1
100
76
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Central Florida Music History Collection
Alternative Title
Music History Collection
Subject
Music--Florida
Orlando (Fla.)
Cassadaga (Fla.)
Hialeah (Fla.)
Maitland (Fla.)
New Smyrna Beach (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Central Florida’s musical heritage is as rich as it is diverse, dating back to the Spanish settlers of the sixteenth century. Over the next 500 years, the region became a melting pot of Anglo-American folk and country music, African-American blues and jazz, Cuban and Latin music, traditional Native American music, gospel, rock, classical, pop, reggae, punk, metal, hip hop, and dance music. The cultural diversity of the people is reflected in the broad range of the music. Today, Central Florida is a hot spot for homegrown music and a popular stop for internationally touring artists.
Some of the most popular artists of the twentieth century called Florida home, including Ray Charles, Bo Diddley, Jim Morrison, Gram Parsons, Sam Rivers, the Allman Brothers Band, Jimmy Buffett, Zora Neale Hurston, Lynyrd Skynyrd, Vassar Clements, Gloria Estefan, Tom Petty, Johnny Tillotson, Shel Silverstein, Arturo Sandoval, and Mel Tillis. The musical landscape of Florida has played an integral role in defining Floridian culture.
Contributor
Knickerbocker, Carl
Language
eng
Type
Collection
Coverage
Cassadaga, Florida
Hialeah, Florida
Maitland, Florida
New Smyrna Beach, Florida
Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
<span>Housewright, Wiley L. </span><a href="http://www.worldcat.org/oclc/48139297" target="_blank"><em>An Anthology of Music in Early Florida</em></a><span>. Gainesville: University Press of Florida, 1999.</span>
<span>Housewright, Wiley L. </span><a href="http://www.worldcat.org/oclc/21196990" target="_blank"><em>A History of Music & Dance in Florida, 1565-1865</em></a><span>. Tuscaloosa: University of Alabama Press, 1991.</span>
<span>Morris, Alton Chester. </span><a href="Morris,%20Alton%20Chester.%20Folksongs%20of%20Florida%20and%20Their%20Cultural%20Background.%201941." target="_blank"><em>Folksongs of Florida and Their Cultural Background</em></a><span>. 1941.</span>
DeVane, Dwight, et al. <a href="http://www.worldcat.org/oclc/821216900" target="_blank"><em>Drop on down in Florida: field recordings of African American traditional music 1977-1980</em></a>. 2012.
McLean, Will. <a href="http://www.worldcat.org/oclc/39518212" target="_blank"><em>Florida Sand: Original Folk Songs of Florida</em></a>. Tallahassee: [The Author], 1964.
Has Part
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/144" target="_blank">Blues Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/145" target="_blank">Classical Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/69" target="_blank">Orlando Philharmonic Orchestra Collection</a>, Classical Collection, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/143" target="_blank">Folk Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/154" target="_blank">Hip Hop Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
WUCF Artisodes: Universal Language
Alternative Title
Universal Language Artisode
Subject
Orlando (Fla.)
Concerts
Music--United States
Music--Juvenile--United States
Michael Feinstein Great American Songbook Initiative
Feinstein, Michael
Holmes, Clint
Peter and Gordon
McCartney, Paul
Downes, Lara
Mondavi Center
Description
In this edition of WUCF Artisodes, entertainer Michael Feinstein serves as a mentor to new singers through the Songbook Academy. University of Central Florida student Nick Drivas not only got to experience the Academy, but also the experience of a lifetime at Feinstein's recent Orlando concert. The son of an African-American jazz musician and an English opera singer, Clint Holmes talks about his career and music style. British pop duo Peter and Gordon discuss their relationship with Paul McCartney and recording several of his songs. And pianist Lara Downes serves as Artist in Residence at the Mondavi Center for the Performing Arts, UC Davis, where she mentors the next generation of young musicians as Director of the Mondavi Center National Young Artists Program. WUCF-TV is a Public Broadcasting Service television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursday at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts - whether it's in their backyard or on a Broadway stage. This episode originally aired as "WUCF Artisodes #175: The Power and Passion of Music" on November 19, 2015.
Abstract
Audio/video recording of Universal Language, WUCF-TV Artisode, February 25, 2016.
Type
Moving Image
Source
Original 24-minute and 42-second audio/video recording of Universal Language, <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>, Orlando, Florida, February 25, 2016: WUCF-TV, University of Central Florida.
Requires
<a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a>.
<a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a>.
Is Part Of
<a href="http://video.wucftv.org/video/2365677579/" target="_blank">WUCF Artisodes: Universal Language</a>
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES Program
Coverage
Atlantic City, New Jersey
Dr. Philips Center, Orlando, Florida
Las Vegas, Nevada
Los Angeles, California
Monte Carlo, Monaco-Ville, Monaco
Orlando, Florida
Palladium Center for the Performing Arts, Carmel, Indiana
Robert and Margrit Mondavi Center for the Performing Arts, Davis, California
Sacramento, California
Washington, D.C.
WUCF-TV, University of Central Florida, Orlando, Florida
Creator
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Publisher
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Contributor
McCarthy, Adam
Grimaldi, Albert Alexandre Louis Pierre
Rivera, Angela
The Beatles
Dotson, Bill
Hirten, Brian
Kelly, Brian
Pittman, Buddy
Hiles, Catherine
Holmes, Clint
McGinty, David
Kendrick, Demetria
Castranova, Dwayne
Duemmel, Emily
Strauss, Eric
Sinatra, Frank
Waller, Gordon
Heston, Grant J.
Hucome, Jamie
Seymour, Jane
Cook, Jennifer
Wolf, Jennifer
Brady, John
Romero, Jose Luis
Hamel, Joshua
Salkowski, Keith
Benjamin, Kristin
Fuchs, Kyle Mahoney
Downes, Lara
Ronstadt, Linda Maria
Hall-Brown, Maria
Gorman, Marinda
Lundstrom, Mark
Christian, Martin
Christensen, Matt
Matier, Megan
Feinstein, Michael
Herring, Mike
Meza, Nancy
Drivas, Nick
Hammerstein II, Oscar
Kelly, Paul
McCartney, Paul
Simon, Paul
Asher, Peter
Peter and Gordon
Rodgers, Richard
Grimaldi, Rainier Louis Henri Maxence Bertrand
Charles, Ray
Echeverria, Rita
Moore, Roger
Retherford, Ryan
Murray, T.L.
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Date Created
2016-02-25
Date Issued
2016-02-25
Date Copyrighted
2016-02-25
Format
video/mp4
application/pdf
Medium
Original 24-minute and 42-second audio/video recording
Language
eng
Mediator
History Teacher
Economics Teacher
Humanities Teacher
Music Teacher
Theater Teacher
Provenance
Originally created by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and published by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES Program</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
External Reference
Avshalomov, Jacob. <a href="http://www.worldcat.org/oclc/7157372" target="_blank"><em>Music Is Where You Make It, II: The Joyful Workings of America's First Youth Orchestra, the Portland Youth Philharmonic, 1923-1979</em></a>. [Portland, Or.]: Portland Junior Symphony Association, 1979.
<a href="http://www.worldcat.org/oclc/43526754" target="_blank"><em>The Beatles Anthology</em></a>. San Francisco: Chronicle Books, 2000.
Feinstein, Michael. <a href="http://www.worldcat.org/oclc/31969558" target="_blank"><em>Nice Work If You Can Get It: My Life in Rhythm and Rhyme</em></a>. New York: Hyperion, 1995.
Pendergast, Sara, and Tom Pendergast. <a href="http://www.worldcat.org/oclc/137315262" target="_blank"><em>Contemporary Black Biography. Profiles from the International Black Community Volume 57</em></a>. Detroit, Mich: Thomson Gale, 2007. .
Fancher, Lou. "<a href="https://www.sfcv.org/article/lara-downes-on-how-to-make-music-matter" target="_blank">Lara Downes Is Showing Us How To Make Music Matter</a>." <em>San Francisco Classical Voice</em>. February 15, 2016. https://www.sfcv.org/article/lara-downes-on-how-to-make-music-matter.
Click to View (Movie, Podcast, or Website)
<a href="http://video.wucftv.org/video/2365664593/">http://video.wucftv.org/video/2365664593/</a>
A World Without Love
acoustic guitar
Adam McCarthy
Albert Alexandre Louis Pierre Grimaldi
Albert II
American Graduate
American Graduate Imitative
Angela Rivera
Artisode
Artisodes
artist
Atlantic City
Bill Dotson
Brian Hirten
Brian Kelly
Bridge Over Troubled Water
British Pop
broadcast television
broadcast television distributor
broadcast television station
Buddy Pittman
Carmel
Catherine Hiles
cellist
cello
classical music
Clint Holmes
concert
Corporation for Public Broadcasting
David McGinty
Demetria Kendrick
Dr. Philips Center
Dwayne Castranova
EMI Records
Emily Duemmel
Eric Strauss
Frank Sinatra
Gordon Waller
Grant J. Heston
Great American Songbook
Great American Songbook Foundation
guitar
guitarist
harp
harpist
Have a Good Time
Hit the Road Jack
I Have Dreamed
interracial marriage
Jamie Hucome
Jane Seymour
jazz
jazz musician
Jennifer Cook
Jennifer Wolf
John Brady
Jose Luis Romero
Joshua Hamel
Keith Salkowski
Kristin Benjamin
Kyle Mahoney Fuchs
Lara Downes
Las Vegas
Linda Maria Ronstadt
Los Angeles
Loves Me Like a Rock
Luck Be a Lady
Maria Hall-Brown
Marinda Gorman
Mark Lundstrom
Martin Christian
Matt Christensen
Megan Matier
mentor
Michael Feinstein
Mike Herring
Mondavi Center National Young Artists Program
Monte Carlo
Morgan Stanley Jazz
Morgan Stanley Jazz at Dr. Philips Center
music
music instruction
music instructor
music producer
music student
music teacher
musician
Nancy Meza
Nick Drivas
Night and Day
orlando
Oscar Hammerstein II
Palladium Center for the Performing Arts
Paul Kelly
Paul McCartney
Paul Simon
PBS
Peter and Gordon
Peter Asher
Peter Cottontail
pianist
piano
Playground in My Mind
Prince of Monaco
Prince Rainer
producer
public broadcasting
Public Broadcasting Service
public broadcasting station
Rainier III
Rainier Louis Henri Maxence Bertrand Grimaldi
Ray Charles
Richard Rodgers
Rita Echeverria
Robert and Margrit Mondavi Center for the Performing Arts
Rodgers and Hammerstein
Roger Moore
Ryan Retherford
Sacramento
saxophone
saxophonist
Sean Connery
singer
singer-songwriter
Songbook Academy
student
T.L. Murray
television
The Beatles
The King and I
There is No Future in My Future
Time After Time
U.S. Army Chorus
UC Davis
UCF
United States Army Chorus
Universal Language
University of California, Davis
University of Central Florida
violin
violinist
vocalist
Washington, D.C.
What'd I Say
WUCF
WUCF Artisodes
WUCF-TV
Young Artist Competition
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Central Florida Music History Collection
Alternative Title
Music History Collection
Subject
Music--Florida
Orlando (Fla.)
Cassadaga (Fla.)
Hialeah (Fla.)
Maitland (Fla.)
New Smyrna Beach (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Central Florida’s musical heritage is as rich as it is diverse, dating back to the Spanish settlers of the sixteenth century. Over the next 500 years, the region became a melting pot of Anglo-American folk and country music, African-American blues and jazz, Cuban and Latin music, traditional Native American music, gospel, rock, classical, pop, reggae, punk, metal, hip hop, and dance music. The cultural diversity of the people is reflected in the broad range of the music. Today, Central Florida is a hot spot for homegrown music and a popular stop for internationally touring artists.
Some of the most popular artists of the twentieth century called Florida home, including Ray Charles, Bo Diddley, Jim Morrison, Gram Parsons, Sam Rivers, the Allman Brothers Band, Jimmy Buffett, Zora Neale Hurston, Lynyrd Skynyrd, Vassar Clements, Gloria Estefan, Tom Petty, Johnny Tillotson, Shel Silverstein, Arturo Sandoval, and Mel Tillis. The musical landscape of Florida has played an integral role in defining Floridian culture.
Contributor
Knickerbocker, Carl
Language
eng
Type
Collection
Coverage
Cassadaga, Florida
Hialeah, Florida
Maitland, Florida
New Smyrna Beach, Florida
Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
<span>Housewright, Wiley L. </span><a href="http://www.worldcat.org/oclc/48139297" target="_blank"><em>An Anthology of Music in Early Florida</em></a><span>. Gainesville: University Press of Florida, 1999.</span>
<span>Housewright, Wiley L. </span><a href="http://www.worldcat.org/oclc/21196990" target="_blank"><em>A History of Music & Dance in Florida, 1565-1865</em></a><span>. Tuscaloosa: University of Alabama Press, 1991.</span>
<span>Morris, Alton Chester. </span><a href="Morris,%20Alton%20Chester.%20Folksongs%20of%20Florida%20and%20Their%20Cultural%20Background.%201941." target="_blank"><em>Folksongs of Florida and Their Cultural Background</em></a><span>. 1941.</span>
DeVane, Dwight, et al. <a href="http://www.worldcat.org/oclc/821216900" target="_blank"><em>Drop on down in Florida: field recordings of African American traditional music 1977-1980</em></a>. 2012.
McLean, Will. <a href="http://www.worldcat.org/oclc/39518212" target="_blank"><em>Florida Sand: Original Folk Songs of Florida</em></a>. Tallahassee: [The Author], 1964.
Has Part
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/144" target="_blank">Blues Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/145" target="_blank">Classical Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/69" target="_blank">Orlando Philharmonic Orchestra Collection</a>, Classical Collection, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/143" target="_blank">Folk Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/154" target="_blank">Hip Hop Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
WUCF Artisodes #175: The Power and Passion of Music
Alternative Title
The Power and Passion of Music Artisode
Subject
Orlando (Fla.)
Concerts
Music--United States
Music--Juvenile--United States
Ukulele players
Ukulele music
HistoryMiami
Beatles
Opera
Ho, Daniel
Description
This edition of WUCF Artisodes highlights a Central Florida singer with a passion for opera, a Grammy-winning ukulele player who loves music for more than beautiful sounds, Student Artist of the Week, Santiago Escobar, and an exhibition on The Beatles at HistoryMiami. WUCF-TV is a Public Broadcasting Service television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursday at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts - whether it's in their backyard or on a Broadway stage. This episode originally aired as "WUCF Artisodes #175: The Power and Passion of Music" on November 19, 2015.
Abstract
Audio/video recording of The Power and Passion of Music, WUCF-TV Artisode, November 19, 2015.
Type
Moving Image
Source
Original 24-minute and 42-second audio/video recording of The Power and Passion of Music, <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>, Orlando, Florida, November 19, 2015: WUCF-TV, University of Central Florida.
Requires
<a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a>.
<a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a>.
Is Part Of
<a href="http://video.wucftv.org/video/2365606372/" target="_blank">WUCF Artisodes #175: The Power and Passion of Music</a>
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES Program
Coverage
Denver, Colorado
Dr. Phillips High School Visual and Performing Arts Magnet, Orlando, Florida
Eau Gallie High School, Melbourne, Florida
Grammy Museum, Los Angeles, California
HistoryMiami, Miami, Florida
Honolulu, Hawaii
Miami, Florida
New York, New York
Orlando, Florida
Opera Colorado, Denver, Colorado
Pan Am Press Room, John F. Kennedy International Airport, New York, New York
University of Central Florida, Orlando, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Creator
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Publisher
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Contributor
Rivera, Angela
Zink, Annamarie
The Beatles
Dotson, Bill
Black Keys
Sprague, Brett
Hirten, Brian
Kelly, Brian
Pittman, Buddy
Saldo, Carrie
Hiles, Catherine
Koepke, Cherity
Ho, Daniel
McGinty, David
Kendrick, Demetria
Castranova, Dwayne
Duemmel, Emily
Strauss, Eric
Harrison, George
Bellas, Giselle
Heston, Grant J.
Hucome, Jamie
Cook, Jennifer
Wolf, Jennifer
Nicholson, Jeremy
Brady, John
Lennon, John
Zamanillo, Jorge
Hamel, Joshua
Valez, Kandra
Salkowski, Keith
Benjamin, Kristin
Fuchs, Kyle Mahoney
Bobby, Leah
Laitman, Lori
Hall-Brown, Maria
Greenwald, Mark
Lundstrom, Mark
Matier, Megan
Herring, Mike
Meza, Nancy
Kelly, Paul
McCartney, Paul
Kastan, Peter
Anderson, Polly
Charles, Ray
Starkey, Richard
Wagner, Richard
Echeverria, Rita
Borgman, Ryan
Retherford, Ryan
Escobar, Santiago
Jimenez, Serena
Murray, T.L.
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Vidal, Yoandy
Date Created
2015-11-19
Date Issued
2015-11-19
Date Copyrighted
2015-11-19
Format
video/mp4
application/pdf
Medium
Original 24-minute and 42-second audio/video recording
Language
eng
Mediator
History Teacher
Economics Teacher
Humanities Teacher
Music Teacher
Theater Teacher
Provenance
Originally created by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and published by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES Program</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
External Reference
Kanahele, George S. <a href="http://www.worldcat.org/oclc/4883083" target="_blank"><em>Hawaiian Music and Musicians: An Illustrated History</em></a>. Honolulu: University Press of Hawaii, 1979.
Tranquada, Jim, and John King. <a href="http://www.worldcat.org/oclc/809317586" target="_blank"><em>The 'ukulele A History</em></a>. Honolulu: University of Hawai'i Press, 2012. .
<a href="http://www.worldcat.org/oclc/687686748" target="_blank"><em>James Levine: 40 Years at the Metropolitan Opera</em></a>. Milwaukee, WI: Amadeus Press, 2011.
<a href="http://www.worldcat.org/oclc/43526754" target="_blank"><em>The Beatles Anthology</em></a>. San Francisco: Chronicle Books, 2000.
Click to View (Movie, Podcast, or Website)
<a title="" href="https://nam02.safelinks.protection.outlook.com/?url=http%3A%2F%2Fvideo.wucftv.org%2Fvideo%2F2365606372&data=02%7C01%7CGeoffrey.Cravero%40ucf.edu%7C4f11cea37bfa4cf9e3e108d83ebd5d9e%7Cbb932f15ef3842ba91fcf3c59d5dd1f1%7C0%7C0%7C637328330318303599&sdata=xwlci6tud%2FejFJV%2FqIJ6l8yD1lm%2BcWHivevtTyu28eM%3D&reserved=0" target="_blank">http://video.wucftv.org/video/2365606372</a>
A Hard Day's Night
Abbey Road
album cover
American Graduate
American Graduate Imitative
Angela Rivera
Annamarie Zink
art teacher
Arthur Dimmesdale
Artisode
Artisodes
artist
band
band memorabilia
Beatlemania
Beatles '65
Beatles memorabilia
Bill Dotson
Black Keys
Brett Sprague
Brian Hirten
Brian Kelly
broadcast television
broadcast television distributor
broadcast television station
Brünnhilde
Brynhildr
Buddy Pittman
Can't Buy Me Love
Carrie Saldo
Catherine Hiles
Cherity Koepke
composer
concert
conservatory
Corporation for Public Broadcasting
Cuban musician
Daniel Ho
David McGinty
Demetria Kendrick
Denver
deputy director
director
Director of Education
DPHS Visual and Performing Arts Magnet
Dr. Phillips High School
Dr. Phillips High School Visual and Performing Arts Magnet
drum tutorial
drummer
drums
Dwayne Castranova
Eau Gallie
Eau Gallie High School
Ed Sullivan Show
electronic drum set
Elvis Presley
Emily Duemmel
Eric Strauss
Fab Four
fandom
Fever
George Harrison
Giselle
Giselle Bellas
Götterdämmerung
Grammy award winner
Grammy Museum
Grant J. Heston
guitar
guitarist
Hawaiian music
Hawaiian musician
Hester Prynne
hip-hop
HistoryMiami
Honolulu
I Feel Fine
jacket
Jamie Hucome
Jennifer Cook
Jennifer Wolf
Jeremy Nicholson
John Brady
John Lennon
Jorge Zamanillo
Joshua Hamel
Kandra Valez
Keith Salkowski
Kristin Benjamin
Kyle Mahoney Fuchs
Leah Bobby
Lori Laitman
Los Angeles
Love Me Do
Ludwig drums
magnet and arts program
magnet program
Maria Hall-Brown
Mark Greenwald
Mark Lundstrom
Megan Matier
Melbourne
memorabilia
Miami
Mike Herring
music
music recording
music student
music teacher
music theory
music tour
musician
Nancy Meza
Nathaniel Hawthorne
New York
opera
Opera Colorado
opera composer
opera director
opera singer
orlando
painter
Pan Am Press Room
Pan American World Airways
Paul Kelly
Paul McCartney
PBS
performing arts
Peter Kastan
pianist
piano
Polani
Polly Anderson
pop music
public broadcasting
Public Broadcasting Service
public broadcasting station
Ray Charles
record album
recording
recording booth
Richard Starkey
Richard Wagner
Ringo Starr
Rita Echeverria
rock band
rock music
rock tour
Rubber Soul
Ryan Borgman
Ryan Retherford
Santiago Escobar
Serena Jimenez
singer
singer-songwriter
soprano
stage outfit
Student Artist of the Week
T.L. Murray
television
tenor
The Beatles
The Beatles Yesterday and Today
The Power and Passion of Music
The Scarlet Letter
ticket stub
Twilight of the Gods
UCF
ukulele
ukulele player
University of Central Florida
visual and performing arts
Visual and Performing Arts Magnet Program
vocalist
VPA
WUCF
WUCF Artisodes
WUCF-TV
Yoandy Vidal
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Central Florida Music History Collection
Alternative Title
Music History Collection
Subject
Music--Florida
Orlando (Fla.)
Cassadaga (Fla.)
Hialeah (Fla.)
Maitland (Fla.)
New Smyrna Beach (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Central Florida’s musical heritage is as rich as it is diverse, dating back to the Spanish settlers of the sixteenth century. Over the next 500 years, the region became a melting pot of Anglo-American folk and country music, African-American blues and jazz, Cuban and Latin music, traditional Native American music, gospel, rock, classical, pop, reggae, punk, metal, hip hop, and dance music. The cultural diversity of the people is reflected in the broad range of the music. Today, Central Florida is a hot spot for homegrown music and a popular stop for internationally touring artists.
Some of the most popular artists of the twentieth century called Florida home, including Ray Charles, Bo Diddley, Jim Morrison, Gram Parsons, Sam Rivers, the Allman Brothers Band, Jimmy Buffett, Zora Neale Hurston, Lynyrd Skynyrd, Vassar Clements, Gloria Estefan, Tom Petty, Johnny Tillotson, Shel Silverstein, Arturo Sandoval, and Mel Tillis. The musical landscape of Florida has played an integral role in defining Floridian culture.
Contributor
Knickerbocker, Carl
Language
eng
Type
Collection
Coverage
Cassadaga, Florida
Hialeah, Florida
Maitland, Florida
New Smyrna Beach, Florida
Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
<span>Housewright, Wiley L. </span><a href="http://www.worldcat.org/oclc/48139297" target="_blank"><em>An Anthology of Music in Early Florida</em></a><span>. Gainesville: University Press of Florida, 1999.</span>
<span>Housewright, Wiley L. </span><a href="http://www.worldcat.org/oclc/21196990" target="_blank"><em>A History of Music & Dance in Florida, 1565-1865</em></a><span>. Tuscaloosa: University of Alabama Press, 1991.</span>
<span>Morris, Alton Chester. </span><a href="Morris,%20Alton%20Chester.%20Folksongs%20of%20Florida%20and%20Their%20Cultural%20Background.%201941." target="_blank"><em>Folksongs of Florida and Their Cultural Background</em></a><span>. 1941.</span>
DeVane, Dwight, et al. <a href="http://www.worldcat.org/oclc/821216900" target="_blank"><em>Drop on down in Florida: field recordings of African American traditional music 1977-1980</em></a>. 2012.
McLean, Will. <a href="http://www.worldcat.org/oclc/39518212" target="_blank"><em>Florida Sand: Original Folk Songs of Florida</em></a>. Tallahassee: [The Author], 1964.
Has Part
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/144" target="_blank">Blues Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/145" target="_blank">Classical Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/69" target="_blank">Orlando Philharmonic Orchestra Collection</a>, Classical Collection, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/143" target="_blank">Folk Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/154" target="_blank">Hip Hop Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
WUCF Artisodes: Music at Large
Alternative Title
Music at Large Artisode
Subject
Orlando (Fla.)
Concerts
Music--United States
Music--Juvenile--United States
Folk music--Florida
Youth orchestras
Alliance for Arts Education (U.S.)
Barbershops
Concert halls
Description
In this edition of WUCF Artisodes, a Central Florida couple open their home for a concert, bringing together folk musicians and fans, an upstate New York barbershop doubles as a hair salon by day and a music lounge by night, Student Artist of the Week, Jaden Christopher-Muench, is highlighted, the Tampa Metropolitan Youth Orchestra inspire future musicians, and the Dayton Performing Arts Alliance pairs two of the city's arts organization in a unique working relationship. WUCF-TV is a Public Broadcasting Service television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursday at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts - whether it's in their backyard or on a Broadway stage. This episode originally aired as "WUCF Artisodes: Music at Large" on February 11, 2016.
Abstract
Audio/video recording of Music at Large, WUCF-TV Artisode, February 11, 2016.
Type
Moving Image
Source
Original 24-minute and 42-second audio/video recording of Music at Large, <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>, Orlando, Florida, February 11, 2016: WUCF-TV, University of Central Florida.
Requires
<a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a>.
<a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a>.
Is Part Of
<a href="http://video.wucftv.org/video/2365664593/" target="_blank">WUCF Artisodes: Music at Large</a>
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES Program
Coverage
Dayton Performing Arts Alliance, Dayton, Ohio
Michael John Hairstyling Barber Lounge, Albany, New York
Nashville, Tennessee
Orlando, Florida
Tampa Metropolitan Youth Orchestra, Tampa, Florida
University of Central Florida, Orlando, Florida
University of South Florida, Tampa, Florida
University of South Florida Concert Hall, Tampa, Florida
Villa ConRoy, Orlando, Florida
West Orange High School, Winter Garden, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Creator
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Publisher
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Contributor
Pittman, Amber
Rivera, Angela
Dotson, Bill
Hirten, Brian
Kelly, Brian
Pittman, Buddy
Hiles, Catherine
Brand, Connie
McGinty, David
Dayton Ballet
Dayton Performing Arts Alliance
Kendrick, Demetria
Duemmel, Emily
Strauss, Eric
Rodriguez, Frank
Heston, Grant J.
Christopher-Muench, Jaden
Hucome, Jamie
Wilson, Jason
Cook, Jennifer
Wolf, Jennifer
Calandra, Jessica
Brady, John
Kurokawa, John
Papp, John
Hamel, Joshua
Burke, Karen Russo
Salkowski, Keith
Boyd, Kenneth
Benjamin, Kristin
Warner, Kurt
Mahoney Fuchs, Kyle
Hetrick, Marcia
Lundstrom, Mark
Bischof, Melanie
Matier, Megan
Bounagura, Michael John
Herring, Mike
Jurgensen, Mike
Meza, Nancy
Kelly, Paul
Deblasio, Rayne
Nordstrom, Richard
Wonderling, Richard
Echeverria, Rita
Brand, Roy
Retherford, Ryan
Nagys, Sigy
Tampa Metropolitan Youth Orchestra
Gentry, Tiffany
Murray, T.L.
Grocki, Tony
Macaluso, Tony
Wiedrich, William
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Date Created
2016-02-11
Date Issued
2016-02-11
Date Copyrighted
2016-02-11
Format
video/mp4
application/pdf
Medium
Original 24-minute and 42-second audio/video recording
Language
eng
Mediator
History Teacher
Economics Teacher
Humanities Teacher
Music Teacher
Theater Teacher
Dance Teacher
Provenance
Originally created by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and published by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES Program</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
External Reference
Dunaway, David King, and Molly Beer. <a href="http://www.worldcat.org/oclc/593295804" target="_blank"><em>Singing Out An Oral History of America's Folk Music Revivals</em></a>. New York: Oxford University Press, 2010. .
Lornell, Kip, and Kip Lornell. <a href="http://www.worldcat.org/oclc/794669918" target="_blank"><em>Exploring American Folk Music Ethnic, Grassroots, and Regional Traditions in the United States</em></a>. Jackson: University Press of Mississippi, 2012. .
Jones, Christian R. <a href="http://www.worldcat.org/oclc/39724250" target="_blank"><em>Barbershop: History and Antiques</em></a>. Atglen, PA: Schiffer Pub, 1998.
Avshalomov, Jacob. <a href="http://www.worldcat.org/oclc/7157372" target="_blank"><em>Music Is Where You Make It, II: The Joyful Workings of America's First Youth Orchestra, the Portland Youth Philharmonic, 1923-1979</em></a>. [Portland, Or.]: Portland Junior Symphony Association, 1979.
Click to View (Movie, Podcast, or Website)
<a title="" href="https://nam02.safelinks.protection.outlook.com/?url=http%3A%2F%2Fvideo.wucftv.org%2Fvideo%2F2365677579%2F&data=02%7C01%7CGeoffrey.Cravero%40ucf.edu%7C4f11cea37bfa4cf9e3e108d83ebd5d9e%7Cbb932f15ef3842ba91fcf3c59d5dd1f1%7C0%7C0%7C637328330318303599&sdata=W6cH7f07Hk0OvAYgDbWEXZ0HrdXdHQPDCUVcFyezi9U%3D&reserved=0" target="_blank">http://video.wucftv.org/video/2365677579/</a>
acoustic
acoustic guitar
acoustic music
Albany
Amber Pittman
American Graduate
American Graduate Initiative
Americana
Angela Rivera
Artisode
Artisodes
artistic director
Aurelian Opera
ballerina
ballet
barber
barbershop
Bill Dotson
bluegrass
Brian Hirten
Brian Kelly
broadcast television
broadcast television distributor
broadcast television station
Buddy Pittman
Catherine Hiles
chamber music
clarinet
clarinetist
classical music
classical musician
concert
concert hall
conductor
Connie Brand
Corporation for Public Broadcasting
dance
dancer
David McGinty
Dayton
Dayton Ballet
Dayton Performing Arts Alliance
Demetria Kendrick
documentary
double bass
DPAA
Emily Duemmel
Eric Strauss
executive director
Facebook
featured dancer
folk
folk band
folk concert
folk music
folk musician
folk venue
Frank Rodriguez
Grant J. Heston
guitar
guitarist
hair
hairdresser
hairstyling
hairstylist
Jaden Christopher-Muench
Jamie Hucome
Jason Wilson
Jennifer Cook
Jennifer Wolf
Jessica Calandra
John Brady
John Kurokawa
John Papp
Joshua Hamel
Karen Russo Burke
Keith Salkowski
Kenneth Boyd
Kristin Benjamin
Kurt Warner
Kyle Mahoney Fuchs
Marcia Hetrick
Mark Lundstrom
Megan Matier
Melanie Bischof
Michael John Bounagura
Michael John Hairstyling Barber Lounge
Mike Herring
Mike Jurgensen
music
Music at Large
music director
music instruction
music instructor
music lounge
music student
music venue
musician
My Dog is Black and White
Nancy Meza
Nashville
New York
orchestra
orchestral conductor
orchestral musician
orlando
Paul Kelly
PBS
public broadcasting
Public Broadcasting Service
public broadcasting station
Rayne Deblasio
Richard Nordstrom
Richard Wonderling
Rita Echeverria
Roy Brand
Ryan Retherford
Sigy Nagys
singer
singer-songwriter
songwriter
spoken word
Student Artist of the Week
T.L. Murray
Tampa
Tampa Metropolitan Youth Orchestra
television
Tiffany Gentry
TMYO
Tony Grocki
Tony Macaluso
UCF
University of Central Florida
University of South Florida
University of South Florida Concert Hall
USF
USF Concert Hall
venue
Villa ConRoy
violin
violinist
West Orange High School
William Wiedrich
Winter Garden
WUCF
WUCF Artisodes
WUCF-TV
youth orchestra
YouTube
-
https://richesmi.cah.ucf.edu/omeka/files/original/69eebbe4008fc1598244d1858c56d4a7.pdf
eccfcda9fb04bb88ac18febe79e9c22c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Watermark Collection
Alternative Title
The Watermark Collection
Subject
Gay culture--United States
Description
Since 1994, <em>The Watermark</em> has been the cornerstone source of LGBTQ+ (Lesbian, Gay, Bisexual, Trans, Queer/Questioning, and others) centered news for the Central Florida region. Founded by Tom Dyer in Orlando, the publication began generating bi-weekly issues beginning August 31, 1994. Since then, <em>The Watermark</em> has consistently published newspaper style issues every other Thursday. Gaining traction, the publication expanded in 1995 to include Tampa and, in 1997, <em>The Watermark</em> became a permanent piece of LGBTQ+ culture when the publication initiated the first large-scale Gay Days Weekend event, the Beach Ball at Disney’s Typhoon Lagoon. Before 1999, the publication printed 20,000 copies every week, distributing them to over 500 locations between its two major cities. Following 1999, the publication launched watermarkonline.com shifting to an online publication style. In 2016, Rick Claggett purchased <em>The Watermark</em>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/" target="_blank">RICHES Program</a>
Type
Collection
Contributing Project
<a href="http://www.floridalgbtqmuseum.org/%20" target="_blank">GLBT History Museum of Central Florida</a>
<a href="http://www.watermarkonline.com/">The Watermark</a>
Curator
Smith, Robert
Cepero, Laura
O'Neal, Rhiannon
Hearn, Nikki
Greene, Quintella
Rodriguez, Sharon
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.floridalgbtqmuseum.org/%20" target="_blank">GLBT History Museum of Central Florida</a>
External Reference
"<a href="http://www.watermarkonline.com/aboutcontact/" target="_blank">About/Contact</a>." WatermarkOnline.com, accessed July 11, 2016. http://www.watermarkonline.com/aboutcontact/.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
The Watermark, Vol. 4, No. 20, October 2-15, 1997
Alternative Title
Watermark, Vol. 4, No. 2
Subject
Gay culture--United States
Description
The twentieth issue in the fourth volume of <em>The Watermark</em> was published on October 2, 1997, and covers relevant news in the LGBTQ+ (Lesbian, Gay, Bisexual, Trans, Queer/Questioning, and others) community. The cover story features the discrepancy in Public Broadcasting System (PBS) programming regarding the gay and lesbian television magazine, <em>In the Life</em>. The show was hosted by Katherine Linton and aired in all major Florida cities except Orlando. Other stories include an interview with lesbian author Patricia Nell Warren regarding her latest novel in <em>The Front Runners</em> series, an interview with gay author Ethan Mordden about his latest installment in his "Buddies" series, <em>Some Men Are Lookers</em>, and a collection of anecdotes about LGBTQ+ individuals' first experiences at gay bars. Additionally, this issue provides updates on the decline in new AIDS cases and new breakthroughs in treatment for AIDS. Other topics covered included the court case of a Washington State teen, who had been bullied at school for being gay, and a local theatre production of <em>Life In Other People's Shoes</em>. This issue of <em>The Watermark</em> deals heavily with the concept of gay culture, especially as it is found in mass media, such as literature and television, and its lasting impact on LGBTQ+ individuals.<br /><br /> Since 1994, <em>The Watermark</em> has been the cornerstone source of LGBTQ+ centered news for the Central Florida region. Founded by Tom Dyer in Orlando, the publication began generating bi-weekly issues beginning August 31, 1994. Since then, <em>The Watermark</em> has consistently published newspaper-style issues every other Thursday. Gaining traction, the publication expanded in 1995 to include Tampa and, in 1997, <em>The Watermark</em> became a permanent piece of LGBTQ+ culture when the publication initiated the first large-scale Gay Days Weekend event, the Beach Ball at Disney’s Typhoon Lagoon. Before 1999, the publication printed 20,000 copies every week, distributing them to over 500 locations between its two major cities. Following 1999, the publication launched watermarkonline.com shifting to an online publication style. In 2016, Rick Claggett purchased <em>The Watermark</em>.
