11
100
4936
-
https://richesmi.cah.ucf.edu/omeka/files/original/f0e418667ee94c5b093e0a2e1787f4ca.pdf
0fc3adff5b13ee562a4caf5212eb343c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida-France Soldier Stories Project Collection
Alternative Title
Florida-France Soldier Stories Project
Subject
Cemeteries--Europe
Veterans--Florida
World War II, 1939-1945
Army
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener">RICHES</a>.
<a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener">Florida-France Soldier Stories Project</a>.
Language
eng
Type
Collection
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Contributing Project
Florida-France Soldier Stories Project
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a>
External Reference
"<a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener">The Epinal Project- by Students of History 357: The Second World War</a>." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).
Description
<p><span>The </span>Florida-France Soldier Stories<span>project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.</span></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Letter from Henry L. Stimson to Edna P. Hancock (May 25, 1945)
Alternative Title
Letter from Stimson to Hancock (May 25, 1945)
Subject
World War II, 1939-1945
Veterans--Florida
Description
A letter from U.S. Secretary of War Henry L. Stimson to Edna P. Hancock dated May 25, 1945. In the letter, Sec. Stimson announces that Hancock's husband, Sergeant John B. Hancock (1913-1944), was posthumously awarded the Purple Heart from President Harry S. Truman.<br /><br />Sgt. Hancock was born in Thomasville, Georgia, in 1913, but later migrated to Auburndale, Florida. Hancock managed a Great Atlantic &
Pacific Tea Company (A&
P) store in Haines City until he enlisted in the 45th Infantry Division's 179th Infantry Regiment. Sgt. Hancock served initially in Africa in 1943, until the 45th Infantry Division's participation in Operation Husky for the Allied invasion of Sicily, codenamed Operation Husky. The division then went on to participate in the Allied invasion of Italy, where Sgt. Hancock was injured. He was returned to duty in February of 1944 to tour southern France. On November 1, 1944, Sgt. Hancock went Missing in Action (MIA) after serving in the Allied invasion of Southern France, codenamed Operation Dragoon. He was eventually buried in Epinal American Cemetery and Memorial in Dinozé, France.
Type
Text
Source
Photocopy of original 1-page typewritten letter from Henry L. Stimson to Edna P. Hancock, May 25, 1945: Private Collection of Linda Hughes.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank">Epinal American Cemetery Collection</a>, RICHES of Central Florida.
Is Format Of
Digital reproduction of photocopied 1-page typewritten letter from Henry L. Stimson to Edna P. Hancock, May 25, 1945.
Coverage
Auburndale, Florida
Creator
Stimson, Henry L.
Contributor
Hughes, Linda
Date Created
1945-05-25
Format
application/pdf
Extent
Medium
1-page typewritten letter
Language
eng
Audience
Mediator
History Teacher
Civics/Government Teacher
Provenance
Originally created by Henry L. Stimson.
Rights Holder
Copyright to this resource is held by Linda Hughes and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
Epinal American Cemetery and Memorial Project
Curator
Bates, Chris
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
Private Collection of Linda Hughes
External Reference
"<a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56372799" target="_blank">Sgt John B Hancock</a>." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56372799.
"Killed in Action." RICHES of Central Florida.
"Letter from John R. Hull to Edna P. Hancock (April 23, 1945)." RICHES of Central Florida.
Edna P. Hancock
Harry S. Truman
Henry L. Stimson
Henry Lewis Stimson
Jack Hancock
John B. Hancock
military decorations
Purple Heart
U.S. Army
U.S. Department of War
U.S. Secretary of War
USA
veterans
World War II
WWII
-
https://richesmi.cah.ucf.edu/omeka/files/original/3e7973849906d7d052d9df773161b237.jpg
79b0fc7b38996ed6247ccf1ea12fc1e0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida-France Soldier Stories Project Collection
Alternative Title
Florida-France Soldier Stories Project
Subject
Cemeteries--Europe
Veterans--Florida
World War II, 1939-1945
Army
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener">RICHES</a>.
<a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener">Florida-France Soldier Stories Project</a>.
Language
eng
Type
Collection
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Contributing Project
Florida-France Soldier Stories Project
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a>
External Reference
"<a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener">The Epinal Project- by Students of History 357: The Second World War</a>." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).
Description
<p><span>The </span>Florida-France Soldier Stories<span>project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.</span></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Letter from J. A. Ulio to Edna P. Hancock (March 25, 1944)
Alternative Title
Letter from Ulio to Hancock (Mar. 25, 1944)
Subject
World War II, 1939-1945
Veterans--Florida
Description
A letter from U.S. Army Major General J. A. Ulio to Edna P. Hancock dated March 15, 1944. In the letter, Maj. Gen. Ulio informs Hancock that her husband, then-Private John B. Hancock (1913-1944), was making normal improvement, likely from an injury.<br /><br />Sergeant Hancock was born in Thomasville, Georgia, in 1913, but later migrated to Auburndale, Florida. Hancock managed a Great Atlantic &
Pacific Tea Company (A&
P) store in Haines City until he enlisted in the 45th Infantry Division's 179th Infantry Regiment. Sgt. Hancock served initially in Africa in 1943, until the 45th Infantry Division's participation in Operation Husky for the Allied invasion of Sicily, codenamed Operation Husky. The division then went on to participate in the Allied invasion of Italy, where Sgt. Hancock was injured. He was returned to duty in February of 1944 to tour southern France. On November 1, 1944, Sgt. Hancock went Missing in Action (MIA) after serving in the Allied invasion of Southern France, codenamed Operation Dragoon. He was eventually buried in Epinal American Cemetery and Memorial in Dinozé, France.
Type
Text
Source
Photocopy of original 1-page typewritten letter from J. A. Ulio to Edna P. Hancock, March 25, 1944: Private Collection of Linda Hughes.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank">Epinal American Cemetery Collection</a>, RICHES of Central Florida.
Is Format Of
Digital reproduction of photocopied 1-page typewritten letter from J. A. Ulio to Edna P. Hancock, March 25, 1944.
Coverage
Italy
Creator
Ulio, J. A.
Contributor
Hughes, Linda
Date Created
1944-03-25
Format
image/jpg
Extent
Medium
1-page typewritten letter on U.S. Department of War letterhead
Language
eng
Audience
Mediator
History Teacher
Civics/Government Teacher
Provenance
Originally created by J. A. Ulio.
Rights Holder
Copyright to this resource is held by Linda Hughes and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
Epinal American Cemetery and Memorial Project
Curator
Bates, Chris
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
Private Collection of Linda Hughes
External Reference
"<a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56372799" target="_blank">Sgt John B Hancock</a>." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56372799.
"Killed in Action." RICHES of Central Florida.
"Letter from John R. Hull to Edna P. Hancock (April 23, 1945)." RICHES of Central Florida.
Edna P. Hancock
J. A. Ulio
Jack Hancock
John B. Hancock
U.S. Army
U.S. Department of War
USA
veterans
World War II
WWII
-
https://richesmi.cah.ucf.edu/omeka/files/original/8eb9111ba472e7b0c4555e48c1211e7f.pdf
28efcb6d4216336c1feabc55f24a8190
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida-France Soldier Stories Project Collection
Alternative Title
Florida-France Soldier Stories Project
Subject
Cemeteries--Europe
Veterans--Florida
World War II, 1939-1945
Army
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener">RICHES</a>.
<a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener">Florida-France Soldier Stories Project</a>.
Language
eng
Type
Collection
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Contributing Project
Florida-France Soldier Stories Project
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a>
External Reference
"<a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener">The Epinal Project- by Students of History 357: The Second World War</a>." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).
Description
<p><span>The </span>Florida-France Soldier Stories<span>project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.</span></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Letter from G. A. Horkan to Edna P. Hancock (April 14, 1945)
Alternative Title
Letter from Horkan to Hancock (Apr. 14, 1945)
Subject
World War II, 1939-1945
Veterans--Florida
Description
A letter from U.S. Department of War Brigadier General G. A. Horkan to Edna P. Hancock. In the letter, BG Horkan encloses a photograph, which is not included in this digital reproduction, of Epinal American Cemetery and Memorial in Dinozé, France. According to the letter, Hancock's husband, Sergeant John B. Hancock (1913-1944), would be buried at Epinal. Although the letter is dated April 14, 1947, it was likely sent in 1945.<br /><br />Sgt. Hancock was born in Thomasville, Georgia, in 1913, but later migrated to Auburndale, Florida. Hancock managed a Great Atlantic &
Pacific Tea Company (A&
P) store in Haines City until he enlisted in the 45th Infantry Division's 179th Infantry Regiment. Sgt. Hancock served initially in Africa in 1943, until the 45th Infantry Division's participation in Operation Husky for the Allied invasion of Sicily, codenamed Operation Husky. The division then went on to participate in the Allied invasion of Italy, where Sgt. Hancock was injured. He was returned to duty in February of 1944 to tour southern France. On November 1, 1944, Sgt. Hancock went Missing in Action (MIA) after serving in the Allied invasion of Southern France, codenamed Operation Dragoon.
Type
Text
Source
Photocopy of original 1-page typewritten letter from G. A. Horkan to Edna P. Hancock, April 14, 1945: Private Collection of Linda Hughes.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank">Epinal American Cemetery Collection</a>, RICHES of Central Florida.
Is Format Of
Digital reproduction of photocopied 1-page typewritten letter from G. A. Horkan to Edna P. Hancock, April 14, 1945.
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Creator
Horkan, G. A.
Contributor
Hughes, Linda
Date Created
1945-04-14
Format
application/pdf
Extent
Medium
1-page typewritten letter on U.S. Department of War letterhead
Language
eng
Audience
Mediator
History Teacher
Civics/Government Teacher
Provenance
Originally created by G. A. Horkan.
Rights Holder
Copyright to this resource is held by Linda Hughes and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
Epinal American Cemetery and Memorial Project
Curator
Bates, Chris
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
Private Collection of Linda Hughes
External Reference
"<a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56372799" target="_blank">Sgt John B Hancock</a>." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56372799.
"Killed in Action." RICHES of Central Florida.
"Letter from John R. Hull to Edna P. Hancock (April 23, 1945)." RICHES of Central Florida.
Auburndale
burials
cemeteries
cemetery
Dinozé, France
Edna P. Hancock
Epinal American Cemetery and Memorial
graveyards
Jack Hancock
John B. Hancock
U.S. Army
U.S. Department of War
USA
veterans
World War II
WWII
-
https://richesmi.cah.ucf.edu/omeka/files/original/c64a6502902d1f01e9545b93bfba1770.jpg
cd2a4324031206ecb0b2b26e64d32ff0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida-France Soldier Stories Project Collection
Alternative Title
Florida-France Soldier Stories Project
Subject
Cemeteries--Europe
Veterans--Florida
World War II, 1939-1945
Army
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener">RICHES</a>.
<a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener">Florida-France Soldier Stories Project</a>.
Language
eng
Type
Collection
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Contributing Project
Florida-France Soldier Stories Project
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a>
External Reference
"<a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener">The Epinal Project- by Students of History 357: The Second World War</a>." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).
Description
<p><span>The </span>Florida-France Soldier Stories<span>project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.</span></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Headstone of Sergeant John F. Aylward, Jr. Headstone at Epinal American Cemetery and Memorial
Alternative Title
Headstone of Sgt. Aylward
Subject
World War II, 1939-1945
Veterans--Florida
Army
Description
The headstone of Sergeant John F. Aylward, Jr. (1912-1944), who died on November 3, 1944, while serving in World War II. Also known as Jack, Sgt. Aylward was a part of the Headquarters Company within the 6th Armored Division, nicknamed the Super Sixth. Sgt. Aylward was originally from Ocala, Florida, and is interred at Epinal American Cemetery and Memorial in Dinozé, France.
Type
Still Image
Source
Digital reproduction of original <a href="http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56370982">color digital image</a> by Dwight Anderson.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank">Epinal American Cemetery Collection</a>, RICHES of Central Florida.
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Creator
Anderson, Dwight
Date Created
ca. 2015-08-13
Format
image/jpg
Extent
Medium
1 color digital image
Language
eng
Audience
Mediator
History Teacher
Civics/Government Teacher
Provenance
Originally created by Dwight Anderson.
Rights Holder
Copyright to this resource is held by Dwight Anderson and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
Epinal Cemetery Project
Curator
Jaimes, Kyle
Cepero, Laura
Digital Collection
<a href="http://www.findagrave.com/index.html" target="_blank">Find A Grave</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
"<a href="http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56370982" target="_blank">Sgt John F. "Jack" Aylward, Jr</a>." Find A Grave. http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56370982.
cemeteries
cemetery
Dinozé, France
Epinal American Cemetery and Memorial
graves
gravestones
Headquarters Company within the 6th Armored Division
headstones
Jack Aylward
John F. Aylward, Jr.
Super Sixth
U.S. Army
veterans
World War II
WWII
-
https://richesmi.cah.ucf.edu/omeka/files/original/7131fb4cae07c44a82119ee2c79f1d68.jpg
a72208c54a57180ae0c6bf831ffefa1f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida-France Soldier Stories Project Collection
Alternative Title
Florida-France Soldier Stories Project
Subject
Cemeteries--Europe
Veterans--Florida
World War II, 1939-1945
Army
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener">RICHES</a>.
<a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener">Florida-France Soldier Stories Project</a>.
Language
eng
Type
Collection
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Contributing Project
Florida-France Soldier Stories Project
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a>
External Reference
"<a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener">The Epinal Project- by Students of History 357: The Second World War</a>." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).
Description
<p><span>The </span>Florida-France Soldier Stories<span>project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.</span></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
U.S. Army 6th Armored Division Insignia
Alternative Title
6th Armored Division Insignia
Subject
World War II, 1939-1945
Army
Description
The insignia for the U.S. Army's 6th Armored Division, which was activate from 1942 to 1945 and again from 1950 to 1956. During World War II, the Super Sixth, as the division was nicknamed, participated in the Invasion of Normandy.<br /><br />A notable Floridian who served in the 6th Armored Division was Sergeant John F. Aylward, Jr. (1912-1944), who died on November 3, 1944. Also known as Jack, Sgt. Aylward was a part of the Headquarters Company within the 6th Armored Division, nicknamed the Super Sixth. Sgt. Aylward was originally from Ocala, Florida, and is interred at Epinal American Cemetery and Memorial in Dinozé, France.
Type
Still Image
Source
Digital reproduction of original insignia.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank">Epinal American Cemetery Collection</a>, RICHES of Central Florida.
Coverage
France
Contributor
Anderson, Dwight
Format
image/jpg
Extent
Medium
1 color insignia
Language
eng
Audience
Mediator
History Teacher
Civics/Government Teacher
Rights Holder
This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
Epinal Cemetery Project
Curator
Jaimes, Kyle
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
"<a href="http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56370982" target="_blank">Sgt John F. "Jack" Aylward, Jr</a>." Find A Grave. http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56370982.
Hofmann, George F. <a href="http://www.worldcat.org/oclc/1903071" target="_blank"><em>The Super Sixth: History of the 6th Armored Division in World War II and Its Post-War Association</em></a>. Louisville, Ky: Sixth Armored Division Association, 1975.
6th Armored Division
Army
Super Sixth
World War II
WWII
-
https://richesmi.cah.ucf.edu/omeka/files/original/068d1d05ced8564a63a837ee278b9e15.jpg
effed0acf5dde5acd2e4b117e9b17231
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida-France Soldier Stories Project Collection
Alternative Title
Florida-France Soldier Stories Project
Subject
Cemeteries--Europe
Veterans--Florida
World War II, 1939-1945
Army
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener">RICHES</a>.
<a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener">Florida-France Soldier Stories Project</a>.
Language
eng
Type
Collection
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Contributing Project
Florida-France Soldier Stories Project
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a>
External Reference
"<a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener">The Epinal Project- by Students of History 357: The Second World War</a>." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).
Description
<p><span>The </span>Florida-France Soldier Stories<span>project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.</span></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
World War II Honor List of Dead and Missing Military Personnel from Manatee, Marion, Martin, Monroe, Nassau, and Okaloosa Counties
Alternative Title
World War II Honor List of Dead and Missing
Subject
World War II, 1939-1945
Veterans--Florida
Army
Description
A list of U.S. Army servicemen reporter either killed or missing during World War II. This particular page shows servicemen from Manatee, Marion, Martin, Monroe, Nassau, and Okaloosa Counties, Florida. A notable soldier listed in this record is Sergeant John F. Aylward, Jr. (1912-1944), who died on November 3, 1944, while serving in World War II. Also known as Jack, Sgt. Aylward was a part of the Headquarters Company within the 6th Armored Division, nicknamed the Super Sixth. Sgt. Aylward was originally from Ocala, Florida, and is interred at Epinal American Cemetery and Memorial in Dinozé, France.
Type
Text
Source
Digital reproduction of <a href="https://www.archives.gov/research/military/ww2/army-casualties/florida.html" target="_blank">original record</a>, 1946: National Archives Identifier 305285, Record Group 407, Modern Military Records LICON, <a href="https://www.archives.gov/research/order/textual-records-dc.html" target="_blank">Textual Archives Services Division</a>, National Archives at College Park, College Park, Maryland.
Is Part Of
Record Group 407, Modern Military Records LICON, <a href="https://www.archives.gov/research/order/textual-records-dc.html" target="_blank">Textual Archives Services Division</a>, National Archives at College Park, College Park, Maryland.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank">Epinal American Cemetery Collection</a>, RICHES of Central Florida.
Coverage
Manatee County, Florida
Marion County, Florida
Martin County, Florida
Monroe County, Florida
Nassau County, Florida
Okaloosa County, Florida
Date Created
1946
Format
image/jpg
Extent
Medium
1 record
Language
eng
Audience
Mediator
History Teacher
Civics/Government Teacher
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank">Section 5</a> of <a href="http://www.copyright.gov/title17/92chap1.html" target="_blank">Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code</a>.
Accrual Method
Donation
Contributing Project
Epinal Cemetery Project
Curator
Jaimes, Kyle
Cepero, Laura
Digital Collection
<a href="http://www.archives.gov/" target="_blank">National Archives &
Records Administration</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
"<a href="https://www.archives.gov/dc-metro/college-park" target="_blank">National Archives at College Park</a>
External Reference
"<a href="http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56370982" target="_blank">Sgt John F. "Jack" Aylward, Jr</a>." Find A Grave. http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56370982.
Albert Q. Alligod
Alcus G. Reddick
Allen Lundy
Alva C. Powell
Alvan B. Rowe, Jr.
Alvin B. Cannon
Amos F. Brady
Archie D. Clemons
Army
Arthur H. Davis
Averette A. Hinson
Benson P. Odom
Britt Gainey
Burton W. Shirah
Carllies
casualties
casualty
Cecil O. Lippard
Charles E. Osteen
Charles E. Roberts
Charles O. Schudt
Charles R. Sires
Charles V. Purpura
Charlie H. Whidden
Clarence F. Russell
Claude A. Knight
Clyde L. Albritton
Cyrus W. Alley
Dan I. Paulk
Daniel J. Fernandez
David L. Robertson
Earl D. Williams
Early R. Harris, Sr.
Edward A. Luif
Edward B. Collins, Jr.
Edward Peacock
Edward W. Clement
Edwin L. Kennerly
Elborn M. Davis
Eldred F. Scott
Elmer L. Ricou
Elmo J. Freyermuth
Emil Turner
Ernest E. Ogden
Ernest J. Grubbs
Floyd Adams
Frank Alfonson
Frank Dixon
Frank E. Peacock
Frank L. Spencer
Franklin W. Saunders
George F. Mills
Hadley B. Snell
Harold D. Roberts
Harold W. Hatchett
Harry B. Pillans
Harry L. Wickers
Harry N. Gahan
Henry L. Gardner
Herbert I. Turner, Jr.
Herbert P. Tomlinson
Herman Roberts
Hiram A. Gill
Hubert A. Dion
Hubert J. Estes
Hughes E. Hilton
Irbie N. Knoblock
Jack E. Wallace
Jack W. Nesom
Jackson L. Sawyer
James A. Cotton
James A. Thompson
James B. Jolly, Jr.
James E. Baggett
James E. Smith
James E. Steele
James H. Crosby
James H. Helms
James H. McCarty
James J. Hughes
James K. Christian, Jr.
James K. McMillan
James S. Simmons
James W. Baker
James W. Hinton III
Jasper H. Argo
Jewell T. Williams
Joe H. Brewster
Joe L. Metcalf
John A. Owens
John C. Howard
John E. Davis
John E. Langford
John F. Aylward, Jr.
John F. Cannady, Jr.
John F. Parrish
John Moore
John P. Jones
John S. Walker
Joseph J. McGee
Joseph R. Whaley
Joseph W. Birdwell
Julian Lucignani
Julius D. Fulford, Jr.
Justice L. Lawson
Kenneth K. Wright
Kintley L. McCrady
Lee Starling
Leon Roberts, Jr.
Leroy R. Wilson
Louis Brady
Louis M. Pitts
Louis N. Dosh
M. E. McCullough, Jr.
Manatee County
Mario Castro
Marion County
Marion F. Klotz
Marion N. Smith
Marion Nodlin
Martin County
Millard A. Hornsby
Millard M. North
Monroe County
Nassau County
Neil M. McLean
Okaloosa County
Ollie Henderson
Pafford W. McIntosh
Pasco Melvin
Paul D. Walterson
Paul E. Pelot
Paul P. Ruark
Percival H. Pinder
Quincy A. Brunson, Jr.
Quinton O. Steele
Ralph E. Sawyer.
