1
100
9
-
https://richesmi.cah.ucf.edu/omeka/files/original/2c6f150e371ba2db36e2e413b29fe372.mp3
1ab0388531c882c60cdc38cfe3a0cfd2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Blues for Diz" by Arturo Sandoval
Alternative Title
"Blues for Diz" by Arturo Sandoval
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Blues for Diz," composed and performed by Arturo Sandoval (b. 1949) live on-air on WUCF-FM on October 9, 1999. A protégé of trumpeter Dizzy Gillespie (1917-1993), who was the first musician to bring Latin influences into American jazz, Cuban-born Sandoval became one of the most celebrated trumpeters of all-time, winning ten Grammy Awards, six Billboard Awards, and an Emmy Award. Sandoval defected to the United States while touring with Gillespie in 1990. He was awarded the Presidential Medal of Freedom by President Barack Obama (b. 1961) in 2013. Arturo Sandoval's Jazz Club was briefly open in Miami Beach, Florida, in the late 2000s. "Blues for Diz" was written and recorded by Sandoval on his 2005 album, <em>Live at the Blue Note</em>, and features Sandoval's renowned scatting.
Type
Sound
Source
Original 1-minute and 25-second audio recording: Sandoval, Arturo. "Blues for Diz," by Arturo Sandoval: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, October 9, 1999.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
Artemisa, Havana, Havana Province, Cuba
Creator
Sandoval, Arturo
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Date Created
1999-10-09
Date Issued
1999-10-09
Date Copyrighted
1999-10-09
Format
audio/mp3
Extent
1.3 MB
Medium
1-minute and 25-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and performed by Arturo Sandoval and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Arturo Sandoval and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Simon, Robert, Arturo Sandoval, and Marianela Sandoval. <a href="http://www.worldcat.org/oclc/880150347" target="_blank"><em>John "Dizzy" Birks Gillespie: The Man Who Changed My Life: from the Memoirs of Arturo Sandoval</em></a>. Chicago, IL: GIA Publications, 2014
Meredith, Bill. "<a href="http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love" target="_blank">Arturo Sandoval : From Cuba, With Love</a>." <em>Jazz Times</em>, October 2007. http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love (Accessed March 24, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka/files/original/2c6f150e371ba2db36e2e413b29fe372.mp3" target="_blank">"Blues for Diz" by Arturo Sandoval</a>
Afro-Cuban jazz
Arturo Sandoval
bebop
Blues for Diz
bop
CAH
College of Arts and Humanities
Cubop
jazz
jazz ensembles
Latin jazz
Live at the Blue Note
Miami Beach
music
musicians
National Public Radio
NPR
orlando
pianists
pianos
Public Broadcasting Service
scat
scat singing
trumpet players
trumpeters
trumpets
UCF
University of Central Florida
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/0fbf8109d6be4805a6257af7283bba36.mp3
6a4eeb1a87c975c0bf9716b9037867f9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Drum Solo" by Arturo Sandoval
Alternative Title
"Drum Solo" by Arturo Sandoval
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Drum Solo," composed and performed by Arturo Sandoval (b. 1949) live on-air on WUCF-FM on October 9, 1999. A protégé of trumpeter Dizzy Gillespie (1917-1993), who was the first musician to bring Latin influences into American jazz, Cuban-born Sandoval became one of the most celebrated trumpeters of all-time, winning ten Grammy Awards, six Billboard Awards, and an Emmy Award. Sandoval defected to the United States while touring with Gillespie in 1990. He was awarded the Presidential Medal of Freedom by President Barack Obama (b. 1961) in 2013. Arturo Sandoval's Jazz Club was briefly open in Miami Beach, Florida, in the late 2000s.
