1
100
23
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Sky Lake Collection
Alternative Title
Sky Lake Collection
Subject
Orlando (Fla.)
Description
Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida
Language
eng
Type
Collection
Coverage
Sky Lake, Florida
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Mormino, Gary R. 2002. "<a href="http://www.worldcat.org/oclc/5544029021" target="_blank">Sunbelt Dreams and Altered States: A Social and Cultural History of Florida, 1950-2000</a>." <em>The Florida Historical Quarterly. </em>81, no. 1: 3-21.
Arsenault, Raymond. "The End of the Long, Hot Summer: The Air Conditioner and Southern Culture." <a href="http://www.worldcat.org/oclc/1782314" target="_blank"><em>Journal of Southern History</em></a> Vol. 50, no. 4 (November, 1984): 597-628.
Staeheli, Lynn A. and Don Mitchell. "USA’s Destiny? Regulating Space and Creting Community in American Shopping Malls." <a href="http://www.worldcat.org/oclc/37915650" target="_blank"><em>Urban Studies</em></a> Vol. 43, nos 5/6 (May 2006): 977-992.
Dietrich, T. Stanton. <a href="http://www.worldcat.org/oclc/4683014" target="_blank"><em>The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970</em></a>. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978.
Rome, Adam Ward. <a href="http://www.worldcat.org/oclc/44594084" target="_blank"><em>The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism</em></a>. Cambridge: Cambridge University Press, 2001.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Grid Map of Unincorporated Communities South of Orlando
Alternative Title
Pine Castle Grid Map
Subject
Orlando (Fla.)
Pine Castle (Orlando, Fla.)
Edgewood (Fla.)
Taft (Fla.)
Belle Isle (Fla.)
Description
A grid map of various unincorporated communities south of Orlando, Florida. Such communities include Edgewood, Pine Castle, Conway, Belle Isle, and Taft. Other notable sites on the map include the Orlando International Airport and the Martin Andersen Bee Line Expressway, formerly called Florida State Road 528 (SR 528).
Type
Still Image
Source
Original map: <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>, Pine Castle, Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida.
Is Format Of
Digital reproduction of original map.
Coverage
Edgewood, Florida
Pine Castle, Florida
Conway, Florida
Belle Isle, Florida
Taft, Florida
Orlando International Airport, Orlando, Florida
Contributor
Lake, Harriett
Date Created
ca. 1960-1969
Format
image/jpg
Extent
548 KB
Medium
1 map
Language
eng
Mediator
History Teacher
Geography Teacher
Rights Holder
Copyright to this resource is held by the <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Tracy, Jane. "<a href="http://dc.ocls.info/memory/image/harriett-and-hymen-lake" target="_blank">Harriett and Hymen Lake</a> .'" Orlando Memory, March 11, 2014, http://dc.ocls.info/memory/image/harriett-and-hymen-lake.
airports
Belle Isle
Conway
Edgewood
Florida State Road 528
grids
I-4
Interstate 4
Martin Andersen Beachline Expressway
Martin Andersen Bee Line Expressway
orlando
Orlando International Airport
Pine Castle
South Orlando
SR 528
Taft
-
https://richesmi.cah.ucf.edu/omeka/files/original/09f88af1867f319fcf6f5b5fd234b018.jpg
7a41a14cc9985b35d8e6c8896862b900
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Sky Lake Collection
Alternative Title
Sky Lake Collection
Subject
Orlando (Fla.)
Description
Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida
Language
eng
Type
Collection
Coverage
Sky Lake, Florida
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Mormino, Gary R. 2002. "<a href="http://www.worldcat.org/oclc/5544029021" target="_blank">Sunbelt Dreams and Altered States: A Social and Cultural History of Florida, 1950-2000</a>." <em>The Florida Historical Quarterly. </em>81, no. 1: 3-21.
Arsenault, Raymond. "The End of the Long, Hot Summer: The Air Conditioner and Southern Culture." <a href="http://www.worldcat.org/oclc/1782314" target="_blank"><em>Journal of Southern History</em></a> Vol. 50, no. 4 (November, 1984): 597-628.
Staeheli, Lynn A. and Don Mitchell. "USA’s Destiny? Regulating Space and Creting Community in American Shopping Malls." <a href="http://www.worldcat.org/oclc/37915650" target="_blank"><em>Urban Studies</em></a> Vol. 43, nos 5/6 (May 2006): 977-992.
Dietrich, T. Stanton. <a href="http://www.worldcat.org/oclc/4683014" target="_blank"><em>The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970</em></a>. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978.
Rome, Adam Ward. <a href="http://www.worldcat.org/oclc/44594084" target="_blank"><em>The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism</em></a>. Cambridge: Cambridge University Press, 2001.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Orlando Grid Map
Alternative Title
Orlando Grid Map
Subject
Orlando (Fla.)
Description
A grid map of Orlando, Florida, showing what appears to be the proposed site for the Sky Lake, a residential community and unincorporated area. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. This residential community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. This residential community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.
Type
Still Image
Source
Original map: <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>, Pine Castle, Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/20" target="_blank">Orlando Collection</a>, Orange County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original map.
Coverage
Sky Lake, Florida
Contributor
Lake, Harriett
Date Created
ca. 1950-1969
Format
image/jpg
Extent
548 KB
Medium
1 map
Language
eng
Mediator
History Teacher
Geography Teacher
Rights Holder
Copyright to this resource is held by the <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Tracy, Jane. "<a href="http://dc.ocls.info/memory/image/harriett-and-hymen-lake" target="_blank">Harriett and Hymen Lake</a> .'" Orlando Memory, March 11, 2014, http://dc.ocls.info/memory/image/harriett-and-hymen-lake.
Dean Road
Florida State Road 15
Florida State Road 50
Florida Technological University
Florida's Turnpike
FTU
grids
I-4
Interstate 4
Lake Barton Road
Martin
OBT
Orange Blossom Trail
orlando
Orlando-Cape Canaveral Expressway
Rio Pinar Country Club
Scenic Parkway
Sky Lake
SR 15
SR 50
U.S. Route 441
UCF
University of Central Florida
US 441
-
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34994d1e9770a7e6b7e0d129fa736cc5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Orlando City Hall Collection
Alternative Title
City Hall Collection
Subject
Orlando (Fla.)
City halls--United States
Description
Historic artifacts from an exhibit created by Orlando Remembered at the Orlando City Hall, located at 400 South Orange Avenue in Downtown Orlando, Florida. This exhibit houses objects relating to Orlando's municipal government. The current building opened in July of 1991. The former city hall was located directly in front of current building and was in operation from 1958 to 1991. The exhibit features photographs and memorabilia from past Orlando mayors dating back to 1932.<br /><br />Orlando Remembered is a community based group, dedicated to the preservation of Downtown Orlando's past. To date, the group has constructed 18 exhibits in the downtown area that highlight the current building's connection to the past.
Contributor
Orlando Remembered
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank">Orlando Remembered Collection</a>, Orlando Collection, Orange County Collection. RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Orlando City Hall, Downtown Orlando, Florida
Contributing Project
Orlando Remembered
Curator
Cepero, Laura
Barnes, Mark
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
"<a href="http://www.historiciconsoforlando.com/" target="_blank">The Historic Icons of Orlando</a>." Orlando Remembered. http://www.historiciconsoforlando.com/.
Bacon, Eve. <a href="http://www.worldcat.org/oclc/2020029" target="_blank"><em>Orlando: A Centennial History</em></a>. Chuluota, Fla: Mickler House, 1975.
Rajtar, Steve. <a href="http://www.worldcat.org/oclc/70911136" target="_blank"><em>A Guide to Historic Orlando</em></a>. Charleston, SC: History Press, 2006.
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Action Center USA
Alternative Title
Action Center USA
Subject
Orlando (Fla.)
Sports--Florida
Tourism--Florida
Description
An advertisement produced to showcase the advent of mid-century modernism in Orlando, Florida. The film depicts marketing strategies aimed at attracting white middle-to-upper class men in either military or defense technology engineering professions. It emphasizes the economic, cultural, and social changes taking place within Orlando that make it an ideal place to raise a family and to live a fulfilling life. The film also depicts developments and signs of growth that occurred in Orlando before the Walt Disney World Resort opened.
Type
Moving Image
Source
Original 14-minute and 28-second color film: <a href="https://www.floridamemory.com/items/show/232384" target="_blank"><em>Action Center USA</em></a>. Directed by Grant Gravitt (Orlando, FL: Tel Air Interests, Inc.): <a href="http://dlis.dos.state.fl.us/index_Researchers.cfm" target="_blank">State Library and Archives of Florida</a>, Tallahassee, Florida.
Is Part Of
<a href="http://dlis.dos.state.fl.us/index_Researchers.cfm" target="_blank">State Library and Archives of Florida</a>, Tallahassee, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/20" target="_blank">Orlando Collection</a>, Orange County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 14-minute and 28-second color film: <a href="https://www.floridamemory.com/items/show/232384" target="_blank"><em>Action Center USA</em></a>. Directed by Grant Gravitt (Orlando, FL: Tel Air Interests, Inc.).
Coverage
Cape Kennedy, Titusville, Florida
McCoy Air Force Base, Orlando, Florida
Orlando Public Library, Orlando, Florida
Central Florida Museum, Orlando, Florida
Loch Haven Art Center, Orlando, Florida
Winter Park, Florida
Colonial Plaza Mall, Orlando, Florida
Date Created
ca. 1960-1969
Format
video/mp4
Extent
98.4 MB
Medium
14-minute and 28-second color film
Language
eng
Mediator
History Teacher
Geography Teacher
Rights Holder
Copyright to this resource is held by the <a href="http://dlis.dos.state.fl.us/index_Researchers.cfm" target="_blank">State Library and Archives of Florida</a>, and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
Orlando Remembered
Curator
Wolf, Casey
Cepero, Laura
Digital Collection
<a href="http://www.floridamemory.com/" target="_blank">Florida Memory</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://dlis.dos.state.fl.us/index_Researchers.cfm" target="_blank">State Library and Archives of Florida</a>
External Reference
Dickinson, Joy Wallace. <a href="http://www.worldcat.org/oclc/53872607" target="_blank"><em>Orlando: City of Dreams</em></a>. Charleston, SC: Arcadia, 2003.
Antequino, Stephanie Gaub, and Tana Mosier Porter. <a href="http://www.worldcat.org/oclc/783150094" target="_blank"><em>Lost Orlando</em></a>. Charleston, SC: Arcadia, 2012.
airplanes
airports
amusement parks
Arnold Daniel Palmer
Arnold Palmer
arts
automobiles
baseballs
Billy Kelly
boating
boats
Bruce Devlin
Bruce William Devlin
Cape Kennedy
cars
Central Florida Museum
chambers of commerce
church
churches
citrus
citrus groves
Citrus Open Golf Tournament
City Beautiful
City of Orlando
cold war
colleges
Colonial Plaza Mall
Commerce
County of Orange
Dean Refram
Delta Air Lines
dog racing
Doug Sanders
Downtown Orlando
Eastern Air Lines
Elegant Company
festivals
Florida Symphony Orchestra
Florida Technological University
footballs
FTU
George Alfred Christian Knudson
George Douglas Sanders
George Knudson
Glover
golf
golfers
Graduate Engineering Education System
Grant Gravitt
Herndon Municipal Airport
highways
I-4
industrial parks
Interstate 4
jai alai
Jim Carlton
Joan Roberts
Julius Boros
Julius Nicholas Boros
Lake Eola
Lake Eola Park
libraries
library
Loch Haven Art Center
Mad Tea Party
manufacturing
marching bands
Martin Marietta Corporation
McCoy AFB
McCoy Air Force Base
McCoy Jetport
Minnesota Twins
Minute Maid Company
monorails
motor vehicles
National Airlines
orange county
Orange County School System
oranges
orchestras
orlando
Orlando Area Chamber of Commerce
Orlando businesses
Orlando Central Park
Orlando Junior College
Orlando Panthers
Orlando Public Library
Orlando Twins
paintings
parks
planes
Player
retail
roads
Rollins College
Rule
schools
Seven Dwarfs
shopping
shopping malls
shops
space
space age
space race
sports
Spring Training
stores
Sunny Fader
synagogues
Tangerine Bowl
technology
Tel Air Interests, Inc.
theme parks
Tupperware Brands
UF
University of Florida
Vanda Cosmetics
Walt Disney
Walt Disney World Resort
Walter Elias Disney
water skiing
Weiskopf
Winter Park
Winter Park Sidewalk Art Festival
Xerox Corporation
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida Historical Quarterly Podcasts Collection
Alternative Title
FHQ Podcast Collection
Description
The <em>Florida Historical Quarterly </em>is the academic journal published four times per year by the Florida Historical Society in cooperation with the Department of History at the University of Central Florida. Each issue features peer-reviewed articles focusing on a wide variety of topics related to Florida history.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/" target="_blank">RICHES of Central Florida</a>.
Language
eng
Type
Collection
Coverage
Florida
Contributing Project
<a href="https://myfloridahistory.org/quarterly" target="_blank"><em>The Florida Historical Quarterly</em></a>
Curator
Burke, Mike
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a>
External Reference
"<a href="https://myfloridahistory.org/quarterly" target="_blank">Florida Historical Quarterly</a>." Florida Historical Society. https://myfloridahistory.org/quarterly.
"<a href="http://fhq.cah.ucf.edu" target="_blank">The Florida Historical Quarterly</a>." College of Arts and Humanities, University of Central Florida. http://fhq.cah.ucf.edu.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida Historical Quarterly, Episode 25: Vol. 93, No. 4, Spring 2015
Alternative Title
Florida Historical Quarterly, Ep. 25
Subject
Miami (Fla.)
Overtown (Miami, Fla.)
Highways
Housing--Florida
Description
This episode features an interview with Dr. Robert Cassanello, looking back at the career of Dr. Raymond A. Mohl. Dr. Mohl passed away in earlier in the year and This obituary is featured in the Spring 2015 issue. This podcast includes a discussion about the impact of Dr. Mohl, as well as excerpts from an unaired 2011 interview with Dr. Mohl about interstate highway planning and protests.
Type
Sound
Source
Original 27-minute and 35-second audio podcast by Daniel S. Murphree, 2015: <a href="https://myfloridahistory.org/quarterly" target="_blank"><em>The Florida Historical Quarterly</em></a>, Florida Historical Society, Cocoa, Florida.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://myfloridahistory.org/quarterly" target="_blank"><em>The Florida Historical Quarterly</em></a>, Florida Historical Society, Cocoa, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/184" target="_blank">Florida Historical Quarterly Podcast Collection</a>, RICHES of Central Florida.
Coverage
Interstate 4, Florida
Interstate 95, Overtown, Downtown Miami, Florida
Creator
Murphree, Daniel S.
Publisher
<a href="https://myfloridahistory.org/quarterly" target="_blank"><em>The Florida Historical Quarterly</em></a>
Contributor
Cassanello, Robert
Mohl, Raymond A.
<a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a>
<a href="http://history.cah.ucf.edu/" target="_blank">University of Central Florida, Department of History</a>
Date Created
2015
Date Issued
2015
Date Copyrighted
2015
Format
audio/mp3
Extent
50.5 MB
Medium
27-minute and 35-second audio podcast
Language
eng
Mediator
History Teacher
Civics/Government Teacher
Provenance
Originally created by Daniel S. Murphree and published by the <a href="https://myfloridahistory.org/quarterly" target="_blank"><em>The Florida Historical Quarterly</em></a>.
Rights Holder
Copyright to this resource is held by the <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
<a href="https://myfloridahistory.org/quarterly" target="_blank"><em>The Florida Historical Quarterly</em></a>
Curator
Burke, Mike
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a>
External Reference
Rose, Mark H., and Raymond A. Mohl. <a href="http://www.worldcat.org/oclc/824850242" target="_blank"><em>Interstate Highway Politics and Policy Since 1939</em></a>. Knoxville: University of Tennessee Press, 2012.
Mohl, Raymond A., and Roger Biles. <a href="http://www.worldcat.org/oclc/742512287" target="_blank"><em>The Making of Urban America</em></a>. Lanham, Md: Rowman & Littlefield, 2012.
Click to View (Movie, Podcast, or Website)
<a href="https://youtu.be/i1634xlBYSQ" target="_blank">Episode 25: Vol. 93, No. 4, Spring 2015</a>
African Americans
Arthur F. Burns
Arthur Frank Burns
BPR
Daniel S. Murphree
Derrick Hermanstorfer
Dwight D. Eisenhower
Dwight D. Eisenhower National System of Interstate and Defense Highways
Dwight David Eisenhower
expressways
Federal-Aid Highway Act of 1968
FHQ
Florida Historical Quarterly
Gerald N. Grob
Harry S. Truman
highway engineers
historicism
housing relocation
I-4
I-95
Ike Eisenhower
Interstate 4
Interstate 95
Interstate Freeway System
Interstate Highway System
Interstate System
Liberty City
Miami
Miami-Dade County
Overtown
public housing
public works projects
race relations
Raymond A. Mohl
regional planning
roads
Robert Cassanello
Robert Moses
Thomas H. MacDonald
U.S. Bureau of Public Roads
urban planning
urban renewal
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393bc83b89771df2507dc1ed12c94504
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84a4cea58695a115be95922a5ddcb292
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Orlando Collection
Description
The Orlando area was originally occupied by the Creek and Seminole tribes. In 1838, Fort Gatlin was erected on the shores of Lake Gatlin, just a few miles south of present-day Downtown Orlando. Centered around Church Street, Orlando became a city in 1884.<br /><br />Originally a cattle town, Orlando grew into a major citrus growing center by the 1920s. The city continued to grow during the Great Depression with aid from the Work Progress Administration (WPA). During World War II, Orlando became a major military center as well, with the development of the McCoy Air Force Base and Pinecastle Air Force Base, and with the addition of the Naval Training Center (NTC) Orlando in 1968. Downtown Orlando declined in the 1960s and 1970s. Redevelopment began in the 1970s and continued into the 1980s, with projects such as the Church Street Station entertainment complex. In 1998, a building boom began and continued through the 2000s.
Contributor
Cook, Thomas
Cepero, Nancy Lynn
Cepero, Laura Lynn
Alternative Title
Orlando Collection
Subject
Orlando (Fla.)
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Orlando, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Antequino, Stephanie Gaub, and Tana Mosier Porter. <a href="http://www.worldcat.org/oclc/783150094" target="_blank"><em>Lost Orlando</em></a>. Charleston, S.C.: Arcadia Pub, 2012.
Rajtar, Steve. <a href="http://www.worldcat.org/oclc/70911136" target="_blank"><em>A Guide to Historic Orlando</em></a>. Charleston, SC: History Press, 2006.
"<a href="http://sanfordhistory.tripod.com/Links/wtour.pdf" target="_blank">Downtown Orlando Historic District Walking Tour</a>." City of Orlando. http://sanfordhistory.tripod.com/Links/wtour.pdf.
Has Format
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/69" target="_blank">Orlando Philharmonic Orchestra Collection</a>, Orlando Collection, Orange County Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank">Orlando Remembered Collection</a>, Orlando Collection, Orange County Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank">Downtown Orlando Information Center Collection</a>, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/110" target="_blank">Orlando Public Library Collection</a>, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/111" target="_blank">Orlando Regions Bank Collection</a>, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida Mall Site Plan Aerial
Alternative Title
Florida Mall Site Plan
Subject
Orlando (Fla.)
Shopping malls--United States
Description
The proposed site location for the Florida Mall in Orlando, Florida, around 1979. These photographs have been annotated to show major highways and other areas of interest. The mall was designed and constructed by the Edward J. DeBartolo Corporation, founded by Edward J. DeBartolo, Sr. (1909-1994) in 1944. Edward J. DeBartolo Jr. (b. 1946) joined his father's business and together they became known as the "kings of the shopping mall." By the late 1980s, the DeBartolo Corporation had constructed 51 shopping malls, including 21 in Florida. The Florida Mall, located on the corner of Sand Lake Road and Orange Blossom Trail, was designed to appeal to Central Florida's large tourist economy and opened in March of 1986. Originally, the mall sat on 250 acres, contained over 1.3 million square feet of shopping space, and featured over 160 stores.
Type
Still Image
Source
Photocopy of original 8.5 x 11 inch black and white photographs: <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>, Pine Castle, Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/20" target="_blank">Orlando Collection</a>, Orange County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of photocopied 8.5 x11 inch black and white photograph.
Coverage
The Florida Mall, Orlando, Florida
Contributor
Lake, Harriett
Date Created
ca. 1979
Format
image/jpg
Medium
8.5 x11 inch black and white photograph
Language
eng
Mediator
History Teacher
Geography Teacher
Rights Holder
Copyright to this resource is held by the <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
Sky Lake Project
Curator
Barnes, Mark
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Crawford, Selwyn. "<a href="http://articles.orlandosentinel.com/1986-06-15/business/0230120196_1_debartolo-shopping-malls-mall-in-south" target="_blank">Edward J. DeBartolo Sr. bristles at even the slightest…</a>.'" <em>The Orlando Sentinel</em>, June 15, 1986. http://articles.orlandosentinel.com/1986-06-15/business/0230120196_1_DeBartolo-shopping-malls-mall-in-south.
Bee Line
consumer shopping
Edward J. DeBartolo Corporation
Florida Mall
Florida State Road 527
Florida State Road 528A
Florida's Turnpike
I-4
Interstate 4
JCPenney Realty, Inc.
Martin Andersen Beachline Expressway
Martin Andersen Bee Line Expressway
McCoy Road
OBT
Orange Avenue
Orange Blossom Trail
orlando
Orlando Central Park
real estate developments
retail
Ronald Reagan Turnpike
Sand Lake Road
shopping malls
SR 527
SR 528A
Sunshine State Parkway
U.S. Route 441
U.S. Route 92
US 441
US 92
-
https://richesmi.cah.ucf.edu/omeka/files/original/d5d9fb4ec5ca08993809341e38e9b474.jpg
41c73ddd91a3b0ef58adf0010277ce9f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Sky Lake Collection
Alternative Title
Sky Lake Collection
Subject
Orlando (Fla.)
Description
Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida
Language
eng
Type
Collection
Coverage
Sky Lake, Florida
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Mormino, Gary R. 2002. "<a href="http://www.worldcat.org/oclc/5544029021" target="_blank">Sunbelt Dreams and Altered States: A Social and Cultural History of Florida, 1950-2000</a>." <em>The Florida Historical Quarterly. </em>81, no. 1: 3-21.
Arsenault, Raymond. "The End of the Long, Hot Summer: The Air Conditioner and Southern Culture." <a href="http://www.worldcat.org/oclc/1782314" target="_blank"><em>Journal of Southern History</em></a> Vol. 50, no. 4 (November, 1984): 597-628.
Staeheli, Lynn A. and Don Mitchell. "USA’s Destiny? Regulating Space and Creting Community in American Shopping Malls." <a href="http://www.worldcat.org/oclc/37915650" target="_blank"><em>Urban Studies</em></a> Vol. 43, nos 5/6 (May 2006): 977-992.
Dietrich, T. Stanton. <a href="http://www.worldcat.org/oclc/4683014" target="_blank"><em>The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970</em></a>. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978.
Rome, Adam Ward. <a href="http://www.worldcat.org/oclc/44594084" target="_blank"><em>The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism</em></a>. Cambridge: Cambridge University Press, 2001.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 black and white photograph
Physical Dimensions
8 x 10 inches
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Bee Line Mall, 1966
Alternative Title
Bee Line Mall
Subject
Orlando (Fla.)
Housing--Florida
Shopping malls--United States
Retail industry
Description
An aerial photograph showing the Bee Line Mall and its surrounding areas in 1966. The photograph is annotated to show the surrounding roadways, Sky Lake, Oak Ridge, Candlelight Park, the Gold Key Inn, Piccadilly Restaurant, and Travelodge. Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.
Type
Still Image
Source
Original 8.5 x 11 inch black and white photograph, 1966: <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>, Pine Castle, Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/179" target="_blank">Sky Lake Collection</a>, Orange County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 8 x 10 inch black and white photograph, 1966.
Coverage
Sky Lake, Florida
Bee Line Mall, Sky Lake, Florida
Oak Ridge, Sky Lake, Florida
Oak Ridge II, Sky Lake, Florida
Contributor
Lake, Harriett
Date Created
1905-05-19
Date Submitted
190 KB
Format
image/jpg
Medium
8 x 10 inch black and white photograph
Language
eng
Mediator
History Teacher
Geography Teacher
Rights Holder
Copyright to this resource is held by the <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Barnes, Mark
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Tracy, Jane. "<a href="http://dc.ocls.info/memory/image/harriett-and-hymen-lake" target="_blank">Harriett and Hymen Lake</a> .'" Orlando Memory, March 11, 2014, http://dc.ocls.info/memory/image/harriett-and-hymen-lake.
Bee Line Mall
Candlelight Park
Colonial Drive
Downtown Orlando
Florida State Road 50
Florida State Road 528
Gold Key Inn
homes
hotels
houses
housing
I-4
inns
Interstate 4
lodges
Martin Andersen Bee Line Expressway
neighborhoods
Oak Ridge
OBT
Orange Avenue
Orange Blossom Trail
orlando
Piccadilly Restaurant
residential developments
shopping malls
Sky Lake
SR 50
SR 528
Sunshine State Parkway
Travelodge Orlando-Sky Lake
U.S. Route 17
U.S. Route 441
U.S. Route 92
US 17
US 441
US 92
-
https://richesmi.cah.ucf.edu/omeka/files/original/54764114e3bd1e47c99f39035e4d9cc9.pdf
6babc2bfaeea80bb3642c8459b27cda1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Sky Lake Collection
Alternative Title
Sky Lake Collection
Subject
Orlando (Fla.)
Description
Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida
Language
eng
Type
Collection
Coverage
Sky Lake, Florida
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Mormino, Gary R. 2002. "<a href="http://www.worldcat.org/oclc/5544029021" target="_blank">Sunbelt Dreams and Altered States: A Social and Cultural History of Florida, 1950-2000</a>." <em>The Florida Historical Quarterly. </em>81, no. 1: 3-21.
Arsenault, Raymond. "The End of the Long, Hot Summer: The Air Conditioner and Southern Culture." <a href="http://www.worldcat.org/oclc/1782314" target="_blank"><em>Journal of Southern History</em></a> Vol. 50, no. 4 (November, 1984): 597-628.
Staeheli, Lynn A. and Don Mitchell. "USA’s Destiny? Regulating Space and Creting Community in American Shopping Malls." <a href="http://www.worldcat.org/oclc/37915650" target="_blank"><em>Urban Studies</em></a> Vol. 43, nos 5/6 (May 2006): 977-992.
Dietrich, T. Stanton. <a href="http://www.worldcat.org/oclc/4683014" target="_blank"><em>The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970</em></a>. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978.
Rome, Adam Ward. <a href="http://www.worldcat.org/oclc/44594084" target="_blank"><em>The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism</em></a>. Cambridge: Cambridge University Press, 2001.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Original Format
52-page report
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Bee Line Expressway Engineering Report
Alternative Title
Bee Line Engineering Report
Subject
Roads--Florida
Highways
Description
An engineering report for the planned construction of Florida State Road 528 (SR 528), also called the Martin Andersen Bee Line Expressway, published in November of 1964. This report include details regarding the original phase of the project, along with a summary of future extensions, site plans, maps, and bridge plans. Now known as the Martin Andersen Beachline Expressway, SR 528 is a Central Florida Toll Road that connects Orlando, Florida, at Interstate 4 (I-4) with Cocoa Beach at Florida State Road A1A (SR A1A). The highway operates under the joint guidance of the Central Florida Expressway Authority (CFX) and the Florida's Turnpike Enterprise (FTE). The first segment of the 41 mile road was opened on July 14, 1968. Martin Anderson, the influential owner of the Orlando Sentinel newspaper, proposed the road to connect Orlando to the Florida State Road 520 (SR 520) exchange that ran to Cocoa Beach.
Type
Text
Source
Original 52-page report: <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>, Pine Castle, Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/179" target="_blank">Sky Lake Collection</a>, Orange County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 52-page report.
Coverage
Florida State Road 528, Orlando, Florida
Florida State Road 528, Christmas, Florida
Interstate 4-Florida State Road 528 Crossroad, Orlando, Florida
Sunshine State Parkway-Florida State Road 528 Crossroad, Orlando, Florida
Publisher
<a href="https://www.cfxway.com/" target="_blank">Orange County Expressway Authority</a>
Contributor
<a href="http://rsandh.com/" target="_blank">Reynolds, Smith &amp</a>
Hills
<a href="http://www.hntb.com/" target="_blank">Howard, Needles, Tammen &amp</a>
Bergendoff
Lake, Harriett
Date Created
ca. 1964-11
Date Copyrighted
1964-11-01
Date Submitted
8.01 MB
Format
application/pdf
Medium
52-page report
Language
eng
Mediator
History Teacher
Civics/Government Teacher
Economics Teacher
Geography Teacher
Provenance
Originally published by the <a href="https://www.cfxway.com/" target="_blank">Orange County Expressway Authority</a>.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:
<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li>
<li>create derivative works</li>
<li>perform the work publicly</li>
<li>display the work</li>
<li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li>
</ul>
This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Secton 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Barnes, Mark
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
"<a href="https://www.cfxway.com/TravelersExpressways/Expressways/CurrentExpressways/528BeachLine.aspx" target="_blank">Welcome to State Road 528</a>." Central Florida Expressway Authority. https://www.cfxway.com/TravelersExpressways/Expressways/CurrentExpressways/528BeachLine.aspx.
American Association of State Highway Officials
Beachline Expressway
Bee Line Expressway
Brevard County
bridges
Cape Canaveral
Cape Kennedy
City of Orlando
Civil Jet Terminal
Cocoa Beach
construction
crossroads
East Central Florida Regional Planning Council
engineering
Expressway Authority Act Commission
farms
Federal Aid Highway Act of 1956
Florida Legislature Industrial Complex
Florida State Road 15
Florida State Road 15A
Florida State Road 50
Florida State Road 500
Florida State Road 520
Florida State Road 527
Florida State Road 528
highways
Howard, Needles, Tammen & Bergendoff
I-4
I-75
Interstate Highway 4
Interstate Highway 75
Interstate Highway Design Criteria
Interstate Highway System
Lake Barton Road Zoning Commission
Martin Andersen Beachline Expressway
Martin Andersen Bee Line Expressway
Martin Anderson
McCoy AFB
McCoy Air Force Base
Merritt Island Launch Area
National Interstate and Defense Highways Act
orlando
Orlando International Airport
Orlando-Orange County Expressway Authority
Patrick AFB
Patrick Air Force Base
ramps
Reynolds, Smith & Hills
roads
SR 15
SR 15A
SR 50
SR 500
SR 520
SR 527
SR 528
SRD
Standard Specifications for Highway Bridges
Standard Specifications for Road and Bridge Construction
State Road Department
Toll 528, tourism
toll plazas
toll roads
U.S. Route 17
U.S. Route 441
U.S. Route 92
urban design
urban planning
US 17
US 441
US 92
-
https://richesmi.cah.ucf.edu/omeka/files/original/450d773c3b54af0895a3acd85b3480e5.pdf
7303d5f213464a5e193f15dcb981e635
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Orlando Collection
Description
The Orlando area was originally occupied by the Creek and Seminole tribes. In 1838, Fort Gatlin was erected on the shores of Lake Gatlin, just a few miles south of present-day Downtown Orlando. Centered around Church Street, Orlando became a city in 1884.<br /><br />Originally a cattle town, Orlando grew into a major citrus growing center by the 1920s. The city continued to grow during the Great Depression with aid from the Work Progress Administration (WPA). During World War II, Orlando became a major military center as well, with the development of the McCoy Air Force Base and Pinecastle Air Force Base, and with the addition of the Naval Training Center (NTC) Orlando in 1968. Downtown Orlando declined in the 1960s and 1970s. Redevelopment began in the 1970s and continued into the 1980s, with projects such as the Church Street Station entertainment complex. In 1998, a building boom began and continued through the 2000s.
Contributor
Cook, Thomas
Cepero, Nancy Lynn
Cepero, Laura Lynn
Alternative Title
Orlando Collection
Subject
Orlando (Fla.)
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Orlando, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Antequino, Stephanie Gaub, and Tana Mosier Porter. <a href="http://www.worldcat.org/oclc/783150094" target="_blank"><em>Lost Orlando</em></a>. Charleston, S.C.: Arcadia Pub, 2012.