Type
Text
Source
Original 56-page newspaper: <a href="http://www.watermarkonline.com/" target="_blank"><em>The Watermark</em></a>, Vol. 4, No. 20, October 2-15, 1997: Publications Collection, <a href="http://glbthistorymuseum.com/joomla25/index.php?lang=en" target="_blank">GLBT History Museum of Central Florida</a>, Orlando, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/203" target="_blank">The Watermark Collection</a>, LGBTQ+ Collection, RICHES.
Is Format Of
Digital reproduction of original 56-page newspaper: <a href="http://www.watermarkonline.com/" target="_blank"><em>The Watermark</em></a>, Vol. 4, No. 20, October 2-15, 1997.
Coverage
Orlando, Florida
Tampa, Florida
Daytona Beach, Florida
Kent School District, Seattle, Washington
Honolulu, Hawaii
Creator
Dyer, Tom
York, KimBoo
Kilgore, Michael L.
Toscas, Dmitri
Smith, Nadine
Kirchler, Karen
Wilde, Diane
Crescitelli, Jim
Kundis, Ken
Sloan, Rosanne
Almeida, David
Provenche, Andre
Thomas, Clive
Triggs, Greg
Vassel, Yvonne C. T.
Smith, Scott
Masters, Billy
Vaillancourt, David
Wiggins, Jayelle
Varnell, Paul
Keehnen, Owen
Mann, William
Skeel, Laura
Publisher
<a href="http://www.watermarkonline.com/" target="_blank">Watermark Media</a>
Date Created
ca. 1997-10-02
Date Issued
1997-10-02
Date Copyrighted
1997-10-02
Format
application/pdf
Medium
56-page newspaper
Language
eng
Mediator
History Teacher
Provenance
Originally published by <a href="http://www.watermarkonline.com/" target="_blank">Watermark Media</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.watermarkonline.com/" target="_blank">Watermark Publishing Group</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> for educational purposes only.
Accrual Method
Donation
Curator
O'Neil, Rhiannon
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.watermarkonline.com/">Watermark Media</a>
External Reference
"<a href="http://www.watermarkonline.com/aboutcontact/" target="_blank">About/Contact</a>." WatermarkOnline.com, accessed January 23, 2018. http://www.watermarkonline.com/aboutcontact/.
ACLU
Acquired Immunodeficiency Syndrome
AIDS
AIDS Resource Alliance
Albert "Al" Arnold Gore Jr.
Alexis Arquette
Alison Bechdel
American Civil Liberties Union
Anderson Jones
Andrew Cunanan
Anne Heche
Anthony Fauci
Art for Life
Association for the Lesbian and Gay Movement
Bette Milder
Billy Masters
bisexual
Bob Roehr
Brenda Dale Knox
Carolyn Gertz
Central Florida Breast Cancer Foundation
Charles Busch
Christine Leigh Heyrman
Civic Theatre
Clive Thomas
Concern Women for America
Coretta Scott King
Curtis Hanson
Daniel Zingale
David Almeida
David Bianco
David Fields
David Ho
Debbie Henseder
Deborah Tamargo
Democratic Party
Diana Frances
Diana, Princess of Wales
Diane Wilder
Dick Shafer
Donna Shalala
Eddie Caballero
Edward "Ted" Moore Kennedy
Elizabeth Taylor
Ellen Lee DeGeneres
Ethan Mordden
Franco Nero
Full Moon Saloon
gay
Gay 90s Theatre Cafe & Bar
Gay, Lesbian, and Bisexual Student Union
Gay, Lesbian, and Straight Education Network
Gianni Versace
Gina Garcia
Greg Triggs
Gregory Wentz
Guy Edward Pearce
Helen Chasnoff
Helen Cohen
HIV
homosexuality
homosexuals
Hope and Help Center
human immunodeficiency virus
Human Rights Campaign
Human Rights Task Force
Ian McKellen
In The Life
Jack the Lad
Jacqueline Jones
James Ireland
Jamie Nabozny
Jayelle Wiggins
Jennifer Jason Leigh
Jessica Phyllis Lange
Jim Crescitelli
John Felton
Julie Brown
Julie Taylor
Kate Shindle
Katherine Linton
Kathy Martinez
Keith Morrison
Ken Kundis
Kerry Lobel
Kevin Delaney Kline
Kevin Spacey Fowler
Kimboo York
Kimila Ann "Kim" Basinger
lesbians
Leslie Carrara
LGBT
LGBTQ+
Life In Other People's Shoes
Liza Minnelli
Marc Jacobs
Mark Iversen
Marv Albert
Marvin Philip Aufrichtig
Melissa Lou Etheridge
Menahem Golan
Meral Ertune
Meral's Ride
Michael Wanzie
Michelle Marie Pfeiffer
National Coming Out Day
National Gay and Lesbian Task Force
orlando
Orlando Gay Chorus
Owen Keehnen
P.G. Clotti
Pablo Andres
Pan Am Pictures Inc.
Parliament House
Patricia Nell Warren
Patty Sheehan
Paul Bartel
PBS
polyamory
Pride Film Festival
Princess Diana
Public Broadcasting Service
queers
questioning
Rainbow Democratic Club
Rave Bill
Richard Gephardt
Robert "Bob" Joseph Dole
Robert Jenkins
Rupaul
Russell Ira Crowe
Russell Scott
Sam Irvin
Sam Lupowitz
same-sex
Sappho
SBC
Serenity House Pediatric AIDS Foundation
Serra Project
Shane Perdue
Sheila Kuehl
Southern Baptist Convention
Stephanie Callahan
Stephen Bauer
Stephen Kelly
Stephen Steck
Steve Peacock
Steven H. Haeberle
Tampa
Tampa Convention Center
Tampa Downtown Hyatt
Tanya Roberts
The Club at Firestone
The Eagle
The Factory
The Front Runners
The Lady Chablis
The Watermark
Thomas Duane
Thomas Durkin
Todd Haynes
Todd Simmons
Tom Dyer
Tom Selleck
Tony Watkins
trans
transgender
Triangle Caucus
Victoria Sigler
William "Bill" Jefferson Clinton
William B. Calvert III
WMFE-FM
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Central Florida Music History Collection
Alternative Title
Music History Collection
Subject
Music--Florida
Orlando (Fla.)
Cassadaga (Fla.)
Hialeah (Fla.)
Maitland (Fla.)
New Smyrna Beach (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Central Florida’s musical heritage is as rich as it is diverse, dating back to the Spanish settlers of the sixteenth century. Over the next 500 years, the region became a melting pot of Anglo-American folk and country music, African-American blues and jazz, Cuban and Latin music, traditional Native American music, gospel, rock, classical, pop, reggae, punk, metal, hip hop, and dance music. The cultural diversity of the people is reflected in the broad range of the music. Today, Central Florida is a hot spot for homegrown music and a popular stop for internationally touring artists.
Some of the most popular artists of the twentieth century called Florida home, including Ray Charles, Bo Diddley, Jim Morrison, Gram Parsons, Sam Rivers, the Allman Brothers Band, Jimmy Buffett, Zora Neale Hurston, Lynyrd Skynyrd, Vassar Clements, Gloria Estefan, Tom Petty, Johnny Tillotson, Shel Silverstein, Arturo Sandoval, and Mel Tillis. The musical landscape of Florida has played an integral role in defining Floridian culture.
Contributor
Knickerbocker, Carl
Language
eng
Type
Collection
Coverage
Cassadaga, Florida
Hialeah, Florida
Maitland, Florida
New Smyrna Beach, Florida
Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
<span>Housewright, Wiley L. </span><a href="http://www.worldcat.org/oclc/48139297" target="_blank"><em>An Anthology of Music in Early Florida</em></a><span>. Gainesville: University Press of Florida, 1999.</span>
<span>Housewright, Wiley L. </span><a href="http://www.worldcat.org/oclc/21196990" target="_blank"><em>A History of Music & Dance in Florida, 1565-1865</em></a><span>. Tuscaloosa: University of Alabama Press, 1991.</span>
<span>Morris, Alton Chester. </span><a href="Morris,%20Alton%20Chester.%20Folksongs%20of%20Florida%20and%20Their%20Cultural%20Background.%201941." target="_blank"><em>Folksongs of Florida and Their Cultural Background</em></a><span>. 1941.</span>
DeVane, Dwight, et al. <a href="http://www.worldcat.org/oclc/821216900" target="_blank"><em>Drop on down in Florida: field recordings of African American traditional music 1977-1980</em></a>. 2012.
McLean, Will. <a href="http://www.worldcat.org/oclc/39518212" target="_blank"><em>Florida Sand: Original Folk Songs of Florida</em></a>. Tallahassee: [The Author], 1964.
Has Part
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/144" target="_blank">Blues Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/145" target="_blank">Classical Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/69" target="_blank">Orlando Philharmonic Orchestra Collection</a>, Classical Collection, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/143" target="_blank">Folk Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/154" target="_blank">Hip Hop Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
1 audio/video recording
Duration
24 minutes and 42 seconds
Producer
Salkowski, Keith
Pittman, Buddy
Greenwald, Mark
Gomez, Edgar
Manouse, Ernie
Hecker, Neal
Hall-Brown, Maria
Bowen, Jared
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
WUCF Artisodes Short: Mr. Richard
Alternative Title
Mr. Richard Artisode
Subject
Mr. Richard, 1961-
Orlando (Fla.)
Concerts--United States
Music--Florida
Musicians--Southern States
Disco music--United States
Record labels--United States
Hialeah (Fla.)
Pop music
Rock music--United States
Description
For many parents in Orlando, Florida, Richard Peeples, also known as Mr. Richard, is a big-time musical talent, thanks to his popularity with their children. Peeples and his band, the Pound Hounds, entertain children with what he describes as "whimsical pop rock." Henry Stone was a record company executive and producer in Miami, who recorded Ray Charles, James Brown, KC and the Sunshine Band, and was responsible for many disco recordings. The segment looks at a documentary being filmed about the recording legend. The Artisode also includes brief segments on recording artist Justin Hayward and the Moody Blues, an upcoming documentary on Bing Crosby, WUCF's Student Artist of the Week, Michael Romaniello, and the Jungle Book on Broadway. <br /><br />WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes originally aired as "WUCF Artisodes #171: Mr. Richard" on September 10, 2015.
Type
Moving Image
Source
Original 24-minute and 42-second audio/video recording: <em>WUCF Artisodes</em>. "WUCF Artisodes #171: Mr. Richard." Directed by . Written by . <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>. September 10, 2015.
Requires
<a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a>
<a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Coverage
Orlando, Florida
Hialeah, Florida
Orangewood Christian School, Maitland, Florida
Houston, Texas
Broadway, Boston, Massachusetts
Publisher
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Contributor
Alaimo, Steve
Anderson, Polly
Armstrong, Louis
Benjamin, Kristin
Bowen, Jared
Brady, John
Cook, Jennifer
Crosby, Jr., Harry Lillis
Dotson, Bill
Earll, Robert
Echeverria, Rita
Egber, Mitchell
Fuchs, Kyle Mahoney
Gomez, Edgar
Greenwald, Mark
Hall-Brown, Maria
Harrison, Shannon
Hayward, Justin
Hecker, Neal
Herring, Mike
Hiles, Catherine
Hirten, Brian
Hucome, Jamie
Ingrao, Laura
Kantor, Michael
KC and the Sunshine Band
Kelly, Brian
Kelly, Paul
Kendrick, Demetria
Kipling, Rudyard
Latimore, Benny
Lundstrom, Mark
Magallon, Al
Manouse, Ernie
Matier, Megan
McCrae, George
McGinty, David
Meza, Nancy
The Moody Blues
Moormann Mark
Mr. Richard &amp
the Pound Hounds
Murray, T.L.
Nicholson, Jeremy
Peck, Doug
Peeples, Molly
Peeples, Richard
Pinder, Michael Thomas
Pittman, Buddy
Powell, Jr., Howard
Reid, Clarence
Retherford, Ryan
Rivera, Angela
Romaniello, Michael
Salkowski, Keith
Sherman, Richard
Sherman, Robert
Stone, Henry
Strauss, Eric
Thomas, Kenny
Trachtenberg, Robert
Vidal, Yoandy
Watanabe, Fujio
Watson, Dan
Wolf, Jennifer
Zimmerman, Mary
Date Created
ca. 2015-09-10
Date Issued
2015-09-10
Date Copyrighted
2015-09-10
Format
application/website
Medium
24-minute and 42-second audio/video recording
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally published by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
External Reference
LeBlank, Albert. "<a href="http://jrm.sagepub.com/content/29/2/143.short?rss=1&amp
ssource=mfc" target="_blank">Effects of Style, Tempo, and Performing Medium on Children's Music Preference." <em>Journal of Research in Music Education 20, no. 2 (Summer 1981): 143-56.</em>
Echols, Alice. <a href="http://www.worldcat.org/oclc/317919773" target="_blank"><em>Hot Stuff: Disco and the Remaking of American Culture</em>. New York: W.W. Norton, 2010.</a>
Morton, David. <a href="http://www.worldcat.org/oclc/45732010"><em>Off the Record The Technology and Culture of Sound Recording in America</em>. New Brunswick, N.J.: Rutgers University Press, 2000.</a>
Click to View (Movie, Podcast, or Website)
<a href="http://video.wucftv.org/video/2365553381/" target="_blank">WUCF Artisodes #171: Mr. Richard</a>
Al Magallon
American Graduate
American Masters
Ampex
Angela Rivera
art
Artisodes
artist
Backyard Astronauts
Benjamin Latimore
Benny Latimore
Bill Dotson
Bing Crosby
Bing Crosby Rediscovered
breast cancer
Brian Hirten
Brian Kelly
Broadway
Buddy Pittman
cancer
Catherine Hiles
children
children's music
Clarence Reid
concert
Corporation for Public Broadcasting
CPB
Dan Watson
dance
dancer
David McGinty
Demetria Kendrick
Dictabelt
disco
documentary
Doug Peck
Edgar Gomez
editor
education
Eric Strauss
Ernie Manouse
freestyle music
Fujio Watanabe
George McCrae
graphic design
guitar
guitar player
guitarist
Harry Lillis Crosby, Jr.
Henry Stone
Howard Powell, Jr.
In Your Wildest Dreams
Jamie Hucome
Jared Bowen
Jennifer Cook
Jennifer Wolf
Jeremy Nicholson
John Brady
Justin Hayward
KC and the Sunshine Band
Keith Salkowski
Kenny Thomas
Knights in White Satin
Kristin Benjamin
Kyle Mahoney Fuchs
Laura Ingrao
Louis Armstrong
Maitland
Maria Hall-Brown
Mark Greenwald
Mark Lundstrom
Mark Moormann
Mary Zimmerman
Megan Matier
Merry Christmas!
Miami
Miami bass
Miami sound
Michael Kantor
Michael Romaniello
Michael Thomas Pinder
Might As Well Sing
Mike Herring
Mike Pinder
Mitchell Egber
Molly Peeples
Mr. Richard
Mr. Richard and the Pound Hounds
music
music education
musician
Nancy Meza
Neal Hecker
Orangewood Christian School
orlando
painter
painting
Paramount Theatre
Paul Kelly
PBS
Polka Dot Puzzle
Polly Anderson
pop rock
Public Broadcasting Service
R&B
Ray Charles
record label
rhythm and blues
Richard Peeples
Richard Sherman
Rita Echeverria
Robert Earll
Robert Sherman
Robert Trachtenberg
rock
rock music
Rock Your Baby
Rudyard Kipling
Ryan Retherford
Sammy Snake
Shannon Harrison
singer
St. Pete Blues
Steve Alaimo
Student Artist of the Week
T. L. Murray
Terry Kane
The Jungle Book
The Moody Blues
The Pound Hounds
The Voice
TK Production
TK Records
Tuesday Afternoon
Tummy Talk
Universal Studios
vocalist
Whimsical Pop Rock
White Christmas
WNET
WUCF Artisodes
WUCF-TV
Yoandy Vidal
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
1 audio/video recording
Duration
6 minutes and 23 seconds
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
WUCF Artisodes Short: Violectric
Alternative Title
Violectric Artisode
Subject
Orlando (Fla.)
Music--Florida
Rock music--United States
Education--Florida
Description
Violectric is an Orlando-based band that combines the classical sound of violins, violas, and stringed instruments with the energy and irreverence of rock music. In addition to performing, members of the groups teach music to eager students.<br /><br />WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #147: Development through Diversity" on October 16, 2014.
Type
Moving Image
Source
Original 6-minute and 23-second audio/video recording of Violectric, <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>, Orlando, Florida, April 9, 2015: WUCF-TV, University of Central Florida, Orlando, Florida.
Requires
<a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a>
<a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a>
Is Part Of
<a href="http://video.wucftv.org/video/2365462795/" target="_blank">WUCF Artisodes 167: Mix & Match</a>, WUCF-TV, University of Central Florida, Orlando, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Is Format Of
<a href="http://video.wucftv.org/video/2365463463/" target="_blank">WUCF Artisodes Short: Violectric</a>, WUCF-TV, University of Central Florida, Orlando, Florida.
Coverage
WUCF-TV, University of Central Florida, Orlando, Florida
Dr. Phillips Center for the Performing Arts, Orlando, Florida
Publisher
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Contributor
Brazil, Dana
Jones, Michelle
May, Nathan
PPurutcuoglu, Laine
Raymond, Danny
Trujillo, Yamilet
Violectric
Woodbury, Laura
Date Created
2015-04-09
Date Issued
2015-04-09
Date Copyrighted
2015-04-09
Format
application/website
application/pdf
Medium
6-minute and 23-second audio/video recording
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally published by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
External Reference
Ammer, Christine. <a href="http://www.worldcat.org/oclc/5289380" target="_blank"><em>Unsung: A History of Women in American Music</em></a>. Westport, Conn: Greenwood Press, 1980
"<a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank">WUCF Artisodes</a>." WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed April 13, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://www.youtube.com/watch?v=W2slnqI64cA" target="_blank">WUCF Artisodes Short: Violectric</a>
Artisodes
bass guitars
bassists
cellists
cellos
concerts
Dana Brazil
Danny Raymond
Dr. Phillips Center for the Performing Arts
drummers
drums
education
educators
Guns N' Roses
James Patrick Page
Jimmy Page
Kashmir
keyboardists
keyboards
Laine Purutcuoglu
Laura Woodbury
Led Zeppelin
Maroon 5
Michaelle Jones
Mix & Match
Moves like Jagger
music education
Nathan May
orlando
PBS
Physical Graffiti
Public Broadcasting Service
Robert Anthony Plant
Robert Plant
string quintets
Sweet Child o' Mine
teachers
UCF
University of Central Florida
upright bass
violas
Violectric
violinists
violists
WUCF Artisodes
WUCF Artisodes Short
WUCF-TV
Yamilet Trujillo
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Central Florida Music History Collection
Alternative Title
Music History Collection
Subject
Music--Florida
Orlando (Fla.)
Cassadaga (Fla.)
Hialeah (Fla.)
Maitland (Fla.)
New Smyrna Beach (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Central Florida’s musical heritage is as rich as it is diverse, dating back to the Spanish settlers of the sixteenth century. Over the next 500 years, the region became a melting pot of Anglo-American folk and country music, African-American blues and jazz, Cuban and Latin music, traditional Native American music, gospel, rock, classical, pop, reggae, punk, metal, hip hop, and dance music. The cultural diversity of the people is reflected in the broad range of the music. Today, Central Florida is a hot spot for homegrown music and a popular stop for internationally touring artists.
Some of the most popular artists of the twentieth century called Florida home, including Ray Charles, Bo Diddley, Jim Morrison, Gram Parsons, Sam Rivers, the Allman Brothers Band, Jimmy Buffett, Zora Neale Hurston, Lynyrd Skynyrd, Vassar Clements, Gloria Estefan, Tom Petty, Johnny Tillotson, Shel Silverstein, Arturo Sandoval, and Mel Tillis. The musical landscape of Florida has played an integral role in defining Floridian culture.
Contributor
Knickerbocker, Carl
Language
eng
Type
Collection
Coverage
Cassadaga, Florida
Hialeah, Florida
Maitland, Florida
New Smyrna Beach, Florida
Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
<span>Housewright, Wiley L. </span><a href="http://www.worldcat.org/oclc/48139297" target="_blank"><em>An Anthology of Music in Early Florida</em></a><span>. Gainesville: University Press of Florida, 1999.</span>
<span>Housewright, Wiley L. </span><a href="http://www.worldcat.org/oclc/21196990" target="_blank"><em>A History of Music & Dance in Florida, 1565-1865</em></a><span>. Tuscaloosa: University of Alabama Press, 1991.</span>
<span>Morris, Alton Chester. </span><a href="Morris,%20Alton%20Chester.%20Folksongs%20of%20Florida%20and%20Their%20Cultural%20Background.%201941." target="_blank"><em>Folksongs of Florida and Their Cultural Background</em></a><span>. 1941.</span>
DeVane, Dwight, et al. <a href="http://www.worldcat.org/oclc/821216900" target="_blank"><em>Drop on down in Florida: field recordings of African American traditional music 1977-1980</em></a>. 2012.
McLean, Will. <a href="http://www.worldcat.org/oclc/39518212" target="_blank"><em>Florida Sand: Original Folk Songs of Florida</em></a>. Tallahassee: [The Author], 1964.
Has Part
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/144" target="_blank">Blues Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/145" target="_blank">Classical Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/69" target="_blank">Orlando Philharmonic Orchestra Collection</a>, Classical Collection, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/143" target="_blank">Folk Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/154" target="_blank">Hip Hop Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
1 audio/video recording
Duration
2 minutes and 41 seconds
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
WUCF Artisodes Short: Medical Students & Art
Alternative Title
Medical Students & Art Artisode
Subject
Orlando (Fla.)
Psychology--United States
Description
In the hopes of lifting patients' spirits, students from the University of Central Florida's (UCF) College of Medicine have brought music into the hospital. Their therapeutic performances have had a positive impact on patients at Nemours Children's Hospital in Orlando, Florida.<br /><br />WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #139: Music Music Music" on Jul7 31, 2014.
Type
Moving Image
Source
Original 2-minute and 41-second audio/video recording of Medical Students & University of Central Florida, <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>, Orlando, Florida, April 2, 2015: WUCF-TV, University of Central Florida, Orlando, Florida.
Requires
<a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a>
<a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a>
Is Part Of
<a href="http://video.wucftv.org/video/2365300701/" target="_blank">WUCF Artisodes 139: Music Music Music</a>, WUCF-TV, Orlando, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Is Format Of
<a href="http://video.wucftv.org/video/2365305281/" target="_blank">WUCF Artisodes Short: Medical Students & Art</a>, WUCF-TV, Orlando, Florida.
Coverage
WUCF-TV, University of Central Florida, Orlando, Florida
College of Medicine, University of Central Florida, Orlando, Florida
Nemours Children's Hospital, Orlando, Florida
Publisher
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Contributor
Campbell, Michael
Metzner, Michael
Herodier, Patty
Ho, Simon
Date Created
2014-07-31
Date Issued
2014-07-31
Date Copyrighted
2014-07-31
Format
application/website
application/pdf
Medium
2-minute and 41-second audio/video recording
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Science Teacher
Psychology Teacher
Provenance
Originally published by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
External Reference
Hanser, Suzanne B., and Suzanne B. Hanser. <a href="http://www.worldcat.org/oclc/43762816" target="_blank"><em>The New Music Therapist's Handbook</em></a>. Boston: Berklee Press, 1999
Bruscia, Kenneth E. <a href="http://www.worldcat.org/oclc/794005728" target="_blank"><em>Case Studies in Music Therapy</em></a>. Phoenixville, PA: Barcelona Publishers, 1991.
"<a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank">WUCF Artisodes</a>." WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed April 7, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://www.youtube.com/watch?v=2n1NHl8zRzg" target="_blank">WUCF Artisodes Short: Medical Students & Art</a>
Artisodes
Campbell, Michael
children's hospitals
College of Medicine
doctors
medical students
medicines
Michael Campbell
Michael Metzner
music
Music Music Music
music therapy
musicians
Nemours Children's Hospital
Nemours Patient & Family Centered Care
orlando
Patty Herodier
PBS
physicians
pianists
psychotherapy
Public Broadcasting Service
pyschology
Simon Ho
therapies
UCF
University of Central Florida
WUCF Artisodes
WUCF Artisodes Short
WUCF-TV
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Classical Collection
Alternative Title
Classical Collection
Subject
Music--United States
Classical music
Description
Collection of digital images, documents, and other records depicting the history of classical music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Although the term “classical music” did not appear until the early 19th century, it has been used describe art music rooted in the liturgical and secular traditions of Western music that date back to the 11th century. Classical music began with the Gregorian chants of the Medieval Era (500-1400), which developed into organum and the beginnings of harmony. During the Renaissance Era (1400-1600), composers were largely devoted to choral writing and a polyphonic style. The Common Practice Period (1600-1910), which uses conventionalized sequences of chords and obeys specific contrapuntal norms, includes the Baroque Era (1600-1760), which witnessed the creation of tonality, changes in musical notation, and new ways to play instruments; the Classical Era (1730-1820), when variety and contrast became more pronounced within a piece due to its lighter texture and clarified structure; and the Romantic Era (1780-1910), in which a backlash against the social and political norms of the Age of Enlightenment and the Industrial Revolution led to music that was more nationalistic, as well as discontent with musical formulas and conventions.
The Common Practice Period led to the Modern and Contemporary Period (1890-present). This period includes the Modern and High Modern Era (1890-1975), in which musical language evolved with new approaches to harmonic, melodic, sonic, and rhythmic aspects of music. During the High Modern Era, neo-classical and serial music emerged. The Contemporary or Postmodern Era (1975-present), includes modernist, postmodern, neoromantic, and pluralist music. Postmodernism is not a distinct musical style, but a reference to music of the Postmodern Era, which challenges boundaries, embraces contradictions, and encompasses pluralism and eclecticism.
Central Florida has enjoyed classical music from its resident professional symphonic orchestra, the Orlando Philharmonic Orchestra, since it began 1993. The orchestra presents several different types of programming, including the Super Series, which includes five classical concerts featuring guest artists, chamber music concerts as part of its Focus Series, and outdoor pop concerts that are free to the public. The Orlando Philharmonic kept opera alive in Central Florida when the Orlando Opera closed in 2009, performing several times a year. The Orlando-based Florida Symphony Youth Orchestra has been one of the nation’s prominent youth orchestra since it opened in 1957. The FSYO placed 2nd in the 28th International Youth and Music Festival in Vienna in 1999.
Contributor
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Daytona Beach, Florida
WUCF-TV, University of Central Florida
Winter Park, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Has Part
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/69" target="_blank">Orlando Philharmonic Orchestra Collection</a>, Classical Collection, Central Florida Music History Collection, RICHES of Central Florida.
External Reference
Fawkes, Richard, and Robert Powell. <a href="http://www.worldcat.org/oclc/811246350" target="_blank"><em>The History of Classical Music</em></a>. Hong Kong: Naxos Audiobooks, 1997. http://www.naxosmusiclibrary.com.
Goulding, Phil G. <a href="http://www.worldcat.org/oclc/26159166" target="_blank"><em>Classical Music: The 50 Greatest Composers and Their 1,000 Greatest Works</em></a>. New York: Fawcett Columbine, 1992.
Mueller, John Henry. <a href="http://www.worldcat.org/oclc/599406" target="_blank"><em>The American Symphony Orchestra; A Social History of Musical Taste</em></a>. Bloomington: Indiana University Press, 1951.
Spitzer, John. <a href="http://www.worldcat.org/oclc/742017616" target="_blank"><em>American Orchestras in the Nineteenth Century</em></a>. Chicago: The University of Chicago Press, 2012.
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
1 audio/video recording
Duration
5 minutes and 28 seconds
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
WUCF Artisodes Short: Youth Experiencing Symphony
Alternative Title
Youth Experiencing Symphony Artisode
Subject
Daytona Beach (Fla.)
Music--United States
Classical music
Education--Florida
Description
Since 1995, the Daytona Beach Symphony Society has given at-risk youths of Volusia County, Florida, the opportunity to experience classical music through their YES! Community Outreach Program. YES! (Youth Experiencing Symphony) targets at-risk students aged six to 18 years old who are enrolled in Title I schools.<br /><br />WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #166: Classic Touch" on April 2, 2015.
Type
Moving Image
Source
Original 5-minute and 28-second audio/video recording of Youth Experiencing Symphony, <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>, Orlando, Florida, April 2, 2015: WUCF-TV, University of Central Florida, Orlando, Florida.
Requires
<a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a>
<a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a>
Is Part Of
<a href="http://video.wucftv.org/video/2365456233/" target="_blank">WUCF Artisodes 166: Classic Touch</a>, WUCF-TV, Orlando, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/145" target="_blank">Classical Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
<a href="http://video.wucftv.org/video/2365456368/" target="_blank">WUCF Artisodes Short: Youth Experiencing Symphony</a>, WUCF-TV, Orlando, Florida.
Coverage
WUCF-TV, University of Central Florida, Orlando, Florida
Peabody Auditorium, Daytona Beach, Florida
Publisher
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Contributor
Daytona Beach Symphony Society
Coomer, Jesse
Musgrave, Monty
Phelps, John R.
Date Created
2015-04-02
Date Issued
2015-04-02
Date Copyrighted
2015-04-02
Format
application/website
application/pdf
Medium
5-minute and 28-second audio/video recording
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally published by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
External Reference
Brendtro, Larry K., Martin Brokenleg, and Steve Van Bockern. <a href="http://www.worldcat.org/oclc/21981645" target="_blank"><em>Reclaiming Youth at Risk: Our Hope for the Future</em></a>. Bloomington, Ind: National Educational Service, 1990
Fawkes, Richard, and Robert Powell. <a href="http://www.worldcat.org/oclc/811246350" target="_blank"><em>The History of Classical Music</em></a>. Hong Kong: Naxos Audiobooks, 1997.
