1
100
3
-
https://richesmi.cah.ucf.edu/omeka/files/original/704715c814ddee403dd2476f12c52c1e.jpg
a4ec26dfc7c328541ac7458c3d87a1dc
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 black and white photograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Koco with New Members Robin Subicao and Anthony Barcelo
Alternative Title
Koco with Subicao and Barcelo
Subject
Hogan, Hulk, 1953-
Bollea, Terry Gene, 1953-
White, David
Tampa (Fla.)
Music--Florida
Rock music--United States
Musicians--Southern States
Description
Koco, featuring, from left to right standing in the back row, David White, Terry Bollea, and Mark Keur. Robin Subicao and Anthony Barcelo sit on stools in front. Koco was the second of several bands that Terry Bollea, known commonly as the professional wrestler, Hulk Hogan, performed with during the early to mid-1970s in Tampa, Florida. Bollea, who played the bass guitar, left his band, Infinity's End, and formed the group, originally called Magic, with David White on the keyboards, Mark Keur playing the drums, and Stephen Griggs as guitar in 1973. After Koco, Bollea performed with the band Ruckus, before going on to a career in professional wrestling. Bollea was replaced with Brad Prince and eventually Pete McKay. The band changed their name to Freebird, but when Lynyrd Skynyrd released a hit song of the same name, they changed the name one last time to Firebird. The group attributed their disbanding in 1976 to the rising popularity of disco music.
Type
Still Image
Source
Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society.
Is Format Of
Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/Koco2.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/Koco2.jpg</a>.
Coverage
Tampa, Florida
Publisher
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
Date Created
ca. 1973-1976
Format
image/jpg
Extent
128 KB
Medium
1 black and white photograph
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
External Reference
Hogan, Hulk, and Mark Dagostino. <a href="http://www.worldcat.org/oclc/317928638" target="_blank"><em>My Life Outside the Ring</em></a>. New York: St. Martin's Press, 2009.
Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank"><em>Hollywood Hulk Hogan</em></a>. New York: Pocket Books, 2002.
Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank"><em>Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</em></a>. Manchester: Headpress, 2005.
"<a href="http://www.tampabaymusichistory.com/koco.php" target="_blank">Koco</a>." http://www.tampabaymusichistory.com/koco.php.
band
Barcelo, Anthony
Bollea, Terry
Firebird
Freebird
garage band
garage rock
Hogan, Hulk
Keur, Mark
Koco
Magic
music
rock
rock music
Subicao, Robin
Tampa
White, David
-
https://richesmi.cah.ucf.edu/omeka/files/original/bb621fa7fa20f1b2b57dec9ca44045b8.jpg
41be6a8fa555fd67676580fb686cce67
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 black and white photograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Koco with New Member Brad Prince
Alternative Title
Koco with Prince
Subject
Hogan, Hulk, 1953-
Bollea, Terry Gene, 1953-
White, David
Tampa (Fla.)
Music--Florida
Rock music--United States
Description
Koco, featuring, from left to right, Brad Prince, David White, Stephen Griggs, and Mark Keur. Koco was the second of several bands that Terry Bollea (1953-), known commonly as the professional wrestler, Hulk Hogan, performed with during the early to mid-1970s in Tampa, Florida. Bollea, who played the bass guitar, left his band, Infinity's End, and formed the group, originally called Magic, with David White on the keyboards, Mark Keur playing the drums, and Stephen Griggs as guitar in 1973. After Koco, Bollea performed with the band Ruckus, before going on to a career in professional wrestling. Bollea was replaced with Brad Prince and eventually Pete McKay. The band changed their name to Freebird, but when Lynyrd Skynyrd released a hit song of the same name, they changed the name one last time to Firebird. The group attributed their disbanding in 1976 to the rising popularity of disco music.
Type
Still Image
Source
Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society.
Is Format Of
Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/koco.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/koco.jpg</a>.
Coverage
Tampa, Florida
Publisher
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
Date Created
ca. 1973-1976
Format
image/jpg
Extent
87 KB
Medium
1 black and white photograph
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
External Reference
Hogan, Hulk, and Mark Dagostino. <a href="http://www.worldcat.org/oclc/317928638" target="_blank"><em>My Life Outside the Ring</em></a>. New York: St. Martin's Press, 2009.
Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank"><em>Hollywood Hulk Hogan</em></a>. New York: Pocket Books, 2002.
Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank"><em>Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</em></a>. Manchester: Headpress, 2005.
"<a href="http://www.tampabaymusichistory.com/koco.php" target="_blank">Koco</a>." http://www.tampabaymusichistory.com/koco.php.
band
Bollea, Terry
Firebird
Freebird
garage band
garage rock
Griggs, Stephen
Hogan, Hulk
Keur, Mark
Koco
Magic
music
Prince, Brad
rock
rock music
Tampa
White, David
-
https://richesmi.cah.ucf.edu/omeka/files/original/8d330c93aca4bf0b0bf8604f1ac06a30.JPG
2ee5d0d9f81c5590165a442139fe294b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Sanford Avenue Collection
Alternative Title
Sanford Ave. Collection
Subject
Sanford (Fla.)
African Americans--Florida
Georgetown (Sanford, Fla.)
Description
Collection of digital images, documents, and other records depicting the history of Sanford Avenue, the main street in Georgetown, an African-American community in Sanford, Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.
