1 100 2 https://richesmi.cah.ucf.edu/omeka/files/original/0a7076aeff4cea56f16278946b88cf51.JPG 474bd009169eb0504afecab17ef7f229 https://richesmi.cah.ucf.edu/omeka/files/original/1f596b02f6730fd19db5d6d426513c58.JPG 08abbe90876ad09aacfa9f8b7f26cf23 https://richesmi.cah.ucf.edu/omeka/files/original/b96b789c9e964347f2f885b4c577134f.JPG 254603b7f76aaeaa9b17ed733184132f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 3 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Supervillains at the House of Blues Orlando, 2002 Alternative Title Supervillains at the House of Blues Subject Supervillains (Musical group) Lake Buena Vista (Fla.) Orlando (Fla.) Saint Cloud (Fla.) Ska (Music)--United States Concerts--United States Punk rock music--United States Reggae music--United States Musicians--Southern States Funk (Music)--United States Description The Supervillains performing live at the House of Blues Orlando in Lake Buena Vista, Florida, on December 20, 2002. The first photograph features, from left to right, Jonathan "Smally" Cestero on saxophone, Andrew Neil Estes on trombone, Scott Suldo on guitar, J. P. Thieme on trumpet, Gus Ramage on bass, Dominic Maresco on drums, and Ben Montgomery on guitar. The second photograph features Maresco. The third photograph features, from left to right, Thieme , Suldo, Cestero, Ramage, and Montgomery. The Supervillains were formed in 1998 by drummer/vocalist Dominic Maresco and guitarist/vocalist Scott "Skart" Suldo, while they were in high school in St. Cloud, Florida. Initially a punk-rock band, the group adapted elements of ska and reggae to their sound, leading to opportunities to support reggae acts such as The Wailers and Inner Circle, reggae-rock acts such as Slightly Stoopid and Pepper, ska acts such as Reel Big Fish and Streetlight Manifesto, punk acts such as Pennywise and Authority Zero, and rock acts such as Fishbone and 311. After several successful tours as an opening band, The Supervillains began headlining their own national tours, often performing over 200 shows per year, and released eight studio albums as of June 2015. The band incorporated several horn players and other members for eight or nine years, but have since operated as a four-piece, with Maresco, Suldo, Daniel Grundrof on bass and Tom "T-Rex" Moulton on keyboards and guitar. After selling over 100,000 records, the group formed their own label, Rah Rah Rah Records, in 2011. Type Still Image Source Original color photographs by Alicia Lyman, December 20, 2002: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photographs by Alicia Lyman, December 20, 2002. Coverage House of Blues Orlando, Lake Buena Vista, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2002-12-20 Date Copyrighted 2002-12-20 Format image/jpg Extent 25.7 KB 30 KB 21.5 KB Medium 3 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Augustyn, Heather, and Cedella Marley. <a href="http://www.worldcat.org/oclc/630498209" target="_blank">Ska: An Oral History</a>. Jefferson, N.C.: McFarland, 2010. Murray, Matthew, Addie Vassie, and Mitchell Vassie. <a href="http://www.worldcat.org/oclc/880571058" target="_blank">Ska</a>. Amsterdam Schilt Publishing, 2013. McGregor, Nick. "<a href="http://staugustine.com/surf-drift/2013-02-14/supervillains-serve-tasty-blend-reggae-ska-punk-metal-and-swamp-rock#.VXiGDc6EyM0" target="_blank">The Supervillains serve up a tasty blend of reggae, ska, punk, metal and swamp rock</a>." The St. Augustine Record. February 15, 2013. http://staugustine.com/surf-drift/2013-02-14/supervillains-serve-tasty-blend-reggae-ska-punk-metal-and-swamp-rock#.VXiGDc6EyM0. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2002-12-20-THE-SUPERVILLAINS-HOUSE-OF-BLUES-ORLANDO-FL/G0000GarfYzEAG2Q/I0000gp_7Ah9jCzc/C0000CLAAGflTL5c" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2002-12-20-THE-SUPERVILLAINS-HOUSE-OF-BLUES-ORLANDO-FL/G0000GarfYzEAG2Q/I0000moI9EfAV0eE/C0000CLAAGflTL5c" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2002-12-20-THE-SUPERVILLAINS-HOUSE-OF-BLUES-ORLANDO-FL/G0000GarfYzEAG2Q/I0000WJi.kXp743c/C0000CLAAGflTL5c" target="_blank">Click for Larger Image</a> Alicia Lyman Andrew Neil Estes bass guitar bassist Ben Montgomery concert Dominic Maresco Downtown Disney drum drummer electric guitar guitar guitarist Gus Ramage House of Blues Orlando J. P. Thieme Jonathan Cestero Lake Buena Vista music musician orlando punk reggae rock rock