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                  <text>Rock Collection</text>
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              <name>Alternative Title</name>
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                  <text>Rock Collection</text>
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              <name>Subject</name>
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                  <text>Music--United States</text>
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                  <text>Rock music--United States</text>
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                  <text>Lakeland (Fla.)</text>
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                  <text>Maitland (Fla.)</text>
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                  <text>Orlando (Fla.)</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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              <name>Contributor</name>
              <description/>
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                  <text>Knickerbocker, Carl</text>
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                <elementText elementTextId="524809">
                  <text>Wahl, Julie</text>
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              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="523497">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              <name>Type</name>
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              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="523499">
                  <text>Bob Carr Theater, Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="523500">
                  <text>Enzian Theater, Maitland, Florida</text>
                </elementText>
                <elementText elementTextId="523501">
                  <text>Great Southern Music Hall, Orlando, Florida</text>
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                <elementText elementTextId="523502">
                  <text>Lakeland Civic Center, Lakeland, Florida</text>
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                <elementText elementTextId="523838">
                  <text>Orange County Civic Center, Orlando, Florida</text>
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                  <text>Orlando-Seminole Jai Alai Fronton, Fern Park, Florida</text>
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                <elementText elementTextId="523840">
                  <text>Orlando Sports Stadium, Orlando, Florida</text>
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                  <text>Tangerine Bowl, Orlando, Florida</text>
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              <name>Curator</name>
              <description/>
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="523504">
                  <text>Cravero, Geoffrey</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Fisher, Marc. &lt;a href="http://www.worldcat.org/oclc/69594101" target="_blank"&gt;&lt;em&gt;Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation&lt;/em&gt;&lt;/a&gt;. New York: Random House, 2007.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                <elementText elementTextId="524810">
                  <text>eng</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
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            <name>Title</name>
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                <text>"Bo Diddley" by The Rovin' Flames</text>
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                <text>"Bo Diddley" by Rovin' Flames</text>
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            <name>Subject</name>
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                <text>Rovin' Flames (Musical group)</text>
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              <elementText elementTextId="552943">
                <text> Tampa (Fla.)</text>
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                <text> Music--United States</text>
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                <text> Musicians--Southern States</text>
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                <text> Rock music--United States</text>
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              <elementText elementTextId="552947">
                <text> Diddley, Bo, 1928-2008</text>
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              <elementText elementTextId="552948">
                <text> Bates, Ellas, 1928-2008</text>
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                <text> Goff, Jerry</text>
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              <elementText elementTextId="552950">
                <text> Morris, Jimmy</text>
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                <text>A 45 RPM vinyl record single of the song, "Bo Diddley," recorded by The Rovin' Flames on Tampa Bay Records at H and H Productions in Tampa, Florida, in June of 1966. The record was produced by Phil Kempin and the song was written by Bo Diddley, a.k.a. Ellas Otha Bates or Ellas McDaniel. The B-side is "Seven Million People."&lt;br /&gt;&lt;br /&gt;The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969.</text>
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            <name>Type</name>
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          <element elementId="48">
            <name>Source</name>
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              <elementText elementTextId="552953">
                <text>Original vinyl record, June 1966: &lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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            <name>Is Part Of</name>
            <description/>
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              <elementText elementTextId="552955">
                <text>&lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
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                <text>Digital reproduction of original vinyl record, June 1966. &lt;a href="http://www.tampabaymusichistory.com/resources/capture-20130201-091134.jpg" target="_blank"&gt;http://www.tampabaymusichistory.com/resources/capture-20130201-091134.jpg&lt;/a&gt;.</text>
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          <element elementId="38">
            <name>Coverage</name>
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                <text>Tampa, Florida</text>
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          <element elementId="39">
            <name>Creator</name>
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              <elementText elementTextId="552960">
                <text>Diddley, Bo</text>
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              <elementText elementTextId="552961">
                <text> The Rovin' Flames</text>
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            <name>Publisher</name>
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                <text>Tampa Bay Records</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
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                <text>1966-06</text>
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            <name>Format</name>
            <description/>
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                <text>image/jpg</text>
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            <name>Medium</name>
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                <text>45 RPM vinyl record</text>
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            <name>Language</name>
            <description/>
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              <elementText elementTextId="552966">
                <text>eng</text>
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            <name>Mediator</name>
            <description/>
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              <elementText elementTextId="552967">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="552968">
                <text> Humanities Teacher</text>
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              <elementText elementTextId="552969">
                <text> Music Teacher</text>
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            <name>Rights Holder</name>
            <description/>
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              <elementText elementTextId="552970">
                <text>Copyright to this resource is held by &lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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              <elementText elementTextId="552971">
                <text>Donation</text>
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            </elementTextContainer>
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            <name>Curator</name>
