1
100
4
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
2 color digital images
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Tool Local Crew T-Shirt
Alternative Title
Tool T-Shirt
Subject
Tool (Musical group)
Orlando (Fla.)
Concerts--United States
Music--Florida
Rock music--United States
Description
A local crew t-shirt for Tool’s 2007 tour. Tool is an American alternative rock and metal band who formed in Los Angeles, California, in 1990. Incorporating visual arts and long, complex releases, the band gained worldwide critical and commercial success, winning three Grammy awards as of November 2015. The shirt was donated by Mick Dolan, who was a local crew member for the band’s show at the Amway Arena, located at 600 West Amelia Street in Orlando, Florida on May 31, 2007. The tour was in support of the band’s 2006 album, <em>10,000 Days</em>. The lineup for the tour included Maynard James Keenan on lead vocals, Adam Jones on guitar, Justin Chancellor on bass, and Danny Carey on drums and percussion.
Type
Physical Object
Source
Original color digital images: Private Collection of Mick Dolan.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Coverage
Amway Arena, Orlando, Florida
Date Created
ca. 2007-05-31
Format
image/jpg
Extent
384 KB
169 KB
Medium
2 color digital images
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Rights Holder
Copyright to this resource is held by <a href="https://www.toolband.com/" target="_blank">Tool</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
Private Collection of Mick Dolan
External Reference
Abbott, Jim. "<a href="http://articles.orlandosentinel.com/2007-06-05/news/TOOL05_1_tool-band-arena" target="_blank">For heavy-metal project, Tool provides right device</a>." <em>The Orlando Sentinel</em>, June 5, 2007. http://articles.orlandosentinel.com/2007-06-05/news/TOOL05_1_tool-band-arena.
Grow, Kory. "<a href="http://www.rollingstone.com/music/news/tool-explain-why-they-havent-put-out-a-new-album-since-2006-20140715" target="_blank">Tool Explain Why They Haven't Put Out a New Album Since 2006</a>." <em>Rolling Stone</em>, July 15, 2014. http://www.rollingstone.com/music/news/tool-explain-why-they-havent-put-out-a-new-album-since-2006-20140715.
Abbott, Jim. "<a href="http://articles.orlandosentinel.com/2001-10-12/news/0110120343_1_tool-band-keenan" target="_blank">Tool Tinkers With Rock, Makes It Better</a>." <em>The Orlando Sentinel</em>, October 12, 2001. http://articles.orlandosentinel.com/2001-10-12/news/0110120343_1_tool-band-keenan.
10,000 Days
Adam Jones
Adam Thomas Jones
alternative rock
Amway Arena
concerts
crews
Daniel Edwin Carey
Danny Carey
hard rock
heavy metal
James Herbert Keenan
Justin Chancellor
Justin Gunnar Walter Chancellor
Maynard James Keenan
Mick Dolan
music
road crews
roadies
roady
rock
rock music
shirts
t-shirts
Tool
tours
uniforms
-
https://richesmi.cah.ucf.edu/omeka/files/original/3b1de4981e0c27509fead77cf1948fd6.jpg
618f589a507871e1c94f6e70ba66f614
https://richesmi.cah.ucf.edu/omeka/files/original/bd3d0a4b7b912b1ec0176984e3bb8caa.jpg
1ab668655d1ee5c8d4d1b859789aa490
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
2 color digital images
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Screaming Iguanas of Love T-Shirt
Alternative Title
Screaming Iguanas of Love Shirt
Subject
Screaming Iguanas of Love (Musical group)
Melbourne (Fla.)