Rajtar, Steve. <a href="http://www.worldcat.org/oclc/70911136" target="_blank"><em>A Guide to Historic Orlando</em></a>. Charleston, SC: History Press, 2006.
"<a href="http://sanfordhistory.tripod.com/Links/wtour.pdf" target="_blank">Downtown Orlando Historic District Walking Tour</a>." City of Orlando. http://sanfordhistory.tripod.com/Links/wtour.pdf.
Has Format
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/69" target="_blank">Orlando Philharmonic Orchestra Collection</a>, Orlando Collection, Orange County Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank">Orlando Remembered Collection</a>, Orlando Collection, Orange County Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank">Downtown Orlando Information Center Collection</a>, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/110" target="_blank">Orlando Public Library Collection</a>, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/111" target="_blank">Orlando Regions Bank Collection</a>, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Original Format
5-page typed press release
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
DeBartolo Announces Plans for the Florida Mall
Alternative Title
DeBartolo Plans for Florida Mall
Subject
Orlando (Fla.)
Shopping malls--United States
Retail industry
Description
This press release provides full insight into the design ideas that went into the development of the Florida Mall, as well as the companies future initiatives in the region. The Florida Mall was designed and constructed by the Edward J. DeBartolo Corporation, founded by Edward J. DeBartolo, Sr. (1909-1994) in 1944. Edward J. DeBartolo Jr. (b. 1946) joined his father's business and together they became known as the "kings of the shopping mall." By the late 1980s, the DeBartolo Corporation had constructed 51 shopping malls, including 21 in Florida. The Florida Mall, located on the corner of Sand Lake Road and Orange Blossom Trail, was designed to appeal to Central Florida's large tourist economy and opened in March of 1986. Originally, the mall sat on 250 acres, contained over 1.3 million square feet of shopping space, and featured over 160 stores.
Type
Text
Source
Original 5-page typed press release: <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>, Pine Castle, Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/20" target="_blank">Orlando Collection</a>, Orange County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 5-page typed press release.
Coverage
Florida Mall, Orlando, Florida
Publisher
<a href="http://www.simon.com/" target="_blank">Edward J. DeBartolo Corporation</a>
Contributor
Lake, Harriett
Date Created
ca. 1985-02-15
Date Submitted
805 KB
Format
application/pdf
Medium
5-page typed press release
Language
eng
Mediator
History Teacher
Economics Teacher
Provenance
Originally published by the <a href="http://www.simon.com/" target="_blank">Edward J. DeBartolo Corporation</a>.
Rights Holder
Copyright to this resource is held by the <a href="http://www.simon.com/" target="_blank">Edward J. DeBartolo Corporation</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Barnes, Mark
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Crawford, Selwyn. "<a href="http://articles.orlandosentinel.com/1986-06-15/business/0230120196_1_debartolo-shopping-malls-mall-in-south" target="_blank">Edward J. DeBartolo Sr. bristles at even the slightest…</a>.'" <em>The Orlando Sentinel</em>, June 15, 1986. http://articles.orlandosentinel.com/1986-06-15/business/0230120196_1_DeBartolo-shopping-malls-mall-in-south.
Altamonte Mall
amusement parks
architecture
Art Deco
Aventura Mall
Bee Line Expressway
Belk-Lindsey
Belk, Inc.
Boynton Beach Mall
Brickell Bay Office Tower
Burdines
construction
consumer shopping
Coral Square
Cutler Ridge Mall
DeSoto Square
Eastlake Square
Edward J. DeBartolo Corporation
English Victorian
EPCOT Center
Florida Mall
Florida State Road 527
Florida State Road 528A
Florida's Turnpike
Gulf View Square
I-4
Inns of the Americas, Inc.
Interstate 4
Ivey's
J. C. Penney Company
Jack E. Pratt
JCP
JCPenney
Jordan Marsh & Company
Lake County
landscaping
Mayfair in the Grove
Mediterranean Village
Melbourne Square
Miami International Mall
Montgomery Ward
Morrison's Cafeteria
OBT
Orange Blossom Trail
orlando
Osceola County
Paddock Mall
Palm Beach Mall
Penney's
Pinellas Square
Polk County
Pratt Hotel Corporation
retail
Robinson's
Sand Lake Road
Scandinavian
Sears, Roebuck & Company
shopping malls
shops
SR 527
SR 528A
stores
theme parks
tourism
tourist attractions
Tyrone Square
U.S. Route 17
U.S. Route 441
U.S. Route 92
US 17
US 441
US 92
Volusia Mall
Walt Disney World Resort
-
https://richesmi.cah.ucf.edu/omeka/files/original/e681c5012442805cdf215749e7d41a9b.jpg
93f04b8c711a0fdb75192665a3d32aa9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Orlando Collection
Description
The Orlando area was originally occupied by the Creek and Seminole tribes. In 1838, Fort Gatlin was erected on the shores of Lake Gatlin, just a few miles south of present-day Downtown Orlando. Centered around Church Street, Orlando became a city in 1884.<br /><br />Originally a cattle town, Orlando grew into a major citrus growing center by the 1920s. The city continued to grow during the Great Depression with aid from the Work Progress Administration (WPA). During World War II, Orlando became a major military center as well, with the development of the McCoy Air Force Base and Pinecastle Air Force Base, and with the addition of the Naval Training Center (NTC) Orlando in 1968. Downtown Orlando declined in the 1960s and 1970s. Redevelopment began in the 1970s and continued into the 1980s, with projects such as the Church Street Station entertainment complex. In 1998, a building boom began and continued through the 2000s.
Contributor
Cook, Thomas
Cepero, Nancy Lynn
Cepero, Laura Lynn
Alternative Title
Orlando Collection
Subject
Orlando (Fla.)
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Orlando, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Antequino, Stephanie Gaub, and Tana Mosier Porter. <a href="http://www.worldcat.org/oclc/783150094" target="_blank"><em>Lost Orlando</em></a>. Charleston, S.C.: Arcadia Pub, 2012.
Rajtar, Steve. <a href="http://www.worldcat.org/oclc/70911136" target="_blank"><em>A Guide to Historic Orlando</em></a>. Charleston, SC: History Press, 2006.
"<a href="http://sanfordhistory.tripod.com/Links/wtour.pdf" target="_blank">Downtown Orlando Historic District Walking Tour</a>." City of Orlando. http://sanfordhistory.tripod.com/Links/wtour.pdf.
Has Format
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/69" target="_blank">Orlando Philharmonic Orchestra Collection</a>, Orlando Collection, Orange County Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank">Orlando Remembered Collection</a>, Orlando Collection, Orange County Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank">Downtown Orlando Information Center Collection</a>, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/110" target="_blank">Orlando Public Library Collection</a>, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/111" target="_blank">Orlando Regions Bank Collection</a>, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Original Format
1-page flyer
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida Mall Accessibility
Alternative Title
Florida Mall Accessibility
Subject
Orlando (Fla.)
Shopping malls--United States
Retail industry
Description
This report looks at the roadways which will provide access to the Florida Mall. The mall was designed and constructed by the Edward J. DeBartolo Corporation, founded by Edward J. DeBartolo, Sr. (1909-1994) in 1944. Edward J. DeBartolo Jr. (b. 1946) joined his father's business and together they became known as the "kings of the shopping mall." By the late 1980s, the DeBartolo Corporation had constructed 51 shopping malls, including 21 in Florida. The Florida Mall, located on the corner of Sand Lake Road and Orange Blossom Trail, was designed to appeal to Central Florida's large tourist economy and opened in March of 1986. Originally, the mall sat on 250 acres, contained over 1.3 million square feet of shopping space, and featured over 160 stores.
Type
Text
Source
Original typed flyer: <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>, Pine Castle, Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/20" target="_blank">Orlando Collection</a>, Orange County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original typed flyer.
Coverage
Florida Mall, Orlando, Florida
Publisher
<a href="http://www.simon.com/" target="_blank">Edward J. DeBartolo Corporation</a>
Contributor
Lake, Harriett
Date Created
ca. 1985
Date Submitted
167 KB
Format
image/jpg
Medium
1-page flyer
Language
eng
Mediator
History Teacher
Economics Teacher
Geography Teacher
Provenance
Originally published by the <a href="http://www.simon.com/" target="_blank">Edward J. DeBartolo Corporation</a>.
Rights Holder
Copyright to this resource is held by the <a href="http://www.simon.com/" target="_blank">Edward J. DeBartolo Corporation</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Barnes, Mark
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Crawford, Selwyn. "<a href="http://articles.orlandosentinel.com/1986-06-15/business/0230120196_1_debartolo-shopping-malls-mall-in-south" target="_blank">Edward J. DeBartolo Sr. bristles at even the slightest…</a>.'" <em>The Orlando Sentinel</em>, June 15, 1986. http://articles.orlandosentinel.com/1986-06-15/business/0230120196_1_DeBartolo-shopping-malls-mall-in-south.
accessibility
Bee Line Expressway
Colonial Drive
consumer shopping
Cypress Gardens
Florida Mall
Florida State Road 436
Florida State Road 50
Florida State Road 528A
Florida's Turnpike
I-4
Interstate 4
Lake Buena Vista
McCoy International Jetport
OBT
Orange Avenue
Orange Blossom Trail
orlando
Orlando International Jetport
retail
Sand Lake Road
SeaWorld Orlando
Semoran Boulevard
shopping malls
shops
SR 436
SR 50
SR 528A
stores
U.S. Route 17
U.S. Route 441
U.S. Route 92
US 17
US 441
US 92
Walt Disney World Resort
-
https://richesmi.cah.ucf.edu/omeka/files/original/360ab5de7c300f537b791d4ca03d0e50.jpg
cd0fa2d80812d537ef07fe5d52927460
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Orlando Collection
Description
The Orlando area was originally occupied by the Creek and Seminole tribes. In 1838, Fort Gatlin was erected on the shores of Lake Gatlin, just a few miles south of present-day Downtown Orlando. Centered around Church Street, Orlando became a city in 1884.<br /><br />Originally a cattle town, Orlando grew into a major citrus growing center by the 1920s. The city continued to grow during the Great Depression with aid from the Work Progress Administration (WPA). During World War II, Orlando became a major military center as well, with the development of the McCoy Air Force Base and Pinecastle Air Force Base, and with the addition of the Naval Training Center (NTC) Orlando in 1968. Downtown Orlando declined in the 1960s and 1970s. Redevelopment began in the 1970s and continued into the 1980s, with projects such as the Church Street Station entertainment complex. In 1998, a building boom began and continued through the 2000s.
Contributor
Cook, Thomas
Cepero, Nancy Lynn
Cepero, Laura Lynn
Alternative Title
Orlando Collection
Subject
Orlando (Fla.)
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Orlando, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Antequino, Stephanie Gaub, and Tana Mosier Porter. <a href="http://www.worldcat.org/oclc/783150094" target="_blank"><em>Lost Orlando</em></a>. Charleston, S.C.: Arcadia Pub, 2012.
Rajtar, Steve. <a href="http://www.worldcat.org/oclc/70911136" target="_blank"><em>A Guide to Historic Orlando</em></a>. Charleston, SC: History Press, 2006.
"<a href="http://sanfordhistory.tripod.com/Links/wtour.pdf" target="_blank">Downtown Orlando Historic District Walking Tour</a>." City of Orlando. http://sanfordhistory.tripod.com/Links/wtour.pdf.
Has Format
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/69" target="_blank">Orlando Philharmonic Orchestra Collection</a>, Orlando Collection, Orange County Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank">Orlando Remembered Collection</a>, Orlando Collection, Orange County Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank">Downtown Orlando Information Center Collection</a>, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/110" target="_blank">Orlando Public Library Collection</a>, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/111" target="_blank">Orlando Regions Bank Collection</a>, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Original Format
1-page flyer
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida Mall Market Statistics
Alternative Title
Florida Mall Market Statistics
Subject
Orlando (Fla.)
Shopping malls--United States
Retail industry
Description
This report provides demographic statistics for the region surrounding the Florida Mall. The mall was designed and constructed by the Edward J. DeBartolo Corporation, founded by Edward J. DeBartolo, Sr. (1909-1994) in 1944. Edward J. DeBartolo Jr. (b. 1946) joined his father's business and together they became known as the "kings of the shopping mall." By the late 1980s, the DeBartolo Corporation had constructed 51 shopping malls, including 21 in Florida. The Florida Mall, located on the corner of Sand Lake Road and Orange Blossom Trail, was designed to appeal to Central Florida's large tourist economy and opened in March of 1986. Originally, the mall sat on 250 acres, contained over 1.3 million square feet of shopping space, and featured over 160 stores.
Type
Text
Source
Original typed flyer: <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>, Pine Castle, Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/179" target="_blank">Sky Lake Collection</a>, Orange County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original typed flyer.
Coverage
Florida Mall, Orlando, Florida
Publisher
<a href="http://www.simon.com/" target="_blank">Edward J. DeBartolo Corporation</a>
Contributor
Lake, Harriett
Date Created
ca. 1985
Date Submitted
208 KB
Format
image/jpg
Medium
1-page flyer
Language
eng
Mediator
History Teacher
Economics Teacher
Geography Teacher
Provenance
Originally published by the <a href="http://www.simon.com/" target="_blank">Edward J. DeBartolo Corporation</a>.
Rights Holder
Copyright to this resource is held by the <a href="http://www.simon.com/" target="_blank">Edward J. DeBartolo Corporation</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Barnes, Mark
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Crawford, Selwyn. "<a href="http://articles.orlandosentinel.com/1986-06-15/business/0230120196_1_debartolo-shopping-malls-mall-in-south" target="_blank">Edward J. DeBartolo Sr. bristles at even the slightest…</a>.'" <em>The Orlando Sentinel</em>, June 15, 1986. http://articles.orlandosentinel.com/1986-06-15/business/0230120196_1_DeBartolo-shopping-malls-mall-in-south.
Bee Line Expressway
Colonial Drive
consumer shopping
Florida Mall
Florida State Road 436
Florida State Road 50
Florida State Road 527
Florida State Road 528
Florida State Road 535
Florida's Turnpike
household income
households
I-4
Interstate 4
Kissimmee
Lake Buena Vista
Levittown
Market Research Department
Martin Andersen Beachline Expressway
OBT
Orange Blossom Trail
orlando
population
Primary Trade Area
retail
Ronald Reagan Turnpike
SeaWorld Orlando
Semoran Boulevard
shopping malls
shops
SR 436
SR 50
SR 527
SR 528
SR 535
stores
trade
U.S. Route 17
U.S. Route 192
U.S. Route 441
U.S. Route 530
U.S. Route 92
Urban Data Processing, Inc.
US 17
US 192
US 441
US 530
US 92
Walt Disney World Resort
-
https://richesmi.cah.ucf.edu/omeka/files/original/59ceae3b2515ab22cad3e8664dc0d7ea.pdf
f22fe4158f5262437e5d65143ff57b89
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Sky Lake Collection
Alternative Title
Sky Lake Collection
Subject
Orlando (Fla.)
Description
Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida
Language
eng
Type
Collection
Coverage
Sky Lake, Florida
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Mormino, Gary R. 2002. "<a href="http://www.worldcat.org/oclc/5544029021" target="_blank">Sunbelt Dreams and Altered States: A Social and Cultural History of Florida, 1950-2000</a>." <em>The Florida Historical Quarterly. </em>81, no. 1: 3-21.
Arsenault, Raymond. "The End of the Long, Hot Summer: The Air Conditioner and Southern Culture." <a href="http://www.worldcat.org/oclc/1782314" target="_blank"><em>Journal of Southern History</em></a> Vol. 50, no. 4 (November, 1984): 597-628.
Staeheli, Lynn A. and Don Mitchell. "USA’s Destiny? Regulating Space and Creting Community in American Shopping Malls." <a href="http://www.worldcat.org/oclc/37915650" target="_blank"><em>Urban Studies</em></a> Vol. 43, nos 5/6 (May 2006): 977-992.
Dietrich, T. Stanton. <a href="http://www.worldcat.org/oclc/4683014" target="_blank"><em>The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970</em></a>. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978.
Rome, Adam Ward. <a href="http://www.worldcat.org/oclc/44594084" target="_blank"><em>The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism</em></a>. Cambridge: Cambridge University Press, 2001.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Original Format
13-page brochure
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Oak Ridge II By Orlando's Largest New Home Builders
Alternative Title
Oak Ridge II
Subject
Orlando (Fla.)
Housing--Florida
Real estate--Florida
Description
This brochure shows model homes that were being built in the Oak Ridge II community of Pine Castle, Florida. The brochure features five ranch model homes and includes prices and available interest rates. Florida Ranch Lands, Inc. is a real estate development firm founded by Craig Linton in the early 1960s. Linton's firm was best known for brokering the land deal that brought the Walt Disney Company to its present location. This brochure was also co-opted by Florida Gas Utilities Company.
Type
Text
Source
Original 13-page brochure: Collection of the <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>, Pine Castle, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/179" target="_blank">Sky Lake Collection</a>, Orange County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 13-page brochure.
Coverage
Oak Ridge II, Orlando, Florida
Publisher
Florida Ranch Lands, Inc.
Contributor
Lake, Harriett
Date Created
ca. 1965-11-21
Date Copyrighted
ca. 1965-11-21
Date Submitted
2.11 MB
Format
application/pdf
Medium
13-page brochure
Language
eng
Mediator
History Teacher
Economics Teacher
Humanities Teacher
Provenance
Originally created by Florida Ranch Lands, Inc.
Rights Holder
Copyright to this resource is held by the <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Barnes, Mark
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Snyder
Jack. "<a href="http://articles.orlandosentinel.com/1994-04-25/business/9404250529_1_linton-florida-ranch-commercial-acreage" target="_blank">Florida Ranch Lands Gets A New Beginning</a>.'" <em>The Orlando Sentinel</em>, April 25, 1994. http://articles.orlandosentinel.com/1994-04-25/business/9404250529_1_linton-florida-ranch-commercial-acreage.
Aristocrat
Beaumont
Bee Line Highway
Bee Line Road
Candlelight Park
Deauville
Empress
Florida Gas Utilities Company
Florida Ranch Lands, Inc.
Florida State Road 527
Gatlin Shopping Center
GENESYS
Hoffner Road
Holden Avenue
houses
housing
I-4
Interstate 4
Lancaster Elementary School
Lancaster Road
martin company
Martin-Cape Kennedy Highway
Mid-Florida Technical Institute
model homes
Oak Ridge High School
Oak Ridge II
Oak Ridge Junior High School
Oak Ridge Road
Oak Ridge Senior High School
OBT
Orange Blossom Shopping Center
Orange Blossom Trail
orlando
real estate
Sand Lake Road
Sky Bowl
Sky Lake
Sky Lake Plaza
South Trail Branch Library
South Trail Plaza
SR 527
St. John Vianney Catholic School
Sunshine State Parkway
Winegard Road
-
https://richesmi.cah.ucf.edu/omeka/files/original/8c6b1db28cdb043850980335706ea3d9.pdf
4f9d0addbae766c3e9267d349063b64a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
General Collection
Description
Collection of digital images, documents, and other records depicting the history of Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Florida was first inhabited by Paleo-Indians as early as 14,000 years ago. By the 16th century, several distinct Native American tribes inhabited present-day Florida, primarily the Apalachee of the Panhandle, the Timucua of North and Central Florida), the Ais of the Central Atlantic Coast, the Tocobaga of the Tampa Bay area, the Calusa of Southwest Florida, and the Tequesta of the Southeast Florida.
In 1513, Juan Ponce de León of Spain became the earliest known European explorer to arrive in Florida. During the 16th, 17th, 18th, and 19th centuries, Spanish, French, and English pioneers settled various parts of the states, though not all settlement were successful. Most of the region was owned by Spain, until it was ceded to the United States via the Adams–Onís Treaty of 1819. On March 3, 1845, Florida earned statehood. Florida was marred by nearly constant warfare with the Native Americans in the region, particularly with the Seminoles during the Seminole Wars.
On January 10, 1861, Florida seceded from the Union and joined the Confederate States of American on January 20th. The state's participation in the Civil War revolved mostly around the transportation of goods via ships.
On June 25, 1868, Florida regained its representation in Congress. During the Reconstruction period, Florida drafted a new state constitution, which included statues that effectively disenfranchised its African-American citizens, as well as many poor white citizens.
Through much of its early history, Florida's economy relied heavily upon agriculture, especially citrus, cattle, sugarcane, tomatoes, and strawberries. Florida's tourism industry developed greatly with the economic prosperity of the 1920s. However, this was halted by devastating hurricanes in the second half of the decade, the Wall Street Crash of 1929, and the Great Depression. The economy would not fully recover until manufacturing was stimulated by World War II. As of 2014, Florida was the third most populous state in the country.
Contributor
Humphrey, Daphne F.
Alternative Title
General Collection
Subject
Florida
Eatonville (Fla.)
Orlando (Fla.)
Winter Park (Fla.)
Sanford (Fla.)
Daytona Beach (Fla.)
New Smyrna Beach (Fla.)
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2" target="_blank">RICHES of Central Florida</a>.
Language
eng
Type
Collection
Coverage
Eatonville, Florida
Orlando, Florida
Winter Park, Florida
Sanford , Florida
Daytona Beach, Florida
New Smyrna Beach, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
"<a href="http://dos.myflorida.com/florida-facts/florida-history/" target="_blank">Florida History</a>." Florida Department of State. http://dos.myflorida.com/florida-facts/florida-history/.
<span>Knotts, Bob. </span><a href="http://www.worldcat.org/oclc/49672975" target="_blank"><em>Florida History</em></a><span>. Chicago: Heinemann Library, 2003.</span>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Original Format
44-page paper
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
To Attract, Retain and Grow: The History of the Florida High Tech Corridor Council
Alternative Title
History of Florida High Tech Corridor Council
Subject
High technology industries--United States
Orlando (Fla.)
Tampa (Fla.)
University of Central Florida
University of South Florida
Colleges
Universities and colleges
Hitt, John C.
Castor, Betty, 1941-
Education--Florida
Description
"To Attract, Retain and Grow: The History of the Florida High Tech Corridor Council" is a paper by Dr. Connie L. Lester and Dr. James C. Clark of the University of Central Florida (UCF). Dr. Lester is an Associate Professor of History concentrating in the Modern South, as well as agricultural, environmental, and economic history. She is also the Program Director of RICHES of Central Florida and Editor of <em>Florida Historical Quarterly</em>. A Lecturer of History, Dr. Clark's concentration is on Florida history, the American South, and presidential history. "To Attract, Retain and Grow" focuses on the history of the Florida High Tech Corridor Council (FHTCC), which an economic development initiative whose mission is to foster the high technology industry in Florida's High Tech Corridor, spanning 23 counties with rich industries in aerospace engineering, modeling and simulation, optics and photonics, digital media, and medical technologies. The council consists of the UCF in Orlando, the University of South Florida (USF) in Tampa, and the University of Florida (UF) in Gainesville. In 1966, the Florida Legislature passed an act founding the FHTCC to support the 21-county service areas of UCF and USF. Its original mission was to expand research and educational partnerships in order to retain the Cirent Semiconductor water fabrication facility located in Orlando, Florida. In 1997, the development of all technology industries across Central Florida was added to the FHTCC's mission. UF joined the partnership in 2005.
Abstract
This scientific study, conducted by the University of Central Florida’s history department, looks at the factors that contributed to the growth of the innovative technology clusters of Florida’s High Tech Corridor.
Type
Text
Source
Original 44-page paper: Lester, Connie L. and James C. Clark. "<a href="http://www.floridahightech.com/wp-content/uploads/2014/09/Publications-To-Attract-Retain-and-Grow-Corridor-History.pdf" target="_blank">To Attract, Retain and Grow: The History of the Florida High Tech Corridor Council</a>."
Requires
a href="http://www.adobe.com/products/reader.html" target="_blank"&gt
Adobe Acrobat Reader
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/36" target="_blank">General Collection</a>, RICHES of Central Florida.
Coverage
University of Central Florida, Orlando, Florida
University of South Florida, Tampa, Florida
University of Florida, Gainesville, Florida
Creator
Lester, Connie L.
Clark, James C.
Publisher
<a href="http://www.floridahightech.com/%20target=">Florida High Tech Corridor Council</a>
Date Created
ca. 2103
Date Issued
ca. 2103
Date Copyrighted
ca. 2103
Date Submitted
ca. 2103
Format
application/pdf
Extent
447 KB
Medium
44-page paper
Language
eng
Mediator
History Teacher
Civics/Government Teacher
Economics Teacher
Geography Teacher
Humanities Teacher
Science Teacher
Provenance
Originally created by Dr. Connie L. Lester and James C. Clark, and published by the <a href="http://www.floridahightech.com/%20target=">Florida High Tech Corridor Council</a>.
Rights Holder
Copyright to this resource is held by the <a href="http://www.floridahightech.com/%20target=">Florida High Tech Corridor Council</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
<a href="http://www.floridahightech.com/%20target=">Florida High Tech Corridor Council</a>
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
"<a href="http://www.floridahightech.com/about/" target="_blank">ABOUT</a>." Florida High Tech Corridor. http://www.floridahightech.com/about/.
Burnett, Richard. "<a href="http://articles.orlandosentinel.com/2010-09-19/business/os-cfb-tech-corridor-092010-20100919_1_grant-program-florida-high-tech-corridor-council-advocacy-group" target="_blank">Technology: Local council's grant program wins award</a>." <em>The Orlando Sentinel</em>, September 19, 2010. http://articles.orlandosentinel.com/2010-09-19/business/os-cfb-tech-corridor-092010-20100919_1_grant-program-florida-high-tech-corridor-council-advocacy-group.
Florida High Tech Corridor Council. "<a href="http://www.floridahightech.com/wp-content/uploads/2014/08/Press-Kit-florida.HIGH_.TECH-2014.pdf%20target=">florida.HIGH.TECH 2014: The Guide to Florida's High Tech Corridor</a>." Florida High Tech Corridor Council. http://www.floridahightech.com/wp-content/uploads/2014/08/Press-Kit-florida.HIGH_.TECH-2014.pdf.
Manning, Margie. "<a href="http://www.bizjournals.com/tampabay/print-edition/2011/09/30/high-tech-corridor-matching-grants.html?page=all" target="_blank">High Tech Corridor matching grants create billion-dollar economic engine</a>." <em>Tampa Bay Business Journal</em>, September 30, 2010. http://www.bizjournals.com/tampabay/print-edition/2011/09/30/high-tech-corridor-matching-grants.html?page=all.
13 Technology Incubators
501(c)(6)
academia
academics
accelerators
aerospace
Agricultural College Act of 1890
agriculture
Alachua County
Alex Katsaros
Alex Spinler
Amy Bayes
Andrew Huse
AnnaLee Saxenian
Antoinette Jennings
AT&T Corporation
aviation
Barack Hussein Obama II
Barack Obama
Bernie Machen
Berridge Consulting Group, Inc.
Betty Bowe
Betty Castor
Brevard County
Bruce J. Schulman
Bruce Janz
Buddy Dyer
business
businesses
Center for Research and Education in Optics and Lasers
Central Florida Technology Forum
Charlie Reed
Cirent
Cirent Semiconductor
Clusters of Creativity: Enduring Lessons on Innovation and Entrepreneurship from Silicon Valley and Europe’s Silicon Fen
Cobham SATCOM Land Systems
colleges
computer science
Connie L. Lester
Consortium
construction
Core Tea
cybercities
Cybercities Report
cybercity
Dan Berglund
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Daniel Webster
Decade of Partnership
Deepika Singh
digital media
economic development
economic growth
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economy
Ed Schons
Educational Appropriations Committee
educators
electro-optics
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Florida Venture Forum, Inc.
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florida.HIGH.TECH
Florida’s High Tech Corridor: Opening the Door to Florida’s Future
Florida’s Innovation Benchmark Study
FLVEC
From Soap Suds to Sheer Success: The Florida High-Tech Corridor Council Story
G.I. Bill
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Grace Venture Partners L.P.
grants
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Harvard of the South
Henderson Air Field
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Hernando County
high tech
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I-4 Corridor
I-4 High Tech Corridor Council
IFAS
incubators
industries
industry
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Institute of Food and Agricultural Sciences
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James C. Clark
James C. Cobb,
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-
https://richesmi.cah.ucf.edu/omeka/files/original/04510635174e81e5ea6f3d3a9146efca.pdf
662c717c7a532bcff96e4980fcd28e48
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Student Museum and UCF Public History Center Collection
Subject
Museums--Florida
Schools
Elementary schools
Grammar schools
Sanford (Fla.)
Description
The Student Museum and UCF Public History Center Collection encompasses a broad range of materials and items ranging from the late 19th Century into the present. The collection includes artifacts, photographs, documents, videocassettes, and other historical records pertaining to the history of the Sanford Grammar School, the Sanford community through the years, and the history of teaching and learning within the United States from the 19th century to the 2010s.
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.
Contributor
Student Museum
UCF Public History Center
Language
eng
Type
Collection
Coverage
Sanford High School, Sanford, Florida
Westside Grammar Elementary School, Sanford, Florida
Sanford Grammar School, Sanford, Florida
Student Museum, Sanford, Florida
UCF Public History Center, Sanford, Florida
Contributing Project
Student Museum
UCF Public History Center
Curator
Marra, Katie
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
Public History Center/Student Museum
External Reference
"Public History Center." Public History Center, University of Central Florida.
"Student Museum." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.
Alternative Title
Student Museum and PHC Collection
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Has Part
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/32" target="_blank">General Photographic Collection</a>, <span>Student Museum and UCF Public History Center Collection, </span>Seminole County Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank">Seminole County Public Schools Collection</a>, <span>Student Museum and UCF Public History Center Collection, </span>Seminole County Collection, RICHES of Central Florida.
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewer
McLaughlin, Ian
Interviewee
Richards, Storm Leslie
Location
Geneva, Florida
Original Format
1 DVD/DAT recording
Duration
19 minutea and 4 seconds
Bit Rate/Frequency
125kbps
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Oral History of Dr. Storm Leslie Richards
Alternative Title
Oral History, Richards
Subject
Oral history--United States
Sanford (Fla.)
Museums--Florida
Grant writing
Historic preservation--Florida
Historic sites--Florida
Longwood (Fla.)
Walt Disney World (Fla.)
Urban sprawl
United States. Navy
Navy
Nuclear weapons
Archaeology--Florida
Urban development
Archaeologists--United States
Geographers--United States
Conservation--United States
Lake Monroe (Seminole County and Volusia County, Fla.)
Tourism--Florida
Traffic
Description
Oral history interview of Dr. Storm Leslie Richards, an archaeologist and environmental consultant for Storm L. Richards & Associates, Inc. Dr. Richards was born in Patuxent River, Maryland, on August 20, 1950, but his family migrated to Sanford, Florida, in 1953. He graduated from Seminole High School in 1969 and received his B.A., M.A., and Ph.D from the University of Florida in Tallahassee in 1973, 1978, and 1987, respectively. Dr. Richards also wrote the grant for the Sanford Grammar School, located at 301 West Seventh Street. This interview was conducted by Ian McLaughlin at Dr. Richards' home in Geneva on October 24, 2012.
Table Of Contents
0:00:00 Introduction<br />0:03:25 Grant writing and rehabilitation for the Student Museum and Center for the Social Studies<br />0:07:21 Other historic preservation projects<br />0:09:18 How Seminole County has changed over time<br />0:12:45 Impact of Walt Disney World Resort<br />0:15:42 Father’s experience in the Navy<br />0:17:57 Closing remarks
Abstract
Oral history interview of Dr. Storm Leslie Richards. Interview conducted by Ian McLaughlin at Dr. Richards' home in Geneva, Florida.
Type
Moving Image
Source
Richards, Storm Leslie. Interviewed by Ian McLaughlin. UCF Public History Center. October 24, 2012. Audio/video record available. UCF Public History Center, Sanford, Florida.
Requires
<a href="http://get.adobe.com/flashplayer/" target="_blank">Adobe Flash Player</a>.
<a href="http://java.com/en/download/index.jsp" target="_blank">Java</a>.
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
UCF Public History Center, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank">Student Museum and UCF Public History Center Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida.
Has Format
Digital transcript of original 19-minute and 04-second oral history: Richards, Storm Leslie. Interviewed by Ian McLaughlin. UCF Public History Center. October 24, 2012. Audio/video record available. UCF Public History Center, Sanford, Florida.
