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                  <text>Rock Collection</text>
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                  <text>Rock Collection</text>
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                  <text>Music--United States</text>
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                  <text>Rock music--United States</text>
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                  <text>Lakeland (Fla.)</text>
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                  <text>Maitland (Fla.)</text>
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                  <text>Orlando (Fla.)</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>Knickerbocker, Carl</text>
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                  <text>Wahl, Julie</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Bob Carr Theater, Orlando, Florida</text>
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                  <text>Enzian Theater, Maitland, Florida</text>
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                  <text>Great Southern Music Hall, Orlando, Florida</text>
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                  <text>Lakeland Civic Center, Lakeland, Florida</text>
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                  <text>Tangerine Bowl, Orlando, Florida</text>
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                  <text>Cepero, Laura</text>
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                  <text>Cravero, Geoffrey</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Fisher, Marc. &lt;a href="http://www.worldcat.org/oclc/69594101" target="_blank"&gt;&lt;em&gt;Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation&lt;/em&gt;&lt;/a&gt;. New York: Random House, 2007.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                  <text>eng</text>
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              <text>2 color photographs</text>
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                <text>The Legendary JC's at Ralphfest 2</text>
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                <text>Legendary JC's at Ralphfest</text>
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                <text> Music--Florida</text>
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                <text> Musicians--Southern States</text>
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                <text> Rhythm and blues music--United States</text>
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                <text> R&amp;B (Music)</text>
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                <text> Soul music--United States</text>
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                <text> Funk (Music)--United States</text>
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                <text> Blues (Music)--Florida</text>
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                <text> Nightclubs--United States</text>
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                <text>The Legendary JC's performing live at Ralphfest 2 at The Beacham Theater, located at 46 North Orange Avenue in Downtown Orlando, Florida, on November 24, 2012. The Legendary JC’s, also known as The Joint Chiefs, are an R&amp;amp;B/soul/funk/blues band that was formed by lead vocalist Eugene Snowden in 2000, consisting of an alternating lineup of all-star Central Florida musicians. This photograph features, from left to right, an unidentified guitar player, Roland Simmons, an unidentified harmonica player, Eugene Snowden, Craig Cobb, Katie Burkess, Michael Lashinsky, and an unidentified keyboardist.</text>
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                <text>Original color photographs by Alicia Lyman, November 24, 2012: &lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Archive: Concerts Archive&lt;/a&gt;, Alicia Lyman.</text>
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                <text>Digital reproduction of original color photographs by Alicia Lyman, November 24, 2012. &lt;a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000tYq35m54Fx4/C0000fnM5ntjHkP8" target="_blank"&gt;http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000tYq35m54Fx4/C0000fnM5ntjHkP8&lt;/a&gt;.</text>
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                <text>Digital reproduction of original color photograph. &lt;a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000GjmLESU9Jew/C0000fnM5ntjHkP8" target="_blank"&gt;http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000GjmLESU9Jew/C0000fnM5ntjHkP8&lt;/a&gt;.</text>
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                <text>The Beacham Theater, Downtown Orlando, Florida</text>
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            <name>Creator</name>
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                <text>Lyman, Alicia</text>
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                <text>Lyman, Alicia</text>
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                <text>Lyman, Alicia</text>
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                <text>2012-11-24</text>
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                <text> Humanities Teacher</text>
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                <text> Music Teacher</text>
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                <text>Originally created and published by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="http://alicialyman.com/" target="_blank"&gt;Alicia Lyman&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank"&gt;Alicia Lyman Collection&lt;/a&gt;</text>
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            <description/>
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                <text>Bolden, Tony. &lt;a href="http://www.worldcat.org/oclc/212328134" target="_blank"&gt;&lt;em&gt;The Funk Era and Beyond: New Perspectives on Black Popular Culture&lt;/em&gt;&lt;/a&gt;. New York, NY: Palgrave Macmillan, 2008.</text>
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                <text>Vincent, Rickey. &lt;a href="http://www.worldcat.org/oclc/32820668" target="_blank"&gt;&lt;em&gt;Funk: The Music, the People, and the Rhythm of the One&lt;/em&gt;&lt;/a&gt;. New York: St. Martin's Griffin, 1996.</text>
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                <text>Guralnick, Peter. &lt;a href="http://www.worldcat.org/oclc/13002980" target="_blank"&gt;&lt;em&gt;Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom&lt;/em&gt;&lt;/a&gt;. New York: Harper &amp;amp;amp</text>
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                <text>Row, 1986.</text>
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        <name>blues</name>
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        <name>Clay Watson</name>
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        <name>Craig Cobb</name>
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        <name>R&amp;B</name>
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      <tag tagId="25566">
        <name>Ralph Ameduri, Jr.</name>
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        <name>Ralph Ameduri, Jr. Music Scholarship Fund</name>
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        <name>Ralphfest</name>
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        <name>Ralphfest 2</name>
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        <name>Ralphfest II</name>
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