Description
A t-shirt for the band Screaming Iguanas of Love. Formed in Melbourne, Florida, in early 1987, the group consisted of singer, songwriter, and guitarist Gregory Reinel; drummer and background vocalist David Burley; and bassist and background vocalist J. T. Burley. Although their sound has been described as retro and akin to many of the British invasion bands of the mid-1960s, such as the Beatles, the Rolling Stones, the Kinks, and the Dave Clark Five, the band recorded their two albums on Naked Language, Ichiban Records' alternative-rock division, capitalizing on the popularity of the alternative rock movement of the early 1990s. Their sound is also heavily influenced by rockabilly. The artwork on this t-shirt is reminiscent of their first album, <em>Wild Wild Wild</em>, which was released in 1991. Their second and final album, <em>Glad You Weren't There</em>, was released in 1992. Although neither album was widely distributed, both were critically well-received. The band backed Roy Loney of Flamin' Groovie in a short series of Southeastern dates and also toured with the Fleshtones.
Type
Physical Object
Source
Original color digital images: Private Collection of Mick Dolan.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color digital images.
Coverage
Melbourne, Florida
Contributor
Dolan, Mick
Date Created
ca. 1987-1992
Format
image/jpg
Extent
134 KB
252 KB
Medium
2 color digital images
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Rights Holder
Copyright to this resource is held by Screaming Iguanas of Love and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
Private Collection of Mick Dolan
External Reference
Gettelman, Parry. "<a href="http://articles.orlandosentinel.com/1991-10-16/lifestyle/9110150288_1_iguanas-greenlee-wild-wild-wild" target="_blank">Big Break For Iguanas</a>." <em>The Orlando Sentinel</em>, October 16, 1991. http://articles.orlandosentinel.com/1991-10-16/lifestyle/9110150288_1_iguanas-greenlee-wild-wild-wild.
Gettelman, Parry. "<a href="http://articles.orlandosentinel.com/1991-11-15/entertainment/9111130347_1_iguanas-wild-wild-wild-ichiban-records" target="_blank">Screaming Iguanas Of Love</a>." <em>The Orlando Sentinel</em>, November 15, 1991. http://articles.orlandosentinel.com/1991-11-15/entertainment/9111130347_1_iguanas-wild-wild-wild-ichiban-records.
Gettelman, Parry. "<a href="http://articles.orlandosentinel.com/1992-07-24/entertainment/9207220209_1_iguanas-reinel-wild-wild-wild" target="_blank">Iguanas' 'Glad' Already On The Airways</a>." <em>The Orlando Sentinel</em>, July 24, 1992. http://articles.orlandosentinel.com/1992-07-24/entertainment/9207220209_1_iguanas-reinel-wild-wild-wild.
Gettelman, Parry. "<a href="http://articles.orlandosentinel.com/1992-09-04/entertainment/9209020923_1_iguanas-fireproof-guitar" target="_blank">Screaming Iguanas Of Love</a>." <em>The Orlando Sentinel</em>, September 4, 1992. http://articles.orlandosentinel.com/1992-09-04/entertainment/9209020923_1_iguanas-fireproof-guitar.
Gettelman, Parry. "<a href="https://books.google.com/books?id=rw8EAAAAMBAJ&pg=RA1-PA55&lpg=RA1-PA55&dq=screaming+iguanas+of+love+florida&source=bl&ots=WxFz-baPVJ&sig=YyO2QPmzEmSucQuDhhC6PxnwhxM&hl=en&sa=X&ved=0CD8Q6AEwCGoVChMI_KjDnarRyAIVhqceCh3PsQ2F#v=onepage&q=screaming%20iguanas%20of%20love%20florida&f=false" target="_blank">Deep Blues and Alternative Iguanas. Orlando: In the Shadow of ‘Tourist World,’ Real Music Breaks on Through</a>." <em>Billboard</em> (March 6, 1993): 55-57.
alternative
alternative rock
bands
David Burley
Gregory Reinel
Guns N' Iguanas
hard rock
J. T. Burley
Melbourne
Mick Dolan
music
retro rock
rock
rock music
rockabilly
Screaming Iguanas of Love
shirts
t-shirts
-
https://richesmi.cah.ucf.edu/omeka/files/original/90e2c64d5b7b77163edb88d50e21703b.jpg
480272780614677a88475b663adb11a5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 color photograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Mick Dolan's Ticket Stub and Press Pass Collection
Alternative Title
Mick Dolan's Collection
Subject
Orlando (Fla.)