Coverage
Sanford Grammar School, Sanford, Florida
Student Museum and Center for the Social Studies,Sanford, Florida
UCF Public History Center, Sanford, Florida
Walt Disney World, Lake Buena Vista, Florida
Cuba
Creator
McLaughlin, Ian
Richards, Storm Leslie
Date Created
2012-10-24
Date Modified
2012-10-28
Format
video/mp4
application/pdf
Extent
46.9 MB
155 KB
Medium
19-minute and 4-second DVD/DAT recording
6-page typed transcript
Language
eng
Mediator
History Teacher
Civics/Government Teacher
Geography Teacher
Provenance
Originally created by Ian McLaughlin and owned by UCF Public History Center.
Rights Holder
Copyright to this resource is held by the UCF Public History Center and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
UCF Public History Center
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
UCF Public History Center/Student Museum
External Reference
"Public History Center." Public History Center, University of Central Florida.
"Exhibits." Public History Center, University of Central Florida.
"Student Museum." Seminole County Public Schools.
"<a href="http://www.seminolehs.scps.k12.fl.us/" target="_blank">Seminole High School</a>." Seminole High School, Seminole County Public Schools. http://www.seminolehs.scps.k12.fl.us/.
Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank"><em>Sanford</em></a>. Charleston, SC: Arcadia, 2003.
Click to View (Movie, Podcast, or Website)
<a href="https://youtu.be/OjlBRZidNQ4" target="_blank">Oral History of Dr. Storm Leslie Richards</a>
Transcript
<p><strong>McLaughlin<br /></strong>Alright, today is Wednesday, the 24<sup>th</sup> of October, 2012. It is 3:05 PM. I am with Dr. Storm [Leslie] Richards at his home in Geneva, Florida, and we’re going to discuss his experiences as related to historic preservation in Sanford, specifically concerning the Sanford Student Museum [and Center for the Social Studies].</p>
<p><strong>Richards<br /></strong>We moved to Sanford in 1953. My dad was in, uh, the Navy at the time, and, um, we came here, uh, when Sanford was a very small community. It was very agriculturally-oriented. Um, there were many, many schools in Sanford. Uh, I went to, uh, about four of them, uh, from about elementary school through high school—all in Sanford, and then I went to Seminole Community College,<a title="">[1]</a> which was what it was called at the time in the 1970s, uh, and got my Associate of Arts degree, and went on to the University of Florida and finished my Bachelor’s, Master’s, and Doctorate at, uh, the University of Florida in Gainesville. Um, did some graduate work at Tulane University, but, uh, for the most part, I was always at the University of Florida, and I had a very strong interest in historic preservation and archaeology and, uh, urban—urban development, and I think, uh, first time that I really became—became directly, um, associated with the school [inaudible] was I was asked to help write a grant. Um, he grant was originally through the Division of Historical Resources, which is part of Florida Department of State for doing architectural reconstruction and rehabilitation. Um, one of the things that came to me from the very, very beginning was that the school—the [Sanford] Grammar School was such a tremendous resource in terms of historically where[?] Sanford had been. It was constructed in 1907, I think—’02-’07, and, um, it had always been a real focal point for—for education for—for young kids, and I think, uh—I didn’t go to school there and—and I always remember the school having, uh, teeter-totters and having, um, jungle gyms and the having the maypole, uh, swing that the kids would swing around and stuff like that. It’s—it’s the kind of thing where you still remember the kids yelling and screaming, and just, uh, it was a very fun place. Um, academically, I can’t really speak for it, but, uh, I can remember that—that there was always a lot of activity there, and the school, uh, that I identified with the grant that I worked on was a very important hub for Sanford and for Seminole County to—to look at something historic and say that so many people had gone there and so many people’s lives had been involved. I just thought it was a wonderful focal point, um, to try to keep, and, uh, at that time, they were really the first time that they were getting into the notion of it being an historic properties, and being important for a museum, and—and I was just really, uh, excited about that for the kids to be able to go back and look at things the way they were a hundred years ago.</p>
<p><strong>McLaughlin<br /></strong>All right. Um, in what capacity were you involved, specifically with the grant-writing process?</p>
<p><strong>Richards<br /></strong>Um, because I was—I am a certified archaeologist, and I have a really strong background in historic preservation with the University of Florida and the Urban Re-Use and Planning Department, I was asked to—to come in and take a critical look at if the site was really historic. Now, it had already been designated on the [U.S.] National Register of Historic Places, which one would assume would make it very important, uh, but because it’s part of a district, um, that’s not necessarily the case, and you really want a building like that to stand on its own, be—because the importance not of just the neighborhood, but the importance of it being, uh, the structure that was there, uh, and so I put together, uh, all of the documentation on, uh, why it was historically important, and what it meant to the community, and why the state should look at it as being not just some local landmark, but as something that was important to the county and the State of Florida.</p>
<p>So I wrote that up, and what really ended up happening was that the state looked at that and felt that there was enough merit there that it was designated on a, uh, state list of very important, uh, uh, schools for the State of Florida and it was designated as such with that important notice. I think that the other thing that I did was, uh, I contacted a number of commissioners and a number of people that had on a say on, uh—on how money was being spent, whether it was the school board of, uh, Seminole County, because it was certainly a focus of not just the City of Sanford, but the county also, uh, and told them the importance of preserving that, because at a certain point, older buildings have a way of just deteriorating to the point that they can no longer be used, and it takes an investment, and sometimes, that investment can actually cost more than—than new construction, you know? Rehabilitation’s a very expensive proposition, but what it does for a community, in terms of identifying the importance of a city, and importance of schools, and importance of looking at the people who got an education there and what they went on to do, and is—and it is far more important than any single dollar value.</p>
<p><strong>McLaughlin<br /></strong>Right, I see. About how long did that process take from start to finish? From the beginning to the end[?]? [<em>laughs</em>].</p>
<p><strong>Richards<br /></strong>It took probably—the grants program probably took six months.</p>
<p><strong>McLaughlin<br /></strong>Hm.</p>
<p><strong>Richards<br /></strong>I think though the writing that I did, because I had a familiarity with it, was probably in days.</p>
<p><strong>McLaughlin<br /></strong>[<em>laughs</em>].</p>
<p><strong>Richards<br /></strong>I’m very quick at what I do, and so I think I wrote the, uh, four- or five-page report of why it was important in—in a day or two days.</p>
<p><strong>McLaughlin<br /></strong>Excellent, and what year was this again?</p>
<p><strong>Richards <br /></strong>You know, I think it was probably about, uh, 10 or 15 years ago. I mean, it was probably in the [19]90s—[inaudible] or something like that.</p>
<p><strong>McLaughlin<br /></strong>So like 90s?</p>
<p><strong>Richards<br /></strong>Yeah.</p>
<p><strong>McLaughlin<br /></strong>Right, and who all—do you remember which people from the museum you worked with?</p>
<p><strong>Richards<br /></strong>Se—Serena [Rankin Parks] Fisher…</p>
<p><strong>McLaughlin<br /></strong>Serena Fisher.</p>
<p><strong>Richards <br /></strong>Uh, she was, you know—and I’ve known her for years and years before that, because she’s a geographer and an educator, and—and I’m a geographer also, and so I knew her from the Florida Alliance, um, which was a group of educators who try to—to convey the importance of educating children, and she was working the museum, and, uh, it was the kind of thing that I felt real honored to help her with, because of the possibility of helping people, and, uh, when you drive by the school even today, which I did,</p>
<p><strong>McLaughlin<br /></strong>[<em>laughs</em>].</p>
<p><strong>Richards<br /></strong>Um, it’s one of those things that you can go look at and be proud that it’s still there, because it could be somebody’s patio brick, you know?</p>
<p><strong>McLaughlin<br /></strong>Yeah.</p>
<p><strong>Richards<br /></strong>And—and so it’s a real good place for kids to go and look at the way that things used to be.</p>
<p><strong>McLaughlin<br /></strong>Excellent, and were there any other instances in Sanford, in which you helped with local preservation efforts?</p>
<p><strong>Richards<br /></strong>Um, yes. Uh, the Hopper Academy, which was the African-American school, h, over near the stadium. Uh, I put together the environmental assessment and some of the feasibility studies for—for looking at the rehabbing of that and making that, uh, another focal point, and because it was a wooden building and it had a lot of decay, it was really difficult, and the neighborhood, uh, didn’t lend itself to, you know—there were a lot of transients in the area, and people were sleeping near—in the school, and people were doing a lot of things that were just destructive. I’m not sure that worked out as well as I would have liked, but it was a real, eh, effort for someone to go over there and say, “We’d like to see, you know this—this kept for the community,” and so I worked on that, and, um, also, when I was the senior planner with Seminole County and worked, um, on comprehensive planning, I—I worked very hard to try to get a conservation element that reflected the importance of archaeological and historic sites, um, in—in Central Florida and Seminole County.</p>
<p>In—in the profession that I have now, we do an awful lot of work in Seminole County. Uh, we worked for the airport in Seminole—the Orlando-Sanford [International] Airport. We’ve identified historic sites and identified preservation, uh, concepts for them. [inaudible]. We’ve worked for the Division of Historic Resources on the railroad sites[?] that existed here that came from the 1900s, when they were shipping an awful lot of, uh, produce out throughout—throughout the state and throughout different parts of the country, and so I’ve, you know, worked a lot on different aspects on Seminole County on—on cultural[?] resource assessments and evaluations, uh, both historic and archaeological resources for the county, and provided information for the of State of Florida.</p>
<p><strong>McLaughlin<br /></strong>Excellent, and here’s a little bit of a different question. In your experience working in Seminole County and living here and growing up, how has it changed environmentally? You—what do you think are probably the biggest ways that it’s changed?</p>
<p><strong>Richards<br /></strong>You know, I think—the—the interesting part of that story—and it just hits me immediately—is how recently—this year, someone burnt down the big.<a title="">[2]</a> They got inside the tree and they lit it on fire, and you have a tree that is older than the for—the 1400s. Before [Christopher] Columbus and…</p>
<p><strong>McLaughlin<br /></strong>Wow.</p>
<p><strong>Richards<br /></strong>This country.</p>
<p><strong>McLaughlin<br /></strong>[<em>laughs</em>].</p>
<p><strong>Richards<br /></strong>And the tree was there, and they burnt it up and destroyed it, and it was considered an “accident,” and it was considered of no great significance, and I can remember riding my bike out to the tree when I was a child from Sanford. It’s—it’s probably halfway between Sanford and Longwood on [U.S. Route] 17-92. Uh, I can remember there was a wonderful book written by [Elvira] Gardner, it was called <em>Ezekiel’s Travels</em>.</p>
<p><strong>McLaughlin<br /></strong>Mmhmm.</p>
<p><strong>Richards<br /></strong>And—and Ezekiel, a little black boy, rode his bicycle out to the big tree and they documented that in the 1930s.</p>
<p><strong>McLaughlin<br /></strong>Wow.</p>
<p><strong>Richards<br /></strong>You know, and—and—and they burnt this tree up and it was considered just kind of a…</p>
<p><strong>McLaughlin<br /></strong>An accident.</p>
<p><strong>Richards<br /></strong>An accident. So, uh—and I think that—it really has an impact, you know?</p>
<p><strong>McLaughlin<br /></strong>Yeah.</p>
<p><strong>Richards<br /></strong>The—the other thing that I can remember that’s changed so much is, when I was, uh, very young, I used to ride my bike down to the—the band shell, and to the, uh—to Lake Monroe, and used to fish there, and there used to be just the band shell, and just the sea wall, and in the last 25 years, you know, they’ve built, uh—they built hotels there, and, uh, they built, uh, mixed used development there. They have had varying degrees of non-success.</p>
<p><strong>McLaughlin<br /></strong>[<em>laughs</em>].</p>
<p><strong>Richards<br /></strong>Uh, but it’s taken away much of the character, you know? I can remember when the zoo was in Downtown Sanford, and, you know, it was a very small zoo. Sorta not like the really nice complex that they have now, but—but Sanford was [inaudible], you know—libraries were there, and it was a place that—that kids went, and young people went, and it was just very different. The [Sanford] Civic Center was a big, big deal, and they had dances every week, and it was just, you know—it was just a place that people went all the time, and, uh, I don’t see that in Sanford anymore. I don’t see that.</p>
<p><strong>McLaughlin<br /></strong>You think some of the character is gone?</p>
<p><strong>Richards<br /></strong>I think—I think the character—and I think that, you know, its—its, um—its environment, and its, um—the neighborhood, and it’s, um—it’s just the changes that have taken place, you know? I can remember the parades in Downtown Park Avenue, and just, um, very large parades that everybody in the community got involved in, and we have something like that now, but [inaudible]—it’s just a, uh—an agglomeration of people with big bands, and—and crazy things happen from early afternoon to way late</p>
<p><strong>McLaughlin<br /></strong>[<em>laughs</em>].</p>
<p><strong>Richards<br /></strong>[inaudible], and it’s just not something that I’m interested in participating in, you know? Probably there are a lot of people that do, but it’s—it’s just very different from when I was raised in Sanford.</p>
<p><strong>McLaughlin<br /></strong>Yeah. As far as developmentally, what effect do you think that the arrival of like Disney Corporation<a title="">[3]</a> and things like that had on the change, if any?</p>
<p><strong>Richards<br /></strong>Yeah, eh, Disney is a very large beast.</p>
<p><strong>McLaughlin <br /></strong>[<em>laughs</em>].</p>
<p><strong>Richards<br /></strong>And it has a lot of beasts that, uh, have attracted to it—whether it’s the whale beast or the, you know, uh, any number of other international destinations that I think that it’s affected probably not just all of Florida, but the Southeast. It’s the number one tourist destination, you know, in the world, u, and I think it makes Interstate [Highway] 4, which used to be a wonderful opportunity to go to Orlando and you just got on the interstate and ten minutes later, you were in Orlando, and today, it’s, um—it’s questionable if it even functions at all.</p>
<p><strong>McLaughlin<br /></strong>[<em>laughs</em>].</p>
<p><strong>Richards<br /></strong>You know, we have a—we have a toll road system, in which, uh, I was assigned to that. I was Deputy Director of the toll way [inaudible] before they actually started developing it, and it was supposed to relieve the traffic and make traffic a lot different in Central Florida, but Central Florida is so densely populated that it was probably nothing can significantly change that. You know, whether it’s a rail system that they won’t put in, it will cost billions of dollars, whether it’s increasing lanes on I-4, or whether the [Central Florida] GreeneWay builds out. It’s—it’s not going to make the quality of life significantly different, in my opinion, you know, but that’s just part of the price you pay.</p>
<p><strong>McLaughlin<br /></strong>Yeah. Just out of curiosity, how many lanes did I-4 use to be? [<em>laughs</em>].</p>
<p><strong>Richards<br /></strong>You know, I think it was always six—divided six.</p>
<p><strong>McLaughlin<br /></strong>Divided six?</p>
<p><strong>Richards<br /></strong>Yeah, um, eh, it—it had fewer ramps.</p>
<p><strong>McLaughlin<br /></strong>Mmhmm.</p>
<p><strong>Richards<br /></strong>And so they put in more ramps and more access, and it’s—it’s—the speed is much quicker today than it’s ever been. Uh, the Fairbanks [Avenue] curb is a problem that people have been having for years, and everybody’s looking at the engineering and saying, “It’s got to be engineering.” They say, “It’s got to be, you know, your problems,” you know? People are traveling between their ears if they don’t pay attention to traffic, and that’s why we gotta have people at such a quick pace today, you know? It used to be if you made it to work at 8- 8:30, you know, or if you, you know, were just there. Now, everybody fills the building up at 10-to-8, and, you know, so consequently, everybody gets on the interstate and it’s as fast as they can go, and it reminds me a little bit of Atlanta[, Georgia].</p>
<p><strong>McLaughlin<br /></strong>Yeah.</p>
<p><strong>Richards<br /></strong>You know, if you’re not doing 80 [miles per hour], you’re not getting there.</p>
<p><strong>McLaughlin<br /></strong>[<em>laughs</em>].</p>
<p><strong>Richards<br /></strong>I think that the—I think that I-4 is quickly approaching that. If you’re not doing 70, you’re probably not going to make it.</p>
<p><strong>McLaughlin<br /></strong>Yeah.</p>
<p><strong>Richards<br /></strong>You know, that’s just part of reality, part of the [inaudible], and the—the—it’s the quickness of what happens today. It wasn’t like that in the, you know, 1960s.</p>
<p><strong>McLaughlin<br /></strong>Okay, before we go, if you could—would you like to share the story about your father</p>
<p><strong>Richards<br /></strong>Uh…</p>
<p><strong>McLaughlin<br /></strong>And what he did at the Navy base?</p>
<p><strong>Richards<br /></strong>We moved to Sanford in—in ’53. My dad was stationed in Jacksonville, um, before that in the, um—in the Navy, and—and when we moved here, my dad was a navigator bombardier and a mechanic, and when the first jets, which were the [Douglas] A-3D[ Skywarrior]s came from California, my dad was part of the crew that flew the jets from California to Florida. That was before the [North American A-5] Vigilantes, before the larger aircraft. These were, you know twin-engine jets, but their total design and their total purpose was, uh, to launch a, uh, nuclear strike, and—and art of what Sanford, you know—Orlando-Sanford Airport today has the bunkers that they kept the nuclear weapons in, and they were going to load onboard the A-3Ds and—and go to Cuba, and my dad was the slim pickins’ of the aircraft, because it was his job to arm the nuclear weapons—To go back in the bomb bays and arm the nuclear weapons with, uh, I guess a detonation device that you screwed in the—in the nose of the bomb, and that was his job. It—and it was very, very stressful, and you know, at the time, I can just barely remember—I guess I was probably about seven—six or seven years old that all these young kids from the Navy would come over to the house, and they would have parties and stuff, and—and what they were doing was, h, the vanguard of changing the world, if—if they had to, and they all agreed to that—that that’s what they were going to do, and my dad was a really big part of that, and I guess there’s—there’s some pride in that, but there’s also some looking back and saying, “Is this really where we were?”</p>
<p>You know, and [inaudible], and I know today—you know, 2012—we’re still talking about the Cuban Missile Crisis and trying to figure out what really happened, and when you think about the people that were going to do whatever they were told to do, you know, there’s a lot of frighteningness[sic] there, and there is a lot of, <em>Have we gone that far?</em> Or, <em>Are we still in the same place?</em> I kinda think about that occasionally.</p>
<p><strong>McLaughlin<br /></strong>Do you have any other thoughts about Sanford or Seminole County or the Student Museum that you would like to share with us before we…</p>
<p><strong>Richards<br /></strong>I think that the Student Museum is, you know—it—it—it—it’s probably a lot bigger than most people really think. It’s—it’s not a matter of postcards and maps and little things that you can touch or handle, but it’s the notion of where we come from and where we’re going, and will people identify those things in 10 years, in 20 years, in 30 years, and say that, uh—that there was something that was very valuable here? It was something that was very important to a lot of people, and I hope we can still see that, and I hope that that’s, uh, a multicultural thing that—that, uh, everybody can look at and say, “This is—this is where we were, and this is where we are, and lot of good things have taken place.”</p>
<p><strong>McLaughlin<br /></strong>Excellent, and once again, my name is Ian McLaughlin, and I’m interviewing Dr. Storm Richards at his home in Geneva, Florida. Today is Wednesday, the 24<sup>th</sup> of October, 2012.</p>
<div><br /><div>
<p><a title="">[1]</a> Present-day Seminole State College.</p>
</div>
<div>
<p><a title="">[2]</a> The Senator.</p>
</div>
<div>
<p><a title="">[3]</a> Correction: The Walt Disney Company.</p>
</div>
</div>
17-92
7th Street
A3-D
band shell
Big Tree Park
Central Florida
City of Sanford
Columbus, Christopher
Cuban Missile Crisis
deputy directory
Disney
Disney Corporation
Disney World
Division of Historical Resources
environmental consultant
Ezekiel’s Travels
Fairbanks
Fairbanks Ave.
Fairbanks Avenue
Fisher, Serena
Florida Alliance
Florida Department of State
Garner, Elvira
Georgetown
grant writer
Greenway
Hopper
Hopper Academy
I-4
Interstate 4
Interstate Highway 4
maypole
McLaughlin, Ian
mechanic
National Register of Historic Places
navigator bombardier
Orlando-Sanford Airport
Orlando-Sanford International Airport
parade
Park Avenue
Patuxent River
PHC
Reconstruction
rehabilitation
Richards, Storm Leslie
Sanford Civic Center
Sanford Grammar School
Sanford State College
SCC
School Board of Seminole County
Seminole
Seminole Community College
Seminole County
Seminole High
Seminole High School
Seminole HS
senator
senior planner
Seventh Street
SHS
SSC
State of Florida
Storm L. Richards & Associates
Storm L. Richards & Associates, Inc.
Student Museum
Toll Way
TU
Tulane
Tulane University
U.S. Route 17-92
UCF Public History Center
UF
University of Florida
Urban Re-Use and Planning Department
Vigilante
WDW
zoo
-
https://richesmi.cah.ucf.edu/omeka/files/original/997dfdcfcd91d001011d6311d5af175f.jpg
b1f5519ffa0843b2cd3ab5d4197aa7dc
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Oviedo Historical Society Collection
Alternative Title
Oviedo Historical Society Collection
Subject
Oviedo (Fla).
Description
The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Oviedo, Florida
Contributing Project
<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>
<a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
"<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/.
Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank"><em>Oviedo, Biography of a Town</em></a>. S.l: s.n.], 1979.
Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank"><em>Around Oviedo</em></a>. 2012.
"<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.
"<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Original Format
1 newspaper article
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
County Reviews SR 46A Plans
Alternative Title
County Reviews SR 46A Plans
Subject
Seminole County (Fla.)
Altamonte Springs (Fla.)
Roads--Florida
Florida. Department of Transportation
Description
A newspaper article from <em>The Seminole Star</em> discussing a feasibility study regarding project plans to construct an exchange for Florida State Road 46A and Interstate Highway 4. A committe was set to review the plans for the proposed project. However, Altamone Springs Mayor Norman Floyd expressed his opinion that funds should upgrading interchanges at SR 436 and 434. After retiring in 1980, Floyd was the last mayor of Altamonte Springs as the city changed to a city manager form of local govenrment.
Type
Text
Source
Original newspaper article: "County Reviews SR 46A Plans." <em>The Seminole Star</em>: Private Collection of Sue Blackwood.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original newspaper article: "County Reviews SR 46A Plans." <em>The Seminole Star</em>.
Coverage
Altamonte Springs, Florida
Publisher
<em>The Seminole Star</em>
Contributor
Blackwood, Sue
Date Created
ca. 1974-1979
Date Issued
ca. 1974-1979
Date Copyrighted
ca. 1974-1979
Format
image/jpg
Extent
243 KB
Medium
1 newspaper article
Language
eng
Mediator
History Teacher
Civics/Government Teacher
Provenance
Originally published by <em>The Seminole Star</em>.
Rights Holder
Copyright to this resource is held by <em>The Seminole Star</em> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
<a href="http://history.cah.ucf.edu/files/events/3099.pdf" target="_blank">Oviedo History Harvest</a>
<a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015
Curator
Dossie, Porsha
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
Private Collection of Sue Blackwood
External Reference
"<a href="http://www.altamonte.org/" target="_blank">Altamonte Springs, Florida</a>." Altamonte Springs, Florida. http://www.altamonte.org/.
Robison, Jim. <em><a href="http://www.worldcat.org/oclc/49963391" target="_blank">Altamonte Springs</a></em>. Charleston, SC: Arcadia, 1999.
Shofner, Jerrell H. <a href="http://www.worldcat.org/oclc/32274737" target="_blank"><em>A History of Altamonte Springs, Florida</em></a>. Altamonte Springs, Fla: City of Altamonte Springs in association with Tabby House Charlotte Harbor, Florida, 1995.
Transcript
County Reviews SR 46A Plans
Before committing any money to a State Road 46A-Interstate 4 interchange feasibility study, Seminole County will investigate and review studies and plans for the proposed project.
In a work session Monday, the county commission assigned the planning staff to review the county comprehensive land use plan and the Orlando urban area transportation survey for future plans for the interchange and surrounding areas.
A State Department Transportation official, meeting with the county and local officials, said the department's long-range plans call for an interchange at the site by 1990.
Local developer Dan Rathel, a development consultant for Paulucci Enterprises for Duluth, Minn., last week requested the commission participate in funding a $6,000 feasibility study on the project.
Rathel is part owner of a 200-acre undeveloped industrial park at the intersection. He told the board the developers would donate a portion of the land needed for a right-of-way on the project.
W.T. Fish, a state transportation engineer, said he didn't have any estimate on what the interchange could cost.
Altamonte Springs Mayor Norman Floyd, also attending the work session, said priorities should be given to up-grading interchanges at the State Road 436 and 434 before building an interchange at SR 46A.
Altamonte Springs
county commission
county government
Dan Rathel
Department of Transportation
development
engineering
FDOT
feasability study
Florida Department of Transportation
Florida State Road 434
Florida State Road 436
Florida State Road 46A
government
highway
I-4
interchange
Interstate Highway 4
mayor
Mayor of Altamonte Springs
Norman Floyd
orlando
Paulucci Enterprises
road
Seminole County
Seminole County Commission
SR 434
SR 436
SR 46A
transportation
W. T. Fish
-
https://richesmi.cah.ucf.edu/omeka/files/original/eb5d703894fa2ec3ebbb6ebec331b78a.jpg
de4b14b5b2c4d201c1a56d095a157f01
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Oviedo Historical Society Collection
Alternative Title
Oviedo Historical Society Collection
Subject
Oviedo (Fla).
Description
The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Oviedo, Florida
Contributing Project
<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>
<a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
"<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/.
Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank"><em>Oviedo, Biography of a Town</em></a>. S.l: s.n.], 1979.
Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank"><em>Around Oviedo</em></a>. 2012.
"<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.
"<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 map
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Oviedo Area Map and Business Guide
Alternative Title
Oviedo Map
Subject
Oviedo (Fla.)
Description
An area map of Oviedo, Florida, and its surrounding areas. A number of advertisements from the businesses surrond the perimeter of the map. While the date is unknown, the map is believed to have been published sometime between 1970 and 1978. <br /><br /> The Timucuan Native Americans originally inhabited the area of present-day Oviedo, although the remains of their settlements have disappeared. Homesteaders arrived along the shores of Lake Jesup in 1865 just after the Civil War ended and began growing celery and citrus. The area was called the Lake Jesup Community until March 13, 1879, when postmaster Andrew Aulin, a Swedish immigrant, chose the name Oviedo.
Type
Still Image
Source
Original map by Willett Ad Maps: Private Collection of Sue Blackwood.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original map by Willett Ad Maps.
Coverage
Citizen's Bank of Oviedo, Oviedo, Florida
Oviedo Saw and Mower, Oviedo, Florida
Meat World, Oviedo, Florida
Oviedo Body and Paint Shop, Oviedo, Florida
RCA C&R TV Sales and Services, Oviedo, Florida
Eileen's Creative Mud Ceramics, Oviedo, Florida
Albert's Jewelers, Oviedo, Florida
Oviedo Florists, Oviedo, Florida
Ci Gi's, Oviedo, Florida
Oviedo Child Care Center, Inc., Oviedo, Florida
Cedar Chest of Fashion Fabrics, Oviedo, Florida
Publisher
Willett Ad Map
Contributor
Blackwood, Sue
Date Created
ca. 1974-1979-1978
Date Issued
ca. 1974-1979-1978
Format
image/jpg
Extent
473 KB
Medium
1 map
Language
eng
Mediator
History Teacher
Economics Teacher
Geography Teacher
Provenance
Originally published by Willett Ad Map.
Rights Holder
Copyright to this resource is held by Willett Ad Map and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
Oviedo History Harvest
<a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015
Curator
Dossie, Porsha
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
Private Collection of Sue Blackwood
External Reference
Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank"><em>Oviedo, Biography of a Town</em></a>. S.l: s.n.], 1979.
Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank"><em>Around Oviedo</em></a>. 2012.
"<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.
"<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.
1st Street
2nd Street
3rd Street
4th Street
A. L. Yates, Jr.
Academy Street
Albert Cornelison
Albert's Jewelers
Allendale Drive
Altamonte Springs
art
Artesia Street
Ash Street
Audley Street
Auline Avenue
Austin Avenue
Avenue A
Avenue B
Avenue C
bank
banking industry
Bay Street
Beasley Road
Beech Street
Beverly Street
Big Tree
Bird Island
Bob Slaton
Boston Avenue
Boston Cemetery Road
Boston Street
Broadway Avenue
Broadway Street
Bumby View Drive
business
Cameron City
Canaan
Carib Lane
Carissa Lane
Carolyn Drive
Carver Avenue
Casselberry
Cedar Chest of Fashion Fabrics
Celery Avenue
Celery Circle
Central Avenue
ceramic
Chapel Street
Chapman Road
Ci Gi's
Citizens Bank of Oviedo
Citrus Avenue
Clark Street
Clonts Street
Colonial Drive
Crystal Avenue
Crystal Circle
Cypress Avenue
day care
Division Avenue
Dixie Gas Industries, Inc.
Doctor's Drive
Douglas Avenue
Downtown Oviedo
drug store
Eatonville
Eileen's Creative Mud Ceramics
Evans Street
Fairvilla
Faulk road
Fern Avenue
Fern Park
fertilizer
fertilizer industry
Field Street
First Street
Florida State Road 17-92
Florida State Road 415
Florida State Road 419
Florida State Road 420
Florida State Road 426
Florida State Road 431
Florida State Road 436
Florida State Road 46
Florida State Road 50
Florida Technological University
florist
Forest City
Forest Grove
Forest Trail
Fourth Street
Franklin Street
FTU
Gabriella
Garden Street
GE
General Electric
Geneva Drive
Goldenrod
Graham Avenue
H. P. Leu Botanical Gardens
Hamilton Avenue
hardware
Harrison Street
High Street
highway
hwardware industry
I-4
Interstate Highway 4
Italian
Jackson Street
Jamestown
jewelert
Kandel
Kimble Avenue
King Street
Kraft Azalea Gardens
Lake Charm
Lake Charm Circle
Lake Charm Drive
Lake Gem
Lake Hayes
Lake Hayes Road
Lake Jessup Avenue
Lake Mary
Lake Norma
Lake Road
Lake Rogers
Lake Rosa
Lawn Street
Lawton Avenue
Lee Avenuie
Lee Road
Lightwood Knot Canal
Lightwood Knot Creek
Lincoln Parkway
Lindsay Lane
Lingo Street
Little Econockhatchee Creek
Live Oak Lane
Long Lake
Longwood
Louise Avenue
Magnolia Street
Maitland
map
Maple Court
Mead Botanical Gardens
Mead Drive
meat
meat industry
Meat World
Middle Street
Midget City
Mimosa Trail
Mission Road
Mitchell Avenue
Mitchell Hammock Road
Muck Street
Myrtle Street
Naval Training Center Orlando
Nelson Hardware Store
Norma Avenue
Norwood Court
NTC Orlando
nursery
Nursery Street
Oak Circle
Oak Drive
Orange Avenue
Orangewood Drive
orlando
Orlando Sports Stadium
Orlando-Seminole Jai Alai Front
Oviedo
Oviedo Body and Paint Shop
Oviedo Child Care Center, Inc.
Oviedo Country Smoke House
Oviedo Drug Store
Oviedo Florists
Oviedo Saw and Mower
Oviedo Shopping Center
Palm Drive
Palm Way
Palmetto Street
Pemberton Street
Pembrple Avenue
Pennsylvania Avenue
pharmacy
Pine Avenue
Pine Street
Poulan
preschool
RCA
Red Bug Lake Road
Reed Road
restaurant
retail
Rich Drive
road
Rollings College
Rose Texaco
Round Lake
Ruth Street
Sanford
Sanford-Orlando Kennel Club
school
SCL
Seaboard Coast Line Railroad
Second Street
Shady Lane
Sharon Court
Slavia
Smith Street
Snapper
Southwood Court
SR 17-92
SR 415
SR 419
SR 420
SR 426
SR 431
SR 436
SR 46
SR 50
Stale Avenue
Stephen Avenue
street
Sweetwater Canal
Sylvan Lake
Tangerine Avenue
Taylor Street
Teleflora
television
Temple Terrace
Terrace Drivel Domer Street
Tesinsky Automotive
Third Street
Tomoka Drive
Tranquil Oaks Lane
True Value Hardware Stores
UCF
Union Park
University of Central Florida
Valenica Court
Vicki Vourt
Vine Street
Wagner
Washington Drive
Wekiwa Springs
Wheelco
Wheeler Fertilizer Company
Wilkerson Street
Willet Ad Maps
Winter Park
Wood Street
Woodcrest Circle
-
https://richesmi.cah.ucf.edu/omeka/files/original/f46cf5a2404c7eb68d0b59a14abed0b5.pdf
9eb48241393ef6f196ce80e01028d51d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Lone Sailor Navy Memorial History Project Collection
Alternative Title
Lone Sailor Collection
Subject
Veterans--Florida
Orlando (Fla.)
