1
100
13
-
https://richesmi.cah.ucf.edu/omeka/files/original/0a63b25037ef5b7e28071657780d6bcb.jpg
32273eea240c4315fecbedc6fefa7ee3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Veterans Legacy Program Collection
Alternative Title
VLP Collection
Subject
Veterans--Florida
Description
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a>. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.
Is Part Of
Veterans Legacy Program Collection, RICHES Program
Type
Collection
Digital Collection
<div class="element-text"><a href="https://richesmi.cah.ucf.edu/">RICHES MI</a></div>
<div class="element-text"><a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a></div>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
List of Persons who Failed to Submit Questionnaires
Alternative Title
Form 1013 - P.M.G.O.
Subject
World War, 1914-1918
Veterans--Florida
Description
A list of persons in Clearwater, Florida, who failed to submit questionnaires regarding conscription to the Adjutant General of Florida. The document is dated January 30, 1918. Local draft boards sent out a sixteen-page questionnaire, which asked questions about virtually every aspect of registrants’ lives, their economic dependents and their claims for an exemption or deferred classification. Registrants had seven days to return the form. The Form 1013 lists the names of men within the jurisdiction of local draft boards who failed to return their questionnaires or report for examination. Classified as delinquents, the draft boards would report their names to the police who would seek to check their status. The penalty for failing to submit a questionnaire resulted in a registrant waiving their claims for deferred classification and automatically being classified in Class I.<br /><br />
A notable person listed is Ben Davis (1895-1947). Born in Charleston, South Carolina, Davis moved to Clearwater, Florida, where he worked as a laborer for H.K. Cheney. On August 1, 1918, the United States Army inducted Davis into military service. Davis trained and served at Camp Devens, Massachusetts, for the entirety of his time in the military. Initially with the 151st Depot Brigade, he joined the 443rd Reserve Labor Battalion on November 1, 1918. On May 30, 1919, Davis received an honorable discharge from the Army, holding the rank of Private First Class. After the war, Davis returned to Clearwater, where he continued to work as a laborer. On October 20, 1944, Davis married Annie R. Leach, a native of Gainesville, Florida. Davis died on December 28, 1947, and is buried in the Bay Pines National Cemetery in Saint Petersburg, Florida in Section 6, Row 3, Site 16.
<b>
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a>. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for K-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</b>
Type
Text
Source
Digital reproduction of original typewritten list. January 30, 1918.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/210" target="_blank">Veterans Legacy Program Collection</a>
Coverage
Clearwater, Florida
Creator
Adjutant General's Office, Florida
Publisher
Adjutant General's Office, Florida
Date Created
1918-01-30
Format
image/jpg
Extent
890 KB
Medium
1 typewritten list
Language
eng
Mediator
History Teacher
Provenance
Originally created and published by the Adjutant General's Office, Florida.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:<br /><br />
• reproduce the work in print or digital form<br />
• create derivative works<br />
• perform the work publicly<br />
• display the work<br />
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.<br /><br />
This resource is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. For more information on copyright, please refer to <a href="https://www.copyright.gov/title17/92chap1.html#105">Section 5</a> of <a href="https://www.copyright.gov/title17/92chap1.html">Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code</a>.
Accrual Method
Donation
Curator
Stoddard, James
Digital Collection
<a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES MI</a>
<a href="https://vlp.cah.ucf.edu/" target="_blank">Veterans Legacy Program Project</a>
Source Repository
<a href="https://www.archives.gov/" target="_blank">National Archives and Records Administration</a>.
External Reference
Abney, Barb. "<a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank">VA Selects UCF Historians to Archive Stories of Deceased Veterans Veterans</a>." <em>UCF Today</em>, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.
Tuchman, Barbara W., and Robert K. Massie. <a href="http://www.worldcat.org/oclc/881458391" target="_blank"><em>The Guns of August: The Outbreak of World War I</em></a>. 2014.
African American
Army
Ben Davis
Clearwater
conscription
Form 1013
military history
military service
U.S. Army
United States Army
veterans
Veterans Legacy Program
World War I
World War, 1914-1918
WWI
-
https://richesmi.cah.ucf.edu/omeka/files/original/c69825b89b4f8df0652c8f65901993ad.pdf
80dc65808e1b97cf07e28df50d6e63c5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Clearwater Collection
Alternative Title
Clearwater Collection
Subject
Clearwater (Fla.)
Description
Present-day Clearwater was originally inhabited by the Tocobaga. The U.S. Army began construction of Fort Harrison around 1835 to serve as an during the Second Seminole War. The area, which was then known as Clear Water Harbor, experienced significant growth following the passage of the Federal Armed Occupation Act of 1842, which offered land to settles who would bear arms and cultivate the land. In 1888, the Orange Belt Railway added an extension into Clearwater, adding to the town's growth.<br><br>In 1891, the Town of Clearwater was incorporated with James E. Crane as its first mayor. In 1897, Henry B. Plant (1819-1899) built his Belleview Hotel, thus allowing Clearwater to become a popular vacation destination. Clearwater was designated as the county seat for Pinellas County when it seceded from Hillsborough County in 1912. In 1915, Clearwater was a reincorporated as a city in 1915. During World War II, the city became a major training area for American troops.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/188" target="_blank">Pinellas County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Clearwater, Florida
Accrual Method
Donation
Curator
<span>Cepero, Laura</span>
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
"<a href="http://www.clearwaterflorida.org/Relocation/history.aspx" target="_blank">History of Clearwater</a>." Clearwater Regional Chamber. http://www.clearwaterflorida.org/Relocation/history.aspx.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Clearwater Marina Postcard
Alternative Title
Clearwater Marina Postcard
Subject
Clearwater (Fla.)
Marinas--United States
Description
A postcard depicting the Clearwater Marina, also known as the Clearwater Beach Marina, located at 25 Causeway Boulevard in Clearwater, Florida. Present-day Clearwater was originally inhabited by the Tocobaga. The U.S. Army began construction of Fort Harrison around 1835 to serve as an during the Second Seminole War. The area, which was then known as Clear Water Harbor, experienced significant growth following the passage of the Federal Armed Occupation Act of 1842, which offered land to settlers who would bear arms and cultivate the land. In 1888, the Orange Belt Railway added an extension into Clearwater, adding to the town's growth.<br /><br />In 1891, the Town of Clearwater was incorporated with James E. Crane as its first mayor. In 1897, Henry B. Plant (1819-1899) built his Belleview Hotel, thus allowing Clearwater to become a popular vacation destination. Clearwater was designated as the county seat for Pinellas County when it seceded from Hillsborough County in 1912. In 1915, Clearwater was a reincorporated as a city in 1915. During World War II, the city became a major training area for American troops.
Type
Still Image
Source
Original 9 x 14 centimeter color postcard by Tichnor Bros., Inc.: Private Collection of Bob Van Horn.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/189" target="_blank">Clearwater Collection</a>, Pinellas County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 9 x 14 centimeter color postcard by Tichnor Bros., Inc..
Coverage
Clearwater Marina, Clearwater, Florida
Creator
Tichnor Bros., Inc.
Contributor
Van Horn, Bob
Date Created
ca. 1930-1959
Format
application/pdf
Extent
339 KB
Medium
9 x 14 centimeter color postcard
Language
eng
Mediator
History Teacher
Geography Teacher
Provenance
Originally created by Tichnor Bros., Inc.
Rights Holder
Copyright to this resource is held by Bob Van Horn and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
"<a href="http://www.clearwater-fl.com/gov/depts/marine_aviation/ma_facilities/marina/index.asp" target="_blank">Clearwater Beach Marina</a>." MyClearwater.com. http://www.clearwater-fl.com/gov/depts/marine_aviation/ma_facilities/marina/index.asp.
"<a href="http://www.clearwaterflorida.org/Relocation/history.aspx" target="_blank">History of Clearwater</a>." Clearwater Regional Chamber. http://www.clearwaterflorida.org/Relocation/history.aspx.
Clearwater
Clearwater Beach Marina
Clearwater Marina
marinas
-
https://richesmi.cah.ucf.edu/omeka/files/original/363eaa9314de3fab2e7469b7c93fa587.pdf
766ac726a455a83016eac159c47da2b1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Clearwater Collection
Alternative Title
Clearwater Collection
Subject
Clearwater (Fla.)
Description
Present-day Clearwater was originally inhabited by the Tocobaga. The U.S. Army began construction of Fort Harrison around 1835 to serve as an during the Second Seminole War. The area, which was then known as Clear Water Harbor, experienced significant growth following the passage of the Federal Armed Occupation Act of 1842, which offered land to settles who would bear arms and cultivate the land. In 1888, the Orange Belt Railway added an extension into Clearwater, adding to the town's growth.<br><br>In 1891, the Town of Clearwater was incorporated with James E. Crane as its first mayor. In 1897, Henry B. Plant (1819-1899) built his Belleview Hotel, thus allowing Clearwater to become a popular vacation destination. Clearwater was designated as the county seat for Pinellas County when it seceded from Hillsborough County in 1912. In 1915, Clearwater was a reincorporated as a city in 1915. During World War II, the city became a major training area for American troops.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/188" target="_blank">Pinellas County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Clearwater, Florida
Accrual Method
Donation
Curator
<span>Cepero, Laura</span>
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
"<a href="http://www.clearwaterflorida.org/Relocation/history.aspx" target="_blank">History of Clearwater</a>." Clearwater Regional Chamber. http://www.clearwaterflorida.org/Relocation/history.aspx.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Peace Memorial Church Postcard
Alternative Title
Peace Memorial Church Postcard
Subject
Clearwater (Fla.)
Churches--Florida
Description
A postcard depicting the Peace Memorial Presbyterian Church (PMPC), located at 110 South Fort Harrison Avenue, in Clearwater, Florida. PMPC was chartered in 1891 under the name Clearwater Presbyterian Church. The church was later renamed the First Presbyterian Church of Clearwater and nicknamed the Little White Church. The church's current building was designed in the Mediterranean Revival style of architecture using pink stucco and is nicknamed the Big, Pink Church in Downtown Clearwater.
Type
Still Image
Source
Original 9 x 14 centimeter color photographic postcard by Ward Beckett: Private Collection of Bob Van Horn.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/189" target="_blank">Clearwater Collection</a>, Pinellas County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 9 x 14 centimeter color photographic postcard by Ward Beckett.
