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                  <text>Rock Collection</text>
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                  <text>Rock Collection</text>
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                  <text>Music--United States</text>
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                  <text>Rock music--United States</text>
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                  <text>Lakeland (Fla.)</text>
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                  <text>Maitland (Fla.)</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>Knickerbocker, Carl</text>
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                  <text>Wahl, Julie</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Bob Carr Theater, Orlando, Florida</text>
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                  <text>Enzian Theater, Maitland, Florida</text>
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                  <text>Great Southern Music Hall, Orlando, Florida</text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Fisher, Marc. &lt;a href="http://www.worldcat.org/oclc/69594101" target="_blank"&gt;&lt;em&gt;Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation&lt;/em&gt;&lt;/a&gt;. New York: Random House, 2007.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                <text>JunkieRush at Will's Pub, 2003</text>
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                <text>JunkieRush at Will's Pub</text>
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                <text> Concerts--United States</text>
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                <text> Reggae music--Florida</text>
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                <text> Ska (Music)</text>
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                <text> Nightclubs--United States</text>
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                <text>JunkieRush performing live at Will's Pub in Orlando, Florida, on January 29, 2003. Thie first photograph features, from left to right, Aaron O'Riley on bass guitar, Bobby Koelble on electric guitar, Matt Hughen on drums, and Marc Clermont on percussion. The second photograph shows Koelble playing an acoustic guitar, and the third features Koelble playing an electric guitar, using a Rolling Rock beer bottle as a slide.&lt;br /&gt;&lt;br /&gt;Formed in 2000 by guitarist/vocalist/songwriter Bobby Koelble, who was also a member of the seminal metal band Death, JunkieRush is an Orlando-based rock band that combines elements of funk, punk, Latin, reggae, ska and world music into a unique original sound. The band has gained a reputation for its live shows, performing up the east coast from Florida to New York, as well as the Virgin Islands and Puerto Rico. Although quite a departure from his metal roots, JunkieRush still features the strong guitar work that Koelble is known for. The original lineup consisted of Koelble on vocals and guitar, Chris Charles on saxophone and keyboard, Aaron O'Riley on bass, Marc Clermont on percussion, and Matt Hughen on drums. As of 2015, the lineup consisted of Koelble, bassist/vocalist Matt Gallagher, saxophonist/flutist/vocalist Nathan Anderson, drummer Thatcher on drums, and percussionist George "Ito" Colon. The band's albums include &lt;em&gt;Junkie Rush&lt;/em&gt; (2000), &lt;em&gt;II&lt;/em&gt; (2004), &lt;em&gt;Live&lt;/em&gt; (2006), and &lt;em&gt;Musica&lt;/em&gt; (2009).</text>
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                <text>Original color photographs by Alicia Lyman: &lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original color photograph by Alicia Lyman, January 29, 2003: &lt;a href="http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000zbWCJBYP8j8/C0000i75h9FD_Cjw" target="_blank"&gt;http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000zbWCJBYP8j8/C0000i75h9FD_Cjw&lt;/a&gt;.</text>
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                <text>Digital reproduction of original color photograph by Alicia Lyman, January 29, 2003s=. &lt;a href="http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000p.WZdclksxk/C0000i75h9FD_Cjw" target="_blank"&gt;http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000p.WZdclksxk/C0000i75h9FD_Cjw&lt;/a&gt;.</text>
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                <text>Will's Pub, Orlando, Florida</text>
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                <text>Lyman, Alicia</text>
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                <text>Lyman, Alicia</text>
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                <text>2003-01-29</text>
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                <text>Originally created and published by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Cravero, Geoffrey</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Alicia Lyman Collection&lt;/a&gt;</text>
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                <text>Manes, Billy. &lt;a href="http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145" target="_blank"&gt;Under the influence of Bobby Koelble&lt;/a&gt;.” &lt;em&gt;Orlando Weekly&lt;/em&gt;. April 26, 2000. http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145.</text>
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                <text>Freed, Tim. &lt;a href="http://today.ucf.edu/koelbles-relentless-curiosity-about-music/" target="_blank"&gt;Koelble's Relentless Curiosity About Music&lt;/a&gt;.” &lt;em&gt;UCF Today&lt;/em&gt;. March 19, 2012. http://today.ucf.edu/koelbles-relentless-curiosity-about-music/.</text>
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