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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt;</text>
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                <text>"&lt;a href="http://deimos.apple.com/WebObjects/Core.woa/Browse/ucf.edu.2577623765.02577623773.6741845303?i=2072598649" target="_blank"&gt;RICHES Podcast Documentaries, Episode 2: The Legacy of the Ocoee Riot&lt;/a&gt;." RICHES of Central Florida. http://deimos.apple.com/WebObjects/Core.woa/Browse/ucf.edu.2577623765.02577623773.6741845303?i=2072598649.</text>
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                <text>Dabbs, Lester. &lt;a href="http://www.worldcat.org/oclc/15335684" target="_blank"&gt;&lt;em&gt;A Report of the Circumstances and Events of the Race Riot on November 2, 1920 in Ocoee, Florida&lt;/em&gt;&lt;/a&gt;. Thesis (M.A.)--Stetson University, 1969, 1969.</text>
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              <elementText elementTextId="405793">
                <text>Hurston, Zora Neale. &lt;a href="http://www.worldcat.org/oclc/17961731" target="_blank"&gt;&lt;em&gt;The Ocoee Riot&lt;/em&gt;&lt;/a&gt;. 1920.</text>
              </elementText>
              <elementText elementTextId="405794">
                <text>Jones, Maxine Deloris, and Kevin McCarthy. &lt;a href="http://www.worldcat.org/oclc/28423312" target="_blank"&gt;&lt;em&gt;African Americans in Florida&lt;/em&gt;&lt;/a&gt;. Sarasota, Fla: Pineapple Press, 1993.</text>
              </elementText>
              <elementText elementTextId="405795">
                <text>Krasa, Sandra, and Bianca White. &lt;a href="http://www.worldcat.org/oclc/263148385" target="_blank"&gt;&lt;em&gt;Ocoee Legacy of the Election Day Massacre&lt;/em&gt;&lt;/a&gt;. New York, NY: Distributed by Third World Newsreel, 2002.</text>
              </elementText>
              <elementText elementTextId="405796">
                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2479" target="_blank"&gt;RICHES Podcast Documentaries, RICHES Podcast Update&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2479.</text>
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                <text>0:00:00 Introduction&#13;
0:01:30 Martin Luther King Unity Parade and Celebration&#13;
0:02:50 Ocoee Race Riot&#13;
0:05:06 Cover-up by the Federal Bureau of Investigation (FBI)&#13;
0:06:47 Post-riot racial tensions&#13;
0:08:32 How Ocoee has changed&#13;
0:09:17 Martin Luther King, Jr. Day parade&#13;
0:10:26 Reconciliation&#13;
0:11:48 Ocoee Human Relations Diversity Board&#13;
0:13:47 African-American cemetery&#13;
0:14:28 Tulsa Race Riot&#13;
0:15:26 Changing white perspective on the Ocoee Race Riot&#13;
0:16:30 Public knowledge and awareness&#13;
0:17:04 Addressing dark history&#13;
0:18:57 Conclusion</text>
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              <elementText elementTextId="505220">
                <text>2011-02-01</text>
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                <text>2011-02-01</text>
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                <text>&lt;p&gt;&lt;strong&gt;Cassanello&lt;br /&gt;&lt;/strong&gt;I’m Robert [A.] Cassanello, assistant professor of history at the University of Central Florida, and you’re listening to the RICHES documentary podcast.&lt;/p&gt;
&lt;p&gt;Welcome to the RICHES documentary podcast. RICHES, the regional initiative for collecting the histories, experiences, and stories of Central Florida, is an umbrella program housing interdisciplinary public history projects that bring together different departments at the University of Central Florida with profit and nonprofit sectors of the community in order to promote the collection and preservation of the region’s history. By facilitating research that records and presents the stories of communities, businesses, and institutions in Central Florida, RICHES seeks to provide the region with a deeper sense of its heritage. This series will feature a podcast every two weeks, in the middle and at the end of each month, that will explore various aspects of Central Florida history.&lt;/p&gt;
&lt;p&gt;In today’s episode, &lt;em&gt;The Legacy of the Ocoee Race Riot of 1920&lt;/em&gt;, Julio [R.] Firpo produced this podcast and Russell Moore narrates it, which examines the long term impact of this event on the region.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Moore&lt;br /&gt;&lt;/strong&gt;On January 18&lt;sup&gt;th&lt;/sup&gt;, 2010 the city of Ocoee heads to their fourth annual Martin Luther King Unity Parade and Celebration. The parade was planned by Ocoee’s Human Relations Diversity Board. The board aims to bring together all ethnic groups and make them feel as part of the community. William Maxwell has lived in Ocoee for over 15 years, and is the current chairman for the Human Relations Diversity Board. He elaborates of the purpose of the event.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maxwell&lt;br /&gt;&lt;/strong&gt;Tomorrow is, of course, designed to really promote our mission statement, which is that of uniting the—the races, the businesses, and the churches in the city of Ocoee around that bridge of, of ethnical, uh, components that make up our community to make sure that we have some dignity, we have some respect of one another as individuals, and to ultimately raise the level of awareness of each group towards the existence of the other group so as to facilitate a more harmonious and racial profile in the eyes of our, uh, community, in the eyes of our county, and state, and take it to whatever level.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Moore&lt;br /&gt;&lt;/strong&gt;Ocoee was the center of a race riot in 1920. Paul Ortiz is a professor at the University of Florida, and the director of the Samuel Proctor Oral History Program. He has written on race relations in Florida, and was the keynote speaker for the 2009 Martin Luther King, Jr. parade. He explains the origin of the Ocoee Race Riot of 1920.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ortiz&lt;br /&gt;&lt;/strong&gt;Well, what happened in Ocoee was something that was happening all throughout the state of Florida, and, in fact, all throughout the South. And 1920 was a presidential election year, and it was also a—a census year. It was a year where apportionment was going to happen. It was a year when African Americans throughout the entire country were registering to vote in a record numbers[sic]. And they were often using their wartime service as a[sic], uh, example of, you know, saying, “Hey, we went to France in very large numbers. we—we volunteered, we signed up, we fought in World War I, we served this country, we fought this war for freedom. Now we’re coming back to a country which considers us to be second class citizens.”&lt;/p&gt;
&lt;p&gt;And so there were these huge voter registration campaigns in black communities throughout the state of Florida, and Ocoee was no different than—than any other of these communities. And when people tried to vote in Ocoee, they were turned away from the polls, but they came back. There was a gun battle that occurred, and that led to a huge—a larger gun battle, which became a massacre. uh, most African Americans were driven out of Ocoee within a very short period of time. But that Election Day massacre here, again was part of a larger story. I mean, here were Election Day massacres that occurred in other parts of Florida, as well. The violence was aimed at stopping black people from voting. and—and in a larger symbolic sense, stopping them from feeling that they had a stake in society, that they could become involved politically. Because if they became involved politically in 1920, that’s the end of segregation. That’s the end of Jim Crow. And the entire system would’ve came tottering down.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Moore&lt;br /&gt;&lt;/strong&gt;Lester Dabbs is a former Ocoee mayor and commissioner, and served on the Human Relations Diversity Board. He wrote his master’s degree thesis on the Ocoee Riot. He stumbled upon an interesting discovery while conducting his research.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dabbs&lt;br /&gt;&lt;/strong&gt;What I was able to ascertain is that it was a cover-up from the FBI [Federal Bureau of Investigation] all the way down the community, the—the city, the society was in denial about the ramifications of the—of the riot. It came about because of the rising influence of a couple of, uh, African-American, uh, labor organizers—or labor people—who, if you wanted any lettuce picked or oranges picked or what not, you had to go through either July Perry&lt;a title=""&gt;[1]&lt;/a&gt; or Moses Norman.&lt;/p&gt;
&lt;p&gt;That was the center cause, and the other situation, uh, Judge [John Moses] Chaney[sp] was, uh, arresting blacks in west Orange County who voted in the 1920 election, so it was a combination of factors. The, uh, FBI sent agents from, um, North Carolina, South Carolina, and I believe it was Georgia—anyway, three southern states to determine what was [&lt;em&gt;laughs&lt;/em&gt;] —what was wrong, and there was no blame affixed. And uh, as I understand it, the grand jury report is still sealed. I know two people who’ve tried to gain access to it through the state attorney’s office, and it’s still sealed. So there was a veil of secrecy, so to speak, over the situation.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Moore&lt;br /&gt;&lt;/strong&gt;Decades after the riot, Ocoee still had a racial stigma surrounding the town. Joy Wallace Dickinson writes a weekly column in &lt;em&gt;The Orlando Sentinel&lt;/em&gt; called “Florida Flashback,” which covers topics regarding Central Florida history. As a long term Central Floridian, she reflects on Ocoee’s past.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dickinson&lt;br /&gt;&lt;/strong&gt;Uh, there are plenty of anecdotes. Again just from my own experience, I had a high school friend that told me, um—this would be back in the [29]50s or ‘60s—that there were [&lt;em&gt;clears throat&lt;/em&gt;] black drivers that worked for her father’s business that wouldn’t go near Ocoee. I mean, if a delivery had to be made out there, somebody else had to do it. So, I think there was certainly, clearly a feeling that, uh, that was the place that black people not only were not welcome, but—but were—that they were afraid to go there.&lt;/p&gt;
&lt;p&gt;One of the, uh, leaders of the reconciliation movement, um, Jarred Gurley[sp], who is a lawyer now, but he was one of the leaders of the West Orange reconciliation task force. And I can remember him saying, he, he—he’s African American, and he said to his wife, “Well, why,” you know, “We can buy the same house that we’re looking at in MetroWest than Ocoee for so much less. why don’t we moved there?” And she had grown up in Orange County and said, “No way. Black people don’t just live in Ocoee. We wouldn’t do that.”&lt;/p&gt;
&lt;p&gt;But you know the economics were so great more people did, more you know more African Americans said, “Well, let’s do. Let’s buy that house there.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ortiz&lt;br /&gt;&lt;/strong&gt;I think it takes time. When I was a graduate student I actually came to Ocoee, and I was invited by a small group of people, who at the time were trying to tell the story about what happened in November 1920. And they felt completely marginalized by the larger community, and they felt really—they did a public event—I think it was at a local bookstore—it was very controversial. And now—you know, I don’t want to exaggerate the changes that have taken place, but now it seems that Ocoee is moving, uh, a little further along the road.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dabbs&lt;br /&gt;&lt;/strong&gt;I received a call from Dr. Paul Ortiz—he spoke at the last[?] one, back in January—wanting to know my reaction to what impact of Martin Luther King Day parade had on the city, etc., etc. etc. Now I’ve, uh, had the black prince from Apopka tell me that how envious they are of Ocoee [&lt;em&gt;laughs&lt;/em&gt;] for—for being gutsy enough to—to do this, uh, sort of thing. I, I think it was uh, uh, an excellent, uh, idea. I was able to get I think six sponsors, and uh, it’s uh—it’s going to be an annual thing. We’ve had three I think, and uh, but it was the brain child of the Human Relations Diversity Board, and, and Danny Barene[sp], uh, the police of chief of Eatonville of the time—it was his suggestion, which we, uh, took hold of and made happen.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dickinson&lt;br /&gt;&lt;/strong&gt;In—in 2000, there had been an event a couple of years before that, uh, in which a couple of groups had put on a program in Ocoee, and it was—it was just tremendously volatile. It was considered a taboo to even talk about it. Um, particularly in, uh—in Ocoee. It was very upsetting to people. It—it was absolutely, sort of socially verboten to even acknowledge that it had happened.&lt;/p&gt;
&lt;p&gt;And uh, over those 10 years, there have been numerous things that have happened that have sort of built a spirit of reconciliation in many people involved. One of them being, placing a stone at the—the grave of July Perry in Greenwood Cemetery in Orlando, and, uh, many other things.&lt;/p&gt;
&lt;p&gt;But when—when Ocoee that first Martin Luther King Parade several years ago—I think this is the four one—that was considered a—a quite an, uh—an amazing turn of events, and, uh, now it’s gotten even, you know, more established as a—as an event that they would have a Martin Luther King parade. And I think that’s come to symbolize the changes in Ocoee and west Orange County.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Moore&lt;br /&gt;&lt;/strong&gt;Lester Dabbs explains the creation of the Ocoee Human Relations Diversity Board.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dabbs&lt;br /&gt;&lt;/strong&gt;It was created, because city, uh, recognized that we have to get past the unsavory events of 1920 to—to come kicking and thrashing into the 21&lt;sup&gt;st&lt;/sup&gt; century. There was an unofficial body that the former city manager—now deceased—lent support to and that was the West Orange Reconciliation Task Force.&lt;/p&gt;
&lt;p&gt;There was a riot in, um, Wilmington, North Carolina. They had had uh, a reconciliation at up there, a force that, uh, tell the story, you know, acknowledge the event, etc. and so we brought him the curator—the director—of that reconciliation in Wilmington here and, uh, we have, uh, —did have until last year—an annual affair where we gathered in the abandoned cemetery and what not. We bought headstones for July Perry, the man who was taken out of the jail and hanged on Lake Adair.&lt;/p&gt;
&lt;p&gt;And we’ve done any number of things, but this was an unofficial body. It was sanctioned by the city manager but it was not an arm of the City [of Ocoee] officially. So, as we progressed in making progress in that area, the City saw the opportunity and took advantage of it to build upon the good will that we were creating to form an official body appointed by the [Ocoee] City Commission. It had great diversity initially, and I guess still does. But that was an effort to again ensure that everyone got a fair shake in the—the city um, for job opportunity, business opportunity, etc.&lt;/p&gt;
&lt;p&gt;Cemeteries—white or black—are places of, uh, worthy of upkeep, and restoration, and what not. And the City abandoned this Negro cemetery in the mid-50s. There was a cemetery committee here that was charged with overseeing both the white and the black cemetery, but they dropped the black cemetery in, uh—I don’t know, ‘53, ‘55, something like that. And it just went further and further into the variation.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ortiz&lt;br /&gt;&lt;/strong&gt;We are able to use now, certain days—like Martin Luther King Day for example—as an opening to create a space to talk about these types of events. And the thing we have to understand of course, as you all know, is that they occurred all across the country, and you know Tulsa[, Oklahoma]—I was just reading about the Tulsa race riot, for example—and—and Tulsa—the race there in 1921, um, was even larger and involved a huge amount of destruction of property and—and human life. And I think what it takes is kind of, uh, a coalition, if you will, both of people who have locally—you obviously need people who think historically—but you need, you need people who are not afraid to—to talk. To sit down out a table and just kinda put it out there, and say, “Well, let’s talk about the meaning of this.” Um, and I think now in what I’m hearing from—from this community is that people really want to—to actually, uh, talk.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dickinson&lt;br /&gt;&lt;/strong&gt;And also, I think more people moved in that had no—I mean, more white people moved in—that had no idea this heritage were from other places, and it—it—there’s change on all kinds of levels, including on [inaudible] people that have lived there a long time. it’s not just all new folks. I think there’s been a change of heart, and I think also in—in along those lines, I mean, I’ve always been impressed that—I think this was a tremendous burden psychologically on white Ocoee as—as well as black. I—it’s, it’s—it’s really a deep scar. and I mean, there are anecdotes about—I’ve read in one of the—one of the accounts of the event that a—a long term doctor in West Orange would have people come to him and break down in tears for remembering that night and the fear that happened. So both races certainly suffered a lot I think from it. Psychologically and in other ways.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maxwell[?]&lt;br /&gt;&lt;/strong&gt;I believe that the behavior that we see in our community, uh—especially human behavior—uh, is a direct result of knowledge. And I believe that it’s, it’s through events that we’re doing right now, that we can enhance the knowledge of the general public and raise their awareness, uh, to a level that they haven’t, uh, experienced before.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dickinson&lt;br /&gt;&lt;/strong&gt;I’ve—I’ve had reactions every time I’ve written about it. I think that usually comes from—from folks that—and I—I don’t know, because that’s one of those things about anonymous postings. You really don’t know. But it usually comes from folks who—who live in Ocoee and are really tired of being—being, um, described in a negative way and—and that sort of thing. And—and by the way, I—I think there probably are African Americans who say this same sort of thing, “This is very painful, we don’t want to hear about it.”&lt;/p&gt;
&lt;p&gt;I, um—I think it is important to bring it up, uh, and it’s something I—I struggle with each time, but I think—I, I think, you know, if you care about history, you have to believe there are just lessons to be learned from the past. And it’s a tremendously compelling story, and—and I think one of the themes of it is how good people can get themselves into situations, in which they cause several things to happen, and they don’t realize it. They don’t realize they’re getting themselves into it. And I think that’s one of the lessons of the story, and by that, I mean, I think now—from today’s perspective, I think middle class white people sort of think that—many times think of the—the KKK [Ku Klux Klan] as I— as something that thugs engage in. But at the time they, the Ku Klux Klan was as presented as a popular fraternal organization for—for southern professional men. And, uh, I think many men joined it thinking that they were upholding some kind of values of the Old South or whatever—anyway without really expecting that they might get into situations in which there would be death and destruction.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Moore&lt;br /&gt;&lt;/strong&gt;Slowly over time this small Central Florida community has come to grips with its contentious past.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cassanello&lt;br /&gt;&lt;/strong&gt;Thank you for listening to the RICHES Documentary Podcasts. Feel free to contact us with any questions or comments on the program that you just heard. Please join us for the next episode&lt;em&gt; Serving the Community-The New Deal Post Office of Cocoa Florida&lt;/em&gt;, In which Heather Bollinger] examines the history of the iconic building, now home to the Florida Historical Society.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Julius Perry.&lt;/p&gt;
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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              <elementText elementTextId="405939">
                <text>Cox, Dale. &lt;a href="http://www.worldcat.org/oclc/781177259" target="_blank"&gt;&lt;em&gt;Old Parramore: The History of a Florida Ghost Town&lt;/em&gt;&lt;/a&gt;. S.l: Createspace], 2010.</text>
              </elementText>
              <elementText elementTextId="405940">
                <text>Dickinson, Joy Wallace "&lt;a href="http://articles.orlandosentinel.com/2006-07-02/news/ORFLASH02_1_brotemarkle-oral-history-central-florida" target="_blank"&gt;Parramore Legacy: 'Black History is Part of Everybody's History'&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, July 2, 2006. http://articles.orlandosentinel.com/2006-07-02/news/ORFLASH02_1_brotemarkle-oral-history-central-florida.</text>
              </elementText>
              <elementText elementTextId="405941">
                <text>"&lt;a href="http://deimos.apple.com/WebObjects/Core.woa/Browse/ucf.edu.2577623765.02577623773.7292816977?i=1331393182" target="_blank"&gt;&lt;span&gt;RICHES Podcast Documentaries, &lt;/span&gt;Episode 4: Gentrification and Urban Renewal&lt;/a&gt;." RICHES of Central Florida. http://deimos.apple.com/WebObjects/Core.woa/Browse/ucf.edu.2577623765.02577623773.7292816977?i=1331393182.</text>
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              <elementText elementTextId="405942">
                <text>Frazier, Amanda E. &lt;a href="http://www.worldcat.org/oclc/47806651" target="_blank"&gt;&lt;em&gt;On the Other Side of the Tracks: Redevelopment in West Winter Park&lt;/em&gt;&lt;/a&gt;. Thesis (A.B. Honoris)--Rollins College, 2001, 2001.</text>
              </elementText>
              <elementText elementTextId="405943">
                <text>Florida. &lt;a href="http://www.worldcat.org/oclc/435532264" target="_blank"&gt;&lt;em&gt;Urban Revitalization in Florida&lt;/em&gt;&lt;/a&gt;. [Tallahassee, Fla.]: Florida Legislative Committee on Intergovernmental Relations, 2005.</text>
              </elementText>
              <elementText elementTextId="405944">
                <text>"&lt;a href="http://www.cityoforlando.net/economic/pathways-for-parramore/" target="_blank"&gt;History of Pathways for Parramore&lt;/a&gt;." City of Orlando. http://www.cityoforlando.net/economic/pathways-for-parramore/.</text>
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              <elementText elementTextId="405945">
                <text>Livingston, Fairolyn. &lt;a href="http://www.worldcat.org/oclc/68757928" target="_blank"&gt;&lt;em&gt;A Window on Hannibal Square: A View of Life in Early Westside Winter Park and a Portrait of the Lives and Careers of Walter B. Simpson and Frank R. Israel, the Only Black Men to Every Hold Office in the City of Winter Park, Florida&lt;/em&gt;&lt;/a&gt;. 1997.</text>
              </elementText>
              <elementText elementTextId="405946">
                <text>Russin, Teresa. &lt;a href="http://purl.fcla.edu/fcla/etd/UFE0021792" target="_blank"&gt;&lt;em&gt;The Community Land Trust Model and Smart Growth Principles As a Means to Provide Affordable Housing in the Face of Gentrification&lt;/em&gt;&lt;/a&gt;. [Gainesville, Fla.]: University of Florida, 2007. http://purl.fcla.edu/fcla/etd/UFE0021792.</text>
              </elementText>
              <elementText elementTextId="405947">
                <text>"&lt;a href="http://www.hannibalsquareheritagecenter.org/aboutus.html" target="_blank"&gt;Welcome&lt;/a&gt;." Hannibal Square Heritage Center. http://www.hannibalsquareheritagecenter.org/aboutus.html.</text>
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              <elementText elementTextId="405948">
                <text>"&lt;a href="http://www.hannibalsquare.com/" target="_blank"&gt;Welcome to the Hannibal Square Association&lt;/a&gt;." Hannibal Square Association. http://www.hannibalsquare.com/.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/files/original/254867a60c37e3bc46fe285fbbefc1d7.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 4: Gentrification and Urban Renewal: Revitalizing Central Florida’s African American Communities&lt;/a&gt;</text>
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              <elementText elementTextId="515858">
                <text>2011-04-01</text>
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              <elementText elementTextId="515859">
                <text>2011-04-01</text>
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                <text>0:00:00 Introduction&#13;
0:03:40 Founding of Parramore&#13;
0:04:22 Effects of integration&#13;
0:07:17 William Monroe Wells and the South Street Casino&#13;
0:08:35 Interstate Highway 4 and the decline of Parramore&#13;
0:12:00 Hannibal Square and Winter Park&#13;
0:14:22 Real estate and infrastructure&#13;
0:17:33 	Revitalization and gentrification&#13;
0:27:21 Conclusion</text>
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                <text>&lt;p&gt;&lt;strong&gt;Lester&lt;br /&gt;&lt;/strong&gt;I’m Dr. Connie [L.] Lester, the Director of the RICHES program, and you are listening to the RICHES documentary podcast.&lt;/p&gt;
&lt;p&gt;[&lt;em&gt;radio static&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lester&lt;br /&gt;&lt;/strong&gt;Welcome to the RICHES documentary podcast. RICHES—the Regional Initiative for Collecting the Histories, Experiences, and Stories of Central Florida—is an umbrella program housing interdisciplinary public history projects that bring together different departments at the University of Central Florida with profit and nonprofit sectors of the community in order to promote the collection and preservation of the region’s history. By facilitating research that records and presents the stories of communities, businesses, and institutions in Central Florida, RICHES seeks to provide the region with a deeper sense of its heritage. This series feature a podcast every two weeks, in the middle and at the end of each month that will explore various aspects of Central Florida history.&lt;/p&gt;
&lt;p&gt;In today’s episode, “Gentrification and Urban Renewal: Revitalizing Central Florida’s African-American Communities,” Geoffrey Cravero examines some of the reasons that these once flourishing neighborhoods began to decline, and what city leaders are doing to save these communities.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;Hi. I’m Geoffrey Cravero, and in today’s episode, “Gentrification and Urban Renewal: Revitalizing Central Florida’s African-American Communities,” we’re gonna be speaking with Representative Geraldine [F.] Thompson and Dr. Benjamin [D.] Brotemarkle about the Parramore district of Downtown Orlando, and Dr. Julian C. Chambliss and Fairolyn Livingston about Hannibal Square, the African-American side of Winter Park, Florida. Central Florida’s African-American community was once relatively prosperous, consisting of a thriving business district, populated by a mix of professionals and working-class families, and in many ways, quite self-sufficient.&lt;/p&gt;
&lt;p&gt;This podcast will examine some of the factors that led to the ultimate decline of these regions, the efforts that have gone into restoring them, and the overall effectiveness of those campaigns. Geraldine Thompson has been a representative in the Florida State Legislature since 2006. A former educator and administrator at Valencia Community College, she is also a founder of the Wells’ Built Museum of African American History and Culture.&lt;/p&gt;
&lt;p&gt;The Executive Director of the Florida Historical Society, Dr. Brotemarkle has written several books on Florida history and culture, including &lt;em&gt;Crossing Division Street: An Oral History of the African American Community in Orlando&lt;/em&gt; and &lt;em&gt;Beyond the Theme Parks: Exploring Central Florida&lt;/em&gt;. You might also recognize him as the producer and host of &lt;em&gt;Florida Frontiers&lt;/em&gt;, the weekly radio magazine of the Florida Historical Society.&lt;/p&gt;
&lt;p&gt;Dr. Julian Chambliss is an associate professor of history at Rollins College, specializing in 19&lt;sup&gt;th&lt;/sup&gt; and 20&lt;sup&gt;th&lt;/sup&gt; century urban America, African-American history in Florida, race and ethnicity, American planning history, as well, as other topics related to the urban experience.&lt;/p&gt;
&lt;p&gt;Born in Hannibal Square, Fairolyn Livingston has spent most of her life in the community, and is now Manager of the Hannibal Square Heritage Center.&lt;/p&gt;
&lt;p&gt;I’d like to thank each of our guests for taking the time to speak with us. I asked Representative Thompson and Dr. Brotemarkle to tell us about the rise and fall of Orlando’s Parramore community.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thompson&lt;br /&gt;&lt;/strong&gt;Parramore was founded in the 1800s, uh, when the city was just, uh, beginning to form, and it was the location where many African Americans lived initially. The city was separated, as was the case throughout the South, generally by the railroad tracks. You had the, uh, white community on one side and the African-American community on the other side. So, uh, Parramore is just west of the railroad tracks in Downtown Orlando, and the pioneers in the African-American community who made significant contributions to the City [of Orlando] and to Central Florida lived in Parramore.&lt;/p&gt;
&lt;p&gt;When the community went through integration at the end of, uh, “legally sanctioned apartheid” —is what I call it—uh, the idea was that, in order to get true integration, you had to close some of the major institutions in Parramore. So you saw the schools, uh, close. Many of the churches also moved out. Uh, the Parramore area had become saturated, and people needed other places to live, and so, uh, places like Washington Shores, the Richmond Heights area, uh, Carver Shores, were established and many people moved to those areas which were, at that time, considered the suburbs, and many of the professionals who lived in Parramore also moved, and so you left behind, uh, people who were, for the most part, renters, who did not own the properties where they lived. Uh, there was very little that was owner-occupied in Parramore—a lot of absentee landlords.&lt;/p&gt;
&lt;p&gt;So when you lost the major institutions like your schools, your churches, the professional individuals who had made it the economic and the social hub for African Americans in Central Florida, then an element, uh, of crime began to—to build, and, uh, there were a lot of problems, and quite frankly, a lot of the decision-makers, who were deciding what was going to happen and how Central Florida, uh, would grow, did not really consider Parramore worthy of much of an investment, and so that’s what led to a blighted area for a very long time.&lt;/p&gt;
&lt;p&gt;There have been a lot of very effective efforts to bring business back into the community. Uh, there is one charter school now in the community—the Nap Ford [Community] School. Other than Nap Ford, however, there are still no schools in Parramore. The students are bussed out to nine different, uh—different schools in—in the area. Uh, the businesses that have come into the area include, uh, the Bank of America. You now have the Federal Courthouse that is also built in the Parramore area, as well, as the Florida A[gricultural] &amp;amp; M[echnical] University College of Law. Uh, the Wells’ Built Museum, which is in the former Wells’ Built Hotel, um, is celebrating now 10 years—our 10&lt;sup&gt;th&lt;/sup&gt; anniversary, and so we have been able to document, and to preserve, and to share a lot of the history of Parramore, which makes people much more aware that it is a significant co—uh, community, and as we revitalize and as we grow, it’s something worth saving.&lt;/p&gt;
&lt;p&gt;We are in the process of, uh, restoring the residence of the person who built the Wells’ Built. His name was William Monroe Wells, one of the early African-American physicians here. He came here in 1917, and in addition to a thriving medical practice, he had a social club, which was called the South Street Casino, and he brought, uh, big bands, [Edward] “Duke” [Kennedy] Ellington, [William] “Count” [James] Basie, Ella [Jane] Fitzgerald, to perform at the South Street Casino, which he owned, and after the entertainers, uh, finished performances, they didn’t have a place to stay. So that was his motivation for building a hotel, and, uh, so in addition to refurbishing the Wells’ Built and operating it as a museum of African-American history, we’re now in the process of refurbishing his home, which was located where the new Amway Center, uh, is, And that’s another business that has come into Parramore, which is Downtown Orlando, and so the home was moved rather than, uh, to have it demolished, and we will make it part of the museum complex, and we’ll operate a museum store in Dr. Wells’ residence. So his legacy is alive and well, on South Street.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Brotemarkle&lt;br /&gt;&lt;/strong&gt;Well, there are many factors that—that led to the demise of the hotel and casino. Uh, first of all, eh, as—as great and wonderful and necessary as the civil rights laws of the 1960s were, once African Americans could move anywhere they wanted to, uh—and this is not unique to the Parramore neighborhood. This happened to communities throughout the South, in particular, uh, but many of the community leaders—that[sic] helped keep the infrastructure of the community together—moved out of the neighborhood. So consequently, in many cases, uh, all that were—were left were the people who couldn’t afford to move anywhere else, and actually, in the case of the Parramore neighborhood, this had actually started a little bit before that in the 1950s. People had started migrating over to the Washington Shores neighborhood in Orlando, but the—the—the civil rights laws definitely contributed to the continued exodus, uh, from the Parramore neighborhood of many of the people, uh—the community leaders. Uh, also, the building of I[nterstate Highway]-4, uh, right through—right by the—the Parramore neighborhood kind of—into that neighborhood, uh, helped to break that up a little bit, as well. Uh, that was, uh, another factor.&lt;/p&gt;
&lt;p&gt;Uh, so as these—as the community leaders moved out of the neighborhood, the Parramore neighborhood itself entered, uh, a state of social and economic decline, and, uh, I—I think it is starting to, uh, pull out of it a little bit, and that was really part of the purpose of the Wells’ Built Museum of African American History and Culture—was to be an economic engine for the neighborhood, and hopefully, tap into this cultural and heritage tourism and bring people into the neighborhood for that reason. It is a fascinating era because, uh, again, between—with—with Division Street as the dividing line the—the Parramore neighborhood was really a thriving, self-sustained community, uh, parallel to the—to the white community in Orlando. Uh, here were institutions, Jones High School, uh, many of the churches, uh, that really created a strong fabric. Uh, uh, there was a, uh, uh, African-American chamber of commerce there in the Parramore neighborhood. There were black theatres. There were everything that the community needed right there. Uh, tailors, and—and businesses of all types were right there, and—and of course, the Wells’ Built Hotel and South Street Casino right in the middle of all this—this—this thriving African-American community.&lt;/p&gt;
&lt;p&gt;So it’s really an interesting, uh, look at history, and—and also, the unintended negative impact of those civil rights laws in the 1960s, again, as—as wonderful and as necessary as they were, they really did have this—this unintended negative impact when, uh, some of the community leaders moved out, and, again, the building of I-4, kinda right through the heart of the community, and, uh, the East-West Expressway too, meeting right there, uh, caused further problems, uh, but I—I think that the community is—is pulling out of that era of social and economic decline that it suffered in the late 20&lt;sup&gt;th&lt;/sup&gt; century, and hopefully the Wells’ Built Museum of African American History and Culture is contributing to that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;Dr. Chambliss and Mrs. Livingston describe some of the factors that enabled Hannibal Square and Winter Park to grow into thriving communities, and how this prosperity has affected the development and gentrification of the region.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Chambliss&lt;br /&gt;&lt;/strong&gt;Well, in that early period, um, Hannibal Square, was, I think, able to grow and be successful because, of the model of, uh, attracting residents, promoting, uh, Winter Park as a sort of like leisure, uh, vacation destination, uh, and this has really become at the core of the identity of Winter Park. If you think about Winter Park over time, it really was founded by [Loring] Chase and [Oliver E.] Chapman as a sort of destination location for people who wanted to sort of live a certain kind of sort of leisurely lifestyle. Well, into, uh, 20&lt;sup&gt;th&lt;/sup&gt; century that—that has been maintained.&lt;/p&gt;
&lt;p&gt;If you look at the growth of Winter Park, uh, which grew rapidly after, uh—in the 1930s and 1940s and 1950s, like, and the people of Winter Park recognize. It’s part of the reason that it grew is because, like, they really sort of like saw the place as a kind of residential haven, and the fact—by the time you get to the 1950s, um, the city is known as the “City of Homes.” Um, and part of this is because they have like a large number of wealthy residents. Again, those wealthy residents have servants, and some of those servants are working in—in—are black people, uh, working in these white homes and then going back across the railroad tracks to Hannibal Square. So like, they have this steady work from all these rich people and that really does affect Hannibal Square.&lt;/p&gt;
&lt;p&gt;At the same time, there’s a number of architectural—James Gamble Rogers is a very well-known architect—really sort of crystallized the architectural identity of Winter Park, with a fresh revival—a Medi—a Mediterranean revival style. So when you look at the homes, there’s a lot of like talk about Winter Park and Park Avenue—really sort of like crystallizes that sort of European style, uh, café culture look, right? And that really starts in 1960, and they really sort of keep trying to promote that. The chamber of commerce does a great job of trying to promote that and maintains it really today. it’s one of the reasons that these places really talk about Winter Park. They tend to talk about it as a place where you just want to kind of like stroll, in sharp contrast to the rest of the sort of retail and vacation experience in the rest of Central Florida, and as a consequence, the growth of the east side of Winter Park has been phenomenal, and the value of land there has grown tremendously, and so much so that by the time you get to the late 1990s, uh, arguably, the east side of Winter Park is built out, alright? So you can’t cheaply acquire land on the east side of Winter Park. You can buy a lot and—and really, we’re talking—we’re talking about the high-end of the real estate bubble, and Winter Park was one of the places where values were extremely high, and so the east side, really, by—by every stretch of the imagination is really sort of built up in value, um, over the period of the town.&lt;/p&gt;
&lt;p&gt;The west side, which was the black side—which was sort of like off limits because it was—because of segregation—had lagged behind. It started out with the development of the town, as I—as I said, a sort of economic area where African-American property owners, and—and business owners, and African-American businesses were flourishing in Hannibal Square, but very quickly, with the end of—of official Jim Crow segregation, um, you see middle-class people moving out, and the median income and the median age on the west side of Winter Park really starts to—the income starts to go down. The age starts to go up, and services for the west side don’t keep. in fact, [inaudible] great stories about the fact that the roads, on the west side of Winter Park, weren’t really sort of kept up at the same level as the roads on the east side of Winter Park, And other kinds of infrastructure issues like that, and as a consequence, the value of homes and property on the west side lagged behind that was on the east side of Winter Park. So value of black property lagged behind value of white property, which is common.&lt;/p&gt;
&lt;p&gt;As a result of that, there’s a lot of push, um, to do something about the—the view—the view-scape and the housing stock on the west side, and if you go back and look at some of the language that people use in the city council meetings or in some of the things that people are saying when they—they’re pointing to houses that are boarded up, they’re talking about a spike in crime, and indeed, there is a real concern that Hannibal Square, which by this time, is no longer home of like businesses more like light retail and bars and things like that—convenience stores—that are really the haven for—in the minds of white residents, at least—crime and violence. Indeed, there is[sic] the police reports show large number of drug arrests or suspicious crime in the west side in 1980s and early 1990s, and it really sort of spurs on dialogue about what needs to be done to improve the housing stock to clean up Hannibal Square and basically correct this problem, and there are a variety of reasons for this. I mean, some of it was the crime, but also, if you look at the way that the town is laid out, if you’re coming in through[?] the main drag, coming in—off of, like, Orlando Avenue, one of the main sort of like entry points into the city of Winter Park is through, um, Morris [Avenue], and you basically go through the heart of the black community to do that, and if you go back to the 1990s, that looked radically different than it does now.&lt;/p&gt;
&lt;p&gt;If you look at it now it looks actually quite nice, ‘cause it’s been rezoned and it—there’s new buildings, uh—office buildings, mix-use stuff—but back then, it—there were homes there, and some of them were boarded up, and the City had routinely had issues or had programs in place where they were trying to address this question, of, like, the quality of housing stock on the west side. They had some housing rehabilitation programs that they created in the 1970s. They supported, of course, you know, the creation of the Winter Park Community Center in Hannibal Square, but really, you know, the economy changed, as I said, and the median age started to creep up.&lt;/p&gt;
&lt;p&gt;So you get a large number of elderly people who, eh, own property—been in their family for generations—but they couldn’t keep it up in a way that the City might want, and so—so this created an opportunity for developers to come into, um, the west side and champion sort of a new push to sort of rehabilitate the region, and this made sense from the City’s standpoint, because, like, depressed property is low—low tax property. so if you want to increase your tax base, you want to improve the—the value of the property there—but it also created, like, a high gentri—gentrifying push, because, remember, you can’t cheaply build anything on the east side of town. So for most developers, they’re really looking to do a big project. they kind of have to do it on the west side of town. They had to do it west of the railroad tracks.&lt;/p&gt;
&lt;p&gt;So in the late 1990s and the ear—early 2000s, the City of Winter Park creates a Community Redevelopment Agency—the CRA—and the sort of focal point of the CRA is the sort of box that is bordered by Park Avenue on the east, Webster Avenue on the north, and, like, [U.S. Route] 17-92, and then Fairbanks [Avenue]. So it’s a huge block, and basically it’s Park Avenue and Downtown Winter Park, and the black side of town. So that’s a huge swath of land, and it—it’s prime real estate that could be developed, but is also, primarily, the heart of the black community, and almost immediately, large numbers of residents in the black community recognized that the City’s efforts to improve the area of the CRA was going to push out the black community. Now, from the City’s standpoint, the City’s always maintained that its goal was to maintain the character of the black community or the character of Hannibal Square, but if you’re going to allow traditional market forces to be your primary vehicle to achieve this, then gentrifying effects are almost unavoidable.&lt;/p&gt;
&lt;p&gt;You can’t, as the city’s done—like the city’s done a, uh, sort of three-tier sort of approach. It’s provided loans for businesses to move into Hannibal Square. It totally redesigned, um, Shady Park, which is in the center of Hannibal Square, in response to some of the crime and complaints of some of the businesses that were being enticed into the—into the area, because of the CRA. So the old part was—had a lot of benches and—and shading covers, and—and older people would hang out there and talk, and the new park sort of took all that away, and is much more aesthetically pleasing, but is also a place where you can’t really linger, which made a lot of sense, in terms of trying to address some of these questions about crime and—and—and disruption associated with that area—um, but they also worked very diligently to eliminate some of the bars, some of the focal points of crime, and that was successful. They moved in new businesses so that Dexter’s on Winter Park, uh—Dexter’s a fairly well-known restaurant chain in the area—where it became like really an anchor and they created a parking lot for it, and then a number of other businesses—light retail, service-oriented, and restaurant businesses—moved in, and of course there was a train—a change in the infrastructure or the sort of decorative infrastructure of the street. So like you had the decorative brick put in, and, like, new lightening-like fixtures—so basically, extending the feel and look of Park Avenue, down New England [Avenue] into, uh, the heart of the community, which was Hannibal Square.&lt;/p&gt;
&lt;p&gt;Of course, African Americans felt and, I think, some of them continue to feel that that process is deliberately pushing them out, and they have a point, because once all that—all that was in place, one of the things that started happening is that the—the tax assessment for the area started to change. People had previously—been sort of locked at a tax assessment of like, you know, a very low number. Everything gets reassessed when a large number of businesses start moving in. So these are older people. Remember, the demographics of the area are that the older people are staying and younger people are moving out. So the old people tend to be on fixed incomes, and pensions, living off their retirement savings. So a big hit, in terms of—“I used to pay $500 in taxes. Now, I’m paying a thousand.” It’s a huge deal, and because the property on the west side, as I said, had not kept up with property on the east side, there was a new assessment on all the value of the property. So people were being offered you know, two, three, four times what they bought the property for originally—and to move out—and some of them were, and this is one of the things that really sort of like characterized the region.&lt;/p&gt;
&lt;p&gt;So, um, at the height of the real estate bubble, there was tremendous gentrifying pressure on Hannibal Square, and lots of developers were active in the area, and probably the most famous ones was Dan Bellows, who’s usually associated with the transformation of Hannibal Square. he has a number of big projects, and, you know, sort of mixed-use with retail on the bottom and residential on the top, and that really sort of, like, changed the nature of the community, and Bellows is often painted as a boogeyman, and there are a number of stories associated with him, but he’s sort of emblematic of a kind of push to create new construction in the area, in part because that’s the place where you can with relatively minimal investment do something big, and that has been the sort of overriding problem for the west side for many years.&lt;/p&gt;