"<a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank">WUCF Artisodes</a>." WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed April 7, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://www.youtube.com/watch?v=Fwf0rajt7vs" target="_blank">WUCF Artisodes Short: Youth Experiencing Symphony</a>
Artisodes
Classic Touch
classical music
community outreach programs
conducting
conductors
dances
Daytona Beach
Daytona Beach Symphony
Daytona Beach Symphony Society
education
elementary education
Jesse Coomer
John R. Phelps
Monty Musgrave
music
music education
musicians
operas
orchestras
PBS
Peabody Auditorium
Performing Arts Specialist
Public Broadcasting Service
students
symphony orchestras
Title I Program
UCF
University of Central Florida
Volusia County
Volusia County Schools
WUCF Artisodes
WUCF Artisodes Short
WUCF-TV
YES! Program
Youth Experiencing Symphony Program
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
1 audio/video recording
Duration
4 minutes and 8 seconds
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
WUCF Artisodes Short: Jazz in the Hills
Alternative Title
Jazz in the Hills Artisode
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Education--Florida
Description
One of 66 affiliates of National CARES Mentoring Movement, Greater Orlando CARES, or GO CARES, uses a low-cost, high-impact group-mentoring model to nurture under-resourced children, cultivate their self-esteem, increase their academic achievement, and develop their communications, problem-solving, and other life skills. GO CARES presented the first Jazz in the Hills on September 27, 2014, providing children the opportunity to display their love and talent for jazz and expose many others to the musical culture. The event took place at Greater Orlando CARES on the Well of Hope Cornerstone's 5.3-acre campus in Pine Hills, an historical African-American neighborhood in Orlando, Florida. This Artisode also explores the positive effects that music has on brain development and learning.<br /><br />WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #147: Development through Diversity" on October 16, 2014.
Type
Moving Image
Source
Original 4-minute and 8-second audio/video recording of Jazz in the Hills, <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>, Orlando, Florida, October 16, 2014: WUCF-TV, University of Central Florida, Orlando, Florida.
Requires
<a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a>
<a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a>
Is Part Of
<a href="http://video.wucftv.org/video/2365348261/" target="_blank">WUCF Artisodes 147:Development through Diversity</a>, WUCF-TV, Orlando, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Is Format Of
<a href="http://video.wucftv.org/video/2365348268/" target="_blank">WUCF Artisodes Short: Jazz in the Hills</a>, WUCF-TV, Orlando, Florida.
Coverage
WUCF-TV, University of Central Florida, Orlando, Florida
Greater Orlando CARES, Well of Hope Cornerstone, Orlando, Florida
Publisher
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Contributor
Greater Orlando CARES
Butler, Darrell
Johnson, Keyne K.
Date Created
2014-10-16
Date Issued
2014-10-16
Date Copyrighted
2014-10-16
Format
application/website
application/pdf
Medium
4-minute and 8-second audio/video recording
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Science Teacher
Provenance
Originally published by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
External Reference
Storr, Anthony. <a href="http://www.worldcat.org/oclc/26095350" target="_blank"><em>Music and the Mind</em></a>. New York: Free Press, 1992
Deutsch, Diana. <a href="http://www.worldcat.org/oclc/8194774" target="_blank"><em>The Psychology of Music</em></a>. New York: Academic Press, 1982
Brendtro, Larry K., Martin Brokenleg, and Steve Van Bockern. <a href="http://www.worldcat.org/oclc/21981645" target="_blank"><em>Reclaiming Youth at Risk: Our Hope for the Future</em></a>. Bloomington, Ind: National Educational Service, 1990
"<a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank">WUCF Artisodes</a>." WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed April 7, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://www.youtube.com/watch?v=zTiTHFLyG5o" target="_blank">WUCF Artisodes Short: Jazz in the Hills</a>
Artisodes
brain development
brains
Butler, Darrell
concert
concerts
Darrell Butler
Development through Diversity
education
functional magnetic resonance imaging
functional MRI
GO CARES
Greater Orlando CARES
Greater Orlando CARES Mentoring Movement
jazz
Jazz in the Hills
Keyne K. Johnson
learning
magnetic resonance imaging
mentoring
mentors
MRI
music
music education
musicians
National CARES Mentoring Movement
neuroscience
neuroscientists
orlando
PBS
pediatric neurosurgeons
Pine Hills
Public Broadcasting Service
students
temporal lobes
UCF
University of Central Florida
WUCF Artisodes
WUCF Artisodes Short
WUCF-TV
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
1 audio/video recording
Duration
3 minutes and 38 seconds
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
WUCF Artisodes Short: ATLAS
Alternative Title
ATLAS Artisode
Subject
Orlando (Fla.)
Music--United States
Rock music--United States
Description
Members of the Orlando-based heavy metal band, ATLAS, discuss how their genre makes up for the fact that heavy metal is not mainstream with a dedicated fan base. <br /><br />WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #139: Music Music Music" on July 31, 2014.
Type
Moving Image
Source
Original 3-minute and 38-second audio/video recording of ATLAS, <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>, Orlando, Florida, July 31, 2014: WUCF-TV, University of Central Florida, Orlando, Florida.
Requires
<a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a>
<a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a>
Is Part Of
<a href="http://video.wucftv.org/video/2365300701/" target="_blank">WUCF Artisodes 139: Music Music Music</a>, WUCF-TV, Orlando, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
<a href="http://video.wucftv.org/video/2365305285/" target="_blank">WUCF Artisodes Short: ATLAS</a>, WUCF-TV, Orlando, Florida.
Coverage
WUCF-TV, University of Central Florida, Orlando, Florida
The Boondocks Bar & Music Venue, Melbourne, Florida
Publisher
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Contributor
ATLAS
Matta, Sonny
Davey, Zach
Oglesby, Chris
Miller, Logan
Date Created
2014-07-31
Date Issued
2014-07-31
Date Copyrighted
2014-07-31
Format
application/website
application/pdf
Medium
3-minute and 38-second audio/video recording
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally published by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
External Reference
Walser, Robert. <a href="http://www.worldcat.org/oclc/48138450" target="_blank"><em>Running with the Devil Power, Gender, and Madness in Heavy Metal Music</em></a>. Hanover, NH: University Press of New England, 1993. .
"<a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank">WUCF Artisodes</a>." WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed April 7, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://www.youtube.com/watch?v=Ax4rU5_TGJ4" target="_blank">WUCF Artisodes Short: ATLAS</a>
Artisodes
Atlas
bassists
Chris Oglesby
composers
drummers
guitarists
heavy metal
Iron Maiden
lead singers
lead vocalists
Logan Miller
Megadeth
Melbourne
metal music
music
Music Music Music
musicians
orlando
PBS
Public Broadcasting Service
rock music
songwriters
Sonny Matta
The Boondocks
UCF
University of Central Florida
WUCF Artisodes
WUCF Artisodes Short
WUCF-TV
Zach Davey
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Classical Collection
Alternative Title
Classical Collection
Subject
Music--United States
Classical music
Description
Collection of digital images, documents, and other records depicting the history of classical music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Although the term “classical music” did not appear until the early 19th century, it has been used describe art music rooted in the liturgical and secular traditions of Western music that date back to the 11th century. Classical music began with the Gregorian chants of the Medieval Era (500-1400), which developed into organum and the beginnings of harmony. During the Renaissance Era (1400-1600), composers were largely devoted to choral writing and a polyphonic style. The Common Practice Period (1600-1910), which uses conventionalized sequences of chords and obeys specific contrapuntal norms, includes the Baroque Era (1600-1760), which witnessed the creation of tonality, changes in musical notation, and new ways to play instruments; the Classical Era (1730-1820), when variety and contrast became more pronounced within a piece due to its lighter texture and clarified structure; and the Romantic Era (1780-1910), in which a backlash against the social and political norms of the Age of Enlightenment and the Industrial Revolution led to music that was more nationalistic, as well as discontent with musical formulas and conventions.
The Common Practice Period led to the Modern and Contemporary Period (1890-present). This period includes the Modern and High Modern Era (1890-1975), in which musical language evolved with new approaches to harmonic, melodic, sonic, and rhythmic aspects of music. During the High Modern Era, neo-classical and serial music emerged. The Contemporary or Postmodern Era (1975-present), includes modernist, postmodern, neoromantic, and pluralist music. Postmodernism is not a distinct musical style, but a reference to music of the Postmodern Era, which challenges boundaries, embraces contradictions, and encompasses pluralism and eclecticism.
Central Florida has enjoyed classical music from its resident professional symphonic orchestra, the Orlando Philharmonic Orchestra, since it began 1993. The orchestra presents several different types of programming, including the Super Series, which includes five classical concerts featuring guest artists, chamber music concerts as part of its Focus Series, and outdoor pop concerts that are free to the public. The Orlando Philharmonic kept opera alive in Central Florida when the Orlando Opera closed in 2009, performing several times a year. The Orlando-based Florida Symphony Youth Orchestra has been one of the nation’s prominent youth orchestra since it opened in 1957. The FSYO placed 2nd in the 28th International Youth and Music Festival in Vienna in 1999.
Contributor
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Daytona Beach, Florida
WUCF-TV, University of Central Florida
Winter Park, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Has Part
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/69" target="_blank">Orlando Philharmonic Orchestra Collection</a>, Classical Collection, Central Florida Music History Collection, RICHES of Central Florida.
External Reference
Fawkes, Richard, and Robert Powell. <a href="http://www.worldcat.org/oclc/811246350" target="_blank"><em>The History of Classical Music</em></a>. Hong Kong: Naxos Audiobooks, 1997. http://www.naxosmusiclibrary.com.
Goulding, Phil G. <a href="http://www.worldcat.org/oclc/26159166" target="_blank"><em>Classical Music: The 50 Greatest Composers and Their 1,000 Greatest Works</em></a>. New York: Fawcett Columbine, 1992.
Mueller, John Henry. <a href="http://www.worldcat.org/oclc/599406" target="_blank"><em>The American Symphony Orchestra; A Social History of Musical Taste</em></a>. Bloomington: Indiana University Press, 1951.
Spitzer, John. <a href="http://www.worldcat.org/oclc/742017616" target="_blank"><em>American Orchestras in the Nineteenth Century</em></a>. Chicago: The University of Chicago Press, 2012.
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
1 audio/video recording
Duration
5 minutes and 30 seconds
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
WUCF Artisodes Short: Bach Festival Society
Alternative Title
Bach Festival Society Artisode
Subject
Orlando (Fla.)
Music--United States
Classical music
World War II, 1939-1945
Description
The Bach Festival Society, the third oldest continuously-operating Bach Festival in the United States, was founded in 1935 to commemorate the 250th anniversary of the birth of Johann Sebastian Bach (1685-1750). In addition to the annual Bach Festival, the society includes Choral Masterworks, Visiting Artists performances, and educational and community outreach programs. The current Artistic Director and Conductor, Dr. John Sinclair, discusses a performance of Sir Michael Tippett's (1905-1998) "A Child of Our Time," in remembrance of the 75th anniversary of Kristallnacht.<br /><br />WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #109: Get the Message" on November 28, 2013.
Type
Moving Image
Source
Original 5-minute and 30-second audio/video recording of Bach Festival Society, <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>, Orlando, Florida, November 28, 2013: WUCF-TV, University of Central Florida, Orlando, Florida.
Requires
<a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a>
<a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a>
Is Part Of
<a href="http://video.wucftv.org/video/2365128976/" target="_blank">WUCF Artisodes 109: Get the Message</a>,WUCF-TV, Orlando, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/145" target="_blank">Classical Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
<a href="http://video.wucftv.org/video/2365179922/" target="_blank">WUCF Artisodes Short: Bach Festival Society</a>, WUCF-TV, Orlando, Florida.
Coverage
WUCF-TV, University of Central Florida
Bach Festival Society, Winter Park, Florida
United States Holocaust Memorial Museum, Washington, DC
German Embassy, Paris, France
Berlin, Germany
Publisher
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Contributor
<a href="http://www.bachfestivalflorida.org/" target="_blank">Bach Festival Society</a>
Sinclair, John
<a href="http://www.ushmm.org/" target="_blank">United States Holocaust Memorial Museum</a>
Tippett, Michael
Paulus, Stephen
Date Created
2013-11-28
Date Issued
2013-11-28
Date Copyrighted
2013-11-28
Format
video/mp4
application/pdf
Medium
5-minute and 30-second audio/video recording
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally published by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
External Reference
Bach Festival Society of Winter Park. <a href="http://www.worldcat.org/oclc/34614819" target="_blank"><em>Bach Festival Society of Winter Park: Founded in 1935 : 60th Anniversary, 1995</em></a>. [Winter Park, Fla.]: [The Society], 1995.
"<a href="http://www.bachfestivalflorida.org/about/history" target="_blank">History of the Bach Festival Society</a>." BachFestivalFlorida.org. http://www.bachfestivalflorida.org/about/history (Accessed April 6, 2015).
Steinweis, Alan E. <a href="http://www.worldcat.org/oclc/648757481" target="_blank"><em>Kristallnacht 1938</em></a>. Cambridge, Mass: Belknap Press of Harvard University Press, 2009.
"<a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank">WUCF Artisodes</a>." WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed April 7, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://www.youtube.com/watch?v=ocUMuSl5bZA" target="_blank">WUCF Artisodes Short: Bach Festival Society</a>
A Child of Our Time
Artisodes
artistic directors
Bach Festival Society
Bach Festival Society of Winter Park
Bach, Johann Sebastian
black spirituals
choirs
classical music
composer
Deep River
education
Germany
Get the Message
Holocaust
Hymn to the Eternal Flame
Johann Sebastian Bach
John Sinclair
Kristallnacht
Michael Kemp Tippett
Michael Tippett
music
music education
musicians
Nazi Germany
Night of Broken Glass
Nobody Know the Trouble I've Seen
Novemberpogrome
oppression
orchestras
orlando
PBS
persecution
Pogromnacht
Public Broadcasting Service
Reichskristallnacht
social activism
spirituals
Steal Away
Steal Away to Jesus
Stephen Paulus
TV
UCF
United States Holocaust Memorial Museum
University of Central Florida
Winter Park
World War II
WUCF Artisodes
WUCF Artisodes Short
WUCF-TV
WWII
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Central Florida Music History Collection
Alternative Title
Music History Collection
Subject
Music--Florida
Orlando (Fla.)
Cassadaga (Fla.)
Hialeah (Fla.)
Maitland (Fla.)
New Smyrna Beach (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Central Florida’s musical heritage is as rich as it is diverse, dating back to the Spanish settlers of the sixteenth century. Over the next 500 years, the region became a melting pot of Anglo-American folk and country music, African-American blues and jazz, Cuban and Latin music, traditional Native American music, gospel, rock, classical, pop, reggae, punk, metal, hip hop, and dance music. The cultural diversity of the people is reflected in the broad range of the music. Today, Central Florida is a hot spot for homegrown music and a popular stop for internationally touring artists.
Some of the most popular artists of the twentieth century called Florida home, including Ray Charles, Bo Diddley, Jim Morrison, Gram Parsons, Sam Rivers, the Allman Brothers Band, Jimmy Buffett, Zora Neale Hurston, Lynyrd Skynyrd, Vassar Clements, Gloria Estefan, Tom Petty, Johnny Tillotson, Shel Silverstein, Arturo Sandoval, and Mel Tillis. The musical landscape of Florida has played an integral role in defining Floridian culture.
Contributor
Knickerbocker, Carl
Language
eng
Type
Collection
Coverage
Cassadaga, Florida
Hialeah, Florida
Maitland, Florida
New Smyrna Beach, Florida
Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
<span>Housewright, Wiley L. </span><a href="http://www.worldcat.org/oclc/48139297" target="_blank"><em>An Anthology of Music in Early Florida</em></a><span>. Gainesville: University Press of Florida, 1999.</span>
<span>Housewright, Wiley L. </span><a href="http://www.worldcat.org/oclc/21196990" target="_blank"><em>A History of Music & Dance in Florida, 1565-1865</em></a><span>. Tuscaloosa: University of Alabama Press, 1991.</span>
<span>Morris, Alton Chester. </span><a href="Morris,%20Alton%20Chester.%20Folksongs%20of%20Florida%20and%20Their%20Cultural%20Background.%201941." target="_blank"><em>Folksongs of Florida and Their Cultural Background</em></a><span>. 1941.</span>
DeVane, Dwight, et al. <a href="http://www.worldcat.org/oclc/821216900" target="_blank"><em>Drop on down in Florida: field recordings of African American traditional music 1977-1980</em></a>. 2012.
McLean, Will. <a href="http://www.worldcat.org/oclc/39518212" target="_blank"><em>Florida Sand: Original Folk Songs of Florida</em></a>. Tallahassee: [The Author], 1964.
Has Part
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/144" target="_blank">Blues Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/145" target="_blank">Classical Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/69" target="_blank">Orlando Philharmonic Orchestra Collection</a>, Classical Collection, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/143" target="_blank">Folk Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/154" target="_blank">Hip Hop Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
1 audio/video recording
Duration
3 minutes and 9 seconds
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
WUCF Artisodes Short: Matt Saunders
Alternative Title
Matt Saunders Artisode
Subject
Orlando (Fla.)
Electronic dance music
Music--Europe
Description
Musician and producer Matt Saunders studies Irish music and dance at the University of Limerick in Limerick, Ireland. Saunders combines traditional Celtic music with electronic dance music, playing the Irish flute and composing dance beats.<br /><br />WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #106: Music is in the Air" on November 11, 2013.
Type
Moving Image
Source
Original 3-minute and 9-second audio/video recording of Matt Saunders, <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>, Orlando, Florida, November 11, 2013: WUCF-TV, University of Central Florida, Orlando, Florida.
Requires
<a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a>
<a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a>
Is Part Of
<a href="http://video.wucftv.org/video/2365113345/" target="_blank">WUCF Artisodes 106: Music is in the Air</a>, WUCF-TV, University of Central Florida, Orlando, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Is Format Of
<a href="http://video.wucftv.org/video/2365136609/" target="_blank">WUCF Artisodes Short: Matt Saunders</a>, WUCF-TV, University of Central Florida, Orlando, Florida.
Coverage
WUCF-TV, University of Central Florida
University of Limerick, Limerick, Munster, Ireland
Publisher
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Contributor
Saunders, Matt
Date Created
2013-11-07
Date Issued
2013-11-07
Date Copyrighted
2013-11-07
Format
video/mp4
application/pdf
Medium
3-minute and 9-second audio/video recording
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and published by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
External Reference
Mathieson, Kenny. <a href="http://www.worldcat.org/oclc/46804780" target="_blank"><em>Celtic Music</em></a>. San Francisco, CA: Bachbeat Books, 2001
Kirn, Peter. <a href="http://www.worldcat.org/oclc/751753739" target="_blank"><em>The Evolution of Electronic Dance Music</em></a>. Milwaukie, Wis: Bachbeat Books, 2011
"<a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank">WUCF Artisodes</a>." WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed April 6, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://www.youtube.com/watch?v=qcGycRSC8SI" target="_blank">WUCF Artisodes Short: Matt Saunders</a>
Artisodes
Celtic music
EDM
electronic dance music
electronica
flautists
flutes
folk dance
folk dancers
Ireland
Irish
Irish jigs
Limerick, Ireland
Matt Saunders
Matthew Saunders
music
Music is in the Air
musicians
Ollscoil Luimnigh
orlando
PBS
Public Broadcasting Service
tin whistles
UCF
UL
University of Central Florida
University of Limerick
WUCF Artisodes
WUCF Artisodes Short
WUCF-TV
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Central Florida Music History Collection
Alternative Title
Music History Collection
Subject
Music--Florida
Orlando (Fla.)
Cassadaga (Fla.)
Hialeah (Fla.)
Maitland (Fla.)
New Smyrna Beach (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Central Florida’s musical heritage is as rich as it is diverse, dating back to the Spanish settlers of the sixteenth century. Over the next 500 years, the region became a melting pot of Anglo-American folk and country music, African-American blues and jazz, Cuban and Latin music, traditional Native American music, gospel, rock, classical, pop, reggae, punk, metal, hip hop, and dance music. The cultural diversity of the people is reflected in the broad range of the music. Today, Central Florida is a hot spot for homegrown music and a popular stop for internationally touring artists.
Some of the most popular artists of the twentieth century called Florida home, including Ray Charles, Bo Diddley, Jim Morrison, Gram Parsons, Sam Rivers, the Allman Brothers Band, Jimmy Buffett, Zora Neale Hurston, Lynyrd Skynyrd, Vassar Clements, Gloria Estefan, Tom Petty, Johnny Tillotson, Shel Silverstein, Arturo Sandoval, and Mel Tillis. The musical landscape of Florida has played an integral role in defining Floridian culture.
Contributor
Knickerbocker, Carl
Language
eng
Type
Collection
Coverage
Cassadaga, Florida
Hialeah, Florida
Maitland, Florida
New Smyrna Beach, Florida
Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
<span>Housewright, Wiley L. </span><a href="http://www.worldcat.org/oclc/48139297" target="_blank"><em>An Anthology of Music in Early Florida</em></a><span>. Gainesville: University Press of Florida, 1999.</span>
<span>Housewright, Wiley L. </span><a href="http://www.worldcat.org/oclc/21196990" target="_blank"><em>A History of Music & Dance in Florida, 1565-1865</em></a><span>. Tuscaloosa: University of Alabama Press, 1991.</span>
<span>Morris, Alton Chester. </span><a href="Morris,%20Alton%20Chester.%20Folksongs%20of%20Florida%20and%20Their%20Cultural%20Background.%201941." target="_blank"><em>Folksongs of Florida and Their Cultural Background</em></a><span>. 1941.</span>
DeVane, Dwight, et al. <a href="http://www.worldcat.org/oclc/821216900" target="_blank"><em>Drop on down in Florida: field recordings of African American traditional music 1977-1980</em></a>. 2012.
McLean, Will. <a href="http://www.worldcat.org/oclc/39518212" target="_blank"><em>Florida Sand: Original Folk Songs of Florida</em></a>. Tallahassee: [The Author], 1964.
Has Part
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/144" target="_blank">Blues Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/145" target="_blank">Classical Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/69" target="_blank">Orlando Philharmonic Orchestra Collection</a>, Classical Collection, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/143" target="_blank">Folk Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/154" target="_blank">Hip Hop Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
1 audio/video recording
Duration
4 minutes and 33 seconds
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
WUCF Artisodes Short: Benoit Glazer
Alternative Title
Benoit Glazer Artisode
Subject
Orlando (Fla.)
Lake Buena Vista (Fla.)
Music--United States
Description
Conductor, multi-instrumentalist, composer, designer, and educator Benoit Glazer, believes art and music belong to everyone. When he isn't conducting Cirque du Soleil's <em>La Nouba</em>, he runs Timucua, which is an in-home concert series that is free to the public. Cirque du Soleil's <em>La Nouba</em> is performed at the La Nouba Theater in Downtown Disney, located at 1478 Buena Vista Drive in Orlando, Florida. Timucua is located at 2000 South Summerlin Avenue in Orlando.<br /><br />WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #157: Music, Passion & All That Jazz" on January 15, 2015.
Type
Moving Image
Source
Original 4-minute and 33-second audio/video recording of Benoit Glazer, <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>, Orlando, Florida, January 15, 2015: WUCF-TV, University of Central Florida, Orlando, Florida.
Requires
<a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a>
<a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a>
Is Part Of
<a href="http://video.wucftv.org/video/2365401945/" target="_blank">WUCF Artisodes Short: Benoit Glazer</a>, WUCF-TV, University of Central Florida, Orlando, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Is Format Of
<a href="http://video.wucftv.org/video/2365401945/" target="_blank">WUCF Artisodes Short: Benoit Glazer</a>, WUCF-TV, University of Central Florida, Orlando, Florida.
Coverage
WUCF-TV, University of Central Florida, Orlando, Florida
La Nouba Theater, Orlando, Florida
Timucua, Orlando, Florida
Publisher
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Contributor
Glazer, Benoit
Preisser, Gabriel
Brzmann, Peter
Drake, Hamid
Parker, William
Frei, Addison
Bradette, Alain
Rawe, Ralph
Selloane
Acoustic Eidolon
Date Created
2015-01-15
Date Issued
2015-01-15
Date Copyrighted
2015-01-15
Format
video/mp4
application/pdf
Medium
4-minute and 33-second audio/video recording
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and published by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
External Reference
Heward, Lyn, and John U. Bacon. <a href="http://www.worldcat.org/oclc/62593700" target="_blank"><em>Cirque Du Soleil: The Spark: Igniting the Creative Fire That Lives Within Us All</em></a>. New York: Currency Doubleday, 2006
"<a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank">WUCF Artisodes</a>." WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed April 6, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://www.youtube.com/watch?v=MGk-17OWYZA" target="_blank">WUCF Artisodes Short: Benoit Glazer</a>
Acoustic Eidolon
acoustic guitars
acrobats
Addison Frei
Alain Bradette
Artisodes
artists
arts
bass guitar
bass guitars
Benoit Glazer
Canadians
cellos
Cirque du Soleil
classical music
composers
concert series
concerts
conductors
drums
electric bass guitars
electric guitars
Gabriel Preisser
Gibson Guitar Corporation
Hamid Drake
jazz
La Nouba
La Nouba Theater
Lake Buena Vista
multi-instrumentalists
music
Music, Passion & All That Jazz
musicians
operas
orlando
painters
PBS
pianists
pianos
Public Broadcasting Service
public broadcasting station
Ralph Rawe
saxophones
Selloane
Timucua
trumpet players
trumpeters
trumpets
TV
UCF
University of Central Florida
vocalists
William Parker
WUCF Artisodes
WUCF Artisodes Short
WUCF-TV
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Orlando Philharmonic Orchestra Collection
Alternative Title
Orlando Philharmonic Collection
Subject
Philharmonic orchestra series
Orchestras
Music--Florida
Musicians--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of the Orlando Philharmonic Orchestra. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The Orlando Philharmonic Orchestra, located at 812 East Rollins Street Suite 300 in Orlando, was inspired by the closing of the Florida Symphony in 1993. The orchestra performs in more than 125 concerts each season. In June of 2013, the Philharmonic made plans to purchase the Plaza Live, located at 425 North Bumby Avenue in downtown Orlando, for office space, a rehearsal hall, a music library, and a music hall.
Contributor
<a href="http://orlandophil.org/" target="_blank">Orlando Philharmonic Orchestra</a>
Language
eng
Type
Collection
Coverage
Orlando Philharmonic Orchestra, Orlando, Florida
Contributing Project
<a href="http://orlandophil.org/" target="_blank">Orlando Philharmonic Orchestra</a>
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://orlandophil.org/" target="_blank">Orlando Philharmonic Orchestra</a>
External Reference
<span>"</span><a href="http://orlandophil.org/" target="_blank">Orlando Philharmonic Orchestra</a><span>." Orlando Philharmonic Orchestra. http://orlandophil.org/.</span>
<span>"</span><a href="http://www.youtube.com/user/TheOrlandoPhil" target="_blank">Orlando Philharmonic Orchestra</a><span>." YouTube. http://www.youtube.com/user/TheOrlandoPhil.</span>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/145" target="_blank">Classical Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Rights Holder
<span>Copyright to this resource is held by the </span><a href="http://orlandophil.org/" target="_blank">Orlando Philharmonic Orchestra</a><span> and is provided here by </span><a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a><span> for educational purposes only.</span>
Curator
Cepero, Laura
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
1 audio/video recording
Duration
4 minutes and 11 seconds
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
WUCF Artisodes Short: Orlando Philharmonic
Alternative Title
Orlando Philharmonic Artisode
Subject
Orlando (Fla.)
Music--United States
Classical music
Education--Florida
Description
The Orlando Philharmonic Orchestra, Central Florida's resident professional orchestra, has appeared in over 125 performances each season since it began in 1993. The orchestra has been performing 30 Young People's Concerts annually since its first year, giving thousands of elementary school students the opportunity to experience live orchestral music, many of them for the first time. The project was devised by Orange County Public Schools (OCPS) and United Arts of Central Florida. The concerts take place at the orchestra's home, the Bob Carr Theater, which is located at 401 West Livingston Street in Orlando, Florida.<br /><br />WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #115: Students and Teachers" on January 16, 2014.
Type
Moving Image
Source
Original 4-minute and 11-second audio/video recording of Joe Muni, <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>, Orlando, Florida, January 16, 2014: WUCF-TV, University of Central Florida, Orlando, Florida.
Requires
<a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a>
<a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a>
Is Part Of
<a href="http://video.wucftv.org/video/2365155743/" target="_blank">WUCF Artisodes 115: Students and Teachers</a>, WUCF-TV, University of Central Florida, Orlando, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/69" target="_blank">Orlando Philharmonic Orchestra Collection</a>, Classical Collection, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
<a href="http://video.wucftv.org/video/2365215670/" target="_blank">WUCF Artisodes Short: Orlando Philharmonic</a>, WUCF-TV, University of Central Florida, Orlando, Florida.
Coverage
WUCF-TV, University of Central Florida, Orlando, Florida
Bob Carr Theater, Orlando, Florida
United Arts of Central Florida, Maitland, Florida
Orange County Public Schools, Downtown Orlando, Florida
Publisher
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Contributor
<a href="https://orlandophil.org/" target="_blank">Orlando Philharmonic</a>
Barrett, Leia
Evans, Scott
Date Created
2014-01-16
Date Issued
2014-01-16
Date Copyrighted
2014-01-16
Format
video/mp4
application/pdf
Medium
4-minute and 11-second audio/video recording
Language
eng
Mediator
History Teacher
Humanities Teacher
Provenance
Originally created by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and published by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
External Reference
Fawkes, Richard, and Robert Powell. <a href="http://www.worldcat.org/oclc/811246350" target="_blank"><em>The History of Classical Music</em></a>. Hong Kong: Naxos Audiobooks, 1997.
Goulding, Phil G. <a href="http://www.worldcat.org/oclc/26159166" target="_blank"><em>Classical Music: The 50 Greatest Composers and Their 1,000 Greatest Works</em></a>. New York: Fawcett Columbine, 1992
"<a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank">WUCF Artisodes</a>." WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed April 6, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://www.youtube.com/watch?v=25rzx4pAayM" target="_blank">WUCF Artisodes Short: Orlando Philharmonic</a>
Artisodes
Bob Carr Performing Arts Center
Bob Carr Theater
classical music
educators
elementary education
Leia Barrett
Maitland
music
music education
musicians
OCPS
Orange County Public Schools
orchestra
orchestras
orlando
Orlando Philharmonic Orchestra
PBS
Public Broadcasting Service
Scott Evans
student
students
symphonic music
symphonies
symphony
teachers
UCF
United Arts of Central Florida
University of Central Florida
WUCF Artisodes
WUCF Artisodes Short
WUCF-TV
Young People's Concerts
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Central Florida Music History Collection
Alternative Title
Music History Collection
Subject
Music--Florida
Orlando (Fla.)
Cassadaga (Fla.)
Hialeah (Fla.)
Maitland (Fla.)
New Smyrna Beach (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Central Florida’s musical heritage is as rich as it is diverse, dating back to the Spanish settlers of the sixteenth century. Over the next 500 years, the region became a melting pot of Anglo-American folk and country music, African-American blues and jazz, Cuban and Latin music, traditional Native American music, gospel, rock, classical, pop, reggae, punk, metal, hip hop, and dance music. The cultural diversity of the people is reflected in the broad range of the music. Today, Central Florida is a hot spot for homegrown music and a popular stop for internationally touring artists.
Some of the most popular artists of the twentieth century called Florida home, including Ray Charles, Bo Diddley, Jim Morrison, Gram Parsons, Sam Rivers, the Allman Brothers Band, Jimmy Buffett, Zora Neale Hurston, Lynyrd Skynyrd, Vassar Clements, Gloria Estefan, Tom Petty, Johnny Tillotson, Shel Silverstein, Arturo Sandoval, and Mel Tillis. The musical landscape of Florida has played an integral role in defining Floridian culture.
Contributor
Knickerbocker, Carl
Language
eng
Type
Collection
Coverage
Cassadaga, Florida
Hialeah, Florida
Maitland, Florida
New Smyrna Beach, Florida
Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
<span>Housewright, Wiley L. </span><a href="http://www.worldcat.org/oclc/48139297" target="_blank"><em>An Anthology of Music in Early Florida</em></a><span>. Gainesville: University Press of Florida, 1999.</span>
<span>Housewright, Wiley L. </span><a href="http://www.worldcat.org/oclc/21196990" target="_blank"><em>A History of Music & Dance in Florida, 1565-1865</em></a><span>. Tuscaloosa: University of Alabama Press, 1991.</span>
<span>Morris, Alton Chester. </span><a href="Morris,%20Alton%20Chester.%20Folksongs%20of%20Florida%20and%20Their%20Cultural%20Background.%201941." target="_blank"><em>Folksongs of Florida and Their Cultural Background</em></a><span>. 1941.</span>
DeVane, Dwight, et al. <a href="http://www.worldcat.org/oclc/821216900" target="_blank"><em>Drop on down in Florida: field recordings of African American traditional music 1977-1980</em></a>. 2012.
McLean, Will. <a href="http://www.worldcat.org/oclc/39518212" target="_blank"><em>Florida Sand: Original Folk Songs of Florida</em></a>. Tallahassee: [The Author], 1964.
