 1975. Now that came from the owner, president of Chase and Co., and his name was Sydney Chase—Sydney [Octavius] Chase, Jr. His father&lt;a title=""&gt;[1]&lt;/a&gt; and his father’s brother&lt;a title=""&gt;[2]&lt;/a&gt; are the ones that started Chase and Co.&lt;/p&gt;
&lt;p class="Body"&gt;Something really interesting is that, of course, all of this product had to be shipped by railroad. You know, you didn’t have trucks like you have today. You just didn’t put things on a truck, haul it to New York. It all had to go to—through the railroad, and so most every packinghouse—that type of thing—was located where it could be sent by the railroad. And celery—and cabbage, cucumbers, all of those things—required refrigeration. Well, if you’ll think back to 1925, you didn’t have no refrigeration. But they was able to make ice in big 300-pound “slabs” I’ll call them. Chase and Co. had an icehouse out on the east side of Sanford. There was another one in Ransidey[?], which is in Monroe, Florida, just west of Sanford on the railroad. And you had railroad cars called “reefer” cars, and that stood for “refrigerator.” And they would put these big 300-pound slabs of ice in these railroad cars. They were all painted yellow, and during the summer, there was a siding going—railroad siding going from Sanford Avenue out to the Chase washhouse, which is on Cameron Avenue. And that’s a long ways. And they would store these reefer cars all summer long, because they had no use for them except to ship produce, and of course, you didn’t grow produce in the summertime. Come summertime, in like May or something, would be the last that they grew until next fall and next winter. But I remember all those yellow reefer cars there, and I’m sure many other people that was[sic] out in that area remember just sitting on the siding and waiting on the next year.&lt;/p&gt;
&lt;p class="Body"&gt;But there was a lot of—another thing is interesting is it seems as though to me that the people that owned automobiles—and their kids went to school with me—they were farmers. And other people didn’t have automobiles. My father did not have an automobile until 1946, which was right after the war, and things became available to sell, particularly meat products.&lt;/p&gt;
&lt;p class="Body"&gt;But all of that—getting back to the real estate business, I would come across and I knew a lot of people in the citrus business. And as time went on, I sold some citrus groves, and I bought some citrus groves, and I leased several citrus groves. And our—my wife and I’s—two children kind of grew up knowing what citrus was, and you could go on the Internet under White’s Red Hill Groves and read about us, and it’ll tell you all you need to know about our family and the citrus business. But it’s been 29 years now since we purchased a gift fruit packinghouse called Red Hill Groves. So we have set out new trees and taken care of old trees, and picked and packed, and shipped citrus all over the United States. I would say there’s not a state we haven’t shipped fruit to. But times have changed considerably, since probably 1985 and things started booming—this is because of Disney—and started booming.&lt;/p&gt;
&lt;p class="Body"&gt;And another thing that’s kind of interesting here is that when I went to high school, Seminole High School had a hundred people in each class. And Crooms Academy had maybe 30, and Oviedo [High School] may have 15, and Longwood, which is called Lyman High School, may have 15. And look at it today, there’s what? Eleven high schools, each one of them got three thousand in that school. So that’s really what started happening during those years, and those of course, just kind of bloomed.&lt;/p&gt;
&lt;p class="Body"&gt;Really interested—I was very active in the civic things in the city—Chamber of Commerce, the Jaycees,&lt;a title=""&gt;[3]&lt;/a&gt; and that type of thing. As time goes on, I think I’ve been through four—they call them—they don’t call them “depressions,” whatever they call them.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Recessions?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Recessions. And I’ve been through four of them. And I can remember trying to sell houses for a hundred dollars down and making a commission. There ain’t much left to make a commission out of. But times would get better, and then you’d start selling again. People would start buying again. I guess time is going to tell about the one we’re in now in 2011.&lt;/p&gt;
&lt;p class="Body"&gt;But anyway, it was a good life that I lived in Sanford. It is much different. Traffic, as everybody knows, gets on your nerves. But all three of our children live in Sanford, while our packinghouse is in Orlando. The boys go back and forth every day, and our daughter works for Bayer Corporation in the animal health division.&lt;/p&gt;
&lt;p class="Body"&gt;So anyway, we—my wife and I—both feel that our time growing up in Sanford, and spending our entire life here, except for those maybe three years, has been good, and as good as any place we could have settled. I don’t know that we ever considered moving from Sanford, neither of us. But I guess that’s pretty well the story.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;I have a couple questions, sir.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Sure.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris &lt;br /&gt;&lt;/strong&gt;Okay, sir. You talked a great deal earlier about the paper route you ran as a kid.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Was that a great experience for you? Because you spent a lot of time discussing how you met and saw a lot of things.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Oh, well, sure! There’s a little story that goes along with that, was we delivered &lt;em&gt;The Florida Times-Union&lt;/em&gt;, and we had about 11 or 12 paper boys. And you’d go up and down. Each one of us had about a hundred customers.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;And you’d go up and down the streets, and there was a policeman that walked the streets at night named Harriet. And Mr. Harriet had a dog that went with him, because Mr. Harriet walked up and down the alleys, and all the way generally throughout the whole downtown area. Well, a friend of mine who lived four or five houses from me had a dog, and the dog would go with him on his paper route. Well, it seems as though Mr. Harriet’s dog would jump on him and bite him and all of this sort of stuff. So my friend bought a collar that had, oh, pieces of metal like a nail sticking out the side—sticking on it. Well, he sharpened those up. And we’re all sitting there one morning, waiting for him to come with his dog. He’d always come around this corner—First Street and Oak Avenue—and he would come around that corner. Well, we’re waiting to see Mr. Harriet’s dog jump on this dog’s neck with those sharp barbs, and he did and he went off just howling. And Mr. Harriet came out. There was a bakery there, and everybody—paper boys—we would go in there five o’clock in the morning and get day-old donuts, and so would Mr. Harriet, and he come out of there just raising Cain about who hit his dog. But that was interesting.&lt;/p&gt;
&lt;p class="Body"&gt;And I guess when I was a senior in high school, I had a car route, and I went to Monroe, Paola, went all the way to Wekiva River, and back up through Monroe. And a man named Bass—he was the last one on my route. And he was a farmer, so he told the paper manager that I was just getting there too late, that if I couldn’t get there five o’clock in the morning, that he wasn’t going to take the paper no more. So I had to rearrange my route so I could get him first instead of last. But that was interesting in that too. And the people—there’s still people around that deliver papers. We talk about it, every now and then, when you see somebody. But that was good experience, really was.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;And you did that from when you were younger all the way through high school, sir?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Not all that time, no. But I got a paper route when I was 11 years old, so that’s gonna put me in the fifth grade. And I remember having a paper route in the seventh grade. I don’t think I had any until I was senior, from the seventh until that time.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Oh, okay, sir.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White &lt;br /&gt;&lt;/strong&gt;Because like, a lot of—something very interesting. I worked in a grocery store.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris &lt;br /&gt;&lt;/strong&gt;Okay, sir.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;And you worked Thursday morning from about four o’clock in the morning, and Friday afternoon, and all day Saturday, for four dollars and something. Well, a friend of mine was caddying at the golf course, and he said, “Oh,” you know, “I don’t work but 4-5 hours and I make more than that.” So I went out and started caddying. So I caddied for several years.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris &lt;br /&gt;&lt;/strong&gt;Oh, okay, sir.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Because you made more money. You carry those bags around. If you did it twice, they called it “double looping,” you made more money than you would at the grocery store. But anyway, I think everybody sooner or later worked in a grocery store.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;I don’t think that’s changed much, sir.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Huh?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;I don’t think that’s changed much. I’ve worked in a couple grocery stores.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;No. No. I see the kids in there now, and they’re—course we didn’t stay there until all night long like they do now. They put up stock now at night, and we didn’t do that. Anyway, it was good. Good times.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;All right. You mentioned you were in the Navy, sir. How long were you in the Navy for?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;I was in the Navy for one hitch. I was a quartermaster.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Okay, and one hitch is, uh...&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;One hitch is when I was on something called “minority cruise,” and that you means you join after you’re 18 and you get out when you’re 21, instead of a flat three years—four years, whatever it is. And I joined when I was a senior in high school, and this wasn’t too long after the war. This would be in 1950.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;And the war was over in ’45. So anyway—but I was a quartermaster. A quartermaster is someone who does signals and navigation, that sort of thing. And a fleet oiler is different than a tanker. A tanker hauls fuel from one place to another, and a[sic] oiler refuels ships at sea when you’re both underway—you’re both moving. And that’s what an oiler is. You still have oiler today, and always will, because you need it in the middle of the ocean just as you do alongside a dock. And I liked that—and I may have stayed in longer except the ship was going on Operation Deep Freeze, and that was in Antarctica, and I wasn’t going there, ‘cause I’d heard the stories about it before. Everything’s full of ice and all of that. Anyway, that was my military experience.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Did you travel anywhere on that, at that time, sir?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Oh yeah, sure. We went—first time when I went on board there, we went to New York City, which of course, here I am. Never been to New York City. We stayed there for like two days. Then we went to the Caribbean [Sea], down to South America to the Azores. Just that type—wherever. Maybe just sit out in the middle of the ocean waiting on a convoy to come that needed fuel. I mean, that was our job.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Right, sir. Did you enjoy your time in the military—the Navy?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Sure.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Just didn’t want to go to Antarctica.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;I didn’t want to go to Antarctica, and probably if I’d have stayed in longer than that, I’d have stayed. I would have stayed to retire. But I didn’t, and not been disappointed in that at all.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Okay, sir. You also mentioned you worked with civic duties for a while. So tell me a little more about that.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Well, 1963, I started civic-type stuff. Well, I was a Boy Scout. And I’ll have to go through the Boy Scouts [of America] first. But the Boy Scouts—I was a[sic] Eagle Scout, and I worked at summer camp as a waterfront director-type person. I guess I was 16 then, maybe 17. Sixteen and seventeen. I worked two years, one at Camp Wewa over in Apopka. The other one was Camp La-No-Che. Excuse me, Camp La-No-Che wasn’t open then. See, that’s 50 years ago, and most people never heard of Doe Lake [Recreation Area], and Doe Lake was in Ocala [National] Forest. And that was a Boy Scout camp and I worked there at that time. But I was a[sic] Eagle Scout, and that was a big deal to me. And we didn’t have many Eagle Scouts around here. Well, around anywhere. That was good.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;I’m sorry, sir?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Yeah. You asked a question before that. What was that?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Your civic duties, sir.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Oh. Well, in the Boy Scouts, believe it or not, we actually did a lot of things civic-wise. But I was president of the Sanford-Seminole County Jaycees&lt;a title=""&gt;[4]&lt;/a&gt; in 1963, and the Jaycees were very active at that time.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;The Jaycees, sir?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Junior Chamber of Commerce.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Gotcha, sir.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Okay. [&lt;em&gt;laughs&lt;/em&gt;] And—very active. Had maybe 150 members, and had maybe 150 projects. These were things that, uh—and that was a big time in my life. For instance, we had a Christmas parade that we sponsored and worked. That was the big project for the year—the Christmas parade. And the year I was president, we had 11 bands, and nowadays, if you have one, you got a bunch of them. We had a hundred people working, doing whatever it took to make the parades. But it was always that way. And I have paperwork to that. So—I say “paperwork”—we made booklets of our projects. Some of them. I don’t have all of them. But it was a[sic] active time for people up to the age of 36. When you were thirty-six, then you were no longer…&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Junior.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Invited, I guess, to be a Jaycee. And then, I was president of the Seminole County union of the American Cancer Society, and I was president of the Greater Sanford [Regional] Chamber of Commerce. Prior to that, it was the Sanford-Seminole County Chamber of Commerce, and I was a director for 25 years of the Chamber. So, you know, there were those. I was a bank director for 15 years. Served on the board of Seminole State College, as vice-chairman of the board for however many years. I don’t remember. So that was civic-type stuff.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Okay, sir. Sounds like you were very busy.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Yeah. I was busy. I was busy. Knew a lot of people. Most of them are dead now, but, uh, and I’ll join them before too many years. Maybe tomorrow [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;That’s why we’re getting this down today, sir.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Get that out today. Okay.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Could you tell me a little bit about your family? Your wife’s name, how you met her, and then your children’s names.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Yes. I’d gotten out of the Navy, and just got out really, and me and another fellow went to Leesburg High School—to a football game. This was in September, before—after—I had gotten out of the service in August, I guess. Anyway, this girl was a cheerleader, and had black hair. And afterwards, you always used to have dances always—and out of town also. And back then, the girl cheerleaders would always go to the dance, and so me and this fellow went also. And I met her, and then—from then on, had a few dates with her. And anyway, three or four years later, we got married. We have two sons. One’s 54, one’s 53. Have a daughter about 44—something. And the boys run the packinghouse. Have for 20. I say “running” —that’s only partially, mostly. They’ve—that’s 29 years. And a daughter that works for Bayer in the animal health division. Anyway. I guess that’s it. And got grandchildren [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;How many grandchildren, sir?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Well, three. Three boy grandchildren. And one of them works for the city in Palm Coast, and the other one works for the car place—Gibson [Truck World]—down here, and the other one’s thirteen. He goes to school.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Okay. Is it okay if we get your wife’s name and your children’s names?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Paulette. Paulette. My wife’s name was Paulette Casen. It’s Paulette White, of course. And the children are Ed [White], Ted [White], and Judy [White]. And that’s their names.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Ed, Ted, and Judy?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Yes. Eddie, Teddy. [&lt;em&gt;laughs&lt;/em&gt;] Yes. Ed, Ted, and Judy.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Do they still respond to Eddie and Teddy?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Oh, yeah, sure. Sure, sure, sure. Matter of fact, people their age call them Eddie and Teddy. But, you know, they have a lot of friends, since they’ve lived here.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Their whole lives, sir?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Yeah. They’ve lived here except when they went to college. Eddie graduated from Stetson [University]. And Judy graduated from [University of] Florida. One of the grandsons graduated from Florida and has a degree in architecture. I was telling a story to a fellow about architecture, and I was telling him I knew nothing about computer[sic]. I do know how to turn it on. But I said I have a grandson that has a degree in architecture, and he has never picked up a pen or a pencil. It’s all down on the computer, every bit of it. It’s kind of hard for people my age to think that—that you’re actually gonna draw a plan for a building with a computer, instead of a pencil [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;I gotcha, sir.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;The, uh—one of the things you mentioned earlier that really caught my attention was you said a lot of farmers had cars. Is that—do I remember that correctly?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;That’s correct.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Were a lot of the farmers well-off, or was there...&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;During certain periods, they were well-off. Yes. And it was told to me that a farmer in the late ‘30s could make a living on ten acres of celery, and that’s not very much, but he couldn’t do that today. Same token. I’ve sold—I’ve sold property to people that owned an orange grove and did all of the work their self, and they had 20 acres, and they made a good living. They had a car, and made a good living on 20 acres. But they did all the work their self. They didn’t have somebody else doing the work.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;And so, you know, there’s[sic] certain jobs that—if you’re cut out for it. Not everybody’s cut out to be a farmer. A lot of people are going to have to start thinking about it though, because somebody’s got to grow food to eat.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Sir, and I do like to eat.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;And everybody likes to eat.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Yes, sir.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;And the truth of the matter is there’s a lot of fussing going on now. People don’t like—well, one thing is dust. They don’t like the dust that farmers create when they plow their field. That’s the EPA—Environmental Protection Agency—and they want to stop that. Well, I don’t know how you’re gonna eat if you stop farm dust. But I’m talking out of bounds here.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Still interesting to hear, sir.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;But that’s the way farmers feel. Although we consider ourselves farmers, we’re not farmers in the cattle business or corn business. We’re in the citrus business. But I guess you could say we could be in the citrus business without growing any of our own. We could buy it from somebody else, and pack it, ship it, and that would work, you know. But we do it all.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Okay, sir. My last question, if it’s all right with you, could you just give me a brief overview of how you actually grow citrus—the process for it.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Well, you plant a tree, and you grow it, and it ends up and blooms, and has fruit on it. That’s about it. It’s, you know—it’s just like any farming, and I think that’s what you’d have to say. It’s, you know—you’ve got to prepare the soil, if you want to call it. In the citrus business, you plant small trees—three feet tall—and after about five years, they have some oranges on them. Not very many, but enough, considered that you’ve got some fruit. And the maximum is about 20 years. And during this period of time, you fertilize them, and you prune them, and you just generally take care of them like a baby.&lt;/p&gt;
&lt;p class="Body"&gt;And things change in the business, such as—used to plant them 35 feet apart, and 35 feet in all directions, because the way that you get the weeds down was with a disc or harrow. So you went up and down the rows in one direction, and then across the rows in another directions to kill the weeds. And nowadays, you don’t do it that way. You plant them 10 feet apart in a row, and then you use chemicals to kill the weeds. And you also hedge them, because you don’t have that 35 feet. You have 10 feet. And you got big machines with big, round saws on it—three foot—and they’re spinning, and you go up and down the rows and make a hedge out of it. And that’s what’s really changed in the citrus business in the way that you grow citrus.&lt;/p&gt;
&lt;p class="Body"&gt;Plus, used to—you didn’t have very many ways to keep the fruit clean. Everybody wants to have a blemish-free piece of fruit. It don’t work that way. A friend of mine who used to disc and take care of the growth—first one I ever had—named Carl McWaters. His family was in the business, and he was a caretaker. He said, “Well, Mr. White,” said, “You know, my father worked for that packinghouse over there in Umatilla.” And whenever they had a—one of the diseases—not a disease—one of the bugs that you have. It’s called a “rust mite.” And a rust mite makes fruit look rusty. And he said, “Whenever we’d have a bad rust mite year, we’d go ahead and ship them up north anyway, and called them ‘Golden Rusty.’” Which made them sound a whole lot better than a rusty piece of fruit. So that was kind of interesting. Because they didn’t have any way to kill those rust mites.&lt;/p&gt;
&lt;p class="Body"&gt;And nowadays, you know, it’s an entire—oh, I don’t, what I want to say it. Crop protection, whether it’s citrus or other crops. It’s a whole world of taking care of those problems. In the United States and the agricultural business, the idea is to get rid of a problem instead of live with the problem. And that’s true with a lot of things, not just citrus. But, you know, if you got rust mites, you know—“Well, let’s get rid of those rust mites.” So you got 50 different companies out there trying to have chemicals to get rid of them. In a lot of countries that grow citrus, they don’t do that. They just live with it. And I see nothing wrong with that. But that’s kind of interesting too—how that kind of thing works. But, you know, the companies—some of the largest companies in the world are agricultural chemical companies.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Okay, sir.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Anyway.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;That was it for my questions, actually. Did you have anything else you’d like to say?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;No. Not really. I may have said a whole lot more than I should have, to start with. But, uh, anyway…&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Morris&lt;br /&gt;&lt;/strong&gt;Well, sir, it’s all great. Thank you very much, sir.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;All right. Nice to talk.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Sydney Octavius Chase, Sr.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; Joshua Coffin Chase.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; Junior Chamber of Commerce.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[4]&lt;/a&gt; Sanford Junior Chamber of Commerce; &lt;/p&gt;
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                <text>Original &lt;span&gt;16-page digital transcript by Savannah Vickers: &lt;/span&gt;White, Garnett. Interviewed by Joseph Morris. October 13, 2011. Audio record available. &lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Oral History of James Singleton</text>
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                <text>An oral history of James Singleton, conducted by Ashley Wilt on July 21, 2010. Singleton has served as the Deputy Director of Facilities Fleet and Urban Maintenance for the City of Altamonte Springs, Florida, since January 1976. In this oral history interview, he discusses the history of the Altamonte Springs City Library, the establishment of an Information System (IS) for the city, the library's Mobile Information Center (MIC), the youth area for the library, library patrons, his career with the City of Altamonte Springs, and Project APRICOT (A Prototype Realistic. Innovative Community of Today).</text>
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                <text>0:00:00 Introduction&#13;
0:00:46 History of the Altamonte Springs City Library&#13;
0:06:37 Establishment of an Information System (IS)&#13;
0:09:43 Public computers at the library&#13;
0:12:04 Mobile Information Center (MIC)&#13;
0:15:48 Youth Library Area&#13;
0:20:43 Library patrons&#13;
0:24:12 Altamonte Springs Civic Club&#13;
0:27:15 Retirement&#13;
0:28:12 Appreciation for the library&#13;
0:35:25 Project APRICOT (A Prototype Realistic. Innovative Community of Today)&#13;
0:38:37 Managing Fleet Facilities and Urban Beautification</text>
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                <text>Oral history interview of James Singleton Interview conducted by Ashley Wilt at the &lt;a href="http://altamonte.mysurpass.net/" target="_blank"&gt;Altamonte Springs City Library&lt;/a&gt; in Altamonte Springs, Florida.</text>
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                <text>Singleton, James. Interviewed by Ashley Wilt. July 21, 2010. Audio record available. &lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/123" target="_blank"&gt;Linda McKnight Batman Oral History Project Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Singleton, James</text>
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                <text>2014-10-10</text>
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                <text>2010-07-21</text>
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                <text>eng</text>
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                <text>Originally created by Ashley Wilt and James Singleton.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt;</text>
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              <elementText elementTextId="517280">
                <text>"&lt;a href="http://altamonte.mysurpass.net/" target="_blank"&gt;Welcome to Altamonte Springs City Library&lt;/a&gt;." Altamonte Springs City Library. http://altamonte.mysurpass.net/.</text>
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                <text>"&lt;a href="http://www.altamonte.org/" target="_blank"&gt;Altamonte Springs, Florida&lt;/a&gt;." Altamonte Springs, Florida. http://www.altamonte.org/.</text>
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              <elementText elementTextId="517282">
                <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/49963391" target="_blank"&gt;&lt;em&gt;Altamonte Springs&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 1999</text>
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              <elementText elementTextId="517453">
                <text>&lt;p&gt;&lt;strong&gt;Wilt&lt;br /&gt;&lt;/strong&gt;This is an interview with Mr. James Singleton at the Altamonte Springs [City] Library. This interview is being conducted on July 21, 2010. The interviewer’s name is Ashley Wilt and I’m representing the Museum of Seminole County History and the Linda McKnight Batman Oral History Project for the Historical Society of Central Florida.&lt;/p&gt;
&lt;p&gt;Mr. Singleton, you are Deputy Director of Facilities Fleet and Urban Maintenance for Altamonte Springs. That’s a very responsible position, which shows you have achieved quite a bit in your years with the City of Altamonte Springs. We thought you might be able to tell us some interesting things about the city’s library, its growth and development, and about some of the interesting people who have been involved over the years. You probably have some very interesting stories that you can relate.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Singleton&lt;br /&gt;&lt;/strong&gt;Yes, I do have some interesting stories. When I first came to work here in Altamonte—1976 of January—the library was run by the Altamonte Springs Civic Club. And Miss Anne Van Allen Klein was the one that donated the first books to this library, and in doing so, it started. We have to reflect back even beyond that. It started in a small house that they had, and they had the books there. Out of that house, they sold newspapers and other goods to earn money to pay the light bill and take care of all the other bills. Well, city employees at that time would help them, because they would carry the newspapers to sell, and then would bring the money back to them. Well, as time progressed, like in the [19]60s—early ‘60s—then they really picked up what they were doing, and they built the building here. The north end of this building was the part that they built. It was an almost 3,000-square foot building. Well, out of that building, they started to grow and develop a bigger collection. So about ’76, when I came, they were still selling newspapers and they had a little gift shop of things that they would sell so they could pay the bills and keep the library going. So it was a very interesting time.&lt;/p&gt;
&lt;p&gt;And along with Miss Klein, we have a lady named Sidell Pate, and over time, I came to know Miss Pate very well. As a matter of fact, she would call myself and Bill James her sons, because we looked out for her so very much over the time. Well, as she grew older, we didn’t like for her to drive across [Florida State Road] 436. So we had her, she would go to the post office. So we bought a mailbox and put it in her yard so that she wouldn’t have to go, for her own safety. Well, she lived near here, just about a block away, so we felt good for her to drive from home to here, because she didn’t have to cross any major streets. She was a very delightful person. We loved her very much. So when she passed, she left an endowment to the library for books and so forth, so that we could carry on the traditions here.&lt;/p&gt;
&lt;p&gt;But along with that, over the years, the library in 1985—October of 1985—was when the library came under my supervision. At that point in time, we had—the library director was Karen Potter. So Karen worked here with me for a number of years, and then she had an opportunity to go to the Maitland [Public] Library, and she became the library director there. But during that period of time, we started to do some things. We wanted to have a network here. So we did.&lt;/p&gt;
&lt;p&gt;So the only other place in the city that have a network was up in [Department of] Public Works, and Building and Light Safety. Well, [Division of] Building and Light Safety had a more extensive network than Public Works, because we had a gentleman here by the name of Phil McMann, who was very computer literate at that time. So we—and when I say we—the next library director that came in was Richard Miller. We wanted a network here. So we got with Phil McMann, and laid out what we wanted to do, and the City allowed us to purchase the equipment, and we started a network here. Which allowed us to do, at that time, so automation, because, you have to realize, programming, at that point in time, was not where it is now. So we started out with a network, and we put our collection on, and then we had some things we could do. We could track patrons, and different things like that. So it was a wonderful. It was wonderful time. It was an exciting time, because we were growing.&lt;/p&gt;
&lt;p&gt;Along with that, the [Altamonte Area] Chamber of Commerce was here. They built the south end of this building. And they were here for a number of years. And they outgrew the space, so they went to another location in Seminole County for they could operate and have the space that they needed. At that time, the City of Altamonte Springs purchased that end of the building, and just incorporated the whole library together, which gave us all the space we have now. So then we had the opportunity to move and expand, and we continued to build our network, and the programming that we have, which just made things so much easier at that point in time.&lt;/p&gt;
&lt;p&gt;So as we grew, the needs of the city changed. So they started IS [Information System]. And Steve Long was the gentleman that first headed up the IS department. So at that point in time—when I say “the city”—[Altamonte Springs] City Hall—they started IS and they started a network system. Well, everything like at Keller Road, which is where our main treatment plant is, all the information came from there to the library and then it was phoned to the system at City Hall. The other part, the west side of town, came through my network that was in my office, because I controlled all the west side of town at that point in time.&lt;/p&gt;
&lt;p&gt;So then, as they grew, they developed the dome, which houses all the computer equipment here. You know, the mainframes and so forth. And slowly, we moved all the individual network servers and everything was packed into there. So, extensive cabling had to be done, and then as time went on, they started putting in fiber optics. It was so funny, the first fiber optics we had was at City Hall. Between City Hall and the [City] Annex. And we knew how much information it could carry, so Phil McMann and myself—we spent a couple days gathering enough material that we could send, because it would just be a blip, and we wanted to see that blip. And it was new to us too. And we got to see that blip, and it was just wonderful, you know. It was just so exciting for us to see those things. So out of that, IS has grown. It manages the whole city, and a lot of things you don’t see. It’s like they have a mirror of the dome at West Altamonte for the IS system[sic], so if this system went down, it would be like a blip on your screen, because the one at West Altamonte would pick up and continue. They have redundancy, like where the main cable comes in, they have another area where the main cable comes in. So if the backup were to cut one cable, the system would never go down, and they have the redundancy all over the city for that. So it’s set up very nicely so that we would never be at a loss for moving our data throughout the city, back and forth.&lt;/p&gt;
&lt;p&gt;We’ll go back to the library. In 1985, you know, it was like a fledgling still, and then with Karen leaving, and Richard coming in, Richard brought—Richard Miller—brought fresh, new ideas and things he wanted to do. Richard, being very computer-literate, was an asset too. So a lot of things we could do, and get things going. So in the beginning, all we had was a few computers for the people that worked here—for staff to use. We had no computers for public use at that time. So we got in touch with Bill [&amp;amp; Melinda] Gates Foundation, and Bill Gates Foundation donated six computers to this library back in the late ‘80s, around late ’88-early ’89. And then we were able to set up this kiosk that you see out there, where it had six computers that were donated to us. We got those up and going, and then that was the beginning of having public access to computers, so people could do what they needed to do. So that was—that was very exciting for us here at the library.&lt;/p&gt;
&lt;p&gt;So since then, you can see, we’ve grown. We have about 16-18 out there that we use, and they stay busy. Over time, it got so busy. In the last two or three years, we had to put time limits on them. So, you know, because people would come in and want to stay all day, but in order to try and meet the needs of our customers, we put time limits. So once you start your session, it comes up in the screen, it starts a little clock, it lets you know how much time you’ve used, how much you have left, so when that time is up, then you leave, and it makes way for someone else to come in. And so they did use a computer. So all those things have been very exciting.&lt;/p&gt;
&lt;p&gt;Let’s go back in time again. We started a Mobile Information Center, which was a bus, and we named that bus “MIC”—M-I-C. And it had a computer with legs on it. It was running. MIC was an acronym for Mobile Information Center. And we set it up, because the library’s here on the east side of town, and then the thinking of the city fathers—city managers and so forth—was how could we help our citizens—the older population—so they didn’t have to travel so far to come here and get books. So we created that program. And now, you talk about funny. When we—we brought MIC out, we had a little grand opening, and we had Mayor Dudley Bates here, and so we were going to christen it. We had this bottle of champagne. So when it was time to christen it, Mayor Bates swung the bottle of champagne, and it bounced back. So he did it again, and it bounced back. So he really had to lay into it. Finally the bottle broke, and MIC was christened, and ready to go on the road.&lt;/p&gt;
&lt;p&gt;And so that was a very delightful program they had, because we were not just the west side of town, but the east side too, and it had handicapped access, so we could bring a handicap person on. They could get in. The bus was designed for that reason, so we could service our patrons. We went to the nursing care facilities, and people would come on. They could check out books. They could actually come on and pick out their own books, check them out. And then we would go back, and they could come back on the bus again, and return their books, and get other books to read. So this was a very successful program. Same thing was done on the east side of town. They have nursing facilities over there—west side—and nursing facilities over there, and we accommodated those people over there also.&lt;/p&gt;
&lt;p&gt;Well, as time went on—you know, the recession that we’re in—the amount of money—operating funds for everybody—changed. So, we did away with MIC—the bus—because it cost money to operate it, but we didn’t do away with the program. We still deliver books to people that are incapacitated throughout the city. So that they can have the books they need to read. So that’s one of the things that I really enjoy about working for the city. You see the slogan on the paper—they use pencils that say, “We are people that care about people.” And you can really see it. They did away with the bus, but not with the program. So people get what they need to read, we get back and pick the books up, and carry them different books, and it’s just a wonderful arrangement, especially for people that are limited in their means of having transportation to go back and forth.&lt;/p&gt;
&lt;p&gt;Another thing here, where we’re sitting here today, is the Youth Library Area. At one time, we did not have this. You know, we had youth books, but not a designated area for these ones to come sit, and do things, and have the books that they really liked to read, and enough of them. So this was one thing that we created. It took a number of years to do so, but slowly and surely we did, and this area is used by young adults. And it’s summertime now, so it kind of slows off, but when school starts, they come, they do their homework projects here, they have the ability to do research, and so that worked out real well. I guess the thing that I was most pleased with: when the Chamber of Commerce moved, they gave us the area for the children’s library. They gave us an opportunity to develop that area. And having a few kids myself, I really appreciate the area.&lt;/p&gt;
&lt;p&gt;I have eight kids, and so as we develop that area—when we finish, you may take a look. It’s designed just for kids. The rugs, all them things in there, the decoration is for kids, and make them feel at home. And they don’t have to hear anybody say, “Shh!” They can be a kid, enjoy the library, and so that was just a wonderful addition. And I think that area, for checking out books and so forth, it accounts for 40 percent of the books that are checked out of the library. So we have a deep interest in kids.&lt;/p&gt;
&lt;p&gt;And in the summertime, we have kid’s programs. They do things like—we bring in from the Sanford zoo,&lt;a title=""&gt;[1]&lt;/a&gt; they’ll bring animals in, and they’ll have programs for the kids, maybe the parents, some of the things, and then they have the kids. I’ve seen 60-70 kids in that area for that program. We’ve done other programs in—like we bring beekeepers in to help them understand about bees, the things that they do.&lt;/p&gt;
&lt;p&gt;And then when school’s going on, we bring tutors in to help these young ones with their lessons and so forth, if they have a problem in math. And so some of the schools work with us in that regard. And some of the teachers will come, and volunteer their time, so we can help these kids. Some of those kids have really improved, and I don’t know if I should say this or not, but the Chinese restaurant on the corner—China First, I believe it is—their kids that needed help reading. It was a result of the program that we have here that the kids greatly improved in reading.&lt;/p&gt;
&lt;p&gt;So one thing leads to another. They have a writing contest here every year for eighth graders. So we give prizes and we also publish the book of all the writings of everyone that entered something in. And so winners—first, second, third—will go to their school, will present their school with a copy of the book, and also, the student that wrote the winning entry will get a copy of the book. Well, they’ve been very generous at the China First, of helping the library with the prizes and things that they give away. Because that’s how they show their appreciation for how much they helped their kids. So it’s a lot of good stories that I know about, and probably some that I don’t, because even when I’m not here, they continue to do good things like that.&lt;/p&gt;
&lt;p&gt;So it’s so many good things that come out of this library that even Seminole County has come over and observed our programs—Seminole County Library System&lt;a title=""&gt;[2]&lt;/a&gt;—So I’m very proud of it, and if I had to do it all over again, I would gladly do that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Wilt&lt;br /&gt;&lt;/strong&gt;That’s amazing. Those are great stories. Have you ever experienced any interesting or colorful patrons?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Singleton&lt;br /&gt;&lt;/strong&gt;Yes. We had a gentleman that used to come over from St. Cloud, and always wanted to watch pornography, he always wanted to pull up pornographic pictures, so one day I told him, I said, “You cannot do that here.” And he said, “Well, I have freedom of speech.” And I said, “Well, I have these young kids here, and I have all these ladies work here. I will not allow it.” He said, “Well, I’ll sue you.” So I said, “You do that.” I said, “The lawyer’s at City Hall. I don’t handle lawsuits. I maintain this library.” So he said, “I’m going to watch what I want.” So I said, “Well, I’ll tell you what. First of all, I’ll open the door with your head, and then I’ll skin your nose on the asphalt as I throw you out. You will not observe this in here while these kids are here.” He said, “I’ll see you in court.” I said, “I’ll be there.” And I told him—I said, “Well, if this is what you like, buy your computer, set it up at home, and you can watch it yourself. Won’t bother anyone.” But, you know, most—all ladies work here, except one person. So you just couldn’t have that. And the kids come and out. I’d always be in the area in which, you know, that’s really designated for them, they come with their parents and things like that. So you have to look out for things like that, and I probably was just a little bit off the right path, but that’s how I felt about it. But he never came back. And he never sued. So it worked out just fine.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Wilt&lt;br /&gt;&lt;/strong&gt;Have you, over time, seen patrons that came back and enjoyed the child’s room, and now they’re bring their children? Or they’re migrating into the Young Adult room?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Singleton&lt;br /&gt;&lt;/strong&gt;Yes. There are people that come here and bring their kids that were patrons here prior to that. And they’ve—they watched the progression of growth in the library, so now they come in. And see, what’s interesting about us being small, it’s more personal when you come here. And sometimes if you come down in the kids’ room, they know these kids by name basically, their parents, and so forth. So it does a couple of things. It makes the people feel very welcome here, and it’s a warm atmosphere, but also, it creates a very good atmosphere of safety, because, like, if you came in, and you know they don’t belong with this kid, because they know basically who the people that come here. And then some of our senior patrons, they come here for the same reason. And I think that that’s been the focus of this library, almost from the beginning, our senior patrons, although we cater to all groups of people. It’s just really a marvelous arrangement that we have here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Wilt&lt;br /&gt;&lt;/strong&gt;That is great. Now, you were telling me how the library was first established, or first run, by the Civic Club. Do you know if the Civic Club just joined together, and bought the house, and wanted to have this library—have a library? Do you know how this began?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Singleton&lt;br /&gt;&lt;/strong&gt;The house really originally was a gift, and so they started working out of that. And like I said, Miss Klein—she donated her collection, and that actually started the library over 50 years ago. And then that was the beginning of the library. As I said earlier, they would sell newspapers, and they ran a thrift shop, so that they could pay their bills and so forth at that time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Wilt&lt;br /&gt;&lt;/strong&gt;That’s great. When you first came—you said you came in 1976—did you come to works specifically with the library? To work with the city? How did you get involved personally?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Singleton&lt;br /&gt;&lt;/strong&gt;Well, when I first came to work here, I was in charge of all the heavy equipment and everything that went underground. I worked heavily with the Water Department, and the Wastewater Divisions.&lt;a title=""&gt;[3]&lt;/a&gt; I worked there from ’76 until October ’85. They had a—they started a program in Wastewater for reclaimed water. And so it was such a big focus on that that—that Fleet Facilities and Urban Beautification, which was at that time buildings and grounds—there was like—they needed to move those and they started another division. So at that time, I applied for the job of the division manager of those divisions. So they moved that out of Public Works. Those sections were in Public Works, they moved them to Leisure Services. So that they could focus on developing the regional reclaimed water system that we have here. So, when that happened, well, the library was in [Altamonte Springs] Leisure Services. And so that became one of the things that I was assigned to oversee. And that’s when Karen Potter and myself[sic] came together, and then we started working together, taking over some of the other things mentioned previously.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Wilt&lt;br /&gt;&lt;/strong&gt;Wow. That’s really neat. Do you think after your retirement you’ll still stay involved with the library?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Singleton&lt;br /&gt;&lt;/strong&gt;Absolutely.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Wilt&lt;br /&gt;&lt;/strong&gt;More on a patron-base?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Singleton&lt;br /&gt;&lt;/strong&gt;No. when I retire, I’d like to come back, volunteer, and I would like to work in the children’s room, as I have for many, many times. I sit in on many of the programs, the readings, and so forth. I’m going to continue to enjoy that. It’s been very therapeutic to me. So I will continue to do that. I will also continue to work with the disabled population that Vinnie Coon oversees. I’d like to come in when they have their functions and cook. Help to cook, prepare the meals. My son comes with me. That’s something we like to do.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Wilt&lt;br /&gt;&lt;/strong&gt;Are there any stories that you can tell us specifically about the library and yourself that—how the library has helped you? Like you said, the children’s room is therapeutic to you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Singleton&lt;br /&gt;&lt;/strong&gt;Yeah. Well, the library itself—I mean, I like to read too. But it’s helped me to understand the workings, and when I went to school, when you went in the library, everything was tight-lipped, you know. But just to see now—I mean, you don’t come in dancing and singing, but you can talk. And they see everything loosen up some. But the thing I’ve enjoyed, as Mr. [John] Batman was telling you about, the little history room, some of the buildings. Well, the [Altamonte Springs City] Commission has supported some of the things we have here, like the domes that protect the little buildings. In times past, they have authorized money to the Historical Society [of Central Florida] so they can buy the domes that protect the buildings and things like that.&lt;/p&gt;
&lt;p&gt;I’ve had such great support and the things that we’ve done here in the library, from the city fathers, because they recognize the need for the arts and the cultural things that are here at this location. And so this has been very rewarding to me. And so I can go in and say, “Well, I need a new set of reference books.” And they could very well say, “Well, what’s wrong with the old ones?” But they don’t say that. They see the need and they help keep up. They’ve helped us keep pace with what’s going on in technology and so forth. So those are some of the things that overwhelm you sometimes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Wilt&lt;br /&gt;&lt;/strong&gt;Are there any stories that you would like to convey to the people of the library? Maybe about its building, or maybe the contents in the library? Even the city itself?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Singleton&lt;br /&gt;&lt;/strong&gt;Yeah. I would just like to say that people should really appreciate this library. For several reasons. It’s local. And it has easy access. And I know they have a—right up the street, they have a [Seminole] County [Public] Library branch,&lt;a title=""&gt;[4]&lt;/a&gt; just on the other side of [U.S. Route] 17-92. But the city still maintains this library, because it benefits the local residents. And when you see—if you could just go out sometime, which I have done many times, to these individuals and they get the books, because they like to read, and they get the books, and you know, it’s not a lot of hassle for them. You come back and pick them up and carry new books. They really appreciate that. It just gives you a warm feeling all inside.&lt;/p&gt;
&lt;p&gt;And so I’ve been working here, I’m in my 35&lt;sup&gt;th&lt;/sup&gt; year. And the city has always been so progressive. I appreciate that as much as anything—how they are progressive, and that they also would give you empowerment to do things. I mean, within reason. And so we can make changes, like to change the layout of the library so we have a better traffic flow, and things like that. We didn’t have to get a congressional approval of that. Those are things that we can do. Like painting, and so forth. We can change the color schemes, because, you know, they need to be changed. And they’ve always allowed those things.&lt;/p&gt;
&lt;p&gt;And I would imagine, as time goes on, they will still do that, because I think this is the most progressive city in all of Seminole County. As a matter of fact, I know it is. I’ve been very proud to work here. I’m pretty sure when I leave, I’ll probably get up one morning and come to work before I realize I’m not coming to work. But I appreciate those things. And then, they just work with us, hand-in-hand. He called over here one day, and asked about some information that he wanted. Well, when he got over here, they had it all laid out for him. So they’re good at things like that, and so that’s what they do. They disseminate information, and if you need something, they will get it for you. Myself and Bill James—we’re working with the Winwood Group, which is the neighbors next door here. They were working with the school over there, [Seminole-]Rosenwald [School]. You familiar with Rosenwald schools?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Wilt&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Singleton&lt;br /&gt;&lt;/strong&gt;Well, they wanted some space in there, because they’re closing the school down at the end of this year. And they’re moving all those students to another location. So there’s a need over there for some of the things, for seniors, and other youth programming things like that. So we help them in that regard, and we also help them appreciate that the kids and adults in that area are coming to the library.&lt;/p&gt;
&lt;p&gt;And if you notice when you first came in, the computer section was full. Well, that was a computer class that they teach before the library actually opens to the public. So we made that available, most specifically, to the seniors, because there’s so many things they could do at home on their computer rather than trying to get a ride to Social Security [Administration Office] or wherever they need to go. They could do it at home on a computer.&lt;/p&gt;
