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                  <text>Rock Collection</text>
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                  <text>Rock Collection</text>
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                  <text>Music--United States</text>
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                  <text>Rock music--United States</text>
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                  <text>Lakeland (Fla.)</text>
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                  <text>Maitland (Fla.)</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>Knickerbocker, Carl</text>
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                  <text>Wahl, Julie</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Bob Carr Theater, Orlando, Florida</text>
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                  <text>Enzian Theater, Maitland, Florida</text>
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                  <text>Great Southern Music Hall, Orlando, Florida</text>
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                  <text>Cepero, Laura</text>
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                  <text>Cravero, Geoffrey</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Fisher, Marc. &lt;a href="http://www.worldcat.org/oclc/69594101" target="_blank"&gt;&lt;em&gt;Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation&lt;/em&gt;&lt;/a&gt;. New York: Random House, 2007.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                  <text>eng</text>
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      <name>Still Image</name>
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                <text>Hugh "Hughie" Edwards Thomasson, Jr., Monte Yoho, and Billy Jones of The Outlaws</text>
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                <text>Thomasson, Yoho, and Jones of The Outlaws</text>
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                <text>Outlaws (Musical group)</text>
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                <text> Tampa Bay (Fla.)</text>
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                <text> Music--Florida</text>
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                <text> Rock music--United States</text>
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                <text> Musicians--Southern States</text>
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                <text> Dix, David</text>
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                <text> Jones, Billy</text>
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                <text> Anderson, Chris</text>
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                <text>Autographed 1 color photograph of The Outlaws performing live. The photograph features, from left to right, guitarist Hughie Thomasson, drummer Monte Yoho, and guitarist/keyboardist Billy Jones. Although the photograph was taken of a much earlier version of the group sometime between 1969 and 1979, the five signatures are from Thomasson, Yoho, guitarist Chris Anderson, drummer David Dix, and bassist Randy Threet, which was the lineup from 2005-2007.&lt;br /&gt;&lt;br /&gt;Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015.</text>
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                <text>Original color photograph: &lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of Original color photograph. &lt;a href="http://www.tampabaymusichistory.com/resources/Auto%27s.jpg" target="_blank"&gt;http://www.tampabaymusichistory.com/resources/Auto%27s.jpg&lt;/a&gt;.</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;</text>
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                <text>ca. 1969-1979</text>
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                <text>eng</text>
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                <text> Humanities Teacher</text>
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                <text> Music Teacher</text>
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                <text>Originally published by Ped-Dyn Productions.</text>
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                <text>Published digitally by &lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Ped-Dyn Productions and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Cravero, Geoffrey</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;</text>
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            <description/>
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                <text>Smith, Michael Buffalo. &lt;a href="http://www.worldcat.org/oclc/884617128" target="_blank"&gt;&lt;em&gt;Rebel Yell: An Oral History of Southern Rock&lt;/em&gt;&lt;/a&gt;. 2014.</text>
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                <text>Bomar, Scott B., and Doug Gray. &lt;a href="http://www.worldcat.org/oclc/855957989" target="_blank"&gt;Southbound: An Illustrated History of Southern Rock&lt;/a&gt;. 2014.</text>
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                <text>"&lt;a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank"&gt;The Outlaws&lt;/a&gt;." http://www.tampabaymusichistory.com/the-outlaws.php.</text>
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        <name>Jones, Billy</name>
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        <name>The Outlaws</name>
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        <name>Thomasson, Hugh "Hughie" Edward, Jr.</name>
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        <name>Threet, Randy</name>
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                  <text>Lakeland (Fla.)</text>
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                  <text>Maitland (Fla.)</text>
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                  <text>Orlando (Fla.)</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Bob Carr Theater, Orlando, Florida</text>
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                  <text>Cepero, Laura</text>
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                  <text>Cravero, Geoffrey</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Fisher, Marc. &lt;a href="http://www.worldcat.org/oclc/69594101" target="_blank"&gt;&lt;em&gt;Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation&lt;/em&gt;&lt;/a&gt;. New York: Random House, 2007.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                <text>The Outlaws in the 2000s</text>
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                <text>The Outlaws</text>
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                <text> Tampa Bay (Fla.)</text>
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                <text> Rock music--United States</text>
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                <text> Musicians--Southern States</text>
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                <text> Dix, David</text>
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                <text>The Outlaws sometime between 2005 and 2006. From left to right, the photograph features guitarist Chris Anderson, drummer Monte Yoho, guitarist Hughie Thomasson, drummer David Dix, and bassist Randy Threet.&lt;br /&gt;&lt;br /&gt;Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015.</text>
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                <text>Original color photograph: &lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of Original color photograph. &lt;a href="http://www.tampabaymusichistory.com/resources/tb_outlaws_450.jpg" target="_blank"&gt;http://www.tampabaymusichistory.com/resources/tb_outlaws_450.jpg&lt;/a&gt;.</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;</text>
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                <text>ca. 2005-2006</text>
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                <text>Published digitally by &lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Smith, Michael Buffalo. &lt;a href="http://www.worldcat.org/oclc/884617128" target="_blank"&gt;&lt;em&gt;Rebel Yell: An Oral History of Southern Rock&lt;/em&gt;&lt;/a&gt;. 2014.</text>
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                <text>Bomar, Scott B., and Doug Gray. &lt;a href="http://www.worldcat.org/oclc/855957989" target="_blank"&gt;Southbound: An Illustrated History of Southern Rock&lt;/a&gt;. 2014.</text>
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                <text>"&lt;a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank"&gt;The Outlaws&lt;/a&gt;." http://www.tampabaymusichistory.com/the-outlaws.php.</text>
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