&lt;p&gt;There has been, for well over a decade—I mean, since the late 1990s, I think, there’s been a sort of push to—“There’s going to be the in here. I want to improve the west side. I want to bring more businesses here,” and as a result, uh, longtime residents have, um, sort of been displaced. There are new businesses there, but they don’t really cater to the residents, or nor do they really employ the residents, which is also really problematic. I mean, you don’t really see west side residents going to eat at Dexter’s. So from a sort of symbolic standpoint, African Americans feel that they’re being pushed down, and from an economic standpoint, there are push and pull factors that are hastening the exit of African Americans in the area.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Livingston&lt;br /&gt;&lt;/strong&gt;Leading up to, uh, the Civil Rights Movement and even probably as early as 19—late 1940s, after the, uh—World War II, the job market begin[sic] to change a bit. More opportunities will open up for, uh—for Afro-Americans. Many Afro –Americans, uh, went away—military, school, whatever the case may be—and didn’t come back, because they felt there was nothing here for them, outside of service to somebody else. They wanted to have real careers and—and—and do big things in the world, and as a result of that, the community began to age, if you will, and certainly after the Civil Rights Movement and—and moving forward, many more of our young people are moving away, because they feel that they don’t have access or they can’t make it in this area in—in—in Winter Park, you know?&lt;/p&gt;
&lt;p&gt;It’s been a painful process for them. Generally, uh, when you’re talking gentrification, between the original people who were in a place, and the wealthier people who come into the place, there’s usually a group—a group in between, but for us, we went—we went—we went right from, um, families being displaced to a business area that really doesn’t have any services that local people find of service to themselves. So gentrification’s been a hurtful process, because when people come in to redevelop, they don’t come in to redevelop for the people who are there. They don’t get input from the people in the community, because that’s not what’s gonna drive the dollar, you know? Nobody’s gonna come in and put in affordable housing or affordable rental units outside of a group such as Habitat for Humanity, who’s doing a great job, and the Hannibal Square Community Land Trust. Uh, people felt that they were just pushed aside, and the most painful thing was the picture that was painted of the neighborhood. That’s what they did. They just [inaudible] and made it like a noose, and put it around the necks of the people in this neighborhood, and pulled the chair.&lt;/p&gt;
&lt;p&gt;See, some people have been injured over and over and over again. They were injured during slavery. Then, after Reconstruction, they were injured again, and then, Jim Crow came along, and they were injured. So they’ve been injured over and over, and when you keep injuring people, and they[?] don’t get a chance to heal, it—it can really do something to—to them. You know, even though on the outside, they look cold, and they’re moving forward, and they’re doing things, there’s still a pain in their souls that is just almost undescribable[sic].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;I’d like to thank our guests, Representative Thompson, Dr. Brotemarkle, Dr. Chambliss, and Mrs. Livingston for joining our discussion. I’m Geoffrey Cravero. Thank you for listening.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lester&lt;br /&gt;&lt;/strong&gt;Thank you for listening to the RICHES documentary podcast. Feel free to contact us with any questions or comments on the program that you just heard. Please join us for the next episode, “[Episode 5:] A History of Gay Days.”&lt;/p&gt;
&lt;p&gt;[&lt;em&gt;radio static&lt;/em&gt;]&lt;/p&gt;</text>
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                <text>Episode 11 of RICHES Podcast Documentaries: Harry T. Moore: An Interview with Dr. Jim Clark. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. &lt;br /&gt;&lt;br /&gt;Episode 11 focuses on Dr. Jim Clark's contribution to revitalizing the Moores legacy during the 1980s and early 1990s. During his time at &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, Dr. Clark began publishing articles on the Moores and their untimely deaths. Those publications resulted in a resurgence of interest in the Moores and local initiatives to preserve their legacy. Harry Tyson Moore was a pioneer of the Civil Rights Movement in Florida and founder of the first Brevard County branch of the National Association for the Advancement of Colored People (NAACP). He and his wife, Harriette Vyda Simms Moore, were assassinated with a Ku Klux Klan bomb on December 25, 1951. The Moores are the first NAACP members to be murdered for their activism and Harry T. Moore is sometimes called the first martyr of the 1950s-era civil rights movement.</text>
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                <text>Clark, James C. 1994. "&lt;a href="http://www.worldcat.org/oclc/5544019776" target="_blank"&gt;Civil Rights Leader Harry T. Moore and the Ku Klux Klan in Florida&lt;/a&gt;." &lt;em&gt;The Florida Historical Quarterly. &lt;/em&gt;73, no. 2: 166-183.</text>
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                <text>Episode 35, Part 1 of RICHES Podcast Documentaries: Harry T. Moore. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. &lt;br /&gt;&lt;br /&gt;Episode 35 focuses on the background of Harry Tyson Moore and his wife Harriette Vyda Simms Moore, how Moore became a major civil rights leader, the movement for equality that he led in Central Florida, and the historical framework for the racism and social tensions that plagued Florida during the 1940s and 1950s. Harry Tyson Moore was a pioneer of the Civil Rights Movement in Florida and founder of the first Brevard County branch of the National Association for the Advancement of Colored People (NAACP). He and his wife were assassinated by a Ku Klux Klan bomb on December 25, 1951. The Moores are the first NAACP members to be murdered for their activism and Harry T. Moore is sometimes called the first martyr of the 1950s-era civil rights movement.</text>
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                <text>"&lt;a href="http://www.pbs.org/harrymoore/harry/mbio.html" target="_blank"&gt;The Legacy of Harry T. Moore&lt;/a&gt;." PBS. http://www.pbs.org/harrymoore/harry/mbio.html.</text>
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                <text>"&lt;a href="http://www.harryharriettemoore.org/" target="_blank"&gt;Who Were Harry T. and Harriette V. Moore?&lt;/a&gt;" Harry T. and Harriette V. Moore Cultural Complex, Inc. http://www.harryharriettemoore.org/.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2500" target="_blank"&gt;RICHES Podcast Documentaries, Episode 47: Integration and Sports at Bethune Cookman University&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2500.</text>
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                <text>Hanson, Joyce Ann. &lt;a href="http://www.worldcat.org/oclc/51060235" target="_blank"&gt;&lt;em&gt;Mary McLeod Bethune &amp;amp; Black Women's Political Activism&lt;/em&gt;&lt;/a&gt;. Columbia: University of Missouri Press, 2003.</text>
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                <text>Episode 48 of RICHES Podcast Documentaries: The Groveland 4. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. &lt;br /&gt;&lt;br /&gt;Episode 48 features an interview with Gilbert King, author of &lt;em&gt;Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America&lt;/em&gt;. King's book analyzes the Groveland Four: Ernest Thomas, Charles Greenlee, Samuel Shepherd, and Walter Lee Irvin. Also known as the Groveland Boys, these four African-American men were falsely accused of raping Norma Padgett in Lake County, Florida, in 1949. Thomas was shot and killed by a mob, but the other three suspects were put on trial. Both Shepherd and Irvin were sentenced to death and Greenlee was sentenced to life in prison. National Association for the Advancement of Colored People (NAACP) special counsel Thurgood Marshall had the verdict overturned by the U.S. Supreme Court in November 1951.&lt;br /&gt;&lt;br /&gt;While transporting Shepherd and Irvin, Lake County Sheriff Willis Virgil McCall claimed that the prisoners attacked him and that he subsequently shot and killed Shepherd and shot Irvin. Irvin claimed that McCall falsified the escape attempt, but McCall was cleared of any wrongdoing. Irvin was again sentenced to death for the rape of Padgett. In 1955, the then newly-elected Governor of Florida LeRoy Collins commuted Irvin's sentence to life in prison. Irvin was paroled in 1968 and died in 1970.</text>
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                <text>Episode 58 of RICHES Podcast Documentaries: Museum Tour. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners.&lt;br /&gt;&lt;br /&gt;Episode 58 previews the upcoming podcast series A History of Central Florida, which will feature various Central Florida museums. This episode includes excerpts from interviews with: Rebecca Rickey of the Heritage Center and Indian River Citrus Museum, located at 2140 Fourteenth Avenue in Vero Beach; Juanita Barton of the Harry T. and Harriette V. Moore Memorial Park, Kim Nelson of the Museum of Seminole County History, and Jane Kenovich and Mary Jane Duryea of the Lake Mary Historical Museum.</text>
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                  <text>Digitized items of the Long History of the African American Civil Rights Movement in Florida, an exhibit created by Dr. Robert Cassanello and his students at the University of Central Florida. The exhibit chronicles both national and local events in the civil rights movements dating from the Civil War to the Civil Rights Movement of the 1960s. Curators for the exhibit were Joseph Corbett and Anne Ladyem McDiviitt. Assistant curators included Patrick Anderson, Laura Cepero, Jennifer Cook, Tanya Engelhardt, Jacob Flynn, William Franklin, Barbara Houser, Rustin Lloyd, Joshua Petitt, Lindsey Turnbull, and Jon Wolfe. Andrew Callovi was the graphic designer.</text>
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                  <text>Cassanello, Robert</text>
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                  <text>&lt;a href="http://www.harryharriettemoore.org/" target="_blank"&gt;Harry T. &amp;amp; Harriette V. Moore Cultural Complex, Inc.&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.nypl.org/locations/schomburg%20target="&gt;Schomburg Center for Research in Black Culture&lt;/a&gt;</text>
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                  <text>eng</text>
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                  <text>Groveland, Florida</text>
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                  <text>Live Oak, Florida</text>
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                  <text>Madison County, Florida</text>
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                  <text>Miami, Florida</text>
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                  <text>Miami Gardens, Florida</text>
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                  <text>Mims, Florida</text>
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                  <text>Ocoee, Florida</text>
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                  <text>Palatka, Florida</text>
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                  <text>Rosewood, Florida</text>
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                  <text>Tallahassee, Florida</text>
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                  <text>Tampa, Florida</text>
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                  <text>St. Augustine, Florida</text>
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                <elementText elementTextId="497816">
                  <text>&lt;a href="http://www.robertcassanello.com/" target="_blank"&gt;Dr. Robert Cassanello's&lt;/a&gt; Spring 2011 Historiography Graduate Class</text>
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="497818">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="497819">
                  <text>"&lt;a href="http://floridacivilrightsexhibit.blogspot.com/" target="_blank"&gt;The Long History of the African American Civil Rights Movement in Florida&lt;/a&gt;." The Long History of the African American Civil Rights Movement in Florida. http://floridacivilrightsexhibit.blogspot.com/.</text>
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                <elementText elementTextId="497820">
                  <text>Bartley, Abel A. &lt;a href="http://www.worldcat.org/oclc/41482161" target="_blank"&gt;&lt;em&gt;Keeping the Faith: Race, Politics, and Social Development in Jacksonville, Florida, 1940-1970&lt;/em&gt;&lt;/a&gt;. Westport, Conn: Greenwood Press, 2000.</text>
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                <elementText elementTextId="497821">
                  <text>Brown, Canter. &lt;a href="http://www.worldcat.org/oclc/44963696" target="_blank"&gt;&lt;em&gt;Florida's Black Public Officials, 1867-1924&lt;/em&gt;&lt;/a&gt;. Tuscaloosa: University of Alabama Press, 1998.</text>
                </elementText>
                <elementText elementTextId="497822">
                  <text>Brown, Canter. &lt;a href="http://www.worldcat.org/oclc/44963696" target="_blank"&gt;&lt;em&gt;Florida's Black Public Officials, 1867-1924&lt;/em&gt;&lt;/a&gt;. Tuscaloosa: University of Alabama Press, 1998.</text>
                </elementText>
                <elementText elementTextId="497823">
                  <text>Colburn, David R. &lt;a href="http://www.worldcat.org/oclc/11133337" target="_blank"&gt;&lt;em&gt;Racial Change and Community Crisis: St. Augustine, Florida, 1877-1980&lt;/em&gt;&lt;/a&gt;. New York: Columbia University Press, 1985.</text>
                </elementText>
                <elementText elementTextId="497824">
                  <text>Corsair, Gary. &lt;a href="http://www.worldcat.org/oclc/53097367" target="_blank"&gt;&lt;em&gt;The Groveland Four: The Sad Saga of a Legal Lynching&lt;/em&gt;&lt;/a&gt;. [Bloomington, IN]: 1st Books, 2003.</text>
                </elementText>
                <elementText elementTextId="497825">
                  <text>Crooks, James B. &lt;a href="http://www.worldcat.org/oclc/53435227" target="_blank"&gt;&lt;em&gt;Jacksonville: The Consolidation Story, from Civil Rights to the Jaguars&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2004.</text>
                </elementText>
                <elementText elementTextId="497826">
                  <text>D'Orso, Michael. &lt;a href="http://www.worldcat.org/oclc/33047183" target="_blank"&gt;&lt;em&gt;Like Judgment Day: The Ruin and Redemption of a Town Called Rosewood&lt;/em&gt;&lt;/a&gt;. New York: G.P. Putnam's Sons, 1996.</text>
                </elementText>
                <elementText elementTextId="497827">
                  <text>Dunn, Marvin. &lt;a href="http://www.worldcat.org/oclc/49414756" target="_blank"&gt;&lt;em&gt;Black Miami in the Twentieth Century&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 1997.</text>
                </elementText>
                <elementText elementTextId="497828">
                  <text>Evans, Arthur S., and David R. Lee. &lt;a href="http://www.worldcat.org/oclc/21563352" target="_blank"&gt;&lt;em&gt;Pearl City, Florida: A Black Community Remembers&lt;/em&gt;&lt;/a&gt;. Boca Raton: Florida Atlantic University Press, 1990.</text>
                </elementText>
                <elementText elementTextId="497829">
                  <text>Green, Ben. &lt;a href="http://www.worldcat.org/oclc/40403600" target="_blank"&gt;&lt;em&gt;Before His Time: The Untold Story of Harry T. Moore, America's First Civil Rights Martyr&lt;/em&gt;&lt;/a&gt;. New York, NY: Free Press, 1999.</text>
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                <elementText elementTextId="497830">
                  <text>Greenbaum, Susan D. &lt;a href="http://www.worldcat.org/oclc/47965343" target="_blank"&gt;&lt;em&gt;More Than Black: Afro-Cubans in Tampa&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2002.</text>
                </elementText>
                <elementText elementTextId="497831">
                  <text>McCarthy, Kevin. &lt;a href="http://www.worldcat.org/oclc/74987559" target="_blank"&gt;&lt;em&gt;African American Sites in Florida&lt;/em&gt;&lt;/a&gt;. Sarasota, Fla: Pineapple Press, 2007.</text>
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                <elementText elementTextId="497832">
                  <text>Mohl, Raymond A., Matilda Graff, and Shirley M. Zoloth. &lt;a href="http://www.worldcat.org/oclc/52688091" target="_blank"&gt;&lt;em&gt;South of the South: Jewish Activists and the Civil Rights Movement in Miami, 1945-1960&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2004.</text>
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                <elementText elementTextId="497833">
                  <text>Oliver, Kitty. &lt;a href="http://www.worldcat.org/oclc/45301837" target="_blank"&gt;&lt;em&gt;Race and Change in Hollywood Florida&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2000.</text>
                </elementText>
                <elementText elementTextId="497834">
                  <text>Ortiz, Paul. &lt;a href="http://www.worldcat.org/oclc/58728548" target="_blank"&gt;&lt;em&gt;Emancipation Betrayed The Hidden History of Black Organizing and White Violence in Florida from Reconstruction to the Bloody Election of 1920&lt;/em&gt;&lt;/a&gt;. Berkeley: University of California Press, 2005.</text>
                </elementText>
                <elementText elementTextId="497835">
                  <text>Phelts, Marsha Dean. &lt;a href="http://www.worldcat.org/oclc/48138754" target="_blank"&gt;&lt;em&gt;An American Beach for African Americans&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 1997.</text>
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                <elementText elementTextId="497836">
                  <text>Price, Hugh Douglas. &lt;a href="http://www.worldcat.org/oclc/423585" target="_blank"&gt;&lt;em&gt;The Negro and Southern Politics: A Chapter of Florida History&lt;/em&gt;&lt;/a&gt;. [New York]: New York University Press, 1957.</text>
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                  <text>Rabby, Glenda Alice. &lt;a href="http://www.worldcat.org/oclc/39860115" target="_blank"&gt;&lt;em&gt;The Pain and the Promise: The Struggle for Civil Rights in Tallahassee, Florida&lt;/em&gt;&lt;/a&gt;. Athens: University of Georgia Press, 1999.</text>
                </elementText>
                <elementText elementTextId="497838">
                  <text>Rymer, Russ. &lt;a href="http://www.worldcat.org/oclc/40145621" target="_blank"&gt;&lt;em&gt;American Beach: A Saga of Race, Wealth, and Memory&lt;/em&gt;&lt;/a&gt;. New York, NY: HarperCollinsPublishers, 1998.</text>
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                  <text>Saunders, Robert W. &lt;a href="http://www.worldcat.org/oclc/44585446" target="_blank"&gt;&lt;em&gt;Bridging the Gap: Continuing the Florida NAACP Legacy of Harry T. Moore, 1952-1966&lt;/em&gt;&lt;/a&gt;. Tampa, Fla: University of Tampa Press, 2000.</text>
                </elementText>
                <elementText elementTextId="497840">
                  <text>Shell-Weiss, Melanie. &lt;a href="http://www.worldcat.org/oclc/226356610%20target="&gt;&lt;em&gt;Coming to Miami: A Social History&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2009.</text>
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              <elementText elementTextId="498308">
                <text>The Long History of the African American Civil Rights Movement in Florida</text>
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              <elementText elementTextId="498309">
                <text>History of the Civil Rights Movement in Florida</text>
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                <text>Civil rights--Florida</text>
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                <text>The Long History of the African American Civil Rights Movement in Florida, an exhibit created by Dr. Robert Cassanello and his students at the University of Central Florida. The exhibit chronicles both national and local events in the civil rights movements dating from the Civil War to the Civil Rights Movement of the 1960s. Curators for the exhibit were Joseph Corbett and Anne Ladyem McDiviitt. Assistant curators included Patrick Anderson, Laura Cepero, Jennifer Cook, Tanya Engelhardt, Jacob Flynn, William Franklin, Barbara Houser, Rustin Lloyd, Joshua Petitt, Lindsey Turnbull, and Jon Wolfe. Andrew Callovi was the graphic designer.</text>
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                <text>Original exhibit by Robert Cassanello's Spring 2011 Historiography Graduate Class: &lt;a href="http://history.cah.ucf.edu/" target="_blank"&gt;University of Central Florida Department of History&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="http://floridacivilrightsexhibit.blogspot.com/" target="_blank"&gt;The Long History of the African American Civil Rights Movement in Florida&lt;/a&gt;.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/114" target="_blank"&gt;The Long History of the African American Civil Rights Movement in Florida Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Corbett, Joseph</text>
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                <text>McDivitt, Anne Ladyem</text>
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              <elementText elementTextId="498322">
                <text>Anderson, Patrick</text>
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                <text>Cepero, Laura</text>
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                <text>Cook, Jennifer</text>
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                <text>Englehardt, Tanya</text>
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                <text>Flynn, Jacob</text>
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                <text>Franklin, William</text>
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                <text>Houser, Barbara</text>
              </elementText>
              <elementText elementTextId="498329">
                <text>Lloyd, Rustin</text>
              </elementText>
              <elementText elementTextId="498330">
                <text>Petitt, Joshua</text>
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                <text>Turnbull</text>
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                <text>Lindsey</text>
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              <elementText elementTextId="498333">
                <text>Wolfe, Jon</text>
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              <elementText elementTextId="498334">
                <text>Cassanello, Robert</text>
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              <elementText elementTextId="498335">
                <text>Callovi, Andrew</text>
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            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="498336">
                <text>&lt;a href="http://history.cah.ucf.edu/" target="_blank"&gt;University of Central Florida Department of History&lt;/a&gt;</text>
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          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="498337">
                <text>&lt;a href="http://www.floridamemory.com/photographiccollection/" target="_blank"&gt;Florida Photographic Collection&lt;/a&gt;</text>
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                <text>&lt;a href="http://dlis.dos.state.fl.us/index_Researchers.cfm" target="_blank"&gt;State Library and Archives of Florida&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="498339">
                <text>&lt;a href="http://www.loc.gov/" target="_blank"&gt;Library of Congress&lt;/a&gt;</text>
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              <elementText elementTextId="498340">
                <text>&lt;a href="http://www.nypl.org/locations/schomburg%20target="&gt;Schomburg Center for Research in Black Culture&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="498341">
                <text>Barton, Juanita</text>
              </elementText>
              <elementText elementTextId="498342">
                <text>Gary, Bill</text>
              </elementText>
              <elementText elementTextId="498343">
                <text>&lt;a href="http://www.harryharriettemoore.org/" target="_blank"&gt;Harry T. &amp;amp;amp&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="498344">
                <text>Harriette V. Moore Cultural Complex, Inc.</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="498345">
                <text>2011</text>
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            <name>Format</name>
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                <text>Copyright to this resource is held by the &lt;a href="http://history.cah.ucf.edu/" target="_blank"&gt;University of Central Florida Department of History&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>"&lt;a href="http://floridacivilrightsexhibit.blogspot.com/" target="_blank"&gt;The Long History of the African American Civil Rights Movement in Florida&lt;/a&gt;." The Long History of the African American Civil Rights Movement in Florida. http://floridacivilrightsexhibit.blogspot.com/.</text>
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                <text>Bartley, Abel A. &lt;a href="http://www.worldcat.org/oclc/41482161" target="_blank"&gt;&lt;em&gt;Keeping the Faith: Race, Politics, and Social Development in Jacksonville, Florida, 1940-1970&lt;/em&gt;&lt;/a&gt;. Westport, Conn: Greenwood Press, 2000.</text>
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                <text>Corsair, Gary. &lt;a href="http://www.worldcat.org/oclc/53097367" target="_blank"&gt;&lt;em&gt;The Groveland Four: The Sad Saga of a Legal Lynching&lt;/em&gt;&lt;/a&gt;. [Bloomington, IN]: 1st Books, 2003.</text>
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                <text>Evans, Arthur S., and David R. Lee. &lt;a href="http://www.worldcat.org/oclc/21563352" target="_blank"&gt;&lt;em&gt;Pearl City, Florida: A Black Community Remembers&lt;/em&gt;&lt;/a&gt;. Boca Raton: Florida Atlantic University Press, 1990.</text>
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                <text>&lt;em&gt;Florida’s Purge: The Johns Committee Witch Hunt&lt;/em&gt;, known colloquially as &lt;em&gt;The Committee&lt;/em&gt;, is a short film about the Florida Legislative Investigation Committee's investigation of communism and homosexuality amongst students and faculty at Florida colleges and universities. Commonly known as the Johns Committee, the committee was led by state senator and former governor Charley Eugene Johns (1905-1990). The committee was established in 1956 and originally focused on the investigation of the Florida Agricultural and Mechanical University, an historically African-American university, for its faculty's and staff's involvement of the Tallahassee Bus Boycott (1956-1957). However, as the committee expanded its McCarthy era anti-communist witch hunt, it came to focus on the homosexual lifestyles of many faculty members and students at colleges and universities. After growing public critique of the committee's activities, it was eventually disbanded on July 1, 1965. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;The Committee&lt;/em&gt; centers on the anti-homosexual investigations of the Johns Committee. The film was produced and directed by University of Central Florida professor Dr. Robert Cassanello and Dr. Lisa Mills. Other producers include Slyvana Fernández and Logan Kriete, and Monica Monticello serves as associate producer. The screenplay was written by Monica Monticello, Kathryn Paulson, and Amy Simpson, with research conducted by Alex Boyce and Shay Cambre. Ben Taylor and Alex Wood were the cinematographers and the arts and graphics were created by Patrick Fenelon and Adrien Mills. The film was edited by Aaron Hosé, with the aid of assistant editors Chelsea Echols and David Mariutto. &lt;em&gt;The Committee&lt;/em&gt; includes interviews with Ruth Jense-Forbell, a lesbian student interrogated by the Florida State University Police Department in 1964-1965; Chuck Woods, a homosexual student interrogated by the University of Florida Police Department while attending the university from 1959 to 1965; John Tileston, Sr., a UF police officer who investigated various faculty members and students, including Woods; Dr. Karen Graves, a professor of education at Denison University and the author of &lt;em&gt;And They Were Wonderful Teachers: Florida’s Purge of Gay and Lesbian Teachers&lt;/em&gt;; Dr. Judith Poucher, a professor at Florida State College at Jacksonville; Bob Graham, a graduate of UF, the 38th Governor of Florida (1979-1987), and former U.S. Senator for Florida (1987-2005); and Dr. Fred Fejes, a professor of multimedia studies at Florida Atlantic University. &lt;em&gt;Florida’s Purge: The Johns Committee Witch Hunt&lt;/em&gt; won various awards and accolades, including an Emmy Award.</text>
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&#13;
The foundation is housed in the Mary McLeod Bethune Home, which was inhabited by educator and civil rights activist Mary McLeod Bethune (1875-1955). Also known as "The Retreat," the home was built by African American A. B. Raddick around 1905. In 1913, chemist James Norris Gamble and Thomas White of White Sewing Machine Company, purchased the home for Bethune. On December 2, 1974, the historic house was added to the U.S. National Register of Historic Places. In 2006, the museum closed for renovation and conservation. It reopened in April of 2011.</text>
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                  <text>&lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.cookman.edu/foundation/about_us.html" target="_blank"&gt;About Us&lt;/a&gt;." Mary McLeod Bethune Foundation, Bethune-Cookman University. http://www.cookman.edu/foundation/about_us.html.</text>
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                <text>A portrait of Willa Beatrice Brown Chappell, which is housed at the Mary McLeod Bethune Foundation, located at 640 Dr. Mary McLeod Bethune Boulevard in Daytona Beach, Florida. Chappell was the first African-American woman in the United States to earn a commercial pilots license and the first black female officer in the Civil Air Patrol. Brown was born on January 22, 1906, in Glasgow, Kentucky. She graduated from the Indiana State Teachers College in 1927 and received a Master's of Business Administration from Northwestern University in Chicago, Illinois, in 1937. After pursuing careers in education and social work, she later decided to take flying lessons from Cornelius R. Coffey, who she would later marry. The couple co-founded the Coffey School of Aeronautics at Harlem Airport in Chicago.&lt;br /&gt;&lt;br /&gt;Brown, Coffey, and Enoch P. Waters also established the National Airmen's Association of America in 1939. The NAAA's main objective was to persuade the United States military to allow black aviation cadets. As an equal rights activist, Coffey lobbied the government for the integration of the Army Air Corps and the Civilian Pilot Training Program. Congress later voted to allow "separate but equal" participation in civilian flight training programs, designating the Coffey School as the facilitator of the African-American program. Brown became the coordinator for the CPTP in Chicago and the Coffey School later provided training for the Tuskegee Airmen. Brown also served the Civil Aeronautics Authority as a coordinator and the Federal Aviation Administration's Women's Advisory Board as a member. She died on July 18, 1992.</text>
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                <text>Original 8 x 10 inch black and white photographic print: Sun room, image 66, &lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt;, Daytona Beach, Florida.</text>
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                <text>&lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt;, Daytona Beach, Florida.</text>
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&#13;
The foundation is housed in the Mary McLeod Bethune Home, which was inhabited by educator and civil rights activist Mary McLeod Bethune (1875-1955). Also known as "The Retreat," the home was built by African American A. B. Raddick around 1905. In 1913, chemist James Norris Gamble and Thomas White of White Sewing Machine Company, purchased the home for Bethune. On December 2, 1974, the historic house was added to the U.S. National Register of Historic Places. In 2006, the museum closed for renovation and conservation. It reopened in April of 2011.</text>
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                <text>An autographed portrait of Dr. John Hope, which is housed at the Mary McLeod Bethune Foundation, located at 640 Dr. Mary McLeod Bethune Boulevard in Daytona Beach, Florida. Dr. Hope was born in Augusta, Georgia, on June 2, 1868. He is well-known as an African-American educator and activist. He earned his college degrees at Worcester Academy in Worcester, Massachusetts, and Brown University in Providence, Rhode Island.&lt;br /&gt;&lt;br /&gt;Dr. Hope became the first African-American president of two colleges in Atlanta, Georgia: Atlanta Baptist College (present-day Morehouse College) in 1906 and Atlanta University (present-day Clark Atlanta University) in 1929. He was also active in a number of civil rights organizations, including the Niagara Movement, the National Association for the Advancement of Colored People (NAACP), and the Commission on Interracial Cooperation.</text>
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&#13;
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                  <text>"&lt;a href="http://tps.cr.nps.gov/nhl/detail.cfm?ResourceId=1428&amp;amp;ResourceType=Building" target="_blank"&gt;Bethune (Mary Mcleod) Home&lt;/a&gt;." National Historic Landmarks Program, National Park Service. http://tps.cr.nps.gov/nhl/detail.cfm?ResourceId=1428&amp;amp;ResourceType=Building.</text>
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                <text>&lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt;, Daytona Beach, Florida.</text>
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&#13;
The foundation is housed in the Mary McLeod Bethune Home, which was inhabited by educator and civil rights activist Mary McLeod Bethune (1875-1955). Also known as "The Retreat," the home was built by African American A. B. Raddick around 1905. In 1913, chemist James Norris Gamble and Thomas White of White Sewing Machine Company, purchased the home for Bethune. On December 2, 1974, the historic house was added to the U.S. National Register of Historic Places. In 2006, the museum closed for renovation and conservation. It reopened in April of 2011.</text>
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                  <text>&lt;span&gt;Copyright to this resource is held by the &lt;/span&gt;&lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt;&lt;span&gt; and is provided here by &lt;/span&gt;&lt;a title="RICHES of Central Florida" href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; for educational purposes only.&lt;/span&gt;</text>
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                  <text>&lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.cookman.edu/foundation/about_us.html" target="_blank"&gt;About Us&lt;/a&gt;." Mary McLeod Bethune Foundation, Bethune-Cookman University. http://www.cookman.edu/foundation/about_us.html.</text>
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                <text>An autographed portrait of Eugene Kinckle Jones, which is housed at the Mary McLeod Bethune Foundation, located at 640 Dr. Mary McLeod Bethune Boulevard in Daytona Beach, Florida. Jones was born on July 30, 1885, in Richmond, Virginia. While attending Cornell University in Ithaca, New York, in 1906, Jones, along with six other students, founded the Alpha Phi Alpha fraternity. He served as the chapter's second president and organized the fraternity's first three chapters to branch out from the school: Beta at Howard University in Washington, D.C.; Gamma at Virginia Union University in Richmond; and the original Delta chapter at the University of Toronto in Toronto, Ontario, Canada (present-day Huston-Tillotson University).&lt;br /&gt;&lt;br /&gt;Jones later became an organizer for the National Urban League, and then founded the Boston Urban League in 1917. The following year, he became the NUL's first Executive Secretary and stayed in that position until he retired in 1941. Under Jones' guidance, the League implemented boycotts broke down barriers to equal employment opportunities for African Americans in the 1920s and 1930s. He also served in President Franklin Delano Roosevelt's Black Cabinet, which advised the President on race issues. Jones died on January 11, 1954, in Flushing, Queens, New York.</text>
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                <text>&lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt;, Daytona Beach, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/76" target="_blank"&gt;Mary McLeod Bethune Foundation Collection&lt;/a&gt;, Daytona Beach Collection, Volusia County Collection, RICHES of Central Florida.</text>
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                <text> Mary McLeod Bethune Foundation, Mary McLeod Bethune Home, Bethune-Cookman University, Daytona Beach, Florida</text>
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                <text>eng</text>
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                <text> Civics/Government Teacher</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt; and is provided here by &lt;a title="RICHES of Central Florida" href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt;</text>
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                <text>"&lt;a href="http://web.archive.org/web/20070809021808/http://www.nul.org/history.html" target="_blank"&gt;History of the National Urban League&lt;/a&gt;." National Urban League. http://web.archive.org/web/20070809021808/http://www.nul.org/history.html.</text>
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                <text>"&lt;a href="http://rmc.library.cornell.edu/alpha/sevenjewels/sevenjewels_3.html" target="_blank"&gt;Alpha Phi Alpha Fraternity: A Centennial Celebration: The Seven Jewels: Students, Then Brothers&lt;/a&gt;." Alpha Phi Alpha Fraternit. http://rmc.library.cornell.edu/alpha/sevenjewels/sevenjewels_3.html.</text>
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                <text>Wesley, Charles H. &lt;a href="http://www.worldcat.org/oclc/4227432" target="_blank"&gt;&lt;em&gt;The History of Alpha Phi Alpha: A Development in Negro College Life&lt;/em&gt;&lt;/a&gt;. Washington, D.C.: Foundation Publishers, Howard University, 1948.</text>
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&#13;
The foundation is housed in the Mary McLeod Bethune Home, which was inhabited by educator and civil rights activist Mary McLeod Bethune (1875-1955). Also known as "The Retreat," the home was built by African American A. B. Raddick around 1905. In 1913, chemist James Norris Gamble and Thomas White of White Sewing Machine Company, purchased the home for Bethune. On December 2, 1974, the historic house was added to the U.S. National Register of Historic Places. In 2006, the museum closed for renovation and conservation. It reopened in April of 2011.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/75" target="_blank"&gt;Volusia County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;span&gt;Copyright to this resource is held by the &lt;/span&gt;&lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt;&lt;span&gt; and is provided here by &lt;/span&gt;&lt;a title="RICHES of Central Florida" href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; for educational purposes only.&lt;/span&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.cookman.edu/foundation/about_us.html" target="_blank"&gt;About Us&lt;/a&gt;." Mary McLeod Bethune Foundation, Bethune-Cookman University. http://www.cookman.edu/foundation/about_us.html.</text>
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                  <text>"&lt;a href="http://tps.cr.nps.gov/nhl/detail.cfm?ResourceId=1428&amp;amp;ResourceType=Building" target="_blank"&gt;Bethune (Mary Mcleod) Home&lt;/a&gt;." National Historic Landmarks Program, National Park Service. http://tps.cr.nps.gov/nhl/detail.cfm?ResourceId=1428&amp;amp;ResourceType=Building.</text>
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                <text> Cookman Institute (Jacksonville, Fla.)</text>
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                <text>An autographed portrait of Asa Philip Randolph, which is housed at the Mary McLeod Bethune Foundation, located at 640 Dr. Mary McLeod Bethune Boulevard in Daytona Beach, Florida. Randolph was born in Crescent City, Florida, on April 15, 1889. In 1891, his family moved to Jacksonville, where Randolph later attended Cookman Institute, the only academic high school in Florida available to African Americans. He graduated in 1907 and migrated to New York City, New York, in 1911. Randolph spent the rest of his life as a leader in the Civil Rights Movement, the labor movement, and in various socialist parties. Some of his most notable accomplishments include organizing the Brotherhood of Sleeping Car Porters (BSCP) in 1925, leading the March on Washington Movement (MOWM) of 1941-1946, and heading the March on Washington for Jobs and Freedom in 1963. His organizations were responsible for convincing President Franklin Delano Roosevel to issue Executive Order 8802, which banned discrimination in defense industries, in 1941; pressuring President Harry S. Truman to issue Executive Order 9981, which ended segregation in the United States Armed Forces, in 1948; and inspuring the Freedom Budget (also known as the Randolph Freedom Budget), which focused on solving economic problems specific to the African-American community.</text>
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                <text>Original 8 x 10 inch black and white photographic print: Sun room, image 12, &lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt;, Daytona Beach, Florida.</text>
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                <text>&lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt;, Daytona Beach, Florida.</text>
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                <text>Holt, Rackham. &lt;a href="http://www.worldcat.org/oclc/711061" target="_blank"&gt;&lt;em&gt;Mary McLeod Bethune: A Biography&lt;/em&gt;&lt;/a&gt;. 1964.</text>
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&#13;
The foundation is housed in the Mary McLeod Bethune Home, which was inhabited by educator and civil rights activist Mary McLeod Bethune (1875-1955). Also known as "The Retreat," the home was built by African American A. B. Raddick around 1905. In 1913, chemist James Norris Gamble and Thomas White of White Sewing Machine Company, purchased the home for Bethune. On December 2, 1974, the historic house was added to the U.S. National Register of Historic Places. In 2006, the museum closed for renovation and conservation. It reopened in April of 2011.</text>
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                  <text>&lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.cookman.edu/foundation/about_us.html" target="_blank"&gt;About Us&lt;/a&gt;." Mary McLeod Bethune Foundation, Bethune-Cookman University. http://www.cookman.edu/foundation/about_us.html.</text>
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                <text>An autographed portrait of Anna Eleanor Roosevelt, which is housed at the Mary McLeod Bethune Foundation, located at 640 Dr. Mary McLeod Bethune Boulevard in Daytona Beach, Florida. Roosevelt was born on October 11, 1884, in New York City, New York, and was commonly known by her middle name, Eleanor. Roosevelt is best known as the First Lady of the United States (FLOTUS) for her husband, President Franklin Delano Roosevelt, who served from March 4, 1933 to April 12, 1945. Before coming to Washington, D.C., she served as the First Lady of New York from 1929 to 1932, when her husband was Governor. Roosevelt's activity while First Lady was controversial at the time, but she has since become respected for her activism on a number topics, including race relations, women's roles in the workplace, civil rights for African Americans and Asian Americans, and the rights of World War II refugees. She also arranged from the appointment of Dr. Mary Jane McLeod Bethune as Director of the Division of Negro Affairs of the National Youth Administration (NYA). Dr. Bethune presented Roosevelt with an honorary degree from her college, Bethune-Cookman College in Daytona Beach, Florida, on March 19, 1953.&lt;br /&gt;&lt;br /&gt;Following her husband's death, Roosevelt continued her political career as the first Chair of the United Nations Commission on Human Rights (UNCHR) from 1956 to 1951, Representative to the UNCHR from 1947 to 1953, Delegate to the UN General Assembly (UNGA) from 1946 to 1952, and Chairwoman of the Presidential Commission on the Status of Women from 1961 to 1962. Roosevelt died on November 7, 1962, in Manhattan in New York City.</text>
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                <text>&lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt;, Daytona Beach, Florida.</text>
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&#13;
The foundation is housed in the Mary McLeod Bethune Home, which was inhabited by educator and civil rights activist Mary McLeod Bethune (1875-1955). Also known as "The Retreat," the home was built by African American A. B. Raddick around 1905. In 1913, chemist James Norris Gamble and Thomas White of White Sewing Machine Company, purchased the home for Bethune. On December 2, 1974, the historic house was added to the U.S. National Register of Historic Places. In 2006, the museum closed for renovation and conservation. It reopened in April of 2011.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/75" target="_blank"&gt;Volusia County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.cookman.edu/foundation/about_us.html" target="_blank"&gt;About Us&lt;/a&gt;." Mary McLeod Bethune Foundation, Bethune-Cookman University. http://www.cookman.edu/foundation/about_us.html.</text>
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                  <text>"&lt;a href="http://tps.cr.nps.gov/nhl/detail.cfm?ResourceId=1428&amp;amp;ResourceType=Building" target="_blank"&gt;Bethune (Mary Mcleod) Home&lt;/a&gt;." National Historic Landmarks Program, National Park Service. http://tps.cr.nps.gov/nhl/detail.cfm?ResourceId=1428&amp;amp;ResourceType=Building.</text>
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                <text>Dr. Mary Jane McLeod Bethune, the founder of Bethune-Cookman College in Daytona Beach, Florida. Dr. Bethune was born in Mayesville, South Carolina, on July 10, 1875. In October of 1904, she founded the Daytona Educational and Industrial Training School for Negro Girls. In 1923, the school merged with the Cookman Institute of Jacksonville and then became affiliated with the Methodist Church the following year. The school served as a co-educational high school until 1931 when it became a junior college. In 1941, the school was accredited as a four-year college and was renamed Bethune-Cookman College. Dr. Bethune served as the college president from 1923 to 1942 and again from 1946 to 1947. Dr. Bethune was also active in civil rights and women's rights. She founded the Southeastern Federation of Colored Women's Clubs (SFCWC) in 1920. She also campaigned for President Franklin Delano Roosevelt in 1932 and was offered a position in his Black Cabinet after he won the election. Dr. Bethune died in Daytona Beach on May 18, 1955.</text>
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                <text>Original 8 x 10 inch black and white photographic print: &lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt;, Daytona Beach, Florida.</text>
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                <text>&lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt;, Daytona Beach, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/76" target="_blank"&gt;Mary McLeod Bethune Foundation Collection&lt;/a&gt;, Daytona Beach Collection, Volusia County Collection, RICHES of Central Florida.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt; and is provided here by &lt;a title="RICHES of Central Florida" href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt;</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2471" target="_blank"&gt;RICHES Podcast Documentaries, Episode 19: The Home of Dr. Mary McLeod Bethune&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2471.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2493" target="_blank"&gt;RICHES Podcast Documentaries, Episode 40: Bethune Cookman University Founding&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2493.</text>