Type
Sound
Source
Original 2-minute and 26-second audio recording: Sandoval, Arturo. "Drum Solo," by Arturo Sandoval: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, October 9, 1999.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
Artemisa, Havana, Havana Province, Cuba
Creator
Sandoval, Arturo
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Date Created
1999-10-09
Date Issued
1999-10-09
Date Copyrighted
1999-10-09
Format
audio/mp3
Extent
2.23 MB
Medium
2-minute and 26-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and performed by Arturo Sandoval and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Arturo Sandoval and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Simon, Robert, Arturo Sandoval, and Marianela Sandoval. <a href="http://www.worldcat.org/oclc/880150347" target="_blank"><em>John "Dizzy" Birks Gillespie: The Man Who Changed My Life: from the Memoirs of Arturo Sandoval</em></a>. Chicago, IL: GIA Publications, 2014
Meredith, Bill. "<a href="http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love" target="_blank">Arturo Sandoval : From Cuba, With Love</a>." <em>Jazz Times</em>, October 2007. http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love (Accessed March 24, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka/files/original/0fbf8109d6be4805a6257af7283bba36.mp3" target="_blank">"Drum Solo" by Arturo Sandoval</a>
Afro-Cuban jazz
Arturo Sandoval
Arturo Sandoval Jazz Club
bebop
bop
CAH
College of Arts and Humanities
Cuban jazz
Cubop
Drum Solo
jazz
jazz ensembles
Latin jazz
Miami Beach
music
musicians
National Public Radio
NPR
orlando
pianists
pianos
Public Broadcasting Service
trumpet players
trumpeters
trumpets
UCF
University of Central Florida
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/b73e598e2d4c44bc54ddc5afc656f1e9.mp3
89707d15d13da7d9a71cf34833e8eaad
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Englishman in New York" by Arturo Sandoval
Alternative Title
"Englishman in New York" by Arturo Sandoval
Subject
Orlando (Fla.)
Music--United States
Reggae music--United States
Description
An audio recording of "Englishman in New York," Sting, and performed by Arturo Sandoval (b. 1949) live on-air on WUCF-FM on October 9, 1999. A protégé of trumpeter Dizzy Gillespie (1917-1993), who was the first musician to bring Latin influences into American jazz, Cuban-born Sandoval became one of the most celebrated trumpeters of all-time, winning ten Grammy Awards, six Billboard Awards, and an Emmy Award. Sandoval defected to the United States while touring with Gillespie in 1990. He was awarded the Presidential Medal of Freedom by President Barack Obama (b. 1961) in 2013. Arturo Sandoval's Jazz Club was briefly open in Miami Beach, Florida, in the late 2000s. "Englishman in New York" was written and recorded by Sting for his 1987 album, <em>...Nothing Like the Sun</em>.
Type
Sound
Source
Original 9-minute and 21-second audio recording: Sting. "Englishman in New York," by Arturo Sandoval: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, October 9, 1999.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
Creator
Sting
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Sandoval, Arturo
Date Created
1999-10-09
Date Issued
1999-10-09
Date Copyrighted
1999-10-09
Format
audio/mp3
Extent
8.56 MB
Medium
9-minute and 21-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Sting, performed by Arturo Sandoval, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Sting and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Simon, Robert, Arturo Sandoval, and Marianela Sandoval. <a href="http://www.worldcat.org/oclc/880150347" target="_blank"><em>John "Dizzy" Birks Gillespie: The Man Who Changed My Life: from the Memoirs of Arturo Sandoval</em></a>. Chicago, IL: GIA Publications, 2014
Meredith, Bill. "<a href="http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love" target="_blank">Arturo Sandoval : From Cuba, With Love</a>." <em>Jazz Times</em>, October 2007. http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love (Accessed March 24, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka/files/original/b73e598e2d4c44bc54ddc5afc656f1e9.mp3" target="_blank">"Englishman in New York" by Arturo Sandoval</a>
...Nothing Like the Sun
Arturo Sandoval
CAH
College of Arts and Humanities
Englishman in New York
Gordon Matthew Thomas Sumner
jazz ensembles
Miami Beach
music
musicians
National Public Radio
NPR
orlando
pianists
pianos
pop
Public Broadcasting Service
reggae
rock music
scat singing
Sting
trumpet players
trumpeters
trumpets
UCF
University of Central Florida
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/298fa4199b1be42ccad13d5166f7c745.mp3
33ef739b315ce75f10c436b4aa8f7f60
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Hot House" by Arturo Sandoval
Alternative Title
"Hot House" by Arturo Sandoval
Subject
Orlando (Fla.)
