Rachel Allen and her daughter, Mary Clare Allen, fill a jar of soil at the West Orange Girls Club in Ocoee, Florida, on September 8, 2018. The site of the soil collection is in the general area of where a shootout occurred between Julius "July" Perry and a white mob. The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."
Original color photograph by Willie J. Allen Jr.: Alliance for Truth and Justice, Orange County, Florida.
RICHES
Mary Clare Allen, Valada Flewellyn, Connor Allen, Ida Law, Joy Wallace Dickinson and Harry Coverston
Soil collection at the West Orange Girls Club in Ocoee, Florida, on September 8, 2018. Featured in the photograph are Mary Clare Allen, Valada Flewellyn, Connor Allen, Ida Law, Joy Wallace Dickinson and Harry Coverston. The site of the soil collection is in the general area of where a shootout occurred between Julius "July" Perry and a white mob. The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."
The headstone of Julius "July" Perry, surrounded by white flowers, stones, shells and a strip of stickers that read, "I VOTED." The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."
Hands held together in Greenwood Cemetery in Orlando, Florida, on November 3, 2018. The site was chosen for collecting soil samples because Julius "July" Perry is buried there. The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."
Josie Lemon Allen and Olokunkemi Ojelofun Olamina
Josie Lemon Allen and Olokunkemi Ojelofun Olamina with a jar of soil in Greenwood Cemetery in Orlando, Florida, on November 3, 2018. The text on the jar reads, "Jules Perry Ocoee, FL November 3, 1920." The site was chosen because Julius "July" Perry is buried there. The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."
Ruth King sings to a crowd of people at Julius "July" Perry's gravesite in Greenwood Cemetery in Orlando, Florida, on November 3, 2018. The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."
Olokunkemi Ojelofun Olamina, George Oliver, Ann Patton, Joan Erwin and Lawanda Hughley
Soil collection at Greenwood Cemetery in Orlando, Florida, on November 3, 2018. Holding hands, from left to right, is Olokunkemi Ojelofun Olamina, George Oliver, Ann Patton, Joan Erwin and Lawanda Hughley. The site was chosen because Julius "July" Perry is buried there. The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."
Pamela Grady, Kristin Congdon, Dayle Steakley, Ann Patton, Sandy Cawthern, Charlotte Fleming, Joy Wallace Dickerson, Lawanda Hughley and Demetrius Summerville
Collecting soil at Julius "July" Perry's gravesite in Greenwood Cemetery in Orlando, Florida, on November 3, 2018. Pamela Grady, Kristin Congdon, Dayle Steakley, Ann Patton, Sandy Cawthern, Charlotte Fleming, Joy Wallace Dickerson, Lawanda Hughley and Demetrius Summerville are featured standing from left to right. An unidentified woman and young girl scoop soil into a jar. The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."
Josie Lemon Allen places soil samples from Don Dudley Park in Orlando, Florida, on October 8, 2018, into glass jars to commemorate Orange County lynching victims. Although Julius "July" Perry was not lynched in the park, the location was chosen based on the account that it occurred in an area overlooking Lake Concord in view of Judge Cheney's home. The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."
Original color photographs by Phelan M. Ebenhack: Alliance for Truth and Justice, Orange County, Florida.
Sandy Cawthern, Jeanine Taylor, Joy Wallace Dickinson, Francina Boykin, Charley Williams and Harry Coverston
Sandy Cawthern, Jeanine Taylor, Joy Wallace Dickinson, Francina Boykin, Charley Williams and Harry Coverston gather soil samples from Don Dudley Park in Orlando, Florida, on October 8, 2018, and place them into glass jars to commemorate Orange County lynching victims. Although Julius "July" Perry was not lynched in the park, the location was chosen based on the account that it occurred in an area overlooking Lake Concord in view of Judge Cheney's home. The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."