Lakeland (Fla.)
Concerts
Rock concerts
Music--Florida
Rock music--United States
Pop music
Soul music--United States
Description
A collection of ticket stubs and press passes from Orlando radio personality, Mick Dolan. The items are collectively mounted and framed, along with several guitar picks, business cards and stickers. Some of the ticket stubs include Twisted Sister at the Lakeland Civic Center in Lakeland, Florida, on October 19, 1984; Uriah Heep on October 4, 1986; The Romantics on June 20, 1984; The Police at Rock Super Bowl XIX on October 29, 1983; The B-52's at Orlando Seminole Jai Alai Fronton in Fern Park on July 1983; Joe Jackson at Bob Carr Performing Arts Centre in Orlando on March 30, 1983; and Bob Seger, Triumph, and Men at Work. Some of the press passes include Molly Hatchet's 1986-1987 Tour; Ratt at Orange County Civic Center in Orlando on December 6, 1985; Van Halen at Lakeland Civic Center on January 22, 1984;, Elvis Costello at the Bob Carr Performing Arts Centre on August 5, 1984; Foghat at Tom's Point After Lounge in Orlando on November 13, 1983; Men at Work's 1985 Tour; Pat Travers Band's 1986 Tour; Rick Springfield's 1983 World Tour; Iron Maiden; REO Speed Wagon; STYX; Ted Nugent; Triumph;, A Flock of Seagulls; and Yes.
Type
Still Image
Source
Original color photograph: Private Collection of Mick Dolan.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photograph.
Coverage
Orlando Seminole Jai Alai Fronton, Fern Park, Florida
Tangerine Bowl, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Bob Carr Performing Arts Centre, Orlando, Florida
Orange County Civic Center, Orlando, Florida
Tom's Point After Lounge, Orlando, Florida
Creator
Dolan, Mick
Contributor
Dolan, Mick
Date Created
ca. 2014-03-20
Format
image/jpg
Extent
1.3 MB
Medium
1 color photograph
Language
eng
Mediator
History Teacher
Geography Teacher
Humanities Teacher
Music Teacher
Rights Holder
Copyright to this resource is held by Mick Dolan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
Private Collection of Mick Dolan
External Reference
Turley, Julie, and Stella Gleitsman. <a href="http://www.worldcat.org/oclc/746725068" target="_blank"><em>Ticket Stubs of the 80's</em></a>. New York, NY: The author, 2011.
Brewster, Bill, and Frank Broughton. <a href="http://www.worldcat.org/oclc/43445660" target="_blank"><em>Last Night a Dj Saved My Life: The History of the Disc Jockey</em></a>. New York: Grove Press, 2000.
Neer, Richard. <a href="http://www.worldcat.org/oclc/46713260" target="_blank"><em>FM: The Rise and Fall of Rock Radio</em></a>. New York: Villard Books, 2001.
A Flock of Seagulls
alternative rock
art rock
backstage pass
Beach Club
blue-eyed soul
blues rock
Bob Carr Performing Arts Centre
Bob Seger
boogie rock
business card
Citrus Bowl
concert
country rock
Declan Patrick MacManus
Elvis Costello
Foghat
glam metal
guitar pick
hard rock
heartland rock
heavy metal
Iron Maiden
jam rock
Joe Jackson
Lakeland
Lakeland Civic Center
Men at Work
metal
metal music
Mick Dolan
Molly Hatchet
MTV
Music Television
new wave
Nugent, Ted
Orange County Civic Center
orlando
Orlando Citrus Bowl Stadium
Orlando Seminole Jai-Alai Fronton
Orlando Stadium
Pat Travers
Pat Travers Band
Patrick "Pat" Henry Travers
pop
pop music
pop rock
post-punk
power pop
press pass
progressive metal
progressive rock
pub rock
punk
Ratt
reggae rock
REO Speed Wagon
Richard "Rick" Lewis Springthorpe
Rick Springfield
Robert "Bob" Clark Seger
rock and roll
rock band
rock concert
rock festival
Rock Super Bowl
Rock Super Bowl XIX
rockabilly
roots rock
shock rock
soft rock
soul
soul music
Southern metal
Southern rock
sticker
STYX
symphonic rock
synthpop
Tangerine Bowl
The B-52's
The Police
The Romantics
Theodore "Ted" Anthony Nugent
ticket
Tom's Point After Lounge
Triumph
Twisted Sister
Uriah Heep
Van Halen
VIP pass
WDIZ-FM
Yes
-
https://richesmi.cah.ucf.edu/omeka/files/original/1dff01512ae3cd729183c289e821558c.jpg
8a11c5565c22ba74cefc31b112807dbe
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
The Who Ticket Stub
Alternative Title
The Who Ticket
Subject
Orlando (Fla.)
