1
100
19
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 color photograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
The Tropics with James Brown
Alternative Title
The Tropics with James Brown
Subject
Brown, James, 1933-2006
Tropics (Musical group)
Tampa (Fla.)
Music--Florida
Rock bands--Florida
Rock music--United States
Rhythm and blues music--United States
R&B (Music)
Funk (Music)--United States
Soul music--United States
Description
The Tropics, a Tampa-based band, with legendary soul performer, James Brown, at a private sorority party in Tampa in 1966. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's <em>American Bandstand</em>, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971.
Type
Still Image
Source
Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society.
Is Part Of
<a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/The%20Tropics4.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/The%20Tropics4.jpg</a>.
Coverage
Tampa, Florida
Publisher
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
Date Created
ca. 1966
Format
image/jpg
Extent
122 KB
Medium
1 color photograph
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>
External Reference
Brown, James, and Bruce Tucker. <a href="http://www.worldcat.org/oclc/13760564" target="_blank"><em>James Brown, the Godfather of Soul</em></a>. New York: Macmillan, 1986.
Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank"><em>Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</em></a>. Manchester: Headpress, 2005.
"<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php.
Brown, James Joseph
classic rock
Columbia Records
Dryer, Mel
funk
music
musician
Pendergrass, Buddy
Pendergrass, Hardin
pop rock
R&B
rhythm and blues
rock
rock band
rock music
Shea, Bobby
Shea, Robert "Bobby"
sorority party
soul
soul music
Souza, Charles "Charlie"
Souza, Charlie
Tampa
Tampa Bay
The Bitchin' Red Band
The Godfather of Soul
The Tropics
Turner, Eric
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
5 color photographs
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
funkUs at The Plaza Theater, 2013
Alternative Title
funkUs at The Plaza Theater
Subject
Funk (Music)--United States
Orlando (Fla.)
Music--United States
Musicians--Southern States
Concerts--United States
Rock (Music)--United States
Blues (Music)--Florida
Jazz--United States
Rhythm and blues music--United States
R&B (Music)
Description
funkUs, performing live at The Plaza Theater, located at 425 North Bumby Avenue in Orlando, Florida, on January 16, 2013. The band was the opening act for Galactic, a jam band from New Orleans, Louisiana. The first photograph features Adam Freeman on drums, Clay Watson on trombone, Eugene Snowden on vocals, and Dave Mann on electric guitar. The second photograph shows Mann on electric guitar, Alessandro Ceserani on bass guitar, and Bill Bairley on keyboard. The third photograph features Mann and Ceserani, the fourth photograph features Freeman, and the fifth features Clay Watson on trombone. <br /><br />Formed in Orlando in 1998, funkUs earned a reputation as a band with a unique blend of eclectic musical genres, following in the footsteps of jam bands such as the Grateful Dead, the Allman Brothers Band, and Phish, by combining elements of rock, blues, jazz, rhythm and blues, and funk. The band’s live performances incorporate an improvisational structure with groove-heavy rhythms. Their albums include <em>flavor</em> (2001); <em>strobe light</em> (2002); <em>free</em> (2005), which features Tom Constanten, a former keyboard player for the Grateful Dead; <em>got problems</em> (2009); <em>funkUs meets the Curious Circus</em> (2009); and <em>coconut monkey</em> (2012). Regularly performing throughout Florida, the band has appeared at premier music festivals, including the Purple Hatter's Ball in 2013, Bear Creek Music Festival in 2009 and 2011, Orange Blossom Jamboree in 2010 and 2011, Jambando in the Park in 2010, 2011 and 2012, and many others. They have shared stages with notable bands such as Galactic, Soulive, Dumpstaphunk, Robby Krieger of The Doors, Victor Wooten, Steve Kimock Band, Zach Deputy, and Consider the Source. The lineup is ever-changing, based around its core members: Adam Freeman on drums and percussion, Alex Ceserani on bass and vocals, Bill Bairley on keyboard and vocals, and Dave Mann on guitar and vocals.
Type
Still Image
Source
Original color photographs by Alicia Lyman, January 16, 2013: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photograph: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000sTvtoceq7FM/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000sTvtoceq7FM/C00004bs5i3cZxfk</a>.
Digital reproduction of original color photograph: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000IN78g_a9elM/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000IN78g_a9elM/C00004bs5i3cZxfk</a>.
Digital reproduction of original color photograph: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000Z5fghjKIE24/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000Z5fghjKIE24/C00004bs5i3cZxfk</a>.
Digital reproduction of original color photograph: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000eO7V.BRq_j8/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000eO7V.BRq_j8/C00004bs5i3cZxfk</a>.
Digital reproduction of original color photograph: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000I.ooMyq1YQ8/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000I.ooMyq1YQ8/C00004bs5i3cZxfk</a>.
Coverage
The Plaza Theater, Orlando, Florida
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
2013-01-14
Date Copyrighted
2013-01-14
Format
image/jpg
Extent
24 KB
17.6 KB
18.9 KB
25.9 KB
17.2 KB
Medium
5 color photographs
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
Bolden, Tony. <a href="http://www.worldcat.org/oclc/212328134" target="_blank"><em>The Funk Era and Beyond: New Perspectives on Black Popular Culture</em></a>. New York, NY: Palgrave Macmillan, 2008.
Vincent, Rickey. <a href="http://www.worldcat.org/oclc/32820668" target="_blank"><em>Funk: The Music, the People, and the Rhythm of the One</em></a>. New York: St. Martin's Griffin, 1996.
Abbitt, Jim. “<a href="http://articles.orlandosentinel.com/2013-04-25/entertainment/os-jim-abbott-jambando-orlando-20130425_1_hindu-cowboys-music-fans-bonnaroo" target="_blank">Jambando still jams after 10 years</a>.” <em>Orlando Sentinel</em>. April 25, 2013. http://articles.orlandosentinel.com/2013-04-25/entertainment/os-jim-abbott-jambando-orlando-20130425_1_hindu-cowboys-music-fans-bonnaroo.
Ruff, Emily. “<a href="http://www.orlandoweekly.com/orlando/noodling-towards-nirvana/Content?oid=2258931" target="_blank">Noodling towards Nirvana</a>.” <em>Orlando Weekly</em>. March 18, 2004. http://www.orlandoweekly.com/orlando/noodling-towards-nirvana/Content?oid=2258931.
Adam Freeman
Alessandro Cesarani
Alex Cesarani
Alicia Lyman
bar
bass guitar
bassist
Bill Bairley
blues
Bumby Avenue
Clay Watson
concert
Dave Mann
drummer
drums
electric guitar
Eugene Snowden
funk
guitar
guitarist
jam band
jazz
keyboard
keyboardist
nightclub
orlando
R&B
rhythm and blues
rock
rock music
singer
The Plaza Live
The Plaza Live Theater
The Plaza Live Theatre
The Plaza Theater
The Plaza Theatre
trombone
trombonist
vocalist
-
https://richesmi.cah.ucf.edu/omeka/files/original/a27dbf52a1c6f921e38ab9216f26231f.jpg
448a6215f084f2d8a25d8ddd88f222fa
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ba955638d487d96f1aa05373c8bbc53a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
2 color photographs
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
funkUs at the 7th Annual Spring Jambando, 2012
Alternative Title
funkUs at the Annual Spring Jambando
Subject
Funk (Music)--United States
Orlando (Fla.)
Music--United States
Musicians--Southern States
Concerts--United States
Rock (Music)--United States
Blues (Music)--Florida
Jazz--United States
Rhythm and blues music--United States
R&B (Music)
Description
funkUs performing live at the 7th Annual Spring Jambando at The Plaza Theater, located at 425 North Bumby Avenue in Orlando, Florida, on April 28, 2012. The first photograph features Brian Burgess on bass guitar, and the second photograph features Burgess on bass guitar with Dave Mann on electric guitar. <br /><br />Formed in Orlando in 1998, funkUs earned a reputation as a band with a unique blend of eclectic musical genres, following in the footsteps of jam bands such as the Grateful Dead, the Allman Brothers Band, and Phish, by combining elements of rock, blues, jazz, rhythm and blues, and funk. The band’s live performances incorporate an improvisational structure with groove-heavy rhythms. Their albums include <em>flavor</em> (2001); <em>strobe light</em> (2002); <em>free</em> (2005), which features Tom Constanten, a former keyboard player for the Grateful Dead; <em>got problems</em> (2009); <em>funkUs meets the Curious Circus</em> (2009); and <em>coconut monkey</em> (2012). Regularly performing throughout Florida, the band has appeared at premier music festivals, including the Purple Hatter's Ball in 2013, Bear Creek Music Festival in 2009 and 2011, Orange Blossom Jamboree in 2010 and 2011, Jambando in the Park in 2010, 2011 and 2012, and many others. They have shared stages with notable bands such as Galactic, Soulive, Dumpstaphunk, Robby Krieger of The Doors, Victor Wooten, Steve Kimock Band, Zach Deputy, and Consider the Source. The lineup is ever-changing, based around its core members: Adam Freeman on drums and percussion, Alex Ceserani on bass and vocals, Bill Bairley on keyboard and vocals, and Dave Mann on guitar and vocals. <br /><br />A leading figure in the Orlando music scene, the band is also responsible for organizing Jambando, a musical concert series designed to showcase and stimulate Orlando's burgeoning jam band scene. Beginning in 2003 as an idea for the Orlando Fringe Festival, the concept was further developed through an ongoing concert series at Hard Rock Live, and has since made its current homes at The Plaza Theatre in Downtown Orlando's Milk District and The Spirit of Suwannee Music Park in Live Oak. Each concert is created through a collective of musicians and volunteers in a united and conscious effort to establish a musical brand for multi-genre Central Florida music.
Type
Still Image
Source
Original color photographs by Alicia Lyman, April 28, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photographs by Alicia Lyman, April 28, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/2012-04-28-FUNKUS-THE-PLAZA-LIVE-JAMBANDO-Orlando-FL/G0000xDQReyYIRsg/I0000Ig9Uv5r8z7M/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-04-28-FUNKUS-THE-PLAZA-LIVE-JAMBANDO-Orlando-FL/G0000xDQReyYIRsg/I0000Ig9Uv5r8z7M/C00004bs5i3cZxfk</a>.
<a href="http://alicialyman.photoshelter.com/gallery-image/2012-04-28-FUNKUS-THE-PLAZA-LIVE-JAMBANDO-Orlando-FL/G0000xDQReyYIRsg/I000012K8zQt_Pcw/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-04-28-FUNKUS-THE-PLAZA-LIVE-JAMBANDO-Orlando-FL/G0000xDQReyYIRsg/I000012K8zQt_Pcw/C00004bs5i3cZxfk</a>.
Coverage
The Plaza Theater, Orlando, Florida
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
2012-04-28
Date Copyrighted
2012-04-28
Format
image/jpg
Extent
33 KB
35.2 KB
Medium
2 color photographs
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
Bolden, Tony. <a href="http://www.worldcat.org/oclc/212328134" target="_blank"><em>The Funk Era and Beyond: New Perspectives on Black Popular Culture</em></a>. New York, NY: Palgrave Macmillan, 2008.
Vincent, Rickey. <a href="http://www.worldcat.org/oclc/32820668" target="_blank"><em>Funk: The Music, the People, and the Rhythm of the One</em></a>. New York: St. Martin's Griffin, 1996.
Abbitt, Jim. “<a href="http://articles.orlandosentinel.com/2013-04-25/entertainment/os-jim-abbott-jambando-orlando-20130425_1_hindu-cowboys-music-fans-bonnaroo" target="_blank">Jambando still jams after 10 years</a>.” <em>Orlando Sentinel</em>. April 25, 2013. http://articles.orlandosentinel.com/2013-04-25/entertainment/os-jim-abbott-jambando-orlando-20130425_1_hindu-cowboys-music-fans-bonnaroo.
Ruff, Emily. “<a href="http://www.orlandoweekly.com/orlando/noodling-towards-nirvana/Content?oid=2258931" target="_blank">Noodling towards Nirvana</a>.” <em>Orlando Weekly</em>. March 18, 2004. http://www.orlandoweekly.com/orlando/noodling-towards-nirvana/Content?oid=2258931.
Alicia Lyman
bar
bass guitar
bassist
blues
Brian Burgess
Bumby Avenue
concert
Dave Mann
electric guitar
funk
guitar
guitarist
jam bando
jazz
nightclub
orlando
R&B
rhythm and blues
rock
rock music
singer
Spring Jambando
The Plaza Live
vocalist
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
4 color photographs
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Gargamel! at the Philips-Osbourne Wedding, 2006
Alternative Title
Gargamel! at Philips-Osbourne Wedding
Subject
Gargamel! (Musical group)
Orlando (Fla.)