United States. Navy
Navy
Sailors--United States
Description
Collection of digital images and oral histories related to the former Recruit Training Center Orlando (RTC Orlando) for the United States Navy. The training center transformed raw recruits into highly effective sailors. This process took place over an intensive eight-week training period, commonly referred to as "boot camp." RTC Orlando occupied roughly one half of the former Naval Training Center Orlando (NTC Orlando), which was located at present day Baldwin Park, Orlando, Florida. Between 1968 and 1994, over 650,000 men and women graduated from RTC Orlando.
Contributor
<a href="http://www.lonesailorfl.com/" target="_blank">Lone Sailor Navy Memorial History Project</a>
<a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank">UCF Community Veterans History Project</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/24" target="_blank">UCF Community Veterans History Project Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Naval Training Center, Orlando, Florida
Contributing Project
<a href="http://www.lonesailorfl.com/" target="_blank">Lone Sailor Navy Memorial History Project</a>
<a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank">UCF Community Veterans History Project</a>
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
"<a href="http://riches.cah.ucf.edu/veterans/" target="_blank">About the Project</a>." UCF Community Veterans History Project, RICHES of Central Florida, University of Central Florida. http://riches.cah.ucf.edu/veterans/.
"<a href="http://cfnavyleague.org/lone-sailor/" target="_blank">The History</a>." Lone Sailor Navy Memorial History Project. http://cfnavyleague.org/lone-sailor/
"<a href="http://rtcorlando.homestead.com/" target="_blank">The History</a>." RTC Orlando. http://rtcorlando.homestead.com/.
<a href="http://www.lonesailorfl.com/" target="_blank"><em>A Guide to Historic Orlando</em></a>. Charleston, SC: History Press, 2006.
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewer
Barnes, Mark
Interviewee
Clark, Jeffrey Edward
Location
Shriners Temple, Maitland, Florida
Original Format
1 Hi-8 Digital (DAT) audio/video recording
Duration
33 minutes and 16 seconds
Bit Rate/Frequency
9980kbps
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Oral History of Jeffrey Edward Clark
Alternative Title
Oral History, Clark
Subject
Orlando (Fla.)
Navy
Sailors--United States
Veterans--Florida
Description
An oral history of Jeffrey Edward Clark, former member of the U.S. Navy. This interview was conducted by Mark Barnes at the Shriners Temple in Maitland, Florida, on May 6, 2014. The interview was conducted as part of the UCF Community Veteran's History Project (CVHP) and background research for a memorial honoring the former Naval Training Center Orlando (NTC Orlando).<br /><br />Clark served in the Navy from 1985 until 1989. He attended recruit training in Orlando and also went to apprenticeship school at the base. He was a Signalman Petty Officer Third Class, Enlisted Rank 4, aboard the USS<em> Richard E. Byrd DDG-23</em>, which operated in the North Atlantic and Mediterranean Sea. Upon leaving the Navy, Clark returned to Orlando and attended the University of Central Florida.
Table Of Contents
0:00:30 Biographical background<br />0:02:53 Decision to join the U.S. Navy<br />0:04:03 Attending boot camp at NTC Orlando<br />0:10:35 Naval training and assignments following boot camp<br />0:13:50 Apprenticeship school versus boot camp<br />0:17:25 Types of additional training offered at NTC Orlando<br />0:21:15 Shipboard Experiences<br />0:23:25 Life after the Navy<br />0:26:15 Lasting memories of naval experience<br />0:31:05 Legacy of NTC Orlando
Abstract
Oral history interview of Jeffrey Edward Clark. Interview conducted by Mark Barnes at Shriners Temple in Maitland, Florida.
Type
Moving Image
Source
<a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/270/rec/1" target="_blank">Clark, Jeffrey Edward</a>. Interviewed by Mark Barnes. UCF Community Veterans History Project. May 6, 2014. Audio/video record available. UCF Community Veterans History Project, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.
Requires
<a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a>
<a href="http://java.com/en/download/index.jsp" target="_blank">Java</a>
<a href="https://get.adobe.com/reader/" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
<a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank">UCF Community Veterans History Project</a>, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/109" target="_blank">Lone Sailor Navy Memorial History Project Collection</a>, UCF Community Veterans History Project Collection, RICHES of Central Florida.
Conforms To
Standards established by the <a href="http://www.loc.gov/vets/" target="_blank">Community Veterans History Project (CVHP)</a>, Library of Congress.
Coverage
Flagler Palm Coast High School, Palm Coast, Florida
Military Entrance Processing Center, Jacksonville, Florida
Naval Training Center Orlando, Orlando, Florida
South Orange Blossom Trail, Orlando, Florida
Ponta Delgada, Azores Islands, Portugal
Daytona Beach Community College, Daytona Beach, Florida
University of Central Florida, Orlando, Florida
Atlanta, Georgia
Creator
Barnes, Mark
Clark, Jeffrey Edward
Publisher
<a href="http://library.ucf.edu/UniversityArchives/" target="_blank">Special Collections and University Archives</a>, University of Central Florida Libraries
Contributor
Hazen, Kendra
<a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank">UCF Community Veterans History Project</a>
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Wiggins, Leanne
Orleman, Andrew
Date Created
2014-05-06
Date Copyrighted
2014-05-06
Format
video/mov
application/pdf
Extent
2.38 GB
189 KB
Medium
33-minute and 16-second Hi-8 Digital (DAT) audio/video recording
18-page digital transcript
Language
eng
Mediator
History Teacher
Civics/Government Teacher
Geography Teacher
Provenance
Originally created by Mark Barnes and Jeffrey Edward Clark, and published by the University of Central Florida Libraries <a href="http://library.ucf.edu/UniversityArchives/" target="_blank">Special Collections and University Archives</a>.
Rights Holder
All rights are held by the respective holding institution. This material is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce and/or for copyright information contact <a href="http://library.ucf.edu/UniversityArchives/" target="_blank">Special Collections and University Archives</a>, University of Central Florida Libraries, (407) 823-2576. http://library.ucf.edu/about/departments/special-collections-university-archives/.
Accrual Method
Item Creation
Contributing Project
<a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank">UCF Community Veterans History Project</a>
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="http://library.ucf.edu/Systems/DigitalCollections/" target="_blank">UCF Digital Collections</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://library.ucf.edu/about/departments/special-collections-university-archives/" target="_blank">University of Central Florida, Special Collections and University Archives</a>
External Reference
"<a href="http://www.lonesailorfl.com/" target="_blank">The History</a>." Navy Memorial of Central Florida. http://www.lonesailorfl.com/.
Rajtar, Steve. <a href="http://www.worldcat.org/oclc/70911136" target="_blank"><em>A Guide to Historic Orlando</em></a>. Charleston, SC: History Press, 2006.
"<a href="http://rtcorlando.homestead.com/" target="_blank">The History</a>." RTC Orlando. http://rtcorlando.homestead.com/.
Click to View (Movie, Podcast, or Website)
<a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/270/rec/1" target="_blank">Oral History of Jeffrey Edward Clark</a>
Has Format
Digital transcript of original 33-minute and 16-second oral history: <a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/270/rec/1" target="_blank">Clark, Jeffrey Edward</a>. Interviewed by Mark Barnes. UCF Community Veterans History Project. May 6, 2014. Audio/video record available. UCF Community Veterans History Project, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.
Transcript
<p><strong>Barnes<br /></strong>Today is Tuesday, May 6<sup>th</sup>, 2014. I'm interviewing Jeff[rey Edward] Clark, who served in the United States Navy. My name is Mark Barnes, and with me working the camera is Kendra Hazen. We're interviewing Mr. Clark as part of the UCF [University of Central Florida] Community Veterans History Project, and as research for the creation of the educational wall for the Lone Sailor Memorial [Project]. We are conducting this interview in Maitland, Florida.</p>
<p>Mr. Clark, will you please just begin by telling us your name, where you were born—where and when you were born?</p>
<p><strong>Clark<br /></strong>Sure. my name is Jeffrey Clark, and I am originally from East Hartford, Connecticut. I was born in Hartford, Connecticut, on January 31<sup>st</sup>, 1968. And in 1983, my family moved to Florida—to Flagler County in Palm Coast, where I attended Flagler Palm Coast High School.</p>
<p>And then I did drop out of high school at the age of 17, and joined the Navy shortly after my 17<sup>th</sup> birthday, where I went through the Orlando Naval Training Center here.<a title="">[1]</a> Upon completion of my active duty, I returned to—I did obtain my GED (General Educational Development) while I was in the Navy. And then upon completion of my active duty, I did graduate from DBCC—Daytona Beach Community College—and then transferred and graduated at UCF. Major in economics and a minor in political science.</p>
<p><strong>Barnes<br /></strong>Do you have any brother or sisters or parents you want to tell us about?</p>
<p><strong>Clark<br /></strong>Sure. I have two sisters and both of them still reside here in Flagler County in Florida. And then my parents are still alive and live in Flagler County as well. My father—I come from a military family. sort of on the—<em>Forrest Gump</em> movie, I believe, where Lieutenant Dan has an ancestor that had fought in every major American war back to the colonial period. And I have that same line or lineage as well. Goes back to the <em>Mayflower</em> on my father's side.</p>
<p>My father served in the Navy and went through Bainbridge, Maryland, for his boot camp, and then was aboard an aircraft carrier—the USS <em>Chiwawa</em> CV40. And my grandfather—his father—served in World War II. Uh, he was in the Army and was stationed in the Philippines.</p>
<p>And then on my mother's side—my mother is also from—both my father and my mother are from Connecticut, as well. And my mother's side of the family—they were Italian immigrants. my grandfather immigrated in the 19—well, both my grandparents immigrated from Italy to the U.S. in the 1920s. And then when they were younger, obviously—and my mother was born in 1945 and my father was born in 1939.</p>
<p><strong>Barnes<br /></strong>And did you join the Navy for any particular reason?</p>
<p><strong>Clark<br /></strong>Actually, that was a bit of an interesting story. Now, one time, when I was around eight or nine years old, I filled out this application to inquire about the Navy out of a magazine or something like that. And, obviously, you could tell that a child wrote it. Well my father took it as a joke and mailed it in, and I always wanted to join the Navy for—I don't know, because I enjoyed history and my father was in the Navy. So my father mailed this application form in to send information about joining the Navy, and I received this letter from a captain in the Navy that said, you know, “Sorry,” you know, “but you're too young.” And he gave me a couple posters and some other items to say, “Here's some stuff to help you keep thinking Navy, and when you're old enough,” you know, “please come back." Well, pretty much came back at the minimum age possible, and I always wanted to join the Navy when I was a child. I think it was that TV commercial—“It's not just a job. it's an adventure.”</p>
<p><strong>Barnes<br /></strong>So was the Navy a must for you?</p>
<p><strong>Clark<br /></strong>Pretty much. yeah. <em>[air conditioning unit comes on]</em></p>
<p><strong>Barnes<br /></strong>So you said you attended boot camp in Orlando?</p>
<p><strong>Clark<br /></strong>In Orlando, at the Naval Training Center.</p>
<p><strong>Barnes<br /></strong>And was that by choice, or did they just tell you where to go?</p>
<p><strong>Clark<br /></strong>Um, I would like to think it was by choice, because when I joined in this February—and having lived in Florida and being accustomed to the warm weather—I told the recruiter that I would go into the Navy now, if I could go to Orlando or San Diego, and not Great Lakes. Because there were three facilities for boot camp in the Navy—Great Lakes, San Diego, and Orlando, at that time. And I remember my father was very anxious. He said, “Well, you're going to go in now,” you know, “take him.” But somehow—luck, I would presume—I went through Orlando.</p>
<p><strong>Barnes<br /></strong>We'll come back to this, but what were you trained to do for the Navy? What was your job? Or your jobs?</p>
<p><strong>Clark<br /></strong>Initially, when I went in, I was a basic seaman recruit to do basic shipboard tasks, such as, you know, chipping paint and painting. and in the boats and bay field, sort of basic deck board duties. However, during the course of the time, I did become a signalman, which was communications and navigation, primarily with Morse code, with flashing lights—semaphore, as well.</p>
<p><strong>Barnes<br /></strong>Semaphore?</p>
<p><strong>Clark<br /></strong>In the flags. And that “A” school by the way. If I had entered the Navy as a signalman instead of a basic seaman recruit, the training for the Signalman School was here in Orlando, as well, at the Naval Training Center.</p>
<p><strong>Barnes<br /></strong>We're going to circle back through your life as a recruit, and then we'll circle back through your life as a sailor. So when you first got to—your first day off the bus, so to speak, you know, what were some of the biggest adjustments you had to make going through?</p>
<p><strong>Clark<br /></strong>Alright. I'm going to take a step back from the bus over to the Orlando Naval Training Center, since we're in the state of Florida. I'll keep us in the state of Florida. So, when you enter the military, you go to your recruiting office and you complete all that, and they, I presume, do the background checks—similar—probably similar to any new employment process, if you're hiring somebody.</p>
<p>So one of the key things after you go through that, you have to go through what they call the “MEPs center”—Military Entrance Processing facility—and that was in Jacksonville. And up there you get an initial physical, and they determine if you're—kind of the final step—if you're worthy enough to go on active duty. So I went through that in Jacksonville, and I remember going through there and, for some reason, I had thought that I was not going to enter the Navy until the summertime. And this one naval chief overheard me say that, and he said, “What did you say?” And I said, “I’m not going on active duty until the summer.” I say, “I get to go home, you know, after I go through the MEPS process today.” and he said, “Oh, no you’re not. You’re going in tomorrow morning, and I’m going to personally see to it.” I guess I was talking out of line.</p>
<p>So anyways[sic], we rode a bus from Jacksonville—and I remember I had to call my parents and say, “I’m not coming home.” [<em>laughs</em>] It was kind of sudden and quick. So we rode a bus from Jacksonville. and of course, we didn’t even take [Interstate] 95 and [Interstate] 4. It was like going on a Greyhound. I think it took about five hours to get there, because, you know, we went down, you know, [U.S. Route] 17, and then through Palatka, and all the back roads through there to get to Orlando. So we made it there, and they drop us off at the bus—at the bus area.</p>
<p>And then you kind of get indoctrinated where you come in and you start to, initially—so the initial shock was like, “Wow. this is for real.” But you still had your civilian clothes and you still had your hair. And so—and then that way you—you got your assignment, you know, where your—what your company you're going to be, what building at the Orlando Naval Training Center would be your home for the course of boot camp. And then the next day was kind of, you know—the first couple days were kind of intrigue, you know—kind of getting indoctrinated. And you go through a health screen, you go through and get your hair cut, and your clothes and all that assigned, then you begin your boot camp.</p>
<p><strong>Barnes<br /></strong>Do you have anything that stands out from your time?</p>
<p><strong>Clark<br /></strong> Oh yes. Yeah. definitely. So, for example—and at this time I obviously had more hair than I do now—but I was very proud of my hair. You know, “pretty boys,” as they would say in the Navy. and when I got my head shaved, I didn't look at myself in a mirror for about five or six weeks. I remember I would feel it and be like, <em>Oh</em>. And luckily they didn't have mirrors or anything in the boot camp berthing area—you know, the living area. So I made a purpose not to look at myself. That was the biggest, biggest shock.</p>
<p>The other shock that I had was I was going to have to learn how to fold clothes, because—kind of like out of a movie, where, you know, my mommy is able to wash, fold, and put my clothes away for me. But that changed, and I had to learn how to fold clothes.</p>
<p>But I was a baseball player in high school and very physically active, so the physical nature of boot camp that everybody thinks about—the physical activity was really not an issue for me. I was already in pretty good shape from playing baseball and other physical activities.</p>
<p><strong>Clark<br /></strong>Do you have any memories from when you graduated? Did your folks come down?</p>
<p><strong>Barnes<br /></strong>Yes. As part of the process, there was a graduation ceremony. And, like, my family, including my father's parents—my grandparents—came down and they went to the graduation ceremony, and they were able to get a tour of the facility. And it’s like a parade ground, and they set up these bench area bleachers. and the families were able to watch us do our Pass and Review and hear the speeches from the—from Captain Nice, who was the Recruit Training Center commanding officer and NCS (National Call to Service) conductor of ceremony. Then afterwards, everybody went home.</p>
<p>But, you know, we were able to meet up and, you know, it was good for my family to be there to see that. And that was, you know, an equivalent of like a high school graduation. I would say very similar, but you know dressed in military and military ceremony.</p>
<p><strong>Barnes<br /></strong>When you graduated from boot camp, what was your next assignment?</p>
<p><strong>Clark<br /></strong>Sure. upon graduating boot camp—boot camp lasted about eight and a half weeks. I actually entered active duty on February 26<sup>th</sup>, 1985, and then boot camp officially started March 1<sup>st</sup>. And, as I mentioned, those first couple of days were, you know, getting your hair cut, and getting your clothes, and getting indoctrinated.</p>
<p>And then when I graduated, I started—I continued at the Orlando Naval Training Center. They did have additional training schools there. The one I went to is—when I entered the Navy, I entered the Apprenticeship Training Program. and that was open to individuals who wanted to focus on more of a general—kind of like a liberal arts, if you want to call it that—to compare it to college. So there was a Seaman Apprenticeship, a Firemen Apprenticeship, and an Air Apprenticeship.</p>
<p>And then once you completed that training, then you would get assigned to a permanent duty station. So seamen went in to, you know—were eligible and did a cross-range of duties, such as, in the boatmen mate field, which is the deck duty. And then airmen, you know, went and supported, you know, aircraft either on carriers or as part of a detachment. And firemen kind of could go on ships, because they were the ones who worked down in what we called “the pit”—the boiler room and the engine rooms where the boiler technician rates and the machinist mates ran that. So I went through the Seaman Apprenticeship Training program.</p>
<p><strong>Barnes<br /></strong>Were there certain classes you had to take, or do you know about the classes from the various—from the three places you just—the three schools you just described?</p>
<p><strong>Clark<br /></strong>Yes. So basically how the Orlando Naval Training Center was set up is you kind of had—there were—if I remember—I think there were 10 buildings—10 or 12 buildings. And it was set up very, you know, military-style. On one end, you had sort of—and they were called—I forget what they were called. But there's like Building One, Building Two, etc. So on each end was kind of like the administrative offices, and then in between and in sequential order on each side, I think there was[sic] 12. There was[sic] 2 on the end, and five this way and five that way. And then on one side—and, in the middle, there was a divider, like a road that went through the middle. And on one side was strictly where boot camp was conducted. and on the other side is where the schools were conducted. They were the living quarters basically, or “berthing areas,” as they’re called in the Navy.</p>
<p>And so I went through the Seaman Apprenticeship Training. It was a series of classroom training and on-the-job training. They did the USS <em>Blue Jacket</em>, which was there—which was a training, you know—simulation of a ship and so we would go perform for seamen apprenticeship training. You know, how to tie knots, how to tie up the ship, how to raise flags, and other things associated with the Seamen Apprenticeship. And then the fireman did similar things, where, you know, they went in and simulated what jobs they would do once they went to the fleet. And that apprenticeship training was approximately four weeks for that.</p>
<p><strong>Barnes<br /></strong>How would you describe the relationship between your instructors on that side versus your instructors on...</p>
<p><strong>Clark<br /></strong>Sure.</p>
<p><strong>Barnes<br /></strong>The recruit side?</p>
<p><strong>Clark<br /></strong>On the recruit side, the boot camp, you know, was very strict. Very boot camp. very structured. You know, very military. You know, “controlling” is—I guess, would be a way to describe it. You know, your day was fully planned. You, you know—we woke up at four<sub> A.M.</sub> We went, you know—we did some initial drills and then we have our set breakfast time. You know, Company 101’s breakfast was from say 5:00 to 5:30.</p>
<p>You came back, you washed up, you know, brushed your teeth—whatever. Then you had set criteria of everyday what you would do. And most of it was practicing marching for your graduation ceremony, as well as other, you know, stuff that was boot camp related. You know, physical activity, swimming, firefighting drills that everybody needs to know for the military, and other basic stuff.</p>
<p>Now this was a little bit more specialized, and it was, like I said, classroom and on-the-job training. I would say that there was a bit more freedom. It was like a 9-to-5 job. You know, you woke up, you started class at eight o'clock, you had lunch from 12 to 1, and you were free to go do what you want.</p>
<p>In addition, I guess the big thing was—you were free on the weekends to go do whatever you wanted. Whereas in boot camp, you know, you were in boot camp and you were not allowed to leave. The only time that we left boot camp was after six weeks, we were granted what they called a “restricted liberty,” where it was kind of like an elementary school field trip. You know, like SeaWorld or [Walt] Disney [World], or somewhere like that. And it was very restricted. And, you know, it was covered.</p>
<p>And then you had an unrestricted liberty, like the week before you graduated, and that’s where you could stay within the city of Orlando, and kind of go anywhere you want and you had to be back at a certain time. And I guess a story for this would be—everybody—all the instructors and the officers—would say South OBT [Orange Blossom Trail] is off limits, because it’s kind of a dodgy area. But of course, where does everybody go? South OBT.<a title="">[2]</a> So that’s pretty much where unrestricted liberty went.</p>
<p>And then, like I said, during the apprenticeship training you were free to do[sic] on the weekend. and then I used to go home, you know. My mother would come pick me up or my father would come pick me up, and I’d visit my friends on the weekend, and then I had to be back Monday morning by eight o’clock to go to class. So it didn’t really matter, but I’d usually come back Sunday night, because we were still living in our living quarters. I guess the way I’d compare, you know, is boot camp was kind of like, you know, elementary school and high school. Very structured, very strict, limited. And apprenticeship training was more like college, where, “Hey, this is what you got to do,” you know, “Here's your times. the rest of that’s up to you.”</p>
<p><strong>Barnes<br /></strong>Now you had—when you said you were living there, did you guys have apartments almost when you were an apprentice?</p>
<p><strong>Clark<br /></strong>No. It was very—it was the same as what we had in boot camp. You know, the same structure. So basically it was an open area, like a barracks, and it was for enlisted. Now, officers tended to have the equivalent of more like the hotel or a small apartment, and they would usually share that with one other officer, depending on their rank. But general enlisted—and this even continued into the Navy with various living quarters on ships—whether you were enlisted or if you were chief, which was a senior enlisted person—kind of like middle management. Where if you were an officer, different living quarters. So it was an open area, and it had bunk beds and lockers for you to store your stuff. It was the same as in boot camp.</p>
<p><strong>Barnes<br /></strong>Now, outside of the schools—the training schools—the command schools that you went to—do you have any recollection of the other schools that maybe were offered at the base?</p>
<p><strong>Clark<br /></strong>Um, yes. from what I recall, because, as I went—during my time in the Navy, I went on, and—they call it “striking out”—I don't know why they call it that, because it’s actually a win ,you know—but basically, you get to move on from sort of a general, seaman apprenticeship-type role to a more specialized one. And I became a signalman, which was the shipboard flags communications and navigation, as well as communications with flashing lights via Morse code and semaphore. And the Signalman School was here in Orlando.</p>
<p>And also—and then—so basically the school structure was as follows. You had the generalists, the Apprenticeship Training Program that I talked about that I went through. Then you had “A” schools, which was[sic] schools that were for a specific job in the Navy, whether you were a storekeeper, a signalman, or, you know, something like that. Then there were also “C” schools, and “C” schools were for very specialized skills which normally required and extended enlistment period, such as six years active duty.</p>
<p>And so, during that time, people were kind of classified based on what their enlistment was that they signed up for. There were the 3-by-6s, which meant you were three years active and then six years of inactive reserves. Or IRR, right—“Inactive Readiness Reserves” I believe is the military term. There were 4-by-4s—and I was a 4-by-4—which meant four years active, four years inactive. And then there were the 6-by-2s, which were the specialty folks who went to extended training. They were six years active and then two years inactive reserves. Unless, of course, if they re-enlisted on active duty, then they would continue.</p>
<p>And the key thing about “C” school was that, once you completed about a two-year classroom/on-the-job training program, you automatically became an E[nlisted Rank] 4—a petty officer third-class. We used to call those people “boot camp thirds.” Because, like, as you go through, you know, you'll be an E-1, E-2, E-3, and then E-4. whereas these guys automatically got credits, basically like college, you know—you got some free credits. So there were some “C” schools here, including the Nuclear Program was here, and the Signalman School was here, and I think—no. The Storekeeper School was in Mississippi. that wasn’t here. But from what I remember, Apprenticeship Training, Signalman, and there was, like, Fire Control Technicians, Radar Schools.</p>
<p><strong>Barnes<br /></strong>Any other—anything else you think about—life off of base, special to base?</p>
<p><strong>Clark<br /></strong>I guess just kind of life on the base. There was Navy Exchange, so if you were a retired naval person—and Florida accumulated a lot of, you know, a lot of retirees and a lot of military retirees, because of the history with Sanford and Orlando—so the Navy Exchange store was there. So if you were active duty or if you were retired military, you could do your shopping. In certain cases, get things a lot cheaper than out in the regular market.</p>
<p>Other than that, it was pretty much, from what I remember, just a training facility. I remember there was a high school on—right on the outside of the base. Seemed like—sometimes we would joke like we were kind of in prison, you know, and you could see the freedom on the other side. I remember, you know, like we would be marching on the grinder and doing all these drills, and you'd look over and see these high school kids running track and field, or, you know, something like that at the high school, and you're thinking we're in prison, but…</p>
<p><strong>Barnes<br /></strong>When you left Orlando, you boarded a ship?</p>
<p><strong>Clark<br /></strong>Yes. Upon completion of my apprenticeship training course—a little bit more of the story here is I had a chief petty officer. I forget his name, but you received your orders where you went to go, and I was always kind of joking around a little bit with the chief. And sure enough, where I get stationed, but the same ship he had come from to the Orlando Naval Training Center. so I remember he told me it was going to be tough, and that he was gonna—he arranged to have me go to the USS <em>Richard E. Bird</em> TDG-23—guided missile destroyer—ported out of Norfolk, Virginia. And that's where I went. And, interesting enough, this chief I then met years later when I was attending UCF and I was working at NationsBank—now Bank of America. He was a customer in there, and I remember him when he came in. we chatted and caught up, and he was living out by UCF at the time, and he was a customer at the bank.</p>
<p>But I caught my ship and I remember it was in the middle of deployment, towards the tail end of the North Atlantic—NATO [North Atlantic Treaty Organization] cruise. And I remember I had received my orders and I had to go there, and I had all my airplane tickets. They arranged and all that. And I looked on there and I'm like, <em>Where is this place called Ponta Delgada? </em>And there was no Internet in 1985, so I had to go look in the encyclopedia, and it was in the Azores Islands—Portuguese islands in the Atlantic Ocean. I remember I flew from Orlando to New York, and then caught airport to Lisbon[, Portugal], and had a couple night’s stay in Lisbon overnight, and then caught the flight to Ponta Delgada, where I caught my ship. And I still remember the first people I met, who I'm still in contact with today, on board my ship. Gary Hayne[sp], Kurt Kiesden[sp], and Alan Welch[sp] in particular, because I was assigned to deck division, and I was assigned to them.<a title="">[3]</a> And then from there, you know, I was assigned to the ship and that became my permanent duty station that I stayed at for the remainder of my term—three years and eight months.</p>
<p><strong>Barnes<br /></strong>So you left the Navy when?</p>
<p><strong>Clark<br /></strong>In February ’89. Four years active duty, and then served in the inactive reserves, which just meant if there's a call up, then you were subject.</p>
<p><strong>Barnes<br /></strong>What did you end up doing when you left the Navy?</p>
<p><strong>Clark<br /></strong>Okay. When I left the Navy, I started attended Daytona Beach Community College, which I think is now Daytona State College or something. and so I stayed in Flagler County and just did kind of odd jobs. I worked in a warehouse, primarily while I went to DBCC. And then I started working in the bank as a bank teller and then a sales and service rep[resentative].</p>
<p>And that actually worked out well, because, at the time, with the state, you could complete your first two years at a community college, then automatically transfer into any of the Florida state university system campuses. So I transferred to Orlando, because I worked at the bank it was quite an easy transfer to move over. So I started UCF in the Fall of ’93, after graduating from DBCC in the Spring of ’93. And then I graduated in Spring of ‘95 from UCF.</p>
<p>And also, I guess, during the—some other good things—when I became a basic seaman apprenticeship and I was assigned to the deck division on board, besides just chipping paint and doing all the deck stuff, the favorite thing—and I still remember it today, and it was one of my favorite things—you know, I barely had my driver's license—but at age 17, I qualified as a helmsman, and I drove the ship. I was at the wheel, and I qualified to run the ship's engines—the lee helm. and I used to stay on lookout watch. So here I was at 17 years old—and I actually saw a video on YouTube, like a Navy video, and it shows, like, the 22-year-old guy says, “Yeah. this is my job.” He says the same thing.</p>
<p>And I still remember to this day how to take the helm. You would go up—if you were to take the helm—let’s just say you’re at the wheel now—now I would walk up to the—well, I would first come to you and say, “Hey, what’s[sic] the coordinates? Where do you steer and where do you check in?”And that’s sort of the numbers from the compass of where—what direction you were going. I’d collect that, I’d go check what the speed was in knots, and then I would go up to the Officers’ Deck and salute, and he would say, “Officer of the deck, request permission to take the helm, steering course 225, checking 222 starboard unit, starboard cable, all engines ahead standard, 17 knot.” And the officer on deck would reply back and say, “Relieve the helm.” Then he would go over and then I would—I would take over. Yeah. it’s cool.</p>
<p><strong>Barnes<br /></strong>Well I was getting ready to ask you, what were some of your favorite memories of the...</p>
<p><strong>Clark<br /></strong>Oh, okay. alright. That’s a great one.</p>
<p><strong>Barnes<br /></strong>Do you have another one there that...</p>
<p><strong>Clark<br /></strong>Oh. Yeah. There’s[sic] plenty of them—and then really anything you tend to do, you know, in your life, it’s really about the people. And, you know, made some great friends. Still in contact with a lot them today. And lessons learned, you know, as a young kid—17 to 21, while I was in the Navy. And there’s a lot of memories, you know, of growing up doing stuff.</p>
<p>And I guess another thing is—I was always kind of a prankster a little bit, and I used to come home on leave for spring break, so I could be with all my friends. And we'd go to Daytona [Beach] and all that. One time I went off-base and I got—the senior chief, Senior Chief Moses, who was in charge of deck division, who I worked for—his plan was, you know, you had to look like a sailor. He was very strict with inspections. Well, one time I was trying to sneak and I went off-base and I got what he would call a “pretty-boy haircut.” So I came back and sure enough someone told on me and he personally walked me down to the ship’s barber and butchered me or whatever.</p>
<p>And so, as a retaliatory, I decided next day, <em>I’m going to go put some red mousse in my hair and go stand inspection in front of him.</em> Big mistake [<em>laughs</em>]. I remember he walked up to me, put his face in my face, and he goes, “Take your hat off, punk.” And he was this Texas—Texan guy. Big Texan guy. I took it off and I was smiling, and I wasn’t smiling much after that. He told me I had exactly two seconds to wash that “expletive” out of my hair or he was going to personally shave my head. [<em>laughs</em>] Let’s just say I jumped down the forward hatch and had the stuff out pretty quickly. [<em>laughs</em>]</p>
<p><strong>Barnes<br /></strong>This kind of ties into this whole project that we’re doing and you mentioned it, but you made a lot of personal friends. You’re still in contact with them?</p>
<p><strong>Clark<br /></strong>Yep. Yeah. Out on Facebook. They're all in on Facebook. We have our ships—we have a page of our ships, and so a lot of us connected through there, but even before that there was like a newsletter and some reunions that go. Because I was on an older ship that was commissioned in the early 60s and then decommissioned shortly after I left in 1990. So, you know, there’s[sic] 30 years of history pretty much with my ship that I was on. So the reunions—you have 30 years of people who served on board. So it’s quite large and extensive.</p>
<p>And then I always try to make the effort to visit some of the folks. I travel extensively for my current job, and if I go to a city where one of those guys are, you know, we always try to meet up. And a lot of them are kind of joking when, you know, I first got connected with them, say on Facebook, and they say, “I can’t believe you’re this corporate guy in a suit. You’re the last guy we would have thought as a corporate guy in a suit.”</p>
<p><strong>Barnes<br /></strong>Is this your first trip—you've been back to Orlando since?</p>
<p><strong>Clark<br /></strong>Oh, yeah. And actually, I guess after I finished the Navy, I graduated from UCF, and then worked locally in Altamonte [Springs] at the Kirchman Corporation, which was a banking software company. And then I worked for Pro Systems in Maitland. and then I went to—on an assignment to Luxemburg in Europe. I was there for a couple years. and then I came back and I was on a project in San Francisco[, California]. And then—then this was 2001.</p>
<p>So basically the time scale goes from exited active duty in ‘89, college until ‘95, Kirchman Corporation and Pro ‘96-‘97, Luxemburg from ‘98 to 2001, and then San Francisco for about a half a year. And then I came back to Maitland, and was working in Maitland and lived in Apopka from 2001 ‘till 2005, when I moved to Atlanta[, Georgia], and I've been in Atlanta since 2005.</p>
<p><strong>Barnes<br /></strong>What do you think about all of the changes of the area that used to be the base?</p>
<p><strong>Clark<br /></strong>You know, it’s kind of somewhat sad. There’s really nothing left there. Karla Novak was a personal friend of mine from when—from UCF days—gave me a tour around the Lone Sailor Foundation and the plans for that. And she showed me where the statue is going to be, you know, we’re kind of—both her and I went through there. So we were thinking this is—and she says, “Well, this is the old grinder.” and she was saying, “Remember we’d go over here and have to do these drills?”</p>
<p>Well, now it’s this open grass area. or over there is the housing where our berthing area—but now Baldwin Park is there. So it’s somewhat sad to think that—and I'm kind of one that—I like to preserve history. I wouldn’t want to say you have to preserve the base as-is, but you know, I think how important and how many lives, you know, were shaped, such as mine, going through boot camp. You know, going from being a kid to being an adult basically. you know, that there’s really not much left there.</p>
<p><strong>Barnes<br /></strong>Well, what do you think the legacy of the base is?</p>
<p><strong>Clark<br /></strong>I would say the legacy of the base is going to be, you know, the individual experiences of the people that really went through there. I mean, there’s not much left to see of, you know—what was left there, what was done. It was, you know, a training facility, classroom, and on-the-job training basically. You know, so there’s not much left as far as what you think of the Navy. You know, ships or aircraft or weapons or anything like that. I really think it’s about personal experience. And everybody had a different experience. You know, what they went through there.</p>
<p><strong>Barnes<br /></strong>As a returning sailor, what would want to see if you returned back to the area to see the memorial? I mean, what would resonate with you?</p>
<p><strong>Clark<br /></strong>I think some pictures, you know, of the facility itself, you know. Kind of like, if you went into a museum, you like to see this was Orlando Naval Training Center was here from 1968 ‘till 1992, or something like that. Here’s the pictures and, you know, kind of what, you know—like for my boot camp book—went there, you know. There’s[sic] pictures in there that show the activities and kind of what went on there, and everything’s changed from, you know—boot camp is probably similar, but there’s a lot of changes, you know.</p>
<p>And I think preserving the history and at least showing that, while we can—would be, you know, a good thing. You know, to show there with the Lone Sailor—the Lone Sailor is a great thing to—to reflect their—well, I think any memorabilia or, you know, pictures that show at one point in time this is what was here and quantify it. You know, x-number of people went through during this time who were the commanding officers, you know, kind of like any similar memorials or stuff like that.</p>
<p><strong>Barnes<br /></strong>That’s about all I have. Is there anything that we missed that you’d like to add or a story you'd like to share?</p>
<p><strong>Clark<br /></strong>I think I pretty much covered everything. You know, that was my time here in Orlando at the Naval Training Center for boot camp and then kind of post activities. So I think we've pretty much covered the full spectrum of your questions there, so.</p>
<p><strong>Barnes<br /></strong>Okay. Well, thank you very much.</p>
<p><strong>Clark<br /></strong>Thank you. I'm glad to help.</p>
<div><br /><div>
<p><a title="">[1]</a> The Orlando Naval Training Center will occasionally be referred to throughout the interview as “NTC Orlando.”</p>
</div>
<div>
<p><a title="">[2]</a> South OBT refers to a portion of U.S. 441, known as Orange Blossom Trail in parts of Orlando, Florida.</p>
</div>
<div>
<p><a title="">[3]</a> Note that names are spelt as they sound and may not be accurate.</p>
</div>
</div>
active duty
Air Apprenticeship Training
airman
airmen
Apopka
apprentices
apprenticeship schools
Apprenticeship Training Program
Atlanta, Georgia
Atlantic Ocean
Azores Islands
Bainbridge
Baldwin Park
Bank of America
bank tellers
Barnes, Mark
basic seaman recruits
berthing areas
boot camp
boot camps
chief petty officer
chief petty officers
Clark, Jeffrey Edward
Community Veterans History Project
Company 101
CVHP
Dan Taylor
Daytona Beach Community College
DBCC
deck divisions
deployment
E-1
E-2
E-3
E-4
East Hartford, Connecticut
Enlisted Rank 1
Enlisted Rank 2
Enlisted Rank 3
Enlisted Rank 4
Facebook
Fire Control Technicians
firefighters
fireman
firemen
Firemen Apprenticeship Training
Flagler County
Flagler Palm Coast High School
Forrest Gump
Greyhound
guided missile destroyers
Hayne, Gary
Hazen, Kendra
helmsman
helmsmen
I-4
I-94
immigrants
Inactive Readiness Reserves
inactive reserves
Interstate 4
Interstate 95
IRR
Italian immigrants
Italians
Kiesden, Kurt
Kirchman Corporation
lee helms
Lieutenant Dan
Lone Sailor Foundation
Lone Sailor Memorial Committee
Lone Sailor Memorial Project
Luxemburg
Maitland
Mayflower
Mediterranean Sea
Mediterranean Squadron
MEP
Military Entrance Processing
Morse code
Moses
NationsBank
NATO
Naval Training Center Orlando
Navy Exchange
Navy Memorial of Central Florida
Nice, France
Norfolk, Virginia
North Atlantic
North Atlantic Squadron
North Atlantic Treaty Organization
Novak, Karla
NTC Orlando
Nuclear Program
OBT
officers
Orange Blossom Trail
Orleman, Andrew
Palm Coast
Petty Officer
Petty Officers
Philippines
Ponta Delgada, Portugal
Pro Systems
Radar School
recruit training
recruits
sailors
sales representatives
San Francisco, California
Seaman Apprenticeship Training
seamen
semaphore
service representatives
Shriners Temple
signalman
Signalman School
signalmen
Storekeeper School
U.S. Army
U.S. Navy
U.S. Route 17
U.S. Route 441
U.S.S Richard E. Byrd DDG-23
UCF
University of Central Florida
US-17
US-441
USS Bluejacket
USS Chiwawa CV40
USS Richard E. Bird TDG-23
veterans
Welch, Alan
Wiggins, Leanne
World War II
WWII
YouTube
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A History of Central Florida Collection
Alternative Title
History of Central Florida Collection
Subject
Podcasts
Documentaries
Description
A History of Central Florida Podcast series explores Central Florida's history through the artifacts found in local area museums and historical societies.