Music--United States
Rock music--United States
Description
A ticket stub for a concert featuring The Who at the Tangerine Bowl, located at 1610 West Church Street in Downtown Orlando, Florida, on November 27, 1982. The ticket was $15.75, including tax, and the show began at 3 p.m., with the gates opening at noon. The opening acts were Joan Jett (b. 1958) and the Black Hearts and the B-52's. The ticket warns concert goers, "DO NOT ARRIVE EARLY." The Tangerine Bowl has been also known as Orlando Stadium, the Citrus Bowl, Florida Citrus Bowl Stadium and is currently known as Orlando Citrus Bowl Stadium. It opened in 1936 and has been home to numerous sporting and entertainment events throughout its existence.<br /><br />The Who is an English rock band that are considered to be one of the greatest musical influences in rock music of the 20th century. Formed in 1964, they have gone on to sell over 100 million albums and continue to be one of the highest grossing touring bands of all time. Although The Who have since reunited several times, the band announced that this 1982 tour would be their final. The Orlando show was the first of the band's second North American leg, after a four week break.
Type
Text
Source
Original ticket stub for the Who at the Tangerine Bowl: Private Collection of Carl Knickerbocker.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original ticket stub for the Who at the Tangerine Bowl.
Coverage
Tangerine Bowl, Orlando, Florida
Contributor
Knickerbocker, Carl
Date Created
ca. 1982-11-27
Format
image/jpg
Extent
199 KB
Medium
1 ticket stub
Language
eng
Mediator
History Teacher
Rights Holder
Copyright to this resource is held by Carl Knickerbocker and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
Private Collection of Carl Knickerbocker
External Reference
Marsh, Dave. <a href="http://www.worldcat.org/oclc/9555496" target="_blank"><em>Before I Get Old: The Story of the Who</em></a>. New York: St. Martin's Press, 1983.
<span>Grantley, Steve, Alan G. Parker, and Sean Body. </span><a href="http://www.worldcat.org/oclc/660635450" target="_blank"><em>The Who by Numbers: The Story of The Who Through Their Music</em></a><span>. London: Helter Skelter Pub, 2010.</span>
"<a href="http://www.thewholive.net/concert/index.php?id=493&GroupID=1" target="_blank">The Who Concert Guide</a>." The WhoLive.net. http://www.thewholive.net/concert/index.php?id=493& GroupID=1 (accessed February 17, 2015).
alternative rock
B-52's
B-52s
Beach Club
Beach Club Productions
British rock
Capital One Bowl
Carl Knickerbocker
Citrus Bowl
concert
concerts
corporate sponsorship
Downtown Orlando
Florida Citrus Bowl
hard rock
Joan Jett
Joan Jett and the Black Hearts
Joan Marie Larkin
Kenneth Thomas Jones
Kenney Jones
music
musicians
new wave
orlando
Orlando Citrus Bowl Stadium
Orlando Stadium
Pete Townshend
Peter Dennis Blanford Townshend
pop music
pop rock
post-punk
power pop
punk rock
rock music
rockabilly
Roger Daltrey
Schlitz
Schlitz malt liquor
sports stadiums
Tangerine Bowl