Concerts--United States
Rock music--United States
Funk (Music)--United States
Music--Florida
Musicians--Southern States
Ellis, Chuck
Weddings--United States
Description
Gargamel! performing live at the wedding of Adam Phillips and Becky Osborne on October 29, 2006. Phillips is a vocalist and multi-instrumentalist and Osborne is a vocalist and washboard player, as well as a visual artist from Orlando, Florida. The first photograph features Chuck Ellis on vocals and Wayne Larsen on keyboard. The second photograph features Ellis alone on vocals and the third photograph features Ellis dancing with a wedding guest. The fourth photograph shows Ryan Dailey on guitar, Larsen on keyboards, and Ellis on vocals.<br /><br />Gargamel! was formed in 1992 in Orlando, consisting of Chuck "Mandaddy" Ellis on vocals, John "Webb" Webber on drums, Matt "Boy Howdy" Lapham on bass, Darin "Skyjak" Bridges on guitar, and Pat “Headless Spawn” McCurdy on guitar. In 1995, Lester “Crazy Hector” Stover replaced Lapham on bass, and Wayne “Servo Beonic Man” Larsen joined on keyboards. Ray "El Diablo Guapo" Rivera joined on guitar in 1996, and was replaced by Ryan "Professor Knuckles" Dailey in 2000. Webber was replaced by Andy Mas on drums in 2006, and Mas was replaced by Kevin "Heavie Kevie" Collado in 2011. The band is rooted in funk metal, but their music combines elements of experimental rock, jazz, funk, Latin, ska, hip hop, and reggae. Known for their offbeat sense of humor and the stage antics of lead singer, Mandaddy, who named the band after a character from the animated children’s television show, <em>The Smurfs</em>, and who wears a black and orange outfit modeled after the cartoon villain, the band often incorporates surprising covers, such as Billy Joel songs. They have shared the stage with such national artists such as GWAR, Anthrax, Dog Fashion Disco, Tub Ring, Sleepytime Gorilla Museum, Genitorturers, Mushroomhead, Nonpoint, Bad Acid Trip, Skindred, and Skeleton Key.
Type
Still Image
Source
Original color photographs by Alicia Lyman, October 29, 2006: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Format Of
Digital reproduction of original color photographs by Alicia Lyman, October 29, 2006. <a href="http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000F_wWjQPWWTk/C0000UMZoXUUZnpc" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000F_wWjQPWWTk/C0000UMZoXUUZnpc</a>.
<a href="http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000GpWUZ4rzPaM/C0000UMZoXUUZnpc" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000GpWUZ4rzPaM/C0000UMZoXUUZnpc</a>.
<a href="http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000FUhMbHrtjfM/C0000UMZoXUUZnpc" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000FUhMbHrtjfM/C0000UMZoXUUZnpc</a>.
<a href="http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000lRuC7Sgs9SM/C0000UMZoXUUZnpc" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000lRuC7Sgs9SM/C0000UMZoXUUZnpc</a>.
Coverage
Orlando, Florida
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
10/29/2006
Date Copyrighted
10/29/2006
Format
image/jpg
Extent
23.6 KB
22.4 KB
26.3 KB
26.9 KB
Medium
4 color photographs
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
Padgett, Mark. “<a href="http://www.orlandoweekly.com/orlando/gargamel-unmasked/Content?oid=2259127" target="_blank">Gargamel! Unmasked</a>.” <em>Orlando Weekly</em>, June 14, 2000. http://www.orlandoweekly.com/orlando/gargamel-unmasked/Content?oid=2259127.
Jordan, Douglas. “<a href="http://www.gainesville.com/article/20030124/COLUMNS10/201240309" target="_blank">Gargamel! is in your face</a>.” <em>Gainesville.com</em>, January 24, 2003. http://www.gainesville.com/article/20030124/COLUMNS10/201240309.
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000F_wWjQPWWTk/C0000UMZoXUUZnpc" target="_blank">Click for Larger Image</a>
<a href="http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000GpWUZ4rzPaM/C0000UMZoXUUZnpc" target="_blank">Click for Larger Image</a>
<a href="http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000FUhMbHrtjfM/C0000UMZoXUUZnpc" target="_blank">Click for Larger Image</a>
<a href="http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000lRuC7Sgs9SM/C0000UMZoXUUZnpc" target="_blank">Click for Larger Image</a>
Adam Phillips
Becky Osborne
Becky Osborne Phillips
Chuck "Mandaddy" Ellis
concert
experimental rock
funk
funk metal
Gargamel!
heavy metal
hip hop
jazz
Latin
Mandaddy
music
musician
orlando
Professor Knuckles
rap
Rebecca Osborne
Rebecca Osborne Phillips
reggae-rock
rock
rock music
Ryan Dailey
Servo Beonic Man
ska
Wayne Larsen
wedding
-
https://richesmi.cah.ucf.edu/omeka/files/original/d18db7f6a5066e0845df1c017e6b6875.JPG
4e1082b9419dc4ee1ce88bd12decc09c
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314196285438ba00acdee51215a42c3f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
2 color photographs
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Gargamel! at The Social, 2003
Alternative Title
Gargamel! at The Social
Subject
Gargamel! (Musical group)
Orlando (Fla.)
Concerts--United States
Rock music--United States
Metal (Music)
Funk (Music)--United States
Music--Florida
Musicians--Southern States
Nightclubs--United States
Ellis, Chuck
Webber, John
Description
Gargamel! performing live at The Social, located at 54 North Orange Avenue in Downtown Orlando, Florida, on July 31, 2003. The first photograph features, from left to right, Wayne Larsen on keyboards, Ryan Dailey on guitar, Chuck Ellis on vocals, John Webber on drums, and Lester Stover on bass. The second photograph features Ellis. <br /><br />Gargamel! was formed in 1992 in Orlando, consisting of Chuck "Mandaddy" Ellis on vocals, John "Webb" Webber on drums, Matt "Boy Howdy" Lapham on bass, Darin "Skyjak" Bridges on guitar, and Pat “Headless Spawn” McCurdy on guitar. In 1995, Lester “Crazy Hector” Stover replaced Lapham on bass, and Wayne “Servo Beonic Man” Larsen joined on keyboards. Ray "El Diablo Guapo" Rivera joined on guitar in 1996, and was replaced by Ryan "Professor Knuckles" Dailey in 2000. Webber was replaced by Andy Mas on drums in 2006, and Mas was replaced by Kevin "Heavie Kevie" Collado in 2011. The band is rooted in funk metal, but their music combines elements of experimental rock, jazz, funk, Latin, ska, hip hop, and reggae. Known for their offbeat sense of humor and the stage antics of lead singer, Mandaddy, who named the band after a character from the animated children’s television show, <em>The Smurfs</em>, and who wears a black and orange outfit modeled after the cartoon villain, the band often incorporates surprising covers, such as Billy Joel songs. They have shared the stage with such national artists such as GWAR, Anthrax, Dog Fashion Disco, Tub Ring, Sleepytime Gorilla Museum, Genitorturers, Mushroomhead, Nonpoint, Bad Acid Trip, Skindred, and Skeleton Key.
Type
Still Image
Source
Original color photographs by Alicia Lyman, July 31, 2003: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Format Of
Digital reproduction of original color photographs by Alicia Lyman, July 31, 2003. <a href="http://alicialyman.photoshelter.com/gallery-image/2003-07-31-GARGAMEL-The-Social-Orlando-FL-2003-07-31-GARGAMEL-The-Social-Orlando-FL/G0000z.9C1sWJS7g/I0000WtEqyopMBe4/C0000UMZoXUUZnpc" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2003-07-31-GARGAMEL-The-Social-Orlando-FL-2003-07-31-GARGAMEL-The-Social-Orlando-FL/G0000z.9C1sWJS7g/I0000WtEqyopMBe4/C0000UMZoXUUZnpc</a>.
<a href="http://alicialyman.photoshelter.com/gallery-image/2003-07-31-GARGAMEL-The-Social-Orlando-FL-2003-07-31-GARGAMEL-The-Social-Orlando-FL/G0000z.9C1sWJS7g/I0000t3PoL_2EV_Y/C0000UMZoXUUZnpc" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2003-07-31-GARGAMEL-The-Social-Orlando-FL-2003-07-31-GARGAMEL-The-Social-Orlando-FL/G0000z.9C1sWJS7g/I0000t3PoL_2EV_Y/C0000UMZoXUUZnpc</a>.
Coverage
The Social, Downtown Orlando, Florida
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
7/31/2003
Date Copyrighted
7/31/2003
Format
image/jpg
Extent
20.9 KB
20.3 KB
Medium
2 color photographs
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
Padgett, Mark. “<a href="http://www.orlandoweekly.com/orlando/gargamel-unmasked/Content?oid=2259127" target="_blank">Gargamel! Unmasked</a>.” <em>Orlando Weekly</em>, June 14, 2000. http://www.orlandoweekly.com/orlando/gargamel-unmasked/Content?oid=2259127.
Jordan, Douglas. “<a href="http://www.gainesville.com/article/20030124/COLUMNS10/201240309" target="_blank">Gargamel! is in your face</a>.” <em>Gainesville.com</em>, January 24, 2003. http://www.gainesville.com/article/20030124/COLUMNS10/201240309.
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/2003-07-31-GARGAMEL-The-Social-Orlando-FL-2003-07-31-GARGAMEL-The-Social-Orlando-FL/G0000z.9C1sWJS7g/I0000WtEqyopMBe4/C0000UMZoXUUZnpc" target="_blank">Click for Larger Image</a>
<a href="http://alicialyman.photoshelter.com/gallery-image/2003-07-31-GARGAMEL-The-Social-Orlando-FL-2003-07-31-GARGAMEL-The-Social-Orlando-FL/G0000z.9C1sWJS7g/I0000t3PoL_2EV_Y/C0000UMZoXUUZnpc" target="_blank">Click for Larger Image</a>
bar
bass guitar
bassist
Chuck "Mandaddy" Ellis
concert
Crazy Hector
Downtown Orlando
drum
drummer
experimental rock
funk
funk metal
Gargamel!
guitar
guitarist
heavy metal
hip hop
jazz
John "Webb" Webber
keyboard
keyboardist
Latin
Lester "Crazy" Stover
Mandaddy
music
musician
nightclub
Orange Avenue
orlando
Professor Knuckles
rap
reggae-rock
rock
rock music
Ryan Dailey
Servo Beonic Man
singer
ska
The Social
vocalist
Wayne Larsen
Webb
-
https://richesmi.cah.ucf.edu/omeka/files/original/3a3978f71b03e232ec3913ed7f3611d9.jpg
306c7bdcd453fff4484fcbb564782b22
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 color photograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Beeb$ and Her Money Makers at The Xfinity Center, 2014
Alternative Title
Beeb$ and Her Money Makers at Xfinity Center
Subject
Beeb$ and Her Money Makers (Musical group)
Mansfield (Mass.)
Music--Florida
Musicians--Southern States
Concerts--United States
Ska (Music)
Rock music--United States
Funk (Music)--United States
Soul music--United States
Description
Beeb$ and Her Money Makers performing live at Vans Warped Tour at The Xfinity Center in Mansfield, Massachusetts, on July 13, 2014. From left to right, the photograph features saxophonist Eric Christian, an unidentified person dressed in a hot dog costume, kazoo player and vocalist Michelle Beebs, bassist Levon White, and guitarist Jeremy Lovelady.<br /><br />Led by Beebs, this Orlando-based band combines ska, rock, funk, and soul, gaining notoriety through their high-energy performances and unapologetically ridiculous media content. The group consists of Beebs of kazoo and vocals, Jeremy Lovelady on guitar, Levon White on bass, Paul Brisske on drums, Bunky Garrabrant on trumpet, and Eric Christian on saxophone and flute. The band was discovered by legendary promoter Kevin Lyman and asked to join the Vans Warped Tour in 2013. They were filmed for the second season of the show Warped Roadies on the FUSE Network, and returned to the Warped Tour in 2014, performing on a larger stage. The band has since toured with notable bands such as Reel Big Fish, Goldfinger, Suburban Legends, Five Iron Frenzy, Beautiful Bodies, and This Magnificent, and has shared the stage with Willie Nelson, Donovan Frankenreiter, Dirty Heads, Pepper, Cypress Hill, The Original Wailers, Zach Deputy, Keller Williams, The Lee Boys, BadFish, Dumpstaphunk, 100 Monkeys, Bobby Lee Rodgers, Big Bad VooDoo Daddy, and Perpetual Groove. Reel Big Fish's Aaron Barrett also produced their EP and their full length album. They were also featured on an episode of Travel Channel's RV Kings.
Type
Still Image
Source
Original color photograph by Alicia Lyman, July 13, 2014: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photograph by Alicia Lyman, July 13, 2014. <a href="http://alicialyman.photoshelter.com/gallery-image/2014-07-13-BEEBS-AND-HER-MONEY-MAKERS-WARPED-TOUR-XFINITY-CENTER-HARDFORT-CT-gallery/G0000qjB8WjJpvVg/I0000DP.lSeyY0gA/C0000HvwsZBna0tw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2014-07-13-BEEBS-AND-HER-MONEY-MAKERS-WARPED-TOUR-XFINITY-CENTER-HARDFORT-CT-gallery/G0000qjB8WjJpvVg/I0000DP.lSeyY0gA/C0000HvwsZBna0tw</a>
Coverage
The Xfinity Center, Mansfield, Massachusetts
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
2014-07-13
Date Copyrighted
2014-07-13
Format
image/jpg
Extent
48.7 KB
Medium
1 color photograph
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
Kelly, Scott. "<a href="http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever" target="_blank">Beebs and Her Money Makers - W체rst Album Ever</a>." <em>The Prelude Press</em>. June 2, 2014. http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever.
Rolland, David. "<a href="http://www.miaminewtimes.com/music/beebs-and-her-money-makers-were-mostly-inspired-by-goats-and-donkeys-lately-6464951" target="_blank">Beebs and Her Money Makers: 'We're Mostly Inspired By Goats and Donkeys Lately'</a>." <em>Miami New Times</em>. February 6, 2015. http://www.miaminewtimes.com/music/beebs-and-her-money-makers-were-mostly-inspired-by-goats-and-donkeys-lately-6464951.