Coverage
Peace Memorial Church, Clearwater, Florida
Creator
Beckett, Ward
Contributor
Van Horn, Bob
Date Created
ca. 1964
Format
application/pdf
Extent
292 KB
Medium
9 x 14 centimeter color photographic postcard
Language
eng
Mediator
History Teacher
Geography Teacher
Provenance
Originally created by Ward Beckett.
Rights Holder
Copyright to this resource is held by Bob Van Horn and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
"<a href="http://www.peacememorial.org/ChurchHistory" target="_blank">Church History</a>." Peace Memorial Presbyterian Church. http://www.peacememorial.org/ChurchHistory.
church
churches
Clearwater
Downtown Clearwater
Fort Harrison Avenue
Ft. Harrison Ave.
Peace Memorial Church
Peace Memorial Presbyterian Church
Presbyterianism
Presbyterians
Ward Beckett
-
https://richesmi.cah.ucf.edu/omeka/files/original/54d840dd0e0dac48d8e961f536ce3613.pdf
5a8a5d9226b427e5e451dc2624cb540d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Clearwater Collection
Alternative Title
Clearwater Collection
Subject
Clearwater (Fla.)
Description
Present-day Clearwater was originally inhabited by the Tocobaga. The U.S. Army began construction of Fort Harrison around 1835 to serve as an during the Second Seminole War. The area, which was then known as Clear Water Harbor, experienced significant growth following the passage of the Federal Armed Occupation Act of 1842, which offered land to settles who would bear arms and cultivate the land. In 1888, the Orange Belt Railway added an extension into Clearwater, adding to the town's growth.<br><br>In 1891, the Town of Clearwater was incorporated with James E. Crane as its first mayor. In 1897, Henry B. Plant (1819-1899) built his Belleview Hotel, thus allowing Clearwater to become a popular vacation destination. Clearwater was designated as the county seat for Pinellas County when it seceded from Hillsborough County in 1912. In 1915, Clearwater was a reincorporated as a city in 1915. During World War II, the city became a major training area for American troops.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/188" target="_blank">Pinellas County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Clearwater, Florida
Accrual Method
Donation
Curator
<span>Cepero, Laura</span>
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
"<a href="http://www.clearwaterflorida.org/Relocation/history.aspx" target="_blank">History of Clearwater</a>." Clearwater Regional Chamber. http://www.clearwaterflorida.org/Relocation/history.aspx.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Clearwater Beach Causeway Postcard
Alternative Title
Clearwater Beach Causeway Postcard
Subject
Clearwater (Fla.)
Description
A postcard depicting the Clearwater Beach Causeway, now known as the Clearwater Memorial Causeway, in Clearwater, Florida. The road connects Downtown Clearwater with Clearwater Beach, carrying Florida State Road 60 (SR 60). Originally a two-lane road, the bridge was first constructed in the 1920s. That original causeway was later replaced by a new bridge in the 1950s. Construction for the new Clearwater Memorial Causeway began in 2001 and the bridge opened in 2005.
Type
Still Image
Source
Original 9 x 14 centimeter color postcard by Burgert Bros. and Tichnor Quality Views: Private Collection of Bob Van Horn.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/189" target="_blank">Clearwater Collection</a>, Pinellas County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 9 x 14 centimeter color postcard by Burgert Bros. and Tichnor Quality Views.
Coverage
Clearwater Beach Causeway, Clearwater, Florida
Creator
Burgert Bros.
Tichnor Quality Views
Publisher
Hillsboro News Company
Contributor
Van Horn, Bob
Date Created
ca. 1938
Format
application/pdf
Extent
372 KB
Medium
9 x 14 centimeter color postcard
Language
eng
Mediator
History Teacher
Geography Teacher
Provenance
Originally created by Burgert Bros. and Tichnor Quality Views, and published by Hillsboro News Company.
Rights Holder
Copyright to this resource is held by Bob Van Horn and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
"<a href="http://www.drawbridgeahead.com/clwmemorialcswy.html" target="_blank">Clearwater Memorial Causeway, Clearwater</a>." DrawBridgeAhead.com. http://www.drawbridgeahead.com/clwmemorialcswy.html.
bridges
Burgert Bros.
causeways
Clearwater
Clearwater Beach Causeway
Clearwater Memorial Causeway
roads
-
https://richesmi.cah.ucf.edu/omeka/files/original/4cdd6b5bc7c13072a8419a0c09767512.jpg
e24b40670a612f1f7c2020c186ffabcf
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 business card
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Buckwheat Business Card
Alternative Title
Buckwheat Business Card
Subject
Clearwater (Fla.)
Concerts
Music--Florida
Musicians--Southern States
Rock music--United States
Musicians--Southern States
Blues (Music)--Florida
Description
Business card for the band, Buckwheat. The names of the band members appear at the top of the card, with "Buckwheat for live entertainment" printed in the center. The name Randy Stone and a phone number appear at the bottom. Known for their spontaneous blues-based jams and the pyrotechnics of their guitarist, Danny Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, Dwight Saunders played bass and Richard Radloff played drums. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater.
Type
Text
Source
Original business card: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.
Is Part Of
<a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original business card. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-bus_card.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-bus_card.jpg</a>.
Coverage
Tampa Bay, Florida
Clearwater, Florida
Publisher
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
Date Created
ca. 1968-1973
Format
image/jpg
Extent
41 KB
Medium
1 business card
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
External Reference
Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank"><em>Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</em></a>. Jefferson, N.C.: McFarland &amp
Co, 2006.
Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html.
<a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php.
African American
band
blues
blues music
blues-rock
blues-rock music
Buckwheat
Clearwater
concert
electric bass guitar
garage band
garage rock
musician
power rock
Radloff, Richard
Richard, Danny
rock
rock band
rock music
Saunders, Dwight
Stone, Randy
-
https://richesmi.cah.ucf.edu/omeka/files/original/311558278eaa11e4707568d33477cc41.jpg
b7a151e859185c91bbd45f702f943339
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 black and white photograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Dwight Saunders of Buckwheat
Alternative Title
Dwight Saunders of Buckwheat
Subject
Clearwater (Fla.)
Concerts
Music--Florida
Musicians--Southern States
Rock music--United States
Musicians--Southern States
Blues (Music)--Florida
Bassists
Description
Black and white photographs of Dwight Saunders performing on bass guitar with the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of their guitarist, Danny Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, and Saunders on bass, Richard Radloff played drums. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater.
Type
Still Image
Source
Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.
Is Part Of
<a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-dwight_saunders.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-dwight_saunders.jpg</a>.
Coverage
Tampa Bay, Florida
Clearwater, Florida
Publisher
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
Date Created
ca. 1968-1973
Format
image/jpg
Extent
10.2 KB
Medium
1 black and white photograph
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
External Reference
Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank"><em>Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</em></a>. Jefferson, N.C.: McFarland &amp
Co, 2006.
Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html.
<a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php.
African American
band
bass guitar
bass player
bassist
blues
blues music
blues-rock
blues-rock music
Buckwheat
Clearwater
concert
electric bass guitar
garage band
garage rock
musician
power rock
Radloff, Richard
Richard, Danny
rock
rock band
rock music
Saunders, Dwight
-
https://richesmi.cah.ucf.edu/omeka/files/original/97fe3737f4e743b9f1dc61b915a3ce05.jpg
af98fd1f36039c7d56a290f2310200da
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 black and white photograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Dwight Saunders Performing with Buckwheat
Alternative Title
Dwight Saunders of Buckwheat
Subject
Clearwater (Fla.)
Concerts
Music--Florida
Musicians--Southern States
Rock music--United States
Musicians--Southern States
Blues (Music)--Florida
Bassists
Description
Black and white photographs of Dwight Saunders performing on bass guitar with the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of their guitarist, Danny Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, and Saunders on bass, Richard Radloff played drums. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater.
Type
Still Image
Source
Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.
Is Part Of
<a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-dwight1.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-dwight1.jpg</a>.
Coverage
Tampa Bay, Florida
Clearwater, Florida
Publisher
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
Date Created
ca. 1968-1973
Format
image/jpg
Extent
10.1 KB
Medium
1 black and white photograph
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
External Reference
Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank"><em>Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</em></a>. Jefferson, N.C.: McFarland &amp
Co, 2006.
Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html.
<a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php.
African American
band
bass guitar
bass player
bassist
blues
blues music
blues-rock
blues-rock music
Buckwheat
Clearwater
concert
electric bass guitar
garage band
garage rock
musician
power rock
Radloff, Richard
Richard, Danny
rock
rock band
rock music
Saunders, Dwight
-
https://richesmi.cah.ucf.edu/omeka/files/original/89bce75e2298cc5efe5357da7fea1bac.jpg
987600d5202699aa276fda910d1b75bd
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 black and white photograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Danny Richard and Dwight Saunders of Buckwheat
Alternative Title
Danny Richard and Dwight Saunders of Buckwheat
Subject
Clearwater (Fla.)
Concerts
Music--Florida
Musicians--Southern States
Rock music--United States
Musicians--Southern States
Blues (Music)--Florida
Richard, Danny
Description
Danny Richard and Dwight Saunders of the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, and Saunders on bass, Richard Radloff played drums. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater.
Type
Still Image
Source
Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.
Is Part Of
<a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-danny-dwight.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-danny-dwight.jpg</a>.
Coverage
Tampa Bay, Florida
Clearwater, Florida
Publisher
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
Date Created
ca. 1968-1973
Format
image/jpg
Extent
19 KB
Medium
1 black and white photograph
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
External Reference
Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank"><em>Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</em></a>. Jefferson, N.C.: McFarland &amp
Co, 2006.
Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html.
<a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php.
African American
band
bass player
bassist
blues
blues music
blues-rock
blues-rock music
Buckwheat
Clearwater
concert
garage band
garage rock
guitar player
guitarist
musician
power rock
Radloff, Richard
Richard, Danny
rock
rock band
rock music
Saunders, Dwight
-
https://richesmi.cah.ucf.edu/omeka/files/original/bc0e60b65e0adcc6bf204bca95055caf.jpg
a3345e43cd392e3802b836026b11adcb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 black and white photograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Danny Richard of Buckwheat
Alternative Title
Danny Richard of Buckwheat
Subject
Clearwater (Fla.)
