1
100
4
-
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821b1c6255c68517c5d8a3b4f720e134
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b5579d2311be7a9140184c9cad79655a
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785141b5e64552083b831b505551a012
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
4 black and white photographs
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
The Tempests at the National Guard Armory, 1966
Alternative Title
Tempests at National Guard Armory
Subject
St. Petersburg (Fla.)
Music--Florida
Tempests (Musical group)
Rock music--United States
Pop music
Blues (Music)--Florida
Soul music--United States
Musicians--Southern States
Description
The Tempests performing live at the National Guard Armory, located at 3601 38th Avenue South in St. Petersburg, Florida, in 1966. The first photograph, from left to right, features Roy Delese, Tommy Angarano, Mike Hammer, Buddy Peterson, Brad Myers and Charlie Bailey. The second, third and fourth feature all but Bailey in the same order.<br /><br />The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night.
Type
Still Image
Source
Original black and white photographs, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society.
Is Part Of
<a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of four original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966.jpg</a>.
Digital reproduction of four original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966b.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966b.jpg</a>.
Digital reproduction of four original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966c.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966c.jpg</a>.
Digital reproduction of four original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966d.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966d.jpg</a>.
Coverage
National Guard Armory, St. Petersburg, Florida
Publisher
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
Date Created
ca. 1966
Format
image/jpg
Extent
199 KB
219 KB
214 KB
249 KB
Medium
4 black and white photographs
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
External Reference
Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank"><em>Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</em></a>. Manchester: Headpress, 2005.
"<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php.
38th Avenue
amplifier
Angarano, Tommy
Bailey, Charlie
bass guitar
bassist
blues
Delese, Roy
drum
drummer
garage band
garage rock
guitar
guitarist
Hammer, Mike
keyboard
keyboardist
Myers, Brad
National Guard Armory
Peterson, Buddy
pop
pop music
rock
rock band
rock music
singer
soul
soul music
St. Petersburg
The Tempest
The Tempests
Thirty-Eighth Avenue
vocalist
-
https://richesmi.cah.ucf.edu/omeka/files/original/f56581ee642d1f04f1e3fa90db3266a8.jpg
65722dddcd3dff167b51199084981858
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 black and white photograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
The Tempests at The Joker's Club, 1964
Alternative Title
Tempests at Joker's Club
Subject
St. Petersburg (Fla.)
Music--Florida
Tempests (Musical group)
Rock music--United States
Pop music
Blues (Music)--Florida
Soul music--United States
Musicians--Southern States
Description
The Tempests, featuring the band's original lineup performing live at The Joker's Club, located at 3615 37th Street North in St. Petersburg, Florida, in 1964. The photograph, from left to right, features Tommy Angarano, Bobby Allen, Bill Hickman, Charlie Bailey, and Doug Palmer.<br /><br />The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night.
Type
Still Image
Source
Original black and white photograph, 1964: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society.
Is Part Of
<a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/Tempests%20-%201964.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/Tempests%20-%201964.jpg</a>.
Coverage
The Joker's Club, St. Petersburg, Florida
Publisher
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
Date Created
ca. 1964
Format
image/jpg
Extent
219 KB
Medium
1 black and white photograph
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
External Reference
Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank"><em>Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</em></a>. Manchester: Headpress, 2005.
"<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php.
37th Street
Allen, Bobby
Angarano, Tommy
Bailey, Charlie
bass guitar
bassist
blues
drum
drummer
garage band
garage rock
guitar
guitarist
Hickman, Bill
Joker's Club
Palmer, Doug
pop
pop music
rock
rock band
rock music
singer
soul
soul music
St. Petersburg
The Joker's Club
The Tempest
The Tempests
Thirty-Seventh Street
vocalist
-
https://richesmi.cah.ucf.edu/omeka/files/original/8eef5b58e10fe9afb844925ad260467e.jpg
4c9308f1fd9353137df638b8a9e85117
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 color photograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
The Tempests at Surfer's Club, 1966
Alternative Title
Tempests at Surfer's Club
Subject
Madeira Beach (Fla.)
Music--Florida
Tempests (Musical group)
Rock music--United States
Pop music
Blues (Music)--Florida
Soul music--United States
Musicians--Southern States
Description
Color photograph of the band, The Tempests, performing live at Surfer's Club in 1966. Surfer's Club was a teenage nightclub in the 1960s, located at 14966 Gulf Boulevard, in Madeira Beach, Florida. The club, which opened in July 1964 and closed in October 1966, only allowed kids ages 15-20. Nightly chaperones ensured there was no "front to back" dancing. The photograph, from left to right, features Doug Palmer, Charlie Bailey, and Tommy Angarano, as well as nine teenagers dancing in front of the stage.<br /><br />The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night.
Type
Still Image
Source
Original color photograph, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society.
Is Part Of
<a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/Surfers%20Club%20-%201966.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/Surfers%20Club%20-%201966.jpg</a>.
Coverage
Surfer's Club, Madeira Beach, Florida
Publisher
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
Date Created
ca. 1966
Format
image/jpg
Extent
185 KB
Medium
1 color photograph
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
External Reference
Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank"><em>Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</em></a>. Manchester: Headpress, 2005.
"<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php.
Angarano, Tommy
Bailey, Charlie
blues
garage band
garage rock
Madeira Beach
Palmer, Doug
pop
pop music
rock
rock band
rock music
soul
soul music
St. Petersburg
Surfer's Club
The Tempests
-
https://richesmi.cah.ucf.edu/omeka/files/original/f90906ab9c11b9cb7337a1de66542f41.JPG
fe1eeb98f811fcc4bb6fa68b480524ff
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 color photograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
The Tempests at the Firestone Grand Prix of St. Petersburg, 2010
Alternative Title
Tempests at Firestone Grand Prix of St. Petersburg
Subject
St. Petersburg (Fla.)
Music--Florida
Tempests (Musical group)
Rock music--United States
Pop music
Blues (Music)--Florida
Soul music--United States
Musicians--Southern States
Description
The Tempests performing live at the Firestone Grand Prix on March 29, 2010. The Firestone Grand Prix of St. Petersburg is a Verizon IndyCar Series race and is located at 1 Beach Drive Southeast, 42, in St. Petersburg, Florida. The photograph, from left to right, features Tommy Angarano, Darren Shaw, and Chris Winter.<br /><br />The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night.
Type
Still Image
Source
Original color photograph, March 29, 2010: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society.
Is Part Of
<a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/Tempests.JPG" target="_blank">http://www.tampabaymusichistory.com/resources/Tempests.JPG</a>.
Coverage
Firestone Grand Prix of St. Petersburg, St. Petersburg, Florida
Publisher
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
Date Created
2010-03-29
Format
image/jpg
Extent
334 KB
Medium
1 color photograph
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
External Reference
Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank"><em>Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</em></a>. Manchester: Headpress, 2005.
"<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php.
Angarano, Tommy
bass guitar
bass guitarist
Beach Drive
blues
drum
drummer
Firestone Grand Prix
garage band
garage rock
Grand Prix
GTE Federal Credit Union
guitar
guitarist
keyboard
pop
pop music
rock
rock band
rock music
Shaw, Darren
soul
soul music
St. Petersburg
The Tempest
The Tempests
Verizon IndyCar Series
Winter, Chris