1
100
21
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A History of Central Florida Collection
Alternative Title
History of Central Florida Collection
Subject
Podcasts
Documentaries
Description
A History of Central Florida Podcast series explores Central Florida's history through the artifacts found in local area museums and historical societies.
Contributor
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
Cassanello, Robert
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/70" target="_blank">RICHES Podcast Documentaries Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Altoona, Florida
Astor, Florida
Brevard County, Florida
Bushnell, Florida
Clermont, Florida
Cocoa Beach, Florida
Daytona Beach, Florida
DeLand, Florida
Disston City, Florida
Fort King, Florida
Geneva, Florida
Goldenrod, Florida
Groveland, Florida
Holly Hill, Florida
Hontoon Island, DeLand, Florida
Jacksonville, Florida
Kissimmee, Florida
Lake Apopka, Florida
Lake County, Florida
Lake Mary, Florida
Marion County, Florida
Merritt Island, Florida
Miami, Florida
Mims, Florida
Mount Dora, Florida
Newnans Lake, Gainesville, Florida
New Smyrna, Florida
New Smyrna Beach, Florida
Ocala, Florida
Ocklawaha River, Florida
Orlando, Florida
Ormond Beach, Florida
Osceola County, Florida
Sanford, Florida
Silver Springs, Florida
St. Augustine, Florida
St. Cloud, Florida
St. Johns River, Florida
St. Petersburg, Florida
Tampa, Florida
Tavares, Florida
Weirsdale, Florida
Winter Garden, Florida
Winter Park, Florida
Ybor City, Tampa, Florida
Rights Holder
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a>
Contributing Project
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
External Reference
"<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php.
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
1 podcast
Duration
16 minutes and 57 seconds
Compression
136kbps
Producer
Cassanello, Robert
Director
Velásquez, Daniel
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A History of Central Florida, Episode 50: Vernacular Exhibits
Alternative Title
Vernacular Exhibits Podcast
Subject
Podcasts
Documentaries
Winter Park (Fla.)
Orlando (Fla.)
Longwood (Fla.)
Restaurants--Florida
Monuments--Southern States
Memorials--Florida
Hinduism--United States
Lanterns--China
Parades--United States
Homosexuality--Florida
Lesbianism--Southern States
Bisexuality--United States
Transgender people--United States
Parks--Florida
Description
Episode 50 of A History of Central Florida podcasts: Vernacular Exhibits. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners.<br /><br />Episode 50 features a discussion of vernacular exhibits throughout Central Florida, including those at Gateway to India, Chuan Lu Garden, . This podcast also includes interviews with Dr. Tammy S. Gordon of the North Carolina State University, Drs. Deepa Nair, Hong Zhang, and Fon Gordon of the University of Central Florida, and Dr. Katherine McFarland Bruce of Wake Forest University.
Type
Moving Image
Source
Original 16-minute and 57-second podcast by Daniel Velásquez and Robert Cassanello, 2015: RICHES Podcast Documentaries, Orlando, Florida. <a href="https://youtu.be/LaEksy9Pb90" target="_blank">https://youtu.be/LaEksy9Pb90</a>.
Requires
<a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a>
Application software, such as <a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a>
Is Part Of
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/137" target="_blank">A History of Central Florida Collection</a>, RICHES Podcast Documentaries Collection, RICHES of Central Florida.
Coverage
Gateway to India, Longwood, Florida
Chuan Lu Garden, Mills 50, Orlando, Florida
Flag of South Vietnam, Little Vietnam, Mills 50, Orlando, Florida
International Plaza, Lake Eola Park, Downtown Orlando, Florida
Creator
Velásquez, Daniel
Publisher
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a>
Contributor
Gordon, Tammy S.
Nair, Deepa
Zhang, Hong
Gordon, Fon
Bruce, Katherine McFarland
Cassanello, Robert
Clarke, Bob
Ford, Chip
Gibson, Ella
Hazen, Kendra
Kelly, Katie
Wong, Shally
Stephenson, Chris
<a href="http://www.asiatrend.org/" target="_blank">Asia Trend Magazine</a>
<a href="http://comeoutwithpride.com/" target="_blank">Orlando Come Out With Pride</a>
Hosé, Aaron
<a href="https://archive.org/" target="_blank">Internet Archive</a>
<a href="http://harrismattei.photos/" target="_blank">Harris Mattei Photography</a>
Date Created
ca. 2015-06-09
Date Issued
2015-06-09
Date Copyrighted
2015-06-09
Format
application/website
Extent
219 MB
Medium
16-minute and 57-second podcast
Language
eng
Mediator
History Teacher
Geography Teacher
Provenance
Originally created by Daniel Velásquez and Robert Cassanello and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a>.
Rights Holder
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a>
Accrual Method
Item Creation
Contributing Project
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
External Reference
"<a href="http://www.gatewaytoindiarestaurant.biz/about-us/" target="_blank">About Chef Kapoor</a>." Gateway to Indian Restaurant. http://www.gatewaytoindiarestaurant.biz/about-us/.
"<a href="http://www.chuanluyuan.com/" target="_blank">CHUAN LU GARDEN</a>." Chuan Lu Garden. http://www.chuanluyuan.com/.
Ketcham, Sandra. "<a href="http://www.visitflorida.com/en-us/articles/2012/august/2305-the-evolving-identity-of-orlandos-little-vietnam.html" target="_blank">The Evolving Identity of Orlando's Little Vietnam</a>." Visit Florida. http://www.visitflorida.com/en-us/articles/2012/august/2305-the-evolving-identity-of-orlandos-little-vietnam.html.
Click to View (Movie, Podcast, or Website)
<a href="https://youtu.be/LaEksy9Pb90" target="_blank">A History of Central Florida, Episode 50: Vernacular Exhibits</a>
A History of Central Florida
Aaron Hosé
Asia Trend Magazine
Bapu
bear
bisexual
Bob Clarke
China
Chinese
Chip Ford
Chris Stephenson
Chuan Lu Garden
City of Orlando
colonial
Colonial Drive
colonialism
community curation
Cuba
Cuban
curation
curator
Daniel Velásquez and Robert A. Cassanello
Deepa Nair
deity
Democratic Republic of Vietnam
Di Vang
Downtown Orlando
DRV
Ella Gibson
exhibit
festival
Filipino
Florida State Road 434
Fon Gordon
Ganapati
Ganesha
Gateway to India
gay
gay pride
Gay-Straight Alliance
god
Green Revolution
Hindu
Hinduism
holiday
homosexual
Hong Zhang
icon
immigrant
immigration
independence
Indian
International Plaza
José Julián Martí Pérez
José Martí
José Protasio Mercado Rizal y Alonzo Realonda
José Rizal
Katie Kelley
Khai Thue and Ditru CDQ Services
Kim Nga Travel
Kim Thanh
Krishna
Lake Eola Park
lantern
Lantern Festival
lesbian
LGBT
Little Vietnam
Longwood
Mahatma Gandhi
memorial
Mexican
Mexico
migrant
migration
Miguel Gregorio Antonio Ignacio Hidalgo-Costilla y Gallaga Mandarte Villaseñor
Miguel Hidalgo y Costilla
Mills 50
Mohandas Karamchand Gandhi
monument
museum
NCSU
North Carolina State University
North Vietnam
OCRHC
Orange County Regional History Center
orlando
Orlando City Bear Club
Orlando Come Out With Pride
Panjab
paper lantern
parade
park
Philippines
podcast
Punjab
rainbow
religion
Republic of Vietnam
restaurant
Robert Cassanello
Shally Wong
Sikh
Sikhism
Simón Bolívar
Simón José Antonio de la Santísima Trinidad Bolívar y Palacios
Socialist Republic of Vietnam
South Vietnam
SR 434
Sunset International Realty
Tammy S. Gordon
transgender
UCF
University of Central Florida
Valencia Community College
VCC
Veggie Garden
Venezuela
Venezuelan
vernacular exhibit
Vietnam
Vietnam War
Vietnamese
Vinayaka
Wake Forest University
WFU
Winter Springs
-
https://richesmi.cah.ucf.edu/omeka/files/original/97fe8f26a677e704c94ffdc54cf15b73.jpg
f62c034cea248031240f766a17b31b24
https://richesmi.cah.ucf.edu/omeka/files/original/9dc3fbbc7b4d8ef8be9a00258b223f72.JPG
28881aca9edf1ff9c9deb2dd1adddaf7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
2 color photographs
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Kaleigh Baker and the Downgetters at E.L.L.A. Music Fest, 2012
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-03-KALEIGH-BAKER-ELLA-FEST-Orlando-FL/G0000wb3sxLak4A8/I0000G15kzTBt9Kc/C0000G5l.eE1uUuw" target="_blank">Click for Larger Image</a>
<a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-03-KALEIGH-BAKER-ELLA-FEST-Orlando-FL/G0000wb3sxLak4A8/I0000Mkv.l5ytQC4/C0000G5l.eE1uUuw" target="_blank">Click for Larger Image</a>
Alternative Title
Kaleigh Baker and the Downgetters at E.L.L.A. Music Fest
Subject
Orlando (Fla.)
Music--Florida
Musicians--Southern States
Concerts--United States
Nightclubs--United States
Rock music--United States
Jazz--United States
Blues (Music)--Florida
Description
Kaleigh Baker and the Downgetters performing live at E.L.L.A. Music Fest at H2O in Orlando, Florida, on November 3, 2012. These photographs feature vocalist Kaleigh Baker of The Downgetters, an all-star band from Orlando, featuring Baker, vocalist/guitarist Joseph Martens, guitarist Brian Chodorcoff, guitarist Jeff Nolan, bassist Mike Kossler, saxophonist/keyboards Nathan Anderson, and drummer Mark Janssen. The E.L.L.A. Music Festival, which stands for Elevate.Listen.Love.Appreciate, was created in 2007 by Orlando musician, promoter, and producer Robert Johnson to celebrate the heart, talent, and contributions that Florida female artists give to their communities. In its fifth year in 2012, the female-centric festival added spoken word artists, visual artists and local vendors to the stacked musical lineup.
Creator
Lyman, Alicia
Source
Original color photographs by Alicia Lyman, November 3, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Publisher
Lyman, Alicia
Date Created
2012-11-03
Date Copyrighted
2012-11-03
Contributor
Lyman, Alicia
Has Format
Digital reproduction of original color photographs by Alicia Lyman, November 3, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-03-KALEIGH-BAKER-ELLA-FEST-Orlando-FL/G0000wb3sxLak4A8/I0000G15kzTBt9Kc/C0000G5l.eE1uUuw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-11-03-KALEIGH-BAKER-ELLA-FEST-Orlando-FL/G0000wb3sxLak4A8/I0000G15kzTBt9Kc/C0000G5l.eE1uUuw</a>.; <a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-03-KALEIGH-BAKER-ELLA-FEST-Orlando-FL/G0000wb3sxLak4A8/I0000Mkv.l5ytQC4/C0000G5l.eE1uUuw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-11-03-KALEIGH-BAKER-ELLA-FEST-Orlando-FL/G0000wb3sxLak4A8/I0000Mkv.l5ytQC4/C0000G5l.eE1uUuw</a>.
Is Part Of
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"><br /></a>
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Format
image/jpg
Extent
23.2 KB
20.1 KB
Medium
2 color photographs
Type
Still Image
Coverage
H2O Live!, Orlando, Florida
Accrual Method
Donation
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
"<a href="http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107" target="_blank">ELLA Music Fest: Sixth annual festival celebrates local female musicians</a>." <em>Orlando Weekly</em>. October 30, 2012. http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107.
Coffin, Kat. "<a href="http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest" target="_blank">Downtown Orlando welcomes the sixth annual e.l.l.a. Fest</a>." <em>Examiner</em>. October 27, 2012. http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest.
Manes, Billy. “<a href="http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322" target="_blank">Kaleigh Baker is back in town</a>.” <em>Orlando Weekly</em>. October 16, 2012. http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322.
Belanger, Ashley. “<a href="http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue" target="_blank">Fringe 2015 review: ‘Janis Joplin, Little Girl Blue</a>.” <em>Orlando Weekly</em>. May 15, 2015. http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue.
Strout, Justin. “<a href="http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683" target="_blank">Fire and pain: Blues-soul lady-in-waiting Kaleigh Baker makes a strong claim to the throne</a>.” <em>Orlando Weekly</em>. August 10, 2011. http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683.
blues
concert
E.L.L.A. Music Festival
festival
Gamble Records
H2O Live!
HollowGram Records
jazz
Kaleigh Baker
Kaleigh Baker and the Downgetters
music
musician
nightclub
orlando
Robert Johnson Festival
rock
rock music
-
https://richesmi.cah.ucf.edu/omeka/files/original/3fc03733f47ae51e968ab1ca77bfea6a.JPG
5a0b78e980922970a615e1be5e28362e
https://richesmi.cah.ucf.edu/omeka/files/original/e60c9d21e3eca0d231e038f25138b6bb.JPG
47bbcb822992d300203f9d43cc52f8c4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
2 color photographs
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Sunny Raskin at E.L.L.A. Music Fest, 2012
Alternative Title
SUNNY at E.L.L.A. Music Fest
Subject
Orlando (Fla.)
Music--Florida
Musicians--Southern States
Concerts--United States
Rock music--United States
Description
Sunny Raskin, also known as SUNNY, performing live at E.L.L.A. Fest at H2O Live!, located at 100 West Livingston Street in Downtown Orlando, Florida, on November 3, 2012. The E.L.L.A. Music Festival, which stands for Elevate.Listen.Love.Appreciate, was created in 2007 by Orlando musician, promoter, and producer Robert Johnson to celebrate the heart, talent, and contributions that Florida female artists give to their communities. In its fifth year in 2012, the female-centric festival added spoken word artists, visual artists and local vendors to the stacked musical lineup. SUNNY is a professional dancer, musician, vocalist, actress, and costume designer in Orlando, who is also a co-host at Ibex Puppetry and Director at Raskin Dance Studio and Music School. As of 2015, she has composed, performed, and engineered five albums.
Type
Still Image
Source
Two original color photograph by Alicia Lyman, November 3, 2012s: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of two original color photograph by Alicia Lyman, November 3, 2012s. <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000LTOnhSJMdyY/C0000q_kABE1Z.zs" target="_blank">http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000LTOnhSJMdyY/C0000q_kABE1Z.zs</a>.
<a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I00002qtK0.mngww/C0000q_kABE1Z.zs" target="_blank">http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I00002qtK0.mngww/C0000q_kABE1Z.zs</a>.
Coverage
H2O Live!, Downtown Orlando, Florida
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
2012-11-03
Date Copyrighted
11/3/2012
Format
image/jpg
Extent
15.8 KB
18.6 KB
Medium
2 color photographs
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
"<a href="http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107" target="_blank">ELLA Music Fest: Sixth annual festival celebrates local female musicians</a>." <em>Orlando Weekly</em>. October 30, 2012. http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107.
Coffin, Kat. "<a href="http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest" target="_blank">Downtown Orlando welcomes the sixth annual e.l.l.a. Fest</a>." <em>Examiner</em>. October 27, 2012. http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest.
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000LTOnhSJMdyY/C0000q_kABE1Z.zs" target="_blank">Click for Larger Image</a>
<a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I00002qtK0.mngww/C0000q_kABE1Z.zs" target="_blank">Click for Larger Image</a>
concert
Downtown Orlando
E.L.L.A. Music Fest
festival
Gamble Records
guitar
guitarist
H2O Live!
HollowGram Records
Livingston Street
music
music festival
musician
orlando
rock
rock music
singer
SUNNY
Sunny Raskin
vocalist
-
https://richesmi.cah.ucf.edu/omeka/files/original/683d766b3b99f75b5ab4810d8f35187f.JPG
910bcbb7814c83430872a2fc32252947
https://richesmi.cah.ucf.edu/omeka/files/original/74a581fe4410ac7f33c6e3f68a69e7df.JPG
b1ccbaa56fa1680d07ce854ec0bbb279
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
2 color photographs
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Meka Nism at E.L.L.A. Music Fest, 2012
Alternative Title
Meka Nism at E.L.L.A. Music Fest
Subject
Orlando (Fla.)
Music--Florida
Musicians--Southern States
Concerts--United States
Rock music--United States
Description
Meka, also known as Ms. Meka, performing live with Meka Nism at H2O Live!, located at 100 West Livingston Street in Downtown Orlando, Florida, on November 3, 2012. The E.L.L.A. Music Festival, which stands for Elevate.Listen.Love.Appreciate, was created in 2007 by Orlando musician, promoter, and producer Robert Johnson to celebrate the heart, talent, and contributions that Florida female artists give to their communities. In its fifth year in 2012, the female-centric festival added spoken word artists, visual artists and local vendors to the stacked musical lineup.<br /><br />Formed in 2006 in Orlando, Florida, Meka Nism is a female-fronted metal band that originated as Meka Nism and Her Rusty Tears. The band recorded their first album, <em>Mad to Love</em>, on Florida-based Hidden Records that same year. "Break," the second track from the album, won the Songwriter's Showcase of America's (SSA) Best Experimental Song of the Year, and Meka was named SSA's Solo Artist of the Month in January 2007. While the group has always consisted of Meka on vocals, in 2010, after she returned from a Japanese tour of over 150 shows, Reed Tyack was added on drums, Alvin Bauer on bass, and Bobby Keller on guitar. In 2014, Tyack moved to guitar and Jeremy Mansfield was added on drums.
Type
Still Image
Source
Two original color photograph by Alicia Lyman, November 3, 2012s: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of two original color photograph by Alicia Lyman, November 3, 2012s. <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000XbxWw55bha0/C0000q_kABE1Z.zs" target="_blank">http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000XbxWw55bha0/C0000q_kABE1Z.zs</a>.
<a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000uf5dkNFre1o/C0000q_kABE1Z.zs" target="_blank">http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000uf5dkNFre1o/C0000q_kABE1Z.zs</a>.
Coverage
H2O Live!, Downtown Orlando, Florida
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
2012-11-03
Date Copyrighted
11/3/2012
Format
image/jpg
Extent
18.4 KB
12.7 KB
Medium
2 color photographs
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
"<a href="http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107" target="_blank">ELLA Music Fest: Sixth annual festival celebrates local female musicians</a>." <em>Orlando Weekly</em>. October 30, 2012. http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107.
Coffin, Kat. "<a href="http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest" target="_blank">Downtown Orlando welcomes the sixth annual e.l.l.a. Fest</a>." <em>Examiner</em>. October 27, 2012. http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest.
Gettings, Gina. "<a href="https://flink.to/stories/53c980cf4f32c55daf000007" target="_blank">Meka Nism's Trailblazing Approach to Art Metals</a>." <em>Flink To: Totally Obsessed</em>. www.flink.to. (Accessed July 1, 2015). https://flink.to/stories/53c980cf4f32c55daf000007.
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000XbxWw55bha0/C0000q_kABE1Z.zs" target="_blank">Click for Larger Image</a>
<a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000uf5dkNFre1o/C0000q_kABE1Z.zs" target="_blank">Click for Larger Image</a>
art metal
concert
Downtown Orlando
E.L.L.A. Music Fest
festival
Gamble Records
H2O Live!
hard rock
heavy metal
HollowGram Records
Livingston Street
Meka
Meka Nism
Meka Nism and Her Rusty Tears
Meka Shama Nism
metal
Ms. Meka
music
music festival
musician
orlando
rock
rock music
singer
vocalist
-
https://richesmi.cah.ucf.edu/omeka/files/original/fbe9c39474bd3812858223f3f147890e.JPG
5c1e87b0aab5fea238f2d9334a555d93
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 color photograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Kaleigh Baker and the Downgetters at E.L.L.A. Music Fest, 2012
Alternative Title
Kaleigh Baker and the Downgetters at E.L.L.A. Music Fest
Subject
Orlando (Fla.)
Music--Florida
Musicians--Southern States
Concerts--United States
Rock music--United States
Jazz--United States
Blues (Music)--Florida
Description
Kaleigh Baker and the Downgetters performing live at E.L.L.A. Music Fest at H2O Live!, located at 100 West Livingston Street in Downtown Orlando, Florida, on November 3, 2012. This photograph features saxophonist/keyboardist Nathan Anderson and vocalist Kaleigh Baker of The Downgetters, an all-star band from Orlando, featuring Baker, vocalist/guitarist Joseph Martens, guitarist Brian Chodorcoff, guitarist Jeff Nolan, bassist Mike Kossler, Anderson, and drummer Mark Janssen. The E.L.L.A. Music Festival, which stands for Elevate.Listen.Love.Appreciate, was created in 2007 by Orlando musician, promoter, and producer Robert Johnson to celebrate the heart, talent, and contributions that Florida female artists give to their communities. In its fifth year in 2012, the female-centric festival added spoken word artists, visual artists and local vendors to the stacked musical lineup.
Type
Still Image
Source
Original color photograph by Alicia Lyman, November 3, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photograph by Alicia Lyman, November 3, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I00006aX8Ds2Ix6A/C0000q_kABE1Z.zs" target="_blank">http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I00006aX8Ds2Ix6A/C0000q_kABE1Z.zs</a>.
Coverage
H2O Live!, Downtown Orlando, Florida
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
2012-11-03
Date Copyrighted
11/3/2012
Format
image/jpg
Extent
21.5 KB
Medium
1 color photograph
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
"<a href="http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107" target="_blank">ELLA Music Fest: Sixth annual festival celebrates local female musicians</a>." <em>Orlando Weekly</em>. October 30, 2012. http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107.
Coffin, Kat. "<a href="http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest" target="_blank">Downtown Orlando welcomes the sixth annual e.l.l.a. Fest</a>." <em>Examiner</em>. October 27, 2012. http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest.
Manes, Billy. <a href="http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322" target="_blank">Kaleigh Baker is back in town</a>.” <em>Orlando Weekly</em>. October 16, 2012. http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322.
Belanger, Ashley. <a href="http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue" target="_blank">Fringe 2015 review: ‘Janis Joplin, Little Girl Blue</a>.” <em>Orlando Weekly</em>. May 15, 2015. http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue.