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                <text>Hanson, Joyce Ann. &lt;a href="http://www.worldcat.org/oclc/51060235" target="_blank"&gt;&lt;em&gt;Mary McLeod Bethune &amp;amp;amp&lt;/em&gt;&lt;/a&gt;</text>
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                <text>Black Women's Political Activism. Columbia: University of Missouri Press, 2003.</text>
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                <text>Long, Nancy Ann Zrinyi. &lt;a href="http://www.worldcat.org/oclc/57363897" target="_blank"&gt;&lt;em&gt;The Life and Legacy of Mary McLeod Bethune&lt;/em&gt;&lt;/a&gt;. Cocoa, Fla: Florida Historical Society Press, 2004.</text>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank"&gt;Oviedo Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                <text>Original newspaper photograph: &lt;em&gt;The Sanford Herald&lt;/em&gt;: Private Collection of Ida Boston.</text>
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                <text>eng</text>
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            <name>Mediator</name>
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                <text>History Teacher</text>
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                <text> Civics/Government Teacher</text>
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                <text>Originally published by &lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by &lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Horner, Desta. "&lt;a href="http://cmfmedia.org/2013/07/oviedo-and-jim-crow/" target="_blank"&gt;Oviedo and Jim Crow&lt;/a&gt;." Issues and Voices that Matter. http://cmfmedia.org/2013/07/oviedo-and-jim-crow/.</text>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                  <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
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                <elementText elementTextId="525095">
                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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              <elementText elementTextId="544840">
                <text> Oviedo (Fla.)</text>
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                <text> Education--Florida</text>
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                <text> Schools</text>
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                <text> Churches--Florida</text>
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              <elementText elementTextId="544844">
                <text> Baptists--Florida</text>
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                <text> Segregation--Florida</text>
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                <text> Cemeteries--Florida</text>
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                <text> Graveyards</text>
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                <text> Civil rights--Florida</text>
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                <text>An oral history of Ida Boston, conducted by Porsha Dossie on April 18, 2015. Boston is a resident of Oviedo, Florida, and a retired school bus driver for the Seminole County Public Schools. In 1956, she married her husband, Russell Boston, who is the grandson of Prince Butler Boston, a leading figure in Oviedo's black community. In this oral history, Boston discusses the legacy of Prince Butler Boston, establishing a colored cemetery, funding colored schools in the Oviedo area, and the Antioch Missionary Baptist Church. Boston also discusses black life in Oviedo, including membership in the Oviedo Citizens in Action Committee (OCIAC), which desegregated public places in Oviedo and fought for integration of Oviedo's schools.</text>
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            <description/>
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                <text>&lt;br /&gt;0:00:00 Introduction&lt;br /&gt;0:01:08 Prince Butler Boston and the Boston Family&lt;br /&gt;0:04:17 Married life&lt;br /&gt;0:05:46 History Harvest&lt;br /&gt;0:07:51 Oviedo Citizens in Action Committee&lt;br /&gt;0:10:47 Black life in Seminole County&lt;br /&gt;0:13:24 Boston Hill Cemetery and Antioch Missionary Baptist Church&lt;br /&gt;0:15:20 Closing remarks</text>
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              <elementText elementTextId="544851">
                <text>Oral history interview of Ida Boston. Interview conducted by Porsha Dossie at the &lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt; in Oviedo, Florida, on April 18, 2015.</text>
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                <text>Boston, Ida. Interviewed by Porsha Dossie, April 18, 2015. Audio/video record available. Oviedo History Harvest, &lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;, Oviedo, Florida.</text>
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                <text>&lt;a href="http://java.com/en/download/index.jsp" target="_blank"&gt; Java&lt;/a&gt;</text>
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                <text>&lt;a href="https://get.adobe.com/reader/" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank"&gt;Oviedo Historical Society Collection&lt;/a&gt;, Oviedo Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>10-page digital transcript of original 15-minute and 38-second oral history: Boston, Ida. Interviewed by Porsha Dossie, April 18, 2015. Audio/video record available. Oviedo History Harvest, &lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;, Oviedo, Florida.</text>
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                <text> Antioch Missionary Baptist Church, Oviedo, Florida</text>
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                <text>Winsboro, Irvin D. S. &lt;a href="http://www.worldcat.org/oclc/797855859" target="_blank"&gt;&lt;em&gt;Old South, New South, or Down South?: Florida and the Modern Civil Rights Movement&lt;/em&gt;&lt;/a&gt;. 2009.</text>
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                <text>Colburn, David R., and Jane Landers. &lt;a href="http://www.worldcat.org/oclc/48138716" target="_blank"&gt;&lt;em&gt;The African American Heritage of Florida&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 1995.</text>
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                <text>Borman, Kathryn M., and Sherman Dorn. &lt;a href="http://www.worldcat.org/oclc/137526262" target="_blank"&gt;&lt;em&gt;Education Reform in Florida Diversity and Equity in Public Policy&lt;/em&gt;&lt;/a&gt;. Albany: State University of New York Press, 2007.</text>
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                <text>&lt;a href="http://youtu.be/RjOg09aeokc" target="_blank"&gt;A History of Central Florida, Episode 42: Jim Crow Signs&lt;/a&gt;</text>
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                <text>&lt;p&gt;&lt;em&gt;A History of&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Central Florida&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Presented By&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;RICHES&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;OF CENTRAL FLORIDA&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;ORANGE COUNTY REGIONAL&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;HISTORY CENTER&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Smart. Surprising. Fun.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;A History of&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Central Florida&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;RICHES&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;OF CENTRAL FLORIDA&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;PODCAST&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;DOCUMENTARIES&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Stapleton&lt;br /&gt;&lt;/strong&gt;Thank you for downloading this episode of A History of Central Florida podcast. This is the podcast where we explore Central Florida’s history through the artifacts found in local museums and historical societies. This series is brought to you by RICHES, the Regional Initiative to Collect the History, Experiences, and Stories of Central Florida, and the Orange County Regional History Center.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;ORANGE COUNTY REGIONAL&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;HISTORY CENTER&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Smart. Surprising. Fun.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Stapleton&lt;br /&gt;&lt;/strong&gt;I am Kevin Stapleton, and I will be your host for this episode titled, “Jim Crow Signs.”&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Episode 42&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Jim Crow Signs&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;WHITE&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;ONLY&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Stapleton&lt;/strong&gt; &lt;br /&gt;As Central Florida grew in the late 19&lt;sup&gt;th&lt;/sup&gt; century, urban centers like Orlando and Sanford, as well as smaller communities in the region, became racially segregated. Segregation was initially and tacitly supported by most white residents, and soon became the official policy supported by the state government, cities, and local communities in Florida and the rest of the South. In this episode, we will examine the artifacts of racial segregation in Orlando.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;WHITE ENTRANCE&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;CIVIL RIGHTS&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Stapleton&lt;br /&gt;&lt;/strong&gt;Signs denoting separate places for white and black residents had its origins in the late 19&lt;sup&gt;th&lt;/sup&gt; century, as a way to remind African Americans of their second-class status.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;COLORED ENTRANCE&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Stapleton&lt;br /&gt;&lt;/strong&gt;The same governments and legislatures—that only decades later granted citizenship and equal rights to blacks after slavery and the [American] Civil War—now gave sanction to the strict separation of the races.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;LINCOLN&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;WITH MALICE&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;TOWARD NONE&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;WITH CHARITY&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;FOR ALL.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;“Equal Rights&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Before the Law.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;The “Jim Crow” Street Car&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;THE WAY IT WORKS IN &lt;/em&gt;[illegible]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Stapleton&lt;br /&gt;&lt;/strong&gt;These signs were colloquially known as “Jim Crow Signs,” which transmitted their social and cultural meaning as spaces or places of inferior status and accommodation.&lt;/p&gt;
&lt;p&gt;Dr. Stephen Caldwell Wright was born in Sanford, Florida, and came of age during the height of the Civil Rights Movement. He tells us what Jim Crow meant.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;COLORED&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Wright&lt;br /&gt;&lt;/strong&gt;Uh, Jim Crow was a system of segregation, essentially. Um, separate, uh, economic, political, social systems within a community and throughout the nation, and, uh, it simply meant, um, supposedly, “separate but equal” after a while, but somehow the “equal” got lost [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Stapleton&lt;br /&gt;&lt;/strong&gt;Racial segregation came from a series of laws passed at the state and local level at the end of the 19&lt;sup&gt;th&lt;/sup&gt; century. This cumulated with the 1896 U.S. Supreme Court decision &lt;em&gt;Plessy v. Ferguson&lt;/em&gt;—that established that separate but equal facilities—was constitutional. Dr. Scot French, from the University of Central Florida, tells us about the philosophy behind these segregation laws.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;COLORED&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;MEN&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Orange County Courthouse 1950s Restroom Sign&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;These signs are really a product of a system of racial control that replaced slavery. In the aftermath of, uh, Reconstruction, there was a lot of conflict, obviously, in the streets and in public places…&lt;/p&gt;
&lt;p&gt;&lt;em&gt;COLORED ENTRANCE&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;And, uh, the politics of space became very personalized, and of course, this—this problem gets multiplied in the age of railroads when, uh, strangers are confronting one another in passenger cars, and there’s a real effort to control this population of free people, and to remind them of their place in society, and that place in the eyes of the powers that be, the—the white redeemers of the southern, uh, government and politics—their place was, uh, underneath the white man, that this was a white man’s country. After the &lt;em&gt;Plessy&lt;/em&gt; decision, the Supreme Court decision which—well, made the—the—the principle of “separate but equal,” uh, the law of the land, there was en effort to begin to codify all of these practices in law to…&lt;/p&gt;
&lt;p&gt;&lt;em&gt;COLORED ENTRANCE&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Designate certain spaces as for colored and certain spaces as for white…&lt;/p&gt;
&lt;p&gt;&lt;em&gt;WHITE ENTRANCE&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;CIVIL RIGHTS&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;and the idea behind this was that it would keep black people and white people from brushing up against each other in ways that would lead to—to conflict.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;“Equal Rights&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Before the Law.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;The “Jim Crow” Street Car&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Stapleton&lt;br /&gt;&lt;/strong&gt;The word “Jim Crow” originally came from African-American activists in the middle of the 19&lt;sup&gt;th&lt;/sup&gt; century. African Americans used the term to describe the ways in which they were treated differently from whites in public accommodations and services. From then on, the name stuck.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;JIM CROW.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;[illegible]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Stapleton&lt;br /&gt;&lt;/strong&gt;Jim Crow was a blackface character, performed by white stage actors, during that time which portrayed blacks without human dignity or humanity through racist stereotypes. For African Americans, the system of racial segregation was part of that same dehumanizing legacy.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;DIRECTORY&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;1&lt;sup&gt;ST&lt;/sup&gt; FLOOR&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;COUNTY WELFARE DEPT&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;WHITE WAITING ROOM 8&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;COLORED 6&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;COUNTY CLINIC 8&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;DISTRICT WELFARE BOARD&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;INTAKE OFFICE&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Stapleton&lt;br /&gt;&lt;/strong&gt;Even though according to the law and court decisions, separate was to be equal, it never was. “Separate” was only a way to reinforce difference. Dr. Wright tells us how he experienced segregation growing up in Central Florida.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Wright&lt;br /&gt;&lt;/strong&gt;Usually, there was a black section, um, if I remember correctly, uh, usually a smaller area, and usually more crowded than the larger so-called “white section,” and the black sections, uh—what were then called the “colored sections,” were not nearly as well-kept, and—and—and—and the like. That would be true in terms of the bathrooms, as well. For instance, I remember…&lt;/p&gt;
&lt;p&gt;&lt;em&gt;COLORED&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Wright&lt;br /&gt;&lt;/strong&gt;Um, in many instances, um, men and women shared the same bathroom, while in the other section, you’d have women and then men, uh, facilities.&lt;/p&gt;
&lt;p&gt;Uh, taking the bus was, um, notable, because it was understood that when you got on the bus you went to the back, and that was understood. There were no signs. The signs were the faces. The driver would, you know—knew that you were going to go to the back, and would give you a funny look if you sat too close up front, and that kind of thing. Not all of them, but some of them would.&lt;/p&gt;
&lt;p&gt;If you went downtown, and you were standing at the counter, then you knew that everybody else was going to be waited on, served before you. So you could be standing there, but if a person who was white walked up, then they would reach around you and just continually serve all of them, until they had gone. Then, they would serve you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Stapleton&lt;br /&gt;&lt;/strong&gt;Although racial segregation translated to second-class citizenship for African Americans, it did not mean that residents of Central Florida stood idly by.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;7UP&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;BOO-BOO’S BAR&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;TOWN&amp;amp; COUNTRY&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Stone’s[?]&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Stapleton&lt;br /&gt;&lt;/strong&gt;African Americans founded their own businesses, churches, civic associations, and even towns. Local communities usually had a segregated downtown district, where African American businesses and residents lived. In Sanford, there was Georgetown; in Winter Park, there was Hannibal Square; and Parramore, on the west side of Downtown Orlando.&lt;/p&gt;
&lt;p&gt;African Americans even established entire incorporated towns, which elected black officials, such as Goldsboro, west of Sanford, and Eatonville, north of Orlando. Goldsboro eventually was absorbed into the City of Sanford in 1911, but Eatonville is one of the few black municipalities founded during this period that still exists. Dr. Julian [C.] Chambliss, from Rollins College, tells us about these black business districts that emerged out of racially segregated cities.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;THIS HOME IS FINANCED BY&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Washington&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Shores&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Federal&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Savings And Loan Association&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;715 GOLDWYN AVE.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;293-7320 • ORLANDO&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Chambliss&lt;br /&gt;&lt;/strong&gt;Well, segregation’s sort of unplanned, perhaps on some level, uh, benefit for an African-American community is to coalesce, uh, the [inaudible] community within the boundaries established by white society. As a result, what you see is a whole infrastructure created around servicing the black community—servicing—so black professionals, doctors, lawyers, teachers, um, black businesses that are serving black residents. All those are situated around the core of the black community. So if you look at a place like, for instance, Hannibal Square in Winter Park, Florida…&lt;/p&gt;
&lt;p&gt;[illegible]&lt;/p&gt;
&lt;p&gt;&lt;em&gt;HOTEL&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;[illegible]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Chambliss&lt;br /&gt;&lt;/strong&gt;You have everything that African Americans could possibly need within the confines of their segregated community, and this, of course, bolsters the economic standing of those, uh, business owners and those professionals. They are, in fact, servicing a captured audience, but that doesn’t mean that they’re not doing good service to the community.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Stapleton&lt;br /&gt;&lt;/strong&gt;By the 1950s, many public places did not admit blacks at all, and separate entrances and facilities were common in courthouses and other public buildings for access by African Americans.&lt;/p&gt;
&lt;p&gt;Another Supreme Court decision in 1954, &lt;em&gt;Brown v. the Board of Education&lt;/em&gt; [&lt;em&gt;of Topeka&lt;/em&gt;], finally overturned the &lt;em&gt;Plessy&lt;/em&gt; decision, and the Federal Government finally declared that “separate” was not only unequal, but also unconstitutional.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Tallahassee Democrat&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Court Bans Segregation&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;In Public School Cases&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Court Ruling&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Is Unanimous&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Cases Directly Involve&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Only Five States But 17&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Others May Be Affected&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;[illegible]&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Paroled Man’s&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Captures Ends&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Reign of Terror&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;[illegible] &lt;em&gt;Retrieved&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;As Mayor&lt;/em&gt; [illegible]&lt;/p&gt;
&lt;p&gt;[illegible]&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Court Questions&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Suit Challenging&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Second Primary&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;[illegible]&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Secrecy Clamp&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Put On Talks&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;McCarthy Calls Order “Cover Up”&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;[illegible]&lt;/p&gt;
&lt;p&gt;&lt;em&gt;French Cancel&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Air Evacuation&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;In Indochina&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;All Out Attack&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Will Be Resumed&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;On Rebel Troops&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;[illegible]&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Frank Costello&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Gets Five Year&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Prison Term&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;[illegible]&lt;/p&gt;
&lt;p&gt;&lt;em&gt;New US Bomber&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Test Seen Near&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;[illegible]&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Sober, Careful&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Thought Urged&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;By Tom Bailey&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;[illegible]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Stapleton&lt;br /&gt;&lt;/strong&gt;Although by the 1950s, many Americans were recognizing that racial segregation was wrong, it was a long process for state and local communities to dismantle Jim Crow’s segregation. Dr. French explains.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;It was really not any secret. Everybody knew this. In many ways…&lt;/p&gt;
&lt;p&gt;&lt;em&gt;COLORED ENTRANCE&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;The—that the—these signs were a part of a fiction of “separate but equal,” but for African Americans, of course, it was never equal. And, in fact, this was the basis for the great challenges to, uh…&lt;/p&gt;
&lt;p&gt;&lt;em&gt;WHITE ENTRANCE&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;CIVIL RIGHTS&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Segregated society. the great legal challenges was the “equal” was not equal under this system, and, uh, you began to see in the 20&lt;sup&gt;th&lt;/sup&gt; century a chipping away at this edifice of—of Jim Crow law…&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Segregation&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;IS&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;UnAmerican&lt;/em&gt;[sic]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Based on the fact that the facilities provided to African Americans were profoundly unequal or absent altogether. After &lt;em&gt;Brown v. Board of Education&lt;/em&gt;, many civil rights advocates—activists white and black—decided to test the law, to—to take the idea that public spaces should be open, uh, as there were increasingly being made open. The courts began to open up public spaces, particularly in places like interstate travel, and so the waiting rooms at bus stations or railroad stations became desegregated, technically. However, in practice, states and localities continued to enforce segregation. They left those signs on the walls, and they continued to insist that persons of color sit in different waiting rooms—in waiting rooms designated for them.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Stapleton&lt;br /&gt;&lt;/strong&gt;In Central Florida, racially segregated schools were the norm until the 1960s, when Durrance Elementary was integrated under pressure from the Federal Government. And soon, other Orange County schools agreed to desegregate.&lt;/p&gt;
&lt;p&gt;[illegible]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Stapleton&lt;br /&gt;&lt;/strong&gt;Because of demonstrations by civil rights activists, community leaders, and students, local officials closed some public facilities, rather than allow them to be racially integrated. This public activism and protest against Jim Crow segregation…&lt;/p&gt;
&lt;p&gt;&lt;em&gt;FT. LAUDERDALE&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;NAACP&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;YOUTH COUNCIL&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;FT. LAUDERDALE&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;BRANCH&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;NAACP&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;NAACP&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;FORT LAUDERDALE&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;NAACP&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;KEY WEST&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;BRANCH&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;PASS THE&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;CIVIL RIGHTS&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;BILL!&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;NAACP&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;MIAMI&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;BRANCH&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Stapleton&lt;br /&gt;&lt;/strong&gt;Was similar to events throughout the state and the rest of the South. It was through this activism, and because of the passing…&lt;/p&gt;
&lt;p&gt;&lt;em&gt;THE&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Civil Rights&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Act of 1964&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Stapleton&lt;br /&gt;&lt;/strong&gt;Of the 1964 Civil Rights Act by the U.S. Congress that outlawed these forms of racial segregation and relegated the Jim Crow signs to the dust bin of history.&lt;/p&gt;
&lt;p&gt;Although the system of Jim Crow disappeared, its absence, while welcomed by all segments of society, left a vacuum in the once-thriving black downtowns, as Dr. Chambliss explains.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;CAMPUS&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;THEATER&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Chambliss&lt;br /&gt;&lt;/strong&gt;In order to make sure African Americans had full sorta status as—as Americans, um, they had to break down the segregation system. As a consequence, the restrictions in terms of movement, and space, and regulations associated with zoning housing, uh, gave way, and with that, African Americans had the choice of where they wanted to live and how they wanted to live. This had a direct negative impact—impact on the strong cohesion that was created by that outward force constraining African Americans into their, uh, communities. So you see a spread—a spreading out, but you also, I think, see a kind of breaking down. The strong cohesion created by the outside force threatening the black community goes away. African Americans are able—‘cause, especially middle-class and upper-class African Americans, are able to move to places that are better, and this leaves the working-class African Americans…&lt;/p&gt;
&lt;p&gt;&lt;em&gt;7UP&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;BOO-BOO’S BAR&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;TOWN&amp;amp; COUNTRY&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Stone’s[?]&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Chambliss&lt;br /&gt;&lt;/strong&gt;Um, in that former space, but without the sort of economic and social connections that they had during segregation.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Stapleton&lt;br /&gt;&lt;/strong&gt;As Dr. Chambliss mentioned, the legacy of Jim Crow is bittersweet. It is a legacy that residents of these communities confront today. Dr. Wright recalls for us his struggle with this legacy, and the conversation he had with his mentor and friend, the late Gwendolyn [Elizabeth] Brooks, the famous African-American poet.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Wright&lt;br /&gt;&lt;/strong&gt;It’s interesting that, um, when I think of, um, integration, uh, and the whole business of…&lt;/p&gt;
&lt;p&gt;&lt;em&gt;CARVER&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;DOUBLE&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;FEATURE&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;ROBERT TAYLOR&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;THE BRIBE&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;LOUIS JORDAN BEWARE&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;[illegible]&lt;/p&gt;
&lt;p&gt;&lt;em&gt;NEWS&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;WORZ • ARM CLUB• KIDDIE SHOW&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Free STAGE SHOW Here&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;• AUCTION • PRIZES • FUN •&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Wright&lt;br /&gt;&lt;/strong&gt;Uh, segregation supposedly going away, one of the—one of the great losses is, in fact, the—the black community—the black business community. Um, members of the black community are—are now affiliated with, uh, non-black institutions, and—and that’s the way it is. Reminds me of what Gwendolyn Brooks said to me when I said to her one day, “All of the black principals have moved out of the community,” and she said, “Oh.” Looked at me and she said, “I’m glad you stayed. I’m glad you stayed. They need to see you.”&lt;/p&gt;
&lt;p&gt;[illegible]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Wright&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;“&lt;/strong&gt;The children need to see you,” and that’s I think the great loss with—with the, um—with that. But when, um, integration advanced, as far as I’m concerned, uh…&lt;/p&gt;
&lt;p&gt;&lt;em&gt;COLORED ENTRANCE&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Wright&lt;br /&gt;&lt;/strong&gt;The black community suffered irreparably. It will never recover. Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Stapleton&lt;br /&gt;&lt;/strong&gt;We hope that you have enjoyed this episode of A History of Central Florida podcast. For more information on the objects featured in this episode…&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Orange County Regional&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;History Center&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;65 E Central Blvd.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Orlando, FL 32801&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Stapleton&lt;br /&gt;&lt;/strong&gt;Please visit the Orange County Regional History Center at 65 East Central Boulevard, Orlando, Florida, 32801.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Episode 43&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Surf Boards&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Stapleton&lt;br /&gt;&lt;/strong&gt;Make sure to join us for our next episode entitled “Surf Boards.”&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Executive Producer&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Robert Cassanello&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Episode Producer&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Kevin Stapleton&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Written by&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Kevin Stapleton&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Directed by&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Kevin Stapleton&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Edited by&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Chip Ford&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Photos&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Bob Clarke&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Photos &amp;amp; Images&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Florida Memory Project&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Photos &amp;amp; Images&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Library of Congress&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Voices&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Kevin Stapleton&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Voices&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Dr. Julian Chambliss&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Voices&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Dr. Scot French&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Voices&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Dr. Stephen Caldwell Wright&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Production Staff&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Bob Clarke&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Production Staff&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Chip Ford&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Production Staff&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Ella Gibson&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Production Staff&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Kendra Hazen&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Production Staff&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Katie Kelley&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Production Staff&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Daniel Velásquez&lt;/em&gt;&lt;/p&gt;</text>
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&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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                <text>Oral history interview of Algerine Miller, who was born on December 6, 1940, in Sanford, Florida. Miller graduated from Crooms Academy, located at 2200 West Thirteenth Street, in 1958. After high school, she attended the Walker Business School for one year. Miller worked for the State of Florida as an Eligibility Interviewer for 16 years and for Seminole County Community College as an Assistant Financial Interviewer. Miller has also worked with the UCF Public History Center as a volunteer, especially within the Crooms Academy Alumni Exhibit: Triumph Through Adversity. This interview was conducted by Meghan Vance at the Goldsboro Museum, located at 1211 West Thirteenth Street, on November 7, 2012, in Goldsboro, an African-American neighborhood in Sanford.</text>
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                <text>0:00:00 Introduction&lt;br /&gt;0:00:60 Life after graduation&lt;br /&gt;0:01:58 Crooms Academy Alumni Exhibit: Triumph Through Adversity&lt;br /&gt;0:06:34 Alumni events&lt;br /&gt;0:07:24 Future of the exhibit and memorable moments&lt;br /&gt;0:10:19 Connecting the exhibit with other museums&lt;br /&gt;0:14:57 Sanford&lt;br /&gt;0:17:00 Crooms and school segregation&lt;br /&gt;0:21:34 Other museums in Sanford&lt;br /&gt;0:22:55 Teaching history&lt;br /&gt;0:25:19 Integration and the Civil Rights Movement&lt;br /&gt;0:28:59 Motivation for working with the exhibit&lt;br /&gt;0:30:01 Local ice house and family history&lt;br /&gt;0:33:08 Closing remarks</text>
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                <text>&lt;a href="http://java.com/en/download/index.jsp" target="_blank"&gt;Java&lt;/a&gt;.</text>
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                <text>Digital transcript of original 35-minute and 40-second oral history: Miller, Algerine. Interviewed by Meghan Vance. UCF Public History Center. November 7, 2012. Audio/video record available. UCF Public History Center, Sanford, Florida.</text>
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                <text>Originally created by Meghan Vance and Algerine Miller.</text>
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                <text>Copyright to this resource is held by the UCF Public History Center and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>"Public History Center." Public History Center, University of Central Florida.</text>
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                <text>"Exhibits." Public History Center, University of Central Florida.</text>
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                <text>"&lt;a href="http://www.seminolehs.scps.k12.fl.us/" target="_blank"&gt;Seminole High School&lt;/a&gt;." Seminole High School, Seminole County Public Schools. http://www.seminolehs.scps.k12.fl.us/.</text>
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                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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The first Euro-American individual own land in present-day Winter Springs was Moses Levy of New York, who acquired a land grant from the Spanish Crown prior to American acquisition of Florida in 1821. In 1843, Henry Gee and son John Henry Gee acquired part of Levy's grant via Governor Richard Call.However, the courts voided the land grant in 1852 and returned the grant back to Levy, Philip K. Yonge, and other settlers.&#13;
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The first Euro-American individual own land in present-day Winter Springs was Moses Levy of New York, who acquired a land grant from the Spanish Crown prior to American acquisition of Florida in 1821. In 1843, Henry Gee and son John Henry Gee acquired part of Levy's grant via Governor Richard Call.However, the courts voided the land grant in 1852 and returned the grant back to Levy, Philip K. Yonge, and other settlers.&#13;
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The settlement of various wharves in in the area was centered mostly around Lake Jesup. With the establishment of the Lake Jesup Steamboat Company, the present-day Winter Springs area served as a major location for steamboat transportation.&#13;
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Winter Springs was not incorporated as a town until 1959, when it was originally called North Orlando. In 1962, the city was rechartered as Winter Springs. In 1972, it was incorporated as a city.</text>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank"&gt;Oviedo Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                  <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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              <text>&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;, Oviedo, Florida</text>
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                <text>Oral History of Bernie Blackwood </text>
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                <text>Oral History, Blackwood</text>
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                <text> St. Petersburg (Fla.)</text>
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                <text> Real estate--United States</text>
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                <text> City planning--Florida</text>
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                <text>An oral history interview of Bernard O. Blackwood, conducted by Alexandra Dobson on March 19, 2015. Blackwood was born on April 9, 1933, and attended the University of Florida (UF) in Gainesville, Florida. After graduating from college, Blackwood migrated to St. Petersburg with his wife, Suzanne A. Blackwood, to work as a city planner. In the 1970s, the couple moved to Oviedo with their children. There, Blackwood helped plan several residential subdivisions alongside Ben Ward, Jr. Interview topics include land development, the effects of Florida Technological University (present-day University of Central Florida), Blackwood's wife and children, Ben Ward's contributions to the community, desegregation and the Civil Rights Movement in St. Petersburg, and his career as a city planner.</text>
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                <text>&lt;br /&gt;0:00:00 Introduction &lt;br /&gt;0:01:48 Land development &lt;br /&gt;0:04:07 Florida Technological University and the Oviedo Land Group &lt;br /&gt;0:07:51 Migration to Oviedo and working with Ben Ward, Jr. &lt;br /&gt;0:13:30 Wife and children &lt;br /&gt;0:14:29 Population growth and Florida Technological University &lt;br /&gt;0:18:39 Ben Ward’s contributions to the community &lt;br /&gt;0:19:24 Blackwood Construction Corporation and Lutheran Haven &lt;br /&gt;0:20:25 Schools and desegregation in St. Petersburg &lt;br /&gt;0:21:57 St. Petersburg and career as a city planner</text>
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                <text>Oral history interview of Bernard “Bernie” O. Blackwood. Interview conducted by Alexandra Dobson at Blackwood's home in Mead Manor in Oviedo, Florida, on March 19, 2015.</text>
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                <text>Blackwood, Bernie Interviewed by Alexandra Dobson, March 19, 2015. Audio record available. Oviedo History Harvest, &lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;, Oviedo, Florida.</text>
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                <text>&lt;a href="http://java.com/en/download/index.jsp" target="_blank"&gt; Java&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank"&gt;Oviedo Historical Society Collection&lt;/a&gt;, History Harvest Collection, RICHES of Central Florida.</text>
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                <text>20-page digital transcript of original 30-minute and 21-second oral history: Blackwood, Bernie Interviewed by Alexandra Dobson, March 19, 2015. Audio record available. Oviedo History Harvest, &lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;, Oviedo, Florida.</text>
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                <text> St. Petersburg, Florida</text>
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                <text> Dobson, Alexandra</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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              <elementText elementTextId="597874">
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              <elementText elementTextId="597875">
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                <text>Originally created by Bernard “Bernie” O. Blackwood and Alexandra Dobson, and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/5278" target="_blank"&gt;Mead Manor Brings New Lifestyle to Oviedo&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/5278.</text>
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                <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                <text>&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;This is an oral history interview of Bernie&lt;a title=""&gt;[1]&lt;/a&gt; [O.] Blackwood. Interview is conducted by Alexandra Dobson at the Blackwood home in Oviedo, Florida, on the 19&lt;sup&gt;th&lt;/sup&gt; of March, 2015. Inter—interview topics include Oviedo, Mead Manor, and that’s it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Well, my name’s Bernie Blackwood, and my association with Oviedo began in the early [19]50s. I was a student at Gainesville,&lt;a title=""&gt;[2]&lt;/a&gt; and I had a roommate named Bob Ward, who was a native of Oviedo, and I came to Oviedo on occasions on weekend with Bob, and got to know a little bit about the area. It was so different from my, uh, little home town in North Florida. I saw orange groves and celery fields and stuff, to—tobacco fields, uh—shade[?] tobacco fields it was up there, but, um, when I finished at Gainesville, I went right to work. I had a job waiting in Saint Petersburg[, Florida], and, uh, Bob and I kept in contact over the years, and through Bob I had met his brother, Ben Ward—Ben Ward, Jr., and, uh, we’d been in St. Pete four or five years. I—I guess it was around 1963 when Ben called me—Ben Ward, Bob’s brother—and said he was developing a subdivision. He and a group of, uh, investors and businesspeople here in O—Oviedo were developing a subdivision, and they had started, but they’d ran into a few troubles, and he knew I—through Bob—knew had a little—had—I had a little experience in land planning.&lt;/p&gt;
&lt;p&gt;So he asked me if I’d come up, take a look at what he had, and I was glad to do it, because it gave me a chance to visit Bob, and Ben brought me out. it’s a 40-acre site in— northeast, uh, Oviedo—beautiful piece of land—and made it clear to me to—to begin with they wanted large lots, nice home sites, and the group of, uh, investors and businesspeople, who, uh, put their money up for this project, wanted the same thing. They wanted to grow Oviedo and they knew there was nothing in Oviedo, at that time. No lots available, really. I don’t think there’d been any residential lots added in Oviedo since probably the early 1900s, and—so I went to work on the plan, and, uh, came up with something that they agreed with.&lt;/p&gt;
&lt;p&gt;Oh, I’m getting a little ahead of myself maybe, because they had actually started—they had, uh, put the group together, and they had paved a little section of Mead Drive, which is the entrance off of Division Street into Mead Manor, at that time, Three or four hundred—two or three hundred feet, I’d say, and then it made a right turn into a little cul-de-sac, and they had, uh—[&lt;em&gt;laughs&lt;/em&gt;] they didn’t know quite where to go from there, because they had three—three swampy areas—little ponds in the 40 acres. So we developed a plan, uh, around those ponds, uh, with nice size lots and streets running around, and, uh, they approved the plan and, [&lt;em&gt;clears throat&lt;/em&gt;] I came up one weekend—one Saturday with an engineer friend of my from St. Pete, and, uh, the streets had been, uh, cleared, and we shot grades, went back to St. Pete, and did a cut-and-fill plan, and presented that to the group, and they went from there and started developing the subdivision.&lt;/p&gt;