Tremaine Quinton Berryhill digs soil in Don Dudley Park in Orlando, Florida, on October 8, 2018, to commemorate Orange County lynching victims. Although Julius "July" Perry was not lynched in the park, the location was chosen based on the account that it occurred in an area overlooking Lake Concord in view of Judge Cheney's home. The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."
Glass jars containing white roses are lined up in Don Dudley Park in Orlando, Florida. The jars would be filled with soil samples to commemorate victims of lynching. Although Julius "July" Perry was not lynched in the park, the location was chosen based on the account that it occurred in an area overlooking Lake Concord in view of Judge Cheney's home. The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."
An oral history interview of Debbie Simmons, the co-owner of Shelbie Press and a founding member of the Metropolitan Business Association (MBA), an organization supporting LGBTQ businesses in Orlando, FL. As MBA president, she also helped found Come Out with Pride and the LGBTQ History Museum of Central Florida. This interview was conducted by Sara Raffel at Shelbie Press in Orlando, Florida, on June 16th, 2018. Some of the topics covered include attending the first gay pride parade in Orlando, founding the Metropolitan Business Association, facilitating a network of allies and inspiring activism, working with the Human Relations Board of the City of Orlando, building an LGBTQ+ community and collaborating with other groups, forming Come Out With Pride, the history of the gay rights movement, preserving the history of the LGBTQ+ community, her favorite memory from work at GLBT History Museum of Central Florida, organizing the first exposition of the Metropolitan Business Association, how the small business community impacted the LGBTQ+ community, omitting references to homosexuality in the organization’s name, and goals and challenges for the GLBT Museum of Central Florida and the Metropolitan Business Association.
Simmons, Debbie. Interviewed by Sara Raffel, June 16, 2018. Audio record available. RICHES of Central Florida, Orlando, Florida.
GLBT History Museum of Central Florida
Shelbie Press Print & Copy, Orlando, Florida
Metropolitan Business Association, Orlando, Florida
Joy Metropolitan Community Church, Orlando, Florida
Orange County Regional History Center, Orlando, Florida
A planning document for a display at the Orange County Regional History Center in Orlando, Florida. The exhibition, entitled "Pride, Prejudice and Protest", chronicles the history of the Gay, Lesbian, Bisexual, Transgender community, sharing the progress and setbacks of the Central Florida LGBTQ+ community over the past five decades. The planning document is divided into three columns: Text, Theme and Image or Artifact.
GLBT History Museum of Central Florida, Inc.
Original color planning document: GLBT History Museum of Central Florida, Inc., Orlando, Florida.
A flyer for a history harvest conducted by the GLBT History Museum of Central Florida and the University of Central Florida's RICHES program on January 14, 2017. The harvest was held at The LGBT Center of Central Florida, located at 946 North Mills Avenue in Orlando, Florida. The purpose of the event was to collect, preserve and digitally share photographs, documents and objects related to GLBT history in Central Florida.
Original color flyer: RICHES, University of Central Florida, Orlando, Florida.
The LGBT Center of Central Florida, Orlando, Florida
A painting by Mattie L. Starke, who was a librarian and Jones High School. The painting hangs in the Jones High School Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
Original color painting: Jones High School Historical Museum, Orlando, Florida.
Jones High School
Jones High School Historical Society, Inc.
The Jones High School Historical Society Inc. was formed in 1995 to celebrate the 100th anniversary of the schools founding in 1895. The historical society opened and maintains a museum on site at Jones High School. James “Chief” Wilson and Audrey Reicherts appear in the photograph. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
Original color photograph: Jones High School Historical Museum, Orlando, Florida.
A graduating class at Jones High School. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
Original black and white photograph: Jones High School Historical Museum, Orlando, Florida.