Music--Florida
Jazz--United States
Description
An audio recording of "Hot House," composed by Tadd Dameron (1917-1965), and performed by Arturo Sandoval (b. 1949) live on-air on WUCF-FM on October 9, 1999. A protégé of trumpeter Dizzy Gillespie (1917-1993), who was the first musician to bring Latin influences into American jazz, Cuban-born Sandoval became one of the most celebrated trumpeters of all-time, winning ten Grammy Awards, six Billboard Awards, and an Emmy Award. Sandoval defected to the United States while touring with Gillespie in 1990. He was awarded the Presidential Medal of Freedom by President Barack Obama (b. 1961) in 2013. Arturo Sandoval's Jazz Club was briefly open in Miami Beach, Florida, in the late 2000s. "Hot House" was written by Dameron and recorded by Sandoval for his 1998 Grammy award-winning album of the same name.
Type
Sound
Source
Original 3-minute and 54-second audio recording: Dameron, Tadd. "Hot House," by Arturo Sandoval: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, October 9, 1999.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
Creator
Dameron, Tadd
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Sandoval, Arturo
Date Created
1999-10-09
Date Issued
1999-10-09
Date Copyrighted
1999-10-09
Format
audio/mp3
Extent
3.57 MB
Medium
3-minute and 54-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Tadd Dameron, performed by Arturo Sandoval, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Tadd Dameron and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Simon, Robert, Arturo Sandoval, and Marianela Sandoval. <a href="http://www.worldcat.org/oclc/880150347" target="_blank"><em>John "Dizzy" Birks Gillespie: The Man Who Changed My Life: from the Memoirs of Arturo Sandoval</em></a>. Chicago, IL: GIA Publications, 2014
Meredith, Bill. "<a href="http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love" target="_blank">Arturo Sandoval : From Cuba, With Love</a>." <em>Jazz Times</em>, October 2007. http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love (Accessed March 24, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka/files/original/298fa4199b1be42ccad13d5166f7c745.mp3" target="_blank">"Hot House" by Arturo Sandoval</a>
Afro-Cuban jazz
Arturo Sandoval
Arturo Sandoval Jazz Club
bebop
bop
CAH
College of Arts and Humanities
Cubop
Hot House
jazz
jazz ensembles
Latin jazz
Miami Beach
music
musicians
National Public Radio
NPR
orlando
pianists
pianos
Public Broadcasting Service
Tadd Dameron
Tadley Ewing Peake Dameron
trumpet players
trumpeters
trumpets
UCF
University of Central Florida
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/d846ac4c83f0cffbb725c7f8ff52736e.mp3
1c29bb72f5e8b65f789e71c9ce439d62
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"I Got You (I Feel Good)" by Arturo Sandoval
Alternative Title
"I Got You (I Feel Good)" by Arturo Sandoval
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Rhythm and blues music--United States
Funk (Music)--United States
Soul music--United States
Description
An audio recording of "I Got You (I Feel Good)," composed by James Brown (1933-2006), and performed by Arturo Sandoval (b. 1949) live on-air on WUCF-FM on October 9, 1999. A protégé of trumpeter Dizzy Gillespie (1917-1993), who was the first musician to bring Latin influences into American jazz, Cuban-born Sandoval became one of the most celebrated trumpeters of all-time, winning ten Grammy Awards, six Billboard Awards, and an Emmy Award. Sandoval defected to the United States while touring with Gillespie in 1990. He was awarded the Presidential Medal of Freedom by President Barack Obama (b. 1961) in 2013. Arturo Sandoval's Jazz Club was briefly open in Miami Beach, Florida, in the late 2000s. "I Got You (I Feel Good)" was written and recorded as a single by Brown, who is often referred to as the "Godfather of Soul," in 1965, becoming his highest charting song.
