1 100 1 https://richesmi.cah.ucf.edu/omeka/files/original/b67ee71376228b7c38985d5d01730e88.jpg 1a2110a6646a0c05a4e56a9c157da45c https://richesmi.cah.ucf.edu/omeka/files/original/9d606ad200cb8008d3ba102ca66d8465.jpg 069603911f710b54469667337cd2723e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color digital images Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Tool Local Crew T-Shirt Alternative Title Tool T-Shirt Subject Tool (Musical group) Orlando (Fla.) Concerts--United States Music--Florida Rock music--United States Description A local crew t-shirt for Tool’s 2007 tour. Tool is an American alternative rock and metal band who formed in Los Angeles, California, in 1990. Incorporating visual arts and long, complex releases, the band gained worldwide critical and commercial success, winning three Grammy awards as of November 2015. The shirt was donated by Mick Dolan, who was a local crew member for the band’s show at the Amway Arena, located at 600 West Amelia Street in Orlando, Florida on May 31, 2007. The tour was in support of the band’s 2006 album, 10,000 Days. The lineup for the tour included Maynard James Keenan on lead vocals, Adam Jones on guitar, Justin Chancellor on bass, and Danny Carey on drums and percussion. Type Physical Object Source Original color digital images: Private Collection of Mick Dolan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Coverage Amway Arena, Orlando, Florida Date Created ca. 2007-05-31 Format image/jpg Extent 384 KB 169 KB Medium 2 color digital images Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by <a href="https://www.toolband.com/" target="_blank">Tool</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Mick Dolan External Reference Abbott, Jim. "<a href="http://articles.orlandosentinel.com/2007-06-05/news/TOOL05_1_tool-band-arena" target="_blank">For heavy-metal project, Tool provides right device</a>." The Orlando Sentinel, June 5, 2007. http://articles.orlandosentinel.com/2007-06-05/news/TOOL05_1_tool-band-arena. Grow, Kory. "<a href="http://www.rollingstone.com/music/news/tool-explain-why-they-havent-put-out-a-new-album-since-2006-20140715" target="_blank">Tool Explain Why They Haven't Put Out a New Album Since 2006</a>." Rolling Stone, July 15, 2014. http://www.rollingstone.com/music/news/tool-explain-why-they-havent-put-out-a-new-album-since-2006-20140715. Abbott, Jim. "<a href="http://articles.orlandosentinel.com/2001-10-12/news/0110120343_1_tool-band-keenan" target="_blank">Tool Tinkers With Rock, Makes It Better</a>." The Orlando Sentinel, October 12, 2001. http://articles.orlandosentinel.com/2001-10-12/news/0110120343_1_tool-band-keenan. 10,000 Days Adam Jones Adam Thomas Jones alternative rock Amway Arena concerts crews Daniel Edwin Carey Danny Carey hard rock heavy metal James Herbert Keenan Justin Chancellor Justin Gunnar Walter Chancellor Maynard James Keenan Mick Dolan music road crews roadies roady rock rock music shirts t-shirts Tool tours uniforms