Jones High School in 1985. The photograph appeared in the Jones High School yearbook that year. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
A Jones High School classroom in 1972. The photograph appeared in the 1972 Jones High School yearbook. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
An integrated class assembly at Jones High School in 1970. The photograph appeared in the Jones High School yearbook that year. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
Newspaper collage from the 1970 Jones High School yearbook. The articles describe a lottery in which teachers' names were drawn from a fishbowl to determine which school they would be assigned to. The county implemented this policy after the courts ordered desegregation in all schools. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
Original newspaper clippings: Jones High School Historical Museum, Orlando, Florida.
Newspaper collage from the 1970 Jones High School yearbook. The articles describe the Orange County teachers strike of 1969, in which 27 teachers stayed home in protest of the county's decision to move black students to white schools and convert their former schools to other uses. The county implemented this policy after the courts ordered desegregation in all schools. Three of four black high schools were converted, but Jones High was spared. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
Dr. Martin Luther King, Jr. Visits Orlando
On March 6th, 1964, Dr. Martin Luther King, Jr. came to Orlando and gave a speech at Tinker Field. Appearing in the photograph at the steps of the Shiloh Baptist Church in Orlando from left to right is John Truesdell, Frank O’Neill, Mabel Richardson, Dr. Martin Luther King, Jr., Sandra Poston Johnson, Rev. Jim Perry and Rosemary Budley. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
Jones High School Home Economics class in 1957. The photograph appeared in the 1957 Jones High School yearbook. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
Jones High School in the 1970s. A sign reads, "Welcome to Jones High School", and a school bus and several cars are parked outside. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
Jones High School in 1962. The aerial view of the high school was featured in the Sixteenth Annual North State Band Festival Program for the Florida Association of Band Directors. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
Jones High School in 1957. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
Jones High School in the 1940s. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
Jones High School Twelfth Grade Class, 1931
Jones High School's twelfth grade class of 1931. This was the first class to go through all 12 years at the renamed school. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
Jones High School students from the 1920s. Three rows of 29 male students pose in front of the school. The boys all wear hats and one holds and American flag. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
Jones High School Tenth Grade Class, 1928
Jones High School's tenth grade class of 1928. Three rows of 16 children pose in front of the school with a teacher and Principal L.C. Jones. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street.
L.C. Jones, principal of Jones High School in Orlando, Florida, from 1912-1931. When Jones became principal of what was then known as the Johnson Academy, the first area public school for African-Americans was located on the corner of Chatham Avenue and West Jefferson Street in the Parramore/Lorna Doone neighborhood of downtown Orlando. The Jones family donated land a few blocks away on the corner of Parramore Avenue and Washington Street and the newly constructed brick colonial revival building school was renamed in honor Principal Jones in 1921. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
Teachers at the Johnson Academy. Standing from left to right is Mr. Gruggie, Mrs. Douglas, Mrs. Crooms, Mrs. Jackson, Mrs. Hill and Mrs. Hopkins. Sitting from left to right is Mrs. Proctor, Mrs. Henderson, Professor Jones, Mrs. Murrell and Mrs. Thomas. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
Lorenzo Phillips, principal of Jones High School in Orlando, Florida, from 2003-2006. With the support of Blue Cross Blue Shield and Florida State University, Phillips helped the Medical Arts Magnet make enormous strides. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
Andrew Jenkins, principal of Jones High School in Orlando, Florida, from 1999-2003. During his tenure, Jenkins served as President of the Orange County Association of Secondary School Principals, oversaw the establishment of the Academy of Business and Industry, improved the school's infrastructure and assisted in obtaining several grants. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
Eddie Sneed, principal of Jones High School in Orlando, Florida, from 1991-1999. During his tenure, Sneed over the conversion of the wood shop to a technology lab, curriculum expansion and the opening of the Jones High School Historical Museum. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
Victoria Johnson, principal of Jones High School in Orlando, Florida, from 1990-1991. During her one term, high school competency test scores rose significantly. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
Clara Walters, principal of Jones High School in Orlando, Florida, from 1981-1990. During her administration, Walters expanded the Foreign Language Department, renovated the auditorium, and added a guidance suite. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
Henry C. Wright, principal of Jones High School in Orlando, Florida, from 1975-1981. During his tenure, Wright expanded the curriculum and some of the school's buildings. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
Wilbur S. Gary, principal of Jones High School in Orlando, Florida, from 1968-1975. During the 1969-1970 school year, the courts ordered the desegregation of all schools. Orange county teachers were randomly assigned to schools throughout the county. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
Claudius J. Manigault, principal of Jones High School in Orlando, Florida, from 1964-1968. During his tenure, Manigault oversaw several expansions of the school and the addition of sports facilities. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
Cecil W. Boston, principal of Jones High School in Orlando, Florida, from 1954-1964. Boston developed a Diversified Cooperative Training Program that allowed students to attend classes in the mornings and work in vocational jobs in the afternoons. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
Cullen Banks, principal of Jones High School in Orlando, Florida, from 1935-1954. During his tenure, the Orange County School Board built a new school building at 801 South Rio Grande Avenue, which is the current location of the school. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street.