Type
Sound
Source
Original 6-minute and 56-second audio recording: Brown, James. "I Got You (I Feel Good)," by Arturo Sandoval: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, October 9, 1999.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
Creator
Brown, James
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Contributor
Sandoval, Arturo
Date Created
1999-10-09
Date Issued
1999-10-09
Date Copyrighted
1999-10-09
Format
audio/mp3
Extent
6.35 MB
Medium
6-minute and 56-second audio recording
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by James Brown, performed by Arturo Sandoval, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by James Brown and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Simon, Robert, Arturo Sandoval, and Marianela Sandoval. <a href="http://www.worldcat.org/oclc/880150347" target="_blank"><em>John "Dizzy" Birks Gillespie: The Man Who Changed My Life: from the Memoirs of Arturo Sandoval</em></a>. Chicago, IL: GIA Publications, 2014
Meredith, Bill. "<a href="http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love" target="_blank">Arturo Sandoval : From Cuba, With Love</a>." <em>Jazz Times</em>, October 2007. http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love (Accessed March 24, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka/files/original/d846ac4c83f0cffbb725c7f8ff52736e.mp3" target="_blank">"I Got You (I Feel Good)" by Arturo Sandoval</a>
Transcript
Wo! I feel good, I knew that I would now
I feel good, I knew that I would now
So good, so good, I got you
Wo! I feel nice, like sugar and spice
I feel nice, like sugar and spice
So nice, so nice, I got you
When I hold you in my arms
I know that I can do no wrong
And when I hold you in my arms
My love won't do you no harm
And I feel nice, like sugar and spice
I feel nice, like sugar and spice
So nice, so nice, I got you
When I hold you in my arms
I know that I can't do no wrong
And when I hold you in my arms
My love can't do me no harm
And I feel nice, like sugar and spice
I feel nice, like sugar and spice
So nice, so nice, well I got you
Wo! I feel good, I knew that I would've
I feel good, I knew that I would
So good, so good, 'cause I got you
So good, so good, 'cause I got you
So good, so good, 'cause I got you
Hey! Oh yeah-a
Afro-Cuban jazz
Arturo Sandoval
bebop
bop
CAH
College of Arts and Humanities
Cubop
funk
I Got You (I Feel Good)
James Brown
James Joseph Brown
jazz
jazz ensembles
Latin jazz
Miami Beach
music
musicians
National Public Radio
NPR
orlando
pianists
pianos
Public Broadcasting Service
R&B
rhythm and blues
trumpet players
trumpeters
trumpets
UCF
University of Central Florida
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/06ba64498e590f6336fd917a96b608cb.mp3
a808b1917f3d1c59233ccb0203d89ffc
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Jewsharp Solo" by Arturo Sandoval
Alternative Title
"Jewsharp Solo" by Arturo Sandoval
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Jewsharp Solo," composed and performed by Arturo Sandoval (b. 1949) live on-air on WUCF-FM on October 9, 1999. A protégé of trumpeter Dizzy Gillespie (1917-1993), who was the first musician to bring Latin influences into American jazz, Cuban-born Sandoval became one of the most celebrated trumpeters of all-time, winning ten Grammy Awards, six Billboard Awards, and an Emmy Award. Sandoval defected to the United States while touring with Gillespie in 1990. He was awarded the Presidential Medal of Freedom by President Barack Obama (b. 1961) in 2013. Arturo Sandoval's Jazz Club was briefly open in Miami Beach, Florida, in the late 2000s.