Strout, Justin. <a href="http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683" target="_blank">Fire and pain: Blues-soul lady-in-waiting Kaleigh Baker makes a strong claim to the throne</a>.” <em>Orlando Weekly</em>. August 10, 2011. http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683.
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I00006aX8Ds2Ix6A/C0000q_kABE1Z.zs" target="_blank">Click for Larger Image</a>
blues
concert
Downtown Orlando
E.L.L.A. Music Fest
festival
Gamble Records
guitar
guitarist
H2O Live!
HollowGram Records
jazz
Kaleigh Baker
Livingston Street
music
music festival
musician
Nathan Anderson
orlando
rock
rock music
singer
vocalist
-
https://richesmi.cah.ucf.edu/omeka/files/original/71258c45832c4681cd701fcd18ce5456.JPG
bc54c892143782d2f83f4a8e06b0cd70
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 color photograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
MILKA at E.L.L.A. Music Fest, 2012
Alternative Title
MILKA at E.L.L.A. Music Fest
Subject
Orlando (Fla.)
Music--Florida
Musicians--Southern States
Concerts--United States
Rock music--United States
Description
Milkanette "Milka" Ramos performing live with MILKA at E.L.L.A. Music Fest at H2O Live!, located at 100 West Livingston Street in Downtown Orlando, Florida, on November 3, 2012. The E.L.L.A. Music Festival, which stands for Elevate.Listen.Love.Appreciate, was created in 2007 by Orlando musician, promoter, and producer Robert Johnson to celebrate the heart, talent, and contributions that Florida female artists give to their communities. In its fifth year in 2012, the female-centric festival added spoken word artists, visual artists and local vendors to the stacked musical lineup.<br /><br />MILKA is a rock band formed in Orlando, consisting of Ramos on guitar and vocals, Tony Roman on bass, and Troy Garfield Goins on drums. The combination of bilingual feminist front-woman Ramos and the Latin-influenced percussion creates a unique hard rock sound that transcends genres. The band released an album in 2002, entitled, <em>Fire in the Sky</em>.
Type
Still Image
Source
Original color photograph by Alicia Lyman, November 3, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photograph by Alicia Lyman, November 3, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000MwFZHpc0dW0/C0000q_kABE1Z.zs" target="_blank">http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000MwFZHpc0dW0/C0000q_kABE1Z.zs</a>.
Coverage
H2O Live!, Downtown Orlando, Florida
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
2012-11-03
Date Copyrighted
11/3/2012
Format
image/jpg
Extent
17 KB
Medium
1 color photograph
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
"<a href="http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107" target="_blank">ELLA Music Fest: Sixth annual festival celebrates local female musicians</a>." <em>Orlando Weekly</em>. October 30, 2012. http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107.
Coffin, Kat. "<a href="http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest" target="_blank">Downtown Orlando welcomes the sixth annual e.l.l.a. Fest</a>." <em>Examiner</em>. October 27, 2012. http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest.
Le-Huu, Bao. <a href="http://www.orlandoweekly.com/orlando/this-little-underground/Content?oid=2252720" target="_blank">This Little Underground</a>.” <em>Orlando Weekly</em>. May 10, 2007. http://www.orlandoweekly.com/orlando/this-little-underground/Content?oid=2252720.
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000MwFZHpc0dW0/C0000q_kABE1Z.zs" target="_blank">Click for Larger Image</a>
concert
Downtown Orlando
E.L.L.A. Music Fest
festival
Gamble Records
guitar
guitarist
H2O Live!
HollowGram Records
Livingston Street
MILKA
Milka Ramos
Milkanette "Milka" Ramos
music
music festival
musician
orlando
rock
rock music
-
https://richesmi.cah.ucf.edu/omeka/files/original/6203e3a4214316b82ae5c273b8880732.JPG
7dba4a20e4c139fc7031e67d09e96e3c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 color photograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Beeb$ and Her Money Makers at E.L.L.A. Music Fest, 2012
Alternative Title
Beeb$ and Her Money Makers at E.L.L.A. Music Fest
Subject
Beeb$ and Her Money Makers (Musical group)
Orlando (Fla.)
Music--Florida
Musicians--Southern States
Concerts--United States
Ska (Music)
Rock music--United States
Funk (Music)--United States
Soul music--United States
Description
Michelle Beebs performing live with Beeb$ and Her Money Makers at E.L.L.A. Music Fest at H2O Live!, located at 100 West Livingston Street in Downtown Orlando, Florida, on November 3, 2012. The E.L.L.A. Music Festival, which stands for Elevate.Listen.Love.Appreciate, was created in 2007 by Orlando musician, promoter, and producer Robert Johnson to celebrate the heart, talent, and contributions that Florida female artists give to their communities. In its fifth year in 2012, the female-centric festival added spoken word artists, visual artists and local vendors to the stacked musical lineup.<br /><br />Led by Michelle Beebs, this Orlando-based band combines ska, rock, funk, and soul, gaining notoriety through their high-energy performances and unapologetically ridiculous media content. The group consists of Beebs of kazoo and vocals, Jeremy Lovelady on guitar, Levon White on bass, Paul Brisske on drums, Bunky Garrabrant on trumpet, and Eric Christian on saxophone and flute. The band was discovered by legendary promoter Kevin Lyman and asked to join the Vans Warped Tour in 2013. They were filmed for the second season of the show Warped Roadies on the FUSE Network, and returned to the Warped Tour in 2014, performing on a larger stage. The band has since toured with notable bands such as Reel Big Fish, Goldfinger, Suburban Legends, Five Iron Frenzy, Beautiful Bodies, and This Magnificent, and has shared the stage with Willie Nelson, Donovan Frankenreiter, Dirty Heads, Pepper, Cypress Hill, The Original Wailers, Zach Deputy, Keller Williams, The Lee Boys, BadFish, Dumpstaphunk, 100 Monkeys, Bobby Lee Rodgers, Big Bad VooDoo Daddy, and Perpetual Groove. Reel Big Fish's Aaron Barrett also produced their EP and their full length album. They were also featured on an episode of Travel Channel's RV Kings.
Type
Still Image
Source
Original color photograph by Alicia Lyman, November 3, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photograph by Alicia Lyman, November 3, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000RA_rkzn84YU/C0000q_kABE1Z.zs" target="_blank">http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000RA_rkzn84YU/C0000q_kABE1Z.zs</a>.
Coverage
H2O Live!, Downtown Orlando, Florida
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
2012-11-03
Date Copyrighted
2012-11-03
Format
image/jpg
Extent
22 KB
Medium
1 color photograph
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
"<a href="http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107" target="_blank">ELLA Music Fest: Sixth annual festival celebrates local female musicians</a>." <em>Orlando Weekly</em>. October 30, 2012. http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107.
Coffin, Kat. "<a href="http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest" target="_blank">Downtown Orlando welcomes the sixth annual e.l.l.a. Fest</a>." <em>Examiner</em>. October 27, 2012. http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest.
Kelly, Scott. "<a href="http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever" target="_blank">Beeb$ and Her Money Makers - Würst Album Ever</a>." <em>The Prelude Press</em>. June 2, 2014. http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever.
Rolland, David. "<a href="http://www.miaminewtimes.com/music/beebs-and-her-money-makers-were-mostly-inspired-by-goats-and-donkeys-lately-6464951" target="_blank">Beeb$ and Her Money Makers: 'We're Mostly Inspired By Goats and Donkeys Lately'</a>." <em>Miami New Times</em>. February 6, 2015. http://www.miaminewtimes.com/music/beebs-and-her-money-makers-were-mostly-inspired-by-goats-and-donkeys-lately-6464951.
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000RA_rkzn84YU/C0000q_kABE1Z.zs" target="_blank">Click for Larger Image</a>
Beeb$ and Her Money Makers
Beebs and Her Money Makers
concert
Downtown Orlando
E.L.L.A. Music Fest
festival
funk
Gamble Records
H2O Live!
HollowGram Productions
Livingston Street
Michelle Beebs
music
music festival
musician
orlando
rock
rock music
singer
ska
soul
soul music
vocalist
-
https://richesmi.cah.ucf.edu/omeka/files/original/02b4ae72ed63a879ee9cf93c3a12d003.jpg
c9d5a3f23d44b53d1797f731fbcfb773
https://richesmi.cah.ucf.edu/omeka/files/original/24d9147fd431606fb48d95c62d4fb5b9.jpg
5eccc8c7e1cc544c06dd7d66be538032
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
2 color photographs
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Kaleigh Baker and the Downgetters at The Beacham Theater, 2012
Alternative Title
Kaleigh Baker and the Downgetters at The Beacham
Subject
Orlando (Fla.)
Music--Florida
Musicians--Southern States
Concerts--United States
Nightclubs--United States
Rock music--United States
Jazz--United States
Blues (Music)--Florida
Description
Kaleigh Baker and the Downgetters performing live at Ralphfest 2 at The Beacham Theater in Downtown Orlando, Florida, on November 24, 2012. The photograph features, from left to right, guitarist Brian Chodorcoff, drummer Mark Janssen, vocalist Kaleigh Baker, bassist Mike Kossler, and guitarist Jeff Nolan. The Downgetters is an all-star band from Orlando, featuring Baker, vocalist/guitarist Joseph Martens, Chodorcoff, Nolan, Kossler, saxophonist/keyboards Nathan Anderson, and Janssen.<br /><br />Ralphfest is an annual concert festival in Downtown Orlando, Florida, that celebrates the memory and musical influence of Ralph Ameduri, Jr. Ameduri was an Orlando musician who was murdered on September 10, 2011, in a robbery attempt on a patio behind Jessie's Bar, a Winter Haven music club where he was filling in for a member of local band, Thomas Wynn & the Believers. The inaugural concert was arranged to cover his funeral expenses and, since then, proceeds from the events have gone to the Ralph Ameduri, Jr. Music Scholarship Fund, which operates through the Foundation for Seminole County Public Schools, awarding a musical instruments to graduating high school students. Ralphfest 2 took place on November 24, 2012, on three different stages: one at The Beacham Theater, one at The Social, and one at The Outside Elixir Stage on Washington Street. The benefit features 26 bands that Ameduri was part of, worked with, had close ties to, or enjoyed, as well as multiple DJs. Some of the performers included Thomas Wynn & the Believers, The Ludes, Music's Milka Ramos, SUNNY, The Downgetters featuring Kaleigh Baker, Riverbottom Nightmare Band, The Legendary JC's, funkUs, and The Woolly Bushmen. Ralphfest 2 raised $10,000.
Type
Still Image
Source
Original color photographs by Alicia Lyman, November 24, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photographs by Alicia Lyman, November 24, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-24-KALEIGH-BAKER-with-THE-DOWNGETTERS-RALPHFEST-The-Beacham-Theater-Orlando-FL/G0000qkgT9LRSImY/I00001HEMzJ.arPo/C0000G5l.eE1uUuw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-11-24-KALEIGH-BAKER-with-THE-DOWNGETTERS-RALPHFEST-The-Beacham-Theater-Orlando-FL/G0000qkgT9LRSImY/I00001HEMzJ.arPo/C0000G5l.eE1uUuw</a>.
Digital reproduction of original color photograph by Alicia Lyman. <a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-24-KALEIGH-BAKER-with-THE-DOWNGETTERS-RALPHFEST-The-Beacham-Theater-Orlando-FL/G0000qkgT9LRSImY/I00007.Hm9G7_.0c/C0000G5l.eE1uUuw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-11-24-KALEIGH-BAKER-with-THE-DOWNGETTERS-RALPHFEST-The-Beacham-Theater-Orlando-FL/G0000qkgT9LRSImY/I00007.Hm9G7_.0c/C0000G5l.eE1uUuw</a>.
Coverage
The Beacham Theater, Downtown Orlando, Florida
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
2012-11-24
Date Copyrighted
2012-11-24
Format
image/jpg
Extent
37.3 KB
36.8 KB
Medium
2 color photographs
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
Abbott, Jim. "<a href="http://www.orlandosentinel.com/entertainment/music/os-ralph-fest-2015-jim-abbott-010215-20150101-column.html" target="_blank">Ralphfest 4 moves beyond the grief</a>." <em>Orlando Sentinel</em>. January 1, 2015. http://www.orlandosentinel.com/entertainment/music/os-ralph-fest-2015-jim-abbott-010215-20150101-column.html.
Manes, Billy. "<a href="http://www.orlandoweekly.com/orlando/trial-of-local-musician-ralph-ameduris-killer-concludes/Content?oid=2242170" target="_blank">Trial of local musician Ralph Ameduri's killer concludes</a>." <em>Orlando Weekly</em>. February 4, 2014. http://www.orlandoweekly.com/orlando/trial-of-local-musician-ralph-ameduris-killer-concludes/Content?oid=2242170.
Manes, Billy. <a href="http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322" target="_blank">Kaleigh Baker is back in town</a>.” <em>Orlando Weekly</em>. October 16, 2012. http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322.
Belanger, Ashley. <a href="http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue" target="_blank">Fringe 2015 review: ‘Janis Joplin, Little Girl Blue</a>.” <em>Orlando Weekly</em>. May 15, 2015. http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue.
Strout, Justin. <a href="http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683" target="_blank">Fire and pain: Blues-soul lady-in-waiting Kaleigh Baker makes a strong claim to the throne</a>.” <em>Orlando Weekly</em>. August 10, 2011. http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683.
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-24-KALEIGH-BAKER-with-THE-DOWNGETTERS-RALPHFEST-The-Beacham-Theater-Orlando-FL/G0000qkgT9LRSImY/I00001HEMzJ.arPo/C0000G5l.eE1uUuw" target="_blank">Click for Larger Image</a>
<a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-24-KALEIGH-BAKER-with-THE-DOWNGETTERS-RALPHFEST-The-Beacham-Theater-Orlando-FL/G0000qkgT9LRSImY/I00007.Hm9G7_.0c/C0000G5l.eE1uUuw" target="_blank">Click for Larger Image</a>
bass guitar
bassist
blues
Brian Chodorcoff
concert
Downtown Orlando
drum
drummer
electric guitar
festival
Foundation for Seminole County Public Schools
fundraiser
fundraising
guitar
guitarist
jazz
Jeffrey Nolan
Joseph Martens
Kaleigh Baker
Kaleigh Baker and the Downgetters
Mark Janssen
Michael Kossler
music
musician
Nathan Anderson
nightclub
orlando
Ralph Ameduri Jr. Music Scholarship Fund
Ralph Ameduri, Jr.
Ralphfest 2
Ralphfest II
rock
rock music
singer
The Downgetters
vocalist
-
https://richesmi.cah.ucf.edu/omeka/files/original/926bfd7a01619b0d1d1ad97734fa2211.jpg
cbbfb4fcd15b877baa814b37b57982c4
https://richesmi.cah.ucf.edu/omeka/files/original/08f0a740f5ea8e22911099d9ab86a5a9.jpg
7384d4c8a33776733815607c526a4530
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
2 color photographs
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Kaleigh Baker and the Downgetters at Orlando Calling, 2011
Alternative Title
Kaleigh Baker and the Downgetters at Orlando Calling
Subject
Orlando (Fla.)
Music--Florida
Musicians--Southern States
Festivals--Southern States
Concerts--United States
Nightclubs--United States
Rock music--United States
Jazz--United States
Blues (Music)--Florida
Description
Kaleigh Baker and the Downgetters performing live at the Orlando Calling music festival at Florida Citrus Bowl Stadium, located at 1 Citrus Bowl Plaza in Orlando, Florida, on November 12, 2011. Orlando Calling was a two-day music festival that showcased local as well as popular international artists. The 2011 headliners included Bob Seger, The Killers, The Raconteurs, Kid Rock, The Pixies, Blake Shelton, The Doobie Brothers and The Roots. The festival would not return the next year due to poor ticket sales.<br /><br />The first photograph features guitarist Brian Chodorcoff, saxophonist/keyboardist Nathan Anderson, vocalist Kaleigh Baker, an unidentified drummer, and bassist Erin Nolan. The second photograph shows Anderson and Baker. The Downgetters is an all-star band from Orlando, featuring Baker, vocalist/guitarist Joseph Martens, guitarist Brian Chodorcoff, guitarist Jeff Nolan, bassist Mike Kossler, Anderson, and drummer Mark Janssen.
Type
Still Image
Source
Original color photographs by Alicia Lyman, November 22, 2011: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photographs by Alicia Lyman, November 22, 2011. <a href="http://alicialyman.photoshelter.com/gallery-image/2011-11-22-KALEIGH-BAKER-Orlando-Calling-Orlando-FL/G0000gcv5TNwE1GM/I0000Caunyy48YO4/C0000G5l.eE1uUuw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2011-11-22-KALEIGH-BAKER-Orlando-Calling-Orlando-FL/G0000gcv5TNwE1GM/I0000Caunyy48YO4/C0000G5l.eE1uUuw</a>.
Digital reproduction of original color photograph by Alicia Lyman. <a href="http://alicialyman.photoshelter.com/gallery-image/2011-11-22-KALEIGH-BAKER-Orlando-Calling-Orlando-FL/G0000gcv5TNwE1GM/I0000kFK8FgRBr78/C0000G5l.eE1uUuw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2011-11-22-KALEIGH-BAKER-Orlando-Calling-Orlando-FL/G0000gcv5TNwE1GM/I0000kFK8FgRBr78/C0000G5l.eE1uUuw</a>.
Coverage
Florida Citrus Bowl Stadium, Orlando, Florida
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
2011-11-22
Date Copyrighted
2011-11-22
Format
image/jpg
Extent
32.9 KB
Medium
2 color photographs
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
Manes, Billy. "<a href="http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322" target="_blank">Kaleigh Baker is back in town</a>." <em>Orlando Weekly</em>. October 16, 2012. http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322.
Belanger, Ashley. "<a href="http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue" target="_blank">Fringe 2015 review: ‘Janis Joplin, Little Girl Blue</a>." <em>Orlando Weekly</em>. May 15, 2015. http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue.
Strout, Justin. "<a href="http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683" target="_blank">Fire and pain: Blues-soul lady-in-waiting Kaleigh Baker makes a strong claim to the throne</a>." <em>Orlando Weekly</em>. August 10, 2011. http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683.
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/2011-11-22-KALEIGH-BAKER-Orlando-Calling-Orlando-FL/G0000gcv5TNwE1GM/I0000Caunyy48YO4/C0000G5l.eE1uUuw" target="_blank">Click for Larger Image</a>
<a href="http://alicialyman.photoshelter.com/gallery-image/2011-11-22-KALEIGH-BAKER-Orlando-Calling-Orlando-FL/G0000gcv5TNwE1GM/I0000kFK8FgRBr78/C0000G5l.eE1uUuw" target="_blank">Click for Larger Image</a>
bass guitar
bassist
blues
Brian Chodorcoff
Citrus Bowl Plaza
concert
drum
drummer
Erin Nolan
festival
Florida Citrus Bowl
Florida Citrus Bowl Stadium
guitar
guitarist
jazz
Kaleigh Baker
Kaleigh Baker and the Downgetters
music
musician
Nathan Anderson
nightclub
orlando
Orlando Calling
rock
rock music
saxophone
saxophonist
singer
vocalist
-
https://richesmi.cah.ucf.edu/omeka/files/original/8c730a185300cf7ae33c45f5d95aebd1.jpg
598ba583c8f06fe0f08dba5245fc7643
https://richesmi.cah.ucf.edu/omeka/files/original/f6163b7c585416e0b70fc1eb03ba0420.jpg
651e720e33a98c1823fb71ad3cb0d9f6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
2 color photographs
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
The Legendary JC's at Ralphfest 2
Alternative Title
Legendary JC's at Ralphfest
Subject
Orlando (Fla.)
Music--Florida
Musicians--Southern States
Festivals--Southern States
Concerts--United States
Rhythm and blues music--United States
R&B (Music)
Soul music--United States
Funk (Music)--United States
Blues (Music)--Florida
Nightclubs--United States
Description
The Legendary JC's performing live at Ralphfest 2 at The Beacham Theater, located at 46 North Orange Avenue in Downtown Orlando, Florida, on November 24, 2012. The Legendary JC’s, also known as The Joint Chiefs, are an R&B/soul/funk/blues band that was formed by lead vocalist Eugene Snowden in 2000, consisting of an alternating lineup of all-star Central Florida musicians. This photograph features, from left to right, an unidentified guitar player, Roland Simmons, an unidentified harmonica player, Eugene Snowden, Craig Cobb, Katie Burkess, Michael Lashinsky, and an unidentified keyboardist.
Type
Still Image
Source
Original color photographs by Alicia Lyman, November 24, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Format Of
Digital reproduction of original color photographs by Alicia Lyman, November 24, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000tYq35m54Fx4/C0000fnM5ntjHkP8" target="_blank">http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000tYq35m54Fx4/C0000fnM5ntjHkP8</a>.
Digital reproduction of original color photograph. <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000GjmLESU9Jew/C0000fnM5ntjHkP8" target="_blank">http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000GjmLESU9Jew/C0000fnM5ntjHkP8</a>.
Coverage
The Beacham Theater, Downtown Orlando, Florida
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
2012-11-24
Date Copyrighted
2012-11-24
Format
image/jpg
Extent
40.2 KB
38.2 KB
Medium
2 color photographs
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
Bolden, Tony. <a href="http://www.worldcat.org/oclc/212328134" target="_blank"><em>The Funk Era and Beyond: New Perspectives on Black Popular Culture</em></a>. New York, NY: Palgrave Macmillan, 2008.
Vincent, Rickey. <a href="http://www.worldcat.org/oclc/32820668" target="_blank"><em>Funk: The Music, the People, and the Rhythm of the One</em></a>. New York: St. Martin's Griffin, 1996.
Guralnick, Peter. <a href="http://www.worldcat.org/oclc/13002980" target="_blank"><em>Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom</em></a>. New York: Harper &amp
Row, 1986.