A.J. Polk, principal of Jones High School in Orlando, Florida, from 1932-1935. While he was principal, the Board of Education built Kentucky Street School, which later became Holden Street Elementary School, and students from first to sixth grade migrated from Jones to the new school. Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.
The original interior of the May Museum of the Tropics in the 1950s. In the months following the photograph, several specimen began to droop and wilt in the cases due to humidity. The owner, John May, was forced to hand make new display cases out of metal and attach them to a dehumidifier. The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.
Original black and white photograph by John May: May Natural History Museum Colorado Springs, Colorado.
May Museum of the Tropics, Weeki Wachee Springs State Park, Weeki Wachee, Florida
Entrance to the May Museum of the Tropics
The entrance of the May Museum of the Tropics. Faux thatched roof, tiki sculptures, and a list of countries the insects in the collection came from adorn the space, giving it an exotic feel. The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.
Construction of Hercules Beetle Sculpture at Weeki Wachee Springs
A team of people guide the placement of a Hercules beetle sculpture in the 1950s. A crane lowers the sculpture in place near the May Museum of the Tropics at Weeki Wachee Springs, Florida. The large beetle sculpture served as an advertisement to attract visitors to the museum. The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.
Letter from Myrtle Colson to John May (February 11, 1961)
A letter from the manager of the the May Museum of the Tropics, Myrtle Colson, to the owner of the museum, John May. The letter details concerns that the manager was having with an employee as well as her complaints about being excluded from certain business matters. As John May lived in Colorado and the May Museum of the Tropics was located in Florida, communication between employer, employees, and other staff at Weeki Wachee Springs was limited predominantly to letters of correspondence. The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.
Original 3-page letter from Myrtle Colson to John May, February 11, 1961: May Natural History Museum Colorado Springs, Colorado.
Employee Rules and Regulations for the May Museum of the Tropics
Six pages of the May Museum of the Tropics employee handbook. The owner of the museum, John May, created the handbook for his employees to follow in the 1960s. The table of contents on the first three pages gives insight to what is included in the missing pages of the handbook. The other three pages explain how employees should approach the public, list what actions are and are not permitted, and provide instructions for handling an emergency. The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.
Original 8-page typewritten handbook by John May: May Natural History Museum Colorado Springs, Colorado.
May Natural History Museum
A postcard of Weeki Wachee Springs sometime in the late 1950s. Louise Nan Steer mentions this postcard in her oral history interview because the blonde girl in the pink bathing suit in the center of the postcard is her twin sister, Lynda. The rest of the women are mermaids that worked at the park. Louise stated that several times during photoshoots, the photographer would gather whoever was available to fill the shot. This is how Lynda became a part of the postcard even though she was not a Weeki Wachee mermaid. The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.
Weeki Wachee Springs
Original 3.5 x 5 color postcard by Weeki Wachee Springs: May Natural History Museum Colorado Springs, Colorado.
