1 100 1 https://richesmi.cah.ucf.edu/omeka/files/original/9ba7e452556ea0eccc68bc700f64f229.jpg ff33a36758c8781e6ce04302371ebd35 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Rovin' Flames at a Soap Box Derby Parade Alternative Title Rovin' Flames at Parade Subject Rovin' Flames (Musical group) Tampa (Fla.) Music--United States Musicians--Southern States Rock music--United States Parades--United States Goedert, Ron Morris, Jimmy Soap box derbies Description The Rovin' Flames performing live in the bed of a truck in Downtown Tampa, Florida, at the Soap Box Derby Parade on July 13, 1968. The names of the members are written at the bottom. From left to right, they are listed as Jerry Nickerson, J. R. Maietta, Jay Colding, Jimmy Morris, and Ronnie Goedert. The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969. Type Still Image Source Original black and white photograph, July 13, 1968: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, July 13, 1968. <a href="http://www.tampabaymusichistory.com/resources/RovinFlamesSoapBoxDerbyParade1968July13b.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/RovinFlamesSoapBoxDerbyParade1968July13b.jpg</a>. Coverage Tampa, Florida Date Created 1968-07-13 Format image/jpg Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank">The Rovin' Flames</a>." http://www.tampabaymusichistory.com/the-rovin-flames.php. band Colding, Jay garage garage band Goedert, Ronnie Maietta, J. R. Morris, Jim Morris, Jimmy Morris, Jimmy "Mouse" music musician Nickerson, Jerry rock rock band rock music Soap Box Derby Parade Tampa The Rovin' Flames