Contributor
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
Cassanello, Robert
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/70" target="_blank">RICHES Podcast Documentaries Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Altoona, Florida
Astor, Florida
Brevard County, Florida
Bushnell, Florida
Clermont, Florida
Cocoa Beach, Florida
Daytona Beach, Florida
DeLand, Florida
Disston City, Florida
Fort King, Florida
Geneva, Florida
Goldenrod, Florida
Groveland, Florida
Holly Hill, Florida
Hontoon Island, DeLand, Florida
Jacksonville, Florida
Kissimmee, Florida
Lake Apopka, Florida
Lake County, Florida
Lake Mary, Florida
Marion County, Florida
Merritt Island, Florida
Miami, Florida
Mims, Florida
Mount Dora, Florida
Newnans Lake, Gainesville, Florida
New Smyrna, Florida
New Smyrna Beach, Florida
Ocala, Florida
Ocklawaha River, Florida
Orlando, Florida
Ormond Beach, Florida
Osceola County, Florida
Sanford, Florida
Silver Springs, Florida
St. Augustine, Florida
St. Cloud, Florida
St. Johns River, Florida
St. Petersburg, Florida
Tampa, Florida
Tavares, Florida
Weirsdale, Florida
Winter Garden, Florida
Winter Park, Florida
Ybor City, Tampa, Florida
Rights Holder
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a>
Contributing Project
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
External Reference
"<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php.
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Duration
13 minutes and 29 seconds
Original Format
1 video podcast
Producer
Cassanello, Robert
Director
Ford, Chip
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A History of Central Florida, Episode 3: Indian Canoes
Alternative Title
Indian Canoes Podcast
Subject
St. Johns River (Fla.)
Newnans Lake (Fla.)
Archaeology--Florida
Native Americans--Florida
Canoes and canoeing--Florida
Timucua Indians--Florida
Seminole Indians--Florida
Description
Episode 3 of the second season of A History of Central Florida: Indian Canoes. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. <br /><br />Episode 3 features a discussion of the canoe transportation networks used by Native Americans in Central Florida during the Archaic Period. This podcast also includes interviews with Dr. Jerald T. Milanich of the University of Florida, Dr. Mark Howard Long of the University of Central Florida, and Donna Ruhl of the Florida Museum of Natural History.
Type
Moving Image
Source
Original 13-minute and 29-second podcast by Chip Ford, November 19, 2013: "A History of Central Florida, Episode 3: Indian Canoes." RICHES Podcast Documentaries, Orlando, Florida.
Requires
<a href="http://get.adobe.com/flashplayer/" target="_blank">Adobe Flash Player</a>
<a href="http://java.com/en/download/index.jsp" target="_blank">Java</a>
Is Part Of
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/137" target="_blank">A History of Central Florida Collection</a>, RICHES Podcast Documentaries Collection, RICHES of Central Florida.
Coverage
St. Johns River, Florida
Newnans Lake, Gainesville, Florida
Orange County Regional History Center, Orlando, Florida
Osceola County Welcome Center and History Museum, Kissimmee, Florida
Creator
Ford, Chip
Publisher
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a>
Contributor
Cassanello, Robert
Milanich, Jerald T.
Clarke, Bob
Gibson, Ella
Kelley, Katie
Long, Mark
Ruhl, Donna
<a href="http://www.katesfishcamp.com/" target="_blank">Kate's Fish Camp</a>
<a href="http://www.floridamemory.com/" target="_blank">Florida Memory Project</a>
<a href="http://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a>
Date Created
ca. 2013-11-19
Date Issued
2013-11-19
Format
video/mp4
Medium
13-minute and 29-second podcast
Language
eng
Mediator
History Teacher
Economics Teacher
Geography Teacher
Provenance
Originally created by Chip Ford and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a>.
Rights Holder
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a>
Accrual Method
Item Creation
Contributing Project
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
External Reference
"<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/3437" target="_blank">A History of Central Florida, Episode 3: Indian Canoes</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/3437.
Milanich, Jerald T. <a href="http://www.worldcat.org/oclc/48138342" target="_blank"><em>Florida's Indians from Ancient Times to the Present</em></a>. Gainesville: University Press of Florida, 1998.
Milanich, Jerald T. <a href="http://www.worldcat.org/oclc/48138686" target="_blank"><em>Archaeology of Precolumbian Florida</em></a>. Gainesville: University Press of Florida, 1994.
Milanich, Jerald T. <a href="http://www.worldcat.org/oclc/32130918" target="_blank"><em>Florida Indians and the Invasion from Europe</em></a>. Gainesville, Fla: University Press of Florida, 1995.
Milanich, Jerald T. <a href="http://www.worldcat.org/oclc/33104103" target="_blank"><em>The Timucua</em></a>. Oxford, UK: Blackwell Publishers, 1996.
Milanich, Jerald T. "<a href="http://www.aaanativearts.com/north-american-tribes-by-region/southeast-tribes/659-extinct-indians-florida/1073-what-happened-to-the-timucua.html#axzz2lgFUdZd6" target="_blank">What Happened to the Timucua?</a>" AAANativeArts.com. http://www.aaanativearts.com/north-american-tribes-by-region/southeast-tribes/659-extinct-indians-florida/1073-what-happened-to-the-timucua.html#axzz2lgFUdZd6.
McReynolds, Edwin C. <a href="http://www.worldcat.org/oclc/327602" target="_blank"><em>The Seminoles</em></a>. Norman: University of Oklahoma Press, 1957.
Click to View (Movie, Podcast, or Website)
<a href="http://youtu.be/pHKGdb9up-Y" target="_blank">A History of Central Florida, Episode 3: Indian Canoes</a>
Is Referenced By
"<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2504" target="_blank">RICHES Podcast Documentaries, New Podcast Preview: A History of Central Florida</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2504.
Date Copyrighted
2013-11-19
Extent
50.6 MB
A History of Central Florida
archaeology
canoe
Central Boulevard
Creek
documentary
Duvall County
European
Florida Museum of Natural History
Ford, Chip
I-4
Interstate Highway 4
Lake County
Long, Mark Howard
metalworking
Milanich, Jerald T.
Native American
Newnans Lake
OCRHC
orange county
Orange County Regional History Center
Osceola County Welcome Center and History Museum
podcast
Precolumbian
Robert Cassanello
Ruhl, Donna
Seminole
Seminole County
Spaniard
Spanish
St. Johns Culture
St. Johns River
Timucua
Timucuan
Turner, Frederick Jackson
UCF
UF
University of Central Florida
University of Florida
Vine Street
woodworking
-
https://richesmi.cah.ucf.edu/omeka/files/original/90feb8ab39e4a2fec50679cbd193b838.pdf
ea92387fc069eaaebe2a80aee776dd81
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Celery Soup: Florida's Folk Life Play Collection
Alternative Title
Celery Soup Collection
Subject
Sanford (Fla.)
Community theater--United States
Theater--United States
Description
The <em>Celery Soup: Florida’s Folk Life Play</em> Collection encompasses photographs, artifacts, and oral histories related to the production of Creative Sanford, Inc.'s and Celery Soup's play <em>Remade - Not Bought</em>, performed at the Princess Theater in 2013. Many of the items in this collection were collected by Dr. Scot French's Tools in Digital History Seminar Graduate Class during the Fall 2013 semester at the University of Central Florida.
Contributor
Dingle, Cathy Lee
Delgado, Natalie
Fedorka, Drew M.
Ford, Nancy Harris
French, Scot A.
Kelley, Katie
Lee, Luticia Gormley
Maliczowski, Linda Lee
Maples, Marilyn
Miller, Mark
Reisz, Autumn
Thompson, Trish
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Celery Soup: Florida’s Folk Life Play, Sanford, Florida
Creative Sanford, Inc., Sanford, Florida
Princess Theater, Sanford, Florida
Contributing Project
<a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a>
<a href="http://www.celerysoupsanford.com/" target="_blank">Celery Soup: Florida’s Folk Life Play</a>
<span>Dr. </span><a href="http://history.scotfrench.com/" target="_blank">Scot A. French</a><span>'s Tools in Digital History Seminar Graduate Class, Fall 2013 at the </span><a href="http://www.ucf.edu/" target="_blank">University of Central Florida</a>
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
"<a href="http://www.celerysoupsanford.com//about" target="_blank">WHO IS CREATIVE SANFORD, INC?</a>" Celery Soup. http://www.celerysoupsanford.com//about.
"<a href="http://www.celerysoupsanford.com/about/" target="_blank">About: History and Purpose</a>." Celery Soup. http://www.celerysoupsanford.com/about/.
"<a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank">Sanford, Florida: How do you make Celery Soup? Add stories, then stir</a>." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida.
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewer
Reisz, Autumn
Miller, Mark
Interviewee
Thompson, Trish
Location
Sanford, Florida
Original Format
1 audio/video recording
Duration
45 minutes and 42 seconds
Bit Rate/Frequency
876kbps
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Oral History of Trish Thompson
Alternative Title
Oral History, Thompson
Subject
Sanford (Fla.)
Seminole County (Fla.)
Oral histories
Community theater--United States
Theater--United States
Theater managers
Colquitt (Ga.)
Orlando (Fla.)
Race relations--United States
Playwriting
Description
Oral history told by Trish Thompson, Vice President of Creative Sanford, Inc. The interview was conducted by Autumn Reisz and Mark Miller on October 11, 2013 and focuses on Thompson's experiences with Creative Sanford and Celery Soup. Other topics include adapting the Swamp Gravy model to Celery Soup, how Creative Sanford and Celery Soup have evolved over time, the oral history interviewing process, partnering with the African-American community, the effects of the George Zimmerman trial on Sanford, adapting oral histories into community plays, goals of Creative Sanford and Celery Soup, community involvement and feedback, fundraising and the Celery Ball, production costs, preserving the legacy of Creative Sanford and Celery Soup, and maintaining community involvement. <br /><br /><p>Creative Sanford, Inc. is a non-profit organization created to manage Celery Soup community theater productions. The original idea for the Celery Soup project came from Jeanine Taylor, the owner of a folk-art gallery on First Street in Sanford, Florida. Their first production was <em>Touch and Go</em>, which took several years of planning. The play focused on how the people of Sanford overcame obstacles throughout their history. Some of these stories include the fall of Sanford's celery industry, the Freeze of 1894-1895, and the closing of Naval Air Station (NAS) Sanford in the 1960s. Richard Geer and Jules Corriere, partners from Community Performance International, were in charge of assessing oral histories, converting them into scenes for the play, and writing original songs. Director Geer also used an all-volunteer cast from the local community, many of which were not experienced actors.</p>
<p>During the process of producing the show, Creative Sanford decided to rehabilitate an historic building, the Princess Theater, which was located on 115 West First Street and owned by Stephen Tibstra. The Creative Sanford offices are housed in the Historic Sanford Welcome Center, located at 203 East First Street. As of December 2013, the Executive Board for Creative Sanford included President Brian Casey, Vice President Trish Thompson, Treasurer Linda Hollerbach, Secretary Dr. Annye Refoe, and Founder Jeanine Taylor. The Board of Directors consisted of Cheryl Deming, Juanita Roland, Wendy Wheaton, and Dr. Connie Lester, a professor of history at the University of Central Florida. Honorary Board Members included: Glenda Hood, former Florida Secretary of State and Mayor of Orlando; Valada Flewellyn, a local poet, author, and historian; and Jackie Jones, a local entertainer and arts advocate.</p>
Table Of Contents
00:00 Introduction<br />00:12 Thompson's biographical information<br />00:41 Celery Soup and Creative Sanford, Inc.<br />01:46 Mission of Creative Sanford and Celery Soup<br />02:28 How Celery Soup was founded<br />03:50 How Celery Soup adapted the Swamp Gravy model<br />06:29 How has Creative Sanford and Celery Soup evolved<br />11:36 Conducting oral history interviews<br />13:01 Gaining acceptance from the African-American community<br />16:26 Themes of oral history interviews<br />17:45 How to adapt oral histories into plays<br />20:07 Working with professional playwrights and directors<br />23:41 Using volunteers and employees from the community<br />24:45 Role of the Executive Board<br />26:43 Success in achieving goals<br />30:09 Importance of community involvement in plays<br />34:48 Biggest surprises<br />36:01 Fundraisers and the Celery Ball<br />37:36 Production costs and ticket sales<br />39:33 Preserving the legacy of Creative Sanford and Celery Soup<br />41:26 Maintaining community engagement<br />43:40 Advice for communities creating similar projects<br />45:29 Closing remarks
Abstract
Oral history interview of Trish Thompson. Interview conducted by Autumn Reisz and Mark Miller at the <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc. Offices</a> in Sanford.
In an interview on October 11<sup>th</sup>, 2013, Trish Thompson, current vice president and former president of Creative Sanford, Inc., discusses the inspiration for, creation of, and the development and evolution of Creative Sanford. Thompson also discusses some of the financial and other challenges that Creative Sanford has faced. Creative Sanford is a community organization that collects group oral histories from Sanford residents and uses portions of these interviews to write, produce, and perform plays for the community.
Type
Moving Image
Source
Thompson, Trish. Interviewed by Autumn Reisz and Mark Miller. <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> Offices, Sanford Welcome Center. October 11, 2013. Audio/video record available. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>, Orlando, Florida.
Requires
Multimedia software, such as <a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a>.
Application software, such as <a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a>.
<a href="http://www.adobe.com/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/82" target="_blank"><em>Celery Soup: Florida’s Folk Life Play</em> Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida.
Has Format
Digital transcript of original 45 minute and 42 second oral history: Thompson, Trish. Interviewed by Autumn Reisz and Mark Miller. <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> Offices, Sanford Welcome Center. October 11, 2013. Audio/video record available. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>, Orlando, Florida.
Coverage
Creative Sanford, Inc., Sanford, Florida
Celery Soup, Sanford, Florida
Swamp Gravy, Colquitt, Georgia
Creator
Reisz, Autumn
Miller, Mark
Thompson, Trish
Publisher
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Date Created
2013-10-11
Date Modified
2014-01-06
Format
video/mp4
application/pdf
Extent
287 MB
227 KB
Medium
45-minute and 42-second audio/video recording
20-page digital transcript
Language
eng
Mediator
History Teacher
Geography Teacher
Humanities Teacher
Theater Teacher
Provenance
Originally created by Autumn Reisz, Mark Miller, and Trish Thompson, and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>.
Rights Holder
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Accrual Method
Item Creation
Contributing Project
<a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a>
<a href="http://www.celerysoupsanford.com/" target="_blank">Celery Soup</a>
Dr. <a href="http://history.scotfrench.com/" target="_blank">Scot French</a>'s "Tools in Digital History Seminar," Fall 2013 at the <a href="http://www.ucf.edu/" target="_blank">University of Central Florida</a>
Curator
Cepero, Laura
External Reference
"<a href="http://www.celerysoupsanford.com//about" target="_blank">WHO IS CREATIVE SANFORD, INC?</a>" Celery Soup. http://www.celerysoupsanford.com//about.
"<a href="http://www.celerysoupsanford.com/about/" target="_blank">About: History and Purpose</a>." Celery Soup. http://www.celerysoupsanford.com/about/.
"<a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank">Sanford, Florida: How do you make Celery Soup? Add stories, then stir</a>." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida.
"<a href="http://articles.orlandosentinel.com/2010-10-20/entertainment/os-celery-soup-sanford-20101020_1_oral-histories-swamp-gravy-celery-soup" target="_blank">Tales of Sanford's resilience are the stars of 'Touch and Go'</a>." <em>The Orlando Sentinel</em>, October 20, 2010. http://articles.orlandosentinel.com/2010-10-20/entertainment/os-celery-soup-sanford-20101020_1_oral-histories-swamp-gravy-celery-soup.
"<a href="http://mysanfordherald.com/view/full_story/12128828/article-Young-dancer-helps-put-spark-in--Touch-and-Go" target="_blank">Young dancer helps put spark in 'Touch and Go'</a>." <em>The Sanford Herald</em>, March 2, 2011. http://mysanfordherald.com/view/full_story/12128828/article-Young-dancer-helps-put-spark-in--Touch-and-Go. "About Us." Swamp Gravy: Georgia's Official Folk-Life Play. http://swampgravy.com/about-us/.
"<a href="http://swampgravy.com/about-us/" target="_blank">About Us</a>." Swamp Grave: Georgia's Official Folk-Life Play. http://swampgravy.com/about-us/.