Weeki Wachee Springs State Park, Weeki Wachee, Florida
John May Building the May Museum of the Tropics
John May at the foundation of the May Museum of the Tropics at Weeki Wachee Springs, Florida. The date written on the photograph is November 20th, 1953. The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.
Original black and white photograph: May Natural History Museum Colorado Springs, Colorado.
100 Year Memorial Remembering Roderick Perry Taylor
The Geneva Historical & Genealogical Society, Inc. held a 100 year memorial on October 10, 2018, for Roderick Perry Taylor of Geneva, Florida, and the other 564 people who died on the R.M.S. Leinster when it was hit by three German torpedoes in the Irish Sea on Oct. 10, 1918. Most of those killed were young military men and women. The ceremony was held at 2:00 PM at the Geneva Community Center. While memorials were also held on the same day in Ireland and other Allied countries, this was the only memorial in the United States that honored the six American soldiers who drowned.
Original 30-minute and 26-second audio/video recording, Geneva Community Center, Geneva, Florida.
Geneva Historical & Genealogical Society, Inc.
Geneva Community Center, Geneva, Florida
Orchid Gardens at Weeki Wachee Springs. The hothouse, which allowed visitors to view a variety of orchids, was one of the original attractions to join the mermaid show at Weeki Wachee Springs. The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.
Original black and white photograph by John M. May: May Natural History Museum Colorado Springs, Colorado.
Orchid Gardens, Weeki Wachee Springs State Park, Weeki Wachee, Florida
Letter from John M. May to Myrtle Colson (September 27, 1958)
A letter from John M. May, owner of the May Museum of the Tropics, to the manager of the museum, Myrtle Colson, dated September 27, 1958. May reassures Colson that she is doing fine, expressing remorse for the losing an employee and hope that their replacement is a good fit for the position. May also mentions that he is working on creating a sculpture of a hercules beetle that he plans to place in front of the museum to help drum up business. The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.
Original 1-page typewritten letter from John M. May to Myrtle Colson, September 27, 1958: May Natural History Museum Colorado Springs, Colorado.
Letter from Myrtle Colson to John M. May (June 1, 1958)
A letter from Myrtle Colson, manager of the May Museum of the Tropics, to the owner of the museum, John M. May, dated June 1, 1958. Colson tells May about the increasing sales to the museum due to efforts of the new owner of Weeki Wachee Springs, and discusses a new employee. The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.
Original 1-page typewritten letter from Myrtle Colson to John M. May, June 1, 1958: May Natural History Museum Colorado Springs, Colorado.
Letter from John M. May to John T. Greighten (November 20, 1963)
A letter from John M. May, owner of the May Museum of the Tropics, to John T. Creighten, an employee of the Department of Entomology at the University fo Florida, dated November 20, 1963. replying to Mr. Creighten's interest in the museum and its collection. In response to Creighten's interest in the museum and its collection, May invited him to visit. May points out that the museum would close permanently that December due to decisions made by the owners of Weeki Wachee Springs. The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.
Original 1-page typewritten letter from John M. May to John T. Greighten, November 20, 1963: May Natural History Museum Colorado Springs, Colorado.
Letter from Myrtle Colson to John M. May (February 25, 1959)
A letter from Myrtle Colson, manager of the May Museum of the Tropics, to the owner of the museum, John M. May, dated February 25, 1959. Colson discusses a surprise audit from the owners of Weeki Wachee, The Florida Chain of Theaters. She writes that a comptroller visited the museum, inquiring about the museum's accounting books and records of business. The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.
Original 2-page typewritten letter from Myrtle Colson to John M. May, February 25, 1959: May Natural History Museum Colorado Springs, Colorado.