Ralph H. Mixson
Ralph P. Wyman
Ray E. Deneritt
Raymond E. Darling, Jr.
Raymond F. Fox
Richard C. Woodard
Richard U. Ellerbe
Richmond Lee
Robert A. French
Robert A. McLeod
Robert C. Snidow
Robert E. Sudbury
Robert K. Thompson
Roy J. Hicks
Roy L. Chancellor
Rufus E. Davis
Rufus H. Lennon
Sammie Turner
Sampson J. Stephens
Samuel B. Steece
Samuel R. Jones
Sidney S. Underwood
Thomas Douglas, Jr.
Thomas E. Sheley
Thomas G. Folkes
Thomas L. Gordon
Tomlinson R. Russ
Upton S. Peters
Valex Colon
veterans
Victor D. Mette
Walter E. Olliff
Walter H. Wincert
Wilbert L. Robinson
William A. Watkins
William C. Cason
William G. Taliaferro
William H. Vallee
William L. Rogers
William N. Amis, Jr.
William R. Keel
William S. Henderson
William Silberg
Willie D. Atwell
Willie D. Bryan
Winchester Wall, Jr.
Wintford E. Aplin
Woodrow Paulk
Woodruff W. Watkins
World War II
WWII
-
https://richesmi.cah.ucf.edu/omeka/files/original/ee9e15d7822a84a621b7765cd510a780.jpg
3d1b9a7110e83b2df1cc1fc2b5aa149c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida-France Soldier Stories Project Collection
Alternative Title
Florida-France Soldier Stories Project
Subject
Cemeteries--Europe
Veterans--Florida
World War II, 1939-1945
Army
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener">RICHES</a>.
<a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener">Florida-France Soldier Stories Project</a>.
Language
eng
Type
Collection
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Contributing Project
Florida-France Soldier Stories Project
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a>
External Reference
"<a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener">The Epinal Project- by Students of History 357: The Second World War</a>." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).
Description
<p><span>The </span>Florida-France Soldier Stories<span>project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.</span></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Headstone of Staff Sergeant Thomas E. Eason Headstone at Epinal American Cemetery and Memorial
Alternative Title
Headstone of SSgt. Thomas Eason
Subject
World War II, 1939-1945
Veterans--Florida
Air Force
Army
Description
The headstone of Florida native Staff Sergeant Thomas E. Eason (1922-1945), who served for over three years in the U.S. Army Air Forces' (USAAF) 569th Bomb Squadron of the 390th Bomb Group, as a waist gunner on a Boeing B-17 Flying Fortress nicknamed "Sweet and Lovely" and "Princess Pat." SSgt. Eason completed 28 missions in both the Pacific and European Theaters of World War II. On January 20, 1945, he was killed near Altenheim, France, after his airplane was shot down by enemy combatants. Over the course of his service, SSgt. was awarded the Distinguished Flying Cross with two Oak Leaf Clusters.
Type
Still Image
Source
Original <a href="http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56372149">color digital image</a> by Dwight Anderson.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank">Epinal American Cemetery Collection</a>, RICHES of Central Florida.
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Creator
Anderson, Dwight
Date Created
ca. 2013-08-28
Format
image/jpg
Extent
Medium
1 color digital image
Language
eng
Audience
Mediator
History Teacher
Civics/Government Teacher
Provenance
Originally created by Dwight Anderson.
Rights Holder
Copyright to this resource is held by Dwight Anderson and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
Epinal Cemetery Project
Curator
Lancaster, John
Cepero, Laura
Digital Collection
<a href="http://www.findagrave.com/index.html" target="_blank">Find A Grave</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
"<a href="http://www.americanairmuseum.com/unit/1251" target="_blank">569th Bomb Squadron</a>." American Air Museum in Britain. http://www.americanairmuseum.com/unit/1251.
"<a href="http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56372149" target="_blank">SSgt Thomas E Eason</a>." Find A Grave. http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56372149.
390th Bomb Group
569th Bomb Squadron
cemeteries
cemetery
Dinozé, France
Epinal American Cemetery and Memorial
graves
gravestones
headstones
Jack Aylward
staff sergeants
Thomas E. Eason
veterans
World War II
WWII
-
https://richesmi.cah.ucf.edu/omeka/files/original/b27718fbfd10eb3a5453123deba35ce5.jpg
59cd88eff7b4cd9f16e2b424287e909e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida-France Soldier Stories Project Collection
Alternative Title
Florida-France Soldier Stories Project
Subject
Cemeteries--Europe
Veterans--Florida
World War II, 1939-1945
Army
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener">RICHES</a>.
<a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener">Florida-France Soldier Stories Project</a>.
Language
eng
Type
Collection
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Contributing Project
Florida-France Soldier Stories Project
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a>
External Reference
"<a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener">The Epinal Project- by Students of History 357: The Second World War</a>." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).
Description
<p><span>The </span>Florida-France Soldier Stories<span>project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.</span></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
390th Bomb Group's 569th Bomb Squadron Crew
Alternative Title
569th Bomb Squadron Crew
Subject
World War II, 1939-1945
Veterans--Florida
Army
Air Force
Description
The 390th Bomb Group's 569th Bomb Squadron crew, which operated a Boeing B-17 Flying Fortress during World War II. The squadron was activated in early 1943 and was deployed to Framlingham, England, to serve in the European Theater of Operations (ETO) in July of 1943. Assigned to the VIII Bomber Command, this strategic bombardment squadron consisted of, photographed from left to right in the back row, navigator David M. Roche, pilot Earl D. Greenstreet, co-pilot William H. Guion, Jr., and bombardier/togglier George J. Arnold, as well as, from left to right in the front row, radio monitor Victor J. DeMaise, ball turret gunner Cletus L. Wadlow, Jr., waist gunner Thomas E. Eason, engineer/top turret gunner Kenneth E. Tricker, and tail gunner Thomas S. Leibner.<br /><br />One notable member of the crew was Florida native Staff Sergeant Thomas E. Eason (1922-1945), who served for over three years in the U.S. Army Air Forces' (USAAF) as a waist gunner on a Boeing B-17 Flying Fortress nicknamed "Sweet and Lovely" and "Princess Pat." SSgt. Eason completed 28 missions in both the Pacific and European Theaters of World War II. On January 20, 1945, he was killed near Altenheim, France, after his airplane was shot down by enemy combatants. Over the course of his service, SSgt. was awarded the Distinguished Flying Cross with two Oak Leaf Clusters.
Type
Still Image
Source
Digital reproduction of original <a href="https://www.390th.org/search/?390th_tax_crewnum=1039&
tab=operationalrecords">black and white photograph</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank">Epinal American Cemetery Collection</a>, RICHES of Central Florida.
Coverage
Framlingham Airfield, Framlingham, England
Contributor
Drain, Richard E.
Date Created
ca. 1943-1945
Format
image/jpg
Extent
Medium
1 black and white photograph
Language
eng
Audience
Mediator
History Teacher
Civics/Government Teacher
Rights Holder
Copyright to this resource is held by Richard E. Drain and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
Epinal Cemetery Project
Curator
Lancaster, John
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="https://www.390th.org/" target="_blank">390th Memorial Museum</a>
External Reference
"<a href="http://www.americanairmuseum.com/unit/1251" target="_blank">569th Bomb Squadron</a>." American Air Museum in Britain. http://www.americanairmuseum.com/unit/1251.
"<a href="http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56372149" target="_blank">SSgt Thomas E Eason</a>." Find A Grave. http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56372149.
390th Bomb Group
AAF
ball turret gunners
bombardiers
Cletus L. Wadlow, Jr.
co-pilots
David M. Roche
Earl D. Greenstreet
engineers
George J. Arnold
Kenneth E. Tricker
pilots
Princess Pat
Sweet & Lovely
tail gunners
Thomas E. Eason
Thomas S. Leibner
toggliers
top turret gunners
U.S. Army
U.S. Army Air Forces
USA
USAAF
veterans
Victor J. DeMaise
wait gunners
William H. Guion, Jr.
World War II
WWII
-
https://richesmi.cah.ucf.edu/omeka/files/original/c748f21d308d53466a49fab230a0d30c.jpg
79efa622ec14c47ae6a555301b34ae9e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida-France Soldier Stories Project Collection
Alternative Title
Florida-France Soldier Stories Project
Subject
Cemeteries--Europe
Veterans--Florida
World War II, 1939-1945
Army
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener">RICHES</a>.
<a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener">Florida-France Soldier Stories Project</a>.
Language
eng
Type
Collection
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Contributing Project
Florida-France Soldier Stories Project
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a>
External Reference
"<a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener">The Epinal Project- by Students of History 357: The Second World War</a>." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).
Description
<p><span>The </span>Florida-France Soldier Stories<span>project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.</span></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Individual Casualty Questionnaire for Staff Sergeant Thomas E. Eason and Completed by Earl D. Greenstreet
Alternative Title
Individual Casualty Questionnaire for SSgt. Thomas Eason
Subject
World War II, 1939-1945
Veterans--Florida
Description
An Individual Casualty Questionnaire completed by Earl D. Greenstreet in relation to the death of Florida native Staff Sergeant Thomas E. Eason (1922-1945). According to this document, SSgt. Eason was Killed in Action (KIA) during the bailout procedure after his crew's airplane was shot. SSgt. Eason had served for over three years in the U.S. Army Air Forces' (USAAF) as a waist gunner on a Boeing B-17 Flying Fortress nicknamed "Sweet and Lovely" and "Princess Pat." SSgt. Eason completed 28 missions in both the Pacific and European Theaters of World War II. On January 20, 1945, he was killed near Altenheim, France, after his airplane was shot down by enemy combatants. Over the course of his service, SSgt. was awarded the Distinguished Flying Cross with two Oak Leaf Clusters.
Type
Text
Source
Digital reproduction of original <a href="https://www.fold3.com/image/46705959">1-page typewritten questionnaire</a> by Earl D. Greenstreet.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank">Epinal American Cemetery Collection</a>, RICHES of Central Florida.
Coverage
Altenheim, France
Creator
Greenstreet, Earl D.
Date Created
ca.1945-01-20
Format
image/jpg
Extent
Medium
1-page typewritten questionnaire
Language
eng
Audience
Mediator
History Teacher
Civics/Government Teacher
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank">Section 5</a> of <a href="http://www.copyright.gov/title17/92chap1.html" target="_blank">Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code</a>.
Accrual Method
Donation
Contributing Project
Epinal Cemetery Project
Curator
Lancaster, John
Cepero, Laura
Digital Collection
<a href="https://www.fold3.com/" target="_blank">Fold3</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
"<a href="http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56372149" target="_blank">SSgt Thomas E Eason</a>." Find A Grave. http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56372149.
AAF
Altenheim, France
casualties
casualty
Earl D. Greenstreet
Individual Casualty Questionnaire
pilots
Thomas E. Eason
U.S. Army
U.S. Army Air Forces
USA
USAAF
veterans
waist gunners
World War II
WWII
-
https://richesmi.cah.ucf.edu/omeka/files/original/3c33be1366681c97b09ac5f11cb4813c.jpg
67100bf00f1f47c9c09fb84ca079e071
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida-France Soldier Stories Project Collection
Alternative Title
Florida-France Soldier Stories Project
Subject
Cemeteries--Europe
Veterans--Florida
World War II, 1939-1945
Army
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener">RICHES</a>.
<a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener">Florida-France Soldier Stories Project</a>.
Language
eng
Type
Collection
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Contributing Project
Florida-France Soldier Stories Project
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a>
External Reference
"<a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener">The Epinal Project- by Students of History 357: The Second World War</a>." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).
Description
<p><span>The </span>Florida-France Soldier Stories<span>project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.</span></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Casualty Questionnaire for Staff Sergeant Thomas E. Eason and Completed by First Lieutenant George J. Arnold
Alternative Title
Casualty Questionnaire for SSgt. Thomas Eason
Subject
World War II, 1939-1945
Veterans--Florida
Description
A Casualty Questionnaire completed by First Lieutenant George J. Arnold in relation to the death of Florida native Staff Sergeant Thomas E. Eason (1922-1945). According to this document, SSgt. Eason was Killed in Action (KIA) during the bailout procedure after his crew's airplane was shot. SSgt. served for over three years in the U.S. Army Air Forces' (USAAF) as a waist gunner on a Boeing B-17 Flying Fortress nicknamed "Sweet and Lovely" and "Princess Pat." SSgt. Eason completed 28 missions in both the Pacific and European Theaters of World War II. On January 20, 1945, he was killed near Altenheim, France, after his airplane was shot down by enemy combatants. Over the course of his service, SSgt. was awarded the Distinguished Flying Cross with two Oak Leaf Clusters.
Type
Still Image
Source
Digital reproduction of original <a href="https://www.fold3.com/image/46705953">1-page handwritten questionnaire</a> by George J. Arnold.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank">Epinal American Cemetery Collection</a>, RICHES of Central Florida.
Coverage
Altenheim, France
Creator
Arnold, George J.
Date Created
ca.1945-01-20
Format
image/jpg
Extent
Medium
1-page handwritten questionnaire
Language
eng
Audience
Mediator
History Teacher
Civics/Government Teacher
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank">Section 5</a> of <a href="http://www.copyright.gov/title17/92chap1.html" target="_blank">Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code</a>.
Accrual Method
Donation
Contributing Project
Epinal Cemetery Project
Curator
Lancaster, John
Cepero, Laura
Digital Collection
<a href="https://www.fold3.com/" target="_blank">Fold3</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
"<a href="http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56372149" target="_blank">SSgt Thomas E Eason</a>." Find A Grave. http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56372149.
AAF
casualties
casualty
Casualty Questionnaire
Earl D. Greenstreet
First Lieutenant
George J. Arnold
Heilbronn, Germany
Joseph A. Moller
Kenneth E. Tricker
pilots
Steinberg, France
Thomas E. Eason
U.S. Army
U.S. Army Air Forces
USA
USAAF
veterans
waist gunners
World War II
WWII
-
https://richesmi.cah.ucf.edu/omeka/files/original/d629638f760b233ceefbb730f67754a2.jpg
b7338b1e948ced1f2cf96c2ee57014b8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida-France Soldier Stories Project Collection
Alternative Title
Florida-France Soldier Stories Project
Subject
Cemeteries--Europe
Veterans--Florida
World War II, 1939-1945
Army
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener">RICHES</a>.
<a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener">Florida-France Soldier Stories Project</a>.
Language
eng
Type
Collection
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Contributing Project
Florida-France Soldier Stories Project
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a>
External Reference
"<a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener">The Epinal Project- by Students of History 357: The Second World War</a>." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).
Description
<p><span>The </span>Florida-France Soldier Stories<span>project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.</span></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Individual Casualty Questionnaire for Staff Sergeant Thomas E. Eason
Alternative Title
Casualty Questionnaire for SSgt. Thomas Eason
Subject
World War II, 1939-1945
Veterans--Florida
Description
An Individual Casualty Questionnaire in relation to the death of Florida native Staff Sergeant Thomas E. Eason (1922-1945). According to this document, SSgt. Eason was Killed in Action (KIA) during the bailout procedure after his crew's airplane was shot. SSgt. Eason had served for over three years in the U.S. Army Air Forces' (USAAF) as a waist gunner on a Boeing B-17 Flying Fortress nicknamed "Sweet and Lovely" and "Princess Pat." SSgt. Eason completed 28 missions in both the Pacific and European Theaters of World War II. On January 20, 1945, he was killed near Altenheim, France, after his airplane was shot down by enemy combatants. Over the course of his service, SSgt. was awarded the Distinguished Flying Cross with two Oak Leaf Clusters.
Type
Still Image
Source
Digital reproduction of original <a href="https://www.fold3.com/image/46705953">1-page handwritten questionnaire</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank">Epinal American Cemetery Collection</a>, RICHES of Central Florida.
Coverage
Altenheim, France
Date Created
ca.1945-01-20
Format
image/jpg
Extent
Medium
1-page handwritten questionnaire
Language
eng
Audience
Mediator
History Teacher
Civics/Government Teacher
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank">Section 5</a> of <a href="http://www.copyright.gov/title17/92chap1.html" target="_blank">Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code</a>.
Accrual Method
Donation
Contributing Project
Epinal Cemetery Project
Curator
Lancaster, John
Cepero, Laura
Digital Collection
<a href="https://www.fold3.com/" target="_blank">Fold3</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
"<a href="http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56372149" target="_blank">SSgt Thomas E Eason</a>." Find A Grave. http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56372149.
AAF
Altenheim, France
casualties
casualty
Heilbronn, Germany
Individual Casualty Questionnaire
pilots
Steinberg, France
Thomas E. Eason
U.S. Army
U.S. Army Air Forces
USA
USAAF
veterans
waist gunners
World War II
WWII
-
https://richesmi.cah.ucf.edu/omeka/files/original/0a9b3db3ce431f2bf89dba3206ae71d1.jpg
23bd0ee3406b2a25389191163b11d472
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida-France Soldier Stories Project Collection
Alternative Title
Florida-France Soldier Stories Project
Subject
Cemeteries--Europe
Veterans--Florida
World War II, 1939-1945
Army
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener">RICHES</a>.
<a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener">Florida-France Soldier Stories Project</a>.
Language
eng
Type
Collection
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Contributing Project
Florida-France Soldier Stories Project
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a>
External Reference
"<a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener">The Epinal Project- by Students of History 357: The Second World War</a>." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).
Description
<p><span>The </span>Florida-France Soldier Stories<span>project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.</span></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Missing Air Crew Report for the 390th Bomb Group's 569th Bomb Squadron
Alternative Title
Missing Air Crew Report for 569th Bomb Squadron
Subject
World War II, 1939-1945
Description
The Missing Air Crew Report for the 390th Bomb Group's 569th Bomb Squadron, which went missing on January 20, 1945. The crew's Boeing B-17 Flying Fortress was shot down near Altenheim, France, while flying on a bombing mission to Heilbronn, Germany. The crew consisted of navigator David M. Roche, pilot Earl D. Greenstreet, co-pilot William H. Guion, Jr., bombardier/togglier George J. Arnold, radio monitor Victor J. DeMaise, ball turret gunner Cletus L. Wadlow, Jr., waist gunner Thomas E. Eason, engineer/top turret gunner Kenneth E. Tricker, and tail gunner Thomas S. Leibner. It was later discovered that all but one member of the crew survived. Staff Sergeant Thomas E. Eason (1922-1945), a Florida native, was Killed in Action (KIA) during the bailout procedure.<b><b>SSgt, Eason served for over three years in the U.S. Army Air Forces' (USAAF) as a waist gunner on a Boeing B-17 Flying Fortress nicknamed "Sweet and Lovely" and "Princess Pat." SSgt. Eason completed 28 missions in both the Pacific and European Theaters of World War II. On January 20, 1945, he was killed near Altenheim, France, after his airplane was shot down by enemy combatants. Over the course of his service, SSgt. was awarded the Distinguished Flying Cross with two Oak Leaf Clusters.</b></b>
Type
Text
Source
Digital reproduction of original <a href="https://www.fold3.com/image/46705960">1-page typewritten report</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank">Epinal American Cemetery Collection</a>, RICHES of Central Florida.
Is Referenced By
"Memorandum from Colonel H. M. Rund to the Commanding General of the U.S. Army Air Force (February 16, 1945)." RICHES of Central Florida.
Has Format
Original 1-page typewritten report: <a href="https://www.archives.gov/dc-metro/college-park" target="_blank">National Archives at College Park</a>, College Park, Maryland.
Coverage
Altenheim, France
Date Created
ca.1945-01-20
Format
image/jpg
Extent
Medium
1-page typewritten report
Language
eng
Audience
Mediator
History Teacher
Civics/Government Teacher
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank">Section 5</a> of <a href="http://www.copyright.gov/title17/92chap1.html" target="_blank">Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code</a>.
Accrual Method
Donation
Contributing Project
Epinal Cemetery Project
Curator
Lancaster, John
Cepero, Laura
Digital Collection
<a href="https://www.fold3.com/" target="_blank">Fold3</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="https://www.archives.gov/dc-metro/college-park" target="_blank">National Archives at College Park</a>
External Reference
"<a href="http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56372149" target="_blank">SSgt Thomas E Eason</a>." Find A Grave. http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56372149.
390th Bomb Group
569th Bomb Squadron
8AF
8th Air Force
AAF
B-17G
Boeing B-17 Flying Fortress
Cletus L. Wadlow, Jr.
David M. Roche
Earl D. Greenstreet
Framlingham Airdrome
Framlingham Airfield
Framlingham, England
George J. Arnold
Heilbronn, Germany
John D. Lockwood
Kenneth E. Tricker
Missing Air Crew Report
Thomas E. Eason
Thomas S. Leibner
U.S. Army
U.S. Army Air Forces
U.S. Department of War
USA
USAAF
veterans
Victor J. DeMaise
William H. Guion, Jr.
World War II
WWII
-
https://richesmi.cah.ucf.edu/omeka/files/original/703540c7af674e423728547640d94600.jpg
1d437204165140085940efa0fa89441d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida-France Soldier Stories Project Collection
Alternative Title
Florida-France Soldier Stories Project
Subject
Cemeteries--Europe
Veterans--Florida
World War II, 1939-1945
Army
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener">RICHES</a>.
<a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener">Florida-France Soldier Stories Project</a>.
Language
eng
Type
Collection
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Contributing Project
Florida-France Soldier Stories Project
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a>
External Reference
"<a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener">The Epinal Project- by Students of History 357: The Second World War</a>." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).