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/2014-07-13-BEEBS-AND-HER-MONEY-MAKERS-WARPED-TOUR-XFINITY-CENTER-HARDFORT-CT-gallery/G0000qjB8WjJpvVg/I0000DP.lSeyY0gA/C0000HvwsZBna0tw" target="_blank">Click for Larger Image</a>
bar
bass guitar
bassist
Beacham Theater
Beeb$ and Her Money Makers
Beebs and Her Money Makers
concert
Eric Christian
funk
guitar
guitarist
Hardfort
Jeremy Lovelady
Levon White
Main Street
Mansfield, Massachusetts
Michelle Beebs
music
musician
nightclub
rock
rock music
saxophone
saxophonist
singer
ska
soul
soul music
The Beacham
vans
Vans Warped Tour
vocalist
Xfinity Center
-
https://richesmi.cah.ucf.edu/omeka/files/original/daac8ed9cb29a3d376dc5f2c8fe7834a.JPG
8321d3b10123c501301be2cd339ace87
https://richesmi.cah.ucf.edu/omeka/files/original/419b89515cc1dd2183b641a90acd6209.JPG
aee0d08e1fdf0818786ea6e720909e3d
https://richesmi.cah.ucf.edu/omeka/files/original/7a631067d7d6d6138c102285c9555d21.JPG
7b11143411c943a961a1f8a5d40744cf
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
3 color photographs
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Beeb$ and Her Money Makers at The Beacham Theater, 2013
Alternative Title
Beeb$ and Her Money Makers at The Beacham
Subject
Beeb$ and Her Money Makers (Musical group)
Orlando (Fla.)
Music--Florida
Musicians--Southern States
Concerts--United States
Ska (Music)
Rock music--United States
Funk (Music)--United States
Soul music--United States
Description
Beeb$ and Her Money Makers at the group's CD release party at The Beacham Theater in Downtown Orlando, Florida, on . The first two photographs feature kazoo player and vocalist Michelle Beebs and the third photographs shows bassist Levon White.<br /><br />Led by Beebs, this Orlando-based band combines ska, rock, funk, and soul, gaining notoriety through their high-energy performances and unapologetically ridiculous media content. The group consists of Beebs of kazoo and vocals, Jeremy Lovelady on guitar, Levon White on bass, Paul Brisske on drums, Bunky Garrabrant on trumpet, and Eric Christian on saxophone and flute. The band was discovered by legendary promoter Kevin Lyman and asked to join the Vans Warped Tour in 2013. They were filmed for the second season of the show Warped Roadies on the FUSE Network, and returned to the Warped Tour in 2014, performing on a larger stage. The band has since toured with notable bands such as Reel Big Fish, Goldfinger, Suburban Legends, Five Iron Frenzy, Beautiful Bodies, and This Magnificent, and has shared the stage with Willie Nelson, Donovan Frankenreiter, Dirty Heads, Pepper, Cypress Hill, The Original Wailers, Zach Deputy, Keller Williams, The Lee Boys, BadFish, Dumpstaphunk, 100 Monkeys, Bobby Lee Rodgers, Big Bad VooDoo Daddy, and Perpetual Groove. Reel Big Fish's Aaron Barrett also produced their EP and their full length album. They were also featured on an episode of Travel Channel's RV Kings.
Type
Still Image
Source
Original color photographs by Alicia Lyman, May 30, 2013: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photographs by Alicia Lyman, May 30, 2013. <a href="http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000McZxM4AM_7M/C0000HvwsZBna0tw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000McZxM4AM_7M/C0000HvwsZBna0tw</a>.
Digital reproduction of original color photograph by Alicia Lyman. <a href="http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000RNzOqBWuh58/C0000HvwsZBna0tw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000RNzOqBWuh58/C0000HvwsZBna0tw</a>.
Digital reproduction of original color photograph by Alicia Lyman. <a href="http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000LiaNTL2j8Hg/C0000HvwsZBna0tw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000LiaNTL2j8Hg/C0000HvwsZBna0tw</a>.
Coverage
The Beacham Theater, Downtown Orlando, Florida
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
2013-05-30
Date Copyrighted
2013-05-30
Format
image/jpg
Extent
23.7 KB
21.3 KB
22.7 KB
Medium
3 color photographs
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
Kelly, Scott. "<a href="http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever" target="_blank">Beebs and Her Money Makers - W체rst Album Ever</a>." <em>The Prelude Press</em>. June 2, 2014. http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever.
Rolland, David. "<a href="http://www.miaminewtimes.com/music/beebs-and-her-money-makers-were-mostly-inspired-by-goats-and-donkeys-lately-6464951" target="_blank">Beebs and Her Money Makers: 'We're Mostly Inspired By Goats and Donkeys Lately'</a>." <em>Miami New Times</em>. February 6, 2015. http://www.miaminewtimes.com/music/beebs-and-her-money-makers-were-mostly-inspired-by-goats-and-donkeys-lately-6464951.
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000McZxM4AM_7M/C0000HvwsZBna0tw" target="_blank">Click for Larger Image</a>
<a href="http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000RNzOqBWuh58/C0000HvwsZBna0tw" target="_blank">Click for Larger Image</a>
<a href="http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000LiaNTL2j8Hg/C0000HvwsZBna0tw" target="_blank">Click for Larger Image</a>
bar
bass guitar
bassist
Beacham Theater
Beeb$ and Her Money Makers
Beebs and Her Money Makers
concert
Downtown Orlando
funk
Levon White
Michelle Beebs
music
musician
nightclub
Orange Avenue
orlando
rock
rock music
singer
ska
soul
soul music
The Beacham
vocalist
-
https://richesmi.cah.ucf.edu/omeka/files/original/621116229d5d8c5728b3ef88e86a680d.JPG
b52958de94797b3c843a4d8d4d8db46a
https://richesmi.cah.ucf.edu/omeka/files/original/9504266fa0edcc0ac16e7f0f3cb15dbb.JPG
0c2b65a7f5c866f6a98af4334da518c9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
2 color photographs
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Beeb$ and Her Money Makers at Hard Rock Live Orlando, 2011
Alternative Title
Beeb$ and Her Money Makers at Hard Rock Live
Subject
Beeb$ and Her Money Makers (Musical group)
Orlando (Fla.)
Music--Florida
Musicians--Southern States
Concerts--United States
Ska (Music)
Rock music--United States
Funk (Music)--United States
Soul music--United States
Description
Beeb$ and Her Money Makers performing live at Hard Rock Live Orlando in Orlando, Florida, on April 1, 2011. The first photograph features bassist Levon White and kazoo player and vocalist Michelle Beebs and the second photographs shows saxophonist Eric Christian<br /><br />Led by Beebs, this Orlando-based band combines ska, rock, funk, and soul, gaining notoriety through their high-energy performances and unapologetically ridiculous media content. The group consists of Beebs of kazoo and vocals, Jeremy Lovelady on guitar, Levon White on bass, Paul Brisske on drums, Bunky Garrabrant on trumpet, and Eric Christian on saxophone and flute. The band was discovered by legendary promoter Kevin Lyman and asked to join the Vans Warped Tour in 2013. They were filmed for the second season of the show Warped Roadies on the FUSE Network, and returned to the Warped Tour in 2014, performing on a larger stage. The band has since toured with notable bands such as Reel Big Fish, Goldfinger, Suburban Legends, Five Iron Frenzy, Beautiful Bodies, and This Magnificent, and has shared the stage with Willie Nelson, Donovan Frankenreiter, Dirty Heads, Pepper, Cypress Hill, The Original Wailers, Zach Deputy, Keller Williams, The Lee Boys, BadFish, Dumpstaphunk, 100 Monkeys, Bobby Lee Rodgers, Big Bad VooDoo Daddy, and Perpetual Groove. Reel Big Fish's Aaron Barrett also produced their EP and their full length album. They were also featured on an episode of Travel Channel's RV Kings.
Type
Still Image
Source
Original color photographs by Alicia Lyman, April 1, 2011: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photographs by Alicia Lyman, April 1, 2011. <a href="http://alicialyman.photoshelter.com/gallery-image/2011-04-01-BEEBS-AND-HER-MONEY-MAKERS-HARD-ROCK-LIVE-ORLANDO-FL/G0000GOrUzcniCk4/I0000EAtYTrRnubE/C0000HvwsZBna0tw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2011-04-01-BEEBS-AND-HER-MONEY-MAKERS-HARD-ROCK-LIVE-ORLANDO-FL/G0000GOrUzcniCk4/I0000EAtYTrRnubE/C0000HvwsZBna0tw</a>.
Digital reproduction of original color photograph. <a href="http://alicialyman.photoshelter.com/gallery-image/2011-04-01-BEEBS-AND-HER-MONEY-MAKERS-HARD-ROCK-LIVE-ORLANDO-FL/G0000GOrUzcniCk4/I0000NEh0rY79nt0/C0000HvwsZBna0tw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2011-04-01-BEEBS-AND-HER-MONEY-MAKERS-HARD-ROCK-LIVE-ORLANDO-FL/G0000GOrUzcniCk4/I0000NEh0rY79nt0/C0000HvwsZBna0tw</a>.
Coverage
Hard Rock Live Orlando, Orlando, Florida
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
2011-04-01
Date Copyrighted
2011-04-01
Format
image/jpg
Extent
23 KB
15.3 KB
Medium
2 color photographs
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
Kelly, Scott. "<a href="http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever" target="_blank">Beebs and Her Money Makers - W체rst Album Ever</a>." <em>The Prelude Press</em>. June 2, 2014. http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever.
Rolland, David. "<a href="http://www.miaminewtimes.com/music/beebs-and-her-money-makers-were-mostly-inspired-by-goats-and-donkeys-lately-6464951" target="_blank">Beebs and Her Money Makers: 'We're Mostly Inspired By Goats and Donkeys Lately'</a>." <em>Miami New Times</em>. February 6, 2015. http://www.miaminewtimes.com/music/beebs-and-her-money-makers-were-mostly-inspired-by-goats-and-donkeys-lately-6464951.
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/2011-04-01-BEEBS-AND-HER-MONEY-MAKERS-HARD-ROCK-LIVE-ORLANDO-FL/G0000GOrUzcniCk4/I0000EAtYTrRnubE/C0000HvwsZBna0tw" target="_blank">Click for Larger Image</a>
<a href="http://alicialyman.photoshelter.com/gallery-image/2011-04-01-BEEBS-AND-HER-MONEY-MAKERS-HARD-ROCK-LIVE-ORLANDO-FL/G0000GOrUzcniCk4/I0000EAtYTrRnubE/C0000HvwsZBna0tw" target="_blank">Click for Larger Image</a>
bar
bass guitar
bassist
Beeb$ and Her Money Makers
Beebs and Her Money Makers
concert
Eric Christian
funk
Hard Rock Live Orlando
Levon White
Michelle Beebs
music
musician
nightclub
orlando
rock
rock music
saxophone
saxophonist
singer
ska
soul
soul music
Universal Boulevard
vocalist
-
https://richesmi.cah.ucf.edu/omeka/files/original/6203e3a4214316b82ae5c273b8880732.JPG
7dba4a20e4c139fc7031e67d09e96e3c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 color photograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Beeb$ and Her Money Makers at E.L.L.A. Music Fest, 2012
Alternative Title
Beeb$ and Her Money Makers at E.L.L.A. Music Fest
Subject
Beeb$ and Her Money Makers (Musical group)
Orlando (Fla.)
Music--Florida
Musicians--Southern States
Concerts--United States
Ska (Music)
Rock music--United States
Funk (Music)--United States
Soul music--United States
Description
Michelle Beebs performing live with Beeb$ and Her Money Makers at E.L.L.A. Music Fest at H2O Live!, located at 100 West Livingston Street in Downtown Orlando, Florida, on November 3, 2012. The E.L.L.A. Music Festival, which stands for Elevate.Listen.Love.Appreciate, was created in 2007 by Orlando musician, promoter, and producer Robert Johnson to celebrate the heart, talent, and contributions that Florida female artists give to their communities. In its fifth year in 2012, the female-centric festival added spoken word artists, visual artists and local vendors to the stacked musical lineup.<br /><br />Led by Michelle Beebs, this Orlando-based band combines ska, rock, funk, and soul, gaining notoriety through their high-energy performances and unapologetically ridiculous media content. The group consists of Beebs of kazoo and vocals, Jeremy Lovelady on guitar, Levon White on bass, Paul Brisske on drums, Bunky Garrabrant on trumpet, and Eric Christian on saxophone and flute. The band was discovered by legendary promoter Kevin Lyman and asked to join the Vans Warped Tour in 2013. They were filmed for the second season of the show Warped Roadies on the FUSE Network, and returned to the Warped Tour in 2014, performing on a larger stage. The band has since toured with notable bands such as Reel Big Fish, Goldfinger, Suburban Legends, Five Iron Frenzy, Beautiful Bodies, and This Magnificent, and has shared the stage with Willie Nelson, Donovan Frankenreiter, Dirty Heads, Pepper, Cypress Hill, The Original Wailers, Zach Deputy, Keller Williams, The Lee Boys, BadFish, Dumpstaphunk, 100 Monkeys, Bobby Lee Rodgers, Big Bad VooDoo Daddy, and Perpetual Groove. Reel Big Fish's Aaron Barrett also produced their EP and their full length album. They were also featured on an episode of Travel Channel's RV Kings.