Has Part
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/144" target="_blank">Blues Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/145" target="_blank">Classical Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/69" target="_blank">Orlando Philharmonic Orchestra Collection</a>, Classical Collection, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/143" target="_blank">Folk Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/154" target="_blank">Hip Hop Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
1 audio/video recording
Duration
3 minutes and 38 seconds
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
WUCF Artisodes Short: Joe Muni
Alternative Title
Joe Muni Artisode
Subject
New Smyrna Beach (Fla.)
Music--United States
Recycling (Waste, etc.)--Florida
Description
When he comes home from his job as a roofer, Joe Muni of New Smyrna Beach crafts custom guitars using recycled wood. Every guitar is unique and many contain portraits within the body. Customers can either select from wood collected by Muni or bring their own wood, often with sentimental value, to Desolation Row Guitars and he will turn it into a functioning instrument. Desolation Row Guitars is located at 507 Ball Street in New Smyrna Beach, Florida.<br /><br />WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #151: Musical Masterpieces" on November 13, 2014.
Type
Moving Image
Source
Original 3-minute and 38-second audio/video recording of Joe Muni, <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>, Orlando, Florida, November 13, 2014: WUCF-TV, University of Central Florida, Orlando, Florida.
Requires
<a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a>
<a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a>
Is Part Of
<a href="http://video.wucftv.org/video/2365367520/" target="_blank">WUCF Artisodes 151: Musical Masterpieces</a>, WUCF-TV, University of Central Florida, Orlando, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Is Format Of
<a href="http://video.wucftv.org/video/2365367538/" target="_blank">WUCF Artisodes Short: Desolation Row Guitars</a>, WUCF-TV, University of Central Florida, Orlando, Florida.
Coverage
WUCF-TV, University of Central Florida, Orlando, Florida
Desolation Row Guitars, New Smyrna Beach, Florida
Cassadaga Spiritualist Camp, Cassadaga, Florida
Publisher
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Contributor
Muni, Joe
Mavarro, Maygen
Muni, Louis
Date Created
2014-11-13
Date Issued
2014-11-13
Date Copyrighted
2014-11-13
Format
video/mp4
application/pdf
Medium
3-minute and 38-second audio/video recording
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and published by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
External Reference
Bogdanovich, John S. <a href="http://www.worldcat.org/oclc/63245366" target="_blank"><em>Classical Guitar Making: A Modern Approach to Traditional Design</em></a>. New York: Sterling Pub. Co, 2007
"<a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank">WUCF Artisodes</a>." WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed April 6, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://www.youtube.com/watch?v=BFPeO4Tca_U" target="_blank">WUCF Artisodes Short: Joe Muni</a>
acoustic guitars
Artisodes
Artisodes short
bass guitars
bassists
carpenters
carpentry
Cassadaga
Desolation Row Guitar
electric guitars
entrepreneurs
guitar makers
guitarists
guitars
jig saws
Joe Muni
Lou Muni
Louis Muni
luthiers
Maygen Mavarro
music
Musical Masterpieces
musicians
orlando
PBS
planers
public broadcasting
Public Broadcasting Service
recycled wood
recycling
roofers
table saws
tools
TV
UCF
University of Central Florida
woodworkers
woodworking
WUCF Artisodes
WUCF Artisodes Short
WUCF-TV
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
1 audio/video recording
Duration
5 minutes and 2 seconds
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
WUCF Artisodes Short: Jazz Fest
Alternative Title
Jazz Fest Artisode
Subject
DeLand (Fla.)
Music--United States
Jazz--United States
Description
Noble "Thin Man" Watts (1926-2004) was a blues and jazz saxophonist from DeLand, Florida, who worked with some of the biggest names in jazz, blues, and rock, including Buddy Holly (1936-1959), Dinah Washington (1924-1963), Jerry Lee Lewis (b. 1935), Lionel Hampton (1908-2002), Chuck Berry (b. 1926), Johnny Mathis (b. 1935), and the Everly Brothers. Watts moved back to DeLand in the mid-1960s, where he remained until his death in 2004. The "Thin Man" Watts Jazz Festival began earlier that year and has continued to grow in the years since.<br /><br />WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts.
Type
Moving Image
Source
Original 5-minute and 2-second audio/video recording of Jazz Fest, <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>, Orlando, Florida, April 21, 2014: WUCF-TV, University of Central Florida, Orlando, Florida.
Requires
<a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a>
<a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-TV, University of Central Florida, Orlando, Florida
African American Museum of the Arts, DeLand, Florida
Café Davinci, DeLand, Florida
Publisher
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Contributor
Watts, Noble "Thin Man"
Allen, Mary
Armstrong, Anthony
DaVinci Jazz Experiment
Mark Hodgson & the Cosmic Blues Trio
Pendleton, Jefferson
Sheperd, Jeff
Waits/Jordan Quartet
Wilton, John
Date Created
ca. 2015-01-29
Date Issued
2014-04-21
Date Copyrighted
2014-04-21
Format
application/website
application/pdf
Medium
5-minute and 2-second audio/video recording
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and published by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
External Reference
Dahl, Bill. "<a href="http://www.allmusic.com/artist/noble-thin-man-watts-mn0000408965/biography" target="_blank">Noble 'Thin Man' Watts</a>." AllMusic.com. http://www.allmusic.com/artist/noble-thin-man-watts-mn0000408965/biography (Accessed March 31, 2015).
African American Museum of the Arts. "<a href="http://www.wattsjazzfest.com/" target="_blank">Thin Man Watts Jazz Fest</a>." WattsJazzFest.com http://www.wattsjazzfest.com/ (Accessed March 31, 2015)
"<a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank">WUCF Artisodes</a>." WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed April 6, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://www.youtube.com/watch?v=2Wqybluz2TI" target="_blank">WUCF Artisodes Short: Jazz Fest</a>
African American Museum of the Arts
Anthony Armstrong
Artisodes
Bank of America
blues
bluesmen
Bright House Networks
Cafe DaVinci
Cannonball Adderley
Charles Edward Anderson Berry
Chuck Berry
City of Deland
DaVinci Jazz Experiment
DeLand
Dr. Noble "Thin Man" Watts Amphitheater
ECHO Program
Federal community Development Block Grant Program
festivals
Irene D. Johnson
jazz
Jazz Fest
Jeff Sheperd
Jefferson Pendleton
John Wilton
Johnson, Irene D.
Johnson, Maxel
Julian Edwin Adderley
Mark Hodgson
Mark Hodgson & the Cosmic Blues Trio
Mary Allen
music
musicians
Nat Adderley
Nathanial Adderley
Noble Watts
orlando
PBS
Public Broadcasting Service
saxophones
saxophonists
State of Florida
tenor saxophones
Thin Man Watts
Thin Man Watts Jazz Fest
UCF
University of Central Florida
Volusia County
Waits/Jordan Quartet
WUCF Artisodes
WUCF-TV
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
1 audio/video recording
Duration
4 minutes and 46 seconds
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
WUCF Artisodes Short: Song Peddler
Alternative Title
Song Peddler Artisode
Subject
New Smyrna Beach (Fla.)
Music--United States
Rock music--United States
Description
After performing for years as the "Piano Man" on numerous cruise ships, Ted White grew tired of travel and built a unique musical contraption. Since then, Ted performs regularly on the beach on his bicycle/keyboard that he built to resemble a grand piano. <br /><br />WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #130" on May 15, 2014.
Type
Moving Image
Source
Original 4-minute and 46-second audio/video recording of Song Peddler, <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>, Orlando, Florida, May 15, 2014: WUCF-TV, University of Central Florida, Orlando, Florida.
Requires
<a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a>
<a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="http://video.wucftv.org/video/2365246709/" target="_blank">WUCF Artisodes 130</a>, WUCF-TV, University of Central Florida, Orlando, Florida.
Is Format Of
<a href="http://video.wucftv.org/video/2365253722/" target="_blank">WUCF Artisodes Short: Song Peddler</a>, WUCF-TV, University of Central Florida, Orlando, Florida.
Coverage
WUCF-TV, University of Central Florida, Orlando, Florida
Flagler Boardwalk, New Smyrna Beach, Florida
Key West, Florida
Publisher
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Contributor
White, Ted
Date Created
ca. 2015-01-29
Date Issued
2014-05-15
Date Copyrighted
2014-05-15
Format
application/website
application/pdf
Medium
4-minute and 46-second audio/video recording
Language
eng
Mediator
History Teacher
Geography Teacher
Humanities Teacher
Music Teacher
Economics Teacher
Provenance
Originally published by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
External Reference
Mason, Bim. <a href="http://www.worldcat.org/oclc/24907210" target="_blank"><em>Street Theatre and Other Outdoor Performance</em></a>. London: Routledge, 1992.
<a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank">”WUCF Artisodes</a>.” WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed March 31, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://www.youtube.com/watch?v=CVFzzWDUrSk" target="_blank">WUCF Artisodes Short: Piano Man</a>
Artisodes
bicycles
bikes
Billy Joel
Flagler Boardwalk
inventors
Key West
keyboardists
keyboards
mixing boards
monitors
musicians
New Smyrna Beach
orlando
PBS
pianists
piano bicycles
Piano Man
pianos
pop music
pop rock
Public Broadcasting Service
soft rock
Song Peddler
street musicians
street performances
street performers
Ted White
UCF
University of Central Florida
William Martin Joel
WUCF Artisodes
WUCF-TV
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Blues Collection
Alternative Title
Blues Collection
Subject
Music--United States
Blues (Music)--Florida
Description
Collection of digital images, documents, and other records depicting the history of blues music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.<br /><br />During the middle to late 19th century, African-American ex-slaves and their descendants in the Deep South began playing a style of music that evolved from Black Spirituals and chants, work songs, field hollers, rural fife and drum music, revivalist hymns, and European folk and country dance music. It was characterized by its call-and-response narrative pattern, blue notes, and specific chord progressions, of which the 12-bar blues was the most common. By the turn of the century, blues music was being performed in regions such as Louisiana, the Mississippi Delta, the Piedmont region, and Texas, typically by a solo musician on acoustic guitar, harmonica, or piano. Initially, a traditional blues verse was made up of a single line repeated four times, until the common AAB pattern was established in the early 20th century.<br /><br />In 1912, W. C. Handy, an African-American minstrel show band leader, published "Memphis Blues," which helped popularize the genre by transcribing and orchestrating it in a symphonic-like style. Handy is also credited with giving the blues its contemporary form, and was crowned the "Father of the Blues." The unexpected success of Mamie Smith’s "Crazy Blues," eight years later, caused record labels to begin producing “race records," featuring blues singers such as Ma Rainey and Bessie Smith. Most of the blues pioneers from the 1920s performed solo with an acoustic guitar. Among the most recognized are Robert Johnson, Blind Lemon Jefferson, Son House, Leadbelly and Charlie Patton.<br /><br />As blues spread from the Deep South, it took on regional characteristics and styles. The Mississippi Delta blues featured slide guitar and a rootsy, sparse style. The Piedmont blues used an elaborate ragtime-based rhythm and fingerpicking technique. The Memphis blues, popular in vaudeville and medicine shows, was influenced by jug bands, incorporating unusual instruments such as washboard, kazoo, jug, mandolin, and fiddle. Urban blues forced performers to become more elaborate, as they had to adapt to a larger, more varied audience. Boogie-woogie consisted of piano-based blues derived from barrelhouse and ragtime in Chicago. Big band blues emerged out of Kansas City and incorporated elements of jazz and swing. West Coast blues was heavily influenced by a swing beat, and popularized by Texas musicians who moved to California. Electric blues came out of Chicago, Memphis, Detroit, and St. Louis in the 1950s, using electric guitars, double bass, drums. and harmonica performed through a microphone, amplifier and PA (public address) system. By the beginning of the 1960s, the most popular genres for young Americans were rock and roll and soul music, both rooted in African-American blues.<br /><br />Buried in the Deep South, Central Florida has had a long blues tradition, and a number of notable blues musicians had roots in Florida, including Tampa Red, Bo Diddley, Ray Charles, "Diamond Teeth Mary" McClain, Gabriel Brown, Noble "Thin Man" Watts, Willie Green, Blind Blake, Little Mike and the Tornadoes, Barrelhouse Chuck, and the Allman Brothers Band. Muddy Waters wrote a song for his 1977 album, <em>Hard Again</em>, entitled "Deep Down in Florida," in which he mentions Newberry and traveling to Gainesville to see an old friend. Waters met his third wife while performing at the popular blues dance hall, the Cotton Club, in Gainesville. The club opened in 1948 and had regular performances by such future famous blues musicians as James Brown, B.B. King and Ray Charles. The Wells’ Built Hotel and Casino, which is now an African-American history museum, is located in the historic African-American community of Parramore in Downtown Orlando. The hotel hosted many notable African-American musicians and celebrities during the Segregation era. Guitar Slim, Ray Charles, Ivory Joe Hunter, B. B. King and Bo Diddley were among the bluesmen traveling along the Chitlin' Circuit who were guests at the hotel and performers at the casino.
Contributor
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Bradenton, Florida
The Alley, Sanford, Florida
West Tampa, Tampa, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
DeVane, Dwight, Blaine Waide, Peggy A. Bulger, Doris J. Dyen, and David Evans. <a href="http://www.worldcat.org/oclc/856993560" target="_blank"><em>Drop on Down in Florida: Field Recordings of African American Traditional Music 1977-1980</em></a>. Atlanta, Ga: Dust-to-Digital, 2012.
Oakley, Giles. <a href="http://www.worldcat.org/oclc/3082016" target="_blank"><em>The Devil's Music: A History of the Blues</em></a>. New York: Taplinger Pub. Co, 1977.
Palmer, Robert. <a href="http://www.worldcat.org/oclc/6864668" target="_blank"><em>Deep Blues: A Musical and Cultural History of the Mississippi Delta</em></a>. New York: Viking Press, 1981.
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
1 audio/video recording
Duration
5 minutes and 25 seconds
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
WUCF Artisodes Short: Daniel Heitz
Alternative Title
Daniel Heitz Artisode
Subject
Sanford (Fla.)
Music--United States
Blues (Music)--Florida
Description
Daniel Heitz first took the stage at the Alley blues club in Sanford, Florida, when he was 11 years old. Over the next six years, he became one of the most impressive classical blues guitarists in Central Florida.<br /><br />WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #145: The Call of Music" on October 2, 2014.
Type
Moving Image
Source
Original 5-minute and 25-second audio/video recording of Daniel Heitz, <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>, Sanford, Florida, October 2, 2014: WUCF-TV, University of Central Florida, Orlando, Florida.
Requires
<a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a>
<a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/144" target="_blank">Blues Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="http://video.wucftv.org/video/2365335036/" target="_blank">WUCF Artisodes 145: The Call of Music</a>, WUCF-TV, University of Central Florida, Orlando, Florida.
Is Format Of
<a href="http://video.wucftv.org/video/2365333735/" target="_blank">WUCF Artisodes Short: Daniel Heitz</a>, WUCF-TV, University of Central Florida, Orlando, Florida.
Coverage
WUCF-TV, University of Central Florida, Orlando, Florida
The Alley, Sanford, Florida
Publisher
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Contributor
Heitz, Daniel
Heitz, Sherri
Johnson, Chris
Williamson, Karl
Date Created
ca. 2015-01-29
Date Issued
2014-10-02
Date Copyrighted
2014-10-02
Format
application/website
application/pdf
Medium
5-minute and 25-second audio/video recording
Language
eng
Mediator
History Teacher
Geography Teacher
Humanities Teacher
Music Teacher
Provenance
Originally published by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
External Reference
McPherson, Gary. <a href="http://www.worldcat.org/oclc/64554616" target="_blank"><em>The Child As Musician: A Handbook of Musical Development</em></a>. Oxford: Oxford University Press, 2006.
<a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank">”WUCF Artisodes</a>.” WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed March 30, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://www.youtube.com/watch?v=s6yGU66JuBA" target="_blank">WUCF Artisodes Short: Daniel Heitz</a>
Albert King
Artisodes
B. B. King
blues
blues guitarists
blues guitars
bluesman
bluesmen
broadcast television distributor
Chris Johnson
classic blues
Dan Heitz
Daniel Heitz
Doc Williamson
Freddie King
Karl Williamson
musicians
PBS
Public Broadcasting Service
Riley King
Sanford
Sherri Heitz
The Alley
The Call of Music
The Daniel Heitz Band
UCF
University of Central Florida
WUCF Artisodes
WUCF-TV
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
1 audio/video recording
Duration
5 minutes and 31 seconds
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
WUCF Artisodes Short: Enmanuel Chacin
Alternative Title
Enmanuel Chacin Artisode
Subject
Orlando (Fla.)
Music--United States
Rock music--United States
Description
One of Central Florida's most unique and talented drummers/percussionists, Enmanuel Chacin, shares his thoughts on what he considers to be the blueprint of life: music. Chacin, who is blind, grew up in Caracas, Venezuela, where he claims the culture is driven by drums and percussion.<br /><br />WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #161: We've Got the Beat" on February 12, 2015.
Type
Moving Image
Source
Original 5-minute and 31-second audio/video recording of Enmanuel Chacin, <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>, Orlando, Florida, February 12, 2015: WUCF-TV, University of Central Florida, Orlando, Florida.
Requires
<a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a>
<a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="http://video.wucftv.org/video/2365422312/" target="_blank">WUCF Artisodes 161: We've Got the Beat</a>, WUCF-TV, University of Central Florida, Orlando, Florida.
Is Format Of
<a href="http://video.wucftv.org/video/2365425045/" target="_blank">WUCF Artisodes Short: Enmanuel Chacin</a>, WUCF-TV, University of Central Florida, Orlando, Florida.
Coverage
WUCF-TV, University of Central Florida, Orlando, Florida
Valencia College, Orlando, Florida
Caracas, Venezuela
Publisher
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Contributor
Chacin, Enmanuel
Browning, Barbara
Date Created
ca. 2015-01-29
Date Issued
2015-02-12
Date Copyrighted
2015-02-12
Format
application/website
application/pdf
Medium
5-minute and 31-second audio/video recording
Language
eng
Mediator
History Teacher
Geography Teacher
Humanities Teacher
Music Teacher
Provenance
Originally published by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
External Reference
Price, Jim. <a href="http://www.guidedogs.com/site/PageServer?pagename=stories_echacin" target="_blank">"Enmanuel Chacin</a>." Guidedogs for the Blind. http://www.guidedogs.com/site/PageServer?pagename=stories_echacin (Accessed March 30, 2015).
<a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank">”WUCF Artisodes</a>.” WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed March 30, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://www.youtube.com/watch?v=L55f31AOaUA" target="_blank">WUCF Artisodes Short: Enmanuel Chacin</a>
Artisodes
Barbara Browning
blind
blindness
Caracas, Venezuela
disabilities
disability
drummers
drums
Enmanuel Chacin
musicians
orlando
PBS
Pearl drums
percussion
percussionists
Public Broadcasting Service
rock
rock music
UCF
University of Central Florida
Valencia College
VC
visual impairments
visually impaired
We've Got the Beat
WUCF Artisodes
WUCF-TV
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Folk Collection
Alternative Title
Folk Collection
Subject
Music--United States
Folk music--United States
Description
Collection of digital images, documents, and other records depicting the history of folk music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Folk music varies by country and region, but is typically described as acoustic-based music that embraces the life and struggles of the common man and the events of everyday life. “Folk” comes from the term “folklore,” which was derived by William Thomas in 1846, to describe “the traditions, customs, and superstitions of the uncultured classes.” Although the definition of folk music is elusive, the International Folk Music Council defines it as “the product of a musical tradition that has been evolved through the process of oral transmission. The factors that shape the tradition are: (1) continuity which links the present with the past; (2) variation which springs from the creative impulse of the individual or the group; and (3) selection by the community which determines the form or forms in which the music survives."
Before sound recording and reproduction allowed people to listen to recorded music, songs were often passed down through oral traditions, creating variants. Cecil Sharp, considered by many to be the founding father of the folklore revival in early 20th century England, believed that competing variants of a traditional folk song created a process of natural selection, eventually creating a more perfect version, shaped by the community. By the end of the 1930s, American folk music had become a social movement, and by the 1960s, folk genres varied as much as the definition of the term itself.
The Library of Congress attempted to capture as much North American field material as possible in the 1930s and 1940s, working through the vast collections of collectors such as Alan Lomax and Robert Winslow Gordon. On behalf of the Works Progress Administration (WPA), teams of writers and scholars across the United States collected materials about the places they saw and the people they met. Fieldworkers from the Florida Folklore Project, in conjunction with the Florida Federal Writers' Project, the Florida Music Project, and the Joint Committee on Folk Arts of the Work Projects Administration, concentrated on enclaves known for preserving ethnic traditions, documenting African-American, Arabic, Bahamian, British-American, Cuban, Greek, Italian, Minorcan, Seminole, and Slavic cultures throughout Florida. Florida is home to two significant folk festivals, including the annual Will McLean Music Festival, which is held at the Sertoma Youth Camp in Brooksville, Florida; and the Florida Folk Festival, an annual festival of music, food, and traditional arts to highlight and celebrate Florida's many folk cultures and traditions.
Contributor
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
WUCF-TV, University of Central Florida, Orlando, Florida
Valencia College, Orlando, Florida
The Social, Downtown Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
DeVane, Dwight, Blaine Waide, Peggy A. Bulger, Doris J. Dyen, and David Evans. <a href="http://www.worldcat.org/oclc/856993560" target="_blank"><em>Drop on Down in Florida: Field Recordings of African American Traditional Music 1977-1980</em></a>. Atlanta, Ga: Dust-to-Digital, 2012.
Karpeles, Maud, and A. H. Fox Strangways. <a href="http://www.worldcat.org/oclc/1292970" target="_blank"><em>Cecil Sharp: His Life and Work</em></a>. [Chicago]: University of Chicago Press, 1967.
Lloyd, A. L. <a href="http://www.worldcat.org/oclc/429559" target="_blank"><em>Folk Song in England</em></a>. New York: International Publishers, 1967.
Lornell, Kip. <a href="http://www.worldcat.org/oclc/56942443" target="_blank"><em>The NPR Curious Listener's Guide to American Folk Music</em></a>. New York: Berkley Pub. Group, 2004.
McLean, Will. <a href="http://www.worldcat.org/oclc/1599000" target="_blank"><em>Florida Sand; Original Songs and Stories of Florida</em></a>. 1969.
Morris, Alton Chester, and Leonhard Deutsch. <a href="http://www.worldcat.org/oclc/20853347" target="_blank"><em>Folksongs of Florida</em></a>. Gainesville: University of Florida Press, 1990.
Seeger, Ruth Crawford, Larry Polansky, and Judith Tick. <a href="http://www.worldcat.org/oclc/46909473" target="_blank"><em>"The Music of American Folk Song" and Selected Other Writings on American Folk Music</em></a>. Rochester, NY: University of Rochester Press, 2001.
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
1 audio/video recording
Duration
8 minutes and 4 seconds
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
WUCF Artisodes Short: Sandy Shugart
Alternative Title
Sandy Shugart Artisode
Subject
Orlando (Fla.)
Music--United States
Folk music--United States
Poetry--Southern States
Description
Sandy Shugart became the President of Valencia College, one of the country's largest colleges, in 2000, and led them to win the prestigious Aspen Prize for Community College Excellence in 2011. As a folk artist and poet, Shugart believes these seemingly unrelated endeavors are integral aspects of his life journey.<br /><br />WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #159: Music is Life" on January 29, 2015.
Type
Moving Image
Source
Original 8-minute and 4-second audio/video recording of Sandy Shugart, <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>, Orlando, Florida, January 29, 2015: WUCF-TV, University of Central Florida, Orlando, Florida.
Requires
<a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a>
<a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/143" target="_blank">Folk Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="http://video.wucftv.org/video/2365411991/" target="_blank">WUCF Artisodes 159: Music is Life</a>, WUCF-TV, University of Central Florida, Orlando, Florida.
Is Format Of
<a href="http://video.wucftv.org/video/2365411994/" target="_blank">WUCF Artisodes Short: Sandy Shugart</a>, WUCF-TV, University of Central Florida, Orlando, Florida.
Coverage
WUCF-TV, University of Central Florida, Orlando, Florida
Valencia College, Orlando, Florida
Garden Theatre, Winter Garden, Florida
Publisher
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Contributor
Shugart, Sandy
Date Created
ca. 2015-01-29
Date Issued
2015-01-29
Date Copyrighted
2015-01-29
Format
application/website
application/pdf
Medium
8-minute and 4-second audio/video recording
Language
eng
Mediator
History Teacher
Geography Teacher
Humanities Teacher
Music Teacher
Provenance
Originally published by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
External Reference
Ordway, Denise-Marie. "<a href="http://articles.orlandosentinel.com/2014-01-18/features/os-valencia-president-folk-music-20140118_1_garden-theatre-valencia-college-folk-music" target="_blank">Valencia President Sandy Shugart shows musical side</a>." The Orlando Sentinel, January 18, 2014. http://articles.orlandosentinel.com/2014-01-18/features/os-valencia-president-folk-music-20140118_1_garden-theatre-valencia-college-folk-music (Accessed March 30, 2015).
<a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank">”WUCF Artisodes</a>.” WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed March 30, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://www.youtube.com/watch?v=f-qH31z8UF4" target="_blank">WUCF Artisodes Short: Sandy Shugart</a>
acoustic guitarists
acoustic guitars
Artisodes
college president
college presidents
folk
From This Valley
Frost, Robert Lee
Garden Theatre
Music is Life
musicians
orlando
PBS
poetry
poets
provosts
Public Broadcasting Service
public speakers
public speaking
Robert Frost
Robert Lee Frost
Sandy Shugart
songwriters
songwriting
St. Caffeine
storytellers
storytelling
Two Tramps in Mud Time
UCF
University of Central Florida
Valencia College
VC
Winter Garden
WUCF Artisodes
WUCF-TV
-
https://richesmi.cah.ucf.edu/omeka/files/original/55e5358c1af35db3865202b5d9807065.mp3
118861dd389497f1a7efc0f71bfa6fe9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"'O Sole Mio" by Jeff Rupert + Dirty Martini
Alternative Title
"'O Sole Mio" by Jeff Rupert + Dirty Martini
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "'O Sole Mio," composed by Eduardo di Capua (1865-1917), with lyrics by Giovanni Capurro (1859-1920), and performed by Jeff Rupert + Dirty Martini live on-air on WUCF-FM on April 23, 2007. Jeff Rupert (b. 1964) is a freelance tenor saxophonist, Director of Jazz Studies and professor at the University of Central Florida (UCF), founder of Flying Horse Records, composer, and Yamaha performing artist. He has recorded with numerous artists, including Maynard Ferguson (1928-2006), Sam Rivers (1923-2011), Mel Tormé (1925-1999), and Benny Carter, whose 1992 album, Harlem Renaissance, Rupert appeared on, won a Grammy award. He has recorded and performed with his own bands as well, including Jeff Rupert + Dirty Martini and The Jazz Professors. "'O Sole Mio" is an internationally popular Neapolitan song composed in 1898 that has been recorded by numerous artists. The 1980 recording by Luciano Pavarotti (1935-2007) won the Grammy Award for Best Classical Vocal Performance.
Type
Sound
Source
Original 4-minute and 3-second audio recording: Capurro, Giovanni, and Eduard di Capua. "'O Sole Mio," by Jeff Rupert + Dirty Martini: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, April 23, 2007.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Naples, Campania, Italy
Creator
Capurro, Giovanni
di Capua, Eduardo
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Jeff Rupert + Dirty Martini
Date Created
2007-04-23
Date Issued
2007-04-23
Date Copyrighted
2007-04-23
Format
audio/mp3
Extent
3.71 MB
Medium
4-minute and 3-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Eduardo di Capua and Giovanni Capurro, performed by Jeff Rupert + Dirty Martini, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Eduardo di Capua and Giovanni Capurro and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
"<a href="http://musicians.allaboutjazz.com/jeffrupert" target="_blank">Jeff Rupert</a>." All About Jazz. http://musicians.allaboutjazz.com/jeffrupert (accessed March 18, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka/files/original/55e5358c1af35db3865202b5d9807065.mp3" target="_blank">"'O Sole Mio" by Jeff Rupert + Dirty Martini</a>
’O Sole Mio
CAH
College of Arts and Humanities
Dirty Martini
Eduardo di Capua
Flying Horse Records
Giovanni Capurro
Italian jazz
jazz ensembles
Jeff Rupert
Jeff Rupert + Dirty Martini
music
musicians
National Public Radio
Neapolitan jazz
NPR
orlando
PBS
Public Broadcasting Service
tenor saxophones
tenor saxophonists
UCF
University of Central Florida
WUCF-FM
Yamaha
-
https://richesmi.cah.ucf.edu/omeka/files/original/4bb860562f0d1aa5f181988c71721a13.mp3
f72fcba79fc939f42f5e342d6b7bbc06
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"No More Blues" by Jeff Rupert + Dirty Martini
Alternative Title
"No More Blues" by Jeff Rupert + Dirty Martini
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "No More Blues," composed by Antônio Carlos Jobim (1927-1994), with lyrics by Vinícius de Moraes (1913-1980), and performed by Jeff Rupert + Dirty Martini live on-air on WUCF-FM on April 23, 2007. Jeff Rupert (b. 1964) is a freelance tenor saxophonist, Director of Jazz Studies and professor at the University of Central Florida (UCF), founder of Flying Horse Records, composer, and Yamaha performing artist. He has recorded with numerous artists, including Maynard Ferguson (1928-2006), Sam Rivers (1923-2011), Mel Tormé (1925-1999), and Benny Carter, whose 1992 album, Harlem Renaissance, Rupert appeared on, won a Grammy award. He has recorded and performed with his own bands as well, including Jeff Rupert + Dirty Martini and The Jazz Professors. "No More Blues," or "Chega de Saudade," is a jazz standard that is considered to be the first recorded bossa nova song. The song was first recorded in 1958 by Elizete Cardoso, but the second recorded version in 1959 by João Gilberto became an international hit.
Type
Sound
Source
Original 5-minute and 35-second audio recording of Jeff Rupert + Dirty Martini, <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, April 23, 2007: WUCF-FM, University of Central Florida.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Brazil
Creator
Jobim, Antônio Carlos
de Moraes, Vinícius
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Jeff Rupert + Dirty Martini
Date Created
2007-04-23
Date Issued
2007-04-23
Date Copyrighted
2007-04-23
Format
audio/mp3
Extent
5.12 MB
Medium
5-minute and 35-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Antônio Carlos Jobim and Vinícius de Moraes, performed by Jeff Rupert + Dirty Martini, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Antônio "Tom" Carlos Brasileiro de Almeida Jobim and Vinícius de Moraes and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
"<a href="http://musicians.allaboutjazz.com/jeffrupert" target="_blank">Jeff Rupert</a>." All About Jazz. http://musicians.allaboutjazz.com/jeffrupert (accessed March 18, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka/files/original/4bb860562f0d1aa5f181988c71721a13.mp3" target="_blank">"No More Blues" by Jeff Rupert + Dirty Martini</a>
Antônio Carlos Brasileiro de Almeida Jobim
Antônio Carlos Jobim
bossa nova
Brazilian jazz
CAH
Chega de Saudade
College of Arts and Humanities
Dirty Martini
Flying Horse Records
jazz ensembles
Jeff Rupert
Jeff Rupert + Dirty Martini
Marcus Vinícius da Cruz e Mello Moraes
music
musicians
National Public Radio
No More Blues
NPR
orlando
PBS
Public Broadcasting Service
tenor saxophones
tenor saxophonists
Tom Jobim
UCF
University of Central Florida
Vinicius de Moraes
WUCF-FM
Yamaha
-
https://richesmi.cah.ucf.edu/omeka/files/original/cb340dd192858625e2a5a00db0dd78de.mp3
98ec16ca888b894aa11cfe5e7d593b42
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Descarga" by Jeff Rupert + Dirty Martini
Alternative Title
"Descarga" by Jeff Rupert + Dirty Martini
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Descarga," composed and performed by Jeff Rupert + Dirty Martini live on-air on WUCF-FM on April 23, 2007. Jeff Rupert (b. 1964) is a freelance tenor saxophonist, Director of Jazz Studies and professor at the University of Central Florida (UCF), founder of Flying Horse Records, composer, and Yamaha performing artist. He has recorded with numerous artists, including Maynard Ferguson (1928-2006), Sam Rivers (1923-2011), Mel Tormé (1925-1999), and Benny Carter, whose 1992 album, Harlem Renaissance, Rupert appeared on, won a Grammy award. He has recorded and performed with his own bands as well, including Jeff Rupert + Dirty Martini and The Jazz Professors. "Descarga" is the Afro-Cuban equivalent to an improvised jam session.