            <description/>
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                <text>Cravero, Geoffrey</text>
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            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="552973">
                <text>&lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;</text>
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              <elementText elementTextId="552974">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="552975">
                <text>&lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="552976">
                <text>Joynson, Vernon. &lt;a href="http://www.worldcat.org/oclc/38424827" target="_blank"&gt;&lt;em&gt;Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)&lt;/em&gt;&lt;/a&gt;. Glasgow: Borderline, 1997.</text>
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              <elementText elementTextId="552977">
                <text>Jones, Martin. &lt;a href="http://www.worldcat.org/oclc/759863392" target="_blank"&gt;&lt;em&gt;Lovers Buggers &amp;amp; Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1&lt;/em&gt;&lt;/a&gt;. Manchester: Headpress, 2005.</text>
              </elementText>
              <elementText elementTextId="552978">
                <text>"&lt;a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank"&gt;The Rovin' Flames&lt;/a&gt;." http://www.tampabaymusichistory.com/the-rovin-flames.php.</text>
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        <name>band</name>
      </tag>
      <tag tagId="27177">
        <name>Bates, Ellas Otha</name>
      </tag>
      <tag tagId="27178">
        <name>Battle, Paul</name>
      </tag>
      <tag tagId="27179">
        <name>Bo Diddley</name>
      </tag>
      <tag tagId="27163">
        <name>Dial, Hardy</name>
      </tag>
      <tag tagId="27180">
        <name>Diddley, Bo</name>
      </tag>
      <tag tagId="15540">
        <name>garage</name>
      </tag>
      <tag tagId="26981">
        <name>garage band</name>
      </tag>
      <tag tagId="27181">
        <name>Goff, Jerry</name>
      </tag>
      <tag tagId="27182">
        <name>H and H Productions</name>
      </tag>
      <tag tagId="27183">
        <name>Kempin, Phil</name>
      </tag>
      <tag tagId="27185">
        <name>Maietta, J. R.</name>
      </tag>
      <tag tagId="27184">
        <name>McDaniel, Ellas</name>
      </tag>
      <tag tagId="27186">
        <name>Morris, Jimmy "Mouse"</name>
      </tag>
      <tag tagId="11999">
        <name>music</name>
      </tag>
      <tag tagId="18506">
        <name>musician</name>
      </tag>
      <tag tagId="27135">
        <name>record</name>
      </tag>
      <tag tagId="20954">
        <name>rock</name>
      </tag>
      <tag tagId="21092">
        <name>rock band</name>
      </tag>
      <tag tagId="20931">
        <name>rock music</name>
      </tag>
      <tag tagId="905">
        <name>Tampa</name>
      </tag>
      <tag tagId="27187">
        <name>Tampa Bay Records</name>
      </tag>
      <tag tagId="27172">
        <name>The Rovin' Flames</name>
      </tag>
      <tag tagId="27148">
        <name>vinyl record</name>
      </tag>
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                  <text>Rock Collection</text>
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                  <text>Rock Collection</text>
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              <name>Subject</name>
              <description/>
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                  <text>Music--United States</text>
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                  <text>Rock music--United States</text>
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                  <text>Lakeland (Fla.)</text>
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                  <text>Maitland (Fla.)</text>
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                  <text>Orlando (Fla.)</text>
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              <description/>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="523496">
                  <text>Knickerbocker, Carl</text>
                </elementText>
                <elementText elementTextId="524809">
                  <text>Wahl, Julie</text>
                </elementText>
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              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="523497">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              <name>Type</name>
              <description/>
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                  <text>Collection</text>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="523499">
                  <text>Bob Carr Theater, Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="523500">
                  <text>Enzian Theater, Maitland, Florida</text>
                </elementText>
                <elementText elementTextId="523501">
                  <text>Great Southern Music Hall, Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="523502">
                  <text>Lakeland Civic Center, Lakeland, Florida</text>
                </elementText>
                <elementText elementTextId="523838">
                  <text>Orange County Civic Center, Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="523839">
                  <text>Orlando-Seminole Jai Alai Fronton, Fern Park, Florida</text>
                </elementText>
                <elementText elementTextId="523840">
                  <text>Orlando Sports Stadium, Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="523841">
                  <text>Tangerine Bowl, Orlando, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="523503">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="523504">
                  <text>Cravero, Geoffrey</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="523505">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="524806">
                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                <elementText elementTextId="524807">
                  <text>Fisher, Marc. &lt;a href="http://www.worldcat.org/oclc/69594101" target="_blank"&gt;&lt;em&gt;Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation&lt;/em&gt;&lt;/a&gt;. New York: Random House, 2007.</text>
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                <elementText elementTextId="524808">
                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="524810">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="553261">
              <text>1 color photograph</text>
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        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="552980">
                <text>"How Many Times" by The Rovin' Flames</text>
              </elementText>
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          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="552981">
                <text>"How Many Times" by Rovin' Flames</text>
              </elementText>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="552982">
                <text>Rovin' Flames (Musical group)</text>
              </elementText>
              <elementText elementTextId="552983">
                <text> Tampa (Fla.)</text>
              </elementText>
              <elementText elementTextId="552984">
                <text> Music--United States</text>
              </elementText>
              <elementText elementTextId="552985">
                <text> Musicians--Southern States</text>
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              <elementText elementTextId="552986">
                <text> </text>
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              <elementText elementTextId="552987">
                <text> Rock music--United States</text>
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              <elementText elementTextId="552988">
                <text> Morris, Jimmy</text>
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              <elementText elementTextId="552989">
                <text> Rogers, Johnny</text>
              </elementText>
              <elementText elementTextId="552990">
                <text> Taylor, Eddie</text>
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          <element elementId="41">
            <name>Description</name>
            <description/>
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              <elementText elementTextId="552991">
                <text>A 45 RPM vinyl record single of the song, "How Many Times," recorded by The Rovin' Flames for Decca Records in September of 1967. The song was written by John DeLise and Uncapher, produced by John Brumage, and published by Nozark Music Publishing Company and Fuller Music Publishing Company. The B-side is "Love Song No. 6." &lt;br /&gt;&lt;br /&gt;The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969.</text>
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            <name>Type</name>
            <description/>