&lt;p&gt;And we also made arrangements with some of the people in the neighborhood that were computer-literate—had computers. They’ll work with those individuals so they can come to their home, do their paperwork and stuff right there, without having to secure a ride to go to Sanford and things like that. So the library, you know—we reach out. Not just to the city proper, but we’ll help our neighbors too, also. So those are just some of the things that the city does and allow us to do, because they are futuristic in their thinking.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Wilt&lt;br /&gt;&lt;/strong&gt;Wow. That is just great. Now, you were talking about the admiration you have for the city and its progression, and the way it adapts to progress. Have you seen any city changes that—like you were just explaining? But progress that you haven’t seen in other cities or in other areas of Central Florida?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Singleton&lt;br /&gt;&lt;/strong&gt;Yes. I have. We were talking about the reclaimed water system. It’s called Project APRICOT [A Prototype Realistic. Innovative Community of Today]. That’s the name of it. It started off Project APRICOT, and so, at the time, when the city started Project APRICOT, Don Newnan was here. He was the project works director. The only other place in Central Florida area was St. Petersburg. They were doing on a limited basis, recapturing some of the water that was coming out of the septic tank systems and processing it and so forth. But this was the first city to do a complete system city-wide of reclaimed water in the state of Florida.&lt;/p&gt;
&lt;p&gt;And so, when it first started, you know, they hired a young lady named Allison Marcue, and she had the job of selling wastewater, so to speak. But it’s not really wastewater when it’s all cleaned up. You know, there’s some affluent, and it’s all cleaned up. And I’ve seen—if you go out to the plant where water comes out, they have this pool. And the bottom of it, it has this apricot logo. And you look down in, it’s clear. It’s just as clear as glass. And I’ve seen, people can actually drink the water. I mean, it’s that clean when it goes out. And I remember DEP [Department of Environmental Protection] fined us one time, because the water we were putting in the river, was cleaner that the water in the river. I never really understood that, but they fought it, and they wouldn’t rescind the fine, but they did reduce it. So you would think, we’re putting a better quality of water in, then they were taking out, everything was there. So as a result of that, you know, we have—our system is contained now. We don’t really pump any in. We use it for our citizens to get them a way to water, and maintain their plants and yards, and it costs less. So we don’t put anything into the streams in that regard. So it’s just a lot of innovation. A lot of innovative things the city has done.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Wilt&lt;br /&gt;&lt;/strong&gt;Wow. That is just amazing. Well, I would like to know if there’s anything that you would like to discuss or touch on that we haven’t—that I haven’t asked you—that we haven’t gone over. Is there anything special to you that you’d like to convey?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Singleton&lt;br /&gt;&lt;/strong&gt;Yes. I would. Like I said, I’ve managed Fleet Facilities and Urban Beautification. And you drive down through our city, and you know, in the medians, you see beautiful plants and everything. It’s sad to say, we have people that come through here that don’t live here, and although we trash the main areas daily, because we want everything to look all nice. And even when we have holidays, like September 6&lt;sup&gt;th&lt;/sup&gt; will be Labor Day—it’s a long weekend. Well, somewhere during between that Friday and that Monday, we’ll come down 436, the main areas, and we will trash. We’ll pick up all the trash, so the place will look good, just as though we were working here. So I appreciate things like that.&lt;/p&gt;
&lt;p&gt;And even, we had a hard winter. And things froze like you wouldn’t believe. And people would actually call City Hall and told Mr. Pendleton how good things look. And we would laugh, because they didn’t look that good to us. When I say us—Urban. It just looked better, in our opinion. But if you looked around, everything here looked better than everything around us.&lt;/p&gt;
&lt;p&gt;But we were still working, because we wanted—we have a set level, a standard that we like—that we were trying to achieve. And I think we’re about there now, but we continue to work. And we’re allowed to do that. And I appreciate that. If you would look at Fleet Maintenance, you look at our vehicles, we have one of the cleanest fleets that’s here. And sometimes, if you have a moment, if you could come out to Fleet Maintenance, I’d just like to you to look at the facility. You don’t see a dirty place. You don’t see junk or anything like that. The building is always clean. Every day, it’s cleaned before they go home. So a lot of times people will come and say, “Do you actually work here?” Well, just because you work on a car or a truck, it doesn’t have to be a filthy, greasy place.&lt;/p&gt;
&lt;p&gt;And so we try to maintain that so if, like if any other commissioners like Mr. [Jon] Batman or anyone came out, they’re not worried about getting their clothes dirty or anything, because the shop’s not dirty. That’s a mainstay for us. But if you look at the vehicles going up and down the road, they’re nice and clean, they’re all well-maintained, and so forth. We sent our vehicles to the auction. If you ever have a chance to go, our vehicles sell for a higher price than any other government or municipality around here. Because they’re clean, everything works when they go over there, and they always run. So that’s how we’re able to recoup monies to go back into the general fund, and so we take a great pride in that. And then the facilities, well, you can just tell here. Even in the children’s room, you might think—well, you should see fingerprints on the wall and things like that. We don’t see that, because we maintain the facilities in a way that we will always want it to reflect the highest quality in the City of Altamonte Springs.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Wilt&lt;br /&gt;&lt;/strong&gt;That is amazing. And I thank you so much for your time. I greatly appreciate everything we talked about. Would you like to give me and Mr. Batman a tour of your museum, of the hall of history, or the children’s room?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Singleton&lt;br /&gt;&lt;/strong&gt;I’d be delighted to do so.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Wilt&lt;br /&gt;&lt;/strong&gt;That’d be wonderful. Thank you so much for your time. I greatly appreciate it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Singleton&lt;br /&gt;&lt;/strong&gt;You’re welcome.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Central Florida Zoo and Botanical Gardens.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; Correction: Seminole County Public Library (SCPL).&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; Division of Water, Wastewater, and Reuse.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[4]&lt;/a&gt; Jean Rhein Central Branch.&lt;/p&gt;
&lt;/div&gt;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Historic Sanford Welcome Center, Downtown Sanford, Florida</text>
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                  <text>Princess Theater, Downtown Sanford, Florida</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;WHO IS CREATIVE SANFORD, INC?&lt;/a&gt;" Celery Soup. http://www.celerysoupsanford.com//about.</text>
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                  <text>&lt;span&gt;"&lt;a href="http://www.celerysoupsanford.com/about/" target="_blank"&gt;About: History and Purpose&lt;/a&gt;." Celery Soup. http://www.celerysoupsanford.com/about/.&lt;/span&gt;</text>
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                  <text>"&lt;a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank"&gt;Sanford, Florida: How do you make Celery Soup? Add stories, then stir&lt;/a&gt;." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida.</text>
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                  <text>&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;</text>
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                <text>Oral History of Luticia Roberts Lee and Catherine Lee Dingle</text>
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                <text>Sanford (Fla.)</text>
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                <text>Race relations--Florida</text>
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                <text>Hurricanes--Florida</text>
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                <text>Segregation--Florida</text>
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                <text>An oral history of Luticia Lee, with her daughter, Cathy Lee Dingle. Lee was born in Sanford, Florida, where her mother bought a grocery store on First Street at half-interest in 1910. Lee's mother graduated from Sanford High School in 1913 and Lee graduated in 1942, after it was renamed Seminole High School. Her children in the attended the school in the 1960, and her grandson graduated later. Lee met her husband, James Lee, who had just returned from service in the U.S. Army in December of 1945. In September of 1946, the couple married. They had three children and five grandchildren. In this oral history, Lee discusses how they started the tradition of throwing pasture parties, life was like during integration in Sanford, how Jim Crow laws were applied, Lee's old house, and tornadoes and hurricanes that had passed through Sanford.</text>
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              <elementText elementTextId="517200">
                <text>Lee, Luticia and Catherine Lee Dingle. Interviewed by Trish Thompson and Laura Donaldson. Celery Soup. July 2012. Audio record available. &lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;, Sanford Florida.</text>
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              <elementText elementTextId="517201">
                <text>&lt;a href="https://get.adobe.com/reader/" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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              <elementText elementTextId="517202">
                <text>&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;, Sanford Florida.</text>
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              <elementText elementTextId="517203">
                <text>&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;Creative Sanford, Inc. Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Digital transcript of original oral history: Lee, Luticia and Catherine Lee Dingle. Interviewed by Trish Thompson and Laura Donaldson. Celery Soup. July 2012. Audio record available. Celery Soup.</text>
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              <elementText elementTextId="517205">
                <text>East 3rd Street and South Palmetto Avenue, Sanford, Florida</text>
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              <elementText elementTextId="517206">
                <text>West 15th Street and South Oak Avenue, Sanford, Florida</text>
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              <elementText elementTextId="517207">
                <text>American Legion Campbell-Lossing Post 53, Sanford, Florida</text>
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              <elementText elementTextId="517208">
                <text>Seminole High School, Sanford, Florida</text>
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                <text>Lee, Luticia</text>
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                <text>Dingle, Cathy Lee</text>
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                <text>Donaldson, Laura</text>
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              <elementText elementTextId="517215">
                <text>Román-Toro, Freddie</text>
              </elementText>
            </elementTextContainer>
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            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517216">
                <text>2012-07</text>
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                <text>application/pdf</text>
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                <text>175 KB</text>
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            <description/>
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                <text>17-page digital transcript</text>
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            <description/>
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              <elementText elementTextId="517220">
                <text>eng</text>
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              <elementText elementTextId="517221">
                <text>History Teacher</text>
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                <text>Civics/Government Teacher</text>
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              <elementText elementTextId="517224">
                <text>Originally created by Trish Thompson, Laura Donaldson, Luticia  Lee, and Cathy Lee Dingle.</text>
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            <name>Rights Holder</name>
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              <elementText elementTextId="517225">
                <text>Copyright to this resource is held by &lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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              <elementText elementTextId="517226">
                <text>Donation</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="517227">
                <text>&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="517228">
                <text>&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Celery Soup&lt;/a&gt;</text>
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            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517229">
                <text>Roman-Toro, Freddie</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="517230">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
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          <element elementId="135">
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="517231">
                <text>&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;</text>
              </elementText>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517232">
                <text>"&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Celery Soup&lt;/a&gt;." &lt;em&gt;Celery Soup: Florida's Folk Life Play&lt;/em&gt;. http://www.celerysoupsanford.com/.</text>
              </elementText>
              <elementText elementTextId="517233">
                <text>Litwack, Leon F. &lt;a href="http://www.worldcat.org/oclc/37981894" target="_blank"&gt;&lt;em&gt;Trouble in Mind: Black Southerners in the Age of Jim Crow&lt;/em&gt;&lt;/a&gt;. New York: Knopf, 1998.</text>
              </elementText>
              <elementText elementTextId="517234">
                <text>Newton, Michael. &lt;a href="http://www.worldcat.org/oclc/47136480" target="_blank"&gt;&lt;em&gt;The Invisible Empire: The Ku Klux Klan in Florida&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2001.</text>
              </elementText>
              <elementText elementTextId="517235">
                <text>Taylor, Tate, et al. &lt;a href="http://www.worldcat.org/oclc/748435864" target="_blank"&gt;&lt;em&gt;The Help&lt;/em&gt;&lt;/a&gt;. Burbank, Calif: Touchstone Home Entertainment, 2011.</text>
              </elementText>
              <elementText elementTextId="517236">
                <text>Williams, John M., Iver W. Duedall, and John M. Williams. &lt;a href="http://www.worldcat.org/oclc/47995910" target="_blank"&gt;&lt;em&gt;Florida Hurricanes and Tropical Storms, 1871-2001&lt;/em&gt;&lt;/a&gt;. Gainesville, Fla: University of Florida Press, 2002.</text>
              </elementText>
              <elementText elementTextId="517237">
                <text>Winsboro, Irvin D. S. &lt;a href="http://www.worldcat.org/oclc/797855859" target="_blank"&gt;&lt;em&gt;South, New South, or Down South? Florida and the Modern Civil Rights Movement&lt;/em&gt;&lt;/a&gt;. Morgantown, W. Va: West Virginia University Press, 2009.</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517454">
                <text>&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;So, if you would like to give us the story of how you got to Sanford.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;I was born here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;How did your oldest relative get to Sanford?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;My grandmother, after my grandfather died in Mount Olive, North Carolina—she had four girls and two boys. And Mr. Nathan Garner from Sanford was a friend, and he was visiting when my grandfather died. And he had a grocery store down here, so my grandmother bought half interest, and they came in 1910. My oldest aunt didn’t come, but then the next one, Aunt Marty [Roberts]—she came and she roomed at Miss Bessie Long’s. Do you know Miss Bessie Long? Her house was on [North] Oak Avenue right across from the park. The Higgins’ house was next door and Aunt Marty roomed there.&lt;/p&gt;
&lt;p&gt;And my uncle roomed in Captain Mark’s house which was on [East] Third [Street] and [South] Palmetto [Avenue]. They had the grocery store on First Street. And then Mr. Garner’s son didn’t want to be in the grocery store, so Uncle James [Roberts] bought him out and changed the name to Roberts’ Grocery.&lt;/p&gt;
&lt;p&gt;Mother was in the first class to graduate from Sanford High [School] in 1913. And I graduated in 1942 and my children graduated in the [19]60s. and then my grandson graduated, so there were four generations that graduated. They changed the name from Sanford High to Seminole High [School]. That’s how we got here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Now did you work in the store?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;No. I never worked, except at home. Right after I got out of high school, I worked at the ice plant&lt;a title=""&gt;[1]&lt;/a&gt; for a while, but I didn’t work there too long. I got married. James [Lee] went to Stetson [University]. He got back from the [United States] Army in December 1945. Our first son was born in DeLand, when he was going to Stetson.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Donaldson&lt;br /&gt;&lt;/strong&gt;How did you meet?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;His sister lived in Palmetto, right behind us. And she was a friend of Mama’s. When he came back from the war, I met him and it worked.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;How long have you lived in this house?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Mom and Daddy built it when I was three years old, but I just lived here ‘til I was married. And then James and I—after Mama died, we owned the house over on [West] 15&lt;sup&gt;th&lt;/sup&gt; [Street] and [South] Oak and that’s where we raised our children. After Mama died, we moved back here. I’ve been here ever since. This house was built in 1926. It’s 85. It’s younger than me [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Well, it isn’t holding up as well as you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;It might be doing better [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Donaldson&lt;br /&gt;&lt;/strong&gt;So how long did y’all go steady before you got married?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;From December ’45 to September ’46. You know, he had been overseas for three years. He was ready to live [&lt;em&gt;laughs&lt;/em&gt;]. Go to school and have a family. I was too.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;When you live through such a traumatic thing as the [World] War [II], you learn what’s important. Was he in the Pacific [Theater]?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;India and China. He was over there, and my brother was in the Pacific too. Then when the Second World War started, my daddy was the shop superintendent of the Crown Paper Company, when they used to print all the paper that they used to wrap all the oranges in. and then when the war started in ’42, they asked for all scrap metal to be sent back. And Daddy was in the [American] Legion [Campbell-Lossing Post 53]. And there was a cannon in front, and Daddy helped dismantle it, and that’s when he got spoke[sic] to make my rolling pin with.&lt;/p&gt;
&lt;p&gt;See, I graduated in ’42, and that’s when you always got a hope chest [&lt;em&gt;laughs&lt;/em&gt;]. And mother was crocheting me a bedspread. Since Mama was making the bedspread, Daddy wanted to make something to go in my hope chest, so he had that spoke so—and they had a shop in the Crown Paper Company, so he could make my rolling pin.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;So your daddy made that rolling pin? Is it signed?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;No. I wanted to get a picture of the cannon, and I had a hard time. But I went down to the museum, and I started finding things, and I’ve got quite a bit of information on it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Did they turn that cannon in during World War II for the metal?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Yeah. For the metal and it had been used in the First World War and they put it in front of the [Legion] Hut when they built it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Well, tell me how your father got involved in the legal system—in the jails, corrections…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Well, it was my husband. Well, he graduated from Stetson with a business degree, but then he went to Rollins [College] and got a Master’s [degree] in Criminal Justice. When he was in the Army, he was in the military police and was interested in all that. When the Parole Commission advertised for people, he applied, took the test, and passed, and was hired. Then we went to Orlando for a little while. And then when an opening came in Sanford, he wanted to raise our family here, so we came here and then he was with the state for 32 years.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Did he ever have any parolee problems—coming to the house?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;No. My husband was very good. People liked him. I remember after he was retired, and we were living here, we wanted to put a fence down the side in between the houses. And they said we couldn’t put a chain-link fence, and he went down and talked to somebody, and he said, “Well, you know, we wouldn’t put just an old chain-link fence. we’d put a green one down. We could put a barbed wire one down. It’s not prohibited.” The man said, “What?” And he said, “Yeah. I looked it up.” We got our fence [&lt;em&gt;laughs&lt;/em&gt;]. It’s a nice fence. In fact, the people that live there, when they came home, they didn’t even notice it, ‘cause it was green and it was pretty, you know.&lt;/p&gt;
&lt;p&gt;Anyway, the head of one of the departments said, “Mr. Lee, you don’t recognize me do you?” And James said, “No. I’m sorry. Should I know you?” And he said, “Well, I’m one of your success stories, and you told me…” He was very young. “I should think about what I wanted to be and start working toward it, and then try to get an education and become that. and here I am. I’m the head of the department.” I don’t know what department it was or anything, but he came home and said, “You know, I didn’t recognize—he’s a man now. He was a boy then. That was great.”&lt;/p&gt;
&lt;p&gt;And another time—this was funny—is when the post office was Downtown. I still call it the post office. Not the one on Lakefront. the one on First Street.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson &lt;br /&gt;&lt;/strong&gt;Where the Historic [Sanford] Welcome Center is now. Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;He came out to the car and he had the funniest look on his face. and I said, “What’s the matter?” He said, “I just got a Father’s Day card from this elderly man that was so old, he didn’t have his regular birthday. So Daddy figured out and got him a birthday…” And he said, “This is your birthday.” So he sent Daddy a Father’s Day card [&lt;em&gt;laughs&lt;/em&gt;]. He had a lot of stories. I don’t remember too many of them, but he did have a lot. He said he was going to write a book after he retired, but he never had time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Donaldson&lt;br /&gt;&lt;/strong&gt;Now how many kids do you have?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Three. Cathy [Lee Dingle], Linda [Lee Maliczowski], and Jimmy [Lee]. They were all under three—we had one, two, three. He retired and we’ve enjoyed it. And then he got sick, but everything’s okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Donaldson&lt;br /&gt;&lt;/strong&gt;How many grandkids do you have?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Well, we have five now. And then we had four great grandchildren. And when we add the in-laws, including me, there’s 18 of us. You know, it multiplies.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Donaldson&lt;br /&gt;&lt;/strong&gt;And do you get together?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Yeah. Maybe we don’t get all together at the same time. But Mendelson’s getting married, but it’ll be about a year. He just got engaged. He’s a nurse at the Florida Memorial [Medical Center] hospital in Daytona [Beach]. They grew up so fast. I’ve had several parties here in the yard, and she wants to have an engagement party in the yard now. In the ‘70s and ‘80s, [inaudible] Sawyer’s had a pasture out. And they had horses in it, but the horses were not where they had the parties. but they had what we call “pasture parties.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Donaldson&lt;br /&gt;&lt;/strong&gt;Mm-hmm, I went to them.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;You did? Wonderful. Anyway, it was a lot of fun. But then we all got old—they don’t have pasture parties after you get old.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Describe a pasture party. What is a pasture party?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Well, it was a pasture. And then Blake [Jones]—Joyce’s husband—he had a grill out there and a real small trailer and electricity. And he built picnic tables and a thing over it, and had a shed that he could keep chairs in. and when we went, we all took something—potluck. The men would cook on the grill and it was a lot of fun.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Did people ride horses or did you play games?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;No. The kids—but I’m talking about the old folks. We didn’t ride horses. We just talked and laughed and had a good time. Then we lost quite a few. And last summer, we lost a couple: Elizabeth Steele and Joyce Adams Jones. And I thought it would be a lot of fun to get all the old people back together, so I had a backyard pasture party. But I didn’t want anybody bringing potluck, so I had [inaudible] catering. I said, “We’re too old to try to cook and bring things.” We took a lot of pictures. we really had a good time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;When you had these, was it for Fourth of July or Memorial Day or things like that or spontaneous?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Spontaneous. It was always on the weekend, because some people were still working. and it was a lot of fun. I had pictures of when we were young and we took pictures at the backyard party.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Have you all followed the tradition?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Well, she had one here in her yard recently.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;It was in November. And now they’re all saying, “When are you having the next one?” Well, our helpers had to get over the last one, because I couldn’t do that much they were having to do it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;So it’s gone down to another generation. The leaders of the pasture party.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Anyway, those of us that were in it had a wonderful time. Benny and Louis Austin, Gladys and Doug Stenstrom, Joyce and Blake, of course. And Margie and Leo [inaudible], and [inaudible] and Charlie Smith. Ken and Mary McIntosh were here. Paddy [inaudible], Dr. Bill White. Even when James and I were at the beach and they had a condo[minium], and upstairs they had a meeting room. I called all the folks and said, “I’m having a beach pasture party.” so for a couple of years, we had a beach pasture party [&lt;em&gt;laughs&lt;/em&gt;]. They’d all come over to the beach and go up to the 7&lt;sup&gt;th&lt;/sup&gt; floor…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;It sounds to me like you’re the social director of the group.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;No. I really wasn’t. But I did have the extra parties where everybody came and brought something. but Joyce and Blake and Margie really started it. They had the real pasture. I never had a real pasture. Did it in the backyard or the beach. It was Benny[?] and Phil Logan and…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;All of these people that you’re naming—when your husband—when you were in Orlando, and he said, “I want us to move to Sanford and raise a family here,” were all his friends here? What is Sanford to you all?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Sanford’s home. We grew up here, we went to school here, and most of these people we went to school with.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;And did they leave and come back also?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Some of them left and came back. Now, James and I weren’t gone long. We were at Stetson for three years and then…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;I was in the third grade when we came back here. I was eight. We were probably gone 10 or 11 years.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;But we were always coming back. You know, Mother and Daddy were right here in this house, so we were here a lot—most every week. And never felt like we had gone away. He did want to live here and raise our children.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;How many people were in Sanford when you came back? When I opened my restaurant in 1981 there were 20,000.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Really, just 20,000?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;That’s a lot more people.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;But it still has that small-town feel to me. The people we’ve talked to—I’m trying to get that feel of what was Sanford that brought everybody here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Well, like Margie and Leo [inaudible]. He was in the Navy. They were gone a long time, but then they came back. but then a lot of people stayed anyway. Joyce and Blake went to California, but then they came back.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;I think, as time goes on, when you’re younger, you want to leave and go to another town. And then you go to some big place and it’s not very friendly and a lot harder to get around. and you feel uncomfortable and you say, “Sanford wasn’t as bad as I thought it was. Let’s go home.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;And you know everybody. Sometimes I go to town and I don’t know anybody and that feels funny. Our group—all of us—us pasture parties—we get together all the time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Gladys moved to Jacksonville, right? Does she ever get back down?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Yeah. She comes down. Of course, she came down when Ralph [inaudible] died. He’s her cousin. She’s coming down in April. Joyce and I have a birthday party for about four of us, but we couldn’t do it this time. But we’re going to do it—I think George said we were going to do it in June. Gladys couldn’t come for a while. She was sick, but she’s okay now. and we’re going to have a belated birthday party for Linda Roth. Linda Roth was a pasture girl [&lt;em&gt;laughs&lt;/em&gt;]. Linda is Leroy Roth’s wife. They were pasture party people. Linda has moved down to where her daughter lives, but she’s coming back.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;She just moved right before Christmas right?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Yeah. It’s hard to believe she’s not sitting in church every Sunday. She’s going to church down there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Now, your kids were too young to have gone through integration of…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;We were the class. Ingrid was the first person to be integrated, and she was in our class—Ingrid Burton. We were in junior high school. I remember pulling her across the street. she did not want to come. She was the only—in that whole school. We were upstairs in science class looking out the window, and they were pretty much pulling her across the street—her parents. She was the one they chose to be integrated. I’m sure she was very smart. She’s a schoolteacher out in Lake Mary. She came back here. There were only several black kids in our graduating class. Maybe about five or six in the whole class, I believe.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Of high school?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Of the class of ’68. There weren’t that many.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Donaldson&lt;br /&gt;&lt;/strong&gt;Because integration was ’71. Forced integration was ’71.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;It was either 8&lt;sup&gt;th&lt;/sup&gt; or 9&lt;sup&gt;th&lt;/sup&gt; grade when she came. so she was with us for about five years.&lt;/p&gt;
&lt;p&gt;I was on the yearbook staff and I was the editor my senior year. I don’t think there was a black in the senior class, because integration started in my class. Henry June—I remember him.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;That must have been hard for those children.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Ronald Thomas—I didn’t know him. At least Henry had someone. There were only two black students in the senior class of ’67.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Did you have any black friends or know any blacks?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;No. see, at that time, my mother always had help. We always had maids. And as I had my children, I had Ines. She worked for me for 25 years. We’re still friends. I send her a birthday card with a check and a Christmas card, and she calls me. When I lost James, she came here and she came to his funeral.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;And you didn’t have any of the prejudice? That is wonderful. With what we’re going through now,&lt;a title=""&gt;[2]&lt;/a&gt; there’s a lot of talk.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;And see, to me, that’s not Sanford. I feel terrible that they are misrepresenting things, and they’re not telling the truth about Sanford, because I had never known that. When Charles and I were little…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;There were eight in our junior class. That’s Ingrid. I don’t know if they all stayed and graduated, but Viola Jordan—we were in PE [physical education] together.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;My brother was two years younger than me, and he’s been gone 20 years. But Mama had—and he loved old Catherine, and she used to take him down to the lakefront to fish before he ever started to school. We were close to those that were there and worked for us.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Where did they live?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;They lived either in Georgetown or Goldsboro[?]. Now, when Aunt Ruth lived on Second and [inaudible], there was a two-story house. I don’t remember why it was built. It was used—downstairs had been for the wash. And then there was the upstairs that we had as a playroom. But then later, when we were in high school, Aunt Ruth had a maid that lived downstairs. It wasn’t like that movie—I haven’t seen it but…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;The Help&lt;/em&gt;?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Yeah. I haven’t seen it, but Cathy saw it. She said that somebody asked her if she knew anything like that, and she said she never knew anything like that in Sanford. We didn’t.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Donaldson&lt;br /&gt;&lt;/strong&gt;It wasn’t an accurate portrayal is what I heard.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;It was in some areas.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;See, we’re not Mississippi or Alabama.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;You go to Mississippi, you go to Alabama—this is your story. But my mother’s from Mississippi, and her mother had a boarding house. And they had black maids that came in, and they literally lived in shotgun houses. You could shoot a gun straight through the house and go out the back door. Lived across the tracks. Absolutely, there was the line. That was very much in the small town of Mississippi, when I was a child. It was absolutely amazing to me, because I was a Navy brat. Born in the Dominican Republic. The only white child anywhere around and lived in California and New York. You know, very cosmopolitan compared to Mississippi. Yeah. but in Tennessee, we didn’t have that at all.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Cathy said that. She saw it with some of her friends and she said, “Was it like that in Sanford?” She said, “No.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Like what? Drinking in bathrooms?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Separate bathrooms and drinking fountains.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Well, I remember as a kid in Orlando going to Sears[, Roebuck &amp;amp; Company] through the back door. We would park in one parking lot, and go back and there was a water fountain. one was black and one was white.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;I do remember water fountains.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;They called it “colored” then. I remember we’d go in there, there’d be nobody there, and there’d be three of us and we all wanted a drink of water. And we were wanting to go over there and we were told that we couldn’t go over there. that that wasn’t our fountain. And I remember going, “But why not?”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Did they have a fountain guard?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;We were just told not to use that. “Here. this is yours.” “But there’s three of us and I want a drink.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;I do remember it was separate there, but not in homes. You had a maid. She used your bathroom.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;And of course, I guess you didn’t notice that they wouldn’t be in touch at drug stores. They couldn’t come through the front door. They had to go to the back door to get their prescriptions.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;I didn’t know that. No.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;They wouldn’t let them. They wouldn’t serve them if they came in through the front door.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;I do remember that they had their own entrance in the movie theater. There was a wall. There was the downstairs part and then the balcony had a wall in between, and on one side, it was this section, and on the other, there was a door, and that’s where the blacks would come in. The theater was divided. We thought that was so weird.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;We never had that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Donaldson&lt;br /&gt;&lt;/strong&gt;Well, you see, this is what she and I were talking about. So many people were saying, “It just didn’t seem right.” and it seemed like such an injustice. How did it last so long? And how were there that many people who thought it was the right thing to do if everybody I meet says, “I felt like it was an injustice”?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;It’s just like when any law is made. It’s easy to make the law, but it’s hard to change it. These were laws. It was just, “Put the wall up.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Really and truly, I’m going to give us the credit for it, because I think men would just go along. And I think the women finally stood up and said, “I want my friend to be here.” We weren’t the militant—we were quiet and easing into it. The men were militant.&lt;/p&gt;
&lt;p&gt;With everything that’s going on right now, we’re seeing more openness. We’re seeing more blacks downtown. We’re seeing more people speaking to each other. I was at the post office—the guy in front of me was black. The person behind me was black. They all looked me in the eye and smiled at me. Said, “Hello.” and I said, “Hello” back. I don’t know if they wouldn’t have at another time or maybe I’m more sensitive to it now, because of what’s happened.&lt;/p&gt;
&lt;p&gt;Now, let’s go to the past a little bit. Can you tell about being in the [inaudible] Club?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Well, I wasn’t in the [inaudible] Club. I was just there. Gladys invited us. I took my picture with them, but I wasn’t one of them as a youngster. I think they were younger than me. Gladys was younger. I think Gladys was 12 years younger than Florence [Stenstrom], Violet, and me.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Now was Florence Doug’s first wife?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Yes. And they were the first pasture party people. After she died, he married Patty [Stenstrom] and she was a pasture party person.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Donaldson&lt;br /&gt;&lt;/strong&gt;Which grade school did you go to?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;I went to Southside Grammar School, junior high, and then high school.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Donaldson&lt;br /&gt;&lt;/strong&gt;Break that up. How many years did you go to Southside?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Four years—two. Junior high was two and high school was four years.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Donaldson&lt;br /&gt;&lt;/strong&gt;Who was your first grade teacher? I’m just curious, because my dad and I had the same one.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;At the time, she was Ms. Chapman, but then she got married and she was Mrs. [inaudible], and they belong to our church too. When we moved back over here, she was substituting. She had a kindergarten, and the children would stay with Mama, and Mrs. [inaudible] would let them come and stay in her kindergarten. It didn’t matter if they were students or not. She loved us.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Can you think of the scariest time you ever had? Gladys tells the story of how frightened she got when she saw the Ku Klux Klan on the corner of Melonville [Avenue].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;I remember one time, Jimmy was sick. They had to do a bone marrow—I remember Cathy went with me. Cathy always wanted to be a doctor. She’d even keep her eyes open whenever the doctor would do something to her. I’d always close my eyes. I remember that I couldn’t talk. I couldn’t say anything. I remember I was listening—that they were saying that they had to do the bone marrow test. and after they did it, it was alright. His white blood count was normal in the bone marrow test. I remember being scared then.&lt;/p&gt;
&lt;p&gt;I wasn’t scared when I had the kids. Of course, I was awake when Cathy was born, because all three were Caesarian [sections]. But hers had gone too far, so they had a tent in front of me, and the doctor asked me, “Do you feel that?” And I said, “Yes. it feels like you’re running a pen down my tummy.” When I heard her cry, he started doing something and I said, “Are you getting another one?” This was 67 years ago. I didn’t know anything back then. He said, “No. it just takes longer to sew you up than to cut you open.” I can remember all that very plainly. I always thought everything was going to be alright.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;What’s your happiest memory? What memories always make you feel great?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Getting married, having all my children, moving back to Sanford. I was thrilled. And buying that house over on 15&lt;sup&gt;th&lt;/sup&gt; Street. The dining room was fantastic. It had beamed ceilings, and stained-glass windows, and a built in buffet all the way around it. The floor was striped—dark wood, black and gold.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Like inlaid wood? Oh, man.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;And I remember James said, “Honey, we can’t heat this house.” It had 12-foot ceilings, you know. And I said, “Honey, that’s alright. I’ll put my coat on and I’ll go sit in the dining room and say, ‘This is why we bought the house.’” That was a happy time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;And how long did you live there?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Well, honey, it felt like I lived there longer. It was just 18 years, but the kids all went to school and college, the girls got married, I lost Mom and Daddy. You know, so much happened. I’ve been here since ’79.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;It was ’78 or ’79, because I got married in ’76. and then we bought the house from them when they moved back here. We sold the house about eight years ago.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;You see, they had it for longer than we did, but it seemed like we lived there longer, because so much happened. It just seemed like I’ve been here since then, and I’ve had all the grandchildren, but of course, we had grandchildren over there. You lived there like 27 years.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;And before that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;And you lived there before that, because you grew up there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;And did you love the dining room just as much?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Oh, yeah. It was a great house. It was huge though. I have a son and he is now 23, and he was a big person. And we were gone all the time. Because of baseball and all these things and it was just too big of a house to take care of, and we decided it was time to find a smaller place.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;You see, I was there all the time, and all the neighbor kids were there and my kids too. I had Ines. she worked. &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;And when Joshie [Dingle] was little, there weren’t any kids in the neighborhood. We had to import them.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;If they ever put it on the [Sanford Holiday] Tour [of Historic Homes], y’all should go. I can’t go back. I just don’t want to see it again.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;She means since it’s not in the family anymore. It’s a beautiful house, and they’ve done a lot of work since they got it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;It was 14 rooms and look how many outside doors. If I was there by myself, I could not live there by myself, like I can here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;I can. It was easy.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;I remember when James and I wanted to move back here, Linda said, “If you ever sell this place, I go with the house.” I remember her saying that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;So I bought the house instead. I always said the house had a protective blanket over it. It was protected.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;It just felt that way.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;I could walk through the house blindfolded. I would walk through it in the dark with no problem. I knew where I was going. When the tornado hit here, I was out of town when it happened, and Daddy called me from here. I was visiting a friend in Washington, and Daddy said, “You need to come home. The tornado came.” that was when Sarah [Dingle] was born, or about 35 years ago.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Would this be in ’83? The real bad hailstorm…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Donaldson&lt;br /&gt;&lt;/strong&gt;The hailstorm was in ’83. The tornado was in the ‘90s.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;The tornado was later.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;I think they were at the same time, because I was looking at the sky and it was green.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;It was a hailstorm, but it was also a tornado.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;It went all the way around the house, because we had to have all the windows and screens replaced.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle &lt;br /&gt;&lt;/strong&gt;Yeah, but that was here. Over there, we went back and nothing, except some of the roof, was—a friend of mine, Cindy, was staying in the house when I was gone, and she left work. She said she drove home and there was stuff all over the place. it had been getting bad. She thought, “Man, I’ve got to get in that house all by myself and it’s dark.” She first went in and didn’t try to turn the lights on, because she knew there wouldn’t be any. and then she walked in the room and forgot and turned the light on and they were all on. We didn’t lose power. we didn’t lose anything.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Donaldson&lt;br /&gt;&lt;/strong&gt;And that’s Cindy Slaten Lee.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;What about the hurricanes? Were you living in that house when they had the four…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;I remember living there during Hurricane Donna. That was when we were kids. I was living there when—I remember that I cooked everything in my freezer, because I was afraid it was going to go bad, because we were going to lose power. and then it didn’t go bad and I had to have all these people over to eat all the food. I remember that was the only time we boarded windows, because we always taped windows. But it was supposed to be bad, and that house is three feet off the ground and then the windows are humongous. we went and got plywood and boarded up that house. It was just me and my husband, and I was there holding the boards, and then the hurricane never came. But I would rather be prepared. I was in the other house when the other four came. They weren’t fun.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;But, you see, in this house, the worst we had was when there was a hailstorm and it went all around the house. When it comes to hurricanes, I never worried. This is a well-built house.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;I made her come to my house during those four hurricanes, and the next time, she said, “I’ll stay home. You have to come to my house next time.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee &lt;br /&gt;&lt;/strong&gt;You know, when I was little, I remember telling Daddy, “I’m scared somebody will come.” And my Daddy would say, “Honey, don’t worry. If anybody comes, as soon as morning comes, and they see you, they’ll bring you right back.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Donaldson&lt;br /&gt;&lt;/strong&gt;Tell her the story about the pond.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Well, my Daddy built the pond in the ‘30s. My mama wanted it, and we went to Daytona and got the Kokino[sp] rock, and it’s still there around the pond. Heidi has to take care of it by herself. She’s got three lots. I’ve just got two. She comes over and takes care of my pond. It’s got fish, water lilies, and I’ve got stuff blooming in the pond. In the early ‘30s, you might find more ponds around. They were popular. People liked to have them. Mama’s fish were tame. Mine aren’t tame. Mama could put her finger in the water and wiggle it and the fish would come. When I come by the pond, mine hide.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Well, maybe because they think that you’re going to eat them like the owl did. Heidi has an owl that lives in her backyard and he’s eaten some of the fish.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;It’s a natural habitat over there. It’s a shame she isn’t really out in the woods, you know. She’s got a plaque from the state that says her backyard is a habitat.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Rand Yard Ice House.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; The trial of George Michael Zimmerman for the fatal shooting of Travyon Benjamin Martin on February 26, 2012.&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;</text>
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                  <text>&lt;span&gt;Creative Sanford, Inc. is a non-profit organization created to manage &lt;em&gt;Celery Soup: Florida's Folk Life Play&lt;/em&gt; community theater productions. The original idea for the Celery Soup project came from Jeanine Taylor, the owner of a folk-art gallery on First Street in Sanford, Florida. Their first production was &lt;/span&gt;&lt;em&gt;Touch and Go&lt;/em&gt;&lt;span&gt;, a play focusing on the people of Sanford and their determination to overcome various obstacles, including the Freeze of 1894-1895, the fall of Sanford's celery industry, and the closing of Naval Air Station (NAS) Sanford in the 1960s. In the process of producing the show, Creative Sanford decided to rehabilitate an historic building, the Princess Theater, which is located on 115 West First Street and owned by Stephen Tibstra. The Creative Sanford offices are housed in the Historic Sanford Welcome Center, located at 203 East First Street.&lt;/span&gt;</text>
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                  <text>"&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;WHO IS CREATIVE SANFORD, INC?&lt;/a&gt;" Celery Soup. http://www.celerysoupsanford.com//about.</text>
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                  <text>&lt;span&gt;"&lt;a href="http://www.celerysoupsanford.com/about/" target="_blank"&gt;About: History and Purpose&lt;/a&gt;." Celery Soup. http://www.celerysoupsanford.com/about/.&lt;/span&gt;</text>
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                  <text>"&lt;a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank"&gt;Sanford, Florida: How do you make Celery Soup? Add stories, then stir&lt;/a&gt;." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida.</text>
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                  <text>&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;</text>
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                <text>Theme parks</text>
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                <text>An oral history of Dick Quentin Harkey (b. 1942). In 1942, Harkey was born in Charlotte, North Carolina, and is the fifth child in his family. In 1957, his family moved to Gainesville, Georgia. Harkey attended Young Harris College and the University of Georgia, graduating with a degree in psychology. He worked first for Great American Insurance in the Claims Department and married a woman that he met at the University of Georgia. After living in Atlanta, Georgia, for some time, Harkey was transferred to Fort Lauderdale, Florida, in 1967. He moved back to Atlanta for a couple of years after getting divorced, but later transferred to Orlando, on March 25, 1971. Harkey met a schoolteacher, Cheryl Harkey, through the Young Republicans in April 1973. The couple married in December and had their daughter, Marianne Harkey, on February 11, 1978. After working for Great American Insurance, Harkey went to work with IMA and then later for CNA Financial. In this oral history, Harkey discusses the story of how his family came from North Carolina, stories about when he worked for Channel Nine, and stories about his time as a lawyer for insurance policies. He was active within the Republican Party and discusses the political and economic implications of the SunRail for Sanford and the surrounding areas. He also speaks briefly about racial tensions.</text>
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                <text>Harkey, Dick Quentin. Interviewed by Trish Thompson. 2009. Audio record available. &lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;, Sanford Florida.</text>