Description
<p><span>The </span>Florida-France Soldier Stories<span>project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.</span></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Memorandum from Colonel H. M. Rund to the Commanding General of the U.S. Army Air Force (February 16, 1945)
Alternative Title
Memo from Col. H. M. Rund to the Commanding General (Feb. 16, 1945)
Subject
World War II, 1939-1945
Veterans--Florida
Description
A memorandum from Colonel H. M. Rund, the Assistant Adjutant General in the U.S. Army, to General Henry H. Arnold (1886-1950), the Commanding General of the U.S. Army Air Force (USAAF). In the memo, Col. Rund informs Gen. Arnold that all but one member of an air crew previously reported missing had been returned to duty on January 28, 1945. Staff Sergeant Thomas E. Eason (1922-1945) was reportedly killed in action on January 20.<br /><br />SSgt. Eason served for over three years in the U.S. Army Air Forces' (USAAF) 569th Bomb Squadron of the 390th Bomb Group, as a waist gunner on a Boeing B-17 Flying Fortress nicknamed "Sweet and Lovely" and "Princess Pat." SSgt. Eason completed 28 missions in both the Pacific and European Theaters of World War II. On January 20, 1945, he was killed near Altenheim, France, after his airplane was shot down by enemy combatants. Over the course of his service, SSgt. was awarded the Distinguished Flying Cross with two Oak Leaf Clusters.
Type
Text
Source
Digital reproduction of original 1-page <a href="https://www.fold3.com/image/46705942" target="_blank">typewritten memorandum</a> from Colonel H. M. Rund to the Commanding General of the U.S. Army Air Force, February 16, 1945.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank">Epinal American Cemetery Collection</a>, RICHES of Central Florida.
References
"Missing Air Crew Report for the 390th Bomb Group's 569th Bomb Squadron." RICHES of Central Florida.
Coverage
Altenheim, France
Creator
Rund, H. M.
Date Created
1945-02-16
Format
image/jpg
Extent
Medium
1-page typewritten memorandum on European Theater of Operations letterhead
Language
eng
Audience
Mediator
History Teacher
Civics/Government Teacher
Provenance
Originally created by H. M. Rund.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank">Section 5</a> of <a href="http://www.copyright.gov/title17/92chap1.html" target="_blank">Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code</a>.
Accrual Method
Donation
Contributing Project
Epinal Cemetery Project
Curator
Lancaster, John
Cepero, Laura
Digital Collection
<a href="https://www.fold3.com/" target="_blank">Fold3</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
"<a href="http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56372149" target="_blank">SSgt Thomas E Eason</a>." Find A Grave. http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56372149.
390th Bomb Group
569th Bomb Squadron
AAF
H. M. Rund
Hap Arnold
Henry H. Arnold
Henry Harley Arnold
KIA
killed in action
MIA
missing air crews
missing in action
staff sergeants
Statistical Control Division
Thomas E. Eason
U.S. Army
U.S. Army Air Forces
USA
USAAF
USAF
veterans
World War II
WWII
-
https://richesmi.cah.ucf.edu/omeka/files/original/ce720e3b286cf453e7779f96fb34f3ad.jpg
44b02d89b221f259cc95547ddd433e36
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida-France Soldier Stories Project Collection
Alternative Title
Florida-France Soldier Stories Project
Subject
Cemeteries--Europe
Veterans--Florida
World War II, 1939-1945
Army
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener">RICHES</a>.
<a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener">Florida-France Soldier Stories Project</a>.
Language
eng
Type
Collection
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Contributing Project
Florida-France Soldier Stories Project
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a>
External Reference
"<a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener">The Epinal Project- by Students of History 357: The Second World War</a>." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).
Description
<p><span>The </span>Florida-France Soldier Stories<span>project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.</span></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Fourteenth Census Population Schedule for Istachatta
Alternative Title
Census Population Schedule for Istachatta
Subject
Population--United States
Description
The census population schedule for Istachatta, Florida, in 1920. Individuals are identified by name, titles and terms, gender, age, marital status, race, relationship to head of household, birthplace, birth year, the last place of residence, and occupation. A notable resident listed in this record is Willis H. Hawkins (ca. 1919-1944). Hawkins lived in Istachatta for much of his life and was educated up through grammar school. He worked as a semi-skilled driver or chauffeur until he enlisted in the U.S. Army on October 20, 1943. Private Hawkins served in the 3rd Infantry Division's 3rd Reconnaissance Troop. The 3rd Division participated in Operation Dragoon, in which the Allies invaded southern France, and then traveled North towards the Rhineland. Pvt. Hawkins was killed in action on November 2, 1944. He was awarded a Purple Heart for his service and was buried in Epinal American Cemetery and Memorial in Dinozé, France.
Abstract
Type
Text
Source
Digital reproduction of original <a href="https://familysearch.org/ark:/61903/1:1:MNY2-1KS" target="_blank">census record</a>, January 19, 1920: Image Number 00007, Digital Folder Number 004964404, GS Film Number 1820222, Affiliate Film Number 222, Affiliate Publication Number T625, <a href="http://www.archives.gov/" target="_blank">National Archives &
Records Administration</a>, Washington, D.C.
Is Version Of
Has Version
Is Replaced By
Replaces
Is Required By
Requires
Is Part Of
Digital Folder Number 004964404, GS Film Number 1820222, Affiliate Film Number 222, Affiliate Publication Number T625, <a href="http://www.archives.gov/" target="_blank">National Archives &
Records Administration</a>, Washington, D.C.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank">Epinal American Cemetery Collection</a>, RICHES of Central Florida.
Has Part
Is Referenced By
References
Is Format Of
Has Format
Conforms To
Coverage
Istachatta, Florida
Publisher
<a href="http://www.census.gov/" target="_blank">Bureau of the Census</a>
Contributor
Date Created
1920-01-19
Date Valid
Date Issued
Date Modified
Date Accepted
Date Copyrighted
Date Submitted
Format
image/jpg
Extent
Medium
1 census record
Language
eng
Mediator
History Teacher
Civics/Government Teacher
Provenance
Originally published by the <a href="http://www.census.gov/" target="_blank">Bureau of the Census</a>.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank">Section 5</a> of <a href="http://www.copyright.gov/title17/92chap1.html" target="_blank">Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code</a>.
Instructional Method
Accrual Method
Donation
Contributing Project
Epinal Cemetery Project
Curator
Barger, James
Cepero, Laura
Digital Collection
<a href="https://familysearch.org/" target="_blank">FamilySearch</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.archives.gov/" target="_blank">National Archives &
Records Administration</a>
External Reference
"<a href="http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56372895" target="_blank">Pvt Willis H Hawkins</a>." Find A Grave. http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56372895.
"<a href="https://familysearch.org/ark:/61903/1:1:MNY2-1KS" target="_blank">Willis H Hawkins</a>." FamilySearch. https://familysearch.org/ark:/61903/1:1:MNY2-1KS.
"<a href="https://familysearch.org/ark:/61903/1:1:SRBG-5ZM" target="_blank">Willis H Hawkins</a>." FamilySearch. https://familysearch.org/ark:/61903/1:1:SRBG-5ZM..
"<a href="https://familysearch.org/ark:/61903/1:1:VTHL-PSF" target="_blank">Willis Hawkins</a>." FamilySearch. https://familysearch.org/ark:/61903/1:1:VTHL-PSF.
External Reference Title
Albert Zimmerman
Amanda Kirksey
Annie Jones
census
Clinton Swearingen
David Vandross
Dorris Lively
Drew Lively
Edith Kirksey
Ellen Swearingen
Ernest Lively
Essie May Hawkins
Eva Hawkins
Frank Jones
Frank Sanchez
Fred Kirksey
Fulton Lively
George MacDolnald
George MacDonald
Henry Johnson
Istachatta
James A. Chapman
James Parrish
Jesse H. Lively
John Chapman
John K. Jones
Josephus Johnson
Julia Swearingen
Kate Townsend
Lela Johnson
Lillian Lively
Maggie Parrish
Malina Miachand
Malissie Chapman
Martha Vandross
Miles Willis
Minnie McDilla
Nevitt Chapman
Novie Willis
Perry Hawkins
Peter Bach
Phillip McDilla
Pierce B. Swearingen
population
Ruby N. Jones
Samuel Johnson
Sarah J. Jones
Sims C. Sanchez
Taft Swearingen
William Kirksey
William McDilla
Willis H. Hawkins
Zelphia Rahm
Zelphia Sanchez
-
https://richesmi.cah.ucf.edu/omeka/files/original/e380630e5b81aee8c7817336902c8bed.jpg
a34c9b6e8f9b26b2c9ca2c2ecd07d86a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida-France Soldier Stories Project Collection
Alternative Title
Florida-France Soldier Stories Project
Subject
Cemeteries--Europe
Veterans--Florida
World War II, 1939-1945
Army
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener">RICHES</a>.
<a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener">Florida-France Soldier Stories Project</a>.
Language
eng
Type
Collection
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Contributing Project
Florida-France Soldier Stories Project
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a>
External Reference
"<a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener">The Epinal Project- by Students of History 357: The Second World War</a>." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).
Description
<p><span>The </span>Florida-France Soldier Stories<span>project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.</span></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Headstone of Private Rufus H. Lennon, Jr. at Epinal American Cemetery and Memorial
Alternative Title
Headstone of Pvt. Lennon
Subject
World War II, 1939-1945
Veterans--Florida
Army
Cemeteries--Europe
Description
The headstone of Private Rufus H. Lennon Jr. Lennon (1921-1944), a soldier from Bradenton, Florida. Lennon was born in 1921 to Rufus H. Lennon, Sr. and Bertha Lennon. On November 21, 1940, he enlisted in the U.S. Army at the age of 19. Pvt. Lennon served in the 180th Infantry Regiment of the 45th Infantry Division. Pvt. Lennon died in battle on September 21, 1944 in Lorraine, France, and was awarded a Purple Heart, Combat Infantryman Badge, American Campaign Medal, and the World War II Victory Medal.
Type
Still Image
Source
Original <a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56373755">color digital image</a> by Dwight Anderson: Private Collection of Dwight Anderson.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank">Epinal American Cemetery Collection</a>, RICHES of Central Florida.
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Creator
Anderson, Dwight
Date Created
ca. 2014-06-01
Format
image/jpg
Extent
244 KB
Medium
1 color digital image
Language
eng
Mediator
History Teacher
Civics/Government Teacher
Provenance
Originally created by Dwight Anderson.
Rights Holder
Copyright to this resource is held by Dwight Anderson and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
Epinal Cemetery Project
Curator
Hovey, Hampton
Cepero, Laura
Digital Collection
<a href="http://www.findagrave.com/index.html" target="_blank">Find A Grave</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
"<a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56373755" target="_blank">Pvt Rufus H Lennon</a>." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56373755.
180th Infantry Regiment
45th Infantry Division
cemeteries
cemetery
Dinozé, France
Epinal American Cemetery and Memorial
graves
gravestones
graveyards
headstones
private
Rufus H. Lennon, Jr.
U.S. Army
USA
veterans
World War II
WWII
-
https://richesmi.cah.ucf.edu/omeka/files/original/43a07d25fdeef909ede9ba232febe3d0.jpg
3d58c0206d3f2698b803d79488c9d2fb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida-France Soldier Stories Project Collection
Alternative Title
Florida-France Soldier Stories Project
Subject
Cemeteries--Europe
Veterans--Florida
World War II, 1939-1945
Army
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener">RICHES</a>.
<a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener">Florida-France Soldier Stories Project</a>.
Language
eng
Type
Collection
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Contributing Project
Florida-France Soldier Stories Project
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a>
External Reference
"<a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener">The Epinal Project- by Students of History 357: The Second World War</a>." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).
Description
<p><span>The </span>Florida-France Soldier Stories<span>project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.</span></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Headstone of Sergeant Marion C. Fordham, Jr. at Epinal American Cemetery and Memorial
Alternative Title
Headstone of Sgt. Fordham
Subject
World War II, 1939-1945
Veterans--Florida
Army
Cemeteries--Europe
Description
The headstone of Sergeant Marion C. Fordham, Jr., who lived in Tampa, Florida, when he enlisted in the U.S. Army on November 13, 1942. During World War II, Sgt. Fordham fought in the 397th Infantry Division of the 100th Infantry Regiment. He died near the town of Baccarat, France, at the foot of the Vosges mountains on November 12, 1944. Sgt. Fordham received the Silver Star for conspicuous gallantry and intrepidity in action against the enemy and is currently buried at Epinal American Cemetery and Memorial in Dinozé, France.
Type
Still Image
Source
Original <a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56372388">color digital image</a> by Dwight Anderson: Private Collection of Dwight Anderson.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank">Epinal American Cemetery Collection</a>, RICHES of Central Florida.
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Creator
Anderson, Dwight
Date Created
ca. 2015-07-29
Format
image/jpg
Extent
196 KB
Medium
1 color digital image
Language
eng
Mediator
History Teacher
Civics/Government Teacher
Provenance
Originally created by Dwight Anderson.
Rights Holder
Copyright to this resource is held by Dwight Anderson and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
Epinal Cemetery Project
Curator
Carnes, Casey M.
Cepero, Laura
Digital Collection
<a href="http://www.findagrave.com/index.html" target="_blank">Find A Grave</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
"<a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56372388" target="_blank">Sgt Marion C Fordham, Jr</a>." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56372388.
"<a href="https://familysearch.org/ark:/61903/1:1:VTZK-4FV" target="_blank">James Hutton</a>." FamilySearch. https://familysearch.org/ark:/61903/1:1:VTZK-4FV.
"<a href="https://familysearch.org/ark:/61903/1:1:MNVF-BZQ" target="_blank">M C Fordham Junior</a>." FamilySearch. https://familysearch.org/ark:/61903/1:1:MNVF-BZQ.
cemeteries
cemetery
Dinozé, France
Epinal American Cemetery and Memorial
graves
gravestones
graveyards
headstones
Marion C. Fordham, Jr.
sergeants
U.S. Army
USA
veterans
World War II
WWII
-
https://richesmi.cah.ucf.edu/omeka/files/original/a0065e7e8dfc0c0ef48671fe61c5445a.jpg
4dcb5ac277cb2fbc4e8333e86a209564
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida-France Soldier Stories Project Collection
Alternative Title
Florida-France Soldier Stories Project
Subject
Cemeteries--Europe
Veterans--Florida
World War II, 1939-1945
Army
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener">RICHES</a>.
<a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener">Florida-France Soldier Stories Project</a>.
Language
eng
Type
Collection
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Contributing Project
Florida-France Soldier Stories Project
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a>
External Reference
"<a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener">The Epinal Project- by Students of History 357: The Second World War</a>." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).
Description
<p><span>The </span>Florida-France Soldier Stories<span>project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.</span></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Sixteenth Census Population Schedule for Hopewell
Alternative Title
Census Population Schedule for Hopewell
Subject
Population--United States
Description
The U.S. Census population schedule for Election Precinct 51 in Hopewell, Florida, in 1940. Individuals are identified by name, titles and terms, gender, age, marital status, race, relationship to head of household, birthplace, birth year, the last place of residence, and occupation. A notable resident listed in this record was Private First Class (PFC) Clifford A. Judah (d. 1945). Judah was born to Elijah D. Judah (b. 1890) and Margie Judah (b. 1897) in Louisiana in 1925. The Judahs migrated from Louisiana to Hillsborough Count around 1935. PFC Judah enlisted in the U.S. Army on November 2, 1943 at Camp Blanding in Starke. The terms of his enlistment were through the duration of the World War II or other emergency military actions, as well as six months subject to the discretion of the president or other laws. PFC Judah served in the 315th Infantry Regiment of the 79th Infantry Division. The Army declared PFC Judah missing in action on January 15, 1945. PFC Judah died during the Battle of Hatten-Rittershoffen in Alsace, France, which was part of the Battle of the Bulge. The Army awarded PFC Judah the Bronze Star and the Purple Heart with Oak Leaf Cluster. The American Battle Monuments Commission memorialized PCF Judah under tablets of the missing in Epinal American Cemetery and Memorial in Dinozé, France.
Type
Text
Source
Digital reproduction of original <a href="https://familysearch.org/ark:/61903/1:1:VTHP-BYW" target="_blank">census record</a> by Henry Irwin Bringle, April 4, 1940: Image Number 00103, Digital Folder Number 005449582, Affiliate Film Number 591, Affiliate Publication Number T627, <a href="http://www.archives.gov/" target="_blank">National Archives &
Records Administration</a>, Washington, D.C.
Is Part Of
Digital Folder Number 005449582, Affiliate Film Number 591, Affiliate Publication Number T627, <a href="http://www.archives.gov/" target="_blank">National Archives &
Records Administration</a>, Washington, D.C.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank">Epinal American Cemetery Collection</a>, RICHES of Central Florida.
Coverage
Hopewell, Florida
Creator
Bringle, Henry Irwin
Publisher
<a href="http://www.census.gov/" target="_blank">Bureau of the Census</a>
Date Created
1940-04-04
Format
image/jpg
Extent
11.2 MB
Medium
1 census record
Language
eng
Mediator
History Teacher
Civics/Government Teacher
Provenance
Originally created by Henry Irwin Bringle and published by the <a href="http://www.census.gov/" target="_blank">Bureau of the Census</a>.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank">Section 5</a> of <a href="http://www.copyright.gov/title17/92chap1.html" target="_blank">Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code</a>.
Accrual Method
Donation
Contributing Project
Epinal Cemetery Project
Curator
Fernandez, Yizelle
Cepero, Laura
Digital Collection
<a href="https://familysearch.org/" target="_blank">FamilySearch</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.archives.gov/" target="_blank">National Archives &
Records Administration</a>
External Reference
"<a href="https://familysearch.org/ark:/61903/1:1:VTHP-BYW" target="_blank">Clifford A Judah</a>." FamilySearch. https://familysearch.org/ark:/61903/1:1:VTHP-BYW.
"<a href="http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56373358" target="_blank">
PFC Judah A Judah</a>." Find A Grave. http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56373358.
Agnes Day
Allen M. brown
Alma Judah
Andrew G. Day
Ben I. Mercer
Betty Jane Day
C. J. Judah
Carlos M. Lewis
Cecil Judah
census
Charlie D. Mercer
Clifford A. Judah
Clifton Mercer
Elijah J. Judah
Ellen B. Bugg
Ethel Spaur
Gladys Brinson
Glenn Cribbs
Hopewell
Howard F. Day
Irma Lavern Phillips
James H. Cribbs
Jerry C. Lightsey
Jimmie Lee Cribbs
Leitha Rowell
Lemuel Mercer
Levy W. Rowell
Lloyd E. Day
Margie Judah
Mattie Lightsey
Milton F. Brinson
Minnie Spaur
Myrtle Rowell
Nellie Rowell
population
R. Oliver Spaur
Robert Spaur
Russell L. Lightsey
Sudie Mae Cribbs
Virgil K. Spaur
Willard F. Bugg
Wilma Aubrey Phillips
-
https://richesmi.cah.ucf.edu/omeka/files/original/e0797fd16af42803fbdb32b719e33b55.jpg
f9bbe21d451a2a5631de57e5a857ef24
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida-France Soldier Stories Project Collection
Alternative Title
Florida-France Soldier Stories Project
Subject
Cemeteries--Europe
Veterans--Florida
World War II, 1939-1945
Army
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener">RICHES</a>.
<a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener">Florida-France Soldier Stories Project</a>.
Language
eng
Type
Collection
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Contributing Project
Florida-France Soldier Stories Project
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a>
External Reference
"<a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener">The Epinal Project- by Students of History 357: The Second World War</a>." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).
Description
<p><span>The </span>Florida-France Soldier Stories<span>project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.</span></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
45th Infantry Division Insignias
Alternative Title
45th Infantry Insignias
Subject
World War II, 1939-1945
Army
Description
The shoulder sleeve insignia for the U.S. Army's 45th Infantry Division. The original insignia, photographed on the right, was approved in August of 1924 and featured a swastika, which was a symbol commonly used by Native Americans from the Mississippian culture. With the rise of Germany's Nazi Party, which also used a swastika, the 45th Division retired its original insignia and replaced it in 1939 with another Native American symbol called the Thunderbird, photographed on the left and on the bottom.<br /><br />A notable member of the 45th Infantry Division during World War II was Private Rufus H. Lennon Jr. Lennon (1921-1944), a soldier from Bradenton, Florida. Lennon was born in 1921 to Rufus H. Lennon, Sr. and Bertha Lennon. On November 21, 1940, he enlisted into the U.S. Army at the age of 19. Pvt. Lennon served in the 180th Infantry Regiment of the 45th Infantry Division. Pvt. Lennon died in battle on September 21, 1944 in Lorraine, France, and was awarded a Purple Heart, Combat Infantryman Badge, American Campaign Medal, and the World War II Victory Medal.
Type
Still Image
Source
Original <a href="http://www.m38a1.com/Misc-MV/thunderbirds.htm" target="_blank">color photograph</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank">Epinal American Cemetery Collection</a>, RICHES of Central Florida.
Coverage
Oklahoma City, Oklahoma
Contributor
Routh, Ross H.
Date Created
ca. 2000-3-20
Format
image/jpg
Extent
8.34 KB
Medium
3 insignias
Mediator
History Teacher
Civics/Government Teacher
Rights Holder
Copyright to this resource is held by Ross H. Routh and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
Epinal Cemetery Project
Curator
Hovey, Hampton
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Routh. Ross H. "<a href="http://www.m38a1.com/Misc-MV/thunderbirds.htm" target="_blank">From Swastika to Thunderbird</a>." The M38A1 Restoration Site. http://www.m38a1.com/Misc-MV/thunderbirds.htm.