Type
Sound
Source
Original 40-second audio recording: Sandoval, Arturo. "Jewsharp Solo," by Arturo Sandoval: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, October 9, 1999.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
Artemisa, Havana, Havana Province, Cuba
Creator
Sandoval, Arturo
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Date Created
1999-10-09
Date Issued
1999-10-09
Date Copyrighted
1999-10-09
Format
audio/mp3
Extent
636 KB
Medium
40-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and performed by Arturo Sandoval and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Arturo Sandoval and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Simon, Robert, Arturo Sandoval, and Marianela Sandoval. <a href="http://www.worldcat.org/oclc/880150347" target="_blank"><em>John "Dizzy" Birks Gillespie: The Man Who Changed My Life: from the Memoirs of Arturo Sandoval</em></a>. Chicago, IL: GIA Publications, 2014
Meredith, Bill. "<a href="http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love" target="_blank">Arturo Sandoval : From Cuba, With Love</a>." <em>Jazz Times</em>, October 2007. http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love (Accessed March 24, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka/files/original/06ba64498e590f6336fd917a96b608cb.mp3" target="_blank">"Jewsharp Solo" by Arturo Sandoval</a>
Afro-Cuban jazz
Arturo Sandoval
bebop
bop
CAH
College of Arts and Humanities
composer
Cubop
jazz
jazz ensembles
Jewsharp Solo
Latin jazz
Miami Beach
music
musicians
National Public Radio
NPR
orlando
pianists
pianos
Public Broadcasting Service
scat
scat singing
trumpet players
trumpeters
trumpets
UCF
University of Central Florida
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/fb5661abb5f468bd61b07c2d823393a0.mp3
1d0da40cefc37939665ab239d4c97ba9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Rhythm of Our World" by Arturo Sandoval
Alternative Title
"Rhythm of Our World" by Arturo Sandoval
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Rhythm of Our World," composed and performed by Arturo Sandoval (b. 1949) live on-air on WUCF-FM on October 9, 1999. A protégé of trumpeter Dizzy Gillespie (1917-1993), who was the first musician to bring Latin influences into American jazz, Cuban-born Sandoval became one of the most celebrated trumpeters of all-time, winning ten Grammy Awards, six Billboard Awards, and an Emmy Award. Sandoval defected to the United States while touring with Gillespie in 1990. He was awarded the Presidential Medal of Freedom by President Barack Obama (b. 1961) in 2013. Arturo Sandoval's Jazz Club was briefly open in Miami Beach, Florida, in the late 2000s. "Rhythm of Our World" was written and recorded by Sandoval for his 1998 Grammy award-winning album, <em>Hot House</em>.
Type
Sound
Source
Original 9-minute and 39-second audio recording: Sandoval, Arturo. "Rhythm of Our World," by Arturo Sandoval: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, October 9, 1999.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
Artemisa, Havana, Havana Province, Cuba
Creator
Sandoval, Arturo
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Date Created
1999-10-09
Date Issued
1999-10-09
Date Copyrighted
1999-10-09
Format
audio/mp3
Extent
8.84 MB
Medium
9-minute and 39-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and performed by Arturo Sandoval and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Arturo Sandoval and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Simon, Robert, Arturo Sandoval, and Marianela Sandoval. <a href="http://www.worldcat.org/oclc/880150347" target="_blank"><em>John "Dizzy" Birks Gillespie: The Man Who Changed My Life: from the Memoirs of Arturo Sandoval</em></a>. Chicago, IL: GIA Publications, 2014
Meredith, Bill. "<a href="http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love" target="_blank">Arturo Sandoval : From Cuba, With Love</a>." <em>Jazz Times</em>, October 2007. http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love (Accessed March 24, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://richesmi.cah.ucf.edu/omeka/files/original/fb5661abb5f468bd61b07c2d823393a0.mp3" target="_blank">"Rhythm of Our World" by Arturo Sandoval</a>
Afro-Cuban jazz
Arturo Sandoval
bebop
bop
CAH
College of Arts and Humanities
Cubop
Hot House
jazz ensembles
Latin jazz
Miami Beach
music
musicians
National Public Radio
NPR
orlando
pianist
pianists
piano
pianos
Public Broadcasting Service
Rhythm of Our World
trumpet players
trumpeters
trumpets
UCF
University of Central Florida
WUCF-FM
-
https://richesmi.cah.ucf.edu/omeka/files/original/8eb60bd9fdc2c1a534111659653acaf8.mp3
24eb83858539334af95f4be8064da735
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Jazz Collection
Alternative Title
Jazz Collection
Subject
Music--United States
Jazz--United States
Orlando (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.