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                <text>&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;Creative Sanford, Inc. Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Digital transcript of original oral history: Harkey, Dick Quentin. Interviewed by Trish Thompson. 2009. Audio record available. &lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;, Sanford Florida.</text>
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                <text>Orlando, Florida</text>
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                <text>Magic Kingdom Park, Walt Disney World, Lake Buena Vista, Florida</text>
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                <text>West Palm Beach, Florida</text>
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                <text>Sanford, Florida</text>
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                <text>Harkey, Dick Quentin</text>
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                <text>Román-Toro, Freddie</text>
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                <text>2009</text>
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                <text>eng</text>
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                <text>Originally created by Trish Thompson and Dick Quentin Harkey.</text>
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                <text>Copyright to this resource is held by &lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="517178">
                <text>&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Celery Soup&lt;/a&gt;</text>
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                <text>Román-Toro, Freddie</text>
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              <elementText elementTextId="517180">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;</text>
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              <elementText elementTextId="517182">
                <text>"&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Celery Soup&lt;/a&gt;." &lt;em&gt;Celery Soup: Florida's Folk Life Play&lt;/em&gt;. http://www.celerysoupsanford.com/.</text>
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              <elementText elementTextId="517183">
                <text>"&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Florida Federation of Young Republicans&lt;/a&gt;." Florida Federation of Young Republicans. http://www.ffyr.org/.</text>
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                <text>"&lt;a href="http://rpof.org/" target="_blank"&gt;Republican Party of Florida&lt;/a&gt;." Republican Party of Florida. http://rpof.org/.</text>
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              <elementText elementTextId="517185">
                <text>Taylor, Tate, et al. &lt;a href="http://www.worldcat.org/oclc/748435864" target="_blank"&gt;&lt;em&gt;The Help&lt;/em&gt;&lt;/a&gt;. Burbank, Calif: Touchstone Home Entertainment, 2011.</text>
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                <text>&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Tell me about where you’re from—where you were raised.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Harkey&lt;br /&gt;&lt;/strong&gt;Well, I was born in North Carolina—Charlotte—and I’m the youngest of five, and my middle name is Quentin. The reason my mother named me Quentin is because, in Latin, “Quentin” means “the fifth.” That’s how I got my middle name.&lt;/p&gt;
&lt;p&gt;My father was a regional sales manager for a big national food company. my mother was a social worker. When I was 15, my father got transferred to Gainesville, Georgia, so we moved there. It’s about 50 miles north of Atlanta[, Georgia]. My first year, I went to Young Harris [College] and then I transferred to the University of Georgia. In fact, the senator from Georgia was a professor there. I got my degree in psychology. and after, I went to Atlanta and walked the streets trying to find a job.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Where’d you end up?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Harkey&lt;br /&gt;&lt;/strong&gt;You get discouraged. And I finally went to one of these personnel agencies, and this guy had a connection with insurance companies, and I ended up getting a job with Great American Insurance [Group] in the Claims Department. I went to work for them as their trainee, and they had a class in New York City[, New York], at their home office at 99 John Street, so I went up for that. There were about 15 of us, and I ended up being number one in the class. They decided to transfer me to Fort Lauderdale. This must have been in the summer of [19]67.&lt;/p&gt;
&lt;p&gt;And while I was at the University of Georgia, I met a young lady and got married and she was from [inaudible] Georgia. We moved to Atlanta, and we rented a place on Peace Tree Hills Road. And our real estate agent was Johnny Isaacson, and now he’s the Senator from Georgia. Actually, I was in [Washington,] D.C., and taking a tour of the White House, and I ran into him. And he says I still own that house—the one on Peace Tree Hills.&lt;/p&gt;
&lt;p&gt;I moved to Fort Lauderdale and was there for a couple of years. Unfortunately, I got divorced, moved back to Atlanta, and was there for a couple of years, and said, “I want to go back to Florida.” I transferred back to Orlando in ’71, and I’ve been here ever since.&lt;/p&gt;
&lt;p&gt;One of the interesting claims I handled was when the tower for [WFTV] Channel 9 collapsed in [inaudible]. I found out that they were going to install a cable for [WMFE-TV] Channel 24, and apparently they took out a cross member at the lower level of the tower. and in doing so, they caused it to collapse. It killed three or four people. I remember taking a statement from a farmer. He was out farming on his tractor and saw the thing come down—sort of telescope down—and it went so far and it fell over like a tree. But you had these [inaudible] wires that had been holding it up, and they were the size of a man’s leg. They were pulled out of the ground and several of the people working out there were pushed into the ground when it hit the building. Channel 9 was off the air for about three days, and then they brought in a temporary tower to get them back up and running. That ended up being a very expensive loss for—I was working for IMA at that time.&lt;/p&gt;
&lt;p&gt;Over the years, you have very interesting cases—when I was in Fort Lauderdale. Once this couple was from Michigan, and they had a [inaudible] where they had their horses. And then they were going to build a place in Fort Lauderdale around [inaudible] Mile, and they had rented an apartment while their house was being built, and it was on the second floor of this apartment house. It was around Christmastime, and she had gone to the bank to get her jewels [inaudible] out of the vault. Apparently, these guys were following her. On this particular evening, her 13-year-old son went downstairs and opened the door to get a drink out of the Coke machine. They were watching, so they came in, went upstairs, and said, “We want your furs and diamonds.” They said, “What are you talking about?” And they said, “Don’t give us any lip.” and they started pistol-whipping her with the gun. They said, “Our son’s coming back. please don’t shoot him.” Anyway, she looked like Natalie Wood and he looked like Sebastian Cabot. All we had was a [inaudible] homeowner’s policy. And when I was taking their statements, he had these gold coins from Rome[, Italy] he had converted into cufflinks, and she had a $50,000 diamond ring. And this was back in 1967. and these furs—the most we could pay was $10,000, but I took the statement from the husband outside of the [City of] Fort Lauderdale Police Department in her Rolls-Royce, and she had her initials on the side “SAS.” They hired a bodyguard to protect them and [inaudible] said, “Hey, what’s going on here?” She went in with the bodyguard to look at mug shots while I took the statement from the husband. That made the newspapers.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Did they ever find the guy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Harkey&lt;br /&gt;&lt;/strong&gt;I don’t remember. It was two or three guys.&lt;/p&gt;
&lt;p&gt;I had another case where this couple was from Vancouver[, Canada]. And they’d come down to Fort Lauderdale in the winter, and they had a place right on the Intracoastal. They were about six floors up. and they put in a claim, because their jewels, watches, and wallet had been stolen one night. We came to find out that one of these cat burglars had come across the Intracoastal, and had a grappling hook and pulled himself up to the first balcony. And here you are—if you’re overlooking the Intracoastal, you don’t think about locking your sliding glass door. Basically, what he did was go from one condo[minium] to the next all the way to the top. Apparently, he had some kind of aerosol spray, because when they woke up they felt nauseated. He sprayed something to sedate them so they wouldn’t wake up. All he took was the watches, diamonds, and jewels. And when he got to the top, he left with his gunny sack full of goodies. He had some accomplice waiting for him waiting on the street.&lt;/p&gt;
&lt;p&gt;I had a case where this woman had been an actress on Broadway from about 1910 to about 1920 or ’25, and she had been a friend of Fannie [inaudible]. She was telling me the story of how Nicky Bernstein beat her up. And she told me the story about how her husband was a rich furrier[?] in New York City. And when the [Wall Street] Crash [of 1929] happened, he had such a loss that he went to commit suicide. He tried to do that in New York City, and he jumped off the building. And I forgot how many stories she said it was, but he hit the canvas canopy and slid off. And the doorman went to help him, and he said, “No. don’t help me.” It didn’t kill him. And she said he went to Chicago[, Illinois] and found a taller building and did himself in.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;I shouldn’t be laughing, but you’d think he would realize that God had a different plan for him when he jumped off a building and didn’t die.&lt;/p&gt;
&lt;p&gt;Tell me—I want to hear stories about you when you were young. Stories about Central Florida and what you remember of how things have changed.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Harkey&lt;br /&gt;&lt;/strong&gt;Well, I moved here March 25&lt;sup&gt;th&lt;/sup&gt;, 1971. And I can remember going to the grand opening of [Walt] Disney World in October of ‘71. I can remember I was standing there, and they had all the dignitaries walking towards the Magic Kingdom [Park], and here comes Claude [Roy] Kurt[, Jr.], the Governor [of Florida]. And these women that I was standing next to said, “That’s Kirk Douglas.” Another one called him another famous actor, but it was Claude Kurt. So I thought that was interesting that these women thought he was Kirk Douglas. He was a women’s man. He was a lady-killer. He was on his second or third wife when he became governor. Remember, he married this woman&lt;a title=""&gt;[1]&lt;/a&gt; from Argentina&lt;a title=""&gt;[2]&lt;/a&gt; that was quite a looker.&lt;/p&gt;
&lt;p&gt;When I lived in Fort Lauderdale, I dated this girl that was from Palm Beach. And she was a schoolteacher. And they were more like ordinary people—not rich or anything. She invited me up one weekend to go to a wedding, and they had the wedding on the other side of the canal in West Palm [Beach] and then they went to this place called “The Sail Club” on the north end of Palm Beach. And they just had food and booze flowing, and I can remember the couple. They went through the regular routines of a wedding reception afterwards, and they walked off onto the dock. And I guess they got into their parent’s cabin cruise, and sailed off into the sunset. And I said, “Now, that’ the way to get married, and have that type of reception, and then cruise off into the sunset on your honeymoon.” That impressed me.&lt;/p&gt;
&lt;p&gt;I got involved in Young Republicans [YR] when I came here. This was in 1973. This was where I met my wife-to-be, Cheryl [Harkey]. And I met John [L.]Mica, Rich[ard T.] Crotty, [Antoinette] “Toni” Jennings, Jeanie Austin—who’s now dead and gone, but she was a real leader in the Republican Party. Her history was fascinating. She was from Oklahoma, got married when she was 14, had her first kid when she was 16. When I met her, she was in her late-thirties and was running for president of the YRs. I was running for treasurer that year, so there was a slate of us running for office that year. I became the treasurer, she became the president, and she was working as a secretary at Western Electric [Company]. She ended up working her way up to being the chairman of the Republican Party of Florida, and she ended up raising more money than any other state chairman. Then when George [Herbert Walker] Bush became president, [Harvey LeRoy] “Lee” Atwater was the chairman of the Republican National Committee [RNC]. She ended up becoming co-chair of the RNC, so considering her start, she really had a successful…&lt;/p&gt;
&lt;p&gt;In fact, our club was voted the number one club in the country, and we became the biggest club in Florida. I can remember we had a casino night, and a couple of guys—years before that—had made up this casino equipment. And we raised—we had a budget of $14,000 in 1973 for our club—and we raised about $3,000 on casino night. From there, I became a claims adjuster and had interesting claims, like the ones I’ve mentioned before.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;When did you all get married?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Harkey&lt;br /&gt;&lt;/strong&gt;In a fever. We met in April and got married in December. so it was love and heat at first sight—love and passion. Then we had our daughter. She already had a little boy from her previous marriage—Greg. Then Marianne [Harkey] was born in February 11, 1978, so we brought her home on Valentine’s Day. I thought that was appropriate. Valentine’s Day for a little girl.&lt;/p&gt;
&lt;p&gt;Over the years—I was with Great American for six years. Then I went to work for IMA for a while. And then I went to work for an insurance company for [inaudible], and I ended up with CNA [Financial Corporation]. And in ’92, when Mica ran or office—he had been state rep[resentative] in ’76, and I was his campaign coordinator. And he was up there for four years—’76 to ’80—and then in ’80 a guy by the name of [William D.] “Bill” Gorman, who had been a state senator for Orange County, decided he wasn’t going to run again, because Ken [inaudible], who was the Clerk of the Court, decided he wasn’t going to run again. so that left open that state senate position, so Mica ran on that against Toni Jennings, so of course, Toni Jennings won by about 500 votes. He was quite successful and had a very illustrious career.&lt;/p&gt;
&lt;p&gt;A little side note is that about three years ago, I went to the Orlando [Regional] Realtor Association. They give out an annual award recognizing a person in public service, and they named the award the Toni Jennings Public Service Award. So they invited Mica, and he wasn’t able to come. so I went to receive his award, and I said, “Let me tell you the rest of the story. Mica and Toni Jennings ran against each other years ago, and now it’s kind of ironic that he’s receiving the Toni Jennings Award for Public Service.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;But I want to hear personal stories too. I think you started a good one with—you got married in a fever. That’s like the old song. Where’d you get married?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Harkey&lt;br /&gt;&lt;/strong&gt;We got married—oh, let me tell you another story. In YRs—in the Young Republicans—when I met her and John Mica and all the others, we were meeting at the Maitland Civic Center. We had this thing called the “Order of the Elbow.” and the “Order of the Elbow” was—drink. What we would do is, we would meet once a month and set up a little card table, and usually we’d have someone sitting there selling the tickets. Well, Peggy Spagler was selling the tickets that night, and we got raided by the ATF [Bureau of Alcohol, Tobacco, Firearms and Explosives]. And they accused us of selling liquor unlawfully, because you’d buy a ticket, go over to the bar, and get your drink. We thought we were legal. we found out we weren’t. Anyway, they arrested her since she was the one selling the drinks. They didn’t arrest the guys pouring the drinks. she was the one who was taking in the money. They arrested her and took her to jail, and we finally bailed her out about five o’clock in the morning. We ended up having a trial. Lawson Lamar was a young prosecuting attorney at the time. John King was a young judge and then Terry Griffin—he was an attorney in the YRs, so he was the defense attorney. One of the people that was in the YRs at the time was Scott Vandergrift[?], who was the Mayor for Ocoee for years. So we all went in and we testified. and after that, Terry moved or a directed verdict and he told Lawson Lamar, “You know what? You’re barking up the wrong tree.” [Robert] “Bob&lt;br /&gt;  Egan was the state attorney at that time, and when he heard he had lost that little case, he razzed Lawson Lamar., and one time, I saw Lawson years after that night and kidded him about it and he said, “Yeah. Bob Egan razzed me about losing that case.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;So you were saying that that’s where you met your wife and then you got married. Now, did Cheryl work?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Harkey&lt;br /&gt;&lt;/strong&gt;Yeah. She was a schoolteacher. When I met her, she was teaching. I said I always wanted to marry a schoolteacher. I just thought they were the greatest. She was my dream come true. We have two granddaughters. Kelsey’s 15. Morgan’s 11.&lt;/p&gt;
&lt;p&gt;And then Cheryl’s parents live here in town. He’s a World War II veteran—got a Bronze Star [Medal] and in the Italian Campaign. And they’ve been married for 68 years this November—quite a few years. Her father’s been having problems. He had a near-death experience about a year and a half ago. He had colon cancer, so they did the surgery. He just about didn’t make it. We thought he was going to die a couple of times. He’s managed to keep getting stronger and stronger. He’s an amazing character. He’s from “The Greatest Generation.” They’re tough. So Cheryl’s over there helping her mother take care of him and she needs assistance.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;What’s the biggest change you’ve seen since living here since ’71? It’s been 40 years.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Harkey&lt;br /&gt;&lt;/strong&gt;The overall growth of the area and the population is not going to stop growing. The SunRail, to me, is going to be a great connector for our community. I was talking with—who heads up the [Central Florida] Zoo [and Botanical Gardens]?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Joe Montesano[?].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Harkey&lt;br /&gt;&lt;/strong&gt;He’s looking forward to where these school kids can hop on the commuter rail and visit the zoo. And people hopping on it to go to a [Orlando] Magic game, and the other thing is that the new Lake Nona [Medical City] that’s being built there on Lake Nona. The Veterans [Affairs] hospital there will be opening next fall, and they’re anticipating a million visitors a year to that facility. Assuming the Governor&lt;a title=""&gt;[3]&lt;/a&gt; makes the right decision tomorrow.&lt;/p&gt;
&lt;p&gt;Once we get in that initial footprint for SunRail, there’s a spur that goes over to the [inaudible] OUC [Orlando Utilities Commission] utility plant right there in Taft. It goes around to the underbelly of the [Orlando-International] Airport, and then it goes over to the—well, if you look at [Florida State Road] 417 and where the new Medical City is—on the north side of 417—right in that area is the tracks. And half a mile away is the new Medical City. The beauty of it is that Orlando has a hundred foot [inaudible]. You know, you see almost the tracks. Now these coal[?] trains[?] are a 100-125 cars long, so they’re quite lengthy. And they have four coal[?] trains[?] a week that come here, so all they’ll have to do is do enough double tracking do they can pass. Eventually, they may get them out of here, but I’m not sure when that’s going to happen. but that’s the beauty. Once we get this thing up, then all these veterans will be able to hop on that commuter rail and—phase one is the one we’re looking at right now. that would just be 31 miles from [inaudible] to Sand Lake Road. We get that in, and it looks like it’s going to be the spring of 2014. They’ll be able to take a bus to the new VA [Veterans Affairs] facility, but eventually it’ll be where they can take a train.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Well, the train will stop in Sanford, right?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Harkey&lt;br /&gt;&lt;/strong&gt;Yeah. We’re going to have four stops in Seminole County: Sanford, Lake Mary, Longwood, and Altamonte [Springs]. We’ll all have our own station.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;And it’ll be right at the same place where…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Harkey&lt;br /&gt;&lt;/strong&gt;Well, the Sanford station is actually going to be on the north side of [Florida State Road] 46, right where [West] Airport Boulevard comes into 46. So it’s not going to be at the auto train location and it’s not going to be where the old station used to be. That’s been torn down—the old Amtrak station.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;So Airport and 46—that’s right there before you go over the…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Harkey&lt;br /&gt;&lt;/strong&gt;It’s just a little east of where [the] Wayne Densch [Performing Arts Center] is. That’s where the station’s going to be. In fact, I think there’s some electrical transformers close to that area. I was talking with Mark McCarty, the new [Sanford] City Commissioner…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;He’s a real friend of Creative Sanford[, Inc.] and Celery Soup. He built our snowman.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Harkey&lt;br /&gt;&lt;/strong&gt;In fact, I saw him last week. And they had the groundbreaking for the new performing arts center&lt;a title=""&gt;[4]&lt;/a&gt; in Orlando, and he’s talking about putting together a trolley from Downtown Sanford to go over to the new station once that’s built.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Well, we have a shuttle that comes from Amtrak, and it comes right here beside the [Sanford] Welcome Center. And people bring their suitcases in, and leave them here, and then they can spend the day.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Harkey&lt;br /&gt;&lt;/strong&gt;Oh, so they were currently doing it—these are the British tourists that come in here?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Well, no. it’s whoever comes in on Amtrak—usually Americans. They bring whatever their baggage is off the train.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Harkey&lt;br /&gt;&lt;/strong&gt;Oh, so you already have a little shuttle service. I didn’t realize that. That’s the excitement of the commuter rail. In fact—this was about two weeks ago—the Congressman met with people from northwest Orange County and Lake County, because there’s the Florida Central Railroad that goes from Downtown Orlando—you know where the Bob Carr [Performing Arts Centre] is? Behind the Sheraton [Orlando Downtown] Hotel are some tracks, and those tracks come right into the CSX [Transportation] tracks and they go out over to [Florida State Road] 441 and sort of parallel go up through Lockhart, through Apopka, up towards Mount Dora, Tavares, Eustis. So those tracks are there, and they’re looking forward to creating their own Orange Blossom Express.&lt;/p&gt;
&lt;p&gt;We had a nice meeting about two or three weeks ago where the Congressman brought down the chairman of the board for this company called US Railcar, and they used to be called Colorado Railcar. and those were the vehicles we were going to get for our railroad, but they went bankrupt. Well, a company out of Columbus, Ohio, called US Rail purchased them, so now they’re still making the same vehicles out of Columbus. So the people over on the Florida Central would be looking at using those vehicles to provide that commuter rail service and they say eventually the people from The Villages could come over.&lt;/p&gt;
&lt;p&gt;They would go as far north as Eustis and Tavares on this proposed commuter rail service they’re talking about. Eventually, we can have service going over to the airport, and to the new Medical City, and Apopka, and Tavares, and Mount Dora—in that area. This SunRail system—once it gets going, it’ll just keep migrating out and it’ll provide our community with opportunity. Florida Hospital is planning on having a “health village.” They’ve got 80 acres down, and it would be where people would live there, and they’d have a complex where they’d have offices, shops, dry cleaners, restaurants, etc.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;For the families of people who are living in the hospital?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Harkey&lt;br /&gt;&lt;/strong&gt;No. It’ll be for the workers there. They’ve got 17,000 employees. I think Lars Holman[?], who’s the CEO of Florida Hospital, said the [Florida Hospital] Health Village is going to cost about $250 million. They’re planning of doing a development in that blank area between the courthouse and LYNX [Rapid Transit Services]. It’s just vacant. It’s going to be developed into quite a complex, so there’s a lot of economic development coming with this SunRail.&lt;/p&gt;
&lt;p&gt;I’ve been approached by people from outside—from the Northeast saying, “When this happens, here’s what we want to do.” The other ripple effect of the SunRail is the $432 million that Florida is paying CSX. they’re reinvesting it all back into Florida. They’re putting $40 million into upgrading the Jackson Port and the S Line, which runs down the center of the state. They’re upgrading that. And then they have this [Winter Haven] Integrated Logistics Center [ILC] in Winter Haven that they’ll be building, and when it’s fully developed it’ll employ about 8,000 people.&lt;/p&gt;
&lt;p&gt;The other thing is that the Panama Canal is being expanded and will be completed so they can have these super cargo ships come through. CSX has a line that goes over close to the Port of Manatee that they can extend to dockside, and that would become a major harbor for exporting and importing in the IOC. And Winter Haven will become a major distribution hub, not only in Florida, but for the entire east coast. It’ll take the big truck traffic off of [Interstate Highway] 95 and [Interstate Highway] 75 because of this. This is the ripple effect of how that money is been reinvested by CSX into the state to create more jobs. So the naysayers aren’t really doing their homework. they’re just looking at the cost and saying, “We can’t afford it.” Hopefully, the governor will make the right decision there.&lt;/p&gt;
&lt;p&gt;This would have been in 1955, and one of my older sisters was going to Appalachian College in Boone, North Carolina, and she met this football player and they married. They’re celebrating their 50&lt;sup&gt;th&lt;/sup&gt; wedding anniversary several years ago. He was from Hollywood, Florida, so we decided to go down to Hollywood, Florida, for vacation that summer. This was in 1955, before we had the interstate. Gosh, we started out, and we were going into South Georgia. All of us were in the car, except my oldest sister. she was already married so she didn’t go on the vacation with us.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;So it was your mom and dad and four kids?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Harkey&lt;br /&gt;&lt;/strong&gt;My father was, like I said, the regional sales manager, so he was actually in Miami working. so it was five of us driving down in the car. We got as far south as Folkston, Georgia. And my brother was driving, and I remember it was raining, and he was going too fast, and there was this car up ahead. I remember it was a 1952 Ford, and there was an African-American couple in there that had stopped, because a herd of sheep had gone across the road. and he misjudged his speed and we ran into the rear of them. Luckily, it wasn’t a bad crash, but it did bend in our right front fender, so we did have to go to a shop and have that pulled back out. But otherwise, we kept moving. We spent the first night in Jacksonville, and then we got down to Fort Pierce. My oldest brother and older sister were taking turns driving, so they got into Fort Pierce. And we had a ’53 Buick at the time—straight [inaudible]. And we came up to a traffic light and my mother decided to change drivers. So as they’re rolling over each other, my mother forgot to put it in park, and one of them put their foot on the gas. we shot out into the middle and there came a ’51 black Buick and we broadsided it. That stopped us, and, of course, Beverly [Harkey] got the ticket.&lt;/p&gt;
&lt;p&gt;We called up my future brother-in-law’s parents and told them what happened. Well, he had an old ’49 [inaudible]. Well, he got in the car and came to pick us up. And I didn’t think he was going to ever get there, and I didn’t think we’d ever get back to Hollywood. but we were there for the week and my father spent his time going up to Fort Pierce checking on the car. Luckily, they got it fixed within the week. He had had to go up to Fort Pierce to get it down to Hollywood, so we could drive it back home. On the way home, we didn’t stop and we didn’t go back U.S. [Route] 1. We took [U.S. Route] 27—right through the center of the state.&lt;/p&gt;
&lt;p&gt;We actually stopped in Orlando. And we had a big discussion, because one of my mother’s aunts lived in Williston, and she wanted to go over and see her and it was mutiny. “No, no., we’re not going over to see Aunt May. We’re going home.” Finally, she said, “Okay.” We were in Orlando probably around Park Lake or someplace like that, when we pulled over to have our mutiny, and the mutineers won. I thought I wasn’t going to live to make it home. Until I started driving—this was 1955, so I would have been 13 at the time—I was afraid to go anywhere, because I didn’t think I would make it back alive.&lt;/p&gt;
&lt;p&gt;In ’57, when we moved from Charlotte to Gainesville—we moved in the summer—and my brother was going to be in 12&lt;sup&gt;th&lt;/sup&gt; grade. He didn’t really want to move, because it was going to be his last year in high school. Since it was going to be his senior year, he was thinking of living with somebody, rather than moving to Gainesville. That Christmas, he and my oldest brother went back to Charlotte for Christmas parties. My oldest brother had been out to California with some friends, and they had worked out there, and just gotten back. And this one guy, who was a friend of my oldest brother,&lt;a title=""&gt;[5]&lt;/a&gt; had too much to drink. So this guy at the [inaudible] said, “I’ll take him home.” but he didn’t realize we had moved and my older brother didn’t think about it. The house we had over there on Kingston [Avenue]—the people we had sold it to—they had taken in these boarders. so when—and back then, you didn’t lock your door/ so he just went in through the front door, went upstairs, and put him in bed. The next day, he woke up and saw this guy on this other bed across the room and he said, “This looks familiar. Where am I?”&lt;/p&gt;
&lt;p&gt;The guy said, “You’re at 715 East Kingston Avenue.” He said, “Oh my God.” He got up and ran out front door. He was so embarrassed.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;And he never told him who he was?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Harkey&lt;br /&gt;&lt;/strong&gt;I think the lady we sold the house to was laughing, because it was so funny.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;It sounds like you had some wild brothers. Now, how many boys and how many girls?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Harkey&lt;br /&gt;&lt;/strong&gt;Three boys and two girls. It was girl, girl, boy, boy, boy. I was the youngest. Robbie became an attorney. He went Emory [University] undergrad and Emory Law School. And he was with Delta Air lines, Inc. for 35 years and was very successful, and lives in a very big, expensive house out there in Atlanta.&lt;/p&gt;
&lt;p&gt;My other brother was a lobbyist, and he lives on the [inaudible] outside of Charleston[, South Carolina] and he had a scare when Hurricane Hugo hit there. His house, luckily, was spared, but he’s only about a block away from the ocean there.&lt;/p&gt;
&lt;p&gt;One of my sisters stayed in Charlotte—the oldest. When they put through I[nterstate Highway] 85 years ago, she married one of five brothers. And when the parents died, the farm was divided up, and I-85 went right through the farm. She has 23 acres on the northwest quadrant of Mallard Church Creek Road and I-85, which is not that far from NASCAR [,National Association for Stock Car Auto Racing]. so she’s sitting on a gold mine and she has four kids.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;And it hasn’t been developed?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Harkey&lt;br /&gt;&lt;/strong&gt;It’s coming out that way. It just keeps growing that way. My other sister lives out in Helen, Georgia, which is about 75 miles north, and they have an Oktoberfest up there. What they did is they turned Helen into a Bavarian village. Years ago, these businessmen from Gainesville, Georgia, were in Bavaria[, Germany], and they came up with an idea and said, “Let’s go back to Helen and ask all the owners if they’ll convert their storefronts into a Bavarian type of…” So they all agreed and it’s now a resort. They have tubing there and we went up there in [20]07 for my sister and her husband’s 50&lt;sup&gt;th&lt;/sup&gt; wedding anniversary.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Did you have any stories around racial lines? Around integration? Anything like that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Harkey&lt;br /&gt;&lt;/strong&gt;Well, I can say that when we were growing up, we had maids in the house. In fact, Geneva was part of the family, and my mother paid her $7 a week. She would come over and cook breakfast, lunch, and dinner. She was a great maid that we had. My parents were always very accepting. They weren’t bigoted types. My mother, like I said, was a social worker for 40 years.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;I was talking to somebody about the book titled &lt;em&gt;The Help&lt;/em&gt;. and the people in the book say that the employers wouldn’t allow their black help to use their bathrooms. I never heard that before.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Harkey&lt;br /&gt;&lt;/strong&gt;No. When I was growing up, I knew that either you were black or white. Water fountains were segregated.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;But in your home when she worked for you, she used your bathroom?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Harkey&lt;br /&gt;&lt;/strong&gt;Of course.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;You see, I had never heard that either, because our Ovella was like a second mother to us. We had an amazing story. I’m down here in Florida, and she lives up in Knoxville[, Tennessee]. And I hadn’t seen her in a year or two, but for some reason, I just started thinking about her and thinking about her. and I said, “I’ve got to send her some money.” I talked to my husband and I said, “I’ve been having these dreams about Ovella and I want to give her some money.” He said, “Well, how much money?” I said, “I want to give her $5,000.” I had never given her more than $100 at any other time. Maybe at Christmas, if I was up there, I’d give her $50 or $100. I didn’t call her or say, “Money’s coming.” I just wrote her a little note telling her that I loved her and put in a check. and she called me and she said they had been praying for a new roof on their house. That was what they used the $5,000 for.&lt;/p&gt;
&lt;p&gt;My point is that somebody—not your family, not your close relative—you’ve got such a close connection that their prayers came to me for some reason. Luckily, we had the money and we could spare it. I had never heard of this and a bunch of us are going to go watch &lt;em&gt;The Help&lt;/em&gt; when it comes out.&lt;/p&gt;
&lt;p&gt;Gino had said they had hired a lady and she kept going out to the garage or someplace. And he said, “Why are you doing that?” And they said, “Well, we can’t use the bathroom in the house.” He said, “What do you mean you can’t use the bathroom in the house? Of course you can use the bathroom in the house.” That must have been a common thing—maybe Deep South, because I had never heard of it living in Tennessee.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Harkey&lt;br /&gt;&lt;/strong&gt;Well, my final story will be when I got burned as a kid. I was eight years old. It was in May of 1950. And the Retans lived down the street from us, and we had this thing of cleaning our bicycles—you know, the sprockets—how to get them oily. We had decided to clean all of our bicycles. Take the rear wheel off, take the sprockets off, and clean them with gasoline, put them back together. We had these little Maxwell House coffee cans, so we did it and cleaned them off. We were eating supper, and then Robbie and I went back down to the Retans’, and somebody left a book of matches on the back steps. So, for whatever reason, I went over, opened the matches and struck it, and then I just tossed it without noticing where I tossed it. Then I turned around and walked over and was looking down into the [inaudible] when it exploded. It was like a cannon, and this gasoline shot out my left leg, and caught me on fire, and I started screaming. Luckily, we had a hose that was set up with the pistol grip, and so my brother—he told me to roll and he put it out.&lt;/p&gt;
&lt;p&gt;I was in the hospital for three months and I underwent eight skin graft surgeries. Initially, it was just my baby doctor who was treating me. They had just put this gook on me. My mother said, “This is not going to work. Something’s got to be done.” The doctor apparently thought she could handle it, but my mother went to the nurses and said, “You know, you need a specialist.” so they brought in Dr. Jacobs. He was a World War II doctor and had seen a lot of war injuries. and so he’s the one who did the skin graft surgeries on me.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;With all those parts, I was afraid you were going to tell that, when it exploded, the parts were like shrapnel coming out of there. They could have injured you too.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Harkey&lt;br /&gt;&lt;/strong&gt;It was the gasoline that blew up, not the parts themselves. And luckily, it was below the knee. They said if it had been over the knee, it would have probably crippled me. It was third-degree burns. That was the traumatic event of my life. It changed me a little bit.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Well, what made you afraid of driving until you started driving? Were they just such wild drivers?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Harkey&lt;br /&gt;&lt;/strong&gt;I just wasn’t in control and I didn’t trust anybody. Once I started driving, I didn’t have that fear, because I started driving.&lt;/p&gt;
&lt;p&gt;Wait, there’s one more story I’ve got. This was at the [inaudible] Methodist Church there in Charlotte. And we were about a block away from the church and me and Hugh Walker—he was the youngest of five—he just had one brother and three sisters. We hung out and we were in the [Boy] Scouts [of America] together. The church usually had Wednesday night supper, and they had these big five gallon size peaches that they would use and throw the cans out back. Well, we saw those and said, “Those would make great tom-toms.” so we started beating them. And we went over to where the choir director had his teenage group practicing, and we were outside beating on those things. My mother and both of my oldest sisters were in the choir, so he knew them real well. When he heard us beating on those things, he came out chasing us. Well, we ran out to the back of the church, around to the north side of the church, between the pastor’s [inaudible], around the front of the church. He was closing in on us, but he had on these wing-tipped leather bottom shoes. and then we got to this area of the sidewalk where it had a thin layer of sand. As soon as he stepped on that sand with those wing-tipped leather shoes, his feet came out from under him and he just busted his rear end. My friend Hugh Walker—I call him “Wookah.” I said, “Wookah, should we go back and help him?” He said, “Hell no.” My mother said he never mentioned it to her, but he was probably so embarrassed that he busted his rear end.&lt;/p&gt;
&lt;div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Erika Mattfeld.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; Correction: Germany.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; Richard "Rick" Lynn Scott.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[4]&lt;/a&gt; Dr. Phillips Center for the Performing Arts.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[5]&lt;/a&gt; Robbie Harkey.&lt;/p&gt;
&lt;/div&gt;
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                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
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                  <text>&lt;span&gt;Rajtar, Steve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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                  <text>Historic artifacts from an exhibit created by Orlando Remembered at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The Orlando Remembered Committee of the Historical Society of Central Florida, Inc. was created to "showcase artistic renderings of the time depicted, with artifacts and historical memorabilia from the location in an effort to preserve the memory of Orlando's history while acknowledging the potential of the City's future." This exhibit features the history of the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street, particularly in the 1940s and 1950s. In the early 1960s, the buildings within the block were demolished and replaced by the Barnett Plaza and CNA Tower in 1952. The lot now includes the Downtown Orlando Information Center and the BB&amp;T Bank building.</text>
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                <text>Original thermometer: &lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517093">
                <text>Copyright to this resource is held by the &lt;a href="http://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="517099">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Buyers' Guide and Complete Classified Business Directory&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1940.</text>
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                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1941.</text>
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                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1943-44: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1944.</text>
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                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt; Florida Polk's Orlando City Directory: Including Conway, Maitland and Winter Park&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1945.</text>
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                <text>Sanborn Map Company. &lt;a href="http://www.worldcat.org/oclc/38483854" target="_blank"&gt;&lt;em&gt;Insurance Maps of Orlando, Florida, 1925&lt;/em&gt;&lt;/a&gt;. New York: Sanborn Map Co, 1925</text>
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                <text>Sanborn Map Company. &lt;a href="http://www.worldcat.org/oclc/422979959" target="_blank"&gt;&lt;em&gt;Insurance Maps of Orlando, Florida&lt;/em&gt;&lt;/a&gt;. New York: Sanborn Map Co, 1956.</text>
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                <text>WALTER C.&#13;
BASS&#13;
Registered&#13;
Real Estate Broker&#13;
Homes - Groves - Acreages&#13;
Property Management&#13;
&#13;
217 S. Orange&#13;
GA 2-7624&#13;
Orlando - Fla.</text>
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        <name>Downtown Orlando</name>
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      <tag tagId="18111">
        <name>Hotel Bass</name>
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      <tag tagId="15670">
        <name>hotels</name>
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      <tag tagId="799">
        <name>Orange Avenue</name>
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      <tag tagId="795">
        <name>orlando</name>
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      <tag tagId="12857">
        <name>Orlando Remembered</name>
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      <tag tagId="43495">
        <name>Walter C. Bass</name>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="504788">
                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
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                  <text>&lt;span&gt;Rajtar, Steve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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                  <text>Historic artifacts from an exhibit created by Orlando Remembered at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The Orlando Remembered Committee of the Historical Society of Central Florida, Inc. was created to "showcase artistic renderings of the time depicted, with artifacts and historical memorabilia from the location in an effort to preserve the memory of Orlando's history while acknowledging the potential of the City's future." This exhibit features the history of the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street, particularly in the 1940s and 1950s. In the early 1960s, the buildings within the block were demolished and replaced by the Barnett Plaza and CNA Tower in 1952. The lot now includes the Downtown Orlando Information Center and the BB&amp;T Bank building.</text>
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                <text>An etching of the Barnett Plaza and the adjacent CNA Tower, built in 1962. The plaza and the tower were constructed on the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street in Downtown Orlando, Florida. The lot now includes the Downtown Orlando Information Center and the BB&amp;amp; T Bank building. The center is located at 400 South Orange Avenue.</text>
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                <text>Original black and white etching: &lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;Downtown Orlando Information Center Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
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                <text>Original color digital image by Robert Randall, September 22, 2014.</text>
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          <element elementId="38">
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            <description/>
            <elementTextContainer>
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                <text> BB&amp;T Bank, Downtown Orlando, Florida</text>
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            <description/>
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            <description/>
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              <elementText elementTextId="516974">
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                <text> Economics Teacher</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Bacon, Eve. "Post-War Building Era Begins." In &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando A Centennial History&lt;/em&gt;&lt;/a&gt;, 138. Vol. 2. Chuluota: Mickler House, Publishers, 1977.</text>
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        <name>Downtown Orlando</name>
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        <name>Orange Avenue</name>
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      <tag tagId="795">
        <name>orlando</name>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock" target="_blank"&gt;A Transformed Block: The Development of South Orange Avenue&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank"&gt;Orlando Remembered Collection&lt;/a&gt;, Orlando Collection, Orange County Collection. RICHES of Central Florida.</text>
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              <description/>
              <elementTextContainer>
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                  <text>Downtown Orlando Information Center, Downtown Orlando, Florida</text>
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                <elementText elementTextId="504782">
                  <text>American Fire and Casualty Company, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560048">
                  <text>Cervantes Spanish Restaurant, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560049">
                  <text>City Cab Company Taxi Service, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560050">
                  <text>Hotel Bass, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560051">
                  <text>Jackson Sporting Goods, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560052">
                  <text>Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560053">
                  <text>Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida</text>
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                <elementText elementTextId="504783">
                  <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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            <element elementId="133">
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              <description/>
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                <elementText elementTextId="504784">
                  <text>Cepero, Laura</text>
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            <element elementId="134">
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="504785">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="136">
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="504787">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
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                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
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                  <text>&lt;span&gt;Rajtar, Steve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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                  <text>eng</text>
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                  <text>Historic artifacts from an exhibit created by Orlando Remembered at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The Orlando Remembered Committee of the Historical Society of Central Florida, Inc. was created to "showcase artistic renderings of the time depicted, with artifacts and historical memorabilia from the location in an effort to preserve the memory of Orlando's history while acknowledging the potential of the City's future." This exhibit features the history of the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street, particularly in the 1940s and 1950s. In the early 1960s, the buildings within the block were demolished and replaced by the Barnett Plaza and CNA Tower in 1952. The lot now includes the Downtown Orlando Information Center and the BB&amp;T Bank building.</text>
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                <text>Orlando (Fla.)</text>
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                <text> Hotels--Florida</text>
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                <text>This painting accompanies the Orlando Remembered exhibit at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The painting was created by James Stoll, who has contributed various works of art, as well as some scale model replicas, to several Orlando Remembered exhibits.&lt;br /&gt;&lt;br /&gt;This particular portion of the painting features the Hotel Bass, which operated under that title from 1946 to 1965. The hotel was owned by Walter C. Bass (1900-1973) and his wife, Ethel Bass. Located at 217 South Orange Avenue in Downtown Orlando, Florida, the building itself was built in 1907 and functioned as a hotel. The hotel has changed hands multiple times throughout its existence. Upon Bass' death his wife sold the hotel to Conway Kittredge for $52,000 and it was remodeled as an office space. This lot, as well as the rest of the block, was later replaced by the CNA Tower and Barnett Plaza.</text>
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            <description/>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516917">
                <text>Original color painting by James Stoll: &lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
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            <name>Is Part Of</name>
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            <elementTextContainer>
              <elementText elementTextId="516918">
                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
              </elementText>
              <elementText elementTextId="516919">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;Downtown Orlando Information Center Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516920">
                <text>Original color digital image by Robert Randall, September 22, 2014.</text>
              </elementText>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516921">
                <text>Hotel Bass, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="516922">
                <text>Jax, Downtown Orlando, Florida</text>
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            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
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                <text>Stoll, James</text>
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            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516924">
                <text>image/jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516925">
                <text>223 KB</text>
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            <name>Medium</name>
            <description/>
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              <elementText elementTextId="516926">
                <text>1 color painting</text>
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          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516927">
                <text>eng</text>
              </elementText>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516928">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="516929">
                <text> Economics Teacher</text>
              </elementText>
              <elementText elementTextId="516930">
                <text> Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516931">
                <text>Originally created by James Stoll.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516932">
                <text>Copyright to this resource is held by the &lt;a href="http://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516933">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516934">
                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516935">
                <text>Cepero, Laura</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516936">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516938">
                <text>Bacon, Eve. "Post-War Building Era Begins." In &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando A Centennial History&lt;/em&gt;&lt;/a&gt;, 138. Vol. 2. Chuluota: Mickler House, Publishers, 1977.</text>
              </elementText>
              <elementText elementTextId="516939">