Concerts
Music--Florida
Musicians--Southern States
Rock music--United States
Musicians--Southern States
Blues (Music)--Florida
Richard, Danny
Guitarists--United States
Description
Black and white photographs of Danny Richard performing on electric guitar with the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, Richard Radloff played drums and Dwight Saunders played bass. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater.
Type
Still Image
Source
Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.
Is Part Of
<a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-danny_richard.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-danny_richard.jpg</a>.
Coverage
Tampa Bay, Florida
Clearwater, Florida
Publisher
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
Date Created
ca. 1968-1973
Format
image/jpg
Extent
8.32 KB
Medium
1 black and white photograph
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
External Reference
Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank"><em>Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</em></a>. Jefferson, N.C.: McFarland &amp
Co, 2006.
Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html.
<a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php.
African American
band
blues
blues music
blues-rock
blues-rock music
Buckwheat
Clearwater
concert
electric guitar
garage band
garage rock
guitar
guitar player
guitarist
musician
power rock
Radloff, Richard
Richard, Danny
rock
rock band
rock music
Saunders, Dwight
-
https://richesmi.cah.ucf.edu/omeka/files/original/81005d05472f01fed0c03c503e6fc362.jpg
a4656de9c2066a8aa611101eca1478a7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 black and white photograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Danny Richard Performing with Buckwheat
Alternative Title
Danny Richard of Buckwheat
Subject
Clearwater (Fla.)
Concerts
Music--Florida
Musicians--Southern States
Rock music--United States
Musicians--Southern States
Blues (Music)--Florida
Richard, Danny
Guitarists--United States
Description
Black and white photographs of Danny Richard performing on electric guitar with the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, Richard Radloff played drums and Dwight Saunders played bass. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater.
Type
Still Image
Source
Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.
Is Part Of
<a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-danny1.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-danny1.jpg</a>.
Coverage
Tampa Bay, Florida
Clearwater, Florida
Publisher
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
Date Created
ca. 1968-1973
Format
image/jpg
Extent
11.3 KB
Medium
1 black and white photograph
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
External Reference
Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank"><em>Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</em></a>. Jefferson, N.C.: McFarland &amp
Co, 2006.
Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html.
<a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php.
African American
band
blues
blues music
blues-rock
blues-rock music
Buckwheat
Clearwater
concert
electric guitar
garage band
garage rock
guitar
guitar player
guitarist
musician
power rock
Radloff, Richard
Richard, Danny
rock
rock band
rock music
Saunders, Dwight
-
https://richesmi.cah.ucf.edu/omeka/files/original/2b5dedef8923ca20ec722edb7fa8731a.jpg
8af3ed9647043ae22414c38c24e96bec
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 black and white photograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Richard Radloff Performing with Buckwheat
Alternative Title
Richard Radloff of Buckwheat
Subject
Clearwater (Fla.)
Concerts
Music--Florida
Musicians--Southern States
Rock music--United States
Musicians--Southern States
Blues (Music)--Florida
Drummers (Musicians)
Description
Richard Radloff performing on drums with the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of their guitarist, Danny Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, and Radloff on drums, Dwight Saunders played bass. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater.
Type
Still Image
Source
Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.
Is Part Of
<a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-richard.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-richard.jpg</a>.
Coverage
Tampa Bay, Florida
Clearwater, Florida
Publisher
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
Date Created
ca. 1968-1973
Format
image/jpg
Extent
13.4 KB
Medium
1 black and white photograph
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
External Reference
Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank"><em>Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</em></a>. Jefferson, N.C.: McFarland &amp
Co, 2006.
Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html.
<a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php.
African American
band
blues
blues music
blues-rock
blues-rock music
Buckwheat
Clearwater
concert
drum
drummer
garage band
garage rock
musician
power rock
Radloff, Richard
Richard, Danny
rock
rock band
rock music
Saunders, Dwight
-
https://richesmi.cah.ucf.edu/omeka/files/original/728e65523012d71068a9e389e9b7eddf.mp3
bf9cd47354a8b83b6a6107c6d59ec522
https://richesmi.cah.ucf.edu/omeka/files/original/dfd1142290a11b6982aee5ee6fe60a5e.pdf
d0527f01a610d68ad14544a29105a1c5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Linda McKnight Batman Oral History Project Collection
Alternative Title
Linda McKnight Batman Collection
Subject
Ocala (Fla.)
Orlando (Fla.)
Oviedo (Fla.)
Port Tampa (Fla.)
Sanford (Fla.)
Silver Springs (Fla.)
Titusville (Fla.)
Zellwood (Fla.)
Description
Collection of oral histories depicting the history of Seminole County, Florida. The project was funded by Linda McKnight Batman, a former teacher, historian, and Vice President of the State of Florida Commission on Ethics.
Language
eng
Type
Collection
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank">Museum of Seminole County History</a>
External Reference
<span>Museum of Seminole County History, and University of Central Florida. </span><a href="http://www.worldcat.org/oclc/744676869" target="_blank"><em>Researcher's Guide to Seminole County Oral Histories: Linda McKnight Batman Oral History Project</em></a><span>. [Sanford, Fla.]: Museum of Seminole County History, 2010.</span>
Contributor
<a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank">Museum of Seminole County History</a>
Coverage
Seminole County, Florida
Ocala, Florida
Oviedo, Florida
Port Tampa, Florida
Sanford, Florida
Silver Springs, Florida
Titusville, Florida
Zellwood, Florida
Contributing Project
Linda McKnight Batman Oral History Project
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Oral History of John Louis Salsbury
Alternative Title
Oral History, Salsbury
Subject
Sanford (Fla.)
Tampa (Fla.)
Air Force
Photography--Florida
Space Shuttle Program (U.S.)
Titusville (Fla.)
Astronauts--United States
Baseball--Florida
Description
An oral history of John Louis Salsbury, conducted by Joseph Morris on September 9, 2011. Salsbury was born in Tampa, Florida, but he has spent much of his life in Sanford. In the interview, Salsbury discusses his family's history, Port Tampa during the Spanish-American War, his service in the U.S. Air Force, photographing Space Shuttle launches and astronauts, how Sanford has changed over time, and the Florida Aviation Historical Society.
Table Of Contents
0:00:00 Introduction
0:00:21 Family history
0:01:52 Port Tampa and the Spanish-American War
0:04:15 Family history
0:08:17 Serving in the Air Force
0:11:31 RECORDING CUTS OFF
0:11:32 President Richard M. Nixon
0:13:28 Moving to Sanford and photographing shuttle launches
0:17:17 Moonshiner’s shoe
0:20:22 Moving to Sanford
0:20:46 Photographing space shuttles and astronauts
0:32:49 Family history
0:45:10 How Sanford has changed over time
0:45:54 Grandparents and great-grandparents
0:58:02 Closing remarks
0:58:37 RECORDING CUTS OFF
0:58:38 Florida Aviation Historical Society
Abstract
Oral history interview of John Louis Salsbury Interview conducted by Joseph Morris at Salsbury' home in Florida.
Type
Sound/Podcast
Source
Original 1-hour, 4-minute, and 54-second oral history: Salsbury, John Louis. Interviewed by Joseph Morris. September 9, 2011. Audio record available. <a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank">Museum of Seminole County History</a>, Sanford, Florida.
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Is Part Of
<a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank">Museum of Seminole County History</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/123" target="_blank">Linda McKnight Batman Oral History Project Collection</a>, Seminole County Collection, RICHES of Central Florida.
Coverage
South Park Avenue and West 9th Street, Sanford, Florida
Port Tampa Dock, Port Tampa, Tampa, Florida
Norton Air Force Base, San Bernardino, California
Naval Air Station KeflavÃk, KeflavÃk, Iceland
Homestead Air Reserve Base, Homestead, Florida
John F. Kennedy Space Center, Titusville, Florida
Disney-MGM Studios, Lake Buena Vista, Florida
Creator
Morris, Joseph
Salsbury, John Louis
Contributor
Vickers, Savannah
Date Created
2011-09-09
Date Modified
2014-09-10
Date Copyrighted
2011-09-09
Format
audio/wav
application/pdf
Extent
665 MB
194 KB
Medium
1-hour, 4-minute, and 54-second audio recording
19-page typed transcript
Language
eng
Mediator
History Teacher
Civics/Government Teacher
Geography Teacher
Provenance
Originally created by Joseph Morris and John Louis Salsbury, and transcribed by Savannah Vickers.
Rights Holder
Copyright to this resource is held by the <a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank">Museum of Seminole County History</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank">Museum of Seminole County History</a>
External Reference
"<a href="http://www.floridaahs.org/" target="_blank">Welcome!</a>" Florida Aviation Historical Society. http://www.floridaahs.org/.
Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank"><em>Sanford</em></a>. Charleston, SC: Arcadia, 2003.
Norman, Robert, and Lisa Coleman. <a href="http://www.worldcat.org/oclc/47770675" target="_blank"><em>Tampa</em></a>. Charleston, SC: Arcadia, 2001.
Duggins, Pat. <a href="http://www.worldcat.org/oclc/122701571" target="_blank"><em>Final Countdown: NASA and the End of the Space Shuttle Program</em></a>. Gainesville, FL: University Press of Florida, 2007.