Type
Still Image
Source
Original color photograph by Alicia Lyman, November 3, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photograph by Alicia Lyman, November 3, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000RA_rkzn84YU/C0000q_kABE1Z.zs" target="_blank">http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000RA_rkzn84YU/C0000q_kABE1Z.zs</a>.
Coverage
H2O Live!, Downtown Orlando, Florida
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
2012-11-03
Date Copyrighted
2012-11-03
Format
image/jpg
Extent
22 KB
Medium
1 color photograph
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
"<a href="http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107" target="_blank">ELLA Music Fest: Sixth annual festival celebrates local female musicians</a>." <em>Orlando Weekly</em>. October 30, 2012. http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107.
Coffin, Kat. "<a href="http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest" target="_blank">Downtown Orlando welcomes the sixth annual e.l.l.a. Fest</a>." <em>Examiner</em>. October 27, 2012. http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest.
Kelly, Scott. "<a href="http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever" target="_blank">Beeb$ and Her Money Makers - Würst Album Ever</a>." <em>The Prelude Press</em>. June 2, 2014. http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever.
Rolland, David. "<a href="http://www.miaminewtimes.com/music/beebs-and-her-money-makers-were-mostly-inspired-by-goats-and-donkeys-lately-6464951" target="_blank">Beeb$ and Her Money Makers: 'We're Mostly Inspired By Goats and Donkeys Lately'</a>." <em>Miami New Times</em>. February 6, 2015. http://www.miaminewtimes.com/music/beebs-and-her-money-makers-were-mostly-inspired-by-goats-and-donkeys-lately-6464951.
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000RA_rkzn84YU/C0000q_kABE1Z.zs" target="_blank">Click for Larger Image</a>
Beeb$ and Her Money Makers
Beebs and Her Money Makers
concert
Downtown Orlando
E.L.L.A. Music Fest
festival
funk
Gamble Records
H2O Live!
HollowGram Productions
Livingston Street
Michelle Beebs
music
music festival
musician
orlando
rock
rock music
singer
ska
soul
soul music
vocalist
-
https://richesmi.cah.ucf.edu/omeka/files/original/bc67dba97404e39770279f40acb236ad.jpg
7c68532a9ea56edd64a0ffe8735b8cf0
https://richesmi.cah.ucf.edu/omeka/files/original/42529b22cc1379a0719694750411bd82.jpg
59c1584e133c394fe6264f809469fbf9
https://richesmi.cah.ucf.edu/omeka/files/original/154f752368a8e15409b0a1142c010da1.jpg
27e47103964b1eaed7d2d38531512fc5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
3 color photographs
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
JunkieRush at the House of Blues Orlando, 2012
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I0000HEX08_vj40E/C0000i75h9FD_Cjw" target="_blank">Click for Larger Image</a>
<a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I00007Ck.4XvfFdo/C0000i75h9FD_Cjw" target="_blank">Click for Larger Image</a>
<a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I00008lDhgRCWDhs/C0000i75h9FD_Cjw" target="_blank">Click for Larger Image</a>
Alternative Title
JunkieRush at House of Blues
Subject
Lake Buena Vista (Fla.)
Concerts--United States
Reggae music--Florida
Rock music--United States
Music--Florida
Musicians--Southern States
Funk (Music)--United States
Ska (Music)
Nightclubs--United States
Description
JunkieRush "In the Morning" performing live with Dominic Maresco of The Supervillain at JunkieRush's reunion show at House of Blues Orlando, located at 1490 East Buena Vista Drive in Lake Buena Vista, Florida, on August 8, 2012. The first photograph features Bobby Koelble and Dominic Maresco of The Supervillains. The second photograph shows Koelbe with his infant daughter. The third photograph features Nathan Anderson playing the saxophone.<br /><br />Formed in 2000 by guitarist/vocalist/songwriter Bobby Koelble, who was also a member of the seminal metal band Death, JunkieRush is an Orlando-based rock band that combines elements of funk, punk, Latin, reggae, ska and world music into a unique original sound. The band has gained a reputation for its live shows, performing up the east coast from Florida to New York, as well as the Virgin Islands and Puerto Rico. Although quite a departure from his metal roots, JunkieRush still features the strong guitar work that Koelble is known for. The original lineup consisted of Koelble on vocals and guitar, Chris Charles on saxophone and keyboard, Aaron O'Riley on bass, Marc Clermont on percussion, and Matt Hughen on drums. As of 2015, the lineup consisted of Koelble, bassist/vocalist Matt Gallagher, saxophonist/flutist/vocalist Nathan Anderson, drummer Thatcher on drums, and percussionist George "Ito" Colon. The band's albums include <em>Junkie Rush</em> (2000), <em>II</em> (2004), <em>Live</em> (2006), and <em>Musica</em> (2009).
Creator
Lyman, Alicia
Source
Original color photograph by Alicia Lyman, August 25, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Publisher
Lyman, Alicia
Date Created
2012-08-25
Date Copyrighted
2012-08-25
Contributor
Lyman, Alicia
Has Format
Digital reproduction of original color photograph by Alicia Lyman, August 25, 2012: <a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I0000HEX08_vj40E/C0000i75h9FD_Cjw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I0000HEX08_vj40E/C0000i75h9FD_Cjw</a>.
Digital reproduction of original color photograph by Alicia Lyman, August 25, 2012: <a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I00007Ck.4XvfFdo/C0000i75h9FD_Cjw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I00007Ck.4XvfFdo/C0000i75h9FD_Cjw</a>.
Digital reproduction of original color photograph by Alicia Lyman, August 25, 2012: <a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I00008lDhgRCWDhs/C0000i75h9FD_Cjw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I00008lDhgRCWDhs/C0000i75h9FD_Cjw</a>.
Is Part Of
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Format
image/jpg
Extent
43.6 KB
30 KB
47.4 KB
Medium
3 color photographs
Language
eng
Type
Still Image
Coverage
House of Blues Orlando, Lake Buena Vista, Florida
Accrual Method
Donation
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
Manes, Billy. “<a href="http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145" target="_blank">Under the influence of Bobby Koelble</a>.” <em>Orlando Weekly</em>. April 26, 2000. http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145.
Freed, Tim. “<a href="http://today.ucf.edu/koelbles-relentless-curiosity-about-music/" target="_blank">Koelble's Relentless Curiosity About Music</a>.” <em>UCF Today</em>. March 19, 2012. http://today.ucf.edu/koelbles-relentless-curiosity-about-music/.
Alicia Lyman
Bobby Koelble
concert
Dominic Maresco
Downtown Disney
funk
guitar
guitarist
House of Blues Orlando
In the Morning
JunkieRush
Lake Buena Vista
music
musician
punk
reggae
rock
rock music
saxophone
saxophonist
singer
ska
The Supervillains
vocalist
-
https://richesmi.cah.ucf.edu/omeka/files/original/419eaf49fe4b681caace64f199e00dab.JPG
f11e0e131b67e4d2fa9659a1aba531b7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 color photograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
JunkieRush at The Social, 2007
Alternative Title
JunkieRush at The Social
Subject
Orlando (Fla.)
Concerts--United States
Reggae music--Florida
Rock music--United States
Music--Florida
Musicians--Southern States
Funk (Music)--United States
Ska (Music)
Nightclubs--United States
Description
JunkieRush at a sold-out show at The Social, located at 54 North Orange Avenue in Downtown Orlando on July 30, 2007. This photograph features drummer Bobby Koelble.<br /><br />Formed in 2000 by guitarist/vocalist/songwriter Bobby Koelble, who was also a member of the seminal metal band Death, JunkieRush is an Orlando-based rock band that combines elements of funk, punk, Latin, reggae, ska and world music into a unique original sound. The band has gained a reputation for its live shows, performing up the east coast from Florida to New York, as well as the Virgin Islands and Puerto Rico. Although quite a departure from his metal roots, JunkieRush still features the strong guitar work that Koelble is known for. The original lineup consisted of Koelble on vocals and guitar, Chris Charles on saxophone and keyboard, Aaron O'Riley on bass, Marc Clermont on percussion, and Matt Hughen on drums. As of 2015, the lineup consisted of Koelble, bassist/vocalist Matt Gallagher, saxophonist/flutist/vocalist Nathan Anderson, drummer Thatcher on drums, and percussionist George "Ito" Colon. The band's albums include <em>Junkie Rush</em> (2000), <em>II</em> (2004), <em>Live</em> (2006), and <em>Musica</em> (2009).
Type
Still Image
Source
Original color photograph by Alicia Lyman, July 30, 2007: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photograph by Alicia Lyman, July 30, 2007: <a href="http://alicialyman.photoshelter.com/gallery-image/2007-07-30-JUNKIE-RUSH-THE-SOCIAL-Orlando-FL/G0000qlue4u.ulow/I0000864dqSG2OfA/C0000i75h9FD_Cjw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2007-07-30-JUNKIE-RUSH-THE-SOCIAL-Orlando-FL/G0000qlue4u.ulow/I0000864dqSG2OfA/C0000i75h9FD_Cjw</a>.
Coverage
The Social, Downtown Orlando, Florida
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
2007-07-30
Date Copyrighted
2007-07-30
Format
image/jpg
Extent
20.9 KB
Medium
1 color photograph
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
Manes, Billy. <a href="http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145" target="_blank">Under the influence of Bobby Koelble</a>.” <em>Orlando Weekly</em>. April 26, 2000. http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145.
Freed, Tim. <a href="http://today.ucf.edu/koelbles-relentless-curiosity-about-music/" target="_blank">Koelble's Relentless Curiosity About Music</a>.” <em>UCF Today</em>. March 19, 2012. http://today.ucf.edu/koelbles-relentless-curiosity-about-music/.
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/2007-07-30-JUNKIE-RUSH-THE-SOCIAL-Orlando-FL/G0000qlue4u.ulow/I0000864dqSG2OfA/C0000i75h9FD_Cjw" target="_blank">Click for Larger Image</a>
Alicia Lyman
Bobby Koelble
concert
Downtown Orlando
drum
drummer
funk
JunkieRush
music
musician
Orange Avenue
orlando
punk
reggae
rock
rock music
singer
ska
The Social
vocalist
-
https://richesmi.cah.ucf.edu/omeka/files/original/422c08b219cfdf738b7826d4d53d14d3.JPG
8c42a7df554c563d7925b711598af01a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
1 color photograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
The Social, 2007
Alternative Title
The Social
Subject
Orlando (Fla.)
Nightclubs--United States
Description
A crowd lined up down the street for a sold-out JunkieRush show at The Social, located at 54 North Orange Avenue in Downtown Orlando, Florida, on July 30, 2007. The Social is an Indie music venue in Downtown Orlando that hosts international, national, and local acts. With a mere 400-person capacity, the intimate setting has made the venue a staple in the Orlando music scene. Originally called The Downtown Jazz & Blues Club, it became Sapphire Supper Club in April 1995, and during its six-year run under that name, the venue showcased an A-list of indie-rock, swing, and folk acts and nurtured the budding careers of musicians that would rise to broader fame in bands, such as Seven Mary Three, My Friend Steve, and Matchbox Twenty. The venue became The Social in 2002, and has remained one of the most popular venues in Orlando. Neighboring Bar BQ Bar, at 64 North Orange Avenue, also appears in the photograph.
Type
Still Image
Source
Original color photograph by Alicia Lyman, July 30, 2007: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photograph by Alicia Lyman, July 30, 2007: <a href="http://alicialyman.photoshelter.com/gallery-image/2007-07-30-JUNKIE-RUSH-THE-SOCIAL-Orlando-FL/G0000qlue4u.ulow/I0000cfT3iqz94fw/C0000i75h9FD_Cjw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2007-07-30-JUNKIE-RUSH-THE-SOCIAL-Orlando-FL/G0000qlue4u.ulow/I0000cfT3iqz94fw/C0000i75h9FD_Cjw</a>.
Coverage
The Social, Downtown Orlando, Florida
Bar BQ Bar, Downtown Orlando, Florida
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
2007-07-30
Date Copyrighted
2007-07-30
Format
image/jpg
Extent
22.2 KB
Medium
1 color photograph
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
Manes, Billy. <a href="http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145" target="_blank">Under the influence of Bobby Koelble</a>.” <em>Orlando Weekly</em>. April 26, 2000. http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145.
Freed, Tim. <a href="http://today.ucf.edu/koelbles-relentless-curiosity-about-music/" target="_blank">Koelble's Relentless Curiosity About Music</a>.” <em>UCF Today</em>. March 19, 2012. http://today.ucf.edu/koelbles-relentless-curiosity-about-music/.