Contributor
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Type
Collection
Coverage
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
DeLand, Florida
Young Musicians Camp, University of Miami, Miami, Florida
WUCF-TV, University of Central Florida, Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Alkyer, Frank. <a href="http://www.worldcat.org/oclc/319491298" target="_blank"><em> DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology</em></a>. New York: Hal Leonard, 2009.
Gioia, Ted. <a href="http://www.worldcat.org/oclc/36245922" target="_blank"><em>The History of Jazz</em></a>. New York: Oxford University Press, 1997.
Ward, Geoffrey C., and Ken Burns. <a href="http://www.worldcat.org/oclc/42404676" target="_blank"><em>Jazz: A History of America's Music</em></a>. New York: Alfred A. Knopf, 2000.
Sound/Podcast
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
"Solo Scat" by Arturo Sandoval
Alternative Title
"Solo Scat" by Arturo Sandoval
Subject
Orlando (Fla.)
Music--United States
Jazz--United States
Description
An audio recording of "Solo Scat," composed and performed by Arturo Sandoval (b. 1949) live on-air on WUCF-FM on October 9, 1999. A protégé of trumpeter Dizzy Gillespie (1917-1993), who was the first musician to bring Latin influences into American jazz, Cuban-born Sandoval became one of the most celebrated trumpeters of all-time, winning ten Grammy Awards, six Billboard Awards, and an Emmy Award. Sandoval defected to the United States while touring with Gillespie in 1990. He was awarded the Presidential Medal of Freedom by President Barack Obama (b. 1961) in 2013. Arturo Sandoval's Jazz Club was briefly open in Miami Beach, Florida, in the late 2000s.
Type
Sound
Source
Original 1-minute and 12-second audio recording: Sandoval, Arturo. "Solo Scat," by Arturo Sandoval: <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>, Orlando, Florida, October 9, 1999.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida
Coverage
WUCF-FM, University of Central Florida, Orlando, Florida
Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida
Artemisa, Havana, Havana Province, Cuba
Creator
Sandoval, Arturo
Publisher
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
Date Created
1999-10-09
Date Issued
1999-10-09
Date Copyrighted
1999-10-09
Format
audio/mp3
Extent
1.11 MB
Medium
1-minute and 12-second audio recording
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created and performed by Arturo Sandoval, and published by <a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>.
Rights Holder
Copyright to this resource is held by Arturo Sandoval and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://wucf.ucf.edu/" target="_blank">WUCF-FM</a>
External Reference
Simon, Robert, Arturo Sandoval, and Marianela Sandoval. <a href="http://www.worldcat.org/oclc/880150347" target="_blank"><em>John "Dizzy" Birks Gillespie: The Man Who Changed My Life: from the Memoirs of Arturo Sandoval</em></a>. Chicago, IL: GIA Publications, 2014
Meredith, Bill. "<a href="http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love" target="_blank">Arturo Sandoval : From Cuba, With Love</a>." <em>Jazz Times</em>, October 2007. http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love (Accessed March 24, 2015).