&lt;p&gt;And the—they paved the streets, they put in paved streets with gutters, and they had a water system in Oviedo at that time, so it was on a water system, and the, uh, next, uh—next thing we knew, uh—I should say that before they started this project, there was no kno—knowledge of FTU&lt;a title=""&gt;[4]&lt;/a&gt; locating five miles south of Oviedo. It, eh—I asked Ben later, and he said “No,” uh, “We didn’t know it,” and I thought they were crazy, at the time, for—for footing this kind of subdivision and—and—[&lt;em&gt;laughs&lt;/em&gt;] out in Oviedo with just a little crossroads farm community, and I didn’t know where the people were going to come from, and Ben said, “Oh, they’ll come.” He was an eternal optimist, and the next thing I knew, I read—read in &lt;em&gt;The St. Pete&lt;/em&gt;[&lt;em&gt;rsburg&lt;/em&gt;]&lt;em&gt; Times&lt;/em&gt; where FTU was locating five miles south of Oviedo. So I began to be a little more interested in what was going on, and they began selling the lots. First lot they sold in here—or maybe the second one—uh, I know it was the first person from the university—was a man named Phil Gorey[sp] and he was a, um—one of the administrative people under Millican—Dr. [Charles Norman] Millican, and the, uh—the subdivision took off rather slowly, but they were selling lots. A lot across the street there was, uh—was, uh, [Joe] Gomez, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;He was a professor out there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Yeah, What’s the first, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Joe.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Joe.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Joe. Yeah, Joe Gomez. He was a comptroller out at the university, and, uh, there were three or four, five, six—I mean, there half a dozen, at least, uh, different professors that started buying lots out, and some of them still here, like me [&lt;em&gt;laughs&lt;/em&gt;]. I’m not a professor [&lt;em&gt;laughs&lt;/em&gt;], um, and as the lots started selling, the land group—Oviedo Land Group was the name of the, uh—of the, corpora—or the company that Ben Ward put together, and the investors in it—I could—I can recall most of ‘em, I think. There was, uh, Frank Wheeler, John Evans, uh, I think Mr. Roy Clonts, probably, um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Beleren[sp]?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Who?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Bob[?] Beleren? Was he one of ‘em?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;No, no, not, uh, not, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Uh, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Martin?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Bill…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Bill…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Martin?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Yeah, Bill Martin and John Evans. I might have…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Said him before, but anyway, it was a group of local businessmen and there were five or six of ‘em. I met with them a couple times, and, uh, didn’t really know them at—at all. I have since gotten to know them all, one time or another, and, uh—so they decided to buy another 40 acres just, uh, to the north of the first unit, and, uh I—again, I did a layout for them, and Ben developed it, and so it made a total of 80 acres here in Oviedo, and I—I’d be glad to drive you around and show you if you’d like to see it. Some of the developers’ve[sic] been dead, but during this time, Ben was still planning ahead and the next thing—he had a project. Another, uh—I think it was another 40 acres, and—and they—we worked up a subdivision for him on that—a layout, and it’s called [inaudible] Garden Grove. It’s right near here.&lt;/p&gt;
&lt;p&gt;And, [&lt;em&gt;clears throat&lt;/em&gt;] by that time, Ben, eh—he was originally—he had an insurance business, and, uh, uh—and a real estate brokerage business, and he was getting interested into building and construction. He said, “I’ve got all these lots. I might as well build some houses.” So he offered—gave me—he said, “Why don’t you come up and join me, and we’ll form a corporation and build—build a few houses,” and the idea appealed to me, but leaving my secure place in St. Pete—position I had and so forth—uh, it took a lot of soul searching, and I guess it—I probably thought about it for two or three years ‘fore—and, in the meantime, Ben and I were still working together on—on the projects up here, and, uh, I finally made the decision. &lt;em&gt;I’ve gotta do it. I want to do it. &lt;/em&gt;I’d always been interested in construction and had some experience in that, and my[?]—my family wasn’t too eager about it at first.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;The kids—I had a, uh, son&lt;a title=""&gt;[5]&lt;/a&gt; that was in the third grade and going—would be going into the fourth grade, and a daughter in the sixth grade, I believe, but they finally came around, and we moved up here, uh, second day of September, 1972. Went to work about the very next day and…&lt;/p&gt;
&lt;p&gt;[&lt;em&gt;phone rings&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;The kids start…&lt;/p&gt;
&lt;p&gt;[&lt;em&gt;phone rings&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;The kids started school the very next day after we got here, I think, and my family adjusted. They just loved Oviedo, and Sue&lt;a title=""&gt;[6]&lt;/a&gt; was a city girl. Sue was from Jacksonville.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;And she didn’t think she wanted to move to Oviedo from St. Petersburg. We all loved St. Petersburg. I did too, but, um, we found Oviedo to be—the people here were the most gracious, welcoming. we never felt like a stranger, and part of that maybe was, because I came here with Ben Ward, who—his dad was a celery grower, and, uh, had—had groves here in town, and Ben had some land, and—quite a bit of land in and around Oviedo, and, uh, so we—we went from there. We started building houses, and, uh, Ben and I were together, uh, for four years, I think, and his interests were—was on development—land development, and mine…&lt;/p&gt;
&lt;p&gt;[&lt;em&gt;phone beeps&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Was more in construction, and I didn’t have the deep pockets to go into land development [&lt;em&gt;laughs&lt;/em&gt;], but Ben, uh—he had a vision for this—for this little town, and he—he wanted to—nothing but quality development, and he was the only one developing land in Oviedo, and he was always, I thought, a little ahead of the market, and it was, uh—it cost him financially, but he did it, and after we, uh—we split, we remained friends, and met on a weekly basis and compared what each of us was doin’, until he passed away in—I think he passed away in ‘99, and [&lt;em&gt;coughs&lt;/em&gt;] I never—I feel he never deserved the credit he did—he deserved—for what he did for this little town, because you can look around he—he’s re—responsible for Mead Manor, Garden Grove, Whispering Oaks….&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Uh, Hill—Hillcrest, uh, Farms—I think was the name of it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Uh, Windmilll…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Windmill Farms.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Farms.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Those were residential, uh, develops here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;How about Oviedo Oaks?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;No, no, he didn’t—he didn’t develop that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Uh, and he also started—he did some commer—a couple of commercial projects. one of ‘em was, uh, Westwood Square. It was a commercial/industrial, uh, zoning area, and, uh, it’s completely built out now. Uh, do you know where, uh, Toucan—what—no, it’s—what’s the Spanish…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Habanero’s [Mexican Grill].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Habanero’s.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;You know where that is?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;I drove by it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;That was part of Westwood Square. All of those b—back in there was developed, and there was nothing out there at the time—nothing, and nothing between there and Oviedo [&lt;em&gt;laughs&lt;/em&gt;], and…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;One little gas station.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Yeah, the—the, uh, Tiger—Tiger Station.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;We called it, and, uh, then there’s another, uh, I believe it’s called Oviedo Office Park up to your—on [Florida State Road] 426 between Westwood Square and the city limits—what was the city limits then—or the high school, say—and it’s a very nice commercial development, and it had doctor’s offices, uh, and that—that type of commu—uh, development, and, like I say, we—we came here—we’ve been here for 43 years now, and I could never move Sue from—get her out of this house or out of this city.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;She loves it and the kids love it. My daughter lives in Tallahassee, and, uh, she—she’s down here quite often. My son works with me, or did work with me. He runs the business now. I’m just—I’m retired. I go in and aggravate him every day a little bit [&lt;em&gt;laughs&lt;/em&gt;]. Uh, I don’t know. Do you have any questions from there? I’d be glad to drive you around a little Oviedo and show you some of these projects if you have the time…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Or the inclination.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;Sure, thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Take her to, um, Whispering Oaks, ‘cuz that’s…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Really…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Well, they’re all nice.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Really, pretty, yes, Whispering Oaks has beautiful trees, but…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;Um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Have I missed anything Sue?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;I don’t’ think so. I think—I was amazed at how well you [&lt;em&gt;laughs&lt;/em&gt;]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Covered everything.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Well, you know, that’s—that’s about it with, uh, my—my interests in Oviedo. It was…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;I…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Was primarily building. I built all these years and…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Do you know what the population was when we moved here?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;I should’ve…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Gone into that. It was about 2000, and, uh, it was about the same when I visited 10 years earlier. It hadn’t grown a bit. I don’t think it grew a bit from—I should’ve included this in it—from the ‘30s and on up to the ‘60s, and this development right here&lt;a title=""&gt;[7]&lt;/a&gt; was what started the growth in Oviedo, uh, after—after, um—no. I guess it was the edges[?] of [inaudible], uh, track builders started coming into Oviedo. The, uh, uh, Jacobs brothers owned two thousand acres of land where O—where Alafaya Woods is now and that area over there, uh—Twin Rivers and that area. They sold it to a group in Atlanta in the early [19]70s, and Bob pretty well fell out of construction for a while there, and nothin’, eh—I don’t know if that company went bankrupt or what, but they sold it to the Anden Group, and the Anden Group is a group that developed Alafaya Woods [&lt;em&gt;clears throat&lt;/em&gt;], and it was a little bit, uh—it was, uh, a different type development than what Ben had been developing. I think he’d be surprised today if he knew how, um—he felt that—that Oviedo never had, uh—be, uh, anything but small, rural community [inaudible] with good home sites. ‘Course he knew, and I knew too, that when the university located there, sooner or later it was gonna affect Oviedo in a big way [&lt;em&gt;coughs&lt;/em&gt;], and it did, but, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Is—is Tom Phillips next door still teaching?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Yeah, he’s a professor over—no. he’s not teaching, but he’s retired.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;He’s retired? Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;That’s—that’s probably…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;We were surrounded by them.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Yeah, when we first moved here, the—‘course, this was, you know—all the professors had kids and we had kids, and it’s, uh, changed a couple times since then. You’ve got, uh, uh, older families that moved out, newer families with kids that moved in, and, uh, and, uh, and we’ve stuck—stuck here [&lt;em&gt;laughs&lt;/em&gt;] all those years, but, um, we’ve seen the growth in Oviedo from two thousand to…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;What? 35,000 now, probably.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;Do you think it was just the university that did that, or…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Pretty…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Well…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Pretty much.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;It, uh—pretty much, I think. The [Central Florida] Research Park out there—and of course, it—it—Oviedo [&lt;em&gt;clears throat&lt;/em&gt;]—it grew to be a—it had a very good school system.&lt;a title=""&gt;[8]&lt;/a&gt; I should’ve mentioned that. When—when we moved here, my son was going into the fourth grade, and we—he went to a school right across from where we lived, practically, in St Pete. He could walk to school, and they had gotten into the new, uh—let the kid reach his potential, don’t push him, don’t push him.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;And…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Unidentified&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;clears throat&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;I went and talked with the teacher about it, and—“Oh, Scott’s doin’ fine,” And it didn’t…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Seem to me that he was doin’ fine, and she said, “Oh, no, no. he’s fine.” Well, when we got here, he had teachers like Ms. [Margeurite] Partin.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Partin Elementary [School] was named after her, and she was a wonderful teacher.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;And Ms. Gore, and s—same teachers that taught Ben Ward, and Bob Ward—that group. They were still there, and she went to work on Scott and brought him up to speed. He didn’t—he didn’t even know his multiplication tables, and [&lt;em&gt;laughs&lt;/em&gt;]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Does now [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;And all of the kids here did, but she—she put him to work on ‘em and you[?]—he learned real quick[sic], and caught up, and did alright, But it—it was just a great place to raise your kids, and, uh, I—I just can’t say enough about the—the town and about—about the guy that really got it goin’.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Ben Ward.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;I think so too.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;You get the chance to give him a plug—he’s long gone. his wife still lives here in Ovi—in, uh, Mead Manor, and his kids—he has one—one kid that lives in Tuscawilla and the rest of ‘em are scattered around.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Tuscawilla was not here at all when we moved here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Well, it was too. It was one road…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Called Dyson Road&lt;a title=""&gt;[9]&lt;/a&gt; comin’ off of, uh, Tuskawilla Road—Dyson—and they had…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Dyson, yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;They—they just started developing a few lots there. That’s a beautiful sub—one of my favorite subdivisions. The area is Tuscawilla.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;Mm, what kinds of things has Blackwood Construction [Corporation] done?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;We did primarily single-family and, uh, small commercial. We did, uh, dental office for Bob Beleren over in Winter Springs[, Florida], and that sort of thing, but we built over 500—we’ve got—I think we got…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;563 [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Well, some of ‘em weren’t—some of ‘em in the recent years have just been small jobs…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;And Lutheran Haven. mention Lutheran Haven.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Yeah, we did—we built most of Lutheran Haven projects out of, uh—duplexes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;You’ve probably passed Lutheran Haven on your way in. Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;Could be…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;I’m not sure.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;I’m really not that familiar [&lt;em&gt;laughs&lt;/em&gt;]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;It’s a big Lutheran church, and they—it has a retirement for us—little du—duplexes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Its’ a…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Its’ a…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;And a—and a, uh, nursing home now. Uh, we could even—if you’ve got time, I’ll drive you all over. show you—show you a little bit of Oviedo.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;Okay [&lt;em&gt;laughs&lt;/em&gt;], Thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Don’t want to live here? [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;Yeah [&lt;em&gt;laughs&lt;/em&gt;]. Um, I actually moved to Orlando from St. Pete for the same reasons.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Oh, my goodness.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Oh, really?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;To get my son in a better school.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Aww.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Aw, really?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;Yeah, I don’t…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Well, you know, we thought the schools there were just great, ‘til we moved here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Well, I didn’t think they were great, because I didn’t think our—our boy was learning anything.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Yeah, well…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;And—and another thing, uh, we got caught up right in the Civil Rights [Movement]—we—you know where Bay Vista Elementary [School] is?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;We lived within a block of Bay Vista, at that time, and the kids walked to school, and it was a fairly new school then, and, uh, eh, I think, 11 or—yeah, she was in the fifth grade when all the civil rights—and they started bussing kids, and she got bussed to the school right in the middle of St.—black school in the middle of St. Pete.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;I don’t remember what the school was—the— the name of the school.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;I don’t remember.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;But [&lt;em&gt;laughs&lt;/em&gt;] it—it, uh—it was only for that one year, and she got along fine.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Yeah, she did.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;She didn’t have any problems, but…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;She—she made some good friends there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;It just didn’t make sense to take kids that [&lt;em&gt;laughs&lt;/em&gt;] could walk to school and pay a bus to drive them somewhere else.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] It was probably a good experience.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Well, you [inaudible]—how—how long did you live in St. Pete?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;Uh, five or six years.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;You weren’t born there then?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;No.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;From when to when?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;Uh, it was recent. I’ve been in Orlando for three years.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Three years?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Oh, well, you saw—you’ve seen the downtown area really change.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;Yes, it has [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;We—we—I graduated on Saturday night, and we packed up everything, and we had. I met Sue at [the University of] Florida her—her senior year [&lt;em&gt;laughs&lt;/em&gt;], and…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Just about.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;And, uh, we packed up everything. We—we got married, uh, my last semester there. we got married, and she’d graduated the semester ‘fore I did. She’s smarter than I am.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;And we moved to St. Pete on Sunday, and I started work Monday. I was, uh—I worked as a city planner for 14 years ‘fore I came here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;Wow. What kind of things did you do?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;What kind of work?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Well, uh, we—are—are you—if you’re familiar with the parks system in Oviedo—just to give you an example—uh, in, uh, St. Pete, um—Southside Park—you know the 40-acre park down Lakewood Elementary [School]?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;And all of that? That was a plan that we came up with. Oh, oh—we developed a five-year pl—plan. We had a great city manager named Lynn [H.] Andrews, from about the time I went there until he left in ‘69, and he had a—a capital improvement program—a five-year, capital improvement program, and every year, they would, uh, budget certain projects, and at the end of the year, you’d see if the money was spent right on those projects [inaudible]. He—he’d project the five years another year, but he adjusted every year during that five years, and, uh, he built the, uh—had the, uh—Bayfront Center was built, the museum downtown, the waterfront—the city park of the waterfront, Northeast Park, there was all developed while he was there. The pier—inverted pier—was built, and I was all part of all that, and it was just interesting and fun, until he left, and we got another manager, and I just did not enjoy working anymore.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;That’s how I happened to come here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;I think that was the time to come here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;What was civil rights like in St. Pete? What was your experience with it?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Well, uh, my main experience—it was no problem. 16&lt;sup&gt;th&lt;/sup&gt; Street was kind of, uh—they[?] had their riots and things during the time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;They still do [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;/strong&gt;     [&lt;em&gt;laughs&lt;/em&gt;] And my main memory of it—and this was why Lynn Andrews left St. Petersburg. I’m sure. In ‘68 or ‘69 when they, um, allowed public employees to be unionized—the garbage department became unionized, and they went on strike one year, and Mr. Andrews, uh, negotiated with ‘em and got ‘em back—not a big break in service. The very next year, they went on strike again, and he—on Monday morning, they didn’t show up for work. the whole garbage department didn’t show up for work, and he gave them an ultimatum. He said that “Anyone that’s not back on the job by Thursday of this week will be permanently terminated—all benefits and everything.” Well, they—the union didn’t believe him, I guess, because a big percent—some did come back. Within a week he had completely re-staffed that from people from Georgia—different people looking for jobs. He completely re-staffed the garbage department, and a lot of employees lost their jobs, and from that point on, &lt;em&gt;The St. Pete Times&lt;/em&gt; took up the position of the strikers. They marched on city hall every day, and he didn’t yield. It’s kinda like Ronald Reagan and, uh—and the, uh, uh, air [traffic] controller strike.  You’re probably too young to even remember that.  &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;All&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;But he did the same thing, and, um, from that day on, anything that, that Lynn Andrews did—and I was privy to what was going on there, he would be lambasted in &lt;em&gt;The St. Pete Times&lt;/em&gt; for it, and after about, uh, a year of that he, uh—he went back to Tex—he came to St. Pete from San Antonio, Texas, as the city manager, and he went back as the city manager of, uh, Austin, Texas. When he came to St. Pete, he brought his finance director, um, his assistant city manager, and the budget director—was, uh—that group came. When he left, they all went with him, except one, and he left the city and went to work for First Federal [Bank of Florida].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;Wow, That’s impressive. Keeping your staff with you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;And they were good, good men, weren’t they?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Good men, all of ‘em. yeah, Smart men. I often said. If he’d of run for president. I woulda…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;I woulda—he—he was firm, but he was fair, But, uh, no. We—we love St. Pete. We go back every now and then, when we get a chance. [inaudible]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;How many people weren’t up there anymore?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Yeah, most of my old buddies are gone. [&lt;em&gt;laughs&lt;/em&gt;]. Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;It’s still a lovely place to visit.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Yeah, and the downtown is so—with the waterfront—is so nice now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;You know, I went down for a job interview, and Sue went with me, and that was before we were married. I went—I got a summer job there, and, uh [&lt;em&gt;laughs&lt;/em&gt;], we drove into St Pete from—came down 30—34th Street, turned left on Central [Avenue] and got downtown, and I—we—this was in April.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;We saw nothin’ but green benches and gray heads, and that’s quite a shock comin’ from Gainesville.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;From Gainesville, yeah, where everybody’s young to…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Where everybody’s young.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;To where everybody’s old.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] but it was a good place to live.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;It—yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;It—it—it had something for everybody then, but the majority—I think 25 percent of the population then was 65 or older. It had, uh—I knew at the time, the population was 180 thousand when, uh, we moved there, and I think it was about 22 5[thousand] when we left. I don’t know what it is now, but it had pretty well built out. There wasn’t much developable land in St. Pete, other than up and around Whedon’s[sic] Island area.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;What part of St. Pete did you live in?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;Um, I lived on First Avenue North and 25th Street. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;25th Street? [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;Almost downtown.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Uh huh, al—yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;We lived almost downtown when we first moved there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;We had a little garage apartment, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Right near the hos—near Mound[?] Park Hospital.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;No, no. our garage apartment was, uh, up on the Northside.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Oh, that one?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;About 26th Avenue North, and then we—we bought a, um—an old, 50-year-old apartment building down on 11th Avenue South, and I could walk to work from there—to City Hall, and we—we moved in— fixed up one unit and moved in it, and as a tenant left, we’d remodel that tenant[sic]—that unit and fix it up. Made a nice place.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Was your son…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Born there?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;Uh, he was born in Clearwater. I lived in Clearwater, Largo, Dunedin [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;You ever heard of Fred Marquis?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dobson&lt;br /&gt;&lt;/strong&gt;I don’t think so.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;He was county manager there in Pinellas County for 25 years, I guess. I think he set a record for it, but he…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Suzanne&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Blackwood&lt;br /&gt;&lt;/strong&gt;He—he was a planner, uh, with, uh—in St. Pete with me [&lt;em&gt;coughs&lt;/em&gt;]. He came there right out of graduate school, and, uh, worked there, and we became good friends, but I hadn’t been in touch with him for years. Uh, he’s—he’s—he’s since retired.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Bernard.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; University of Florida.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; Present-day University of Central Florida.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[4]&lt;/a&gt; Florida Technological University.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[5]&lt;/a&gt; Scott Blackwood.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[6]&lt;/a&gt; Suzanne A. Blackwood.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[7]&lt;/a&gt; Mead Manor.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[8]&lt;/a&gt; Seminole County Public Schools (SCPS).&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[9]&lt;/a&gt; Correction: Dyson Drive.&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;</text>
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        <name>1st Avenue</name>
      </tag>
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        <name>25th Street</name>
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        <name>34th Street</name>
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        <name>Alafaya Woods</name>
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        <name>Anden Group</name>
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        <name>Bay Vista Elementary School</name>
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      <tag tagId="25398">
        <name>Ben Ward, Jr.</name>
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        <name>Bernard O. Blackwood</name>
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      <tag tagId="23961">
        <name>Bernie Blackwood</name>
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        <name>Bill Martin</name>
      </tag>
      <tag tagId="38705">
        <name>Blackwood Construction Corporation</name>
      </tag>
      <tag tagId="38693">
        <name>Bob Beleren</name>
      </tag>
      <tag tagId="31464">
        <name>Bob Ward</name>
      </tag>
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        <name>bussing</name>
      </tag>
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        <name>Central Avenue</name>
      </tag>
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        <name>Central Florida Research Park</name>
      </tag>
      <tag tagId="38686">
        <name>Charles N. Millican</name>
      </tag>
      <tag tagId="38687">
        <name>Charles Norman Millican</name>
      </tag>
      <tag tagId="38722">
        <name>city managers</name>
      </tag>
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        <name>city planners</name>
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        <name>civil rights</name>
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        <name>Civil Rights Movement</name>
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        <name>colleges</name>
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        <name>construction</name>
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        <name>Division Street</name>
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        <name>First Avenue</name>
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        <name>Florida State Road 426</name>
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        <name>Florida Technological University</name>
      </tag>
      <tag tagId="23960">
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                <text>0:00:00 Introduction &lt;br /&gt;0:04:47 Parents and leaving home at age 13 &lt;br /&gt;0:09:04 Grandparents &lt;br /&gt;0:11:32 Segregation and discrimination &lt;br /&gt;0:17:25 Labor camps &lt;br /&gt;0:22:31 Hispanic replacements for African American workers &lt;br /&gt;0:31:11 Educational programs, retraining, and unemployment &lt;br /&gt;0:38:27 Environmental justice and labor rights &lt;br /&gt;0:42:08 Her Children’s Experiences as Farmworkers &lt;br /&gt;0:42:53 &lt;em&gt;Fed Up: The High Costs of Cheap Food&lt;/em&gt; by Dale Finley Slongwhite &lt;br /&gt;0:47:11 Sexual abuse by crew leaders &lt;br /&gt;0:49:35 RECORDING CUTS OFF &lt;br /&gt;0:49:35 Modern farm labor and Hispanic workers &lt;br /&gt;0:51:28 Closing remarks</text>
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                <text>Oral history interview of Geraldean Matthew. Interview conducted by Jared Muha in Apopka, Florida, on October 30, 2014.</text>
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                <text>Matthew, Geraldean. Interviewed by Jared Muha, October 30, 2014. Audio record available. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/219"&gt;Jared Muha Collection&lt;/a&gt;, Apopka Collection, Orange County Collection, RICHES.</text>
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                <text>Digital transcript of original 51-minute and 42-second oral history: Matthew, Geraldean. Interviewed by Jared Muha. Audio record available. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt;, Orlando, Florida.</text>
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                <text> Belle Glade, Florida</text>
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                <text>Matthew, Geraldean</text>
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                <text> Muha, Jared</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt;</text>
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              <elementText elementTextId="618028">
                <text>2014-10-30</text>
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                <text>Originally created by Geraldean Matthew and Jared Muha and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt;.</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <description/>
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              <elementText elementTextId="618043">
                <text>Balogh, Christopher. "&lt;a href="http://www.orlandoweekly.com/orlando/apopka-farmworkers-say-pesticide-exposure-caused-illnesses/Content?oid=2248681" target="_blank"&gt;Apopka farmworkers say pesticide exposure caused illnesses&lt;/a&gt;." &lt;em&gt;Orlando Weekly&lt;/em&gt;, June 1, 2011. Accessed July 11, 2016. http://www.orlandoweekly.com/orlando/apopka-farmworkers-say-pesticide-exposure-caused-illnesses/Content?oid=2248681.</text>
              </elementText>
              <elementText elementTextId="618044">
                <text>Slongwhite, Dale Finley, and Jeannie Economos. &lt;a href="http://www.worldcat.org/oclc/857802909" target="_blank"&gt;&lt;em&gt;Fed Up: The High Costs of Cheap Food&lt;/em&gt;&lt;/a&gt;. 2014.</text>
              </elementText>
              <elementText elementTextId="618045">
                <text>Comas, Martin E. "&lt;a href="http://www.orlandosentinel.com/health/os-apopka-farmworkers-lupus-20150918-story.html" target="_blank"&gt;Sick Apopka farmworkers hope for major study of their illnesses&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, September 19, 2015. Accessed May 25 ,2016. http://www.orlandosentinel.com/health/os-apopka-farmworkers-lupus-20150918-story.html.</text>
              </elementText>
              <elementText elementTextId="618046">
                <text>Giagnoni, Silvia. &lt;a href="http://www.worldcat.org/oclc/715188868" target="_blank"&gt;&lt;em&gt;Fields of Resistance The Struggle of Florida's Farmworkers for Justice&lt;/em&gt;&lt;/a&gt;. Chicago, Ill: Haymarket Books, 2011.</text>
              </elementText>
              <elementText elementTextId="618047">
                <text>Rothenberg, Daniel. &lt;a href="http://www.worldcat.org/oclc/38475492" target="_blank"&gt;&lt;em&gt;With These Hands: The Hidden World of Migrant Farmworkers Today&lt;/em&gt;&lt;/a&gt;. New York: Harcourt Brace &amp;amp; Co., 1998.</text>
              </elementText>
              <elementText elementTextId="618048">
                <text>McCauley, Linda A., Michael R. Lasarev, Gregory Higgins, Joan Rothlein, Juan Muniz, Caren Ebbert, and Jackie Phillips. "&lt;a href="http://resolver.flvc.org/ucf?sid=google&amp;amp;auinit=LA&amp;amp;aulast=McCauley&amp;amp;atitle=Work+characteristics+and+pesticide+exposures+among+migrant+agricultural+families:+a+community-based+research+approach.&amp;amp;id=pmid:11401767" target="_blank"&gt;Work Characteristics and Pesticide Exposures among Migrant Agricultural Families: A Community-Based Research Approach&lt;/a&gt;." &lt;em&gt;Environmental Health Perspectives&lt;/em&gt;, Vol. 109, No. 5 (May, 2001): 533-538.</text>
              </elementText>
              <elementText elementTextId="618049">
                <text>Das, Rupali, Andrea Steege, Sherry Baron, John Beckman, and Robert Harrison. "&lt;a href="http://www.tandfonline.com/doi/abs/10.1179/107735201800339272" target="_blank"&gt;Pesticide-related Illness among Migrant Farm Workers in the United States&lt;/a&gt;." &lt;em&gt;International Journal of Occupational and Environmental Health&lt;/em&gt;, Vol. 7, Issue 4 (2001): 303-312.</text>
              </elementText>
              <elementText elementTextId="630216">
                <text>Rodgers, Bethany. "&lt;a href="http://www.orlandosentinel.com/news/orange/os-apopka-farmworker-geraldean-matthew-20161006-story.html" target="_blank"&gt;Pillar in Apopka farmworker community dies at age 66&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, October 9, 2016. Accessed October 10, 2016. http://www.orlandosentinel.com/news/orange/os-apopka-farmworker-geraldean-matthew-20161006-story.html.</text>
              </elementText>
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            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="618055">
                <text>&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;This is Jared Muha. I’m here on October 30&lt;sup&gt;th&lt;/sup&gt;[, 2014] with Geraldean Matthew. Um, Geraldean, to start off, can I ask you just to tell you—tell—tell me a little bit about yourself, um, and who you are?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Well, I’m Geraldean Matthew. I was Geraldean Shannon before I got married and became—became the—Matthew. Um, I come from Palm Beach County, a little place in the—on the, um, eastern shores of Palm—of Palm Beach. Um, I was a migrant farmworker. I’m the third generations[sic] of farmworkers—uh, of migrant workers in my family, and, um, we continued—I continued to do farm work until, um, 1972.&lt;/p&gt;
&lt;p&gt;Um, I can remember as far as[sic] back when I was three years old, traveling to see them with my mom on what you call a “traffic truck”—a “tramp truck,” and it’s[sic] taken us from Belle Glade, Florida, to the New York states[sic] to pick apples and beans—whatever state we were in, whatever the vegetable was, and, um, in traveling back, we stopped in a little town called Mount Dora, and from Mount Dora to Apopka, and that’s when we decided to stay here to work in the oranges, which was our first time ever picking oranges, and from there we ended up staying here in Apopka, and, um, I left home at the age of 13 and went out on my own and been out on my own ever since, and from there, I got married and I end[sic] up with six babies, uh—12 years of marriage, and then I divorce[sic] and from there, I had to take care of my kids and raise my kids alone, and I continued to travel, and in 1972, that’s when I gave it up. I didn’t want to put my children through what I had went[sic] through—changing schools every two or three months because you’ve got to move to the next state to work.&lt;/p&gt;
&lt;p&gt;So, um, we remaineded[sic] here in—in—in Apopka, Florida, and from that, I continued to work in the fields, um, cutting and jiving[?], packing corn, and picking string beans, and, uh, whatever else they had for us to do—working in the carrots, and, um, from there, I just got tired of the—the—the farm work…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And I went into doing the foliage work, uh—potting flowers, and that—I liked it pretty good, and I stayed there for a number of years, and then from there, I volunteered to work with the Farmworker Association[ of Florida] and I landed a job with the association, and I worked there doing different types of jobs in the organization, and, um, I started advocating for poor people[sic] rights in Tallahassee, and that was one of the most awesome jobs I had ever had in my life. Just having a—just a 10&lt;sup&gt;th&lt;/sup&gt; grade education, it was really awesome, because I never thought in life that I would land such a good job, and from there, I started working, uh—after they laid me off ‘cause lack of, uh, grants, I start[sic] working with Orange County Health Department and then, uh, Env—En—Environmental Protection [Agency], and, uh, I worked there with David Overfield for a few months, and then I got sick with my kidney. Worked from December until April, and the kidney broke down and I had to stop working with them.&lt;/p&gt;