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000tYq35m54Fx4/C0000fnM5ntjHkP8" target="_blank">Click for Larger Image</a>
<a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000GjmLESU9Jew/C0000fnM5ntjHkP8" target="_blank">Click for Larger Image</a>
blues
Clay Watson
concert
Craig Cobb
Eugene Snowden
festival
Foundation for Seminole County Public Schools
fundraiser
fundraising
funk
Joint Chiefs
Katie Burkess
Michael Lashinsky
music
musician
orlando
R&B
Ralph Ameduri, Jr.
Ralph Ameduri, Jr. Music Scholarship Fund
Ralphfest
Ralphfest 2
Ralphfest II
rhythm and blues
Roland Simmons
soul
soul music
The Joint Chiefs
The Legendary JC's
-
https://richesmi.cah.ucf.edu/omeka/files/original/c8ae6f89d78d8b76cbd26170afba3e0a.jpg
99ae2650489f88be09660ec6b45139a1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 color photograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Kaleigh Baker and The Downgetters at Ralphfest 2
Alternative Title
Baker and Downgetters at Ralphfest
Subject
Orlando (Fla.)
Music--Florida
Musicians--Southern States
Festivals--Southern States
Concerts--United States
Nightclubs--United States
Description
Kaleigh Baker and The Downgetters performing live at Ralphfest 2 at The Beacham Theater, located at 46 North Orange Avenue in Downtown Orlando, Florida, on November 24, 2012. The Downgetters is an all-star band from Orlando, featuring, from left to right, guitarist Brian Chodorcoff, drummer Mark Janssen, vocalist Kaleigh Baker, bassist Mike Kossler, and guitarist Jeff Nolan. The band also includes vocalist/guitarist Joseph Martens and saxophonist/keyboardist Nathan Anderson, neither of whom appear in the photograph. <br /><br />Originally from Western New York, Kaleigh Baker is a jazz/blues/rock singer-songwriter based out of Orlando. Known for her soulful vocal delivery and incredible range, Baker tours relentlessly, sharing the stage with notable performers such as B. B. King, Buddy Guy, Trombone Shorty, Tony Hall, Kevn Kinney, Aaron Lee Tasjan, Boz Scaggs, Juliette Lewis, and Terri Binion. Baker played Janis Joplin in a play entitled, "Janis Joplin, Little Girl Blue," at the 2015 Orlando International Fringe Festival, winning several audience choice awards, including Best of the Fest, Best Female Performer, and Best Show in the Gold Venue.
Type
Still Image
Source
Original color photograph by Alicia Lyman, November 24, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Format Of
Digital reproduction of original color photograph by Alicia Lyman, November 24, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000x7d02lDORLU/C0000fnM5ntjHkP8" target="_blank">http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000x7d02lDORLU/C0000fnM5ntjHkP8</a>.
Coverage
The Beacham Theater, Downtown Orlando, Florida
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
2012-11-24
Date Copyrighted
2012-11-24
Format
image/jpg
Extent
32.1 KB
Medium
1 color photograph
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
Manes, Billy. <a href="http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322" target="_blank">Kaleigh Baker is back in town</a>.” <em>Orlando Weekly</em>. October 16, 2012. http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322.
Belanger, Ashley. <a href="http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue" target="_blank">Fringe 2015 review: ‘Janis Joplin, Little Girl Blue</a>.” <em>Orlando Weekly</em>. May 15, 2015. http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue.
Strout, Justin. <a href="http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683" target="_blank">Fire and pain: Blues-soul lady-in-waiting Kaleigh Baker makes a strong claim to the throne</a>.” <em>Orlando Weekly</em>. August 10, 2011. http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683.
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000x7d02lDORLU/C0000fnM5ntjHkP8" target="_blank">Click for Larger Image</a>
bass guitar
bassist
Brian Chodorcoff
concert
drum
drummer
electric guitar
festival
Foundation for Seminole County Public Schools
fundraiser
fundraising
guitar
guitarist
Jeffrey Nolan
Joseph Martens
Kaleigh Baker
Mark Janssen
Michael Kossler
music
musician
Nathan Anderson
Orange Avenue
orlando
Ralph Ameduri, Jr.
Ralph Ameduri, Jr. Music Scholarship Fund
Ralphfest
Ralphfest 2
Ralphfest II
The Beacham Theater
The Downgetters
vocalist
-
https://richesmi.cah.ucf.edu/omeka/files/original/4789aed7b1f4d04d8b6f5a97734bf416.jpg
d7cf7d288265dd4dd38728f89e135c81
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 black and white photograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Milkanette "Milka" Ramos at Ralphfest 2
Alternative Title
Milka Ramos at Ralphfest
Subject
Orlando (Fla.)
Music--Florida
Musicians--Southern States
Festivals--Southern States
Concerts--United States
Rock music--United States
Nightclubs--United States
Description
Milkanette "Milka" Ramos performing live with the band, MILKA, at Ralphfest 2 at The Social, located at 54 North Orange Avenue in Downtown Orlando, Florida, on November 24, 2012. MILKA is a rock band formed in Orlando, consisting of Ramos on guitar and vocals, Tony Roman on bass, and Troy Garfield Goins on drums. The combination of bilingual feminist front-woman Ramos and the Latin-influenced percussion creates a unique hard rock sound that transcends genres. The band released an album in 2002, entitled, <em>Fire in the Sky</em>.
Type
Still Image
Source
Original black and white photograph by Alicia Lyman, November 24, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Format Of
Digital reproduction of original black and white photograph by Alicia Lyman, November 24, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I00007_4gjMpH.xU/C0000fnM5ntjHkP8" target="_blank">http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I00007_4gjMpH.xU/C0000fnM5ntjHkP8</a>.
Coverage
The Social, Downtown Orlando, Florida
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
2012-11-24
Date Copyrighted
2012-11-24
Format
image/jpg
Extent
25.6 KB
Medium
1 black and white photograph
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
Le-Huu, Bao. <a href="http://www.orlandoweekly.com/orlando/this-little-underground/Content?oid=2252720" target="_blank">This Little Underground</a>.” <em>Orlando Weekly</em>. May 10, 2007. http://www.orlandoweekly.com/orlando/this-little-underground/Content?oid=2252720.
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I00007_4gjMpH.xU/C0000fnM5ntjHkP8" target="_blank">Click for Larger Image</a>
concert
festival
Foundation for Seminole County Public Schools
fundraiser
fundraising
hard rock
MILKA
Milka Ramos
Milkanette "Milka" Ramos
music
musician
Orange Avenue
orlando
Ralph Ameduri, Jr.
Ralph Ameduri, Jr. Music Scholarship Fund
Ralphfest
Ralphfest 2
Ralphfest II
rock
rock music
The Social
-
https://richesmi.cah.ucf.edu/omeka/files/original/fa654b2121622ae5b1e3f56002b133ed.jpg
0c03360dd5aadea6fe5417db9a1f64b7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 color photograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Ralphfest 2 at The Beacham
Alternative Title
Ralphfest at Beacham
Subject
Orlando (Fla.)
Music--Florida
Musicians--Southern States
Festivals--Southern States
Concerts--United States
Nightclubs--United States
Description
The Beacham Theater, located at 46 North Orange Avenue in Downtown Orlando, Florida, during Ralphfest 2. Ralphfest is an annual concert festival in Downtown Orlando, Florida, that celebrates the memory and musical influence of Ralph Ameduri, Jr. Ameduri was an Orlando musician who was murdered on September 10, 2011, in a robbery attempt on a patio behind Jessie's Bar, a Winter Haven music club where he was filling in for a member of local band, Thomas Wynn &amp
the Believers. The inaugural concert was arranged to cover his funeral expenses and, since then, proceeds from the events have gone to the Ralph Ameduri, Jr. Music Scholarship Fund, which operates through the Foundation for Seminole County Public Schools, awarding a musical instruments to graduating high school students. Ralphfest 2 took place on November 24, 2012, on three different stages: one at The Beacham Theater, one at The Social, and one at The Outside Elixir Stage on Washington Street. The benefit features 26 bands that Ameduri was part of, worked with, had close ties to, or enjoyed, as well as multiple DJs. Some of the performers included Thomas Wynn &amp
the Believers, The Ludes, Music's Milka Ramos, SUNNY, The Downgetters featuring Kaleigh Baker, Riverbottom Nightmare Band, The Legendary JC's, funkUs, and The Woolly Bushmen. Ralphfest 2 raised $10,000.
Type
Still Image
Source
Original color photograph by Alicia Lyman, November 24, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Format Of
Digital reproduction of original color photograph by Alicia Lyman, November 24, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000T9fKyDE5T7E/C0000fnM5ntjHkP8" target="_blank">http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000T9fKyDE5T7E/C0000fnM5ntjHkP8</a>.
Coverage
The Beacham Theater, Downtown Orlando, Florida
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
2012-11-24
Date Copyrighted
2012-11-24
Format
image/jpg
Extent
37.2 KB
Medium
1 color photograph
Language
eng
Mediator
History Teacher
Geography Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
Abbott, Jim. "<a href="http://www.orlandosentinel.com/entertainment/music/os-ralph-fest-2015-jim-abbott-010215-20150101-column.html" target="_blank">Ralphfest 4 moves beyond the grief</a>." <em>Orlando Sentinel</em>. January 1, 2015. http://www.orlandosentinel.com/entertainment/music/os-ralph-fest-2015-jim-abbott-010215-20150101-column.html.
Manes, Billy. "<a href="http://www.orlandoweekly.com/orlando/trial-of-local-musician-ralph-ameduris-killer-concludes/Content?oid=2242170" target="_blank">Trial of local musician Ralph Ameduri's killer concludes</a>." <em>Orlando Weekly</em>. February 4, 2014. http://www.orlandoweekly.com/orlando/trial-of-local-musician-ralph-ameduris-killer-concludes/Content?oid=2242170.
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000T9fKyDE5T7E/C0000fnM5ntjHkP8" target="_blank">Click for Larger Image</a>
accordion
acoustic guitar
bar
concert
Downtown Orlando
Fedde Le Grand
festival
Foundation for Seminole County Public Schools
fundraiser
fundraising
guitar
music
musician
nightclub
Orange Avenue
orlando
Ralph Ameduri, Jr.
Ralph Ameduri, Jr. Music Scholarship Fund
Ralphfest
Ralphfest 2
Ralphfest II
Sun Barrios
The Beacham Theater
Yodock
-
https://richesmi.cah.ucf.edu/omeka/files/original/2da904ebeaf91768bd7010ba09d62866.jpg
67afa663607c210437d224eccce09cf4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Text
1-page schedule
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Ralphfest 2 Stage Times
Alternative Title
Ralphfest 2 Stage Times
Subject
Orlando (Fla.)
Music--Florida
Musicians--Southern States
Festivals--Southern States
Concerts--United States
Description
The stage times for Ralphfest 2. Ralphfest is an annual concert festival in Downtown Orlando, Florida, that celebrates the memory and musical influence of Ralph Ameduri, Jr. Ameduri was an Orlando musician who was murdered on September 10, 2011, in a robbery attempt on a patio behind Jessie's Bar, a Winter Haven music club where he was filling in for a member of local band, Thomas Wynn &amp
the Believers. The inaugural concert was arranged to cover his funeral expenses and, since then, proceeds from the events have gone to the Ralph Ameduri, Jr. Music Scholarship Fund, which operates through the Foundation for Seminole County Public Schools, awarding a musical instruments to graduating high school students. Ralphfest 2 took place on November 24, 2012, on three different stages: one at The Beacham Theater, one at The Social, and one at The Outside Elixir Stage on Washington Street. The benefit features 26 bands that Ameduri was part of, worked with, had close ties to, or enjoyed, as well as multiple DJs. Some of the performers included Thomas Wynn &amp
the Believers, The Ludes, Music's Milka Ramos, SUNNY, The Downgetters featuring Kaleigh Baker, Riverbottom Nightmare Band, The Legendary JC's, funkUs, and The Woolly Bushmen. Ralphfest 2 raised $10,000.
Type
Text
Source
Original 1-page schedule, November 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Format Of
Digital reproduction of original 1-page schedule, November 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000e6xySHHj.8A/C0000fnM5ntjHkP8" target="_blank">http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000e6xySHHj.8A/C0000fnM5ntjHkP8</a>.
Coverage
The Social, Downtown Orlando, Florida
The Beacham Theater, Downtown Orlando, Florida
Elixir, Downtown Orlando, Florida
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
2012-11
Date Copyrighted
2012-11
Format
image/jpg
Extent
13.8 KB
Medium
1-page schedule
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
Abbott, Jim. "<a href="http://www.orlandosentinel.com/entertainment/music/os-ralph-fest-2015-jim-abbott-010215-20150101-column.html" target="_blank">Ralphfest 4 moves beyond the grief</a>." <em>Orlando Sentinel</em>. January 1, 2015. http://www.orlandosentinel.com/entertainment/music/os-ralph-fest-2015-jim-abbott-010215-20150101-column.html.
Manes, Billy. "<a href="http://www.orlandoweekly.com/orlando/trial-of-local-musician-ralph-ameduris-killer-concludes/Content?oid=2242170" target="_blank">Trial of local musician Ralph Ameduri's killer concludes</a>." <em>Orlando Weekly</em>. February 4, 2014. http://www.orlandoweekly.com/orlando/trial-of-local-musician-ralph-ameduris-killer-concludes/Content?oid=2242170.
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000e6xySHHj.8A/C0000fnM5ntjHkP8" target="_blank">Click for Larger Image</a>
Basements of Florida
Big Jef Special
Brown Note
Chris Charles Jazz
concert
Downtown Orlando
Elixir
festival
Foundation for Seminole County Public Schools
fundraiser
fundraising
funkUs
Happy Valley
Holy Moley
Jazz X
Jim O'Rourke
Kaleigh Baker
Lorn
Los Diggaz
Mr. Richard
music
Music's Milka Ramos
musician
My Fried Steve
orlando
Paddington Ambush
Princeton's Guff
Professional Russian
Ralph Ameduri, Jr.
Ralph Ameduri, Jr. Music Scholarship Fund
Ralphfest
Ralphfest 2
Ralphfest II
Rickey Dickens
Riverbottom Nightmare Band
Sam Rivers
Shew'Bird
SUNNY
The Beacham Theater
The Believers
The Downgetters
The Goldminers
The Hindu Cowboys
The Legendary JC's
The Ludes
The New Lows
The Red Fox Lounger
The Rugs
The Social
The Woolly Bushmen
Throcket Luther
Tomas Wynn
Washington Street
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Folk Collection
Alternative Title
Folk Collection
Subject
Music--United States
Folk music--United States
Description
Collection of digital images, documents, and other records depicting the history of folk music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Folk music varies by country and region, but is typically described as acoustic-based music that embraces the life and struggles of the common man and the events of everyday life. “Folk” comes from the term “folklore,” which was derived by William Thomas in 1846, to describe “the traditions, customs, and superstitions of the uncultured classes.” Although the definition of folk music is elusive, the International Folk Music Council defines it as “the product of a musical tradition that has been evolved through the process of oral transmission. The factors that shape the tradition are: (1) continuity which links the present with the past; (2) variation which springs from the creative impulse of the individual or the group; and (3) selection by the community which determines the form or forms in which the music survives."
Before sound recording and reproduction allowed people to listen to recorded music, songs were often passed down through oral traditions, creating variants. Cecil Sharp, considered by many to be the founding father of the folklore revival in early 20th century England, believed that competing variants of a traditional folk song created a process of natural selection, eventually creating a more perfect version, shaped by the community. By the end of the 1930s, American folk music had become a social movement, and by the 1960s, folk genres varied as much as the definition of the term itself.
The Library of Congress attempted to capture as much North American field material as possible in the 1930s and 1940s, working through the vast collections of collectors such as Alan Lomax and Robert Winslow Gordon. On behalf of the Works Progress Administration (WPA), teams of writers and scholars across the United States collected materials about the places they saw and the people they met. Fieldworkers from the Florida Folklore Project, in conjunction with the Florida Federal Writers' Project, the Florida Music Project, and the Joint Committee on Folk Arts of the Work Projects Administration, concentrated on enclaves known for preserving ethnic traditions, documenting African-American, Arabic, Bahamian, British-American, Cuban, Greek, Italian, Minorcan, Seminole, and Slavic cultures throughout Florida. Florida is home to two significant folk festivals, including the annual Will McLean Music Festival, which is held at the Sertoma Youth Camp in Brooksville, Florida; and the Florida Folk Festival, an annual festival of music, food, and traditional arts to highlight and celebrate Florida's many folk cultures and traditions.
Contributor
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
WUCF-TV, University of Central Florida, Orlando, Florida
Valencia College, Orlando, Florida
The Social, Downtown Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
DeVane, Dwight, Blaine Waide, Peggy A. Bulger, Doris J. Dyen, and David Evans. <a href="http://www.worldcat.org/oclc/856993560" target="_blank"><em>Drop on Down in Florida: Field Recordings of African American Traditional Music 1977-1980</em></a>. Atlanta, Ga: Dust-to-Digital, 2012.
Karpeles, Maud, and A. H. Fox Strangways. <a href="http://www.worldcat.org/oclc/1292970" target="_blank"><em>Cecil Sharp: His Life and Work</em></a>. [Chicago]: University of Chicago Press, 1967.
Lloyd, A. L. <a href="http://www.worldcat.org/oclc/429559" target="_blank"><em>Folk Song in England</em></a>. New York: International Publishers, 1967.
Lornell, Kip. <a href="http://www.worldcat.org/oclc/56942443" target="_blank"><em>The NPR Curious Listener's Guide to American Folk Music</em></a>. New York: Berkley Pub. Group, 2004.
McLean, Will. <a href="http://www.worldcat.org/oclc/1599000" target="_blank"><em>Florida Sand; Original Songs and Stories of Florida</em></a>. 1969.
Morris, Alton Chester, and Leonhard Deutsch. <a href="http://www.worldcat.org/oclc/20853347" target="_blank"><em>Folksongs of Florida</em></a>. Gainesville: University of Florida Press, 1990.
Seeger, Ruth Crawford, Larry Polansky, and Judith Tick. <a href="http://www.worldcat.org/oclc/46909473" target="_blank"><em>"The Music of American Folk Song" and Selected Other Writings on American Folk Music</em></a>. Rochester, NY: University of Rochester Press, 2001.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
7 color photographs
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
The Bloody Jug Band, 2014
Alternative Title
Bloody Jug Band
Subject
Orlando (Fla.)
Concerts--United States
Music--Florida
Musicians--Southern States
Folk music--Florida
Blues (Music)--Florida
Description
The Bloody Jug Band at The Social, located at 54 North Orange Avenue in Downtown Orlando, Florida, during the Florida Music Festival on April 26, 2014. The Florida Music Festival, or FMF, was founded by aXis Magazine & Promotions in 2002 as a three day music festival and conference that showcases unsigned artists while promoting major national acts. The Bloody Jug Band is an eight-piece band that formed in Orlando in 2009, whose music combines elements of folk, blues, country, bluegrass, rock, and Americana. Drawing inspiration from historic jug bands of the 1920s and 1930s, the group employs traditional jug band instruments, such as a washboard, washtub bass, cajón, spoons, mandolin and harmonica, and incorporates acoustic guitar, electric guitar, and drums. The band consists of John Theisen (Cragmire Peace) on vocals and washboard, Stormy Jean Casselman (Stormy Jean) on vocals and cowbell, Brian Blodgett (Brian Shredder) on acoustic guitar and mandolin, Seth Ambler (Seth Funky) on washtub bass, Rick Lane (Bloody Rick) on harmonica, Jermichael Duffy (Big Daddy Jerm, Dracula Mohammad) on jug, percussion and kazoo, Dakota Butts (Baby Dingo) on cajón and spoons, and Steven Marshall (Ste-evil) on electric guitar and banjo. Raymond Krugh (DeathRay) took over on electric guitar briefly while Marshall spent time with his newborn baby. The band has performed across the Southeastern United States, sharing the stage with notable acts such as Reverend Peyton's Big Damn Band, Joe Buck, Edwin McCain, 3 Bad Jacks, and Old Man Markley. In 2013, the band appeared in a music video for the song, "Timber," by hip-hop recording artists Pitbull and Kesha. The first photograph features Theisen and Lane. The rest of the photographs show individual band members Butts, Lane, Duffy, Theisen, and Casselman, respectively.
Type
Still Image
Source
Original color photographs by Alicia Lyman, April 26, 2014: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/143" target="_blank">Folk Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Format Of
Digital reproduction of original color photographs by Alicia Lyman, April 26, 2014.
Coverage
The Social, Downtown Orlando, Florida
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Contributor
Lyman, Alicia
Date Created
2014-04-26
Date Copyrighted
2014-04-26
Format
image/jpg
Medium
7 color photographs
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
Abbott, Jim. "<a href="http://www.orlandosentinel.com/entertainment/music/soundboard/os-florida-music-festival-saturday-20140426-post.html" target="_blank">Florida Music Festival 2014: Saturday</a>." <em>Orlando Sentinel</em>. April 27, 2014. http://www.orlandosentinel.com/entertainment/music/soundboard/os-florida-music-festival-saturday-20140426-post.html.
Limnios, Michael. "<a href="http://blues.gr/profiles/blogs/an-interview-with-the-bloody-jug-band-the-darker-side-of-blues" target="_blank">An Interview with the Bloody Jug Band: The darker side of Blues and Rock n’ Roll from swamps of Florida</a>." <em>Blues.gr</em>. http://blues.gr/profiles/blogs/an-interview-with-the-bloody-jug-band-the-darker-side-of-blues.
Jones, Michael L. <a href="http://www.worldcat.org/oclc/870099163" target="_blank"><em>Louisville Jug Music: From Earl McDonald to the National Jubilee</em></a>. 2014.