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                <text>Still Image</text>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="552993">
                <text>Original vinyl record, September 1967: &lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="552995">
                <text>&lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
              </elementText>
              <elementText elementTextId="552996">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="552998">
                <text>Digital reproduction of original vinyl record, September 1967. &lt;a href="http://www.tampabaymusichistory.com/resources/RovinFlamesDecca45HowManyTimes.jpg" target="_blank"&gt;http://www.tampabaymusichistory.com/resources/RovinFlamesDecca45HowManyTimes.jpg&lt;/a&gt;.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="552999">
                <text>Tampa, Florida</text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="553000">
                <text>DeLise, John</text>
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              <elementText elementTextId="553001">
                <text> Uncapher</text>
              </elementText>
              <elementText elementTextId="553002">
                <text> The Rovin' Flames</text>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="553003">
                <text>&lt;a href="http://www.decca.com/" target="_blank"&gt;Decca Records&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="553004">
                <text>Nozark Music Publishing Company</text>
              </elementText>
              <elementText elementTextId="553005">
                <text>Fuller Music Publishing Company</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="553006">
                <text>1967-09</text>
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            <name>Format</name>
            <description/>
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                <text>image/jpg</text>
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            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="553008">
                <text>45 RPM vinyl record</text>
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          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="553009">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="553010">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="553011">
                <text> Humanities Teacher</text>
              </elementText>
              <elementText elementTextId="553012">
                <text> Music Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="553013">
                <text>Copyright to this resource is held by &lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="553014">
                <text>Donation</text>
              </elementText>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="553015">
                <text>Cravero, Geoffrey</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="553016">
                <text>&lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="553017">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
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          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="553018">
                <text>&lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="553019">
                <text>Joynson, Vernon. &lt;a href="http://www.worldcat.org/oclc/38424827" target="_blank"&gt;&lt;em&gt;Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)&lt;/em&gt;&lt;/a&gt;. Glasgow: Borderline, 1997.</text>
              </elementText>
              <elementText elementTextId="553020">
                <text>Jones, Martin. &lt;a href="http://www.worldcat.org/oclc/759863392" target="_blank"&gt;&lt;em&gt;Lovers Buggers &amp;amp; Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1&lt;/em&gt;&lt;/a&gt;. Manchester: Headpress, 2005.</text>
              </elementText>
              <elementText elementTextId="553021">
                <text>"&lt;a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank"&gt;The Rovin' Flames&lt;/a&gt;." http://www.tampabaymusichistory.com/the-rovin-flames.php.</text>
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    <tagContainer>
      <tag tagId="12085">
        <name>band</name>
      </tag>
      <tag tagId="27188">
        <name>Brumage, John</name>
      </tag>
      <tag tagId="27189">
        <name>Decca Records</name>
      </tag>
      <tag tagId="27170">
        <name>DeLise, John</name>
      </tag>
      <tag tagId="27190">
        <name>Fuller Music Publishing Company</name>
      </tag>
      <tag tagId="15540">
        <name>garage</name>
      </tag>
      <tag tagId="26981">
        <name>garage band</name>
      </tag>
      <tag tagId="27191">
        <name>Love Song No. 6</name>
      </tag>
      <tag tagId="27185">
        <name>Maietta, J. R.</name>
      </tag>
      <tag tagId="27192">
        <name>Morris, Jim</name>
      </tag>
      <tag tagId="27193">
        <name>Morris, Jimmy</name>
      </tag>
      <tag tagId="27186">
        <name>Morris, Jimmy "Mouse"</name>
      </tag>
      <tag tagId="11999">
        <name>music</name>
      </tag>
      <tag tagId="18506">
        <name>musician</name>
      </tag>
      <tag tagId="27194">
        <name>Nozark Music Publishing Company</name>
      </tag>
      <tag tagId="20954">
        <name>rock</name>
      </tag>
      <tag tagId="21092">
        <name>rock band</name>
      </tag>
      <tag tagId="20931">
        <name>rock music</name>
      </tag>
      <tag tagId="27195">
        <name>Rogers, John</name>
      </tag>
      <tag tagId="27196">
        <name>Taylor, Eddie</name>
      </tag>
      <tag tagId="27172">
        <name>The Rovin' Flames</name>
      </tag>
      <tag tagId="27197">
        <name>Uncapher</name>
      </tag>
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  <item itemId="4318" public="1" featured="0">
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        <src>https://richesmi.cah.ucf.edu/omeka/files/original/98ecb5d51b15c47a9a4e5141bd609c62.JPG</src>
        <authentication>bc0cb1ed7e8c3f5d051a98b1aa1c3bc9</authentication>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="503736">
                  <text>Up From the Ashes Collection</text>
                </elementText>
              </elementTextContainer>
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              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="503737">
                  <text>Up From the Ashes Collection</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="503738">
                  <text>Winter Garden (Fla.)</text>
                </elementText>
                <elementText elementTextId="503739">
                  <text>Stores, Retail--United States</text>
                </elementText>
                <elementText elementTextId="503740">
                  <text>Railroads--Florida</text>
                </elementText>
                <elementText elementTextId="503741">
                  <text>Orange industry--Florida</text>
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                <elementText elementTextId="503742">
                  <text>Citrus fruit industry--Florida</text>
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                <elementText elementTextId="503743">
                  <text>Garages--United States</text>
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                <elementText elementTextId="503744">
                  <text>Fires--United States</text>
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            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="503749">
                  <text>Collection of digital images from the &lt;em&gt;Up From the Ashes&lt;/em&gt; exhibit displayed at the Winter Garden Heritage Foundation in Winter Garden, Florida. The exhibit depicts the history of Winter Garden's business district following two devastating fires in 1909 and 1912.</text>
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            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="503750">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank"&gt;Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="503751">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/105" target="_blank"&gt;Winter Garden Collection&lt;/a&gt;, Orange County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="560047">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/115" target="_blank"&gt;Winter Garden Heritage Foundation Collection&lt;/a&gt;, Orange County Collection, Winter Garden Collection, RICHES of Central Florida.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="503752">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="503753">
                  <text>Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="503754">
                  <text>Winter Garden, Florida</text>
                </elementText>
                <elementText elementTextId="511878">
                  <text>Winter Garden Heritage Foundation, Winter Garden, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="125">
              <name>Rights Holder</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="503758">