Transcript
<p><strong>Morris<br /></strong>This is an interview with John [Louis] Salsbury. This interview is being conducted on the 9<sup>th</sup> of September, 2011, at the Museum of Seminole County History. The interviewer is Joseph Morris, representing the Linda McKnight Batman Oral History Project for the Historical Society of Central Florida. Mr. Salsbury, could you tell us your name?</p>
<p class="Body"><strong>Salsbury<br /></strong>Yes. I would like to do this as a means of preservation of my family history, and I hope I can do a good job. Anyway, I’d like to start with the year of 1893, when my great-grandparents and my grandfather moved here from Portsmouth, Ohio, by train. My great-grandfather was a master carpenter, and he lived here—the family lived here—on the corner of [West] Ninth Street and [South] Park Avenue—the southwest corner—for about two years. My grandfather [Louis Salsbury] was 19 years old, and he was employed as a railroad telegrapher at the Sanford Railroad Station on the west end of Ninth Street. In 1895, which was the year they moved away, my grandfather participated in a professional bicycle race—a 25-mile race that began in Downtown Orlando, when Orange Avenue was a dirt road, and ended there. My grandfather won the race.</p>
<p class="Body">And after that they moved to Port Tampa, where my great-grandfather became a building contractor and was commissioned by Henry [B.] Plant to build a passenger terminal at the end of the railroad line there in Port Tampa, near Tampa. And steamships—the <em>Mascotte </em>and the <em>Olivette</em>—transported passengers from South America and Cuba to the United States. And they ported—they landed there at the docks. And the terminal building that my great-grandfather built was in use up until that passenger line ceased to operate, but the building remained to 1955.</p>
<p class="Body">Also, just a year or two before the building was commenced, that terminal, Teddy [Theodore] Roosevelt, his Rough Riders [1<sup>st</sup> U.S. Volunteer Calvary] and officers, were among the soldiers and troops that were encamped in the Port Tampa area en route to the Spanish-American War. Teddy Roosevelt and his officers were hosted and remained in my doctor’s—in the Salsbury family doctor’s—home, which was located about a block from my grandparents’ home, and where my great-grandfather built. My grandfather joined the Army and participated in the Spanish-American War, and following that war, my great-grandfather was commissioned to also build a very famous wooden hotel in Bartow-Clearwater area, over near Clearwater. It’s still in use. It’s the Belleview Biltmore Resort. It’s a large wooden hotel, and it’s still in use today.</p>
<p class="Body">Okay, after that, my grandfather married—and he was a telegrapher—and on the west coast at Palm Harbor, Florida, near the Gulf [of Mexico], and between Clearwater and Tarpon Springs, he married Rose Tinny—Rosalind Tinny. And my father [John Wright Salsbury, Jr.] was born in Port Tampa. My great-grandfather had built three homes there, and after my father graduated from high school in the year 1926, he found this moonshiner’s shoe. It was uncovered by a fire that had burnt some palmettos. My father found that—and they determined it belonged to the moonshiner. His name was Herndon, who was killed by the troops when he tried to steal corn from the soldiers encamped there for the Spanish-American War. Well, anyway, the left shoe that I have in my possession is in the Smithsonian Institution, and this right shoe I still retain.<a title="">[1]</a></p>
<p class="Body">Okay, in 1914, just before this—at the age of 12—my father and his sister, Mary, at age of five, flew on the world’s first passenger, scheduled passenger airline from St. Petersburg to Tampa. As a member of the Florida Aviation Historical Society, I’ve been through a lot of this and photographed a lot. I’m their photographer. Well, anyway, in 1914, my father and my aunt flew with Tony Janus, or the line pilot, from St. Petersburg to Tampa. This airline was in operation for three months and flew 1,205 passengers, and is actually on record as being the world’s first scheduled airline.</p>
<p class="Body">My dad moved to—my dad and my mother—I was born in 1931 in Tampa, and my father and mother separated in ’41, and in 1941 we moved to Sanford and have resided in Sanford since. At least I have. My father was a railroad engineer with the Atlantic Coast Line [Railroad]. He had roomed with Cara Stenstrom, the mother of Douglas and Julian and Frank and Herb and Ruth Stenstrom—my stepbrothers and sister. Well, that year, or year around that time, the early 1940s, I recall having met Red Barber, the famous sports announcer’s father, there on the front porch. Okay, Red Barber, who actually went to school in Sanford and graduated from Sanford High School, went on to become the most famous sports announcer in baseball, football.</p>
<p class="Body">All right. I went into the Air Force in 1949, upon graduating from the Seminole High School. I was a radar operator, and while in the service, I served in Alaska, Newfoundland, Iceland, and West Germany. But some of the highlights of my service, while I was—after I returned from Alaska in 1951, I was able—stationed in Norton Air Force Base in the Air Defense Control Center there. I was able to see many movie stars: Marilyn Monroe, Lucille Ball, Lana Turner, Dean Martin and Jerry Lewis, Gregory Peck. I really enjoyed my time there at Norton, because I met all these people, and not only that, I made sure that I worked within the Air Control Center—gave me a ride, or I flew as the co-pilot in a twin-engine bomber trainer called a T-11. And while we were in operations, he was filing his flight plan—I was standing next to a tall gentleman at the counter, where he was filing a flight plan, and on this parachute he had draped over his shoulder was the word “Yeager. So I actually got a chance to see the famous Chuck Yeager, who broke the speed, the sound barrier. And outside was an experimental jet bomber, XB-43,—I remember they called it—and he was probably flying that at the time.</p>
<p class="Body">Anyway, after we took off in this T-11, the major took control of the aircraft ‘til we went over Edward’s restricted area, or Edwards Air Force Base. And then he showed me how to use the radio compass, and I honed it in on Palmdale, where the space shuttles were built. Well, anyway, I took control, and he let me fly the T-11 up over L.A.—Los Angeles—Laguna Beach, Long Beach, all along the coast. And then, when he said we had to go back, he asked me if I thought I could find my way back, and I said, “I believe so.” So I honed in on the mountains there—San Bernardino right there at Norton—and headed back to Norton. And that was one of the most memorable flights I’ve ever taken. I really enjoyed that. All right, uh, upon—you may pause it just for a second.</p>
<p class="Body"><strong>Morris<br /></strong>Good to go, sir.</p>
<p class="Body"><strong>Salsbury<br /></strong>Okie doke. Another thing I’d like to comment on about an experience I had while in the Air Force, stationed in Iceland, President [Richard M.] Nixon stopped over there on the way to Russia, in Keflavík Air Field [Naval Air Station (NAS) Keflavík] in Iceland, and being in radar, I knew about it. So I was down there with my camera—my movie camera—and was able to get some shots of Admiral [Hyman G.] Rickover as he walked out of the plane—walked by. Nixon didn’t get out of the plane, nor did his wife [Pat Nixon].</p>
<p class="Body">Okay, then, when stationed—before my retirement in 1969, I was stationed at Homestead Air [Reserve] Base in South Florida, in radar again. I was electronic warfare NCOIC [Non-Commissioned Officer in Charge], and President Nixon was inaugurated and flew right into Homestead AFB [Homestead ARB] the next day, and I took my son and my daughter over to see him. Well, lo and behold, we were only, right at the front of the fence there at the tarmac there at Homestead, and the President walked directly to us and shook our hands, and it appeared on the front page of <em>The Miami Herald</em> the next morning. So I had a—we had a wonderful experience of meeting Richard Nixon and shaking hands with him. And then I retired shortly after Neil Armstrong put foot on the moon.</p>
<p class="Body"><strong>Salsbury<br /></strong>And I came—we moved back to Sanford, and bought a new home here in Sanford, and I became employed as a postal clerk over in Orlando for one year in the sectional center, and then transferred to Sanford, where for 16 years I was a letter-carrier. Riding a bicycle and a jeep, carrying mail in Sanford.</p>
<p class="Body">Well, while in Sanford as a letter-carrier, I had been taking pictures of the first space shuttle launch from Titusville and the ones following that, and I was taking my film to Eckerd’s drugstore to have it processed. Through a questionnaire that I filled out, the Eckerd’s marketing management and headquarters in Clearwater called me one day. They asked if I would appear in a TV—television commercial for them. And from that, I was titled “The Shuttle Photographer,” and Eckerd’s produced and ran for a year and a half a commercial introducing their one-hour photo service. That helped me, in a way, get my foot in the door as becoming a press photographer at [John F.] Kennedy Space Center, to shoot the space shuttle launches up close. So from the end of ’91, I was credited as a press photographer with <em>The Sanford Herald</em> editor sponsoring me. And throughout the shuttle program, I served as a press photographer at the Space Center, covering the 30-year shuttle program.</p>
<p class="Body">Just recently, in July—in July the 21<sup>st</sup>—the [Space] Shuttle <em>Atlantis</em> landed, and I was there on the end of the runway, and I captured the landing and the tow back of the space shuttle for the last time of <em>Atlantis</em>. <em>Atlantis</em> just happens to be a particular launch vehicle that I took in 1994, November the 3<sup>rd</sup>, that turned out to be my most successful space shuttle photograph. It hangs in the NASA [National Aeronautics and Space Administration] Media [Resource] Center. A 30 x 40. It hangs in the Viera VA [Veterans Affairs] Hospital entrance. It hangs in museums, and it’s been purchased by a number of people over the years. So the STS-66 launch turned out to be my most successful space shuttle picture.</p>
<p class="Body">And now that the shuttle program has ended, I devote my future photography <em>Endeavor</em>s towards shooting wildlife. And here in Lake Mary—close to Sanford—I have some blinds set up, and I have wood duck nesting boxes, and I have been very successful in photographing Florida birds here, and will continue doing so. Thank you, Joe.</p>
<p class="Body"><strong>Morris<br /></strong>Oh, thank you very much, Mr. Salsbury. I have a few more questions if that is okay.</p>
<p class="Body"><strong>Salsbury<br /></strong>Fire away.</p>
<p class="Body"><strong>Morris<br /></strong>Okay, Mr. Salsbury. Earlier you mentioned about the shoe that your family member had found previously?</p>
<p class="Body"><strong>Salsbury<br /></strong>Right. That was my father.</p>
<p class="Body"><strong>Morris<br /></strong>Could you describe that? Yes, your father, sir. Could you tell—could you describe that for us? And then tell us what purpose that shoe was being used for?</p>
<p class="Body"><strong>Salsbury<br /></strong>Well, sure. I’d be glad to.</p>
<p class="Body"><strong>Morris<br /></strong>Thank you, sir.</p>
