1 100 1 https://richesmi.cah.ucf.edu/omeka/files/original/1dff01512ae3cd729183c289e821558c.jpg 8a11c5565c22ba74cefc31b112807dbe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Who Ticket Stub Alternative Title The Who Ticket Subject Orlando (Fla.) Music--United States Rock music--United States Description A ticket stub for a concert featuring The Who at the Tangerine Bowl, located at 1610 West Church Street in Downtown Orlando, Florida, on November 27, 1982. The ticket was $15.75, including tax, and the show began at 3 p.m., with the gates opening at noon. The opening acts were Joan Jett (b. 1958) and the Black Hearts and the B-52's. The ticket warns concert goers, "DO NOT ARRIVE EARLY." The Tangerine Bowl has been also known as Orlando Stadium, the Citrus Bowl, Florida Citrus Bowl Stadium and is currently known as Orlando Citrus Bowl Stadium. It opened in 1936 and has been home to numerous sporting and entertainment events throughout its existence. The Who is an English rock band that are considered to be one of the greatest musical influences in rock music of the 20th century. Formed in 1964, they have gone on to sell over 100 million albums and continue to be one of the highest grossing touring bands of all time. Although The Who have since reunited several times, the band announced that this 1982 tour would be their final. The Orlando show was the first of the band's second North American leg, after a four week break. Type Text Source Original ticket stub for the Who at the Tangerine Bowl: Private Collection of Carl Knickerbocker. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original ticket stub for the Who at the Tangerine Bowl. Coverage Tangerine Bowl, Orlando, Florida Contributor Knickerbocker, Carl Date Created ca. 1982-11-27 Format image/jpg Extent 199 KB Medium 1 ticket stub Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by Carl Knickerbocker and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Carl Knickerbocker External Reference Marsh, Dave. <a href="http://www.worldcat.org/oclc/9555496" target="_blank">Before I Get Old: The Story of the Who</a>. New York: St. Martin's Press, 1983. Grantley, Steve, Alan G. Parker, and Sean Body. <a href="http://www.worldcat.org/oclc/660635450" target="_blank">The Who by Numbers: The Story of The Who Through Their Music</a>. London: Helter Skelter Pub, 2010. "<a href="http://www.thewholive.net/concert/index.php?id=493&GroupID=1" target="_blank">The Who Concert Guide</a>." The WhoLive.net. http://www.thewholive.net/concert/index.php?id=493& GroupID=1 (accessed February 17, 2015). alternative rock B-52's B-52s Beach Club Beach Club Productions British rock Capital One Bowl Carl Knickerbocker Citrus Bowl concert concerts corporate sponsorship Downtown Orlando Florida Citrus Bowl hard rock Joan Jett Joan Jett and the Black Hearts Joan Marie Larkin Kenneth Thomas Jones Kenney Jones music musicians new wave orlando Orlando Citrus Bowl Stadium Orlando Stadium Pete Townshend Peter Dennis Blanford Townshend pop music pop rock post-punk power pop punk rock rock music rockabilly Roger Daltrey Schlitz Schlitz malt liquor sports stadiums Tangerine Bowl