<span>Sanford Historical Society (Fla.). </span><a href="http://www.worldcat.org/oclc/53015288" target="_blank"><em>Sanford</em></a><span>. Charleston, SC: Arcadia, 2003.</span>
<span>Flewellyn, Valada S. </span><a href="http://www.worldcat.org/oclc/4497409" target="_blank"><em>African Americans of Sanford</em></a><span>. Charleston, SC: Arcadia Pub, 2009.</span>
Click to View (Movie, Podcast, or Website)
<a href="http://youtu.be/nJSla2r-d3g" target="_blank">Oral History of Trish Thompson</a>
Date Copyrighted
2013-10-11
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Transcript
<p><strong>Reisz<br /></strong>My name is Autumn Reisz, and I’m here with Mark Miller, and we are asking the wonderful Trish [Thompson] a few questions today about <em>Celery Soup </em>and Creative Sanford[, Inc]. Um, if you just want to take a second and introduce yourself and we’ll get started on the questions.</p>
<p><strong>Thompson<br /></strong>Okay. I’m Trish Thompson and I am, um, former president of Creative Sanford for four years now, and vice president, and theater manager. Um, when we do our interviews we tell where we are and what the atmosphere is. So I’ll say we’re in my office and, um, the atmosphere is quiet and we only have an air-conditioner going that could possibly interrupt.</p>
<p><strong>Miller<br /></strong>Okay.</p>
<p><strong>Thompson<br /></strong>So I’m ready when you are.</p>
<p><strong>Miller<br /></strong>Alright.</p>
<p><strong>Thompson<br /></strong>Start asking!</p>
<p><strong>Miller<br /></strong>Well, thanks. Okay, um, what is <em>Celery Soup</em>?</p>
<p><strong>Thompson<br /></strong>Okay. <em>Celery Soup </em>is <em>Florida’s Folk Life Play</em>. It’s a story that is comprised—a play, excuse me—that is comprised of story gathering which we have done, which is a lost art, and we, uh, get them from the citizens of Seminole County[, Florida] and hire a playwright. They put the stories together and that becomes <em>Celery Soup: Florida’s Folk Life Play </em>and we’ve done three performances, um, with the first one being <em>Touch and Go, </em>the second one being <em>Made - Not Bought, </em>and the third one being <em>Remade - Not Bought. </em>And, um, there—it went over so well, we’re—we’re just—we’re real happy with it and we’re already in—working with the playwright to get another one on the road for next year. So, uh, Creative Sanford is the umbrella organization. We are the producers of <em>Celery Soup: Florida’s Folk Life Play</em>.</p>
<p><strong>Miller<br /></strong>Oh, very nice. Um, uh, what is the mission of <em>Celery Soup</em>?</p>
<p class="Default"><strong>Thompson<br /></strong>Uh, the mission of Creative Sanford—now you’ve got to know that we are the 501(c)(3) —Creative Sanford is. The, uh, actual production is <em>Celery Soup</em>—that’s the branding—is <em>Celery Soup</em>. It’s always <em>Celery Soup. </em>Every year the name of the play will change, but when they say, “What’s happening with C<em>elery Soup: Florida’s Folk Life Play</em>?” You know, then you tell ‘em whatever the new thing is that’s happening. Um, I’d have to read you our mission.</p>
<p><strong>Miller<br /></strong>Oh, alright. That’s fine. No, that was excellent.</p>
<p><strong>Thompson<br /></strong>Yeah.</p>
<p><strong>Miller<br /></strong>Yeah. So, um, how did the idea for <em>Celery Soup </em>develop?</p>
<p><strong>Thompson<br /></strong>Okay, the idea for, um, <em>Celery Soup </em>was, through our, um, person—the—the people that we knew in Colquitt, Georgia. And so Jeanine Taylor, our founder, went up there, met the people, saw the show and, um, and decided to bring it to Sanford when she moved her, uh, business here. And it was to help the economy and, uh, that was the first thought was that, you know, it was going to be an economic driver, bring people to Sanford, and of course help her business and other businesses in town. And she got the mayor and other people interested and they went up, saw the show, said, “Yes. This would be great for Sanford,” and that’s how it came to be in Sanford.</p>
<p>Then we spent three hard years with interviewing people and getting the community to understand what we do. We hired, uh, uh, <em>Celery Soup</em>—I mean, excuse me, <em>Swamp Gravy</em>—to come to Sanford and teach us how to do the interviews. Uh, they gave us the booklet that we use and, uh—just on a side note—uh, Freddie [Roman-Toro] who is—was our intern this spring, he rewrote it and updated it and got it where, um, it would fit in more with the RICHES [Regional Initiative for Collecting the History, Experiences, and Stories of Central Florida] Mosaic Interface that we’re gonna be using with UCF [University of Central Florida]. [<em>phone rings</em>]</p>
<p><strong>Miller<br /></strong>Alright. How did you change the <em>Swamp Gravy </em>model to fit the needs of Sanford?</p>
<p><strong>Thompson<br /></strong>You know, that’s really interesting, because they’re—was that your question?</p>
<p><strong>Miller<br /></strong>No. That’s not.</p>
<p><strong>Thompson<br /></strong>Alright.[<em>laughs</em>]</p>
<p><strong>Reisz<br /></strong>But Mark [Miller] really liked it.</p>
<p><strong>Thompson<br /></strong>Yes. Okay. Now when you’re interviewing, you know, you might not want the subject to know that you [<em>laughs</em>]—so you’re gonna learn along with me, um, the um—we been—what was the question again? I’m sorry.</p>
<p><strong>Reisz<br /></strong>Um, how did you change the S<em>wamp Gravy </em>model…</p>
<p><strong>Thompson<br /></strong>Oh, okay.</p>
<p><strong>Reisz<br /></strong>To fit Sanford’s needs?</p>
<p class="Default"><strong>Thompson<br /></strong><em>Swamp Gravy’s </em>model—2,000 people—very small town, very isolated—and they had to draw from churches and, uh, they went way outside the area to bring people in and they had to bus them in to, uh, to come to the play. And everyone in the community was involved in it, because, you know, 2,000 people and you’re puttin’ on a production with a hundred people, you know, that’s—that’s almost everybody in the town, at one point or another, has been in the play.</p>
<p class="Default">So for us, we’re in Central Florida. we compete with [Walt] Disney [World], the I[nterstate-4 corridor. um, we wanted to reach out to The Villages. that’s very difficult to reach out to The Villages, because they already have so much, um, entertainment and what have you that it’s right there at their fingertips. And they don’t come to Orlando very much. We found that out through the United Arts [of Central Florida], uh, president at that time, Margot Knight, that it was very tough to get The Villages, and so we’ve made so inroads into that and we do have one person who brings people in from there, but it’s, you know—that is, —that is harder.</p>
<p class="Default">For us, we’re more sophisticated. Um, the area there was—you could do just about anything for, you know, nothing, because there were no regulations and no, you know—the city didn’t make ‘em do this and that. So when we started, we had a lot of legal and financial, um, and city rules and regulations that we had to comply with. And I would suggest to anybody who is gonna to do something like this: do not cut corners on your legal and your—those kind of responsibilities in— in getting your, um, work-up with your city, so that your—you know, you’re not gonna get, quote, “a free ride,” but, you know, you’ll have a good working relationship with the city, if you comply with what they want done. So…</p>
<p><strong>Reisz<br /></strong>Um, how has how has Creative Sanford and <em>Celery Soup</em>—how has it evolved from when you first started the program?</p>
<p class="Default"><strong>Thompson<br /></strong>Oh my goodness. It has really evolved. When we first started we wanted to put on a show, Okay? One production a year and we were gonna—oh, someone was gonna give us a building. We’ve gotten a whole big song and dance of, you know, where you were gonna put it on. Well, we couldn’t find any place that would allow us to put it on. And the one theater that was in town, it was: number one, 500 seats 450 to 500 seats. And it had the fourth wall, which of course we didn’t know anything about, but it—the fourth wall was an invisible wall between the audience and the cast. and so, um, the community theater, one of the things that they require is that it is community involved and, you know, so it’s, um—it’s theater in the three-quarter is what we have. We don’t—we ended up renting a space.</p>
<p class="Default">So number one, we have rent now and it’s not a free space. And so when we rented it, we had to sign a lease. And when we signed a lease, that changed—I mean, it was like the before and the after. The before lease and after lease. [<em>laughs</em>] Because then we became a theater, and the theater has to support itself. So you can’t have one play in the fall and the spring maybe—two plays—and maintain a theater. You know you got your rental. You got all your utilities you’ve got to pay. So we had to have other shows.</p>
<p class="Default">So we first started with a group that wanted to have a home and they were called “The Princess Players.” And so they put on five performances during the year and, you know, we produced them. And so we did make money through that and were able to pay the rent, but so now after three years, since 2010, we made another big leap in that we realize that the theater was as important as <em>Celery Soup</em>. If we don’t have the theater, we’re in the same boat as everybody else, with searchin’ for a place to put your thing on and it’s gonna cost you a tremendous amount of money to be that little person who’s begging for a place to have a show. And after being in the theater, we didn’t want to go back to being in a gymnasium or someplace like that.</p>
<p class="Default">So we co-op the theater and we have three organizations that co-op with us and they own the theater for those periods of time. So that helps pay the rent. Phew, there’s something here. So that pays, you know—that gets our rent paid.</p>
<p class="Default">So then as time goes on, in the next year or two, we will be able to do some of the other things in our mission that we are not able to do now and, uh, the—the quantity that we would like to do and that helps other organizations that don’t have money that give them a place to showcase their art. Um, we’ve done art openings. We’ve done, uh, concerts. we’ve done, uh, with the Humanities Council—with the <em>Dreamers and Schemers </em>and they’ve asked us to come back in 2014 and do it again—standing room only—uh, we do <em>The Holocaust </em>with the Holocaust and Interfaith Council. So we’re making all these organizations that are becoming partners with us—that they’re doin’ it this year, that maybe next year, you know. and we’ll find places for ‘em to rent the theater to them for a minimal amount of money—cover the expenses—and they’re able to put something on and we’re able to provide the community with different kind[sic] of art— all different types of art.</p>
<p class="Default">So we’re doin’ <em>Celery Soup </em>now. They’ll be doin’, uh, <em>Sleeping Beauty </em>and <em>Grease</em>, <em>and</em> the co-op people are doin’ these things. One of them is a school, so they do things through the summer. and then in August, I believe it is, we’re goin’ to do <em>Spam-A-Lot. </em>So it will be our first time to do, um—produce a Broadway show. And it’s a Tony Award-winning and that’s what we want to do. So we’d like to do <em>Spam-A-Lot </em>one year and whatever the next one, as soon as the rights open up. We want to do the most recent, like I believe next year <em>Wicked</em>, off-Broadway—you know, from Broadway—will be open.</p>
<p class="Default">So this is a goal that we want to bring quality entertainment that people can afford to go to Wash—New York [City, New York] or Washington[, D.C.] or wherever. They can see really quality work, right here in Seminole County. They don’t have to go to Orlando. They don’t have to go to the arena, you know, and all that kinda thing.</p>
<p><strong>Miller<br /></strong>Excellent. Um, so how do you collect the stories for the plays?</p>
<p class="Default"><strong>Thompson<br /></strong>Okay. Uh, we advertised. We had the Swamp Gravy Institute come down and we had a whole group of people come in and learn how to do the interviews. and then they’d ask their friends, “Can I interview you?” So it started out friends of the people who are to interview and moved out from there. We went, um, Serenity Towers, which at that time was called Bram Towers, and we did practice interviews with the older ladies and gentlemen and—and, uh, the—it was kind of a learning experience for everyone. And then we also, um, then put ads in the paper.</p>
<p class="Default">And when we first got started we did a thing called, uh, <em>Talks from the Stalks</em>, is what we called it—like a stalk of celery. And, uh, the newspaper<a title="">[1]</a> was nice enough that we would put in little excerpts from interviews that we’d done. And so they’d do a little blurb—we’d hopefully have a picture of the person that spoke—and then a little piece out of their story. And then it would be the quote advertisement call to tell your story. So that’s how— that’s how we got started, with just grass-roots, asking your friends, and moving out into the community.</p>
<p class="Default">And the most difficult part was being accepted by the black community, because there was a lot of, um, [<em>sighs</em>] negativity in both directions, in that, um, the black community was told that we were exploiting them by some people, who, for some reason didn’t understand what we were doin’. There’s a fly in here<em>. </em>Um, and then there was some on the other side that didn’t know how to relate to the black community. So it was a give-and-take and over the last six years.</p>
<p class="Default">This year we were invited to Hopper Academy. Um, this was the first year we had been so lucky to have two reunions” The Hopper [Academy] and then the Crooms Academy [of Information Technology] we’re going to do in December. So that’s the, that’s a real plus for us to be able to have made the inroads into the black community—that they trust us.</p>
<p class="Default">And, uh, if you know anything about Sanford, we’ve just gone through an awful trial<a title="">[2]</a> that brought up a lot of really bad memories from a lot of people—black and white. And, uh, it’s just, uh— it’s just a miracle that we’re such a good community that we overcame the outside pressures and didn’t succumb to anything that they wanted to [<em>laughs</em>]—they wanted us to have a riot or something. I don’t know what the media wanted, but, uh, they didn’t get it, because we’re not that kind of a town. We’re a good town. We’re—we’re working together.</p>
<p class="Default">And I think we have helped over the last six years to help the community realize that, you know, all that outside stuff that made ‘em appreciate that we really are a closely knit community, much closer than was realized and yet there’s still a lot of—a lot of energy and a lot of negativity that—that is like post-traumatic stress disorder. You know, it’s—you think of the worst thing that ever happened you think—you in your life. It flashes [<em>snaps</em>] to you immediately. You know exactly was the worst thing in your mind that ever happened to you. And that may be, this—this—this trial just triggered. That throwback to that worst feeling of inadequacy and—and negativity that they ever had. So, you know, we—we have to appreciate that and realize it.</p>
<p class="Default">And I’ve talked to people who have said, “Oh, why don’t they just get over it?” And I say, “What’s the worst thing that ever happened to you?” “Oh, that I lost my child,” or, you know—I mean that’s horrific. And I say, “Well, get over it.” Whoa, did they get mad at me? But, I say, you know, you’ve got to understand—and it was somebody that wanted to interview, but they didn’t have the empathy or the sympathy or the—the feelings that were needed to be an interviewer in this organization. So, when you’re doin’ this, I’d say to anybody: be sure that the people who are interviewers have an open mind and/or can keep their feelings under—you know, under the radar—under the cover.</p>
<p class="Default"><strong>Miller<br /></strong>Well, that brings up a question of when you’re asking the stories, what sort of themes—you ask for themes? Or how do you go about…</p>
<p><strong>Thompson<br /></strong>Well, we’re…</p>
<p><strong>Miller<br /></strong>Pitching the story.</p>
<p><strong>Thompson<br /></strong>We started with a theme that was, uh, perseverance. And this was in 2010, and so our first story was about, uh, how Sanford and the community had overcome all sorts of natural, um, disasters. We had floods, and we had, uh, fires, and we had—the weather froze—and, I mean, uh, the weather was very cold and the fruit and vegetables and the trees froze. You know, so it changed the whole economy of things. The, uh, Navy left Sanford. Big, big, big, big problem. and Sanford’s overcome and actually gotten better from all the different changes that have happened. So that was what—it was perseverance, and we used as a sub thing, openin’ a can of worms [<em>laughs</em>]. So we—we just—“So what is,” you know, “What were you mad about? What did you not like? What did—what did ya get over on somebody?” You know, we had all kinds of questions that we tried to pull out of people that were deeper than just—“Who are you? Where did— where did you go to school and what do you do? “</p>
<p><strong>Miller<br /></strong>Well, you did something like, uh, what you’re, um, talking about, perseverance and…</p>
<p><strong>Thompson<br /></strong>Mmhmm.</p>
<p><strong>Miller<br /></strong>You know, can of worms. How do you integrate that into the play?</p>
<p class="Default"><strong>Thompson<br /></strong>Well, that is what you have your playwright for. Now we’re, uh, setting up now and working with UCF with this, um—we have, um—May, um—what do ya call ‘em? With, uh, the keyword—keywords. So it might be perseverance. It might be love. It might be hate. it might be alligators or animals, or, you know—so, you’ll have keywords and the, um—um, the—the writers can key in that word, and then up comes the transcription from the play of that—of that—that might fit that story—may might fit that thing.</p>
<p class="Default">So, uh, next year’s going to be a comedy. and so we’re, you know—we’re gonna have a theme that’s going to be outta—we don’t know yet—outta, uh—that hadn’t been decided. Uh, that’s how you do it is you decide on your theme and you go to your playwright and say, “I want you to write about this theme and here are your keywords and you can go to all these different” —so maybe when we do an interview—the interview usually lasts an hour and a half, um—in that hour and a half, you might get 10 good stories or 10 stories, you know. It depends on how fast they talk or, you know, what—what you could pull out of ‘em. Some of ‘em in an hour you won’t get one that’s worth anything. But, uh, it might be able to use in backgrounds somewhere. And some of ‘em you could use every single story in, you know—that they tell. They’re all just—oh my gosh. This is great.</p>
<p class="Default">And we have several of those families that have done that and one is Uncle Dieter and one is Mr. [Elmer] Baggs. Both of them have just fabulous stories that they tell and we’ve used them in all of our productions. We’ve used stories from them and we go back, like you said—we go back to them to, you know, harvest more stories from them and ask different questions and—you know. Some of ‘em are just so funny. You know, that you, you forget that you’ve to get in to some of these power depth things too.</p>
<p><strong>Reisz<br /></strong>Have you encountered any challenges working with a playwright that may or may not be from the Sanford area? is there any challenge to that?</p>
<p><strong>Thompson<br /></strong>We—yes. We have had that challenge. Um, the one that the professional group that we used, they came and taught us a lot, and they were not from our area. So they had to do a lot of historical research at the libraries and, um, the historic society, so they got a lot of input there. Though it was very good for them, but also they would say things that we would say, uh, “Stop. We can’t use that. We—this—it’s not correct.” It’s, you know—or it’s too—it’s still too politically, um, explosive. That—that we don’t want to bring that to our town at this point. Later we’ll—we’ll delve into that, but right now we can’t do that.</p>
<p>And, uh, and one of ‘em is about—and it—it—it’s about, uh, ah, the [Mayfair] Country Club. And the—the playwright wanted to put that in there and I said, “We cannot put this in there. They are going to court. This is a lawsuit. It has not been [<em>laughs</em>]—you know, we can’t put something that’s an ongoing thing that maybe somebody would be a juror on that trial that saw our view of this. No, no, no, no, no. we can’t do that.” So it’s a perfect—it’s a perfect example of— of havin’ to help, you know, keep things in the right frame that we want to.</p>
<p><strong>Reisz<br /></strong>Have you, um, always used, uh, a playwright to produce your plays and a professional director and have you guys done any of that on your own?</p>
<p><strong>Thompson<br /></strong>We’re in the process now of doing that and we hired—we’ve hired, um, people who have professional—have had professional experience, but are for—we only use the professionals the first time, ‘cause that was like $125,000 and so we had to raise money for a long time to—to get that together. And that was the year that we signed the contract with the theater. So, you know, all of this and financial part of it all mixes together.</p>
<p>And you realize, once you start this, you are a theater. You know, you’re not just—unless you’re going to keep it on a low key, not very large, but if you want to go big, you’re going to have to be a theater. And we want to go big. We’ve—want to go to the [John F.] Kennedy Center [for Performing Arts] in—in, Washington. We’re already set to be at the Dr. Phillips Performing Arts Center. We’re working with Central Florida, uh, uh, Community Arts and they’re gonna do a Christmas that’s gonna be the same show, or similar to the same show, that they put on at Christmas at Disney. So it’s the candlelight, uh, service that you pay 80-90 dollars for and you’ll pay 10-20-15, you know, for this show here. Because we want community to be able to see what we’re doing. And, and, uh, that is—that’s part of our mission, to bring the community together.</p>
<p><strong>Reisz<br /></strong>Um, so the professional—that’s the direction that you guys are going to go in going forward is using, uh, not necessarily, um, director per se, but definitely a professional playwright and things like that? you going to keep that?</p>
<p><strong>Thompson<br /></strong>Well, no. we’ve brought the community on the playwright too. As a matter of fact, um, even I helped write [<em>laughs</em>] a little bit of the play that we’re doing right now. So I can’t call myself—I call myself an editor, not a playwright.</p>
<p><strong>Miller<br /></strong>Well, that was one of the questions, that, um, regarding—do you have any employees?</p>
<p><strong>Thompson<br /></strong>No. we’re—not yet.</p>
<p><strong>Miller <br /></strong>You were talking about having some professionals...</p>
<p><strong>Thompson<br /></strong>Uh uh.</p>
<p><strong>Miller<br /></strong>So, um, you hire people as you need them? Or…</p>
<p><strong>Thompson<br /></strong>The way they—yes. and the way that works, um, is that they would get a stipend. Um, you would be for, um, a director, you might pay 750-1000 dollars, something like that. It’s not big money. And they have to work for six or eight weeks before the show to get it ready. I mean, that’s a lot of work for, you know, that kind of money.</p>
<p>Uh, but a lot of community theater only pays the music director. Everybody else is volunteer. And we have thousands and thousands hours of volunteer hours, because we have no paid staff. We do have some[sic] paid artist, but not any paid staff. And nobody and—none of the actors are paid.</p>
<p><strong>Miller<br /></strong>So you draw your expertise from the community also?</p>
<p><strong>Thompson<br /></strong>Right. and that is a lucky thing that we have. That we have so much theater and, um, entertainment in Central Florida, and people who want to do theater. And they’re tied into day to day jobs that, um, you know, stifle their creative—and, and they do it for free. They do it for the love of theater.</p>
<p>Which I didn’t understand. I’m a businessperson. I came out of, you know, owning my own business for many, many years and my husbands a, uh, CPA [Certified Public Account] and ran an insurance company. And, oh my gosh. You know, everything is the bottom line kiddo [<em>laughs</em>]. So that’s kinda where I fit in. And t’s a little difficult for me to learn and having to learn. And most of the other people on the [Executive] Board are businesspeople. And they—it’s—it’s—it’s somethin’ to learn how to do this.</p>
<p><strong>Miller<br /></strong>Well, what—you brought up the board. What role does that—the board play?</p>
<p><strong>Thompson<br /></strong>Uh, the board makes the decisions on where the money goes, and—and where the fundraisers and, um—we do all the—all the grunt work that has to be done. We do the marketing. We do the, uh, advertising. We do the, uh, um—um, the Celery Ball, which is our main fundraiser.</p>
<p>We reach out to all community to—to get the word out and speak to groups and make connections wherever we can with the politicians, in, uh, um—you know, just have to reach out to every single facet. And it’s—it’s—it’s a miracle. It’s wonderful. It is wonderful. And I love working this class that’s a very diverse class, with older, younger, men, women. It’s great. You know, I going to learn so much from you all [nods].</p>
<p><strong>Reisz<br /></strong>How, um, how is—how is Creative Sanford and <em>Celery Soup</em>, how have—how have you been successful in achieving your goals?</p>
<p><strong>Thompson<br /></strong>Well, we’ve put on three shows. Yes. We’ve brought in community who have done playwright—playwriting—who have done music, who have done directing, that are from the community, that were paid a small stip—small stipend. And, um, you know, this is—this is the goal. is to bring the community together. We’ve brought people together who would have never have met.</p>
<p>Um, one lady who’s a very prominent, uh, poet, and she was in our show and she helped write a little bit of it. And, um, she was afraid of one the—of one of the people in the show. It was a young black guy and she was an older black lady, but she wasn’t raised in any of the—so she had a whole generational plus economic—there wasn’t a reason to be afraid of this young person. But she was—she was fearful. And so she really learned. And the—and the young person learned too. How to be more respectful and so that’s—that’s a goal is—you know, I think people call it bullying and all of that, but it’s really—it’s learning how to love each other and work with each other, and um, and blend into to, uh, international, you know, family.</p>
<p><strong>Reisz<br /></strong>You mentioned earlier that there was a couple of things that, um, you hadn’t achieved. You know, you want to do more outreach with other community groups and things like that?</p>
<p><strong>Thompson<br /></strong>Right.</p>
<p><strong>Reisz<br /></strong>Is there anything else you—that Creative Sanford would like to do, but you haven’t been able to do yet?</p>
<p><strong>Thompson<br /></strong>Oh, yes. We’d like to, um—we’d like to have a performing arts center. and we have talked to, uh, Congressman [John L.] Mica about that. um, preliminary, stages, of maybe having an arts council—not an arts council. We have the Seminole Cultural Arts Council, but um, to work with them with Creative Sanford to have our theater in a building, to have uh, um, uh, galleries in the theater, and have gift shops, and have, uh, study areas, and training areas, and studios. I mean, we’ve got a big group of ideas and that would—that would involve all the arts. And that’s one of the things that, um, is real—real difficult to get off the ground on no money. So that’s where you’re going to look for federal grants and that’s where you need your politicians to help you. And Seminole Cultural Arts Council and ourselves are working together to, uh, work with Congressman Mica and—and see if we can get one in Seminole County. You know, there’s a lot people, there’s a lot of money in Seminole County. It’s all going south. So we want to bring some of it back to Seminole County and let them realize that, not only are we a bedroom place, but also a great place to—to just enjoy life and make your whole—whole area more livable.</p>
<p><strong>Reisz<br /></strong>Um, why is it important—in particular in Sanford, of course—but why is it important that these plays are produced by the community for the community?</p>
<p><strong>Thompson<br /></strong>Well, that goes right back to, um, people learning each other, meeting each other, uh, getting together, and becoming friends and, um, meshing as a team. And they go out when—when we have done this, um, the group says, “Hey, I know a place that we need to go.” So emails go back and then we just get together, we go out, maybe put on a performance or—not a whole show—but do vignettes, maybe do a little bit of Uncle Dieter maybe do a little bit of, um, Elmer Bags. Just, you know, somethin’ funny or, er, poignant, or somethin’ like that.</p>
<p>We’ve done one called <em>Generations</em>,where the woman tells the story of how her family came from Africa and, you know, where they landed, and you know, how her history came about, and now she’s the last one in her line. And she says—at the end, she says, “Who will remember me? Will you?” And it just—oh, it just gives me cold chills right now. It’s just—it just tells people—opens their eyes and minds and hearts to, you know, what’s going on in the rest of world and how other people are feeling and, um, we always want to do more of that.</p>
<p><strong>Reisz<br /></strong>Uh, you had mentioned earlier that—that the—that Creative Sanford and <em>Celery Soup </em>in particular had been really well received by the community?</p>
<p><strong>Thompson<br /></strong>Yes.</p>
<p><strong>Reisz<br /></strong>Um, how have you integrated community feedback into your projects and the things that you’re doing, besides just the interviews?</p>
<p><strong>Thompson<br /></strong>Well, that is—that is one of the big things that we do. When we have the play and getting it ready, okay? We have a day, that we have—invite all the community to come to the theater and we do a run through of the play. And if they have feedback, “Oh that—that story wasn’t there. That story is over on Eleventh Street.” “Oh, this is wrong,” or “I don’t like this,” or, oh—they don’t laugh or, you know, they think something’s offensive. And we take that all into consideration. We’re very much attuned to what—it’s like what we tell the playwrights, sometimes we say, “Hey. Something we already know politically you can’t do that. They’re already in a—they’re already in a lawsuit.” But it is the same thing with other peoples’ feelings. And, um, we had one lady who got up and said she loved this part and the other lady got up and said that, “This isn’t the way it was where I was.” And it was complete opposite, so it was like, “Okay. Well, we’ll tell this story here and let’s interview you and get your story for the next time.”</p>
<p>So it’s—you know, we’re going to tell our stories as much as we can, but we want to—we want to be fair to everybody, but that is what we do. That’s part of the community—that we learned from the professionals. It’s that you have—when you start your cast, you—you have a day that you talk about, um, being compassionate and—and working with your other cast members and all of that sort of thing. And, um, that kind the way it starts and then, you know, we get this real tight group going and people know you now.</p>
<p>For me, see, I am known as the “ticket lady,” because I was always down there working the tickets and, you know, all this. They didn’t know I was president. they didn’t care who I was. I was the ticket lady. That’s the one they saw every night. But now they’re seeing me in a completely different role, because I’m in the play. And I have just a small—I have three small parts, but, you know, one of ‘em is absolutely just as silly as all get out and so they’re seeing, “Oh, the ticket lady does something besides” [<em>laughs</em>], you know, “sell the tickets. She might have some other good things that she can do.” So they’re seeing me in a different light and I think we see everybody in a different light. That—that whatever they perceive themselves to be, we’re seeing them in a different, more human light.</p>
<p><strong>Miller<br /></strong>Well you’ve been with the project from the beginning, um…</p>
<p><strong>Thompson<br /></strong>Just about.</p>
<p><strong>Miller<br /></strong>Well, what—what are your biggest surprises about this?</p>
<p><strong>Thompson<br /></strong>Oh, all of it. All of it. I had no idea how much work it was gonna be, how much fun it was gonna be, how enlightening it was gonna be. It’s just been—it’s just—it’s been like [<em>sighs</em>] renewed youth of somethin’. You know, you’ve thought,<em> Oh, well, my identity is a restaurant owner. This—I’m the Rib Ranch</em>, you know. Well then you retire and I got all involved in this and—and, uh, now I feel like, “Well, hey. This, this is rejuvenated me.” and, you know, put your brain in gear again and you have all these new goals, because I’d already completed all my goals. I was the best restaurant that sold barbeque in Seminole County and, you know, where do you go from there? So this was a new goal and set new things. So age never matters. Grandma Moses became famous in her 80s, so maybe I’ll become famous in my 70s [<em>laughs</em>].</p>
<p><strong>Miller<br /></strong>Ah, what are some of the challenges in creating and maintaining a project like <em>Celery Soup</em>?</p>
<p><strong>Thompso<br /></strong>Financial. There you go. That’s the bottom line. That’s the big problem, is getting’ the money. Yup.</p>
<p><strong>Miller<br /></strong>Well, um, you mentioned fundraisers.</p>
<p><strong>Thompson<br /></strong>Mmhmm.</p>
<p><strong>Miller<br /></strong>And you have a Celery Ball.</p>
<p><strong>Thompson<br /></strong>Right.</p>
<p><strong>Miller<br /></strong>Do you want to describe that a little bit and some of the other fundraisers?</p>
<p><strong>Thompson<br /></strong>Okay. What we’ve done—and, of course, this has evolved too. When we first started we had the Celery Ball, we had a king and queen. And the king and queen raised money—the king and queen candidates raised money—and, um, the first year we raised over $30,000. The second year about $30,000. The third year about $25,000. And the fourth year $10,000. Okay. economy. There you go. The economy’s going down, people didn’t have money to do all this, so that next year it was—we had a lot of silent auctions. We did not have, and we’re not having this year, a king and queen.</p>
<p>So we feel like—okay. We’ve kind of burned that out. it’s got a life of about four years and then you’ve got to go to something else. So we’ve moved the play—we’ve moved it to a different location. It’s gonna be a <em>The Great Gatsby </em>themed, so it’s gonna to be ‘20s-‘30s. Gonna be a lotta fun and, uh, um—and we have silent auction and trips and things like that, that we’re gonna be putting out to—to raise money instead of having—it was real easy when you had kings and queens and they’re all out having fundraisers and, you know, they’re doing all the work and you’re raking in the money. But it doesn’t work that way. It doesn’t work that way for the whole thing.</p>
<p><strong>Miller<br /></strong>Alright, um…</p>
<p><strong>Reisz<br /></strong>[inaudible]</p>
<p><strong>Miller<br /></strong>Yeah, uh, what are, um, some of your production costs? And in that the price of your tickets and stuff?</p>
<p><strong>Thompson<br /></strong>Mmhmm. okay. We price our tickets at $15—well 20 and 18 at first—and then we moved it down to 15 and 12. And, ah—again, it’s to meet the mission of bringing things and the quality—best quality we can—to the community. And these are bad times. I don’t know how you guys are seeing it, but, you know, everybody is working one or two, you know—working extra jobs. Still not, you know, cuttin’ it with the way things are going with businesses, where they’re cutting people’s hours back. “Oh, we’re only going to give you 26 and we’re never gonna give you more than 32, so you can’t be a full-time employee, so we won’t have to pay you benefits.” Da, da, da, da, da.</p>
<p>So we look at all of that and, uh, we decided on our price, and because we’re not usin’ the professionals. We’re back—we give just the small stipend—we do a production, is about 10,000, mkay? Is what it costs us to put on a production. and a lot of it is borrowing from different places in the community. Oh, and now that we’re a co-op we can say, “Oh, do you have some lights we can borrow?” Whereas we may have had to spend 10,000 on lights the first year, which we did. We had to rent ‘em. That, you know, now we can get lights and—as a matter of fact, we just had two people who gave us lights just in the last week. So, you know, we’re getting the lights—we don’t still have as much lighting as we need, and that’s one of the things that we’ll get a grant to help us get lighting and sound equipment and, you know, these kinds of things that we need. But, um, yeah. that’s it. Financial.</p>
<p><strong>Reisz<br /></strong>Um, much of what <em>Celery Soup </em>has been doing is preserving the history of and the stories of Sanford.</p>
<p><strong>Thompson<br /></strong>Right.</p>
<p><strong>Reisz<br /></strong>How are you preserving the legacy of <em>Celery Soup </em>and Creative Sanford itself?</p>
<p><strong>Thompson<br /></strong>Well, we have two ways. Uh, Alicia [Clarke] at the, um, Sanford Museum has asked us for copies of everything. So they’re going to archive the beginnings and all of our—as time goes by, they’ll do it. And so I’m keeping double records of, you know, two pieces of paper and so we’ll keep one and give one to her. And of course, we’re expecting that a lot of our archiving is going to go up on RICHES, so we’ll have that as part of our archival process.</p>
<p>And we, um—you have to have a disaster program, you know, and so we have disaster programs and we have things backed up with—on the flash drives—or we have them backed up on secondary computers. We have, um, fireproof safes that we keep things in. and we keep things off, um—out of the office. I don’t—I can’t think of what the word is. but somewhere else that, um, we keep things—the financial things and the historic things—um, backed up. So that’s how we have to do it. And—and the things like this, I’m really happy that if anything happened to this little dress, um—this was the dress that was worn by the little two and a half year old little girl, who was in our very first production—Kalayla. and, um, so definitely want pictures of that. And that’s—that’s an archival thing. If this rotted, we wouldn’t have it. So…</p>
<p><strong>Miller<br /></strong>Okay. um, how do you keep the community engaged in <em>Celery Soup</em>, uh, especially long-term?</p>
<p><strong>Thompson<br /></strong>That’s a problem. You have to keep moving and especially when we have to look two ways: the economy and wearing yourself out, you know, with asking people over and over again for help. And, uh— so the engagement—we just try to broaden and not to go back to the same wells every time. That if there’s 54,000 people in this town, and if 2,000 people are helping us, we need to get to the next 2,000 and the next 2,000, and the next 2,000. And we’ve reached, um,—as a matter of fact, just last week we were given a check for $250 from an organization that had never helped us before. So here we are. We’re getting into that outer ring and so we’ll just, slowly but surely, we’re just gonna reach out all through the whole area and get some of these people.</p>
<p>Mercedes[-Benz] helped us and then they kind of backed—backed away with what they were doing and so we’re going to different places to make this thing work. And we’re on David Maus’ [Toyota’s] jumbo-tron out there, which we’ve never been on there before and so, you know, that’s a first for us. So we just keep moving ou.t and we’ve never had any kind of TV advertising or never had any TV that supported us, and so this year, uh—this 2014, we’re really gonna put a push on getting sponsors of, um, in kind or whatever we can get from the, uh, major stations. We’ve had radio. We’ve had, um, um, public and NCR<a title="">[3]</a> and public broadcasting, but we want to get more into the mainstream too.</p>
<p class="Default"><strong>Reisz<br /></strong>Um, I know that we are getting tight on time, so we have one last question that we’d like to ask you, before we release you.</p>
<p><strong>Thompson<br /></strong>Okay. Mkay.</p>
<p><strong>Reisz<br /></strong>Uh, but what advice would you give another community thinking about beginning a similar project?</p>
<p><strong>Thompson<br /></strong>The advice that I would give them is to contact everybody that has ever done one that you can find and ask them the questions that you’re asking. How do you do it? How much did it cost? We had a group that came in and asked us those questions and we answered them and, uh, and it was very interesting. We had—they came down and visited us and it was a very interesting time.</p>
<p>But, um, whatever the people tell you it’s going to cost, figure it’s going to cost at least 50 percent or a third to 50 percent more, okay? It’s much more expensive than you think it’s gonna be. Uh, some people think, “Oh, well everything be given to us.” and that’s what we were told” Oh, people would just reach out to you and they’re gonna give you this and they’re gonna give—let me tell ya. in a big market like this, they don’t do that. Maybe in very small towns, yes. You can get that kind of immediate help, but in a big, big area like we’re in it’s not the same process. And that’s where we differ with <em>Swamp Gravy </em>too, in that, you know, we have a very different financial field back and forth there.</p>
<p>So, yeah. It’s, um— it is—it’s mainly financial, legal. Be sure if you write contracts, if you go with professionals that, you know, you get a good tight that you’re protected and safe. And we went to an entertainment attorney and had her look over the contract and make changes and things to protect us a little bit better. So those are the things that you’ve got to have.</p>
<p><strong>Reisz<br /></strong>Well thank you very, very much. We greatly appreciate it. Um, we really appreciate it. And then we’ll probably come up with some other questions. If you think we missed anything, let us know. We’d be happy to ask about it.</p>
<p><strong>Thompson<br /></strong>[<em>laughs</em>] Okay.</p>
<p><strong>Miller<br /></strong>And we…</p>
<div><br /><div>
<p><a title="">[1]</a> <em>The Sanford Herald</em>.</p>
</div>
<div>
<p><a title="">[2]</a> <em>State of Florida v. George Zimmerman</em>.</p>
</div>
<div>
<p><a title="">[3]</a> Correction: National Public Radio (NPR).</p>
</div>
</div>
11th Street
1st Street
501(c)(3)
Bagg, Elmer
Baggs
Bram Towers
Broadway
Celery Ball
Celery Soup: Florida’s Folk Life Play
Central Florida
Central Florida Community Arts
Clarke, Alicia
Colquitt, Georgia
community theater
Creative Sanford, Inc.
Crooms Academy of Information Technology
David Maus Toyota
Disney
Dr. Phillips Performing Arts Center
Dreamers and Schemers
Eleventh Street
First Street
fourth wall
Generations
Grandma Moses
Grease
Great Gatsby
Holocaust and Interfaith Council
Hopper Academy
Humanities Council
I-4
Interstate-4
John F. Kennedy Center for Performing Arts
Kalayla
Knight, Margot H.
Made - Not Bought
Maus, David
Mayfair Country Club
Mercedes-Benz
Mica, John L.
Miller, Mark
Mr. Baggs
oral history
Orlando, Florida
Princess Theater
race relations
Reisz, Autumn
Remade - Not Bought
Rib Ranch
RICHES Mosaic Interface
RICHES of Central Florida
Roman-Toro, Freddie
Sanford
Sanford Museum
Sanford Welcome Center
Seminole Cultural Arts Council
Serenity Towers
Sleeping Beauty
Spam-A-Lot
Swamp Gravy
Swamp Gravy Institute
Talks From the Stalks
Taylor, Jeanine
The Holocaust
The Princess Players
The Sanford Herald
The Villages
theater
theater manager
Thompson, Trish
Tony Award
Touch and Go
Uncle Dieter
United Art of Central Florida
Wicked
-
https://richesmi.cah.ucf.edu/omeka/files/original/68c2275f3274502a904d6aeeed777bf5.mp3
d0296e36c6d1905f59508fa7eb7cd8f2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
RICHES Podcast Documentaries Collection
Alternative Title
RICHES Podcast Collection
Subject
Podcasts
Documentaries
Description
RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners.
Contributor
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
Cassanello, Robert
Language
eng
Type
Collection
Coverage
Altoona, Florida
Apopka, Florida
Astor, Florida
Barberville, Florida
Brevard County, Florida
Bushnell, Florida
Clermont, Florida
Cocoa, Florida
Cocoa Beach, Florida
College Park, Orlando, Florida
Coral Gables, Florida
Daytona Beach, Florida
DeLand, Florida
Disston City, Florida
Eatonville, Florida
Eau Gallie, Melbourne, Florida
Fort King, Florida
Fort Lauderdale, Florida
Geneva, Florida
Goldenrod, Florida
Groveland, Florida
Hannibal Square, Winter Park, Florida
Holly Hill, Florida
Hontoon Island, DeLand, Florida
Indian River, Florida
Jacksonville, Florida
Key Biscayne, Florida
Key West, Florida
Kissimmee, Florida
Lake Apopka, Florida
Lake Buena Vista, Florida
Lake County, Florida
Lake Mary, Florida
Marion County, Florida
Merritt Island, Florida
Mims, Florida
Mount Dora, Florida
Newnans Lake, Gainesville, Florida
New Smyrna, Florida
New Smyrna Beach, Florida
Ocala, Florida
Ocklawaha River, Florida
Ocoee, Florida
Orlando, Florida
Ormond Beach, Florida
Osceola County, Florida
Oviedo, Florida
Parramore, Orlando, Florida
Reedy Creek, Florida
Sanford, Florida
Silver Springs, Florida
St. Augustine, Florida
St. Cloud, Florida
St. Johns River, Florida
St. Petersburg, Florida
Tampa, Florida
Titusville, Florida
Vero Beach, Florida
Weirsdale, Florida
Winter Garden, Florida
Winter Park, Florida
Ybor City, Tampa, Florida
Contributing Project
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
External Reference
<span>"</span><a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a><span>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php.</span>
Has Part
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/137" target="_blank">A History of Central Florida Collection</a>, RICHES Podcast Documentaries Collection, RICHES of Central Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank">RICHES</a>.