                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Buyers' Guide and Complete Classified Business Directory&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1940.</text>
              </elementText>
              <elementText elementTextId="516940">
                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1941.</text>
              </elementText>
              <elementText elementTextId="516941">
                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1943-44: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1944.</text>
              </elementText>
              <elementText elementTextId="516942">
                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt; Florida Polk's Orlando City Directory: Including Conway, Maitland and Winter Park&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1945.</text>
              </elementText>
              <elementText elementTextId="516943">
                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1946-47: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1947.</text>
              </elementText>
              <elementText elementTextId="516944">
                <text>Sanborn Map Company. &lt;a href="http://www.worldcat.org/oclc/38483854" target="_blank"&gt;&lt;em&gt;Insurance Maps of Orlando, Florida, 1925&lt;/em&gt;&lt;/a&gt;. New York: Sanborn Map Co, 1925.</text>
              </elementText>
              <elementText elementTextId="516945">
                <text>Sanborn Map Company. &lt;a href="http://www.worldcat.org/oclc/422979959" target="_blank"&gt;&lt;em&gt;Insurance Maps of Orlando, Florida&lt;/em&gt;&lt;/a&gt;. New York: Sanborn Map Co, 1956.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="615696">
                <text>Ferrell&#13;
JEWELRY&#13;
&#13;
JAX&#13;
[illegible]&#13;
&#13;
HOTEL BASS&#13;
&#13;
SERROS FISH &amp; POULTRY</text>
              </elementText>
            </elementTextContainer>
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        <name>Downtown Orlando</name>
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      <tag tagId="36218">
        <name>exhibits</name>
      </tag>
      <tag tagId="18111">
        <name>Hotel Bass</name>
      </tag>
      <tag tagId="15670">
        <name>hotels</name>
      </tag>
      <tag tagId="43509">
        <name>James Stoll</name>
      </tag>
      <tag tagId="18160">
        <name>Jax</name>
      </tag>
      <tag tagId="799">
        <name>Orange Avenue</name>
      </tag>
      <tag tagId="795">
        <name>orlando</name>
      </tag>
      <tag tagId="12857">
        <name>Orlando Remembered</name>
      </tag>
      <tag tagId="14571">
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                  <text>Downtown Orlando Information Center Collection</text>
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              <description/>
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                  <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock" target="_blank"&gt;A Transformed Block: The Development of South Orange Avenue&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank"&gt;Orlando Remembered Collection&lt;/a&gt;, Orlando Collection, Orange County Collection. RICHES of Central Florida.</text>
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                </elementText>
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                </elementText>
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                </elementText>
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                  <text>Jackson Sporting Goods, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560052">
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                </elementText>
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="504785">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </element>
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              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="504787">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="504788">
                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
                </elementText>
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                  <text>&lt;span&gt;Rajtar, Steve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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                  <text>Historic artifacts from an exhibit created by Orlando Remembered at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The Orlando Remembered Committee of the Historical Society of Central Florida, Inc. was created to "showcase artistic renderings of the time depicted, with artifacts and historical memorabilia from the location in an effort to preserve the memory of Orlando's history while acknowledging the potential of the City's future." This exhibit features the history of the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street, particularly in the 1940s and 1950s. In the early 1960s, the buildings within the block were demolished and replaced by the Barnett Plaza and CNA Tower in 1952. The lot now includes the Downtown Orlando Information Center and the BB&amp;T Bank building.</text>
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                <text>This painting accompanies the Orlando Remembered exhibit at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The painting was created by James Stoll, who has contributed various works of art, as well as some scale model replicas, to several Orlando Remembered exhibits.&lt;br /&gt;&lt;br /&gt;This particular portion of the painting features the American Fire and Casualty Company. The Exchange Building was home to American Fire and Casualty Company, an Ohio-based insurance corporation that had offices in the top two floors of the building for 18 years. In 1946, the insurance company bought the building and renamed it the American Building. These lots, as well as the rest of the block, were later replaced by the CNA Tower and Barnett Plaza.</text>
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              <elementText elementTextId="516877">
                <text>Original color painting by James Stoll: &lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
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              <elementText elementTextId="516879">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;Downtown Orlando Information Center Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516880">
                <text>Original color digital image by Robert Randall, September 22, 2014.</text>
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            <name>Coverage</name>
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              <elementText elementTextId="516881">
                <text>American Fire and Casualty Company, Downtown Orlando, Florida</text>
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            <name>Creator</name>
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              <elementText elementTextId="516882">
                <text>Stoll, James</text>
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            <name>Format</name>
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                <text>image/jpg</text>
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            <name>Extent</name>
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                <text>202 KB</text>
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            <name>Medium</name>
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            <name>Language</name>
            <description/>
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              <elementText elementTextId="516886">
                <text>eng</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516887">
                <text>History Teacher</text>
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              <elementText elementTextId="516888">
                <text> Economics Teacher</text>
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              <elementText elementTextId="516889">
                <text> Geography Teacher</text>
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          </element>
          <element elementId="124">
            <name>Provenance</name>
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            <elementTextContainer>
              <elementText elementTextId="516890">
                <text>Originally created by James Stoll.</text>
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          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516891">
                <text>Copyright to this resource is held by the &lt;a href="http://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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            <elementTextContainer>
              <elementText elementTextId="516892">
                <text>Donation</text>
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            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516893">
                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516894">
                <text>Cepero, Laura</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516895">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516897">
                <text>Bacon, Eve. "Post-War Building Era Begins." In &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando A Centennial History&lt;/em&gt;&lt;/a&gt;, 138. Vol. 2. Chuluota: Mickler House, Publishers, 1977.</text>
              </elementText>
              <elementText elementTextId="516898">
                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1941.</text>
              </elementText>
              <elementText elementTextId="516899">
                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1943-44: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1944.</text>
              </elementText>
              <elementText elementTextId="516900">
                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt; Florida Polk's Orlando City Directory: Including Conway, Maitland and Winter Park&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1945.</text>
              </elementText>
              <elementText elementTextId="516901">
                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1946-47: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1947.</text>
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          </element>
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            <name>Transcript</name>
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                <text>AMERICAN FIRE &amp; CASUALTY</text>
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        <name>Downtown Orlando</name>
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        <name>Exchange Building</name>
      </tag>
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        <name>exhibits</name>
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        <name>insurance</name>
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      <tag tagId="43509">
        <name>James Stoll</name>
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      <tag tagId="799">
        <name>Orange Avenue</name>
      </tag>
      <tag tagId="795">
        <name>orlando</name>
      </tag>
      <tag tagId="12857">
        <name>Orlando Remembered</name>
      </tag>
      <tag tagId="14571">
        <name>Signature Plaza</name>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock" target="_blank"&gt;A Transformed Block: The Development of South Orange Avenue&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank"&gt;Orlando Remembered Collection&lt;/a&gt;, Orlando Collection, Orange County Collection. RICHES of Central Florida.</text>
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                </elementText>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="504788">
                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
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                  <text>&lt;span&gt;Rajtar, Steve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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                  <text>Historic artifacts from an exhibit created by Orlando Remembered at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The Orlando Remembered Committee of the Historical Society of Central Florida, Inc. was created to "showcase artistic renderings of the time depicted, with artifacts and historical memorabilia from the location in an effort to preserve the memory of Orlando's history while acknowledging the potential of the City's future." This exhibit features the history of the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street, particularly in the 1940s and 1950s. In the early 1960s, the buildings within the block were demolished and replaced by the Barnett Plaza and CNA Tower in 1952. The lot now includes the Downtown Orlando Information Center and the BB&amp;T Bank building.</text>
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                <text>Nick Serros' Fish &amp; Poultry Company</text>
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                <text>Serros' Fish &amp; Poultry Co.</text>
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                <text>This painting accompanies the Orlando Remembered exhibit at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The painting was created by James Stoll, who has contributed various works of art, as well as some scale model replicas, to several Orlando Remembered exhibits.&lt;br /&gt;&lt;br /&gt;This particular portion of the painting features Nick Serros' Fish &amp;amp; Poultry Company sometime around 1938. Nick Serros (b. 1888), the company owner, was born in Greece in 1888 and immigrated to the United States in 1923. He opened his business in the late 1930s. The business remained on the block until it was bought out to make way for the CNA Tower and Barnett Plaza. In 1941, Serros' held a location of 117 South Court Street, but moved to 37 East Jackson Street by 1943. The following year, the business was listed at 37-41 E. Jackson and remained at that location until 1952.</text>
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          <element elementId="48">
            <name>Source</name>
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                <text>Original color painting by James Stoll: &lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
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            <description/>
            <elementTextContainer>
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                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;Downtown Orlando Information Center Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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            <elementTextContainer>
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                <text>Original color digital image by Robert Randall, September 22, 2014.</text>
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            <elementTextContainer>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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        <name>Nick Serros</name>
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        <name>Nick Serros' Fish and Poultry Company</name>
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        <name>Orange Avenue</name>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
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                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Bacon, Eve. "Post-War Building Era Begins." In &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando A Centennial History&lt;/em&gt;&lt;/a&gt;, 138. Vol. 2. Chuluota: Mickler House, Publishers, 1977.</text>
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AUTO&#13;
&#13;
CITY CAB&#13;
[illegible]&#13;
&#13;
TAXi&#13;
&#13;
CITY CAB CO.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
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                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
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                  <text>&lt;span&gt;Rajtar, Steve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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                  <text>Historic artifacts from an exhibit created by Orlando Remembered at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The Orlando Remembered Committee of the Historical Society of Central Florida, Inc. was created to "showcase artistic renderings of the time depicted, with artifacts and historical memorabilia from the location in an effort to preserve the memory of Orlando's history while acknowledging the potential of the City's future." This exhibit features the history of the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street, particularly in the 1940s and 1950s. In the early 1960s, the buildings within the block were demolished and replaced by the Barnett Plaza and CNA Tower in 1952. The lot now includes the Downtown Orlando Information Center and the BB&amp;T Bank building.</text>
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                <text>This painting accompanies the Orlando Remembered exhibit at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The painting was created by James Stoll, who has contributed various works of art, as well as some scale model replicas, to several Orlando Remembered exhibits.&lt;br /&gt;&lt;br /&gt;This particular portion of the painting features Star Barber Shop and Ferrell Jewelry. Max Yacobian worked as a barber at Star Barber Shop since 1938, and perhaps as early as the late 1920s. By 1939, he became the sole proprietor of the barbershop located at 205 South Orange Avenuea. After cutting hair for over 25 years, he passed away sometime between 1953 and 1956. This lot, as well as the rest of the block, was later replaced by the CNA Tower and Barnett Plaza.</text>
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                <text>Original color painting by James Stoll: &lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;Downtown Orlando Information Center Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <text>Original color digital image by Robert Randall, September 22, 2014.</text>
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                <text> Economics Teacher</text>
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                <text> Geography Teacher</text>
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                <text>Originally created by James Stoll.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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              <elementText elementTextId="516761">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
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                <text>"&lt;a href="http://thehistorycenter.pastperfect-online.com/31399cgi/mweb.exe?request=record;id=2097A1DB-D1F9-4957-B071-814427390952;type=102" target="_blank"&gt;2007.036.0061&lt;/a&gt;." Orange County Regional History Center. http://thehistorycenter.pastperfect-online.com/31399cgi/mweb.exe?request=record;id=2097A1DB-D1F9-4957-B071-814427390952;type=102.</text>
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                <text>Bacon, Eve. "Post-War Building Era Begins." In &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando A Centennial History&lt;/em&gt;&lt;/a&gt;, 138. Vol. 2. Chuluota: Mickler House, Publishers, 1977.</text>
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              <elementText elementTextId="516765">
                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Buyers' Guide and Complete Classified Business Directory&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1940.</text>
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              <elementText elementTextId="516766">
                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1941.</text>
              </elementText>
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                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1943-44: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1944.</text>
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                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt; Florida Polk's Orlando City Directory: Including Conway, Maitland and Winter Park&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1945.</text>
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                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1946-47: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1947.</text>
              </elementText>
              <elementText elementTextId="516770">
                <text>Sanborn Map Company. &lt;a href="http://www.worldcat.org/oclc/422979959" target="_blank"&gt;&lt;em&gt;Insurance Maps of Orlando, Florida&lt;/em&gt;&lt;/a&gt;. New York: Sanborn Map Co, 1956.</text>
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                <text>THOMAS&#13;
BLDG.&#13;
&#13;
HAIRCUT&#13;
25¢&#13;
&#13;
Ferrell&#13;
JEWELRY</text>
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      <tag tagId="799">
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      </tag>
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                <elementText elementTextId="504785">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="136">
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="504787">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
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                <elementText elementTextId="504788">
                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
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                  <text>&lt;span&gt;Rajtar, Steve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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              <name>Description</name>
              <description/>
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                <elementText elementTextId="511925">
                  <text>Historic artifacts from an exhibit created by Orlando Remembered at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The Orlando Remembered Committee of the Historical Society of Central Florida, Inc. was created to "showcase artistic renderings of the time depicted, with artifacts and historical memorabilia from the location in an effort to preserve the memory of Orlando's history while acknowledging the potential of the City's future." This exhibit features the history of the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street, particularly in the 1940s and 1950s. In the early 1960s, the buildings within the block were demolished and replaced by the Barnett Plaza and CNA Tower in 1952. The lot now includes the Downtown Orlando Information Center and the BB&amp;T Bank building.</text>
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            <description/>
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                <text>Orlando (Fla.)</text>
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                <text> Restaurants--Florida</text>
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                <text> Natural foods industry--United States</text>
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                <text>This painting accompanies the Orlando Remembered exhibit at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The painting was created by James Stoll, who has contributed various works of art, as well as some scale model replicas, to several Orlando Remembered exhibits.&lt;br /&gt;&lt;br /&gt;This particular portion of the painting features Brass Rail, Chamberlin Natural Foods, and Cervantes Spanish Restaurant. Brass Rail was a bar and restaurant. Cervantes was one of the first Spanish restaurants to come to Orlando. Cervantes was one of the first Spanish restaurants to come to Orlando, Florida. It was run by Paul Vines and his wife, Annie Vines, and their business partner, C. Menendez. The restaurant sat at 19 East Church Street and stayed at that location for nearly 20 years. The restaurant had moved to that location in 1937 and remained there until the mid-1950s, when it was replaced by J &amp;amp; G Fine Foods, owned by a Gladys Barnett. This lot, as well as the rest of the block, was later replaced by the CNA Tower and Barnett Plaza.</text>
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          <element elementId="48">
            <name>Source</name>
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                <text>Original color painting by James Stoll: &lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
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            <name>Is Part Of</name>
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              <elementText elementTextId="516697">
                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
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              <elementText elementTextId="516698">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;Downtown Orlando Information Center Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516699">
                <text>Original color digital image by Robert Randall, September 22, 2014.</text>
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            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516700">
                <text>Cervantes Spanish Restaurant, Downtown Orlando, Florida</text>
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              <elementText elementTextId="516701">
                <text> Brass Rail, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="516702">
                <text> Chamberlin Natural Food, Downtown Orlando, Florida</text>
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            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516703">
                <text>Stoll, James</text>
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          <element elementId="42">
            <name>Format</name>
            <description/>
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                <text>image/jpg</text>
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            <name>Extent</name>
            <description/>
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                <text>258 KB</text>
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            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516706">
                <text>1 color painting</text>
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          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516707">
                <text>eng</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516708">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="516709">
                <text> Economics Teacher</text>
              </elementText>
              <elementText elementTextId="516710">
                <text> Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516711">
                <text>Originally created by James Stoll.</text>
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            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516712">
                <text>Copyright to this resource is held by the &lt;a href="http://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516713">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516714">
                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516715">
                <text>Cepero, Laura</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516716">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516718">
                <text>Bacon, Eve. "Post-War Building Era Begins." In &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando A Centennial History&lt;/em&gt;&lt;/a&gt;, 138. Vol. 2. Chuluota: Mickler House, Publishers, 1977.</text>
              </elementText>
              <elementText elementTextId="516719">
                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Buyers' Guide and Complete Classified Business Directory&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1940.</text>
              </elementText>
              <elementText elementTextId="516720">
                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1941.</text>
              </elementText>
              <elementText elementTextId="516721">
                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1943-44: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1944.</text>
              </elementText>
              <elementText elementTextId="516722">
                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt; Florida Polk's Orlando City Directory: Including Conway, Maitland and Winter Park&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1945.</text>
              </elementText>
              <elementText elementTextId="516723">
                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1946-47: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1947.</text>
              </elementText>
              <elementText elementTextId="516724">
                <text>Sanborn Map Company. &lt;a href="http://www.worldcat.org/oclc/422979959" target="_blank"&gt;&lt;em&gt;Insurance Maps of Orlando, Florida&lt;/em&gt;&lt;/a&gt;. New York: Sanborn Map Co, 1956.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="615691">
                <text>BRASS&#13;
RAIL&#13;
&#13;
CHAMBERLIN&#13;
NATURAL FOODS&#13;
&#13;
SPANISH&#13;
RESTAURANT</text>
              </elementText>
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        <name>Cervantes Spanish Restaurant</name>
      </tag>
      <tag tagId="18152">
        <name>Chamberlin Natural Foods</name>
      </tag>
      <tag tagId="829">
        <name>Church Street</name>
      </tag>
      <tag tagId="2144">
        <name>Downtown Orlando</name>
      </tag>
      <tag tagId="36218">
        <name>exhibits</name>
      </tag>
      <tag tagId="43509">
        <name>James Stoll</name>
      </tag>
      <tag tagId="43510">
        <name>natural foods</name>
      </tag>
      <tag tagId="799">
        <name>Orange Avenue</name>
      </tag>
      <tag tagId="795">
        <name>orlando</name>
      </tag>
      <tag tagId="12857">
        <name>Orlando Remembered</name>
      </tag>
      <tag tagId="16722">
        <name>restaurants</name>
      </tag>
      <tag tagId="14571">
        <name>Signature Plaza</name>
      </tag>
      <tag tagId="18109">
        <name>Spanish cuisine</name>
      </tag>
    </tagContainer>
  </item>
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                  <text>Downtown Orlando Information Center Collection</text>
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              </elementTextContainer>
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            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="504773">
                  <text>Downtown Orlando Information Center Collection</text>
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            <element elementId="49">
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              <description/>
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              <name>Contributor</name>
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            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="504778">
                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock" target="_blank"&gt;A Transformed Block: The Development of South Orange Avenue&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank"&gt;Orlando Remembered Collection&lt;/a&gt;, Orlando Collection, Orange County Collection. RICHES of Central Florida.</text>
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                  <text>Downtown Orlando Information Center, Downtown Orlando, Florida</text>
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                  <text>American Fire and Casualty Company, Downtown Orlando, Florida</text>
                </elementText>
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                  <text>Cervantes Spanish Restaurant, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560049">
                  <text>City Cab Company Taxi Service, Downtown Orlando, Florida</text>
                </elementText>
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                </elementText>
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                  <text>Jackson Sporting Goods, Downtown Orlando, Florida</text>
                </elementText>
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                  <text>Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida</text>
                </elementText>
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                  <text>Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida</text>
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="504785">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="504787">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="504788">
                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
                </elementText>
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                  <text>&lt;span&gt;Rajtar, Steve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511925">
                  <text>Historic artifacts from an exhibit created by Orlando Remembered at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The Orlando Remembered Committee of the Historical Society of Central Florida, Inc. was created to "showcase artistic renderings of the time depicted, with artifacts and historical memorabilia from the location in an effort to preserve the memory of Orlando's history while acknowledging the potential of the City's future." This exhibit features the history of the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street, particularly in the 1940s and 1950s. In the early 1960s, the buildings within the block were demolished and replaced by the Barnett Plaza and CNA Tower in 1952. The lot now includes the Downtown Orlando Information Center and the BB&amp;T Bank building.</text>
                </elementText>
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      </elementSetContainer>
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    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description/>
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                <text>Thomas Building, Ladies Uniforms, and Orlando Steam Laundry</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516643">
                <text>Thomas Building, Ladies Uniforms, Orlando Steam Laundry</text>
              </elementText>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
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              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description/>
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                <text>This painting accompanies the Orlando Remembered exhibit at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The painting was created by James Stoll, who has contributed various works of art, as well as some scale model replicas, to several Orlando Remembered exhibits.&lt;br /&gt;&lt;br /&gt;This particular portion of the painting features the Thomas Building, which was an arcade that included several stores. The building was located at the intersection of Church Street and Magnolia Avenue, with a street address of 100 East Church Street in Downtown Orlando, Florida. Magnolia was previously called Main Street until the mid-1900s. Most of the block was occupied with small shops, such as Cervantes Spanish Restaurant, Family Loan Company, Roger Reality Company, and other shops. Slightly larger businesses such as the Astor Hotel, later the Bass Hotel, also existed on the block. The building was torn down and a new building was constructed in the late 1950s and demolished in the early 1960s. The Thomas Building was also sometimes referred to as the Church and Main Arcade. This lot, as well as the rest of the block, was later replaced by the CNA Tower and Barnett Plaza.</text>
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          <element elementId="48">
            <name>Source</name>
            <description/>
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              <elementText elementTextId="516649">
                <text>Original color painting by James Stoll: &lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516650">
                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
              </elementText>
              <elementText elementTextId="516651">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;Downtown Orlando Information Center Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516652">
                <text>Original color digital image by Robert Randall, September 22, 2014.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516653">
                <text>Thomas Building, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="516654">
                <text> Ladies Uniforms, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="516655">
                <text> Orlando Steam Laundry, Downtown Orlando, Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516656">
                <text>Stoll, James</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516657">
                <text>image/jpg</text>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516658">
                <text>232 KB</text>
              </elementText>
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          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
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              <elementText elementTextId="516659">
                <text>1 color painting</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516660">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516661">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="516662">
                <text> Economics Teacher</text>
              </elementText>
              <elementText elementTextId="516663">
                <text> Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516664">
                <text>Originally created by James Stoll.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516665">
                <text>Copyright to this resource is held by the &lt;a href="http://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516666">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516667">
                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516668">
                <text>Cepero, Laura</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516669">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516671">
                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Buyers' Guide and Complete Classified Business Directory&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1940.</text>
              </elementText>
              <elementText elementTextId="516672">
                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1941.</text>
              </elementText>
              <elementText elementTextId="516673">
                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1943-44: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1944.</text>
              </elementText>
              <elementText elementTextId="516674">
                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt; Florida Polk's Orlando City Directory: Including Conway, Maitland and Winter Park&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1945.</text>
              </elementText>
              <elementText elementTextId="516675">
                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1946-47: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1947.</text>
              </elementText>
              <elementText elementTextId="516676">
                <text>Sanborn Map Company. &lt;a href="http://www.worldcat.org/oclc/38483854" target="_blank"&gt;&lt;em&gt;Insurance Maps of Orlando, Florida, 1925&lt;/em&gt;&lt;/a&gt;. New York: Sanborn Map Co, 1925.</text>
              </elementText>
              <elementText elementTextId="516677">
                <text>Sanborn Map Company. &lt;a href="http://www.worldcat.org/oclc/422979959" target="_blank"&gt;&lt;em&gt;Insurance Maps of Orlando, Florida&lt;/em&gt;&lt;/a&gt;. New York: Sanborn Map Co, 1956.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="615690">
                <text>THOMAS BUILDING&#13;
&#13;
LADIES UNIFORMS&#13;
&#13;
ORLANDO STEAM LAUNDRY</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="29722">
        <name>arcades</name>
      </tag>
      <tag tagId="18119">
        <name>Church and Main Arcade</name>
      </tag>
      <tag tagId="829">
        <name>Church Street</name>
      </tag>
      <tag tagId="2144">
        <name>Downtown Orlando</name>
      </tag>
      <tag tagId="36218">
        <name>exhibits</name>
      </tag>
      <tag tagId="43509">
        <name>James Stoll</name>
      </tag>
      <tag tagId="18150">
        <name>Ladies Uniforms</name>
      </tag>
      <tag tagId="43508">
        <name>laundries</name>
      </tag>
      <tag tagId="18155">
        <name>laundromat</name>
      </tag>
      <tag tagId="43507">
        <name>laundry</name>
      </tag>
      <tag tagId="841">
        <name>Magnolia Avenue</name>
      </tag>
      <tag tagId="840">
        <name>Main Street</name>
      </tag>
      <tag tagId="799">
        <name>Orange Avenue</name>
      </tag>
      <tag tagId="795">
        <name>orlando</name>
      </tag>
      <tag tagId="12857">
        <name>Orlando Remembered</name>
      </tag>
      <tag tagId="9002">
        <name>Orlando Steam Laundry</name>
      </tag>
      <tag tagId="14571">
        <name>Signature Plaza</name>
      </tag>
      <tag tagId="18118">
        <name>Thomas Building</name>
      </tag>
      <tag tagId="32494">
        <name>uniforms</name>
      </tag>
    </tagContainer>
  </item>
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                  <text>Downtown Orlando Information Center Collection</text>
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                <elementText elementTextId="504773">
                  <text>Downtown Orlando Information Center Collection</text>
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                  <text>Orlando (Fla.)</text>
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              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="504777">
                  <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock" target="_blank"&gt;A Transformed Block: The Development of South Orange Avenue&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock.</text>
                </elementText>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank"&gt;Orlando Remembered Collection&lt;/a&gt;, Orlando Collection, Orange County Collection. RICHES of Central Florida.</text>
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                <elementText elementTextId="504781">
                  <text>Downtown Orlando Information Center, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="504782">
                  <text>American Fire and Casualty Company, Downtown Orlando, Florida</text>
                </elementText>
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                  <text>Cervantes Spanish Restaurant, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560049">
                  <text>City Cab Company Taxi Service, Downtown Orlando, Florida</text>
                </elementText>
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                  <text>Hotel Bass, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560051">
                  <text>Jackson Sporting Goods, Downtown Orlando, Florida</text>
                </elementText>
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                  <text>Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560053">
                  <text>Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida</text>
                </elementText>
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              <name>Contributing Project</name>
              <description/>
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                  <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
                </elementText>
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            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
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                  <text>Cepero, Laura</text>
                </elementText>
              </elementTextContainer>
            </element>
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              <name>Digital Collection</name>
              <description/>
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                <elementText elementTextId="504785">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="504787">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="504788">
                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
                </elementText>
                <elementText elementTextId="504789">
                  <text>&lt;span&gt;Rajtar, Steve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
                </elementText>
              </elementTextContainer>
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              <name>Language</name>
              <description/>
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                  <text>eng</text>
                </elementText>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511925">
                  <text>Historic artifacts from an exhibit created by Orlando Remembered at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The Orlando Remembered Committee of the Historical Society of Central Florida, Inc. was created to "showcase artistic renderings of the time depicted, with artifacts and historical memorabilia from the location in an effort to preserve the memory of Orlando's history while acknowledging the potential of the City's future." This exhibit features the history of the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street, particularly in the 1940s and 1950s. In the early 1960s, the buildings within the block were demolished and replaced by the Barnett Plaza and CNA Tower in 1952. The lot now includes the Downtown Orlando Information Center and the BB&amp;T Bank building.</text>
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      </elementSetContainer>
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    </itemType>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
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            <description/>
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                <text>Signature Plaza Painting</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516592">
                <text>Signature Plaza</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516593">
                <text>Orlando (Fla.)</text>
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          <element elementId="41">
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="516595">
                <text>This painting accompanies the Orlando Remembered exhibit at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The painting was created by James Stoll, who has contributed various works of art, as well as some scale model replicas, to several Orlando Remembered exhibits.</text>
              </elementText>
            </elementTextContainer>
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            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516597">
                <text>Original color painting by James Stoll: &lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
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            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516598">
                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
              </elementText>
              <elementText elementTextId="516599">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;Downtown Orlando Information Center Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516600">
                <text>Original color digital image by Robert Randall, September 22, 2014.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516601">
                <text>Downtown Orlando Information Center, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="516602">
                <text>Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="516603">
                <text> City Cab Company Taxi Service, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="516604">
                <text> American Fire and Casualty Company, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="516605">
                <text> Hotel Bass, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="516606">
                <text> Thomas Building, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="516607">
                <text> Brass Rail, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="516608">
                <text> Chamberlin Natural Foods, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="516609">
                <text> Star Barber Shop, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="516610">
                <text> Ferrell Jewelry, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="516611">
                <text> Economy Auto Store, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="516612">
                <text> Winn-Dixie, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="516613">
                <text> First Methodist Church, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="516614">
                <text> Fems Printing Company, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="516615">
                <text> American Dry Cleaners, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="516616">
                <text> Menendez Spanish Restaurant, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="516617">
                <text>Foster’s Quality Foods, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="516618">
                <text> Wilmott Building, Downtown Orlando, Florida</text>
              </elementText>
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&#13;
LADIES UNIFORMS&#13;
&#13;
ORLANDO STEAM LAUNDRY&#13;
&#13;
BRASS&#13;
RAIL&#13;
&#13;
CHAMBERLIN&#13;
NATURAL FOODS&#13;
&#13;
SPANISH&#13;
RESTAURANT&#13;
&#13;
THOMAS&#13;
BLDG.&#13;
&#13;
HAIRCUT&#13;
25¢&#13;
&#13;
Ferrell&#13;
JEWELRY&#13;
&#13;
ECONOMY&#13;
AUTO&#13;
&#13;
CITY CAB&#13;
[illegible]&#13;
&#13;
TAXi&#13;
&#13;
CITY CAB CO.&#13;
&#13;
SERROS FISH &amp; POULTRY&#13;
&#13;
AMERICAN FIRE &amp; CASUALTY&#13;
&#13;
JAX&#13;
[illegible]&#13;
&#13;
HOTEL BASS</text>
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&#13;
Seaside&#13;
National Bank &amp; Trust&#13;
201 South Orange[?] Avenue</text>
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                <text>214 REAL ESTATE&#13;
Consult Us for&#13;
Real Estate and Investments — Property Management&#13;
First Mortgage Loans and General Insurance&#13;
&#13;
NATIONAL ASSOCIATION OF REAL ESTATE BOARDS&#13;
REALTORS&#13;
ARE ACTIVE&#13;
MEMBERS OF&#13;
CONSTITUENT[?]&#13;
BOARDS&#13;
&#13;
Vergowe Agency&#13;
&#13;
29 E. Church St. Phone 7833&#13;
"We can't do all the business, but what we do we try to do well"</text>
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                <elementText elementTextId="504782">
                  <text>American Fire and Casualty Company, Downtown Orlando, Florida</text>
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                <elementText elementTextId="560049">
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                </elementText>
                <elementText elementTextId="560050">
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                <elementText elementTextId="560051">
                  <text>Jackson Sporting Goods, Downtown Orlando, Florida</text>
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                <elementText elementTextId="560052">
                  <text>Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560053">
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                <elementText elementTextId="504785">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <elementTextContainer>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
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                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
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                  <text>&lt;span&gt;Rajtar, Steve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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                  <text>Historic artifacts from an exhibit created by Orlando Remembered at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The Orlando Remembered Committee of the Historical Society of Central Florida, Inc. was created to "showcase artistic renderings of the time depicted, with artifacts and historical memorabilia from the location in an effort to preserve the memory of Orlando's history while acknowledging the potential of the City's future." This exhibit features the history of the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street, particularly in the 1940s and 1950s. In the early 1960s, the buildings within the block were demolished and replaced by the Barnett Plaza and CNA Tower in 1952. The lot now includes the Downtown Orlando Information Center and the BB&amp;T Bank building.</text>
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                <text>Roper Realty Company Advertisement</text>
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                <text>Roper Realty Co. Ad</text>
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                <text>Andvertisement for the Roper Realty Company in the &lt;em&gt;Florida Polk's Orlando City Directories: Including Conway, Maitland and Winter Park&lt;/em&gt; for 1949. Located at 200 South Main Street (present-day Magnolia Avenue) in Downtown Orlando, Florida, Roper Realty Co. was a real estate agency during the 1940s and 1950s. Amons Andrew Rope migrated to the Orlando area in 1930, with his son, George Oliver Roper, following in 1945. Roper Realty Co. appears in city directories as early as 1946, but seems to have ceased to exist by 1956. In 1949, the business moved from its original location at 72 East Church Street to its new location on Main Street. The real estate broker, associate, and salesman for the company were Amos A. Roper, George O. Roper, and C. J. Gray, respectively. In 1961, both Roper and his son passed away.</text>
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                <text>Original advertisement, 1949: R. L. Polk &amp;amp; Company &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1949: &lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt;, Orlando, Florida.</text>
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              <elementText elementTextId="516472">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;Downtown Orlando Information Center Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original advertisement, 1949: R. L. Polk &amp;amp;Company &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1949.</text>
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                <text>Roper Realty Company, Downtown Orlando, Florida</text>
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            <name>Publisher</name>
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                <text>&lt;a href="https://www.polk.com/" target="_blank"&gt;R. L. Polk &amp;amp; Company&lt;/a&gt;</text>
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            <name>Extent</name>
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            <elementTextContainer>
              <elementText elementTextId="516484">
                <text>1 advertisement</text>
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            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516485">
                <text>eng</text>
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            <name>Mediator</name>
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            <elementTextContainer>
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                <text>History Teacher</text>
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              <elementText elementTextId="516487">
                <text> Economics Teacher</text>
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            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