                  <text>Copyright to these resources are held by the &lt;a href="http://www.wghf.org/" target="_blank"&gt;Winter Garden Heritage Foundation&lt;/a&gt; and are provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
                </elementText>
              </elementTextContainer>
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                  <text>Cappleman, Kay, and Rod Reeves. &lt;a href="http://www.worldcat.org/oclc/651031169" target="_blank"&gt;&lt;em&gt;Sundays in the South: Touring West Orange County&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: Winter Garden Heritage Foundation, 2009.</text>
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                  <text>"&lt;a href="http://www.cwgdn.com/" target="_blank"&gt;Welcome&lt;/a&gt;." City of Winter Garden. http://www.cwgdn.com/.</text>
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                  <text>Winter Garden Heritage Foundation. &lt;a href="http://www.worldcat.org/oclc/39368776" target="_blank"&gt;&lt;em&gt;All Aboard!: A Journey Through Historic Winter Garden, 1880-1950&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: The Foundation, 1997.</text>
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                <text>M. V. Dillard and Company Garage</text>
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                <text>The M. V. Dillard and Company Garage, located on the corner of Plant Street and Main Street, just north of the Shelby Hotel, in Winter Garden, Florida. The garage was owned by James Lafayette Dillard (1858-1943), a local icon in Winter Garden. The garage was managed by Dillard's son, Marvin Dillard, who also worked as a taxi driver, transporting young men between Winter Garden and Orlando on Saturday nights. The second floor was occupied by a Cuban couple from Ybor City, who were hired by Dillard to make cigars. Some time later, the second floor became an armory.&lt;br /&gt;&lt;br /&gt;Dillard migrated to Central Florida from Virginia with his wife, Mattie Showalter, in 1887. He established himself primarily as a citrus and vegetable grower, but he also operated the M. V. Dillard and Company Garage, which was managed by his son, Marvin Dillard. In addition, he founded the Bank of Winter Garden, served as Wnter garden City Commissioner and a Florida State Legislator, and helped rebuild Downtown Winter Garden after two destructive fires in 1909 and 1912. Some of the buildings that Dillard helped construct include the Dillard and Boyd General Merchandise Store, the Shelby Hotel, and the Mann and Mills Dry Goods Store. He also donated land to the First Baptist Church of Winter Garden.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/124" target="_blank"&gt;Up From the Ashes Collection&lt;/a&gt;, Winter Garden Heritage Foundation Collection, Winter Garden Collection, RICHES of Central Florida., Winter Garden Collection, RICHES of Central Florida.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.wghf.org/" target="_blank"&gt;Winter Garden Heritage Foundation&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Cepero, Laura</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.wghf.org/" target="_blank"&gt;Winter Garden Heritage Foundation&lt;/a&gt;</text>
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                <text>Cappleman, Kay, and Rod Reeves. &lt;a href="http://www.worldcat.org/oclc/651031169" target="_blank"&gt;&lt;em&gt;Sundays in the South: Touring West Orange County&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: Winter Garden Heritage Foundation, 2009.</text>
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                <text>"&lt;a href="http://www.cwgdn.com/" target="_blank"&gt;Welcome&lt;/a&gt;." City of Winter Garden. http://www.cwgdn.com/.</text>
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                <text>Winter Garden Heritage Foundation. &lt;a href="http://www.worldcat.org/oclc/39368776" target="_blank"&gt;&lt;em&gt;All Aboard!: A Journey Through Historic Winter Garden, 1880-1950&lt;/em&gt;&lt;/a&gt;. Winter Garden, FL: The Foundation, 1997.</text>
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                <text>M. V. DILLARD &amp; CO. GARAGE.</text>
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        <name>Dillard, Marvin</name>
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        <name>M. V. Dillard and Company Garage</name>
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                  <text>Lakeland (Fla.)</text>
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                  <text>Maitland (Fla.)</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>Wahl, Julie</text>
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                <elementText elementTextId="523497">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              <name>Type</name>
              <description/>
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              <name>Coverage</name>
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                  <text>Bob Carr Theater, Orlando, Florida</text>
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                <elementText elementTextId="523500">
                  <text>Enzian Theater, Maitland, Florida</text>
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                <elementText elementTextId="523501">
                  <text>Great Southern Music Hall, Orlando, Florida</text>
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                <elementText elementTextId="523502">
                  <text>Lakeland Civic Center, Lakeland, Florida</text>
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                  <text>Orange County Civic Center, Orlando, Florida</text>
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                  <text>Orlando-Seminole Jai Alai Fronton, Fern Park, Florida</text>
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                  <text>Cepero, Laura</text>
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                  <text>Cravero, Geoffrey</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Fisher, Marc. &lt;a href="http://www.worldcat.org/oclc/69594101" target="_blank"&gt;&lt;em&gt;Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation&lt;/em&gt;&lt;/a&gt;. New York: Random House, 2007.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                <text>Pop Bands—The Rovin' Flames</text>
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                <text>Pop Bands—The Rovin' Flames</text>
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                <text>Rovin' Flames (Musical group)</text>
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                <text> Tampa (Fla.)</text>
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                <text> Music--United States</text>
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                <text> Musicians--Southern States</text>
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                <text> Rock music--United States</text>
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                <text> Goff, Jerry</text>
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              <elementText elementTextId="553137">
                <text> Morris, Jimmy</text>
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                <text>A newspaper article published in &lt;em&gt;The Tampa Tribune&lt;/em&gt; on September 1, 1966, describing an interview with The Rovin' Flames. The article was written by Rose Marie Almas and Cherie Wallace. In the upper right corner is a photograph of the band standing on a truck. Photographed from left to right is Paul Battle, Hardy Dial, J. R. Maietta (seated), Jim Morris, and Jerry Goff.&lt;br /&gt;&lt;br /&gt;The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969.</text>
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                <text>Original newspaper article: Almas, Rose Marie, and Cherie Wallace. "Pop Bands—The Rovin' Flames." &lt;em&gt;Tampa Tribune&lt;/em&gt;, September 1, 1966: &lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original newspaper article: Almas, Rose Marie, and Cherie Wallace. "Pop Bands—The Rovin' Flames." &lt;em&gt;Tampa Tribune&lt;/em&gt;, September 1, 1966.</text>
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                <text>&lt;a href="http://tbo.com/" target="_blank"&gt;&lt;em&gt;The Tampa Tribune&lt;/em&gt;&lt;/a&gt;</text>
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              <elementText elementTextId="553155">
                <text>Copyright to this resource is held by &lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt; and &lt;a href="http://tbo.com/" target="_blank"&gt;&lt;em&gt;Tampa Tribune&lt;/em&gt;&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Cravero, Geoffrey</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;</text>
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              <elementText elementTextId="553161">
                <text>Joynson, Vernon. &lt;a href="http://www.worldcat.org/oclc/38424827" target="_blank"&gt;&lt;em&gt;Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)&lt;/em&gt;&lt;/a&gt;. Glasgow: Borderline, 1997.</text>