"<a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56373755" target="_blank">Pvt Rufus H Lennon</a>." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56373755.
45th Infantry Division
insignia
Native Americans
swastika
Thunderbird
U.S. Army
USA
World War II
WWII
-
https://richesmi.cah.ucf.edu/omeka/files/original/09f58e81b15ba6268ddf0d1d20e5694e.jpg
496ea57ab8696190e1bd355b32a3caa1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida-France Soldier Stories Project Collection
Alternative Title
Florida-France Soldier Stories Project
Subject
Cemeteries--Europe
Veterans--Florida
World War II, 1939-1945
Army
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener">RICHES</a>.
<a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener">Florida-France Soldier Stories Project</a>.
Language
eng
Type
Collection
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Contributing Project
Florida-France Soldier Stories Project
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a>
External Reference
"<a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener">The Epinal Project- by Students of History 357: The Second World War</a>." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).
Description
<p><span>The </span>Florida-France Soldier Stories<span>project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.</span></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Sixteenth Census Population Schedule for Graceville
Alternative Title
Census Population Schedule for Graceville
Subject
Graceville (Fla.)
Population--United States
Description
The U.S. Census population schedule for Election Precinct 14 in Graceville, Florida, in 1930. Individuals are identified by name, titles and terms, gender, age, marital status, race, relationship to head of household, birthplace, birth year, the last place of residence, and occupation. A notable resident listed in this record was Wilson Foch Smith (ca. 1918-1945). Smith was born in Jackson County, Florida, to Robert Smith and Hester Smith on October 24, 1918. He worked as a farmhand in the Graceville area prior to his enlistment into the U.S. Army on January 22, 1941. Cpl. Smith was assigned to Company B of the 654th Tank Destroyer Battalion. He died in a Curtiss C-46D-10-CU Commando airplane crash after one of its engines caught on fire. Cpl. Smith was on his way to a hospital in France and then back to the United States when the plane crashed in Taillefontaine, France on May 23, 1945, killing 44 of its passengers. Cpl. Smith is currently buried at Epinal American Cemetery and Memorial in Dinozé, France.
Type
Text
Source
Digital reproduction of original <a href="https://familysearch.org/ark:/61903/1:1:STPL-JW2" target="_blank">census record</a> by Frances S. Bax, April 2, 1930: Image Number 00031, Digital Folder Number 004950234, GS Film Number 2340057, Affiliate Film Number 322, Affiliate Publication Number T626, <a href="http://www.archives.gov/" target="_blank">National Archives &
Records Administration</a>, Washington, D.C.
Is Part Of
Digital Folder Number 004950234, GS Film Number 2340057, Affiliate Film Number 322, Affiliate Publication Number T626, <a href="http://www.archives.gov/" target="_blank">National Archives &
Records Administration</a>, Washington, D.C.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank">Epinal American Cemetery Collection</a>, RICHES of Central Florida.
Coverage
Graceville, Florida
Creator
Bax, Frances S.
Publisher
<a href="http://www.census.gov/" target="_blank">Bureau of the Census</a>
Date Created
1930-04-02
Format
image/jpg
Extent
4.29 MB
Medium
1 census record
Language
eng
Mediator
History Teacher
Civics/Government Teacher
Provenance
Originally created by Frances S. Bax and published by the <a href="http://www.census.gov/" target="_blank">Bureau of the Census</a>.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank">Section 5</a> of <a href="http://www.copyright.gov/title17/92chap1.html" target="_blank">Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code</a>.
Accrual Method
Donation
Contributing Project
Epinal Cemetery Project
Curator
Aguilar, Jay
Cepero, Laura
Digital Collection
<a href="https://familysearch.org/" target="_blank">FamilySearch</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.archives.gov/" target="_blank">National Archives &
Records Administration</a>
External Reference
"<a href="https://familysearch.org/ark:/61903/1:1:STPL-JW2" target="_blank">Foch Smith</a>." FamilySearch. https://familysearch.org/ark:/61903/1:1:STPL-JW2.
"<a href="http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56375616" target="_blank">Cpl Wilson Foch Smith</a>." Find A Grave. http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56375616.
Annie Smith
Bonnie M. Smith
census
Charlie Clark
Dorothy Smith
Doyle A. Hines
Eddie Crutchfield
Edwin Kirkland
Ella G. Crutchfield
Ernest Smith
Ethel Kirkland
Ethylene Smith
Eva Clark
Fleming Hines
Fletcher G. Smith
Flora Hines
Foch Smith
Frances S. Bax
Fred Smith
Gaynell Smith
Graceville
Grady Land
H. W. Clark
Hester Smith
Hilton Smith
J. Marion Kirkland
J. Patrick Pelham
J. Patrick Pelham, Jr.
Josie Pelham
Kathryn Clark
Lorene Pelham
Lucille Smith
Mary L. Smith
Nella Land
population
R. J. Crutchfield
Ralph Kirkland
Robert G. Smith
Robert Smith
Ruby Kirkland
Ruth Smith
Spurgean Clark
Stafford Land
Susan R. Land
Virgie D. Smith
Virginia Kirkland
Walter H. Land
Walton Land
Wilson Foch Smith
-
https://richesmi.cah.ucf.edu/omeka/files/original/b88009df8295a161ac0d515bb42fd993.jpg
06af1c65f225546a74f7ff2ebfa2be02
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida-France Soldier Stories Project Collection
Alternative Title
Florida-France Soldier Stories Project
Subject
Cemeteries--Europe
Veterans--Florida
World War II, 1939-1945
Army
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener">RICHES</a>.
<a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener">Florida-France Soldier Stories Project</a>.
Language
eng
Type
Collection
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Contributing Project
Florida-France Soldier Stories Project
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a>
External Reference
"<a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener">The Epinal Project- by Students of History 357: The Second World War</a>." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).
Description
<p><span>The </span>Florida-France Soldier Stories<span>project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.</span></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Headstone of Corporal Wilson Foch Smith at Epinal American Cemetery and Memorial
Alternative Title
Headstone of Cpl. Smith
Subject
World War II, 1939-1945
Veterans--Florida
Cemeteries--Europe
Description
The headstone of Corporal Wilson Foch Smith (1918-1945). A resident of Graceville, Florida, Smith was born to Robert Smith and Hester Smith on October 24, 1918. He worked as a farmhand in the Graceville area prior to his enlistment into the U.S. Army on January 22, 1941. Cpl. Smith was assigned to Company B of the 654th Tank Destroyer Battalion. He died in a Curtiss C-46D-10-CU Commando airplane crash after one of its engines caught fire. Cpl. Smith was on his way to a hospital in France and then back to the United States when the plane crashed in Taillefontaine, France on May 23, 1945, killing 44 passengers. Cpl. Smith is buried at Epinal American Cemetery and Memorial in Dinozé, France.
Type
Still Image
Source
Original <a href="http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56375616">color digital image</a> by Dwight Anderson: Private Collection of Dwight Anderson.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank">Epinal American Cemetery Collection</a>, RICHES of Central Florida.
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Creator
Anderson, Dwight
Date Created
ca. 2013-07-23
Format
image/jpg
Extent
202 KB
Medium
1 color digital image
Language
eng
Mediator
History Teacher
Civics/Government Teacher
Provenance
Originally created by Dwight Anderson.
Rights Holder
Copyright to this resource is held by Dwight Anderson and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
Epinal Cemetery Project
Curator
Aguilar, Jay
Cepero, Laura
Digital Collection
<a href="http://www.findagrave.com/index.html" target="_blank">Find A Grave</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
"<a href="https://familysearch.org/ark:/61903/1:1:STPL-JW2" target="_blank">Foch Smith</a>." FamilySearch. https://familysearch.org/ark:/61903/1:1:STPL-JW2.
"<a href="http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56375616" target="_blank">Cpl Wilson Foch Smith</a>." Find A Grave. http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56375616.
cemeteries
cemetery
corporals
Dinozé, France
Epinal American Cemetery and Memorial
Foch Smith
graves
gravestones
graveyards
headstones
U.S. Army
USA
veterans
Wilson Foch Smith
World War II
WWII
-
https://richesmi.cah.ucf.edu/omeka/files/original/b86100a0d50bc4ce1d2d25cbdcdb2748.jpg
7608b2b7fa37b7449b22d7151dd05b32
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida-France Soldier Stories Project Collection
Alternative Title
Florida-France Soldier Stories Project
Subject
Cemeteries--Europe
Veterans--Florida
World War II, 1939-1945
Army
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener">RICHES</a>.
<a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener">Florida-France Soldier Stories Project</a>.
Language
eng
Type
Collection
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Contributing Project
Florida-France Soldier Stories Project
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a>
External Reference
"<a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener">The Epinal Project- by Students of History 357: The Second World War</a>." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).
Description
<p><span>The </span>Florida-France Soldier Stories<span>project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.</span></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Headstone Inscription and Interment Record: Wilson Foch Smith
Alternative Title
Inscription and Interment Record: Wilson Foch Smith
Subject
World War II, 1939-1945
Veterans--Florida
Army
Cemeteries--Europe
Description
The headstone inscription and interment record for Corporal Wilson Foch Smith (1918-1945). A resident of Graceville, Florida, Smith was born to Robert Smith and Hester Smith on October 24, 1918. He worked as a farmhand in the Graceville area prior to his enlistment into the U.S. Army on January 22, 1941. Cpl. Smith was assigned to Company B of the 654th Tank Destroyer Battalion. He died in a Curtiss C-46D-10-CU Commando airplane crash after one of its engines caught fire. Cpl. Smith was on his way to a hospital in France and then back to the United States when the plane crashed in Taillefontaine, France on May 23, 1945, killing 44 passengers. Cpl. Smith is buried at Epinal American Cemetery and Memorial in Dinozé, France.
Type
Text
Source
Digital reproduction of original typewritten headstone inscription and interment record.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank">Epinal American Cemetery Collection</a>, RICHES of Central Florida.
Has Format
Original typewritten headstone inscription and interment record: <a href="http://www.archives.gov/" target="_blank">National Archives & Records Administration</a>, Washington, D.C.
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Date Created
ca. 1945
Format
image/jpg
Extent
2.82 MB
Medium
1 typewritten headstone inscription and interment record
Language
eng
Mediator
History Teacher
Civics/Government Teacher
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank">Section 5</a> of <a href="http://www.copyright.gov/title17/92chap1.html" target="_blank">Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code</a>.
Accrual Method
Donation
Contributing Project
Epinal Cemetery Project
Curator
Aguilar, Jay
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.archives.gov/" target="_blank">National Archives &
Records Administration</a>
External Reference
"<a href="https://familysearch.org/ark:/61903/1:1:STPL-JW2" target="_blank">Foch Smith</a>." FamilySearch. https://familysearch.org/ark:/61903/1:1:STPL-JW2.
"<a href="http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56375616" target="_blank">Cpl Wilson Foch Smith</a>." Find A Grave. http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56375616.
cemeteries
cemetery
corporals
Dinozé, France
Epinal American Cemetery and Memorial
Foch Smith
graves
gravestones
graveyards
headstones
U.S. Army
USA
veterans
Wilson Foch Smith
World War II
WWII
-
https://richesmi.cah.ucf.edu/omeka/files/original/134a3669f538715beb78e2cfd45bbf2d.jpg
a99ca4afd2782d98a888200157943c89
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida-France Soldier Stories Project Collection
Alternative Title
Florida-France Soldier Stories Project
Subject
Cemeteries--Europe
Veterans--Florida
World War II, 1939-1945
Army
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener">RICHES</a>.
<a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener">Florida-France Soldier Stories Project</a>.
Language
eng
Type
Collection
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Contributing Project
Florida-France Soldier Stories Project
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a>
External Reference
"<a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener">The Epinal Project- by Students of History 357: The Second World War</a>." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).
Description
<p><span>The </span>Florida-France Soldier Stories<span>project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.</span></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Sergeant John F. Aylward, Jr.
Alternative Title
Sgt. Aylward
Subject
Ocala (Fla.)
Description
Sergeant John F. Aylward, Jr. (1912-1944), who died on November 3, 1944, while serving in World War II. Also known as Jack, Sgt. Aylward was a part of the Headquarters Company within the 6th Armored Division, nicknamed the Super Sixth. Sgt. Aylward was originally from Ocala, Florida, and is interred at Epinal American Cemetery and Memorial in Dinozé, France.
Type
Still Image
Source
Digital reproduction of original <a href="http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56370982">black and white photograph</a>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank">Epinal American Cemetery Collection</a>, RICHES of Central Florida.
Coverage
Ocala, Florida
Contributor
Anderson, Dwight
Date Created
ca. 1930-1944
Format
image/jpg
Extent
87.5 KB
Medium
1 black and white photograph
Mediator
History Teacher
Civics/Government Teacher
Rights Holder
This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
Epinal Cemetery Project
Curator
Jaimes, Kyle
Cepero, Laura
Digital Collection
<a href="http://www.findagrave.com/index.html" target="_blank">Find A Grave</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
"<a href="http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56370982" target="_blank">Sgt John F. "Jack" Aylward, Jr</a>." Find A Grave. http://findagrave.com/cgi-bin/fg.cgi?page=gr&
GRid=56370982.
Jack Aylward
John F. Aylward, Jr.
Ocala
-
https://richesmi.cah.ucf.edu/omeka/files/original/b29e5261fb2802d2e2ad9c122cd7f1dc.jpg
19112d720edbd6c72449a0035d150029
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Florida-France Soldier Stories Project Collection
Alternative Title
Florida-France Soldier Stories Project
Subject
Cemeteries--Europe
Veterans--Florida
World War II, 1939-1945
Army
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener">RICHES</a>.
<a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener">Florida-France Soldier Stories Project</a>.
Language
eng
Type
Collection
Coverage
Epinal American Cemetery and Memorial, Dinozé, France
Contributing Project
Florida-France Soldier Stories Project
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a>
External Reference
"<a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener">The Epinal Project- by Students of History 357: The Second World War</a>." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).
Description
<p><span>The </span>Florida-France Soldier Stories<span>project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.</span></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Sixteenth Census Population Schedule for Tampa
Alternative Title
Census Population Schedule for Tampa
Subject
Tampa (Fla.)
Population--United States
Description
The census population schedule for Tampa, Florida in 1940. Individuals are identified by name, titles and terms, gender, age, marital status, race, relationship to head of household, birthplace, birth year, the last place of residence, and occupation. Notable residents listed in this record were Marion C. Fordham, Sr. (b. 1897) and Zerith Fordham (b. 1898), the parents of Marion C. Fordham, Jr. (d. 1944). On November 12, 1942, Fordham, Jr. enlisted in the U.S. Army, and then married Ann Yarbrough the following year. During World War II, Sgt. Fordham fought in the 397th Infantry Division of the 100th Infantry Regiment. He died near the town of Baccarat, France, at the foot of the Vosges mountains on November 12, 1944. Sgt. Fordham received the Silver Star for conspicuous gallantry and intrepidity in action against the enemy and is currently buried at Epinal American Cemetery and Memorial in Dinozé, France.
Type
Text
Source
Digital reproduction of original <a href="https://familysearch.org/ark:/61903/1:1:VTZK-4FV" target="_blank">census record</a> by Irene Jones McMartin, April 25, 1940: Image Number 0078400784, Digital Folder Number 005449624, Affiliate Film Number 633, Affiliate Publication Number T627, <a href="http://www.archives.gov/" target="_blank">National Archives &amp</a>
Records Administration, Washington, D.C.
Is Version Of
Has Version
Is Replaced By
Replaces
Is Required By
Is Part Of
Digital Folder Number 005449624, Affiliate Film Number 633, Affiliate Publication Number T627, <a href="http://www.archives.gov/" target="_blank">National Archives &amp</a>
Records Administration, Washington, D.C.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank">Epinal American Cemetery Collection</a>, RICHES of Central Florida.
Is Referenced By
References
Has Format
Conforms To
Coverage
Southview Avenue, Tampa, Florida
Creator
McMartin, Irene Jones
Publisher
<a href="http://www.census.gov/" target="_blank">Bureau of the Census</a>
Date Created
1940-04-25
Date Valid
Date Issued
Date Modified
Date Accepted
Date Copyrighted
Date Submitted
Format
image/jpg
Extent
9.57 MB
Medium
1 census record
Language
eng
Mediator
History Teacher
Civics/Government Teacher
Provenance
Originally created by Irene Jones McMartin and published by the <a href="http://www.census.gov/" target="_blank">Bureau of the Census</a>.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:
<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li>
<li>create derivative works</li>
<li>perform the work publicly</li>
<li>display the work</li>
<li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li>
</ul>
This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank">Section 5</a> of <a href="http://www.copyright.gov/title17/92chap1.html" target="_blank">Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code</a>.
Instructional Method
Accrual Method
Donation
Contributing Project
Epinal Cemetery Project
Curator
Carnes, Casey M.
Cepero, Laura
Digital Collection
<a href="https://familysearch.org/" target="_blank">FamilySearch</a>
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.archives.gov/" target="_blank">National Archives &amp</a>
Records Administration
External Reference
"<a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp
GRid=56372388" target="_blank">Sgt Marion C Fordham, Jr." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp
GRid=56372388.
"<a href="https://familysearch.org/ark:/61903/1:1:VTZK-4FV" target="_blank">James Hutton</a>." FamilySearch. https://familysearch.org/ark:/61903/1:1:VTZK-4FV.
"<a href="https://familysearch.org/ark:/61903/1:1:MNVF-BZQ" target="_blank">M C Fordham Junior</a>." FamilySearch. https://familysearch.org/ark:/61903/1:1:MNVF-BZQ.
Agnes R. Roach
Alice E. Thompson
Beatrix M. James
Blanche R. McMaster
census
David B. Barr
Donna White
Edward Andrews
F. G. Gibson
Frederick J. Turpin
Herbert D. Barr
Irene Jones McMartin
James E. Roach
Jane Garr
Jean Bernheim
Lucy Pearceson
M. D. White
Marie Elizabeth Barr
Marion C. Fordham
Marion C. Fordham, Jr.
Mary A. Pearceson
Mary E. Whaley
Nell Andrews
Pauline Garr
population
Richard Saxon
Riley J. McMaster
Robert N. Thompson
Robert Volper
Roy Saxon
Russell Bernheim
Russell Garr
Sarah B. Turpin
Sonnie B. Andrews
Spencer Gibson
Tampa
Vera Freeman
Virginia Donnall
W. L. Pearceson, Jr.
Walter H. Turpin
William E. Roach
William L. Pearceson
Zerith Fordham
-
https://richesmi.cah.ucf.edu/omeka/files/original/946fffa104473312b81b96f01dd0c0f9.jpg
260c86cf2cde264796f7e08966cae54f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Greek Park Blueprint
-
https://richesmi.cah.ucf.edu/omeka/files/original/6d91a49127c6555d10526b089aa31f1e.pdf
7d37ed21c2d261a4b907116e8cd19567
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Notice of Election of Supervisors of the Seminole Soil and Water Conservation District,1973
Alternative Title
Notice of Election of Supervisors of the Seminole Soil and Water Conservation District,1973
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
Notice of Election of Supervisors of the Seminole Soil and Water Conservation District for 1973. The Seminole Soil and Water Conservation District began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In the Notice of Election of Supervisors from 1973, Kenneth R. Littlejohn from the Florida Department of Agriculture &
Consumer Services indicates that supervisors S.B. Crowe, Hubert Bagwell, and C.A. Wales were elected in 1973 and their term would expire in 1977.
Type
Text
Source
Original 1-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1973: Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 1-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1973.
Coverage
Seminole County, Florida
Creator
Littlejohn, Kenneth R.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Littlejohn, Kenneth R.
Date Created
ca. 1973
Date Issued
ca. 1973
Format
application/pdf
Extent
364 KB
Medium
1-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by Kenneth R. Littlejohn and published by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384" target="_blank">Hugh Hammond Bennett and the Creation of the Soil Conservation Service</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, March/April 2010, 37-47. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384.
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380" target="_blank">Eroding the Color Line: The Soil Conservation Service and the Civil Rights Act of 1964</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, Spring 1991, 35-53. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380.
Rasmussen, Wayne D. <a href="http://www.worldcat.org/oclc/795510987" target="_blank"><em>Taking the University To The People: Seventy-five years of Cooperative Extension</em></a>. Ames: Iowa State University Press, 9189.
Shofner, Jerrell H. "<a href="https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view" target="_blank">Roosevelt's 'Tree Army'</a>." <em>Florida Historical Quarterly</em> 65, no. 4, April 1987, 433-465. https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view.
DeFreese, Duane E. "<a href="https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents" target="_blank">Florida and the Environment: From 'La Florida' to Global Warming: 2008 Jillian Prescott Memorial Lecture</a>." <em>Florida Historical Quarterly</em> 87, no. 4, Spring 2009, 465-483. https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents.
agriculture
C.A. Wales
conservation
environmental protection
Florida Department of Agriculture & Consumer Services
Hubert Bagwell
Kenneth R. Littlejohn
S.B. Crowe
Sanford
Section 582.18
Seminole County
Seminole Soil and Water Conservation District
Soil Conservation Service
SSWCD
U.S. Department of Agriculture
USDA
-
https://richesmi.cah.ucf.edu/omeka/files/original/c158d26a8f01f9190f6915a5403cc456.pdf
250995f2a21ab94ed6151961ec3984b9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Letter to Larry Morrell of the Seminole Soil and Water Conservation District from William E. Austin,1977
Alternative Title
Letter to Larry Morrell of the Seminole Soil and Water Conservation District from William E. Austin,1977
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
Letter to Larry Morrell from William E. Austin for 1977. In the letter, William E. Austin, State Conservationist, writes to Larry Morrell of the Seminole Soil and Water Conservation District about an updated Supplemental Memorandum of Understanding between the Soil Conservation Service and the Seminole Soil and Water Conservation District.