Contributor
Rock, Adam
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank">Georgetown Collection</a><span>, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</span>
Language
eng
Type
Collection
Coverage
Sanford Avenue, Georgetown, Sanford, Florida
Curator
Cepero, Laura
Rock, Adam
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
External Reference
<span>Flewellyn, Valada S. </span><a href="http://www.worldcat.org/oclc/4497409" target="_blank"><em>African Americans of Sanford</em></a><span>. Charleston, SC: Arcadia Pub, 2009.</span>
<span>"</span><a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank">Pathways to History - Historic Georgetown</a><span>." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.</span>
<a href="http://www.worldcat.org/oclc/29426101" target="_blank"><em>Sanford, Florida City Directory, 1911</em></a>. Sanford, Florida: R.L. Polk & Company, 1911.;
<a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"><em>Sanford, Florida City Directory, 1917-1918</em></a>. Jacksonville, FL: R.L. Polk & Co., 1917.
<a href="http://www.worldcat.org/oclc/29426101" target="_blank"><em>Sanford, Florida City Directory, 1924</em></a><span>; </span><a href="http://www.worldcat.org/oclc/29426101" target="_blank"><em>Sanford, Florida City Directory, 1924</em></a>. Sanford, Florida: R.L. Polk & Company, 1924.
<a href="http://www.worldcat.org/oclc/29426101" target="_blank"><em>Sanford, Florida City Directory, 1926</em></a>. Sanford, Florida: R.L. Polk & Company, 1926.
<a href="http://www.worldcat.org/oclc/29426101" target="_blank"><em>Sanford, Florida City Directory, 1947</em></a>. Sanford, Florida: R.L. Polk & Company, 1947.
<a href="http://www.worldcat.org/oclc/29426101" target="_blank"><em>Sanford, Florida City Directory, 1952</em></a>. Sanford, Florida: R.L. Polk & Company, 1952.
<em><a href="http://www.worldcat.org/oclc/29426101" target="_blank">Sanford, Florida City Directory, 1965</a></em>. Sanford, Florida: R.L. Polk & Company, 1965.
<a href="http://www.worldcat.org/oclc/29426101" target="_blank"><em>Sanford, Florida City Directory, 1975</em></a>. Sanford, Florida: R.L. Polk & Company, 1975.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 color digital image
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
421 South Sanford Avenue
Alternative Title
421 S. Sanford Ave.
Subject
Sanford (Fla.)
African Americans--Florida
Georgetown (Sanford, Fla.)
Description
The lot located at 421 South Sanford Avenue in Georgetown, an historic African-American neighborhood in Sanford, Florida. The earliest known residents of this lot were all African Americans: Berry M. Gardner from approximately 1911 to 1917, E. D. Mathews in 1924, and David White in 1926. At the time that this photograph was taken in January 2012, the lot was vacant with no building.<br /><br />Stokes Fish Market, located next door at 417-419 South Sanford Avenue, can also been seen in this photograph. The fish market was operated by C. Brown from approximately 1947 to 1975. Stokes Fish Market was originally located in Suite 417 around 1947 and had expanded into Suite 419 by 1965. Despite its closing, the painted signs on the sides of the building have remained as a landmark. Kathy Hull has led a project with the Sanford Historic Trust to preserve the signs. During the 2008 presidential campaign, the site was used as a campaign office for Barack Obama and Joe Biden.
Type
Still Image
Source
Original color digital image by Adam Rock, January 23, 2012.
Is Part Of
<a href="http://www.worldcat.org/oclc/4497409" target="_blank">Sanford Avenue Collection</a>, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.
Coverage
Georgetown, Sanford, Florida
Creator
Rock, Adam
Publisher
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Date Created
2012-01-23
Format
image/jpg
Extent
293 MB
Medium
1 color digital image
Language
eng
Mediator
History Teacher
Civics/Government Teacher
Economics Teacher
Geography Teacher
Provenance
Originally created by Adam Rock and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>.
Rights Holder
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Accrual Method
Item Creation
Contributing Project
<a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank">Building Blocks</a>
Curator
Cepero, Laura
Rock, Adam
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
External Reference
Flewellyn, Valada S. <a href="http://www.worldcat.org/oclc/4497409" target="_blank"><em>African Americans of Sanford</em></a>. Charleston, SC: Arcadia Pub, 2009.
"<a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank">Pathways to History - Historic Georgetown</a>" City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.
<a href="http://www.worldcat.org/oclc/29426101" target="_blank"><em>Sanford, Florida City Directory, 1911</em></a>. Sanford, Florida: R.L. Polk & Company, 1911.
<a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"><em>Sanford, Florida City Directory, 1917-1918</em></a>. Jacksonville, FL: R.L. Polk & Co., 1917.
<a href="http://www.worldcat.org/oclc/29426101" target="_blank"><em>Sanford, Florida City Directory, 1924</em></a>. Sanford, Florida: R.L. Polk & Company, 1924.
<a href="http://www.worldcat.org/oclc/29426101" target="_blank"><em>Sanford, Florida City Directory, 1926</em></a>. Sanford, Florida: R.L. Polk & Company, 1926.
Transcript
WHOLESALE
RETAIL
OCEAN
SPECIALTIES
STOKES
FISH Market
African Americans
fish
Gardener, Berry M.
Georgetown
market
Mathews, E. D.
Rock, Adam
Sanford
Sanford Avenue
Stokes Fish Market
White, David