music saxophone saxophonist Scott "Skart" Suldo ska St. Cloud tambourine The Supervillains trombone trombonist trumpet trumpeter vocalist Walt Disney World Resort https://richesmi.cah.ucf.edu/omeka/files/original/b6f600b5487a13d42c877982f0f329bf.JPG dcd8795ae0e647b02fa900fc1d2fcea9 https://richesmi.cah.ucf.edu/omeka/files/original/91541db11574fe4af0dad22ca74d090a.JPG 0f3fffe0e0bad15db7811c6aa2866760 https://richesmi.cah.ucf.edu/omeka/files/original/1884288583914073e11288377371f6c2.JPG 82980f34da9b82c0466358d865b427bf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 3 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Supervillains at The Social, 2007 Alternative Title Supervillains at The Social Subject Supervillains (Musical group) Orlando (Fla.) Saint Cloud (Fla.) Ska (Music)--United States Concerts--United States Punk rock music--United States Reggae music--United States Musicians--Southern States Funk (Music)--United States Description The Supervillains performing live at The Social, located at 54 North Orange Avenue in Downtown Orlando, Florida, on July 20, 2007. The first photograph features, from left to right, Scott "Skart" Suldo on guitar, Dominic Maresco on drums, Jonathan "Smally" Cestero on saxophone, and an unidentified trumpet player. The second photograph shows Suldo and the third photograph shows Suldo with Maresco. The Supervillains were formed in 1998 by drummer/vocalist Dominic Maresco and guitarist/vocalist Scott "Skart" Suldo, while they were in high school in St. Cloud, Florida. Initially a punk-rock band, the group adapted elements of ska and reggae to their sound, leading to opportunities to support reggae acts such as The Wailers and Inner Circle, reggae-rock acts such as Slightly Stoopid and Pepper, ska acts such as Reel Big Fish and Streetlight Manifesto, punk acts such as Pennywise and Authority Zero, and rock acts such as Fishbone and 311. After several successful tours as an opening band, The Supervillains began headlining their own national tours, often performing over 200 shows per year, and released eight studio albums as of June 2015. The band incorporated several horn players and other members for eight or nine years, but have since operated as a four-piece, with Maresco, Suldo, Daniel Grundrof on bass and Tom "T-Rex" Moulton on keyboards and guitar. After selling over 100,000 records, the group formed their own label, Rah Rah Rah Records, in 2011. Type Still Image Source Original color photographs by Alicia Lyman, July 30, 2007: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photographs by Alicia Lyman, July 30, 2007. Coverage The Social, Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2007-07-30 Date Copyrighted 2007-07-30 Format image/jpg Extent 30.8 KB 22.2 KB 28.2 KB Medium 3 color photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Augustyn, Heather, and Cedella Marley. <a href="http://www.worldcat.org/oclc/630498209" target="_blank">Ska: An Oral History</a>. Jefferson, N.C.: McFarland, 2010. Murray, Matthew, Addie Vassie, and Mitchell Vassie. <a href="http://www.worldcat.org/oclc/880571058" target="_blank">Ska</a>. Amsterdam Schilt Publishing, 2013. McGregor, Nick. "<a href="http://staugustine.com/surf-drift/2013-02-14/supervillains-serve-tasty-blend-reggae-ska-punk-metal-and-swamp-rock#.VXiGDc6EyM0" target="_blank">The Supervillains serve up a tasty blend of reggae, ska, punk, metal and swamp rock</a>." The St. Augustine Record. February 15, 2013. http://staugustine.com/surf-drift/2013-02-14/supervillains-serve-tasty-blend-reggae-ska-punk-metal-and-swamp-rock#.VXiGDc6EyM0. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2007-07-30-THE-SUPERVILLAINS-The-Social-Orlando-FL/G0000mg8LfHqYYxk/I0000qGBlhwISHuU/C0000CLAAGflTL5c" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2007-07-30-THE-SUPERVILLAINS-The-Social-Orlando-FL/G0000mg8LfHqYYxk/I0000Q1UEzQR1PwE/C0000CLAAGflTL5c" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2007-07-30-THE-SUPERVILLAINS-The-Social-Orlando-FL/G0000mg8LfHqYYxk/I0000Bl3mBxGXSwY/C0000CLAAGflTL5c" target="_blank">Click for Larger Image</a> Alicia Lyman concert Dominic Maresco Downtown Orlando drum drummer guitarist J Jonathan Cestero Marshall amplifier music musician Orange Avenue orlando punk reggae rock rock music saxophone saxophonist Scott "Skart" Suldo ska ska band ska music St. Cloud band The Social The Supervillains trumpet trumpeter vocalist