Type
Text
Source
Original 1-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1977: Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 1-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1977.
Coverage
Seminole County, Florida
Creator
Austin, William E.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Austin, William E.
Date Created
ca. 1977
Date Issued
ca. 1977
Format
application/pdf
Extent
2.2 MB
Medium
1-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and William E. Austin.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384" target="_blank">Hugh Hammond Bennett and the Creation of the Soil Conservation Service</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, March/April 2010, 37-47. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384.
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380" target="_blank">Eroding the Color Line: The Soil Conservation Service and the Civil Rights Act of 1964</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, Spring 1991, 35-53. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380.
Rasmussen, Wayne D. <a href="http://www.worldcat.org/oclc/795510987" target="_blank"><em>Taking the University To The People: Seventy-five years of Cooperative Extension</em></a>. Ames: Iowa State University Press, 9189.
Shofner, Jerrell H. "<a href="https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view" target="_blank">Roosevelt's 'Tree Army'</a>." <em>Florida Historical Quarterly</em> 65, no. 4, April 1987, 433-465. https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view.
DeFreese, Duane E. "<a href="https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents" target="_blank">Florida and the Environment: From 'La Florida' to Global Warming: 2008 Jillian Prescott Memorial Lecture</a>." <em>Florida Historical Quarterly</em> 87, no. 4, Spring 2009, 465-483. https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents.
conservation
environmenal protection
James W. Spieth
Larry Morrell
Mike Southward
Richard Hoffman
Seminole County
Seminole Soil and Water Conservation District
Soil Conservation Service
SSWCD
State Conservationist
Supplemental Memorandum of Understanding
U.S. Department of Agriculture
USDA
William E. Austin
-
https://richesmi.cah.ucf.edu/omeka/files/original/0f852aa6984db2cffc1554fb3e90134b.pdf
6faa051e28905a550477d7a0b9c176da
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Long-Range Program, 1975
Alternative Title
Seminole Soil and Water Conservation District Long-Range Program, 1975
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
Seminole Soil and Water Conservation District Long-Range Program for 1975. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In the 1975 Long-Range Program, J.A. Hopkins states that the purpose of the Long-Range Program is to identify present and future needs and opportunities for the conservation and development of natural resources within Seminole County, Florida. The Long-Range Program serves as a practical guide for the planning and accomplishments of work by the District, its cooperators, and all agencies whose assistance is enlisted. The 31 page program outlines what needs to be done, how the work should be carried out, and when the objectives and goals within are expected to be accomplished. The program is a framework for assistance to communities, watersheds, regions, and governmental units in planning and carrying out a wide variety of resource developments during 1975. The program discusses conservation, and the development of land. The program goes on to discuss the recent shift from agricultural use of land to other uses. Population growth is described in detail due to the challenges agricultural producers face as a result of population increase and urbanization.
Type
Text
Source
Original 31-page typewritten Long-Range Program by the Board of Supervisors of the Seminole Soil and Water Conservation District,1975: Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 31-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1975.
Coverage
Seminole County, Florida
Creator
Hopkins, J.A.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Hopkins, J.A.
Date Created
ca. 1975
Date Issued
ca. 1975
Format
application/pdf
Extent
702 KB
Medium
31-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and J.A. Hopkins.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384" target="_blank">Hugh Hammond Bennett and the Creation of the Soil Conservation Service</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, March/April 2010, 37-47. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384.
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380" target="_blank">Eroding the Color Line: The Soil Conservation Service and the Civil Rights Act of 1964</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, Spring 1991, 35-53. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380.
Rasmussen, Wayne D. <a href="http://www.worldcat.org/oclc/795510987" target="_blank"><em>Taking the University To The People: Seventy-five years of Cooperative Extension</em></a>. Ames: Iowa State University Press, 9189.
Shofner, Jerrell H. "<a href="https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view" target="_blank">Roosevelt's 'Tree Army'</a>." <em>Florida Historical Quarterly</em> 65, no. 4, April 1987, 433-465. https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view.
DeFreese, Duane E. "<a href="https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents" target="_blank">Florida and the Environment: From 'La Florida' to Global Warming: 2008 Jillian Prescott Memorial Lecture</a>." <em>Florida Historical Quarterly</em> 87, no. 4, Spring 2009, 465-483. https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents.
agriculture
artesian water
Betty J. Palmer
Bureau of Environmental Education
C.A. Wales
Charles A. Wales
chloride
Civic Clubs
climate
community development
condominiums
conservation
construction
Department of Education
education
encroachment
environmental improvement
environmental protection
Farm Bureau
farming
farms
forests
geology
grant funds
ground water
ground water resources
highway planning
housing developments
Hubert Bagwell
Hydrolic Features
industrial expansion
irrigation
J.A. Hopkins
land development
Larry Morrell
livestock
mobile homes
open space
Orlando Sentinel Star
Outdoor Classroom Conservation Plans
Planned Unit Developments
population growth
poultry
radio
radio station
resource development
retail
road planning
Sanford
Sanford Herald
Seminole County
Seminole Soil and Water Conservation District
shopping centers
soil
Soil and Conservation Service
Soil Map
soil survey
SSWCD
subvision developments
toxic soil
U.S. Department of Agriculture
urban expansion
urbanization
USDA
water
watershed
wildlife
WTRR
zoning
-
https://richesmi.cah.ucf.edu/omeka/files/original/7174847eb61c1379a22978ee2ac95fef.pdf
1ffee6c4970125fe66d8052f27cdbdf4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Nondiscrimination Provision from the United States Department of Agriculture and the Soil Conservation Service,1974
Alternative Title
United States Department of Agriculture Nondiscrimination Clause, 1974
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
Nondiscrimination Provision from the United States Department of Agriculture and the Soil Conservation Service from 1974. In the document, State Conservationist William E. Austin informs the Seminole Soil and Water Conservation District that the Nondiscrimination Provision is required in agreements entered in connection with the Soil Conservation Service programs. The provision applies to applications in connection with watershed or resource conservation and development projects, work plan agreements in connection with watershed or resource conservation and development projects, land rights agreements, relocation agreements, or Memorandums of Understanding.
Type
Text
Source
Original 2-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1974: Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 2-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1974.
Coverage
Seminole County, Florida
Creator
Austin, William E.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Austin, William E.
Date Created
ca. 1974
Date Issued
ca. 1974
Format
application/pdf
Extent
546 KB
Medium
2-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and William E. Austin.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384" target="_blank">Hugh Hammond Bennett and the Creation of the Soil Conservation Service</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, March/April 2010, 37-47. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384.
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380" target="_blank">Eroding the Color Line: The Soil Conservation Service and the Civil Rights Act of 1964</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, Spring 1991, 35-53. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380.
Rasmussen, Wayne D. <a href="http://www.worldcat.org/oclc/795510987" target="_blank"><em>Taking the University To The People: Seventy-five years of Cooperative Extension</em></a>. Ames: Iowa State University Press, 9189.
Shofner, Jerrell H. "<a href="https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view" target="_blank">Roosevelt's 'Tree Army'</a>." <em>Florida Historical Quarterly</em> 65, no. 4, April 1987, 433-465. https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view.
DeFreese, Duane E. "<a href="https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents" target="_blank">Florida and the Environment: From 'La Florida' to Global Warming: 2008 Jillian Prescott Memorial Lecture</a>." <em>Florida Historical Quarterly</em> 87, no. 4, Spring 2009, 465-483. https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents.
conservation
environmental protection
farmers
farming
land rights
relocation agreements
resource conservation
Sanford
Seminole County
Seminole Soil and Water Conservation District
Soil and Conservation Service
SSWCD
State Conservationist
U.S. Department of Agriculture
USDA
water control
watershed
William E. Austin
work plan agreements
-
https://richesmi.cah.ucf.edu/omeka/files/original/a19b47b02e7918a41c963b9ba04484d8.pdf
7d8e338894d21652454f59f5309eef44
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Memorandum of Understanding between the Seminole Soil and Water Conservation District and Seminole County, 1974
Alternative Title
Seminole Soil and Water Conservation District Memorandum of Understanding, 1974
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
Memorandum of Understanding between the Seminole Soil and Water Conservation District and Seminole County for 1974. The Seminole Soil and Water Conservatiob District began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. The Memorandum of Understanding between the Seminole Soil and Water Conservation District and Seminole County for 1974 discusses ways in which the Soil Conservation Service is authorized to cooperate with and furnish assistance to the District for conservation and resource development work. The two page Memorandum lists what Seminole County will do and what the Seminole Soil and Water Conservation District will do together to tackle common objectives pertaining to conservation, development, land use, water use, wildlife preservation, and related resources.
Type
Text
Source
Original 2-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1974: Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 2-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1974.
Coverage
Seminole County, Florida
Creator
Hughes, James E.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Hughes, James E.
Date Created
ca. 1974
Date Issued
ca. 1974
Format
application/pdf
Extent
324 KB
Medium
2-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and James E. Hughes.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384" target="_blank">Hugh Hammond Bennett and the Creation of the Soil Conservation Service</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, March/April 2010, 37-47. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384.
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380" target="_blank">Eroding the Color Line: The Soil Conservation Service and the Civil Rights Act of 1964</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, Spring 1991, 35-53. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380.
Rasmussen, Wayne D. <a href="http://www.worldcat.org/oclc/795510987" target="_blank"><em>Taking the University To The People: Seventy-five years of Cooperative Extension</em></a>. Ames: Iowa State University Press, 9189.
Shofner, Jerrell H. "<a href="https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view" target="_blank">Roosevelt's 'Tree Army'</a>." <em>Florida Historical Quarterly</em> 65, no. 4, April 1987, 433-465. https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view.
DeFreese, Duane E. "<a href="https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents" target="_blank">Florida and the Environment: From 'La Florida' to Global Warming: 2008 Jillian Prescott Memorial Lecture</a>." <em>Florida Historical Quarterly</em> 87, no. 4, Spring 2009, 465-483. https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents.
conservation
environmental protection
erosion
farmers
farming
James E. Hughes
John A. Kimbrough
land use
plant resources
Sanford
sediment
Seminole County
Seminole Soil and Water Conservation District
soil
Soil Conservation Service
SSWCD
U.S. Department of Agriculture
USDA
W. W. Linz
water management
water use
wildlife, preservation
-
https://richesmi.cah.ucf.edu/omeka/files/original/7d6fa62838f366cc2e3ec21f3b0366a8.pdf
83c8b9d37215cb46a0f5e1cfa48d66ce
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Supplemental Memorandum of Understanding between the Seminole Soil and Water Conservation District and the Soil Conservation Service United States Department of Agriculture, 1968
Alternative Title
Seminole Soil and Water Conservation District Supplemental Memorandum of Understanding, 1968
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
Supplemental Memorandum of Understanding between the Seminole Soil and Water Conservation District and the Soil Conservation Service United States Department of Agriculture for 1968. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. The Supplemental Memorandum of Understanding between the Seminole Soil and Water Conservation District and the United States Department of Agriculture for 1968 discusses ways in which the Soil Conservation Service is authorized to cooperate with and furnish assistance to the District for conservation and resource development work. The four page Supplemental Memorandum lists what the Soil Conservation Service will do and what the Seminole Soil and Water Conservation District will do to tackle common objectives pertaining to conservation, development, land use, water use, and related resources.
Type
Text
Source
Original 4-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1968: Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 4-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1968.
Coverage
Seminole County, Florida
Creator
Linz, W. W.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Linz, W. W.
Date Created
ca. 1968
Date Issued
ca. 1968
Format
application/pdf
Extent
550 KB
Medium
4-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and W. W. Linz.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384" target="_blank">Hugh Hammond Bennett and the Creation of the Soil Conservation Service</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, March/April 2010, 37-47. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384.
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380" target="_blank">Eroding the Color Line: The Soil Conservation Service and the Civil Rights Act of 1964</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, Spring 1991, 35-53. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380.
Rasmussen, Wayne D. <a href="http://www.worldcat.org/oclc/795510987" target="_blank"><em>Taking the University To The People: Seventy-five years of Cooperative Extension</em></a>. Ames: Iowa State University Press, 9189.
Shofner, Jerrell H. "<a href="https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view" target="_blank">Roosevelt's 'Tree Army'</a>." <em>Florida Historical Quarterly</em> 65, no. 4, April 1987, 433-465. https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view.
DeFreese, Duane E. "<a href="https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents" target="_blank">Florida and the Environment: From 'La Florida' to Global Warming: 2008 Jillian Prescott Memorial Lecture</a>." <em>Florida Historical Quarterly</em> 87, no. 4, Spring 2009, 465-483. https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents.
agriculture
C. A. Wales
conservation
environmental protection
farmers
farming
Hampton Burns
resource development
Sanford, development
Seminole County
Seminole Soil and Water Conservation District
soil
Soil Conservation Service, land use
SSWCD
State Conservationist
U.S. Department of Agriculture
USDA
W. W. Linz
water
water use
-
https://richesmi.cah.ucf.edu/omeka/files/original/23570be6a683fcd607938dc3a154a06a.pdf
54598622dc8b5034c051d1622b64d183
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Program of the Board of Supervisors of the Seminole Soil and Water Conservation District, 1963
Alternative Title
Seminole Soil and Water Conservation Program, 1963
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The Program of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1963. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. The fourteen page program from 1963 discusses the history of the organization and contains information pertaining to the goals of the Seminole Soil Conservation District as well as the major problems they face regarding water control, soil depletion, erosion control, wildlife, land use, livestock, egg production, and recreational and rural land development.
Type
Text
Source
Original 14-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1963: Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 14-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1963.
Coverage
Seminole County, Florida
Creator
Hammond, Ralph
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Hammond, Ralph
Date Created
ca. 1963
Date Issued
ca. 1963
Format
application/pdf
Extent
485 KB
Medium
14-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and Ralph Hammond.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384" target="_blank">Hugh Hammond Bennett and the Creation of the Soil Conservation Service</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, March/April 2010, 37-47. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384.
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380" target="_blank">Eroding the Color Line: The Soil Conservation Service and the Civil Rights Act of 1964</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, Spring 1991, 35-53. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380.
Rasmussen, Wayne D. <a href="http://www.worldcat.org/oclc/795510987" target="_blank"><em>Taking the University To The People: Seventy-five years of Cooperative Extension</em></a>. Ames: Iowa State University Press, 9189.
Shofner, Jerrell H. "<a href="https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view" target="_blank">Roosevelt's 'Tree Army'</a>." <em>Florida Historical Quarterly</em> 65, no. 4, April 1987, 433-465. https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view.
DeFreese, Duane E. "<a href="https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents" target="_blank">Florida and the Environment: From 'La Florida' to Global Warming: 2008 Jillian Prescott Memorial Lecture</a>." <em>Florida Historical Quarterly</em> 87, no. 4, Spring 2009, 465-483. https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents.
abandoned flowing wells
agricultural development
agriculture
artesian water
beans
beef cattle
birds
Black Hammock
cabbage
carrots
celery
Charles A. Wales
chlorides
citrus
conservation
corn
cropland
drainage
egg production
Elbert Cammack
environmental protection
erosion
farmers
farming
flowing wells
Geneva
industrial development
irrigation
Jack Dodd
Lake Harney
Lake Jessup
Lake Monroe
lakes
land development
land use
leguminous cover crops
lettuce
livestock
nemeatodes
overgrazing
pasture development
ponds
poultry
poultry farms
Puzzle Lake
Ralph Hammond
recreation
recreational land
row crops
Sanford
Sanford Junior High School
Seminole County
Seminole Soil and Water Conservation District
soil
Soil and Conservation Service
soil depletion
SSCD
SSWCD
St. Johns River
streams
U.S. Department of Agriculture
USDA
vegetables
W. W. Linz
water
water control
Wells
wildlife
wind
-
https://richesmi.cah.ucf.edu/omeka/files/original/5e9decf7fe244630bf790edc59761fc5.pdf
f6960f1cf548cb4d4af3ea5dd15c756c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Memorandum of Understanding of Supervisors of the Seminole Soil and Water Conservation District, 1962
Alternative Title
Seminole Soil and Water Conservation District Memorandum of Understanding, 1962
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
Memorandum of Understanding of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1962. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. The five page Memorandum of Understanding from 1962 details a broad program of assistance to farmers, ranchers, and landowners including soil and water conservation, watershed protection, flood prevention, farm forestry, rural areas development. The Memorandum of Understanding references goals pertaining to research, education, technical assistance, cost sharing, credit, and cooperation. The Memorandum discusses assistance to the Seminole Soil Conservation District in conserving and improving soil, water, vegetation, wildlife, and related resources and in reducing damage by floods and sedimentation.
Type
Text
Source
Original 5-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1962: Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 5-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1962.
Coverage
Seminole County, Florida
Creator
Hammond, Ralph
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Hammond, Ralph
Date Created
ca. 1962
Date Issued
ca. 1962
Format
application/pdf
Extent
665 KB
Medium
5-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and Ralph Hammond.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384" target="_blank">Hugh Hammond Bennett and the Creation of the Soil Conservation Service</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, March/April 2010, 37-47. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384.
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380" target="_blank">Eroding the Color Line: The Soil Conservation Service and the Civil Rights Act of 1964</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, Spring 1991, 35-53. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380.
Rasmussen, Wayne D. <a href="http://www.worldcat.org/oclc/795510987" target="_blank"><em>Taking the University To The People: Seventy-five years of Cooperative Extension</em></a>. Ames: Iowa State University Press, 9189.
Shofner, Jerrell H. "<a href="https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view" target="_blank">Roosevelt's 'Tree Army'</a>." <em>Florida Historical Quarterly</em> 65, no. 4, April 1987, 433-465. https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view.
DeFreese, Duane E. "<a href="https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents" target="_blank">Florida and the Environment: From 'La Florida' to Global Warming: 2008 Jillian Prescott Memorial Lecture</a>." <em>Florida Historical Quarterly</em> 87, no. 4, Spring 2009, 465-483. https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents.
agriculture
C.A. Wales
Charles A. Wales
conservation
environmental protection
farm forestry
farmers
farming
flood prevention
flooding
floods
landowners
Memorandum
Orville L. Freeman
Ralph Hammond
ranchers
ranching
Sanford
sedimentation
Seminole County
Seminole Soil and Water Conservation District
soil
SSCD
SSWCD
United States Department of Agriculture
USDA
water
watershed protection
wildlife
-
https://richesmi.cah.ucf.edu/omeka/files/original/ab7bfba4b7964f84dc72ba80333ba717.pdf
f37ac1e1058b21893789e8c25f962ddf
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Transmittal of Schedule of Assistance of the Board of Supervisors of the Seminole Soil and Water Conservation District, 1954
Alternative Title
Seminole Soil and Water Conservation District Transmittal of Schedule of Assistance, 1954
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The Transmittal of Schedule of Assistance of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1954. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In the Transmittal of Schedule of Assistance from 1954, Albert R. Swartz, District Conservationist, writes to Homer L. Osborne, Chairman of the Board of the Seminole Soil Conservation District. Swartz states the kinds of assistance that would be made available by the Soil Conservation Service to the Seminole Soil Conservation District such as a Soil Conservationist, a Drainage Engineer, a Soil Scientist, an Engineer Aid, and a Conservation Aid. The two page report also indicates that due to the elimination of soil conservation service propagation nurseries, there were no estimates of available planting materials for the period betweem July 1st, 1954 through June 30th, 1955.
Type
Text
Source
Original 2-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1954: Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 2-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1954.
Coverage
Seminole County, Florida
Creator
Swartz, Albert R.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Swartz, Albert R.
Date Created
ca. 1954
Date Issued
ca. 1954
Format
application/pdf
Extent
1.23 MB
Medium
2-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and Albert R. Swartz.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384" target="_blank">Hugh Hammond Bennett and the Creation of the Soil Conservation Service</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, March/April 2010, 37-47. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384.
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380" target="_blank">Eroding the Color Line: The Soil Conservation Service and the Civil Rights Act of 1964</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, Spring 1991, 35-53. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380.
Rasmussen, Wayne D. <a href="http://www.worldcat.org/oclc/795510987" target="_blank"><em>Taking the University To The People: Seventy-five years of Cooperative Extension</em></a>. Ames: Iowa State University Press, 9189.
Shofner, Jerrell H. "<a href="https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view" target="_blank">Roosevelt's 'Tree Army'</a>." <em>Florida Historical Quarterly</em> 65, no. 4, April 1987, 433-465. https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view.
DeFreese, Duane E. "<a href="https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents" target="_blank">Florida and the Environment: From 'La Florida' to Global Warming: 2008 Jillian Prescott Memorial Lecture</a>." <em>Florida Historical Quarterly</em> 87, no. 4, Spring 2009, 465-483. https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents.
agriculture, Sanford
Albert R. Swartz
Colin D. Gunn
conservation
Conservation Aid
Drainage Engineer
Engineer Aid
environmental protection
farmers
farming
Homer L. Osborne
planting
planting materials
Seminole County
Seminole Soil and Water Conservation District
Soil Conservation Service Propagation Nurseries
Soil Conservationist
soil scientist
SSCD
SSWCD
-
https://richesmi.cah.ucf.edu/omeka/files/original/9037f6856911ee34529114deed6704c3.pdf
7142c678f534b77f4e42a9c40190b444
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Transmittal of Schedule of Assistance of the Board of Supervisors of the Seminole Soil and Water Conservation District, 1953
Alternative Title
Seminole Soil and Water Conservation District Transmittal of Schedule of Assistance, 1953
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The Transmittal of Schedule of Assistance of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1953. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year. In the Transmittal of Schedule of Assistance from 1953, Albert R. Swartz, District Conservationist, writes to Homer L. Osborne, Chairman of the Board of the Seminole Soil Conservation District. Swartz states the kinds of assistance that would be made available by the Soil Conservation Service to the Seminole Soil Conservation District such as a Soil Conservationist, a Drainage Engineer, a Soil Scientist, an Engineer Aid, and a Conservation Aid. The two page document contains a planting materials list including Blanket Indigo, Early Indigo, Yellow Lupine, Crotalaria Lanceolata, Coastal Bermuda Stolons, and Rescue Grass (Chapel Hill).