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                <text>Originally published by the &lt;a href="https://www.polk.com/" target="_blank"&gt;R. L. Polk &amp;amp; Company&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by the &lt;a href="https://www.polk.com/" target="_blank"&gt;R. L. Polk &amp;amp; Company&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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                <text>Donation</text>
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            <name>Contributing Project</name>
            <description/>
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                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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          <element elementId="133">
            <name>Curator</name>
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                <text>Jeffries, Andrew W.</text>
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              <elementText elementTextId="516495">
                <text> Cepero, Laura</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="516496">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516497">
                <text>&lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt;</text>
              </elementText>
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          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516498">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Buyers' Guide and Complete Classified Business Directory&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1940.</text>
              </elementText>
              <elementText elementTextId="516499">
                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1941.</text>
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              <elementText elementTextId="516500">
                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1943-44: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1944.</text>
              </elementText>
              <elementText elementTextId="516501">
                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt; Florida Polk's Orlando City Directory: Including Conway, Maitland and Winter Park&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1945.</text>
              </elementText>
              <elementText elementTextId="516502">
                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1946-47: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1947.</text>
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              <elementText elementTextId="516503">
                <text>R. L. Polk &amp;amp; Company. "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directories: Including Conway, Maitland and Winter Park&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1949.</text>
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              <elementText elementTextId="516504">
                <text>Sanborn Map Company. &lt;a href="http://www.worldcat.org/oclc/422979959" target="_blank"&gt;&lt;em&gt;Insurance Maps of Orlando, Florida&lt;/em&gt;&lt;/a&gt;. New York: Sanborn Map Co, 1956.</text>
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            <elementTextContainer>
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            <description/>
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              <elementText elementTextId="517118">
                <text>1949</text>
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            <elementTextContainer>
              <elementText elementTextId="615687">
                <text>208 REAL ESTATE&#13;
AMOS A. ROPER, Broker GEO. O. ROPER, Associate&#13;
ROPE REALTY CO.&#13;
General&#13;
REAL ESTATE&#13;
C. J. Gray, Salesman&#13;
&#13;
200 S. Main Phone 2-3433</text>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock" target="_blank"&gt;A Transformed Block: The Development of South Orange Avenue&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank"&gt;Orlando Remembered Collection&lt;/a&gt;, Orlando Collection, Orange County Collection. RICHES of Central Florida.</text>
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                </elementText>
                <elementText elementTextId="560048">
                  <text>Cervantes Spanish Restaurant, Downtown Orlando, Florida</text>
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                <elementText elementTextId="560049">
                  <text>City Cab Company Taxi Service, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560050">
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                </elementText>
                <elementText elementTextId="560051">
                  <text>Jackson Sporting Goods, Downtown Orlando, Florida</text>
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                <elementText elementTextId="560052">
                  <text>Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida</text>
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              <elementTextContainer>
                <elementText elementTextId="504785">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>External Reference</name>
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              <elementTextContainer>
                <elementText elementTextId="504787">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
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                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
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                  <text>&lt;span&gt;Rajtar, Steve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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              <description/>
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              <name>Description</name>
              <description/>
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                  <text>Historic artifacts from an exhibit created by Orlando Remembered at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The Orlando Remembered Committee of the Historical Society of Central Florida, Inc. was created to "showcase artistic renderings of the time depicted, with artifacts and historical memorabilia from the location in an effort to preserve the memory of Orlando's history while acknowledging the potential of the City's future." This exhibit features the history of the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street, particularly in the 1940s and 1950s. In the early 1960s, the buildings within the block were demolished and replaced by the Barnett Plaza and CNA Tower in 1952. The lot now includes the Downtown Orlando Information Center and the BB&amp;T Bank building.</text>
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                <text>J. Daniel Kolar Advertisement</text>
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                <text>An advertisement for real estate agent J. Daniel Kolar in the &lt;em&gt;Florida Polk's Orlando City Directories: Including Conway, Maitland and Winter Park&lt;/em&gt; for 1949. Kolar ran a real estate business from 206 South Main Street (present-day Magnolia Avenue) sometime between 1948 and 1955. Prior to becoming a real estate agent, Kolar served as Vice President of Sunray Product, Inc. around 1943. During that same year, he resided at 473 South Orange Avenue with his wife, Helen M. Kolar. The couple had migrated to Ocoee, Florida, by 1954.</text>
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                <text>Original advertisement, 1949: R. L. Polk &amp;amp; Company &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1949: &lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;Downtown Orlando Information Center Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original advertisement, 1949: R. L. Polk &amp;amp;Company &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1949.</text>
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                <text>J. Daniel Kolar's Real Estate Office, Downtown Orlando, Florida</text>
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            <name>Publisher</name>
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                <text>&lt;a href="https://www.polk.com/" target="_blank"&gt;R. L. Polk &amp;amp; Company&lt;/a&gt;</text>
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                <text>1949</text>
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                <text>117 KB</text>
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                <text>1 advertisement</text>
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            <description/>
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                <text>eng</text>
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            <name>Mediator</name>
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            <elementTextContainer>
              <elementText elementTextId="516437">
                <text>History Teacher</text>
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              <elementText elementTextId="516438">
                <text> Economics Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
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              <elementText elementTextId="516439">
                <text>Originally published by the &lt;a href="https://www.polk.com/" target="_blank"&gt;R. L. Polk &amp;amp; Company&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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            <elementTextContainer>
              <elementText elementTextId="516441">
                <text>Copyright to this resource is held by the &lt;a href="https://www.polk.com/" target="_blank"&gt;R. L. Polk &amp;amp; Company&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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              <elementText elementTextId="516443">
                <text>Donation</text>
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            <name>Contributing Project</name>
            <description/>
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              <elementText elementTextId="516444">
                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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          <element elementId="133">
            <name>Curator</name>
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              <elementText elementTextId="516445">
                <text>Jeffries, Andrew W.</text>
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              <elementText elementTextId="516446">
                <text> Cepero, Laura</text>
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          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516447">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516448">
                <text>&lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516449">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Buyers' Guide and Complete Classified Business Directory&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1940.</text>
              </elementText>
              <elementText elementTextId="516450">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1941.</text>
              </elementText>
              <elementText elementTextId="516451">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1943-44: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1944.</text>
              </elementText>
              <elementText elementTextId="516452">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt; Florida Polk's Orlando City Directory: Including Conway, Maitland and Winter Park&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1945.</text>
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              <elementText elementTextId="516453">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1946-47: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1947.</text>
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              <elementText elementTextId="516454">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directories: Including Conway, Maitland and Winter Park&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1949.</text>
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              <elementText elementTextId="516455">
                <text>Sanborn Map Company. &lt;a href="http://www.worldcat.org/oclc/422979959" target="_blank"&gt;&lt;em&gt;Insurance Maps of Orlando, Florida&lt;/em&gt;&lt;/a&gt;. New York: Sanborn Map Co, 1956.</text>
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            <elementTextContainer>
              <elementText elementTextId="517114">
                <text>1949</text>
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            <elementTextContainer>
              <elementText elementTextId="517115">
                <text>1949</text>
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          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="615686">
                <text>J. DANIEL KOLAR&#13;
REAL ESTATE&#13;
&#13;
NATIONAL ASSOCIATION OF REAL ESTATE BOARDS&#13;
REALTORS&#13;
ARE ACTIVE&#13;
MEMBERS OF&#13;
CONSTITUENT[?]&#13;
BOARDS&#13;
&#13;
Specializing in Homes&#13;
206 S. MAIN ST.&#13;
Phones 3-3844 and 3-1462</text>
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      <tag tagId="18132">
        <name>J. Daniel Kolar</name>
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      <tag tagId="841">
        <name>Magnolia Avenue</name>
      </tag>
      <tag tagId="840">
        <name>Main Street</name>
      </tag>
      <tag tagId="18134">
        <name>National Association of Real Estate Boards</name>
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      <tag tagId="795">
        <name>orlando</name>
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        <name>real estate agent</name>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock" target="_blank"&gt;A Transformed Block: The Development of South Orange Avenue&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank"&gt;Orlando Remembered Collection&lt;/a&gt;, Orlando Collection, Orange County Collection. RICHES of Central Florida.</text>
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                  <text>American Fire and Casualty Company, Downtown Orlando, Florida</text>
                </elementText>
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                  <text>Cervantes Spanish Restaurant, Downtown Orlando, Florida</text>
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                  <text>City Cab Company Taxi Service, Downtown Orlando, Florida</text>
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                  <text>Hotel Bass, Downtown Orlando, Florida</text>
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                  <text>Jackson Sporting Goods, Downtown Orlando, Florida</text>
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                  <text>Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida</text>
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                  <text>Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida</text>
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="504785">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="504788">
                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
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                  <text>&lt;span&gt;Rajtar, Steve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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              <name>Description</name>
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              <elementTextContainer>
                <elementText elementTextId="511925">
                  <text>Historic artifacts from an exhibit created by Orlando Remembered at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The Orlando Remembered Committee of the Historical Society of Central Florida, Inc. was created to "showcase artistic renderings of the time depicted, with artifacts and historical memorabilia from the location in an effort to preserve the memory of Orlando's history while acknowledging the potential of the City's future." This exhibit features the history of the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street, particularly in the 1940s and 1950s. In the early 1960s, the buildings within the block were demolished and replaced by the Barnett Plaza and CNA Tower in 1952. The lot now includes the Downtown Orlando Information Center and the BB&amp;T Bank building.</text>
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    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description/>
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                <text>Stanley's Radio Sales &amp; Service Advertisement</text>
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          <element elementId="86">
            <name>Alternative Title</name>
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                <text>Stanley's Radio Sales &amp; Service Ad</text>
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          <element elementId="49">
            <name>Subject</name>
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            <elementTextContainer>
              <elementText elementTextId="516366">
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              <elementText elementTextId="516367">
                <text> Radio--United States</text>
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            <name>Description</name>
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            <elementTextContainer>
              <elementText elementTextId="516368">
                <text>An advertisement for Stanley's Radio Sales &amp;amp; Service in the &lt;em&gt;Florida Polk's Orlando City Directories: Including Conway, Maitland and Winter Park&lt;/em&gt; for 1949. Located at 226 South Main Street (present-day Magnolia Avenue) in Downtown Orlando, Florida, Stanley's was in businesses from approximately the mid-1940s to the early 1950s. The manager, Stanley Deware, was a registered Audio Frequency Track Circuits (AFTC) radio mechanic.</text>
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                <text>Original advertisement, 1949: R. L. Polk &amp;amp; Company &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1949: &lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt;, Orlando, Florida.</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="516373">
                <text>&lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt;, Orlando, Florida.</text>
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                <text>Copyright to this resource is held by the &lt;a href="https://www.polk.com/" target="_blank"&gt;R. L. Polk &amp;amp; Company&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>178 RADIO&#13;
Stanley's Radio Sales&#13;
&amp; Service&#13;
STANLEY DEWARE, Manager&#13;
&#13;
Radios&#13;
&#13;
SOUND SYSTEMS&#13;
Sales — Service — Rentals&#13;
"Our Business Is Sound"&#13;
&#13;
HOME AND AUTO RADIOS&#13;
Sales and Service&#13;
&#13;
226 S. Main Phones 2-2293&#13;
Res. 2-4046</text>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock" target="_blank"&gt;A Transformed Block: The Development of South Orange Avenue&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank"&gt;Orlando Remembered Collection&lt;/a&gt;, Orlando Collection, Orange County Collection. RICHES of Central Florida.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
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                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
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                  <text>&lt;span&gt;Rajtar, Steve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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                  <text>Historic artifacts from an exhibit created by Orlando Remembered at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The Orlando Remembered Committee of the Historical Society of Central Florida, Inc. was created to "showcase artistic renderings of the time depicted, with artifacts and historical memorabilia from the location in an effort to preserve the memory of Orlando's history while acknowledging the potential of the City's future." This exhibit features the history of the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street, particularly in the 1940s and 1950s. In the early 1960s, the buildings within the block were demolished and replaced by the Barnett Plaza and CNA Tower in 1952. The lot now includes the Downtown Orlando Information Center and the BB&amp;T Bank building.</text>
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                <text>An advertisement for Johnson Electric Company published in the &lt;em&gt;Florida Polk's Orlando City Directories: Including Conway, Maitland and Winter Park&lt;/em&gt; for 1949. Located at 23 East Church Street in Downtown Orlando, Florida, the company furnished services as electrical contractors for business in and around Orlando starting in approximately 1914. According to the ad, Johnson Electric Co. worked with lighting, fixtures, appliances, washing machines, electrical refrigerators, and ironers, and also offered a washing machine repair service. Over the years, the company expanded to included 23-29 East Church Street and, by 1963, Johnson Electric Co. had moved to 260 Magnolia Avenue. In 1981, the company was purchased by Harry A. Ferran, who merged it with Ward Air-conditioning to form Ferran Engineering Group, Inc. Ferran Servicing and Contracting is headquartered at 530 Grand Street.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;Downtown Orlando Information Center Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <text>Copyright to this resource is held by the &lt;a href="https://www.polk.com/" target="_blank"&gt;R. L. Polk &amp;amp; Company&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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              <elementText elementTextId="516350">
                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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          <element elementId="133">
            <name>Curator</name>
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                <text>Jeffries, Andrew W.</text>
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              <elementText elementTextId="516352">
                <text> Cepero, Laura</text>
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          <element elementId="134">
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              <elementText elementTextId="516353">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
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                <text>&lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516355">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1943-44: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1944.</text>
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                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt; Florida Polk's Orlando City Directory: Including Conway, Maitland and Winter Park&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1945.</text>
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              <elementText elementTextId="516357">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1946-47: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1947.</text>
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              <elementText elementTextId="516358">
                <text>Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directories: Including Conway, Maitland and Winter Park&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1949.</text>
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              <elementText elementTextId="516359">
                <text>Orwick, Tim. "&lt;a href="http://dc.ocls.info/memory/image/johnson-electric-company-circa-1960" target="_blank"&gt;Johnson Electric Company circa 1960&lt;/a&gt;." Orlando Memory. http://dc.ocls.info/memory/image/johnson-electric-company-circa-1960.</text>
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          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="615684">
                <text>ELECTRICAL CONTRACTORS&#13;
WIRING — RESIDENTIAL and COMMERCIAL&#13;
&#13;
LIGHTING FIXTURES&#13;
CRYSTAL IMPORTED CHANDELIERS — RESIDENTIAL FIXTURES&#13;
FLUORESCENT FIXTURES OF ALL TYPES&#13;
RANGES — WATER HEATERS — WASHING MACHINES&#13;
VACUUM CLEANERS — SMALL APPLIANCES&#13;
COMPLETE LINE OF FLOOR LAMPS — LAMP SHADES&#13;
&#13;
JOHNSON ELECTRIC CO.&#13;
(NOT INC.)&#13;
PHONE 5186 23 E. CHURCH ST.</text>
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        <name>Church Street</name>
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      <tag tagId="43496">
        <name>contractors</name>
      </tag>
      <tag tagId="2144">
        <name>Downtown Orlando</name>
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      <tag tagId="43497">
        <name>electrical fixtures</name>
      </tag>
      <tag tagId="18122">
        <name>electrical wiring</name>
      </tag>
      <tag tagId="29714">
        <name>electricians</name>
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      <tag tagId="18123">
        <name>Florida Polk's Orlando City Directories: Including Conway, Maitland and Winter Park</name>
      </tag>
      <tag tagId="14172">
        <name>Johnson Electric Company</name>
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      <tag tagId="36368">
        <name>lamps</name>
      </tag>
      <tag tagId="795">
        <name>orlando</name>
      </tag>
      <tag tagId="43498">
        <name>vacuum cleaners</name>
      </tag>
      <tag tagId="35068">
        <name>washing machines</name>
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      <tag tagId="43499">
        <name>water heaters</name>
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                  <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock" target="_blank"&gt;A Transformed Block: The Development of South Orange Avenue&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank"&gt;Orlando Remembered Collection&lt;/a&gt;, Orlando Collection, Orange County Collection. RICHES of Central Florida.</text>
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              <name>Coverage</name>
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                <elementText elementTextId="504781">
                  <text>Downtown Orlando Information Center, Downtown Orlando, Florida</text>
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                <elementText elementTextId="504782">
                  <text>American Fire and Casualty Company, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560048">
                  <text>Cervantes Spanish Restaurant, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560049">
                  <text>City Cab Company Taxi Service, Downtown Orlando, Florida</text>
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                  <text>Hotel Bass, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560051">
                  <text>Jackson Sporting Goods, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560052">
                  <text>Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560053">
                  <text>Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida</text>
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                  <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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              <name>Curator</name>
              <description/>
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                  <text>Cepero, Laura</text>
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              <elementTextContainer>
                <elementText elementTextId="504785">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="504787">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="504788">
                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
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                  <text>&lt;span&gt;Rajtar, Steve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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              <name>Language</name>
              <description/>
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                <elementText elementTextId="511881">
                  <text>eng</text>
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              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511925">
                  <text>Historic artifacts from an exhibit created by Orlando Remembered at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The Orlando Remembered Committee of the Historical Society of Central Florida, Inc. was created to "showcase artistic renderings of the time depicted, with artifacts and historical memorabilia from the location in an effort to preserve the memory of Orlando's history while acknowledging the potential of the City's future." This exhibit features the history of the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street, particularly in the 1940s and 1950s. In the early 1960s, the buildings within the block were demolished and replaced by the Barnett Plaza and CNA Tower in 1952. The lot now includes the Downtown Orlando Information Center and the BB&amp;T Bank building.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
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              <elementText elementTextId="516279">
                <text>Thomas Building</text>
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            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516280">
                <text>Thomas Building</text>
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            <description/>
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              <elementText elementTextId="516281">
                <text>Orlando (Fla.)</text>
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            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516284">
                <text>The Thomas building was an architectural arcade, which included several stores. The building was located at the intersection of Church Street and Magnolia Avenue, with a street address of 100 East Church Street in Downtown Orlando, Florida. Magnolia was previously Main Street until the mid-1900s. Most of the block was occupied with small shops, such as Cervantes Spanish Restaurant, Family Loan Company, Roger Reality Company, and other shops. Slightly larger businesses such as the Astor Hotel, later the Bass Hotel, also existed on the block. The building was torn down and a new building was constructed in the late 1950s and demolished in the early 1960s. The Thomas Building was also sometimes referred to as the Church and Main Arcade. This lot, as well as the rest of the block, was later replaced by the CNA Tower and Barnett Plaza.</text>
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            <name>Source</name>
            <description/>
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              <elementText elementTextId="516286">
                <text>Original black and white photograph: &lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
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            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516287">
                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
              </elementText>
              <elementText elementTextId="516288">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;Downtown Orlando Information Center Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516289">
                <text>Original color digital image by Robert Randall, October 2014.</text>
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            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516290">
                <text>Thomas Building, Downtown Orlando, Florida</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516291">
                <text>ca. 1930-1959</text>
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            <name>Format</name>
            <description/>
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              <elementText elementTextId="516292">
                <text>image/jpg</text>
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            <name>Extent</name>
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                <text>204 KB</text>
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            <name>Medium</name>
            <description/>
            <elementTextContainer>
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                <text>1 black and white photograph</text>
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          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516295">
                <text>eng</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516296">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="516297">
                <text> Economics Teacher</text>
              </elementText>
              <elementText elementTextId="516298">
                <text> Geography Teacher</text>
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          </element>
          <element elementId="125">
            <name>Rights Holder</name>
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            <elementTextContainer>
              <elementText elementTextId="516299">
                <text>Copyright to this resource is held by the &lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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            <elementTextContainer>
              <elementText elementTextId="516300">
                <text>Donation</text>
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            <description/>
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              <elementText elementTextId="516301">
                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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          <element elementId="133">
            <name>Curator</name>
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                <text>Williamson, Ryan</text>
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              <elementText elementTextId="516303">
                <text> Cepero, Laura</text>
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          <element elementId="134">
            <name>Digital Collection</name>
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            <elementTextContainer>
              <elementText elementTextId="516304">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516306">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Buyers' Guide and Complete Classified Business Directory&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1940.</text>
              </elementText>
              <elementText elementTextId="516307">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1941.</text>
              </elementText>
              <elementText elementTextId="516308">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1943-44: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1944.</text>
              </elementText>
              <elementText elementTextId="516309">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt; Florida Polk's Orlando City Directory: Including Conway, Maitland and Winter Park&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1945.</text>
              </elementText>
              <elementText elementTextId="516310">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1946-47: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1947.</text>
              </elementText>
              <elementText elementTextId="516311">
                <text>Sanborn Map Company. &lt;a href="http://www.worldcat.org/oclc/38483854" target="_blank"&gt;&lt;em&gt;Insurance Maps of Orlando, Florida, 1925&lt;/em&gt;&lt;/a&gt;. New York: Sanborn Map Co, 1925.</text>
              </elementText>
              <elementText elementTextId="516312">
                <text>Sanborn Map Company. &lt;a href="http://www.worldcat.org/oclc/422979959" target="_blank"&gt;&lt;em&gt;Insurance Maps of Orlando, Florida&lt;/em&gt;&lt;/a&gt;. New York: Sanborn Map Co, 1956.</text>
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          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="615683">
                <text>THOMAS BUILDING</text>
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            </elementTextContainer>
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        <name>arcades</name>
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      <tag tagId="13295">
        <name>Astor Hotel</name>
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      <tag tagId="18108">
        <name>Cervantes Spanish Restaurant</name>
      </tag>
      <tag tagId="18119">
        <name>Church and Main Arcade</name>
      </tag>
      <tag tagId="829">
        <name>Church Street</name>
      </tag>
      <tag tagId="2144">
        <name>Downtown Orlando</name>
      </tag>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
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                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
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                  <text>Historic artifacts from an exhibit created by Orlando Remembered at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The Orlando Remembered Committee of the Historical Society of Central Florida, Inc. was created to "showcase artistic renderings of the time depicted, with artifacts and historical memorabilia from the location in an effort to preserve the memory of Orlando's history while acknowledging the potential of the City's future." This exhibit features the history of the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street, particularly in the 1940s and 1950s. In the early 1960s, the buildings within the block were demolished and replaced by the Barnett Plaza and CNA Tower in 1952. The lot now includes the Downtown Orlando Information Center and the BB&amp;T Bank building.</text>
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                <text>Walter C. Bass (1900-1973) was born in Kissimmee, Florida, on January 9, 1900. He had attended the University of Florida (UF) and was a member of Kappa Sigma fraternity, a 32d Degree Mason, a member of the Grotto and the Elks Club. Bass belonged to the Methodist Church and the Orlando Country Club. Over his lifetime, he held a variety of jobs, working in a meat market and grocery store, and then coming to own the Bass Hotel, work as a real estate agent, and, most importantly, serve as Orlandos city commissioner from 1952 to 1954. He was married to Ethel Bass and had two children. Bass passed away on January 19, 1973.</text>
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                <text>Original color digital image by Robert Randall, September 22, 2014.</text>
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                <text>Copyright to this resource is held by the &lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Bacon, Eve. "Post-War Building Era Begins." In &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando A Centennial History&lt;/em&gt;&lt;/a&gt;, 138. Vol. 2. Chuluota: Mickler House, Publishers, 1977.</text>
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                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Buyers' Guide and Complete Classified Business Directory&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1940.</text>
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                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1941.</text>
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                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1943-44: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1944.</text>
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                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt; Florida Polk's Orlando City Directory: Including Conway, Maitland and Winter Park&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1945.</text>
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                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1946-47: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1947.</text>
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                <text>Sanborn Map Company. &lt;a href="http://www.worldcat.org/oclc/38483854" target="_blank"&gt;&lt;em&gt;Insurance Maps of Orlando, Florida, 1925&lt;/em&gt;&lt;/a&gt;. New York: Sanborn Map Co, 1925.</text>
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                <text>Sanborn Map Company. &lt;a href="http://www.worldcat.org/oclc/422979959" target="_blank"&gt;&lt;em&gt;Insurance Maps of Orlando, Florida&lt;/em&gt;&lt;/a&gt;. New York: Sanborn Map Co, 1956.</text>
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                <text>Walter C. Bass, City Father&#13;
&#13;
WHEN WALTER C. Bass came to Orlando in 1932 the number of people in town would not have filled an expanded Tangerine Bowl. But to Mr. Bass, who was born and reared in Kissimmee, Orlando's 30,000 citizens represented a city and he set about becoming a part of it.&#13;
He worked in a meat market until he opened his own grocery store on the corner of South Street and Delaney Avenue. He bought the Astor Hotel which later became the Bass Hotel and which thrived until it was demolished to make room for the towering CNA building. And as the years went by he became affiliated with most of Orlando's civic organizations, working tirelessly for Ben White Raceway, Fairview Park, and the Central Florida Fair.&#13;
His most notable contribution to his adopted city, however, came during the three year period from 1951-1953 when he served as a city commissioner. Mr. Bass missed only one meeting during his term of office and had a share in laying a foundation for the progress that was to come.&#13;
As the city grew Mr. Bass liked to reminisce about his youth in Kissimmee and the days when he and his father hunted their foraging crows between Kenansville and New Smyrna Beach.&#13;
He was a pioneer who never outgrew his love of the land yet never resented the changes brought by growth. And he gave of himself unselfishly to make the growth benefit all.&#13;
Walter Bass was a city father to the truest sense of the world.</text>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock" target="_blank"&gt;A Transformed Block: The Development of South Orange Avenue&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank"&gt;Orlando Remembered Collection&lt;/a&gt;, Orlando Collection, Orange County Collection. RICHES of Central Florida.</text>
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                  <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="504785">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
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                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
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                  <text>&lt;span&gt;Rajtar, Steve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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                  <text>Historic artifacts from an exhibit created by Orlando Remembered at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The Orlando Remembered Committee of the Historical Society of Central Florida, Inc. was created to "showcase artistic renderings of the time depicted, with artifacts and historical memorabilia from the location in an effort to preserve the memory of Orlando's history while acknowledging the potential of the City's future." This exhibit features the history of the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street, particularly in the 1940s and 1950s. In the early 1960s, the buildings within the block were demolished and replaced by the Barnett Plaza and CNA Tower in 1952. The lot now includes the Downtown Orlando Information Center and the BB&amp;T Bank building.</text>
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                <text>Hotel Bass, which was operated under that title from 1946 to 1965. The hotel was owned by Walter C. Bass (1900-1973) and his wife, Ethel Bass. Located at 217 South Orange Avenue in Downtown Orlando, Florida, the building itself was built in 1907 and functioned as a hotel. The hotel has changed hands multiple times throughout its existence. Upon Bass' death his wife sold the hotel to Conway Kittredge for $52,000 and it was remodeled as an office space. This lot, as well as the rest of the block, was later replaced by the CNA Tower and Barnett Plaza.</text>
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                <text>Original black and white photograph: &lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;Downtown Orlando Information Center Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
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              <elementText elementTextId="516162">
                <text>Original color digital image by Robert Randall, September 22, 2014.</text>
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                <text>Hotel Bass, Downtown Orlando, Florida</text>
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            <name>Date Created</name>
            <description/>
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              <elementText elementTextId="516164">
                <text>ca. 1946-1965</text>
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                <text>image/jpg</text>
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            <name>Extent</name>
            <description/>
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            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516168">
                <text>eng</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
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                <text>History Teacher</text>
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              <elementText elementTextId="516170">
                <text> Economics Teacher</text>
              </elementText>
              <elementText elementTextId="516171">
                <text> Geography Teacher</text>
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          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516172">
                <text>Copyright to this resource is held by the &lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516173">
                <text>Donation</text>
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            <name>Contributing Project</name>
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                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
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                <text>Herrera, Angelena</text>
              </elementText>
              <elementText elementTextId="516176">
                <text> Cepero, Laura</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516177">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516178">
                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516179">
                <text>Bacon, Eve. "Post-War Building Era Begins." In &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando A Centennial History&lt;/em&gt;&lt;/a&gt;, 138. Vol. 2. Chuluota: Mickler House, Publishers, 1977.</text>
              </elementText>
              <elementText elementTextId="516180">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Buyers' Guide and Complete Classified Business Directory&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1940.</text>
              </elementText>
              <elementText elementTextId="516181">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1941.</text>
              </elementText>
              <elementText elementTextId="516182">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1943-44: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1944.</text>
              </elementText>
              <elementText elementTextId="516183">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt; Florida Polk's Orlando City Directory: Including Conway, Maitland and Winter Park&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1945.</text>
              </elementText>
              <elementText elementTextId="516184">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1946-47: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1947.</text>
              </elementText>
              <elementText elementTextId="516185">
                <text>Sanborn Map Company. &lt;a href="http://www.worldcat.org/oclc/38483854" target="_blank"&gt;&lt;em&gt;Insurance Maps of Orlando, Florida, 1925&lt;/em&gt;&lt;/a&gt;. New York: Sanborn Map Co, 1925.</text>
              </elementText>
              <elementText elementTextId="516186">
                <text>Sanborn Map Company. &lt;a href="http://www.worldcat.org/oclc/422979959" target="_blank"&gt;&lt;em&gt;Insurance Maps of Orlando, Florida&lt;/em&gt;&lt;/a&gt;. New York: Sanborn Map Co, 1956.</text>
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            </elementTextContainer>
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            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="615680">
                <text>Economy&#13;
SUPPLY STORES INC.&#13;
&#13;
HOTEL&#13;
BASS</text>
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            </elementTextContainer>
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        <name>Downtown Orlando</name>
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        <name>Economy Supply Stores, Inc.</name>
      </tag>
      <tag tagId="18111">
        <name>Hotel Bass</name>
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      <tag tagId="15670">
        <name>hotels</name>
      </tag>
      <tag tagId="799">
        <name>Orange Avenue</name>
      </tag>
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        <name>orlando</name>
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                  <text>Downtown Orlando Information Center Collection</text>
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              <description/>
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                  <text>Downtown Orlando Information Center Collection</text>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock" target="_blank"&gt;A Transformed Block: The Development of South Orange Avenue&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank"&gt;Orlando Remembered Collection&lt;/a&gt;, Orlando Collection, Orange County Collection. RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <elementTextContainer>
                <elementText elementTextId="504787">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
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                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
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                  <text>&lt;span&gt;Rajtar, Steve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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                  <text>Historic artifacts from an exhibit created by Orlando Remembered at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The Orlando Remembered Committee of the Historical Society of Central Florida, Inc. was created to "showcase artistic renderings of the time depicted, with artifacts and historical memorabilia from the location in an effort to preserve the memory of Orlando's history while acknowledging the potential of the City's future." This exhibit features the history of the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street, particularly in the 1940s and 1950s. In the early 1960s, the buildings within the block were demolished and replaced by the Barnett Plaza and CNA Tower in 1952. The lot now includes the Downtown Orlando Information Center and the BB&amp;T Bank building.</text>
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                <text>Original black and white photograph: &lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;Downtown Orlando Information Center Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <text>ca. 1930-1950</text>
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                <text>eng</text>
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            <name>Mediator</name>
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                <text> Economics Teacher</text>
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              <elementText elementTextId="516145">
                <text> Geography Teacher</text>
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          <element elementId="125">
            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by the &lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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                <text>Herrera, Angelena</text>
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                <text> Cepero, Laura</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>External Reference</name>
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                <text>&lt;span&gt;Antequino, Stephanie Gaub, and Tana Mosier Porter. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/783150094" target="_blank"&gt;&lt;em&gt;Lost Orlando&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, S.C.: Arcadia Pub, 2012.&lt;/span&gt;</text>
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                <text>JOHNSON&#13;
ELECTRIC</text>
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        <name>Johnson Electric</name>
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        <name>Orange Avenue</name>
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        <name>orlando</name>
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              <name>Alternative Title</name>
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                  <text>Downtown Orlando Information Center Collection</text>
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                  <text>Orlando (Fla.)</text>
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              <name>Is Part Of</name>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock" target="_blank"&gt;A Transformed Block: The Development of South Orange Avenue&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank"&gt;Orlando Remembered Collection&lt;/a&gt;, Orlando Collection, Orange County Collection. RICHES of Central Florida.</text>
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                  <text>American Fire and Casualty Company, Downtown Orlando, Florida</text>
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                  <text>Cervantes Spanish Restaurant, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560049">
                  <text>City Cab Company Taxi Service, Downtown Orlando, Florida</text>
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                <elementText elementTextId="560050">
                  <text>Hotel Bass, Downtown Orlando, Florida</text>
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                  <text>Jackson Sporting Goods, Downtown Orlando, Florida</text>
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                  <text>Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida</text>
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                <elementText elementTextId="560053">
                  <text>Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida</text>
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                  <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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              <name>Curator</name>
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="504785">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
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                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
                </elementText>
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                  <text>&lt;span&gt;Rajtar, Steve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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              <name>Language</name>
              <description/>
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                  <text>eng</text>
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              <name>Description</name>