Type
Sound
Source
Original 2-minute and 32-second audio recording: Rupert, Jeff. "Descarga," by Jeff Rupert + Dirty Martini: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, April 23, 2007.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Cuba
Creator
Rupert, Jeff
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Jeff Rupert + Dirty Martini
Date Created
2007-04-23
Date Issued
2007-04-23
Date Copyrighted
2007-04-23
Format
audio/mp3
Extent
2.32 MB
Medium
2-minute and 32-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and performed by Jeff Rupert + Dirty Martini, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Jeff Rupert and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
"<a href="http://musicians.allaboutjazz.com/jeffrupert" target="_blank">Jeff Rupert</a>." All About Jazz. http://musicians.allaboutjazz.com/jeffrupert (accessed March 18, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka/files/original/cb340dd192858625e2a5a00db0dd78de.mp3" target="_blank">"Descarga" by Jeff Rupert + Dirty Martini</a>
Afro-Cuba jazz
bossa nova
CAH
College of Arts and Humanities
Descarga
Dirty Martini
Flying Horse Records
jam sessions
jazz
jazz ensembles
Jeff Rupert
Jeff Rupert + Dirty Martini
Latin jazz
music
musicians
National Public Radio
NPR
orlando
PBS
Public Broadcasting Service
tenor saxophones
tenor saxophonists
UCF
University of Central Florida
WUCF-FM
Yamaha
-
https://richesmi.cah.ucf.edu/omeka/files/original/06525c8a65caca453ff762be64ecb873.mp3
ad0448f4a90ae6470b203f112028c91a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Bad Moon" by Jeff Rupert + Dirty Martini
Alternative Title
"Bad Moon" by Jeff Rupert + Dirty Martini
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Bad Moon," composed and performed by Jeff Rupert + Dirty Martini live on-air on WUCF-FM on April 23, 2007. Jeff Rupert (b. 1964) is a freelance tenor saxophonist, Director of Jazz Studies and professor at the University of Central Florida (UCF), founder of Flying Horse Records, composer, and Yamaha performing artist. He has recorded with numerous artists, including Maynard Ferguson (1928-2006), Sam Rivers (1923-2011), Mel Tormé (1925-1999), and Benny Carter, whose 1992 album, Harlem Renaissance, Rupert appeared on, won a Grammy award. He has recorded and performed with his own bands as well, including Jeff Rupert + Dirty Martini and The Jazz Professors. "Bad Moon" was written by Rupert and recorded on his 2009 album, <em>From Memphis to Mobile</em>.
Type
Sound
Source
Original 5-minute and 10-second audio recording: Rupert, Jeff. "Bad Moon," by Jeff Rupert + Dirty Martini: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, April 23, 2007.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Brazil
Creator
Rupert, Jeff
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Jeff Rupert + Dirty Martini
Date Created
2007-04-23
Date Issued
2007-04-23
Date Copyrighted
2007-04-23
Format
audio/mp3
Extent
4.74 MB
Medium
5-minute and 10-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Jeff Rupert, performed by Jeff Rupert + Dirty Martini, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Jeff Rupert and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
"<a href="http://musicians.allaboutjazz.com/jeffrupert" target="_blank">Jeff Rupert</a>." All About Jazz. http://musicians.allaboutjazz.com/jeffrupert (accessed March 18, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka/files/original/06525c8a65caca453ff762be64ecb873.mp3" target="_blank">"Bad Moon" by Jeff Rupert + Dirty Martini</a>
Bad Moon
bossa nova
Brazilian jazz
CAH
College of Arts and Humanities
Dirty Martini
Flying Horse Records
jazz
jazz ensembles
Jeff Rupert
Jeff Rupert + Dirty Martini
music
musicians
National Public Radio
NPR
orlando
PBS
Public Broadcasting Service
tenor saxophones
tenor saxophonists
UCF
University of Central Florida
WUCF-FM
Yamaha
-
https://richesmi.cah.ucf.edu/omeka/files/original/6cd03a6b41b54a39ae61f9b9fe266ae7.mp3
fd44df2b78928b58d464060231b35e42
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"The Jitterbug Waltz" by Jeff Rupert + Dirty Martini
Alternative Title
"The Jitterbug Waltz" by Jeff Rupert + Dirty Martini
Subject
Orlando (Fla.)
Music--United State
Jazz--United States
Description
An audio recording of "The Jitterbug Waltz," composed by Fats Waller (1904-1943), and performed by Jeff Rupert + Dirty Martini live on-air on WUCF-FM on April 23, 2007. Jeff Rupert (b. 1964) is a freelance tenor saxophonist, Director of Jazz Studies and professor at the University of Central Florida (UCF), founder of Flying Horse Records, composer, and Yamaha performing artist. He has recorded with numerous artists, including Maynard Ferguson (1928-2006), Sam Rivers (1923-2011), Mel Tormé (1925-1999), and Benny Carter, whose 1992 album, Harlem Renaissance, Rupert appeared on, won a Grammy award. He has recorded and performed with his own bands as well, including Jeff Rupert + Dirty Martini and The Jazz Professors. "The Jitterbug Waltz" is a jazz standard composed and recorded by Waller in 1942. It was one of the first jazz records that used a Hammond organ.
Type
Sound
Source
Original 4-minute and 26-second audio recording: Waller, Fats. "The Jitterbug Waltz," by Jeff Rupert + Dirty Martini: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, April 23, 2007.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Brazil
Creator
Waller, Fats
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Jeff Rupert + Dirty Martini
Date Created
2007-04-23
Date Issued
2007-04-23
Date Copyrighted
2007-04-23
Format
audio/mp3
Extent
4.07 MB
Medium
4-minute and 26-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Fats Waller, performed by Jeff Rupert + Dirty Martini, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Fats Waller and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
"<a href="http://musicians.allaboutjazz.com/jeffrupert" target="_blank">Jeff Rupert</a>." All About Jazz. http://musicians.allaboutjazz.com/jeffrupert (accessed March 18, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka/files/original/6cd03a6b41b54a39ae61f9b9fe266ae7.mp3" target="_blank">"The Jitterbug Waltz" by Jeff Rupert + Dirty Martini</a>
CAH
College of Arts and Humanities
Dirty Martini
Fats Waller
Flying Horse Records
jazz
jazz ensembles
jazz standard
Jeff Rupert
Jeff Rupert + Dirty Martini
music
musicians
National Public Radio
NPR
orlando
PBS
Public Broadcasting Service
tenor saxophones
tenor saxophonists
The Jitterbug Waltz
Thomas Wright Faller
UCF
University of Central Florida
WUCF-FM
Yamaha
-
https://richesmi.cah.ucf.edu/omeka/files/original/dd904d974435b166f49f6a24c6eb6eda.mp3
883f9095759b35d7d658b528e3c842ad
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Tenderly" by Jeff Rupert + Dirty Martini
Alternative Title
"Tenderly" by Jeff Rupert + Dirty Martini
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Tenderly," composed by Walter Gross (1909-1967) with lyrics by Jack Lawrence (1912-2009), and performed by Jeff Rupert + Dirty Martini live on-air on WUCF-FM on April 23, 2007. Jeff Rupert (b. 1964) is a freelance tenor saxophonist, Director of Jazz Studies and professor at the University of Central Florida (UCF), founder of Flying Horse Records, composer, and Yamaha performing artist. He has recorded with numerous artists, including Maynard Ferguson (1928-2006), Sam Rivers (1923-2011), Mel Tormé (1925-1999), and Benny Carter, whose 1992 album, Harlem Renaissance, Rupert appeared on, won a Grammy award. He has recorded and performed with his own bands as well, including Jeff Rupert + Dirty Martini and The Jazz Professors. "Tenderly" is a jazz standard first published and recorded in 1946. Sarah Vaughan's early recording was a hit in 1947, but the best-known version was by Rosemary Clooney in 1952.
Type
Sound
Source
Original 5-minute and 48-second audio recording: Gross, Walter, and Jack Lawrence. "Tenderly," by Jeff Rupert + Dirty Martini: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, April 23, 2007.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Brazil
Creator
Gross, Walter
Lawrence, Jack
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Jeff Rupert + Dirty Martini
Date Created
2007-04-23
Date Issued
2007-04-23
Date Copyrighted
2007-04-23
Format
audio/mp3
Extent
5.32 MB
Medium
5-minute and 48-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Walter Gross and Jack Lawrence, performed by Jeff Rupert + Dirty Martini, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Walter Gross and Jack Lawrence and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
"<a href="http://musicians.allaboutjazz.com/jeffrupert" target="_blank">Jeff Rupert</a>." All About Jazz. http://musicians.allaboutjazz.com/jeffrupert (accessed March 18, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka/files/original/dd904d974435b166f49f6a24c6eb6eda.mp3" target="_blank">"Tenderly" by Jeff Rupert + Dirty Martini</a>
CAH
College of Arts and Humanities
Dirty Martini
Flying Horse Records
Jack Lawrence
jazz
jazz ensembles
jazz music
jazz standard
Jazz Studies
Jeff Rupert
Jeff Rupert + Dirty Martini
music
musicians
National Public Radio
NPR
orlando
PBS
Public Broadcasting Service
Tenderly
tenor saxophones
tenor saxophonists
UCF
University of Central Florida
Walter Gross
WUCF-FM
Yamaha
-
https://richesmi.cah.ucf.edu/omeka/files/original/72298c3432bb0437bf58f019c655e38e.mp3
798c36ad2deb28a22c030c7ca29a614f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"You're Blasé" by Jeff Rupert + Dirty Martini
Alternative Title
"You're Blasé" by Jeff Rupert + Dirty Martini
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "You're Blasé," composed by Ord Hamilton and Bruce Sievier, and performed by Jeff Rupert + Dirty Martini live on-air on WUCF-FM on April 23, 2007. Jeff Rupert (b. 1964) is a freelance tenor saxophonist, Director of Jazz Studies and professor at the University of Central Florida (UCF), founder of Flying Horse Records, composer, and Yamaha performing artist. He has recorded with numerous artists, including Maynard Ferguson (1928-2006), Sam Rivers (1923-2011), Mel Tormé (1925-1999), and Benny Carter, whose 1992 album, Harlem Renaissance, Rupert appeared on, won a Grammy award. He has recorded and performed with his own bands as well, including Jeff Rupert + Dirty Martini and The Jazz Professors. "You're Blasé" is a 1931 jazz standard that was popularized by Ella Fitzgerald, who recorded the song in 1957 and agian in 1973.
Type
Sound
Source
Original 7-minute and 1-second audio recording: Hamilton, Ord, and Bruce Sievier. "You're Blasé," by Jeff Rupert + Dirty Martini: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, April 23, 2007.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Brazil
Creator
Hamilton, Ord
Sievier, Bruce
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Jeff Rupert + Dirty Martini
Date Created
2007-04-23
Date Issued
2007-04-23
Date Copyrighted
2007-04-23
Format
audio/mp3
Extent
6.42 MB
Medium
7-minute and 1-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Ord Hamilton and Bruce Sievier, performed by Jeff Rupert + Dirty Martini, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Ord Hamilton and Bruce Sievier and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
"<a href="http://musicians.allaboutjazz.com/jeffrupert" target="_blank">Jeff Rupert</a>." All About Jazz. http://musicians.allaboutjazz.com/jeffrupert (accessed March 18, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka/files/original/72298c3432bb0437bf58f019c655e38e.mp3" target="_blank">"You're Blasé" by Jeff Rupert + Dirty Martini</a>
bossa nova
Brazilian jazz
Bruce Sievier
CAH
College of Arts and Humanities
Dirty Martini
Flying Horse Records
jazz
jazz ensembles
jazz standard
Jeff Rupert
Jeff Rupert + Dirty Martini
music
musicians
National Public Radio
NPR
Ord Hamilton
orlando
PBS
Public Broadcasting Service
tenor saxophones
tenor saxophonists
UCF
University of Central Florida
WUCF-FM
Yamaha
You're Blasé
-
https://richesmi.cah.ucf.edu/omeka/files/original/582b62e48fb1577a52a9e344c5bd4828.mp3
04c89515f53edca7d74951623d82e5f1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"When Lights Are Low" by Jeff Rupert + Dirty Martini
Alternative Title
"When Lights Are Low" by Jeff Rupert + Dirty Martini
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "When Lights Are Low," composed by Benny Carter (1907-2003) and Spencer Williams (1889-1965), and performed by Jeff Rupert + Dirty Martini live on-air on WUCF-FM on April 23, 2007. Jeff Rupert (b. 1964) is a freelance tenor saxophonist, Director of Jazz Studies and professor at the University of Central Florida (UCF), founder of Flying Horse Records, composer, and Yamaha performing artist. He has recorded with numerous artists, including Maynard Ferguson (1928-2006), Sam Rivers (1923-2011), Mel Tormé (1925-1999), and Benny Carter, whose 1992 album, <em>Harlem Renaissance</em>, Rupert appeared on, won a Grammy award. He has recorded and performed with his own bands as well, including Jeff Rupert + Dirty Martini and The Jazz Professors. "When Lights Are Low" is a jazz standard that was composed in 1936 and has been recorded by numerous artists. The most famous versions were recorded by Miles Davis (1926-1991) in 1956 and Tony Bennett in 1964.
Type
Sound
Source
Original 5-minute and 21-second audio recording: Carter, Benny, and Spencer Williams. "When Lights Are Low," by Jeff Rupert + Dirty Martini: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, April 23, 2007.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Brazil
Creator
Carter, Benny
Williams, Spencer
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Jeff Rupert + Dirty Martini
Date Created
2007-04-23
Date Issued
2007-04-23
Date Copyrighted
2007-04-23
Format
audio/mp3
Extent
4.9 MB
Medium
5-minute and 21-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Benny Carter and Spencer Williams, performed by Jeff Rupert + Dirty Martini, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Benny Carter and Spencer Williams and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
"<a href="http://musicians.allaboutjazz.com/jeffrupert" target="_blank">Jeff Rupert</a>." All About Jazz. http://musicians.allaboutjazz.com/jeffrupert (accessed March 18, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka/files/original/582b62e48fb1577a52a9e344c5bd4828.mp3" target="_blank">"When Lights Are Low" by Jeff Rupert + Dirty Martini</a>
Bennett Lester Carter
Benny Carter
bossa nova
Brazilian jazz
CAH
College of Arts and Humanities
Dirty Martini
Flying Horse Records
jazz
jazz ensembles
jazz standard
Jeff Rupert
Jeff Rupert + Dirty Martini
music
musicians
National Public Radio
NPR
orlando
PBS
Public Broadcasting Service
Spencer Williams
tenor saxophones
tenor saxophonists
UCF
University of Central Florida
When Lights Are Low
WUCF-FM
Yamaha
-
https://richesmi.cah.ucf.edu/omeka/files/original/43fb19a85d75ff03587fe54876db7807.mp3
fd4c92543629a9f1d96edc7a128e50f2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Spring Can Really Hang You Up the Most" by Jeff Rupert + Dirty Martini
Alternative Title
"Spring Can Really Hang You Up the Most" by Jeff Rupert + Dirty Martini
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Spring Can Really Hang You Up the Most," composed by Tommy Wolf (1925-1979), with lyrics by Fran Landesman (1927-2011), and performed by Jeff Rupert + Dirty Martini live on-air on WUCF-FM on April 23, 2007. Jeff Rupert (b. 1964) is a freelance tenor saxophonist, Director of Jazz Studies and professor at the University of Central Florida (UCF), founder of Flying Horse Records, composer, and Yamaha performing artist. He has recorded with numerous artists, including Maynard Ferguson (1928-2006), Sam Rivers (1923-2011), Mel Tormé (1925-1999), and Benny Carter, whose 1992 album, <em>Harlem Renaissance</em>, Rupert appeared on, won a Grammy award. He has recorded and performed with his own bands as well, including Jeff Rupert + Dirty Martini and The Jazz Professors. "Spring Can Really Hang You Up the Most" is a popular song composed in 1955 and recorded by numerous artists. The most famous version is Ella Fitzgerald's 1961 recording.
Type
Sound
Source
Original 7-minute and 3-second audio recording: Wolf, Tommy, and Fran Landesman. "Spring Can Really Hang You Up the Most," by Jeff Rupert + Dirty Martini: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, April 23, 2007.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Brazil
Creator
Wolf, Tommy
Landesman, Fran
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Jeff Rupert + Dirty Martini
Date Created
2007-04-23
Date Issued
2007-04-23
Date Copyrighted
2007-04-23
Format
audio/mp3
Extent
6.47 MB
Medium
7-minute and 3-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Tommy Wolf and Fran Landesman, performed by Jeff Rupert + Dirty Martini, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Tommy Wolf and Fran Landesman and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
"<a href="http://musicians.allaboutjazz.com/jeffrupert" target="_blank">Jeff Rupert</a>." All About Jazz. http://musicians.allaboutjazz.com/jeffrupert (accessed March 18, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka/files/original/43fb19a85d75ff03587fe54876db7807.mp3" target="_blank">"Spring Can Really Hang You Up the Most" by Jeff Rupert + Dirty Martini</a>
bossa nova
Brazilian jazz
CAH
College of Arts and Humanities
Dirty Martini
Flying Horse Records
Fran Landesman
jazz
jazz ensembles
Jeff Rupert
Jeff Rupert + Dirty Martini
music
musicians
National Public Radio
NPR
orlando
PBS
Public Broadcasting Service
Spring Can Really Hang You Up the Most
tenor saxophones
tenor saxophonists
Thomas Joseph Wolf
Tommy Wolf
UCF
University of Central Florida
WUCF-FM
Yamaha
-
https://richesmi.cah.ucf.edu/omeka/files/original/fac6b51a9de60ded25045af43867f20e.mp3
7912017379398273c2bcb6758080bda2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Con Alma" by Ira Sullivan
Alternative Title
"Con Alma" by Ira Sullivan
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Con Alma," composed by Dizzy Gillespie (1917-1993) and performed by Ira Sullivan (b. 1931) live on-air on WUCF-FM on December 8, 2006. A multi-instrumentalist, Sullivan was a crucial part of the Chicago jazz scene of the 1950s, performing with numerous artists, including a stint with Art Blakey (1919-1990) and the Jazz Messengers in 1956. He left the spotlight and moved to Florida to raise his family in the early 1960s, eventually starting a quintet with Red Rodney (1927-1994). Sullivan taught summers at the University of Miami's Young Musician's Camp, in which professional musicians and faculty from the UM School of Music instructed students between 7 and 18 years old in classical music, jazz, rock, songwriting, composition, and musical theater. "Con Alma" is a jazz standard written and recorded by Gillespie for his 1954 album, <em>Afro</em>. The song combines aspects of bebop jazz and Latin rhythm.
Type
Sound
Source
Original 7-minute and 52-second audio recording: Gillespie, Dizzy. "Con Alma," by Ira Sullivan: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 8, 2006.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Young Musicians Camp, University of Miami, Miami, Florida
Chicago, Illinois
Creator
Gillespie, Dizzy
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Sullivan, Ira
Date Created
2006-12-08
Date Issued
2006-12-08
Date Copyrighted
2006-12-08
Format
audio/mp3
Extent
7.2 MB
Medium
7-minute and 52-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Dizzy Gillespie, performed by Ira Sullivan, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Dizzy Gillespie and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
"<a href="http://wucf.ucf.edu/about.php" target="_blank">About WUCF</a>." WUCF.ucf.edu. http://wucf.ucf.edu/about.php (accessed March 9, 2015)
Meredith, Bill. "<a href="http://jazztimes.com/articles/19200-ira-sullivan-family-first" target="_blank">Ira Sullivan: Family First</a>." <em>Jazz Times</em>, December 2007. http://jazztimes.com/articles/19200-ira-sullivan-family-first (Accessed March 23, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka/files/original/fac6b51a9de60ded25045af43867f20e.mp3" target="_blank">"Con Alma" by Ira Sullivan</a>
alto hornists
alto saxophones
alto saxophonists
alton horns
bebop
bop
CAH
College of Arts and Humanities
Con Alma
Dizzy Gillespie
flautists
flugelhornists
flugelhorns
flutes
Ira Sullivan
jazz
jazz ensembles
jazz standard
John Birks Gillespie
music
musicians
National Public Radio
NPR
orlando
PBS
peck horns
Public Broadcasting Service
soprano saxophones
soprano saxophonists
tenor horns
tenor saxophones
tenor saxophonists
UCF
UM
University of Central Florida
University of Miami
WUCF-FM
Young Musicians Camp
-
https://richesmi.cah.ucf.edu/omeka/files/original/0bdc571c78ac5a030d9922f0a4106e5b.mp3
f61c1760efb8641537b26ba26e6efa84
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"You Must Believe in Spring" by Ira Sullivan
Alternative Title
"You Must Believe in Spring" by Ira Sullivan
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "You Must Believe in Spring," composed by Michel Legrand (b. 1932), with lyrics by Alan Bergman (b. 1925), Marilyn Bergman (b. 1929), and Jacques Demy (1931-1990), and performed by Ira Sullivan (b. 1931) live on-air on WUCF-FM on December 8, 2006. A multi-instrumentalist, Sullivan was a crucial part of the Chicago jazz scene of the 1950s, performing with numerous artists, including a stint with Art Blakey (1919-1990) and the Jazz Messengers in 1956. He left the spotlight and moved to Florida to raise his family in the early 1960s, eventually starting a quintet with Red Rodney (1927-1994). Sullivan taught summers at the University of Miami's Young Musician's Camp, in which professional musicians and faculty from the UM School of Music instructed students between 7 and 18 years old in classical music, jazz, rock, songwriting, composition, and musical theater. "You Must Believe in Spring" is a 1967 jazz standard often associated with Bill Evans (1929-1980), who recorded the song for his 1981 album of the same name, and as a duet with Tony Bennett (b. 1926) on their 1977 album, <em>Together Again</em>.
Type
Sound
Source
Original 5-minute and 50-second audio recording: Legrand, Michel, Alan Bergman, Marilyn Bergman, and Jacque Demy. "You Must Believe in Spring," by Ira Sullivan: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 8, 2006.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Young Musicians Camp, University of Miami, Miami, Florida
Chicago, Illinois
Creator
Legrand, Michel
Bergman, Alan
Bergman, Marilyn
Demy, Jacques
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Sullivan, Ira
Date Created
2006-12-08
Date Issued
2006-12-08
Date Copyrighted
2006-12-08
Format
audio/mp3
Extent
5.35 MB
Medium
5-minute and 50-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Michel Legrand, Alan Bergman, Marilyn Bergman, and Jacques Louis Demy, performed by Ira Sullivan, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Michel Legrand, Alan Bergman, Marilyn Bergman, and Jacques Louis Demy and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Meredith, Bill. "<a href="http://jazztimes.com/articles/19200-ira-sullivan-family-first" target="_blank">Ira Sullivan: Family First</a>." <em>Jazz Times</em>, December 2007. http://jazztimes.com/articles/19200-ira-sullivan-family-first (Accessed March 23, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka/files/original/0bdc571c78ac5a030d9922f0a4106e5b.mp3" target="_blank">"You Must Believe in Spring" by Ira Sullivan</a>
Alan Bergman
alto hornists
alto saxophones
alto saxophonists
alton horns
bebop
bop
CAH
College of Arts and Humanities
flautists
flugelhornists
flugelhorns
flutes
Ira Sullivan
Jacques Demy
jazz
jazz ensembles
jazz standard
Marilyn Bergman
Marilyn Keith
Michel Legrand
music
musicians
National Public Radio
NPR
orlando
PBS
peck horns
Public Broadcasting Service
soprano saxophones
soprano saxophonists
tenor horns
tenor saxophones
tenor saxophonists
UCF
UM
University of Central Florida
University of Miami
WUCF-FM
You Must Believe in Spring
Young Musicians Camp
-
https://richesmi.cah.ucf.edu/omeka/files/original/2d3709ae914276fe30970dcccbb3b504.mp3
fb5fac5babfe1286125176315963929b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Samba de Orpheus" by Ira Sullivan
Alternative Title
"Samba de Orpheus" by Ira Sullivan
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Samba de Orpheus," composed by Luiz Bonfá (1922-2001) and performed by Ira Sullivan (b. 1931) live on-air on WUCF-FM on December 8, 2006. A multi-instrumentalist, Sullivan was a crucial part of the Chicago jazz scene of the 1950s, performing with numerous artists, including a stint with Art Blakey (1919-1990) and the Jazz Messengers in 1956. He left the spotlight and moved to Florida to raise his family in the early 1960s, eventually starting a quintet with Red Rodney (1927-1994). Sullivan taught summers at the University of Miami's Young Musician's Camp, in which professional musicians and faculty from the UM School of Music instructed students between 7 and 18 years old in classical music, jazz, rock, songwriting, composition, and musical theater. One of the first bossa nova compositions to gain popularity outside Brazil, "Samba de Orpheus" has become a jazz standard. The song originally appeared in the 1959 film, <em>Orfeu Negro</em> ("<em>Black Orpheus</em>").
Type
Sound
Source
Original 6-minute and 24-second audio recording: Bonfá, Luiz. "Samba de Orpheus," by Ira Sullivan: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 8, 2006.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Young Musicians Camp, University of Miami, Miami, Florida
Chicago, Illinois
Creator
Bonfá, Luiz
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Sullivan, Ira
Date Created
2006-12-08
Date Issued
2006-12-08
Date Copyrighted
2006-12-08
Format
audio/mp3
Extent
5.86 MB
Medium
6-minute and 24-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Luiz Bonfá performed by Ira Sullivan, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Luiz Bonfá and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Meredith, Bill. "<a href="http://jazztimes.com/articles/19200-ira-sullivan-family-first" target="_blank">Ira Sullivan: Family First</a>." <em>Jazz Times</em>, December 2007. http://jazztimes.com/articles/19200-ira-sullivan-family-first (Accessed March 23, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka/files/original/2d3709ae914276fe30970dcccbb3b504.mp3" target="_blank">"Samba de Orpheus" by Ira Sullivan</a>
alto hornists
alto saxophones
alto saxophonists
alton horns
bebop
bop
bossa nova
Brazilian jazz
Brazilian music
CAH
College of Arts and Humanities
flautists
flugelhornists
flugelhorns
flutes
Ira Sullivan
jazz
jazz ensemble
jazz ensembles
Luiz Bonfá
Luiz Floriano Bonfá
music
musicians
National Public Radio
NPR
orlando
PBS
peck horns
Public Broadcasting Service
samba
Samba de Orpheus
Samba of Orpheus
soprano saxophones
soprano saxophonists
tenor horns
tenor saxophones
tenor saxophonists
UCF
UM
University of Central Florida
University of Miami
WUCF-FM
Young Musicians Camp
-
https://richesmi.cah.ucf.edu/omeka/files/original/36478f45be3a7b8c35bbec95005c163c.mp3
ca4d34f28f024d80b6abdeb8dee522eb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Christmas Time is Here" by Ira Sullivan
Alternative Title
"Christmas Time is Here" by Ira Sullivan
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Christmas Time is Here," composed by Lee Mendelson (b. 1933) and Vince Guaraldi (1928-1976), and performed by Ira Sullivan (b. 1931) live on-air on WUCF-FM on December 8, 2006. A multi-instrumentalist, Sullivan was a crucial part of the Chicago jazz scene of the 1950s, performing with numerous artists, including a stint with Art Blakey (1919-1990) and the Jazz Messengers in 1956. He left the spotlight and moved to Florida to raise his family in the early 1960s, eventually starting a quintet with Red Rodney (1927-1994). Sullivan taught summers at the University of Miami's Young Musician's Camp, in which professional musicians and faculty from the UM School of Music instructed students between 7 and 18 years old in classical music, jazz, rock, songwriting, composition, and musical theater. "Christmas Time is Here" is a jazz standard written for the 1965 network television special, <em>A Charlie Brown Christmas</em>.
Type
Sound
Source
Original 7-minute and 8-second audio recording: Mendelson, Lee, and Vince Guaraldi. "Christmas Time is Here," by Ira Sullivan: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 8, 2006.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Young Musicians Camp, University of Miami, Miami, Florida
Chicago, Illinois
Creator
Mendelson, Lee
Guaraldi, Vince
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Sullivan, Ira
Date Created
2006-12-08
Date Issued
2006-12-08
Date Copyrighted
2006-12-08
Format
audio/mp3
Extent
6.53 MB
Medium
7-minute and 8-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Lee Mendelson and Vince Guaraldi, performed by Ira Sullivan, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Lee Mendelson and Vince Guaraldi and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Meredith, Bill. "<a href="http://jazztimes.com/articles/19200-ira-sullivan-family-first" target="_blank">Ira Sullivan: Family First</a>." <em>Jazz Times</em>, December 2007. http://jazztimes.com/articles/19200-ira-sullivan-family-first (Accessed March 23, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka/files/original/36478f45be3a7b8c35bbec95005c163c.mp3" target="_blank">"Christmas Time is Here" by Ira Sullivan</a>
A Charlie Brown Christmas
alto hornists
alto saxophones
alto saxophonists
alton horns
bebop
bop
CAH
Charlie Brown
Chicago, Illinois
Christmas Time is Here
College of Arts and Humanities
flautists
flugelhornists
flugelhorns
flutes
Ira Sullivan
jazz
jazz ensembles
jazz standard
Lee Mendelson
music
musicians
National Public Radio
NPR
orlando
PBS
peanuts
peck horns
Public Broadcasting Service
soprano saxophones
soprano saxophonists
tenor horns
tenor saxophones
tenor saxophonists
UCF
UM
University of Central Florida
University of Miami
Vince Guaraldi
Vincent Anthony Dellaglio
Vincent Anthony Guaraldi
WUCF-FM
Young Musicians Camp
-
https://richesmi.cah.ucf.edu/omeka/files/original/de4d6f53611f7ae73ee1bed3e85b74f5.mp3
339900e337f32b87b9c883245f5ebab9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Blues-ette" by Ira Sullivan
Alternative Title
"Blues-ette" by Ira Sullivan
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Blues-ette," composed by Curtis Fuller (b. 1934) and performed by Ira Sullivan (b. 1931) live on-air on WUCF-FM on December 8, 2006. A multi-instrumentalist, Sullivan was a crucial part of the Chicago jazz scene of the 1950s, performing with numerous artists, including a stint with Art Blakey (1919-1990) and the Jazz Messengers in 1956. He left the spotlight and moved to Florida to raise his family in the early 1960s, eventually starting a quintet with Red Rodney (1927-1994). Sullivan taught summers at the University of Miami's Young Musician's Camp, in which professional musicians and faculty from the UM School of Music instructed students between 7 and 18 years old in classical music, jazz, rock, songwriting, composition, and musical theater. "Blues-ette" was written and recorded by Fuller for his 1959 album of the same name.
Type
Sound
Source
Original 5-minute and 4-second audio recording: Fuller, Curtis. "Blues-ette," by Ira Sullivan: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 8, 2006.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Young Musicians Camp, University of Miami, Miami, Florida
Chicago, Illinois
Creator
Fuller, Curtis
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Sullivan, Ira
Date Created
2006-12-08
Date Issued
2006-12-08
Date Copyrighted
2006-12-08
Format
audio/mp3
Extent
4.64 MB
Medium
5-minute and 4-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Curtis Fuller, performed by Ira Sullivan, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Curtis Fuller and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Meredith, Bill. "<a href="http://jazztimes.com/articles/19200-ira-sullivan-family-first" target="_blank">Ira Sullivan: Family First</a>." <em>Jazz Times</em>, December 2007. http://jazztimes.com/articles/19200-ira-sullivan-family-first (Accessed March 23, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka/files/original/de4d6f53611f7ae73ee1bed3e85b74f5.mp3" target="_blank">"Blues-ette" by Ira Sullivan</a>
alto hornists
alto saxophones
alto saxophonists
alton horns
band leader
bebop
Blues-ette
bop
CAH
Chicago, Illinois
College of Arts and Humanities
Curtis DuBois Fuller
Curtis Fuller
flautists
flugelhornists
flugelhorns
flutes
hard bop
Ira Sullivan
jazz
jazz ensembles
musicians
National Public Radio
NPR
orlando
PBS
peck horns
Public Broadcasting Service
soprano saxophonists
tenor horns
tenor saxophones
tenor saxophonists
UCF
UM
University of Central Florida
University of Miami
WUCF-FM
Young Musicians Camp
-
https://richesmi.cah.ucf.edu/omeka/files/original/895a409de8de511b530c30e4a997dd1a.mp3
811ef076017fa56db2288a558577f43a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Imagination" by Ira Sullivan
Alternative Title
"Imagination" by Ira Sullivan
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Imagination," composed by Jimmy Van Heusen (1913-1990), with lyrics by Johnny Burke (1908-1964), and performed by Ira Sullivan (b. 1931) live on-air on WUCF-FM on December 8, 2006. A multi-instrumentalist, Sullivan was a crucial part of the Chicago jazz scene of the 1950s, performing with numerous artists, including a stint with Art Blakey (1919-1990) and the Jazz Messengers in 1956. He left the spotlight and moved to Florida to raise his family in the early 1960s, eventually starting a quintet with Red Rodney (1927-1994). Sullivan taught summers at the University of Miami's Young Musician's Camp, in which professional musicians and faculty from the UM School of Music instructed students between 7 and 18 years old in classical music, jazz, rock, songwriting, composition, and musical theater. "Imagination" is a 1940 jazz standard that has been recorded by numerous artists. The best-selling recordings were by Glenn Miller (1904-1944) and Tommy Dorsey (1905-1956) in 1940, but Ella Fitzgerald (1917-1996) is considered by many to be the definitive jazz interpreter of the song.