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                <text>Jones, Martin. &lt;a href="http://www.worldcat.org/oclc/759863392" target="_blank"&gt;&lt;em&gt;Lovers Buggers &amp;amp; Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1&lt;/em&gt;&lt;/a&gt;. Manchester: Headpress, 2005.</text>
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              <elementText elementTextId="553163">
                <text>"&lt;a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank"&gt;The Rovin' Flames&lt;/a&gt;." http://www.tampabaymusichistory.com/the-rovin-flames.php.</text>
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        <name>Battle, Paul</name>
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        <name>Dial, Hardy</name>
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        <name>garage</name>
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      <tag tagId="26981">
        <name>garage band</name>
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      <tag tagId="27181">
        <name>Goff, Jerry</name>
      </tag>
      <tag tagId="27185">
        <name>Maietta, J. R.</name>
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        <name>Morris, Jim</name>
      </tag>
      <tag tagId="27193">
        <name>Morris, Jimmy</name>
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        <name>Morris, Jimmy "Mouse"</name>
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        <name>music</name>
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        <name>rock</name>
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        <name>rock band</name>
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        <name>rock music</name>
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        <name>Tampa Tribune</name>
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        <name>The Rovin' Flames</name>
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                  <text>Rock Collection</text>
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                  <text>Maitland (Fla.)</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>Knickerbocker, Carl</text>
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                  <text>Wahl, Julie</text>
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              <description/>
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                <elementText elementTextId="523497">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              <name>Type</name>
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                  <text>Collection</text>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
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                  <text>Bob Carr Theater, Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="523500">
                  <text>Enzian Theater, Maitland, Florida</text>
                </elementText>
                <elementText elementTextId="523501">
                  <text>Great Southern Music Hall, Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="523502">
                  <text>Lakeland Civic Center, Lakeland, Florida</text>
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                  <text>Orlando-Seminole Jai Alai Fronton, Fern Park, Florida</text>
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                  <text>Orlando Sports Stadium, Orlando, Florida</text>
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                <elementText elementTextId="523841">
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              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="523504">
                  <text>Cravero, Geoffrey</text>
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              <description/>
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                <elementText elementTextId="523505">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="524806">
                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Fisher, Marc. &lt;a href="http://www.worldcat.org/oclc/69594101" target="_blank"&gt;&lt;em&gt;Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation&lt;/em&gt;&lt;/a&gt;. New York: Random House, 2007.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="524810">
                  <text>eng</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description/>
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            <name>Title</name>
            <description/>
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                <text>Rovin' Flames at Safety Village, U.S.A.</text>
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            <name>Alternative Title</name>
            <description/>
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              <elementText elementTextId="552906">
                <text>Rovin' Flames at Safety Village, U.S.A.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
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              <elementText elementTextId="552907">
                <text>Rovin' Flames (Musical group)</text>
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              <elementText elementTextId="552908">
                <text> Tampa (Fla.)</text>
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              <elementText elementTextId="552909">
                <text> Music--United States</text>
              </elementText>
              <elementText elementTextId="552910">
                <text> Musicians--Southern States</text>
              </elementText>
              <elementText elementTextId="552911">
                <text> Rock music--United States</text>
              </elementText>
              <elementText elementTextId="552912">
                <text> Theme parks</text>
              </elementText>
              <elementText elementTextId="552913">
                <text> Amusement parks--Florida</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="552914">
                <text>The Rovin' Flames at the Safety Village, U.S.A. theme park in Tampa, Florida, in 1966. Safety Village, U.S.A. was the City of Tampa's 1965 Christmas gift to the children of the city. Located at 7550 North Boulevard, it was a child-size town located next to Fairyland, a popular amusement park, that was designed to train pre-school children and first and second grade children in traffic, home, personal, and fire safety habits.&lt;br /&gt;&lt;br /&gt;The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969.</text>
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            <description/>
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                <text>Original black and white photograph: &lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
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                <text>Digital reproduction of original black and white photograph. &lt;a href="http://www.tampabaymusichistory.com/resources/RovinFlames1966PromoPhotoPoliceA.jpg" target="_blank"&gt;http://www.tampabaymusichistory.com/resources/RovinFlames1966PromoPhotoPoliceA.jpg&lt;/a&gt;.</text>
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            <description/>
            <elementTextContainer>
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                <text>ca. 1966</text>
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            <description/>
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            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="552926">
                <text>eng</text>
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                <text>Joynson, Vernon. &lt;a href="http://www.worldcat.org/oclc/38424827" target="_blank"&gt;&lt;em&gt;Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)&lt;/em&gt;&lt;/a&gt;. Glasgow: Borderline, 1997.</text>
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                <text>"&lt;a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank"&gt;The Rovin' Flames&lt;/a&gt;." http://www.tampabaymusichistory.com/the-rovin-flames.php.</text>
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&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Bob Carr Theater, Orlando, Florida</text>
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                  <text>Enzian Theater, Maitland, Florida</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Fisher, Marc. &lt;a href="http://www.worldcat.org/oclc/69594101" target="_blank"&gt;&lt;em&gt;Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation&lt;/em&gt;&lt;/a&gt;. New York: Random House, 2007.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                <text> Tampa (Fla.)</text>
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                <text> Music--United States</text>
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                <text> Musicians--Southern States</text>
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                <text> Morris, Jimmy</text>
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                <text> Davis, Jim</text>