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                  <text>Historic artifacts from an exhibit created by Orlando Remembered at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The Orlando Remembered Committee of the Historical Society of Central Florida, Inc. was created to "showcase artistic renderings of the time depicted, with artifacts and historical memorabilia from the location in an effort to preserve the memory of Orlando's history while acknowledging the potential of the City's future." This exhibit features the history of the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street, particularly in the 1940s and 1950s. In the early 1960s, the buildings within the block were demolished and replaced by the Barnett Plaza and CNA Tower in 1952. The lot now includes the Downtown Orlando Information Center and the BB&amp;T Bank building.</text>
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                <text>Cervantes Spanish Restaurant</text>
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                <text>Cervantes</text>
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                <text>Cervantes Spanish Restaurant was one of the first Spanish restaurants to come to Orlando, Florida. It was run by Paul Vines and his wife, Annie Vines, and their business partner, C. Menendez. The restaurant sat at 19 East Church Street and stayed at that location for nearly 20 years. The restaurant had moved to that location in 1937 and remained there until the mid-1950s, when it was replaced by J &amp;amp; G Fine Foods, owned by a Gladys Barnett. This lot, as well as the rest of the block, was later replaced by the CNA Tower and Barnett Plaza.</text>
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            <name>Source</name>
            <description/>
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              <elementText elementTextId="516093">
                <text>Original 8 x 10 inch black and white photograph: &lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
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            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516094">
                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;Downtown Orlando Information Center Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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          <element elementId="103">
            <name>Is Format Of</name>
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                <text>Original color digital image by Robert Randall, September 22, 2014.</text>
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                <text>ca. 1937-1956</text>
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            <name>Format</name>
            <description/>
            <elementTextContainer>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
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                <text>8 x 10 inch black and white photograph</text>
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          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516102">
                <text>eng</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516103">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="516104">
                <text> Economics Teacher</text>
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            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516106">
                <text>Copyright to this resource is held by the &lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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          <element elementId="117">
            <name>Accrual Method</name>
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            <elementTextContainer>
              <elementText elementTextId="516107">
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                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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                <text>Williamson, Ryan</text>
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              <elementText elementTextId="516110">
                <text> Cepero, Laura</text>
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          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516111">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516113">
                <text>Bacon, Eve. "Post-War Building Era Begins." In &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando A Centennial History&lt;/em&gt;&lt;/a&gt;, 138. Vol. 2. Chuluota: Mickler House, Publishers, 1977.</text>
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              <elementText elementTextId="516114">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Buyers' Guide and Complete Classified Business Directory&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1940.</text>
              </elementText>
              <elementText elementTextId="516115">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1941.</text>
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                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt; Florida Polk's Orlando City Directory: Including Conway, Maitland and Winter Park&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1945.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
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                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
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                  <text>&lt;span&gt;Rajtar, Steve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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                  <text>Historic artifacts from an exhibit created by Orlando Remembered at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The Orlando Remembered Committee of the Historical Society of Central Florida, Inc. was created to "showcase artistic renderings of the time depicted, with artifacts and historical memorabilia from the location in an effort to preserve the memory of Orlando's history while acknowledging the potential of the City's future." This exhibit features the history of the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street, particularly in the 1940s and 1950s. In the early 1960s, the buildings within the block were demolished and replaced by the Barnett Plaza and CNA Tower in 1952. The lot now includes the Downtown Orlando Information Center and the BB&amp;T Bank building.</text>
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                <text>In this image, Max Yacobian is seen trimming the hair of Doug Crenshaw in 1953. The boy's father and grandfather, Don Crenshaw and Earl Crenshaw, respectively, are also in attendance. Yacobian worked as a barber at Star Barbershop since 1938, and perhaps as early as the late 1920s. By 1939, he became the sole proprietor of  he barbershop located at 205 South Orange Avenue in Downtown Orlando, Florida. After cutting hair for over 25 years, he passed away sometime between 1953 and 1956. This lot, as well as the rest of the block, was later replaced by the CNA Tower and Barnett Plaza.</text>
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                <text>Original 8 x 10 inch black and white photograph, 1953: &lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;Downtown Orlando Information Center Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <text>Original color digital image by Robert Randall, September 22, 2014.</text>
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                <text>Digital reproduction of original 8 x 10 inch black and white photograph, 1953: &lt;a href="http://www.orlandosentinel.com/" target="_blank"&gt;&lt;em&gt;The Orlando Sentinel&lt;/em&gt;&lt;/a&gt;, August 12, 1953: item &lt;a href="http://thehistorycenter.pastperfectonline.com/photo/2097A1DB-D1F9-4957-B071-814427390952" target="_blank"&gt;2007.036.0061&lt;/a&gt;, Orange County Regional History Center. http://thehistorycenter.pastperfectonline.com/photo/2097A1DB-D1F9-4957-B071-814427390952.</text>
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                <text>&lt;a href="http://www.orlandosentinel.com/" target="_blank"&gt;&lt;em&gt;The Orlando Sentinel&lt;/em&gt;&lt;/a&gt;</text>
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                <text>1953-08-12</text>
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            <name>Mediator</name>
            <description/>
            <elementTextContainer>
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                <text>History Teacher</text>
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                <text> Economics Teacher</text>
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            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516061">
                <text>Copyright to this resource is held by &lt;a href="http://www.orlandosentinel.com/" target="_blank"&gt;&lt;em&gt;The Orlando Sentinel&lt;/em&gt;&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text> Cepero, Laura</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
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                <text>"&lt;a href="http://thehistorycenter.pastperfectonline.com/photo/2097A1DB-D1F9-4957-B071-814427390952" target="_blank"&gt;2007.036.0061&lt;/a&gt;." Orange County Regional History Center. http://thehistorycenter.pastperfectonline.com/photo/2097A1DB-D1F9-4957-B071-814427390952.</text>
              </elementText>
              <elementText elementTextId="516069">
                <text>Bacon, Eve. "Post-War Building Era Begins." In &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;, 138. Vol. 2. Chuluota: Mickler House, Publishers, 1977.</text>
              </elementText>
              <elementText elementTextId="516070">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Buyers' Guide and Complete Classified Business Directory&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1940.</text>
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                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1941.</text>
              </elementText>
              <elementText elementTextId="516072">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1943-44: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1944.</text>
              </elementText>
              <elementText elementTextId="516073">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt; Florida Polk's Orlando City Directory: Including Conway, Maitland and Winter Park&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1945.</text>
              </elementText>
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                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1946-47: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1947.</text>
              </elementText>
              <elementText elementTextId="516075">
                <text>Sanborn Map Company. &lt;a href="http://www.worldcat.org/oclc/422979959" target="_blank"&gt;&lt;em&gt;Insurance Maps of Orlando, Florida&lt;/em&gt;&lt;/a&gt;. New York: Sanborn Map Co, 1956.</text>
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        <name>Don Crenshaw</name>
      </tag>
      <tag tagId="43491">
        <name>Doug Crenshaw</name>
      </tag>
      <tag tagId="2144">
        <name>Downtown Orlando</name>
      </tag>
      <tag tagId="43492">
        <name>Earl Crenshaw</name>
      </tag>
      <tag tagId="43493">
        <name>haircuts</name>
      </tag>
      <tag tagId="799">
        <name>Orange Avenue</name>
      </tag>
      <tag tagId="795">
        <name>orlando</name>
      </tag>
      <tag tagId="18103">
        <name>Yacobian, Max</name>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock" target="_blank"&gt;A Transformed Block: The Development of South Orange Avenue&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank"&gt;Orlando Remembered Collection&lt;/a&gt;, Orlando Collection, Orange County Collection. RICHES of Central Florida.</text>
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              <description/>
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                  <text>American Fire and Casualty Company, Downtown Orlando, Florida</text>
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                  <text>Cervantes Spanish Restaurant, Downtown Orlando, Florida</text>
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                <elementText elementTextId="560049">
                  <text>City Cab Company Taxi Service, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560050">
                  <text>Hotel Bass, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560051">
                  <text>Jackson Sporting Goods, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560052">
                  <text>Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida</text>
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                <elementText elementTextId="560053">
                  <text>Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida</text>
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              <name>Contributing Project</name>
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                  <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
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                  <text>Cepero, Laura</text>
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            <element elementId="134">
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="504785">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
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                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
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                  <text>&lt;span&gt;Rajtar, Steve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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                  <text>eng</text>
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              <name>Description</name>
              <description/>
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                  <text>Historic artifacts from an exhibit created by Orlando Remembered at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The Orlando Remembered Committee of the Historical Society of Central Florida, Inc. was created to "showcase artistic renderings of the time depicted, with artifacts and historical memorabilia from the location in an effort to preserve the memory of Orlando's history while acknowledging the potential of the City's future." This exhibit features the history of the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street, particularly in the 1940s and 1950s. In the early 1960s, the buildings within the block were demolished and replaced by the Barnett Plaza and CNA Tower in 1952. The lot now includes the Downtown Orlando Information Center and the BB&amp;T Bank building.</text>
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      <name>Still Image</name>
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                <text>City Cab Company Taxi Service and the American Fire and Casualty Company</text>
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                <text>City Cab Co. &amp; American Fire &amp; Casualty Co.</text>
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          <element elementId="49">
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                <text>Orlando (Fla.)</text>
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                <text>Taxis (Vehicles)</text>
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                <text>Tires--United States</text>
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                <text>Insurance--Florida</text>
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          <element elementId="41">
            <name>Description</name>
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              <elementText elementTextId="516000">
                <text>This photograph shows three businesses located on South Orange Avenue in Downtown Orlando, Florida, sometime between 1941 and 1946: City Cab Company Taxi Service, Kelly's Tires, and the American Fire and Casualty Company. City Cab Co. was founded by Napoleon B. Broward as early as 1941. Broward left the company in 1943 and was replaced by the company's secretary treasurer, Paul Mears. Later renamed Mears Transportation, it became one of the largest taxicab companies in Orlando and still operates today. The Exchange Building, pictured in the distance, was home to American Fire, an Ohio-based insurance corporation that had offices in the top two floors of the building for 18 years. In 1946, the insurance company bought the building and renamed it the American Building. These lots, as well as the rest of the block, were later replaced by the CNA Tower and Barnett Plaza.</text>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516002">
                <text>Original 8 x 10 inch black and white photograph: &lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
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            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516003">
                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
              </elementText>
              <elementText elementTextId="516004">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;Downtown Orlando Information Center Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516005">
                <text>Original color digital image by Robert Randall, September 22, 2014.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516006">
                <text>City Cab Company Taxi Service, Downtown Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="516007">
                <text> American Fire and Casualty Company, Downtown Orlando, Florida</text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
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                <text>Pfiffer, Jim</text>
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            <name>Date Created</name>
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                <text>ca. 1941-1946</text>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
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                <text>image/jpg</text>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
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                <text>235 KB</text>
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            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516012">
                <text>8 x 10 inch black and white photograph</text>
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          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516013">
                <text>eng</text>
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          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516014">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="516015">
                <text> Economics Teacher</text>
              </elementText>
              <elementText elementTextId="516016">
                <text> Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516017">
                <text>Copyright to this resource is held by the &lt;a href="http://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516018">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516019">
                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
              </elementText>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516020">
                <text>Randall, Robert</text>
              </elementText>
              <elementText elementTextId="516021">
                <text> Cepero, Laura</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516022">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="516024">
                <text>"&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.</text>
              </elementText>
              <elementText elementTextId="516025">
                <text>Bacon, Eve. "Post-War Building Era Begins." In &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando A Centennial History&lt;/em&gt;&lt;/a&gt;, 138. Vol. 2. Chuluota: Mickler House, Publishers, 1977.</text>
              </elementText>
              <elementText elementTextId="516026">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1941.</text>
              </elementText>
              <elementText elementTextId="516027">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1943-44: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1944.</text>
              </elementText>
              <elementText elementTextId="516028">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt; Florida Polk's Orlando City Directory: Including Conway, Maitland and Winter Park&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1945.</text>
              </elementText>
              <elementText elementTextId="516029">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1946-47: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1947.</text>
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            </elementTextContainer>
          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="615664">
                <text>CITY CAB CO.&#13;
DIAL&#13;
9878&#13;
&#13;
CITY CAB CO.&#13;
TAXI&#13;
&#13;
DRIVE[?]-IT&#13;
CARS FOR HIRE&#13;
&#13;
KELLY&#13;
TIRES&#13;
&#13;
[illegible]&#13;
OFFICE AMERICAN FIRE &amp; CASUALTY COMPANY</text>
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        <name>cabs</name>
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        <name>City Cab Company Taxi Service</name>
      </tag>
      <tag tagId="2144">
        <name>Downtown Orlando</name>
      </tag>
      <tag tagId="18102">
        <name>Exchange Building</name>
      </tag>
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        <name>insurance</name>
      </tag>
      <tag tagId="18096">
        <name>Kelly's</name>
      </tag>
      <tag tagId="799">
        <name>Orange Avenue</name>
      </tag>
      <tag tagId="795">
        <name>orlando</name>
      </tag>
      <tag tagId="12857">
        <name>Orlando Remembered</name>
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        <name>tires</name>
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        <src>https://richesmi.cah.ucf.edu/omeka/files/original/7b57f5b4d696585b30fce47c0b743d4d.jpg</src>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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              <description/>
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                  <text>Downtown Orlando Information Center Collection</text>
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              <description/>
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                  <text>Downtown Orlando Information Center Collection</text>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock" target="_blank"&gt;A Transformed Block: The Development of South Orange Avenue&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank"&gt;Orlando Remembered Collection&lt;/a&gt;, Orlando Collection, Orange County Collection. RICHES of Central Florida.</text>
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                  <text>City Cab Company Taxi Service, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560050">
                  <text>Hotel Bass, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560051">
                  <text>Jackson Sporting Goods, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560052">
                  <text>Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida</text>
                </elementText>
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                  <text>Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida</text>
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              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="504783">
                  <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="504785">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="504787">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="504788">
                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
                </elementText>
                <elementText elementTextId="504789">
                  <text>&lt;span&gt;Rajtar, Steve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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              <description/>
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              <name>Description</name>
              <description/>
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                  <text>Historic artifacts from an exhibit created by Orlando Remembered at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The Orlando Remembered Committee of the Historical Society of Central Florida, Inc. was created to "showcase artistic renderings of the time depicted, with artifacts and historical memorabilia from the location in an effort to preserve the memory of Orlando's history while acknowledging the potential of the City's future." This exhibit features the history of the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street, particularly in the 1940s and 1950s. In the early 1960s, the buildings within the block were demolished and replaced by the Barnett Plaza and CNA Tower in 1952. The lot now includes the Downtown Orlando Information Center and the BB&amp;T Bank building.</text>
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            <name>Title</name>
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                <text>Jackson Sporting Goods</text>
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                <text>Jackson Sporting Goods</text>
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          <element elementId="49">
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            <description/>
            <elementTextContainer>
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                <text>Orlando (Fla.)</text>
              </elementText>
              <elementText elementTextId="515956">
                <text> Sporting goods--United States</text>
              </elementText>
              <elementText elementTextId="515957">
                <text> Fishing--Florida</text>
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          <element elementId="41">
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="515960">
                <text>A fishing lure handmade by Jim Pfiffer and sold at Jackson Sporting Goods, which was owned by William R. Jackson. From approximately 1935 to 1950, the store was located at 28 East Church Street in Downtown Orlando, Florida. According to the records reviewed for the 1940s and the 1980s, a Jim Pfiffer was not located by name or profession and remains unknown. This lot, as well as the rest of the block, was later replaced by the CNA Tower and Barnett Plaza.</text>
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            <description/>
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                <text>Still Image</text>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515962">
                <text>Original fishing lure by Jim Pfiffer: &lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515963">
                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
              </elementText>
              <elementText elementTextId="515964">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;Downtown Orlando Information Center Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515965">
                <text>Original color digital image by Robert Randall, October 2014.</text>
              </elementText>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515966">
                <text>Jackson Sporting Goods, Downtown Orlando, Florida</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515967">
                <text>Pfiffer, Jim</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515968">
                <text>ca. 1938-1950</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515969">
                <text>image/jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515970">
                <text>147 KB</text>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515971">
                <text>1 foot x 8 inch fishing lure</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515972">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515973">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="515974">
                <text> Economics Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515975">
                <text>Originally created by Jim Pfiffer.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515976">
                <text>Copyright to this resource is held by the &lt;a href="http://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515977">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515978">
                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515979">
                <text>Jeffries, Andrew W.</text>
              </elementText>
              <elementText elementTextId="515980">
                <text> Cepero, Laura</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515981">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515983">
                <text>"&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.</text>
              </elementText>
              <elementText elementTextId="515984">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Buyers' Guide and Complete Classified Business Directory&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1940.</text>
              </elementText>
              <elementText elementTextId="515985">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1941.</text>
              </elementText>
              <elementText elementTextId="515986">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1943-44: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1944.</text>
              </elementText>
              <elementText elementTextId="515987">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt; Florida Polk's Orlando City Directory: Including Conway, Maitland and Winter Park&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1945.</text>
              </elementText>
              <elementText elementTextId="515988">
                <text>R. L. Polk &amp;amp; Company "Street Directory." &lt;a href="http://www.worldcat.org/oclc/68748342" target="_blank"&gt;&lt;em&gt;Florida Polk's Orlando City Directory 1946-47: Including Winter Park and Orange County&lt;/em&gt;&lt;/a&gt;. Richmond, Va: R. L. Polk, 1947.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="615665">
                <text>Jim Pfiffer hand made lures as sold&#13;
at The Jackson Sport Shop on East&#13;
Church street.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="829">
        <name>Church Street</name>
      </tag>
      <tag tagId="2144">
        <name>Downtown Orlando</name>
      </tag>
      <tag tagId="238">
        <name>fishing</name>
      </tag>
      <tag tagId="36299">
        <name>fishing lures</name>
      </tag>
      <tag tagId="18091">
        <name>Jackson Sporting Goods</name>
      </tag>
      <tag tagId="43488">
        <name>Jim Pfiffer</name>
      </tag>
      <tag tagId="795">
        <name>orlando</name>
      </tag>
      <tag tagId="12857">
        <name>Orlando Remembered</name>
      </tag>
      <tag tagId="11981">
        <name>sporting goods</name>
      </tag>
    </tagContainer>
  </item>
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        <src>https://richesmi.cah.ucf.edu/omeka/files/original/f3f6322e181bbde301747972e491e891.JPG</src>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="504772">
                  <text>Downtown Orlando Information Center Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="504773">
                  <text>Downtown Orlando Information Center Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="504774">
                  <text>Orlando (Fla.)</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="504777">
                  <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="504778">
                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock" target="_blank"&gt;A Transformed Block: The Development of South Orange Avenue&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock.</text>
                </elementText>
                <elementText elementTextId="511880">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank"&gt;Orlando Remembered Collection&lt;/a&gt;, Orlando Collection, Orange County Collection. RICHES of Central Florida.</text>
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              <name>Type</name>
              <description/>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="504781">
                  <text>Downtown Orlando Information Center, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="504782">
                  <text>American Fire and Casualty Company, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560048">
                  <text>Cervantes Spanish Restaurant, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560049">
                  <text>City Cab Company Taxi Service, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560050">
                  <text>Hotel Bass, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560051">
                  <text>Jackson Sporting Goods, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560052">
                  <text>Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560053">
                  <text>Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida</text>
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                  <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
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                <elementText elementTextId="504784">
                  <text>Cepero, Laura</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="504785">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="504787">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="504788">
                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
                </elementText>
                <elementText elementTextId="504789">
                  <text>&lt;span&gt;Rajtar, Steve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511881">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511925">
                  <text>Historic artifacts from an exhibit created by Orlando Remembered at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The Orlando Remembered Committee of the Historical Society of Central Florida, Inc. was created to "showcase artistic renderings of the time depicted, with artifacts and historical memorabilia from the location in an effort to preserve the memory of Orlando's history while acknowledging the potential of the City's future." This exhibit features the history of the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street, particularly in the 1940s and 1950s. In the early 1960s, the buildings within the block were demolished and replaced by the Barnett Plaza and CNA Tower in 1952. The lot now includes the Downtown Orlando Information Center and the BB&amp;T Bank building.</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515913">
                <text>Nick Serros' Fish and Poultry Company</text>
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          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515914">
                <text>Serros' Fish &amp; Poultry Co.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515915">
                <text>Orlando (Fla.)</text>
              </elementText>
              <elementText elementTextId="515916">
                <text>Fishing--Florida</text>
              </elementText>
              <elementText elementTextId="515917">
                <text>Poultry--Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515919">
                <text>Six men standing in front of Nick Serros' Fish &amp;amp; Poultry Company in Downtown Orlando, Florida, sometime around 1938. Nick Serros (b. 1888), the company owner, was born in Greece in 1888 and immigrated to the United States in 1923. He opened his business in the late 1930s. The business remained on the block until it was bought out to make way for the CNA Tower and Barnett Plaza. In 1941, Serros' held a location of 117 South Court Street, but moved to 37 East Jackson Street by 1943. The following year, the business was listed at 37-41 E. Jackson and remained at that location until 1952.</text>
              </elementText>
            </elementTextContainer>
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            <name>Type</name>
            <description/>
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                <text>Still Image</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515922">
                <text>Original 8 x 10 inch black and white photograph: &lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
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            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515923">
                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank"&gt;Downtown Orlando Information Center&lt;/a&gt;, Orlando, Florida.</text>
              </elementText>
              <elementText elementTextId="515924">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;Downtown Orlando Information Center Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515925">
                <text>Original color digital image by Robert Randall, October 2014.</text>
              </elementText>
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          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515926">
                <text>Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515927">
                <text>ca. 1943-1952</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515928">
                <text>image/jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="515929">
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              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
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                <text> Geography Teacher</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>SERROS FISH &amp;[?]</text>
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        <name>Nick Serros</name>
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                  <text>&lt;span&gt;Dr. &lt;/span&gt;&lt;a href="http://history.scotfrench.com/" target="_blank"&gt;Scot A. French&lt;/a&gt;&lt;span&gt;'s Tools in Digital History Seminar Graduate Class, Fall 2013 at the &lt;/span&gt;&lt;a href="http://www.ucf.edu/" target="_blank"&gt;University of Central Florida&lt;/a&gt;</text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;WHO IS CREATIVE SANFORD, INC?&lt;/a&gt;" Celery Soup. http://www.celerysoupsanford.com//about.</text>
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                  <text>"&lt;a href="http://www.celerysoupsanford.com/about/" target="_blank"&gt;About: History and Purpose&lt;/a&gt;." Celery Soup. http://www.celerysoupsanford.com/about/.</text>
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                  <text>"&lt;a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank"&gt;Sanford, Florida: How do you make Celery Soup? Add stories, then stir&lt;/a&gt;." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida.</text>
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                <text>Oral history told by Peter Newman, playwright, director, and board member of Creative Sanford, Inc., a non-profit organization created to manage &lt;em&gt;Celery Soup: Florida's Folk Life Play&lt;/em&gt; community theater productions. &lt;em&gt;Celery Soup&lt;/em&gt;'s first production was &lt;em&gt;Touch and Go&lt;/em&gt;, a play about how the people of Sanford overcame obstacles throughout their history. This interview, conducted by Mark Miller, deals with topics such as the history of Creative Sanford, and &lt;em&gt;Celery Soup&lt;/em&gt;, Newman's playwriting process, the Florida highwaymen, scripts that Newman wrote, the use of history as inspiration for plays, the importance of authenticity, the story of Dr. George H. Starke, dealing with sensitive issues and race relations, the interviewing process, and the community's reaction to &lt;em&gt;Celery Soup&lt;/em&gt;'s plays.</text>
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                <text>0:00:00 Introduction &lt;br /&gt;0:00:22 History of Creative Sanford, Inc. and &lt;em&gt;Celery Soup&lt;/em&gt; 0:05:39 The fireman and Barbara Farrell&lt;br /&gt;0:07:17 RECORDING CUTS OFF&lt;br /&gt;0:07:17 The fireman and Barbara Farrell&lt;br /&gt;0:07:53 How Newman got involved with Creative Sanford&lt;br /&gt;0:09:13 Using history as an inspiration for community theater 0:11:49 Fire at the Holy Cross Episcopal Church &lt;br /&gt;0:14:05 Importance of authenticity&lt;br /&gt;0:16:08 How &lt;em&gt;Celery Soup&lt;/em&gt; chooses topics&lt;br /&gt;0:19:56 Luticia Lee's rolling pin&lt;br /&gt;0:20:52 Dr. George H. Starke&lt;br /&gt;0:25:13 Dealing with sensitive issues and race relations&lt;br /&gt;0:27:45 Uncle Dieter&lt;br /&gt;0:30:25 The interviewing process&lt;br /&gt;0:31:51 Community feedback&lt;br /&gt;0:34:35 Collecting history&lt;br /&gt;0:35:45 Background in theater&lt;br /&gt;0:38:04 Future &lt;em&gt;Celery Soup&lt;/em&gt; plays &lt;br /&gt;0:40:09 Closing remarks</text>
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                <text>Oral history interview of Peter Newman. Interview conducted by Mark Miller.</text>
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                <text>Newman, Peter. Interviewed by Mark Miller. Audio record available. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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            <name>Requires</name>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/82" target="_blank"&gt;&lt;em&gt;Celery Soup: Florida’s Folk Life Play&lt;/em&gt; Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;&lt;em&gt;Celery Soup&lt;/em&gt;&lt;/a&gt;</text>
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                <text>Dr. &lt;a href="http://history.scotfrench.com/" target="_blank"&gt;Scot French&lt;/a&gt;'s "Tools in Digital History Seminar", Fall 2013 at the &lt;a href="http://www.ucf.edu/" target="_blank"&gt;University of Central Florida&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <elementTextContainer>
              <elementText elementTextId="513930">
                <text>"&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;WHO IS CREATIVE SANFORD, INC?&lt;/a&gt;" &lt;em&gt;Celery Soup&lt;/em&gt;. http://www.celerysoupsanford.com//about.</text>
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              <elementText elementTextId="513931">
                <text>"&lt;a href="http://www.celerysoupsanford.com/about/" target="_blank"&gt;About: History and Purpose&lt;/a&gt;." &lt;em&gt;Celery Soup&lt;/em&gt;. http://www.celerysoupsanford.com/about/.</text>
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              <elementText elementTextId="513932">
                <text>"&lt;a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank"&gt;Sanford, Florida: How do you make &lt;em&gt;Celery Soup&lt;/em&gt;? Add stories, then stir&lt;/a&gt;." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida.</text>
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              <elementText elementTextId="513933">
                <text>"&lt;a href="http://articles.orlandosentinel.com/2010-10-20/entertainment/os-celery-soup-sanford-20101020_1_oral-histories-swamp-gravy-celery-soup" target="_blank"&gt;Tales of Sanford's resilience are the stars of 'Touch and Go'&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, October 20, 2010. http://articles.orlandosentinel.com/2010-10-20/entertainment/os-celery-soup-sanford-20101020_1_oral-histories-swamp-gravy-celery-soup.</text>
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              <elementText elementTextId="513934">
                <text>"&lt;a href="http://mysanfordherald.com/view/full_story/12128828/article-Young-dancer-helps-put-spark-in--Touch-and-Go" target="_blank"&gt;Young dancer helps put spark in 'Touch and Go'&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;, March 2, 2011. http://mysanfordherald.com/view/full_story/12128828/article-Young-dancer-helps-put-spark-in--Touch-and-Go. "&lt;a href="http://swampgravy.com/about-us/" target="_blank"&gt;About Us&lt;/a&gt;." Swamp Gravy: Georgia's Official Folk-Life Play. http://swampgravy.com/about-us/.</text>
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                <text>&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Very nice. You look good. Okay. Well, I’m Mark Miller, with a graduate student with UCF [University of Central Florida]. And I’m here with Peter Newman, uh—director, writer, everything to do with &lt;em&gt;Celery Soup&lt;/em&gt;[&lt;em&gt;: Florida’s Folk Life Play&lt;/em&gt;], and, uh, and a powerhouse behind Creative Sanford[, Inc].&lt;/p&gt;
&lt;p&gt;So we’re here for an interview. So have you been, uh, with the project from the beginning—Creative Sanford and, um, &lt;em&gt;Celery Soup&lt;/em&gt;, or anything?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Newman&lt;br /&gt;&lt;/strong&gt;Creative Sanford actually started, um, probably three years before we actually put on the first, uh, [&lt;em&gt;clears throat&lt;/em&gt;]—the first performance. Um, it was based on, um, &lt;em&gt;Swamp Gravy&lt;/em&gt;[&lt;em&gt;:&lt;/em&gt; &lt;em&gt;Georgia's Official Folk-Life Play&lt;/em&gt;], uh, which started in Colquitt in Georgia. And Jeanine Taylor, who runs the, um, gallery across the way there, was really the, uh—the, uh—the, uh, fountain of it. Um, and she came back from seeing &lt;em&gt;Swamp Gravy&lt;/em&gt; and decided she wanted to do the same here in. And, uh—I think, um—I mean, she will be able to tell you the story better than I can. But somebody I believe gave her either a check or cash—$200—and said, “There you go. Let’s start it.”&lt;/p&gt;
&lt;p class="Default"&gt;Um, they ran, uh, three to four years with the, um, funding within the community doing things like the Celery Ball primarily, and other things like that, before they actually, uh, pushed the boat out and, um, got a hold a company up North, that actually also helped to create &lt;em&gt;Swamp Gravy&lt;/em&gt;. And they came down here and they did the first show. They, um—they were, um, helping with the “Tea and Tells,” which is where the community stories were obtained. And then, uh, they have, uh, various professional people, like a playwright—and she took the stories, put them together and produced the play. Then they had professional directors, choreographers, lighting, and all the rest of it.&lt;/p&gt;
&lt;p class="Default"&gt;And, um, they came together and they produced, um, the first &lt;em&gt;Touch and Go&lt;/em&gt;. Um, it’s called &lt;em&gt;Touch and Go&lt;/em&gt;,because, as you probably know, there was an Air Force—no.it was Navy base [Naval Air Station (NAS) Sanford] here. They—they flew aircraft. Anyhow, Um, the—it was Navy, because the “touch and go” was practicing carrier landings, so what they’d come is—they’d come down in their jets, touch the tarmac, and then take off again, so hence the “touch and go.” That’s what we used to call it. And, uh, one of the, uh, people who was associated with it very early on, he had a story about watching the planes do that when he was, uh, young in the Second World War— just after.&lt;/p&gt;
&lt;p class="Default"&gt;Um, but we—we felt that, um, after we had done &lt;em&gt;Touch and Go&lt;/em&gt;—and, I mean, it was a success. There’s no doubt about it, but after that, um—that we could, you know, really, uh, kind of run with it ourselves. I mean, you know there were[sic] a nice enough bunch of people used to doing it, But, uh, they charged an arm and a leg, so you know you can only sustain that for so long. Particularly in a place like this. So, you know, Colquitt, Georgia, is an amazing place, uh, and if you go up there to watch &lt;em&gt;Swamp Gravy&lt;/em&gt;, it is the only show in town. And people come from mile[sic]—I mean, it is unbelievable when you go up there to see that hundreds of people that come to it. They come from all over.&lt;/p&gt;
&lt;p class="Default"&gt;Whereas here, um, on any one night that we’re putting on something by &lt;em&gt;Celery Soup&lt;/em&gt;, you can guarantee that there are between perhaps four to ten other live shows going on in theaters within perhaps a 30 mile radius. And I believe that that is primarily due to the number of people here that are associated with [Walt] Disney [World]. And of course, you know that helps with the whole creative process when it comes around to theater and all its, uh, associated performing arts.&lt;/p&gt;
&lt;p class="Default"&gt;So we’ve been going now for about four years with &lt;em&gt;Celery Soup&lt;/em&gt;. And we’ve went through a number of iterations. We went through, um, &lt;em&gt;Touch and Go&lt;/em&gt;.And we put it on for—well, it was quite a timeactually. We put it on over a period of, um, I think it was 18 months to two years we put it on. And we just repeated it basically, though with different directors. So it’s like a different show, but mainly it was, uh—and to be honest with you, we got reasonable audiences.&lt;/p&gt;
&lt;p class="Default"&gt;Um, But I—I—you know, the time came when we had other stories to tell. and the first story that, uh—that I wrote, uh—to be honest with you, I got a little—and a lot of people did—got a little fed up with doing the same thing. I performed, uh, &lt;em&gt;Touch and Go &lt;/em&gt;for 47 performances. I’ve never ever done that with any show throughout my entire life before that.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Newman&lt;br /&gt;&lt;/strong&gt;So I then picked up on this, um, story about the haunted fire station. Of course, it was just around the corner from the theater .and it was such a wonderful story and very easy to tell. It almost—you know, I sat in the middle of the theater—I think it was one Saturday afternoon—and I—it just kind of wrote itself, you know. Uh, very easy to do and Barbara [Farrell] had given us, uh, her story—there were various other sources that I could use like local books., and then when I wrote it, uh, I actually sent it to Barbara and said, “Look. You know you were right with this.” And she said, “The only thing I want to change in it is that…” Uh, the friend who comes to visit her from Coconut Grove, where Barbara first came from—she wanted her to be called Sue, because that was the name of the name of her friend.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Right [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Newman&lt;br /&gt;&lt;/strong&gt;Okay. So we try. It’s interesting, you know, that you do these things. And when you first look at them, uh, they’re words on a piece of paper, and you don’t really necessarily fully appreciate what there is behind that, but, um, when the—when the word is Barbara Farrell, you know—Barbara’s alive. I went out and met the lady. Very, very nice lady. Very charming lady. And, um, these people are sitting in the audience, so you know you’re actually, um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Okay. We’re back after the vacuum break.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Newman&lt;br /&gt;&lt;/strong&gt;Okay. So, as I say, you know, um, Barbara was, uh, an excellent source. A very nice person. Um, the story was easy to tell, and it didn’t take much research, because it was just really all there. Uh, the only thing that we had to do was really knit together the story of the fireman and the story of Barbara, and then just push them together.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Newman&lt;br /&gt;&lt;/strong&gt;And really, um—you know, I know you want me…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Well…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Newman&lt;br /&gt;&lt;/strong&gt;To talk about how I got involved in this but—but—but, this is it, you see? Uh, I kind of got fed up with doing, uh, &lt;em&gt;Touch and Go&lt;/em&gt;. I said to myself, &lt;em&gt;Peter, if you’re gonna do anything, you’ve gotta to write it yourself&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;So I sat down and wrote this story and I passed it to the board of Creative Sanford—said, “Look, I’ve written a story.” We then had a meeting. I think I wrote this—I can’t remember the exact dates, but I want to say I perhaps wrote this story in late November—in December. They had a meeting to discuss the next, uh, &lt;em&gt;Touch and Go&lt;/em&gt;—whatever—whatever it was going to be called—by &lt;em&gt;Celery Soup&lt;/em&gt;. And I sat there in the audience, and, um, they said, “Oh, the director’s going to be &lt;em&gt;X &lt;/em&gt;and the choreographer’s going to be &lt;em&gt;Y&lt;/em&gt;.” And—and this and that. And—and then we got two playwrights. One is Laura Donaldson and the other is Peter Newman. And that is the first time I ever realized that I was a—a playwright for Creative Sanford. So it was, you know—they say, you know, “Some people seek greatness. Others have it thrust upon them.” Mine was well and truly thrust upon me. So, you know, I—I came away from that realizing that I really had to, um—but it’s interesting you, know, because with, with that sort of thing, you know, you’ve got to start somewhere. And get from &lt;em&gt;A &lt;/em&gt;and get to &lt;em&gt;B&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Well this brings up, um, uh—why do you do history? I mean, you know, part of this whole process—I guess &lt;em&gt;Swamp Gravy&lt;/em&gt;, and all—how come you do history for this sort of thing?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Newman&lt;br /&gt;&lt;/strong&gt;Well, uh, because that’s what it’s about. It’s about bringing out the stories that local people have of, uh—of what they’ve done. And turning that into—into some type of play that you can perform in public.&lt;/p&gt;
&lt;p&gt;You know, we have—and I’ve sat through hours and hours and hours of these tapes and—and read and read, you know, people’s reports on, on their lives. And a lot of them are the same. Uh, you know, “I—I was born here. I was raised here. My mom and dad were strict with me when I was young. I went to school. Got a job. I got married, had kids, had grandkids. And now here I am and I’m talking to you about it.” And that might be over the course of three hours, you get something like that.&lt;/p&gt;
&lt;p&gt;The secret with all of these things, Mark [Miller], is not, um, merely to put a recording device in front of somebody. What you have to do is actually drag out of them almost the interesting stories that they have. and there are very, very few people that come to us that have—that really have interesting stories kind of laid out in front of you.&lt;/p&gt;
&lt;p&gt;We have two very notable exceptions there. And one is the family that tells us about Uncle Dieter. And the other is the family that tells us about Elmer Baggs. And the stories about those two individuals—and, uh, individuals they were—are an absolute legion. Uh, you know, we have quite a few of them. But some of the rest you really, really have to, you know, start digging and, uh— and—and—and trying to get at it.&lt;/p&gt;
&lt;p&gt;And the history of it, of course, comes from the fact that, you know, history is really, uh, dependent upon how you define it. And for, uh, community theater such as this, we’re looking at, uh, contemporary history. So we’re not going back 65 million years to dinosaurs. We’re not going back 65,000 years. We’re going back 65 years. We’re looking at people’s life spans at what they’ve actually done. People who can remember going back into the 1910s, the 1920s. And, you know, sometimes…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Collective memory?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Newman&lt;/strong&gt;&lt;br /&gt;It’s—it’s—it is very much a collective memory. Um, the—the— the story that I wrote about the fire station starts with a fireman coming back from a fire in 1923 at the Holy Cross [Episcopal] Church, when it actually burned to the ground. Um, fondly enough we also have the story. Um, and—I can’t remember who for the life of me who it is just off the top of my head. But, um, it’s obviously a—a—an older, uh, guy, saying, you know—telling his story and whatever. And somebody says, “Oh yeah. Tell him about how you burnt the Holy Cross Church down.” &lt;em&gt;[laughs&lt;/em&gt;] And apparently this—this—this person was the knave[?] at the Holy Cross fire. He was baptized. And he always thought that it was a candle that they left after his baptism service that actually was responsible for burning the church down. But it just struck me as being, you know, very fascinating that—that here I’ve got the Holy Cross Episcopal Church. Over here is the guy who’s giving his story that actually—that actually relates to that burning down.&lt;/p&gt;