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acoustic
Americana
aXis
aXis Magazine & Promotions
Baby Dingo
Bloody Rick
blues
cajón
concert
Cragmire Peace
Dakota Butts
Downtown Orlando
festival
Florida Music Festival
FMF
folk
harmonica
harp
John Theisen
jug band
mouth harp
music
musician
Orange Avenue
orlando
Rick Lane
The Bloody Jug Band
The Social
vocalist
washboard
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Hip Hop Collection
Alternative Title
Hip Hop Collection
Description
Around the early 1970s, an underground urban cultural movement began to develop in the South Bronx in New York City, New York. As block parties became increasingly prevalent in the region, disc jockeys (DJs) would play popular musical genres, such as funk, disco, and soul, and began isolating the percussive instrumental breaks of songs. Immigrants from the Caribbean islands introduced this technique, known as dub music. Since the percussive breaks in these songs tended to be short, DJs extended them using two turntables. The movement that would become known as “hip hop” involved four distinct characteristics. In addition to turntablism, which is considered the aural element, the other characteristics include rap music, which is the oral element, b-boying—also known as breakdancing, which is the physical element—and graffiti art, which is the visual element. Other elements include beatboxing, which is a form of vocal percussion using one’s mouth to mimic a drum machine, and sampling, which is the act of taking a portion of a sound recording and reusing it as an instrument. <br /><br />Clive Campbell, known by his stage name DJ Kool Herc, is credited as the originator of hip hop music in the early 1970s. Although the genre developed in several places in the early 1970s, a concert performed by Herc is considered to be one of the pivotal and formative events that led to the rise of hip hop music and culture. Among those who claimed to be in attendance were a number of future hip hop stars, including Grandmaster Flash, Afrika Bambaaraa, Red Alert, KRS-One, and Grandmaster Caz. <br /><br />In 1979, the Sugarhill Gang’s song, “Rapper’s Delight,” became the first hip hop record to gain widespread popularity in the mainstream. During the 1980s, the genre evolved and developed more complex styles, spreading across the country and throughout the world and leading to what would be known as new school hip hop. This Golden Age hip hop era spanned from around 1983 to the early 1990s, spawning innovators such as LL Cool J, Run-D.M.C., Public Enemy, Eric B. & Rakim, Big Daddy Kane, De La Soul, the Beastie Boys, and Juice Crew. Gangsta rap, a subgenre of hip hop with a lyrical focus on political and social commentary mixed with the realities of a criminal lifestyle, was pioneered in the mid-1980s by rappers such as Ice T, N.W.A., KRS-One, Just-Ice, Schoolly D, and the Geto Boys. By the early 1990s, gangsta rap further split into regional genres when West Coast rappers such as Ice Cube, Eazy E, Dr. Dre, Snoop Doggy Dogg, Warren G, Nate Dog, and 2Pac Shakur squared off against their East Coast counterparts, such as the Notorious B.I.G. (also known as Biggie Smalls), Puff Daddy, Lil’ Kim, the Wu-Tang Clan, Mobb Deep, and Nas. After the murders of Shakur and Smalls, gangsta rap peaked in its popularity, paving the way for mainstream rappers like Jay-Z, DMX, 50 Cent, Eminem, Nelly, and Drake. Mainstream rap has been criticized by hip hop fans and pioneers for its concern with image over substance, as opposed to alternative hip hop, which emerged simultaneously with artists such as OutKast, The Roots, Mos Def, Kanye West, Gnarls Barkley, Gorillas, M.I.A., and the Fugees, leading the way in innovating and revitalizing the genre. <br /><br />Florida has maintained a role in influencing and developing hip hop music and culture. Southern hip hop, which is also known as Dirty South, is a subgenre of hip hop that emerged in the Southeastern United States in cities such as Atlanta, Houston, Memphis, New Orleans, and Miami. Miami native, Debbie Harry, who was the lead singer of the American punk rock band Blondie in the mid-to-late 1970s, released a song entitled “Rapture” in 1981, which became the first rap song to top the Billboard Top 100 chart. The music video for the song became the first rap video to be broadcast on Music Television (MTV). Miami Bass, also known as booty music, emerged in the mid-1980s, with an emphasis on synthesizers and drum machines, raised dance tempos, and frequently sexually explicit lyrics and samples. Luther Campbell, also known as Uncle Luke, and his group, 2 Live Crew, played a crucial role in popularizing Miami Bass in the late 1980s and early 1990s. The group gained international notoriety in 1988, when a record store clerk was cited for selling a copy of their explicit album to an undercover police officer, which was the first time in the United States that a record store owner was held liable for an obscenity violation. Although the clerk was found not guilty by a jury, the group’s next album, <em>As Nasty As They Wanna Be</em>, was ruled obscene and illegal to sell by U.S. District Court Judge Jose Gonzalez, leading to the arrest of a local retailer two days later for selling a copy to an undercover officer, and to three of the members of the band after a performance in Hollywood, Florida. The U.S. Court of Appeals for the Eleventh Circuit overturned the obscenity ruling in 1992, and the United States Supreme Court refused to hear Broward County’s appeal. Other notable hip hop artists from Florida include Rick Ross and Flo Rida, both from Carol City, Trick Daddy, Pitbull and Trina from Miami, T-Pain from Tallahassee, and Solillaquists of Sound from Orlando.
External Reference
Rose, Tricia. <a href="http://www.worldcat.org/oclc/29358082" target="_blank"><em>Black Noise: Rap Music and Black Culture in Contemporary America</em></a>. Hanover, NH: University Press of New England, 1994.
Ogbar, Jeffrey Ogbonna Green. <a href="http://www.worldcat.org/oclc/153580063" target="_blank"><em>Hip-Hop Revolution: The Culture and Politics of Rap</em></a>. Lawrence: University Press of Kansas, 2007.
Charnas, Dan. <a href="http://www.worldcat.org/oclc/426803687" target="_blank"><em>The Big Payback: The History of the Business of Hip-Hop</em></a>. New York, N.Y.: New American Library, 2010.
Light, Alan. <a href="http://www.worldcat.org/oclc/41572698" target="_blank"><em>The Vibe History of Hip Hop</em></a>. New York: Three Rivers Press, 1999.
Subject
Hip-hop--Southern States
Music--United States
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a><span>, RICHES of Central Florida.</span>
Type
Collection
Coverage
Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
2 color photographs
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Solillaquists of Sound at Wall Street Plaza, 2014
Alternative Title
Solillaquists of Sound at Wall Street
Subject
Solillaquists of Sound (Musical group)
Swamburger
Hip-hop--Southern States
Concerts--United States
Orlando (Fla.)
Rappers
Musicians--Southern States
Description
Solillaquists of Sound performing live at the Florida Music Festival, held at Wall Street Plaza in Downtown Orlando, Florida, on April 24, 2014. These photographs features, from left to right, Tonya Combs, Asaan Brooks, Glen Valencia, Jr., and Alexandra Sarton. The Florida Music Festival (FMF) was founded by aXis Magazine & Promotions in 2002 as a three-day music festival and conference that showcases unsigned artists while promoting major national acts. <br /><br />Solillaquists of Sound, also known as Solilla, is an American hip-hop quartet formed in Orlando in August 2002. The group, consisting of MCs (masters of ceremonies) Swamburger and Alexandrah, poet/vocalist Tonya Combs, and producer/composer/MPC player DiViNCi, employs sophisticated, socially conscious lyrics and musical composition, based on the life-affirming, justice-oriented views held by the members. The group utilizes melody and harmony in their vocals, often delivering many punctuated syllables in rapid succession in tight synchronicity. In 2002, Asaan Brooks, also known as Swamburger, began having weekly meetings in his Orlando home about music, community involvement, spirituality, and veganism. At one of these meetings, Brooks and his friend, producer and MPC player Glen Valencia, Jr., also known as DiViNCi, with whom he had already recorded material, decided to begin performing together. A frequent attendee of their shows, Tonya Combs, joined them on background vocals, and soon the group's friend, singer Alexandra Sarton, also known as Alexandrah, left her home in Chicago, Illinois, to join the band. The group categorized themselves in their own genre, FAHEEM (funk/astro/hip-hop/extraterrestrially energized message), which they felt more accurately conveyed both their music and their beliefs regarding spirituality, life, and love. They were invited by hip-hop artist Sage Francis to tour with him, and his label, Epitaph, signed them to their sister label, Anti-, in early 2006. They recorded two albums under the label, <em>As If We Existed</em> (2006) and <em>No More Heroes</em> (2008), before leaving the label and producing their own albums, <em>The 4th Wall: Part 1</em> (2012) and <em>The 4th Wall: Part 2</em> (2013). In addition to Francis, the band has toured with artists such as Michael Franti & Spearhead, KRS-One, Bad Brains, Ozomatli, El-P, and Lyrics Born. <br /><br />The group is also known for their community involvement, appearing on a tribute record for fellow rapper/producer J Dilla, also known as James Dewitt Yancey, who passed away in 2006 from a blood disease. The album, <em>Death of the Muse</em>, featured J-Live, Chali 2na of Jurassic 5, and Maureen "Ma Dukes" Yancey,Maureen Yancey, the mother of J Dilla. Okayplayer.com featured the effort as one of their top news stories, and LA Weekly called the track "the most awesome song in the history of awesomedom." The group hopes to open the Solilla Center 4 Creative Kids, a non-profit school designed to empower youth with the knowledge of all things good for mind, body, and spirit, offering kids yoga, an art gallery, massage, a cafe, smoothie and juice bar, language, art, poetry, gardening, and vegan cooking classes, as well as an after-school tutoring program.
Type
Still Image
Source
Original color photographs by Alicia Lyman, April 24, 2014: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/154" target="_blank">Hip Hop Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photographs by Alicia Lyman, April 24, 2014. <a href="http://alicialyman.photoshelter.com/gallery-image/2014-04-SOLILLAQUISTS-OF-SOUND-Wall-St-Plaza-2014FMF-Orlando-FL/G0000j5MxJA.FdtU/I0000tosLXcv8ptE/C0000fGs2siRdnQY" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2014-04-SOLILLAQUISTS-OF-SOUND-Wall-St-Plaza-2014FMF-Orlando-FL/G0000j5MxJA.FdtU/I0000tosLXcv8ptE/C0000fGs2siRdnQY</a>
Coverage
Wall Street Plaza, Orlando, Florida
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
2014-04-24
Date Copyrighted
2014-04-24
Format
image/jpg
Extent
26.7 KB
21.5 KB
Medium
2 color photographs
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
Light, Alan. <a href="http://www.worldcat.org/oclc/41572698" target="_blank"><em>The Vibe History of Hip Hop</em></a>. New York: Three Rivers Press, 1999.
Le-Huu, Bao. "<a href="http://www.orlandoweekly.com/orlando/solillaquists-of-sounds-saga-comes-to-its-natural-conclusion/Content?oid=2241323" target="_blank">Solillaquists of Sound's saga comes to its natural conclusion: 'The 4th Wall' completes the group's epic listener's trilogy</a>." <em>Orlando Weekly</em>. January 7, 2014. http://www.orlandoweekly.com/orlando/solillaquists-of-sounds-saga-comes-to-its-natural-conclusion/Content?oid=2241323.
Strout, Justin. "<a href="http://www.orlandoweekly.com/orlando/philosophy-of-love/Content?oid=2274026" target="_blank">Philosophy of Love</a>." <em>. September 21, 2006. http://www.orlandoweekly.com/orlando/philosophy-of-love/Content?oid=2274026.</em>
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/2014-04-SOLILLAQUISTS-OF-SOUND-Wall-St-Plaza-2014FMF-Orlando-FL/G0000j5MxJA.FdtU/I0000RCPXr.ed4LQ/C0000fGs2siRdnQY" target="_blank">Click for Larger Image</a>
<a href="http://alicialyman.photoshelter.com/gallery-image/2014-04-SOLILLAQUISTS-OF-SOUND-Wall-St-Plaza-2014FMF-Orlando-FL/G0000j5MxJA.FdtU/I0000tosLXcv8ptE/C0000fGs2siRdnQY" target="_blank">Click for Larger Image</a>
Alexandra Sarton
Alexandrah
Alicia Lyman
alternative hip hop
alternative hip-hop
Asaan Brooks
concert
deejay
disc jockey
DJ
Downtown Orlando
emcee
FAHEEM
festival
Florida Music Festival
FMF
funk
Glen Valencia, Jr.
hip hop
master of ceremonies
MC
MC Swamburger
Media Player Classic
MPC
music
musician
orlando
rap
rapper
Sol.illaquists of Sound
Solilla
Solillaquists of Sound
Swam
Tonya Combs
underground hip hop
underground music
vocalist
Wall Street Plaza
-
https://richesmi.cah.ucf.edu/omeka/files/original/bbb0ae842ad6e72de73c9276c0dd813b.mp3
b866855cd9352138590d10fae92c3caa
https://richesmi.cah.ucf.edu/omeka/files/original/8f38523892d260024f1c6b52fb61cb8e.pdf
28d06349d57059dc0679914dc7d67591
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Albin Polasek Museum & Sculpture Gardens Collection
Alternative Title
Polasek Collection
Subject
Albin Polasek Museum & Sculpture Gardens
Winter Park (Fla.)
Art--Southern States
Artists--Florida
Contributor
<a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/34" target="_blank">Winter Park Collection</a>, Orange County Collection, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Albin Polasek Museum & Sculpture Gardens, Winter Park, Florida
Accrual Method
Donation
Rights Holder
Copyright to these resources is held by the <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a>
External Reference
"<a href="http://www.polasek.org/about/" target="_blank">ABOUT</a>." Albin Polasek Museum & Sculpture Gardens. http://www.polasek.org/about/.
Description
The Albin Polasek Museum and Sculpture Gardens, located at 633 Osceola Avenue in Winter Park, Florida. Albin Polasek, known internationally for his sculptures, retired to Lake Osceola in Winter Park in 1950. The same year that he had moved to Florida, Polasek suffered from a stroke, which paralyzed the right side of his body. Seven months later, he married one of his former students, Ruth Sherwood, who died just two years later. Despite being confined to a wheelchair, Polasek was able to create 18 major works in his later years. In 1961, he married Emily Muska Kubat and the set up the Albin Polasek Foundation, opening up the Albin Polasek Museum & Sculpture Gardens, located in parts of Polasek's home and studio, which featured his personal galleries, chapel, and gardens. On May 19, 1965, Polasek passed away and was buried beside his first wife at Palm Cemetery.
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewer
Parke, Erin
Interviewee
McIntosh, Hal
Original Format
1 audio recording
Duration
1 hour, 6 minutes, and 42 seconds
Bit Rate/Frequency
128kbps
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Art Legends of Orange County: The Art of Hal McIntosh
Alternative Title
Oral History, McIntosh
Subject
Oral history--United States
Winter Park (Fla.)
Albin Polasek Museum & Sculpture Gardens
Art--Southern States
Artists--Florida
Painters--Southern States
Painting--Florida
Hopper, Edward, 1882-1967
Education--Florida
Teachers--Florida
Educators--Florida
Polasek, Albin, 1879-1965
Naples (Fla.)
Maitland (Fla.)
Description
Oral history of Hal McIntosh, conducted by Erin Parke on March 16, 2015. McIntosh is a nationally renowned artist who currently resides in Winter Park, Florida. Born in 1927, Hal McIntosh began his formal studies at the Detroit Art Institute in Detroit, Michigan, and the Toledo Museum of Art in Toledo, Ohio. At age 18, the Art Research Studio (present-day Maitland Art Center) in Maitland, Florida, selected him as the institution’s youngest-ever artist in residence. His talent later earned him the Directorship of the Academy of Fine Arts in Lynchburg, Virginia, where he served as a museum director and teacher for five years. As a resident of Central Florida, McIntosh taught at the Loch Haven Art Center in Orlando and even ran his own institution known as the McIntosh School in Winter Park for 30 years. McIntosh splits his time between his Cape Cod, Massachusetts, and Winter Park studios. <br /><br />With an artistic career lasting over 60 years, Hal McIntosh’s influence on our community is profound. His bold abstractions, tranquil waterscapes, and stirring portraiture, all masterfully painted with a touch of McIntosh’s signature Orientalism, have been widely exhibited in the area and are part of numerous regional collections, both private and public. Deep connections with the people and places of Orange County have allowed McIntosh to join the ranks as one of the greats and to be remembered eternally as an Art Legend. <br /><br />In this oral history interview, McIntosh discusses his early life and education, his teaching philosophy, and where he gets the inspiration and influence for his art. He also mentions his relationship with Albin Polasek and Emily Muska Kubat Polasek. Eric Varty, a close friend of Hal, also contributes briefly to the conversation.
Table Of Contents
0:00:00 Introduction<br />0:03:01 Life as an artist<br />0:09:16 Galleries in Winter Park<br />0:14:35 Galleries in Naples<br />0:22:58 Galleries in Cape Cod, Massachusetts<br />0:25:30 Edward Hopper<br />0:29:11 Teaching philosophy<br />0:38:12 Audience perception<br />0:41:03 Inspiration<br />0:47:12 Winter Park Arts Festival and commission<br />0:54:27 Albin Polasek and Emily Muska Kubat Polasek<br />1:03:54 Maitland Research Studio and Jules Andre Smith<br />1:06:29 Closing remarks
Creator
McIntosh, Hal
Parke, Erin
Source
Original 1-hour, 6-minute, and 42-second oral history: McIntosh, Hal. Interviewed by Erin Parke on March 16, 2015. <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a>, Winter Park, Florida.
Date Created
2015-03-16
Date Copyrighted
2015-03-16
Date Modified
2015-06-09
Has Format
50-page digital transcript of original 1-hour, 6-minute, and 42-second oral history: McIntosh, Hal. Interviewed by Erin Parke on March 16, 2015. <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a>, Winter Park, Florida.
Is Part Of
<a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a>, Winter Park, Florida.<a href="https://richesmi.cah.ucf.edu/omeka2/admin/collections/show/id/152" target="_blank"><br /></a>
<a href="https://richesmi.cah.ucf.edu/omeka2/admin/collections/show/id/152" target="_blank">Albin Polasek Museum & Sculpture Gardens Collection</a>, Winter Park Collection, Orange County Collection, RICHES of Central Florida.
Requires
<a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a>
<a href="http://java.com/en/download/index.jsp" target="_blank">Java</a>
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Format
audio/mp3
application/pdf
Extent
61 MB
288 KB
Medium
1-hour, 6-minute, and 42-second audio recording
50-page digital transcript
Language
eng
Type
Sound
Coverage
Provincetown, Cape Cod, Massachusetts
Winter Park, Florida
Naples, Florida
Albin Polasek Museum & Sculpture Gardens, Winter Park, Florida
Research Studio, Maitland, Florida
Accrual Method
Donation
Mediator
History Teacher
Geography Teacher
Humanities Teacher
Visual Arts Teacher
Provenance
Originally created by Hal McIntosh and Erin Parke.
Rights Holder
Copyright to this resource is held by the <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a>
External Reference
"<a href="http://www.paintingsbymcintosh.com/mbr_bio.php" target="_blank">Paintings By McIntosh: CV/Bio</a>." Paintings By McIntosh. http://www.paintingsbymcintosh.com/mbr_bio.php.
Bishop, Philip E. "<a href="http://articles.orlandosentinel.com/2005-02-15/news/0502140273_1_mcintosh-koi-painting" target="_blank">Winter Park Artist Mcintosh Spices Life With Variety</a>." <em>The Orlando Sentinel</em>, February 15, 2005. http://articles.orlandosentinel.com/2005-02-15/news/0502140273_1_mcintosh-koi-painting.
Hummel, Terry. "<a href="http://articles.orlandosentinel.com/2011-11-03/entertainment/os-hummel-art-events-orlando-20111103_1_area-artists-artists-share-art-galleries" target="_blank">A must-see show in Eustis: Lake Eustis Museum of Art shows works by Hal McIntosh, Maury Hurt, Bill Orr</a>." <em>The Orlando Sentinel</em>, November 3, 2011. http://articles.orlandosentinel.com/2011-11-03/entertainment/os-hummel-art-events-orlando-20111103_1_area-artists-artists-share-art-galleries.