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                <text> Rogers, Johnny</text>
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                <text> Tabaḳ, David</text>
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                <text>The Rovin' Flames, taken between September and December of 1966. The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969.</text>
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                <text>Original black and white photograph, 1966: &lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original black and white photograph, 1966. &lt;a href="http://www.tampabaymusichistory.com/resources/307085_435002073199347_838502425_n.jpg" target="_blank"&gt;http://www.tampabaymusichistory.com/resources/307085_435002073199347_838502425_n.jpg&lt;/a&gt;.</text>
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                <text>ca. 1966-09</text>
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                <text> Music Teacher</text>
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                <text>Copyright to this resource is held by &lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Joynson, Vernon. &lt;a href="http://www.worldcat.org/oclc/38424827" target="_blank"&gt;&lt;em&gt;Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)&lt;/em&gt;&lt;/a&gt;. Glasgow: Borderline, 1997.</text>
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                <text>"&lt;a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank"&gt;The Rovin' Flames&lt;/a&gt;." http://www.tampabaymusichistory.com/the-rovin-flames.php.</text>
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        <name>Morris, Jim</name>
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                <text>&lt;em&gt;The Maitland News&lt;/em&gt; was a local newspaper originally published by the Maitland Realty Company (and later by &lt;em&gt;The Maitland News&lt;/em&gt; Company) which began circulation in April 1926. This edition features articles on topics such as the rising demand for housing in Maitland, a school graduation, library renovations, water wells, new sidewalks, an obituary for local resident Ruth Fleming, a press banquet, a wedding anniversary, and a local events calendar. Also featured are several advertisements for local businesses, including one by the Maitland Realty Company announcing the need for a local drug store, a garage building, a cement block plant, novelty works, a filling station, and a warehouse, and anyone who can finance or furnish any of these. This edition is missing pages 2 and 3.</text>
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                <text>THE MAITLAND NEws&#13;
Published Weekly by THE Maitland News Co, Martland, ORANGE County, Florida&#13;
Volume I&#13;
MAY 22, 1926&#13;
-&#13;
Number 3&#13;
Homes Now. In Great Demand In Maitland&#13;
GRADUATING EXERCISES&#13;
The Maitland School closed its ses sion for the year with general exercises on the evening of May 6 and a Health Program on the morning of May . The exercises consisted of an operetta entitled The Rose Dream,presented by the children of the school under the direction of Miss Lena Fugate and Mrs. Allen, musical numbers by the Misses Minnie More men and Margaret Russell and the presentation of diplomas by Superintendent A. B. Johnson. The gradu. ating class included Mildred Jones, May Osteen, Gordon and Thomas Patterson, Teddy Brocksmith, Lloyd Haines and Kenneth Jackson&#13;
At the health program the pupils of the Fifth and Sixth classes gave a one-act play, The House the Children Built," after which the children who had kept their health chores were presented with booklets, badges and pins and the Accolade was administered to the pupils of the Seventh and Eighth grades.&#13;
The school has now finished three years in the present school building and before another year commenses the auditorium will have to be divided to give room for a fourth classroom. The school will then have four rooms, with two grades to a room and will be in a position to give the best at tention to every child, as the teachers will not be overworked and the rooms over crowded as they have been the past year.&#13;
Under the direction and with the assistance of the Parent Teachers As sociation, the playground has been put into good order, with a clayed ball ground and apparatus&#13;
The trustees, Mrs. J. H. Bennett, J. W. Rice and J. W. McNair, have improved the Library by purchasing a splendid set of reference books and are planning many improvements for the coming year, not the least of which will be the installation of city water.&#13;
MAITLAND LIBRARY CLOSED FOR REPAIRS&#13;
The Maitland Library is closed and will be for several weeks while repairs are made and a general over hauling and cleaning is done. Mr. L. W. Dommerich is having the walls retinted at his expense and the Library Association is at the same time having the outside walls painted, and general repairs made. The moss has been removed from the trees and the grounds are being put into good order. When the work has been finished the Association plans to open the Library to the public with an in formal reception, the date of which will be announced later.&#13;
Mr. L. W. Dommerich has also made the Library a generous gift of books consisting of ters of walter H. Page in three volumes, The Intimate Letters of Colonel House in two volumes, Robert E. Lee, Soldier, two books of fiction and subscriptions to the National Geographic and St. Nicholas.&#13;
Another very substantial gift has recently been received in the form of over seventy-five volumes of fiction and scientific books, presented by Dr. H. B. Boyce of Rollins College from his private library.&#13;
Lists of new books as they are received at the Library will be published weekly in the Maitland News so that readers may be informed as to what are at their disposal at the Library.&#13;
MRs. RUTH FLEMING&#13;
Mrs. Ruth Fleming, daughter of Mr. and Mrs. J. H. Bennett died suddenly May 14 on board ship coming in to Savannah on her way down to visit her parents. Mrs. Bennett went to Savannah and brought back her daughters remains to Maitland where burial took place last Monday. Mrs. Fleming is survived by her husband James E. Fleming and little daughter Norma.&#13;
Houses Formerly Closed to Be Occupied This summer&#13;
It is imperative that building con struction be materially speeded up in Maitland to care for the housing of new families coming in. As a temporary expedient most of the homes of the winter residents which are usually closed during the summer months will be occupied this year by new residents who have not yet been able to secure permanent homes. Mr. Clifford Black and family of the firm of Black and Black are oc. cupying the residence of Senator and Mrs. Long who have just motored up to their home in Coatesville, Pa. A letter just received from Senator Long reports that they had a pleasant trip driving through in five days. Mr. and Mrs. F. T. Marsh, who have occupied the home of H. C. Boss since his return to Milford, N. J., in March, are now living in the house on the Blackwood place, recently purchased by Senator Long Underoaks, the Kingsley estate on Lake Maitland, has been occupied since the return of the family to Elizabeth, N. ., by E. A. Upmeyer and family. Mrs. Upmeyers mother, Mrs. Archer, is living in their cottage until her new home on Horatio Ave. is finished. Mr. and Mrs. Haldeman have taken the Pearson cottage for the summer and Mr. and Mrs. Horner are oc. cupying the Wilcox home.&#13;
water MAINS BEING LAID&#13;
Work is progressing on the laying of mains for the water system. As soon as this work is completed the pump will be installed and the water connected.&#13;
sidewalks BEING LAID&#13;
work on laying sidewalks in Greenwood Gardens has been come menced with a sidewalk along West Sybelia Ave from the Highway to the school. Sidewalks are also being in Orangedale Park at the south end of town.&#13;
&#13;
&#13;
PRESS BANQUET ATTENDED BY MAITLAND PEOPLE&#13;
At the banquet given by the Orange County Chamber of Commerce in honor of the County Commissioners and the Press, Maitland had the largest representation of any town, with a delegation of sixteen. Messers and Madams E. A. Upmeyer, S. J. Stiggins, J. H. Bennett, J. H. Hill, F. T. Marsh, C. N. Beecher, R. A. Wheeler and L. L. Coudert J. H. Hill in a few well-chosen words gave the toast to the County Commissioners, which was responded to by the Hon. L. L. Payne and Capt. B. M. Robinson.&#13;
WEDDING ANNIVERSARY IS CELEBRATED&#13;
The fifty-sixth wedding anniversary of Mr. and Mrs. W. H. Johnston was celebrated on May fourth by a sup: per party at the Maitland Library. The occasion was rendered doubly memorable by the presence of Mr. and Mrs. Johnstons daughter and her husband, Mr. and Mrs. H. S. Thomp. son, whose anniversary is on the same day. After supper the party were entertained with the recitation of Scotch poems and stories by Mr. John McCullogh, songs by Mr. Irving Bacheller, the exhibition of her work in white point portraiture by Miss Edwards and moving pictures taken by Mrs. Selden White of Evanston.&#13;