&lt;p&gt;So, you know, some of the things that we could tell instead of being snip-its could be much, much, longer. But of course, you know, you have to bear in mind what it is, know who you’re dealing with, and, uh, you have to have an eye to the, uh—the consumption of what you’re actually producing, rather than just producing for producing’s sake. It’s not something that is, um—it’s not an academic exercise. You know, what you’re dealing with. You’re dealing with living history, with real people. You’re dealing with their lives. It has to stand up to their own scrutiny. So if you tell me your tale, and I turn it into a play, I—I could look you fairly in the squarely in the eye and say, “Look, Mark,” you know, “Your story that you were telling in front of all of these people.” And you would be happy with that, as opposed to taking kind of mangling it around and producing all sorts of other things there to make it a little more interesting. I’m sure you have lots of interesting stories, but that’s nonetheless the way we have to have that in the back of our mind all the time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;So authenticity—that’s something that is very important?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Newman&lt;br /&gt;&lt;/strong&gt;Authenticity is very important. I mean, you—you can take it, um, to a degree. I mean, what—what you deal with, for example, you—you might—it’s I—I—I guess it’s like, um—it’s like a, um—a pudding. Uh, uh, and, in that pudding, you’ve got raisins, and those raisins are the bits of authenticity. And then you sort of, uh, really pad other stuff in. You— you can’t be authentic 100 percent of the time.&lt;/p&gt;
&lt;p&gt;Um, the last story that—that I wrote, um, for the, uh—for, uh, &lt;em&gt;Remade - Not Bought&lt;/em&gt;, was a story about a lady called Arthurene[sp] Wood[?], who worked in the tax office. And this is just a little story—she had about been almost locked in there one night. And, uh Arthurene actually came and—and said—Arthurene and Mona—that was her friend and that was absolutely authentic. But onto the end of it, I grafted this huge story about somebody writing a, uh, check on the side of a cow, which was, uh—was not authentic at all. It was just a, uh—a story, that’s what it was. But it, you know—it made for good theater. So you always have to have, um, an eye to what—what I say what the audience is. The audience will not sit there and listen to somebody going on about their childhood or anything like that, because it is not interesting. And you’re asking these people to pay money to come and listen to what we are producing at Creative Sanford. And you—you’ve got to have something that they are interested in, because, otherwise there’s no point in doing it. Because you’re asking them to pay and—and, otherwise, they go away grumbling and say, “Well, it’s not worth it,” and all the rest of it. You might be alright for that show, but, when it comes around to doing another show, then you find you’ve shot yourself in the foot, and have a much bigger mountain to climb, when it comes around to producing the audiences for a show like that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Well, how do you pick your topics then? Uh, uh, apparently, uh, from what we’ve heard, there are, um, a few key words or something that you might—might choose to sort of build stories around?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Newman&lt;br /&gt;&lt;/strong&gt;To a large extent, it depends on the sort of, um, grist[?] that you have for your mill. Um, and it’s not something that you have as a sort of, uh, list of—of topics that you may or may not choose. It’s something that just stands up and hits you out of—soft of—like, for example, when I wrote, um, the highway man. That was something that, um, the, uh—the Sanford council or Seminole County, uh, lawyer. Uh, a guy called Doug[las] Stenstrom. And, uh, he gave his story. And, you know, uh, a very long, actually very entertaining, uh, set of reminiscences. And, out of this, there was[sic] a couple of lines about, um, the—uh, was it the paintings or did he actually mention the highway men? The—the, uh, Florida Highwaymen who painted these paintings, in the [19]50s and the ‘60s and sold them.&lt;/p&gt;
&lt;p class="Default"&gt;And, um, one of the guys that was originally associated with &lt;em&gt;Celery Soup&lt;/em&gt;—a guy called Perry Eschelberg, who actually lives over in Serenity Towers—Bram Towers, as it was then. So I went and talked to Perry, and he said, “Yeah. We’ve got them here.” And he showed me all the Al Newton paintings that are there in the foyer, and you can still see this old one that was screwed to the wall. And so I thought then, &lt;em&gt;This is such a&lt;/em&gt;—and fondly[?] enough at that time, um, from something of the public radio that they were talking about that something of the highwaymen. And then I saw something else on the local TV—they were talking about the highway men. So I thought, &lt;em&gt;Right. I’m gonna get home and do&lt;/em&gt;—&lt;em&gt; do my bit first&lt;/em&gt;. So I wrote this story so the only really, um, catch I could find in it. So to make it more interesting was they took all the highwaymen down, when they renovated the building, uh, a number of years ago and then they put them back up. Originally, I—I entitled it &lt;em&gt;The Mystery of the Missing Highway Men Mystery&lt;/em&gt;. But, I mean, it was a nice story I—I felt, that kind of made it a—a little more interesting. Um, but, you know, the actual history of the highwaymen is— is fascinating. I believe, that over the next three or four years, that you’ll perhaps see a lot more people coming out with stories about the highwaymen more than—than what there’s been to date.&lt;/p&gt;
&lt;p class="Default"&gt;So, you know, how does anything stand up it? It—it—it just does, you know. We got, um— we got—at least I got—I got a story about, uh, somebody who used to have the land lease for the Mayfair Golf Club.&lt;a title=""&gt;[1]&lt;/a&gt; And, um, I— kind of researched it and then looked at it, and I didn’t—it took me a long time to actually find the angle that I wanted. But, um, I—I wrote what—what I consider to be a funny piece. but it’s, uh—we couldn’t put it on, because there’s this court case going through between the, uh, people who have the lease to the golf course and Seminole County, who actually own the land. And, um, it was about who designed the golf course. So I wrote this story about who designed the Mayfair golf course. So if you come to see next time, hopefully that story might be in there.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;[inaudible]&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Newman&lt;br /&gt;&lt;/strong&gt;Yup.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Well, we did see two that that we were interested—that we’re sort of focusing on. Um, one of them is about the rolling pin. And the other story is about Dr. [George H.] Starke. And, um, uh, we’re interested in how you picked those and how you approached them.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Newman&lt;br /&gt;&lt;/strong&gt;Well, first of all the—the—the rolling pin now—when we did this iteration of, uh—of, uh, &lt;em&gt;Celery Soup&lt;/em&gt;, there were two—as I said before, there were two of us writing. One was Laura Donaldson, and the other was me. Now Laura actually found the story about the rolling pin. Again, uh, she got it from somebody,&lt;a title=""&gt;[2]&lt;/a&gt; who came in and told the story about the cannon, and—and its wheels, and what have you. And she produced a really nice little story about, you know, the rolling pin, the kids, and the—and the mother, and how they use to roll it out. And, you know, they were using a bit of history with that.&lt;/p&gt;
&lt;p&gt;Um, Dr. Starke, um—that we used to have a lady,&lt;a title=""&gt;[3]&lt;/a&gt; uh, who was—she—she was in the original &lt;em&gt;Touch and Go&lt;/em&gt;, and now she moved on to the Board of Creative Sanford. She’s, uh, um—she used to be a—a professor at the Seminole, uh, Community College.&lt;a title=""&gt;[4]&lt;/a&gt; And she said, um—talked to me about this—this, uh—Dr. Starke. And, um, she had a lot of, um, uh, information on him, which she gave to me. And, you know, uh, you read all this stuff.&lt;/p&gt;
&lt;p&gt;And, uh, Starke’s interesting, because he was there. If you go down to the Orlando museum&lt;a title=""&gt;[5]&lt;/a&gt; in Downtown [Orlando], you’ll see they’ve got a big display about [George] Henry Starke, and—and the bombing in Mims, and—and in 1951. You know, when they killed the NAACP [National Association for the Advancement of Colored People] local secretary.&lt;a title=""&gt;[6]&lt;/a&gt; Um, so that’s all pretty graphically laid out. I went down there to have a look at that. And then [George] Henry Starke’s son—I think his name’s George [Starke]—he was, um—he became a lawyer and he’s a—he’s a—he’s a very well-known financer. He lives up there in New York, but I’ve never gotten a hold of him. But, uh, he’s still around.&lt;/p&gt;
&lt;p&gt;But the—the story about Starke—I mean, it’s a really good story. There’s a lot of detail there. It affects a lot of people. Um, it was really how do you, you know, tell it—a story like that? And I—I noticed, when I was going through it, there’s a little time—a little footnote—that said that, when the original researchers were producing all of this information, you know, it said, uh, “As told to us by his—daughter,&lt;a title=""&gt;[7]&lt;/a&gt;” uh, “in a restaurant in” 1964, or whenever it was. So that—I—I—I kind of took that. That’s how I got the idea of the, uh—the restaurant and kind of bringing it in like that, which I felt was a, you know, uh—a good way of telling, and putting it in—in—in some sort of context. But it was interesting that, um, I, uh, you know—I’m not probably, uh, uh, a native of Sanford, but, um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Live here, work here, play here.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Newman&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] But, um, when, uh, we did the original &lt;em&gt;Touch and Go&lt;/em&gt;, uh, there—there was a guy called Will Saunders, and his brother Tommy [Saunders].  Uh, they’re both, uh—black guys. And Will is, uh—really, really nice guys, they were. Will was, um—he used to be on the board of—of Creative Sanford, as well. but he said he preferred to, uh—it was a toss-up between Creative Sanford and watching his football. He preferred to watch his football, so, you know, that—that’s fine. But—but Will’s a great one for photography, you know. He’s taken thousands and thousands of photos of the, uh, &lt;em&gt;Touch and Go &lt;/em&gt;shows over the years. In fact, I believe they’re his photos that they are there down there at the [Princess] Theater. But, um, he came to the, um, uh—the—the Starke—when we first did the—the, uh, Starke play. And he came down and said to me—what was it he said to me? He said, “Dr. Starke.” He said, “He actually delivered me and Tommy.”&lt;/p&gt;
&lt;p class="Default"&gt;So I, you know—it— it’s little things like that—that, you know, just make you realize that you’re not dealing with just words on a piece of paper. This is actually community. there are people that—even the lady, uh—Nancy [Harris] Ford, who’s in the show—I think, uh, uh—she was delivered by Dr. Starke, as well. So, you know, there, uh—obviously a very, very well-known guy, uh, and you know, uh, such a—such a, you know, uh—he—he—his attitude towards people was unbelievable. it really was. You know, uh, this—this string of humanity kind of pours out of the fellow, you know. And to appear twice in &lt;em&gt;Time &lt;/em&gt;magazine is—is—is—shows he’s no slouch either. So, interesting guy.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Well, how do you deal with, uh, counter-narrative or, say, gaps in your story, or maybe sensitive areas? Um…&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Newman&lt;br /&gt;&lt;/strong&gt;Well, um, sensitive areas—uh, of course, you know, it’s Sanford. Um, there was, uh, uh— there was segregation here obviously, uh, um, until obviously the mid-70s. and I was actually, um, going to write, um, a story about the segregation of the schools, which you could, um—between Crooms [High School]&lt;a title=""&gt;[8]&lt;/a&gt; and, uh, uh, uh, Sanford, and—and, uh, the [Seminole] High School, uh, which was in 1972-[19]73. There’s, uh, uh, a friend of mine was there.  Nancy Ford was there at that time, as well. And they both had their particular stories to tell.&lt;/p&gt;
&lt;p class="Default"&gt;But then, of course, we had the—the whole Trayvon [Benjamin] Martin and George [Michael] Zimmerman thing. And, uh, the board really felt that, you know, you could wade around in this ‘til the cows come home, but they didn’t really feel that it was something that we really necessarily wanted to—to overplay. Uh, and, in fact, you know, there is obviously, um—there’s a black element to this and there’s a white element to this.&lt;/p&gt;
&lt;p class="Default"&gt;Um, and really—I mean, personally, I’d like to see the—the things be a little close together, you know. It—it’s very difficult to, uh, write the stories that we’ve got, um, if you’ve—if you’re not confident that you’ve got the people—you know, the—the—the black people—to come and play the parts. I mean, luck—you know, luckily, we had some really good people., but it’s, you know—it’s—it’s particularly men, um, in the sort of 30 to 50 age range—whether they’re black, white, or whatever color. You know, you just can’t just go tell them that this is not the sort of thing that, you know, really does very much for them. So you—you’ve got to always bear that in the back of your mind. But certainly, you know, we are conscious of the fact that Sanford has, uh, perhaps—I don’t know whether it’s an unenviable reputation, because of what’s happened in the past. Um, and you—you don’t have to look very far to find it either.&lt;/p&gt;
&lt;p class="Default"&gt;In terms of other things, um, if you look at something like Uncle Dieter, uh—I mean, when I first saw that, they actually asked me to play Uncle Dieter in &lt;em&gt;Touch and Go&lt;/em&gt;, which I did. Um, I—I was a little cherry about it, because, of course, you know, he was, uh—wasn’t quite an idiot savant, but very much this sort of, um, like, um, the play&lt;a title=""&gt;[9]&lt;/a&gt; &lt;em&gt;Rain Man&lt;/em&gt;. you know, It’s—it’s—and it’s true that, you know, you could give him your birthdate and he would [&lt;em&gt;snaps&lt;/em&gt;] tell you just like that what day of the week it was. You know, he—he—he kind of, you know, lived life to his own beat of the drum. You know, he—he would do things in his own particular way that—that nobody else would think of doing.&lt;/p&gt;
&lt;p class="Default"&gt;Um, he had this, uh—perhaps you didn’t see &lt;em&gt;Touch and Go&lt;/em&gt;—but he had this, uh, rooster that he use to carry around with him that had no legs. And, uh, the—the—the joke was, of course, well, uh, “Where do you find a rooster with no legs?” Where do you find a rooster with no legs? Exactly where you left it. But apparently that—what we— we found out the reason why this rooster had no legs is because, uh, the rooster caught, um—I think it was some sort of parasite—something like that. And, uh, they advised Dieter to bathe the rooster’s legs in gasoline. I mean, and this would be like sort of, you know, like putting, um, gas—gasoline on a cloth and just rubbing it down—something like that. But he stuck this bird in the gasoline for hours. And, of course, eventually it lost its legs. Because of the effect of the gasoline. So he used to carry the rooster around, you know.&lt;/p&gt;
&lt;p class="Default"&gt;Just—just a man very much following his own light. And, you know, with people like that, it’s very easy to—to write stories about them. With people like that, you know, you’re not demeaning them or doing anything like that. And I think really, when it comes around to looking and—and, I mean, it’s not just here. It’s anywhere, you know. Uh, we’ve got a mix of cultures. You’ve got a mix of people. You know some are old. Some are young. So long as you don’t demean them, or run them down, which is totally unnecessary. Not what were about at all. Then I think you can legitimately tell their story to any audience that you care to invite through the door.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Very good. Alright. Um, so you’re telling stories about ourselves to ourselves?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Newman&lt;br /&gt;&lt;/strong&gt;Exactly.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Alright. [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Newman&lt;br /&gt;&lt;/strong&gt;I mean, let’s be honest. I mean, you know, you have a story. You might think, &lt;em&gt;Well&lt;/em&gt;, I mean, &lt;em&gt;Okay. Fine.&lt;/em&gt; But, I mean, you have a story. You’ve got more than one. You’ve got a lot of stories. And, uh, it’s really up to the person who’s doing the interviewing just to kind of drag that story out of the person who is the interviewee. I mean, you know, not everybody sits down and goes on and on and on and on, like I do. You know, sometimes it’s very, very difficult to just bring the person back and say, “Well, you said about this and what about that?” But that is the only way that you can do it to get hold of information from them that you can’t get from a thousand other people. Because you’re not talking about their lives per se. you’re talking about their lives in Sanford and how they interacted within the environment and the community. And, of course, that’s not what everybody does around here, because some people live in Longwood. Some people live in Tallahassee. Some people live in Nigeria. You know, they’re—they’re all born and raised in a family, and perhaps go to school, and have kids ,and da de da de da de da. But it’s the environment that—that really makes the person and the way that they interact with the environment of the people. That’s what makes the interesting story.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;How does the community react to your play and to your writing?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Newman&lt;br /&gt;&lt;/strong&gt;Well, generally speaking, we—we haven’t—well, we’ve had, um—it’s true to say that, as soon as you put anything on, and hold it up as being— here is a spectacle for somebody to look at and you’re asking them to pay money to come and see it. Um, it holds its self up to ridicule, criticism—call it whatever you will. And we’ve had our fair share of criticism. People criticize that it’s, uh—there’s[sic] too many stories about black people, or there’s[sic] not enough stories about white people, or, you know, this or that or—or whatever. But, to me, that is just healthy criticism.&lt;/p&gt;
&lt;p class="Default"&gt;If somebody came along and said, you know, “My name is Mrs. X. and my mother gave you this story. And that you’ve just done with my mother’s story, I think is just awful.” I would be very, very, upset about that. And I would want to know why this had happened, but, you know, touch wood. We’ve never had anything like that. Nobody has ever said, um, you know, that—that—that what you’ve done is terrible to the story.&lt;/p&gt;
&lt;p class="Default"&gt;That, in fact, um—when I played, uh, Elmer Baggs in the first show, Marlene Baggs came up and said, um, you know, that “I— I really enjoyed it.” I got the same thing from, um, Uncle Dieter and, uh, one of his nieces. She said that she enjoyed it as well, because, you know, we—we didn’t demean the person. You know, we told the story. And, if we added a twist of humor to it, as well, or a twist of mystery, you know, it doesn’t take a thing beyond the realms of—of probability. Then that’s—that’s really what you have to do, you know, when you’re telling all of these things.&lt;/p&gt;
&lt;p class="Default"&gt;You know, if the people have die—uh, died, and—and you tell the story about the founding of Sanford, or something like that, you go back to Colonel&lt;a title=""&gt;[10]&lt;/a&gt; [Henry Shelton] Sanford, you know—there were two of them. Him and a general. And they kind of tossed up to see what it was gonna be called and all the rest. They weren’t really proper Army generals, and you can do that. But—and it is history. But if—if you’re trying to be sort of faithful to the idea of a community—a historical performance—then it’s—as much as you possibly—if can, use live testimony opposed to something you get out of a history book, then I believe that that’s what you should be aiming to do.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Well, how do you go about collecting these histories?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Newman&lt;br /&gt;&lt;/strong&gt;Same way as you do with, uh—we’ve—we’ve done “Tea and Tells.” And these little recorders here are a godsend, because you just put them on the, uh, table and people talk into them. And, uh, you know, sometimes you go to sit and listen to them. Sometimes they’re transposed onto, uh, paper or something like that, so you can sit there and read them. But, you know, it— it’s, um—it’s an art, I think. Interviewing people and getting what you need to get out of them is an art. But generally speaking, um, there are very, very few people who don’t want to come in and talk about themselves, you know, not everybody, but, you know generally speaking, people aren’t resistant to talk about their lives, once you kind of start the ball rolling. It’s, you know—it’s a fascinating subject. You can sit and talk about yourself all night long if you really think about it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Do you have writing background? Plays?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Newman&lt;br /&gt;&lt;/strong&gt;Um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller &lt;br /&gt;&lt;/strong&gt;Plays?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Newman&lt;br /&gt;&lt;/strong&gt;Personally, no. The only writing that I—I mean, I was, um, associated with a theatrical group in the UK [United Kingdom] for a long, long time. And I did all sorts of stuff there, including writing. Um, but I’ve never actually sat down and, um, and written a book, or written a play, or anything like that. It’s just—it’s just kind of dabbling here and there.&lt;/p&gt;
&lt;p&gt;And this one is as—is as good a place to dabble as any other, because you’re—you’re just looking at, um, little bites that you—that you’re performing. You know, nothing is more than five or six minutes long. Um, it’s, uh—you—you—you try to build the characters to make them interesting. And I—I know how these things should work, because I’ve had so much experience of doing it in the past. But, uh, you can’t afford—I—I—I mean, you can’t afford of subtle nuances.&lt;/p&gt;
&lt;p&gt;You know, we’re not talking Broadway Theater. And, uh, and people who are going to the theater every, you know—every week or something like that. What you’re doing is you are producing mass entertainment. And that’s such—it has to be pitched at a certain level. So, you know, it’s—it’s not a question of using complicated plot lines that go on for half an hour, or spending 20 minutes trying to work, uh, you know—work out how a person’s psyche is actually affecting everybody within the—the play. No. You’ve got to have something that’s quick, that’s lively, that keeps people’s attention. And people have a very short attention span for things like this, generally speaking. So it’s gotta be that—it’s got to be—it’s gotta have a certain amount of “razzmatazz” that has to go with it.&lt;/p&gt;
&lt;p&gt;At the end of the day, you’ve got to produce a commercial article, because that’s what you’re going to—to go out and sell. So yeah. You know, I mean, when—when I first wrote the—the fireman, you know, it had all sorts of stuff in it and, uh—but it was severely cut down, because, of course, it was just, uh—it was just not required. So you’ve got to be careful of these things.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Well, what do we have to look forward to in the future?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Newman&lt;br /&gt;&lt;/strong&gt;Well, it’s more of the same. Um, you know, we have got some, uh, uh, more stories here. I’ve got, um, three that I’ve written. Uh, there’s—there’s the one about the golf course. There’s the one about, uh, a policeman’s dog that used to go and, uh, and test door handles by itself. And then I also wrote one about, um, uh, a fight. It—it was when, uh—again, this was going back to the schools’ integration—and it was a story that a, uh, lady gave us. And I wrote, uh, uh, about that. So, you know, that’s a bit of a kernel there, and then we’ve got other things. And I believe that, um, UCF also has a library of things, because it—it might well be that we’ve tried to kind of keep it to Sanford. Um, but, you know, perhaps we’ll extend it to Seminole County, or something like that.&lt;/p&gt;
&lt;p&gt;But there is still a lot of people here. I mean, even during the last show, one of the guys who plays, um—he played one of the firemen, and—and he was also the, um, uh, the president of the—of the Sanford, uh, local business society, right at the end there. His name’s Mike. [&lt;em&gt;clears throat&lt;/em&gt;] He said that he knew a guy. Uh, I think this guy rented him a house, or sold him a house. He said that this guy’s father, uh—he used to brew moonshine, over there at the other side of Lake Monroe there. And, you know, the stories that he could tell. So, you know, you—you’ve gotta kinda keep your ears open for something like this. You know, just—just follow up on them. Like, if it’s something interesting like that. so, you know, we’ll look, uh—look and see if we can’t get something that’s light and entertaining next time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Alright. Well, thank you very much.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Newman&lt;br /&gt;&lt;/strong&gt;I hope I’ve been light and entertaining&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Yes. You have. Dramatically so.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Newman&lt;br /&gt;&lt;/strong&gt;Thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller &lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Newman&lt;br /&gt;&lt;/strong&gt;Alright.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;I do appreciate it.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Correction: Mayfair Country Club.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; Luticia Lee.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; Dr. Annye Refoe.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[4]&lt;/a&gt; Present-day Seminole State College.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[5]&lt;/a&gt; Orange County Regional History Center.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[6]&lt;/a&gt; Harry T. Moore.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[7]&lt;/a&gt; Helen Starke.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[8]&lt;/a&gt; Present-day Crooms Academy of Information Technology.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[9]&lt;/a&gt; Correction: film.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[10]&lt;/a&gt; Correction: General.&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/files/original/2ede11035b08f37e307f9444c768c148.mp3" target="_blank"&gt;Oral History of Peter Newman&lt;/a&gt;</text>
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        <name>Will Saunders</name>
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                  <text>&lt;span&gt;Creative Sanford, Inc. is a non-profit organization created to manage &lt;em&gt;Celery Soup: Florida's Folk Life Play&lt;/em&gt; community theater productions. The original idea for the Celery Soup project came from Jeanine Taylor, the owner of a folk-art gallery on First Street in Sanford, Florida. Their first production was &lt;/span&gt;&lt;em&gt;Touch and Go&lt;/em&gt;&lt;span&gt;, a play focusing on the people of Sanford and their determination to overcome various obstacles, including the Freeze of 1894-1895, the fall of Sanford's celery industry, and the closing of Naval Air Station (NAS) Sanford in the 1960s. In the process of producing the show, Creative Sanford decided to rehabilitate an historic building, the Princess Theater, which is located on 115 West First Street and owned by Stephen Tibstra. The Creative Sanford offices are housed in the Historic Sanford Welcome Center, located at 203 East First Street.&lt;/span&gt;</text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;WHO IS CREATIVE SANFORD, INC?&lt;/a&gt;" Celery Soup. http://www.celerysoupsanford.com//about.</text>
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                  <text>&lt;span&gt;"&lt;a href="http://www.celerysoupsanford.com/about/" target="_blank"&gt;About: History and Purpose&lt;/a&gt;." Celery Soup. http://www.celerysoupsanford.com/about/.&lt;/span&gt;</text>
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                  <text>"&lt;a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank"&gt;Sanford, Florida: How do you make Celery Soup? Add stories, then stir&lt;/a&gt;." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida.</text>
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                  <text>&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;</text>
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                <text>Oral History of Odetta Copper</text>
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                <text>Celery</text>
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                <text>An oral history of 89-year-old Odetta Copper (b. 1921), who was born on June 26, 1921, in France, Florida. She migrated to Sanford in 1946. Copper tells of her strict upbringing and the hardship she faced when growing up with her parents and nine siblings. In the interview, she also describes what it was like working on the farm, what holidays were like, and how times have changed.</text>
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                <text>Copper, Odetta. Interviewed by Bev [last name unknown]. February 25, 2010. Audio record available. &lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;, Sanford Florida.</text>
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                <text>&lt;a href="https://get.adobe.com/reader/" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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              <elementText elementTextId="510555">
                <text>&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;, Sanford Florida.</text>
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                <text>&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;Creative Sanford, Inc. Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Digital transcript of original oral history: Copper, Odetta. Interviewed by Bev [last name unknown]. February 25, 2010. Audio record available. Celery Soup.</text>
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                <text>France, Orlando, Florida</text>
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                <text>St. Johns River, Florida</text>
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                <text>Midway, Sanford, Florida</text>
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              <elementText elementTextId="510564">
                <text>2010-02-25</text>
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                <text>eng</text>
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                <text>Originally created by Odetta Copper and transcribed by Freddie &lt;span&gt;Román-Toro&lt;/span&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Donation</text>
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                <text>&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;</text>
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              <elementText elementTextId="510577">
                <text>&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Celery Soup&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Celery Soup&lt;/a&gt;." &lt;em&gt;Celery Soup: Florida's Folk Life Play&lt;/em&gt;. http://www.celerysoupsanford.com/.</text>
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                <text>"&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Celery Soup&lt;/a&gt;." &lt;em&gt;Creative Sanford, Inc.&lt;/em&gt;. http://www.celerysoupsanford.com/.</text>
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              <elementText elementTextId="510583">
                <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/320804616" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2009.</text>
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                <text>&lt;span&gt;Hurt, R. Douglas. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/56422251" target="_blank"&gt;&lt;em&gt;African American Life in the Rural South, 1900-1950&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Columbia: University of Missouri Press, 2003.&lt;/span&gt;</text>
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                <text>&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Mrs. Odetta [Copper], tell me something about yourself. Tell me where you grew up. Anything you want to share with me about yourself.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;You grow up in a different way now. I wasn’t bad. We wasn’t bad, ‘cause you couldn’t be bad back then, ‘cause dey put da whoop on ya, an’ well, ain’t ever been too much until I got up kind of in my teens. It was kind of rough. I mean, got up grown or about 25-26. I was wild fo’ a while, but I finally come here, an’ it used to be kind of rough.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Where did you grow up?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;I growed[sic] up in West Florida.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Do you remember the name of the town?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;Dey call it France, Florida.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;What was it like growing up there?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;It was all form of work. School, go fo’ work, pick cotton, go to school, an’ all dat.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;When did you come to Sanford?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;I come to Sanford in [19]46.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;And have you been here since?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;Ever since. I think I was 25 or 26 when I come down here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;What are some of the memorable experiences you had growing up?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;Nothin’, but getting whoopins when I need one, ‘cause at dat time, my mutha, right—it be dark when she go to work. It be dark when she come home. And we was home by ourself[sic], and she tell us to don’t go out in da yard. We didn’t go out in da yard. We had a dog. If da kids try to come in da yard, you put da dogs on da kids, ‘cause she said she didn’t want da kids there. My mama didn’t play. She’d put da whoop on you. You did what she say[sic] to do. If you did sumthin’ one time, an’ she told you not to do it, you wouldn’t do it no mo’. She didn’t whoop da clothes. She’d tell you straight, “Come at my clothes. Dey cost too much money. [inaudible] of what God gives you.” Yeah. She wasn’t playin’.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Are you an only child or do you have brothers and sisters?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;Yeah, there was ten of us, but I’m da second oldest. My oldest brother—he died. When Mama told you not to do a thang, she meant for you not to do it, but you didn’t get in trouble too much back den at dat time. Children didn’t get in trouble too much back den.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Did you know your grandparents when you were growing up?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;I know my granmutha, Mary, and I know dat was my mama’s mutha, an’ I had aunts. My aunts an’ my uncles—I know dem, an’ some of dem—I know dem. Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Do you have any memorable experiences with any of them? Any story about your grandmother? Any experiences you had with any of your uncles that you’d like to share? Did you do anything with your grandmother?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;Well, not too much. We visited ‘er now and den, but my grandmamma was better to me dan my mama was, ‘cause my grandmamma didn’t ever whoop me, but my mama whoop me. I had a good granmutha. My granmutha lived ‘til my first child was born. She died after my first child was born, so I was wit ‘er—well, I wasn’t wit ‘er—but I visited ‘er ‘til I was about 17 years old. Den I had my first baby. Yeah, it wasn’t like it is now. It wasn’t wild like it is now. Little girls were somethin’ else back then. Dey was somethin’ else.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;What are some of the things they would do? What are some of the things teenagers would do when you were a teenager?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;When I was a teenager, I went to school. I didn’t give da teacha no trouble. I think I got one whoopin’ in school one time, ‘bout fightin’ in da class. I got a whoopin’ ‘bout dat.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Do you remember why you fought?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;Yeah, da boy was named Douglas. He told hisself[sic] he liked me, an’ I didn’t like ‘im, an’ we was in a class—in a class standin’ up, an’ he stepped on my foot, an’ when he stepped on my foot, I went upside his head wit my fist, an’ I got a whoopin’ there. Both of us got a whoopin’ in da school fo’ fightin’, an’ she took me home an’ told mama what she whoop me fo’. Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;And did your mama beat you again?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;No, Mama didn’t beat me no more.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Do you have any pleasant, wonderful experiences from your childhood?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;No.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Nothing was happy about your childhood?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;No, all I used to do—when I went into school, a lot of white folks back up there at dat time what had babies an’ thangs. I would go out an’ take care of dey[sic] babies fo’ ‘em you know. Tend to dey babies an’ all. I’d go out ‘til it was nightfall, an’ den I’d have to go out there an’ help ‘er when she gettin’ ready to milk the cows. I’d go out there—an’ thangs like dat. It wasn’t like today. I didn’t ever get in no trouble worth nuthin’, but getting’ a whoopin’ from Mama.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;So you came to Sanford—you said in 1946? Tell me what it was like in Sanford then.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;It wasn’t like it is now. It was more friendly[sic] then. Da people was[sic] more friendly[sic]. Most of da people den were workin’ on the farm. Dis used to be a farmin’ place. All dis used to be farm. All of it used to be farm mostly.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Any other changes from the time you came?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;It changed a whole lot. It’s not like it had been—like it used to be. Dey didn’t fight an’ kill like dey do now. Dey didn’t do dat. People more friendly[sic], but right now, people walk by you, dey don’t even speak to you. You be sittin’ down right there, an’ dey walk by, dey don’t even speak. If dey see you, dey try to head da other way. People wasn’t makin’ much money back in dem days. I work 50 hours a week fo’ $22.50 a week. Dat’s all I got, an’ so now people makin’ a lil’ more now. It’s different now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Were things as expensive as they are now? So $22.50 a week could buy…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;No, you could get a pair of sock fo’ 15 cent an’ all that, an’ da clothes wasn’t like it is now. You could take $10 or $12, an’ go buy enough clothes. Den you had to buy fo’ two weeks without goin’ back to da store, but you can’t do dat now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;What was it like working on the farm? You said you came here to work on the celery farm. What was it like? What hours did you do? When did you start work? And how long did you have to work? And what did you have to do on the farm?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;We’d work from—we start da work—we start at seven fast in da spring, an’ we work ‘til da fall of da year. You had to set da plants, den you had to get a—gather da vegg’bles. And den after dat, it plant sweet corn an’ dat’s da last crop. One year, we planted cotton behind da sweet corn. So we had a year-round job that time. When da cotton come up, we had to thin da cotton out. Den had to keep da grass out da cotton. Den when da cotton got ready to pick. We had to pick da cotton. Work da whole year round. It was a lil’ better den dan it is now. It was nice when we first come[sic] down here. It was nice. Used to have a lot of fun. We’d enjoy ourself[sic] out there on da farm all day long. Nobody wasn’t—didn’t act like dey was tired, or dey didn’t say dey was tired, ‘cause more of dem was in dey twenties. Might’ve been a few maybe thirties. The oldest was over us, so we used to have a lotta fun out there. Nobody ever fighted[sic] out there on the farm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;What did you do on the weekends when you weren’t working? What would you do to socialize?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;Go fishin’. I take my two children an’ go fishin’.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Where did you go?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;Sometimes out to da [St. Johns] River. Sometimes out to da lakes an’ thangs. Go out.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Did you catch a lot?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;Yeah, ‘cause a lotta times, when I get out from work on da farm, I had da children meet me down at da [inaudible] of da road, an’ my pole it breaked[sic], an’ I be done work [inaudible] in da summertime [inaudible]. Then I go on down to da lake—down there an’ fish ‘til dark.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;So I’m sure you ate some of the fish that you caught. Did you sell any of them or did you give some away?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;Said—did I eat ‘em? We ate ‘em [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;You had fish fries. That’s good.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;Yeah, so I ate those fish. There was some nice, big fish down—there’s da Saint Johns River right down there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Do you remember what kind of fish you were catching?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;Well, it was all kind of fish down there. Dey musta had freshwater muddies&lt;a title=""&gt;[1]&lt;/a&gt; down there, but I don’t know. Back den dey called it “taste muddy.” Dey taste different dan da saltwater muddies, but dey had blue gills. Dey had shell crackles. Dey always had slammed[?] brim, an’ big catfish, an’ all dat. I enjoyed all of dat, but it’s been a long time since I been fishin’, ‘cause I can’t move around no mo’. You know I’m lookin’ at 90 years now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;You’re going to be 90? Congratulations.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;The 26&lt;sup&gt;th&lt;/sup&gt; of this June comin’ in, an’ I’ll be 90 years old.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;And I hope you have many more birthdays, and live to see your great-great-great-great granddaughters and grandsons.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;[inaudible] is my granddaughter. She’s my great-granddaughter, but she look more like she my child, yet she [inaudible] my grandchild. I got six generations. I just give da good Lord thanks every day fo’ keepin’ me here dis long, ‘cause I told ‘im I know I was bad a lil’ while, but not long.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;The foods you were eating growing up—was it different from what you’re eating now? Do you think that helps you to live long?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;Yeah, we didn’t hardly have to buy nothin’, but da flour meal is still called [inaudible]. Always planted a garden, an’ we had plenty vegg’bles. Plenty of it. We go fishin’ an’ catch fish. And we have sweet potatoes—had two bags of sweet potatoes in da backyard, an’ had white potatoes stored up under da house—in the dirt up under da house. We had plenty food. Plenty food. When dey’d buy syrup, dey’d buy it in a barrel keg like dat—wood, an’ had a sticker on it, but when she get ready fo’ us to have syrup, she’d always throw it out da sticker, an’ stand up there on the table [inaudible], ‘cause she’d be goin’ to work. Mama come home one day. My brutha—my oldest brutha— he done told hisself[sic], he gonna get some mo’ syrup. It wasn’t enough fo’ him. When dey open the barrel—dey open da screw on da barrel—he didn’t know how to put it back, an’ dat was bad. Syrup was everywhere. When Mama come [&lt;em&gt;laughs&lt;/em&gt;] an’ syrup was everywhere.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Did he get a whoopin’?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;You know, he used to wear a shirt so long, it feel like it was a dress, but it would be [inaudible] pants, but Mama made ‘im come out dem thangs—come out dat shirt an’ dem pants. [inaudible] den she put ‘er foot in his back like dat, an’ she had three of dem [inaudible,] an’ had dem [inaudible] together, an’ she would whoop ‘im a while. She’d tell da child’n havin’ my [inaudible]. She’d talk to ‘im again, an’ she start back whoopin’ again. &lt;em&gt;Dat woman gonna kill ‘im.&lt;/em&gt; Dat’s what I always said to myself, but one day she got me too. Dat woman put a whoopin’ on me. Dat woman whoop me. I had blood an’ blisters from here all da way down.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;What did you do to get that whoopin’?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;Tryin’ to think what I had—sumthin’ she told me not to do, but I did it anyhow, but I done forgot what it was, but when dat woman [inaudible], you betta not even whimper. Don’t you whimper. You betta not whimper. You be hurtin’ so bad inside you wanna bust [&lt;em&gt;laughs&lt;/em&gt;]. “Mama, mama. Can I—can—can I—go to da bathroom?” She said, “You better not [inaudible].” [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;You better hurry up and go.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;I’d go out to da bathroom, an’ I’d crank da door to see, but she comin’ toilet. I says, “Lord, I wish dat ol’ black woman would die.” [&lt;em&gt;laughs&lt;/em&gt;] Mama didn’t play.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Did she live very long? How old was she when she died?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;Mama was 67 to 68 when she died.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;So she lived long.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;But I had a good mama. We didn’t suffer fo’ nuthin.’ I had a good mama. She made a life fo’ us. She work nights. She work all day long. It be[sic] dark when she go to work. It be dark when she come back, but she didn’t go to bed ‘til she cooked an’ fix us food—‘fore she went to bed. She leave dat food on da stove. She leave bread pack up like dat—cake bread—a pot of beans, a pot of greens, or sumthin’ like dat. enough to last us all day long, an’ we wasn’t hungry, ‘cause we [inaudible] just playin’ all da time, an’ we had a lotta fruit trees around us, an’ we’d eat da fruit too you know. So I had a good mom. She whoop me, but I had a good mom.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;What about your dad? Was he around? Did he go to work?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;No, he’s always camped out. Mama was just home wit us, but he would come home ‘bout every week or every two weeks, an’ stay da weekend, but he would go back, ‘cause he was workin.’&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Do you know where he went for work? Was it in Florida or was it another state?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;[inaudible] at dat time, mens[sic] was doin’ [inaudible] work. I know you heard the tale of [inaudible] work. He was [inaudible] down there. He was ‘bout 10 or 12 miles from when where we was stayin’ at, but he whoop my brutha one time. He whoop my brutha—my oldest brutha—but we didn’t know we was stealin’. We didn’t know dat. He went over in Mr. Lang’s[?] field an’ got a watermelon—there was a watermelon field, an’ he was way out there da way he was at. My dad—Mr. Lang’s[?] house was way over there. You just could see it. Papa come over there, an’ cut da watermelon, an’ ate it, an’ da seeds an’ thangs. He seen dem, an’ ask us where we get it from, an’ [inaudible] I said, “[inaudible] went over there in dat field an’ got us a watermelon.” He said, “[inaudible], don’t you know Mr. Lang[?] woulda come by there an’ find you in dat field, he’da shot ya? He’da kill’d ya.” So he put a whoopin’ on my brutha. Den my mama happen to come down there to get us, an’ my brutha was still sick. He was throwin’ up blood, an’ den my mutha had it, and we didn’t ever stay wit him no more. Never.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Now, you came here in 1946. And since then, your family has been here, like you and your two kids. And all your other generations were born and raised in Sanford, right? When you came here, did you have your two kids with you or you had them here?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;No, I had ‘em from when I come here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;So all their kids were born here? Okay, so you started a trend here in Sanford.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;Yeah, all of ‘em were born here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;As a family, did you talk about things like ghost stories? Did you tell ghost stories growing up?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;No.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;What did you do for Halloween?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;I ain’t do nuthin’ for Halloween. Da only thing we know about holidays is Christmas an’ Easter.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Tell us about Christmas and Easter when you were growing up.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;Dey would dress us up fo’ Easter, but Christmas—we didn’t get toys like child’n get ‘em now, but we would have more fruit dan we would have anythin’ else. Apples, an’ oranges, an’ stuff like dat, candy, but we didn’t have da toys. Every now and den, you might get a doll. Da first doll I got—my baby brutha throwed[sic] my doll in da fireplace an’ burnt dat one up [&lt;em&gt;laughs&lt;/em&gt;]. Den da next one I got—not da same baby, but anotha one of da babies—tore da head off my baby. Course, we didn’t get toys like dey get ‘em now. You didn’t even see ‘em den.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;What kind of preparations did your parents make for Christmas? Did you do anything special? Did you go to church?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;Dey cooked. Dat’s all. Yeah, cooked cake, [inaudible,] make some kinda meat. Kill goats, kill cows, kill hogs, an’ I couldn’t stand to see it. I’d have to go wit ‘em to kill da hogs—killin’ ‘em thangs. Dey’d shoot da hogs. I’d be runnin’ around da house to hide. I couldn’t stand to see it. The goats—dey’d kill ‘em. My stepdaddy [inaudible] the knife right in front of da goat—da knife dey’d cut da goat’s throat, an’ da goat was so pitiful, an’ he’s cussin’, an’ goin’ after ‘em, ‘fore dey even go [inaudible]. I couldn’t stand it. I couldn’t see ‘em kill dat goat. Dey’d hang da goat up there on da thang up there, an’ dey cut da goat up. I wouldn’t eat it. I didn’t eat da goat meat. I didn’t eat da cow meat, an’ I mighta had some hog meat, but dat cow an’ dat goat—I couldn’t eat it to save my life. Mama said, “Well, if you can’t eat dis, you must be goin’ eat some dry bread.” and I said, “Well, I’ll just get my dry bread.” And what’s da otha one she had? Some kinda vegg’ble. I’d get dat, but I couldn’t eat dat stuff. I couldn’t even cook it [inaudible]. I couldn’t smell it cookin’. My husband would always have to put da beef meat on and cook it. I couldn’t stand da scent of it. made me sick. And right now, I don’t eat it. I have never had da goat. Never.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;What are some of the things you like to eat?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;I tell you da truth. It ain’t very much I like right now. Nuthin', but I got to eat sumthin’, ‘cause I got to take my 10 pills a day. So I have to eat sumthin.’ because it ain’t got no taste to me now. Can’t tell exactly what I’m eatin,’ but I know I’m eatin.’ I have to eat a lil’ mouthful of sumthin.’&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;I want to go back a little to when you came with your kids. You would go to the plantation, and you would work on the farm. And then after work and on the weekends, you’d go fishing. What kind of activities did you do with your kids outside of fishing? Did you go to church on Sundays? What was school like for them?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;Yeah, my child’n went to school. When a movie come in, right—a show come, I take ‘em myself to da show. I’d be tired, but I would take ‘em to da show. [inaudible] I’d be there wit ‘em ‘til da show was over. I would let ‘em go to da movies, but I would tell ‘em what time. I would know what time da movies turn out, an’ I’d be sittin’ there waitin’ on ‘em, ‘cause dey used to catch da bus to go to da movie, an’ catch da bus to come back. So da oldest girl catch da bus to come on home, but my baby girl, she was so grown. She caught da bus and went Midway—back there. I think she was ‘bout 12 or 13—sumthin’ like dat, but when she come home, I was standin’ there behind da door waitin’ on her. I was fussin’ at da oldest girl, ‘cause she didn’t make ‘er— ‘cause she said she wouldn’t mind ‘er, but when she walk through dat door, I grab ‘er, an’ I put sumthin’ on her behind, an’ I betcha she ain’t ever tried it no mo.’&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;You became your mother.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;Dat’s da truth. I ain’t ever had no mo’ trouble wit ‘er. No mo.’ Now when I tell ‘em what time to be back—‘cause da show’s over by [inaudible] o’clock—the bus comin’ back down First Street. Dey get off the bus right there on da houses right there off [inaudible] da street. [inaudible] come in the door, and I said, “Where is [inaudible]?” “’Cause I tried to make ‘er come home wit me, but she went off an’ got out at Midway.” I said, “Okay.” I stopped dat right there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Where was the show held? Was it in Sanford also?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;Off on Sanford Avenue [inaudible]. They had a show on Stanford Avenue then—a movie show. I felt bad goin.’ I would go wit ‘em, but I was tired. You get out there and do 10 hours on that farm, you’d be tired. I told myself, “I’m gonna trust ‘em.” ‘Cause [inaudible] was pretty big. She was 14 or 15, an’ I ain’t ever had no trouble outta ‘em, until dat night when Miss Lady caught da bus an’ went to Midway. Dat was da first trouble I had ever had outta ‘er, an’ I ain’t had no more outta ‘er.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;You made sure you stopped it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;Dey said I did ‘em wrong, ‘cause I didn’t let dem go when dey wanted to go, but I made ladies outta ‘em.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Where are they now? Where are your girls?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;Both of ‘em—they’re here in Sanford. Baby girl live not too far from here. And my oldest live on the otha side ova there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Is there any particular person you admire most out of all the people you know, whether it be a relative, or someone you worked with, or someone you know from socializing at church or anywhere? Who is the person you admire the most and why?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;I tell you da truth, my child’n. I don’t know. People done got so funny now. People don’t have nuthin’ too much to say to nobody. I guess. I don’t know why. I ain’t ever did nuthin’ to nobody, but dey won’t speak to you. Dey black, just like you is. I guess ‘cause dey got big cars now, an’ dey got money, an’ all dat kind of stuff. Maybe dey think—I don’t know what dey think. What dey got in dey mind, but I don’t care what you got. God helped you to get it, an’ he’ll help you to lose it. You don’t ever just walk by a person, an’, you know—dey ain’t ever did nuthin’ to you, an’ can’t say, “Well, how you do today?” Or “Good mornin’,” or “good evenin’.” Da time o’ day belongs to everybody. I just don’t know what’s wrong wit dem. I sit out there sometimes, and I be sittin’ on da end of da porch there, an’ da neighbors just be goin’ to da mailbox, an’ when dey glance. See me sittin’ on da porch, dey turn dey head da other way until dey pass by, an’ I say, “Now, I don’t even wanna know dem peoples. I ain’t did nuthin’ to dem. Dey can’t say “Good mornin’” or “Good evenin’?” I been here goin’ on 15 years, an’ I can’t tell you da name of ‘em but one, an’ dat one stay on da end down there. In all 15 years.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Do you have any other stories about anything in your life that you would like to share with me? Anything about your six generations?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;Well, I tell you da truth. Dis ol’ lady here done forgotten ‘bout everythin’ she ever knowed[sic]. Ya don’ think like ya think now. Ya mind don’t be rigid like you used to be. Thangs right now—when I wake up to fix me some breakfast, I be thinkin’ ‘bout what I’m gonna fix, an’ it’ll come to me here, but when I get in da kitchen, I forget what I go in there at. I set dat in there, an’ I say, &lt;em&gt;Well, anyway, I needed to walk. I’ll come back an’ sit down and it’ll come back to me, but &lt;/em&gt;when I get in there and start tryin’ to fix my breakfast, I forget still. It take me an hour just to make some oatmeal or coffee, ‘cause by me havin’ roaches, I gotta wash everythin’ I use ‘fore I can cook it, an’ I sit there until it can come back to me.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;But it’s good that you can do all these things by yourself.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;But I cook my lil’ food, an’ I buy a lot already in cans. so when I do get home an’ don’t feel like tryna get up an’ cook sumthin’, I just go in there an’ open some o’ dat up an’ warm it up an’ eat it, an’ sometime I open a can o’ soup, an’ if I got a biscuit, I break da biscuit up in da soup, an’ dat’s da meal fo’ me. I hardly ever eat about once a day, but I got plenty o’ food in there. I just ain’t got da energy to move around an’ try to do like I used to do. Now I used to cook fo’ my family—fo’ my child’n—an’ invite dem fo’ Christmas. Dat I used to do all o’ dat.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Now they cook for you. They cook for you for Christmas.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;No, dey bring it ova.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Good. The party’s still here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;Yeah, ‘cause dey know I can’t move ova there, so dey bring it ova an’ put it up there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Now two different questions. The first one is: what was your biggest pleasure in life? If you were to think about your entire life—almost 90 years—what memory do you have that was most pleasing to you? And which one is most disappointing to you?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;Child’n. Dis one right here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Tell me about her. Tell me about that one right there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;I raised her up from a baby up until she about 13.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Valencia [Larue], right?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;Her mama found out she could cook and could wash my clothes, an’ I was sick at dat time, an’ she used to go to da laundromat an’ wash my clothes like a lady, an’ bring ‘em back, an’ her mama come one day an’ ask me what we had fo’ dinner. I say, “We have sumthin’.” I forgot what it was, but she said, “I’ll be out there. I’m gonna eat.” so she come out there an’ fix da plate, an’ I said, “I thought you had already eaten.” she was talkin’ ‘bout how good it was, an’ I say, “Well, yo’ daughter cooked it.” She said, “My daughter cooked dis?” I said, “She sho’ did.” She said, “If my daughter cooked dis, I’ma take her home so she could cook and wash my clothes.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Are you kidding?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;She took ‘er. Yeah, she took ‘er. I had had a stroke at dat time an’ I had a—dis big here—an’ I couldn’t do nuthin’ wit dis hand. So I had her an’ she tried to cook, an’ dat girl had a head on her right there. She ain’t ever stumble. She keep goin’.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;All right. So Valencia’s your greatest joy? What’s your greatest disappointment?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;My grandchildren, yeah. When I was raisin’ ‘em up, I was not happy ‘bout nuthin.’&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;Oh, you were happy about everything? Great.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;I remember one time, after I got grown, I got fast at my mama, an’ I was so hurted[sic]. Afta I got to thinkin’ ‘bout it dat, I went back an’ went to beg her pardon, an’, at dat time, my mama was in her prime. She didn’t go out nowhere to party, but she liked to drink. Dat day—I don’t know. I forgot what it was dat come up ‘bout, an’ I tried to walk away from da house without saying nuthin’ to her, an’ I went down da road, an’ she was following me, an’ she caught up wit me, an’ caught my clothes, an’ snatched on my clothes. I said, “I’ma tell you da truth. If you wasn’t my mama, dis is one day I would whoop yo’ so and so.” [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bev&lt;br /&gt;&lt;/strong&gt;About how old were you then?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Copper&lt;br /&gt;&lt;/strong&gt;I was grown then. I was grown, an’ my child’n were grown. I tried to get away from ‘em, but I guess da Devil was there anyway, but I tell you da truth, she was snatchin’ on my clothes an’ shakin’ me. She said, “Act like I ain’t yo’ mama. Whoop me.” I went to cryin’. I turned around an’ went on my way. She turned around—she was drinkin’ at dat time, but I tell you da truth, I was sorry fo’ many a days I said dat to her. Talkin’ ‘bout whoopin’ on my mama, but she upsetted[sic] me. I had a good mom. She would do things that aggravate me. She’d go an’ put on two or three dresses. One [inaudible], put on an old coat, some old shoes, an old hat, an’ go walkin’ down da streets an’ all dat. Then I’d know people be laughin’ at her, an’ I think she was doin’ dat to aggravate me, an’ dat would hurt me. So I said, “Well, she should come to my house an’ do it.” Sometime I’d ease on out an ‘go on down da back way an’ be right there in da house. When I’d come back, she’ be long gone [&lt;em&gt;laughs&lt;/em&gt;]. That would aggravate me, but I had a sweet mom.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Mudfish.&lt;/p&gt;