Rights Holder
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES<br /></a>
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Original Format
1 audio podcast
Duration
19 minutes and 49 seconds
Bit Rate/Frequency
192kbps
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
RICHES Podcast Documentaries, Episode 44: The Construction of Inequality: Politics and Influence on I-4
Alternative Title
Politics and Influence on I-4 Podcast
Subject
Podcasts
Documentaries
Orlando (Fla.)
Interstate highways
Winter Park (Fla.)
Urban development
Description
Episode 44 of RICHES Podcast Documentaries: The Construction of Inequality: Politics and Influence on I-4. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. <br /><br />Episode 44 examines the controversy over the construction of Interstate Highway 4 through and around Orlando and the unequal amount of influence exerted on the building of the road by different interest groups and parties involved. I-4 was one of the first Interstate Highways constructed in Florida, with its first section opening between Plant City and Lakeland in 1959. By 1962, the segment of I-4 connecting Tampa and Orlando was completed and the entire highway was completed by the late 1960s.
Abstract
This podcast examines the controversy over the construction of Interstate 4 through and around Orlando and the unequal amount of influence exerted on the building of the road by different interest groups and parties involved. The Orlando business district, the Parramore community, and the city of Winter Park each have a part in this story.
Type
Sound/Podcast
Source
Original 19-minute and 49-second podcast by Mark Hermanstorfer, December 19, 2012: "RICHES Podcast Documentaries, Episode 44: The Construction of Inequality: Politics and Influence on I-4." <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida.
Is Part Of
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/70" target="_blank">RICHES Podcast Documentaries Collection</a>, RICHES of Central Florida.
Coverage
Orlando, Florida
Parramore, Orlando, Florida
Winter Park, Florida
Creator
Hermanstorfer, Mark
Publisher
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Contributor
Chambliss, Julian C.
Clark, James "Jim" C.
Mohl, Raymond A.
Stevenson, Bruce
Date Created
ca. 2012-12-19
Format
audio/mp3
Extent
27.5 MB
Medium
19-minute and 49-second podcast
Language
eng
Mediator
History Teacher
Civics/Government Teacher
Economics Teacher
Geography Teacher
Provenance
Originally created by Mark Hermanstorfer and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>.
Rights Holder
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Accrual Method
Item Creation
Contributing Project
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
External Reference
"<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2497" target="_blank">RICHES Podcast Documentaries, Episode 44: The Construction of Inequality: Politics and Influence on I-4</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2497.
"<a href="http://www.us-highways.com/fli.htm" target="_blank">Historic Florida Mainlines</a>." Historic Florida Mainlines. http://www.us-highways.com/fli.htm.
Moon, Henry. <a href="http://www.worldcat.org/oclc/31901368" target="_blank"><em>The Interstate Highway System</em></a>. Washington, DC: Association of American Geographers, 1994.
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka2/files/original/68c2275f3274502a904d6aeeed777bf5.mp3" target="_blank">RICHES Podcast Documentaries, Episode 44: The Construction of Inequality: Politics and Influence on I-4</a>
Date Copyrighted
2012-12-19
Date Issued
2012-12-19
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
African American
beautification
Caro, Robert Allan
Central Business District
Chambliss, Julian C.
civil rights
Clark, James C.
Clark, Jim C.
construction
Dade County
department store
desegregation
Downtown Miami
Downtown Orlando
East-West Expressway
Eatonville
Eisenhower, Dwight David
engineering
Florida State Road 408
Georgetown, Washington, D.C.
Greenboro, North Carolina
Hermanstorfer, Mark
high speed rail
highway
housing
I-4
I-95
income
integration
Interstate Highway 4
Interstate Highway 95
Interstate Highway System
J.C. Penney's
lower class
mall
Miami
Mohl, Raymond A.
Moses, Robert
national defense
National Defense Highway
orlando
Orlando Central Business District
Overtown, Miami, Florida
Parramore
property value
race relations
real estate
real estate development
real estate industry
RICHES Podcast Documentaries
road
Rollins College
segregation
shopping mall
SR 408
Stevenson, Bruce
store
The City Beautiful
The Interstates and the Cities: Highways, Housing, and the Freeway Revolt
The Orlando Sentinel
The Power Broker: Robert Moses and the Fall of New York
UAB
UCF
University of Alabama at Birmingham
University of Central Florida
upper class
urban
urban development
urban planning
urban renewal
urbanization
Winter Park
-
https://richesmi.cah.ucf.edu/omeka/files/original/a262503375fac73948c1fe275e03c977.mp3
a1619e55bbc1f202c3ab3534983c0c84
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
RICHES Podcast Documentaries Collection
Alternative Title
RICHES Podcast Collection
Subject
Podcasts
Documentaries
Description
RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners.
Contributor
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
Cassanello, Robert
Language
eng
Type
Collection
Coverage
Altoona, Florida
Apopka, Florida
Astor, Florida
Barberville, Florida
Brevard County, Florida
Bushnell, Florida
Clermont, Florida
Cocoa, Florida
Cocoa Beach, Florida
College Park, Orlando, Florida
Coral Gables, Florida
Daytona Beach, Florida
DeLand, Florida
Disston City, Florida
Eatonville, Florida
Eau Gallie, Melbourne, Florida
Fort King, Florida
Fort Lauderdale, Florida
Geneva, Florida
Goldenrod, Florida
Groveland, Florida
Hannibal Square, Winter Park, Florida
Holly Hill, Florida
Hontoon Island, DeLand, Florida
Indian River, Florida
Jacksonville, Florida
Key Biscayne, Florida
Key West, Florida
Kissimmee, Florida
Lake Apopka, Florida
Lake Buena Vista, Florida
Lake County, Florida
Lake Mary, Florida
Marion County, Florida
Merritt Island, Florida
Mims, Florida
Mount Dora, Florida
Newnans Lake, Gainesville, Florida
New Smyrna, Florida
New Smyrna Beach, Florida
Ocala, Florida
Ocklawaha River, Florida
Ocoee, Florida
Orlando, Florida
Ormond Beach, Florida
Osceola County, Florida
Oviedo, Florida
Parramore, Orlando, Florida
Reedy Creek, Florida
Sanford, Florida
Silver Springs, Florida
St. Augustine, Florida
St. Cloud, Florida
St. Johns River, Florida
St. Petersburg, Florida
Tampa, Florida
Titusville, Florida
Vero Beach, Florida
Weirsdale, Florida
Winter Garden, Florida
Winter Park, Florida
Ybor City, Tampa, Florida
Contributing Project
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
External Reference
<span>"</span><a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a><span>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php.</span>
Has Part
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/137" target="_blank">A History of Central Florida Collection</a>, RICHES Podcast Documentaries Collection, RICHES of Central Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank">RICHES</a>.
Rights Holder
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES<br /></a>
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Original Format
Audio podcast
Duration
Fourteen minutes and twenty-one seconds
Bit Rate/Frequency
128 kbps
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
RICHES Podcast Documentaries, Episode 10: The Mouth: Central Florida Tourism Icon
Alternative Title
The Mouth Podcast
Subject
Podcasts
Documentaries
Orlando (Fla.)
Theme parks
Tourism--Florida
Alligators--Florida
Wildlife preserves
Crocodiles
Description
Episode 10 of RICHES Podcast Documentaries: The Mouth: Central Florida Tourism Icon. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. <br /><br />Episode 10 examines Gatorland's iconic Mouth, which was built to attract visitors to the park. Dr. Jim Clark explains how alligators came to represent Florida. Dorothy Mays discusses why The Mouth was built, its purpose, and the effect it had on tourism. Gatorland is an Orlando theme park and wildlife preserve founded by Owen Godwin in 1949. In 1962, Godwin's son, Frank Godwin, designs an entrance in the shape of a large gator jaw, which as become a Central Florida icon.
Abstract
This podcast looks at Gatorland’s iconic Mouth, which was built to attract visitors to the park. Dr. Clark explains how alligators came to represent Florida. Dorothy Mays discusses why the Mouth was built, its purpose and the effect it had on tourism. The Mouth is a Central Florida icon.
Type
Sound/Podcast
Source
Original 14-minute and 21-second podcast by Lindsey Turnbull, July 18, 2011: "RICHES Podcast Documentaries, Episode 10: The Mouth: Central Florida Tourism Icon." <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida.
Is Part Of
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/70" target="_blank">RICHES Podcast Documentaries Collection</a>, RICHES of Central Florida.
Coverage
Gatorland, Orlando, Florida
St. Augustine Alligator Farm Zoological Park, St. Augustine, Florida
Creator
Turnbull, Lindsey
Publisher
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Contributor
Mays, Dorothy
Clark, Jim
Date Created
ca. 2011-07-18
Format
audio/mp3
Extent
13.2 MB
Medium
14-minute and 21-second podcast
Language
eng
Mediator
History Teacher
Economics Teacher
Geography Teacher
Provenance
Originally created by Lindsey Turnbull and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>.
Rights Holder
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Accrual Method
Item Creation
Contributing Project
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
External Reference
"<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2462" target="_blank">RICHES Podcast Documentaries, Episode 10: The Mouth: Central Florida Tourism Icon</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2462.
"<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2487" target="_blank">RICHES Podcast Documentaries, Episode 34: Disney and Smaller Attractions</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2487.
"<a href="http://www.gatorland.com/files/History%20Page%20for%20linking%20purposes.pdf" target="_blank">From Tails to Tales</a>." Gatorland. http://www.gatorland.com/files/History%20Page%20for%20linking%20purposes.pdf.
"<a href="http://www.gatorland.com/files/History%20Page%20for%20linking%20purposes.pdf" target="_blank">From Tails to Tales</a>." Gatorland. http://www.gatorland.com/files/History%20Page%20for%20linking%20purposes.pdf.
Godwin, Frank. <a href="http://www.worldcat.org/oclc/6778892" target="_blank"><em>Gatorland Zoo: World's Largest Alligator Far: A Book About Alligators and Gatorland Zoo</em></a>. Kissimmee, Fla: Godwin's Gatorland, 1979.
Mays, Dorothy. 2009. "<a href="http://www.worldcat.org/oclc/5076014147" target="_blank">Gatorland: Survival of the Fittest Among Florida's Mid-Tier Tourist Attractions</a>." <em>The Florida Historical Quarterly</em>. 87, no. 4: 509-539.
Wiggins, Jim. <a href="http://www.worldcat.org/oclc/651133130" target="_blank"><em>Florida Alligators</em></a>. [S.l.]: Publishamerica Inc, 2010.
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka2/files/original/a262503375fac73948c1fe275e03c977.mp3" target="_blank">RICHES Podcast Documentaries, Episode 10: The Mouth: Central Florida Tourism Icon</a>
Date Copyrighted
2011-07-18
Date Issued
2011-07-18
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
advertising
alligator
Alligator Capital of the World
alligator farm
alligator wrestling
billboard
Clark, Jim
crocodile
documentary
FHQ
Flagler, Henry Morrison
Florida Historical Quarterly
Florida Turnpike
Gatorland
Gatorland: Survival of the Fittest Among Florida's Mid-Tier Tourist Attractions
Godwin, Frank
Godwin, Owen
highway
I-4
Interstate Highway 4
Interstate Highway System
marketing
Mays, Dorothy
OBT
Orange Blossom Trail
orlando
Parrot Jungle
podcast
RICHES Podcast Documentaries
roadside attraction
Sacher, John
Snakes of Godwin
St. Augustine
St. Augustine Alligator Farm Zoological Park
The Mouth
theme park
tourism
tourist attraction
Turnbull, Lindsey
Walt Disney World
Weeki Wachee Springs State Park
wildlife preserve
-
https://richesmi.cah.ucf.edu/omeka/files/original/254867a60c37e3bc46fe285fbbefc1d7.mp3
e70959dd9ada35b99b1c24356dfbdc5a
https://richesmi.cah.ucf.edu/omeka/files/original/2896dbb425123a3a5aa5e9375e239f3d.pdf
cf8be4c92aab6f192700c0aab496ff67
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
RICHES Podcast Documentaries Collection
Alternative Title
RICHES Podcast Collection
Subject
Podcasts
Documentaries
Description
RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners.
Contributor
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
Cassanello, Robert
Language
eng
Type
Collection
Coverage
Altoona, Florida
Apopka, Florida
Astor, Florida
Barberville, Florida
Brevard County, Florida
Bushnell, Florida
Clermont, Florida
Cocoa, Florida
Cocoa Beach, Florida
College Park, Orlando, Florida
Coral Gables, Florida
Daytona Beach, Florida
DeLand, Florida
Disston City, Florida
Eatonville, Florida
Eau Gallie, Melbourne, Florida
Fort King, Florida
Fort Lauderdale, Florida
Geneva, Florida
Goldenrod, Florida
Groveland, Florida
Hannibal Square, Winter Park, Florida
Holly Hill, Florida
Hontoon Island, DeLand, Florida
Indian River, Florida
Jacksonville, Florida
Key Biscayne, Florida
Key West, Florida
Kissimmee, Florida
Lake Apopka, Florida
Lake Buena Vista, Florida
Lake County, Florida
Lake Mary, Florida
Marion County, Florida
Merritt Island, Florida
Mims, Florida
Mount Dora, Florida
Newnans Lake, Gainesville, Florida
New Smyrna, Florida
New Smyrna Beach, Florida
Ocala, Florida
Ocklawaha River, Florida
Ocoee, Florida
Orlando, Florida
Ormond Beach, Florida
Osceola County, Florida
Oviedo, Florida
Parramore, Orlando, Florida
Reedy Creek, Florida
Sanford, Florida
Silver Springs, Florida
St. Augustine, Florida
St. Cloud, Florida
St. Johns River, Florida
St. Petersburg, Florida
Tampa, Florida
Titusville, Florida
Vero Beach, Florida
Weirsdale, Florida
Winter Garden, Florida
Winter Park, Florida
Ybor City, Tampa, Florida
Contributing Project
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
External Reference
<span>"</span><a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a><span>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php.</span>
Has Part
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/137" target="_blank">A History of Central Florida Collection</a>, RICHES Podcast Documentaries Collection, RICHES of Central Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank">RICHES</a>.
Rights Holder
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES<br /></a>
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Original Format
1 audio podcast
Duration
27 minutes and 59 seconds
Bit Rate/Frequency
128kbps
Dublin Core
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Title
RICHES Podcast Documentaries, Episode 4: Gentrification and Urban Renewal: Revitalizing Central Florida’s African American Communities
Alternative Title
Gentrification and Urban Renewal Podcast
Subject
Podcasts
Documentaries
Orlando (Fla.)
Winter Park (Fla.)
Gentrification--United States
Urban renewal--Florida--Orlando
Description
Episode 4 of RICHES Podcast Documentaries: Gentrification and Urban Renewal. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. <br /><br />Episode 4 examines some of the factors that led to the ultimate decline of what was once a relatively prosperous African-American community in Central Florida, the efforts that have gone into restoring them, and the effectiveness of those campaigns. Primarily looking at the history of the Parramore district and Hannibal Square, discussion topics range from the effects of urban development and gentrification to the ways in which these communities have fought to preserve their heritage and improve their neighborhoods.
Abstract
This podcast examines some of the factors that led to the ultimate decline of what was once a relatively prosperous African-American community in Central Florida, the efforts that have gone into restoring them, and the effectiveness of those campaigns. Primarily looking at the history of the Parramore district and Hannibal Square, discussion topics range from the effects of urban development and gentrification to the ways in which these communities have fought to preserve their heritage and improve their neighborhoods.
Type
Sound
Source
Original 27-minute and 59-second podcast by Geoffrey Cravero, April 1, 2011: "RICHES Podcast Documentaries, Episode 4: Gentrification and Urban Renewal: Revitalizing Central Florida’s African American Communities." <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida.
Is Part Of
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/70" target="_blank">RICHES Podcast Documentaries Collection</a>, RICHES of Central Florida.
Coverage
Parramore, Orlando, Florida
Hannibal Square, Winter Park, Florida
Creator
Cravero, Geoffrey
Publisher
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Contributor
Thompson, Geraldine F.
Brotemarkle, Benjamin D.
Chambliss, Julian C.
Livingston, Fairolyn
Date Created
ca. 2011-04-01
Format
audio/mp3
Extent
25.8 MB
151 KB
Medium
27-minute and 59-second podcast
14-page digital transcript
Language
eng
Mediator
History Teacher
Civics/Government Teacher
Geography Teacher
Humanities Teacher
Provenance
Originally created by Geoffrey Cravero and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>.
Rights Holder
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Accrual Method
Item Creation
Contributing Project
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
External Reference
Cox, Dale. <a href="http://www.worldcat.org/oclc/781177259" target="_blank"><em>Old Parramore: The History of a Florida Ghost Town</em></a>. S.l: Createspace], 2010.
Dickinson, Joy Wallace "<a href="http://articles.orlandosentinel.com/2006-07-02/news/ORFLASH02_1_brotemarkle-oral-history-central-florida" target="_blank">Parramore Legacy: 'Black History is Part of Everybody's History'</a>." <em>The Orlando Sentinel</em>, July 2, 2006. http://articles.orlandosentinel.com/2006-07-02/news/ORFLASH02_1_brotemarkle-oral-history-central-florida.
"<a href="http://deimos.apple.com/WebObjects/Core.woa/Browse/ucf.edu.2577623765.02577623773.7292816977?i=1331393182" target="_blank"><span>RICHES Podcast Documentaries, </span>Episode 4: Gentrification and Urban Renewal</a>." RICHES of Central Florida. http://deimos.apple.com/WebObjects/Core.woa/Browse/ucf.edu.2577623765.02577623773.7292816977?i=1331393182.
Frazier, Amanda E. <a href="http://www.worldcat.org/oclc/47806651" target="_blank"><em>On the Other Side of the Tracks: Redevelopment in West Winter Park</em></a>. Thesis (A.B. Honoris)--Rollins College, 2001, 2001.
Florida. <a href="http://www.worldcat.org/oclc/435532264" target="_blank"><em>Urban Revitalization in Florida</em></a>. [Tallahassee, Fla.]: Florida Legislative Committee on Intergovernmental Relations, 2005.
"<a href="http://www.cityoforlando.net/economic/pathways-for-parramore/" target="_blank">History of Pathways for Parramore</a>." City of Orlando. http://www.cityoforlando.net/economic/pathways-for-parramore/.
Livingston, Fairolyn. <a href="http://www.worldcat.org/oclc/68757928" target="_blank"><em>A Window on Hannibal Square: A View of Life in Early Westside Winter Park and a Portrait of the Lives and Careers of Walter B. Simpson and Frank R. Israel, the Only Black Men to Every Hold Office in the City of Winter Park, Florida</em></a>. 1997.
Russin, Teresa. <a href="http://purl.fcla.edu/fcla/etd/UFE0021792" target="_blank"><em>The Community Land Trust Model and Smart Growth Principles As a Means to Provide Affordable Housing in the Face of Gentrification</em></a>. [Gainesville, Fla.]: University of Florida, 2007. http://purl.fcla.edu/fcla/etd/UFE0021792.
"<a href="http://www.hannibalsquareheritagecenter.org/aboutus.html" target="_blank">Welcome</a>." Hannibal Square Heritage Center. http://www.hannibalsquareheritagecenter.org/aboutus.html.
"<a href="http://www.hannibalsquare.com/" target="_blank">Welcome to the Hannibal Square Association</a>." Hannibal Square Association. http://www.hannibalsquare.com/.
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka2/files/original/254867a60c37e3bc46fe285fbbefc1d7.mp3" target="_blank">RICHES Podcast Documentaries, Episode 4: Gentrification and Urban Renewal: Revitalizing Central Florida’s African American Communities</a>
Date Copyrighted
2011-04-01
Date Issued
2011-04-01
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Table Of Contents
0:00:00 Introduction
0:03:40 Founding of Parramore
0:04:22 Effects of integration
0:07:17 William Monroe Wells and the South Street Casino
0:08:35 Interstate Highway 4 and the decline of Parramore
0:12:00 Hannibal Square and Winter Park
0:14:22 Real estate and infrastructure
0:17:33 Revitalization and gentrification
0:27:21 Conclusion
Transcript
<p><strong>Lester<br /></strong>I’m Dr. Connie [L.] Lester, the Director of the RICHES program, and you are listening to the RICHES documentary podcast.</p>
<p>[<em>radio static</em>]</p>
<p><strong>Lester<br /></strong>Welcome to the RICHES documentary podcast. RICHES—the Regional Initiative for Collecting the Histories, Experiences, and Stories of Central Florida—is an umbrella program housing interdisciplinary public history projects that bring together different departments at the University of Central Florida with profit and nonprofit sectors of the community in order to promote the collection and preservation of the region’s history. By facilitating research that records and presents the stories of communities, businesses, and institutions in Central Florida, RICHES seeks to provide the region with a deeper sense of its heritage. This series feature a podcast every two weeks, in the middle and at the end of each month that will explore various aspects of Central Florida history.</p>
<p>In today’s episode, “Gentrification and Urban Renewal: Revitalizing Central Florida’s African-American Communities,” Geoffrey Cravero examines some of the reasons that these once flourishing neighborhoods began to decline, and what city leaders are doing to save these communities.</p>
<p><strong>Cravero<br /></strong>Hi. I’m Geoffrey Cravero, and in today’s episode, “Gentrification and Urban Renewal: Revitalizing Central Florida’s African-American Communities,” we’re gonna be speaking with Representative Geraldine [F.] Thompson and Dr. Benjamin [D.] Brotemarkle about the Parramore district of Downtown Orlando, and Dr. Julian C. Chambliss and Fairolyn Livingston about Hannibal Square, the African-American side of Winter Park, Florida. Central Florida’s African-American community was once relatively prosperous, consisting of a thriving business district, populated by a mix of professionals and working-class families, and in many ways, quite self-sufficient.</p>
<p>This podcast will examine some of the factors that led to the ultimate decline of these regions, the efforts that have gone into restoring them, and the overall effectiveness of those campaigns. Geraldine Thompson has been a representative in the Florida State Legislature since 2006. A former educator and administrator at Valencia Community College, she is also a founder of the Wells’ Built Museum of African American History and Culture.</p>
<p>The Executive Director of the Florida Historical Society, Dr. Brotemarkle has written several books on Florida history and culture, including <em>Crossing Division Street: An Oral History of the African American Community in Orlando</em> and <em>Beyond the Theme Parks: Exploring Central Florida</em>. You might also recognize him as the producer and host of <em>Florida Frontiers</em>, the weekly radio magazine of the Florida Historical Society.</p>
<p>Dr. Julian Chambliss is an associate professor of history at Rollins College, specializing in 19<sup>th</sup> and 20<sup>th</sup> century urban America, African-American history in Florida, race and ethnicity, American planning history, as well, as other topics related to the urban experience.</p>
<p>Born in Hannibal Square, Fairolyn Livingston has spent most of her life in the community, and is now Manager of the Hannibal Square Heritage Center.</p>
<p>I’d like to thank each of our guests for taking the time to speak with us. I asked Representative Thompson and Dr. Brotemarkle to tell us about the rise and fall of Orlando’s Parramore community.</p>
<p><strong>Thompson<br /></strong>Parramore was founded in the 1800s, uh, when the city was just, uh, beginning to form, and it was the location where many African Americans lived initially. The city was separated, as was the case throughout the South, generally by the railroad tracks. You had the, uh, white community on one side and the African-American community on the other side. So, uh, Parramore is just west of the railroad tracks in Downtown Orlando, and the pioneers in the African-American community who made significant contributions to the City [of Orlando] and to Central Florida lived in Parramore.</p>
<p>When the community went through integration at the end of, uh, “legally sanctioned apartheid” —is what I call it—uh, the idea was that, in order to get true integration, you had to close some of the major institutions in Parramore. So you saw the schools, uh, close. Many of the churches also moved out. Uh, the Parramore area had become saturated, and people needed other places to live, and so, uh, places like Washington Shores, the Richmond Heights area, uh, Carver Shores, were established and many people moved to those areas which were, at that time, considered the suburbs, and many of the professionals who lived in Parramore also moved, and so you left behind, uh, people who were, for the most part, renters, who did not own the properties where they lived. Uh, there was very little that was owner-occupied in Parramore—a lot of absentee landlords.</p>
<p>So when you lost the major institutions like your schools, your churches, the professional individuals who had made it the economic and the social hub for African Americans in Central Florida, then an element, uh, of crime began to—to build, and, uh, there were a lot of problems, and quite frankly, a lot of the decision-makers, who were deciding what was going to happen and how Central Florida, uh, would grow, did not really consider Parramore worthy of much of an investment, and so that’s what led to a blighted area for a very long time.</p>
<p>There have been a lot of very effective efforts to bring business back into the community. Uh, there is one charter school now in the community—the Nap Ford [Community] School. Other than Nap Ford, however, there are still no schools in Parramore. The students are bussed out to nine different, uh—different schools in—in the area. Uh, the businesses that have come into the area include, uh, the Bank of America. You now have the Federal Courthouse that is also built in the Parramore area, as well, as the Florida A[gricultural] & M[echnical] University College of Law. Uh, the Wells’ Built Museum, which is in the former Wells’ Built Hotel, um, is celebrating now 10 years—our 10<sup>th</sup> anniversary, and so we have been able to document, and to preserve, and to share a lot of the history of Parramore, which makes people much more aware that it is a significant co—uh, community, and as we revitalize and as we grow, it’s something worth saving.</p>
<p>We are in the process of, uh, restoring the residence of the person who built the Wells’ Built. His name was William Monroe Wells, one of the early African-American physicians here. He came here in 1917, and in addition to a thriving medical practice, he had a social club, which was called the South Street Casino, and he brought, uh, big bands, [Edward] “Duke” [Kennedy] Ellington, [William] “Count” [James] Basie, Ella [Jane] Fitzgerald, to perform at the South Street Casino, which he owned, and after the entertainers, uh, finished performances, they didn’t have a place to stay. So that was his motivation for building a hotel, and, uh, so in addition to refurbishing the Wells’ Built and operating it as a museum of African-American history, we’re now in the process of refurbishing his home, which was located where the new Amway Center, uh, is, And that’s another business that has come into Parramore, which is Downtown Orlando, and so the home was moved rather than, uh, to have it demolished, and we will make it part of the museum complex, and we’ll operate a museum store in Dr. Wells’ residence. So his legacy is alive and well, on South Street.</p>
<p><strong>Brotemarkle<br /></strong>Well, there are many factors that—that led to the demise of the hotel and casino. Uh, first of all, eh, as—as great and wonderful and necessary as the civil rights laws of the 1960s were, once African Americans could move anywhere they wanted to, uh—and this is not unique to the Parramore neighborhood. This happened to communities throughout the South, in particular, uh, but many of the community leaders—that[sic] helped keep the infrastructure of the community together—moved out of the neighborhood. So consequently, in many cases, uh, all that were—were left were the people who couldn’t afford to move anywhere else, and actually, in the case of the Parramore neighborhood, this had actually started a little bit before that in the 1950s. People had started migrating over to the Washington Shores neighborhood in Orlando, but the—the—the civil rights laws definitely contributed to the continued exodus, uh, from the Parramore neighborhood of many of the people, uh—the community leaders. Uh, also, the building of I[nterstate Highway]-4, uh, right through—right by the—the Parramore neighborhood kind of—into that neighborhood, uh, helped to break that up a little bit, as well. Uh, that was, uh, another factor.</p>
<p>Uh, so as these—as the community leaders moved out of the neighborhood, the Parramore neighborhood itself entered, uh, a state of social and economic decline, and, uh, I—I think it is starting to, uh, pull out of it a little bit, and that was really part of the purpose of the Wells’ Built Museum of African American History and Culture—was to be an economic engine for the neighborhood, and hopefully, tap into this cultural and heritage tourism and bring people into the neighborhood for that reason. It is a fascinating era because, uh, again, between—with—with Division Street as the dividing line the—the Parramore neighborhood was really a thriving, self-sustained community, uh, parallel to the—to the white community in Orlando. Uh, here were institutions, Jones High School, uh, many of the churches, uh, that really created a strong fabric. Uh, uh, there was a, uh, uh, African-American chamber of commerce there in the Parramore neighborhood. There were black theatres. There were everything that the community needed right there. Uh, tailors, and—and businesses of all types were right there, and—and of course, the Wells’ Built Hotel and South Street Casino right in the middle of all this—this—this thriving African-American community.</p>
<p>So it’s really an interesting, uh, look at history, and—and also, the unintended negative impact of those civil rights laws in the 1960s, again, as—as wonderful and as necessary as they were, they really did have this—this unintended negative impact when, uh, some of the community leaders moved out, and, again, the building of I-4, kinda right through the heart of the community, and, uh, the East-West Expressway too, meeting right there, uh, caused further problems, uh, but I—I think that the community is—is pulling out of that era of social and economic decline that it suffered in the late 20<sup>th</sup> century, and hopefully the Wells’ Built Museum of African American History and Culture is contributing to that.</p>
<p><strong>Cravero<br /></strong>Dr. Chambliss and Mrs. Livingston describe some of the factors that enabled Hannibal Square and Winter Park to grow into thriving communities, and how this prosperity has affected the development and gentrification of the region.</p>
<p><strong>Chambliss<br /></strong>Well, in that early period, um, Hannibal Square, was, I think, able to grow and be successful because, of the model of, uh, attracting residents, promoting, uh, Winter Park as a sort of like leisure, uh, vacation destination, uh, and this has really become at the core of the identity of Winter Park. If you think about Winter Park over time, it really was founded by [Loring] Chase and [Oliver E.] Chapman as a sort of destination location for people who wanted to sort of live a certain kind of sort of leisurely lifestyle. Well, into, uh, 20<sup>th</sup> century that—that has been maintained.</p>
<p>If you look at the growth of Winter Park, uh, which grew rapidly after, uh—in the 1930s and 1940s and 1950s, like, and the people of Winter Park recognize. It’s part of the reason that it grew is because, like, they really sort of like saw the place as a kind of residential haven, and the fact—by the time you get to the 1950s, um, the city is known as the “City of Homes.” Um, and part of this is because they have like a large number of wealthy residents. Again, those wealthy residents have servants, and some of those servants are working in—in—are black people, uh, working in these white homes and then going back across the railroad tracks to Hannibal Square. So like, they have this steady work from all these rich people and that really does affect Hannibal Square.</p>
<p>At the same time, there’s a number of architectural—James Gamble Rogers is a very well-known architect—really sort of crystallized the architectural identity of Winter Park, with a fresh revival—a Medi—a Mediterranean revival style. So when you look at the homes, there’s a lot of like talk about Winter Park and Park Avenue—really sort of like crystallizes that sort of European style, uh, café culture look, right? And that really starts in 1960, and they really sort of keep trying to promote that. The chamber of commerce does a great job of trying to promote that and maintains it really today. it’s one of the reasons that these places really talk about Winter Park. They tend to talk about it as a place where you just want to kind of like stroll, in sharp contrast to the rest of the sort of retail and vacation experience in the rest of Central Florida, and as a consequence, the growth of the east side of Winter Park has been phenomenal, and the value of land there has grown tremendously, and so much so that by the time you get to the late 1990s, uh, arguably, the east side of Winter Park is built out, alright? So you can’t cheaply acquire land on the east side of Winter Park. You can buy a lot and—and really, we’re talking—we’re talking about the high-end of the real estate bubble, and Winter Park was one of the places where values were extremely high, and so the east side, really, by—by every stretch of the imagination is really sort of built up in value, um, over the period of the town.</p>
<p>The west side, which was the black side—which was sort of like off limits because it was—because of segregation—had lagged behind. It started out with the development of the town, as I—as I said, a sort of economic area where African-American property owners, and—and business owners, and African-American businesses were flourishing in Hannibal Square, but very quickly, with the end of—of official Jim Crow segregation, um, you see middle-class people moving out, and the median income and the median age on the west side of Winter Park really starts to—the income starts to go down. The age starts to go up, and services for the west side don’t keep. in fact, [inaudible] great stories about the fact that the roads, on the west side of Winter Park, weren’t really sort of kept up at the same level as the roads on the east side of Winter Park, And other kinds of infrastructure issues like that, and as a consequence, the value of homes and property on the west side lagged behind that was on the east side of Winter Park. So value of black property lagged behind value of white property, which is common.</p>
<p>As a result of that, there’s a lot of push, um, to do something about the—the view—the view-scape and the housing stock on the west side, and if you go back and look at some of the language that people use in the city council meetings or in some of the things that people are saying when they—they’re pointing to houses that are boarded up, they’re talking about a spike in crime, and indeed, there is a real concern that Hannibal Square, which by this time, is no longer home of like businesses more like light retail and bars and things like that—convenience stores—that are really the haven for—in the minds of white residents, at least—crime and violence. Indeed, there is[sic] the police reports show large number of drug arrests or suspicious crime in the west side in 1980s and early 1990s, and it really sort of spurs on dialogue about what needs to be done to improve the housing stock to clean up Hannibal Square and basically correct this problem, and there are a variety of reasons for this. I mean, some of it was the crime, but also, if you look at the way that the town is laid out, if you’re coming in through[?] the main drag, coming in—off of, like, Orlando Avenue, one of the main sort of like entry points into the city of Winter Park is through, um, Morris [Avenue], and you basically go through the heart of the black community to do that, and if you go back to the 1990s, that looked radically different than it does now.</p>
<p>If you look at it now it looks actually quite nice, ‘cause it’s been rezoned and it—there’s new buildings, uh—office buildings, mix-use stuff—but back then, it—there were homes there, and some of them were boarded up, and the City had routinely had issues or had programs in place where they were trying to address this question, of, like, the quality of housing stock on the west side. They had some housing rehabilitation programs that they created in the 1970s. They supported, of course, you know, the creation of the Winter Park Community Center in Hannibal Square, but really, you know, the economy changed, as I said, and the median age started to creep up.</p>
<p>So you get a large number of elderly people who, eh, own property—been in their family for generations—but they couldn’t keep it up in a way that the City might want, and so—so this created an opportunity for developers to come into, um, the west side and champion sort of a new push to sort of rehabilitate the region, and this made sense from the City’s standpoint, because, like, depressed property is low—low tax property. so if you want to increase your tax base, you want to improve the—the value of the property there—but it also created, like, a high gentri—gentrifying push, because, remember, you can’t cheaply build anything on the east side of town. So for most developers, they’re really looking to do a big project. they kind of have to do it on the west side of town. They had to do it west of the railroad tracks.</p>
<p>So in the late 1990s and the ear—early 2000s, the City of Winter Park creates a Community Redevelopment Agency—the CRA—and the sort of focal point of the CRA is the sort of box that is bordered by Park Avenue on the east, Webster Avenue on the north, and, like, [U.S. Route] 17-92, and then Fairbanks [Avenue]. So it’s a huge block, and basically it’s Park Avenue and Downtown Winter Park, and the black side of town. So that’s a huge swath of land, and it—it’s prime real estate that could be developed, but is also, primarily, the heart of the black community, and almost immediately, large numbers of residents in the black community recognized that the City’s efforts to improve the area of the CRA was going to push out the black community. Now, from the City’s standpoint, the City’s always maintained that its goal was to maintain the character of the black community or the character of Hannibal Square, but if you’re going to allow traditional market forces to be your primary vehicle to achieve this, then gentrifying effects are almost unavoidable.</p>
<p>You can’t, as the city’s done—like the city’s done a, uh, sort of three-tier sort of approach. It’s provided loans for businesses to move into Hannibal Square. It totally redesigned, um, Shady Park, which is in the center of Hannibal Square, in response to some of the crime and complaints of some of the businesses that were being enticed into the—into the area, because of the CRA. So the old part was—had a lot of benches and—and shading covers, and—and older people would hang out there and talk, and the new park sort of took all that away, and is much more aesthetically pleasing, but is also a place where you can’t really linger, which made a lot of sense, in terms of trying to address some of these questions about crime and—and—and disruption associated with that area—um, but they also worked very diligently to eliminate some of the bars, some of the focal points of crime, and that was successful. They moved in new businesses so that Dexter’s on Winter Park, uh—Dexter’s a fairly well-known restaurant chain in the area—where it became like really an anchor and they created a parking lot for it, and then a number of other businesses—light retail, service-oriented, and restaurant businesses—moved in, and of course there was a train—a change in the infrastructure or the sort of decorative infrastructure of the street. So like you had the decorative brick put in, and, like, new lightening-like fixtures—so basically, extending the feel and look of Park Avenue, down New England [Avenue] into, uh, the heart of the community, which was Hannibal Square.</p>
<p>Of course, African Americans felt and, I think, some of them continue to feel that that process is deliberately pushing them out, and they have a point, because once all that—all that was in place, one of the things that started happening is that the—the tax assessment for the area started to change. People had previously—been sort of locked at a tax assessment of like, you know, a very low number. Everything gets reassessed when a large number of businesses start moving in. So these are older people. Remember, the demographics of the area are that the older people are staying and younger people are moving out. So the old people tend to be on fixed incomes, and pensions, living off their retirement savings. So a big hit, in terms of—“I used to pay $500 in taxes. Now, I’m paying a thousand.” It’s a huge deal, and because the property on the west side, as I said, had not kept up with property on the east side, there was a new assessment on all the value of the property. So people were being offered you know, two, three, four times what they bought the property for originally—and to move out—and some of them were, and this is one of the things that really sort of like characterized the region.</p>
<p>So, um, at the height of the real estate bubble, there was tremendous gentrifying pressure on Hannibal Square, and lots of developers were active in the area, and probably the most famous ones was Dan Bellows, who’s usually associated with the transformation of Hannibal Square. he has a number of big projects, and, you know, sort of mixed-use with retail on the bottom and residential on the top, and that really sort of, like, changed the nature of the community, and Bellows is often painted as a boogeyman, and there are a number of stories associated with him, but he’s sort of emblematic of a kind of push to create new construction in the area, in part because that’s the place where you can with relatively minimal investment do something big, and that has been the sort of overriding problem for the west side for many years.</p>
<p>There has been, for well over a decade—I mean, since the late 1990s, I think, there’s been a sort of push to—“There’s going to be the in here. I want to improve the west side. I want to bring more businesses here,” and as a result, uh, longtime residents have, um, sort of been displaced. There are new businesses there, but they don’t really cater to the residents, or nor do they really employ the residents, which is also really problematic. I mean, you don’t really see west side residents going to eat at Dexter’s. So from a sort of symbolic standpoint, African Americans feel that they’re being pushed down, and from an economic standpoint, there are push and pull factors that are hastening the exit of African Americans in the area.</p>
<p><strong>Livingston<br /></strong>Leading up to, uh, the Civil Rights Movement and even probably as early as 19—late 1940s, after the, uh—World War II, the job market begin[sic] to change a bit. More opportunities will open up for, uh—for Afro-Americans. Many Afro –Americans, uh, went away—military, school, whatever the case may be—and didn’t come back, because they felt there was nothing here for them, outside of service to somebody else. They wanted to have real careers and—and—and do big things in the world, and as a result of that, the community began to age, if you will, and certainly after the Civil Rights Movement and—and moving forward, many more of our young people are moving away, because they feel that they don’t have access or they can’t make it in this area in—in—in Winter Park, you know?</p>
<p>It’s been a painful process for them. Generally, uh, when you’re talking gentrification, between the original people who were in a place, and the wealthier people who come into the place, there’s usually a group—a group in between, but for us, we went—we went—we went right from, um, families being displaced to a business area that really doesn’t have any services that local people find of service to themselves. So gentrification’s been a hurtful process, because when people come in to redevelop, they don’t come in to redevelop for the people who are there. They don’t get input from the people in the community, because that’s not what’s gonna drive the dollar, you know? Nobody’s gonna come in and put in affordable housing or affordable rental units outside of a group such as Habitat for Humanity, who’s doing a great job, and the Hannibal Square Community Land Trust. Uh, people felt that they were just pushed aside, and the most painful thing was the picture that was painted of the neighborhood. That’s what they did. They just [inaudible] and made it like a noose, and put it around the necks of the people in this neighborhood, and pulled the chair.</p>
<p>See, some people have been injured over and over and over again. They were injured during slavery. Then, after Reconstruction, they were injured again, and then, Jim Crow came along, and they were injured. So they’ve been injured over and over, and when you keep injuring people, and they[?] don’t get a chance to heal, it—it can really do something to—to them. You know, even though on the outside, they look cold, and they’re moving forward, and they’re doing things, there’s still a pain in their souls that is just almost undescribable[sic].</p>
<p><strong>Cravero<br /></strong>I’d like to thank our guests, Representative Thompson, Dr. Brotemarkle, Dr. Chambliss, and Mrs. Livingston for joining our discussion. I’m Geoffrey Cravero. Thank you for listening.</p>
<p><strong>Lester<br /></strong>Thank you for listening to the RICHES documentary podcast. Feel free to contact us with any questions or comments on the program that you just heard. Please join us for the next episode, “[Episode 5:] A History of Gay Days.”</p>
<p>[<em>radio static</em>]</p>
African American
African-American community
African-American neighborhood
Amway Center
apartheid
Bank of America
Basie, William James "Count"
Bellows, Dan
Beyond the Theme Parks: Exploring Central Florida
Brotemarkle, Benjamin D.