LOCAL ITEMS Miss Georgianna Hill and Miss Eleanor Upmeyer entertained on Saturday at a bridge luncheon at Under Oaks. Mrs. Rosa L. Dickinson has been the guest of Mrs. Vanderpool during the past week. Mrs. Geo. W. Hoyt, who has been visiting her daughter, Mrs. S. B. Hill, . returned last Wednesday to Charleston, S. C. Miss Nannie McCorkle spent last week in Maitland as the guest of Miss Stella M. Waterhouse. Mr. and Mrs. K. N. McPherson are now completely settled in their new home on Lake Catherine.&#13;
TEN COMMANDMENTS FOR the HOME TOWN I. Thou shalt love thy home town above all other towns. Thou shalt be loyal to her people and to her institutions.&#13;
THE MAITLAND NEWS&#13;
Α77 η / //&#13;
1. DRUG STORE with twenty-five feet H on highway. Man will lease and start business as soon as building is ready. 2. GARAGE BUILDING about 50x100. H Responsible party will take lease at H Once. . SITE FOR GARAGE on corner new H state highway in Maitland. 4. Party will lease site for CEMENT H BLOCK PLANT. H 5. Party will lease site for NOVELTY WORKS. | . Site wanted for FILLING STATION.&#13;
7. Party wants WAREHOUSE SITE&#13;
on highway and railroad.&#13;
- IF YOU CAN FINANCE H OR FURNISH ANY OF THESE SEE US AT ONCE H Dea/ mi/ a Reafor&#13;
A IT L A N ID&#13;
REALTY COMPANY</text>
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                <text>The Maitland News, Vol. 02, No. 6, February 9, 1927</text>
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                <text>Poole, Leslie Kemp. &lt;a href="http://www.worldcat.org/oclc/320803902" target="_blank"&gt;&lt;em&gt;Maitland&lt;/em&gt;&lt;/a&gt;. Mount Pleasant, SC: Arcadia Pub, 2009.</text>
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&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                <text> Tampa (Fla.)</text>
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                <text> Music--United States</text>
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                <text> Musicians--Southern States</text>
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                <text>The Rovin' Flames in the autumn of 1967. From left to right, the photograph features John DeLise, Johnny Rogers, Jimmy Morris, Eddie Taylor and J. R. Maietta.&lt;br /&gt;&lt;br /&gt;The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969.</text>
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                <text>Original black and white photograph, 1967: &lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original black and white photograph, 1967. &lt;a href="http://www.tampabaymusichistory.com/resources/the_rovin_flames.jpg" target="_blank"&gt;http://www.tampabaymusichistory.com/resources/the_rovin_flames.jpg&lt;/a&gt;.</text>
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                <text> Music Teacher</text>
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            <name>Rights Holder</name>
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              <elementText elementTextId="553046">
                <text>Copyright to this resource is held by &lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Cravero, Geoffrey</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
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                <text>Joynson, Vernon. &lt;a href="http://www.worldcat.org/oclc/38424827" target="_blank"&gt;&lt;em&gt;Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)&lt;/em&gt;&lt;/a&gt;. Glasgow: Borderline, 1997.</text>
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                <text>Jones, Martin. &lt;a href="http://www.worldcat.org/oclc/759863392" target="_blank"&gt;&lt;em&gt;Lovers Buggers &amp;amp; Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1&lt;/em&gt;&lt;/a&gt;. Manchester: Headpress, 2005.</text>
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                <text>"&lt;a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank"&gt;The Rovin' Flames&lt;/a&gt;." http://www.tampabaymusichistory.com/the-rovin-flames.php.</text>
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        <name>band</name>
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        <name>DeLise, John</name>
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      <tag tagId="15540">
        <name>garage</name>
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      <tag tagId="26981">
        <name>garage band</name>
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      <tag tagId="27185">
        <name>Maietta, J. R.</name>
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      <tag tagId="27192">
        <name>Morris, Jim</name>
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      <tag tagId="27193">
        <name>Morris, Jimmy</name>
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        <name>Morris, Jimmy "Mouse"</name>
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        <name>rock band</name>
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        <name>rock music</name>
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      <tag tagId="27198">
        <name>Rogers, Johnny</name>
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        <name>Taylor, Eddie</name>
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        <name>The Rovin' Flames</name>
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                  <text>Rock Collection</text>
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                  <text>Rock Collection</text>
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                  <text>Maitland (Fla.)</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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              <name>Contributor</name>
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                  <text>Knickerbocker, Carl</text>
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                <elementText elementTextId="524809">
                  <text>Wahl, Julie</text>
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                <elementText elementTextId="523497">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="523499">
                  <text>Bob Carr Theater, Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="523500">
                  <text>Enzian Theater, Maitland, Florida</text>
                </elementText>
                <elementText elementTextId="523501">
                  <text>Great Southern Music Hall, Orlando, Florida</text>
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                <elementText elementTextId="523502">
                  <text>Lakeland Civic Center, Lakeland, Florida</text>
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                  <text>Orange County Civic Center, Orlando, Florida</text>
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                  <text>Orlando-Seminole Jai Alai Fronton, Fern Park, Florida</text>
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                <elementText elementTextId="523840">
                  <text>Orlando Sports Stadium, Orlando, Florida</text>
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                <elementText elementTextId="523841">
                  <text>Tangerine Bowl, Orlando, Florida</text>
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              <name>Curator</name>
              <description/>
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                  <text>Cepero, Laura</text>
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                  <text>Cravero, Geoffrey</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="524806">
                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Fisher, Marc. &lt;a href="http://www.worldcat.org/oclc/69594101" target="_blank"&gt;&lt;em&gt;Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation&lt;/em&gt;&lt;/a&gt;. New York: Random House, 2007.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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            <name>Title</name>
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                <text>The Rovin' Flames at a Soap Box Derby Parade</text>
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                <text>Rovin' Flames at Parade</text>
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                <text>Rovin' Flames (Musical group)</text>
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                <text> Tampa (Fla.)</text>
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                <text> Music--United States</text>
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                <text> Musicians--Southern States</text>
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                <text> Rock music--United States</text>
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                <text> Parades--United States</text>
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              <elementText elementTextId="553064">
                <text> Goedert, Ron</text>
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                <text> Morris, Jimmy</text>