Type
Text
Source
Original 2-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1953: Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 2-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1953.
Coverage
Seminole County, Florida
Creator
Swartz, Albert R.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Swartz, Albert R.
Date Created
ca. 1953
Date Issued
ca. 1953
Format
application/pdf
Extent
1.02 MB
Medium
2-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and Albert R. Swartz.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384" target="_blank">Hugh Hammond Bennett and the Creation of the Soil Conservation Service</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, March/April 2010, 37-47. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384.
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380" target="_blank">Eroding the Color Line: The Soil Conservation Service and the Civil Rights Act of 1964</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, Spring 1991, 35-53. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380.
Rasmussen, Wayne D. <a href="http://www.worldcat.org/oclc/795510987" target="_blank"><em>Taking the University To The People: Seventy-five years of Cooperative Extension</em></a>. Ames: Iowa State University Press, 9189.
Shofner, Jerrell H. "<a href="https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view" target="_blank">Roosevelt's 'Tree Army'</a>." <em>Florida Historical Quarterly</em> 65, no. 4, April 1987, 433-465. https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view.
DeFreese, Duane E. "<a href="https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents" target="_blank">Florida and the Environment: From 'La Florida' to Global Warming: 2008 Jillian Prescott Memorial Lecture</a>." <em>Florida Historical Quarterly</em> 87, no. 4, Spring 2009, 465-483. https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents.
agriculture
Albert R. Swartz
Blanket Indigo
Chapel Hill, planting
Coastal Bermuda Stolons
Colin D. Gunn
conservation
Conservation Aid
Crotalaria Lanceolata
Drainage Engineer
Early Indigo
Engineer Aid
environmental protection
farmers
farming
Homer L. Osborne
planting materials
Rescue Grass
Sanford
Seminole County
Seminole Soil and Water Conservation District
Soil Conservation Service
Soil Conservationist
soil scientist
SSCD
SSWCD
Yellow Lupine
-
https://richesmi.cah.ucf.edu/omeka/files/original/b4308814c207974fc7e87bba6a41ad1a.pdf
313b44c18d073449f339bedf2714b9d8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Historical Data of the Board of the Seminole Soil and Water Conservation District, 1953
Alternative Title
Seminole Soil and Water Conservation District Historical Data, 1953
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
Historical Data report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1953. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. The Historical Data report from 1953 contains historical data about the Seminole Soil and Water Conservation District. The two page document lists names of the first Board of Supervisors (Commissioners) such as R.F.Cooper, C.A. Wales, T.L. Lingo, R. T. Milwee, Tom McCalin, Jr., and C.R. Dawson. The current Board members are listed as Homer L. Osborne, C.A. Wales, E.J. Cameron, R.T. Milwee, and George C. Harden. The First Cooperator is listed as Forest Lake Academy in Forest City.
Type
Text
Source
Original 2-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1953: Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 2-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1953.
Coverage
Seminole County, Florida
Creator
Osborne, Homer L.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Osborne, Homer L.
Date Created
ca. 1953
Date Issued
ca. 1953
Format
application/pdf
Extent
1.48 MB
Medium
2-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and Homer L. Osborne.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384" target="_blank">Hugh Hammond Bennett and the Creation of the Soil Conservation Service</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, March/April 2010, 37-47. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384.
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380" target="_blank">Eroding the Color Line: The Soil Conservation Service and the Civil Rights Act of 1964</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, Spring 1991, 35-53. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380.
Rasmussen, Wayne D. <a href="http://www.worldcat.org/oclc/795510987" target="_blank"><em>Taking the University To The People: Seventy-five years of Cooperative Extension</em></a>. Ames: Iowa State University Press, 9189.
Shofner, Jerrell H. "<a href="https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view" target="_blank">Roosevelt's 'Tree Army'</a>." <em>Florida Historical Quarterly</em> 65, no. 4, April 1987, 433-465. https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view.
DeFreese, Duane E. "<a href="https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents" target="_blank">Florida and the Environment: From 'La Florida' to Global Warming: 2008 Jillian Prescott Memorial Lecture</a>." <em>Florida Historical Quarterly</em> 87, no. 4, Spring 2009, 465-483. https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents.
A.R. Swartz
agriculture
B.E. Wiggins
C.A. Wales, T.L. Lingo
C.R. Dawson
conservation
E.J. Cameron
Ed Higgins
environmental protection
farmers
farming
Forest City
Forest Lake Academy
George C. Harden
H.B. Pope
Homer L. Osborne
J.L. McLenden
K.S. McMullen
L.A. Jacobson
Leo Butner
R.E. Witherell
R.F. Cooper
R.T. Milwee
Sanford
Seminole County
Seminole Soil and Water Conservation District
SSCD
SSWCD
Tom McClain, Jr.
-
https://richesmi.cah.ucf.edu/omeka/files/original/1cf46f4e65905de85e97f34a35e7a999.pdf
8a99d2b86fa9ee30c6f7fe679f552259
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Transmittal of Schedule of Assistance of the Board of Supervisors of the Seminole Soil and Water Conservation District, 1952
Alternative Title
Seminole Soil and Water Conservation District Transmittal of Schedule of Assistance, 1952
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The Transmittal of Schedule of Assistance of the Board of Supervisorsof the Seminole Soil and Water Conservation District for 1952. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In the Transmittal of Schedule of Assistance from 1952, Albert R. Swartz, District Conservationist, writes to Homer L. Osborne, Chairman of the Board of the Seminole Soil Conservation District. Swartz states the kinds of assistance that would be made available by the Soil Conservation Service to the Seminole Soil Conservation District such as a Soil Conservationist, a Drainage Engineer, a Soil Scientist, an Engineer Aid, and a Conservation Aid. The two page document contains a planting materials list including Pensacola Bahia, early Hairy Indigo, ordinary Hairy Indigo, Blanket Indigo, Crotalaria Intermedia, Aeschynomene, Multiflora Rose, Crotalaria Lanceolata, Coastal Bermuda Grass Stolons, and Pangola Grass Stolons.
Type
Text
Source
Original 2-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1952: Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 2-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1952.
Coverage
Seminole County, Florida
Creator
Swartz, Albert R.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Swartz, Albert R.
Date Created
ca. 1952
Date Issued
ca. 1952
Format
application/pdf
Extent
1.41 MB
Medium
2-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and Albert R. Swartz.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384" target="_blank">Hugh Hammond Bennett and the Creation of the Soil Conservation Service</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, March/April 2010, 37-47. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384.
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380" target="_blank">Eroding the Color Line: The Soil Conservation Service and the Civil Rights Act of 1964</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, Spring 1991, 35-53. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380.
Rasmussen, Wayne D. <a href="http://www.worldcat.org/oclc/795510987" target="_blank"><em>Taking the University To The People: Seventy-five years of Cooperative Extension</em></a>. Ames: Iowa State University Press, 9189.
Shofner, Jerrell H. "<a href="https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view" target="_blank">Roosevelt's 'Tree Army'</a>." <em>Florida Historical Quarterly</em> 65, no. 4, April 1987, 433-465. https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view.
DeFreese, Duane E. "<a href="https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents" target="_blank">Florida and the Environment: From 'La Florida' to Global Warming: 2008 Jillian Prescott Memorial Lecture</a>." <em>Florida Historical Quarterly</em> 87, no. 4, Spring 2009, 465-483. https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents.
Aeschynomene
agriculture
Albert R. Swartz
Argentine Bahia
Blanket Indigo
Coastal Bermuda Grass Stolons
Colin D. Gunn
conservation
Crotalaria Lanceolata
District Conservationist
drainage
early Hairy Indigo
engineer
engineering
environmental protection
farming
Homer L. Osborne
Multiflora Rose
Pangola Grass Stolons
planting
planting material
Sanford
Seminole County
Seminole Soil and Water Conservation District
soil
Soil and Conservation Service
Soil conservation
soil scientist
SSCD
SSWCD
State Conservationist
U.S. Department of Agriculture
USDA
water control
-
https://richesmi.cah.ucf.edu/omeka/files/original/15dec3eae8d4650c9193c98404b20971.pdf
d66fcbff39804110218d23d8b7775fcd
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Office Memorandum of the Seminole Soil and Water Conservation District, 1952
Alternative Title
Seminole Soil and Water Conservation District Office Memorandum, 1952
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
Office Memorandum of the Seminole Soil and Water Conservation District for 1952. The Seminole Soul and Water Conservation District began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In the Office Memorandum from 1952, H.B. Helms, the assistant state conservationist, informs Albert R. Swartz, the acting area conservationist, that J.G. McMeekin of the Regional Records and Reports Division has advised that Seminole District #43 may discontinue submitting form SCS-198 as the sample requirement for land conversion has been met. The one page document is signed by H.B. Helms.
Type
Text
Source
Original 1-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1952: Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 1-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1952.
Coverage
Seminole County, Florida
Creator
Helms, H.B.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Helms, H.B.
Date Created
ca. 1952
Date Issued
ca. 1952
Format
application/pdf
Extent
1.24 MB
Medium
1-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and H.B. Helms.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384" target="_blank">Hugh Hammond Bennett and the Creation of the Soil Conservation Service</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, March/April 2010, 37-47. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384.
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380" target="_blank">Eroding the Color Line: The Soil Conservation Service and the Civil Rights Act of 1964</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, Spring 1991, 35-53. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380.
Rasmussen, Wayne D. <a href="http://www.worldcat.org/oclc/795510987" target="_blank"><em>Taking the University To The People: Seventy-five years of Cooperative Extension</em></a>. Ames: Iowa State University Press, 9189.
Shofner, Jerrell H. "<a href="https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view" target="_blank">Roosevelt's 'Tree Army'</a>." <em>Florida Historical Quarterly</em> 65, no. 4, April 1987, 433-465. https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view.
DeFreese, Duane E. "<a href="https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents" target="_blank">Florida and the Environment: From 'La Florida' to Global Warming: 2008 Jillian Prescott Memorial Lecture</a>." <em>Florida Historical Quarterly</em> 87, no. 4, Spring 2009, 465-483. https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents.
agriculture
Albert R. Swartz
Area Conservationist
Ben F. Wiggins
conservation
Form SCS-198
H.B. Helms
J.G. McMeekin
land conversion
Memorandum
Regional Records and Reports Division
Sanford
Seminole County
Seminole Soil and Water Conservation District
SSCD
SSWCD
State Conservationist
United States Government
-
https://richesmi.cah.ucf.edu/omeka/files/original/ea4aab5990a3b4d80ef1c1f2705224f7.pdf
da467817c3304d5723524f36a75f5a4e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Transmittal of Schedule of Assistance of the Board of Supervisors of the Seminole Soil and Water Conservation District, 1951
Alternative Title
Seminole Soil and Water Conservation District Transmittal of Schedule of Assistance, 1951
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
Transmittal of Schedule of Assistance of the Seminole Soil and Water Conservation District for 1951. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In the Transmittal of Schedule of Assistance from 1951, Walter W. Shaffer writes to Homer L. Osborne and states the kinds of assistance that would be made available by the Soil Conservation Service to the Seminole Soil Conservation District such as a Soil Conservationist, a Drainage Engineer, a Soil Scientist, an Engineer Aid, and a Conservation Aid. The two page document contains a planting materials list including Pensacola Bahia, early Hairy Indigo, ordinary Hairy Indigo, Blanket Indigo, Crotalaria Intermedia, aeschynomene, multiflora rose, Crotalaria Lanceolata, Coastal Bermuda Grass Stolons, and Pangola Grass Stolons. The document is signed by Walter W. Shaffer and Colin D. Gunn.
Type
Text
Source
Original 2-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1951: Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 2-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1951.
Coverage
Seminole County, Florida
Creator
Shaffer, Walter W.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Shaffer, Walter W.
Date Created
ca. 1951
Date Issued
ca. 1951
Format
application/pdf
Extent
1.47 MB
Medium
2-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and Walter W. Shaffer .
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384" target="_blank">Hugh Hammond Bennett and the Creation of the Soil Conservation Service</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, March/April 2010, 37-47. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384.
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380" target="_blank">Eroding the Color Line: The Soil Conservation Service and the Civil Rights Act of 1964</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, Spring 1991, 35-53. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380.
Rasmussen, Wayne D. <a href="http://www.worldcat.org/oclc/795510987" target="_blank"><em>Taking the University To The People: Seventy-five years of Cooperative Extension</em></a>. Ames: Iowa State University Press, 9189.
Shofner, Jerrell H. "<a href="https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view" target="_blank">Roosevelt's 'Tree Army'</a>." <em>Florida Historical Quarterly</em> 65, no. 4, April 1987, 433-465. https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view.
DeFreese, Duane E. "<a href="https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents" target="_blank">Florida and the Environment: From 'La Florida' to Global Warming: 2008 Jillian Prescott Memorial Lecture</a>." <em>Florida Historical Quarterly</em> 87, no. 4, Spring 2009, 465-483. https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents.
Aeschynomene
agriculture
Blanket Indigo
Coastal Bermuda Grass Stolons
Colin D. Gunn
conservation
Crotalaria Intermedia
Crotalaria Lanceolata
drainage
early Hairy Indigo
engineer
engineering
farmers
farming
Homer L. Osborne
Multiflora Rose
ordinary Hairy Indigo
Pangola Grass Stolons
Pensacola Bahia
planters
planting materials
Sanford
Seminole County
Seminole Soil and Water Conservation District
soil
Soil conservation
Soil Conservation Service
Soil Conservation Service Nurseries
soil scientist
SSCD
SSWCD
State Conservationist
United States Department of Agriculture
USDA
Walter W. Shaffer
water control
-
https://richesmi.cah.ucf.edu/omeka/files/original/d7fae870090b3c6672a286994c01ee3d.pdf
de94c099bae04c1927cbd40ba4e20628
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Transmittal of Schedule of Assistance of the Board of Supervisors of the Seminole Soil and Water Conservation District, 1950
Alternative Title
Seminole Soil and Water Conservation District Transmittal of Schedule of Assistance, 1950
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The Transmittal of Schedule of Assistance of the Seminole Soil and Water Conservation District for 1950. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In the Transmittal of Schedule of Assistance from 1950, Robert R. Witherell writes to C.A. Wales and states the kinds of assistance that would be made available such as a Soil Conservationist, a Drainage Engineer, a Soil Scientist, an Engineer Aid, and a Conservation Aid. The two page document contains a planting materials list including Bahia seed, Coastal Bermuda Grass Stolons, and Pangola Grass Stolons. The planting materials were supplied by Brooksville Nursery. The document is signed by Robert E. Witherell, and Colin D. Gunn.
Type
Text
Source
Original 2-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1950: Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Statistical and Historical Information, 1948-1977 <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 2-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1950.
Coverage
Seminole County, Florida
Creator
Witherell, Robert E.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Witherell, Robert E.
Date Created
ca. 1950
Date Issued
ca. 1950
Format
application/pdf
Extent
1.47 MB
Medium
2-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Robert E. Witherell.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384" target="_blank">Hugh Hammond Bennett and the Creation of the Soil Conservation Service</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, March/April 2010, 37-47. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384.
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380" target="_blank">Eroding the Color Line: The Soil Conservation Service and the Civil Rights Act of 1964</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, Spring 1991, 35-53. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380.
Rasmussen, Wayne D. <a href="http://www.worldcat.org/oclc/795510987" target="_blank"><em>Taking the University To The People: Seventy-five years of Cooperative Extension</em></a>. Ames: Iowa State University Press, 9189.
Shofner, Jerrell H. "<a href="https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view" target="_blank">Roosevelt's 'Tree Army'</a>." <em>Florida Historical Quarterly</em> 65, no. 4, April 1987, 433-465. https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view.
DeFreese, Duane E. "<a href="https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents" target="_blank">Florida and the Environment: From 'La Florida' to Global Warming: 2008 Jillian Prescott Memorial Lecture</a>." <em>Florida Historical Quarterly</em> 87, no. 4, Spring 2009, 465-483. https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents.
agriculture
Bahia seeds
Brooksville Nursery
C.A. Wales
Coastal Bermuda Grass Stolons
Colin D. Gunn
conservation
drainage
engineer
engineering
environmental protection
farmers, planters
farming
Pangola Grass Stolons
planting materials
Robert E. Witherell, District Conservationist
Sanford
Seminole County
Seminole Soil and Water Conservation District
soil
Soil and Conservation Service
Soil conservation
soil scientist
SSCD
SSWCD
State Conservationist
U.S. Department of Agriculture
USDA
water control
-
https://richesmi.cah.ucf.edu/omeka/files/original/8d7f3d2b2cbf91dc9e89aaf70b2e1e62.pdf
99c0451b6f2bcb8140252506f372ce30
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Transmittal of Schedule of Assistance of the Board of Supervisers of the Seminole Soil and Water Conservation District, 1949
Alternative Title
Seminole Soil and Water Conservation District Transmittal of Schedule of Assistance, 1949
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The Transmittal of Schedule of Assistance of the Seminole Soil and Water Conservation District for 1949. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In the four page Transmittal of Schedule of Assistance from 1949, Robert R. Witherell writes to C.A. Wales and states the kinds of assistance that would be made available between July 1st, 1949 and June 30th, 1950, such as a Soil Conservationist, a Drainage Engineer, a Soil Scientist, an Engineer Aid, and a Conservation Aid. The document is signed by Robert E. Witherell, and Colin D. Gunn.
Type
Text
Source
Original 4-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1949: Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 4-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1949.
Coverage
Seminole County, Florida
Creator
Witherell, Robert E.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Witherell, Robert E.
Date Created
ca. 1949
Date Issued
ca. 1949
Format
application/pdf
Extent
1.43 MB
Medium
4-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and Robert E. Witherell.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384" target="_blank">Hugh Hammond Bennett and the Creation of the Soil Conservation Service</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, March/April 2010, 37-47. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384.
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380" target="_blank">Eroding the Color Line: The Soil Conservation Service and the Civil Rights Act of 1964</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, Spring 1991, 35-53. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380.
Rasmussen, Wayne D. <a href="http://www.worldcat.org/oclc/795510987" target="_blank"><em>Taking the University To The People: Seventy-five years of Cooperative Extension</em></a>. Ames: Iowa State University Press, 9189.
Shofner, Jerrell H. "<a href="https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view" target="_blank">Roosevelt's 'Tree Army'</a>." <em>Florida Historical Quarterly</em> 65, no. 4, April 1987, 433-465. https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view.
DeFreese, Duane E. "<a href="https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents" target="_blank">Florida and the Environment: From 'La Florida' to Global Warming: 2008 Jillian Prescott Memorial Lecture</a>." <em>Florida Historical Quarterly</em> 87, no. 4, Spring 2009, 465-483. https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents.
C.A. Wales
Colin D. Gunn
conservation
drainage
engineer
engineering
Fern Park
Robert E. Witherell, District Conservationist
Sanford
Seminole County
Seminole Soil and Water Conservation District
soil
Soil conservation
Soil Conservation Service
soil scientist
SSCD
SSWCD
State Conservationist
U.S. Department of Agriculture
USDA
water control
-
https://richesmi.cah.ucf.edu/omeka/files/original/1c3270e04c31a3b32d2226268679a662.pdf
da37a8d40fb81f14c62352b95be9432b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Supplemental Memorandum of Understanding Between the Seminole Soil Conservation District and the Soil Conservation Service of the United States Department of Agriculture, 1948
Alternative Title
Supplemental Memorandum of Understanding of the Seminole Soil Conservation District, 1948
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
Supplemental Memorandum of Understanding Between the Seminole Soil Conservation District and the Soil Conservation Service of the United States Department of Agriculture for 1948. The Seminole Soil Conservation District began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. The 1948 Supplemental Memorandum of Understanding supplements the 1948 Memorandum of Understanding. The eight page document explains what the District and the the Service will do, such as selecting a District Conservationist, keeping current records, providing field equipment, and taking part in erosion control and soil conservation. The document is signed by R.F. Cooper, C.R. Dawson, and H.H. Hennett.
Type
Text
Source
Original 8-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1948: Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 8-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1948.
Coverage
Seminole County, Florida
Creator
Cooper, R.F.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Cooper, R.F.
Date Created
ca. 1948
Date Issued
ca. 1948
Format
application/pdf
Extent
1.25 MB
Medium
8-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and R.F. Cooper.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384" target="_blank">Hugh Hammond Bennett and the Creation of the Soil Conservation Service</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, March/April 2010, 37-47. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384.
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380" target="_blank">Eroding the Color Line: The Soil Conservation Service and the Civil Rights Act of 1964</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, Spring 1991, 35-53. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380.
Rasmussen, Wayne D. <a href="http://www.worldcat.org/oclc/795510987" target="_blank"><em>Taking the University To The People: Seventy-five years of Cooperative Extension</em></a>. Ames: Iowa State University Press, 9189.
Shofner, Jerrell H. "<a href="https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view" target="_blank">Roosevelt's 'Tree Army'</a>." <em>Florida Historical Quarterly</em> 65, no. 4, April 1987, 433-465. https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view.