&lt;p&gt;I, uh, left them in June, and from there I got sicker and sicker, and I ended up on kidney dialysis. So right now, that’s where I basically is[sic]. I’m on kidney dialysis three days a week. Um, I just was told a month ago that my liver is gone. My heart—there’s nothing they can do. So right now, I have my good days, I have my bad days, and I just, you know, I have to accept what life throws at me and depend on the grace of the Good Lord. So right now that’s where I am.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Um, there’s a lot of times, if I’m able to go to the grocery stores, um, I always tell people, “My job is not finished,” because I stand in the grocery stores and I talk with peoples[sic] about the use of pesticide in the field. Those that are still out there working.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;I’ve talked with them.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And, um, let them know that it’s not finished, you know? You’re still being sprayed with the pesticide if you’re still in the fields.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Well, thank you for telling me all that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;So you mentioned a few things that I wanna ask about.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Some now and some later. The first thing—um, you said you were 13 years old when you went on your own?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;So can you tell me like how that happened and—and what—what that was like being 13 and on your own?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Well, the reason I left home when I was 13—because of a step-father, and, um, he didn’t treat my mom right, and I had a sister and a brother, at that time, and he didn’t treat them right. He were[sic] more like afraid of me, ‘cause I used to threaten him all the time about if he would hit me, what I would do to him. So I didn’t have to worry about getting licks from him, but he would beat my sister and beat my brother so bad[sic], and my mom, she didn’t—she wasn’t a violent person and I just couldn’t—I couldn’t take it—seeing her not saying nothing at the way he was treating the family.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;So one day I just packed and I left, and, um, I was, you know—I was tall. I was always a tall girl. So I could pass off for 17 years old, 18 years old—and that’s what I did.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And, um, I got a man—uh, a man and his wife to say they was[sic] my mom and, um, take me to the courthouse, and I got married.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And when I got married, then I was, you know—it was better for me to be married. That way I could—continue to help my mom.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And I didn’t move from around my mom until after about four years and—I was married and I moved to another town.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;But I would come see her every Saturday.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm, but you continued working at the fields?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm, I continued to work in the fields.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm, you just did it on your own then?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Yep, mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;It was—it was like—it was hard, but, you know, having somebody to help you, it wasn’t so difficult, because my thing was I always wanted to give my mom—I always wanted to make sure that my mom had—and I was able to help my mom.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;So after the marriage was over with of 12 years, then I continued to work, but I was always able to go by my mom[sic] house and give my mom money to help her.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Because my mom was a young lady when she got—she took sick. She was 36…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;When she took sick.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;So yeah, I wanted to ask about your parents too. I mean, um, so—so your parents were farmworkers, as well?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Yes, my mom and my father were farmworkers when they met. My mom was 13 years old and my daddy was 15 years old.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And, um, when my mom got pregnant with me at the age of 13 years old, my father got—was afraid, and my father, he was big for—big, big, big boy…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And he ran off and lied and went into the military. So he was in the Air Force all his life.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;He made a career out of it, and in, um—in 1960, he come[sic] home and everybody was saying that I was his baby, and he took a look at me and said, “Oh, yeah, that is my baby.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And they said then he wanted to be a part of my life, but he went back into the Air Force, and then, when he come[sic] back home, that[sic] when he begin[sic] to fight my mom for, uh, a part of my life. So they took it to court and the court give[sic] him, um—I stayed six months with my mom in Belle Glade, and I stayed six months with my father in Miami, and my father was called by mistake to go back into the military, and that’s when his mama and his wife decided to send me home…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;To my mom.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And I never communicated with him again. When I seen[sic] my father again, it was 1972.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;He came here and visit[sic] me, and I haven’t seen him again since.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;‘Cause he, um—he went fishing in Miami and he never was found again.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm, okay. Do you remember any stories that your mother or father had told you about their days working on the farms?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Yeah, my mom used to, um, tell us about when they was[sic] children and the sh—her mom and her father was[sic] together, how they would go to work. Uh, they was[sic]—they was[sic], um, picking cotton, and how they would go to work and work days and—I mean hours and hours in the cotton fields.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Um, she mostly talked about my grandmother, but—because my grandmother was a slave…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And she talked about—we talked about a lot of slavery in that—in our house…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Because of my grandmother being a slave.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Um, sh—I mean, it wasn’t no[sic] [inaudible] generation. Slavery was right at our backdoor.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And, um, that’s mostly what she’d talk about. She never really just do a lot of talk[sic] about herself as a little girl, you know? Sometimes she would tell us stories about how the crew leaders would try to do little nasty things and stunts and things they would pull, you know—and how my grandmother would defend them and stuff.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Yeah, and mostly talks about my grandmother and mostly talks about her father and mostly her grandfather. Her grandfather was—uh, mostly talk of the family was her [&lt;em&gt;laughs&lt;/em&gt;] grandfather. They used to tell us stories about how funny he was and how, you know, he—he—after coming off the slave camps, he’d never taken crap off of anybody again and how mean he was, and mostly what they talk about—even ‘til today, they talk about my great-granddaddy—how, you know—how raw[?] he got and, you know, just didn’t want nothing[sic] wrong to go—nothing in the family to go wrong.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha              &lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;All the way up until he passed away, but my family, they’re originally from Georgia—Fort Valley [State University], Georgia, and I used to have to go there after—if my mama didn’t feel like taking us up on[sic] to see her, she would take us to Georgia and leave me with my grandmother.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;So I would stay, uh, the month of June, July, August, and come back when school start[sic] in September.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;We would go back to Belle Glade.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;But if we was[sic] traveling, we would go to school wherever we was[sic].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;So, um, you mentioned that, uh, you would travel, you know, during cer— certain seasons to—to pick in other states.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Um, I’m wondering if you could tell me a little bit about that. How did—how did what you experienced in other states differ from Apopka?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;It was much different from my home in Belle Glade.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;It was much…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;In Belle Glade? Right[?].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Different from Belle Glade, because Belle Glade was a very, very violent town. Very vi—violent, and those states was[sic] more calmer[sic]. You saw more respect. In Belle Glade, there was no respect at all.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;strong&gt;        &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Because Belle Glade was build[sic] up on people of all nationalities. It wasn’t just the people from Belle Glade. It was the people from all over the Caribbean Islands, and there was no respect. If you was[sic] a child in Belle Glade, you knew everything that an adult knew when you was[sic] six or seven years old.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And it wasn’t nice. It wasn’t nice at all. So when we’d travel to the other states, we see the childrens[sic] more respectable[sic], it make[sic] you feel a difference. You be[sic] like, &lt;em&gt;Wow, why I can’t be like that child?&lt;/em&gt; You know, and the schools was[sic] different, because Belle Glade schools, they wasn’t[sic] segregated, and those schools up North, they were segregated. So you got a chance to go to school—go—go to a—a school—a minority[?] school, and it was a big difference. It was like—the first time you went, it was scary, scary, scary, and as you continue to go, then the children begin to talk with you and you begin to meet friends, but when you first go—first start, you are told, “Oh, you can’t play with them little white children.” You know, because that was the way the South was out here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;We could not—we didn’t play with the childrens[sic] across the track, you know? We stayed on our side of the track and the whites stayed on their side of the track. So we didn’t know the feeling of being with, uh, the white childrens[sic]. We didn’t know that feeling.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;So when I went up to travel up North, then we connected with that. That was—to us it was weird, you know, but then, as we traveled to a—we might be in say, New Jersey—the childrens[sic] are one way in New Jersey, and when we get up to maybe New York, the children are different wherever they are—different style[?]. We had—we had to adapt to that, but as we continued down through the years, then it became like nothing to us, you know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;It was, you know—we expecting[sic] it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And it was all good, but I can remember the bad times when we travel[sic] and we was[sic] told that—we would stop and we would buy gas, and then if you needed—if one of the children needed to use the restroom, we was[sic] told that we couldn’t use the restroom, and by me coming from the Deep South down here—coming up here, we’d have thought it was better, but it was worse in North Carolina.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha &lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;You want to use the bathroom after you done purchased gas, they tell you to go out there in the cornfield.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And that wasn’t—that wasn’t right with us, you know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;That wasn’t right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And it—it finally growed[sic] on us, you know? It finally growed[sic] on us, but we, as childrens[sic]—being a migrant worker, you really enjoyed, because you’ll come in—you’ll see things that you probably wouldn’t have never[sic] seen if you wasn’t[sic] a migrant worker.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Yeah, because—like right now, you travel from Florida to Georgia, you don’t see any mountains, and back in our days, there were mountains. By the time you get to Savannah, Georgia, you got mountains. North Carolina on up, but now, you don’t see that like you did—did when I was a child.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And, um, childrens[sic]—childrens[sic] nowadays will never get the opportunity that we had and that make[sic] me appreciate my life ,because I got a chance to do something that children nowadays would never do. I got a chance to travel on the back of a truck full[?] the women and childrens[sic] going up north. That was awesome. I got a chance to stop - when they stopped the truck, we would stop in the mountains and we would go up in the mountains and we would cook our food, and water would be coming down the mountain and we would take baths in the water. Children would never see that now, but, you know, it made us feel good. It made us feel good, ‘cause the adult[sic] used to get mad. We out there, the water running down the mountain streams…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And we were washing our skin and they were arguing, because we were so happy, you know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;We cooking our food and stuff and we so happy, and they would argue, because life was really hard for the adults that had childrens[sic].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;To be on the back of a tru—of a—a truck—they called them “tramp trucks,” ‘cause that’s what they called us—tramps. We was[sic] either tramps or we was[sic] either maggot workers. We wasn’t[sic] called “migrants.” We was called “maggot worker.” “There go[sic] those maggot workers.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;By who[sic]?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Hm?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Who would—who would call you that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;The peoples[sic] in the town where we was[sic] going, and then we would live on labor camps. Some of them would have bathrooms and some of them wouldn’t, and we would have to go down to the river to drink—get our—get our drinking water. So find the river—once we locate the river, we come back—the children would locate the river. We’d come back and tell the adults that we located a river, and the adults would go down and would start getting water from the river. Bring them back to the camp in buckets, and when the city people learned that peoples[sic] the, uh—the, um—the migrant workers from Florida are here. Once the word get[sic] out, then there were some people from the city—like there was a company in Maryland, Merita Bread—they would bring us bread on the camps, and, um, there was another company that made coats—they would bring us winter coats on the camp.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;They made sure that we had socks on—some of the camps. Some of the states we went in, they wouldn’t give you nothing[sic], but, um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;And the crew leaders would provide these?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;No.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;No? Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;These was[sic] peoples[sic] that hear that migrant workers was[sic] here working.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And they would do that in hopes of[sic]—when we would start working, we would come and spend our money to your…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Store or whatever.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah, I see.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;So I wanted to—to ask about the labor camps, uh—the quarters. Um, so yeah, I mean, what were the quarters like? Could you speak to what the quarters were like here in Florida that you observed?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Well, a quar—the places here in Florida was[sic] much better than the places—much better than some of the places traveling up north, because here, in Florida, you had the Florida Farmworkers Bureau here and they was[sic] on top of a lot of faulty living, but up north, they didn’t worry about you. They would—they would take you in the woods. They mostly built their camps in the wood[sic], but here, in Florida, there were eyes on you, you know? So you can’t get away with a lot of stuff that you can get away[sic] up north, ‘cause I can recall, in 1970, traveling to Michigan to pick cherries and apples. I can recall, when we got there, we saying[sic], “We[sic] going to the camp.” There was no camp. The guy had chicken coops—what you put the chickens in.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And they was[sic] taking chickens out, and I say[sic], “What are they going to do with them? Why are they taking the chickens out?” And somebody whispered to me and say[sic], “That’s where you guys gonna sleep.” So they brought a carriage. they put all the chicken coops in a line side by side in a circle-like and they brought a carriage—they put a carriage on top, and you’re—from here up is inside the coop and your feet hanging[sic] out, and that’s where we slept.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And, um, finally, somebody came down and talked to the—talked to the owner of the property, and that’s when he began to build, um, a shed—a thing—a little building where we could go inside. So we had to go inside, but everybody was in one—one thing, and you had to put a—just a little sheet between you and the next family.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yep.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And that’s the way we slept that season.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;In—in—in—in Michigan. I can recall, in Maryland, the crew leader had a horse stable, and, uh, it was a huge horse stable. I never seen[sic] one that big, and he parted off into rooms, and each family had their room, and that’s where we slept, but the male child could not sleep with—in—with the females. It—like my brother.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;My brother had to go up in the loft.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And, uh, where they have all the hay at, and the mens[sic] had to sleep up in the loft, and the women slept in the barn—what we called a barn.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;You know, it was a lot of [&lt;em&gt;laughs&lt;/em&gt;]—a lot of crazy ways we had to sleep. I mean, it was miserable.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Miserable.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah, but you stayed in quarters in Florida, as well, did—did—right? Or no?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;No…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Only—only when you traveled?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;I never stayed—let me see. I never—I stayed in a quarter when I come[sic] to Apopka. They called it “the Graveyard Quarters.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And it housed migrant workers, but most of the people was[sic]—was like—had come here as a migrant worker and never left.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Oh, okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Yeah, they come here as a migrant worker and they lived in “the Graveyard Quarters,” but they never left.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;They be—they just continued to stay there until they tore it down.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay, and—and who were they? Were they generally black Americans living there?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Black Americans.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm. At that time, there wasn’t[sic] no[sic] Hispanic farmworkers here. When I come[sic] to Apopka, it[sic] wasn’t[sic] any Hispanic farmworkers here. It was all African Americans, and, um, when it got really throwed[?] was in 1990-something that they faded out African Americans. They got rid of them. Um, I’m trying to think, and when they—well, before they closed the farmland down, they give[sic] us all our papers and told us that they would not need us anymore, but those that want to come out there and help clean up can come clean up. They, um—all of the black crew leaders—they laid them off, and they hired a Hispanic man from Pahokee, and he brought some peoples[sic] up here and he re—they replaced us. We demonstrated and demonstrated about it, but nothing never[sic] happened.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;When we would go out there and try to get work, they wouldn’t give us no[sic] work.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And it’s still like that today. Once they replace[sic] us with Mexican workers, the Mexicans would not hire us. The crew leaders would not hire us, but we get a job, we’ll hire them, but they will not hire us. It’s still that way today.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Great, so yeah—so, if I understand, uh, correctly, you said at some point in the 1990s, they fired most all the black…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;They got rid of all the black…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;And that’s up in Apopka?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;In Apopka.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;And they replaced them with mainly…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Hispanics.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mexican or Hispanic crew leaders.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm, right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;And those crew leaders hired…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Hired…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Predominantly…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Nothing but Mexicans.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Really? Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Yep, we got involved—the organization got involved. We went out there. We marched out there with Hispanic people. Hispanic people—there was[sic] Hispanic people that didn’t like the idea and they’d march along beside us, you know, but they never hired us back, and right now, I don’t know—have[sic] Jeannie [Economos] taken you out to—to—to—to the—where they[sic] corn is? Where they[sic] working in the corn.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Well, right now out there was all African Americans doing all that work out there, but now it’s nothing but Hispanic people.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;They…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Just plum out replaced us.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;And—and do you know why they did that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Well, my—my—my thing is this—and I tell peoples[sic] this all the time, and I used to say this before they replaced us—that one day, we won’t have a job, and people used to look at me crazy and they say[sic], “What you talking about?” I say[sic], “One day, you will not be able to come out here on them muck[?] and work here.” I say[sic], “It’ll be all Hispanic peoples out here working.” That was about probably five years before they replaced us. We hadn’t heard nobody[sic] talking about replacing us.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;But I felt that way because, when the Hispanic people come around, the crew leaders would—the—the—the crew leaders that owe—owned a pro—piece of the job would always have a big conversation with them, and, uh, African Americans I truly believe was[sic] replaced because you start—when they start working us, they started working us and giving us our money every day. When we’d leave the job in the afternoon, we were paid off, and if you pay me off and I drink,  I’ma[sic] come home and  I’ma[sic] drink up my money, and tomorrow  I’m gon’[sic] be sick and I’m not able to come to work. So your job is still going on, but I’m so sick ‘cause I done[sic] got my money overnight and I’m drunk. I can’t come to work. That kind of stuff was going on, and there were many years you could see, at the ending of the season—every season have[sic] an ending. There was[sic] a lot of crops to be throwed[sic] away,&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;’Cause the manpower wasn’t there to work it, because you pay me every night, I feel like, &lt;em&gt;I—no,&lt;/em&gt; &lt;em&gt;I ain’t goin’ to work tomorrow. I got me some money in my pocket.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;That’s the way I feel about it. I don’t know how anybody else feel[sic], but I feel that African Americans begin to lag on the job. You give them all that power and now you want to snatch it down from them. So the best way to snatch it away from them is to replace them, and that’s what they did. It was—it was sad. The year they replaced them, it was sad, ‘cause I was out there. I was, uh, working.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And it was really sad. We didn’t have no[sic] job, and if you was a person worked[sic] seven days a week out there, and they replace you and you ain’t[sic] got nothing coming in—boy, it’s—it’s hard.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;It is hard.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm. So, um—so this was—just for the recording—in 1996, uh, through 1998?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;It was in the ‘90s.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;What was in the [inaudible]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;I think it was in the earlier ‘90s.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;But in 1996 to 1998…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;A lot of the farms around Lake Apopka were shut down.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Um, but this was before that, you’re saying, when—when the black farmworkers were replaced?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Replaced, yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Replaced, yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm, I think it was about ’92-‘90—’91-’92—’92/’93.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;When African Americans was[sic] replaced.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And then right after that the farmworkers—the farm was shut down.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;And do you remember…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Only one farm was left open. That’s what they called the Sang[?] Farms.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Uh huh, and do you remember, uh—so before that—before—while—while you were still working, what were—what were relations like between black farmworkers and Mexican farmworkers, Or Hispanic or Caribbean farmworkers?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;There wasn’t any relationship because when they—when they—when they—if you go to work, and a Spanish person is in what we call “the stall,” in one of the positions on the machine or whatever, he don’t say nothing[sic] to you, you don’t say nothing[sic] to him.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;I mean, you work. If he say[sic] something to you, then you, you know—we try to—most American—most—most African-American people probably my age and down took Spanish in school.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;So we try to, you know, [&lt;em&gt;laughs&lt;/em&gt;] comprehend the little Spanish that we…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Took in school. “Good morning.” “How you doing?” “My name is this,” and…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;So on.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Eh, but if they don’t say anything to us, we work all day and don’t say anything to them.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And then there was a Mexican guy come[sic] around named Mexican Pete. He start[sic] getting—organizing farmworkers and then he got a crew—he the only Mexican that had a crew, but he went to school and he learned English really good[sic], so all Afri—all African Americans likeded[sic] him.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm, when did you start noticing, uh, Hispanic farmworker—like a presence of Hispanic farmworkers on—on farms in Apopka and in Florida?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Yeah, well, on farms in Apopka, I started noticing them—a large percentage of ‘em in 1989.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;So that’s when a lot had come or a lot had—you had noticed a lot of them, that had already been there…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mm…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;But now made up a large segment or…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;They was[sic] coming.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;They were coming? Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay, and, um—and yeah, so I mean, how did that—did that change the workplace at all before a lot of the black farmworkers were fired, as you say?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Did it change?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah, I mean, was—was there something different about, um, the workplace or the way the crew leaders treated you or anything like that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;No, it wasn’t—they—hm, they just come[sic] to us and just told us what it was going be, and the crew leaders told the crew leaders, so the crew leaders probably held it under they[sic] belt a week—didn’t want to tell us, and then finally, it got out.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And then, when it got out, a lot of people didn’t want to believe it, you know? Well, those like me that were smart and—and knew it was going to happen, felt like it was going to happen, went on and looked for a job.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;You know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Most of it—most of the farmworkers, they, um, had programs trying to get them to go to school, but a lot of farmworkers could not go to school. They[sic] hands all cramped all up like that with arthritis, and they[sic] feets[sic] and stuff all messed up from all the, uh, sores and stuff working on the farm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And they—they just—they just could not—could not, um, take—they was[sic] offering us typing classes and computer classes and—wasn’t none[sic] of us computer literate at all, so…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;It just was a mess.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;So I—I landed a job taking people to school every morning.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;You know, picking them up in the evening for the trainings, but they knew that—the state knew that eventually they was gonna be that—deal with that. So the program close[sic] down and left the people shut out again. So you kept promising us—they kept promising us and promising us and trying to open up doors, and the doors that they were opening up, like the computer classes, they didn’t last long. The truck-driving classes did—I can’t tell you not[sic] a one man that got a job with the truck driving school.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;It just—every—there wasn’t nothing[sic] falling through. So right now, those of us that worked in the fields—all the promises that you made to us, right now, we don’t believe nothing[sic] you got to say. Don’t come telling me nothing[sic] about, “Well, they gonna open up a program, and this program going to help farmworkers do this,” ‘cause I’m not going to believe it because I’ve been deceived so many times. So that’s where we are now. So most of the farmworkers that work now, they’ll sit. They can’t do nothing[sic]. They’re on disability [insurance]. Our young farmworkers, you know—you done sprayed us with your chemicals all your life—all our life, because most children start working in the fields back in them[sic] days when you was[sic] six years old, you know? You take your children to work with you, but then, when it got in the—in the ‘9—‘80s, they: “Oh, you can’t bring your children in the field no more.” The damage is done. I had a daughter—three—had a stroke at three years old.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Because she was in the field with me every day.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;You know? The damage is done. You done took ‘em out there for a few years, and then in the ‘80s, they decided that they wouldn’t let you—you bring your children in the field no[sic] more.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm, alright. So—so you said after—after a lot of the black farmworkers were fired, most of them went to school on some program?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm, yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;[inaudible]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Numerous skills. Do you know what happened—So after they went to school, did they—did some of them find jobs in oth—other industries or…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;The only…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Do you know what happen to [inaudible]?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Well, the only ones found[sic] jobs—the only African-Americans[sic] women…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;That found jobs was because of me, because there wasn’t a list of who were[sic] hiring you. There was a list of—for[sic] you could go and go to school to be retrained.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;That’s what they claimed. They was[sic] retraining us into other job fields, but what I did is[sic] I called different agencies that knew where women can get medical training, and a lot of women went to the medical training and they got jobs in nursing homes. They become what they call a “tech[nician].” They got jobs in nursing homes, they got jobs in shelters for boys and shelters for the handicapped, and the men—the men—they were hard—they were hard for the men. We got mens[sic] and—and—work up until [inaudible], and then they started dying. We lost a lot of farmworkers. Uh, at points you go to a funeral every weekend.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Somebody you worked beside have[sic] died.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Well, it was hard for a man to get a job. So the—the women became head of the house, and that’s when they lost their hand with the childrens[sic]. No respect in the house, because the man wasn’t there to put—to say nothing, ‘cause you’re not putting nothing in here, so the child[sic] looking at—you’re not putting nothing in here, so you don’t have no say here. So the—the bigger boys—they bullied their mama and all of that. So right now there’s a lot of crisis in people[sic] home, because the father was put out of work due to the closing of Lake Apopka.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;They want to make Orange County this big metropolitan area. They swiped up all the orange trees. You can’t go pick oranges, but when you were—when you—when all of this stuff exists, you could take your childrens[sic] to the grove and make ‘em work. You—I could take you on a street here in Apopka, right now, with about 60 or 70 young men just standing on the corner, but they graduated from high school.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;But they still live home with their mama. They don’t think they[sic] got[sic] to go to work. The runs—they rule they[sic] mama[sic] house, but with me, it was a different story, because your butt was gonna go to work. You wasn’t[sic] gon’[sic] live in here and don’t[sic] work, you know, but a lot of parents scared[sic] of their children. They was[sic] afraid. They [inaudible] this day.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;The—the young boys run they[sic] mama’s house.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm. Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;It’s—it—it—it hurt us. It hurt us and I don’t think—I don’t think that our leaders of our country understand that. I don’t think they understand that—you got—and it’s so easy. It’s so easy to understand. You[sic] got to realize we come from slavery. We were poor. We were ran[sic] down all our lives. Now, you want us not to apply? The same thing you did to me not to apply it to my child? So my child disrespect[sic] me, because my child can say, “I’ll call the police on you.” Police come on out, what they gon’ do? Handcuff me and take me to jail, because I whipped his butt, ‘cause he stayed out all night long. That’s the way things are now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And it really hurt the parent. It hurt—killing the parent. You can’t be a parent in your own house. Mm-mm. I got a 22-year-old grandson here with me. He just come[sic] back here. Last Saturday morning, I woke up, he laying[sic] in my bedroom with a girl. I said, “What is this?” I called him out and talked with him. This is no respect. All my life I respect[sic] my children. Now, this is no respect.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Jm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;So I give[sic] him time[sic] period to get out of here. I’m not going—I don’t have to tolerate with that. I don’t have to tolerate with[sic] that, but you don’t want to go look for a job. He do[sic] not go look for a job. Daily, he laying[sic] up in here. You can’t—you—I mean, lack of work causing[sic] a lot of problems in your home, and there’s no work here for a young man.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;There’s no work.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm. Well, thank you for telling me all[sic] that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Um, so, I wanted to ask about ray[?]—okay, so I wanted to ask about—we were talking about, you know, what a lot of farmworkers did after they were either fired or after the shutdown of Lake Apopka farms. Um, for you—I—I know that you got involved in a lot of environmental justice work.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;And I—I was wondering if you could tell me about that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Well, I was, um, like I said, advocating for poor people[sic] rights for a long time. Very young kid wi—with the organization, and, um, when I start[sic] with—working with the environment people in Orange County, it was like a different ballgame. I organized and organized and organized peoples[sic] to come to m—meetings, where we could talk about the rights of farmworkers,  of laws that needed to be put in for farmworkers. Um, the first law I worked with was asking—giving farmworkers the right to know what type of pesticide was being used in the work area.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;That was the first law that we fought for. Finally, years of fighting in Tallahassee, years of walking the floors, I, um—they passed the law.&lt;a title=""&gt;[1]&lt;/a&gt; They finally passed the law.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;What?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Finally, they passed the law, giving us the right to know what type of farm work we were—what type of pesticide we were working in, after about 20 percent of African Americans in Apopka had passed away.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And, um, we continue to fight for other improvements, like drinking clean drinking water in the fields.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;When I was there, there wasn’t clean drinking water. We finally got that deal passed, um, where we could have clean drinking water in the fields. Um, better working equipment for farmworkers, like rubber gloves, rubber boots, rain coats.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And stuff like that. Some of the companies got away with it, but some of the companies went on and bowed down and gave us the equipment we—the proper equipment we needed to work in. Um, as far as going to the doctor, like accidents happen bad[sic] in the fields, and, um, we would go to the company doctor. Finally, we managed to get around that and, um, get a good—good—better medic[sic] care—medical care.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yep.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;When we’d get cut sometimes, you know, we work with knives…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And—and sometimes we get cut. Like you[sic] working here and somebody working there, they got[sic] their knives set up and you[sic] doing this here all day and your arm—elbow hit the knife and bust[sic] it all open. You got[sic] to go to the hospital, and they don’t take you to the hospital. They take you to a regular doctor, and he patch[sic] you up and send[sic] you home.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;We finally got, you know, help with that, but a lot of changes. We see a lot of changes, but it’s[sic] still a long way to go.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Still a long way to go because they’re still using pesticide. They’re still making pesticide. They’re still using pesticide. Our babies are still being born deformed, so we have a long way to go.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha &lt;br /&gt;&lt;/strong&gt;Yeah, yeah. Absolutely, and, you know, you mentioned your—your kids and your grandkids…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;A few times throughout this. I—I’m wondering how they perceived farm labor. Did any of them have interest in doing that, or…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Well, my kids worked the fields.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;All six of my kids worked the fields. My grandkids never worked the fields, because when they came along, I was stone against them going in the fields. Um, they came along at the ending of the term, where[sic] children were no longer to go out there anyway. So they didn’t get a chance to work the fields, but, um, all of my kids did.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm. Okay, and, um, lastly from you, I think, I wanted to ask about the book, &lt;em&gt;Fed Up&lt;/em&gt;[&lt;em&gt;: the High Costs of Cheap Food&lt;/em&gt;], um, by Dale Finley Slongwhite. Um, could you tell me a little bit about that and your part in that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Fed Up&lt;/em&gt; is a book that I’m proud of and I’m not proud of. The reason I say “I’m proud of,” because[sic] it was the first book that I ever had been involved in, and “I’m not proud of” is because I think that I left a lot out the book, and, um, I wanted to do three versions of the book. So I had[sic] talked with, um, what’s her name?&lt;/p&gt;
&lt;p&gt;[&lt;em&gt;phone rings&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Do a second version and a third version, but if I can do the second version, maybe I could capture a lot of stuff I left out.&lt;/p&gt;
&lt;p&gt;[&lt;em&gt;phone rings&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;It’s like I was saying, um, there’s a lot I want to add to &lt;em&gt;Fed Up&lt;/em&gt;. Um, and I would like more pictures in the book, because, um, peoples[sic] really need to actually see what our peoples[sic] are going through—um, the lesions on the s—the legs, the feet, the amputations of the toes, the amputation of the feet, legs—because of all of the pesticide where it had deteriorated the skin, and, um, I’d like to get more[sic] deeper into the labor camps. It’s[sic] a lot that I left out, because I wasn’t thinking. I’m thinking that, uh, when the book was gonna be wrote[sic], it gonna be like a mini-book [&lt;em&gt;laughs&lt;/em&gt;]. I didn’t realize it was gonna be a story—um, a nice book. I’m just looking at it like it’s gonna be a—be a little, short mini-book, and, um, I imagine everybody that played a part in the book—about eight of us— I would imagine if—if everybody can really redo their story, it’ll be more awesome than what it is.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Because a lot of people left out stuff that should’ve been told, you know? There was a—um, a lot of death in our family, due to, um, the DDT&lt;a title=""&gt;[2]&lt;/a&gt; that they used. People lost their family, and they didn’t talk about that in the book. Um, how we come from work and we[sic] riding on the bus, and when we get home, we think the other person sitting over on the bus sleeping[sic]. The person dead[sic], because of the chemicals that we worked in all day long.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;We didn’t talk about that in the book, and I would like to, you know, let people know these things actually happen. You[sic] going home from work and when you get there you[sic] hollering, “Mr. Clyde! Mr. Clyde!” And you—“Mr. Clyde!” You think he[sic] sleep. He[sic] dead, you know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Those things happen, and we didn’t talk about none of that in the book. We didn’t know how much room or space or whatever we had in the book.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;So I asked her about second and third version, and we didn’t—a lot of stuff—when I read the book, on my—my part of the book, I—I wasn’t pleased. I wasn’t happy with—with—with the part that I wrote—that she wrote for me, and then I read the other people[sic] part, and I know their history, and same thing with them. You know, they don’t talk about it, ‘cause[sic] when you say, uh, “We gon’[sic] write a book.” You know, you—you never wrote a book before, so you[sic] not—you[sic] not thinking good, you know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yep, right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;But if we can—another book could re—be redid[sic] [&lt;em&gt;laughs&lt;/em&gt;], it’d be awesome.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yep.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;We left a lot out.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Well, is there anything—you said you—there are things you wanted—wish you could’ve included. Is there anything that you haven’t told me thus far that you want to include in this interview? Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Well, in—in—in the book? I talked a little about the treatment of the African-American women and the crew leaders. Not the growers, the crew leaders. I talked just a little bit about that. That should’ve been brought wide open. Should’ve been blowed[sic] up, because a lot of young girls have babies—they’ll never know who the father[sic], because the crew leaders and his[sic] what we call “henchmens”[sic] would come in and have sex with those girls like they was—they wanna, you know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And we didn’t express too much of that in the book.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;You know? If you had a father that drank, a mother that drank—oh, God. You didn’t have nobody[sic] in your corner. The crew leaders do whatever they want to do. Mmhmm, yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;As I can recall, one time I was going—my mom had got[sic] me up early. Uh, our day begin[sic] by five o’clock, and she sent me to the store to get a loaf of bread and there was a man waiting in the dark on me when I got to get the bread, and he jumped right at me and grabbed me, but I was so fast I snatched the loaf from him and I ran home and I told my mom, and my mom went over there and my mom jumped on the man and told him don’t try anything like that on none[sic] of her childrens[sic] again in life. She would kill him, and I—we never had problems with him again, but just imagine if I had a mama that didn’t do that. Every time he saw me, he would’ve give[sic] me a problem.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yep.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;But my mama let him know that, you know, she was not taking no crap like that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;But then a lot of the girls, their mama never say[sic] one word, and it went over and over and over again.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Thank you for telling me that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Is there anything else you want to tell me before we conclude the interview?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;That’s it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;That’s it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;That’s about it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay. Well, thank you so much, Geraldean.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Again, this was Jared Muha and Geraldean Matthew on October 30&lt;sup&gt;th&lt;/sup&gt;, 2014. Okay, this is Jared Muha with Geraldean Matthew on October 30&lt;sup&gt;th&lt;/sup&gt; again, uh, for a second session interview. Um, Geraldean, I wanted to ask, uh, what is your impression of, uh, farms today in Florida and, you know, treatment of Latino workers, uh, who are on the farms?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;You know, the farms today have changed very much because now most farmworkers, uh, get their own place to stay, but, as for the Latino workers—women—the ones that are still housed in labor camps, they are treated really bad[sic] by the crew leaders. If they are undocumented and have daughters, the crew leaders think that the daughter should be their woman or their wife or their girlfriend, and they mistreat the women very bad[sic].  Um, what brought that to my attention was, uh, when I was doing HIV&lt;a title=""&gt;[3]&lt;/a&gt; prevention, went into the homes talking and, um, passing out, uh, HIV materials on the camps, uh—how the men would treat the women when they tried to get protection. They didn’t want the women to get condoms for—from us or female condoms from us or whatever. So it’s a problem to me, because it seems like nobody[sic] really paying that Latino group attention, just like they didn’t pay the African-American group attention back in the ‘50s, ‘60s, ‘70s, and ‘80s. So, um, it kind of bothers me a lot, you know, seeing that happening, and, um, seeing how the women have to take up their young children—their young daughters and run at night and try to find another place when the crew leaders come, um, pounding on their doors and demanding that they open the doors and demanding for[sic] sex. I don’t think that should be like that, and yes, it does disturb me.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm. Well, thank you for telling me that. Uh, is there anything else you wanted to include?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;That’s it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;That’s all.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;So this is Jared Muha and Geraldean Matthew on October 30&lt;sup&gt;th&lt;/sup&gt;, 2014.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Alfredo Bahena Act.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; Dichlorodiphenyltrichloroethane, a pesticide banned in 1972.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; Human immunodeficiency virus.&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/files/original/aaf3e9e626e5f3a4b798bb5dfd7ca844.mp3" target="_blank"&gt;Oral History of Geraldean Matthew&lt;/a&gt;</text>
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                <text>Originally created by Patty Sheehan and Kalynn Smith and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>Ogles, Jacob. "&lt;a href="http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning" target="_blank"&gt;Pride in Orlando Will Take on New Meaning&lt;/a&gt;." &lt;em&gt;The Advocate&lt;/em&gt;, October 6, 2016. Accessed October 18, 2016. http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning.</text>
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                <text>Hyman, Jamie. "&lt;a href="http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/" target="_blank"&gt;Community rises up after mass shooting at Orlando gay nightclub kills 49&lt;/a&gt;." &lt;em&gt;Watermark&lt;/em&gt;, June 16, 2016. Accessed October 18, 2016. http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/.</text>
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                <text>Pilkington, Ed. "&lt;a href="https://www.theguardian.com/us-news/2016/jun/17/orlandos-first-out-gay-elected-official-weve-been-dealing-with-hatred-forever" target="_blank"&gt;Orlando's first out gay elected official: 'We've been dealing with hatred forever'&lt;/a&gt;. &lt;em&gt;The Guardian&lt;/em&gt;, June 17, 2016. Accessed May 17, 2017. https://www.theguardian.com/us-news/2016/jun/17/orlandos-first-out-gay-elected-official-weve-been-dealing-with-hatred-forever.</text>
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                <text>&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;S—you good?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Alright. I am, uh, Kalynn Smith, a UCF&lt;a title="" href="#_ftn1"&gt;[1]&lt;/a&gt; undergraduate. I am interning for the GLBT&lt;a title="" href="#_ftn2"&gt;[2]&lt;/a&gt; History Museum of Central Florida. With me is Geoffrey Cravero. Um, we are conducting an oral history with Orlando City Commissioner Patty Sheehan in her offices, uh, in, um, [&lt;em&gt;smacking sound&lt;/em&gt;] Orlando, Florida, on April 11&lt;sup&gt;th&lt;/sup&gt;, 2017.&lt;/p&gt;
&lt;p&gt;Uh, Commissioner Sheehan, thank you…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;…for agreeing to speak with us today.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Sure.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Um, I am currently working on processing your collection…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;…with the GLBT Museum.