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/2007-07-30-JUNKIE-RUSH-THE-SOCIAL-Orlando-FL/G0000qlue4u.ulow/I0000cfT3iqz94fw/C0000i75h9FD_Cjw" target="_blank">Click for Larger Image</a>
Alicia Lyman
Bar BQ Bar
concert
Downtown Orlando
funk
JunkieRush
music
musician
Old '64
Orange Avenue
orlando
punk
reggae
rock
rock music
ska
The Social
-
https://richesmi.cah.ucf.edu/omeka/files/original/51acd98dc78a37dbf2a25c8bc796385d.JPG
3364fb1b69f027030167304c0e93afea
https://richesmi.cah.ucf.edu/omeka/files/original/e3b37492d2933b5abda2f3ce7b4f9c33.JPG
e2cd3bf728439e3aa80ccaf043f4e251
https://richesmi.cah.ucf.edu/omeka/files/original/99dceea6cbccf1d34e7f4ead85a15a17.JPG
d0380a652d076e51676a2d0393bd9efe
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
3 color photographs
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
JunkieRush at Will's Pub, 2003
Alternative Title
JunkieRush at Will's Pub
Subject
Orlando (Fla.)
Concerts--United States
Reggae music--Florida
Rock music--United States
Music--Florida
Musicians--Southern States
Funk (Music)--United States
Ska (Music)
Nightclubs--United States
Description
JunkieRush performing live at Will's Pub in Orlando, Florida, on January 29, 2003. Thie first photograph features, from left to right, Aaron O'Riley on bass guitar, Bobby Koelble on electric guitar, Matt Hughen on drums, and Marc Clermont on percussion. The second photograph shows Koelble playing an acoustic guitar, and the third features Koelble playing an electric guitar, using a Rolling Rock beer bottle as a slide.<br /><br />Formed in 2000 by guitarist/vocalist/songwriter Bobby Koelble, who was also a member of the seminal metal band Death, JunkieRush is an Orlando-based rock band that combines elements of funk, punk, Latin, reggae, ska and world music into a unique original sound. The band has gained a reputation for its live shows, performing up the east coast from Florida to New York, as well as the Virgin Islands and Puerto Rico. Although quite a departure from his metal roots, JunkieRush still features the strong guitar work that Koelble is known for. The original lineup consisted of Koelble on vocals and guitar, Chris Charles on saxophone and keyboard, Aaron O'Riley on bass, Marc Clermont on percussion, and Matt Hughen on drums. As of 2015, the lineup consisted of Koelble, bassist/vocalist Matt Gallagher, saxophonist/flutist/vocalist Nathan Anderson, drummer Thatcher on drums, and percussionist George "Ito" Colon. The band's albums include <em>Junkie Rush</em> (2000), <em>II</em> (2004), <em>Live</em> (2006), and <em>Musica</em> (2009).
Type
Still Image
Source
Original color photographs by Alicia Lyman: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photograph by Alicia Lyman, January 29, 2003: <a href="http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000zbWCJBYP8j8/C0000i75h9FD_Cjw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000zbWCJBYP8j8/C0000i75h9FD_Cjw</a>.
Digital reproduction of original color photograph by Alicia Lyman, January 29, 2003s=. <a href="http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000p.WZdclksxk/C0000i75h9FD_Cjw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000p.WZdclksxk/C0000i75h9FD_Cjw</a>.
<a href="http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000U92X1933pvU/C0000i75h9FD_Cjw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000U92X1933pvU/C0000i75h9FD_Cjw</a>.
Coverage
Will's Pub, Orlando, Florida
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
2003-01-29
Date Copyrighted
2003-01-29
Format
image/jpg
Extent
22.7 KB
19.7 KB
21.1 KB
Medium
3 color photographs
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
Manes, Billy. <a href="http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145" target="_blank">Under the influence of Bobby Koelble</a>.” <em>Orlando Weekly</em>. April 26, 2000. http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145.
Freed, Tim. <a href="http://today.ucf.edu/koelbles-relentless-curiosity-about-music/" target="_blank">Koelble's Relentless Curiosity About Music</a>.” <em>UCF Today</em>. March 19, 2012. http://today.ucf.edu/koelbles-relentless-curiosity-about-music/.
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000zbWCJBYP8j8/C0000i75h9FD_Cjw" target="_blank">Click for Larger Image</a>
<a href="http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000p.WZdclksxk/C0000i75h9FD_Cjw" target="_blank">Click for Larger Image</a>
<a href="http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000U92X1933pvU/C0000i75h9FD_Cjw" target="_blank">Click for Larger Image</a>
Aaron O'Riley
Alicia Lyman
bass guitar
bassist
concert
drum
drummer
electric guitar
Fender Stratocaster
funk
George "Ito" Colon
guitar
guitarist
JunkieRush
Marc Clermont
Matt Hughen
music
musician
orlando
percussionist
punk
reggae
rock
rock music
singer
ska
vocalist
Will's Pub
-
https://richesmi.cah.ucf.edu/omeka/files/original/8c730a185300cf7ae33c45f5d95aebd1.jpg
598ba583c8f06fe0f08dba5245fc7643
https://richesmi.cah.ucf.edu/omeka/files/original/f6163b7c585416e0b70fc1eb03ba0420.jpg
651e720e33a98c1823fb71ad3cb0d9f6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
2 color photographs
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
The Legendary JC's at Ralphfest 2
Alternative Title
Legendary JC's at Ralphfest
Subject
Orlando (Fla.)
Music--Florida
Musicians--Southern States
Festivals--Southern States
Concerts--United States
Rhythm and blues music--United States
R&B (Music)
Soul music--United States
Funk (Music)--United States
Blues (Music)--Florida
Nightclubs--United States
Description
The Legendary JC's performing live at Ralphfest 2 at The Beacham Theater, located at 46 North Orange Avenue in Downtown Orlando, Florida, on November 24, 2012. The Legendary JC’s, also known as The Joint Chiefs, are an R&B/soul/funk/blues band that was formed by lead vocalist Eugene Snowden in 2000, consisting of an alternating lineup of all-star Central Florida musicians. This photograph features, from left to right, an unidentified guitar player, Roland Simmons, an unidentified harmonica player, Eugene Snowden, Craig Cobb, Katie Burkess, Michael Lashinsky, and an unidentified keyboardist.
Type
Still Image
Source
Original color photographs by Alicia Lyman, November 24, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Format Of
Digital reproduction of original color photographs by Alicia Lyman, November 24, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000tYq35m54Fx4/C0000fnM5ntjHkP8" target="_blank">http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000tYq35m54Fx4/C0000fnM5ntjHkP8</a>.
Digital reproduction of original color photograph. <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000GjmLESU9Jew/C0000fnM5ntjHkP8" target="_blank">http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000GjmLESU9Jew/C0000fnM5ntjHkP8</a>.
Coverage
The Beacham Theater, Downtown Orlando, Florida
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
2012-11-24
Date Copyrighted
2012-11-24
Format
image/jpg
Extent
40.2 KB
38.2 KB
Medium
2 color photographs
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
Bolden, Tony. <a href="http://www.worldcat.org/oclc/212328134" target="_blank"><em>The Funk Era and Beyond: New Perspectives on Black Popular Culture</em></a>. New York, NY: Palgrave Macmillan, 2008.
Vincent, Rickey. <a href="http://www.worldcat.org/oclc/32820668" target="_blank"><em>Funk: The Music, the People, and the Rhythm of the One</em></a>. New York: St. Martin's Griffin, 1996.
Guralnick, Peter. <a href="http://www.worldcat.org/oclc/13002980" target="_blank"><em>Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom</em></a>. New York: Harper &amp
Row, 1986.
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000tYq35m54Fx4/C0000fnM5ntjHkP8" target="_blank">Click for Larger Image</a>
<a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000GjmLESU9Jew/C0000fnM5ntjHkP8" target="_blank">Click for Larger Image</a>
blues
Clay Watson
concert
Craig Cobb
Eugene Snowden
festival
Foundation for Seminole County Public Schools
fundraiser
fundraising
funk
Joint Chiefs
Katie Burkess
Michael Lashinsky
music
musician
orlando
R&B
Ralph Ameduri, Jr.
Ralph Ameduri, Jr. Music Scholarship Fund
Ralphfest
Ralphfest 2
Ralphfest II
rhythm and blues
Roland Simmons
soul
soul music
The Joint Chiefs
The Legendary JC's
-
https://richesmi.cah.ucf.edu/omeka/files/original/ca2cffd72ae39cfafe3f4611da270ad9.JPG
b8ca5255a582ba254f0b20027eb4288a
https://richesmi.cah.ucf.edu/omeka/files/original/b21d658a6e933c4491d2e452435c6c8f.JPG
b2935f5a036691e2b13c6f354c95f5eb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Hip Hop Collection
Alternative Title
Hip Hop Collection
Description
Around the early 1970s, an underground urban cultural movement began to develop in the South Bronx in New York City, New York. As block parties became increasingly prevalent in the region, disc jockeys (DJs) would play popular musical genres, such as funk, disco, and soul, and began isolating the percussive instrumental breaks of songs. Immigrants from the Caribbean islands introduced this technique, known as dub music. Since the percussive breaks in these songs tended to be short, DJs extended them using two turntables. The movement that would become known as “hip hop” involved four distinct characteristics. In addition to turntablism, which is considered the aural element, the other characteristics include rap music, which is the oral element, b-boying—also known as breakdancing, which is the physical element—and graffiti art, which is the visual element. Other elements include beatboxing, which is a form of vocal percussion using one’s mouth to mimic a drum machine, and sampling, which is the act of taking a portion of a sound recording and reusing it as an instrument. <br /><br />Clive Campbell, known by his stage name DJ Kool Herc, is credited as the originator of hip hop music in the early 1970s. Although the genre developed in several places in the early 1970s, a concert performed by Herc is considered to be one of the pivotal and formative events that led to the rise of hip hop music and culture. Among those who claimed to be in attendance were a number of future hip hop stars, including Grandmaster Flash, Afrika Bambaaraa, Red Alert, KRS-One, and Grandmaster Caz. <br /><br />In 1979, the Sugarhill Gang’s song, “Rapper’s Delight,” became the first hip hop record to gain widespread popularity in the mainstream. During the 1980s, the genre evolved and developed more complex styles, spreading across the country and throughout the world and leading to what would be known as new school hip hop. This Golden Age hip hop era spanned from around 1983 to the early 1990s, spawning innovators such as LL Cool J, Run-D.M.C., Public Enemy, Eric B. & Rakim, Big Daddy Kane, De La Soul, the Beastie Boys, and Juice Crew. Gangsta rap, a subgenre of hip hop with a lyrical focus on political and social commentary mixed with the realities of a criminal lifestyle, was pioneered in the mid-1980s by rappers such as Ice T, N.W.A., KRS-One, Just-Ice, Schoolly D, and the Geto Boys. By the early 1990s, gangsta rap further split into regional genres when West Coast rappers such as Ice Cube, Eazy E, Dr. Dre, Snoop Doggy Dogg, Warren G, Nate Dog, and 2Pac Shakur squared off against their East Coast counterparts, such as the Notorious B.I.G. (also known as Biggie Smalls), Puff Daddy, Lil’ Kim, the Wu-Tang Clan, Mobb Deep, and Nas. After the murders of Shakur and Smalls, gangsta rap peaked in its popularity, paving the way for mainstream rappers like Jay-Z, DMX, 50 Cent, Eminem, Nelly, and Drake. Mainstream rap has been criticized by hip hop fans and pioneers for its concern with image over substance, as opposed to alternative hip hop, which emerged simultaneously with artists such as OutKast, The Roots, Mos Def, Kanye West, Gnarls Barkley, Gorillas, M.I.A., and the Fugees, leading the way in innovating and revitalizing the genre. <br /><br />Florida has maintained a role in influencing and developing hip hop music and culture. Southern hip hop, which is also known as Dirty South, is a subgenre of hip hop that emerged in the Southeastern United States in cities such as Atlanta, Houston, Memphis, New Orleans, and Miami. Miami native, Debbie Harry, who was the lead singer of the American punk rock band Blondie in the mid-to-late 1970s, released a song entitled “Rapture” in 1981, which became the first rap song to top the Billboard Top 100 chart. The music video for the song became the first rap video to be broadcast on Music Television (MTV). Miami Bass, also known as booty music, emerged in the mid-1980s, with an emphasis on synthesizers and drum machines, raised dance tempos, and frequently sexually explicit lyrics and samples. Luther Campbell, also known as Uncle Luke, and his group, 2 Live Crew, played a crucial role in popularizing Miami Bass in the late 1980s and early 1990s. The group gained international notoriety in 1988, when a record store clerk was cited for selling a copy of their explicit album to an undercover police officer, which was the first time in the United States that a record store owner was held liable for an obscenity violation. Although the clerk was found not guilty by a jury, the group’s next album, <em>As Nasty As They Wanna Be</em>, was ruled obscene and illegal to sell by U.S. District Court Judge Jose Gonzalez, leading to the arrest of a local retailer two days later for selling a copy to an undercover officer, and to three of the members of the band after a performance in Hollywood, Florida. The U.S. Court of Appeals for the Eleventh Circuit overturned the obscenity ruling in 1992, and the United States Supreme Court refused to hear Broward County’s appeal. Other notable hip hop artists from Florida include Rick Ross and Flo Rida, both from Carol City, Trick Daddy, Pitbull and Trina from Miami, T-Pain from Tallahassee, and Solillaquists of Sound from Orlando.
External Reference
Rose, Tricia. <a href="http://www.worldcat.org/oclc/29358082" target="_blank"><em>Black Noise: Rap Music and Black Culture in Contemporary America</em></a>. Hanover, NH: University Press of New England, 1994.
Ogbar, Jeffrey Ogbonna Green. <a href="http://www.worldcat.org/oclc/153580063" target="_blank"><em>Hip-Hop Revolution: The Culture and Politics of Rap</em></a>. Lawrence: University Press of Kansas, 2007.