<p class="Body"><strong>Salsbury<br /></strong>Joe, this shoe that I’m showing you has a tin foundation, or a base, to it, and nailed to the bottom of this piece of tin are two wooden replicas of cows’ hooves, out of wood, carved by this moonshiner. And what the moonshiner would do—he—he was able to attach this to his shoes and conceal his tracks as he went to and from his still, which was located near my family home in Port Tampa, Florida, Hillsborough County. And a fire had really exposed this to my father. It was wrapped—the shoes, the pair of shoes—were wrapped up in a newspaper and was charred, but was exposed when the fire burnt these palmettos along the roadway, which is now in Trask Avenue in Tampa, Florida. T-R-A-S-K. Anyway, when my father opened the package up, here was this pair of overshoes used by moonshiner by the name of Herndon in Port Tampa, to go to and from his still. This moonshiner was later shot to death when he attempted to steal grain—sacks of grain—from the soldiers camped in the area, or en route to the Spanish-American War from Port Tampa to Cuba, where they embarked from Port Tampa. They determined—they found out they were having sacks of grain stolen from them, or missing, so they set up a trap. And actually they caught the guy, and they shot him. But apparently he wasn’t wearing these shoes, and he had these hidden just to go to and from his still. And that’s how come I ended up—the right shoe I have, and I’m showing you at this time. The left shoe, in 1926, was given to the Smithsonian Institution and appeared in <em>The St. Louis</em> [<em>Post-</em>]<em>Dispatch</em> with a picture of it telling that it’s in the museum. I have been unable to locate that copy of <em>The St. Louis Dispatch</em> that I had. I don’t know what happened to it. But anyway, I do know that one shoe was in the Smithsonian Institution.</p>
<p class="Body"><strong>Morris<br /></strong>Well, thank you. That’s a very interesting piece you have there, sir.</p>
<p class="Body"><strong>Salsbury<br /></strong>Thank you.</p>
<p class="Body"><strong>Morris <br /></strong>Another question I have is—you said 1941<a title="">[2]</a> you moved to Sanford?</p>
<p class="Body"><strong>Salsbury<br /></strong>1941.<a title="">[3]</a></p>
<p class="Body"><strong>Morris<br /></strong>Who did you move with, sir?</p>
<p class="Body"><strong>Salsbury<br /></strong>My father, my sister, Rosemary [Salsbury], and I. The three of us.</p>
<p class="Body"><strong>Morris<br /></strong>Okay, sir. And your sister, is she currently living in Sanford, or...</p>
<p class="Body"><strong>Salsbury<br /></strong>No, she lives on the west coast, over near Tarpon Springs.</p>
<p class="Body"><strong>Morris<br /></strong>Okay, sir. And you said, you were describing earlier your experiences working as a press photographer for <em>The Sanford Herald</em>.</p>
<p class="Body"><strong>Salsbury<br /></strong>Right.</p>
<p class="Body"><strong>Morris<br /></strong>Do you have any more experiences that you’d like to share about that, any kind of experiences working at the—as opposed to just taking photographs…</p>
<p class="Body"><strong>Salsbury<br /></strong>The only experiences I have—and one is very interesting ‘cause it deals with Seminole County. As a press photographer, I was given quite a lot of extra photo possibilities. There was a launch of [Space Shuttle] <em>Endeavor</em>—and I don’t recall just what mission it was at the time—but when I boarded the bus to go with an escort to go there to photograph it with my telescope, she handed out a sheet of paper that listed the dignitaries—the important events that was gonna be there at this event site that I had wanted to shoot from. One of them was Alan Shepard, who was the first American astronaut to go into space. All right. She told—I asked her if she’d point him out to me or help me find him. I wanted to get a picture of him. She said, “I could do better than that. I could have your picture taken with him.” So she did that, and they used my camera. And I sent the photo to Houston[, Texas]—to him—and he autographed it and returned it to me, and in turn I gave—I left one with him.</p>
<p class="Body">But I told him in the letter something very interesting that I found out. My classmate in 1949, Bettye Ball [Deadman] from Lake Mary, lived a short distance from Alan Shepard’s grandparents. Alan Shepard used to spend his summer vacations from Connecticut or New Hampshire in Lake Mary. He spent him out there, in his vacations, and his grandparents. One day he was missing, and they couldn’t find him. He was found on the Ball—Bettye, my classmate’s family’s—dining room table eating a banana. And so I told him about this in the letter, and he got a charge out of it.</p>
<p class="Body">But anyway, my stepbrother, Doug Strenstrom—Douglas Stenstrom—is the one that told me first that Alan Shepard had a connection with Lake Mary and Seminole County. And then, when I found that out, I was talking to Bettye Ball and she told me about the banana incident. And so, it so happens that Alan Shepard enjoyed a lot of his school summers, if not most of them, right here in Lake Mary, Seminole County. So, anyway, I got a chance to meet him.</p>
<p class="Body">Not only that—another thing I want to tell you, an interesting thing happened. I wasn’t a press photographer at the time but I had an eight-inch telescope, and I took this with me to shoot from Titusville the first launch of the space shuttle—STS-1 [Space Shuttle] <em>Columbia</em>. And the picture I took, turned out I shot into the sun, but I got a fairly good picture. For a color picture, it turned out black and white. But anyway, I got a good picture. Well, <em>The Orlando Sentinel </em>team saw me, and they took a picture of me with my nephew, Troy Hickson, from Lake Mary, as we were photographing with my telescope. And this was published and in <em>The Sentinel</em>.</p>
<p class="Body">Well, there was a time when I wasn’t—later on, when I wasn’t a press photographer, but I was shooting from the NASA Causeway with my telescope, and the gentleman told me I needed press credentials to get up close and get better pictures. So little wheels started turning in my head as to how I could bring this about. First thing I thought about doing was calling this photographer that had photographed me at the first launch over in Titusville at <em>The Sentinel</em> in Orlando. So I called, and they couldn’t use me in Orlando on the team, but he suggested something that really did it for me. And he suggested that I get a hold of the public affairs people at NASA, at Kennedy, and request a freelance pass—a pass as a freelance photographer. Well, I did this, and that allowed me to start getting passes to put my camera up remotely. I’d put my camera out right next to the shuttle, and using another man’s trigger at first—and finally I knew how to do it and I finally bought the equipment and did it on my own. But anyway, the sound after the solid rockets are fired triggers your camera, and you’re nowhere near it. You’re sitting there anchored down, but it’s up close to it. So that’s how I got my best pictures was in that manner.</p>
<p class="Body">Okay, after that first launch on the 12<sup>th</sup> of April of 1981, there was an air show. It went to Sanford Airport. And I took my son out there, and I had my camera along to shoot the show. And a friend of mine who had a shoe store in Sanford, Donald Knight—well known in Sanford—and he was a flight instructor and a pilot, and he was at front of operations prepping a Cessna for flight. And I walked up and commenced talking to him this day. This is after the launch of the shuttle. And he said, “Do you know whose plane that is next to me?” And I said, “No.” He said, “That’s Neil Armstrong.” I waited until Neil Armstrong came out and his family came out of the operations and got in their plane, and took pictures of this, and got some good pictures of Neil Armstrong. He left there and nobody, of all these people there—the thousands of people at the air show—knew he was there, I think. He taxied out and took off before the air show. So I got pictures of Neil Armstrong.</p>
<p class="Body">Another incident, having been with press credentials and having put my remote cameras out for the launch of John Glenn—STS-95—I was able to get a picture and he posed for me. And this was Buzz Aldrin, who stepped on the moon. And I also got pictures of several of the other astronauts, the one in STS-13—I mean not STS-13—the Apollo 13. And Gordon Cooper.</p>
<p class="Body">Now, not only that, over the years, I was able to meet and become friends with different astronauts, but one of the highlights of my time over there too took place when I was working part-time at [Walt] Disney World, [Disney-]MGM Studios.<a title="">[4]</a> I purchased a little lapel pin of Buzz Lightyear. Well, I had a taken a nice shot of the STS-61 launch of [Space Shuttle] <em>Endeavor</em>, that Story Musgrave was mission specialist of, and did a spacewalk to repair the Hubble [Space] Telescope. Well, my pictures came out so good. I made Christmas cards out of them, put “Merry Christmas,” “Happy New Year,” and all that on them, and I sent them to each one of the crew members in Houston, so when they landed, they would get Christmas card greetings at their launch. Well, I got responses from Kathy Thornton and different ones with autographed pictures of all of them and all that.</p>
<p class="Body">But six months later, I get a telephone call from Story Musgrave—Dr. Story Musgrave—who did the spacewalk repair on the Hubble telescope and was on the mission. He commented to me, he said, “That’s the best night launch picture I’ve seen. Would you make transparencies for me so I can use them in my lectures?” And he called me back later and asked me how much it was and all that. He wanted to pay for it. I didn’t want him to pay for it, but he sent me a check and paid for it. I asked him, I said, “Story, would you take a little Buzz Lightyear pin in space for me in your next mission coming up in September?” Or November. And that was STS-80. He called me back later and said, “Send it on.” He had room. He could take it. So Story Musgrave took a little Buzz Lightyear pin for me on the STS-80 mission of <em>Columbia</em> that ended up being the longest space shuttle mission flown, 17 days. When they returned, it took me two years to get it back. But I got it back, and it was still packaged and in the plastic, and it was accompanied by a certificate of authentication signed by Story Musgrave, telling that “this space,”—oh, “this lapel pin of Buzz Lightyear,”—or something to this effect—“was carried aboard <em>Columbia</em> for John Salsbury,” and so on. So I got this wonderful document to see that by.</p>
<p class="Body">So that kind of sums up some of the most important things that I remember as highlights doing my space shuttle photography over 30 years. I was able to meet a lot of the good ones, and one of them was Tom Jones, and I’m still in touch with him. Most, many of these pictures I have, like the one of STS-96—it shows shooting into the rising sun and everything, Rick Husband, who was killed when the <em>Columbia</em> exploded, he was the pilot of that one. And I’ve got a beautiful picture of that, autographed by the pilot, Kent Romminger. So, a lot of my pictures, even the one with John Glenn’s launch, turned out. I sent it to him. He autographed it for me. I’ve got the picture of John Glenn going up autographed. I’ve got all these autographs on my pictures over there. And my room looks like a museum itself.</p>
<p class="Body"><strong>Morris<br /></strong>Sir, that’s impressive.</p>
<p class="Body"><strong>Salsbury<br /></strong>Thank you. But that’s about it, in a nutshell, I think.</p>
<p class="Body"><strong>Morris<br /></strong>Well, sir, could you tell me a little bit about your family?</p>