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;There’s a collection?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;And…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Yes [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;I didn’t realize that. Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Yeah. It’s, uh, mostly artifacts…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;…and, um, a couple like journal entries. And, um, a few things like that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;And we just had a few questions regarding, um, uh, specific artifacts and…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Okay. Sure.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;…some personal biography.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Alrighty. Absolutely.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;So, um, first, if we could start off by, um, having you state your name and tell us a little bit about where you’re from.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Sure. I’m Commissioner Patty Sheehan of—I’m in Orlando, Florida. I’ve been in office since 2000. So I’ve been doing this for 17 years. Um, and I’m well-known for my advocacy of pedestrian safety, walkable neighborhoods, um, Main Street districts, which are blowing up and very exciting around Orlando, and pedestrian safety, which I got death threats for my first couple of years in office. And ended up being one the hardest things I’ve ever done. Putting sidewalks within a mile of ele—every elementary school. So people think that sometimes issues like LGBTQ&lt;a title="" href="#_ftn3"&gt;[3]&lt;/a&gt; can be difficult. You’d be surprised what things people will threaten you on and everything like that. So it’s not always easy being an elected official [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;smacking sound&lt;/em&gt;] Um, what was the atmosphere like regarding LGBTQ issues when you were growing up?
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Oh, gosh. I mean I was raised Catholic. So, you know, this was something that was worse than being a murderer. So I really hid who I was. I struggled very much with it. I had a really hard time. There were times I was suicidal. And I wanted to end it all because I just couldn’t accept who I was. Um, I had a very difficult time. I’ve—I’ve given a story to, um—to, you know, the folks that talk about—about suicide among young LGBTQ people because I think it’s really important. The, uh, It Gets Better Project. Because I think it’s important for young people to realize that they may struggle. I struggled. Um, and it, you know—just because it’s—maybe it’s somewhat easier now to come out and be who you are, we still have a long way to go. Um, there’s still children being bullied in school. There are still children who are not being accepted for who they are in terms of transgender issues. People can still be fired from their jobs for who they are.&lt;/p&gt;
&lt;p&gt;So, you know, I get some blowback for those folks who say, “Patty, why can’t you just be quiet? Why can’t you just blend in? Why can’t you just—why can’t we just have unity?” Well, that’s usually what’s said by the dominant culture when they want to put you down. “Oh. Well, Black Lives Matter and the LGBTQ community and all these people are making it difficult for us.” No. You’ve actually made it difficult for us. And we’re just trying to live and be who we are. And it’s re—something that’s really, really, um, offensive to me and—is this notion somehow that we have to bury who we are. “Oh. Ya’ll have the right to marriage. Why can’t you just be quiet?” Um, you know, there’s always been this desire to keep the LGBTQ people in the closet. And I find that very offensive.&lt;/p&gt;
&lt;p&gt;Uh, I was talking to, eh—years and years ago, I was talking to, um, uh, an African-American activist. And she says, “Well, you know, you’re difference is—is different from mine because you can hide yours.” And I asked her, “If you could hide your difference, would you? Would you hide your skin color if you could?” And she looked at me. And it was an “aha moment” for her. And I can’t even believe—I don’t even know where that came from out of me. ‘Cause I’m not even—I’m not—I don’t think—I don’t consider myself that eloquent.&lt;/p&gt;
&lt;p&gt;But Pat—then people that—“why don’t you just hide who you are?” Well, you know what? When you’re work—when you’re at work with people and they all talk about where they went on—you know, on vacation or on—what they did on the weekend, you know it—it’s[sic] puts you in a very difficult situation. When I was a younger woman, I was, you know, attractive woman. “Where’s your boyfriend?” Where—you know, there is—there is—people don’t understand because they’re straight that these are things that they take for granted. And these are things that we can’t—couldn’t talk about back then.&lt;/p&gt;
&lt;p&gt;So I think there’s still a long way to go. I’m—I’ve been very, um, vocal since the Pulse tragedy, uh, that this happened to the LGBTQ community. And even our allies—some of our allies have gone back on me and said, “Why can’t you just be nice? Why can’t you just be unified?” And I’m like, “You can’t erase us. Yes. There were straight people that died at Pulse, too. But that doesn’t mean that we have to erase who we are to make it okay. Um, they were—they were targeted because they were young, they were gay and they were Latin—you know, QLatinx. They were people of color. And they were straight allies. And there—we shouldn’t have to erase who they were in order to make it okay for everybody else. Because we do have to take, as a culture, responsibility for how we te—how we treat LGBTQ people.”&lt;/p&gt;
&lt;p&gt;In our churches—one of the most amazing things that happened to me after Pulse happened, um—after we’re dealing with all the issues of the tragedy, I had come here to City Hall and Mayor [Teresa] Jacobs’s office called me. And I went running over there. And she—and it was a—it was a group of clergy. And they were having a press conference. And they were talking about, “We do not agree with the Baptist Church. [inaudible] wanna say their name. That’s coming here to demonstrate at the funerals of these victims.” They had never dealt with that. I’ve been dealing with that for, you know, 30 plus years. I understand what it’s like to deal with hateful people that carry signs that say, “God hates fags.” This was their first time of dealing with it. And our religious leaders came out and said, “This is not who we are.” I could not have been more proud. And felt so amazing during that time. That’s unity. Not telling me to shut up about who I am [&lt;em&gt;sighs&lt;/em&gt;].&lt;/p&gt;
&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Um, how were or are your familial relationships affected by your coming out?
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;]. When I first came out, I was 21. And like I said, I really, really struggled. And it wasn’t a matter of my parents supporting me. I had moved out at 17 because I was different and there were issues that I couldn’t deal with my parents. And, uh, so I basically started—I mean I started taking care of myself at 17. And so it wasn’t any reason for me to, you know—to—to hide who I was. Other than the fact that, um—I mean I—I wanted to have a relationship with my family. And I thought that that was gonna be part of it. And it—it got to be more and more pressure for me because my sisters were old enough to go out. And I said, “Oh. I was at Park Avenue Club or I was at this club over the weekend.” And they’re like, “Well, we didn’t see you. We were there.” And the lying just got to take such a toll on me.&lt;/p&gt;
&lt;p&gt;And at 21, I finally came out. And [&lt;em&gt;laughs&lt;/em&gt;] my mother’s Italian and Catholic. She said to me, “Well, we’re a family and we’re gonna stick together. But you have to understand you’ve chosen a very difficult lifestyle. And—and you can’t be a teacher now. You realize that.” ‘Cause I had wanted to be an art teacher. She goes, “You—you—you’ll be a bad influence to children.” I was like, &lt;em&gt;Wow.&lt;/em&gt; You know? Although, the weird thing was I did change to—to journalism. Um, and I went back to art eventually.&lt;/p&gt;
&lt;p&gt;Um, but I accepted that. And s—ashamed to s—I’m not ashamed. I mean that was a pressure that was put on me. And I accepted that. And I—and I hope that young people now realize they don’t have to accept that. You’re not a bad influence because you’re LGBTQ. You’re not a bad person because you’re LGBTQ. Um, there are lots of people in this community who’ve made a lot of great contributions now that were not swept under the rug and—and forced to keep—stay in the closet. So I’m proud of many contributions of—of my community.&lt;/p&gt;
&lt;p&gt;Um, I was—it—we just watched—I just watched—I’m in the process—like I had recorded it because I couldn’t watch it. &lt;em&gt;When We Rise&lt;/em&gt;.&lt;a title="" href="#_ftn4"&gt;[4]&lt;/a&gt; And I remember Cleve Jones. And I remember [inaudible]. I remember these people who—who paved the way for people like me. And I think it’s important to tell our history because we tend to forget it. And I think that’s why this project is so important. And why oral history projects are so important. Because the dominant culture does want to erase us. They do want to erase people in the movement. The Women’s Movement. They do want erase people in the African-American Civil Rights Movement. Um, because it makes them feel com—more comfortable who they are. Because they don’t want to accept the fact that they did things that were wrong. There’s a whole movement to erase the Holocaust. And the fact that it happened to the Jewish community. Because the dominant culture isn’t comfortable with dealing with the fact that this happened and some of them were complicit with it.&lt;/p&gt;
&lt;p&gt;So I’m not about making people comfortable when they do the wrong thing. And if they blow back on me—this has always been a risk for me. When I was at the Florida Department of Agriculture and I stood up for people in my office because they were people of color or people of Jewish faith, I was—I was punished for it. As a—you know, I—I was denied management positions because of my s—because of standing up for others. I was up for—I finally was up for a promotion at work. And, um, I had gone to the March on Washington for LGBTQ rights in I think it was 1992.&lt;a title="" href="#_ftn5"&gt;[5]&lt;/a&gt; ‘Cause I went to—I went to a couple of them. There was one in the ‘80s and one in the ‘90s. And I can’t remember the exact date. But I’d gone to the—to the second march. And, um, I took—I took my vacation time. And I happened to be in the back of a photograph. I wasn’t even the—the focus of the photograph. I didn’t even know the person was taking it. I was basically getting out of a train to go to Washington[, D.C.]. And I was in the background. And someone took—took that picture out of the paper, faxed it to my division director in Tallahassee[, Florida] and made sure I got demoted. That was my life.&lt;/p&gt;
&lt;p&gt;And when I called to complain, ‘cause I had actually helped the State of Florida deal with a lot of personnel issues. I was, you know, the person that they sent around to help deal with it—go—as part of my management training. They said, “We’re sorry, Patty. There’s nothing we can do to protect you. We can protect women. We can protect minorities. But we can’t protect you because your class isn’t protected.” So I’ve lived this. This has happened to me. And I think it’s important, you know—I’m not bitter. I mean I get better. I don’t get bitter, I get better. It was a hard thing to deal with at the time. And I was angry. But, um—but I had to find a way to persevere. And eventually, the manager that—the—the—the guy higher up that demoted me ended up getting in trouble for bad behavior at work [&lt;em&gt;laughs&lt;/em&gt;]. And, uh, I had a new boss. And I came out to him. He goes, “Why—why are—why are people so reluctant to let me, eh, promote you?” I said, “Because I’m gay.” He said, “Well, that’s stupid.” I’m like, “Well, I know that.” He goes, “You have to understand that not everybody is as comfortable with your sexual orientation as you are.” I said, “It’s not my job to make them comfortable.” He said, “Touché.” And he promoted me. And I thought, &lt;em&gt;Wow. That’s really cool&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;So, you know, there are allies all along the way that you’re gonna find if you’re willing to stand up for who you are. And it wasn’t easy. Um, I’m—that day that I had to meet with that—with that manager, I was throwing up. I was so—so nervous. Um, when I first ran for office, I was so nervous whenever I had to talk because I was, you know—I was afraid of how it was gonna come up. And I was at a debate one time, um, gosh, at the Audubon Park Covenant Church. Because I was running for office and there was a bunch of us. And, uh, one of the—one of the people stood up and said—um, one of the candidates—one of the—the question, which was clearly aimed at me, was, “Should candidates make an issue of their sexual orientation?” And one of the candidates—candidates stood up and said, “Well, I have a wife. And I have a child. But I don’t think anybody should flaunt their lifestyle.” And I got up there and I said, “Well, it’s very interesting. ‘Cause when my opponent says about his life, it’s charming. When I talk about my life, it’s flaunting.” And a hundred and fif—fifty people in that church that were sitting there listening to that got it. And there were people that ran after me and apologized for that question.&lt;/p&gt;
&lt;p&gt;So it’s not always easy to make change. And I lost that 1996 election. But I won the next one. So it is, you know—for me, and I think for our movement, it is incremental change. And it’s not easy. And it is something that you have to fight for. But it’s not something that I’m ever willing to—to lay down. And I won’t until the day I die. Um, and the day I die I will be laid at the feet of all the Pulse victims because that’s where I bought my cemetery plot in Greenwood [Cemetery]. I wanna watch over—I wanna watch over those kids forever. Because that’s been—that’s—that’s a part—that’s a part that’s interwoven in my soul. You know? That they were viciously attacked for who they were. And we need to keep telling that story. Because of people are already trying to—they call it “straight-wash” it.  But, you know? It’s—it can’t be. We have to talk about how hatred killed them and how we have to be better people as a result of it to honor their memory [&lt;em&gt;sighs&lt;/em&gt;]. Sorry [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;No. You’re good. Um, how did you come to obtain the Paul [Efthemios] Tsongas and Brian Arbogast [de Hubert-Miller] 1992 election i.d. tags?
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;What?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;They’re in your collection.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;sighs&lt;/em&gt;] I can’t remember [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Oh. [&lt;em&gt;laughs&lt;/em&gt;] That’s okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;It’s Paul and—and Brian?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Gosh. I—I don’t know. Really? Maybe they got stuck in there by accident. Because Brian was friend of mine. Um, he helped me with, um—with—he was one of the original founders of, um, what was then Orla—Orlando Regional Pride. And then I knew him. Um, uh, so that’s how I knew Brian Arbogast de Hubert-Miller. Um, and we used to call him “Alphabet Man” because he kept adding, you know—it’s part of his culture. [&lt;em&gt;laughs&lt;/em&gt;] He was like, “You know, I’m—I’m Hispanic. So we have a lot of names.” And so he kept adding names. And we were—we laughed and called him “Alphabet Man”.&lt;/p&gt;
&lt;p&gt;Um, I don’t know how Paul’s came into—to be in my collection. I don’t know. Um, uh, you know, I—eh, during the Names Project, we would—we—we, uh,—we were, uh, carrying names of people who had passed of—of HIV&lt;a title="" href="#_ftn6"&gt;[6]&lt;/a&gt; and AIDS.&lt;a title="" href="#_ftn7"&gt;[7]&lt;/a&gt; But those weren’t the names that I carried. ‘Cause—‘cause I don’t think either one of them—no. I can’t remem—I don’t think either one of them passed from AIDS.&lt;/p&gt;
&lt;p&gt;Um, but, um, there—there was an i.d. tag though that I had that I carried that was, um, a—a, um—it was, uh, from LCN Express.&lt;a title="" href="#_ftn8"&gt;[8]&lt;/a&gt; And it had my name. And I had it made. Maybe that’s how the i.d. tag accidentally got in my collection. Because we all had—I had an i.d. tag made in case I was a victim of violence at the march that they would know who I was. So it had—it had my name, it had the LCN Express, was the affiliation of the group that I was with, and it had my address on it. It was basically dog tags in case anything happened to me. But that’s the only dog tag that I can recall that, uh—that I had from that time. That and—and one that was fabulous that had sequence on it. ‘Cause, you know, it had a rainbow on it. It was beautiful [&lt;em&gt;laughs&lt;/em&gt;]. I am who I am [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;That’s crazy. I—you—that’s so funny. You know? I don’t know how those got in there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Yeah. We had no idea either. We just kind of…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;…figured we’d ask.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Nope. I don’t know. Yeah. Okay. What else you got?&lt;/p&gt;
&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Uh, what was Michael’s March? And what was your role within it?
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Michael’s March [&lt;em&gt;laughs&lt;/em&gt;]? I have no idea [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;That’s okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;It’s like a letter or something. And it’s—you have it titled “Michael’s March”.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Oh. That’s from LCN. Okay. Um, back, um, in the ‘80s, there was a big division between men and women in the community. The—the LGBTQ and the gay community. And, um, after the men started getting sick, they were moving in with the lesbians. The lesbians were actually taking care of them. And LCN had kind of been an organization for women—was women’s only space. And a lot of the men were really offended by that. And I’m like, “Look. You guys call us ‘fish’ and you’re really mean to us. So you know? We—we have our own space. You know? That’s our thing.”&lt;/p&gt;
&lt;p&gt;But when the—the men started getting sick, a lot of us start—you know? A lot of women started taking care of them. And—and—and everything. And the community really started coming together. So when we went to the March on Washington—and I—again, I can’t remember which one. It was Michael Wanzie’s letter I’m pretty sure [&lt;em&gt;sniffs&lt;/em&gt;]. Um, that was Michael’s—that—I think that was Michael’s story, um, that he had submitted to LCN, um, about his partner dying. I think that’s the letter that you’re talking about. Um, and Lou Tozer and a bunch of the folks that were really involved with the LCN were very much touched by it. And wanted to include it in our newsletter even though we only allowed women to write for the newsletter. So that—think I’m remembering that right.&lt;/p&gt;
&lt;p&gt;But I would get into it with Michael a little bit later because, you know—because they would—they—again, there were these issues about allowing women into the what they called at the time gay community services. And representing the rights of women. And it wasn’t easy with the gay men either sometimes. You know? And I mean they weren’t sensitive to women’s culture. And they weren’t sensitive to—to our issues. And I was glad over time that they added GLBCS. You know? Gay Lesbian Bisexual Community Services. And now, you know, we’ve added T&lt;a title="" href="#_ftn9"&gt;[9]&lt;/a&gt;. And we’ve—we’ve—we’ve been more inclusive. But that wasn’t easy. And there’s been many times when Michael and I tangled because, you know, we said, “Hey. You know? You gotta include women’s issues, too.”&lt;/p&gt;
&lt;p&gt;So—but Michael’s March was about losing his, um—his partner. His reaction to the march, which was, um, very emotional. Um, and again, I’m trying to remember which year were—was the year the [NAMES Project] AIDS [Memorial] Quilt was unveiled. In ’87 or, gosh, ’90. I—I n—I need to do my research because I can’t remember when the marches exactly happened. But, uh, I—I can get back to you on that. But the first march, um, I believe was the one where they unveiled the AIDS Quilt. You’ll have to go back and look.&lt;/p&gt;
&lt;p&gt;But that was the year that Whoopie Goldberg&lt;a title="" href="#_ftn10"&gt;[10]&lt;/a&gt; was the first person to walk out. And she was one of the first actors to actually take a stance on HIV and AIDS. And that was, uh, very emotional for a lot of us ‘cause we lost so many of our friends. I mean I’ve lost, eh—between the age of 20 and 30, I lost easily half my friends. Um, a lot of the entertainers. A lot of the—the drag queens were the first to go. Um, you know? All of a sudden, it’s—everyone started getting sick. They called it Gay-related Immune Deficiency. GRID. And all of us were t— completely panicked and freaked out. And by the time they finally had the test, of course, I took it. Because I was, you know—I was a bad girl. And I was going, &lt;em&gt;Man. Do I have it? &lt;/em&gt;And I didn’t. You know? But lesbians had a—had a, you know, lower submission rate and everything like that.&lt;/p&gt;
&lt;p&gt;Um, a lot of my friends were dying. Um, my closest friend that died was Gary Bailey. And he was my friend and rock. And I mean I just loved that man. And, um, you know, I just couldn’t believe he was sick. And then ended up passing away. And then there was Chuck [inaudible]. And it was just—it was a time when, um, we were going to funerals. Steve Marnier[?]. He was my political, um, mentor. I mean anytime I wanted to bounce something off Steve. And every time that I wanted to do something—he was like one of the few men that really got women’s culture and understood the need for everybody to work together and everything like that. So whenever I really wanted, uh, someone as a sounding board, I would go to Steve. When I ran in 1996, he had gotten really, really sick. And he ended up getting it really early. But he had taken care of himself, so he had it for a while. But in—in ’96, when I ran the first time, um, I had gone to visit him in the hospital and he asked me to pin one of my campaign pins on his—on his hospital robe. And, uh, he died like a couple days later. And, um, I’ll never forget that. So, you know, I mean I wasn’t there when he died, but I was there when gra—when Gary died.&lt;/p&gt;
&lt;p&gt;And to watch someone pass away that you really care about, and they’re so young, and it’s so unnecessary, you just want the government to do something and to help. And there’s—n—no matter how much we marched, no matter how much we did, no matter—I mean I remember we had—the first time I stood on the AIDS Quilt, and it took up the entire mall. It was a football field of people who were dead. People we had lost. And, uh, the, uh—the amazing thing about the quilt was it actually—they—they designed it so that it was the size of a—of a funeral plot. You know? So you could really get a sense that these were people. It wasn’t like just a name written in a column or something like that. It was the physical size of a person.&lt;/p&gt;
&lt;p&gt;And, uh, yeah—so I—I think—and—and a lot of that’s forgotten. Young people go, “Oh. What’s the big deal? What’s the—why do you guys get so upset? A—AIDS is—AIDS is survivable.” But there was a time when it wasn’t. And it wasn’t that long ago. And most of us who are a little older remember that. But that’s why we’re so passionate about making sure that, um [&lt;em&gt;sniffs&lt;/em&gt;]—that people don’t forget that. Because it was a horrible time. And, um, you know, yeah. It’s become a chronic disease. But it’s not something I would wish on anyone. And I still have friends who are suffering. You know? And I still have friends who are dying. They just die from other opportunit—or oth—other opportunistic diseases. There are some people who are still in the closet about having HIV and AIDS. There are still people who are dying of AIDS. And, uh, uh, you know? Um, we gotta keep telling that story, too. But Michael’s March was about how he lost his partner. And, uh, yeah. It’s a very poignant story. It’s lovely. Even though Wanzie and I have had our issues over the years. Um, I thought that was absolutely a lovely story.&lt;/p&gt;
&lt;p&gt;But, yeah. That’s when I was with LCN Express. That was a women’s newsletter. And I remember my friend, Joel[?] always saying to me, he’d go, “You are a separatist.” And I’m like, “You know? You have to remember though that we were women feminists. And we also had women’s culture. We—we had a double whammy. We were gay and we were lesbians. You know? We were—I mean we were—we were women. We were gay, but we were also women. We also had the—we also had to deal with the discrimination that came along with being women. And men telling us, “All you need is a good man.” And all that stuff. And the sexual harassment that I experienced as a young woman. And, you know, it—so we had to have the—a space where we could express that. Where we could kind of come to terms with that. Where we could be supported in community, too.&lt;/p&gt;
&lt;p&gt;And, you know—and—and, uh, after the marches and after HIV and AIDS, we really kind of gelled as a community. But it was a process. So yeah. There was a while when I enjoyed women’s culture. And I kind of did the separatist thing. But I also evolved to realize that we all had to work together because if we didn’t, you know, we were—we were gonna die. And the guys were dying at alarming rates. And we all needed to come together to—to do what we could to stop AIDS. And, you know, to get education. And to get testing. You couldn’t even get—you couldn’t even get reasonable, affordable testing. Those all came as a result of fighting for that for many, many years [&lt;em&gt;phone rings&lt;/em&gt;].&lt;/p&gt;
&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Um, who was Charles S., [&lt;em&gt;phone rings&lt;/em&gt;] whom you have memorial artifacts for?
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Is that Chase? Chase Smith?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Um, all we have is a Charles and then his last initial. S.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;What do you got? I don’t know what you guys have. I need to go over there and check out what you’ve got [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;I mean it could be Chase. But…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;I believe it is, um, rose pedals and a candle.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Mm. I mean, um, that might have been from the last AIDS, um, uh, vigil that we had. And, um, Chase was the aid to—to May—a—Chase was my longtime aid for many, many years. And he was also an aide to Mayor [Teresa] Jacobs. And, um, he never disclosed his status to us until he was dying. And, um, I don’t think his family wanted anybody to know that he was HIV-positive. And this just happened a few years ago. I’m almost reluctant to—you know, to do it because, um—because he didn’t want anybody to know he was HIV-positive. And it killed him. He ended up getting, uh, lymphoma, which shouldn’t have killed him. But because his—he had just contracted it and his viral load was really high. It killed him like that.&lt;/p&gt;
&lt;p&gt;And, um, you know, here—here’s someone who was openly gay, an aide to, you know, me and Mayor Jacobs, um, who wasn’t comfortable enough to ask for help. So that’s why I put Charles S. Because I didn’t want people to know who he was. Because I didn’t—wasn’t sure that [&lt;em&gt;sniffs&lt;/em&gt;]—mm—that he would want that known. But you know? There he was. He never came to me. I wish he had come to me. I could’ve—I’d have go—I would have walked him right over to OIC&lt;a title="" href="#_ftn11"&gt;[11]&lt;/a&gt; to Doctor [Edwin] DeJesus. I’d have gotten the best care I could. But he didn’t feel comfortable telling me ‘cause he was ashamed. And, um, you know? Shame is a killer in my world. You know? I’ve seen it kill too many good people. We have to be—e—e—even though he knew. I mean he was an aid. He knew. All of these resources. He was too ashamed to take them up for himself.&lt;/p&gt;
&lt;p&gt;So the rose pedals and the, uh, candle were Chase. And, um, I miss him. He’s the reason those are—those pink bunnies are all around—I put those pink bunnies all over town [&lt;em&gt;laughs&lt;/em&gt;] [&lt;em&gt;sniffs&lt;/em&gt;]. Um, because he loved playing the Easter Bunny for kids. He was just a lovely, helpful, decent man who, uh, had his secrets. And I remember when he was dying—and it happened really quick[sic]. Um, Mayor Jacobs came to me and she goes, “Is he HIV-positive?” I’m like, “I don’t know. He didn’t disclose to me.” And I—that’s—I still struggle with that. I mean, you know? He really didn’t—he didn’t tell me until he was on his deathbed. But, um, yeah. That’s my boy, Chase. So, yeah. I’m—I’m actually delighted that’s part of my collection [&lt;em&gt;clears throat&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Good.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Yeah [&lt;em&gt;sniffs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Um, what type of problems...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;I can’t believe you got—where’d you guys get this stuff? I mean what do you guys go around following me? This is weird [&lt;em&gt;laughs&lt;/em&gt;]. I’m kind of freaking out a little bit [&lt;em&gt;laughs&lt;/em&gt;]. I’m like—I need to like—I need to like say, “Here [&lt;em&gt;laughs&lt;/em&gt;]…” That’s interesting.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;I think it was, uh, donated in 2002. If that helps at all.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;sighs&lt;/em&gt;]. He didn’t die that—wait a minute. No. That couldn’t have been because he didn’t die then.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;I need to get—I need to get together with you guys and make sure this stuff is in the proper s—sequences and stuff. Because this is just kind of a little strange. Yeah. Because that’s the only Charles S. I could think of would be Chase. And the—and the rose pedal and the candle would have been from the AIDS—but that wouldn’t have been from that long ago. So we may—might need to go over and make sure that everything’s in the proper sequence and stuff like that. Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;I’ll—I’ll—I’ll sit down with you. ‘Cause I want to make sure it’s right. ‘Cause it—‘cause you know as it happens some type of historical stuff. You know? It—it’s not quite in the right slot and everything like that. So I’ll—I’ll…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;…go over it with you. Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Well, thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Yeah. I’ll—I’d be glad to do that. ‘Cause it shouldn’t have been from 2002. Gosh. He didn’t even die until [&lt;em&gt;sighs&lt;/em&gt;]—I think he’s been dead since 2013 or something. 2—2012 I think he died. Yeah. Yeah.&lt;/p&gt;
&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Um, what type of problems and discrimination, if any, ha—did you face during the 2000 and later elections?
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Uh, ’96 was the hard one. ’96 was the one where, um, half the candidates running were gay. I was the only one who was out and open about it. Um, one of the candidates used my sexual orientation against me everywhere she went. And then she ended up going to the runoff. And then she ended up getting defeated because they actually put, um, flyers in—as an insert in all the &lt;em&gt;Orlando Sentinels&lt;/em&gt; and all the, um, mailbox—and all the, uh, boxes. And said that Patty Sheehan lost ‘cause she’s a lesbian. And this other woman needs to lose ‘cause she’s a lesbian, too. She was—that’s how she got outed. And where they didn’t s—insert them into the papers and all the mailboxes and all the paper boxes downtown, they threw ‘em all in the intersections in these little bags. Outing this other person. And, um, she came to me and says, “What do I do?” And I’m like, “Well, you know, you used it against me. That’s kind of karma [&lt;em&gt;laughs&lt;/em&gt;]. You know? But what you’ve gotta say is discrimination is wrong and that you’re willing to stand up for other people.” And that didn’t happen. It just became an ugly food fight.&lt;/p&gt;
&lt;p&gt;And that’s the thing. When someone attacks you, it’s the first response to get angry. But that’s what they want. They want you to get angry and frothing at the mouth and looking crazy. And what I’ve learned is I have to, you know, take a step back and take a deep breath and think before I speak, which isn’t always easy sometimes. Sometimes I still get my hackles up. Usually, that’s when I get in trouble. Um, um, because you—you’re—you’re not just speaking for yourself. You’re speaking on behalf of a community, whether you like it or not. And, um—and it’s important to do that in a way that educates and not what I—what I always call “teachable moments”.&lt;/p&gt;
&lt;p&gt;So in ’96, I lost. And I said, “Well, you know what? I only lo—I only lost that election—I only missed that runoff by like 75 votes.” And I threw that l—I threw that together with my friends in like 90 days. I said, “What if I actually worked hard and learned the issues a little bit better that people were criticizing me that I didn’t know about? And what if I really applied myself?” So for the next four years, I got all involved in—in—in city business. And got to know about the codes. And came to—to be president of my neighborhood association. Talking about things like duplexes and, you know, sidewalks. And all those things that were really impacting the neighborhoods. And got to know the other neighborhood leaders. And I ran in 2000 and I beat the incumbent. And I won. So it can be done. And I wasn’t just—even though the newspaper in 1996—they had a huge headline on Election Day, “Gay Candidate Race on Ballot”. Um, yeah. They just ma—they all—they made it all about me being gay. They didn’t make it about any of my other stances on anything. Why I was really running, which was historic preservation, and saving neighborhoods and those kinds of things. Because there was all these teardowns happening. Making better quality of life in our neighborhoods. Business. Those were the things that I ran on. But all they wanted to talk about was me being gay.&lt;/p&gt;
&lt;p&gt;And then I said, “Okay. All these people now know me. And they know I care about these issues. And I’ve known them from their neighborhoods and all that. Let’s see how this works out.” And it worked out very well for me. I won. And I’ve won every election since. And I’ve been through redistricting. And every time I go through redistricting, my colleagues try to put me in a more conservative area, thinking they’re gonna get—I’m gonna get beaten. And I just get higher and higher, you know, percentages [&lt;em&gt;laughs&lt;/em&gt;]. So you know? I’m kind of the middle kid. I get picked on. I’ve represented more of this city than any other commissioner ‘cause they keep moving me around, hoping to get rid of me. And the bottom line is I’m not going anywhere. I’m, you know—I serve at the pleasure of my constituents. They’re my boss. And, uh, you know, I try to do the best job I can for them.&lt;/p&gt;
&lt;p&gt;And I think it’s important to be an advocate for LGBTQ issues, but I also have to balance that with, “Yes. I care about your issues, too.” But what really offends me is when people say, “Well, you’re gay so you can’t represent me.” That’s not fair. And that’s not true. Um, I think being an a—being an LGBTQ activist has made me a better commissioner because I’m not afraid to fight for what I believe is right. Regard—if that—regardless if that’s sidewalks or if that’s historic preservation. Or if it’s proper infill development. Or if it’s for fighting for small businesses. I—I—I bring that passion to all those aspects of my job. And I think that makes me a better commissioner now—[inaudible] commissioner.&lt;/p&gt;
&lt;p&gt;So, um, yeah. I think that’s—I think that’s an important point to make. ‘Cause I think a lot of people who are in the LGBTQ community who run for public office are marginalized that way. And it’s something that you have to be able to overcome.&lt;/p&gt;
&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;How have you used your position as city commissioner to conc—to continue civil rights activism?