Transcript
<p><strong>Parke<br /></strong>Alright. Good morning. Um, my name is Erin Parke and today I will be interviewing Mr. Hal McIntosh. Today is, uh, March 16<sup>th</sup>, 2015, and—alright. Um, Hal, can you tell me a little bit about like your early life? Where you grew up, um, if you had brothers and sisters, anything like that?</p>
<p><strong>McIntosh<br /></strong>Well, I grew up in—in Detroit, Michigan, and, uh, I had, uh, uh, older brother—two older brothers and an older sister. I was the…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Baby of the...</p>
<p><strong>Parke<br /></strong>Baby.</p>
<p><strong>McIntosh<br /></strong>Family, and, uh, apparently, my art interest started very early.</p>
<p><strong>Parke<br /></strong>Nice.</p>
<p><strong>McIntosh<br /></strong>My, uh, mother said that, when I was five, I was doing caricatures</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Of my little friends.</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>She could recognize who they were.</p>
<p><strong>Parke<br /></strong>Oh, that’s amazing.</p>
<p><strong>McIntosh<br /></strong>I was five years old, and as the years went by—my early years—really early years—my parents didn’t try to rush me into…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Arts, uh, teachers…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Or anything like that. They just saw that I had any materials that I needed, but, uh, they never tried to force me to study, you know, when I was young.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>They just let me alone because that was the only thing I wanted to do…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>As a kid.</p>
<p><strong>Parke<br /></strong>[<em>clears throat</em>].</p>
<p><strong>McIntosh<br /></strong>And, uh—so, uh, I was fortunate, in that respect. A lot of the parents that I’ve talked to in later years that had, uh, children that are…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Artistic, and they say, “Oh, what am I going to do? I’ve gotta…”</p>
<p><strong>Parke<br /></strong>Yep.</p>
<p><strong>McIntosh<br /></strong>“Send them somewhere to study.” I said…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>“Well,” you know, “Don’t rush them into—don’t overdo your…”</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>“You’re pushing them, because that’ll turn them right off., uh, just be—do what you can.”</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>“Cooperate, but don’t make a big deal out of it.”</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And if they’re really gonna do something in their lifetime—what—whatever…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Uh…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Kind of, uh, occ—occupation…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>They might end up, sometimes those interests—interests start when kids are very young.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Sometimes you don’t—you might have a…</p>
<p><strong>Parke<br /></strong>Find out later on…</p>
<p><strong>McIntosh<br /></strong>[inaudible] degree in engineering, and—and you end up, uh, doing something…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Totally different [<em>laughs</em>].</p>
<p><strong>Parke<br /></strong>Yeah [<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>I was, uh, fortunate enough to know all my life what I wanted to do.</p>
<p><strong>Parke<br /></strong>That’s amazing, and it’s nice that your family was so supportive. That’s great.</p>
<p><strong>McIntosh<br /></strong>Well…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>They were supportive by not…</p>
<p><strong>Parke<br /></strong>By not pushing you.</p>
<p><strong>McIntosh<br /></strong>Pushing.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Uh,these hysterical mothers that…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>[<em>laughs</em>] I’d seen in the past, uh…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>That, you know, come to me for advice, because their[sic] child is doing some drawings, and—“What’ll I do? What’ll I do?”</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Leave ‘em alone [<em>laughs</em>].</p>
<p><strong>Parke<br /></strong>Yeah, so you’ve been able to make your living as an artist, uh, essentially your whole life, and that’s extremely amazing and very significant. Um, how has that been for you?</p>
<p><strong>McIntosh<br /></strong>Well, it’s a very difficult, uh…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Situation. When you’re an artist, there’s—there’s not a lot of jobs sitting around waiting for you.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Uh, I was very fortunate, uh, in the years that I was at Rollins [College], uh, as a temporary student…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Years ago, of course, and, uh, the brother of one of this[sic] Rollins students was an artist that[sic] I met who lived in Silver Springs[, Florida].</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And, uh, I was, at that point—later on—had a master’s degree from the University of Michigan—teaching there.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And what do you do…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>You know? You don’t walk out with those credentials…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And walk into a job. Nobody’s awaiting for you.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>And, uh, this friend had some really nice portraits of—that he had stacked on the floor…</p>
<p><strong>Parke<br /></strong>Hm.</p>
<p><strong>McIntosh<br /></strong>Against the wall. He was a landscape painter, and I said, “I didn’t know you did portraits,” and he said, “Well, I started with Jerry Farnsworth on Cape Cod[, Massachusetts].” He’s quite a prominent…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>American portrait painter, and he said—he said, “Why don’t you, uh, write Jerry Farnsworth and see if you can get a job as his assistant.”</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>“Learn how to do really commercial portraits, and, uh, that way you might be able to make a living…”</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>“To start out with,” and I did so, and…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Uh, was accepted with my credentials.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Uh, didn’t even have a car…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>At that time [<em>laughs</em>].</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>I got off the bus in North Truro, Massachusetts, and was directed how to walk to the professor’s house, and, uh, Jerry Farnsworth and Helen Sawyer were, uh, uh, married, and she was a well-known, uh, artist.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And taught in the school, and, uh, this was basically, uh, a school, uh—portraiture school.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Minor landscape work—‘cause she taught and he taught the, uh—the, uh, portrait work. I was with him for five years.</p>
<p><strong>Parke<br /></strong>Wow.</p>
<p><strong>McIntosh<br /></strong>He had another school in Sarasota[, Florida].</p>
<p><strong>Parke<br /></strong>Okay.</p>
<p><strong>McIntosh<br /></strong>Uh, and, uh, Siesta Key[, Florida] [inaudible].</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And, uh, uh, I was down there during the winter.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>I worked in a hotel.</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>I was busboy, waiter…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Several other jobs—a hotel on the beach—and went to school and taught with him in—in mornings, and that exposure, uh, through five years…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>With him really…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Got me so I was able to make some money doing portraits.</p>
<p><strong>Parke<br /></strong>Nice.</p>
<p><strong>McIntosh<br /></strong>And I had, uh—uh, this hotel I was working in part-time, after the morning school sessions, someone saw my work there and recommended me—unknown to myself, uh…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>To the board of directors of, uh, an art museum…</p>
<p><strong>Parke<br /></strong>Wow.</p>
<p><strong>McIntosh<br /></strong>Up in Virginia.</p>
<p><strong>Parke<br /></strong>Mmhmm [<em>clears throat</em>].</p>
<p><strong>McIntosh<br /></strong>And later on, I was accepted, became director of the museum there for five years, but, uh, those accidental things that happen.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>You know? You meet someone…</p>
<p><strong>Parke<br /></strong>Yep.</p>
<p><strong>McIntosh<br /></strong>Who’s done portraits, and, uh—for three years, I did portraits, uh, in Provincetown, Massachusetts…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Uh, on the street…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Let’s say, uh, I had a studio…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>In a building that was on—right on the Commercial Street there, but at night, I had a display outside and people would book portrait[sic] for their children and stuff.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Pastel portraits, uh, done for $10…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Uh, in a matte and in a bag in 45 minutes. Uh…</p>
<p><strong>Parke<br /></strong>That’s so quick [<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>[inaudible]. It was—it was a shock to get—to have to start that kind of a routine…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>But I got used to it, and…</p>
<p><strong>Parke<br /></strong>[<em>clears throat</em>].</p>
<p><strong>McIntosh<br /></strong>Uh,I did six to eight portraits a day…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>For the whole summer, ‘cause I had summers off, uh, from teaching, and, uh, that led—all those portraits I did—hundreds of them…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Literally, I, uh—for three years.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Eight—eight days a week—seven days a week.</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Uh, so I had a—a record of lots of portraits in my…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Career. Now, those $10 [<em>laughs</em>] portraits…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Would be $60 [<em>laughs</em>] portraits.</p>
<p><strong>Parke<br /></strong>Yeah, exactly.</p>
<p><strong>McIntosh<br /></strong>[inaudible] at the time, but believe it or not, I bought my beach house on Cape Cod…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>With the money from—just from those…</p>
<p><strong>Parke<br /></strong>Wow.</p>
<p><strong>McIntosh<br /></strong>$10 portraits.</p>
<p><strong>Parke<br /></strong>Wow.</p>
<p><strong>McIntosh<br /></strong>And, uh, as I was saving all that money…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>In cash, uh, in a safe deposit box to go to Japan.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>And this house came up for sale on Cape Cod on the beach, and I opted to buy this house…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>With that money, and I got to Japan later on in years.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Uh, had a wonderful experience in Japan, which is another story.</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>] So I know that you have a true love for Cape Cod. Um, what drew you here to Winter Park[, Florida]?</p>
<p><strong>McIntosh<br /></strong>Uh, my, uh—that’s a story that starts in Sanford[, Florida]. My sister and her husband were stationed—he was stationed in Sanford at the…</p>
<p><strong>Parke<br /></strong>Okay.</p>
<p><strong>McIntosh<br /></strong>Navy base there, at that time.</p>
<p><strong>Parke<br /></strong>Oh, okay.</p>
<p><strong>McIntosh<br /></strong>And, uh, I came down for part of my high school and lived with them in Sanford. Uh, they had an old house on the lake, right opposite the airport…</p>
<p><strong>Parke<br /></strong>Okay.</p>
<p><strong>McIntosh<br /></strong>So the planes were taking off…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Over the house, and, uh, uh, they decided, after, uh, he left the Navy, uh, to stay</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Uh, in Florida, because their son was, uh, a young son…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And was doing better health-wise in Florida…</p>
<p><strong>Parke<br /></strong>Okay.</p>
<p><strong>McIntosh<br /></strong>For some reason. I don’t know what…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>But they decided to stay here.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>And, uh, he, uh—they had a house and[?]—rented a house, right on the highway in[?]—across from Lily Lake…</p>
<p><strong>Parke<br /></strong>Okay.</p>
<p><strong>McIntosh<br /></strong>In, uh—in Winter Park.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Anyhow, uh, families tend to…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Follow families.</p>
<p><strong>Parke<br /></strong>Yes, they do.</p>
<p><strong>McIntosh<br /></strong>And, eventually, my parents…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh</strong><br />Moved down to Florida, because…</p>
<p><strong>Parke<br /></strong>Okay.</p>
<p><strong>McIntosh<br /></strong>My sister and her husband were…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Settled there, and, uh, later on, my brother—older brother—moved to Florida, and, uh, my other brother moved to Florida.</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>[<em>laughs</em>].</p>
<p><strong>Parke<br /></strong>So it was just gradual process.</p>
<p><strong>McIntosh<br /></strong>Uh, so that’s a story that people in Florida that[sic] are Yankees basically, uh, “wash ashore,” as they used to call it…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>On Cape Cod [<em>laughs</em>].</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Uh, they follow one another, you know?</p>
<p><strong>Parke<br /></strong>Mmhmm, yeah.</p>
<p><strong>McIntosh<br /></strong>It just happened at different time periods.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And I’d go back and forth when—when I was in college…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>To, uh, my parents’ house, and, uh—so we all ended up here [<em>laughs</em>].</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>[<em>laughs</em>]. And I stayed at it, and—oh, Winter Park has been very good to me.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>I had wonderful exposure on Park Avenue for many, many years</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Which a lot of artists didn’t have that, uh—that lot that the, uh, uh, wonderful, old Golden Cricket Shop had a gallery…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Right in front of the shop that was all mine…</p>
<p><strong>Parke<br /></strong>Oh, wow.</p>
<p><strong>McIntosh<br /></strong>For years.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>So I had like 10 paintings</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>In the gallery, and a painting in the window, but it was a gift shop…</p>
<p><strong>Parke<br /></strong>Okay.</p>
<p><strong>McIntosh<br /></strong>That I had that exposure to the sidewalk with—with one major painting</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And people would come in and buy…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Or see paintings there for a number of years, and, uh, right after that, I was with Center Street Gallery, who actually, uh—uh, I think they owned the property that the Cricket…</p>
<p><strong>Parke<br /></strong>Okay.</p>
<p><strong>McIntosh<br /></strong>Was—the Golden Cricket was on, and Hugh McCain and Je—Jeanette Genius [McKean] were friends, and—and Mr. McCain was one of my part-time professors at Rollins.</p>
<p><strong>Parke<br /></strong>Oh, nice.</p>
<p><strong>McIntosh<br /></strong>How they ever let me in…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Rollins? I don’t…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>I don’t know, but, uh, I was only doing art…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Art there, but then, I had exposure at the Center Street Gallery, which was actually ended up right next door…</p>
<p><strong>Parke<br /></strong>Nice.</p>
<p><strong>McIntosh <br /></strong>To the Golden Cricket.</p>
<p><strong>Parke<br /></strong>Oh, okay.</p>
<p><strong>McIntosh<br /></strong>And an almost [inaudible]—almost war situation.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Between the two of them, and, uh, after long years at Center Street Gallery and a number of shows there, uh, I went with, uh, Solarte, which was a—a shop down the avenue, uh, owned by a French gentleman and his family, and had my—I had a big show there…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And had my work on display there for several years, uh, which was another exposure on Park…</p>
<p><strong>Parke<br /></strong>Mmhmm, yeah.</p>
<p><strong>McIntosh<br /></strong>Avenue, and I—I lucked into things like that, but, uh…</p>
<p><strong>Varty<br /></strong>Miller Gallery.</p>
<p><strong>McIntosh<br /></strong>Oh, well, Miller Gallery.</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>[<em>laughs</em>] I was with them, but they weren’t getting the kind of support from the community</p>
<p><strong>Parke<br /></strong>Hm.</p>
<p><strong>McIntosh<br /></strong>Winter Park was—and maybe still is—a little difficult in—for a gallery.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Really, I don’t know why, because Winter Park people have plenty of money…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>But, uh, Miller Gallery stayed only for a year or so.</p>
<p><strong>Parke<br /></strong>Oh, okay.</p>
<p><strong>McIntosh<br /></strong>They just weren’t…</p>
<p><strong>Parke<br /></strong>It just wasn’t making it.</p>
<p><strong>McIntosh<br /></strong>Making the sales.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>And they left, so I don’t consider, you know, that a long association with them.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>But, uh…</p>
<p><strong>Varty<br /></strong>Naples[, Florida].</p>
<p><strong>McIntosh<br /></strong>Well, Naples, [<em>laughs</em>] yes.</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>Varty<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>I had careers [<em>laughs</em>] in this—I don’t know whether this leads directly into Naples, but, uh…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Friends of mine, uh, on Cape Cod had a gallery, where my work was exhibited, and they were both professors, uh, in Boston[, Massachusetts].</p>
<p><strong>Parke<br /></strong>Okay.</p>
<p><strong>McIntosh<br /></strong>At, uh, universities there and such[?], and, uh, they did the gallery work in the summertime, and had a beautiful gallery—one of prettiest ones on that end…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Of Cape Cod, and after a few years of success in that gallery, I had several shows there. Uh, they decided to, uh, give up the teaching, made a decision…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And the gallery was doing so well, they decided to have a second gallery in Florida, and, uh, I met them in Florida, and they were in Sarasota, at that time, and they were looking there, and they—both close friends of mine, as well as handling my work…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And, uh, they kept—when[?] we were in Sarasota, they kept talking about Naples, and I said, “We’re sitting in Sarasota and you’re talking about Naples. Let’s go to Naples.”</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>] It’s not far from there [<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>And they wanted my advice and stuff.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And so we all went to Naples, and they ended up renting, uh, uh, space in the nicest part of Naples downtown…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And, uh, it was only a couple of years. They were so successful. Basically, the only really good gallery in Naples, at that time.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Now there are probably a hundred galleries…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>In Naples [<em>laughs</em>], uh, but as the years—few years—went by, they, uh, built a gallery on, uh, Fifth[?] Street—I don’t know what. The Naples Art Gallery—elegant, gorgeous, gallery.</p>
<p><strong>Parke<br /></strong>Nice.</p>
<p><strong>McIntosh<br /></strong>Big gallery.</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>And, uh, shows, uh, really top artists.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntos<br /></strong>And, uh, it was the—probably one of the prettiest galleries in the country.</p>
<p><strong>Parke<br /></strong>Wow.</p>
<p><strong>McIntosh<br /></strong>From outside and from inside.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>It had mostly paintings, but they also—part of the gallery was elegant gifts, uh…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And antique, uh—oriental antiques…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>In a—just a side gallery, uh, but they were there for years.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>And most successful.</p>
<p><strong>Parke<br /></strong>That’s nice.</p>
<p><strong>McIntosh<br /></strong>And I had 24 one-man shows there.</p>
<p><strong>Parke<br /></strong>Just there? How many have you had in total again?</p>
<p><strong>McIntosh<br /></strong>35 [<em>laughs</em>].</p>
<p><strong>Parke<br /></strong>That’s awesome [<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Uh, but, uh, these shows were, uh, something else.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>They—actually, a one-man show only ran for a week…</p>
<p><strong>Parke<br /></strong>Okay.</p>
<p><strong>McIntosh<br /></strong>Which is unusual.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Uh, people were allowed to watch them hang the show on Saturday.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And they didn’t—people did come. They wanted to see what was coming up, and whether they wanted to go to the opening on Sunday [<em>laughs</em>].</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>And they weren’t allowed to buy anything…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh </strong>Uh, which is unusual.</p>
<p><strong>Parke<br /></strong>Yeah [<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Uh, they wouldn’t let somebody buy something that was supposed to go in the show that would not be in the show.</p>
<p><strong>Parke<br /></strong>Okay.</p>
<p><strong>McIntosh<br /></strong>So Sunday night—are—are we getting close to the end here? You’re looking at…</p>
<p><strong>Parke<br /></strong>I’m trying—I’m just making sure that it’s picking everything up.</p>
<p><strong>McIntosh<br /></strong>Oh.</p>
<p><strong>Parke<br /></strong>Sorry [<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>[<em>laughs</em>] Yeah, so the openings were Sunday night and this is a…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>This is a riot. Naples is very elegant. I had special clothes to wear when I had my openings, because, you know, you don’t wear pink sport coats in…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>In Winter Park. Naples is very formal, but very…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Resort-y and very rich.</p>
<p><strong>Varty<br /></strong>Bizarre [<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>What? [<em>laughs</em>].</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>He—he can’t stop talking.</p>
<p><strong>Parke </strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>And, uh…</p>
<p><strong>Varty</strong> <br />Sorry.</p>
<p><strong>McIntosh<br /></strong>The, uh—on Sunday night, people, at six o’clock…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Would line up to come into the gallery, and the doors would not open till six, and here we go again.</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>As they came in—sometimes in formal clothes, because they were going out separate[?].</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Uh, as they came in, they were not allowed to buy a painting.</p>
<p><strong>Parke<br /></strong>Hm.</p>
<p><strong>McIntosh<br /></strong>They could look for a half an hour, and, uh, at the end of a half an hour, they could make a bid on the painting and…</p>
<p><strong>Parke<br /></strong>Okay.</p>
<p><strong>McIntosh<br /></strong>So the wife—they—they would come in and they’d quickly [inaudible].</p>
<p><strong>Parke<br /></strong>They’d find one that they loved.</p>
<p><strong>McIntosh<br /></strong>Yeah.</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>They’d see. Then on Saturday…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>So they already knew there was one they loved[?]. So the wife would park her husband…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>In front of the painting, and he would just stand in front of the painting with his arms folded blocking the painting.</p>
<p><strong>Parke<br /></strong>Oh, my goodness.</p>
<p><strong>McIntosh<br /></strong>So that the other Naples folks knew that they…</p>
<p><strong>Parke<br /></strong>That that was taken.</p>
<p><strong>McIntosh<br /></strong>So at 6:35, they would[?]—[inaudible] this—the—the wife would say, “We have that one.”</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>And—but they didn’t want, uh, people to presell from seeing the work…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>The day before or whatever—week before—and, uh, they wanted everybody that[sic] was coming to the show basically to…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>To be able to buy a painting.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And, uh, so consequently, uh, the sales were almost always right in the first couple of days…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>For the opening night, and, uh, rest of the week some of them would be out on their yachts…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>And stuff, so they didn’t want to miss these shows…</p>
<p><strong>Parke </strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>If they looked important, and so I basically made my living, uh, in—in, uh, one week out of the year.</p>
<p><strong>Parke<br /></strong>That[sic] amazing.</p>
<p><strong>McIntosh<br /></strong>At a Naples show.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Uh, and if it rained on the opening night, uh, that—that put a damper on sales.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>But, uh, it worked out 24 times</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>[<em>laughs</em>] So…</p>
<p><strong>Parke<br /></strong>That’s great.</p>
<p><strong>McIntosh<br /></strong>And, uh, the gallery truly—well, it just—you’ll see the picture of it.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>It was, uh, probably one of the prettiest galleries…</p>
<p><strong>Parke<br /></strong>Extravagant.</p>
<p><strong>McIntosh<br /></strong>In the country. Very, very beautiful.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>These guys had good taste.</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>And, uh, they handled [inaudible] Glass[?].</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Um, a lot of well-known painters from California and other parts of the country.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And[?], uh, I actually—I’ve always been interested in antiques. I bought antiques in Winter Park for them to put in their gallery.</p>
<p><strong>Parke<br /></strong>Okay.</p>
<p><strong>McIntosh<br /></strong>In their sales gallery—antique area there, and, uh, they didn’t have time…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>To scout antiques.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>I loved scouting antiques [<em>laughs</em>].</p>
<p><strong>Parke<br /></strong>That’s nice.</p>