Type
Sound
Source
Original 7-minute and 1-second audio recording: Van Heusen, Jimmy, and Johnny Burke. "Imagination," by Ira Sullivan: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 8, 2006.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Young Musicians Camp, University of Miami, Miami, Florida
Chicago, Illinois
Creator
Van Heusen, Jimmy
Burke, Johnny
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Sullivan, Ira
Date Created
2006-12-08
Date Issued
2006-12-08
Date Copyrighted
2006-12-08
Format
audio/mp3
Extent
6.42 MB
Medium
7-minute and 1-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Jimmy Van Heusen and Johnny Burke, performed by Ira Sullivan, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Jimmy Van Heusen and Johnny Burke and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Meredith, Bill. "<a href="http://jazztimes.com/articles/19200-ira-sullivan-family-first" target="_blank">Ira Sullivan: Family First</a>." <em>Jazz Times</em>, December 2007. http://jazztimes.com/articles/19200-ira-sullivan-family-first (Accessed March 23, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka/files/original/895a409de8de511b530c30e4a997dd1a.mp3" target="_blank">"Imagination" by Ira Sullivan</a>
alto hornists
alto saxophones
alto saxophonists
alton horns
bebop
bop
CAH
Chicago, Illinois
College of Arts and Humanities
Edward Chester Babcock
flautists
flugelhornists
flugelhorns
flutes
Imagination
Ira Sullivan
jazz
jazz ensembles
jazz standard
Jimmy Van Heusen
John Francis Burke
Johnny Burke
music
musicians
National Public Radio
NPR
orlando
PBS
peck horns
Public Broadcasting Service
soprano saxophones
soprano saxophonists
tenor horns
tenor saxophones
tenor saxophonists
UCF
UM
University of Central Florida
University of Miami
WUCF-FM
Young Musicians Camp
-
https://richesmi.cah.ucf.edu/omeka/files/original/875a98f98e15f470cbcd606ebcd9a2c3.mp3
bafced2003b095a3048472021c440b02
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Softly, As in a Morning Sunrise" by Ira Sullivan
Alternative Title
"Softly, As in a Morning Sunrise" by Ira Sullivan
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Softly, As in a Morning Sunrise," composed by Sigmund Romberg (1887-1951), with lyrics by Oscar Hammerstein II (1895-1960), and performed by Ira Sullivan (b. 1931) live on-air on WUCF-FM on December 8, 2006. A multi-instrumentalist, Sullivan was a crucial part of the Chicago jazz scene of the 1950s, performing with numerous artists, including a stint with Art Blakey (1919-1990) and the Jazz Messengers in 1956. He left the spotlight and moved to Florida to raise his family in the early 1960s, eventually starting a quintet with Red Rodney (1927-1994). Sullivan taught summers at the University of Miami's Young Musician's Camp, in which professional musicians and faculty from the UM School of Music instructed students between 7 and 18 years old in classical music, jazz, rock, songwriting, composition, and musical theater. "Softly, As in a Morning Sunrise" is a jazz standard written by Romberg and Hammerstein for the 1928 operetta, <em>The New Moon</em>. Originally composed as a tango, the first noteworthy jazz version is the 1938 recording by Artie Shaw (1910-2004).
Type
Sound
Source
Original 8-minute and 1-second audio recording: Romberg, Sigmund, and Oscar Hammerstein II. "Softly, As in a Morning Sunrise," by Ira Sullivan: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 8, 2006.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Young Musicians Camp, University of Miami, Miami, Florida
Chicago, Illinois
Creator
Romberg, Sigmund
Hammerstein, Oscar
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Sullivan, Ira
Date Created
2006-12-08
Date Issued
2006-12-08
Date Copyrighted
2006-12-08
Format
audio/mp3
Extent
7.35 MB
Medium
8-minute and 1-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Sigmund Romberg and Oscar Hammerstein II, performed by Ira Sullivan, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Sigmund Romberg and Oscar Hammerstein II and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Meredith, Bill. "<a href="http://jazztimes.com/articles/19200-ira-sullivan-family-first" target="_blank">Ira Sullivan: Family First</a>." <em>Jazz Times</em>, December 2007. http://jazztimes.com/articles/19200-ira-sullivan-family-first (Accessed March 23, 2015).
alto hornists
alto saxophones
alto saxophonists
alton horns
bebop
bop
CAH
Chicago, Illinois
College of Arts and Humanities
flautists
flugelhornists
flugelhorns
flutes
Ira Sullivan
jazz
jazz ensembles
jazz standard
music
musicians
National Public Radio
NPR
orlando
Oscar Greeley Clendenning Hammerstein II
Oscar Hammerstein
PBS
peck horns
Public Broadcasting Service
Sigmund A. Romberg
Sigmund Romberg
Softly, As in a Morning Sunrise
soprano saxophones
soprano saxophonists
tenor horns
tenor saxophones
tenor saxophonists
The New Moon
UCF
UM
University of Central Florida
University of Miami
WUCF-FM
Young Musicians Camp
-
https://richesmi.cah.ucf.edu/omeka/files/original/de41c8383c5ed2a9940b166cc0155824.mp3
b9828f02c8646cf5fd27ae9c883ef1be
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Blue Bossa" by Larry Coryell
Alternative Title
"Blue Bossa" by Larry Coryell
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Blue Bossa," composed by Kenny Dorham (1924-1972) and performed by Larry Coryell (b. 1943) live on-air on WUCF-FM on June 8, 1999. Coryell is an American jazz fusion guitarist, composer, and one of the pioneers of jazz-rock, a fusion genre that combines elements of blues, rock, country, and bop. Considered by many to be one of the greatest guitarists of all time, Coryell has shared the stage with Miles Davis (1926-1991) and Jimi Hendrix (1942-1970). He has remained active since the 1960s, recording over 100 albums. "Blue Bossa" is a jazz standard that first appeared on the 1963 Joe Henderson album, <em>Page One</em>.
Type
Sound
Source
Original 9-minute and 48-second audio recording: Dorham, Kenny. "Blue Bossa," by Larry Coryell: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 8, 1999.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Dorham, Kenny
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Coryell, Larry
Date Created
1999-06-08
Date Issued
1999-06-08
Date Copyrighted
1999-06-08
Format
audio/mp3
Medium
9-minute and 48-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Kenny Dorham, performed by Larry Coryell, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Kenny Dorham and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Coryell, Larry. <a href="http://www.worldcat.org/oclc/72150176" target="_blank"><em>Improvising: My Life in Music</em></a>. New York: Backbeat, 2007.
Blue Bossa
bossa nova
CAH
College of Arts and Humanities
free jazz
jazz
jazz ensembles
jazz fusion
jazz guitarists
jazz guitars
jazz standard
jazz-rock
Kenny Dorham
Larry Coryell
McKinley Howard Dorham
musicians
National Public Radio
NPR
orlando
PBS
post-bop
Public Broadcasting Service
UCF
University of Central Florida
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/c854e91cd963e277416da0a930145002.mp3
1122b5da6afa1aace63e6a69f5fb4582
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Manhã de Carnaval" by Larry Coryell
Alternative Title
"Manhã de Carnaval" by Larry Coryell
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Manhã de Carnaval" ("Morning of the Carnival"), composed by Luiz Bonfá (1922-12001) and lyricist Antônio Maria (1921-1964), and performed by Larry Coryell (b. 1943) live on-air on WUCF-FM on June 8, 1999. Coryell is an American jazz fusion guitarist, composer, and one of the pioneers of jazz-rock, a fusion genre that combines elements of blues, rock, country, and bop. Considered by many to be one of the greatest guitarists of all time, Coryell has shared the stage with Miles Davis (1926-1991) and Jimi Hendrix (1942-1970). He has remained active since the 1960s, recording over 100 albums.One of the first bossa nova compositions to gain popularity outside Brazil, "Manhã de Carnaval" has become a jazz standard. The song appeared as the theme to the 1958 film, <em>Orfeu Negro</em> (<em>Black Orpheus</em>).
Type
Sound
Source
Original 4-minute and 26-second audio recording: Bonfá, Luiz, and Antônio Maria. "Manhã de Carnaval," by Larry Coryell: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 8, 1999.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Bonfá, Luiz
Maria, Antônio
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Coryell, Larry
Date Created
1999-06-08
Date Issued
1999-06-08
Date Copyrighted
1999-06-08
Format
audio/mp3
Medium
4-minute and 26-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Luiz Floriano Bonfá and Antônio Maria, performed by Larry Coryell, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Luiz Floriano Bonfá and Antônio Maria and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Coryell, Larry. <a href="http://www.worldcat.org/oclc/72150176" target="_blank"><em>Improvising: My Life in Music</em></a>. New York: Backbeat, 2007.
Antônio Maria
Antônio Maria de Araújo Morais
Black Orpheus
bossa nova
Brazilian jazz
CAH
College of Arts and Humanities
free jazz
jazz
jazz ensembles
jazz fusion
jazz guitarists
jazz guitars
jazz standard
jazz-rock
Larry Coryell
Luis Bonfá
Luiz Bonfá
Luiz Floriano Bonfá
Manhã de Carnaval
Morning of the Carnival
musicians
National Public Radio
NPR
Orfeu Negro
orlando
PBS
post-bop
Public Broadcasting Service
UCF
University of Central Florida
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/b6b60b8bb94d9e8f0f882a0e006c3d43.mp3
b38bd7fc966178df4979528321eb9476
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Something" by Larry Coryell
Alternative Title
"Something" by Larry Coryell
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Something," composed by George Harrison (1943-2001) and performed by Larry Coryell (b. 1943) live on-air on WUCF-FM on June 8, 1999. Coryell is an American jazz fusion guitarist, composer, and one of the pioneers of jazz-rock, a fusion genre that combines elements of blues, rock, country, and bop. Considered by many to be one of the greatest guitarists of all time, Coryell has shared the stage with Miles Davis (1926-1991) and Jimi Hendrix (1942-1970). He has remained active since the 1960s, recording over 100 albums. "Something" was written by Harrison and released on the Beatles' 1969 album, <em>Abbey Road</em>. It is the second-most covered Beatles song after "Yesterday."
Type
Sound
Source
Original 4-minute and 21-second audio recording: Harrison, George. "Something," by Larry Coryell: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 8, 1999.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Harrison, George
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Coryell, Larry
Date Created
1999-06-08
Date Issued
1999-06-08
Date Copyrighted
1999-06-08
Format
audio/mp3
Medium
4-minute and 21-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by George Harrison, performed by Larry Coryell, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by George Harrison and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Coryell, Larry. <a href="http://www.worldcat.org/oclc/72150176" target="_blank"><em>Improvising: My Life in Music</em></a>. New York: Backbeat, 2007.
Beatles, the
CAH
College of Arts and Humanities
free jazz
George Harrison
Harrison, George
jazz
jazz ensembles
jazz fusion
jazz guitarists
jazz guitars
jazz-rock
Larry Coryell
musicians
National Public Radio
NPR
orlando
PBS
post-bop
Public Broadcasting Service
The Beatles
UCF
University of Central Florida
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/7480563401a3f01f67a5e36de82f81e8.mp3
b09dc96b3f3085af669d771f4fcc011c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Round About Midnight" by Larry Coryell
Alternative Title
"Round About Midnight" by Larry Coryell
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "'Round About Midnight," composed by Thelonious Monk (1917-1982), Bernie Hanighen (1908-1976), and Cootie Williams (1911-1985), and performed by Larry Coryell (b. 1943) live on-air on WUCF-FM on June 8, 1999. Coryell is an American jazz fusion guitarist, composer, and one of the pioneers of jazz-rock, a fusion genre that combines elements of blues, rock, country, and bop. Considered by many to be one of the greatest guitarists of all time, Coryell has shared the stage with Miles Davis (1926-1991) and Jimi Hendrix (1942-1970). He has remained active since the 1960s, recording over 100 albums. "'Round About Midnight" was first recorded by Miles Davis in 1955 and released on his album of the same name in 1957. It is the most recorded jazz standard composed by a jazz musician.
Type
Sound
Source
Original 8-minute and 42-second audio recording: Monk, Thelonious, Bernie Hanighen, and Cootie Williams. "'Round About Midnight," by Larry Coryell: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 8, 1999.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Monk, Thelonious
Hanighen, Bernie
Williams, Cootie
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Coryell, Larry
Date Created
1999-06-08
Date Issued
1999-06-08
Date Copyrighted
1999-06-08
Format
audio/mp3
Medium
8-minute and 42-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Thelonious Monk, Bernie Hanighen, and Cootie Williams, performed by Larry Coryell, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Thelonious Monk, Bernie Hanighen, and Cootie Williams and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Coryell, Larry. <a href="http://www.worldcat.org/oclc/72150176" target="_blank"><em>Improvising: My Life in Music</em></a>. New York: Backbeat, 2007.
'Round About Midnight
'Round Midnight
Bernard D. Hanighen
Bernie Hanighen
CAH
Charles Melvin Williams
College of Arts and Humanities
Cootie Williams
free jazz
jazz
jazz ensembles
jazz fusion
jazz guitarists
jazz guitars
jazz-rock
Larry Coryell
Monk, Thelonious Sphere
musicians
National Public Radio
NPR
orlando
PBS
post-bop
Public Broadcasting Service
Thelonious Monk
Thelonious Sphere Monk
UCF
University of Central Florida
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/038e0483b1294b95ff81c5b2af2fb05f.mp3
59935b4443e8f4b9c3ba2d7a9d1e2c48
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Autumn Leaves" by Larry Coryell
Alternative Title
"Autumn Leaves" by Coryell
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Autumn Leaves," composed by Joseph Kosma (1905-1969) with lyrics by Jacques Prévert (1900-1977, and performed by Larry Coryell (b. 1943) live on-air on WUCF-FM on June 8, 1999. Coryell is an American jazz fusion guitarist, composer, and one of the pioneers of jazz-rock, a fusion genre that combines elements of blues, rock, country, and bop. Considered by many to be one of the greatest guitarists of all time, Coryell has shared the stage with Miles Davis (1926-1991) and Jimi Hendrix (1942-1970). He has remained active since the 1960s, recording over 100 albums. "Autumn Leaves" is a jazz and pop standard composed by Kosma in 1945. American songwriter Johnny Mercer (1909-1976) wrote English lyrics in 1947.
Type
Sound
Source
Original 7-minute and 34-second audio recording: Kosma, Joseph and Jacques Prévert. "Autumn Leaves," by Larry Coryell: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 8, 1999.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Kosma, Joseph
Prévert, Jacques
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Coryell, Larry
Date Created
1999-06-08
Date Issued
1999-06-08
Date Copyrighted
1999-06-08
Format
audio/mp3
Medium
7-minute and 34-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Joseph Kosma and Jacques Prévert, performed by Larry Coryell, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Joseph Kosma and Jacques Prévert and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Coryell, Larry. <a href="http://www.worldcat.org/oclc/72150176" target="_blank"><em>Improvising: My Life in Music</em></a>. New York: Backbeat, 2007.
Autumn Leaves
free jazz
Jacques Prévert
jazz
jazz ensembles
jazz fusion
jazz guitarists
jazz guitars
jazz standard
jazz-rock
Larry Coryell
musicians
National Public Radio
NPR
orlando
PBS
pop standard
post-bop
Public Broadcasting Service
UCF
University of Central Florida
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/cac4f33d754341766925e4847db6ed60.mp3
6a1ec358c222c13a6bee944b3e21e81b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Bags' Groove" by Larry Coryell
Alternative Title
"Bags' Groove" by Coryell
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Bags' Groove," composed by Milt "Bags" Jackson (1923-1999) and performed by Larry Coryell (b. 1943) live on-air on WUCF-FM on June 8, 1999. Coryell is an American jazz fusion guitarist, composer, and one of the pioneers of jazz-rock, a fusion genre that combines elements of blues, rock, country, and bop. Considered by many to be one of the greatest guitarists of all time, Coryell has shared the stage with Miles Davis (1926-1991) and Jimi Hendrix (1942-1970). He has remained active since the 1960s, recording over 100 albums. "Bags' Groove" is a jazz standard first recorded by Davis' quintet in 1954.
Type
Sound
Source
Original 8-minute and 49-second audio recording: Jackson, Milt. "Bags' Groove," by the Larry Coryell: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 8, 1999.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Jackson, Milt
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Coryell, Larry
Date Created
1999-06-08
Date Issued
1999-06-08
Date Copyrighted
1999-06-08
Format
audio/mp3
Medium
8-minute and 49-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Milt Jackson, performed by Larry Coryell, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Milt Jackson and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Coryell, Larry. <a href="http://www.worldcat.org/oclc/72150176" target="_blank"><em>Improvising: My Life in Music</em></a>. New York: Backbeat, 2007.
Bags Jackson
Bags' Groove
free jazz
jazz
jazz ensembles
jazz fusion
jazz guitarists
jazz guitars
jazz standard
jazz-rock
Larry Coryell
Milt Jackson
Milton Jackson
musicians
National Public Radio
NPR
orlando
PBS
post-bop
Public Broadcasting Service
UCF
University of Central Florida
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/4911fd773c7b253c5891b1649691b736.mp3
6f2f597c81e09a14c55ec4e71caa1494
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Blues in the Key of Page" by Nathen Page
Alternative Title
"Blues in the Key of Page" by Page
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Blues in the Key of Page," composed and performed by <span><span>Nathen Page (1937-2003) live on-air on WUCF-FM on June 23, 2000. Page was an American guitarist from West Virginia who moved to Central Florida in 1979, where he remained active until his death in 2003. Page was known for his unorthodox way of playing, including using a thumb pick on his forefinger. He performed with numerous jazz musicians, including Sonny Rollins (b. 1930), Roberta Flack (b. 1937), Sam Rivers (1923-2011), Herbie Mann (1930-2003), and Jackie McLean (1931-2006). Page released this on-air recording as a 2000 album, entitled Thinking of You. The performance included his regular quartet, with Kevin Bales on piano, Leon Anderson on drums, and Jeff Handley on bass.</span></span>
Type
Sound
Source
Original 7-minute and 51-second audio recording: Page, Nathen. "Blues in the Key of Page," by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 23, 2000.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Page, Nathen
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Page, Nathen
Bales, Kevin
Anderson, Leon
Handley, Jeff
Date Created
2000-06-23
Date Issued
2000-06-23
Date Copyrighted
2000-06-23
Format
audio/mp3
Medium
7-minute and 51-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally composed by Nathen Page, performed by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Nathen Page and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Gettelman, Parry. <a href="http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano" target="_blank">”Nathen Page, Jazz Maverick</a>.” <em>The Orlando Sentinel</em>, January 19, 1992. http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano (Accessed March 16, 2015).
Blues in the Key of Page
CAH
College of Arts and Humanities
hard bop
Jackie McLean
jazz
jazz ensembles
jazz guitarists
jazz guitars
Jeff Handley
Kevin Bales
Leon Anderson
musicians
Nathen Page
National Public Radio
NPR
orlando
PBS
Public Broadcasting Service
radio stations
radios
soul jazz
soul music
Thinking of You
UCF
University of Central Florida
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/0e6d1bd8d3b63f1f7e9dc6fcae5818d3.mp3
0d7bf0d7c2577cd1ba39a87a27bb2aeb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Blues for Brad" by Nathen Page
Alternative Title
"Blues for Brad" by Page
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Blues for Brad," composed and performed by <span><span>Nathen Page (1937-2003) live on-air on WUCF-FM on June 23, 2000. Page was an American guitarist from West Virginia who moved to Central Florida in 1979, where he remained active until his death in 2003. Page was known for his unorthodox way of playing, including using a thumb pick on his forefinger. He performed with numerous jazz musicians, including Sonny Rollins (b. 1930), Roberta Flack (b. 1937), Sam Rivers (1923-2011), Herbie Mann (1930-2003), and Jackie McLean (1931-2006). Page released this on-air recording as a 2000 album, entitled Thinking of You. The performance included his regular quartet, with Kevin Bales on piano, Leon Anderson on drums, and Jeff Handley on bass.</span></span>
Type
Sound
Source
Original 6-minute and 38-second audio recording: Page, Nathen. "Blues for Brad," by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 23, 2000.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Page, Nathen
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Page, Nathen
Bales, Kevin
Anderson, Leon
Handley, Jeff
Date Created
2000-06-23
Date Issued
2000-06-23
Date Copyrighted
2000-06-23
Format
audio/mp3
Medium
6-minute and 38-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally composed by Nathen Page, performed by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Nathen Page and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Gettelman, Parry. <a href="http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano" target="_blank">”Nathen Page, Jazz Maverick</a>.” <em>The Orlando Sentinel</em>, January 19, 1992. http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano (Accessed March 16, 2015).
CAH
College of Arts and Humanities
hard bop
Jackie McLean
jazz
jazz ensembles
jazz guitarists
jazz guitars
Jeff Handley
Kevin Bales
Leon Anderson
musicians
Nathen Page
National Public Radio
NPR
orlando
PBS
Public Broadcasting Service
radio stations
radios
soul jazz
soul music
Thinking of You
UCF
University of Central Florida
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/cde5ace2577b6e34864567cb73375225.mp3
573d30ba12388016a158abc0bed5dc47
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Thinking of You" by Nathen Page
Alternative Title
"Thinking of You" by Page
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Thinking of You," composed and performed by <span><span>Nathen Page (1937-2003) live on-air on WUCF-FM on June 23, 2000. Page was an American guitarist from West Virginia who moved to Central Florida in 1979, where he remained active until his death in 2003. Page was known for his unorthodox way of playing, including using a thumb pick on his forefinger. He performed with numerous jazz musicians, including Sonny Rollins (b. 1930), Roberta Flack (b. 1937), Sam Rivers (1923-2011), Herbie Mann (1930-2003), and Jackie McLean (1931-2006). Page released this on-air recording as a 2000 album, entitled Thinking of You. The performance included his regular quartet, with Kevin Bales on piano, Leon Anderson on drums, and Jeff Handley on bass.</span></span>
Type
Sound
Source
Original 4-minute and 57-second audio recording: Page, Nathen. "Thinking of You," by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 23, 2000.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Page, Nathen
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Page, Nathen
Bales, Kevin
Anderson, Leon
Handley, Jeff
Date Created
2000-06-23
Date Issued
2000-06-23
Date Copyrighted
2000-06-23
Format
audio/mp3
Medium
4-minute and 57-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally composed by Nathen Page, performed by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Nathen Page and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Gettelman, Parry. "<a href="http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano" target="_blank">Nathen Page, Jazz Maverick</a>." <em>The Orlando Sentinel</em>, January 19, 1992. http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano (Accessed March 16, 2015).
CAH
College of Arts and Humanities
guitar
hard bop
Jackie McLean
jazz
jazz ensembles
jazz guitarists
jazz guitars
jazz music
Jeff Handley
Kevin Bales
Leon Anderson
musicians
Nathen Page
National Public Radio
NPR
orlando
PBS
Public Broadcasting Service
radio stations
radios
soul jazz
soul music
Thinking of You
UCF
University of Central Florida
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/551d470f2b43af80c42a85a28225f7e4.mp3
feae5213725efa2e24ffb128320f586e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Blues for Alvin" by Nathen Page
Alternative Title
"Blues for Alvin" by Nathen Page
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Blues for Alvin," composed and performed by Nathen Page (1937-2003) live on-air on WUCF-FM on June 23, 2000. Page was an American guitarist from West Virginia who moved to Central Florida in 1979, where he remained active until his death in 2003. Page was known for his unorthodox way of playing, including using a thumb pick on his forefinger. He performed with numerous jazz musicians, including Sonny Rollins (b. 1930), Roberta Flack (b. 1937), Sam Rivers (1923-2011), Herbie Mann (1930-2003), and Jackie McLean (1931-2006). Page released this on-air recording as a 2000 album, entitled <em>Thinking of You</em>. The performance included his regular quartet, with Kevin Bales on piano, Leon Anderson on drums, and Jeff Handley on bass.
Type
Sound
Source
Original 9-minute and 21-second audio recording: Page, Nathen. "Blues for Alvin," by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 23, 2000.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Page, Nathen
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Page, Nathen
Bales, Kevin
Anderson, Leon
Handley, Jeff
Date Created
2000-06-23
Date Issued
2000-06-23
Date Copyrighted
2000-06-23
Format
audio/mp3
Medium
9-minute and 21-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally composed by Nathen Page, performed by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Nathen Page and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Gettelman, Parry. "<a href="http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano" target="_blank">Nathen Page, Jazz Maverick</a>." <em>The Orlando Sentinel</em>, January 19, 1992. http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano (Accessed March 16, 2015).
Blues for Alvin
CAH
College of Arts and Humanities
hard bop
Jackie McLean
jazz
jazz ensembles
jazz guitarists
jazz guitars
Jeff Handley
Kevin Bales
Leon Anderson
musicians
Nathen Page
National Public Radio
NPR
orlando
PBS
Public Broadcasting Service
radio stations
radios
soul jazz
soul music
Thinking of You
UCF
University of Central Florida
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/feaa1ccd05231006ef843a7724daa7a3.mp3
6849e15178f5ec486cf509f957af9634
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Bistro Stomp" by Nathen Page
Alternative Title
"Bistro Stomp" by Nathen Page
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Bistro Stomp," composed and performed by Nathen Page (1937-2003) live on-air on WUCF-FM on June 23, 2000. Page was an American guitarist from West Virginia who moved to Central Florida in 1979, where he remained active until his death in 2003. Page was known for his unorthodox way of playing, including using a thumb pick on his forefinger. He performed with numerous jazz musicians, including Sonny Rollins (b. 1930), Roberta Flack (b. 1937), Sam Rivers (1923-2011), Herbie Mann (1930-2003), and Jackie McLean (1931-2006). Page released this on-air recording as a 2000 album, entitled <em>Thinking of You</em>. The performance included his regular quartet, with Kevin Bales on piano, Leon Anderson on drums, and Jeff Handley on bass.
Type
Sound
Source
Original 5-minute and 23-second audio recording: Page, Nathen. "Bistro Stomp," by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 23, 2000.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Page, Nathen
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Page, Nathen
Bales, Kevin
Anderson, Leon
Handley, Jeff
Date Created
2000-06-23
Date Issued
2000-06-23
Date Copyrighted
2000-06-23
Format
audio/mp3
Medium
5-minute and 23-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally composed by Nathen Page, performed by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Nathen Page and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Gettelman, Parry. "<a href="http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano" target="_blank">Nathen Page, Jazz Maverick</a>." <em>The Orlando Sentinel</em>, January 19, 1992. http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano (Accessed March 16, 2015).
Bistro Stomp
CAH
College of Arts and Humanities
hard bop
Jackie McLean
jazz
jazz ensembles
jazz guitarists
jazz guitars
Jeff Handley
Kevin Bales
Leon Anderson
musicians
Nathen Page
National Public Radio
NPR
orlando
PBS
Public Broadcasting Service
radio stations
radios
soul jazz
soul music
Thinking of You
UCF
University of Central Florida
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/7e8208ba115758a73cea7b92def254ee.mp3
63c5e0e8deb3554c073dec1e0f583c16
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Carrie" by Nathen Page
Alternative Title
"Carrie" by Nathen Page
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Carrie," composed and performed by Nathen Page (1937-2003) live on-air on WUCF-FM on June 23, 2000. Page was an American guitarist from West Virginia who moved to Central Florida in 1979, where he remained active until his death in 2003. Page was known for his unorthodox way of playing, including using a thumb pick on his forefinger. He performed with numerous jazz musicians, including Sonny Rollins (b. 1930), Roberta Flack (b. 1937), Sam Rivers (1923-2011), Herbie Mann (1930-2003), and Jackie McLean (1931-2006). Page released this on-air recording as a 2000 album, entitled <em>Thinking of You</em>. The performance included his regular quartet, with Kevin Bales on piano, Leon Anderson on drums, and Jeff Handley on bass.
Type
Sound
Source
Original 5-minute and 50-second audio recording: Page, Nathen. "Carrie," by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 23, 2000.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Page, Nathen
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Page, Nathen
Bales, Kevin
Anderson, Leon
Handley, Jeff
Date Created
2000-06-23
Date Issued
2000-06-23
Date Copyrighted
2000-06-23
Format
audio/mp3
Medium
5-minute and 50-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally composed by Nathen Page, performed by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Nathen Page and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Gettelman, Parry. "<a href="http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano" target="_blank">Nathen Page, Jazz Maverick</a>." <em>The Orlando Sentinel</em>, January 19, 1992. http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano (Accessed March 16, 2015).
CAH
Carrie
College of Arts and Humanities
hard bop
Jackie McLean
jazz
jazz ensembles
jazz guitarists
jazz guitars
Jeff Handley
Kevin Bales
Leon Anderson
musicians
Nathen Page
National Public Radio
NPR
orlando
PBS
Public Broadcasting Service
radio stations
radios
soul jazz
soul music
Thinking of You
UCF
University of Central Florida
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/2234eb20147120d2b9d33a8605f2d372.mp3
8e679381085915d1aa89c60e537cc94c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Blues in the Key of Page" by Nathen Page
Alternative Title
"Blues in the Key of Page" by Nathen Page
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Blues in the Key of Page," composed and performed by Nathen Page (1937-2003) live on-air on WUCF-FM on June 23, 2000. Page was an American guitarist from West Virginia who moved to Central Florida in 1979, where he remained active until his death in 2003. Page was known for his unorthodox way of playing, including using a thumb pick on his forefinger. He performed with numerous jazz musicians, including Sonny Rollins (b. 1930), Roberta Flack (b. 1937), Sam Rivers (1923-2011), Herbie Mann (1930-2003), and Jackie McLean (1931-2006). Page released this on-air recording as a 2000 album, entitled <em>Thinking of You</em>. The performance included his regular quartet, with Kevin Bales on piano, Leon Anderson on drums, and Jeff Handley on bass.
Type
Sound
Source
Original 7-minute and 3-second audio recording: Page, Nathen. "Blues in the Key of Page," by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 23, 2000.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Page, Nathen
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Page, Nathen
Bales, Kevin
Anderson, Leon
Handley, Jeff
Date Created
2000-06-23
Date Issued
2000-06-23
Date Copyrighted
2000-06-23
Format
audio/mp3
Medium
7-minute and 3-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally composed by Nathen Page, performed by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Nathen Page and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Gettelman, Parry. "<a href="http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano" target="_blank">Nathen Page, Jazz Maverick</a>." <em>The Orlando Sentinel</em>, January 19, 1992. http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano (Accessed March 16, 2015).
Blues in the Key of Page
CAH
College of Arts and Humanities
hard bop
Jackie McLean
jazz
jazz ensembles
jazz guitarists
jazz guitars
Jeff Handley
Kevin Bales
Leon Anderson
musicians
Nathen Page
National Public Radio
NPR
orlando
PBS
Public Broadcasting Service
radio stations
radios
soul jazz
soul music
Thinking of You
UCF
University of Central Florida
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/eb1cfbbaf18bc6b773bcffdd7b795782.mp3
50c3078e43b907cbeadfab4a6cc66792
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Stepping" by Nathen Page
Alternative Title
"Stepping" by Nathen Page
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Stepping," composed and performed by Nathen Page (1937-2003) live on-air on WUCF-FM on June 23, 2000. Page was an American guitarist from West Virginia who moved to Central Florida in 1979, where he remained active until his death in 2003. Page was known for his unorthodox way of playing, including using a thumb pick on his forefinger. He performed with numerous jazz musicians, including Sonny Rollins (b. 1930), Roberta Flack (b. 1937), Sam Rivers (1923-2011), Herbie Mann (1930-2003), and Jackie McLean (1931-2006). Page released this on-air recording as a 2000 album, entitled <em>Thinking of You</em>. The performance included his regular quartet, with Kevin Bales on piano, Leon Anderson on drums, and Jeff Handley on bass.
Type
Sound
Source
Original 8-minute and 12-second audio recording: Page, Nathen. "Stepping," by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, June 23, 2000.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Page, Nathen
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Page, Nathen
Bales, Kevin
Anderson, Leon
Handley, Jeff
Date Created
2000-06-23
Date Issued
2000-06-23
Date Copyrighted
2000-06-23
Format
audio/mp3
Medium
8-minute and 12-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally composed by Nathen Page, performed by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Nathen Page and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Gettelman, Parry. "<a href="http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano" target="_blank">Nathen Page, Jazz Maverick</a>." <em>The Orlando Sentinel</em>, January 19, 1992. http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano (Accessed March 16, 2015).