&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;sniffs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Yeah. Uh, when I was with the, um—I was really involved with the Democratic Party many, many years ago and they asked me to be constituency outreach. And it wasn’t easy ‘cause people were angry. I mean like they—go deal with—they’ll go deal with the—the—the—the different caucuses. And then—and—and sit down and, you know, figure out what—what—what are their needs and stuff like that. And people were really angry. And the thing was they hadn’t been asked.&lt;/p&gt;
&lt;p&gt;So I go in there. I’m this little white girl. You know [&lt;em&gt;laughs&lt;/em&gt;]? And, “What do you know about struggle?” This and that. You know? And I’m—everyone I went to I [&lt;em&gt;sniff&lt;/em&gt;s]—I was with the African-American caucus and they were—they’re just—and I just said, “Okay. I’m just gonna listen. I’m just gonna sit here and listen to what everybody’s, you know, issues are.” And I sat there. And one of the—one of the gentlemen who was—M—Mr. Armistead[?], who I still know, said, “You hung in there.” He goes, “You just hung in there. And you listened to us.” He goes, “And you know what? That’s important. ‘Cause nobody listens to us.” Like wow. It’s like, “I can’t promise anything. But it—but it’s important to listen.” And I never—I never forgot that. Because for him to tell me, “Nobody has ever listened to me.” This is an African-American lawyer. Pretty prominent in his community. To tell me that no one had ever bothered to listen to him, that’s—that broke my heart.&lt;/p&gt;
&lt;p&gt;Um, and so I think it’s important, y—you know? I can’t promise I’m gonna fix everybody’s issues like that. You know? Nobody can promise that. Because a—again, any kind of civil rights movement, you have t—it’s incremental change. Because the—the majority’s not gonna just give it to you. You know? The don—they don’t—they don’t say, “Oh. Eh, gay and lesbian community, you want civil rights? African-American community, you want civil rights? Jewish community, you don’t wanna be discriminated against? Oh, we’ll just do this ‘cause it’s the right thing.” It doesn’t happen that way. You know? You have to educate and you have to fight for it.&lt;/p&gt;
&lt;p&gt;Um, but it’s been a—it’s been an honor to be trusted by people. And with their feelings. And with their concerns. And with their problems. And, um, if you look at it that way, um, that it’s a chance to—to bridge that divide and—and help them, that’s how I look at it. And, you know, I deal with angry people all day long. And I say, “Even a broken clock is right twice a day.” You know? Everybody’s got their—everybody has something to offer. Everybody has something to give you. Um, sometimes people are just mean. I don’t know. I mean I don’t take on everybody who wants to call me a[sic] epithet or curse at me or anything like that. I mean that’s—it—I think there’s a level of civil discourse that’s—that’s very uncivil, especially with social media “keyboard courage” I call it, that really unfortunate. But, uh—but I think overall, if you, um—if you listen and try to—to—to understand—and listen not to respond, but listen to understand, um, you’ll—you’ll—much better advocate and—and public servant. That’s just how I’ve applied it.&lt;/p&gt;
&lt;p&gt;But I mean I’ve had, you know, the Hispanic community, the African-American community, I just haven’t just dealt with the LGBTQ community, you know, over the years. And, um—and there—and there are specific needs. And there have been specific needs specifically from Pulse. I mean the QLatinx, these young Latin-American, you know, young people. Many of whom—you know, some of—some of the families didn’t claim their kids ‘cause they found out they were gay that way. I mean the—what else—what other community’s experienced that?&lt;/p&gt;
&lt;p&gt;So there are things that we need to help people with. Um, and we need to be sensitive, too. And I think a community—the community came together really well. I was very proud of how the city—the Camping World Stadium—deal with the immigration issues. I mean a lot of families weren’t even—you know, they had to come here to bury their kids. What a horrible thing. That the way this community—and it’s amazing how well this community came together to help everybody. But that doesn’t mean that we, um, brush aside their concerns as minority community.&lt;/p&gt;
&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;How have you aided in developing marriage equality?
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;]. You know, um, eh, when—at first when they were talking about marriage equality, I’m like, “I’m not you’re girl.” You know [&lt;em&gt;laughs&lt;/em&gt;]? I hadn’t had a relationship in a long time. You know? ‘Cause we were—g—gosh, we had been fighting for marriage equality forever. And—and—and, you know, in the—in the—in the, uh, early 2000s, everybody’s like, “We want you to take this one.” I was, “This really isn’t my thing. You know? I’m a lesbian. I think I got workplace equality. All those things are important to me.” But I hadn’t really been in a long-term relationship. But then I got in a long-term relationship and I realized why those things were important. Because, you know, I went to go get—you know, I went to—to—to deal with, um, um, you know, leaving—leaving my things to my p—my partner in case then—my health had gotten really bad. What if—what if I—what if something happens to me? Um, you know? How do I take care of her?&lt;/p&gt;
&lt;p&gt;And all those issues that it—marriage conveys 1,500 rights that, you know—‘cause straight people think about, &lt;em&gt;This is a right for me. This is something for me. Gay people shouldn’t have the right to the wedding cake. &lt;/em&gt;And all those things. That’s a straight thing. Well, we had the right to the wedding cake. We had the right to the church ceremony. But what we didn’t have access to was the contractual arrangement. So I had to educate myself about it so that I could then communicate it. And I think w—w—and I’m a—I was a member at the time of a lot of the national LGBTQ organizations that said, “You know what? We don’t talk about…” I said, “I don’t care if they call it ‘domestic partnership’ or call it ‘Fred’. But what we need to explain to people is the difference between the wedding cake and the contract.” And so every time I had the chance to talk about it, I said, “There are 1,500 rights that convey with marriage that go—that—that—that we should be able to have access to as a contractual relationship to—to be able to partner with someone.&lt;/p&gt;
&lt;p&gt;And then other people in the, you know—other—my—my colleagues said, “Yeah. You know? That’s a really well—that’s a really good way to communicate that.” So then we all started—elected officials, we all started talking from that same page. And, you know, we would all get together and fight about how we were gonna do it. ‘Cause, you know, it’s—it’s difficult. I’m from Florida. You know, and—and they’re from San Francisco[, California]. They’re talking about medical marijuana. And they’re so cool. And everyone’s more accepting. I mean, I was like, “Okay. I’m not a canary in the coalmine. And in Orlando, you know, if we can figure out how to communicate it, this should help you guys, too [&lt;em&gt;laughs&lt;/em&gt;].”&lt;/p&gt;
&lt;p&gt;So after a while, we started talking about the rights that convey with marriage. And it—and it was right from the HRC&lt;a title="" href="#_ftn12"&gt;[12]&lt;/a&gt; website. It wasn’t like it was hidden. But nobody was talking about it. So once we started talking about that from that standpoint, the weird thing for me was I started seeing people go, “Oh. Wait a minute. That’s not fair.” So sometimes we have to remember this. Because we understand something doesn’t necessarily mean that somebody else understands something. And it became an educational process. And I think that all the LGBTQ groups did a better job of—of communicating that fact. The—the proper, um, court cases came forward. I mean the Windsor case&lt;a title="" href="#_ftn13"&gt;[13]&lt;/a&gt; was just—was beyond. Because that was a clear case of someone being denied access to her partner’s, you know, um, uh, what they had built together in their life. When her partner died, that was a clear case. And, you know, here’s this—here’s all of us gay rights activists who have, you know—fighting, fighting, fighting. And here’s little Edie Windsor&lt;a title="" href="#_ftn14"&gt;[14]&lt;/a&gt;, you know, winning this historic court case that brought that all come on tumbling down, which was phenomenal. And she’s a hero. You know? She just wanted to fight for what she thought was right.&lt;/p&gt;
&lt;p&gt;And—and—and I—and something that I tell people that I think the majority of the community doesn’t understand is minority rights have never been conveyed by the majority, except for Ireland. Ireland did it for—for LGBTQ rights. They actually had a referendum and extended marriage equality, too. That there—that’s the only place that had—did not happen in the courts. Usually min—the majority does not vote to give minorities any kind of rights. And so that’s what I tell people. I’m like, “The m—the—the majority feels they’re gonna lose something ridiculously if they—if they—if they look after minorities, unfortunately. Um, so it’s—it should never be up to a referendum. Minority rights should never be up for a referendum. Because they’re—I—they are a minority. You know, you can’t get enough votes out of a mi—minority. But—and that’s why the Constitution talks about the tyranny of the majority. That’s the actual quote about the tyranny of the majority. And have—and having rights for everyone. And having the courts. And having these balances.&lt;/p&gt;
&lt;p&gt;So, uh, you know—I mean I think it’s important to understand that. And I was glad to be a part of it. Uh, I was—my partner and I were the first domestic partnership. Unfortunately, it broke up shortly thereafter. I was horribly embarrassed ‘cause I never would have put my—my relationship as—as domestic partnership number—number one, had I known it wasn’t going to last that long. I wasn’t on the way out. She was. But, you know, it—it happens. It happens. For divorce happens. And people break up. And, you know—but I felt this tremendous, “Ah.” You know? Pressure to be perfect. And, &lt;em&gt;Oh, my God. How could this happen?&lt;/em&gt; I was so horrified. And I was already heartbroken.&lt;/p&gt;
&lt;p&gt;But, you know, I—and I remember when the report—one of the—one of the reporters found out. I’m like, “I’m just gonna get beaten up so bad, you guys.” “And I ain’t got—I went through a divorce, too. I’m so sorry.” I thought, &lt;em&gt;Wow. I’m actually getting treated like everybody else. Isn’t that nice?&lt;/em&gt; It was the first time I really felt like somebody had been fair to me. Was [&lt;em&gt;laughs&lt;/em&gt;] dealing with my div—it wasn’t even really a divorce. It was by domestic partnership being—and I had—I went and dissolved it. Yeah. It’s hard—it was hard. ‘Cause I—it wasn’t my choice. But lots of people get left. And lots of people get heartbroken. And it’s part of life. You know? Half of marriages end in divorce. But that doesn’t mean that the LGBTQ community doesn’t b—deserve the same rights and equality or, as some of my friends say, “That’s the same—that’s the same right to be miserable as everyone else [&lt;em&gt;laughs&lt;/em&gt;].” You know?&lt;/p&gt;
&lt;p&gt;But there are some couples that I know that have been together 40—I mean there was a couple that had been together 41 years that got married here on the steps of City Hall. And that was an incredible day. For the mayor [John Hugh “Buddy” Dyer] to have the ceremony. And he’s actually a notary public. He did the—he did the ceremony. And I did a reading. And it was just really lovely to be there. You know? And—and to experience that. And it—and it was a little bittersweet to me because I wasn’t in a relationship. But, um—but, you know, s—it was great for me to see my friends who’d been together 28 years and 20 years. And Bill [Stevens] and Bob [Brings]. My, uh—my assistant got married that day. Um, and they were actually—what a lot of people don’t realize, there was a backcourt case, um, at—at the—at—at Orange County. Um, they had asked for a marriage license. And they were trying to get the clerk to deny them. And they were gonna do—they were gonna fight it in court, but it ended up being that the case came down. And they didn’t up—not ended up having to do it. But, uh—but Bill and Bob were one of those plaintiffs ready to—you know, ready to take on that case if they had needed to.&lt;/p&gt;
&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Could you tell us a little about some of your favorite accomplishments as commissioner between 2000 and 2015?
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Um, yeah. I mean getting to work on the Lake Eola fountain. That was really cool. I mean I kind of got criticized because, uh, “Why are you spending all this money for this engineering study?” You know? ‘Cause it’s—it’s a one-of-a-kind thing. I love neat, cool, original stuff. And I like the fact that it looks like a big old Jell-O mold [&lt;em&gt;laughs&lt;/em&gt;]. But it was broken down. It wasn’t working. It was dreadful. And the m—most fortuitous lightning strike I think in American history after we had done the study to figure out what it would take to fix it. And they were able to put LED lights. It’s a lot more efficient. And, you know, it’s the icon of our city. It’s beautiful. And it was—wasn’t working for almost two years. And I think that that was—I—I—when you have something like that it has to work. It has to. It got—municipal government. You can’t just say, “Okay. Well, here’s our—here’s our icon. And we’re gonna let—leave the lights off or leave the fountain off.” We couldn’t do that. And—and I think it’s a s—I think it shows that it works. It’s beautiful. It dances [&lt;em&gt;laughs&lt;/em&gt;]. It’s—it’s computerized now. It does all these cool things. We have shows that we run to it. That was really neat to get to work on. That was really a lot of fun.&lt;/p&gt;
&lt;p&gt;Um, painting the [Lake Eola] Bandshell. Working with Walt Disney World, uh, to paint the bandshell in the rainbow after Pulse was just so meaningful. And I—I—it was a very symbolic and beautiful thing. And I didn’t even reali—you know, it—what I first, eh—it never occurred to me to paint it as a rainbow before. And then, uh, I actually a—a—a, uh—a person who just lives in the community. A mom who lost her son to suicide. He wasn’t gay. He killed himself—she says, “You know what? I feel an affinity to these parents—parents who have lost their child.” And she’s an artist. And she says, “Look what you could do. Painting this bandshell in rainbow.” And I didn’t realize there were exactly six ribs in the bandshell for the rainbow colors. And, um—and then Walt Disney World came and painted that. And it just—is—it—it makes such a stunning statement. And it’s such a beautiful testament to remembering the—the 49 fallen of Pulse. That was just—that was really cool to work on.&lt;/p&gt;
&lt;p&gt;Um, sidewalks. I’m really proud that we can—that we—that we have sidewalks within miles of our el—elementary school. I mean I remember when we used to open up the paper on the first day school and a half dozen kids were getting killed in the ‘90s. The late ‘90s to 2000s. You don’t—you don’t do—you don’t read that any more. We’ve become much more aware of pedestrian safety for children. And children aren’t getting killed walking to school on the first day of s—of school. I’m proud of that. When I was in second grade, one of my best friends got killed walking to school. Again, there was a lot of people says[sic], “Why are you doing this?” Or, “Why can’t we vote?” And I said, “Okay. If there’s 10 people that live on a street and two have children, do the two people that have children get outvoted by the other eight? And we don’t put sidewalks in for children? Really? Is that how that works?” Again, that tyranny of the majority.&lt;/p&gt;
&lt;p&gt;And I had to stand up for sidewalks. I got death threats [&lt;em&gt;laughs&lt;/em&gt;]. They had to park a police car in front of my house for 24 hours ‘cause the death threats got so bad. The Audubon Park people. Um, it is what it is. People take very crazy stances sometimes. You know? And you gotta fight for what you believe in. And I honestly—how am I gonna change my mind, you know, that—when I lost someone as a child. And I’m an adult. And I’m a decision-maker. And I get to make a—and I get to make a difference. Do I just roll over? And the crazy thing was that gave me the political courage to say, “Okay. I really believe in this. I’m gonna fight for it. Even if I don’t ever get reelected.” “You are never gonna get reelected again.” I’m like, “Okay. Well, I guess I’ll have to do that then. Because I believe that this an important leadership thing. Tha—this is an important leadership stance I need to take.&lt;/p&gt;
&lt;p&gt;Of course I got reelected the next time. ‘Cause people—people always say, “We’re gonna—we’re gonna make sure you never get reelected. And if you are always constantly worried about getting reelected, you will never get anything accomplished. Because there’s always a—there’s always people on two sides of an issue. Always. You have to pick a side or you’re schizophrenic. You cannot bend to please everyone. Is there a—there is even—I wanted to take the trash—I wanted to clean up the trash on Mills [Avenue] and I had someone that was opposed to the—that. How could anybody opp—[&lt;em&gt;laughs&lt;/em&gt;] you know? “We don’t like going to these new garbage cans.” Well, that’s ridiculous. But there’s always gonna be somebody against that. And you—you can’t just bend or you’re gonna be completely ineffective. So I’ve decided, you know, I’m gonna fight for what I believe in. And—and I think I’ve been pretty good at it.&lt;/p&gt;
&lt;p&gt;And the Main Street Districts are always—also something I’m really, really, really proud of. I mean we had all these great little areas that were so cool. I [inaudible] in Ivanhoe. And we did the—the, uh—they call it “Jingle Eve” now. But these[sic] big Christmas thing that we did. I’m like, &lt;em&gt;Why can’t we do special events to bring these folks together? &lt;/em&gt;Which had morphed into our Main Street program. And I’m very proud of that program. I mean whenever we get written up in national newspapers and travel magazines now, it’s usually our Main Streets. And I’m proud to have been a huge supporter of that program. And I love what they’re doing.&lt;/p&gt;
&lt;p&gt;And I—I—I—again—and public art. I mean we were—we were acting like public art was some kind of problem instead of something to be celebrated. And you—then when—when, um, Orlando City [SC] wanted to do murals all over the city to commemorate their news[sic], um—their new team, they said, “Well, you have to—you have to erase them.” You—we’re gonna [inaudible] tempor—I’m like, “Why would I want to do this temporarily? We have all this great art. Why can’t we find a way to legalize art?” So I worked on it—I worked on the orders with the planning staff. And now we’ve got art. But you have to go through a process. You have to get a permit. And it has—that’s what differentiate—differentiates you from the graffiti. So I—I was really proud to do that. I’m an artist. I love that kind of stuff.&lt;/p&gt;
&lt;p&gt;So, you know, you get to work on really cool things. I mean I’ve been here long enough to where I’ve gotten to do some really cool stuff over the years. And, uh, they’re things I love. And urban—everything from urban chickens, which was a lot of fun, you know? Slow food movement. Um, these are trends. I mean I go to—when I go to a city, I see what are[sic] they doing. What are the kind of cool, f—fun, funky things that they’re doing? And how can we bring ‘em here to Orlando? And urban chickens was one of ‘em. I mean, you know? Backyard chickens. People love that. You know? And I’ve had a great time doing it. And people say that, “My—my kids love having our chickens and going and getting the eggs.” And I love that it teaches kids that food doesn’t come from a grocery store. And it’s important to treat animals humanely. And there’s always lessons that come out of that.&lt;/p&gt;
&lt;p&gt;So it’s—it’s—it’s—it’s—need to be a—able to a part of, you know—of making that change in people’s lives. And it was something that people asked me to do. Um, so, and you know—I mean I’ve worked with everything from the Asian-American community, um, because they felt they were invisible and they wanted to be more involved in what was happening. And they’ve been really embraced by Mills 50 [District]. And they do the Asian Winter New Year, which is one of the coolest cultural festivals I think that we have. Um, it’s—it’s empowering people to be able to connect and do those things together. That’s the—that’s the neat part of the job.&lt;/p&gt;
&lt;p&gt;The awful part of the job is when, you know, people are just mean and hateful and say [inaudible]—they just want to suck the soul out of you and just write mean things to you in an email. And I’ll still help him. I don’t take on their anger and their meanness. But I’ll still—you know, like I say, “A broke[sic] clock is even work twice—is right twice a day.” But that’s the stuff that hurts. You know? I’m a human being. People forget that elected officials are people. And, you know, I have people write horrible things about me. But if it’s really, really nasty and it’s so unfair, I don’t even respond. Because I don’t want to dignify it with a denial. It’s not that I accept their opinion of me. It’s that some people—some things are just so bad that you have to—I learned a long time ago that sometimes allowing someone to scream an epithet at me in an empty room and walking away is a lot more impactful than screaming back at them. ‘Cause I’ve had that happen where someone called me the f-word, even though I’m not—I’m not a faggot. I’m a dyke [&lt;em&gt;laughs&lt;/em&gt;]. I’ve had someone call me that word. And I just walked away and I let it resonate. And, uh, sometimes that means more to people than shouting back [&lt;em&gt;phone rings&lt;/em&gt;]. And, you know, sometimes you gotta know when to walk away. I—believe me, I’m a fighter. But I’m not going to stoop to the level to rise to the occasion. I’m not gonna be like him.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Well, is there anything else that you would like to, um, say or talk about that we haven’t talked about?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;No. I just need to go to the collection to make sure you [&lt;em&gt;laughs&lt;/em&gt;] guys have got the proper stuff. ‘Cause some of this stuff, I don’t even know what it is [&lt;em&gt;laughs&lt;/em&gt;]. So—and I wanna make sure that we’ve got it categorized properly. Yeah. I think I need to do that ‘cause, you know—I mean, uh, ‘cause I had a really—I don’t think I’ve really donated to you guys. I think you probably got it from friends of friends. Or maybe through LCN or something like that. And I—and, you know, like I say, L—LCN was Love and Committed Network. That was the women’s group. And, you know, different things like that. So I just need to make sure we got the right, you know—we’re good—we’ve got the right stuff.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Alright. Well, thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Sure. Thank you. Thanks for coming over. I appreciate it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Smith&lt;br /&gt;&lt;/strong&gt;Of course.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sheehan&lt;br /&gt;&lt;/strong&gt;Awesome.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;Alright.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref1"&gt;[1]&lt;/a&gt; University of Central Florida&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref2"&gt;[2]&lt;/a&gt; Gay Lesbian Bisexual Transgender&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref3"&gt;[3]&lt;/a&gt; Lesbian Gay Bisexual Transgender Questioning (or Queer)&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref4"&gt;[4]&lt;/a&gt; American docudrama miniseries about LGBT rights, created by Dustin Lance Black. The series originally aired from February 7, 2017 – March 3, 2017.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref5"&gt;[5]&lt;/a&gt; The March on Washington for Lesbian, Gay and Bi Equal Rights and Liberation took place on April 25, 1993.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref6"&gt;[6]&lt;/a&gt; Human Immunodeficiency Virus&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref7"&gt;[7]&lt;/a&gt; Acquired Immunodeficiency Syndrome&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref8"&gt;[8]&lt;/a&gt; Loving – Commitment – Networking. “A Women’s Organization”&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref9"&gt;[9]&lt;/a&gt; Transgender&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref10"&gt;[10]&lt;/a&gt; Caryn Elaine Johnson (November 13, 1955 - )&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref11"&gt;[11]&lt;/a&gt; Orlando Immunology Center&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref12"&gt;[12]&lt;/a&gt; Human Rights Campaign&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref13"&gt;[13]&lt;/a&gt; United States v. Windsor, 570 U.S.__(2013)&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref14"&gt;[14]&lt;/a&gt; Edith “Edie” Windsor (June 20, 1929 – present)&lt;/p&gt;
&lt;/div&gt;
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                <text>Oral history interview of Debbie Simmons. Interview conducted by Sara Raffel in Orlando, Florida, on June 16, 2018.</text>
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                <text>&lt;a href="https://youtu.be/Ly8kvgJG7D4"&gt;Oral History of Debbie Simmons&lt;/a&gt;</text>
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                <text>An oral history interview of Debbie Simmons, the co-owner of Shelbie Press and a founding member of the Metropolitan Business Association (MBA), an organization supporting LGBTQ businesses in Orlando, FL. As MBA president, she also helped found Come Out with Pride and the LGBTQ History Museum of Central Florida. This interview was conducted by Sara Raffel at Shelbie Press in Orlando, Florida, on June 16th, 2018. Some of the topics covered include attending the first gay pride parade in Orlando, founding the Metropolitan Business Association, facilitating a network of allies and inspiring activism, working with the Human Relations Board of the City of Orlando, building an LGBTQ+ community and collaborating with other groups, forming Come Out With Pride, the history of the gay rights movement, preserving the history of the LGBTQ+ community, her favorite memory from work at GLBT History Museum of Central Florida, organizing the first exposition of the Metropolitan Business Association, how the small business community impacted the LGBTQ+ community, omitting references to homosexuality in the organization’s name, and goals and challenges for the GLBT Museum of Central Florida and the Metropolitan Business Association.</text>
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                <text>0:00:00 Introduction &lt;br /&gt;0:00:54 Attending the first gay pride parade in Orlando and founding the Metropolitan Business Association &lt;br /&gt;0:07:21 Facilitating a network of allies and inspiring activism&lt;br /&gt;0:12:49 Identifying items in collection &lt;br /&gt;0:13:52 Working with the Human Relations Board of the City of Orlando &lt;br /&gt;0:16:40 Building an LGBTQ+ community and collaborating with other groups &lt;br /&gt;0:19:05 Forming Come Out with Pride &lt;br /&gt;0:27:03 The history of the gay rights movement &lt;br /&gt;0:31:35 Preserving the history of the LGBTQ+ community &lt;br /&gt;0:36:57 Favorite memory from work at GLBT History Museum of Central Florida &lt;br /&gt;0:41:07 Organizing the first exposition of the Metropolitan Business Association &lt;br /&gt;0:44:55 How the small business community impacted the LGBTQ+ community &lt;br /&gt;0:48:11 Omitting references to homosexuality in the organization’s name &lt;br /&gt;0:51:42 Goals and challenges for the GLBT Museum of Central Florida, the Metropolitan Business Association and the LGBTQ+ Community</text>
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                <text>Simmons, Debbie. Interviewed by Sara Raffel, June 16, 2018. Audio record available. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/207" target="_blank"&gt;LGBTQ+ Collection&lt;/a&gt;, RICHES.</text>
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                <text>Originally created by Debbie Simmons and Sara Raffel and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt; and the&lt;a href="http://glbthistorymuseum.com/joomla25/index.php?lang=en" target="_blank"&gt;GLBT History Museum of Central Florida&lt;/a&gt;.</text>
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                <text>Manes, Billy. "&lt;a href="http://www.watermarkonline.com/2017/05/15/orlandos-metropolitan-business-association-receives-award-national-gay-lesbian-chamber-commerce/" target="_blank"&gt;Orlando's Metropolitan Business Association receives award from National Gay and Lesbian Chamber of Commerce&lt;/a&gt;." &lt;em&gt;The Watermark&lt;/em&gt;, May 15, 2017. Accessed March 27, 2019. http://www.watermarkonline.com/2017/05/15/orlandos-metropolitan-business-association-receives-award-national-gay-lesbian-chamber-commerce/.</text>
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                <text>"&lt;a href="https://comeoutwithpride.com/about/history/" target="_blank"&gt;History&lt;/a&gt;." &lt;em&gt;Come Out with Pride Orlando&lt;/em&gt;. Accessed March 27, 2019. https://comeoutwithpride.com/about/history/.</text>
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                <text>Ogles, Jacob. "&lt;a href="http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning" target="_blank"&gt;Pride in Orlando Will Take on New Meaning&lt;/a&gt;." &lt;em&gt;The Advocate&lt;/em&gt;, October 6, 2016. Accessed March 27, 2019. http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning.</text>
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              <elementText elementTextId="669187">
                <text>Hyman, Jamie. "&lt;a href="http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/" target="_blank"&gt;Community rises up after mass shooting at Orlando gay nightclub kills 49&lt;/a&gt;." &lt;em&gt;Watermark&lt;/em&gt;, June 16, 2016. Accessed October 18, 2016. http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/.</text>
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                <text>Raffel 	&#13;
Uh, today is Saturday, June 16th, 2018. My name is Sara Raffel and I’m conducting an oral history with Debbie Simmons of Orlando, Florida. The interview is being conducted at Shelbie Press in Orlando, Florida. Uh, so, Debbie, could you please state your name?&#13;
&#13;
Simmons 	&#13;
Yes. I’m Debbie Simmons.&#13;
&#13;
Raffel	&#13;
And what brought you to Orlando? And how long have you lived here?&#13;
&#13;
Simmons	&#13;
I moved to Orlando in 1978, uh, shortly after high school. And I, um—my father had moved here in the early 70s. Uh, we had moved from Miami up to Central Florida, but in a more rural area. My mother and that side of my family. And so when I turned 18, I didn’t want to stay in the rural, uh, community that I was living in. So Orlando seemed the logical choice to start a new life.&#13;
&#13;
Raffel	&#13;
And you’ve mentioned that, uh, your involvement in the first gay pride parade in Orlando in 1991 started your community activism. Can you describe what led up to that and why you first decided to march?&#13;
&#13;
Simmons	&#13;
Yes. Um, in 1990, uh, my partner and I bought a house. And we went through all of the machinations at that time that we had to do in order to buy a house together as a couple. Um, and we had two friends—close friends that invited us to attend the first gay pride parade in Orlando. Um, to say we were nervous is putting it mildly. But we did attend. And four of us—there was[sic] about 100 people at the parade total: participants and, uh, people observing. We were the last four in the parade. And by the time we get to the end of the parade route, what a sigh of relief. Uh, we didn’t see any Ku Klux Klan that year. So that really, uh, set the stage for me. &#13;
&#13;
Um, I started getting really interested in the people that had put that together because I thought they were so courageous and I wanted to know them all. And I wanted to do whatever I could to make a change for our community so that it would make it easier for all of us to buy a house together. To start a business together. Uh, just to live our lives and not be discriminated against. &#13;
&#13;
Um, so, uh, the next thing that happened is[sic] I started attending meetings at the Center.  And, um, the editor of the Centerfold newspaper at the Center put a—a blurb in the newspaper and said—it said something to the effect, uh, “If you’re interested in starting a business guild—is it time for Orlando to do that—come to the Center on January 15th, 1992, and let’s talk about it.” So a dozen of us showed up at that meeting. And then, um, from there we started, uh, identifying—fortunately someone had brought bylaws, uh, not to the very first meeting, but from Atlanta and from Tampa. And so we utilized their bylaws to put our own together and to start the Metropolitan Business Association . &#13;
&#13;
Um, things moved, it seems like, at a really fast pace from there. But then when I look back it took a long time. Back then we didn’t have social media. We didn’t have cell phones. So we had to do everything the old fashioned way, which was literally have one-on-one relationships. We spent a lot of time together. Got to know each other. Um, developed the organization. Started having monthly meetings. We met at places. Back then it was a lot different than it is now in that people were really nervous about going into any establishment that was identified with the gay community. Um, but we did have a lot of our meetings at Joy Metropolitan Community Church. We had some meetings at The Center. Um, and so we developed the board of directors and then, um, set our mission in place, filed papers with the state, uh, and, uh, identified the Metropolitan Business Association.&#13;
&#13;
Raffel	&#13;
Alright. And who were some of the people that were on that first board of directors that were instrumental in starting it?&#13;
&#13;
Simmons	&#13;
Well, this is where I get into trouble, like I said, with the names. Um, the first president was Keith Morrison. Uh, I was the vice president. Dorothy Coleman was the treasurer. Mary Brooks was the secretary. Uh, Karen Goode was the programs director. Vicky Meechum was the membership director. Dick Shaw was the, uh—became the vice president when I became the president in ’92.  And, uh, Sam Singhouse, Sandy Fink, Tom Dyer. Uh, those were the really—the beginning folks. Um, Mary Brooks, who was the secretary for five years—she and I carried the MBA banner in the 1992 parade. Um, and in that parade there were seven of us from the MBA. Um, and Mike Sipoligo that had put the ad in the paper—that was the editor of Centerfold at The Center. Uh, he also walked with us with the banner. Um, Dorothy Coleman, uh, she is still living in Montverde, but she’s quite a bit older than me. She’s in her eighties. And she—I admired her so much when I met her. Her and, um, Dick Scholl. Dick has passed away. Uh, to me they were beacons of hope that—I hoped that by the time I got into my fifties, sixties, um, that I would s—you know, have the—the life that they had. And, uh, the desire still to make change.&#13;
&#13;
And, um—so, from there we—let’s see. This is again where I get into trouble. [laughs] I gotta have some—something to help me go along. So after we walked in the parade, uh, let’s see—in the first, uh—in August of ’92, we signed a, uh, contract with the Radisson Hotel downtown at Lake Ivanhoe, uh, to hold our meetings for over five years. Our general meetings. And we did that so that we could overcome that hurdle of people being afraid to walk into a gay s—gay establishment. Um, we had those meetings—we structured those to help the community to come out, obviously. We helped, um, them to be more confident in their job. Um, as far as networking with a group of pro—professional people.&#13;
&#13;
Simmons	&#13;
We worked to develop educational materials for people to start their own businesses or to strengthen their businesses. We hosted, uh, political candidates’ forums. We did that early on. Uh, those were some of the more nerve-wracking and difficult meetings. Getting, uh, folks that were campaigning to become an official or those that were in elected o—elected office. Uh, we did, um, work to get the mayor of Orlando, Glenda Hood—at that time, uh—in ’94. She had become the mayor in ’92, so we are—we were kind of linked together for a number of years while she was the mayor until 2002. Um, we had approached her office, Tom Dyer specifically, who’s the—uh, he was the founder—or was the founder of Watermark and he’s still involved. Uh, but he doesn’t own it anymore. Um, he was instrumental in getting Glenda Hood, uh, to attend the—the first meeting. Um, and it was not an easy task because she did everything that she could—I shouldn’t be so critical, but looking back, it was a whole different time. And I understand now more than I did then what she was dealing with and why she didn’t want to attend our meeting. Um, they had every excuse. Her office and—and she did—for not coming to one of our meetings. &#13;
&#13;
Finally, in ’94, she did come to the meeting. And it was explosive in a lot of ways because there was a big interest in our community, uh, so we had big attendance. And often times our candidates’ forums and our political events like that—we did have large attendance. Um, she was asked some very direct questions about supporting the gay community and non-discrimination. And she stood right at the podium and said, “I will not be a champion for your cause.” And when she said that it was—it—it—right behind that she said, “but I encourage you to get involved in your—in your local government. I encourage you to get on boards. I encourage you to run for elected office.” So it wasn’t—I heard both sides of what she was saying. A lot of people that were there that night—what they heard was, “I will not champion your cause.” And that—that’s why I say it was explosive, because it made a lot of people really energized. That okay—well, now we’re going to be on the steps of City Hall asking, “Why not?” Because we all pay taxes, too. &#13;
&#13;
So that to me was, um—it was a milestone in what happened with—it was eye opening for the community. It was energizing. And it, um, made us realize that in the very beginning, when we talked about developing our mission and our bylaws, we had talked about using the—the terms, um, the MBA to be a political and economic force. And some people found that a little bit too much. To use the word “force” and to use “political” in there. “Economic”, well, that’s one thing. It’s the Metropolitan Business Association. It’s a business association like any other chamber, but the political side of it—some folks were pretty nervous about it. I was nervous about it, too. I mean, that’s, uh—that’s saying a lot. &#13;
&#13;
Well, it turned out that that’s exactly what the MBA became in short order. Because we were the ones that were going to folks that were running for office or that were in office and saying, “Okay. What we’d like you to do is sign a pledge.” And it was the Human Rights Campaign pledge at the time. It was a couple of sentences that basically just said that they would implement into their policy and procedure that there would be no discrimination against the LGBT community. Gay community. I think it said “gay and lesbian” at that time. Um, and it was a great piece to ask them to sign because it was simple. It wasn’t asking for the world. It was just asking for equality. Uh, and that really, um—with Mayor Hood, uh, in ’94, there was no way she was going to sign that. She wouldn’t have signed anything like that. &#13;
&#13;
But by the time—I’ll fast forward a little bit—by, um, I believe it was the ’98 election, uh, she came to our—our meeting. Um, we had scheduled a—a joint appearance with her and Orange County Chairman Linda Chapin at that time. Um, unfortunately, a police officer was shot in the line of duty that day, so Glenda [Hood] had to postpone. Um, so Linda [Chapin] came and we had a great meeting with Linda [Chapin]. Uh, and then shortly thereafter, we resched—rescheduled with Mayor Hood and she came. And I may be mixing this up a little bit, um, because I know she was—I think she had to postpone because of something else. And the night she was coming to the meeting was the night that the police officer was shot. And we were afraid she wasn’t going to show up, but she did, in fact, come. Um, and that night we asked her if she would sign the pledge of nondiscrimination. And, um, she said that she would. So, uh, I called her office—and, again, I might be mixing dates up a little bit. I have to look back at all the paperwork, which I’m going to give to you. Um, she did sign that pledge, but it—it didn’t happen that night. It happened right before the election in March. I had to call her office and pursue the signature. And had—their, uh—her office faxed it like the day before the election or the day of the election. So, it became very, very clear to us then that, okay, now we really do have that clout that we were looking for. &#13;