<p><strong>McIntosh<br /></strong>So I would buy stuff for them, and—and they would se—sell it at the gallery…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>For 10 times what I got.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>I was getting good bargains…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>From dealers here in Winter Park and elsewhere. Uh…</p>
<p><strong>Varty<br /></strong>Don’t forget the Blue Heron Gallery and the Cove Gallery.</p>
<p><strong>McIntosh<br /></strong>Well, I know those were galleries on Cape Cod. I’m not going to forget them, but, uh, I exhibited at the Blue Heron Gallery and another top gallery on Cape Cod…</p>
<p><strong>Parke <br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>For many years. Before that, the Cove Gallery., uh, so I had those two galleries on Cape Cod.</p>
<p><strong>Parke<br /></strong>So you’ve been all over [<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Well, you’ve gotta—when you’re painting every day…</p>
<p><strong>Parke<br /></strong>Yeah [<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Uh, you know, you need the exposure, and, um, just ended up being on Cape Cod, for, today, it’s six months of the year.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>At Cape Cod., uh, when I was teaching, we had shorter summers, but, uh, now, it’s half here half on Cape Cod.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Cape Cod is a fabulous place for artists.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Uh, the light is gorgeous there for painting, and the portrait studio there, on a gray day, the light was absolutely…</p>
<p><strong>Parke<br /></strong>Oh.</p>
<p><strong>McIntosh<br /></strong>Gorgeous on—on the models on a gray day.</p>
<p><strong>Park<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Uh, uh, very cool light.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Florida has that hot light.</p>
<p><strong>Parke<br /></strong>Yes [<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>[inaudible].</p>
<p><strong>Parke<br /></strong>It does.</p>
<p><strong>McIntosh<br /></strong>Well, [inaudible] it’s not just the heat it’s a harsher light…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>For a painter than Cape Cod. That’s why Cape Cod has many, many artists.</p>
<p><strong>Parke<br /></strong>Okay. That’s interesting.</p>
<p><strong>McIntosh<br /></strong>It’s in[?] the, uh—the, uh, most famous American painter today. Eric? [<em>laughs</em>].</p>
<p><strong>Varty<br /></strong>Yes. Edward Hopper?</p>
<p><strong>McIntosh<br /></strong>Yeah [<em>laughs</em>].</p>
<p><strong>Varty</strong> <br />[inaudible]?</p>
<p><strong>McIntosh<br /></strong>Uh…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Not…</p>
<p><strong>Varty<br /></strong>Uh, [inaudible]?</p>
<p><strong>McIntosh<br /></strong>Not Miligrove[?]. Probably the most famous…</p>
<p><strong>Varty<br /></strong>Uh…</p>
<p><strong>McIntosh<br /></strong>Uh, American painter…</p>
<p><strong>Varty<br /></strong>[inaudible]?</p>
<p><strong>McIntosh<br /></strong>Of—of all time…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Is, uh, Robert, uh [<em>laughs</em>]—Eric?</p>
<p><strong>Varty<br /></strong>Who?</p>
<p><strong>McIntosh<br /></strong>[<em>laughs</em>] Who’s the person you—what was the first name?</p>
<p><strong>Varty<br /></strong>Oh, Edward Hopper.</p>
<p><strong>McIntosh<br /></strong>[<em>laughs</em>] I’m talking and I’m forgetting as fast as I can[?].</p>
<p><strong>Varty<br /></strong>You could see Edward Hopper’s house…</p>
<p><strong>McIntosh<br /></strong>Yeah.</p>
<p><strong>Varty<br /></strong>From Hal’s house on the Cape.</p>
<p><strong>Parke<br /></strong>Oh, wow.</p>
<p><strong>McIntosh<br /></strong>Yeah</p>
<p><strong>Parke<br /></strong>That’s awesome [<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>And I knew Edward Hopper through the Farnsworth’s [inaudible] school.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>I went to, uh, cocktail parties with him.</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>And one time Jerry Farnsworth said that, “We’re going to this party and Edward Hopper will be there, but, uh, you’ll—I’ll introduce you to him, but don’t expect him to say much…”</p>
<p><strong>Parke <br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>“Because he doesn’t—isn’t a big talker,” and, uh, I did meet him that night, and, uh, he was a very polite listener and wonderful. Very imposing…</p>
<p><strong>Parke <br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Tall gentleman, but I could see their house from…</p>
<p><strong>Parke<br /></strong>Oh, okay.</p>
<p><strong>McIntosh<br /></strong>Down the beach on the cliff from my house, and anyhow, uh, I wasn’t a close friend of Edward Hopper’s, but we were close enough. Uh, we sat in a Christian Union Church, when they had these flea market sales of clothes and china…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And stuff, and his wife<a title="">[1]</a> and Mrs. Farnsworth were trying on…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Cheap clothing, blouses and suits…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>And coats, and…</p>
<p><strong>Varty<br /></strong>Uh…</p>
<p><strong>McIntosh<br /></strong>Step, uh…</p>
<p><strong>Varty<br /></strong>[inaudible].</p>
<p><strong>McIntosh<br /></strong>No [<em>laughs</em>]. They would—we would…</p>
<p><strong>Varty<br /></strong>Mrs. Farnsworth was Helen Sawyer.</p>
<p><strong>McIntosh<br /></strong>I’ve already made that clear.</p>
<p><strong>Varty<br /></strong>Oh, okay. Reference her at the Morse Museum of American Art.</p>
<p><strong>McIntosh<br /></strong>Okay. Uh, Helen Sawyer is Mrs. Farnsworth.</p>
<p><strong>Parke<br /></strong>Oh, okay.</p>
<p><strong>McIntosh<br /></strong>And is recognized in major museums…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>As well as Farnsworth was. Both of those, uh, couples—Farnsworth and Hopper—were both, uh, active during the [Great] Depression.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh</strong> And they were frugal.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Farnsworth had a garden where they grew their own vegetables, so they wouldn’t go to the grocery store except to buy meat</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>But they grew everything else, and they were used to—during the Depression, Jerry Farnsworth, a famous portrait painter, would make clothes out of old, uh, bags</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Flour bags that they used to have patterns on the big bags of—of flour for his wife</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And very frugal [<em>laughs</em>].</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>And that’s why those two wives were trying on cheap clothes at the church …</p>
<p><strong>Parke<br /></strong>‘Cause that’s what they always knew.</p>
<p><strong>McIntosh<br /></strong>Sale. Well, they just, you know, uh—they weren’t shoppers. [inaudible] [<em>laughs</em>]. Eh, uh, Eric and I would say, uh, [<em>laughs</em>] he—Hopper—Edward and I sat there and he would just shake his head</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Every time they came out in one of these outfits. You know, outfits for two dollars [<em>laughs</em>].</p>
<p><strong>Parke <br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>But here’s—at that time, he was a well-known painter.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Uh, extremely well-known.Now he’s considered one of the top American painters</p>
<p><strong>Parke<br /></strong>Mmhmm, yeah.</p>
<p><strong>McIntosh<br /></strong>Period. Uh, [<em>clears throat</em>] a wonderful, wonderful man.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>His—his wife did all the talking.</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>] Always.</p>
<p><strong>McIntosh<br /></strong>[<em>laughs</em>] I find[?] out—found out why he’s so quiet, because…</p>
<p><strong>Parke<br /></strong>‘Cause he has a wife to make up for it [<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>She—she talked all the time [<em>laughs</em>].</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>That’s probably why Edward was fairly silent, but, uh—a big tall man.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Very imposing man, and, uh his work is—is fabulous.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Fabulous. Really [inaudible].</p>
<p><strong>Parke<br /></strong>It’s beautiful.<strong> </strong>Um, can you tell me a little about your teaching philosophy? I know teaching was a big part of your life.</p>
<p><strong>McIntosh<br /></strong>Oh, absolutely. I’ve taught for over 40—40 years [<em>clears throat</em>], and, uh, I think my philosophy is—basically, in teaching—is how to teach the students how to see</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And, uh, people don’t see like artists, and, uh, it takes a long time to get them to that point. I also wanted them, uh, to end, uh, up being taught and being brought out as individual painter, not as a [inaudible].</p>
<p><strong>Parke<br /></strong>As a cookie-cutter…</p>
<p><strong>McIntosh<br /></strong>Well…</p>
<p><strong>Parke<br /></strong>Standard.</p>
<p><strong>McIntosh<br /></strong>Not—not the [inaudible]—cookie-cutter. So many students and many of my early students wanted to study with me, because they wanted to paint like me, and I went through two schools with Farnsworth. Later on, Bassford School, where they taught only their style, and the students were painting as much as they could like the teacher.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>My philosophy was that I would expose my students to different techniques. Every couple of weeks, they would have a new project. This week we’re, uh—do an abstract. Uh, next week we’re gonna do this and this, uh, but it—it shocked them, because they</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>You know, they had to start thinking differently</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Because these were specific, uh, instructions that we’re gonna go in this direction…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Art-wise, uh, and I would find [<em>clears throat</em>] after a long time—I had students for years. Some of them by being exposed to different techniques and presentations of art, I would find one person, suddenly, would just glow when they—you know, because they…</p>
<p><strong>Parke<br /></strong>They found what they were supposed to do [<em>clears throat</em>].</p>
<p><strong>McIntosh<br /></strong>Found what they loved</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>And I would say, “Okay, Mrs. so-and-so or Mr. so-and-so, you’re gonna stay…”</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /> </strong>“With this technique as long as you can.”</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>“Forever, if possible.”</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>“We’re going to keep trying stuff,” and as—as I kept students for a long time. They—they loved my classes, and in spite of the fact they were in shock when I had to expose them to different…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Techniques, but eventually, all ended up with their own…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Style, and that’s the biggest service you can do to a student—is find them and what’s in them.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Teach them how to see.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>I had—students would come to me, practically in tears…</p>
<p><strong>Parke<br /></strong>Oh.</p>
<p><strong>McIntosh<br /></strong>After a couple years studying. They’d say, “I—finally, I know what you meant when you said, ‘You’ve gotta learn to see.’ I see things so much differently.” uh, I’m visual.</p>
<p><strong>Parke<br /></strong>Yeah [<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>All my life, I’ve been visual. Uh, I could turn my head and see subject matter around me anywhere or in the gutter.</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>You know, I would—I’d tell them, “Look down,” you know, “Look at the cement. There might be something there…”</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>“That’s beautiful. Uh, look—look at that garbage can.” You know, there’s beauty everywhere.</p>
<p><strong>Parke<br /></strong>That’s a remarkable skill to have [<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Well—but I had severe exposure in the portrait school…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>To the particular style, uh, that I was learning, uh, because he taught only his style. After that, you’re—in time, you go to your own style.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>There’s a long delay, if you have been with one teacher the long time. You’re only doing…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>His style work, and a lot of artists do the same, uh, basic work[?] their whole lifetime. People don’t recognize work—my work sometimes, ‘cause one day I’ll do an abstract and the next day I’ll do a floral, uh…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>You know, I love changing from one to another.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>I don’t consider, uh, abstracts any different than…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Realistic paintings. Uh, every painting starts out as an abstraction, and, uh, they’re—you know, a painting’s a painting.</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>And, uh, the art world has expanded so much now that it’s gone way beyond painting. It’s in constructions and light shows and huge presentations and…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Sculptures and other things, you know? It’s very complex now, but, uh, as far as the painting world goes, uh, I was just—get energy from doing different things.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>It energizes me, and, uh, uh, I have ideas now, you know, that I could never get to…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>I’m sure [<em>laughs</em>], but I’m still clipping things out of magazines that I like and, uh, just keeping stuff for…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>You know, paintings that I’m exposed to—to, uh, [inaudible] that I admire.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Um, but, um, you should talk to some of my old students that[sic]…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>They’re old like I am [<em>laughs</em>], you know, uh, and they’re having big shows.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Lot of my students, uh, went right on professional work, and work—are making prices higher—higher than mine [<em>laughs</em>].</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>But, uh, they all had their own look, eventually. That’s why I kept students so long…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Because, uh, they just wanted that assurance, and they—still got exposed to a lot of, uh, unusual approaches, but, uh, a core of about 30 students stayed with me for years.</p>
<p><strong>Parke<br /></strong>Wow.</p>
<p><strong>McIntosh<br /></strong>And, uh, I’ve done portraits with a number of my students…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>In the past. I had been commissioned to do portrait, a really lovely lady from, uh, Tavares area up there, and, uh, uh, she had me over to do a—to talk about a portrait, and she said, uh—I realized right away there was something, uh—she had a problem. She’d had a stroke, and she didn’t like the photographs that were being taken of her to present to friends and family and all that stuff. She was getting on and she was very concerned about facial, uh, problems, and, uh, she was still a beautiful lady</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>But you could tell she couldn’t sit for a portrait for a long period of time, but, uh, I took some photographs of her, we had lunch a couple times and talked ,and I did a large major portrait of her, uh, that nobody would recognize</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>That there was a distortion in her face [<em>laughs</em>]. She loved it.</p>
<p><strong>Parke<br /></strong>Aw.</p>
<p><strong>McIntosh<br /></strong>And, uh, her family loved it. She wanted to leave a heritage [inaudible].</p>
<p><strong>Parke<br /></strong>Of course.</p>
<p><strong>McIntosh<br /></strong>Uh, and it was a challenge for her, because she didn’t want to be photographed, and, uh, she had dedicated caretakers and stuff—wanted a picture of her and stuff, but, uh, it happened to be quite a nice portrait</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>But I knew her for so many years…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>That I knew how to eliminate those problems, and I know her, but you don’t often get challenges like that.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>It was a major challenge for me, but in every portrait is a major challenge, because you, uh—you really want to get the essence of the person, as well as the outward visual quality of them, and, uh…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>You have to get something a little deeper than…</p>
<p><strong>Parke<br /></strong>Yeah, is that kinda what you want people to get when they look at your art? That there is something—like, what do you want people to take away from your art, would you say?</p>
<p><strong>McIntosh<br /></strong>Uh, whatever they want.</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>[<em>laughs</em>] Uh, I’ve been—I’ve been pleased to have, uh, letters from people that[sic] hated abstract art, and, uh, they see some of my abstracts, and they—they thank me for…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>This is possibly through my nephew, and his dental office has a number of my paintings, and…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Uh, abstracts and realistic ones.</p>
<p><strong>Parke<br /></strong>[<em>clears throat</em>].</p>
<p><strong>McIntosh<br /></strong>And they spend time there and they see abstract there[?]. Uh, they finally say, “Well, I guess that’s alright stuff.”</p>
<p><strong>Parke <br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>But, uh, there’s a lot of people—just close their minds to abstract and other radical approaches to art, and it’s all the same. It’s, you know—I minored in sculpture. I would just be happy as ever to go back to sculpture …</p>
<p><strong>Parke <br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>And do nothing else, but, uh, it’s a little hard to combine the two, uh, careers, because, uh, [inaudible] sculpture is messy.</p>
<p><strong>Parke<br /></strong>Yeah [<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>[<em>laughs</em>] It’s messier than painting, and, uh, my sculpture—I had my sculpture from Michigan, uh—minored in sculpture at the University of Michigan—and, uh, my work there—the pieces went into a gallery, uh, out of town.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And the gallery owner skipped the country, sold the work, kept all the money and never paid his artists, so I [<em>laughs</em>] never got my…</p>
<p><strong>Parke<br /></strong>Oh.</p>
<p><strong>McIntosh<br /></strong>Sculpture back, and I never…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Got any money from ‘em[?], but that was a wild, uh, [<em>laughs</em>] chase there.</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>[<em>laughs</em>] Uh, I’ve done murals. I did a mural at the University of Michigan that was about 60 feet long.</p>
<p><strong>Parke<br /></strong>Wow.</p>
<p><strong>McIntosh<br /></strong>And I’ve done major mu—murals. I did a major mural in a restaurant, and, you know…</p>
<p><strong>Parke <br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Shoe store [<em>laughs</em>] or…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>[inaudible], shoe store. Uh, did—I did some window display of[?] back[?], piddled in a lot of minor…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Careers. Stuff like that, uh, but, uh, it’s all tied up with art…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>You know, but, uh…</p>
<p><strong>Parke<br /></strong>What do you think inspires you to create?</p>
<p><strong>McIntosh<br /></strong>What inspired me?</p>
<p><strong>Parke<br /></strong>Mmhmm, sounds like a lot of different things [<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Well, my vision, I guess.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Uh, I’m inspired by a lot of artists.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Uh, each—each for a different reason.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh </strong>Uh, I can’t minimize that</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>But, uh, I just see stuff and, uh, it excites me. I say, <em>It would be wonderful to paint that.</em></p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>I still have that, uh—I’m not able to paint eight hours a day, and never did.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /> </strong>But I paint mostly in the afternoons, most of my life. Uh, do the laundry in the morning [<em>laughs</em>]…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>But, uh, in my teaching career I had to teach and paint also. So, uh, when my students were finished for the week, I got my studio back…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>’Cause we both had the same studio, but, um, I—I get excited to be sitting where we are here, uh, seeing birds and animals and trees and flowers and all that stuff. Uh, I just—I just see things, and I’m, uh, fortunate in, uh—if I have photographs of things…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>I can’t see again. Uh, I painted outside for years. Uh, as I got—you know, later on in my career, I did everything in the studio and worked from, uh, reference material.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Uh, tons of reference material. Like an illustrator…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Has tons of…</p>
<p><strong>Parke <br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Material to work from, but, uh, my paintings got large, and if you’re painting outside in the wind…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>And the—you know, the painting is flopping…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>In the wind, and, uh, also, uh, I find that painting outside quite often, uh—when you get the painting inside you see that the colors are difficult to…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Being out in the hot sun.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Uh, transferring that, uh, you know—it’s not as good when you get it inside…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>So—and, uh—but I think you have to paint from life outside, and from portraits, you have to paint from life to learn how to paint without the sitter or without being in front of the subject.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Because your, uh, inventiveness comes out when you’re isolated in your studio.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>You may have started something out. I’m working on an abstract now, and, uh, just as a joke I’m—when it gets in the show, I’m gonna call it <em>Two Horses</em>, and it’s an abstract painting.</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>But if you’ll look—I mean, before you leave there [<em>coughs</em>]—two Chinese, wooden horses in my apartment here.</p>
<p><strong>Parke <br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>I was painting them on Cape Cod. [inaudible] was painting of both of those horses, and I just got, eh—I wasn’t getting the way I wanted to. so I started scribbling them out with other colors, and underneath is the[?] abstraction—or[?] is the painting of these two horses, but, uh, when it doesn’t work, you know it, and you say, <em>Well, I gotta go on</em>, and to paint the canvas white—to get rid of the two horses—is a shame, because there’s color there…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And there’s[sic] shapes there, and do your new painting into that, leaving some of the—you can’t recognize anything about…</p>
<p><strong>Parke<br /></strong>Yeah [<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>The horses, but, uh, that’s where the painting start out.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>If it were ever, uh, X-rayed [<em>coughs</em>]—my voice is so weak from my breathing problems, uh, but I’m sure it comes out…</p>
<p><strong>Parke<br /></strong>Oh, yeah.</p>
<p><strong>McIntosh<br /></strong>In your machine.</p>
<p><strong>Parke<br /></strong>It’ll show up well.</p>
<p><strong>McIntosh<br /></strong>But, uh, [<em>clears throat</em>], uh, if they ever X-rayed [<em>laughs</em>] that painting…</p>
<p><strong>Parke<br /></strong>Then you would…</p>
<p><strong>McIntosh<br /></strong>You would see…</p>
<p><strong>Parke<br /></strong>See it [<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>The horses there, and, uh—but other abstracts just paint themselves.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>But, uh, once you get something down on a canvas—I don’t care what it is—just a splash of blue out—out of the blue—the—the rest of the work you’re painting into that piece—it’s a—it’s a piece of the puzzle.</p>
<p><strong>Parke <br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>It may have nothing to do with…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>The final painting but, uh, you know, there’s a lot more in a painting than people know.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Because they don’t see the progression of it.</p>
<p><strong>Parke <br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And that’s why, uh, it, uh—I men—wanna mention these TV shows with artists, because most artists don’t consider those people…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Artists [<em>laughs</em>]. I don’t[?]—cancel that…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>[<em>laughs</em>] Uh, but anyhow, it’s—it’s—it’s a wonderful career.</p>
<p><strong>Parke<br /></strong>Good.</p>
<p><strong>McIntosh<br /></strong>nd the—you saw some of my acting photographs there? [<em>laughs</em>].</p>
<p><strong>Parke<br /></strong>That was wonderful [<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Well, done a little bit of that, but, uh…</p>
<p><strong>Varty <br /></strong>Winter Park Arts Festival also.</p>
<p><strong>Parke<br /></strong>Yeah, um, the Winter Park Arts Festival—you were kind of a founding member of that. That’s a big deal.</p>
<p><strong>McIntosh<br /></strong>Yes.</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>And I lived just down the street from the festival. Uh, I lived across the street from the Langford Hotel…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Which is gone now, Uh, and—and I mentioned that was my Japanese house, which was quite a—a notable thing in Winter Park, because there weren’t any Japanese houses here, and I had been to Japan, and, uh, had a house fire, and remodeled the whole place in Japanese style…</p>
<p><strong>Parke <br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>After my visit to Japan. Anyhow, during the Art Festival years, I was walking all my materials down to the Park Avenue, and, uh, setting up in front of my…</p>
<p><strong>Parke <br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Golden Cricket Gallery, and, uh, after two years, I realized that I’m on the street…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Trying to sell paintings, and [<em>laughs</em>] my studio is—or my gallery—was right behind me…</p>
<p><strong>Parke <br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>And they make a commission on—on the sale of paintings, so that’s why I only did the Art Festival for…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>I don’t know—four or five years</p>
<p><strong>Parke<br /></strong>A few years?</p>