<p class="Body"><strong>Salsbury<br /></strong>Well, I think I told you, let me, my great-grandfather’s name was John Wright Salsbury I. He was married to Addie—A-D-D-I-E—Burke Salsbury, and they moved here with their son, my grandfather—later grandfather—Louis Salsbury, to Sanford in 1893, as I mentioned earlier. My dad moved up here upon my mother and father’s separation in 1941. We moved to Sanford from Port Tampa, and that’s when I joined the Stenstrom-Salsbury family, or we were joined, and of course, Douglas and Julian are well-documented in their contributions here in Seminole County. And Frank, he married Henry Took—Harry [Patricia] Took—excuse me, who was a millionaire that owned a lot of groves. And he took care of the groves, my stepbrother did, Frankie.</p>
<p class="Body">And then Herb was a realtor. He was the other stepbrother, and Herb passed away a young man due to lung cancer. But he married Carolyn Patrick, and the Patricks own a packing—a fruit business of citrus and citrus-packing groves and so forth.</p>
<p class="Body">And my stepsister, Ruth, she married a young man that was—became a—he was an umpire in baseball—professional games, but then later became a—they moved to Cocoa Beach and he was on the City Council and he was a postmaster over there at Cocoa Beach, about the time when the Apollo program was going on. And Ruth—no, Julian, was a sports announcer and writer for [<em>The Sanford Herald</em>], he announced for Red WTRR Sanford, a radio station, and he wrote for the columns for <em>The Sanford Herald</em>. And he wrote a lot of them about “Way Back Then”—they titled it—and I have copies of those. He had a wonderful memory and recall of sports. He mentioned—he brought a light that Buddy Lake from Lake Monroe, in Sanford—and Lake Mary, in the Sanford area—a ball player, ended up in the hall of fame from Julian’s efforts. He found out that Buddy had led hitting and pitching at one time, and this was something that hadn’t been done before. This was back when he played for Florida State League. And Julian also brought out the fact that Jackie Robinson broke the color barrier here in Sanford at the Sanford ballpark when he was playing for the [Brooklyn] Dodgers.</p>
<p class="Body">Julian and I—well, Julian became an official in the Southern Baptist brotherhood out in California, in Bakersfield, and I was stationed at Norton Air Force Base in the ‘50s. He and I attended a professional spring training ballgame between the Cincinnati Reds and another team I don’t recall. And Julian and I were sitting on the third base bleacher line there in the stands, and I was sitting maybe ten feet away from a gentleman with a cigar in his mouth. And Julian asked me if I knew who that was. He said, “That’s Branch Rickey.” So Branch Rickey is one of the two people that Red Barber dedicated his book, <em>Walking in the Spirit</em>, to. A great book. It’s in the museum in Sanford. It was given to Julian by Douglas. Anyway, Red Barber mentions—no, Julian wrote an article about Red Barber that I have as well too, and it was published in the Sanford paper, telling about Red Barber’s ball playing and his living here in Sanford. So, I can’t think right offhand of a lot of the highlights that Julian brought out. But anyway, they’re well-documented and covered in articles he wrote for the paper while he was there.</p>
<p class="Body">Oh, another thing, myself and my younger stepbrother, Frank, and my classmates, John Keeling and Richard McNab—Keeling just passed away and he was a retired colonel in the Army. Worked in the Pentagon. And Richard McNab—retired colonel—Lieutenant Colonel in the Air Force, who flew B-47 reconnaissance aircraft. He’s living in Ocean Springs right now. And we all were on the American Legion baseball team in 1948. On March the 16<sup>th</sup> of 1948, Babe Ruth came to Sanford. Julian was the announcer, the master of ceremonies. Carl Hubble was there, John Krider, and Julian, and the mayor, Mayor Williams. Julian introduce a number of the people there, but the mayor actually introduced Babe Ruth. And I was there, and my other members played on the American Legion we had at the time. Babe Ruth signed baseballs for all of us, and we were given these baseballs signed by Babe Ruth. Well, anyway, the wonderful thing happened was that Julian and all of the commentary and all the narration or the talking that was done, even Babe Ruth’s voice, was recorded on a recorder—on a platter, a record, by someone. Well, Julian, my stepbrother, ended up having a copy of that, and he found it before passing away. And we transferred that over to an audio tape, from there to a VHS tape, and now I have it on DVD. We have Babe Ruth’s actual voice, which was eight months to the day before he died, when he was here in Sanford and honored in Sanford. So that about covers everything, Joe.</p>
<p class="Body"><strong>Morris<br /></strong>How about your immediate family?</p>
<p class="Body"><strong>Salsbury<br /></strong>Oh, I’m sorry. I have two children. My wife was from Lake Mary. Her name was Yvonne Eubanks, and she passed away five years ago today, on September 9, 2006, here in Sanford Hospital. She had diabetes and her kidneys gave out on her.</p>
<p class="Body">We have two children. My son is a lieutenant in the fire department, Lake Mary, and my daughter has moved to Tennessee. She was married to Bill Von Herbulis and had a daughter then. And her daughter, Jessica [Frana], well, anyway, later married. But before that my daughter remarried Steve Frana. His father’s friend owned Tube Tech. It’s a stainless steel plant here in Sanford. And there’s a connection. My son-in-law, Steve, actually made all the space shuttle hinges for their payload doors right here in Sanford. So it goes back to the space program.</p>
<p class="Body">But anyway, Steve’s father’s passed on now, but my daughter and Jessica—her daughter by her first husband—they all moved to Tennessee, and have a 45-acre farm up in Tennessee, real nice farm. And Steve had already had four children, two boys and two girls. So then—well, anyway, the total grandchildren I have now are nine, seven by my daughter and two by my son, and I have four great-grandchildren up in Tennessee. And, well, I’m living alone now. And in my latter years, I’m trying to get my family history together, and what we’re doing today, Joe, will help out very much.</p>
<p class="Body"><strong>Morris <br /></strong>Well, we definitely appreciate it, sir.</p>
<p class="Body"><strong>Salsbury <br /></strong>Thank you.</p>
<p class="Body"><strong>Morris<br /></strong>Just one final question, just ‘cause we’re greedy for history.</p>
<p class="Body"><strong>Salsbury<br /></strong>Did I mention my daughter’s name?</p>
<p class="Body"><strong>Morris<br /></strong>Ah, just in case, repeat, sir.</p>
<p class="Body"><strong>Salsbury<br /></strong>I don’t think I did. My son’s name was Terrence Wade Salsbury. He’s the Lieutenant in the Lake Mary fire department. My daughter’s name is Gale—G-A-L-E, not G-A-I-L, but G-A-L-E—Salsbury Frana—F-R-A-N-A. And, oh, one thing I failed to mention is very important. My daughter’ s first child, Jessica, she’s graduated from Wake Forest [University] and from University of Tennessee. She married a Pete Exline, who was a captain in the U.S. Army. Pete was a graduate of [The United States Military Academy at] West Point. His home was Jacksonville. Pete was sent to Iraq for a year, and upon returning from Iraq, he was put in the university, or Georgia Tech [Georgia Institute of Technology], for nuclear physics training, schooling. And from there and today, he has already started. He is an instructor at West Point, instructing nuclear physics. So my grandson-in-law, whatever, my grandson is teaching nuclear physics at West Point right now. So now you got my end of it. [<em>laughs</em>]</p>
<p class="Body"><strong>Morris<br /></strong>I do, sir. Can you describe the differences from Sanford and the local area now, than it was when you saw it in your earlier days, sir?</p>
<p class="Body"><strong>Salsbury<br /></strong>Well, from what I remember mostly, you couldn’t go to a restaurant or practically anywhere without running into people you knew. It was a tight area here, and we knew so many people. And I enjoyed growing up here in Sanford. Throughout my life, oh—there is something I want to mention.</p>
<p class="Body"><strong>Morris<br /></strong>Okay.</p>
<p class="Body"><strong>Salsbury<br /></strong>My grandmother—her great-great-grandfather—now because she married, her father was a Tinny in Clearwater, and they were very wealthy, and the family had owned most of what is Downtown Clearwater right now, at the time. Well anyway, her mother was a daughter of a Anna Frank Bellamy. Now, her grandfather was a William Bellamy, the son of Abraham Bellamy, who was one of the first legislators of the state of Florida when it became a state. He was on the committee that wrote the first Florida constitution, and is a signatory of the first Florida constitution, which was, hell. And my grandmother’s uncle, who was a Bellamy—John Bellamy—he paved a road between Tallahassee and St. Augustine, and parts of it is still there with his name on it. And one of the Bellamys also had paved the way for the first railroad line between Port St. Joe in Tallahassee before the other railroad lines in Florida. And the Bellamys owned a plantation. Plantations were among the wealthiest people in the state of Florida at the time, and Madison County, up near Tallahassee, is where they’re buried. But the Bellamys are distant ancestors of mine through my grandmother.</p>
<p class="Body"><strong>Morris<br /></strong>Wow, sir.</p>
<p class="Body"><strong>Salsbury<br /></strong>I didn’t want to miss that because I wanted to get that in there somewhere. But my grandmother’s—one of my grandmother’s sisters—well, I’ll go a little further. One of my grandmother’s sisters, she was blind in her old age, but she married a Leslie Evie. Her name was Ebie Evie, and she was a Ebie Tinny Evie. Anyway, she and her husband owned what ended up to be a sort of a hotel later, but it was a boarding house and a post office and a waiver point for ships going down the west coast of Florida. And they stopped in there for provisions and so forth—before Tampa was a Tampa, before St. Petersburg was a St. Petersburg. Back in those days, it was one of the big stops along the way. So my aunt—my great-aunt, Ebie—she even hosted a Russian hierarchy woman that was in the hierarchy of the Russian—in the Russians.</p>
<p class="Body">Anyway—but when she was a little girl. They were born—my aunt, grandmother, and her sisters, my great-aunts—they were born in a log cabin at Curlew, on Curlew Creek right there next to Dunedin, between Clearwater and Tarpon Springs in a little town called Dunedin. Curlew’s where they were born in a log cabin. Well, as a young girl, my grandmother’s sister was farmed out to live with a surgeon at Fort Brook in Tampa—before there was a Tampa—the fort there. So this surgeon and his wife raised Ebie as a little girl there, before she got married, anyway, for a number of years. So Fort Brook, in now-Tampa, was involved in all this.</p>
<p class="Body">And then, another sister of my grandmother’s, who was a Tinny—born over there at that log cabin, Ira Wood. Ira Wood was her name, after her married name—Ira Tinny Wood. She and Ebie are two people that are very dear to my memory, because I would spend my school years in Sanford, all my summers over there swimming and scalloping and fishing at my grandparents’ there in Ozona, where they lived. And I spent an awful lot of time at their house. My Aunt Ira, her kitchen always smelled like a bakery, or had smell of those cookies, or something baked in there. I’ll never forget it. And then Ebie, she always sat on the front porch at 1981 High Alder, right by their house, and she’d sit on the porch since she was blind. But so many people, and I’m one of them, enjoyed just sitting there talking to her on that screened porch over the years.</p>