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                <text> Soap box derbies</text>
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            <name>Description</name>
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                <text>The Rovin' Flames performing live in the bed of a truck in Downtown Tampa, Florida, at the Soap Box Derby Parade on July 13, 1968. The names of the members are written at the bottom. From left to right, they are listed as Jerry Nickerson, J. R. Maietta, Jay Colding, Jimmy Morris, and Ronnie Goedert.&lt;br /&gt;&lt;br /&gt;The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969.</text>
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                <text>Original black and white photograph, July 13, 1968: &lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original black and white photograph, July 13, 1968. &lt;a href="http://www.tampabaymusichistory.com/resources/RovinFlamesSoapBoxDerbyParade1968July13b.jpg" target="_blank"&gt;http://www.tampabaymusichistory.com/resources/RovinFlamesSoapBoxDerbyParade1968July13b.jpg&lt;/a&gt;.</text>
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              <elementText elementTextId="553083">
                <text>Copyright to this resource is held by &lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Joynson, Vernon. &lt;a href="http://www.worldcat.org/oclc/38424827" target="_blank"&gt;&lt;em&gt;Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)&lt;/em&gt;&lt;/a&gt;. Glasgow: Borderline, 1997.</text>
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                <text>Jones, Martin. &lt;a href="http://www.worldcat.org/oclc/759863392" target="_blank"&gt;&lt;em&gt;Lovers Buggers &amp;amp; Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1&lt;/em&gt;&lt;/a&gt;. Manchester: Headpress, 2005.</text>
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                <text>"&lt;a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank"&gt;The Rovin' Flames&lt;/a&gt;." http://www.tampabaymusichistory.com/the-rovin-flames.php.</text>
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        <name>band</name>
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        <name>Goedert, Ronnie</name>
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      <tag tagId="27185">
        <name>Maietta, J. R.</name>
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      <tag tagId="27192">
        <name>Morris, Jim</name>
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        <name>Morris, Jimmy</name>
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                  <text>Maitland (Fla.)</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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              <name>Contributor</name>
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                  <text>Knickerbocker, Carl</text>
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                <elementText elementTextId="524809">
                  <text>Wahl, Julie</text>
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              <elementTextContainer>
                <elementText elementTextId="523497">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              <name>Type</name>
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              <name>Coverage</name>
              <description/>
              <elementTextContainer>
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                  <text>Bob Carr Theater, Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="523500">
                  <text>Enzian Theater, Maitland, Florida</text>
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                <elementText elementTextId="523501">
                  <text>Great Southern Music Hall, Orlando, Florida</text>
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                <elementText elementTextId="523502">
                  <text>Lakeland Civic Center, Lakeland, Florida</text>
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              <name>Curator</name>
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                  <text>Cepero, Laura</text>
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                  <text>Cravero, Geoffrey</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <description/>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Fisher, Marc. &lt;a href="http://www.worldcat.org/oclc/69594101" target="_blank"&gt;&lt;em&gt;Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation&lt;/em&gt;&lt;/a&gt;. New York: Random House, 2007.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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              <name>Language</name>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description/>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="553093">
                <text>The Rovin' Flames, 1967</text>
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            <description/>
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                <text>Rovin' Flames</text>
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          <element elementId="49">
            <name>Subject</name>
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              <elementText elementTextId="553095">
                <text>Rovin' Flames (Musical group)</text>
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              <elementText elementTextId="553096">
                <text> Tampa (Fla.)</text>
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              <elementText elementTextId="553097">
                <text> Music--United States</text>
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                <text> Musicians--Southern States</text>
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                <text> Rock music--United States</text>
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              <elementText elementTextId="553100">
                <text> Morris, Jimmy</text>
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              <elementText elementTextId="553101">
                <text> Rogers, Johnny</text>
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              <elementText elementTextId="553102">
                <text> Taylor, Eddie</text>
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          <element elementId="41">
            <name>Description</name>
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              <elementText elementTextId="553103">
                <text>The Rovin' Flames, sitting and laying on a couch in the summer of 1967. The names of the members are written at the bottom of the photograph. In the back row, from left to right, are J. R. Maietta and Johnny Rogers, and in the front row, from left to right, are Eddie Taylor, John DeLise, and Jimmy Morris.&lt;br /&gt;&lt;br /&gt;The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969.</text>
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            <description/>
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                <text>Original black and white photograph, 1967: &lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original black and white photograph, 1967. &lt;a href="http://www.tampabaymusichistory.com/resources/RovinFlamesPhotoSummer67.jpg" target="_blank"&gt;http://www.tampabaymusichistory.com/resources/RovinFlamesPhotoSummer67.jpg&lt;/a&gt;.</text>
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              <elementText elementTextId="553112">
                <text>ca.  1967-06</text>
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            <description/>
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            <description/>
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              <elementText elementTextId="553115">
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              <elementText elementTextId="553117">
                <text> Humanities Teacher</text>
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                <text> Music Teacher</text>
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              <elementText elementTextId="553119">
                <text>Copyright to this resource is held by &lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;</text>
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                <text>Joynson, Vernon. &lt;a href="http://www.worldcat.org/oclc/38424827" target="_blank"&gt;&lt;em&gt;Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)&lt;/em&gt;&lt;/a&gt;. Glasgow: Borderline, 1997.</text>
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                <text>Jones, Martin. &lt;a href="http://www.worldcat.org/oclc/759863392" target="_blank"&gt;&lt;em&gt;Lovers Buggers &amp;amp; Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1&lt;/em&gt;&lt;/a&gt;. Manchester: Headpress, 2005.</text>
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                <text>"&lt;a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank"&gt;The Rovin' Flames&lt;/a&gt;." http://www.tampabaymusichistory.com/the-rovin-flames.php.</text>
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