&#13;
Simmons	&#13;
And we were asked all the time, um, during that process—and then fast forwarding a little bit to 2000 when we were working with Human Relations Board of the City of Orlando and Mayor Hood’s office, uh, trying to get the, uh, city code amended to include sexual orientation. Simple thing again, like the pledge. Um, it was—I forget where I was even going with that. There I go [laughs]. &#13;
&#13;
Raffel	&#13;
[laughs].&#13;
&#13;
Simmons	&#13;
It was—okay, let’s see. So we were getting her to sign the pledge, uh—she was, by 2000, telling us that she was supporting what we were doing, uh, even after we had fought for the rainbow flags to be hung in 1998. That was a huge spectacle and a fiasco. That was another thing that drew the community closer and closer together. Not just the gay community, but all of our allies. I mean, they came out from everywhere. &#13;
The same thing happened in 2000 to 2002 when we were holding the—or the downtown develop—or, uh, Human Relations Board was holding the meetings, um, to amend the—the policy. Mayor Hood was acting in public as if she was more supportive then she had been. Um, and then when we pulled the public records—which I had been chosen on the Orlando Anti-Discrimination Committee to be the one to pull the public records—um, found out that she and Commissioner Vargo—Vicky Vargo—were actually working with our adversaries. Um, and they were trying to pack the meetings. Um, and—and they succeeded in—in getting some people flown here and bussed here, um, with the Christian Coalition, um, uh, Family Research Council, Liberty Council, some of those folks, uh, to speak at the hearings when in fact they were telling all of us that you needed to be a resident of the City of Orlando in order to speak. If you had a business in Orlando you could speak. Um, and they were not telling the truth even on their appearance forms, which we found out, too, by pulling the public records. So we found out a lot about who was who and what was happening during those two-year—tho—that two-year period. &#13;
&#13;
Simmons	&#13;
So, fro—in the ‘90s, it was really us getting our legs under us, working with the community to build the community, create that strength, the unity, the relationships. Like I said, we didn’t have social media so we’re talking on the phone. We were meeting in person—a lot of meeting together face-to-face. Um, so a lot of us became friends in addition to working together to make the changes. Um, and in the early 2000s, after going through that two-year battle, um, we were stronger than ever but bruised after listening to all those terrible things that were said by the groups that the adversaries—that had been put together. &#13;
&#13;
Um, so we dusted ourselves off and 2003 to 2004 and 5 we were trying to, um—the MBA, the Metropolitan Business Association wasn’t really organizing the parade. We were participants in the parade. Um, and the parade was like it is around the country: the—the pride event where people get together and are able to spend that time together really being out in the street marching for their rights, representing themselves. Um, and our parade had started to fall apart. And we were seeing in dwindle and dwindle for reasons that we weren’t quite sure why. The—the parade had gone through various groups that were organizing it. Um, and then by July of—you know, June/July of 2005, it had completely dissolved. And so we had talked about it over the years because we wanted to do everything that we could to support the parade, but we didn’t want to step on the organizers’ toes either because we didn’t want, you know, to crau—cause dissention. And we didn’t want to take it over ourselves. [laughs] We didn’t want that responsibility. &#13;
&#13;
Simmons	&#13;
Um, but by the time it fell apart, it was—it had been on our radar long enough, and been on the agenda, that the board of the Metropolitan Business Association finally said, “Okay. Well, let’s start a new organization.” And that was the way that Come Out with Pride was born. Um, we decided that, okay, June had passed. It had always been a discussion about how hot it is in June. It’s always raining. The weather was always brutal at the parade. So let’s, um—what can—what other date can we pick? And what can we do between now and the end of the year to actually do a parade? &#13;
&#13;
And so we identified, um, October as National Coming Out Day on October 11th. Uh, National Gay and Lesbian History Month. Um, so it made perfect sense. We thought maybe the weather would be cooler, although that’s not proved to be true [laughs] since 2005. It seems like it’s been hot every year. And we’ve even dealt with a hurricane. So—but anyway, that was the whole thought process behind it. And from July to—to October, we put the event together. And we had it downtown. Um, we partnered with the students at UCF —with the Gay and Lesbian Bisexual Student Union. We thought that putting the business owners and professionals together with the university students, who always had an event at UCF, made perfect sense. &#13;
Um, and we partnered with the History Center—Orange County [Regional] History Center—so when the parade was over, everybody landed at the History Center. Uh, the History Center was great. They let us put a[sic], uh, exhibit inside. So all the students got together and the different organizations got together. Everybody made all of their displays and we put the displays up. Um, the first year we did the simple thing of developing a t-shirt that everybody could wear. A bright yellow shirt. Uh, we had “volunteer” on the back. So everybody that came to the event knew these are the people with Come Out with Pride. And that’s what we named it. Um, and the first year I believe, um—and again, I don’t—I don’t have those numbers with me, but we had, uh, several thousand in 2005. 2006, we did the same thing, um, and landed at the History Center. Uh, we did a brunch the first year in 2005 as well. And Mayor Dyer  attended that—Buddy Dyer. Um, that was one of the first times—and Buddy, when he was running for office, came to our functions and actually asked for our vote. And was very open and accepting of our community. So—but when he spoke at the brunch that day, that was him really coming out himself to the community. &#13;
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Uh, so by 2006, we did the same thing. Um, we had a larger turnout. 2006. We realized that the parade route needed to be enlarged. But more importantly than that, the History Center venue in the front of the History Center was not conducive for what we were trying to do. Um, so we talked with the city about moving the event to Lake Eola [Park]. Um, and believe it or not, even in 2007 that was not an easy process. Over the years, we had encountered problems with the City of Orlando, the City of Maitland when we were trying to have our first expo with the MBA in 1994. We got the excuse, ironically, from both, about double-booking. There was a double-booking problem with one of the first parades that the MBA didn’t have anything to do with, uh, organizing. That was Orlando Regional Pride Parade. Uh, they said they had double-booked. And so that year the parade shifted first to City Hall. Uh, one of the instrumental people on that, um, b—b—board was, uh, Phyllis Murphy and Patty Sheehan. Um, gosh. I should be able to again—to remember all—everybody’s names. Uh, there was a core group of people. Eileen Bell, Brian Hubert—De Hubert-Arbagast. He had a long last name. So, anyway—so they had a double-booking there. Couldn’t do it. Then we had that happen at the Maitland Civic Center when we tried to have our first Expo. So 2007 [road noise]—hello. 2007—sorry for the traffic. Uh, [clears throat] when we wanted to move to Lake Eola, it was still—there was still some of that—even though Buddy Dyer was the mayor—there was still some of that unease with the gay community. And there was definitely a—a pushback that they didn’t want us to have the even at Lake Eola. But it happened. Long story short, we went through the pro—a—all of the process. Um, of course, renting the space, paying all the various fees. And the fees are amazing. &#13;
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Uh, I—I don’t know what’s changed. I’ve been retired now since 2000, uh, 8. But, um, it seemed as though for a number of years, uh, I did five, six, seven and eight—in eight, I was the logistics director. It seemed as though our group had to pay for the things that other people didn’t have to pay for. We had to do things that other groups weren’t required to do. Um, such as, uh, selling alcohol in the park. We had to pay for barricading the entire area to the cost of $10,000. Um, and so there was still some of that, you know, hangover. Um, now 2008 or 2007, I believe that there was, um, 70,000 people. Or that might have been eight. And the last few years there’s been over 150,000 people. And that’s according to the police department. That wasn’t our count. We always relied on whatever th—you know, they said because they’re the official law enforcement to determine the numbers so that we weren’t inflating the numbers. It became a wildly successful event. And then, to back up to 2005, when we were first forming Come Out With Pride, we had the meetings. Um, what we did was we took, uh, myself and two other MBA members with the GLBSU students, um, and we identified—i—it had always been something that I thought was really important that we maintain our [beeping] own history for our movement. Did you hear that?&#13;
&#13;
Raffel	&#13;
Yeah.&#13;
&#13;
Simmons	&#13;
[laughs] I don’t know what that was. Okay. Electronics gone wild. Um, but the—the history of our community. Because of the people that I knew when I got involved in 1991, the people that I met and got to know over the course of those 16, 17 years—um, and I—I knew that they had a history—like Dorothy Coleman and Dick Scholl being so much older than me—that there were those folks that had endured the Stonewall Riots  in ’69. Uh, in ’78, when Harvey Milk  was murdered in San Francisco, he had formed the first gay business guild there. Um, I knew that there was all of this history here, too, of people that had been part of the movement. And so I thought we needed to develop a history committee to maintain all of that history and to develop it and to get it from those people that were still alive. &#13;
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Um, and, at—I mean we were part of—in 2005, from m—the MBA from ’92 to 2005, the amount of—of change that had happened over those 13 years, it was like a blur when I think about it now. Um, but since the MBA just celebrated its 25th year last year, and the board has asked me over time to, you know, put—put these materials together—I mentioned that I have 20 plastic cartons full of archives from all of the things that happened during the course of MBA in the 16 years that I was the president. Um, I think that this is a, uh—a monumental civil rights movement that is—the African American community’s Civil Rights struggle was huge and it—it’s still happening now for hundreds of years, whereas the gay community have remained closeted for, you know, years up until ’69 when Stonewall happened. That seems like—I know there were other things that happened, but that was a big benchmark. So in looking at—and I hea—I‘ve heard people talk about from ’69 to 2015, when the Supreme Court ruled gay marriage as legal, that it’s astounding that the gay community did what it did over the course of that short period of time. And I’ve heard it—heard people reference our activism and how we work together as a community to make those changes happen. &#13;
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So I thought it was so critical that we maintain that history. That we make sure that we present it not only to get recognition to those people that did all that work and put their lives on the line, but for other movements that are obviously going to be necessary. When you look at the political environment that we’re currently in, um, I feel like our—the lessons that we learned in organizing our community are invaluable. And now, uh, with social media, with the internet, with all of these tools that we have with our, uh, immediate access with our phones—cameras, video, all of that—that coupled with the knowledge that the community has can really continue to make huge impact on oppression and equal rights for all.&#13;
&#13;
Raffel	&#13;
Can you describe, um, some of the sort of first portions of the history project, and maybe some of the people who were first involved in getting that formed?&#13;
&#13;
Simmons	&#13;
Sure. Um, I do have that, um, on the committee list here. Let’s see. That would have been, uh, 2005. Um, the first year I did chair, uh, the history subcommittee. Uh, Charlene Bell. Mary Brooks. Mary Brooks, who was the first secretary of the MBA, she got back involved. She, uh, was the secretary for five years. Um, but we had the meeting at her and her partner’s house. Phyllis Murphy. Phyllis and Mary actually met at an MBA meeting I believe in ’93. So they’ve been together for 25 years. Um, Ken Kasmerski. Uh, Patty Sheehan came to one or two of the first meetings. And, uh, Mallory Wells from UCF GLBSU . Um, we met at Mary and Phyllis’s house, um, and, um, all agreed about the importance of securing our history. Uh, and shortly after that, I asked Ken if he would be—if h—if would be the, um—the chair of the history project. And so, then he developed the history project from there. Added on, uh, more committee members and they developed, um—was it six or seven? I—‘cause in—in 2005, when we put all of those displays that were put together by everyone in the History Center, it was only for that one day. So that display then became part of the development of the actual—the timeline of the community, and um, developing and working with the community to gather up all of those archives. &#13;
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And, uh, by 2007, we had—I can’t remember in ’06 if we had—we had—I think we had the history project back in the History Center if I recall correctly. And it had gotten larger. And I think it was in one of the—the rooms that was, um, a courtroom. It ha—actually had the—you know, the bench and whatnot. I think that’s the way that ’06 was. And then 2007, we actually had an air conditioned tent at Lake Eola. And the—they put the wall of remembrance of the folks that had passed. They had developed a—a timeline. Um, and they were great. I mean they—they worked that thing all day long. And people were in and out of that tent all day long looking at all those. And I believe that that [exhales] really, um, inspired people, too. Because there were people there—I went in and spent some time myself to cool off, um, and to say hello to everybody. But in watching, uh, what I saw was people that had no idea who some of these folks were. Had no idea about the timeline of our movement here. &#13;
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Um, and then I saw others that were touched because they remembered Jimmy Brock , who was the pastor at Joy MCC , who had passed away. Um, and others. They—they remembered them, and so they were moved. And I—I could see the young people and I’ve th—I kept thinking about—I always did this whenever I went to Come Out With Pride—think about how I felt in 1991, when I went to that first parade. And that I was scared to death. I was just coming, you know, coming to—I had come out already, but just—I felt like coming into adulthood even though I was 31, you know? Um, starting to, uh—we hadn’t started Shelby Press yet. We started it in ’92. Uh, the MBA started—or not—or we started Shelby in ’93, but we started MBA in ’92. But I thought about—I—I still think about, you know, that it’s important that we inspire the young people to be confident in who they are and to accept themselves and to live their life to the fullest. And how better for them to get some insight into that then to see the timeline. To see those people that did that work. That made a difference in the lives of all of us—being able to live a healthier, more secure life.&#13;
&#13;
Raffel	&#13;
And do you have a favorite memory from your work with the history museum?&#13;
&#13;
Simmons	&#13;
[meowing] Um, and that was Louie giving his two cents.&#13;
&#13;
Raffel	&#13;
[laughs].&#13;
&#13;
Simmons	&#13;
Our kitty cat. Um, my favorite part of—of being involved with the beginning stages of the history project was seeing someone like Ken. Ken Kazmerski, who’s a little older than me, knowing his history and how he had worked with the students at UCF and Gay and Lesbian Bisexual Student Union. Um, and Phyllis and Mary. Phyllis Murphy and Mary Brooks. Um, knowing Mary and working with her side-by-side. Knowing Phyllis and her work on Orlando Regional Pride with the first few parades. Um, come back, uh,—it—together with the young people from UCF. To me, it wa—it—it’s—I—that’s what I’ve always thought. Um, and now there were a couple of people I will say that couldn’t see that. Couldn’t see that the—the wisdom of bringing the young people in. Because what are they—what are they going to contribute? And the majority of us though kept saying, “This is to encourage and to inspire future leaders. Because they need us and we need them.” &#13;
&#13;
So, to me, that was—that—it was that and it was, um, knowing that—that they were serious about remembering. Remembering how we got to 2005. What the community had endured here and what happened. When I went to the March on Washington in 1993 and 2000—uh, especially 2000—there was[sic] even newspaper articles written in the [Orlando] Sentinel. Um, one of ‘em I had on my—had framed in my den for a while—um, said well, you know, [meowing] most people are staying home and why—why go to a March on Washington again in 2000? We—those of us that got together and went—knew that it was going to reenergize us. It was gonna recharge our batteries. Excuse me. Bye bye. [laughing] It was to—for us to be re-inspired and recharged. &#13;
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So Come Out with Pride and the history project. And having a festival and a parade and bringing young and older and old, um, gay and straight and bi and trans and every ethnic—everybo—bringing everybody together that’s still alive to remember those that aren’t with us anymore. That’s what the history project did for me in 2007 with the tent. Walking around and looking and everything. That’s what I re—I thought about—is all those people, many of whom I knew. I knew them. And they were inspirational for me. And so, I was so happy that everybody that walked through there got to see that. Everybody experienced it differently based on their—their own life. Who they are and whatnot. But that’s—that was the—the—the real moving part I guess for me.&#13;
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Raffel	&#13;
And just to kind of go backwards a little bit, you mentioned I think briefly the first, uh, expo that the MBA held. Can you tell me a little bit more about what—sort of what led to that and the—and the difficulties you had finding space?&#13;
&#13;
Simmons	&#13;
Um, in, uh, 1994, at—at a—I believe it was a—it might have been ’93—Sandy Fink had come on to the board. She was a veterinarian. Um, and she had—let’s see. She was the networking chair in May of ’93. And then the membership director in December of ’93 to May of ’98. I remember when we were at a board meeting and, um, she and the networking and expo committee she put together—or I don’t think she put the committee together yet. She started talking about it. Um, and I didn’t know that our community was ready to have an expo of all of the—the businesses. I knew we had identified, uh, people that had businesses in the community. We had—we had identified some, uh, allies in the community. Not big corporations, but people that wanted to be part of our association. But when she said that we should do a business expo, uh, some of us were like, “Wow.” You know? “Are we really ready for that?” &#13;
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And so, she was—put together a structure. Um, put together a committee, and—Louie [laughs]. By, um—by the time we got—we had several board meetings, talking about doing an expo. We were all on board. Uh, because they—they were ready to go. But where to have the event? So they identified the Maitland Civic Center on Lake Louie. And it was a—a great place. It still is. Um, and we, uh, signed the contract. We were ready to go. And it was—we’d already advertised. We had already printed our first, um, uh, uh—it became the buyers’ guide or the membership directory. Nut, uh, uh, an expo directory of, you know, who was going to be there and whatnot. Um, we had a map. And then we had everybody listed in there. Um, and Maitland Civic Center said that we couldn’t do it because they had a double booking. &#13;
&#13;
So, um, Sandy went to civil court. And we were just talking about it leading up to the 25th anniversary of the MBA. And, uh, she reminded us, and reminded me especially, about her going to court. And she was nervous because she said, you know—she wasn’t really out, out. And there she was in civil court and she said it was the first time she’d uttered “gay and lesbian” in public. In a courtroom, no less. And she said the place gasped. She said she could feel it. Um, but because the contract was signed before the other contract—they were just pulling that double-booking thing to try to stop it. Once they—I guess some people decided, “Oh, it’s a gay and lesbian business association. No. We can’t do that in Maitland. We’re not gonna have that.” Um, but, we won. And so, we had our event. &#13;
&#13;
Simmons	&#13;
We had 89 vendors at that expo. And that was a—that was another big turning point for the professionals and the business centers in this community. Um, people started to recognize that we—back then, we didn’t have corporate support. So the small businesses—we were the backbone of the community. We were the ones that funded, um, things, um, uh, paid the membership dues, paid extra money, sponsored different things to make things happen. Um, and that we were the ones that were—were going to work together to even build it larger. To build our business structure larger. To encourage professionals that were contemplating starting their own business or practice to do so. And they did. &#13;
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Um, uh, a number of people—now not going back that far, but, um, there are some that have—have formed, uh, in the last 20 years instead of the last 25 years. Uh, but Tom Dyer, um, at Watermark—he’s an attorney. And he was working for another practice. And it wasn’t—and don’t quote me on this, but it wasn’t long before Tom started his own law practice. Um, and I believe he started Watermark in, uh, ’94. And so, he—he—I heard him talk about that recently. About, you know, seeing what was happening in other big cities and newspapers and this and that. And he thought that Orlando could really do with having its own newspaper. Plus, he dealt with the—the political scene here, like I had said, with Glenda Hood. And knew that we weren’t getting the coverage. Um, we weren’t getting the representation that we should. Uh, a—something as simple as Mary Brooks, who I have mentioned a couple of times—that was the secretary. She w—worked at the Orlando Sentinel. She was a reporter. And at that time, we couldn’t even have our, uh, partners’ names listed in our obituaries. I mean it was just things like that. Everywhere we turned we had, um, discrimination. &#13;
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So, yep. ’94, we had 89 vendors. And then we had six business expos. Um, and that kind of hand-in-hand worked with what we wound up doing with Come Out with Pride in having the festival in the park. The festival in the park is really a business expo. It’s where we b—we brought the politicians together with the non-profits with the large corporations and with the small business centers in the MBA. So we had developed that experience in order to put together that part of Come Out with Pride.&#13;
&#13;
Raffel	&#13;
And was the discrimination in the community—was that one of the reasons that, uh, you didn’t put LGBT or i—in the name of the business… &#13;
&#13;
Simmons	&#13;
Yes.&#13;
&#13;
Raffel	&#13;
…association?&#13;
&#13;
Simmons	&#13;
Yes. And we had talked a lot about it. Um, it wasn’t as if we were hiding who we were, but we were trying to again, um, protect those that wanted to come to our functions that were advet—advertised at the Radisson, The Metropolitan Business Association. Well, that’s not saying it’s a gay and lesbian function. Um, and there were a number of times that we had functions there that, um—I’ll never forget one night that we were having a function there that John Butler Booke, who is a—was—I don’t know if he’s still alive—a—a minister pastor in Apopka. Uh, he was one of the biggest voices against us in the ’98 controversy to hang the rainbow flags. Uh, he came to everything and anything. Well, they were having a separate event at the Radisson. And some people that were coming to our event were on that elevator with him. And he didn’t know who they were. They knew who he was. And I remember them coming in. And I can’t tell you even who it was specifically. But came in and said, “Oh, my gosh. You’re not going to believe who I just saw in the elevator. John Butler Booke is here.” &#13;
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And so that was just reaffirmation for us, you know, that those five and a half years or so that we were at the Radisson, that was a period of time where we built strength and confidence and encouragement for the community to, you know, come out and to be more confident in being themselves. Being authentic. Uh, but when we, uh, talked about the name of the MBA—I believe we were at Metropolitan Community Church, and Sam Singhouse and Marcy Singhouse’s, uh, sister-law—Sam was instrumental in those very—in the very beginning. He owned the big bang club downtown Orlando. A—and he and Marcy were always there. And Sam Singhouse is Miss See—Miss Sammy. Everybody knows Miss Sammy. Um, and we were talking about the name. And Marcy was the one that actually wound up coming up with the Metropolitan Business Association. And, um, it –I mean everybody was like, “Yes, that’s it!” And so it stuck. And we never changed that. Um, the logo changed a few times over the years, but it was still, um, the Association. That’s what we were is all—you know, we—like I said in the beginning, uh, we—we developed relationships with one another that lasted for years and years. And sometimes lifetimes. Like Mary and Phyllis. Um, whether it be a—a—a marriage, which now we’re allowed to actually have marriage, um, or just a lifelong friendship. &#13;
&#13;
Raffel 	&#13;
And what do you see as some of the maybe next steps or next big goals for organizations like the MBA and the LGBTQ History Museum?&#13;
Simmons	Well, um, I’m really glad that the—the History Museum is continuing and evolving and growing. And, um, as far as the MBA goes, I know that they’re really working on, um, corporate diversity and making sure that with the National Gay and Lesbian Chamber, uh, that you have certification. And that—there’s that association. That group of large businesses that will buy from—recognize a gay and lesbian, trans—a tran—LGBTQ business as someone that they want to buy from. So they’re working on that. I know that they’re, uh, focused on, uh, transgender and gender equality. That’s very important. &#13;
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Um, it’s—I know we—we’ve talked about this. Um, in 2015, when the Supreme Court ruled gay marriage legal , um, we had—that was in June of 2015—there was this sense of elation. Um, and I remember people saying—asking me and saying to me, “Do we really have a need for the Metropolitan Business Association and, um, the History Museum?” Of course. I mean, yeah. That’s gonna go on as long as people are alive to develop—to continue to develop all those archives. Um, but is it really needed anymore now that we have, you know, gay marriage? It’s legal. Well, it’s a lot more than that. It’s, um, uh, transgender. It’s gender equality. It’s—uh, you can still be fired from your job if you’re gay. Um, and we knew that there were—I knew, and I’m sure that most people knew, that there would be a backlash. &#13;
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Um, but still there’s that sense of elation. I remember it was just three years ago, um, that everybody was—eh, I was going around getting every newspaper I could get. I was online looking at everything. Reading everything. Recording everything that I could during that. So amazing. And Prop 8 . And the fact that it was David Boies and—what’s his name? Theodore, uh—it’s gonna—and I—he was a con—he was the conservative that, um, represented Bush  after the 2000 election. Olsen. Ted Olsen. Ted Olsen and David Boies. That they were the—the lawyers worked together. The conservative and the liberal. Um, and Prop 8 was overturned in California. &#13;
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All these things happened. And people were elated. And, my gosh, for us to just have—I mean, a lot of terrible things have hap—had happened between 2015 and 2016, with these mass killings and shootings. Um, but when Pulse  happened in 2016 in June, um, it was—I—I still have a hard time even articulating how I feel about it. Um, I couldn’t even talk about it because I knew the—the—the impact that it had had on—i—i—it squashed immediately that feeling of elation. Yes. It was a huge victory. But—that we—we achieved gay marriage. But, my gosh, what a gut punch. And have all of those people murdered. Um, regardless of the murderer’s motives, it was in a gay nightclub, um, owned by Barbara [Poma], a heterosexual. Um, to give Pulse and life to her brother’s life. Um, you know, it—I mean the way it—it—it’s just all come together, to me it’s a—it’s a—a reminder that the work is never finished. That it’s important.&#13;
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I mean, I’ve been trying myself for the last ten years. I’ve been retired from my—my, uh, volunteer work and focused just on working for a living. Uh, sometimes I wonder how I worked 40 hours plus at work and 40-plus hours with the Metropolitan Business Association. Again, this goes to the age thing. I was telling you earlier, um. Uh, I’ve been trying to figure out what—what I can do now to participate. I don’t—I still haven’t been able to really—like I said, I can’t even articulate how I feel and it’s been two years since Pulse. Um, when the anniversary rolled around last year, um, it—very somber with everybody that I know. Um, and I thought this year would be, you know, a little bit—not easier—but a little bit better. But it’s not. Um, and I can’t even fathom what the families are going through. &#13;
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Um, we have a—a young person that has come to work with us. Uh, she’s 26 and, um, she’s heterosexual. Not that that’s really relevant. But it is because she was impacted. And she asked me about posting on Shelby Press, uh, on Facebook—on our page—something about Pulse. And she had put together some—some language, um, and—just us all here trying to talk about it. And talk with her about it. It’s just, um—like I said, it’s hard to talk about it. Cause I just don’t even know what to say. And I—I feel like putting something on social media now like, uh, the thing now that the students from Parkland  have made very clear. Um, we call BS on thoughts and prayers. Because that’s not—that’s not gonna do it. &#13;
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So, yeah. It’s important. It’s important for all of the organizations. For the Metropolitan Business Association. For the History Museum. For Come out with Pride. For the Center. For, uh, Parents and, uh, Friends—PFLAG—uh, for GLBSU at UCF. For everybody to continue doing their work. And to never think, no matter what—what—how many steps we make forward, that we should ever let our guard down. And that we be out there representing our community and thinking about going back to what I had said earlier about our struggle for our civil rights. That the Constitution affords us those rights, as it affords every citizen of this country. Um, that our struggle is, and will continue to be, a model for the rest of the community to say, “Yes we can.” Love that about Barack Obama. Yes we can. Yes we will. And y—y—you might kick us down, but we’re gonna stand up again. And we will not let hate win. Ever. &#13;
&#13;
Raffel	&#13;
Thank you so much. If you had nothing to add. That’s all my questions.&#13;
&#13;
Simmons	&#13;
I know we skated all over it.&#13;
&#13;
Raffel	&#13;
That was great. &#13;
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Simmons	&#13;
[laughs].&#13;
&#13;
Raffel	&#13;
That was perfect [laughs].&#13;
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Simmons	&#13;
I mean I—I didn’t even, uh…&#13;
&#13;
Raffel	&#13;
[laughs].&#13;
&#13;
Simmons	&#13;
Wow. Thank you so much.&#13;
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Raffel	&#13;
Thank you, Debbie.</text>
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                  <text>Orlando Unitarian Universalists can follow their roots back to 1912, when Reverend Eleanor Gordon was first minister to a church formed with 21 members. Building Unity Chapel in 1913, the group shared literary and spirited discussions, fostered by transplanted Unitarians from the North. Property in an orange grove east of town was purchased in 1954. The congregation moved from Lake Eola to Robinson and Hampton once children’s religious education classrooms and a social/worship hall were built in 1958. Gore Hall was completed in 1963, and served as a worship facility for many years. The current modern Sanctuary was dedicated in January of 1995.</text>
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                  <text>Buehrens, John A. &lt;a href="http://www.worldcat.org/oclc/678924285" target="_blank"&gt;&lt;em&gt;Universalists and Unitarians in America: A People's History&lt;/em&gt;&lt;/a&gt;. Boston: Skinner House Books, 2011</text>
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                  <text>Hoefer, Jean M., and Irene Baros-Johnson. &lt;a href="http://www.worldcat.org/oclc/18785026" target="_blank"&gt;&lt;em&gt;May No One Be a Stranger: 150 Years of Unitarian Presence in Syracuse&lt;/em&gt;&lt;/a&gt;. Syracuse, N.Y. (3800 E. Genesee St., Syracuse 13214): May Memorial Unitarian Society, 1988.</text>
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                <text>A typewritten card containing the schedule of the Liberal Religious Youth, which was an autonomous youth group affiliated with the Unitarian Universalist Association. The group had a presence in Orlando and was responsible for organizing and conducting civil rights demonstrations during the 1960s, including sit-ins at segregated lunch counters and going to other segregated establishments such as theaters and pools. A notable demonstration by the Orlando group was their sit-in at Stroud's Rex Hall Drug Store on March 9, 1961. The Liberal Religious Youth group in Orlando was composed of white and black students generally between the ages of fourteen and nineteen. They met in the library and Gore Hall building of the First Unitarian Church of Orlando at 1901 East Robinson Street. The group disbanded in 1982.</text>
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                <text>Originally created by Liberal Religious Youth and published by the &lt;a href="https://www.orlandouu.org/" target="_blank"&gt;First Unitarian Church of Orlando&lt;/a&gt;.</text>
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                <text>Copyright to this source is held by the &lt;a href="https://www.orlandouu.org/" target="_blank"&gt;First Unitarian Church of Orlando&lt;/a&gt; and is provided here by &lt;a href="https://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Buehrens, John A. &lt;a href="http://www.worldcat.org/oclc/678924285" target="_blank"&gt;&lt;em&gt;Universalists and Unitarians in America: A People's History&lt;/em&gt;&lt;/a&gt;. Boston: Skinner House Books, 2011.</text>
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                <text> Kunerth, Jeff. "&lt;a href="https://www.orlandosentinel.com/features/os-black-teens-civil-rights-story.html" target="_blank"&gt;Teens spark Orlando's civil-rights era&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;. February 09, 2010. Accessed January 11, 2017. https://www.orlandosentinel.com/features/os-black-teens-civil-rights-story.html.</text>
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                <text> McCleary, John Bassett, and Joan Jeffers McCleary. &lt;a href="http://www.worldcat.org/oclc/699245235" target="_blank"&gt;&lt;em&gt;The Hippie Dictionary: A Cultural Encyclopedia (and Phraseicon) of the 1960s and 1970s&lt;/em&gt;&lt;/a&gt;. Berkeley, Calif: Ten Speed Press, 2008.</text>
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                <text> Kunerth, Jeff. "&lt;a href="https://www.orlandosentinel.com/news/os-xpm-2009-09-21-0909200087-story.html" target="_blank"&gt;Jones Grad joined sit-ins for civil rights&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;. September 21, 2009. Accessed January 11, 2017. https://www.orlandosentinel.com/news/os-xpm-2009-09-21-0909200087-story.html.  

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                  <text>Hoefer, Jean M., and Irene Baros-Johnson. &lt;a href="http://www.worldcat.org/oclc/18785026" target="_blank"&gt;&lt;em&gt;May No One Be a Stranger: 150 Years of Unitarian Presence in Syracuse&lt;/em&gt;&lt;/a&gt;. Syracuse, N.Y. (3800 E. Genesee St., Syracuse 13214): May Memorial Unitarian Society, 1988.</text>
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                <text>Minutes of Monthly Meeting, March 3, 1960</text>
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                <text>Orlando Ministerial Association Minutes of Monthly Meeting</text>
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                <text>Minutes of a monthly meeting of the Orlando Ministerial Association. The meeting was held on March 3, 1960, at the Y.M.C.A. in Orlando, Florida. The committee charged with looking into a possible merger had no report available on a possible amalgamation with the Orange Country Ministerial Association. Members unanimously concluded that they needed to register and urge their churchgoers to vote. Also discussed was the Sunday Closing Law, which mandated that all businesses had to close on Sunday. The Orlando Ministerial Association was against this because they saw it as a violation of constitutional rights. Non-violent lunch counter protests were also discussed. </text>
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                <text>Digital reproduction of original typewritten report, March 3, 1960: &lt;a href="https://www.orlandouu.org/" target="_blank"&gt;First Unitarian Church of Orlando&lt;/a&gt;.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/218" target="_blank"&gt;First Unitarian Church of Orlando Collection&lt;/a&gt;</text>
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                <text>Orlando Ministerial Association</text>
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                <text>&lt;a href="https://www.orlandouu.org/" target="_blank"&gt;First Unitarian Church of Orlando&lt;/a&gt;</text>
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                <text>Originally created by Orlando Ministerial Association and published by the &lt;a href="https://www.orlandouu.org/" target="_blank"&gt;First Unitarian Church of Orlando&lt;/a&gt;.</text>
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                <text>Copyright to this source is held by the &lt;a href="https://www.orlandouu.org/" target="_blank"&gt;First Unitarian Church of Orlando&lt;/a&gt; and is provided here by &lt;a href="https://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Buehrens, John A. &lt;a href="http://www.worldcat.org/oclc/678924285" target="_blank"&gt;&lt;em&gt;Universalists and Unitarians in America: A People's History&lt;/em&gt;&lt;/a&gt;. Boston: Skinner House Books, 2011.</text>
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