Letter from Myrtle Colson to John M. May (March 28, 1956)
A letter from Myrtle Colson, manager of the May Museum of the Tropics, to the owner of the museum, John M. May, dated March 28, 1956. Myrtle writes that earlier in the day, she allowed an African-American couple to enter the museum, as he had instructed employees to do. Later in the day, after news spread to Joe Seltzer, manager of Weeki Wachee Springs, he reprimanded her and instructed her not to let any other African-Americans in the museum. He also told her to put up a sign that read, "We reserve the right to refuse admission to anyone". Myrtle writes that she tried to defend her decision, citing a Supreme Court decision, to which Seltzer replied that the decision did not apply to the Springs. The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.
Original 2-page typewritten letter from Myrtle Colson to John M. May, March 28, 1956: May Natural History Museum Colorado Springs, Colorado.
Letter from John M. May to Directors of St. Petersburg Springs Co (January 28, 1957)
A letter from the owner of the May Museum of the Tropics, John M. May, to the directors of the St. Petersburg Springs Co., owners of Weeki Wachee Springs, dated January 28, 1957. May discusses his concerns with management and inquires about construction plans. The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.
Original 1-page typewritten letter from John M. May to Directors of St. Petersburg Springs Co, January 28, 1957: May Natural History Museum Colorado Springs, Colorado.
General Company Rules for Mermaids, Swimmers & Trainees
Weeki Wachee Springs employee handbook for mermaids, swimmers and trainees. The first four pages detail scheduling rules, dress code and rules of conduct. Some of the rules for mermaids cover what makeup to wear in and out of the water, where to keep bathing suits and costumes, how to act in the villa, how to announce the shows, as well as how to act in public when off duty. Pages 5-10 detail safety measures for diving. There are rules for how to care for the sinus, answers to an air lock test, and a list of diving diseases and their symptoms. Weeki Wachee Springs is a state park that opened to the public in October of 1949 by Newton Perry along with a group of investors. This attraction opened as the roadside era of Florida was ramping up and consisted of an amalgamation of vendors including an orchid garden, a river boat tour, as well as the star attraction- the mermaid show that took place in an underwater theatre. The attraction grew to include The May Museum of the Tropics, an ‘abandoned Seminole village’, an show called “Birds of Prey”, and a petting zoo. As theme parks became the new norm for Florida’s tourist industry, Weeki Wachee Springs began steadily declining until the state of Florida absorbed the attraction into the state park system in 2008. The attraction now focuses on appealing to a modern audience, while still preserving its rich history.
10-page typewritten handbook by Weeki Wachee Springs, c.1950s: Weeki Wachee Springs State Park Weeki Wachee, Florida.
Bonnie Georgiadis assisting an archeological dig of a Native American burial mound at Weeki Wachee Springs in July of 1970. She is using archeological tools to uncover a vase. The dig was conducted by the University of Florida. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.
Original color photograph by Elmer "Sparky" Schumacher: Weeki Wachee Springs State Park Weeki Wachee, Florida.
A postcard featuring the dinosaur-shaped Sinclair Gas Station in Weeki Wachee Springs. A handwritten note by Bonita Colson accompanies the postcard, describing a mobile home rental park across the street from the gas station that Weeki Wachee mermaids would frequently rent. She also notes that the dinosaur-shaped gas station was the only one of its kind in the world. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. The Sinclair Oil Corporation was founded on May 1, 1916. The corporation created dinosaur exhibits in several world's fairs that featured a brontosaurus, which was the company's mascot. Other promotional materials featuring the dinosaur included bobble head toys and inflatables.
Original color postcard Sinclair Oil Corporation and original handwritten note by Bonita Colson: Weeki Wachee Springs State Park Weeki Wachee, Florida.
Sinclair Gas Station, Brooksville Florida
A postcard showcasing the lobby of the Mermaid Motel, which was located directly across the street from Weeki Wachee Springs. Two cars are parked under a pavilion next to the building. The back of the postcard features an add that describes the amenities of the motel, including comfortable rooms and a restaurant. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.
Original color postcard by Elmer "Sparky" Schumacher, Florida Natural Color and Mermaid Motel: Weeki Wachee Springs State Park Weeki Wachee, Florida.