<p class="Body">And, now, Aunt Ira, who was one of the sisters I was telling you about, of my grandmother, she had a son named Duane—William Duane Wood. That was the name of her husband, but this was William Duane II, and we called him Duane. He and my father were very close, and they grew up together, and he was a naval pilot in World War II. And after he got out of the Navy, he wasn’t a fighter pilot, but he was in the Navy, and he gave me a ride in a Piper Cub he had with floats, there in Ozona. Gave me my first sea plane ride. But anyway, he was hired by the Department of Interior—United States Department of Interior—to oversee Sanibel, the island down there. He lived by the lighthouse, and they provided him an airplane and a launch, and he protected the island from the turtles that, you know, nested there, and different things. He flew up and down the coast and provided samples of water. Anyway, before he died—and I was with him when he passed away over in Tarpon Springs, with my aunt—now that was my aunt that flew in the first airline. But anyway, my uncle<a title="">[5]</a>, Duane Wood, he contributed and helped build the flying model, the Benoist model XIV, which was the air boat that Tony Janus flew in 1914.</p>
<p class="Body">And then our president—remember I’m in the Florida Aviation Historical Society—and our president’s gone now, but he flew in 1984, he flew over the same route—this re-model, flying model of the original airplane that flew back in 1914. He flew it over that route, and it’s all documented. And afterwards, it ended up in a museum near Clearwater, and Russell [St.] Arnold, who was a director in the Florida Aviation Historical Society and the primary person responsible for building this flying replica, is the one that gave me my membership and introduced me. I happened to be over showing some videotapes of air shows at Daytona and around to my uncle, Duane, while he was bedridden in Tarpon Springs before he died. Russell [St.] Arnold was there, called him over, and I was able to meet him. And I found out that Duane was instrumental in helping build, or contributing money, contributing something, I don’t what he contributed to the building of this air boat.</p>
<p class="Body">Now, in 1991—I think it was, ’90 or ’91—before he died, Russell [St.] Arnold invited myself and my aunt to go see this flying model in the museum. And it was sitting on the floor at the time, and Russ said, “John, get in.” I said, “I can’t do that. That’s a museum piece.” He said, “Well, it’s mine. I guess you can!” I got in there, and he took a photograph of me standing next to it with my aunt standing beside it, and I have a good picture of that. So now, today, the model—that flying model of the Benoist model XIV flying boat—hangs in the museum in St. Petersburg, at the million dollar pier right there at their historical museum, and they’ve got mannequins in the cockpit up there.</p>
<p class="Body">But not long ago, a Nicole Stott, who was from Clearwater, flew on the space shuttle as a mission specialist. She carried the banner that flew on the first Benoist model XIV, or on that flight—first flight—with Tony Janus in 1914. She took that aboard the space shuttle, and it’s been returned, and now, if you looked at the airplane hanging in the museum, you’ll see that banner up there that she flew in the space shuttle. Not only that, there’s another connection if you want to hear it, about that.</p>
<p class="Body"><strong>Morris </strong>Of course, sir.</p>
<p class="Body"><strong>Salsbury<br /></strong>Okay. I didn’t know it, but being a member of the Florida Aviation Historical Society, I knew Ed Hoffman[, Sr.], who was a man that started our society, and was instrumental in building this too, and all that with our president. He passed on here a while back, the day before he was supposed to be inducted into Florida Aviation’s hall of fame. And, anyway, his son, Eddie [Hoffman]—Ed was an architect in San—uh, Tarpon Springs. And he did the interior decoration for the famous—world-famous—Pappas [Riverside] Restaurant. It was over at Tarpon Springs. But anyway, his son, Eddie, is a pilot and he has his own plane, and he’s an architect, and he and I are in communication with each other. And he sent me an e-mail a while back. And it so happened that Nicole Stott and her father—or at least the family—were friends of the Hoffmans—my friends. And Nicole Stott’s father was an aerobatic pilot. He liked flying aerobatics. Well, he took up one of the Hoffman’s flying boots[?], and somehow it crashed into a seawall and he drowned sometime back. And so, uh, that was a tragic ending there. But Nicole Stott, his daughter, ended up being a, uh, shuttle mission specialist, and flying a mission—a few missions back. So I just wanted to mention that.</p>
<p class="Body"><strong>Morris<br /></strong>Ah. Thank you very much, sir. Do you have anything else you’d like to discuss before we wrap things up?</p>
<p class="Body"><strong>Salsbury<br /></strong>You know, things were out of context and not chronologically spoken. But I’m glad I remembered the things that I did, and I only want to close by saying that photography has meant so much to me now, and I’m enjoying my days now using a digital Nikon camera that I use for the shuttle and getting wonderful wildlife pictures here in Seminole County.</p>
<p class="Body"><strong>Morris<br /></strong>Thank you so much for coming today, sir.</p>
<p class="Body"><strong>Salsbury<br /></strong>Okay.</p>
<p class="Body"><strong>Morris<br /></strong>Really appreciate that.</p>
<p class="Body"><strong>Salsbury<br /></strong>Thank you.</p>
<p class="Body"><strong>Morris <br /></strong>Okay, go ahead.</p>
<p class="Body"><strong>Salsbury<br /></strong>Okay. Something I want to add. In early 1994, Florida Aviation Historical Society’s president, Ed Hoffman, Sr., asked me to get together photographs of the Cape [Canaveral] area—Kennedy, Cape Kennedy—to go in Florida Aviation History in Pictures. It’s going to be made into an exhibit for the Florida Aviation Museum [Florida Air Museum] in Lakeland. And he gave me the assignment of handling the Cape. So, I had contacted Washington[, D.C.] and Houston and obtained the transparencies I needed to have prints made.</p>
<p class="Body">And I—well, later—and this was on April the 11<sup>th</sup> of ’94—the SUN ‘n FUN air show was going on, and they closed the museum there at Lakeland [Linder Regional] Airport to have a dedication ceremony for our exhibit that the Florida Aviation Historical Society put on—Florida Aviation in Pictures. And so, I attended that, and I had my camera, and I was photographing our president, Hoffman, as he was at the podium, and the director of the SUN ‘n FUN started identifying celebrities or people in the crowd. And he mentioned Curtis Brown, and I lit up and knew immediately who it was. I turned, and I went straight, I left the podium and went straight to him, and I asked him if he would pose for me in front of the exhibit I put together on the Cape, there in the museum. And he did. He posed with me and the president in there, and I didn’t know at the time, but Curt Brown also carried aloft on his mission, STS-66, later. A few months later, he carried aloft a decal and a document from the museum, the SUN ‘n FUN museum. Now it’s the Florida Aviation Museum.</p>
<p class="Body">So, as it turned out, I got a chance to meet him and talk with him, and he recalled getting a picture from me of one of the launches when he was at CAPCON, one of the controllers of a mission at Houston. Okay. I told Astronaut Brown that if I got good a picture at his launch, I would send it to him and ask him to autograph it, and so forth. As it turned out, November the 3<sup>rd</sup> of that year, it was the best picture I’ve ever taken. And I set up two cameras, same location, just to be—to try to get a good picture, and it turned out that way. It’s done very well for me. In fact, a 30 x 40 is hanging in that Florida Aviation Museum now, in Lakeland, as well as in the Viera Hospital, Viera Hospital over here on the coast, near Kennedy. And then the Kennedy Space Center Media Center, and different places. Anyway, Curt Brown later was the commander of the mission that flew John Glenn back into space.</p>
<p class="Body">And, well, I want to back up just a few days, because that dedication ceremony took place on the 11<sup>th</sup> of April of 1984. On the 8<sup>th</sup> of April of, just a few days earlier, STS-59 <em>Endeavor</em> was to launch on the 8<sup>th</sup>. And I was out at the fire training tower in the boonies, which was actually about four miles from the pad where the shuttle was. I was out there getting ready to photograph the launch, and up these metal stairs came Ronald Howard, Opie [Taylor] of <em>The Andy Griffith Show, </em>and now a director, producer—anyway, a movie star. His wife and daughter, along with Tom Hanks and his wife. And NASA escorts had brought them up there right beside me, to where I was shooting from. Well, I had a very powerful pair of binoculars—ten power—and they only weighed about nine ounces—Pentax—and I decided to let them use them to look at the shuttle from where we were. And that was the 8<sup>th</sup> of April, and that day, the shuttle was scrubbed and didn’t go up. But the next day, Tom Hanks couldn’t come with his wife. They had to go back or they couldn’t make it, but Ron Howard walked up to the stairs with his wife and daughter, came straight to me, and said, “Your binoculars are on the front page of <em>The Orlando Sentinel </em>this morning.” Here Tom Hanks is with my binoculars, looking at the shuttle.</p>
<p class="Body">Well anyway, I let Ron Howard have my binoculars so they could use them to look at the launch. Well, I photographed it, and he let his daughter use them, and they stood right next to me as the shuttle actually launched on the 9<sup>th</sup> of April. Well, I told Ron Howard—in fact, I brought the picture of him next to me, I brought that up and he autographed it right on the spot. But I told him that I knew the pilot, Curt Brown—no, Kevin Chilton, I want to back up there. The pilot then was Kevin Chilton. I knew the pilot and I would have an autographed picture sent to him for his daughter, and I did that later. I got a NASA photo, 8 x 10, and had Chilton autograph it, and I sent it to Ron Howard. But, having a chance to meet Ron Howard and Tom Hanks and everything there, for a launch, was a highlight that I don’t want to forget. You can pause if you want to.</p>
<div><br /><div>
<p><a title="">[1]</a> Note: These are “over shoes.” Two wooden shaped cow hooves attached to a metal base that would appear to leave cow hoof prints.</p>
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<p><a title="">[2]</a> Correction: 1942.</p>
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<p><a title="">[3]</a> [3] Correction: 1942.</p>
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<p><a title="">[4]</a> Salsbury worked at Disney-MGM Studios from 1995 to 2000.</p>
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<p><a title="">[5]</a> Correction: cousin.</p>
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Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka2/files/original/728e65523012d71068a9e389e9b7eddf.mp3" target="_blank">Oral History of John Louis Salsbury</a>
1st U.S. Volunteer Calvary
9th Street
Abraham Bellamy
Addie Burke
Addie Burke Salsbury
Addie Salsbury
Air Defense Control Center
Al Shepard
Alan Bartlett Shepard, Jr.