DeFreese, Duane E. "<a href="https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents" target="_blank">Florida and the Environment: From 'La Florida' to Global Warming: 2008 Jillian Prescott Memorial Lecture</a>." <em>Florida Historical Quarterly</em> 87, no. 4, Spring 2009, 465-483. https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents.
artesian wells
C.R. Dawson
cattle
Central Florida Experiment Station
citrus
conservation
drainage
environmental protection
H.H. Hennett
irrigation
livestock
R.F. Cooper
Sanford
Seminole County
Seminole Soil and Water Conservation District
Soil Conservation Service
SSCD
SSWCD
United States Department of Agriculture
USDA
water levels
Wells
wildlife
-
https://richesmi.cah.ucf.edu/omeka/files/original/f879031ecdac75213b100f607859bd63.pdf
72aecf4c0024970b8eb27a9de3f6cb4c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Work Plan of the Seminole Soil Conservation District, 1948
Alternative Title
Work Plan of the Seminole Soil and Water Conservation, 1948
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The Work Plan of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1948. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. The purpose of the 1948 work plan was to outline the approach to problems as stated in the program from that year. The seven page work plan discusses issues such as land use, cropland, erosion, pastureland, water control, soil improvement, crop rotation, woodland and wildlife management, farm planning, and the use of conservation surveys.
Type
Text
Source
Original 7-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1948: Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 7-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1948.
Coverage
Seminole County, Florida
Creator
Cooper, R.F.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Cooper, R.F.
Date Created
ca. 1948
Date Issued
ca. 1948
Format
application/pdf
Extent
1.42 MB
Medium
7-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and R.F. Cooper.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384" target="_blank">Hugh Hammond Bennett and the Creation of the Soil Conservation Service</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, March/April 2010, 37-47. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384.
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380" target="_blank">Eroding the Color Line: The Soil Conservation Service and the Civil Rights Act of 1964</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, Spring 1991, 35-53. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380.
Rasmussen, Wayne D. <a href="http://www.worldcat.org/oclc/795510987" target="_blank"><em>Taking the University To The People: Seventy-five years of Cooperative Extension</em></a>. Ames: Iowa State University Press, 9189.
Shofner, Jerrell H. "<a href="https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view" target="_blank">Roosevelt's 'Tree Army'</a>." <em>Florida Historical Quarterly</em> 65, no. 4, April 1987, 433-465. https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view.
DeFreese, Duane E. "<a href="https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents" target="_blank">Florida and the Environment: From 'La Florida' to Global Warming: 2008 Jillian Prescott Memorial Lecture</a>." <em>Florida Historical Quarterly</em> 87, no. 4, Spring 2009, 465-483. https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents.
agriculture
C. A. Wales
conservation
crop land
crop rotation
dams
drainage
environmental protection
erosion
farm planning
farmers
farming
fire breaks
fire control
fires
forestry
irrigation
pasture development
preservation
R.F. Cooper
R.T. Milwee
Sanford
seed production
Seminole County
Seminole Soil and Water Conservation District
soil
soil improvement
SSCD
SSWCD
Tom McLain, Jr.
U.S. Department of Agriculture
USDA
water
water control
wildlife management
woodland management
-
https://richesmi.cah.ucf.edu/omeka/files/original/2549b739203e1d6def1df615f5aaab2b.pdf
c79eed531c439aaab1828beb37231a5f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Program of the Seminole Soil Conservation District, 1948
Alternative Title
Program of the Seminole Soil Conservation District, 1948
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The Program of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1948. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed solving issues concerning soil and water resources. In the 1948 program, the Seminole Soil Conservation District discusses agriculture and plans to confront issues pertaining to water control, land use, soil depletion, wind and water erosion, pasture development, and woodland and wildlife management. The nine page program is signed by R.F. Cooper, C.A. Wales, T.L. Lingo, R.T. Milwee, and Tom McLain, Jr.
Type
Text
Source
Original 9-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1948: Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 9-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1948.
Coverage
Seminole County, Florida
Creator
Cooper, R.F.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Cooper, R.F.
Date Created
ca. 1948
Date Issued
ca. 1948
Format
application/pdf
Extent
619 KB
Medium
9-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and R.F. Cooper.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384" target="_blank">Hugh Hammond Bennett and the Creation of the Soil Conservation Service</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, March/April 2010, 37-47. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384.
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380" target="_blank">Eroding the Color Line: The Soil Conservation Service and the Civil Rights Act of 1964</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, Spring 1991, 35-53. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380.
Rasmussen, Wayne D. <a href="http://www.worldcat.org/oclc/795510987" target="_blank"><em>Taking the University To The People: Seventy-five years of Cooperative Extension</em></a>. Ames: Iowa State University Press, 9189.
Shofner, Jerrell H. "<a href="https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view" target="_blank">Roosevelt's 'Tree Army'</a>." <em>Florida Historical Quarterly</em> 65, no. 4, April 1987, 433-465. https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view.
DeFreese, Duane E. "<a href="https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents" target="_blank">Florida and the Environment: From 'La Florida' to Global Warming: 2008 Jillian Prescott Memorial Lecture</a>." <em>Florida Historical Quarterly</em> 87, no. 4, Spring 2009, 465-483. https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents.
artesian water
artesian well
asparagus, Boston ferns, water
beef
black bass
bream
C. A. Wales
cattle
celery
census
Chase and Company
citrus
conservation
controlled burning
dairy
drainage
environmental protection
erosion
farm ponds
farmers
farming
farms
fire protection
fishing
Florida Experiment Station
forestry
grazing
Hairy Indigo
hay
hogs
irrigation
lake basins
Lake Jessup
Lake Monroe
land use
leaching
livestock
Oviedo
pasture development
pine timber
R.F. Cooper
R.T. Milwee
reforestation
saline
Sanford
Seminole County
Seminole Soil and Water Conservation District
Sidney A. Stubbs
sink holes
soil
Soil and Conservation Service
soils legend
SSCD
SSWCD
St. Johns River
T.L. Lingo
Tom McLain, Jr.
truck crops
U.S. Department of Agriculture
USDA
water control
Wekiva River
wildlife
woodland management
-
https://richesmi.cah.ucf.edu/omeka/files/original/0ffbe2d5c3666707d90e61bbe6c5ec6c.pdf
a05043b3ea377c1154ffaf40f525055c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Memorandum of Understanding between the Seminole Soil and Water Conservation District and the United States Department of Agriculture, 1948
Alternative Title
Seminole Soil and Water Conservation Memorandum of Understanding, 1948
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The 1948 Memorandum of Understanding between the Seminole Soil Conservation District and the United States Department of Agriculture. The Seminole Soil Conservation District organization began in 1948 with a goal of assisting agricultural interests. Over the years, the Seminole County Soil and Water Conservation District also began to concentrate on the development and management of recreational enterprises. Their interests included inventory and evaluations for land uses and solving issues concerning soil and water resources. In the 1948 memorandum, the Board articulates a goal to cooperate with the Department of Agriculture in order to achieve certain objectives pertaining to soil conservation and erosion control. The five page Memorandum discusses the implementation of a work plan for the Seminole Soil Conservaiton District. The memorandum is signed by R. F. Cooper and C. R. Dawson of the Seminole Soil Conservation District.
Type
Text
Source
Original 5-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1949: Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 5-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1948.
Coverage
Seminole County, Florida
Creator
Cooper, R.F.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Cooper, R.F.
Date Created
ca. 1948
Date Issued
ca. 1948
Format
application/pdf
Extent
17.5 MB
Medium
5-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and R.F. Cooper.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384" target="_blank">Hugh Hammond Bennett and the Creation of the Soil Conservation Service</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, March/April 2010, 37-47. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384.
Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380" target="_blank">Eroding the Color Line: The Soil Conservation Service and the Civil Rights Act of 1964</a>." <em>Journal of Soil and Water Conservation</em> 65, no. 2, Spring 1991, 35-53. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380.
Rasmussen, Wayne D. <a href="http://www.worldcat.org/oclc/795510987" target="_blank"><em>Taking the University To The People: Seventy-five years of Cooperative Extension</em></a>. Ames: Iowa State University Press, 9189.
Shofner, Jerrell H. "<a href="https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view" target="_blank">Roosevelt's 'Tree Army'</a>." <em>Florida Historical Quarterly</em> 65, no. 4, April 1987, 433-465. https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view.
DeFreese, Duane E. "<a href="https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents" target="_blank">Florida and the Environment: From 'La Florida' to Global Warming: 2008 Jillian Prescott Memorial Lecture</a>." <em>Florida Historical Quarterly</em> 87, no. 4, Spring 2009, 465-483. https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents.
agriculture
C.R. Dawson
conservation
environmental protection
erosion, erosion control, ranching
farmers
farming
Memorandum
R. F. Cooper
Sanford
Seminole County
Seminole Soil and Water Conservation District
soil
Soil and Conservation Service
SSCD
SSWCD
U.S. Department of Agriculture
USDA
water
-
https://richesmi.cah.ucf.edu/omeka/files/original/610d0f71d9ae86ec910191da1dc0d791.pdf
4e8a3ae76d64c76c3f5fa1c259e465e1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Orlando Gay Chorus Collection
Alternative Title
Gay Chorus Collection
Is Part Of
Orlando Gay Chorus Collection, RICHES Program
Type
Collection
Digital Collection
<div class="element-text"><a href="https://richesmi.cah.ucf.edu/">RICHES MI</a></div>
<div class="element-text"> </div>
Subject
Orlando (Fla.)
Music--Florida
Dance--United States
Gay culture--United States
Description
The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community.
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Oral History of Patrick Herman
Alternative Title
Oral History, Patrick Herman
Subject
Orlando (Fla.)
Music--Florida
Mass shootings
Memorials--Florida
Gay culture--United States
Description
An oral history interview of Patrick Herman, a member of the Orlando Gay Chorus. The interview was conducted by Sarah Schneider at Herman’s home in Orlando, Florida, on November 4th, 2016. Some of the topics covered include moving to Florida, joining the Orlando Gay Chorus, the Gay and Lesbian Association of Choruses (GALA) Festival, the mass shooting at Pulse nightclub and its aftermath, the Orlando Gay Chorus’s response to the Pulse tragedy, coping with the emotional repercussions of the tragedy, the community response to the Pulse tragedy, support from other gay choruses at the GALA festival, the significance of Latin night at Pulse, the long-term consequences of the Pulse tragedy, and gun control.
Table Of Contents
<br />0:00:00 Moving to Florida <br />0:02:27 Joining the Orlando Gay Chorus <br />0:05:02 Gay and Lesbian Association (GALA) of Choruses Festival <br />0:09:52 Mass shooting at Pulse nightclub <br />0:14:13 Orlando Gay Chorus’s response to Pulse tragedy <br />0:23:43 Coping with emotional repercussions of Pulse tragedy <br />0:26:44 Community response to Pulse tragedy <br />0:30:02 Support from other gay choruses at GALA festival <br />0:34:39 Significance of Latin night at Pulse <br />0:36:56 Long-term consequences of Pulse tragedy <br />0:40:20 Closing remarks
Abstract
Oral history interview of Patrick Herman. Interview conducted by Sarah Schneider in Orlando, Florida, on November 4, 2016.
Type
Moving Image
Source
Herman, Patrick. Interviewed by Sarah Schneider, November 4, 2016. Audio record available. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>, Orlando, Florida.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank">Orlando Gay Chorus Collection</a>, LGBTQ+ Collection, RICHES of Central Florida.
Has Format
Digital transcript of original 43-minute, and 53-second oral history: Herman, Patrick. Interviewed by Sarah Schneider. Audio record available. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>, Orlando, Florida.
Coverage
GALA Choruses Festival, Denver Performing Arts Center, Denver, Colorado
Orlando, Florida
Camping World Stadium, Orlando, Florida
Pulse nightclub, Orlando, Florida
Creator
Herman, Patrick
Schneider, Sarah
Publisher
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Date Created
2016-11-04
Date Copyrighted
2016-11-04
Format
video/mp4
application/pdf
Extent
1.26 GB
Medium
43-minute and 53-second audio recording
18-page digital transcript
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Patrick Herman and Sarah Schneider and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>.
Rights Holder
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Accrual Method
Item Creation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Ahlquist, Karen. <a href="http://www.worldcat.org/oclc/62281651" target="_blank"><em>Chorus and Community</em></a>. Urbana: University of Illinois Press, 2006.
Boedeker, Hal. "<a href="http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html" target="_blank">Orlando Gay Chorus marks 25 years</a>." <em>Orlando Sentinel</em>, October 18, 2016. Accessed October 18, 2016. http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html.
Ogles, Jacob. "<a href="http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning" target="_blank">Pride in Orlando Will Take on New Meaning</a>." <em>The Advocate</em>, October 6, 2016. Accessed October 18, 2016. http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning.
Hyman, Jamie. "<a href="http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/" target="_blank">Community rises up after mass shooting at Orlando gay nightclub kills 49</a>." <em>Watermark</em>, June 16, 2016. Accessed October 18, 2016. http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/.
Transcript
<p><strong>Schneider<br /></strong>Today is Friday, November 14<sup>th</sup>, 2016. My name is Sarah Schneider and I am conducting an oral history interview with Patrick Herman of the Orlando Gay Chorus. The interview is being conducted at the interviewee’s residence in Orlando, Florida. Thank you for being here and talking with us today.</p>
<p><strong>Herman<br /></strong>Um, you’re welcome.</p>
<p><strong>Schneider<br /></strong>Um, can you please state your name for us?</p>
<p><strong>Herman<br /></strong>Um, um, my name is Patrick Herman. Um, and like you said, I—I, uh, sing for—with the, uh, Orlando Gay Chorus. And have been doing it for six years. And, um—and it’s just a really great experience. Uh, it’s probably one of the—yeah, I look forward to it every week. Just rehearsals and the shows. So, you know, it’s really all about singing I think mostly. It’s really why I joined. I think that’s why most people joined. So…</p>
<p><strong>Schneider<br /></strong>And so can you tell us where you were born and how long you’ve lived in Orlando?</p>
<p><strong>Herman<br /></strong>Oh, uh. Well, um, I go way back. I’m, you know—this year I’ll be 60. So, uh, I was born actually in, um [<em>clears throat</em>]—in Washington, D.C. You know? I was, uh, one of s—six children. You know? I have six si—siblings. But I was the third of the six. And—and we lived in, uh, you know, uh—in Washington, D.C. My dad was in the army. And so, uh, it was one of the many places we lived. Uh, because he was in the service, we traveled a lot. So—so before I, um—before I graduated from college, um, I had traveled, uh, to numerous places and lived in many states.</p>
<p>So, um, how I ended up in Orlando was, um, that I did have family in Florida. And when I graduated from, uh, Penn State<a title="" href="#_ftn1">[1]</a>, um, you know, I decided I would live—you know, move to where I had family in Florida, which was, uh, uh, near Tampa. Which—New Port Richey. So, um—so—and then, um, it wasn’t—then I actually, uh—when I was there, I actually, uh, got a job and went back to school. And then got another degree. And ended up in, uh, Fort Lauderdale. And moved there for about twenty-some years. And then needed a change. So Orlando was the, you know—the ne—it was a—it had a job offer and I took it. So that was 12 years ago.</p>
<strong>Schneider<br /></strong>And, um, how long have you been part of the Orlando Gay Chorus?
<p><strong>Herman<br /></strong>Um, well, I—I joined probably about six years ago. Um, you know, looking for something to do that I’ve done before. When I was in, uh, Fort Lauderdale, I was also in a chorus there, too. The Fort Lauderdale Gay Men’s Chorus. And, um—and I enjoyed that a lot. You know? Something about, you know, being a part of a group and—and, um, singing, which, you know, i—I think, uh, that, you know, just that experience alone is, uh, an amazing, great experience for anybody.</p>
<p>You—and so when I moved here, you know, I—I, uh—I eventually looked up doing, uh, the chorus here as well. The only difference is—is this is a mixed chorus, where the one in Fort Lauderdale that I had experience with was, you know, an all-male chorus. So—but it’s been great. Just, uh, getting to know all the people.</p>
<p><strong>Schneider<br /></strong>And can you tell us about one of your favorite—or some of your favorite productions or performances that you’ve done?</p>
<p><strong>Herman<br /></strong>Oh, um. Well, they do two shows a year. And, um, the chorus does like a spring show and they also do a Christmas show. And—and, um, hmm. You know, it’s hard to say because usually it’s—usually you just, uh, like it just because of the music that you’re doing. You know? You start to find, you know, there’s a lot of songs that you really enjoy doing.</p>
<p>So—when I first started doing it, I was—you know, I got a lot more involved and was actually, you know, in the front [inaudible] row of dancers, too. I said, “Well. Let me try that as well.” And, uh, so it was sort of funny because, um, they, um—the direct—the—let me think—the person that was, uh, in charge of the dance troupe, um—the one that, uh, did most of the choreography, uh, would tell me that basically, uh, you know, when you c—when you’re not as knowledgeable at dancing, they usually just put something in your hand and—and then—and so you’re—so I found myself with something in my hand a lot [<em>laughs</em>]. But otherwise, um—so I did that for a while, but then I realized that, um—that it was just taking up a lot of my time. So I went back to just, you know—just singing and not pf—you know, dancing or anything like that.</p>
<p>But, um, yeah. There’s been a lot of good shows actually. Um, I can’t particularly say one was better than the other. But it’s really just the songs, you know, that I like.</p>
<strong>Schneider<br /></strong>Um, and, uh, have you participated in the GALA<a title="" href="#_ftn2">[2]</a> events?