&lt;/div&gt;
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                  <text>"&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;WHO IS CREATIVE SANFORD, INC?&lt;/a&gt;" Celery Soup. http://www.celerysoupsanford.com//about.</text>
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                  <text>"&lt;a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank"&gt;Sanford, Florida: How do you make Celery Soup? Add stories, then stir&lt;/a&gt;." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida.</text>
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                <text>Originally created by Trish Thompson, Calvert Conklin, and Phyllis Conklin, and transcribed by Freddie Román-Toro.</text>
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                <text>Copyright to this resource is held by &lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <elementTextContainer>
              <elementText elementTextId="510533">
                <text>&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;</text>
              </elementText>
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          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="510534">
                <text>"&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Celery Soup&lt;/a&gt;." &lt;em&gt;Celery Soup: Florida's Folk Life Play&lt;/em&gt;. http://www.celerysoupsanford.com/.</text>
              </elementText>
              <elementText elementTextId="510535">
                <text>"&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Celery Soup&lt;/a&gt;." &lt;em&gt;Creative Sanford, Inc.&lt;/em&gt;. http://www.celerysoupsanford.com/.</text>
              </elementText>
              <elementText elementTextId="510536">
                <text>Kharif, Wali Rashash. &lt;a href="http://www.worldcat.org/oclc/10501914" target="_blank"&gt;&lt;em&gt;The Refinement of Racial Segregation in Florida After the Civil War&lt;/em&gt;&lt;/a&gt;. Thesis (Ph. D.)--Florida State University, 1983, 1983.</text>
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          <element elementId="276">
            <name>Transcript</name>
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              <elementText elementTextId="612880">
                <text>&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;My middle name is Calvert, which is my mother’s last name, and she and I are related to the Virginia Calvert, and that goes all the way back to Lord Baltimore.&lt;a title=""&gt;[1]&lt;/a&gt; The first one was George [Calvert] and the second was Charles [Calvert]. Anyway, one of my crazy relatives tried to sue the City of Baltimore, claiming the land was his. Needless—he didn’t get very far, and of course, there was a Calvert whiskey at one time, and they have one of these genealogy books—it’s an advertisement—and they got up to my mother and me, and they didn’t carry it on any further, so I stopped drinking their dang whiskey.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;You never did anyway.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;But that’s my story. I’m going to stick to it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Well now, Lord Baltimore came from England, but Calvert whiskey—I thought that was scotch?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;No, it was a blended one made by a Canadian.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt; &lt;/strong&gt;So your family is English?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;All English.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;So how’d you get to Sanford?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;I’m in the engineering business and we came down here. One of the senior partners, Just Deets[sp], visited a Northern client of ours in Champaign-Urbana, Illinois, by the name of Cecil Osier, and we had done work for Cecil up there doing developments, and he was down here building a bunch of manufactured homes that don’t look very nice, but they’re over on Summerlin [Avenue] around there—those little box homes? And Deets stopped by to see him, and he told Deets that the city didn’t have a sewage plant at the time, and he said that they were going to interview for an engineer to design the sewage plant and that we should apply, and so Deets went down and met old Leffler and Busch[sp] —two of the old families in Sanford—and they were in a partnership. Busch later became [inaudible] engineer.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Leffler—was that the Judge [Kenneth Murrell] Leffler?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;It was his brother. His older brother was an engineer. We formed a partnership with them, and I was sent down here to do the inspection. Decided I liked the place and came down and started an office. Over the years, that turned into what now is CPH—Conklin, Porter, [&amp;amp;] Holmes [Engineers, Inc.].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;And when he came down to inspect this sewage plant, we had gone down to my grandmother’s in Southern Florida…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;I came in 1963.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;My son is fourth generation Floridian. I was born in Florida. My dad came down here to help build houses back up after the 1928 hurricane, so he met my mother and they got married and had me, and then I was only here six months, but I lived up North about 35-40 years.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Where was your home up North?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;In Southern Illinois.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;And that’s where you came from too?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;No, I came from Northern Illinois—outside Chicago.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;And we met at the University of Illinois.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;I came home from [the] Korea[n War] and went back to school working on a Doctor’s degree, and went to a church service—a social event—and met her there, and that’s how…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;Immediately, we knew we were for each other [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;That was a long time ago. We were married 55 years ago.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;So how did you know right away that he was the one?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;Well, he looked good and he had a graduate degree, and I decided—and he was a Christian. I thought he was, and he was, because we met in a Presbyterian church there on campus, and I just thought, “That’s the right one.” I don’t know what he thought, but anyway, we got married.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;The program that evening was on Korea, and of course, I knew much about that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;So he was sitting there by me telling me all of this stuff about Korea and I thought, “Oh, this man sounds so fascinating.” [&lt;em&gt;laughs&lt;/em&gt;] So we married and lived up there about seven or eight years, and then he came down and we said, “Let’s go visit grandmother.” And he had never been to Florida and he said, “Oh, this weather is so nice down here. I wish we could start a branch office down here.” and that’s what he told the firm up North and they said, “Yes, go down and start it.” So he did.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;I was general manager up there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;Here, he was in business with William Leffler for a short period of time, and then William decided that he didn’t want to be in engineering. Very bright, bright man, but he decided he wanted to go back and farm or have his properties out near Osteen or something like that, but the amazing story is that we came here right about when integration was starting in the schools in the early Sixties and William…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;I got somewhat discouraged by the situations and decided that even though I had a good client base, that I wanted to go back up North, and I went back to see if I could get my old job back and the company said “Yes.” But in the meantime, the city manager and Lee Moore called up there and said, “We don’t want you to leave.” And they said, “If you come back, we’ll let you design a marina for us.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;So he designed the marina and it was built in ’67, and the amazing part about that was that, at that time, you could dredge part of the stuff up from the lake and make the 13 acres of ground that the hotels and stuff are sitting on. Today, you could not do that. They would not let you dredge up and put more land…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;So you deepened the lake by taking the…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;Dredged it up and built an isle, and then the roadway and all to it and I designed the dry storage building out there and the docks—the whole thing. That was a long time ago.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Well, we’ve had a lot of stories about what happened in integration and what the situation was with the blacks—what happened?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;Well, I was with William Leffler, and we were going to Eustis and he had—well anyway, we got shot at by a bunch of black folks. He had a citizens’ white council…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;He belonged to the White Citizens’ Council, which is the KKK [Ku Klux Klan].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;No, no. They are two different organizations. He belonged to both, and a car pulled alongside of us and somebody pulled out a gun and shot at us, and we chased them—of all things. I didn’t have any interest in that. I was in Jim Spencer’s—the bar—when the first blacks came in there, and that was something.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;How did that happen?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;Many of the regular customers got up and left, and they were ignored for a considerable period of time, and they just sat there and waited, and finally the owner did go and asked them what they wanted. It was a very awkward situation, but they did get served. Most of the customers left.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;At that time they were trying to integrate the schools here and William Leffler had a…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;Honey, let’s not get into that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;Well, anyway—it was in &lt;em&gt;Time&lt;/em&gt; magazine.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;It’s history.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;Well, first I had an experience. Our son was a gifted student up North and we got down here—that was one of the disappointments. The schools here weren’t anywhere near as good as the Northern ones and he was in a gifted class up there, and I noticed that the textbooks said, “For average and below students.” That bothered me badly, because he wasn’t average or below. So I went in to see the superintendent of the schools and said, “How do you expect to raise that level if you keep teaching for average and below?” And it was Ray Milwee, and he said, “Well, that’s what our students are—average and below.” I said, “Don’t you want to change that?” He said, “You can’t change that.” So I had absolutely no luck, but later William went in and his daughter had a black teacher—the first black teacher in the schools—and he didn’t like that at all. Wouldn’t accept it, so he went in and confronted Milwee with the same situation, and Milwee wouldn’t change it so William hit him. Beat him up and it made &lt;em&gt;Time&lt;/em&gt; magazine. It was quite a—and he pleaded—the funny thing is I got a jury summons to be a juror in his trial. I went over to the courthouse and I knew the prosecuting attorney well, and he said, “Cal, what are you here for?” I said, “I came to be a juror in William’s trial.” and he said, “Like hell you did.” He went in and got the judge to dismiss me, and that’s, of course, what I wanted, but it was funny.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis &lt;br /&gt;&lt;/strong&gt;And at the same time, the neighbors we had up North where we lived—it was a mixed neighborhood. There was a Chinese family, a black family—and I will say, they were culturally put together. Well, we did have a man next door that drove a bread truck, but mostly—being a university town, they were mostly intellectuals. When I went to school, in Southern Illinois, I went to school with—with black children all the time and thought nothing of it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;And when we came down here, the only people that really were see[sic] was controlled by the old landowner families, and socially, we were not accepted. We were Yankees and not accepted, and our first friends here in town were Jewish people and some of the blacks. They’re still friends of ours today.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;In 1985, when Mayor Bettye Smith started the Martin Luther King[, Jr.] choir&lt;a title=""&gt;[2]&lt;/a&gt;…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;We both saw the Martin Luther King choir for 20-something years [inaudible], so we’re culturally adept.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;But they weren’t used to that, and I had a birthday party for my daughter, who was six at the time. So I told her, “You can invite six children from your class to come to the birthday party.” and one was a little Stallworth girl—like Mill Stallworth’s daughter—a black girl, and a lovely, lovely person, and when they went outside to play a while, and somebody—a passerby or neighbor, but I won’t say who. It certainly wasn’t Connie Williams, because she is very culturally non-prejudice[sic] at all, and it wasn’t Rosita Jacobson, because she lived across the street and she was Jewish, so she wouldn’t have said anything, but somebody else said, “I wanted to tell you that we don’t mix socially with the blacks here.” and I said, “But we do.”&lt;/p&gt;
&lt;p&gt;So that set us back a couple of steps, but then one of our Jewish friends, the Tetenbaums, got us into a barbecue club, which was out in what is now in Hidden Lake, and they introduced us to some people out there, and we got in, not because we were trying to get in, but anything to have people be a little more friendly[sic] to us.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;There’s quite a story about the marina in some respects, because the [Sanford] City Council didn’t have a tenant or anybody to rent or lease anything to when they started and decided to build that. That took a lot of guts.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;On whose part?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;I’m the [Sanford] City Commissioner. The newspapers was urging them to—the Gilos, who were the publishers at that time—were urging them to and they had no tenant—nobody to lease or rent anything to, and here they were going to build an island, and during construction, they got a marina operator to do it, basically, with ash and oil.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;But he designed the marina with floating docks so the water [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;So I give the [Sanford] City Commission a lot of credit to have the nerve to do that and to proceed with the project, and it’s been a huge success, and I never did a job where we got as much construction for—it was the whole thing, including some of the buildings—only cost a million dollars—building it all up from nothing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;He designed that dry storage building—that big building that has the stripes on the side. At that time, some hotel came in and it’s changed hands a lot.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;It’s a motel now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;We lived on the lakefront at that time. We just rented a house, because we weren’t too sure if we were going to be able to stay or not. That’s when we first came, and after the marina thing, he got some jobs for being city engineer for places like Eustis.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;Well, I had those before I went up North—a whole bunch of the cities and counties around here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;[inaudible] and gave us a base to stay, and I would’ve thought too that it would’ve been very courageous for that lady black teacher—whoever she was—to walk into that Sanford Middle School or Seminole High [School]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Was she in it when it was Seminole High—as the first black teacher? Or was it…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;I don’t know. William’s daughter was not a little, tiny girl, because knowing William...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;Other things that I thought were noteworthy is, for instance, the Central Florida Zoo [and Botanical Gardens].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;When we came, it was downtown.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;One block right behind the [Sanford] City Hall. You could make quite a story about the moving of that and the...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;I’ve never heard that story—how it happened.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;Well, they had a zoo behind the City Hall, right down the lakefront there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;I saw an aerial picture of it and thought it was much larger than it was. It’s very small.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;And the woman’s name was Hood—that was the curator there. He worked for the city and she did, and her whole job was to tend to the zoo, and they had one lion and you could hear him roar. You could hear him and then they decided—well, a bunch of businesspeople facilitated the Central Florida Zoological Society[, Inc.], and a number of us contributed money, so that we could relocate it. I put up several thousand dollars to the Sanford Atlantic Bank and so did others, and that served as seed money to borrow against to relocate and build the Central Florida Zoo. I had connections with contractors so I went to C. A. Meyer and Amick Construction[, Inc.] and leveraged them into building the roads in and doing all the earthwork for the original zoo. That was quite a contribution. It was all donation and the two of them—C. A. Meyer and Amick Construction—donated all the work to build the road and do the earth or the original zoo, and I was one of the founding directors of the Central Florida Zoo.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;Both he and I had served on the zoo board at one time or another.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Did you all have anything to do with the actual moving of the animals?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;No, my thing was contributing the money and doing the construction of the roads and all of the earthwork out there. There were many other people around town. Doug[las] Stenstrom did. Glenn McCall, the druggist, did. Dr. Hickman, the dentist from Maitland, was involved. I don’t really remember all the other people. That was the way that the zoo got started.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;What was the reasoning for moving the zoo? Did somebody donate the land?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;I think it was bought. It was bought. Right along there was Leffler land and a bunch of it was Kirchhoff. Now, have you ever talked to Bill Kirchhoff?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;No, I haven’t.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;Beside the stories of the marina and the zoo, the other one that I know a lot about is the historic trend or the beginning of the historic movement in Sanford.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;The historic trust?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;No, ot the trust. The whole idea of historic preservation becoming a forefront program in Sanford, and Sarah Jacobson was the one that started that whole thing, and she got me again, Doug Stenstrom, Don Knight, Glenn McCall—a bunch of downtown businesspeople—and we applied and got money to do historical surveys, and the state sent a[sic] historical architect and a plain historian and they worked out of my office. They’d go looking at all the insurance records, titles, and deeds, and all the interesting things they could find out about the buildings. That went on for a couple of years, because they’d come back and they’d found out the railroad magnate [Henry Morrison] Flagler had owned this and that—it was an old train station, and that’s the Piper Building, and they’d find all this interesting stuff about all of the other old buildings.&lt;/p&gt;
&lt;p&gt;The first thing we did was we got the whole downtown district on the Federal Register of Historic Places.&lt;a title=""&gt;[3]&lt;/a&gt; It was first a downtown district—one of the few in the state for a whole downtown district, and we had to do all of these surveys and then we moved to the area behind it—the [Sanford] Historic Trust. We got that designated as a residential historic district. Now the people in the historic trust didn’t have anything to do with that. They formed the historic trust after all this was done, and I, in my many travels, kept thinking about park benches, and I picked out a bench from various places that I’d gone, and bought one for 900-and-something dollars, and had it brought here, and the city liked it, and it’s one of those—it’s downtown. They use that on the waterfront and everywhere. Then we got grants and formed a Downtown Historic Development [inaudible], and we got grants—the owners would apply, and we would sponsor them, and they got grants to fix up the facades of many of the buildings, and you’ll also see then when we have a historic board later. I was chairman of the [Sanford] Historic Preservation Board that the city conceived, and we got plaques that were put on all of the buildings that you see downtown. Then the historic trust came into being. They came later and formed their historic trust for remodeling the buildings and all of the homes. Then we had a few—Bettye Smith and I did a local one for the St. James AME [African Methodist Episcopal] black Church. They’ve got a local historic designation. That whole thing started with Sarah[?] Jacobson and a bunch of us, and that’s been very successful. Now the historic trust people kind of take the credit for the whole thing, but they didn’t start it. They did a good job.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Well, I think they have done a good job, but the city—I don’t know if you noticed, but the City of Sanford and the Sanford Historic Trust did the first Cultural Preservation Award and gave that to the City of Sanford for what we’re doing today.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;I started in 1973. My mother and two other little ladies and I started the Meals on Wheels program. I have a newspaper clipping showing a picture of us...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;We’ve done that longer than anybody in Seminole County—the two of us.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;I’ve done it ever since then—36-37 years, and I think, because of that, I got the Jefferson Award [for Public Service] for this area, but there were others in other areas and Orlando and everything that got it too, and so, when it went statewide, of course, it wasn’t only that that got me the award.&lt;/p&gt;
&lt;p&gt;Cal and I had done so many things around town—you know, volunteer things— ‘cause that’s really what we live for—is volunteering. He’s done about a 150 pro-bono engineering jobs for little churches, or the crisis center, or the Salvation Army sign out front and things like that. At one time, they gave him the Topper Award and, at the same time, they gave me the Dr. Luis Perez Humanitarian Award the same night, and I didn’t expect that. I knew he was to get the Topper Award, and so I didn’t say anything to him about it and then when we got there, I knew. I had some relatives coming, because I knew he was going to get that award. Then they started out with the humanitarian award first, and they got up and started talking about this woman—who was me, you know, and I thought, “That sounds like me.” And they were giving me this award and I said, “You’ve got this wrong. I’m not supposed to get this award.” and I didn’t want to say it and take all the—my husband, and they said, “Oh, but you are. This is the humanitarian award.” And I felt so disheartened, because I thought, “Gee whiz. I thought they were going to give him the Topper Award and here they’re just giving me an award,” and it turned out later in the evening that he got the Topper Award.&lt;/p&gt;
&lt;p&gt;When we started this Meals on Wheels program—I don’t remember which church, but I think it might’ve been the First Presbyterian [Church of Sanford] downtown, which we were members of—and they decided they wanted to start a Meals on Wheels program and there were only four of us ladies. You could only take about eight people yourself, so there must’ve been 35 people, and we got the meals from the hospital, and they had them in these big, green plastic containers, and so we’d have to collect those from the clients—we call them “clients.” It was all-volunteer stuff. The next day and take those back—sometimes during, sometimes not, and then get the other meals. And, as the years went on, the mothers of these other ladies were 20 years older than I, so they’re all dead now, but I have a newspaper clipping of when I started, but 10 years after I started it, he started it, ‘cause he was retiring, but he’s done it 10 years less than I have.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert           &lt;/strong&gt;I still do pro-bono engineering. I’ve done over 200 projects. There’s an awful lot. I’m still doing them.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;We‘ve known that you’d been doing those pro-bono when we had to have the engineers—pay an engineer to put up the risers for the theater.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;Well, I did the first one for what they now call the Wayne-Densch Theater.&lt;a title=""&gt;[4]&lt;/a&gt; I did the first structural study there that they used as a credit to the Federal Government to get their grants. Then I did structural inspections both on main theater and the building next door they later got.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Well, how did you get into this wonderful, giving spirit?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;We both believe we were put here to help other people.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;Our mission is just to help other people. We get the fun out of it, because it’s the one-on-one thing that’s important.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;It keeps us occupied. It’s something worthwhile to do.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;We’ve been on lots of boards, but I say, “What you get on boards is a lot of splinters.” We’ve been in the Martin Luther King choir for 25 years. Bettye Smith started that. She was the one that got the Sanford Woman’s Club&lt;a title=""&gt;[5]&lt;/a&gt; integrated, and that didn’t go so well with many of the ladies that dropped out, when she brought in these lovely, fine four ladies. Because they were saying, “Well, you bring in one like that and who knows who they’ll bring in.” It’s the fear thing, and then Rosita Jacobson was in the club at the time, and they had a time getting Rosita in, because she was Jewish. They asked me to join for many years and I knew they were so segregated. I just didn’t want any part of that, but I used to say, “That’s the Sanford White Women’s Club.” but that changed over the years and these lovely black ladies are in and the Jewish ladies.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;I have another story to tell and it’s about the rescue mission.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;The Rescue Outreach Mission [of Central Florida] on Thirteenth Street.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;They had kind of a ramshackle operation out there. Mother [Blanche Bell] Weaver was running it with the help of pop and it was really a rag-tag thing. She started out by being a cook and ran the restaurant on Thirteenth Street.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;And everybody went there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;That’s right, and one day she walked into our office downtown and said, “I understand there’s a man here that likes to help people.” [&lt;em&gt;laughs&lt;/em&gt;] And I ended up helping her. I donated land. I bought some lots and donated the engineering, and we built the women’s and children shelter, and I was, for 21 years, on the Board of Directors of the rescue mission. Mother Weaver founded that, and her church over there also founded it. That’s quite a story too, because she started out by having children just come—she kind of adopted them and they moved into her house with her. She was preaching at this church, and then she got the idea of founding a homeless shelter and started it, and then she called on me and then together saw about building the women’s and children’s shelter. Much of the money came from one man, and he should be talked to if he will talk to you, but he’s very, very generous.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;And who is that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;Mike Good. Briar Construction.&lt;a title=""&gt;[6]&lt;/a&gt; Every organization that I go to and am part of, such as the Children’s Home Society [of Florida]—I’ve been on that board, and I look to see who the big givers are. Mike Good is at the top of the list.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;Soon after we first came here, Thelma Mike was, until just recently, administrator at the Good Samaritan Home [of Sanford]. That’s just an assisted living center for people and they—somehow, the Good Samaritan Home hadn’t noticed they hadn’t paid their taxes for some time...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;They hadn’t paid their withholding and their unemployment and that stuff. They were in big trouble and the whole city got together and bailed her out.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;They owed the government about $100,000. The whole city—respecting her so much—came forth and got people here and there to raise money, and they let her off.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;They raised considerable money.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;My first employee stole a lawnmower from the Good Samaritan Home. He started working for me after he got out of jail. He had to pay restitution to the Good Samaritan Home, and I told Thelma that story and she laughed and laughed. She said, “If he needed a lawnmower, I would have given him that lawnmower.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;We both started out in a choir when we first came here, because both of us had sung for years and years, and we have been singing in the First [Presbyterian] Church [of Sanford] downtown, and then about 1991 it had a split over a pastor and it...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;They moved over to Markham Woods Road.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;No, that one’s a great one. That’s where most of these people downtown went. We went to another church for a year.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;We didn’t originally. We went to Oakland, followed our choir director.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;We didn’t want to make an exodus—Markham Woods, because Markham Woods was started by Dr. [inaudible] and in 1985, they were—when did you join?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;That would’ve been years ago. We lived just a block down from the church.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;We came there in 1991, and been in that choir for all those years too. We’re about at the place where we don’t do solos anymore.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Well, what about your children growing up here, and do you have any family stories of the kids?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;Well, our kids stayed out of trouble, so I guess we don’t have any stories. Our daughter is almost 48 now. She’s in California and she’s a veterinarian. We’re in the process of getting a home for her. She has MS [multiple sclerosis] and she’s partially disabled, but you wouldn’t know it by looking at her. She swims a lot, but she can’t work full-time now. She’s moving back here after 20 years to live with us. She’s single. We have a son in Orlando who works for the city at [Orlando] City Hall.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;It’s a funny thing about him. He played guitar for years and he had a rock band in high school and before, and he and Ricky Bowing—they used to—that room up there that’s now our music room was open—it was a breezeway, and they used to practice there and I remember getting out of the car way over at her mother’s house and I said, “Oh, there’s somebody playing ‘Proud Mary,’ just like Charles and his band did.” And all of a sudden I realized it was them. I decided right then that we had to enclose that breezeway and make a room out of it [&lt;em&gt;laughs&lt;/em&gt;], and we’ve had all kinds of animals in our backyard. We’ve had horses there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;Well, the horse would only stay overnight one night, but she had [inaudible] brought it in—brought it right down 46. At that time there wasn’t that much traffic, and then she got ready to take it back out and it was starting to storm and I said, “You better not go now.” so she left the horse in the backyard.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;There was a pig back there for a while, when Robert [Conklin] had his heart surgery. She sent him a piglet from Tennessee and the pig grew up in the backyard and got huge in three months, and we had a judge there and the head of the code enforcement next door, and we had a pig in the backyard, but only for three months. Voley was sitting there on the couch talking to us one day and we were talking about Robert having to have a new valve. He needed to have heart surgery for a valve, and we were talking about the possibility of them using a pig valve, and right at the minute we said “pig,” the pig went,  “Oi” right behind—and he turned around and looked, but he didn’t get it. He didn’t understand.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;A pig valve only lasts about eight or nine years, because that’s all...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;They use them on older people. Now they use cowbells[?].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;He had a metal valve at the age of 17. Now he’s the one that lives here in town and he works for NAPA Auto Parts, and he’s a manager of parts at OIA [Orlando International Airport], the big airport down there, for the ground vehicles, not the airplanes. He’s certified as an ASE [Automatic Service Excellence] mechanic, which he did for a few years, but the heart thing was too much for him.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;We always said, “We have one that can fix your car and one that can fix your cat.” [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;So that’s the three kids, and the one in Orlando is project manager in the engineering department for the City of Orlando, and then the veterinarian daughter is going to move back here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;The story there is he wanted to be a sound engineer and he had gone to Stetson [University]. Then he kind of went to music, and he went to Denver[, Colorado] to take recording engineering. Then he decided to go to—he got accepted to go to Berkeley College for Music&lt;a title=""&gt;[7]&lt;/a&gt; in Boston[, Massachusetts], and he went up there and he called me on the phone and said, “Dad, you won’t believe this, but they said I have to start over as a freshman. They won’t give me credits for the other stuff.” And I said, “Charles, go back inside and ask a different person the same question.” And he did and we just held the line open and he came back after a little while and he said, “Yes, they said I have to start over as a freshman. I want to come home.” and I said, “Okay. Come on. Under that circumstance.” Anyway, then he came back and he served as a soundman for a local band that played all over the United States that went by the name of Root Boy Slim. They were really quite good.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;And [Root Boy Slim and] the Sex Change Band.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;Yeah. Well, they called it that. He traveled to New York City, [New York] and Baltimore and all those places as their soundman, and he got hit on the head with a beer bottle and it was a tough, tough life, because those people live on the thin edge of everything. After that, he called up and said, “Dad, I decided I want to go back to school and be an engineer like you.” [&lt;em&gt;laughs&lt;/em&gt;] So he moved back.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;And of course, they accepted all his LAS [Legal Assistant Studies] stuff at University of Florida. So he got a Master’s Degree and got really good grades. His sister got her veterinary medicine thing from there in 1991 too, but she wanted to go to California, because they were paying a little bit more at that time, but she didn’t realize how much more expensive everything was. Having been there, the climate is good for her, because it’s not as humid as here. After 20 years, and now that she’s partially disabled, she feels she ought to be a little nearer her aging parents, since we’re over 80 and we just think it’s time to—she said one time, “Well, I think within the next five years, I want to move back to Florida for sure.” I said, “Ruth Ann [Conklin], if you want us to help you move, in five years, we’re going to be about 87 years old.” She said, “I’d better move now, hadn’t I?” I said, “Yes, I think so.” You want to tell her the story about you, Gino [Pelucci], and the fundraising?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;Well, I—he doesn’t even remember who I am, and I worked with him and for him for years. Even before Heathrow—way back—I did a bunch of factories for them up in other states and my cousin, Bob B.B., was the general manager for Chung[?] King, when he decided that he shouldn’t be running it anymore, and he hired my cousin, who was a board member of Campbell Soups,&lt;a title=""&gt;[8]&lt;/a&gt; and he was high help in things. He ran Chung[?] King, because Gino was very volatile. He would run around handing out 100 dollar bills or swearing loudly at people and stuff, and he wasn’t what you would call a “consistent” manager. My cousin used to tell me that Gino had hundreds of ideas that would come into his mind all the time, and he would write my cousin notes about, “This is an idea.” and at the end of the day he’d send another note: “Forget all those ideas.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;When Gino was featured at one of these Boy Scout[s of America] dinners, and he was a speaker—and this was maybe three years ago or something—Cal said he needed to go over and say hello to Gino. He went over to say something to Gino and Gino acted like he didn’t even know who he was, and then he said...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;And Brenda [inaudible] was sitting there and she said, “Gino, this is Cal Conklin. He was your engineer for Heathrow. He did all the engineering in Heathrow for you.” And Gino looked up at me and still no recognition. I said, “How about—you remember Bob B.B.?” And he just lit up, because he remembered that. I don’t think he remembered me, but he remembered the guy who had run Chung[?] King for him.&lt;/p&gt;
&lt;p&gt;Two stories about him that I think are kind of funny: I would attend many of his board meetings at his request. Most of them there was an accountant and a lawyer and so forth, and there were all kind of “yes-men” with him. We were having a meeting, and a young man came to make a presentation, and it wasn’t long, and I knew he wouldn’t be interested, but he said, “Young man, does foul language offend you?” And the young man said, “No.” He said, “Why you dumb son of a bitch.” He just lit into him and cussed him out up and down and back and forth. Every foul word you could think of.&lt;/p&gt;
&lt;p&gt;When the Presbyterian Church downtown was having a building program—when they put the Fellowship Hall and they redid the sanctuary—I was the special gifts chairman. General Hutchinson was the overall chairman, and one of the people I had to call on, besides Warren Patrick and a bunch of other, was Gino Pelucci, and the only reason we did was his daughter would come to Sunday school once in a while, and the preacher was with me,&lt;a title=""&gt;[9]&lt;/a&gt; and I walked in and Gino said, “Hey. I’m glad to see you.” We shook hands and he said, “You’ve got a rendering of what you’re going to do. That’s good.” And he got down on his hands and knees and began pointing to the rendering and telling me all of the things I should say to anyone I was presenting to. He was going to teach me how to make a presentation. “You should point out all the good features that you’re going to be in this program.” And then I got down on my hands and knees right there alongside him, and the preacher’s standing there and they’re just incredulous. You can just imagine the scene. When we got ready to finish up he said, “And now the most important thing, Cal. You must remember that when you call on people—you’ve got to ask for enough. Remember.” And he didn’t seem to realize that I was going to do it to him. I stood up and tried to recall all of the things he had said, and I went through it as well as I could, and I asked him for $40,000, and his jaw dropped about a foot, and he said, “Cal, you asked for enough.” When we bought this house, his pilot was also trying to buy it. Gino didn’t really want him this close. He used to stop and talk to me all the time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;Within the last year, when they go by—they aren’t usually driving—they have a driver or something. They often wave while[?] we’re out in the yard.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;He used to stop and talk, but now he’s lost his recollection of what my part and background was.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;He had Hubert Humphrey come to his home, when Hubert was running for vice president.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;Even when he was vice president, he was down here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;They’d come from the airport and go by here, and our son had one of those etch-a-sketch things, where you put the little dots—and he hung it in the window.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;Little Gina [Pelucci] came here to play with Ruth Ann.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;Gina Pelucci came over here to play with Ruth Ann, and brought her pet mouse—a little black and white thing. Of course, our daughter loved animals, and we did too, and it didn’t frighten me or anything, but when she got ready to go home, she couldn’t find the mouse, and we never did find that mouse. I’m sure it’s hiding around here somewhere. [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;Well, one thing that is funny is that everywhere I go people tell me I look like Jimmy Carter. Well there’s a picture of Jimmy Carter right up there, and when we went to Panama, we were going through customs, and as I approached the customs thing. The guy hollered out, “¡Jimmy Carter ahí!” All these people came running around, and I thought, “I’m just going to go along with it.” A woman wanted to have her picture taken with me, so I put my around her, smiled, and took a picture with her.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;‘Cause he didn’t know any Spanish, he couldn’t say, “No, I’m not Jimmy Carter.” It would sound like—it happened at the resort...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;It happened six times on one trip. I got invited into the bar for a drink and all sorts. He’s a big hero, ‘cause he’s the one who turned the [Panama] Canal over to them.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;He thought if he said no when they wanted their picture taken, and he didn’t speak English, it would sound like, “I’m Mr. Big and you’re paparazzi. Get away from me.” So he’d just smile and let them take his picture.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;One lady—I never did understand that. Well, I’d go shopping in Wal-Mart, and very often somebody will tap me on the shoulder and say, “Here, I’m going to go home and tell my folks that I went shopping with Jimmy Carter.” The City of Sanford does a great deal. The county does not. The county feels they have to go to Orlando to get the big engineering firms, and it’s very strange, and of course there’s competition between cities and the counties, and there always has been. We started out doing both, but in your local area, you usually end up doing one or the other and we’ve ended up doing all the cities essentially.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;We bought it out. Us[sic] and the porters and the homes bought it out and...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;We bought it from CRS and a national firm. Clark Deets[sp] was sold to Richardson and then to CRS—Rawlins and then CRS.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;So there were several owners before you?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;Clark Deets was the original one I went to work for in Urbana, and my professors were the ones that started it. They resigned from the college and hired their better students, and there were three of them. A structural man, a civil man, and an environmental or sanitary man, and I was actually one of the very first ones they hired, and we made a big business out of that and got into the 200 range in the country, and then I came down here and saw it and thought it’d be good to make a branch, and then the company got sold and ended up with CRS [inaudible]. They did the big arenas. The big one in Gainesville, and they were mainly doing things in the Middle East in the [United] Arab Emirates. All of that fancy stuff there, and they had no idea what our business was here. I mean, it was all local. They just didn’t understand. It wasn’t the kind of business that they did, and when we decided to go into business for ourselves, I said, “We may be able to get this for a song.” And the other two just wanted to leave and I said, “No. Let me have a try at it.” So I went down there, and we paid $35,000, and we got all of the new business, and they even paid us 5 percent of the collections for three years, and so they ended up—we were roughly 10 percent of their organization and they ended up paying us to take it away from them.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Phyllis&lt;br /&gt;&lt;/strong&gt;And this was 1981, when it first became Conklin Corps.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Calvert&lt;br /&gt;&lt;/strong&gt;And the other two worked for me.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;And I opened up the Rib Ranch in 1981 and I retired in 2008. My husband was ill and he died last year. I was lucky to be with him at that time.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; George Calvert.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; Correction: Martin Luther King, Jr. Celebration Chorus.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; Correction: National Register of Historic Places.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[4]&lt;/a&gt; Correction: Wayne-Densch Performing Arts Center.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[5]&lt;/a&gt; Correction: Woman’s Club of Sanford.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[6]&lt;/a&gt; Correction: The Briar Team.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[7]&lt;/a&gt; Correction: Berkeley College of Music.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[8]&lt;/a&gt; Correction: Campbell Soup Company.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[9]&lt;/a&gt; Virgil Bryan.&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;</text>
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