Click to View (Movie, Podcast, or Website)
<a href="" target="_blank">"Solo Scat" by Arturo Sandoval</a>
Afro-Cuban jazz
Arturo Sandoval
bebop
bop
CAH
College of Arts and Humanities
Cubop
jazz
jazz ensembles
Latin jazz
Miami Beach
music
musicians
National Public Radio
NPR
orlando
pianists
pianos
Public Broadcasting Service
scat
scat singing
Solo Scat
trumpet players
trumpeters
trumpets
UCF
University of Central Florida
WUCF-FM
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Central Florida Music History Collection
Alternative Title
Music History Collection
Subject
Music--Florida
Orlando (Fla.)
Cassadaga (Fla.)
Hialeah (Fla.)
Maitland (Fla.)
New Smyrna Beach (Fla.)
Description
Collection of digital images, documents, and other records depicting the history of music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.
Central Florida’s musical heritage is as rich as it is diverse, dating back to the Spanish settlers of the sixteenth century. Over the next 500 years, the region became a melting pot of Anglo-American folk and country music, African-American blues and jazz, Cuban and Latin music, traditional Native American music, gospel, rock, classical, pop, reggae, punk, metal, hip hop, and dance music. The cultural diversity of the people is reflected in the broad range of the music. Today, Central Florida is a hot spot for homegrown music and a popular stop for internationally touring artists.
Some of the most popular artists of the twentieth century called Florida home, including Ray Charles, Bo Diddley, Jim Morrison, Gram Parsons, Sam Rivers, the Allman Brothers Band, Jimmy Buffett, Zora Neale Hurston, Lynyrd Skynyrd, Vassar Clements, Gloria Estefan, Tom Petty, Johnny Tillotson, Shel Silverstein, Arturo Sandoval, and Mel Tillis. The musical landscape of Florida has played an integral role in defining Floridian culture.
Contributor
Knickerbocker, Carl
Language
eng
Type
Collection
Coverage
Cassadaga, Florida
Hialeah, Florida
Maitland, Florida
New Smyrna Beach, Florida
Orlando, Florida
Curator
Cepero, Laura
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
<span>Housewright, Wiley L. </span><a href="http://www.worldcat.org/oclc/48139297" target="_blank"><em>An Anthology of Music in Early Florida</em></a><span>. Gainesville: University Press of Florida, 1999.</span>
<span>Housewright, Wiley L. </span><a href="http://www.worldcat.org/oclc/21196990" target="_blank"><em>A History of Music & Dance in Florida, 1565-1865</em></a><span>. Tuscaloosa: University of Alabama Press, 1991.</span>
<span>Morris, Alton Chester. </span><a href="Morris,%20Alton%20Chester.%20Folksongs%20of%20Florida%20and%20Their%20Cultural%20Background.%201941." target="_blank"><em>Folksongs of Florida and Their Cultural Background</em></a><span>. 1941.</span>
DeVane, Dwight, et al. <a href="http://www.worldcat.org/oclc/821216900" target="_blank"><em>Drop on down in Florida: field recordings of African American traditional music 1977-1980</em></a>. 2012.
McLean, Will. <a href="http://www.worldcat.org/oclc/39518212" target="_blank"><em>Florida Sand: Original Folk Songs of Florida</em></a>. Tallahassee: [The Author], 1964.
Has Part
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/144" target="_blank">Blues Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/145" target="_blank">Classical Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/69" target="_blank">Orlando Philharmonic Orchestra Collection</a>, Classical Collection, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/143" target="_blank">Folk Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/154" target="_blank">Hip Hop Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank">Jazz Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida.
Moving Image
A series of visual representations that, when shown in succession, impart an impression of motion.
Original Format
1 audio/video recording
Duration
4 minutes and 33 seconds
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
WUCF Artisodes Short: Benoit Glazer
Alternative Title
Benoit Glazer Artisode
Subject
Orlando (Fla.)
Lake Buena Vista (Fla.)