Charnas, Dan. <a href="http://www.worldcat.org/oclc/426803687" target="_blank"><em>The Big Payback: The History of the Business of Hip-Hop</em></a>. New York, N.Y.: New American Library, 2010.
Light, Alan. <a href="http://www.worldcat.org/oclc/41572698" target="_blank"><em>The Vibe History of Hip Hop</em></a>. New York: Three Rivers Press, 1999.
Subject
Hip-hop--Southern States
Music--United States
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a><span>, RICHES of Central Florida.</span>
Type
Collection
Coverage
Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
2 color photographs
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Solillaquists of Sound at Wall Street Plaza, 2014
Alternative Title
Solillaquists of Sound at Wall Street
Subject
Solillaquists of Sound (Musical group)
Swamburger
Hip-hop--Southern States
Concerts--United States
Orlando (Fla.)
Rappers
Musicians--Southern States
Description
Solillaquists of Sound performing live at the Florida Music Festival, held at Wall Street Plaza in Downtown Orlando, Florida, on April 24, 2014. These photographs features, from left to right, Tonya Combs, Asaan Brooks, Glen Valencia, Jr., and Alexandra Sarton. The Florida Music Festival (FMF) was founded by aXis Magazine & Promotions in 2002 as a three-day music festival and conference that showcases unsigned artists while promoting major national acts. <br /><br />Solillaquists of Sound, also known as Solilla, is an American hip-hop quartet formed in Orlando in August 2002. The group, consisting of MCs (masters of ceremonies) Swamburger and Alexandrah, poet/vocalist Tonya Combs, and producer/composer/MPC player DiViNCi, employs sophisticated, socially conscious lyrics and musical composition, based on the life-affirming, justice-oriented views held by the members. The group utilizes melody and harmony in their vocals, often delivering many punctuated syllables in rapid succession in tight synchronicity. In 2002, Asaan Brooks, also known as Swamburger, began having weekly meetings in his Orlando home about music, community involvement, spirituality, and veganism. At one of these meetings, Brooks and his friend, producer and MPC player Glen Valencia, Jr., also known as DiViNCi, with whom he had already recorded material, decided to begin performing together. A frequent attendee of their shows, Tonya Combs, joined them on background vocals, and soon the group's friend, singer Alexandra Sarton, also known as Alexandrah, left her home in Chicago, Illinois, to join the band. The group categorized themselves in their own genre, FAHEEM (funk/astro/hip-hop/extraterrestrially energized message), which they felt more accurately conveyed both their music and their beliefs regarding spirituality, life, and love. They were invited by hip-hop artist Sage Francis to tour with him, and his label, Epitaph, signed them to their sister label, Anti-, in early 2006. They recorded two albums under the label, <em>As If We Existed</em> (2006) and <em>No More Heroes</em> (2008), before leaving the label and producing their own albums, <em>The 4th Wall: Part 1</em> (2012) and <em>The 4th Wall: Part 2</em> (2013). In addition to Francis, the band has toured with artists such as Michael Franti & Spearhead, KRS-One, Bad Brains, Ozomatli, El-P, and Lyrics Born. <br /><br />The group is also known for their community involvement, appearing on a tribute record for fellow rapper/producer J Dilla, also known as James Dewitt Yancey, who passed away in 2006 from a blood disease. The album, <em>Death of the Muse</em>, featured J-Live, Chali 2na of Jurassic 5, and Maureen "Ma Dukes" Yancey,Maureen Yancey, the mother of J Dilla. Okayplayer.com featured the effort as one of their top news stories, and LA Weekly called the track "the most awesome song in the history of awesomedom." The group hopes to open the Solilla Center 4 Creative Kids, a non-profit school designed to empower youth with the knowledge of all things good for mind, body, and spirit, offering kids yoga, an art gallery, massage, a cafe, smoothie and juice bar, language, art, poetry, gardening, and vegan cooking classes, as well as an after-school tutoring program.
Type
Still Image
Source
Original color photographs by Alicia Lyman, April 24, 2014: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/154" target="_blank">Hip Hop Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photographs by Alicia Lyman, April 24, 2014. <a href="http://alicialyman.photoshelter.com/gallery-image/2014-04-SOLILLAQUISTS-OF-SOUND-Wall-St-Plaza-2014FMF-Orlando-FL/G0000j5MxJA.FdtU/I0000tosLXcv8ptE/C0000fGs2siRdnQY" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2014-04-SOLILLAQUISTS-OF-SOUND-Wall-St-Plaza-2014FMF-Orlando-FL/G0000j5MxJA.FdtU/I0000tosLXcv8ptE/C0000fGs2siRdnQY</a>
Coverage
Wall Street Plaza, Orlando, Florida
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
2014-04-24
Date Copyrighted
2014-04-24
Format
image/jpg
Extent
26.7 KB
21.5 KB
Medium
2 color photographs
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
Light, Alan. <a href="http://www.worldcat.org/oclc/41572698" target="_blank"><em>The Vibe History of Hip Hop</em></a>. New York: Three Rivers Press, 1999.
Le-Huu, Bao. "<a href="http://www.orlandoweekly.com/orlando/solillaquists-of-sounds-saga-comes-to-its-natural-conclusion/Content?oid=2241323" target="_blank">Solillaquists of Sound's saga comes to its natural conclusion: 'The 4th Wall' completes the group's epic listener's trilogy</a>." <em>Orlando Weekly</em>. January 7, 2014. http://www.orlandoweekly.com/orlando/solillaquists-of-sounds-saga-comes-to-its-natural-conclusion/Content?oid=2241323.
Strout, Justin. "<a href="http://www.orlandoweekly.com/orlando/philosophy-of-love/Content?oid=2274026" target="_blank">Philosophy of Love</a>." <em>. September 21, 2006. http://www.orlandoweekly.com/orlando/philosophy-of-love/Content?oid=2274026.</em>
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/2014-04-SOLILLAQUISTS-OF-SOUND-Wall-St-Plaza-2014FMF-Orlando-FL/G0000j5MxJA.FdtU/I0000RCPXr.ed4LQ/C0000fGs2siRdnQY" target="_blank">Click for Larger Image</a>
<a href="http://alicialyman.photoshelter.com/gallery-image/2014-04-SOLILLAQUISTS-OF-SOUND-Wall-St-Plaza-2014FMF-Orlando-FL/G0000j5MxJA.FdtU/I0000tosLXcv8ptE/C0000fGs2siRdnQY" target="_blank">Click for Larger Image</a>
Alexandra Sarton
Alexandrah
Alicia Lyman
alternative hip hop
alternative hip-hop
Asaan Brooks
concert
deejay
disc jockey
DJ
Downtown Orlando
emcee
FAHEEM
festival
Florida Music Festival
FMF
funk
Glen Valencia, Jr.
hip hop
master of ceremonies
MC
MC Swamburger
Media Player Classic
MPC
music
musician
orlando
rap
rapper
Sol.illaquists of Sound
Solilla
Solillaquists of Sound
Swam
Tonya Combs
underground hip hop
underground music
vocalist
Wall Street Plaza
-
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3c4e5391f1c9ffad27b03161cae59ed9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Hip Hop Collection
Alternative Title
Hip Hop Collection
Description
Around the early 1970s, an underground urban cultural movement began to develop in the South Bronx in New York City, New York. As block parties became increasingly prevalent in the region, disc jockeys (DJs) would play popular musical genres, such as funk, disco, and soul, and began isolating the percussive instrumental breaks of songs. Immigrants from the Caribbean islands introduced this technique, known as dub music. Since the percussive breaks in these songs tended to be short, DJs extended them using two turntables. The movement that would become known as “hip hop” involved four distinct characteristics. In addition to turntablism, which is considered the aural element, the other characteristics include rap music, which is the oral element, b-boying—also known as breakdancing, which is the physical element—and graffiti art, which is the visual element. Other elements include beatboxing, which is a form of vocal percussion using one’s mouth to mimic a drum machine, and sampling, which is the act of taking a portion of a sound recording and reusing it as an instrument. <br /><br />Clive Campbell, known by his stage name DJ Kool Herc, is credited as the originator of hip hop music in the early 1970s. Although the genre developed in several places in the early 1970s, a concert performed by Herc is considered to be one of the pivotal and formative events that led to the rise of hip hop music and culture. Among those who claimed to be in attendance were a number of future hip hop stars, including Grandmaster Flash, Afrika Bambaaraa, Red Alert, KRS-One, and Grandmaster Caz. <br /><br />In 1979, the Sugarhill Gang’s song, “Rapper’s Delight,” became the first hip hop record to gain widespread popularity in the mainstream. During the 1980s, the genre evolved and developed more complex styles, spreading across the country and throughout the world and leading to what would be known as new school hip hop. This Golden Age hip hop era spanned from around 1983 to the early 1990s, spawning innovators such as LL Cool J, Run-D.M.C., Public Enemy, Eric B. & Rakim, Big Daddy Kane, De La Soul, the Beastie Boys, and Juice Crew. Gangsta rap, a subgenre of hip hop with a lyrical focus on political and social commentary mixed with the realities of a criminal lifestyle, was pioneered in the mid-1980s by rappers such as Ice T, N.W.A., KRS-One, Just-Ice, Schoolly D, and the Geto Boys. By the early 1990s, gangsta rap further split into regional genres when West Coast rappers such as Ice Cube, Eazy E, Dr. Dre, Snoop Doggy Dogg, Warren G, Nate Dog, and 2Pac Shakur squared off against their East Coast counterparts, such as the Notorious B.I.G. (also known as Biggie Smalls), Puff Daddy, Lil’ Kim, the Wu-Tang Clan, Mobb Deep, and Nas. After the murders of Shakur and Smalls, gangsta rap peaked in its popularity, paving the way for mainstream rappers like Jay-Z, DMX, 50 Cent, Eminem, Nelly, and Drake. Mainstream rap has been criticized by hip hop fans and pioneers for its concern with image over substance, as opposed to alternative hip hop, which emerged simultaneously with artists such as OutKast, The Roots, Mos Def, Kanye West, Gnarls Barkley, Gorillas, M.I.A., and the Fugees, leading the way in innovating and revitalizing the genre. <br /><br />Florida has maintained a role in influencing and developing hip hop music and culture. Southern hip hop, which is also known as Dirty South, is a subgenre of hip hop that emerged in the Southeastern United States in cities such as Atlanta, Houston, Memphis, New Orleans, and Miami. Miami native, Debbie Harry, who was the lead singer of the American punk rock band Blondie in the mid-to-late 1970s, released a song entitled “Rapture” in 1981, which became the first rap song to top the Billboard Top 100 chart. The music video for the song became the first rap video to be broadcast on Music Television (MTV). Miami Bass, also known as booty music, emerged in the mid-1980s, with an emphasis on synthesizers and drum machines, raised dance tempos, and frequently sexually explicit lyrics and samples. Luther Campbell, also known as Uncle Luke, and his group, 2 Live Crew, played a crucial role in popularizing Miami Bass in the late 1980s and early 1990s. The group gained international notoriety in 1988, when a record store clerk was cited for selling a copy of their explicit album to an undercover police officer, which was the first time in the United States that a record store owner was held liable for an obscenity violation. Although the clerk was found not guilty by a jury, the group’s next album, <em>As Nasty As They Wanna Be</em>, was ruled obscene and illegal to sell by U.S. District Court Judge Jose Gonzalez, leading to the arrest of a local retailer two days later for selling a copy to an undercover officer, and to three of the members of the band after a performance in Hollywood, Florida. The U.S. Court of Appeals for the Eleventh Circuit overturned the obscenity ruling in 1992, and the United States Supreme Court refused to hear Broward County’s appeal. Other notable hip hop artists from Florida include Rick Ross and Flo Rida, both from Carol City, Trick Daddy, Pitbull and Trina from Miami, T-Pain from Tallahassee, and Solillaquists of Sound from Orlando.
External Reference
Rose, Tricia. <a href="http://www.worldcat.org/oclc/29358082" target="_blank"><em>Black Noise: Rap Music and Black Culture in Contemporary America</em></a>. Hanover, NH: University Press of New England, 1994.
Ogbar, Jeffrey Ogbonna Green. <a href="http://www.worldcat.org/oclc/153580063" target="_blank"><em>Hip-Hop Revolution: The Culture and Politics of Rap</em></a>. Lawrence: University Press of Kansas, 2007.
Charnas, Dan. <a href="http://www.worldcat.org/oclc/426803687" target="_blank"><em>The Big Payback: The History of the Business of Hip-Hop</em></a>. New York, N.Y.: New American Library, 2010.
Light, Alan. <a href="http://www.worldcat.org/oclc/41572698" target="_blank"><em>The Vibe History of Hip Hop</em></a>. New York: Three Rivers Press, 1999.
Subject
Hip-hop--Southern States
Music--United States
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a><span>, RICHES of Central Florida.</span>
Type
Collection
Coverage
Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
2 color photographs
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Solillaquists of Sound at BackBooth, 2003
Alternative Title
Solillaquists of Sound at BackBooth
Subject
Solillaquists of Sound (Musical group)
Swamburger
Hip-hop--Southern States
Concerts--United States
Orlando (Fla.)