A postcard depicting several Weeki Wachee mermaids lounging around the pool of the local Holiday Inn with the words "Greetings From Weeki Wachee, Florida" printed on the front. The back of the postcard features an ad for the Holiday Inn that lists the hotels amenities and location. The postcard was mailed with an 8 cent Eisenhower stamp to Randolph, New York, in 1975. The author, Helen, describes her activities in Florida. She went swimming and was planning to go to the Red Fish for dinner. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.
Original color postcard by Holiday Inn, Claude Long and Curteich Color: Weeki Wachee Springs State Park Weeki Wachee, Florida.
The Mermaid Villa building at Weeki Wachee Springs. Mermaids used the building to change into their costumes for their underwater performances, shower after their performances, and lounge while on break. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.
Original black and white photograph by Elmer "Sparky" Schumacher: Weeki Wachee Springs State Park Weeki Wachee, Florida.
Baboon and Raccoon from Weeki Wachee's Jungle Cruise
A raccoon and caged baboon on the river bank of the Weeki Wachee River. This river was used for Weeki Wachee Spring's Jungle Cruise attraction. This attraction would take guests down the river in a glass bottom boat, where they would observe caged animals along the river's edge. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.
John Hamlet, naturalist, placing his hand into a trained boar's mouth as part of an attraction at Weeki Wachee Springs. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.
Weeki Wachee Mermaids with Boar on Leash
Two mermaids at Weeki Wachee Springs walking a young boar on a leash. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.
Rita King, mermaid at Weeki Wachee Springs, holding two juvenile alligators. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.
Ann Tanzler with Weeki Wachee Mermaids and Press Release
Ann Tanzler, wife of Jacksonville Mayor Hans G. Tanzler, putting on a diving mask with the aid of two Weeki Wachee mermaids. An accompanying press release sent out on November 22, 1971, describes the busy life of Ann Tanzler, who, on top of being a homemaker, mother and qualified parachuter, was being trained in the art of underwater ballet. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.
1-page press release by News Bureau, November 22,1971: Weeki Wachee Springs State Park Weeki Wachee, Florida.
A Weeki Wachee Springs mermaid posing underwater with a report card. The card includes grades for bathing, ballet, breathing and boys. Weeki Wachee Springs is a state park that opened to the public in October of 1949 by Newton Perry along with a group of investors. This attraction opened as the roadside era of Florida was ramping up and consisted of an amalgamation of vendors including an orchid garden, a river boat tour, as well as the star attraction- the mermaid show that took place in an underwater theatre. The attraction grew to include The May Museum of the Tropics, an ‘abandoned Seminole village’, a show called “Birds of Prey”, and a petting zoo. As theme parks became the new norm for Florida’s tourist industry, Weeki Wachee Springs steadily declined until the state of Florida absorbed the attraction into the state park system in 2008. The attraction now focuses on appealing to a modern audience, while still preserving its rich history.
Bonnie Georgiadis and Weeki Wachee Mermaids
Bonnie Georgiadis and three other Weeki Wachee mermaids training for future performances by practicing a pose. Bonnie Georgiadis was a mermaid from 1950 to 1968. After retiring from underwater theater, she took on other responsibilities at the park, working a total of 37 years. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.
A trained raccoon opening a gift from an employee of Weeki Wachee Springs in the 1950s. For several years, Weeki Wachee offered a "covered wagon" ride through the forest as one of the park's attractions. Along the sides of the forest were a variety of trained or caged animals for the visitors to see. This included two trained raccoons, who opened various boxes and tins for treats. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.
Abstract of Military Service for William Snow Taylor Jr.
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s Veterans Legacy Program Project. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.
U.S. National Army Cantonment, Camp Devens, Ayer, Mass.
3rd Infantry Division Stained Glass Window
Troopship Nansemond Brings 5,252 Happy Men