Music--United States
Description
Conductor, multi-instrumentalist, composer, designer, and educator Benoit Glazer, believes art and music belong to everyone. When he isn't conducting Cirque du Soleil's <em>La Nouba</em>, he runs Timucua, which is an in-home concert series that is free to the public. Cirque du Soleil's <em>La Nouba</em> is performed at the La Nouba Theater in Downtown Disney, located at 1478 Buena Vista Drive in Orlando, Florida. Timucua is located at 2000 South Summerlin Avenue in Orlando.<br /><br />WUCF-TV is a Public Broadcasting Service (PBS) television station serving the Central Florida television market. The station, operated by the University of Central Florida, is the region's sole PBS member station, reaching an estimated population of 4.6 million people in its aerial viewing area. Arts and culture take center stage in WUCF-TV's weekly local series: "WUCF Artisodes." Each episode airs Thursdays at 8 p.m., featuring a local artist or initiative, as well as stories on the arts from across the country. Developed in partnership with 28 PBS stations nationwide, this series is part of WUCF-TV's mission to give everyone a front-row seat to the arts. This Artisodes Short originally aired as part of "WUCF Artisodes #157: Music, Passion & All That Jazz" on January 15, 2015.
Type
Moving Image
Source
Original 4-minute and 33-second audio/video recording of Benoit Glazer, <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>, Orlando, Florida, January 15, 2015: WUCF-TV, University of Central Florida, Orlando, Florida.
Requires
<a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a>
<a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a>
Is Part Of
<a href="http://video.wucftv.org/video/2365401945/" target="_blank">WUCF Artisodes Short: Benoit Glazer</a>, WUCF-TV, University of Central Florida, Orlando, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida.
Is Format Of
<a href="http://video.wucftv.org/video/2365401945/" target="_blank">WUCF Artisodes Short: Benoit Glazer</a>, WUCF-TV, University of Central Florida, Orlando, Florida.
Coverage
WUCF-TV, University of Central Florida, Orlando, Florida
La Nouba Theater, Orlando, Florida
Timucua, Orlando, Florida
Publisher
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
Contributor
Glazer, Benoit
Preisser, Gabriel
Brzmann, Peter
Drake, Hamid
Parker, William
Frei, Addison
Bradette, Alain
Rawe, Ralph
Selloane
Acoustic Eidolon
Date Created
2015-01-15
Date Issued
2015-01-15
Date Copyrighted
2015-01-15
Format
video/mp4
application/pdf
Medium
4-minute and 33-second audio/video recording
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and published by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a>
External Reference
Heward, Lyn, and John U. Bacon. <a href="http://www.worldcat.org/oclc/62593700" target="_blank"><em>Cirque Du Soleil: The Spark: Igniting the Creative Fire That Lives Within Us All</em></a>. New York: Currency Doubleday, 2006
"<a href="http://www.wucftv.org/local-programs/artisodes/" target="_blank">WUCF Artisodes</a>." WUCFTV.org. http://www.wucftv.org/local-programs/artisodes/ (Accessed April 6, 2015).
Click to View (Movie, Podcast, or Website)
<a href="https://www.youtube.com/watch?v=MGk-17OWYZA" target="_blank">WUCF Artisodes Short: Benoit Glazer</a>
Acoustic Eidolon
acoustic guitars
acrobats
Addison Frei
Alain Bradette
Artisodes
artists
arts
bass guitar
bass guitars
Benoit Glazer
Canadians
cellos
Cirque du Soleil
classical music
composers
concert series
concerts
conductors
drums
electric bass guitars
electric guitars
Gabriel Preisser
Gibson Guitar Corporation
Hamid Drake
jazz
La Nouba
La Nouba Theater
Lake Buena Vista
multi-instrumentalists
music
Music, Passion & All That Jazz
musicians
operas
orlando
painters
PBS
pianists
pianos
Public Broadcasting Service
public broadcasting station
Ralph Rawe
saxophones
Selloane
Timucua
trumpet players
trumpeters
trumpets
TV
UCF
University of Central Florida
vocalists
William Parker
WUCF Artisodes
WUCF Artisodes Short
WUCF-TV