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                  <text>Music--United States</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of folk music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Folk music varies by country and region, but is typically described as acoustic-based music that embraces the life and struggles of the common man and the events of everyday life. “Folk” comes from the term “folklore,” which was derived by William Thomas in 1846, to describe “the traditions, customs, and superstitions of the uncultured classes.” Although the definition of folk music is elusive, the International Folk Music Council defines it as “the product of a musical tradition that has been evolved through the process of oral transmission. The factors that shape the tradition are: (1) continuity which links the present with the past; (2) variation which springs from the creative impulse of the individual or the group; and (3) selection by the community which determines the form or forms in which the music survives."&#13;
&#13;
Before sound recording and reproduction allowed people to listen to recorded music, songs were often passed down through oral traditions, creating variants. Cecil Sharp, considered by many to be the founding father of the folklore revival in early 20th century England, believed that competing variants of a traditional folk song created a process of natural selection, eventually creating a more perfect version, shaped by the community. By the end of the 1930s, American folk music had become a social movement, and by the 1960s, folk genres varied as much as the definition of the term itself.&#13;
&#13;
The Library of Congress attempted to capture as much North American field material as possible in the 1930s and 1940s, working through the vast collections of collectors such as Alan Lomax and Robert Winslow Gordon. On behalf of the Works Progress Administration (WPA), teams of writers and scholars across the United States collected materials about the places they saw and the people they met. Fieldworkers from the Florida Folklore Project, in conjunction with the Florida Federal Writers' Project, the Florida Music Project, and the Joint Committee on Folk Arts of the Work Projects Administration, concentrated on enclaves known for preserving ethnic traditions, documenting African-American, Arabic, Bahamian, British-American, Cuban, Greek, Italian, Minorcan, Seminole, and Slavic cultures throughout Florida. Florida is home to two significant folk festivals, including the annual Will McLean Music Festival, which is held at the Sertoma Youth Camp in Brooksville, Florida; and the Florida Folk Festival, an annual festival of music, food, and traditional arts to highlight and celebrate Florida's many folk cultures and traditions.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>DeVane, Dwight, Blaine Waide, Peggy A. Bulger, Doris J. Dyen, and David Evans. &lt;a href="http://www.worldcat.org/oclc/856993560" target="_blank"&gt;&lt;em&gt;Drop on Down in Florida: Field Recordings of African American Traditional Music 1977-1980&lt;/em&gt;&lt;/a&gt;. Atlanta, Ga: Dust-to-Digital, 2012.</text>
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                  <text>Karpeles, Maud, and A. H. Fox Strangways. &lt;a href="http://www.worldcat.org/oclc/1292970" target="_blank"&gt;&lt;em&gt;Cecil Sharp: His Life and Work&lt;/em&gt;&lt;/a&gt;. [Chicago]: University of Chicago Press, 1967.</text>
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                  <text>Lloyd, A. L. &lt;a href="http://www.worldcat.org/oclc/429559" target="_blank"&gt;&lt;em&gt;Folk Song in England&lt;/em&gt;&lt;/a&gt;. New York: International Publishers, 1967.</text>
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                  <text>Lornell, Kip. &lt;a href="http://www.worldcat.org/oclc/56942443" target="_blank"&gt;&lt;em&gt;The NPR Curious Listener's Guide to American Folk Music&lt;/em&gt;&lt;/a&gt;. New York: Berkley Pub. Group, 2004.</text>
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                  <text>McLean, Will. &lt;a href="http://www.worldcat.org/oclc/1599000" target="_blank"&gt;&lt;em&gt;Florida Sand; Original Songs and Stories of Florida&lt;/em&gt;&lt;/a&gt;. 1969.</text>
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                  <text>Morris, Alton Chester, and Leonhard Deutsch. &lt;a href="http://www.worldcat.org/oclc/20853347" target="_blank"&gt;&lt;em&gt;Folksongs of Florida&lt;/em&gt;&lt;/a&gt;. Gainesville: University of Florida Press, 1990.</text>
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                  <text>Seeger, Ruth Crawford, Larry Polansky, and Judith Tick. &lt;a href="http://www.worldcat.org/oclc/46909473" target="_blank"&gt;&lt;em&gt;"The Music of American Folk Song" and Selected Other Writings on American Folk Music&lt;/em&gt;&lt;/a&gt;. Rochester, NY: University of Rochester Press, 2001.</text>
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                <text>Sandy Shugart became the President of Valencia College, one of the country's largest colleges, in 2000, and led them to win the prestigious Aspen Prize for Community College Excellence in 2011. As a folk artist and poet, Shugart believes these seemingly unrelated endeavors are integral aspects of his life journey.&lt;br /&gt;&lt;br /&gt;WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #159: Music is Life" on January 29, 2015.</text>
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                <text>Ordway, Denise-Marie. "&lt;a href="http://articles.orlandosentinel.com/2014-01-18/features/os-valencia-president-folk-music-20140118_1_garden-theatre-valencia-college-folk-music" target="_blank"&gt;Valencia President Sandy Shugart shows musical side&lt;/a&gt;." The Orlando Sentinel, January 18, 2014. http://articles.orlandosentinel.com/2014-01-18/features/os-valencia-president-folk-music-20140118_1_garden-theatre-valencia-college-folk-music (Accessed March 30, 2015).</text>
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                  <text>Rock Collection</text>
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                  <text>Rock Collection</text>
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                  <text>Lakeland (Fla.)</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>Wahl, Julie</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Bob Carr Theater, Orlando, Florida</text>
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                  <text>Enzian Theater, Maitland, Florida</text>
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                  <text>Great Southern Music Hall, Orlando, Florida</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                <text>WUCF Artisodes Short: ATLAS</text>
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                <text>Members of the Orlando-based heavy metal band, ATLAS, discuss how their genre makes up for the fact that heavy metal is not mainstream with a dedicated fan base. &lt;br /&gt;&lt;br /&gt;WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #139: Music Music Music" on July 31, 2014.</text>
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                <text>Original 3-minute and 38-second audio/video recording of ATLAS, &lt;a href="http://www.wucftv.org/home/" target="_blank"&gt;WUCF-TV&lt;/a&gt;, Orlando, Florida, July 31, 2014: WUCF-TV, University of Central Florida, Orlando, Florida.</text>
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                <text>&lt;a href="http://get.adobe.com/flashplayer/" target="_blank"&gt; Adobe Flash Player&lt;/a&gt;</text>
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                <text>&lt;a href="http://java.com/en/download/index.jsp" target="_blank"&gt; Java&lt;/a&gt;</text>
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                <text>&lt;a href="http://video.wucftv.org/video/2365300701/" target="_blank"&gt;WUCF Artisodes 139: Music Music Music&lt;/a&gt;, WUCF-TV, Orlando, Florida.</text>
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                <text> The Boondocks Bar &amp; Music Venue, Melbourne, Florida</text>
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                <text>Matta, Sonny</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <description/>
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                <text>Walser, Robert. &lt;a href="http://www.worldcat.org/oclc/48138450" target="_blank"&gt;&lt;em&gt;Running with the Devil Power, Gender, and Madness in Heavy Metal Music&lt;/em&gt;&lt;/a&gt;. Hanover, NH: University Press of New England, 1993. .</text>
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                <text>"&lt;a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank"&gt;WUCF Artisodes&lt;/a&gt;." WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed April 7, 2015).</text>
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                <text>&lt;a href="https://www.youtube.com/watch?v=Ax4rU5_TGJ4" target="_blank"&gt;WUCF Artisodes Short: ATLAS&lt;/a&gt;</text>
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