Carver Shores
casino
Chambliss, Julian C.
Chapman, Oliver E.
Chase, Loring
civil rights
Civil Rights Movement
Community Redevelopment Agency
CRA
Cravero, Geoffrey
crime
Crossing Division Street: An Oral History of the African-American Community in Orlando
desegregation
Dexter's
displacement
doctor
documentary
Downtown Orlando
East Winter Park
elderly
Ellington, Edward Kennedy "Duke"
ethnicity
Faribanks Avenue
federal courthouse
FHS
Fitzgerald, Ella James
Florida A&M University
Florida Agricultural and Mechanical University
Florida Frontiers
Florida Historical Society
Florida House of Representatives
Florida Legislature
gentrification
Habitat for Humanity
Hannibal Square
Hannibal Square Community Land Trust
heritage
historic preservation
historic restoration
HOTEL
I-4
integration
Interstate Highway 4
Jones High School
legislature
Lester, Connie L.
Livingston, Fairolyn
Mediterranean revival architecture
Morris Avenue
museum
Nap Ford Community School
orlando
Orlando Avenue
park
Park Avenue
Parramore
physician
podcast
preservation
property value
race
race relations
real estate
real estate bubble
real estate development
real estate industry
real estate value
revitalization
RICHES Podcast Documentaries
Richmond Heights
Rogers, James Gamble
Rollins College
school
segregation
Shady Park
South Street Casino
taxes
Thompson, Gerladine F.
tourist
U.S. 17-92
U.S. Route 17-92
urban development
urban renewal
Valencia Community College
VCC
Washington Shores
Webster Avenue
Wells, William Monroe
Wells' Built Hotel
Wells' Built Museum of African American History and Culture
West Winter Park
Winter Park
Winter Park Community Center
World War II
WWII
-
https://richesmi.cah.ucf.edu/omeka/files/original/f00acc3c5522d19adfaabe22827b1092.pdf
89a4f1949d05e0fb2dd65b7d9b17f6fa
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Thomas Cook Collection
Alternative Title
Cook Collection
Subject
Orlando (Fla.)
Orange County (Fla.)
Longwood (Fla.)
Cape Canaveral (Fla.)
Lake Wales (Fla.)
Silver Springs (Fla.)
Weeki Wachee (Fla.)
Winter Haven (Fla.)
Osceola County (Fla.)
Winter Park (Fla.)
Description
Collection of digital images, postcards, documents, and other records from the private collection of Thomas Cook. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Contributor
Cook, Thomas
Language
eng
Type
Collection
Coverage
Cape Canaveral, Florida
Lake Wales, Florida
Longwood, Florida
Orange County, Florida
Orlando, Florida
Osceola County, Florida
Winter Haven, Florida
Winter Park, Florida
Rights Holder
All items in the <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/102" target="_blank">Thomas Cook Collection</a> are provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Curator
Cepero, Laura
Digital Collection
<p><a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a></p>
Source Repository
Private Collection of Thomas Cook
Has Part
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/103" target="_blank">Postcard Collection</a>, Thomas Cook Collection, RICHES of Central Florida.
External Reference
<span>Antequino, Stephanie Gaub, and Tana Mosier Porter. <a href="http://www.worldcat.org/oclc/783150094" target="_blank"><em>Lost Orlando</em></a></span><span> Charleston, S.C.: Arcadia Pub, 2012.</span>
"<a href="http://sanfordhistory.tripod.com/Links/wtour.pdf">Downtown Orlando Historic District Walking Tour</a>." City of Orlando. http://sanfordhistory.tripod.com/Links/wtour.pdf.
<span>Rajtar, Steve. <a href="http://www.worldcat.org/oclc/70911136" target="_blank"><em>A Guide to Historic Orlando</em></a></span><span>. Charleston, SC: History Press, 2006.</span>
<span>Osborne, Ray. <a href="http://www.worldcat.org/oclc/253374549" target="_blank"><em>Cape Canaveral</em></a></span><span>. Charleston, SC: Arcadia Pub, 2008.</span>
<span>Smith, Margaret. <a href="http://www.worldcat.org/oclc/51888803" target="_blank"><em>The Edward Bok Legacy: A History of Bok Tower Gardens: The First Fifty Years</em></a></span><span>. Lake Wales, Fla: Bok Tower Gardens Foundation, 2002.</span>
<span>Pelland, Maryan, and Dan Pelland. </span><a href="http://www.worldcat.org/oclc/67516850" target="_blank"><em>Weeki Wachee Springs</em></a><span>. Charleston, SC: Arcadia, 2005.</span>
<span>Flekke, Mary M., Sarah E. MacDonald, and Randall M. MacDonald. <a href="http://www.worldcat.org/oclc/85451307" target="_blank"><em>Cypress Gardens</em></a></span><span>. Charleston, SC: Arcadia, 2006.</span>
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 color map
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida's Turnpike and Interstate System Map, 1967
Alternative Title
Florida Turnpike Map
Subject
Roads--Florida--Maps
Toll roads--Florida
Description
Road map showing the Florida Turnpike, it's toll plazas, exits and service stations. The brochure was produced in 1967. Construction for the Florida Turnpike began on July 4, 1955 in response to unprecedented growth in population and tourism in Florida. Thomas B. Manuel, chairman of the Florida State Turnpike Authority and the "Father of the Turnpike," led planning and construction. The highway opened on January 25, 1957.
Source
Original map, 1967: <a href="http://www.floridasturnpike.com/about_system.cfm" target="_blank">Florida State Turnpike Authority</a>: Fort Lauderdale, Florida: Private Collection of Thomas Cook.
Publisher
<a href="http://www.floridasturnpike.com/about_system.cfm" target="_blank">Florida State Turnpike Authority</a>
Date Created
1967
Is Format Of
Digital reproduction of original map, 1967: <a href="http://www.floridasturnpike.com/about_system.cfm" target="_blank">Florida State Turnpike Authority</a>: Fort Lauderdale, Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/102" target="_blank">Thomas Cook Collection</a>, RICHES of Central Florida.
Requires
<a href="http://www.adobe.com/reader.html" target="_blank">Adobe Acrobat Reader</a>
Format
application/pdf
Extent
72 MB
Medium
1 color map
Language
eng
Type
Text
Coverage
Birmingham, Alabama
Macon, Georgia
Savannah, Georgia
Valdosta, Georgia
Brunswick, Georgia
Pensacola, Florida
Tallahassee, Florida
Lake City, Florida
Jacksonville, Florida
Gainesville, Florida
Ocala, Florida
Wildwood, Florida
Daytona Beach, Florida
Orlando, Florida
Tampa, Florida
St. Petersburg, Florida
Yeehaw Junction, Florida
Fort Pierce, Florida
West Palm Beach, Florida
Fort Lauderdale, Florida
Miami, Florida
Key West, Florida
Spatial Coverage
33.520789, -86.826553
32.844404, -83.643093
32.150618, -81.239891
30.816757, -83.315907
31.146859, -81.477213
30.50223, -87.19305
30.490101, -84.282417
30.179857, -82.688627
30.339695, -81.671219
29.603014, -82.374172
29.185437, -82.185001
28.836854, -82.046013
29.191732, -81.094322
28.540497, -81.382027
27.956198, -82.458687
27.774696, -82.659874
27.700324, -80.904272
27.416576, -80.38805
26.710654, -80.080833
26.124925, -80.169353
25.790927, -80.206089
24.555399, -81.780009
Temporal Coverage
1967-01-01/1967-12-31
Accrual Method
Donation
Mediator
History Teacher
Economics Teacher
Geography Teacher
Provenance
Originally published by <a href="http://www.floridasturnpike.com/about_system.cfm" target="_blank">Florida State Turnpike Authority</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.floridasturnpike.com/about_system.cfm" target="_blank">Florida State Turnpike Authority</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Curator
Cook, Thomas
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a>
Source Repository
Private Collection of Thomas Cook
External Reference
"<a href="http://www.floridasturnpike.com/about_history.cfm" target="_blank">Florida's Turnpike: Providing Transportation Alternatives for 55 Years!</a>" Florida's Turnpike Enterprise. http://www.floridasturnpike.com/about_history.cfm.
Rajtar, Steve. <a href="http://www.worldcat.org/oclc/70911136" target="_blank"><em>A Guide to Historic Orlando</em></a>. Charleston, SC: History Press, 2006.
Transcript
FLORIDA'S TURNPIKE
AND INTERSTATE SYSTEM
FAST ... SAFE
RESTAURANTS--SERVICE STATIONS--CITRUS SHOPS
Welcome to Florida...
Your trip through Florida's magnificent countryside is an experience never to be forgotten. Florida's many scenic wonders make it one of the beauty spots of America.
During your stay with us, drive carefully and make use of the splendid facilities provided by Florida's Turnpike. We hope that your stay will be pleasant and that you will be back to Florida very soon.
CLAUDE R. KIRK, JR.
Governor
Date Copyrighted
1967
Date Issued
1967
Alligator Alley
American Oil
Atlantic Oil
Audubon House
Belle Glade
Birmingham, Alabama
Birthplace of Speed Garage
Biscayne Bay
Boca Raton
Bonita Springs
Bronson
Brunswick, Georgia
Canoe creek
Cape Coral
Caribbean Gardens
Cedar Key
Charlotte Harbor
Cheifland
Chokoloskee
Citrus Tower
Clermont
Clewiston
Coach Train
Cocoa
Coral Gables
Corkscrew Swamp Sanctuary
Crandon Park zoo
Crystal River
Cypress Knee Museum
Dania
Davie
Daytona Beach
Daytona International Speedway
Deering Estate
DeLeon Springs
Delray Beach
Donnin's Arms Museum
Dunello
Elliot Museum and House Refuge
Ernest Hemingway House
Evergaldes City
Fairlyand Park and Zoo
flamingo
Flamingo Groves and Gardens
Florida
Florida Citrus Showcase
Florida City
Florida State Turnpike Authority
Florida's Turnpike
Fort Drum
Fort Lauderdale
Fort Myers
Fort Pierce
Gainesville
George Inness, Jr. Religious Paintings
Golden Glades
Gulf Oil
Hallandale
Henry Morrison Flagler Museum
Hialeah
Hollywood
Homestead
Homosassa Springs
I-4
I-75
I-95
Immokalee
Indian Town
Interstate 4
Interstate 75
Interstate 95
Islamorada
Jacksonville
Japanese Gardens
John F. Kennedy Space Center
Jupiter
Key Largo
Key West
Key West Aquarium
Kirk, Claude R. Jr.
Kissimmee
Lake City
Lake Placid
Lake Worth
LakeOkeechobee
Land Voyager
Leesburg
Lightner Municipal Exposition
Lincoln Road Mall
Lion Country Safari
Llambias House
Macon, Georgia
Marathon
Margate
Marineland
McArthur
McKee Jungle Gardens
Miami
Miami Beach
Mission of Nombre de Dios
Monastery of St. Bernard
Monkey Jungle
Moore Haven
Museum of Science and Natural History
Museum of Speedy
Museum of Sunken Treasure
Museum of Yesterday's Toys
Naples
National Police Hall of Fame
Ocala
Ocean World
Okahumpka
Okeechobee
Old Jail
Old Spanish Inn
Old Spanish Treasury
Old Sugar Mill
Old Town
Oldest House
Oldest Schoolhouse
Oldest Store Museum
orlando
Ormond Beach
Otter Creek
Pahokee
Palm Beach
Palm Beach Gardens
Palm Dale
Parrott Jungle
Parrott Paradise
Parrott Village
Pensacola
Perrine
Pioneer city
Pompano Beach
Ponce De Leon Springs
Port Orange
Potter's Wax Museum
Prince Murat House
Punta Gorda
Pure Oil
Rain Forrest
Rainbow Springs
Ripley's Believe It or Not
Royal Palm Beach
S.R. 84
Sanford
Sanford Municipal Zoo
Santini's Porpoise Training School
Savannah, Georgia
Seaquarium
Seminole Indian Reservation
Serpentarium
Slocum Water Lily Garden
South Bay
South Miami
Southeast Museum of North American Indian
Spain's Casa del Hidalgo
Sponge Fishing Fleet
St. Cloud
St. Petersburg
Standard Oil
Stuart
sugar house
Sugar Mill Gardens
Suniland
Tallahassee
Tampa
Tarpon Springs
Tavernier
Texaco
Theater of the Sea
Turkey Lake
Turtle Kraals
U.S. 19-441
U.S. 27
Valdosta, Georgia
Venice
Vero Beach
Vizcaya
Warm Mineral Springs
Watson Park
Wax Museum
Week Wachee Spring
Weeki Wachee
West Palm Beach
White Springs
Wildwood
Williston
Winter Haven
Yeehaw Junction
Zorayda Castle
-
https://richesmi.cah.ucf.edu/omeka/files/original/01ee8eb22de0f9919954279ecfb2bc25.pdf
83a9b27535ae245aefccc59e7fd3865c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Thomas Cook Collection
Alternative Title
Cook Collection
Subject
Orlando (Fla.)
Orange County (Fla.)
Longwood (Fla.)
Cape Canaveral (Fla.)
Lake Wales (Fla.)
Silver Springs (Fla.)
Weeki Wachee (Fla.)
Winter Haven (Fla.)
Osceola County (Fla.)
Winter Park (Fla.)
Description
Collection of digital images, postcards, documents, and other records from the private collection of Thomas Cook. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Contributor
Cook, Thomas
Language
eng
Type
Collection
Coverage
Cape Canaveral, Florida
Lake Wales, Florida
Longwood, Florida
Orange County, Florida
Orlando, Florida
Osceola County, Florida
Winter Haven, Florida
Winter Park, Florida
Rights Holder
All items in the <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/102" target="_blank">Thomas Cook Collection</a> are provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Curator
Cepero, Laura
Digital Collection
<p><a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a></p>
Source Repository
Private Collection of Thomas Cook
Has Part
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/103" target="_blank">Postcard Collection</a>, Thomas Cook Collection, RICHES of Central Florida.
External Reference
<span>Antequino, Stephanie Gaub, and Tana Mosier Porter. <a href="http://www.worldcat.org/oclc/783150094" target="_blank"><em>Lost Orlando</em></a></span><span> Charleston, S.C.: Arcadia Pub, 2012.</span>
"<a href="http://sanfordhistory.tripod.com/Links/wtour.pdf">Downtown Orlando Historic District Walking Tour</a>." City of Orlando. http://sanfordhistory.tripod.com/Links/wtour.pdf.
<span>Rajtar, Steve. <a href="http://www.worldcat.org/oclc/70911136" target="_blank"><em>A Guide to Historic Orlando</em></a></span><span>. Charleston, SC: History Press, 2006.</span>
<span>Osborne, Ray. <a href="http://www.worldcat.org/oclc/253374549" target="_blank"><em>Cape Canaveral</em></a></span><span>. Charleston, SC: Arcadia Pub, 2008.</span>
<span>Smith, Margaret. <a href="http://www.worldcat.org/oclc/51888803" target="_blank"><em>The Edward Bok Legacy: A History of Bok Tower Gardens: The First Fifty Years</em></a></span><span>. Lake Wales, Fla: Bok Tower Gardens Foundation, 2002.</span>
<span>Pelland, Maryan, and Dan Pelland. </span><a href="http://www.worldcat.org/oclc/67516850" target="_blank"><em>Weeki Wachee Springs</em></a><span>. Charleston, SC: Arcadia, 2005.</span>
<span>Flekke, Mary M., Sarah E. MacDonald, and Randall M. MacDonald. <a href="http://www.worldcat.org/oclc/85451307" target="_blank"><em>Cypress Gardens</em></a></span><span>. Charleston, SC: Arcadia, 2006.</span>
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 color map
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Walt Disney Road Atlas for Cast Members
Alternative Title
Walt Disney World Atlas
Subject
Walt Disney World (Fla.)--Maps
Amusement parks--Florida
Lake Buena Vista (Fla.)--Maps
Magic Kingdom (Fla.)
EPCOT Center (Fla.)--Maps
Description
Cast Member Map of Walt Disney World from 1986, showing such locations as the Magic Kingdom, EPCOT Center, the future location of the Disney-MGM Studios, Fort Wilderness Campground, the Contemporary Resort, Lake Buena Vista Village, Walt Disney World Village, and the future location of Pleasure Island. This map was issued to all new employees around 1986. It was not for public/tourist use, as it lists all areas that are accessible by employees only. This includes employee parking areas, access roads as well as a map of the Magic Kingdom Tunnel complex, the underground corridors and rooms that the rest of the Magic Kingdom is built upon.
Source
Original map, 1986: <a href="http://thewaltdisneycompany.com/" target="_blank">Walt Disney Company</a>: Private Collection of Thomas Cook.
Publisher
<a href="http://thewaltdisneycompany.com/" target="_blank">Walt Disney Company</a>
Date Created
1986
Is Format Of
Digital reproduction of original map, 1986: <a href="http://thewaltdisneycompany.com/" target="_blank">Walt Disney Company</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/102" target="_blank">Thomas Cook Collection</a>, RICHES of Central Florida.
Requires
<a href="http://www.adobe.com/reader.html" target="_blank">Adobe Acrobat Reader</a>
Format
application/pdf
Extent
58.5 MB
Medium
1 color map
Language
eng
Type
Text
Coverage
Walt Disney World Resort, Lake Buena Vista, Florida
Epcot Center, Lake Buena Vista, Florida
Disney's MGM Studios, Lake Buena Vista, Florida
Fort Wilderness Campground, Lake Buena Vista, Florida
Disney's Contemporary Resort, Lake Buena Vista, Florida
Lake Buena Vista Resort Village & Spa, Orlando, Florida
Downtown Disney Pleasure Island, Pleasure Island, Florida
Spatial Coverage
28.385239, -81.563882
28.374686, -81.549411
28.357525, -81.558271
28.395725, -81.553689
28.414866, -81.574468
28.351952, -81.487423
28.371134, -81.518005
Temporal Coverage
1986-01-01/1986-12-31
Accrual Method
Donation
Mediator
History Teacher
Economics Teacher
Geography Teacher
Provenance
Originally published by the <a href="http://thewaltdisneycompany.com/" target="_blank">Walt Disney Company</a>.
Rights Holder
Copyright to this resource is held by the <a href="http://thewaltdisneycompany.com/" target="_blank">Walt Disney Company</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Curator
Cook, Thomas
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a>
Source Repository
Private Collection of Thomas Cook
External Reference
Foglesong, Richard E. <a href="http://www.worldcat.org/oclc/45420221" target="_blank"><em>Married to the Mouse: Walt Disney World and Orlando</em></a>. New Haven: Yale University Press, 2001.
Transcript
Walt Disney World
Road atlas
for Cast Members
2 R's - Read'n & Rite'n
20,000 Leagues
24KT Precious Adornments
Adventureland
Adventureland Veranda
America Gardens Theatre
Americana Dutch Resort
Arribas Brothers Warehouse
Artespaña
Aunt Polly's
Avenue of the Stars
Bath Parlor
Baton Rouge Lounge
Bay Lake
Bear Island Road
Big Pine Drive
Big Thunder Mountain Railroad
Bike Barn
Bonnet Creek Drive
Buena Vista Construction Company
Buena Vista Medical Clinic
Campfire Program
Canada
Cap'n Jack's Oyster Bar
Car Care Drive
Caribbean Drive
Caribbean Plaza
Carousel of Progress
cast members
Center Drive
China
Christmas Chalet
Cinderella's Golden Carousel
Circle-Vision 360
Columbia Harbour House
CommuniCore
Community Drive
Contemporary Resort
Country Address
Country Bear Jamboree
Cristal Arts
Crockett, Davy
Crystal Palace
Davy Crockett's Canoes
Diamond Jubilee
Discovery Island
Disney Inn
Dopey Drive
Dumbo
Earth Station
Empress Lilly Riverboat
Enchanted Groves
EPCOT Center
Epcot Center Drive
Fantasyland
Fantasyland Dining Room
Fatasy Faire
Floridian Lagoon
Fort Sam Clemens
Fort Wilderness Campground
Fort Wilderness Campground Resort
Fort Wilderness Trail
France
Friendship Landing
Frontage Road
Frontier Way
Frontierland
Frontierland Railroad Statio
Gateway to Scandinavia
Germany
Gourmet Pantry
Grand Floridian Beach Resort
Grand Prix Raceway
Great Southern Craft Company
Green House
Hall of Presidents
Haunted Mansion
Heidelberger's Deli
Hilton
Horizons
Hospitality House
Hot House
Hotel Plaza Boulevard
Howard Johnson
I-4
If You Had Wings
Interstate 4
It's a Small World
It's A Small World After All
Italy
Japan
Journey Into Imagination
Jungle Cruise
Keel Boats
Kennel Club
KinderCare
King Stefan's Banquet Hall
Lake Bryan
Lake Buena Vista
Lake Buena Vista Village
Lake Mable
Liberty Square
Liberty Tree Tavern
Lite Bite
Little Lake Bryan
Little Lake Bryan Drive
Live Oak Lane
Mad Tea Party
Magic Kingdom
Magic Kingdom Drive
Magnolia Golf Course
Main Street Railroad Station
Main Street U.S.A.
Meadow Traiding Post
Mexico
MGM Studios
Mickey & Company
Mickey's Character Shop
Mile Long Bar
Mission to Mars
Monorail Station
Morocco
Mr. Toad's Wild Ride
Norway
Odyssey Restaurant
Palm Drive
Palm Golf Course
Pecos Bill's Cafe
Peter Pan's Flight
Pickett Suite
Pinocchio Village Haus
Pioneer Hall
Pirates of the Caribbean
Pleasure Island
Polynesian Village Resort
Pottery Chalet
RCID Fire Department
Reams Riad
Reedy Creek
Resort Wear Unlimited
River Country
Riverboat Landing
road map
Royal Plaza
Sachet In
Sassy's
Sawyer, Tom
Settlement Traiding Post
Seven Seas Drive
Seven Seas Lagoon
Shoe Time
Showcase Plaza
Sir Edward's Haberdasher
Snow White's Adventure
South Lake
Space Mountain
Spaceship Earth
SR 535
SR 536
Starjets
Sun Bank
Swiss Family Treehouse
The American Adventure
The Land
The Living Seas
Tom Sawyer Island
Tom Sawyer Rafts
Tomorrowland
Tomorrowland Terrace
Topiary Lane
Town Square
Town Square Cafe
Toys Fantastique
Trail Blazer Corral
Tropical Seranade
U.S. 192
United Kingdom
Universe of Energy
Village Gifts and Sundries
Village Ice Cream Parlour & Bake Shop
Village Lake
Village Lounge
Village Restaurant
Village Spirits
Viscount
Vista Boulevard
Vista United Telecommunications
Walt Disney World
Walt Disney World Village
Wedway Peoplemover Station
West Wilderness Road
Windjammer Dock Shop
World Drive
World of Motion
World Showcase Lagoon
World Showcase Promenade