Rappers
Musicians--Southern States
Description
Solillaquists of Sound performing live at BackBooth, located at 37 West Pine Street in Downtown Orlando, Florida, on October 25, 2003. The first photograph features Alexandra Sarton, popularly known as Alexandrah, and the second photograph shows, from left to right, Tonya Combs, and DiViNCi.<br /><br />Solillaquists of Sound, also known as Solilla, is an American hip-hop quartet formed in Orlando in August 2002. The group, consisting of MCs (masters of ceremonies) Swamburger and Alexandrah, poet/vocalist Tonya Combs, and producer/composer/MPC player DiViNCi, employs sophisticated, socially conscious lyrics and musical composition, based on the life-affirming, justice-oriented views held by the members. The group utilizes melody and harmony in their vocals, often delivering many punctuated syllables in rapid succession in tight synchronicity. In 2002, Asaan Brooks, also known as Swamburger, began having weekly meetings in his Orlando home about music, community involvement, spirituality, and veganism. At one of these meetings, Brooks and his friend, producer and MPC player Glen Valencia, Jr., also known as DiViNCi, with whom he had already recorded material, decided to begin performing together. A frequent attendee of their shows, Tonya Combs, joined them on background vocals, and soon the group's friend, singer Alexandra Sarton, also known as Alexandrah, left her home in Chicago, Illinois, to join the band. The group categorized themselves in their own genre, FAHEEM (funk/astro/hip-hop/extraterrestrially energized message), which they felt more accurately conveyed both their music and their beliefs regarding spirituality, life, and love. They were invited by hip-hop artist Sage Francis to tour with him, and his label, Epitaph, signed them to their sister label, Anti-, in early 2006. They recorded two albums under the label, <em>As If We Existed</em> (2006) and <em>No More Heroes</em> (2008), before leaving the label and producing their own albums, <em>The 4th Wall: Part 1</em> (2012) and <em>The 4th Wall: Part 2</em> (2013). In addition to Francis, the band has toured with artists such as Michael Franti & Spearhead, KRS-One, Bad Brains, Ozomatli, El-P, and Lyrics Born. <br /><br />The group is also known for their community involvement, appearing on a tribute record for fellow rapper/producer J Dilla, also known as James Dewitt Yancey, who passed away in 2006 from a blood disease. The album, <em>Death of the Muse</em>, featured J-Live, Chali 2na of Jurassic 5, and Maureen "Ma Dukes" Yancey,Maureen Yancey, the mother of J Dilla. Okayplayer.com featured the effort as one of their top news stories, and LA Weekly called the track "the most awesome song in the history of awesomedom." The group hopes to open the Solilla Center 4 Creative Kids, a non-profit school designed to empower youth with the knowledge of all things good for mind, body, and spirit, offering kids yoga, an art gallery, massage, a cafe, smoothie and juice bar, language, art, poetry, gardening, and vegan cooking classes, as well as an after-school tutoring program.
Type
Still Image
Source
Original color photographs by Alicia Lyman, October 25, 2003: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/154" target="_blank">Hip Hop Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photographs by Alicia Lyman, October 25, 2003. <a href="http://alicialyman.photoshelter.com/gallery-image/2003-10-25-SOLILLAQUISTS-OF-SOUND-Back-Booth-Orlando-FL/G0000cvnah3oFtms/I00006PYpGIWwnkA/C0000fGs2siRdnQY" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2003-10-25-SOLILLAQUISTS-OF-SOUND-Back-Booth-Orlando-FL/G0000cvnah3oFtms/I00006PYpGIWwnkA/C0000fGs2siRdnQY</a>
Coverage
BackBooth, Orlando, Florida
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
2003-10-25
Date Copyrighted
2003-10-25
Format
image/jpg
Extent
11.1 KB
10.9 KB
Medium
2 color photographs
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
Light, Alan. <a href="http://www.worldcat.org/oclc/41572698" target="_blank"><em>The Vibe History of Hip Hop</em></a>. New York: Three Rivers Press, 1999.
Le-Huu, Bao. "<a href="http://www.orlandoweekly.com/orlando/solillaquists-of-sounds-saga-comes-to-its-natural-conclusion/Content?oid=2241323" target="_blank">Solillaquists of Sound's saga comes to its natural conclusion: 'The 4th Wall' completes the group's epic listener's trilogy</a>." <em>Orlando Weekly</em>. January 7, 2014. http://www.orlandoweekly.com/orlando/solillaquists-of-sounds-saga-comes-to-its-natural-conclusion/Content?oid=2241323.
Strout, Justin. "<a href="http://www.orlandoweekly.com/orlando/philosophy-of-love/Content?oid=2274026" target="_blank">Philosophy of Love</a>." <em>. September 21, 2006. http://www.orlandoweekly.com/orlando/philosophy-of-love/Content?oid=2274026.</em>
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/2003-10-25-SOLILLAQUISTS-OF-SOUND-Back-Booth-Orlando-FL/G0000cvnah3oFtms/I00006PYpGIWwnkA/C0000fGs2siRdnQY" target="_blank">Click for Larger Image</a>
<a href="http://alicialyman.photoshelter.com/gallery-image/2003-10-25-SOLILLAQUISTS-OF-SOUND-Back-Booth-Orlando-FL/G0000cvnah3oFtms/I0000p7AjiKyIYNE/C0000fGs2siRdnQY" target="_blank">Click for Larger Image</a>
Alexandra Sarton
Alexandrah
Alicia Lyman
alternative hip hop
alternative hip-hop
BackBooth
concert
deejay
disc jockey
DiViNCi
DJ
Downtown Orlando
FAHEEM
funk
hip hop
music
musician
orlando
Pine Street
rap
Sol.illaquists of Sound
Solilla
Solillaquists of Sound
underground hip hop
underground music
vocalist
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Hip Hop Collection
Alternative Title
Hip Hop Collection
Description
Around the early 1970s, an underground urban cultural movement began to develop in the South Bronx in New York City, New York. As block parties became increasingly prevalent in the region, disc jockeys (DJs) would play popular musical genres, such as funk, disco, and soul, and began isolating the percussive instrumental breaks of songs. Immigrants from the Caribbean islands introduced this technique, known as dub music. Since the percussive breaks in these songs tended to be short, DJs extended them using two turntables. The movement that would become known as “hip hop” involved four distinct characteristics. In addition to turntablism, which is considered the aural element, the other characteristics include rap music, which is the oral element, b-boying—also known as breakdancing, which is the physical element—and graffiti art, which is the visual element. Other elements include beatboxing, which is a form of vocal percussion using one’s mouth to mimic a drum machine, and sampling, which is the act of taking a portion of a sound recording and reusing it as an instrument. <br /><br />Clive Campbell, known by his stage name DJ Kool Herc, is credited as the originator of hip hop music in the early 1970s. Although the genre developed in several places in the early 1970s, a concert performed by Herc is considered to be one of the pivotal and formative events that led to the rise of hip hop music and culture. Among those who claimed to be in attendance were a number of future hip hop stars, including Grandmaster Flash, Afrika Bambaaraa, Red Alert, KRS-One, and Grandmaster Caz. <br /><br />In 1979, the Sugarhill Gang’s song, “Rapper’s Delight,” became the first hip hop record to gain widespread popularity in the mainstream. During the 1980s, the genre evolved and developed more complex styles, spreading across the country and throughout the world and leading to what would be known as new school hip hop. This Golden Age hip hop era spanned from around 1983 to the early 1990s, spawning innovators such as LL Cool J, Run-D.M.C., Public Enemy, Eric B. & Rakim, Big Daddy Kane, De La Soul, the Beastie Boys, and Juice Crew. Gangsta rap, a subgenre of hip hop with a lyrical focus on political and social commentary mixed with the realities of a criminal lifestyle, was pioneered in the mid-1980s by rappers such as Ice T, N.W.A., KRS-One, Just-Ice, Schoolly D, and the Geto Boys. By the early 1990s, gangsta rap further split into regional genres when West Coast rappers such as Ice Cube, Eazy E, Dr. Dre, Snoop Doggy Dogg, Warren G, Nate Dog, and 2Pac Shakur squared off against their East Coast counterparts, such as the Notorious B.I.G. (also known as Biggie Smalls), Puff Daddy, Lil’ Kim, the Wu-Tang Clan, Mobb Deep, and Nas. After the murders of Shakur and Smalls, gangsta rap peaked in its popularity, paving the way for mainstream rappers like Jay-Z, DMX, 50 Cent, Eminem, Nelly, and Drake. Mainstream rap has been criticized by hip hop fans and pioneers for its concern with image over substance, as opposed to alternative hip hop, which emerged simultaneously with artists such as OutKast, The Roots, Mos Def, Kanye West, Gnarls Barkley, Gorillas, M.I.A., and the Fugees, leading the way in innovating and revitalizing the genre. <br /><br />Florida has maintained a role in influencing and developing hip hop music and culture. Southern hip hop, which is also known as Dirty South, is a subgenre of hip hop that emerged in the Southeastern United States in cities such as Atlanta, Houston, Memphis, New Orleans, and Miami. Miami native, Debbie Harry, who was the lead singer of the American punk rock band Blondie in the mid-to-late 1970s, released a song entitled “Rapture” in 1981, which became the first rap song to top the Billboard Top 100 chart. The music video for the song became the first rap video to be broadcast on Music Television (MTV). Miami Bass, also known as booty music, emerged in the mid-1980s, with an emphasis on synthesizers and drum machines, raised dance tempos, and frequently sexually explicit lyrics and samples. Luther Campbell, also known as Uncle Luke, and his group, 2 Live Crew, played a crucial role in popularizing Miami Bass in the late 1980s and early 1990s. The group gained international notoriety in 1988, when a record store clerk was cited for selling a copy of their explicit album to an undercover police officer, which was the first time in the United States that a record store owner was held liable for an obscenity violation. Although the clerk was found not guilty by a jury, the group’s next album, <em>As Nasty As They Wanna Be</em>, was ruled obscene and illegal to sell by U.S. District Court Judge Jose Gonzalez, leading to the arrest of a local retailer two days later for selling a copy to an undercover officer, and to three of the members of the band after a performance in Hollywood, Florida. The U.S. Court of Appeals for the Eleventh Circuit overturned the obscenity ruling in 1992, and the United States Supreme Court refused to hear Broward County’s appeal. Other notable hip hop artists from Florida include Rick Ross and Flo Rida, both from Carol City, Trick Daddy, Pitbull and Trina from Miami, T-Pain from Tallahassee, and Solillaquists of Sound from Orlando.
External Reference
Rose, Tricia. <a href="http://www.worldcat.org/oclc/29358082" target="_blank"><em>Black Noise: Rap Music and Black Culture in Contemporary America</em></a>. Hanover, NH: University Press of New England, 1994.
Ogbar, Jeffrey Ogbonna Green. <a href="http://www.worldcat.org/oclc/153580063" target="_blank"><em>Hip-Hop Revolution: The Culture and Politics of Rap</em></a>. Lawrence: University Press of Kansas, 2007.
Charnas, Dan. <a href="http://www.worldcat.org/oclc/426803687" target="_blank"><em>The Big Payback: The History of the Business of Hip-Hop</em></a>. New York, N.Y.: New American Library, 2010.
Light, Alan. <a href="http://www.worldcat.org/oclc/41572698" target="_blank"><em>The Vibe History of Hip Hop</em></a>. New York: Three Rivers Press, 1999.
Subject
Hip-hop--Southern States
Music--United States
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a><span>, RICHES of Central Florida.</span>
Type
Collection
Coverage
Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
5 color photographs
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Solillaquists of Sound at Slingapour's, 2003
Alternative Title
Solillaquists of Sound at Slingapour's
Subject
Solillaquists of Sound (Musical group)
Swamburger
Hip-hop--Southern States
Concerts--United States
Orlando (Fla.)
Rappers
Musicians--Southern States
Description
Solillaquists of Sound performing live at at Slingapour's, a venue located at 18 Wall Street in Wall Street Plaza in Downtown Orlando, Florida, on February 19, 2003. The first photograph features, from left to right, Tonya Combs, Alexandrah, DiViNCi and MC Swamburger. The second photograph the first three, minus Swamburger. The third and fourth photographs feature Swamburger with Alexandrah and then with DiViNCi, respectively. The final photograph shows DiViNCi playing a Media Player Classic (MPC).<br /><br />Solillaquists of Sound, also known as Solilla, is an American hip-hop quartet formed in Orlando in August 2002. The group, consisting of MCs (masters of ceremonies) Swamburger and Alexandrah, poet/vocalist Tonya Combs, and producer/composer/MPC player DiViNCi, employs sophisticated, socially conscious lyrics and musical composition, based on the life-affirming, justice-oriented views held by the members. The group utilizes melody and harmony in their vocals, often delivering many punctuated syllables in rapid succession in tight synchronicity. In 2002, Asaan Brooks, also known as Swamburger, began having weekly meetings in his Orlando home about music, community involvement, spirituality, and veganism. At one of these meetings, Brooks and his friend, producer and MPC player Glen Valencia, Jr., also known as DiViNCi, with whom he had already recorded material, decided to begin performing together. A frequent attendee of their shows, Tonya Combs, joined them on background vocals, and soon the group's friend, singer Alexandra Sarton, also known as Alexandrah, left her home in Chicago, Illinois, to join the band. The group categorized themselves in their own genre, FAHEEM (funk/astro/hip-hop/extraterrestrially energized message), which they felt more accurately conveyed both their music and their beliefs regarding spirituality, life, and love. They were invited by hip-hop artist Sage Francis to tour with him, and his label, Epitaph, signed them to their sister label, Anti-, in early 2006. They recorded two albums under the label, <em>As If We Existed</em> (2006) and <em>No More Heroes</em> (2008), before leaving the label and producing their own albums, <em>The 4th Wall: Part 1</em> (2012) and <em>The 4th Wall: Part 2</em> (2013). In addition to Francis, the band has toured with artists such as Michael Franti & Spearhead, KRS-One, Bad Brains, Ozomatli, El-P, and Lyrics Born. <br /><br />The group is also known for their community involvement, appearing on a tribute record for fellow rapper/producer J Dilla, also known as James Dewitt Yancey, who passed away in 2006 from a blood disease. The album, <em>Death of the Muse</em>, featured J-Live, Chali 2na of Jurassic 5, and Maureen "Ma Dukes" Yancey,Maureen Yancey, the mother of J Dilla. Okayplayer.com featured the effort as one of their top news stories, and LA Weekly called the track "the most awesome song in the history of awesomedom." The group hopes to open the Solilla Center 4 Creative Kids, a non-profit school designed to empower youth with the knowledge of all things good for mind, body, and spirit, offering kids yoga, an art gallery, massage, a cafe, smoothie and juice bar, language, art, poetry, gardening, and vegan cooking classes, as well as an after-school tutoring program.