<p><strong>McIntosh<br /></strong>Uh, ‘cause I had gallery connections…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>On the Avenue, and you don’t do that. You…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Your gallery,back then, was taking 33 and a third percent.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Nowadays, [<em>clears throat</em>] it’s 50 percent, and in New York, some galleries taking[sic] 75 percent.</p>
<p><strong>Parke<br /></strong>Wow, wow.</p>
<p><strong>McIntosh<br /></strong>So the art—people don’t realize that artists that[sic] work in galleries are—are paying…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Quite a commission to galleries, especially if you get the kind of exposure that New York…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Major galleries give you, uh, but, uh, I—I—I opted out of the Art Festival, because, you know, it just was—I was competing…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>With myself [<em>laughs</em>].</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>But, uh, it was fun back in those years.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>You know, because it was pretty much local, and, uh, it grew and grew and grew and grew, and now, many[?] artists go—they paint and sculpt and do their craft part of the year, and the rest of the year, they travel…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>With a show—street shows—and they have their tents and all that stuff, and that’s half of their exposures…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Possibly happen because they don’t have to pay the galleries…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>You know? Uh, that’s not the only reason it’s good exposure, but, um, it’s a wonderful learning experience to…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>To have your work shown anywhere.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Uh, you—you get comments, you get criticisms, and, uh, you get to see your own work.</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>My paintings generally don’t hang around. I think I told you this before.</p>
<p><strong>Parke <br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Uh, when I finish a painting—and through the years having gallery associations—when I think the painting’s finished, I frame it and get it to the gallery…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And I forget them, because I’m thinking of the one I’m working on.</p>
<p><strong>Parke<br /></strong>The next one [<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Yeah.</p>
<p><strong>Parke<br /></strong>The upcoming one [<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>The next one.</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>And, uh, I’ve only hung one painting, uh, of my own…</p>
<p><strong>Parke<br /></strong>Yeah, that’s what you had told me before.</p>
<p><strong>McIntosh<br /></strong>In my apartment and, uh, my house in Winter Park. Uh, it’s a very large, abstract painting, and you won’t believe this, but I don’t—I’ve never hung my own paintings.</p>
<p><strong>Parke<br /></strong>What’s the reason behind that? Do you have a reason?</p>
<p><strong>McIntosh<br /></strong>Uh, I—I wanted them to—to go to the gallery and sell.</p>
<p><strong>Parke </strong>Mmhmm.</p>
<p><strong>McIntosh </strong>And I—I’m interested in a new one. I don’t wanna…</p>
<p><strong>McIntosh </strong>Yeah.</p>
<p><strong>Parke </strong>If I kept that painting sitting around—you…</p>
<p><strong>McIntosh<br /></strong>I’d see something…</p>
<p><strong>Parke<br /></strong>You keep moving forward.</p>
<p><strong>McIntosh<br /></strong>And change either[?] this or what[?], but, uh, I just got rid of it, so I could get on with the next…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>One, and, uh, I produced a lot of work…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Over the years, but that particular painting, uh, sold to my friend’s<a title="">[2]</a> mother, and hangs in the Mayflower.</p>
<p><strong>Parke<br /></strong>Wow.</p>
<p><strong>McIntosh<br /></strong>She’s got it in her apartment. It’ll be in the show.</p>
<p><strong>Parke<br /></strong>Oh, okay.</p>
<p><strong>McIntosh<br /></strong>And just ran across a letter from Maury Hurt, who I told you is…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Part of the best artists in…</p>
<p><strong>Parke<br /></strong>Yeah [<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>In Winter Park and Orlando. Uh, there was a very nice, sensitive letter from him from a show that I had, uh—and that painting, he mentions specifically. [inaudible] I think I’ll have that framed…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>And put it next to the painting in the show, because people know who Maury Hurt is here, and his word, uh…</p>
<p><strong>Parke<br /></strong>Is important.</p>
<p><strong>McIntosh<br /></strong>It was a compliment. It was an extreme compliment</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>But the way he worded it, it’s like an artist…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Words something. Not like a—just a casual visitor. It’s a sensitive…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Approach that he put in this letter to me. So you’ll see that letter. Here you can read it if you want, but, uh, I would be happy to keep painting…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>For the rest of my days, for the next 20 years.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Uh, I remember seeing pictures of, uh, artists, [inaudible] not [inaudible], but, uh—I’m losing it now for a minute—but I was bedridden—he was bedridden anyhow. I can’t think of his name, and they made eight-foot brushes for him.</p>
<p><strong>Parke<br /></strong>So he could reach?</p>
<p><strong>McIntosh<br /></strong>So he could reach the canvas. That’s how artists—some artists are [<em>laughs</em>].</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Uh, I—I could paint hundreds more pictures.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh <br /></strong>But [<em>laughs</em>], uh, [inaudible] wheel me around pretty soon.</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Um, it’s been, uh, interesting talking to you, and, uh, I hope some of this stuff…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>You understand.</p>
<p><strong>Parke<br /></strong>Oh…</p>
<p><strong>McIntosh<br /></strong>[inaudible].</p>
<p><strong>Parke<br /></strong>This is wonderful.</p>
<p><strong>McIntosh<br /></strong>[<em>laughs</em>] Sorta different than other teachers.</p>
<p><strong>Parke<br /></strong>It’s been great talking to you.</p>
<p><strong>McIntosh<br /></strong>Especially…</p>
<p><strong>Parke<br /></strong>I feel like I’ve learned a lot.</p>
<p><strong>McIntosh<br /></strong>Good. Well…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>So you can paint now.</p>
<p><strong>Parke<br /></strong>I can.</p>
<p><strong>McIntosh<br /></strong>Yep.</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>Anybody can paint.</p>
<p><strong>Parke<br /></strong>Um, can I ask you one last question?</p>
<p><strong>McIntosh<br /></strong>Sure.</p>
<p><strong>Parke<br /></strong>Um, I know that you worked at the [Albín] Polasek Museum [& Sculpture Gardens]. Did you know Albín [Polasek] and his wife, Emily [Muska Kubat Polasek]? And…</p>
<p><strong>McIntosh<br /></strong>Yes.</p>
<p><strong>Parke<br /></strong>How was that for you? How were they?</p>
<p><strong>McIntosh<br /></strong>Uh, Albín, I didn’t know that well.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Uh, saw him just on different occasions and talked, but Emily, I knew and sat with her. Uh, she made cookies for me…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>[<em>laughs</em>] And cookies that are from her home country<a title="">[3]</a>—very complex little cookies—and she even gave me the equipment to make them myself.</p>
<p><strong>Parke<br /></strong>Wow [<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>But, uh, I—knowing Albín and being a—a sculptor myself part-time, uh—and also, my [<em>coughs</em>]—my brother-in-law, Ken Wacker, along with, uh, Rever Haines, the lawyer, were very influential in the early Polasek years.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And keeping the estate, and running the—the home [inaudible].</p>
<p><strong>Parke </strong>The institution, yeah.</p>
<p><strong>McIntosh </strong>And—and working on its future…</p>
<p><strong>Parke </strong>Mmhmm.</p>
<p><strong>McIntosh </strong>Uh, through Albín when he was alive, and then very, very kindly through Emily, because, uh, she was left, but they—they were extremely influential in the early years, and, uh, I was Artistic Consultant for the museum for five years.</p>
<p><strong>Parke </strong>Wow.</p>
<p><strong>McIntosh<br /></strong>nd, uh, I actually climbed up on the huge painting of the <em>Man Carving His Own Destiny</em>…</p>
<p><strong>Parke <br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>And I was cleaning that and doing that[?]. I also knew, uh, so much about what Albín would—would have liked.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Uh, and that’s a, uh, very sensitive thing, because, uh, you’re put with responsibility when an artist is gone, and, uh, he specifically had feelings—different feelings—about his work that I could see.</p>
<p><strong>Parke <br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And, uh, I restored things, uh, that I discovered that he had done.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Uh, and I realized how, uh, religious a man he was.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Totally dedicated to his religion,<a title="">[4]</a> and then my partner and I, uh, designed, uh, the wall in front of the museum and the gates that…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Go in, and, uh, Eric Varty, uh, did the chapel—over the ceiling of the chapel—uh, and I had, uh the paintings of the Stations of the Cross framed and redone, because they were actually rotting out in…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>That damp studio, and, uh, I did a patina—a painted patina—on all of the—the Stations of the Cross were do—done in plaster.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And they were white, and I first saw them stacked somewhere, and I convinced my brother-in-law…</p>
<p><strong>Parke <br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>That they should be put on a wall, and they built this wall and installed these plasters on the wall—life-size from the original. I painted them and painted a patina, which is done to age the…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>o, uh, fake the age of a—of a bronze piece.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And I did that, uh, on all the statues.</p>
<p><strong>Parke<br /></strong>That’s amazing.</p>
<p><strong>McIntosh<br /></strong>Uh, those stations, and, uh, they were later, uh, reproduced by another artist for a client, and they came down, and now they’re having some of them cast</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Some of them are still plaster, but, uh, it just, uh—that portrait of, uh, Albín [<em>clears throat</em>] that hangs in the museum was done, uh, by Charles Hawthorne.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>A beautiful portrait was over the mantle. I don’t know where it is now, uh, but Charles Hawthorne was a Cape Cod painter</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And my teacher, Jerry Farnsworth, and his wife, Helen Sawyer—both famous painters—studied with Hawthorne.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>So, uh, coincidence to…</p>
<p><strong>Parke<br /></strong>I was going to say that…</p>
<p><strong>McIntosh<br /></strong>To…</p>
<p><strong>Parke<br /></strong>That’s a huge coincidence.</p>
<p><strong>McIntosh<br /></strong>I didn’t know Hawthorne, but, uh, Hawthorne’s a fabulous, fabulous…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Uh, painter of figure—of the figure. Uh, Cape Cod has—museum has wonderful work…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Of his in Provincetown, but he taught in Provincetown, uh, in the open air, had models out by the beach.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>There are old photographs of my teachers at their easel…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>With him teaching with, uh, Provincetown…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Harbor in the background, and[?]…</p>
<p><strong>Parke<br /></strong>And he just so happened—just so happened to paint Albín too.</p>
<p><strong>McIntosh<br /></strong>Well, I just—I don’t know how they commissioned it—how they found this fabulous painter to do Albín—but Albín must have known his work…</p>
<p><strong>Parke <br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Uh, because that is a great portrait.</p>
<p><strong>Parke <br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Uh, but it’s a small world, you know?</p>
<p><strong>Parke<br /></strong>That’s crazy.</p>
<p><strong>McIntosh<br /></strong>Uh, and late in years that I, you know—way back, when I [inaudible] knew Albín briefly, uh, I met another sculptor—a major sculptor—Mahonri [Macintosh] Young, the grandson of Brigham Young. I was in his studio and I forgot where it was…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>But I was invited somehow to get into his studio.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>And there was this huge portrait of a seated gentleman, and it was like about 25 feet tall, you know, in his studio in—in clay.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>It was going to be cast, and, uh, as a young student and learner, [<em>laughs</em>] I was so impressed seeing the scale of that work, uh, and, uh, he said, “Oh,” uh, you know, “this is gonna be cast.” He said, “I’m sorry you weren’t here when I was working on the 80 foot—180 foot tall piece,” in…</p>
<p><strong>Parke <br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>In back[?]—it was—took a whole train…</p>
<p><strong>Parke<br /></strong>Wow.</p>
<p><strong>McIntosh<br /></strong>To take this sculpture…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>To, uh, the—where the [inaudible]—Mormons in—in, uh—where—where are all the Mormons at?</p>
<p><strong>Parke<br /></strong>In Utah.</p>
<p><strong>McIntosh<br /></strong>In Utah.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>And it’s a gigantic, uh, statue with dozens of figures on it. Uh, I had no idea the height of it, but it’s a major…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Piece, and, uh, uh, to see stuff in the studio that’s going to go to the foundry, you know, eventually, and just—I’ve been very lucky to have those visits.</p>
<p><strong>Parke <br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And I had private visits with one of the top American architects, uh, Philip [Cortelyou] Johnson. The famous Glass House<a title="">[5]</a> in—in [New Canaan,] Connecticut…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Uh, was a famous American, uh, accomplishment for—he’s—he’s passed away now, but I was—had private visit with him with, uh, another architect friend of mine to see this Glass House in person…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And to meet him, and, uh, I’ve just been very lucky to have exposure to…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>Some very great people, and anyone who knows architecture knows—knows, you know, Phillip Johnson, right up there with the top architects in—in the world, but, uh, his house was fabulous.</p>
<p><strong>Parke <br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>It’s in the woods, basically, and it has no light fixtures…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>In the house at all. The, uh—all the walls are glass all the way around, and the house is lighted by lights outside in the trees that you can’t see.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And on a rheostat[?], those lights can be turned on, so you can read in the house, and you never see a lamp or anything.</p>
<p><strong>Parke<br /></strong>That’s amazing.</p>
<p><strong>McIntosh<br /></strong>It’s an amazing house. You’ll…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>You’ll see it…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>In a book, uh, and…</p>
<p><strong>Varty<br /></strong>There’s also your involvement with, uh, Maitland Art Center and [Jules] Andre Smith.</p>
<p><strong>McIntosh<br /></strong>Well, I can’t talk forever.</p>
<p><strong>Varty<br /></strong>That’s a good story.</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>[<em>laughs</em>] She’s gonna run out of juice [<em>laughs</em>].</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>] I was going to say, I can come back another day…</p>
<p><strong>McIntosh<br /></strong>Oh.</p>
<p><strong>Parke <br /></strong>And we can talk about a lot more stuff too.</p>
<p><strong>McIntosh<br /></strong>Well, that’s a—quite a good story for you—my association with, uh, [J.] Andre Smith.</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>At the Maitland Art Center.</p>
<p><strong>Parke<br /></strong>That’s kinda where you got your, like—kinda your main start here, right? In Florida? Is that where you kinda began?</p>
<p><strong>McIntosh<br /></strong>Uh, well, I began…</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>] Many years before…</p>
<p><strong>McIntosh<br /></strong>Many years before.</p>
<p><strong>Parke<br /></strong>But [<em>laughs</em>]…</p>
<p><strong>Varty<br /></strong>High school.</p>
<p><strong>McIntosh<br /></strong>But the, uh—my association with Andre Smith is worth a—another little time…</p>
<p><strong>Parke<br /></strong>Okay.</p>
<p><strong>McIntosh<br /></strong>And you’ve got plenty of…</p>
<p><strong>Parke<br /></strong>Got a lot of stuff.</p>
<p><strong>McIntosh<br /></strong>Yeah, but, uh, I was very close to Andre Smith, and I happened to be the only living, uh, Bok Fellow.</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Uh, I was, uh, at—invited to live there, and I had my own studio there three different years.</p>
<p><strong>Parke<br /></strong>Wow.</p>
<p><strong>McIntosh<br /></strong>Different times…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Before I went in the service and came out of the service, and I was very close to Andre Smith. It was called the [Maitland] Research Studio…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Then, and the—the artists that[sic] were invited there, uh, found and all financed by Mary [Louise] Curtis Bok<a title="">[6]</a>…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Of Bok Tower [Gardens]<a title="">[7]</a>…</p>
<p><strong>Parke<br /></strong>Yeah.</p>
<p><strong>McIntosh<br /></strong>In [Lake Wales,] Florida. They were all older artists, and I was the only—I was 18.</p>
<p><strong>Parke<br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>You know?</p>
<p><strong>Parke<br /></strong>You were a baby still.</p>
<p><strong>McIntosh<br /></strong>Well, yeah, I was, ‘cause[?] compared to them, they were all well-known</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>And, uh, uh, I became very friendly with, uh, the brother of Maurice [Brazil] Prendergast who’s…</p>
<p><strong>Parke<br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>A famous, well-known painter—American, uh—well, landscapes, figures…</p>
<p><strong>Parke <br /></strong>Mmhmm.</p>
<p><strong>McIntosh<br /></strong>Uh, but the brother—brother was at the, uh, Research Studio, at that time [<em>clears throat</em>]—Charles, uh, Prendergast—and, uh—well, that’s another story.</p>
<p><strong>Parke <br /></strong>[<em>laughs</em>].</p>
<p><strong>McIntosh<br /></strong>I’m getting [inaudible]. My voice is wearing.</p>
<p><strong>Parke <br /></strong>Yeah—no.</p>
<p><strong>McIntosh<br /></strong>Uh…</p>
<p><strong>Parke<br /></strong>We’ve got a lot of stuff, so thank you so much for talking with me.</p>
<p><strong>McIntosh<br /></strong>Oh, it was my pleasure.</p>
<p><strong>Parke<br /></strong>And I know—I’m sure we’ll talk again soon.</p>
<p><strong>McIntosh<br /></strong>Yeah…</p>
<p><strong>Parke<br /></strong>Thank you.</p>
<p><strong>McIntosh<br /></strong>And I—I gotta show you those two horses inside [<em>laughs</em>].</p>
<p><strong>Parke <br /></strong>Oh, I’m very excited about it [<em>laughs</em>].</p>
<div><br /><div>
<p><a title="">[1]</a> Josephine “Jo” Verstille Nivision Hopper.</p>
</div>
<div>
<p><a title="">[2]</a> Eric Varty.</p>
</div>
<div>
<p><a title="">[3]</a> Kubat was born in Prague, Czechoslovakia (present-day Czech Republic).</p>
</div>
<div>
<p><a title="">[4]</a> Roman Catholicism.</p>
</div>
<div>
<p><a title="">[5]</a> Also known as the Johnson House.</p>
</div>
<div>
<p><a title="">[6]</a> Later known as Mary Louise Curtis Bok Zimbalist.</p>
</div>
<div>
<p><a title="">[7]</a> Also known as Bok Mountain Lake Sanctuary and Singing Tower.</p>
</div>
</div>
5th Street
abstract art
Albin Polasek
Albin Polasek Museum & Sculpture Gardens
antique
architect
architecture
art
art school
art show
artist
Artistic Consultant
Bassford School
Blue Heron Gallery
Bok Fellow
Bok Mountain Lake Sanctuary and Singing Tower
Bok Tower Gardens
Brigham Young
Cape Cod, Massachusetts
Catholicism
Center Street Gallery
chapel
Charles Hawthorne
Charles Prendergast
church
college
Commercial Street
commission
Cove Gallery
education
educator
Emily Muska Kubat
Emily Muska Kubat Polasek
Erin Parke
exhibition
Farnsworth, Jerry
festival
Fifth Street
gallery
Genius, Jeanette
Glass House
Golden Cricket Shop
Great Depression
Hal McIntosh
Hopper, Edward
Hopper, Jo
Hopper, Josephine “Jo” Verstille Nivision
Japan
Japanese
Johnson House
Jules André Smith
Kent Wacker
Lake Wales
Lily Lake
Mahonri Macintosh Young
Maitland Art Center
Maitland Research Studio
Man Carving His Own Destiny
Mary Louise Curtis
Mary Louise Curtis Bok
Mary Louise Curtis Bok Zimbalist
Maurice Brazil Prendergast
Maury Hurt
McCain, Hugh
McKean, Jeanette Genius
Miller Gallery
museum
Naples
Nivision, Jo
Nivision, Josephine “Jo” Verstille
painter
painting
Park Avenue
Philip Cortelyou Johnson
portrait
portraiture school
Provincetown, Massachusetts
religion
restoration
Rever Haines
Rollins College
Roman Catholic
Sanford
Sarasota
Sawyer, Helen
school
sculpting
sculptor
sculpture
Solarte
Stations of the Cross
student
teacher
The Way
Two Horses
university
Via Crucis
Via Dolorosa
Virginia
Way of Sorrows
Way of the Cross
Winter Park Arts Festival
-
https://richesmi.cah.ucf.edu/omeka/files/original/27fbd6b9a306f63e2eff2fa2d4da1301.mp3
62c1328c152899d025cbbb3ae94088c7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
RICHES Podcast Documentaries Collection
Alternative Title
RICHES Podcast Collection
Subject
Podcasts
Documentaries
Description
RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners.
Contributor
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
Cassanello, Robert
Language
eng
Type
Collection
Coverage
Altoona, Florida
Apopka, Florida
Astor, Florida
Barberville, Florida
Brevard County, Florida
Bushnell, Florida
Clermont, Florida
Cocoa, Florida
Cocoa Beach, Florida
College Park, Orlando, Florida
Coral Gables, Florida
Daytona Beach, Florida
DeLand, Florida
Disston City, Florida
Eatonville, Florida
Eau Gallie, Melbourne, Florida
Fort King, Florida
Fort Lauderdale, Florida
Geneva, Florida
Goldenrod, Florida
Groveland, Florida
Hannibal Square, Winter Park, Florida
Holly Hill, Florida
Hontoon Island, DeLand, Florida
Indian River, Florida
Jacksonville, Florida
Key Biscayne, Florida
Key West, Florida
Kissimmee, Florida
Lake Apopka, Florida
Lake Buena Vista, Florida
Lake County, Florida
Lake Mary, Florida
Marion County, Florida
Merritt Island, Florida
Mims, Florida
Mount Dora, Florida
Newnans Lake, Gainesville, Florida
New Smyrna, Florida
New Smyrna Beach, Florida
Ocala, Florida
Ocklawaha River, Florida
Ocoee, Florida
Orlando, Florida
Ormond Beach, Florida
Osceola County, Florida
Oviedo, Florida
Parramore, Orlando, Florida
Reedy Creek, Florida
Sanford, Florida
Silver Springs, Florida
St. Augustine, Florida
St. Cloud, Florida
St. Johns River, Florida
St. Petersburg, Florida
Tampa, Florida
Titusville, Florida
Vero Beach, Florida
Weirsdale, Florida
Winter Garden, Florida
Winter Park, Florida
Ybor City, Tampa, Florida
Contributing Project
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
External Reference
<span>"</span><a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a><span>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php.</span>
Has Part
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/137" target="_blank">A History of Central Florida Collection</a>, RICHES Podcast Documentaries Collection, RICHES of Central Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank">RICHES</a>.
Rights Holder
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES<br /></a>
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Original Format
1 audio podcast
Duration
17 minutes and 58 seconds
Bit Rate/Frequency
192kbps
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
RICHES Podcast Documentaries, Episode 46: An Interview with Joy Wallace Dickinson, Part 2
Alternative Title
Interview with Joy Wallace Dickinson Podcast
Subject
Podcasts
Documentaries
Orlando (Fla.)
Journalism--Florida
Journalists--Florida--Biography
Description
Episode 46, Part 2 of RICHES Podcast Documentaries: An Interview with Joy Wallace Dickinson. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. <br /><br />Episode 46 features an interview with former <em>The Orlando Sentinel</em> journalist Joy Wallace Dickinson about the history of Orlando based on her unique personal experience and professional research and work.
Abstract
Joy Wallace Dickinson gives a tour through the rich and diverse history of Orlando based off her unique personal experience and professional research and work. From artists and historical buildings to gangsters and gambling, Dickinson proves that the local history Orlando is fascinating and exciting in this two-part podcast.
Type
Sound/Podcast
Source
Original 17-minute and 58-second podcast, January 11, 2013: "RICHES Podcast Documentaries, Episode 46: An Interview with Joy Wallace Dickinson, Part 2." <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida.
Is Part Of
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/70" target="_blank">RICHES Podcast Documentaries Collection</a>, RICHES of Central Florida.
Coverage
Orlando, Florida
Publisher
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a>
Contributor
Dickinson, Joy Wallace
Date Created
ca. 2013-01-11
Format
audio/mp3
Extent
24.7 MB
Medium
17-minute and 58-second podcast
Language
eng
Mediator
History Teacher
Geography Teacher
Provenance
Originally created by and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a>.
Rights Holder
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES<br /></a>
Accrual Method
Item Creation
Contributing Project
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a>
External Reference
"<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2499" target="_blank">RICHES Podcast Documentaries, Episode 46: An Interview with Joy Wallace Dickinson, Part 2</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2499.
"<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2498" target="_blank">RICHES Podcast Documentaries, Episode 45: An Interview with Joy Wallace Dickinson, Part 1</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2498.
Dickinson, Joy Wallace. <a href="http://www.worldcat.org/oclc/53872607" target="_blank"><em>Orlando: City of Dreams</em></a>. Charleston, SC: Arcadia Pub, 2003.
Dickinson, Joy Wallace. <a href="http://www.worldcat.org/oclc/548583228" target="_blank"><em>Remembering Orlando</em></a>. Nashville, Tenn: Trade Paper Press, 2010.
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka2/files/original/27fbd6b9a306f63e2eff2fa2d4da1301.mp3" target="_blank">RICHES Podcast Documentaries, Episode 46: An Interview with Joy Wallace Dickinson, Part 2</a>
Date Copyrighted
2013-01-11
Date Issued
2013-01-11
Has Part
"<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2498" target="_blank">RICHES Podcast Documentaries, Episode 45: An Interview with Joy Wallace Dickinson, Part 1</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2498.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank">QuickTime</a>.