Alan Shepard
American Legion
Anna Frank Bellamy
Apollo 13
astronauts
Babe Ruth
Ball, Bettye
baseballs
Belleview Biltmore Resort
Bettye Ball
Bettye Ball Deadman
Bettye Deadman
Bill Von Herbulis
Brown, Curtis
Buddy Lake
Burke, Addie
Buzz Aldrin
Buzz Lightyear
Cape Canaveral
Cara Stenstrom
Carolyn Patrick
Carolyn Patrick Stenstrom
Chilton, Kevin
Chuck Yeager
Clearwater
Curlew
Curlew Creek
Curtis Broke
Disney-MGM Studios
Donald Knight
Douglas Stenstrom
Dunedin
Ebie Tinny
Ebie Tinny Evie
Eckerd
Ed Hoffman, Sr.
Eddie Hoffman
Edwin Eugene Aldrin, Jr.
Florida Air Museum
Florida Aviation Historical Society
Florida Aviation in Pictures
Fort Brook
Frank Stenstrom
Gale Frana
Gale Salsbury
George Herman Ruth, Jr.
Harry Took
Henry B. Plant
Henry Bradley Plant
Herb Stenstrom
Hillsborough County
Homestead
Homestead Air Reserve Base
Homestead ARB
Hubble Space Telescope
Hyman G. Rickover
Hyman George Rickover
Ira Tinny
Ira Tinny Wood
Ira Wood
Jessica Frana
Jessica Frana Exline
John Bellamy
John F. Kennedy Space Center
John Glenn
John Herschel Glenn, Jr.
John Keeling
John Louis Salsbury
John Wright Salsbury, Jr.
John Wright Salsbury, Sr.
Joseph Morris
Julian Stenstrom
Kathy Thornton
Keflavík, Iceland
Kent Rominger
Kent Vernon Rominger
Kevin Chilton
Lake Mary
Lakeland
Lesie Evie
Linda McKnight Batman Oral History Project
Louis Salsbury
Mary Salsbury
Mascotte
moonshiner’s shoes
moonshiners
Museum of Seminole County History
NAS Keflavík
NASA
National Aeronautics and Space Administration
Naval Air Station Keflavík
Neil Alden Armstrong
Neil Armstrong
Nicole Stott
Ninth Street
Norton AFB
Norton Air Force Base
Olivette
Opie Taylor
Ozona
Palm Harbor
Park Avenue
Patricia Stenstrom
Patricia Took
Patricia Took Stenstrom
Pete Exline
photographers
photography
Port Tampa
Portsmouth, Ohio
press photographers
Red Barber
Richard McNab
Richard Milhous Nixon
Richard Nixon
Rick Husband
Ricky Branch
Rommel Rominger
Ron Howard
Ronald William Howard
Rosalind Tinny
Rosalind Tinny Salsbury
Rough Riders
Russell St. Arnold
Ruth Stenstrom
San Bernardino, California
Sanford
Sanford Airport
Sanford High School
Sanford Railroad Station
Seminole County
Seminole High School
Space Shuttle Atlantis
Space Shuttle Columbia
Space Shuttle Endeavor
Space Shuttle Program
Spanish-American War
Steve Frana
Story Musgrave
STS-1
STS-59
STS-61
STS-66
STS-80
STS-95
SUN 'n FUN
Tarpon Springs
Teddy Roosevelt
telegraphers
Terrence Wade Salsbury
The Andy Griffith Show
The Orlando Sentinel
The Sanford Herald
The St. Louis Post-Dispatch
Theodore Roosevelt
Thomas Jeffrey Hanks
Titusville
Tom Hanks
Tom Jones
Tony Janus
Trask Avenue
Troy Hickson
U. S. Air Force
Walt Disney World
Walter Lanier Barber
William Bellamy
William Duane Wood, Jr.
William Duane Wood, Sr.
Wood, Ira Tinny
WTRR Sanford
Yvonne Eubanks
Yvonne Eubanks Salsbury
Yvonne Salsbury
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4a65b36410280d590f3b73dca07aaa6e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Thomas Cook Collection
Alternative Title
Cook Collection
Subject
Orlando (Fla.)
Orange County (Fla.)
Longwood (Fla.)
Cape Canaveral (Fla.)
Lake Wales (Fla.)
Silver Springs (Fla.)
Weeki Wachee (Fla.)
Winter Haven (Fla.)
Osceola County (Fla.)
Winter Park (Fla.)
Description
Collection of digital images, postcards, documents, and other records from the private collection of Thomas Cook. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Contributor
Cook, Thomas
Language
eng
Type
Collection
Coverage
Cape Canaveral, Florida
Lake Wales, Florida
Longwood, Florida
Orange County, Florida
Orlando, Florida
Osceola County, Florida
Winter Haven, Florida
Winter Park, Florida
Rights Holder
All items in the <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/102" target="_blank">Thomas Cook Collection</a> are provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Curator
Cepero, Laura
Digital Collection
<p><a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a></p>
Source Repository
Private Collection of Thomas Cook
Has Part
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/103" target="_blank">Postcard Collection</a>, Thomas Cook Collection, RICHES of Central Florida.
External Reference
<span>Antequino, Stephanie Gaub, and Tana Mosier Porter. <a href="http://www.worldcat.org/oclc/783150094" target="_blank"><em>Lost Orlando</em></a></span><span> Charleston, S.C.: Arcadia Pub, 2012.</span>
"<a href="http://sanfordhistory.tripod.com/Links/wtour.pdf">Downtown Orlando Historic District Walking Tour</a>." City of Orlando. http://sanfordhistory.tripod.com/Links/wtour.pdf.
<span>Rajtar, Steve. <a href="http://www.worldcat.org/oclc/70911136" target="_blank"><em>A Guide to Historic Orlando</em></a></span><span>. Charleston, SC: History Press, 2006.</span>
<span>Osborne, Ray. <a href="http://www.worldcat.org/oclc/253374549" target="_blank"><em>Cape Canaveral</em></a></span><span>. Charleston, SC: Arcadia Pub, 2008.</span>
<span>Smith, Margaret. <a href="http://www.worldcat.org/oclc/51888803" target="_blank"><em>The Edward Bok Legacy: A History of Bok Tower Gardens: The First Fifty Years</em></a></span><span>. Lake Wales, Fla: Bok Tower Gardens Foundation, 2002.</span>
<span>Pelland, Maryan, and Dan Pelland. </span><a href="http://www.worldcat.org/oclc/67516850" target="_blank"><em>Weeki Wachee Springs</em></a><span>. Charleston, SC: Arcadia, 2005.</span>
<span>Flekke, Mary M., Sarah E. MacDonald, and Randall M. MacDonald. <a href="http://www.worldcat.org/oclc/85451307" target="_blank"><em>Cypress Gardens</em></a></span><span>. Charleston, SC: Arcadia, 2006.</span>
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 color map
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Standard Oil Florida Road Map with Pictorial Guide
Alternative Title
Standard Oil Map
Subject
Florida--Maps
Standard Oil Company
St. Augustine (Fla.)
Description
Standard Oil road map of Florida from 1954. The map shows the state of Florida, especially Central Florida and Orlando in 1954. Details of cities and towns, and major roads before Central Florida was bisected by interstate highways and the Florida Turnpike.
Source
Original color map, 1954: General Drafting Company, Inc.: Private Collection of Thomas Cook.
Publisher
General Drafting Company, Inc.
Date Created
1954
Is Format Of
Digital reproduction of original color map, 1954: General Drafting Company, Inc.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/102" target="_blank">Thomas Cook Collection</a>, RICHES of Central Florida.
Requires
<a href="http://www.adobe.com/reader.html" target="_blank">Adobe Acrobat Reader</a>
Format
application/pdf
Extent
46.8 MB
Medium
1 color map
Language
eng
Type
Text
Coverage
Stephen Foster Memorial, White Springs, Florida
St. Augustine, Florida
Gainesville, Florida
Ocala, Florida
Daytona Beach, Florida
Sanford, Florida
Orlando, Florida
Lakeland, Florida
Tampa, Florida
Clearwater, Florida
St. Petersburg, Florida
Spatial Coverage
30.332389, -82.764822
29.897859, -81.311529
29.891767, -81.31633
29.907562, -81.316693
29.891502, -81.314061
29.88803, -81.310169
29.897336, -81.313543
29.89944, -81.313825
29.904207, -81.316724
29.891827, -81.31519
29.89761, -81.314849
29.651659, -82.324734
29.187536, -82.140026
29.210912, -81.022911
28.802563, -81.26936
28.539894, -81.37928
28.039865, -81.950569
27.951345, -82.457314
27.965295, -82.800236
27.772874, -82.639961
Temporal Coverage
1954-01-01/1954-12-31
Accrual Method
Donation
Mediator
History Teacher
Geography Teacher
Provenance
Originally published by General Drafting Company, Inc.
Rights Holder
Copyright to this resource is held by General Drafting Company, Inc. and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Curator
Cook, Thomas
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a>
Source Repository
Private Collection of Thomas Cook
External Reference
Tarbell, Ida M., and David Mark Chalmers. <a href="http://www.worldcat.org/oclc/2870926" target="_blank"><em>The History of the Standard Oil Company</em></a>. New York: Norton, 1969.
Date Copyrighted
1954
Alhambra
Castillo de San Marcos
Castillo de San Marcos National Monument
Clearwater
Daytona Beach
De Leon, Ponce
Florida
fortress
Fountain of Youth
Gainesville
General Drafting Company, Inc.
Lakeland
Lightner Museum of Hobbies
Mantanzas River
Menéndez de Avilés, Pedro
North River
Old Spanish Treasury
Oldest House
Oldest Wooden Schoolhouse
orlando
Ripley's Believe It or Not
Ripley's Robert L.
road map
Sanford
Sebastian River
Shrine of Nuestra Senora de la Leche
Spanish
Spanish colony
SR 1
SR 27
St. Augustine
St. Augustine City Gates
St. Petersburg
Standard Oil Company
Stephen Foster Memorial
Suwannee River
Tampa
U.S. 1
U.S. 29
Villa Zorayda
Wax Museum
White Springs