CAH
College of Arts and Humanities
hard bop
Jackie McLean
jazz
jazz ensembles
jazz guitarists
jazz guitars
Jeff Handley
Kevin Bales
Leon Anderson
musicians
Nathen Page
National Public Radio
NPR
orlando
Page, Nathen
PBS
Public Broadcasting Service
radio stations
radios
soul jazz
soul music
Thinking of You
UCF
University of Central Florida
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/0b6fa091cb6163d78f2b8ec5736b64f4.mp3
f922b5352315b145cb6520881dd0500c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Out" by the Sam Rivers Trio
Alternative Title
"Out" by Sam Rivers Trio
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Out," composed by Sam Rivers (1923-2011) and performed by the Sam Rivers Trio live on-air on WUCF-FM on December 11, 2001. Rivers was a jazz multi-instrumentalist and composer from Oklahoma, who helped popularize free jazz and avant-garde jazz. Rivers was briefly a member of the Miles Davis Quintet before going on to lead his own groups and perform as a sideman with a number of artists. Rivers and his wife, Bea Rivers, opened a public jazz loft known as Studio Rivbea in the 1970s in Lower Manhattan in New York City, New York. The couple moved to Orlando, Florida, in the early 1990s, where Rivers continued to perform with his Orchestra and Trio. This incarnation of the Sam Rivers Trio included the rhythm section from his Rivbea All-Star Orchestra: bassist Doug Mathews and drummer Anthony Cole.
Type
Sound
Source
Original 8-minute and 30-second audio recording: Rivers, Sam. "Out," by the Sam Rivers: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, August 14, 2006.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Studio Rivbea, Lower/Downtown Manhattan, New York City, New York
Creator
Rivers, Sam
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Rivers, Sam
Mathews, Doug
Cole, Anthony
Date Created
2001-12-11
Date Issued
2001-12-11
Date Copyrighted
2001-12-11
Format
audio/mp3
Extent
7.79 MB
Medium
8-minute and 30-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Sam Rivers, performed the Sam Rivers Trio, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Sam Rivers and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Chinen, Nate. <a href="http://www.worldcat.org/oclc/755624978" target="_blank">”Sam Rivers, Jazz Artist of Loft Scene, Dies at 88</a>.” <em>The New York Times</em>, December 27, 2011. http://www.nytimes.com/2011/12/28/arts/music/sam-rivers-jazz-musician-dies-at-88.html?_r=0 (Accessed March 10, 2015).
Anthony Cole
avant-garde jazz
bass clarinetists
bass clarinets
CAH
College of Arts and Humanities
Doug Mathews
flautists
flutes
free jazz
jazz ensembles
jazz saxophones
jazz saxophonists
musicians
National Public Radio
NPR
orlando
Out
PBS
Public Broadcasting Service
radio stations
radios
Sam Rivers
Sam Rivers Trio
Samuel Carthorne Rivers
soprano saxophones
soprano saxophonists
Studio Rivbea
tenor saxophones
tenor saxophonists
UCF
University of Central Florida
woodwind players
woodwinds
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/236d20a9af719b72227029b01b272f90.mp3
9afcb38a19375b98c5fbf57f239ea7c2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Xtemporanious" by the Sam Rivers Trio
Alternative Title
"Xtemporanious" by Sam Rivers Trio
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Xtemporanious," composed by Sam Rivers (1923-2011) and performed by the Sam Rivers Trio live on-air on WUCF-FM on December 11, 2001. Rivers was a jazz multi-instrumentalist and composer from Oklahoma, who helped popularize free jazz and avant-garde jazz. Rivers was briefly a member of the Miles Davis Quintet before going on to lead his own groups and perform as a sideman with a number of artists. Rivers and his wife, Bea Rivers, opened a public jazz loft known as Studio Rivbea in the 1970s in Lower Manhattan in New York City, New York. The couple moved to Orlando, Florida, in the early 1990s, where Rivers continued to perform with his Orchestra and Trio. This incarnation of the Sam Rivers Trio included the rhythm section from his Rivbea All-Star Orchestra: bassist Doug Mathews and drummer Anthony Cole.
Type
Sound/Podcast
Source
Original 2-minute and 51-second audio recording: Rivers, Sam. "Xtemporanious," by the Sam Rivers: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, August 14, 2006.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Studio Rivbea, Lower/Downtown Manhattan, New York City, New York
Creator
Rivers, Sam
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Rivers, Sam
Mathews, Doug
Cole, Anthony
Date Created
2001-12-11
Date Issued
2001-12-11
Date Copyrighted
2001-12-11
Format
audio/mp3
Extent
2.62 MB
Medium
2-minute and 51-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Sam Rivers, performed the Sam Rivers Trio, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Sam Rivers and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Chinen, Nate. <a href="http://www.worldcat.org/oclc/755624978" target="_blank">”Sam Rivers, Jazz Artist of Loft Scene, Dies at 88</a>.” <em>The New York Times</em>, December 27, 2011. http://www.nytimes.com/2011/12/28/arts/music/sam-rivers-jazz-musician-dies-at-88.html?_r=0 (Accessed March 10, 2015).
Anthony Cole
avant-garde jazz
bass clarinetists
bass clarinets
CAH
College of Arts and Humanities
Doug Mathews
flautists
flutes
free jazz
jazz ensembles
jazz saxophones
jazz saxophonists
musicians
National Public Radio
NPR
orlando
PBS
Public Broadcasting Service
radio stations
radios
Sam Rivers
Sam Rivers Trio
Samuel Carthorne Rivers
soprano saxophones
soprano saxophonists
Studio Rivbea
tenor saxophones
tenor saxophonists
UCF
University of Central Florida
woodwind players
woodwinds
WUCF-FM
Xtemporanious
-
https://richesmi.cah.ucf.edu/omeka/files/original/4f672be2f99d763903592412a11dd31a.mp3
9dede9c7ae30872ab66beaace55ad5ee
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Firestorm" by the Sam Rivers Trio
Alternative Title
"Firestorm" by Sam Rivers Trio
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Firestorm," composed by Sam Rivers (1923-2011) and performed by the Sam Rivers Trio live on-air on WUCF-FM on December 11, 2001. Rivers was a jazz multi-instrumentalist and composer from Oklahoma, who helped popularize free jazz and avant-garde jazz. Rivers was briefly a member of the Miles Davis Quintet before going on to lead his own groups and perform as a sideman with a number of artists. Rivers and his wife, Bea Rivers, opened a public jazz loft known as Studio Rivbea in the 1970s in Lower Manhattan in New York City, New York. The couple moved to Orlando, Florida, in the early 1990s, where Rivers continued to perform with his Orchestra and Trio. This incarnation of the Sam Rivers Trio included the rhythm section from his Rivbea All-Star Orchestra: bassist Doug Mathews and drummer Anthony Cole. "Firestorm" would be recorded and released on the 2007 Sam Rivers album of the same name.
Type
Sound
Source
Original 4-minute and 40-second audio recording: Rivers, Sam. "Firestorm," by the Sam Rivers: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, August 14, 2006.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Studio Rivbea, Lower/Downtown Manhattan, New York City, New York
Creator
Rivers, Sam
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Rivers, Sam
Mathews, Doug
Cole, Anthony
Date Created
2001-12-11
Date Issued
2001-12-11
Date Copyrighted
2001-12-11
Format
audio/mp3
Extent
4.27 MB
Medium
4-minute and 40-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Sam Rivers, performed the Sam Rivers Trio, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Sam Rivers and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Chinen, Nate. <a href="http://www.worldcat.org/oclc/755624978" target="_blank">”Sam Rivers, Jazz Artist of Loft Scene, Dies at 88</a>.” <em>The New York Times</em>, December 27, 2011. http://www.nytimes.com/2011/12/28/arts/music/sam-rivers-jazz-musician-dies-at-88.html?_r=0 (Accessed March 10, 2015).
Anthony Cole
avant-garde jazz
bass clarinetists
bass clarinets
CAH
College of Arts and Humanities
Doug Mathews
Firestorm
flautists
flutes
free jazz
jazz ensembles
jazz saxophones
jazz saxophonists
musicians
National Public Radio
NPR
orlando
PBS
Public Broadcasting Service
radio stations
radios
Sam Rivers
Sam Rivers Trio
Samuel Carthorne Rivers
saxophonist
soprano saxophones
soprano saxophonists
Studio Rivbea
tenor saxophones
tenor saxophonists
UCF
University of Central Florida
woodwind players
woodwinds
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/655878c64c211acee93af867c8c888a8.mp3
ac62695870e8c5bb4467353b35bf3a12
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Ever After" by the Sam Rivers Trio
Alternative Title
"Ever After" by Sam Rivers Trio
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Ever After," composed by Sam Rivers (1923-2011) and performed by the Sam Rivers Trio live on-air on WUCF-FM on December 11, 2001. Rivers was a jazz multi-instrumentalist and composer from Oklahoma, who helped popularize free jazz and avant-garde jazz. Rivers was briefly a member of the Miles Davis Quintet before going on to lead his own groups and perform as a sideman with a number of artists. Rivers and his wife, Bea Rivers, opened a public jazz loft known as Studio Rivbea in the 1970s in Lower Manhattan in New York City, New York. The couple moved to Orlando, Florida, in the early 1990s, where Rivers continued to perform with his Orchestra and Trio. This incarnation of the Sam Rivers Trio included the rhythm section from his Rivbea All-Star Orchestra: bassist Doug Mathews and drummer Anthony Cole. "Ever After" was recorded and released on the 1999 Sam Rivers album, <em>Winter Garden</em>.
Type
Sound
Source
Original 4-minute and 58-second audio recording: Rivers, Sam. "Ever After," by the Sam Rivers: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, August 14, 2006.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Studio Rivbea, Lower/Downtown Manhattan, New York City, New York
Creator
Rivers, Sam
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Rivers, Sam
Mathews, Doug
Cole, Anthony
Date Created
2001-12-11
Date Issued
2001-12-11
Date Copyrighted
2001-12-11
Format
audio/mp3
Extent
4.55 MB
Medium
4-minute and 58-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Sam Rivers, performed the Sam Rivers Trio, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Sam Rivers and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Chinen, Nate. <a href="http://www.worldcat.org/oclc/755624978" target="_blank">”Sam Rivers, Jazz Artist of Loft Scene, Dies at 88</a>.” <em>The New York Times</em>, December 27, 2011. http://www.nytimes.com/2011/12/28/arts/music/sam-rivers-jazz-musician-dies-at-88.html?_r=0 (Accessed March 10, 2015).
Anthony Cole
avant-garde jazz
bass clarinetists
bass clarinets
CAH
College of Arts and Humanities
Doug Mathews
Ever After
flautists
flutes
free jazz
jazz ensembles
jazz saxophones
jazz saxophonists
musicians
National Public Radio
NPR
orlando
PBS
Public Broadcasting Service
radio stations
radios
Sam Rivers
Sam Rivers Trio
Samuel Carthorne Rivers
soprano saxophones
soprano saxophonists
Studio Rivbea
tenor saxophones
tenor saxophonists
UCF
University of Central Florida
Winter Garden
woodwind players
woodwinds
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/faf673794d810b28b9804eb9224595d0.mp3
1db9655cb35f887ef476e12eacd3629f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Rapture" by the Sam Rivers Trio
Alternative Title
"Rapture" by Sam Rivers Trio
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Rapture," composed by Sam Rivers (1923-2011) and performed by the Sam Rivers Trio live on-air on WUCF-FM on December 11, 2001. Rivers was a jazz multi-instrumentalist and composer from Oklahoma, who helped popularize free jazz and avant-garde jazz. Rivers was briefly a member of the Miles Davis Quintet before going on to lead his own groups and perform as a sideman with a number of artists. Rivers and his wife, Bea Rivers, opened a public jazz loft known as Studio Rivbea in the 1970s in Lower Manhattan in New York City, New York. The couple moved to Orlando, Florida, in the early 1990s, where Rivers continued to perform with his Orchestra and Trio. This incarnation of the Sam Rivers Trio included the rhythm section from his Rivbea All-Star Orchestra: bassist Doug Mathews and drummer Anthony Cole. "Rapture" was recorded and released on the 1999 Sam Rivers album, <em>Winter Garden</em>.
Type
Sound
Source
Original 4-minute and 43-second audio recording: Rivers, Sam. "Rapture," by the Sam Rivers: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, August 14, 2006.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Studio Rivbea, Lower/Downtown Manhattan, New York City, New York
Creator
Rivers, Sam
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Rivers, Sam
Mathews, Doug
Cole, Anthony
Date Created
2001-12-11
Date Issued
2001-12-11
Date Copyrighted
2001-12-11
Format
audio/mp3
Extent
4.33 MB
Medium
4-minute and 43-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Sam Rivers, performed the Sam Rivers Trio, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Sam Rivers and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Chinen, Nate. <a href="http://www.worldcat.org/oclc/755624978" target="_blank">”Sam Rivers, Jazz Artist of Loft Scene, Dies at 88</a>.” <em>The New York Times</em>, December 27, 2011. http://www.nytimes.com/2011/12/28/arts/music/sam-rivers-jazz-musician-dies-at-88.html?_r=0 (Accessed March 10, 2015).
Anthony Cole
avant-garde jazz
bass clarinetists
bass clarinets
CAH
College of Arts and Humanities
Doug Mathews
flautists
flutes
free jazz
jazz ensembles
jazz saxophones
jazz saxophonists
musicians
National Public Radio
NPR
orlando
PBS
Public Broadcasting Service
radio stations
radios
Rapture
Sam Rivers
Sam Rivers Trio
Samuel Carthorne Rivers
soprano saxophones
soprano saxophonists
Studio Rivbea
tenor saxophones
tenor saxophonists
UCF
University of Central Florida
Winter Garden
woodwind players
woodwinds
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/8f08914cbd82ff2dbe6c7de6fd05815d.mp3
0f872aeeb2729228d3ee16edcbce756b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Beatrice" by the Sam Rivers Trio
Alternative Title
"Beatrice" by Sam Rivers Trio
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Beatrice," composed by Sam Rivers (1923-2011) and performed by the Sam Rivers Trio live on-air on WUCF-FM on December 11, 2001. Rivers was a jazz multi-instrumentalist and composer from Oklahoma, who helped popularize free jazz and avant-garde jazz. Rivers was briefly a member of the Miles Davis Quintet before going on to lead his own groups and perform as a sideman with a number of artists. Rivers and his wife, Bea Rivers, opened a public jazz loft known as Studio Rivbea in the 1970s in Lower Manhattan in New York City, New York. The couple moved to Orlando, Florida, in the early 1990s, where Rivers continued to perform with his Orchestra and Trio. This incarnation of the Sam Rivers Trio included the rhythm section from his Rivbea All-Star Orchestra: bassist Doug Mathews and drummer Anthony Cole. "Beatrice" was recorded and released on the 1964 Sam Rivers album, <em>Fuschia Swing Song</em>.
Type
Sound
Source
Original 3-minute and 44-second audio recording: Rivers, Sam. "Beatrice," by the Sam Rivers Trio: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 11, 2001.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Studio Rivbea, Lower/Downtown Manhattan, New York City, New York
Creator
Rivers, Sam
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Rivers, Sam
Mathews, Doug
Cole, Anthony
Date Created
2001-12-11
Date Issued
2001-12-11
Date Copyrighted
2001-12-11
Format
audio/mp3
Extent
3.43 MB
Medium
3-minute and 44-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Sam Rivers, performed by the Sam Rivers Trio, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Sam Rivers and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Chinen, Nate. "<a href="http://www.worldcat.org/oclc/755624978" target="_blank">Sam Rivers, Jazz Artist of Loft Scene, Dies at 88</a>." <em>The New York Times</em>, December 27, 2011. http://www.nytimes.com/2011/12/28/arts/music/sam-rivers-jazz-musician-dies-at-88.html?_r=0 (Accessed March 10, 2015).
Anthony Cole
avant-garde jazz
bass clarinetists
bass clarinets
Beatrice
CAH
College of Arts and Humanities
Doug Mathews
flautists
flutes
free jazz
Fuschia Swing Song
jazz
jazz ensembles
jazz saxophones
jazz saxophonists
musicians
National Public Radio
NPR
orlando
PBS
Public Broadcasting Service
radio stations
radios
Sam Rivers
Sam Rivers Trio
Samuel Carthorne Rivers
soprano saxophones
soprano saxophonists
Studio Rivbea
tenor saxophones
tenor saxophonists
UCF
University of Central Florida
woodwind players
woodwinds
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/75e5270e88333ddfe2418bc24bf77285.mp3
53c021e5015c9e04a97973ee880af420
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Bouquet" by the Sam Rivers Trio
Alternative Title
"Bouquet" by Sam Rivers Trio
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Bouquet," composed by Sam Rivers (1923-2011) and performed by the Sam Rivers Trio live on-air on WUCF-FM on December 11, 2001. Rivers was a jazz multi-instrumentalist and composer from Oklahoma, who helped popularize free jazz and avant-garde jazz. Rivers was briefly a member of the Miles Davis Quintet before going on to lead his own groups and perform as a sideman with a number of artists. Rivers and his wife, Bea Rivers, opened a public jazz loft known as Studio Rivbea in the 1970s in Lower Manhattan in New York City, New York. The couple moved to Orlando, Florida, in the early 1990s, where Rivers continued to perform with his Orchestra and Trio. This incarnation of the Sam Rivers Trio included the rhythm section from his Rivbea All-Star Orchestra: bassist Doug Mathews and drummer Anthony Cole.
Type
Sound
Source
Original 5-minute and 37-second audio recording: Rivers, Sam. "Bouquet," by the Sam Rivers Trio: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 11, 2001.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Studio Rivbea, Lower/Downtown Manhattan, New York City, New York
Creator
Rivers, Sam
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Rivers, Sam
Mathews, Doug
Cole, Anthony
Date Created
2001-12-11
Date Issued
2001-12-11
Date Copyrighted
2001-12-11
Format
audio/mp3
Extent
5.14 MB
Medium
5-minute and 37-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Sam Rivers, performed by the Sam Rivers Trio, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Sam Rivers and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Chinen, Nate. "<a href="http://www.worldcat.org/oclc/755624978" target="_blank">Sam Rivers, Jazz Artist of Loft Scene, Dies at 88</a>." <em>The New York Times</em>, December 27, 2011. http://www.nytimes.com/2011/12/28/arts/music/sam-rivers-jazz-musician-dies-at-88.html?_r=0 (Accessed March 10, 2015).
Anthony Cole
avant-garde jazz
bass clarinetists
bass clarinets
Bouquet
CAH
College of Arts and Humanities
Doug Mathews
flautists
flutes
free jazz
jazz
jazz ensembles
jazz saxophones
jazz saxophonists
musicians
National Public Radio
NPR
orlando
PBS
Public Broadcasting Service
radio stations
radios
Sam Rivers
Samuel Carthorne Rivers
soprano saxophones
soprano saxophonists
Studio Rivbea
tenor saxophones
tenor saxophonists
UCF
University of Central Florida
woodwind players
woodwinds
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/ad285e5aa755668ff3e757ad7714c954.mp3
a4964e796c61b72635abb3f70ccb1415
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Twilight" by the Sam Rivers Trio
Alternative Title
"Twilight" by Sam Rivers Trio
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Twilight," composed by Sam Rivers (1923-2011) and performed by the Sam Rivers Trio live on-air on WUCF-FM on December 11, 2001. Rivers was a jazz multi-instrumentalist and composer from Oklahoma, who helped popularize free jazz and avant-garde jazz. Rivers was briefly a member of the Miles Davis Quintet before going on to lead his own groups and perform as a sideman with a number of artists. Rivers and his wife, Bea Rivers, opened a public jazz loft known as Studio Rivbea in the 1970s in Lower Manhattan in New York City, New York. The couple moved to Orlando, Florida, in the early 1990s, where Rivers continued to perform with his Orchestra and Trio. This incarnation of the Sam Rivers Trio included the rhythm section from his Rivbea All-Star Orchestra: bassist Doug Mathews and drummer Anthony Cole.
Type
Sound
Source
Original 3-minute and 29-second audio recording: Rivers, Sam. "Twilight," by the Sam Rivers Trio: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 11, 2001.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Studio Rivbea, Lower/Downtown Manhattan, New York City, New York
Creator
Rivers, Sam
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Rivers, Sam
Mathews, Doug
Cole, Anthony
Date Created
2001-12-11
Date Issued
2001-12-11
Date Copyrighted
2001-12-11
Format
audio/mp3
Extent
3.19 MB
Medium
3-minute and 29-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Sam Rivers, performed by the Sam Rivers Trio, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Sam Rivers and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Chinen, Nate. "<a href="http://www.worldcat.org/oclc/755624978" target="_blank">Sam Rivers, Jazz Artist of Loft Scene, Dies at 88</a>." <em>The New York Times</em>, December 27, 2011. http://www.nytimes.com/2011/12/28/arts/music/sam-rivers-jazz-musician-dies-at-88.html?_r=0 (Accessed March 10, 2015).
Anthony Cole
avant-garde jazz
bass clarinetists
bass clarinets
CAH
College of Arts and Humanities
Doug Mathews
flautists
flutes
free jazz
jazz
jazz ensembles
jazz saxophone
jazz saxophones
jazz saxophonists
musicians
National Public Radio
NPR
orlando
PBS
Public Broadcasting Service
radio stations
radios
Sam Rivers
Sam Rivers Trio
Samuel Carthorne Rivers
soprano saxophones
soprano saxophonists
Studio Rivbea
tenor saxophones
tenor saxophonists
Twilight
UCF
University of Central Florida
woodwind players
woodwinds
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/feecd261d2ee499e16ba006220859b72.mp3
2b5bd74b5fb4cffd1d446a2df427f150
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Torch" by the Sam Rivers Trio
Alternative Title
"Torch" by Sam Rivers Trio
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Torch," composed by Sam Rivers (1923-2011) and performed by the Sam Rivers Trio live on-air on WUCF-FM on December 11, 2001. Rivers was a jazz multi-instrumentalist and composer from Oklahoma, who helped popularize free jazz and avant-garde jazz. Rivers was briefly a member of the Miles Davis Quintet before going on to lead his own groups and perform as a sideman with a number of artists. Rivers and his wife, Bea Rivers, opened a public jazz loft known as Studio Rivbea in the 1970s in Lower Manhattan in New York City, New York. The couple moved to Orlando, Florida, in the early 1990s, where Rivers continued to perform with his Orchestra and Trio. This incarnation of the Sam Rivers Trio included the rhythm section from his Rivbea All-Star Orchestra: bassist Doug Mathews and drummer Anthony Cole. "Torch" was recorded and released on the 1978 Sam Rivers album, <em>Waves</em>.
Type
Sound
Source
Original 3-minute and 42-second audio recording: Rivers, Sam. "Torch," by the Sam Rivers Trio: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 11, 2001.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Studio Rivbea, Lower/Downtown Manhattan, New York City, New York
Creator
Rivers, Sam
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Rivers, Sam
Mathews, Doug
Cole, Anthony
Date Created
2001-12-11
Date Issued
2001-12-11
Date Copyrighted
2001-12-11
Format
audio/mp3
Extent
3.39 MB
Medium
3-minute and 42-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Sam Rivers, performed by the Sam Rivers Trio, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Sam Rivers and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Chinen, Nate. "<a href="http://www.worldcat.org/oclc/755624978" target="_blank">Sam Rivers, Jazz Artist of Loft Scene, Dies at 88</a>." <em>The New York Times</em>, December 27, 2011. http://www.nytimes.com/2011/12/28/arts/music/sam-rivers-jazz-musician-dies-at-88.html?_r=0 (Accessed March 10, 2015).
Anthony Cole
avant-garde jazz
bass clarinetists
bass clarinets
CAH
College of Arts and Humanities
Doug Mathews
flautists
flutes
free jazz
jazz
jazz ensembles
jazz saxophones
jazz saxophonists
musicians
National Public Radio
NPR
orlando
PBS
Public Broadcasting Service
radio stations
radios
Sam Rivers
Sam Rivers Trio
Samuel Carthorne Rivers
soprano saxophones
soprano saxophonists
Studio Rivbea
tenor saxophones
tenor saxophonists
Torch
UCF
University of Central Florida
WAVES
woodwind players
woodwinds
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/363d02de7cb206c705f066f5539cb10b.mp3
fc292b63460ba50b9b542f7c83779b97
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Do Nothin' Till You Hear From Me" by Terry Myers
Alternative Title
"Do Nothing Til You Hear From Me" by Myers
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
R&B (Music)
Description
An audio recording of "Do Nothing till You Hear from Me," composed by Duke Ellington (1899-1974), and performed by Terry Myers live on-air on WUCF-FM on August 14, 2006. Myers is a reed player from Iowa who developed a successful career in Nashville, Tennessee, and New York before moving to Central Florida, where he became a band leader at Walt Disney World's Epcot theme park and the band leader at Rosie O'Grady's Good Time Jazz Emporium at Church Street Station in Orlando. Myers has played at jazz festivals across the United States, Europe, and Asia, and is currently the director of the Tommy Dorsey Orchestra. "Do Nothin' Till You Hear From Me" was composed by Ellington in 1940 and lyrics were later added by Bob Russell (1914-1970). It was recorded by Ellington in 1944, reaching number one in the rhythm and blues charts.
Type
Sound
Source
Original 6-minute and 15-second audio recording: Ellington, Duke and Bob Russell. "Do Nothing Til You Hear From Me," by Terry Myers: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, August 14, 2006.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Ellington, Duke
Russell, Bob
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Myers, Terry
Date Created
2006-08-14
Date Issued
2006-08-14
Date Copyrighted
2006-08-14
Format
audio/mp3
Extent
5.72
Medium
6-minute and 15-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Duke Ellington and Bob Russell, performed by Terry Myers, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Duke Ellington and Bob Russell and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
"<a href="http://www.buddymorrowproductions.com/terry-meyers.html" target="_blank">Meet Terry Myers</a>." BuddyMorrowProductions.com. http://www.buddymorrowproductions.com/terry-meyers.html (accessed March 10, 2015).
Bob Russell
CAH
Church Street Station
College of Arts and Humanities
Do Nothin' Till You Hear From Me
Duke Ellington
Edward Kennedy Ellington
Ellington, Duke
Ellington, Edward "Duke" Kennedy
Epcot
Francis Albert Sinatra
Frank Sinatra
jazz
jazz ensembles
jazz saxophones
jazz saxophonists
musicians
National Public Radio
NPR
orlando
PBS
Public Broadcasting Service
R&B
radio stations
radios
Reed
reed players
Reuben Bloom
rhythm and blues
Rosie O'Grady's Good Time Jazz Emporium
Rube Bloom
Sidney Keith Russell
soprano saxophones
soprano saxophonists
tenor saxophones
tenor saxophonists
Terry Myers
Tommy Dorsey Orchestra
UCF
University of Central Florida
Walt Disney World
woodwind players
woodwinds
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/fff8a7b681743b6c27e74b48fe485a68.mp3
c69d8cd269ef99518d9ae1338c9ce9e6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"My One and Only Love" by Terry Myers
Alternative Title
"My One and Only Love" by Myers
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Pop music
Description
An audio recording of "My One and Only Love," composed by Guy Wood (1911-2001) with lyrics by Robert Mellin (1902-1994), and performed by Terry Myers live on-air on WUCF-FM on August 14, 2006. Myers is a reed player from Iowa who developed a successful career in Nashville, Tennessee, and New York before moving to Central Florida, where he became a band leader at Walt Disney World's Epcot theme park and the band leader at Rosie O'Grady's Good Time Jazz Emporium at Church Street Station in Orlando. Myers has played at jazz festivals across the United States, Europe, and Asia, and is currently the director of the Tommy Dorsey Orchestra. "My One and Only Love" is a pop standard composed and published by Wood and Mellin in 1952 and recorded by Frank Sinatra (1915-1998) in 1953. It has since been recorded by numerous artists.
Type
Sound
Source
Original 5-minute and 58-second audio recording: Wood, Guy and Robert Mellin. "My One and Only Love," by Terry Myers: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, August 14, 2006.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Wood, Guy
Mellin, Robert
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Myers, Terry
Date Created
2006-08-14
Date Issued
2006-08-14
Date Copyrighted
2006-08-14
Format
audio/mp3
Extent
5.47 MB
Medium
5-minute and 58-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Guy Wood and Robert Mellin, performed by Terry Myers, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Guy Wood and Robert Mellin and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
"<a href="http://www.buddymorrowproductions.com/terry-meyers.html" target="_blank">Meet Terry Myers</a>." BuddyMorrowProductions.com. http://www.buddymorrowproductions.com/terry-meyers.html (accessed March 10, 2015).
CAH
Church Street Station
College of Arts and Humanities
Epcot
Francis Albert Sinatra
Frank Sinatra
Guy B. Wood
Guy Wood
jazz
jazz ensembles
jazz saxophones
jazz saxophonists
musicians
My One and Only Love
National Public Radio
NPR
orlando
PBS
pop music
pop standard
Public Broadcasting Service
radio stations
radios
Reed
reed players
Reuben Bloom
Robert Mellin
Rosie O'Grady's Good Time Jazz Emporium
Rube Bloom
soprano saxophones
soprano saxophonists
tenor saxophones
tenor saxophonists
Terry Myers
Tommy Dorsey Orchestra
UCF
University of Central Florida
Walt Disney World
woodwind players
woodwinds
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/15787dfd68243bc27ed8df5c5359f9ef.mp3
53d55d09c661bc1032338dd0f7d3400f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Strike Up the Band" by Terry Myers
Alternative Title
"Strike Up the Band" by Myers
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Pop music
Description
An audio recording of "Strike Up the Band," composed by George Gershwin (1898-1937) and Ira Gershwin (1896-1983), and performed by Terry Myers live on-air on WUCF-FM on August 14, 2006. Myers is a reed player from Iowa who developed a successful career in Nashville, Tennessee, and New York before moving to Central Florida, where he became a band leader at Walt Disney World's Epcot theme park and the band leader at Rosie O'Grady's Good Time Jazz Emporium at Church Street Station in Orlando. Myers has played at jazz festivals across the United States, Europe, and Asia, and is currently the director of the Tommy Dorsey Orchestra. Brothers George and Ira Gershwin composed "Strike Up the Band" in 1927 for a musical of the same name. Although the musical was unsuccessful, the song became popular.
Type
Sound
Source
Original 5-minute and 44-second audio recording: Gershwin, George and Ira Gershwin. "Strike Up the Band," by Terry Myers: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, August 14, 2006.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Gershwin, George
Gershwin, Ira
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Myers, Terry
Date Created
2006-08-14
Date Issued
2006-08-14
Date Copyrighted
2006-08-14
Format
audio/mp3
Extent
5.25 MB
Medium
5-minute and 44-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by George Gershwin and Ira Gershwin, performed by Terry Myers, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by George Gershwin and Ira Gershwin and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
"<a href="http://www.buddymorrowproductions.com/terry-meyers.html" target="_blank">Meet Terry Myers</a>." BuddyMorrowProductions.com. http://www.buddymorrowproductions.com/terry-meyers.html (accessed March 10, 2015).
CAH
Church Street Station
College of Arts and Humanities
Epcot
Francis Albert Sinatra
Frank Sinatra
George Gershwin
Ira Gershwin
jazz
jazz ensembles
jazz saxophones
jazz saxophonists
musicals
musicians
National Public Radio
NPR
orlando
PBS
pop music
pop standard
Public Broadcasting Service
radio stations
radios
Reed
reed players
Reuben Bloom
Rosie O'Grady's Good Time Jazz Emporium
Rube Bloom
soprano saxophones
soprano saxophonists
Strike Up the Band
tenor saxophones
tenor saxophonists
Terry Myers
Tommy Dorsey Orchestra
UCF
University of Central Florida
Walt Disney World
woodwind players
woodwinds
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/52a1d60538b3174fdc0e56c8af9e73b4.mp3
f49986224ee0bb82986c5dcac394beb3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"It's a Wonderful World" by Terry Myers
Alternative Title
"It's a Wonderful World" by Myers
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "It's a Wonderful World," composed by Jan Savitt (1907-1948), Harold Adamson (1906-1980), and "Johnny Guitar" Watson (1935-1996), and performed by Terry Myers live on-air on WUCF-FM on August 14, 2006. Myers is a reed player from Iowa who developed a successful career in Nashville, Tennessee, and New York before moving to Central Florida, where he became a band leader at Walt Disney World's Epcot theme park and the band leader at Rosie O'Grady's Good Time Jazz Emporium at Church Street Station in Orlando. Myers has played at jazz festivals across the United States, Europe, and Asia, and is currently the director of the Tommy Dorsey Orchestra. Although most songwriters were under contract to publishers during the big band era, in rare cases, a bandleader would write his/her own song. Savitt, along with Adamson and Watson, composed "It's a Wonderful World," and recorded it on Savitt's 1938-1941 recording collection, <em>It's Time to Jump and Shout</em>.
Type
Sound
Source
Original 4-minute and 21-second audio recording: Savitt, Jan, Harold Adamson, and Johnny Watson. "It's a Wonderful World," by Terry Myers: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, August 14, 2006.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Savitt, Jan
Adamson, Harold
Watson, Johnny
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Myers, Terry
Date Created
2006-08-14
Date Issued
2006-08-14
Date Copyrighted
2006-08-14
Format
audio/mp3
Extent
3.99 MB
Medium
4-minute and 21-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Jan Savitt, Harold Adamson and Johnny Watson, performed by Terry Myers, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Jan Savitt, Harold Adamson and John "Johnny Guitar" Watson, Jr. and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
"<a href="http://www.buddymorrowproductions.com/terry-meyers.html" target="_blank">Meet Terry Myers</a>." BuddyMorrowProductions.com. http://www.buddymorrowproductions.com/terry-meyers.html (accessed March 10, 2015).