Type
Still Image
Source
Original color photographs by Alicia Lyman, February 19, 2003: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
Is Part Of
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/154" target="_blank">Hip Hop Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photographs by Alicia Lyman, February 19, 2003. <a href="http://alicialyman.photoshelter.com/gallery-image/2003-02-19-SOLILLAQUISTS-OF-SOUND-Slingapours-Orlando-FL/G0000QfFR9S.U_KM/I0000JhsX5jxoFgM/C0000fGs2siRdnQY" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2003-02-19-SOLILLAQUISTS-OF-SOUND-Slingapours-Orlando-FL/G0000QfFR9S.U_KM/I0000JhsX5jxoFgM/C0000fGs2siRdnQY</a>
Coverage
Slingapour's, Wall Street Plaza, Orlando, Florida
Creator
Lyman, Alicia
Publisher
Lyman, Alicia
Contributor
Lyman, Alicia
Date Created
2003-02-19
Date Copyrighted
2003-02-19
Format
image/jpg
Extent
21.7KB
18.6 KB
11.2 KB
12.3 KB
16.5 KB
Medium
5 color photographs
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>.
Rights Holder
Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a>
External Reference
Light, Alan. <a href="http://www.worldcat.org/oclc/41572698" target="_blank"><em>The Vibe History of Hip Hop</em></a>. New York: Three Rivers Press, 1999.
Le-Huu, Bao. "<a href="http://www.orlandoweekly.com/orlando/solillaquists-of-sounds-saga-comes-to-its-natural-conclusion/Content?oid=2241323" target="_blank">Solillaquists of Sound's saga comes to its natural conclusion: 'The 4th Wall' completes the group's epic listener's trilogy</a>." <em>Orlando Weekly</em>. January 7, 2014. http://www.orlandoweekly.com/orlando/solillaquists-of-sounds-saga-comes-to-its-natural-conclusion/Content?oid=2241323.
Strout, Justin. "<a href="http://www.orlandoweekly.com/orlando/philosophy-of-love/Content?oid=2274026" target="_blank">Philosophy of Love</a>." <em>. September 21, 2006. http://www.orlandoweekly.com/orlando/philosophy-of-love/Content?oid=2274026.</em>
Click to View (Movie, Podcast, or Website)
<a href="http://alicialyman.photoshelter.com/gallery-image/2003-02-19-SOLILLAQUISTS-OF-SOUND-Slingapours-Orlando-FL/G0000QfFR9S.U_KM/I00008LEhWIIQOBY/C0000fGs2siRdnQY" target="_blank">Click for Larger Image</a>
<a href="http://alicialyman.photoshelter.com/gallery-image/2003-02-19-SOLILLAQUISTS-OF-SOUND-Slingapours-Orlando-FL/G0000QfFR9S.U_KM/I0000JbWZkALEJH4/C0000fGs2siRdnQY" target="_blank">Click for Larger Image</a>
<a href="http://alicialyman.photoshelter.com/gallery-image/2003-02-19-SOLILLAQUISTS-OF-SOUND-Slingapours-Orlando-FL/G0000QfFR9S.U_KM/I0000TaZvn_NgFw8/C0000fGs2siRdnQY" target="_blank">Click for Larger Image</a>
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<a href="http://alicialyman.photoshelter.com/gallery-image/2003-02-19-SOLILLAQUISTS-OF-SOUND-Slingapours-Orlando-FL/G0000QfFR9S.U_KM/I0000JhsX5jxoFgM/C0000fGs2siRdnQY" target="_blank">Click for Larger Image</a>
Alexandra Sarton
Alexandrah
Alicia Lyman
alternative hip hop
Asaan Brooks
concert
deejay
disc jockey
DiViNCi
DJ
Downtown Orlando
emcee
FAHEEM
funk
Glen Valencia, Jr.
hip hop
master of ceremonies
MC
MC Swamburger
Media Player Classic
MPC
music
musician
orlando
producer
rap
rapper
Slingapour's
Sol.illaquists of Sound
Solilla
Solillaquists of Sound
Swam
Tonya Combs
underground hip hop
underground music
vocalist
Wall Street
Wall Street Plaza
-
https://richesmi.cah.ucf.edu/omeka/files/original/d846ac4c83f0cffbb725c7f8ff52736e.mp3
1c29bb72f5e8b65f789e71c9ce439d62
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"I Got You (I Feel Good)" by Arturo Sandoval
Alternative Title
"I Got You (I Feel Good)" by Arturo Sandoval
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Rhythm and blues music--United States
Funk (Music)--United States
Soul music--United States
Description
An audio recording of "I Got You (I Feel Good)," composed by James Brown (1933-2006), and performed by Arturo Sandoval (b. 1949) live on-air on WUCF-FM on October 9, 1999. A protégé of trumpeter Dizzy Gillespie (1917-1993), who was the first musician to bring Latin influences into American jazz, Cuban-born Sandoval became one of the most celebrated trumpeters of all-time, winning ten Grammy Awards, six Billboard Awards, and an Emmy Award. Sandoval defected to the United States while touring with Gillespie in 1990. He was awarded the Presidential Medal of Freedom by President Barack Obama (b. 1961) in 2013. Arturo Sandoval's Jazz Club was briefly open in Miami Beach, Florida, in the late 2000s. "I Got You (I Feel Good)" was written and recorded as a single by Brown, who is often referred to as the "Godfather of Soul," in 1965, becoming his highest charting song.
Type
Sound
Source
Original 6-minute and 56-second audio recording: Brown, James. "I Got You (I Feel Good)," by Arturo Sandoval: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, October 9, 1999.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
Creator
Brown, James
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Sandoval, Arturo
Date Created
1999-10-09
Date Issued
1999-10-09
Date Copyrighted
1999-10-09
Format
audio/mp3
Extent
6.35 MB
Medium
6-minute and 56-second audio recording
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by James Brown, performed by Arturo Sandoval, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by James Brown and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Simon, Robert, Arturo Sandoval, and Marianela Sandoval. <a href="http://www.worldcat.org/oclc/880150347" target="_blank"><em>John "Dizzy" Birks Gillespie: The Man Who Changed My Life: from the Memoirs of Arturo Sandoval</em></a>. Chicago, IL: GIA Publications, 2014
Meredith, Bill. "<a href="http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love" target="_blank">Arturo Sandoval : From Cuba, With Love</a>." <em>Jazz Times</em>, October 2007. http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love (Accessed March 24, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka/files/original/d846ac4c83f0cffbb725c7f8ff52736e.mp3" target="_blank">"I Got You (I Feel Good)" by Arturo Sandoval</a>
Transcript
Wo! I feel good, I knew that I would now
I feel good, I knew that I would now
So good, so good, I got you
Wo! I feel nice, like sugar and spice
I feel nice, like sugar and spice
So nice, so nice, I got you
When I hold you in my arms
I know that I can do no wrong
And when I hold you in my arms
My love won't do you no harm
And I feel nice, like sugar and spice
I feel nice, like sugar and spice
So nice, so nice, I got you
When I hold you in my arms
I know that I can't do no wrong
And when I hold you in my arms
My love can't do me no harm
And I feel nice, like sugar and spice
I feel nice, like sugar and spice
So nice, so nice, well I got you
Wo! I feel good, I knew that I would've
I feel good, I knew that I would
So good, so good, 'cause I got you
So good, so good, 'cause I got you
So good, so good, 'cause I got you
Hey! Oh yeah-a
Afro-Cuban jazz
Arturo Sandoval
bebop
bop
CAH
College of Arts and Humanities
Cubop
funk
I Got You (I Feel Good)
James Brown
James Joseph Brown
jazz
jazz ensembles
Latin jazz
Miami Beach
music
musicians
National Public Radio
NPR
orlando
pianists
pianos
Public Broadcasting Service
R&B
rhythm and blues
trumpet players
trumpeters
trumpets
UCF
University of Central Florida
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/101531e3f47bca516b9b6ae6a1ed79c7.jpg
37422796275cc7c428e3584223034471
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Rock Collection
Alternative Title
Rock Collection
Subject
Music--United States
Rock music--United States
Lakeland (Fla.)
Maitland (Fla.)
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race.
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.
Contributor
Knickerbocker, Carl
Wahl, Julie
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Bob Carr Theater, Orlando, Florida
Enzian Theater, Maitland, Florida
Great Southern Music Hall, Orlando, Florida
Lakeland Civic Center, Lakeland, Florida
Orange County Civic Center, Orlando, Florida
Orlando-Seminole Jai Alai Fronton, Fern Park, Florida
Orlando Sports Stadium, Orlando, Florida
Tangerine Bowl, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank"><em>All Shook Up: How Rock 'n' Roll Changed America</em></a>. Oxford: Oxford University Press, 2003.
Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank"><em>Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</em></a>. New York: Random House, 2007.
Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank"><em>The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</em></a>. New York: Haworth Press, 1999.
Language
eng
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Cactus, Bloodrock, Potliquor, Dr. John, and Heaven Ticket Stub
Alternative Title
Cactus, Bloodrock, Potliquor, Dr. John & Heaven Ticket
Subject
Orlando (Fla.)
Music--United States
Rock music--United States
Blues (Music)--United States
Jazz--United States
Funk (Music)--United States
Description
A ticket stub for a concert featuring Cactus, Bloodrock, Potliquor, Dr. John (b. 1940), and Heaven at the Tangerine Bowl, located at 1610 West Church Street in Downtown Orlando, Florida, on April 1, 1972. The ticket was $4 and the show began at 1 p.m. The Tangerine Bowl has been also known as Orlando Stadium, the Citrus Bowl, Florida Citrus Bowl Stadium and is currently known as Orlando Citrus Bowl Stadium. It opened in 1936 and has been home to numerous sporting and entertainment events throughout its existence.<br /><br />Cactus is an American hard rock and blues band formed in 1969 in New York. They were known as "the American Led Zeppelin." Bloodrock was an American hard rock and blues band from Fort Worth, Texas, that enjoyed considerable success from 1969 to 1975. Potliquor was a Southern Rock band from Baton Rouge, Louisiana, that formed in 1969 and disbanded in 1979. Dr. John, the stage name of Malcolm John "Mac" Rebennack, is an American multi-instrumentalist wh.ose music blended New Orleans blues, jazz, rock, and R&B <span>Heaven was a British jazz-influenced rock band that formed</span> in 1968 and disbanded shortly after the release of their 1971 album.
Type
Text
Source
Original ticket stub: Private Collection of Carl Knickerbocker.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original ticket stub.
Coverage
Tangerine Bowl, Orlando, Florida
Contributor
Knickerbocker, Carl
Date Created
ca. 1972-04-01
Format
image/jpg
Extent
133 KB
Medium
1 ticket stub
Language
eng
Mediator
History Teacher
Rights Holder
Copyright to this resource is held by Carl Knickerbocker and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
Private Collection of Carl Knickerbocker
External Reference
Aswell, Tom. <a href="http://www.worldcat.org/oclc/317927942" target="_blank"><em>Louisiana Rocks!: The True Genesis of Rock & Roll</em></a>. Gretna, La: Pelican Pub. Co, 2010.
John, and Jack Rummel. <a href="http://www.worldcat.org/oclc/29428815" target="_blank"><em>Under a Hoodoo Moon: The Life of Dr. John the Night Tripper</em></a>. New York: St. Martin's Press, 1994.
American Led Zeppelin
blues
blues rock
boogie rock
Cactus
Capital One Bowl
Carl Knickerbocker
Carmen Appice
Citrus Bowl
concert
concert tour
concerts
Downtown Orlando
Dr. John
Dr. John Creaux
Dr. John the Night Tripper
Florida Citrus Bowl
funk
hard rock
Heaven
heavy metal
jazz
Mac Rebennack
Malcolm John Rebennack
metal
music
New Orleans blues
New Orleans R&B
orlando
Orlando Citrus Bowl Stadium
Orlando Stadium
Potliquor
progressive rock
psychedelic rock
R&B
Rebennack, Mac
rhythm & blues
rock
rock & roll
rock music
sports stadium
Tangerine Bowl
Tim Bogert
zydeco