African American
Anderson, Robert
art
art festival
artist
author
baseball
baseball field
Beat Generation
Blackburn, Harlan
Bolita
casino
Chance, Frank Leroy
College Park
Cracker Mafia
crime
Cuba
desegregation
Dickinson, Joy Wallace
documentary
Evers, John "Johnny" Joseph
Evers, Johnny
festival
Flamingo Club
Florida State Road 50
gambling
George Stewart's Office Supplies
Havana, Cuba
integration
Jacksonville
journalism
journalist
Kerouac, Jack
King of the Beats
King, Martin Luther, Jr.
literature
local history
lottery
Mafia
meteorologist
Miami
Mitchell, E. B.
National Register of Historic Places
newspaper
nightclub
On the Road
organize crime
orlando
Park Avenue
photographer
photography
Pittsburgh, Pennsylvania
podcast
Remembering Orlando: Tales from Elvis to Disney
restaurant
RICHES Podcast Documentaries
Robert Cassanello
segregation
Spring Training
SR 50
Stump, Charles "Charlie" W., Jr.
Stump, Charlie
Tampa
The Milton Berle Show
The Orlando Sentinel
Tinker Field
Tinker, Joe
Tinker, Joseph "Joe" Bert
weatherman
Winter Park
Winter Park Sidewalk Art Festival
writer
-
https://richesmi.cah.ucf.edu/omeka/files/original/42461b87eb1e25013fd223ccff9930d9.mp3
e8b04bb8cdba5452d7611b1651ff0169
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
RICHES Podcast Documentaries Collection
Alternative Title
RICHES Podcast Collection
Subject
Podcasts
Documentaries
Description
RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners.
Contributor
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
Cassanello, Robert
Language
eng
Type
Collection
Coverage
Altoona, Florida
Apopka, Florida
Astor, Florida
Barberville, Florida
Brevard County, Florida
Bushnell, Florida
Clermont, Florida
Cocoa, Florida
Cocoa Beach, Florida
College Park, Orlando, Florida
Coral Gables, Florida
Daytona Beach, Florida
DeLand, Florida
Disston City, Florida
Eatonville, Florida
Eau Gallie, Melbourne, Florida
Fort King, Florida
Fort Lauderdale, Florida
Geneva, Florida
Goldenrod, Florida
Groveland, Florida
Hannibal Square, Winter Park, Florida
Holly Hill, Florida
Hontoon Island, DeLand, Florida
Indian River, Florida
Jacksonville, Florida
Key Biscayne, Florida
Key West, Florida
Kissimmee, Florida
Lake Apopka, Florida
Lake Buena Vista, Florida
Lake County, Florida
Lake Mary, Florida
Marion County, Florida
Merritt Island, Florida
Mims, Florida
Mount Dora, Florida
Newnans Lake, Gainesville, Florida
New Smyrna, Florida
New Smyrna Beach, Florida
Ocala, Florida
Ocklawaha River, Florida
Ocoee, Florida
Orlando, Florida
Ormond Beach, Florida
Osceola County, Florida
Oviedo, Florida
Parramore, Orlando, Florida
Reedy Creek, Florida
Sanford, Florida
Silver Springs, Florida
St. Augustine, Florida
St. Cloud, Florida
St. Johns River, Florida
St. Petersburg, Florida
Tampa, Florida
Titusville, Florida
Vero Beach, Florida
Weirsdale, Florida
Winter Garden, Florida
Winter Park, Florida
Ybor City, Tampa, Florida
Contributing Project
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
External Reference
<span>"</span><a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a><span>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php.</span>
Has Part
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/137" target="_blank">A History of Central Florida Collection</a>, RICHES Podcast Documentaries Collection, RICHES of Central Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank">RICHES</a>.
Rights Holder
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES<br /></a>
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Original Format
1 audio podcast
Duration
17 minutes and 53 seconds
Bit Rate/Frequency
192kbps
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
RICHES Podcast Documentaries, Episode 43: The Winter Garden Heritage Foundation
Alternative Title
Winter Garden Heritage Foundation Podcast
Subject
Podcasts
Documentaries
Winter Garden (Fla.)
Winter Garden Heritage Foundation
Description
Episode 43 of RICHES Podcast Documentaries: The Winter Garden Heritage Foundation. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. <br /><br />Episode 43 focuses on the Winter Garden Heritage Foundation, the relationship between the City of Winter Garden and the Foundation, and how the Foundation has changed over time.
Abstract
The Winter Garden Heritage Foundation is the heart of the preservation movement in Winter Garden, Florida. This podcast examines the relationship between the city and the foundation, as well as how the foundation has changed over time.
Type
Sound/Podcast
Source
Original 17-minute and 53-second podcast by Nicholas Niemi, November 30, 2012: "RICHES Podcast Documentaries, Episode 43: The Winter Garden Heritage Foundation." <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida.
Is Part Of
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/70" target="_blank">RICHES Podcast Documentaries Collection</a>, RICHES of Central Florida.
Coverage
Winter Garden, Florida
Winter Garden Heritage Foundation, Winter Garden, Florida
Creator
Niemi, Nicholas
Publisher
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Contributor
Cross, Phil
Cappleman, Kay
McMillan, Alan
Rees, John
Date Created
ca. 2012-11-30
Format
audio/mp3
Extent
24.6 MB
Medium
17-minute and 53-second podcast
Language
eng
Mediator
History Teacher
Economics Teacher
Geography Teacher
Provenance
Originally created by Nicholas Niemi and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>.
Rights Holder
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Accrual Method
Item Creation
Contributing Project
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
External Reference
"<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2496" target="_blank">RICHES Podcast Documentaries, Episode 43: The Winter Garden Heritage Foundation</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2496.
"<a href="http://www.cwgdn.com/" target="_blank">Welcome</a>." City of Winter Park. http://www.cwgdn.com/.
"<a href="http://www.wghf.org/localhistory" target="_blank">Winter Garden</a>." Winter Garden Heritage Foundation. http://www.wghf.org/localhistory.
Winter Garden Heritage Foundation. <a href="http://www.worldcat.org/oclc/39368776" target="_blank"><em>All Aboard!: A Journey Through Historic Winter Garden, 1880-1950</em></a>. Winter Garden, FL: The Foundation, 1997.
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka2/files/original/42461b87eb1e25013fd223ccff9930d9.mp3" target="_blank">RICHES Podcast Documentaries, Episode 43: The Winter Garden Heritage Foundation</a>
Date Copyrighted
2012-11-30
Date Issued
2012-11-30
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
archive
Cappleman, Kay
Central Florida Railroad Museum
city commission
City Commission of Winter Garden
City of Winter Garden
Cross, Phil
depression
documentary
Downtown Winter Garden
economic depression
economic recession
Edgewater Hotel
festival
Garden Theatre
historic landmark
historic preservation
historic renovation
historic restoration
HOTEL
landmark
library
Main Street Florida
Martínez-Fernández, Luis
mayor
Mayor of Winter Garden
McMillan, Alan
museum
National Railway Historical Society
Neimi, Nicholas
podcast
preservation
railroad
recession
Rees, John
renovation
restoration
revitalization
RICHES Podcast Documentaries
rural
suburb
suburban
suburbanization
Tavares and Gulf Railroad Company
Tavares and Gulf Railroad Depot
West Orange County
WGHF
Winter Garden
Winter Garden Heritage Foundation
Winter Garden Heritage Museum
Winter Garden History Center
-
https://richesmi.cah.ucf.edu/omeka/files/original/0c29cb694408a79354e6e5c80cb78141.mp3
974fec08d212a27139a27eb6926f80dc
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
RICHES Podcast Documentaries Collection
Alternative Title
RICHES Podcast Collection
Subject
Podcasts
Documentaries
Description
RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners.
Contributor
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
Cassanello, Robert
Language
eng
Type
Collection
Coverage
Altoona, Florida
Apopka, Florida
Astor, Florida
Barberville, Florida
Brevard County, Florida
Bushnell, Florida
Clermont, Florida
Cocoa, Florida
Cocoa Beach, Florida
College Park, Orlando, Florida
Coral Gables, Florida
Daytona Beach, Florida
DeLand, Florida
Disston City, Florida
Eatonville, Florida
Eau Gallie, Melbourne, Florida
Fort King, Florida
Fort Lauderdale, Florida
Geneva, Florida
Goldenrod, Florida
Groveland, Florida
Hannibal Square, Winter Park, Florida
Holly Hill, Florida
Hontoon Island, DeLand, Florida
Indian River, Florida
Jacksonville, Florida
Key Biscayne, Florida
Key West, Florida
Kissimmee, Florida
Lake Apopka, Florida
Lake Buena Vista, Florida
Lake County, Florida
Lake Mary, Florida
Marion County, Florida
Merritt Island, Florida
Mims, Florida
Mount Dora, Florida
Newnans Lake, Gainesville, Florida
New Smyrna, Florida
New Smyrna Beach, Florida
Ocala, Florida
Ocklawaha River, Florida
Ocoee, Florida
Orlando, Florida
Ormond Beach, Florida
Osceola County, Florida
Oviedo, Florida
Parramore, Orlando, Florida
Reedy Creek, Florida
Sanford, Florida
Silver Springs, Florida
St. Augustine, Florida
St. Cloud, Florida
St. Johns River, Florida
St. Petersburg, Florida
Tampa, Florida
Titusville, Florida
Vero Beach, Florida
Weirsdale, Florida
Winter Garden, Florida
Winter Park, Florida
Ybor City, Tampa, Florida
Contributing Project
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
External Reference
<span>"</span><a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a><span>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php.</span>
Has Part
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/137" target="_blank">A History of Central Florida Collection</a>, RICHES Podcast Documentaries Collection, RICHES of Central Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank">RICHES</a>.
Rights Holder
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES<br /></a>
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Original Format
1 audio podcast
Duration
15 minutes and 31 seconds
Bit Rate/Frequency
128kbps
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
RICHES Podcast Documentaries, Episode 27: Central Florida without a Theme Park: An Interview with Dr. Benjamin Brotemarkle
Alternative Title
Central Florida without a Theme Park Podcast
Subject
Podcasts
Documentaries
Festivals--Southern States
Eatonville (Fla.)
Barberville (Fla.)
Winter Park (Fla.)
Winter Park Bach Festival
Cattle industry
Tourism--Florida
Description
Episode 27 of RICHES Podcast Documentaries: Central Florida without a Theme Park: An Interview with Dr. Benjamin Brotemarkle. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. <br /><br />Episode 27 explores Central Florida's rich history before Walt Disney World opened and includes an interview with Dr. Benjamin Brotemarkle, author of <em>Beyond the Theme Parks: Exploring Central Florida</em>. Dr. Brotemarkle discusses Eatonville's Zora Neale Hurston Festival of the Arts and Humanities, the Barberville Pioneer Festival, and the Winter Park Bach Festival.
Abstract
Although it is often associated with being the home of Walt Disney World and other theme park destinations, Central Florida possesses a rich history that predates any of the aforementioned arrivals. In this podcast, we explore that rich history by speaking with Dr. Benjamin Brotemarkle, author of B<em>eyond the Theme Parks: Exploring Central Florida</em>. By gaining Dr. Brotemarkle’s insight, we can better understand the conditions that existed within Central Florida before Disney’s arrival, and therefore more fully comprehend our region’s complex and intriguing past.
Type
Sound/Podcast
Source
Original 15-minute and 31-second podcast, March 30, 2012: "RICHES Podcast Documentaries, Episode 27: Central Florida without a Theme Park: An Interview with Dr. Benjamin Brotemarkle." <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida.
Is Part Of
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/70" target="_blank">RICHES Podcast Documentaries Collection</a>, RICHES of Central Florida.
Coverage
Eatonville, Florida
Pioneer Settlement for the Creative Arts, Barberville, Florida
Winter Park, Florida
Publisher
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Contributor
Brotemarkle, Benjamin D.
Date Created
ca. 2012-03-30
Format
audio/mp3
Extent
14.2 MB
Medium
15-minute and 31-second podcast
Language
eng
Mediator
History Teacher
Economics Teacher
Geography Teacher
Humanities Teacher
Visual Arts Teacher
Music Teacher
Provenance
Originally published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>.
Rights Holder
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Accrual Method
Item Creation
Contributing Project
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
External Reference
"<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2480" target="_blank">RICHES Podcast Documentaries, Episode 27: An Interview with Dr. Benjamin Brotemarkle</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2480.
"<a href="http://www.bachfestivalflorida.org/about/history" target="_blank">History of the Bach Festival Society</a>." Bach Festival Society of Winter Park. http://www.bachfestivalflorida.org/about/history.
Revels, Tracy J. <a href="http://www.worldcat.org/oclc/666240031" target="_blank"><em>Sunshine Paradise: A History of Florida Tourism</em></a>. Gainesville: University Press of Florida, 2011.
"<a href="http://zorafestival.org/" target="_blank">ZORA! Festiva</a>l." ZORA! Festival. http://zorafestival.org/.
<span>Brotemarkle, Benjamin D. </span><a href="http://www.worldcat.org/oclc/40200611" target="_blank"><em>Beyond the Theme Parks: Exploring Central Florida</em></a><span>. Gainesville, FL: University Press of Florida, 1999.</span>
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka2/files/original/0c29cb694408a79354e6e5c80cb78141.mp3" target="_blank">RICHES Podcast Documentaries, Episode 27: Central Florida without a Theme Park: An Interview with Dr. Benjamin Brotemarkle</a>
Date Copyrighted
2012-03-30
Date Issued
2012-03-30
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
African American
African-American community
art
Association to Preserve the Eatonville Community
Bach, Johann Sebastian
Barberville
Barberville Pioneer Festival
Beyond the Theme Parks: Exploring Central Florida
Brevard County
Brotemarkle, Benjamin D.
burial
cattle
cattle industry
Channel 24
Christmas
composer
Crawford, Janie
Cypress Gardens
documentary
Eatonville
festival
Flagler, Henry Morrison
Fort Christmas Historical Park
Harlem Renaissance
historic site
humanities
Hurston, Zora Neale
Kennedy Boulevard
local history
mermaid
Murphree, Daniel S.
music
musician
Nathiri, N. Y.
orange county
orlando
PEC
pioneer
Pioneer Settlement for the Creative Arts
podcast
radio
radio magazine
railroad
RICHES Podcast Documentaries
roadside attraction
Rollins College
Spaniards
Spanish
Stetson University
television
Their Eyes Were Watching God
Titusville
tourism
tourist
University Press of Florida
Vanderjagt, Steve
Walt Disney World
Weeki Wachee
Windover Archaeological Site
Windover Farm
Winter Park
Winter Park Bach Festival
WMFE
Zora Neale Hurston Festival of the Arts and Humanities
-
https://richesmi.cah.ucf.edu/omeka/files/original/c9db4670b286d9527757033660db756c.mp3
e7daca2c9bb29aee49a98aee1bf39e29
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
RICHES Podcast Documentaries Collection
Alternative Title
RICHES Podcast Collection
Subject
Podcasts
Documentaries
Description
RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners.
Contributor
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
Cassanello, Robert
Language
eng
Type
Collection
Coverage
Altoona, Florida
Apopka, Florida
Astor, Florida
Barberville, Florida
Brevard County, Florida
Bushnell, Florida
Clermont, Florida
Cocoa, Florida
Cocoa Beach, Florida
College Park, Orlando, Florida
Coral Gables, Florida
Daytona Beach, Florida
DeLand, Florida
Disston City, Florida
Eatonville, Florida
Eau Gallie, Melbourne, Florida
Fort King, Florida
Fort Lauderdale, Florida
Geneva, Florida
Goldenrod, Florida
Groveland, Florida
Hannibal Square, Winter Park, Florida
Holly Hill, Florida
Hontoon Island, DeLand, Florida
Indian River, Florida
Jacksonville, Florida
Key Biscayne, Florida
Key West, Florida
Kissimmee, Florida
Lake Apopka, Florida
Lake Buena Vista, Florida
Lake County, Florida
Lake Mary, Florida
Marion County, Florida
Merritt Island, Florida
Mims, Florida
Mount Dora, Florida
Newnans Lake, Gainesville, Florida
New Smyrna, Florida
New Smyrna Beach, Florida
Ocala, Florida
Ocklawaha River, Florida
Ocoee, Florida
Orlando, Florida
Ormond Beach, Florida
Osceola County, Florida
Oviedo, Florida
Parramore, Orlando, Florida
Reedy Creek, Florida
Sanford, Florida
Silver Springs, Florida
St. Augustine, Florida
St. Cloud, Florida
St. Johns River, Florida
St. Petersburg, Florida
Tampa, Florida
Titusville, Florida
Vero Beach, Florida
Weirsdale, Florida
Winter Garden, Florida
Winter Park, Florida
Ybor City, Tampa, Florida
Contributing Project
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
External Reference
<span>"</span><a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a><span>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php.</span>
Has Part
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/137" target="_blank">A History of Central Florida Collection</a>, RICHES Podcast Documentaries Collection, RICHES of Central Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank">RICHES</a>.
Rights Holder
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES<br /></a>
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Original Format
1 audio podcast
Duration
15 minutes and 45 seconds
Bit Rate/Frequency
320kbps
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
RICHES Podcast Documentaries, Episode 15: Calvary Assembly and Benny Hinn, Part 2
Alternative Title
Calvary Assembly and Benny Hinn Podcast
Subject
Podcasts
Documentaries
Hinn, Benny
Evangelicalism--United States
Churches--Florida
Televangelism
Assemblies of God--United States
Orlando (Fla.)
Description
Episode 15, Part 2 of RICHES Podcast Documentaries: Calvary Assembly and Benny Hinn. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. <br /><br />Episode 15 explores the impact of mega-church Calvary Assembly of God, located at 1199 Clay Street in Winter Park, Florida, and evangelical Benny Hinn. This podcast includes narratives by Dr. Michael Hammond, Jack Norman, Gene Polino, and Debbie Carey. Hinn was born in Jaffa, Israel, on December 3, 1952, and raised in the Eastern Orthodox Church. He immigrated to Toronto, Canada, and later to Orlando, where he founded the Orlando Christian Center in 1983. He is best known for his "Miracle Crusades" and his television program, <em>This is Your Day</em>.
Abstract
This two-part podcast explores the impact of perhaps the most controversial and widely known evangelicals in Central Florida, the charismatic Benny Hinn. Dr. Michael Hammond, Jack Norman, Gene Polino, and Debbie Carey provide an enlightening narrative on Benny Hinn and Calvary Assembly, the mega-church that has profoundly influenced the Central Florida region.
Type
Sound/Podcast
Source
Original 15-minute and 45-second podcast by Joseph Francis Corbett II and Rustin "Rusty" Lloyd, September 20, 2011: "RICHES Podcast Documentaries, Episode 15: Calvary Assembly and Benny Hinn, Part 2." <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida.
Is Part Of
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/70" target="_blank">RICHES Podcast Documentaries Collection</a>, RICHES of Central Florida.
Coverage
Jaffa, Tel Aviv-Yafo, Israel
Toronto, Ontario, Canada
Orlando Christian Center, Orlando, Florida
Creator
Corbett, Joseph Francis II
Lloyd, Rustin "Rusty"
Publisher
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Contributor
Hammond, Michael
Norman, Jack
Polino, Gene
Carey, Debbie
Date Created
ca. 2011-09-20
Format
audio/mp3
Extent
14.9 MB
Medium
15-minute and 45-second podcast
Language
eng
Mediator
History Teacher
Geography Teacher
Provenance
Originally created by Joseph Francis Corbett II and Rustin "Rusty" Lloyd and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>.
Rights Holder
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Accrual Method
Item Creation
Contributing Project
<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
External Reference
"<a href="http://www.bennyhinn.org/biography/" target="_blank">About Pastor Benny...</a>" Benny Hinn Ministries. http://www.bennyhinn.org/biography/.
"<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2467" target="_blank">RICHES Podcast Documentaries, Episode 15: Calvary Assembly and Benny Hinn, Part 2</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2467.
Marsden, George M. <a href="http://www.worldcat.org/oclc/22710248" target="_blank"><em>Understanding Fundamentalism and Evangelicalism</em></a>. Grand Rapids, Mich: W.B. Eerdmans, 1991.
McDonald, Larry S. <a href="http://www.worldcat.org/oclc/45092419" target="_blank"><em>The Trinity and the Charismatic Revival An Examination of Pastor Benny Hinn and Theologian J. Rodman Williams</em>.</a> 1999.
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka2/files/original/c9db4670b286d9527757033660db756c.mp3" target="_blank">RICHES Podcast Documentaries, Episode 15: Calvary Assembly and Benny Hinn, Part 2</a>
Date Copyrighted
2011-09-20
Date Issued
2011-09-20
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Assemblies of God
Calvary Assembly
Calvary Assembly of God
Carey, Debbie
Christian
Christian Life Magazine
Christianity
church
Clattenburg, Alex
Corbett, Joseph Francis II
documentary
Eastern Orthodox Church
evangelical
evangelicalism
festival
fundamental Christianity
fundamentalism
fundamentalist
Hall, John
Hammond, Michael
Harthern, Roy
healer
healing
healing ministry
Hinn, Benny
Hinn, Toufik "Benny" Benedictus
Jaffa, Israel
Jesus Festivals
Kuhlman, Kathryn Johanna
Lloyd, Rustin "Rusty"
mega-church
Mills, Lisa
Miracle Crusades
Norman, Jack
orlando
Orlando Christian Center
Orlando Gospel Tabernacle
picket
podcast
Polino, Gene
Prosperity theology
protest
religion
RICHES Podcast Documentaries
Rutland, Mark
supernatural
supernatural healing
televangelical
televangelism
televangelist
The Rock House
This is Your Day
Toronto, Canada
Winter Park
youth ministry
Zink, Dale