CAH
Church Street Station
College of Arts and Humanities
Epcot
Francis Albert Sinatra
Frank Sinatra
Harold Adamson
It's a Wonderful World
It's Time to Jump and Shout
Jacob Savetnick
Jan Savitt
jazz
jazz ensembles
jazz saxophones
jazz saxophonists
John Watson, Jr.
Johnny Guitar Watson
musicians
National Public Radio
NPR
orlando
PBS
Public Broadcasting Service
radio stations
radios
Reed
reed players
Reuben Bloom
Rosie O'Grady's Good Time Jazz Emporium
Rube Bloom
soprano saxophones
soprano saxophonists
tenor saxophones
tenor saxophonists
Terry Myers
Tommy Dorsey Orchestra
UCF
University of Central Florida
Walt Disney World
woodwind players
woodwinds
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/c50e2ea092f19ce47ee01e86a745117f.mp3
c3f8dbdf59d96ba1b58133305e221e38
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Recado Bossa Nova" by Terry Myers
Alternative Title
"Recado Bossa Nova" by Myers
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Recado Bossa Nova," composed by Luiz Antonio and Djalma Ferreira, and performed by Terry Myers live on-air on WUCF-FM on August 14, 2006. Myers is a reed player from Iowa who developed a successful career in Nashville, Tennessee, and New York before moving to Central Florida, where he became a band leader at Walt Disney World's Epcot theme park and the band leader at Rosie O'Grady's Good Time Jazz Emporium at Church Street Station in Orlando. Myers has played at jazz festivals across the United States, Europe, and Asia, and is currently the director of the Tommy Dorsey Orchestra. "Recado Bossa Nova" was written by Brazilian composers/musicians Antonio and Ferreira and first recorded by Hank Mobley (1930-1986) on his 1965 album, <em>Dippin'</em>.
Type
Sound
Source
Original 6-minute and 13-second audio recording: Antonio, Luiz and Djalma Ferreira. "Recado Bossa Nova," by Terry Myers: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, August 14, 2006.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Rio de Janeiro, Greater Rio de Janeiro, Brazil
Creator
Antonio, Luiz
Ferreira, Djalma
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Myers, Terry
Date Created
2006-08-14
Date Issued
2006-08-14
Date Copyrighted
2006-08-14
Format
audio/mp3
Extent
5.7 MB
Medium
6-minute and 13-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Luiz Antonio and Djalma Ferreira, performed by Terry Myers, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Luiz Antonio and Djalma Ferreira and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
"<a href="http://www.buddymorrowproductions.com/terry-meyers.html" target="_blank">Meet Terry Myers</a>." BuddyMorrowProductions.com. http://www.buddymorrowproductions.com/terry-meyers.html (accessed March 10, 2015).
bossa nova
Brazilian jazz
Brazilians
CAH
Church Street Station
College of Arts and Humanities
composers
Djalma Ferreira
Epcot
Francis Albert Sinatra
Frank Sinatra
Hank Mobley
Henry Mobley
jazz
jazz ensembles
jazz saxophones
jazz saxophonists
Luiz Antonio
musicians
National Public Radio
NPR
orlando
PBS
Public Broadcasting Service
radio stations
radios
Recado Bossa Nova
Reed
reed player
reed players
Reuben Bloom
Rio de Janeiro, Brazil
Rosie O'Grady's Good Time Jazz Emporium
Rube Bloom
soprano saxophones
soprano saxophonists
tenor saxophones
tenor saxophonist
tenor saxophonists
Terry Myers
Tommy Dorsey Orchestra
UCF
University of Central Florida
Walt Disney World
woodwind players
woodwinds
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/ff2c257bf19b64a1f84e3100b5e68733.mp3
b36e7fc0a7de96ba4a7ef81b49453cc5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Gone With the Wind" by Terry Myers
Alternative Title
"Gone With the Wind" by Myers
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Pop music
Description
An audio recording of "Gone with the Wind," composed by Allie Wrubel (1905-1973) with lyrics by Herb Magidson (1906-1986), and performed by Terry Myers live on-air on WUCF-FM on August 14, 2006. Myers is a reed player from Iowa who developed a successful career in Nashville, Tennessee, and New York before moving to Central Florida, where he became a band leader at Walt Disney World's Epcot theme park and the band leader at Rosie O'Grady's Good Time Jazz Emporium at Church Street Station in Orlando. Myers has played at jazz festivals across the United States, Europe, and Asia, and is currently the director of the Tommy Dorsey Orchestra. "Gone with the Wind" is a pop standard written by Wrubel and Magidson in 1937. It was a number one song for Horace Heidt (1901-1986) that same year, and recorded by numerous artists over the next several decades.
Type
Sound
Source
Original 5-minute and 26-second audio recording: Wrubel, Allie and Herb Magidson. "Gone With the Wind," by Terry Myers: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, August 14, 2006.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Wrubel, Allie
Magidson, Herb
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Myers, Terry
Date Created
2006-08-14
Date Issued
2006-08-14
Date Copyrighted
2006-08-14
Format
audio/mp3
Extent
4.98 MB
Medium
5-minute and 26-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Allie Wrubel and Herb Magidson, performed by Terry Myers, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Allie Wrubel and Herb Magidson and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
"<a href="http://www.buddymorrowproductions.com/terry-meyers.html" target="_blank">Meet Terry Myers</a>." BuddyMorrowProductions.com. http://www.buddymorrowproductions.com/terry-meyers.html (accessed March 10, 2015).
Allie Wrubel
CAH
Church Street Station
College of Arts and Humanities
Elias Paul Wrubel
Epcot
Francis Albert Sinatra
Frank Sinatra
Gone With the Wind
Herb Magidson
Herbert A. Magidson
Horace Heidt
jazz
jazz ensembles
jazz saxophones
jazz saxophonists
musicians
National Public Radio
NPR
orlando
PBS
pop
pop music
pop standard
Public Broadcasting Service
radio stations
radios
Reed
reed players
Reuben Bloom
Rosie O'Grady's Good Time Jazz Emporium
Rube Bloom
soprano saxophones
soprano saxophonists
tenor saxophones
tenor saxophonists
Terry Myers
Tommy Dorsey Orchestra
UCF
University of Central Florida
Walt Disney World
woodwind players
woodwinds
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/153f1936f31ed3518f50e03f8552c2eb.mp3
1086aa5382e5073065e479126ed05187
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Don't Worry 'Bout Me" by Terry Myers
Alternative Title
"Don't Worry 'Bout Me" by Myers
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Don't Worry 'Bout Me," composed by Rube Bloom (1902-1976) with lyrics by Ted Koehler (1894-1983), and performed by Terry Myers live on-air on WUCF-FM on August 14, 2006. Myers is a reed player from Iowa who developed a successful career in Nashville, Tennessee, and New York before moving to Central Florida, where he became a band leader at Walt Disney World's Epcot theme park and the band leader at Rosie O'Grady's Good Time Jazz Emporium at Church Street Station in Orlando. Myers has played at jazz festivals across the United States, Europe, and Asia, and is currently the director of the Tommy Dorsey Orchestra. "Don't Worry 'Bout Me" was composed by Bloom and Koehler in 1938 and has been recorded by numerous artists, including Ella Fitzgerald (1917-1996), Billie Holiday (1915-1959), and Frank Sinatra (1915-1998).
Type
Sound
Source
Original 5-minute and 40-second audio recording: Bloom, Rube abd Ted Koehler. "Don't Worry 'Bout Me," by Terry Myers: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, August 14, 2006.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Bloom, Rube
Koehler, Ted
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Myers, Terry
Date Created
2006-08-14
Date Issued
2006-08-14
Date Copyrighted
2006-08-14
Format
audio/mp3
Extent
5.2 MB
Medium
5-minute and 40-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Rube Bloom and Ted Koehler, performed by Terry Myers, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Reuben "Rube" Bloom and Ted L. Koehler and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
"<a href="http://www.buddymorrowproductions.com/terry-meyers.html" target="_blank">Meet Terry Myers</a>." BuddyMorrowProductions.com. http://www.buddymorrowproductions.com/terry-meyers.html (accessed March 10, 2015).
Billie Holiday
CAH
Church Street Station
College of Arts and Humanities
Don't Worry 'Bout Me
Eleanora Fagan
Ella Fitzgerald
Ella Jane Fitzgerald
Epcot
Francis Albert Sinatra
Frank Sinatra
jazz
jazz ensembles
jazz saxophones
jazz saxophonists
musicians
National Public Radio
NPR
orlando
PBS
Public Broadcasting Service
radio stations
radios
Reed
reed players
Reuben Bloom
Rosie O'Grady's Good Time Jazz Emporium
Rube Bloom
soprano saxophones
soprano saxophonists
Ted Koehler
Ted L. Koehler
tenor saxophones
tenor saxophonists
Terry Myers
Tommy Dorsey Orchestra
UCF
University of Central Florida
Walt Disney World
woodwind players
woodwinds
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/5aee10848080824c892b973fde31650f.mp3
391c3ca39117ee2fd2e40942c72e5b56
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"I Thought About You" by Terry Myers
Alternative Title
"I Thought About You" by Myers
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "I Thought About You," composed by Jimmy Van Heusen (1913-1990) with lyrics by Johnny Mercer (1909-1976), and performed by Terry Myers live on-air on WUCF-FM on August 14, 2006. Myers is a reed player from Iowa who developed a successful career in Nashville, Tennessee, and New York before moving to Central Florida, where he became a band leader at Walt Disney World's Epcot theme park and the band leader at Rosie O'Grady's Good Time Jazz Emporium at Church Street Station in Orlando. Myers has played at jazz festivals across the United States, Europe, and Asia, and is currently the director of the Tommy Dorsey Orchestra. The jazz standard, "I Thought About You," was written by Van Heusen and Mercer in 1939 and has been performed and recorded by numerous jazz artists, including Miles Davis (1926-1991), Ella Fitzgerald (1917-1996), Billie Holiday (1915-1959), Frank Sinatra (1915-1998), Mal Waldron (1925-2002), and Dinah Washington (1924-1963).
Type
Sound
Source
Original 7-minute and 31-second audio recording: Van Heusen, Jimmy and Johnny Mercer. "I Thought About You," by Terry Myers: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, August 14, 2006.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Van Heusen, Jimmy
Mercer, Johnny
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Myers, Terry
Date Created
2006-08-14
Date Issued
2006-08-14
Date Copyrighted
2006-08-14
Format
audio/mp3
Extent
6.89 MB
Medium
7-minute and 31-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Jimmy Van Heusen and Johnny Herndon Mercer, performed by Terry Myers, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Jimmy Van Heusen and John "Johnny" Herndon Mercer and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
"<a href="http://www.buddymorrowproductions.com/terry-meyers.html" target="_blank">Meet Terry Myers</a>." BuddyMorrowProductions.com. http://www.buddymorrowproductions.com/terry-meyers.html (accessed March 10, 2015).
Billie Holiday
CAH
Church Street Station
College of Arts and Humanities
Dinah Washington
Edward Chester Babcock
Eleanora Fagan
Ella Fitzgerald
Ella Jane Fitzgerald
Epcot
Fagan, Eleanora
Fitzgerald, Ella Jane
Francis Albert Sinatra
Frank Sinatra
Holiday, Billie
I Thought About You
jazz
jazz ensembles
jazz saxophones
jazz saxophonists
Jimmy Van Heusen
John Herndon Mercer
Johnny Mercer
Mal Waldron
Malcolm Earl Waldron
Miles Davis
Miles Dewey Davis III
musicians
National Public Radio
NPR
orlando
PBS
Public Broadcasting Service
radio stations
radios
Reed
reed players
Rosie O'Grady's Good Time Jazz Emporium
Ruth Lee Jones
soprano saxophones
soprano saxophonists
tenor saxophones
tenor saxophonists
Terry Myers
Tommy Dorsey Orchestra
UCF
University of Central Florida
Walt Disney World
woodwind players
woodwinds
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/ed1c6aedbd6f5f10454867a62a027c0e.mp3
9b7c2b7040386b9bfb49efeb65c47713
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Yes or No" by The Jazz Professors
Alternative Title
"Yes or No" by Jazz Professors
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Yes or No," composed by Wayne Shorter (b. 1933) and performed by The Jazz Professors live on-air on WUCF-FM on December 10, 2007. The Jazz Professors are a sextet of professors from the University of Central Florida (UCF) in Orlando, Florida, who play professionally and have released two albums with Flying Horse Records, a professional jazz record label operated by the university. They have recorded and toured with a number of prominent guest musicians "Yes or No" was written and recorded by Shorter for his 1964 album, <em>JuJu</em>. The album demonstrates the influence of John Coltrane (1926-1967), who Shorter studied under.
Type
Sound
Source
Original 4-minute and 29-second audio recording: Shorter, Wayne. "Yes or No," by the Jazz Professors: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 10, 2007.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Shorter, Wayne
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
The Jazz Professors
Rupert, Jeff
Danielsson, Per
Wilkinson, Michael
Koelble, Bobby
Drexler, Richard
Morell, Marty
Date Created
2007-12-10
Date Issued
2007-12-10
Date Copyrighted
2007-12-10
Format
audio/mp3
Extent
4.12 MB
Medium
4-minute and 29-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Wayne Shorter, performed by The Jazz Professors, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Wayne Shorter and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
"<a href="http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw" target="_blank">The Jazz Professors</a>." Allaboutjazz.com. http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw (accessed March 9, 2015).
alto saxophones
alto saxophonists
bass guitarists
bass guitars
bebop
Bobby Koelble
CAH
College of Arts and Humanities
drummers
drums
educators
Flying Horse Records
higher education
jazz
jazz ensembles
jazz guitars
jazz pianists
jazz pianos
jazz trombones
jazz trombonists
Jeff Rupert
JuJu
Marty Morrell
Michael Wilkinson
music
musicians
National Public Radio
NPR
orlando
PBS
Per Danielsson
professors
Public Broadcasting Service
radio
radio stations
Richard Drexler
teachers
tenor saxophones
tenor saxophonists
The Jazz Musicians
UCF
University of Central Florida
Wayne Shorter
WUCF-FM
Yes or No
-
https://richesmi.cah.ucf.edu/omeka/files/original/51fafc22571d4246ea959cd31fce8e28.mp3
3b8cb35f8570d8d3fee913e20dff6f91
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"My Shining Hour" by The Jazz Professors
Alternative Title
"My Shining Hour" by Jazz Professors
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "My Shining Hour," composed by Harold Arlen (1905-1986), with lyrics by Johnny Mercer (1909-1976), and performed by The Jazz Professors live on-air on WUCF-FM on December 10, 2007. The Jazz Professors are a sextet of professors from the University of Central Florida (UCF) in Orlando, Florida, who play professionally and have released two albums with Flying Horse Records, a professional jazz record label operated by the university. They have recorded and toured with a number of prominent guest musicians "My Shining Hour" was written by Arlen and Mercer for the 1943 film, <em>The Sky's the Limit</em>, for which it was nominated for and Academy Award for Best Song.
Type
Sound
Source
Original 4-minute and 55-second audio recording: Arlen, Harold. "My Shining Hour," by the Jazz Professors: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 10, 2007.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Arlen, Harold
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
The Jazz Professors
Rupert, Jeff
Danielsson, Per
Wilkinson, Michael
Koelble, Bobby
Drexler, Richard
Morell, Marty
Date Created
2007-12-10
Date Issued
2007-12-10
Date Copyrighted
2007-12-10
Format
audio/mp3
Extent
4.5 MB
Medium
4-minute and 55-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Harold Arlen, performed by The Jazz Professors, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Harold Arlen and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
"<a href="http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw" target="_blank">The Jazz Professors</a>." Allaboutjazz.com. http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw (accessed March 9, 2015).
Academy Awards
alto saxophones
alto saxophonists
bass guitarists
bass guitars
bebop
Bobby Koelble
CAH
College of Arts and Humanities
drummers
drums
educators
Flying Horse Records
Harold Arlen
higher education
jazz
jazz ensembles
jazz guitars
jazz pianists
jazz pianos
jazz trombones
jazz trombonists
Jeff Rupert
John Herndon Mercer
Johnny Mercer
Marty Morrell
Michael Wilkinson
music
musicians
My Shining Hour
National Public Radio
NPR
orlando
PBS
Per Danielsson
professors
Public Broadcasting Service
radio
radio stations
Richard Drexler
teachers
tenor saxophones
tenor saxophonists
The Jazz Professors
The Sky's Limit
UCF
University of Central Florida
WUCF
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/ef9455dc8072358bd9ca63c7c5d2af1b.mp3
e881dac85e146445183aeb0326563905
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Two Bats" by The Jazz Professors
Alternative Title
"Two Bats" by Jazz Professors
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Two Bats," composed and performed by The Jazz Professors live on-air on WUCF-FM on December 10, 2007. The Jazz Professors are a sextet of professors from the University of Central Florida (UCF) in Orlando, Florida, who play professionally and have released two albums with Flying Horse Records, a professional jazz record label operated by the university. They have recorded and toured with a number of prominent guest musicians. "Two Bats" would be recorded on the band's second album, <em>Do That Again</em>, which was released in 2013 and reached Number 6 on the <em>JazzWeek</em> charts.
Type
Sound
Source
Original 7-minute and 10-second audio recording: Rupert, Jeff, Per Danielsson, Michael Wilkinson, Bobby Koelblle, Richard Drexler, and Marty Morell. "Two Bats," by the Jazz Professors: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 10, 2007.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Rupert, Jeff
Danielsson, Per
Wilkinson, Michael
Koelble, Bobby
Drexler, Richard
Morell, Marty
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
The Jazz Professors
Date Created
2007-12-10
Date Issued
2007-12-10
Date Copyrighted
2007-12-10
Format
audio/mp3
Extent
6.56 MB
Medium
7-minute and 10-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and performed by The Jazz Professors and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by The Jazz Professors and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
"<a href="http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw" target="_blank">The Jazz Professors</a>." Allaboutjazz.com. http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw (accessed March 9, 2015).
alto saxophones
alto saxophonists
bass guitarists
bass guitars
bebop
Bobby Koelble
CAH
College of Arts and Humanities
drummers
drums
educators
Flying Horse Records
higher education
jazz
jazz ensembles
jazz guitars
jazz pianists
jazz pianos
jazz trombone
jazz trombones
jazz trombonists
Jeff Rupert
Marty Morrell
Michael Wilkinson
musicians
National Public Radio
NPR
orlando
PBS
Per Danielsson
professors
Public Broadcasting Service
radio
radio stations
Richard Drexler
teachers
tenor saxophones
tenor saxophonists
The Jazz Professors
Two Bats
UCF
University of Central Florida
WUCF
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/ffe9bbea8548a4967ceeea6bbf889fc1.mp3
8c5a48dcf3ed80e64b63e37e614279b1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Nardis" by The Jazz Professors
Alternative Title
"Nardis" by Jazz Professors
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Nardis," composed by Miles Davis (1926-1991) and performed by The Jazz Professors live on-air on WUCF-FM on December 10, 2007. The Jazz Professors are a sextet of professors from the University of Central Florida (UCF) in Orlando, Florida, who play professionally and have released two albums with Flying Horse Records, a professional jazz record label operated by the university. They have recorded and toured with a number of prominent guest musicians. "Nardis" was written by Davis in 1958, during his modal period. In modal jazz, musical modes are used as a harmonic framework, rather than chord progressions. The song is often associated with Bill Evans (1929-1980), who recorded several versions.
Type
Sound
Source
Original 4-minute and 34-second audio recording: Davis, Miles. "Nardis," by the Jazz Professors: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 10, 2007.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Davis, Miles
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
The Jazz Professors
Rupert, Jeff
Danielsson, Per
Wilkinson, Michael
Koelble, Bobby
Drexler, Richard
Morell, Marty
Date Created
2007-12-10
Date Issued
2007-12-10
Date Copyrighted
2007-12-10
Format
audio/mp3
Extent
4.19 MB
Medium
4-minute and 34-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally composed by Miles Davis, performed by The Jazz Professors, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Miles Dewey Davis III and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
"<a href="http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw" target="_blank">The Jazz Professors</a>." Allaboutjazz.com. http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw (accessed March 9, 2015).
bebop
Bill Evans
Drexler
Flying Horse Records
higher education
jazz
Miles Davis
Miles Dewey Davis III
modal jazz
music
Nardis
National Public Radio
NPR
orlando
PBS
Public Broadcasting Service
Richard
The Jazz Musicians
UCF
University of Central Florida
William John Evans
WUCF
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/0f51cb0d448d6fc8967308c0849ca186.mp3
87a33179910829841c881a3e33b774e9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Lover Man" by The Jazz Professors
Alternative Title
"Lover Man" by Jazz Professors
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Lover Man," composed by Jimmy Davis (1915-1997), Ram Ramirez (1913-1994), and James Sherman and performed by The Jazz Professors live on-air on WUCF-FM on December 10, 2007. The Jazz Professors are a sextet of professors from the University of Central Florida (UCF) in Orlando, Florida, who play professionally and have released two albums with Flying Horse Records, a professional jazz record label operated by the university. They have recorded and toured with a number of prominent guest musicians. The jazz standard, "Lover Man," was written in 1941 by Davis, Ramirez, and Sherman for Billie Holiday (1915-1959), whose 1945 version would be inducted into the Grammy Hall of Fame.
Type
Sound
Source
Original 4-minute and 35-second audio recording: Davis, Jimmy, Ram Ramirez, and James Sherman. "Lover Man," by the Jazz Professors: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 10, 2007.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Davis, Jimmy
Ramirez, Ram
Sherman, James
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
The Jazz Professors
Rupert, Jeff
Danielsson, Per
Wilkinson, Michael
Koelble, Bobby
Drexler, Richard
Morell, Marty
Date Created
2007-12-10
Date Issued
2007-12-10
Date Copyrighted
2007-12-10
Format
audio/mp3
Extent
4.19 MB
Medium
4-minute and 35-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally composed by Jimmy Davis, Ram Ramirez, and James Sherman, performed by The Jazz Professors, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Jimmy Davis, Roger "Ram" J. Ramirez, and James Sherman, and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
"<a href="http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw" target="_blank">The Jazz Professors</a>." Allaboutjazz.com. http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw (accessed March 9, 2015).
alto saxophones
alto saxophonists
bass guitarists
bass guitars
bebop
Billie Holiday
Bobby Koelble
CAH
College of Arts and Humanities
Drexler
drummers
drums
educators
Eleanora Fagan
Flying Horse Records
James Edward Davis
James Sherman
jazz
jazz ensembles
jazz guitars
jazz pianists
jazz pianos
jazz standards
jazz trombones
jazz trombonists
Jeff Rupert
Jimmy Davis
Lover Man
Marty Morrell
Michael Wilkinson
music
musicians
National Public Radio
NPR
orlando
PBS
Per Danielsson
professors
Public Broadcasting Service
radio
radio stations
Ram Ramirez
Richard
Roger J. Ramirez
teachers
tenor saxophones
tenor saxophonists
The Jazz Professors
UCF
University of Central Florida
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/6c0a2fd47ce358a787e9a657b5f91655.mp3
b8a08ba38be782beb67c2c4657480bb3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"This is for Albert" by The Jazz Professors
Alternative Title
"This is for Albert" by Jazz Professors
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "This is for Albert," composed by Wayne Shorter (b. 1933) and performed by The Jazz Professors live on-air on WUCF-FM on December 10, 2007. <span><span>The Jazz Professors are a sextet of professors from the University of Central Florida (UCF) in Orlando, Florida, who play professionally and have released two albums with Flying Horse Records, a professional jazz record label operated by the university. They have recorded and toured with a number of prominent guest musicians.</span></span> "This is for Albert" was composed by Shorter for the 1963 album, <em>Caravan</em>, by Art Blakey (1919-1990) and the Jazz Messengers, with whom Shorter played tenor saxophone and was musical director.
Type
Sound
Source
Original 4-minute and 46-second audio recording: Shorter, Wayne, "This is for Albert," by the Jazz Professors: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 10, 2007.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Shorter, Wayne
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
The Jazz Professors
Rupert, Jeff
Danielsson, Per
Wilkinson, Michael
Koelble, Bobby
Drexler, Richard
Morell, Marty
Date Created
2007-12-10
Date Issued
2007-12-10
Date Copyrighted
2007-12-10
Format
audio/mp3
Extent
4.37 MB
Medium
4-minute and 46-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally composed by Wayne Shorter, performed by The Jazz Professors, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Wayne Shorter and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
"<a href="http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw" target="_blank">The Jazz Professors</a>." Allaboutjazz.com. http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw (accessed March 9, 2015).
Abdullah Ibn Buhaina
alto saxophones
alto saxophonists
Art Blakey
Art Blakey and the Jazz Messengers
Arthur Blakey
bass guitarists
bass guitars
bebop
Bobby Koelble
CAH
Caravan
College of Arts and Humanities
Drexler
drummers
drums
educators
Flying Horse Records
higher education
jazz
jazz ensembles
jazz guitars
jazz pianists
jazz pianos
jazz trombones
jazz trombonists
Jeff Rupert
Marty Morrell
Michael Wilkinson
music
musicians
National Public Radio
NPR
orlando
PBS
Per Danielsson
professors
Public Broadcasting Service
radio
radio stations
Richard
Rupert, Jeff
teachers
tenor saxophones
tenor saxophonists
The Jazz Messengers
The Jazz Professors
This is for Albert
UCF
University of Central Florida
Wayne Shorter
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/19bc9750db9ccde841c8e9a295dcf2d4.mp3
889a944c88f419bb0851554ca98489b5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Soul Eyes" by The Jazz Professors
Alternative Title
"Soul Eyes" by Jazz Professors
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Soul Eyes," composed by Mal Waldron (1925-2002) and performed by The Jazz Professors live on-air on WUCF-FM on December 10, 2007. <span><span>The Jazz Professors are a sextet of professors from the University of Central Florida (UCF) in Orlando, Florida, who play professionally and have released two albums with Flying Horse Records, a professional jazz record label operated by the university. They have recorded and toured with a number of prominent guest musicians</span></span> "Soul Eyes" is a jazz standard first recorded for the 1957 Prestige All Stars album, <em>Interplay for 2 Trumpets and 2 Tenors</em>. Composer Waldron, who was in the group, wrote the song with bandmate and tenor saxophonist, John Coltrane (1926-1967), in mind, who would make the song famous with his own recording in 1962.
Type
Sound
Source
Original 4-minute and 31-second audio recording: Waldron, Mal. "Soul Eyes," by the Jazz Professors: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 10, 2007.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Waldron, Mal
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
The Jazz Professors
Rupert, Jeff
Danielsson, Per
Wilkinson, Michael
Koelble, Bobby
Drexler, Richard
Morell, Marty
Date Created
2007-12-10
Date Issued
2007-12-10
Date Copyrighted
2007-12-10
Format
audio/mp3
Extent
4.14
Medium
4-minute and 31-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally composed by Mal Waldron, performed by The Jazz Professors, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Mal Waldron and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
"<a href="http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw" target="_blank">The Jazz Professors</a>." Allaboutjazz.com. http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw (accessed March 9, 2015).
alto saxophones
alto saxophonists
bass guitarists
bass guitars
bebop
Bobby Koelble
CAH
College of Arts and Humanities
Drexler
drummers
drums
educators
Flying Horse Records
higher education
Interplay for 2 Trumpets and 2 Tenors
jazz
jazz ensembles
jazz guitars
jazz pianists
jazz pianos
jazz standards
jazz trombones
jazz trombonists
Jeff Rupert
John Coltrane
John William Coltrane
Mal Waldron
Malcolm Earl Waldron
Marty Morrell
Michael Wilkinson
music
musicians
National Public Radio
NPR
orlando
PBS
Per Danielsson
Prestige All Stars
professors
Public Broadcasting Service
radio
radio stations
Richard
Soul Eyes
teachers
tenor saxophones
tenor saxophonists
The Jazz Professors
UCF
University of Central Florida
WUCF
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/47d3a7a847d7f67026cf4e424c212428.mp3
bd8a7ddaaf7a1b174e083f0e8d78fc7d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Grandfather's Waltz" by The Jazz Professors
Alternative Title
"Grandfather's Waltz" by Jazz Professors
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Grandfather's Waltz," composed by Lasse Farnlof (1942-1994) and Gene Lees (1928-2010) and performed by The Jazz Professors live on-air on WUCF-FM on December 10, 2007. <span><span>The Jazz Professors are a sextet of professors from the University of Central Florida (UCF) in Orlando, Florida, who play professionally and have released two albums with Flying Horse Records, a professional jazz record label operated by the university. They have recorded and toured with a number of prominent guest musicians.</span></span> "Grandfather's Waltz" was first recorded by Stan Getz (1927-1991) and Bill Evans (1929-1980) in May 1964 and released on their self-titled album in 1973.
Type
Sound
Source
Original 5-minute and 1-second audio recording: Farnlof, Lasse and Gene Lees. "Grandfather's Waltz," by the Jazz Professors: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 10, 2007.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Farnlof, Lasse
Lees, Gene
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
The Jazz Professors
Rupert, Jeff
Danielsson, Per
Wilkinson, Michael
Koelble, Bobby
Drexler, Richard
Morell, Marty
Date Created
2007-12-10
Date Issued
2007-12-10
Date Copyrighted
2007-12-10
Format
audio/mp3
Extent
4.6 MB
Medium
5-minute and 1-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally composed by Lasse Farnlof and Gene Lees, performed by The Jazz Professors, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Lasse Farnlof and Frederick "Gene" Eugene John Lees and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
"<a href="http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw" target="_blank">The Jazz Professors</a>." Allaboutjazz.com. http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw (accessed March 9, 2015).
alto saxophones
alto saxophonists
bass guitarists
bass guitars
bebop
Bill Evans
Bobby Koelble
CAH
College of Arts and Humanities
Drexler
drummers
drums
educators
Flying Horse Records
Frederick Eugene John Lees
Gene Lees
Grandfather's Waltz
higher education
jazz
jazz ensembles
jazz guitars
jazz pianists
jazz pianos
jazz trombones
jazz trombonists
Jeff Rupert
Lasse Farnlof
Marty Morrell
Michael Wilkinson
musicians
National Public Radio
NPR
orlando
PBS
Per Danielsson
professors
radio
radio stations
Richard
Stan Getz
Stan Getz & Bill Evans
Stanley Getz
teachers
tenor saxophones
tenor saxophonists
The Jazz Professors
UCF
University of Central Florida
William John Evans
WUCF
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/d20c9e1f3aa795067dc1be7b5b6a207e.mp3
00c60665816027538678ac8123f54f47
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"One by One" by The Jazz Professors
Alternative Title
"One by One" by Jazz Professors
Subject
Orlando (Fla.)
Music--Florida
Jazz--United States
Description
An audio recording of "One by One," composed by Wayne Shorter (b. 1933) and performed by The Jazz Professors live on-air on WUCF-FM on December 10, 2007. The Jazz Professors is a sextet of professors from the University of Central Florida (UCF) in Orlando, Florida, who play professionally and have released two albums with Flying Horse Records, a professional jazz record label operated by the university. They have recorded and toured with a number of prominent guest musicians. The medium swinger, "One by One," was composed by Shorter and first recorded by Art Blakey (1919-1990) and the Jazz Messengers, with whom Shorter played tenor saxophone and was musical director, for their 1963 album, <em>Ugetsu: Art Blakey's Jazz Messengers at Birdland</em>.
Type
Sound
Source
Original 4-minute and 9-second audio recording: Shoter, Wayne."One on One," by the Jazz Professors: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, December 10, 2007.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Creator
Shorter, Wayne
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
The Jazz Professors
Rupert, Jeff
Danielsson, Per
Wilkinson, Michael
Koelble, Bobby
Drexler, Richard
Morell, Marty
Date Created
2007-12-10
Date Issued
2007-12-10
Date Copyrighted
2007-12-10
Format
audio/mp3
Extent
3.81 MB
Medium
4-minute and 9-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally composed by Wayne Shorter, performed by The Jazz Professors, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Wayne Shorter and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
"<a href="http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw" target="_blank">The Jazz Professors</a>." Allaboutjazz.com. http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw (accessed March 9, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka/files/original/d20c9e1f3aa795067dc1be7b5b6a207e.mp3" target="_blank">"One by One" by The Jazz Professors</a>
alto saxophones
alto saxophonists
Art Blakely
Art Blakey's Jazz Messengers
Arthur Blakely
bass guitarists
bass guitars
bebop
Bobby Koelble
CAH
College of Arts and Humanities
college professors
Drexler
drummers
drums
educators
Flying Horse Records
guitar
higher education
jazz
jazz ensembles
jazz guitarists
jazz guitars
jazz pianists
jazz pianos
jazz trombones
jazz trombonists
Jeff Rupert
Marty Morell
Michael Wilkinson
music
musicians
National Public Radio
NPR
One by One
orlando
PBS
Per Danielsson
Public Broadcasting Service
radio stations
radios
saxophone
saxophonist
Shorter, Wayne
teacher
teachers
tenor saxophone
tenor saxophonist
The Jazz Messengers
The Jazz Professors
UCF
Ugetsu
University of Central Florida
WUCF-FM