<p><strong>Herman<br /></strong>Oh, yeah. I’ve been in three of them. And, eh, from—if you’ve ever, uh, heard anybody talk about them, they’ll tell you that they’re really a life-changing experience. And—and, uh, when you go there, it—it’s—it’s like—it’s like a celebration. It’s really a festival. But—and it’s not a competition or anything like that. It’s really just like coming together with, uh, likeminded people that really enjoy, um, performing.</p>
<p>And, um—but, um, one of the most amazing things that I’ve found being in the GALA is just the accolades that you get. I mean, you—you know, here we perform in maybe f—in front of like, uh, uh, a[sic] audience of maybe 800 people. Five to 800 people. There you have full[sic] house, um, of 2,500 people. And—and they give you standing ovations every song. And just—it—it’s just amazing. I mean you come out of, uh, the theater after a performance and you’re—and you’re met with r—you know, people lining up along the—you know, the hallways and the—and the passages out. Just applauding you all the way out. I—it—it—it’s—it’s quite unreal [<em>laughs</em>]. It’s—it’s—we have our own little world of, um—of people that just really appreciate what they do. You know? So—and when you’re really good, then y—y—you know, the accolades are amazing. I mean—but just full houses, you know, the whole time. And—and s—it’s like thousands of people. More than, uh, like whatever scene that they show here. You know? So—I can’t even describe it. It’s just great. You know? Just that whole experience.</p>
<p>So [<em>sighs</em>] yeah. It’s always fun. I’ve done three and, um—over a period of time. And the last two have been in the same city. So that—that was fun ‘cause I got to go back and see, um, people that, you know—that I knew from that city as well.</p>
<p><strong>Schneider<br /></strong>Mmhmm. And…</p>
<p><strong>Herman<br /></strong>So…</p>
<p><strong>Schneider<br /></strong>…do you—are you comfortable sharing what city that was in?</p>
<p><strong>Herman<br /></strong>Um, well, with—the last, um, two GALAs have been in Colorado. Denver, Colorado. And, um, so tha—I just happened to have been dating somebody that—long distance that w—w—his hometown was in Denver. So I spent a lot of time in Denver seeing him. A—and so like half and half doing the show and half’s, you know, seeing my friend. So it was kind of nice.</p>
<p><strong>Schneider<br /></strong>And where was the other, um…</p>
<p><strong>Herman<br /></strong>Oh…</p>
<p><strong>Schneider<br /></strong>…[inaudible] at?</p>
<p><strong>Herman<br /></strong>…the other one was, um—it was when I was with, uh, uh, the Fort Lauderdale [Gay Men’s] Chorus. Um, that was in Tampa[, Florida]. And that was my first. And—and so that’s when I first got the taste of like having, um, you know, those accolades and the—and the large crowds of people that, you know—that fill theaters.</p>
<p>So it’s just—I mean I—I think that was the amazing thing is—I mean is, you know, you’re with a group of talented people here in Orlando. But can you imagine being in—in a place where the talent just comes from all over the world? I mean d—y—you—you see—uh, I—I get, you know—the one thing I find that—that’s so amazing is that, you know, it’s a—it’s a whole bunch of people from all walks of life. You have men, women. You have s—you have all, um, you know, uh, genders. And, um, you have colors of, you know, all races and colors. And—and—and we’re all—we all get along. And we all just, you know—just build on—I mean, um, the world could really learn from, you know—if everybody could just be a chorus, that would be amazing. You know?</p>
<p>So when you—when you see that and you see that—that old, young, men, women, all, you know—a—all just come together. Just—just without—it’s like a—a peaceful time. And, I mean, I—I—that’s I think why it’s so amazing. You know? And that’s why I—I even like the chorus here. And just doing the chorus here. You know? It’s a group of people that comes with many different religions and all kinds of different backgrounds. But we, you know—we really enjoy just doing this whole performance for—for the people that we like and love in our families. So, uh, i—that’s the experience that you really get from it I think.</p>
<strong>Schneider<br /></strong>Um, and so I’d like to talk about Pulse and, uh…
<p><strong>Herman<br /></strong>Okay.</p>
<p><strong>Schneider<br /></strong>…I was wondering, um, how you first heard about Pul—the Pulse shooting.</p>
<p><strong>Herman<br /></strong>Um, I was, um—you know, let me think about that one because, uh—what was I doing? I have—I think what it was is, um, I—I woke up and, you know—you know how people—you get on Facebook. That’s kind of the first thing you do. Or you—y—you know, you—and—and that’s where you start seeing what’s—has happened in the last day or so. You know? I think that, you know, our social media is really like just y—you can just find out things that are happening in like d—not—you know, immediately. And so we live in a culture now where we have the technology to just hear about something that happened like the night before.</p>
<p>Uh, and so I think—think that’s where I was. I think I was just like looking through Facebook and—and I saw that there had been some—something that hap—had happened. And, um, you know, so, uh—I just—I’m trying to remember like, you know, exactly what—what it was. I think it was pretty much Facebook if I recall. You know? Or my friend. My one friend that usually calls me or something if I haven’t gotten on Facebook and maybe told me or something. I don’t exactly remember.</p>
<p><strong>Schneider<br /></strong>And do you remember what your reaction was or what your thoughts were when you first heard?</p>
<p><strong>Herman<br /></strong>Um, well, you know, I think that a—at that time, when—when the news was coming out, we weren’t quite sure, like, you know, the extent of, like, what had happened. Everybody was kind of like, you know, just, um, uh—just—just l—um, how would you put it? Um, just in the dark about, like, you know, uh, how many people wha—w—you know? What was involved. Who was in there. All we knew that what it was—was a shooting. We didn’t know, like, who it was. You know? I think at that point in time I think I didn’t n—stop looking at the news. And—and just watched the whole time.</p>
<p>I also have a roommate who’s younger. He’s about twenty-some years old. And i—and just to see him go through that. You know? That—because he’s a, you know—he—he would be someone that would have gone to the Pulse. Um, I stopped really going out to clubs a long time ago. They—so this was pretty much a young person club. And so, um, he knew more people. He was more connected. And so I kind of lived like a little bit vicariously through his experience and what was going on. And, uh—and really just, um, you know, uh, uh—like I said, I wasn’t—I didn’t know people in the club, but I knew people that knew people. And—and in a small town like this, you kind of know—everybody’s kind of connected. So you kind of feel for even your friends. You know? I mean we all had kind of a story to tell about like, um, who we knew and how—what they were going through pretty much.</p>
<p><strong>Schneider<br /></strong>Um, and so you mentioned you watched the news. Was there anything else in particular you did on that Sunday? Um, do you remember what—what you did the rest of the day?</p>
<p><strong>Herman<br /></strong>Mm. N—no. I don’t even recall. I just know that we were just—you know, just trying to find out, you know, um, like, you know, if—how many people were—were sur—you know, were—were hurt. And if there—how many survivors there were. And—and you really found yourself just getting totally involved in finding out. Like, I mean, I think I—I watched every news story that came out. And—and saw all the, um, you know, the—th—the interviews of the people talking about what they were going through. So I think that we were all kind of like just doing that at that point in time.</p>
Um, the [Orlando Gay] Chorus hadn’t really gotten involved in anything yet. But the—so we, you know—when we would go to rehearsals like the following Wednesday or something like that, then we, you know—then things would—we’d, you know—people would tell their stories of like who and what they, you know—they knew. But, um, I don’t actually recall anything more than just looking and—and getting so involved with like every detail of like what was happening. You know? So…
<p><strong>Schneider<br /></strong>So can you talk a little bit about the, um—the [Orlando Gay] Chorus’s response to the shooting and what sort of happened with the Orlando Gay Chorus in the days and in the weeks following?</p>
<p><strong>Herman<br /></strong>Well, I mean, for me i—i—i—it seemed like, um, we were all—the chorus was kind of taking a new direction. You know? I mean, it had always been a chorus that did outreaches, I mean, you know, to the community at large. I mean we’ve always done that. We—you know? We’ve always performed at—at certain places. Like, um, you know, there’s an elderly care facility that we’ve performed at. And we’ve done [Come Out With] Pride [Orlando] events and those kind of things. And—and we’ve done—and we’ve kind of geared ourselves towards—like just doing the national anthem. You know? We—when someone needed that in—i—you know, in their group or something.</p>
<p>Um, the outreaches hadn’t been, you know—I mean, you know, we—now that we have a new director, we—we’re starting to—and we had some other people that really get totally involved in outreaches. So, um—so the outreaches before the Pulse were just, you know—basically just, you know, like, “Yeah. We’ll do a—we’ll do your wedding ceremony or something like that. Or we’ll—we’ll do a song for, you know—for, uh—for the, uh—like if you want the—the, you know—the, um, national anthem or something.</p>
<p>But then after Pulse, um, we f—we found that the—they’re—they start to do, uh, vigils. You know? And, um, I think that that’s what—and—and I hadn’t gone to any of the—the first ones. Mostly because they were kind of telling us, you know, that, um—that, uh, c—they—the city was sort of waiting for—for a time when they could have an organized one where they could have like, um, security there. And they were kind of concerned about, uh, you know, the s—community in general. And putting guys—you know, doing something like this, um, that wasn’t like an official thing that they could s—you know, make sure that they had the manpower. ‘Cause they—I think, uh, at this point they were sort of stressed out that the—the police department, you know—trying to, you know, look into, you know, what was happening with the, um—what—with the shooting. And if there was, uh, you know, anything else. Th—so they couldn’t guarantee the safety of—of ‘em.</p>
<p>But the—what ended up happening was the first vigil that was, um—was announced, um, ended up to[sic] become, uh, a huge one. And I—I kind of stayed away from ‘em because we were all kind of concerned like that, you know, that—you know, that they wouldn’t have the, uh, you know—the, uh, security in place. So—so I didn’t really get involved with the first or[sic] one. But then, um—but when they did decide to have an official one, then—then I did that one. But, um—but the first one, you know, I—I watched from, you know, the—the videos afterwards. And it became like the—the—the one that they did at Dr. Phillips [Center for the Performing Arts] became—that became the—sort of the—the—the one that was representing our city all around the world.</p>
<p>Um, you know, uh, um, after that, then i—you know, uh, they—they started doing the memorial services and stuff, too. It wasn’t that long after, you know, that. And that’s when, um, we started to go and—and do these like small things at, um—for some of the people that were in there. Uh, I, uh—I was—I was feeling kind of, I mean, that—the whole thing about doing a memorial service is—is sort of—you feel almost displaced. Like i—it’s a surreal feeling, you know, that—you know, that—and—and you’re not quite sure—I mean, ‘cause, you know, a chorus is really a—a group that’s there to entertain. We were never, you know—we—that—to take on the role of—of being, uh, um, somebody that, uh, sh—that is comforting the community was certainly something I wasn’t really prepared for.</p>
<p>So it—so after a while, um, it—I found that it’s—it—that, um, it was kind of, um—it started to wear—weigh on me a little bit I think. Um, and—and the whole, you know, I mean, and—and I don’t know. I just think that you’ve—you’ve found—I found myself, um—and I didn’t—I—like I—that I couldn’t find someone that I could communicate with on what was happening to me. You know? When we—you know, h—i—i—it—it sort of—you start to feel kind of a guilt or something.</p>
<p>Um, that—the reason I say that is because, um, you know, p—before the Pulse, you know, we—we were a small group that, you know, struggled to be known in the community. And then, uh—and then a lot of, uh, organizations started asking us to come to do something for them. You know? Um, and not necessarily of—of—of—of a vigil or—or memorial. But just something representing, you know, the LGB[T] community. And one of the—and that’s when, um, we got one of the most amazing, um, uh, events that, you know, I thought I ever like really sang at—was, you know—I mean there—there are two that, eh, you—you did ment—you did ask me what, you know, there—if there were a couple things that stand out, um, um, uh, being in the chorus. And the one, and this is—this i—was before the Pulse—was that the Dr. Phillips Center [for the Performing Arts] had asked us at—to perform songs for them. And it was a concert called “A Salute to the American Flag”. And to me, that was just—at that—that—that’s up there with the GALA Choruses. I mean, you know, to be—to represent, um, the—to be a part of the Dr. Phillips, um—I mean, uh, the, uh, Orlando Philharmonic [Orchestra], um—those are the ones that asked us to—to be part of this, uh, “Salute to the American Flag”.</p>
<p>So we did this concert at the Bob Carr [Theater]. And, uh—and we had like over like a hundred peop—of our chorus members there. And—and a—at—you know, what was really cool was after the reviews came out for this show, they—they actually said that we were like just an amazing group. I mean this was the reviews from the Sun [Orlando?] Sentinel saying that we sounded amazing. And they even thought that the—that the—the Orlando Philharmonic didn’t have the quality that—that they could’ve had. I think they criticized the way the director did some of the songs. But, you know—but our part was like amazing. So that was the one, uh, that, eh—show that just really stood out for me. I mean just…</p>
<p>And then, um—and the other performance was because of the Pulse and what had happened. And it was, um, that we got to sing halftime for the [Orlando City Soccer Club] soccer game. And so there was like—there’s 36,000 people, you know, at halftime listening to a couple songs we did. And we did this one beautiful rendition of, um—of, uh, Cyndi Lauper’s<a title="" href="#_ftn3">[3]</a> color—you know, “True Colors” song. Um, so I—I—I have to say, you know, I’m 60 years old and it’s take—it just—I, you know—that alone stands out as the most ama—one of the most amazing things that anybody that’s like gay could ever imagine is to be out and open in—in a na—on a national level. And just being able to—to be who you are and—and have just all these people just accepting you.</p>
And so after that—after I had done that—you know, right after we did that halftime show, you know, I—a—and then even just like s—standing there and having some beers and watching the game, it was just totally the most fun. But I got[sic] to tell you, I felt so—so guilty. And I couldn’t even explain why. It’s just, you know, here’s some—something that happened that—where—where some people lost their lives. And it took that much to—I mean just—I mean I shouldn’t, you know, i—i—can you imagine just the f—the guilt you feel? To have something so amazing, but the lo—but at the price of losing, uh, all these people.
<p>And so [<em>laughs</em>], um, when that happened, I—you know, there wasn’t anybody I could reach out to. I mean I had a friend that really—you know, one of my best friends, like I couldn’t get him to understand, you know, why, you know, I was feeling this way. And, you know, like when you have something like that happen and you can’t really have [<em>sniffs</em>]—and you don’t have anybody to talk to. So—so I called my friend [<em>laughs</em>]. I have a good friend in the area that—and like I said, you know, a—and I told her what happened. You know? That a—all this. You know? Tha—these amazing things that happened. But y—you know I—‘cause you know if you grow up 60 years, you never what di—e—experience—you’re always like in the shadows. You never tell people like what your life is like. You know? This—this is what it’s been for s—you know, all my life. And—and so when you’re in groups like this, like the chorus or anything then—and you’re like at festivals, you kind of have these great experiences. But I never would have thought that, you know—that, you know, been a—been able to sing at like the soccer games or stuff like that. That, you know—I mean that was so…</p>
<p>So I asked my friend, Marian[sp]—so Marian[sp], Joe[?] and—came over. And that’s when we went over to one of the, um, candlelight vigils that—that they were holding downtown at the Pulse. And so it was nice to have my friends with me to—to just kind of get me through that—that part of the guilt I think. You know? I mean that’s—that’s kind of what it’s been like. But then that’s a long time ago, so I’ve kind of recovered [<em>laughs</em>]. So kind of like that. Anyway [<em>sighs</em>].</p>
<strong>Schneider<br /></strong>And, um [<em>sniffs</em>], what have your thoughts been about—these are here if you want them—um, what have your thoughts been about the r—reactions of, um, the community to—to what’s happened?
<p><strong>Herman<br /></strong>Oh, I th—I think that the community in general has been incredible. I, um—not only the community, but the whole world. I mean, you knew, uh, th—um, when we were at the last GALA [Choruses Festival], um, it was really one of those GALAs that, um, was after the Pulse. So—so we were—they were kind of telling us i—in, you know—at the rehearsals that don’t—“Be prepared because, you know, you’re going to get a lot of, uh, uh, you know—y—you—the response you’re going to get at GALA is going to be different than what you’re used to s—being.”</p>
<p>And so when you come f—from a community, you know, that—where something like this has happened, you know, um—like say for example, what happened in Paris<a title="" href="#_ftn4">[4]</a>. You know? That sort of thing. You know? The—the world seems to really have come together. I mean and it—when we—what happened in Paris seems to be what was happening to us now. You know? The—the shooting at the nightclub. And then, you know, now—and then what—what we had to experience. You know? You, um—so like the chorus was kind of saying, “When you go to the GALA, you know, just be prepared that, you know—that, um, they—people—the community around you—and—and not only Orlando, but, you know, just every c—every community, um, is going to respond in some manner.”</p>
<p>I mean we—you know, on Facebook alone, you know, tha—there were so many re—positive responses from all over the world, you know, that, um—and we were still getting them even now. You know? I mean there are choruses that are—that are sending us, you know, like—like they’re—they’re having fundraisers and—and sending us, you know, um, uh, funds to help our chorus here. You know? Th—through the next show and all of that. But—and it’s—i—it’s all really re—as a result of the Pulse. I mean it’s just, you know, um, the—everything. The mayor’s [John Hugh “Buddy” Dyer] been great. And, you know, it’s just been just a—a—a—a real, uh, unity that’s—has happened, um, for—for us. And—and so I—I think the chorus is—us—a little part of that, too. You know? I think that we’re just kind of like a—a—a group that, you know,—that, um—that everybody’s kind of, uh, uh—how would I put it? Sharing their experiences with or something, which is kind of an outlet. You know? Kind of an outlet for them I suppose. I don’t know. But, uh. Yeah.</p>
<strong>Schneider<br /></strong>Was it—was there anything else specific you noticed in the reaction of other people—other choruses at the GALA event?
<p><strong>Herman<br /></strong>Oh, yeah. I mean when—when we did go to the GALA, uh, they—it—it was, um—it was, uh—it was like a—when you’d go and see like a sho—y—we’d be part of a show, w—we were part of the, uh—the opening ceremonies show, where we kind of just, uh, came up onstage and sang like maybe the last song of—of a—of a—of a song that we were doing with, uh, you know, i—with the other groups. Um, we ended up getting these amazing standing ovation[sic], you know, that just lasted for th—the longest of times. I mean it was, uh, a—a—and when the director started t—talking about, you know, um, the events that occurred up until the time, you know, the—the—all the vigils that we were doing and the memorial services i—i—you know, it was, uh—everybody just kind of stood up. You know?</p>
<p>And then—and then, as even if we would walk through like the, eh—I don’t know if you’ve ever been to Colorado. The—there’s a m—a pedestrian mall, where all the theaters are on one side and there’s like, um—there’s a couple theaters on the other side. But—and then there’s like kind of a parking garage that’s—has some floors on it. Well, the—the—the Cor—the Colorado choruses had all got[sic] together and they just m—um, um, they sang a song, um, and—of, uh—and—and I’m trying to remember. I think it was “America the Beautiful” actually. And they—and then they draped, you know, banners over the—the, um—the, uh, railings that showed that they were su—you know, in support of—of what had happened in Orlando. So they—they had their America—“Orlando Strong” banners hanging as they sang this “American the Beautiful” song. I mean, you know, there’s one thing about songs, it just brings everybody like together. It’s just—it’s just a moving experience. So that—that was just one of the many things.</p>
<p>And any—everywhere you went, you know, there was always—because we wore like little banners that said we were from Orlando. So everywhere you went like we—all throughout the event, you know, you’d get—you’d get just hugs and, you know—that they were think[sic] of you—think of you. And—and, you know, just—just well-wishes. You know? I [<em>sighs</em>]—yeah. It was k—quite an experience I have to say. But, um, yeah.</p>
<p>It’s hard to kind of go on with it, you know? I don’t know if anything like that happens, you’re like—you know, you want your life to go on. You wanted things to—to be settled and to go. But, um—but we s—we still, you know, w—I think we—we’ve changes as a group now. And we’re kind of a group that’s out there for people if they need something. You know? We’re—we’re not just like—we’re—we’ve become like sort of a support group for other groups in town or something. You know? It’s hard to explain. Um, you know?</p>
<p>So—and I don’t want to bring up politics, but they—they have a—they did ask a lot of us to, um, you know—if this is not a—an official outreach for the chorus, but they did ask a lot of us if they—if we wanted to sing for the, uh, president and—when he comes to town on Sunday. So there’s gonna be a bunch of us over there s—s—singing the national anthem. Not me. I didn’t get that email in time [<em>laughs</em>]. But, you know, I’m kind of so happy for my, you know—that my friends that are—had an opportunity to be part of the, uh, election, um, thing that’s happening. So if you get a chance, go over to—to Kissimmee[, Florida] and think the president’s gonna be there.<a title="" href="#_ftn5">[5]</a> And we’re gonna be singing the national anthem. I mean the, you know—some singers that I know. Not official. Um, oh gee. See, it’s just—just a volunteer thing. So—so that’s kind of exciting for them.</p>
<strong>Schneider<br /></strong>Um, do you have any thoughts about what Pulse as a place means to you? I don’t, um, know if it had any significance for you before or…
<p><strong>Herman<br /></strong>Well…</p>
<p><strong>Schneider<br /></strong>…does it now?</p>
<p><strong>Herman<br /></strong>…that’s a good question. What Pulse, um—what Pulse, uh, mean to me—I mean I—you know I had—I—I had been there before. I mean probably w—like, uh, 10 years ago. I probably went there a few times. You know? And, um, it—it was really, uh, just a—a place to, you know, socialize. Um, you know, uh, the night that—of the tragedy though, I—ey—they, uh—I had heard that it was like Hispanic night, which meant that they would have been doing some like cool dancing. ‘Cause I don’t know if you’ve ever been to like, uh, a place where, uh—where h—you know, they, uh—you know, it’s a kind of Spanish—Spanish—Hispanic music thing. They dance a lot differently than, uh—than regular disco clubs or whatever. ‘Cause, I mean, I—I used to go to the places in Miami. You know? And, I mean, they’re—they—they do salsas and, um, you know—I—I don’t know all the—all the ty—types of dances that they do. But it’s—it’s quite fun. You know? Because it’s—it’s—it’s like couple dancing in a way that, you know—that’s more, you know, where you touch each other as opposed to just, uh, disco music, where you don’t.</p>
<p>So that—I could imagine it would’ve been fun. And if I—actually, to tell you the truth, if I had known that it was like, uh, Hispanic night, I probably would’ve gone just for the dancing. If—if I could find someone to go with, you know, at the time. But—but, uh, no. I—it—for a long time, it hadn’t been any place I would have gone because it’s just, um—there was just a younger crowd. You know? So—though, I mean, I—I’m sure there were people my age there [<em>laughs</em>]. I’m just not a club person these days. So—but I’m—yeah [<em>laughs</em>].</p>
<strong>Schneider<br /></strong>Um, so do you have any thoughts about what you might see as the long-term consequences of the Pulse shooting for—for this community or maybe even broader to the country?
<p><strong>Herman<br /></strong>Well, like always—I always hope that, you know, these kind of things can make differences when it comes to like, you know, um, gun control. That sort of thing. That’s really where I hope it goes more than anything. I mean—I mean we just—you know, as a s—as a country, we—I think we, you know—I mean there’s a lot of—you know, being an election year, too, which, uh, makes a big difference—but, um, i—i—i—you know, i—i—there’s all[sic] so much argument[sic] about like h—how and—how we use guns. And—and w—why they go into the wrong hands. And—and, you know, what can we do about it? You know? And I—and I know there—that—that, um—that there’s a lot of disagreement on, you know, like how—how guns should be handled. You know? And—and especially assault rifles. I mean—I mean just that—just i—you know, i—anybody that’s read what happened at the Pulse with—with—with these people that use these assault rifles—I mean these are very destructive. I mean they—they—the, uh, early responders didn’t even know like if they could even get into the building. They didn’t even know how many people were actually in the building. You know? The amount of gunfire that goes off like during that time is incredible. And it—and not only that, but those guns are very destructive. And so, you know, when you’re shot with like a—a—an assault rifle, you’re—you have damage to you—to your body. More so than just, you know—just a gun that just, you know, shoots like a little—little—li—s—ho—you know, handgun.</p>
<p>A—and it just doesn’t make any sense why—why our country, you know, w—what this love affair is with these assault rifles. And—and I know for a fact that—that, you know, there was a law not long ago that—tha—that kind of, eh, kept these kind of guns out of, uh—out of people’s hands. But then, I—I guess, you know, like all—eh, some laws, they—they—they just have a certain period of time. And then they—they, you know, become null and void or something. You know? So I—I’m just hoping that—that, you know, we can as a society adhere—can just find ways—you know, you can get guns on the internet. You can get guns at gun shows. And you don’t even need to have a background search. I mean that’s what I’m kind of hoping. You know? It’s—it’s really about that. You know?</p>
<p>Um, you know, if you’ve read anything about the sh—the guy that—that was in the shooting, you know that he was somebody that just had like really issues. You know? Like more mental issues. So, um, I don’t know. I mean I just—that’s what I would like to see really.</p>
<strong>Schneider<br /></strong>Um, so do you have any other reflections about the Pulse shooting or your experience as a member of the [Orlando] Gay Chorus that we haven’t talked about or haven’t covered?
<p><strong>Herman<br /></strong>Um, gosh. We talk—covered quite a lot. Haven’t we [<em>laughs</em>]? Uh, w—well, um, like I said, um, you know, uh, the Pulse was—was really a tr—a—a tragedy. And though I didn’t really know anybody like, um, personally, I did know people who did know people. Um, and I just—you know, I just feel s—sorry for any community that ever would have to go through something like this. You know? Um, and the—th—and the reality is—is—is that, you know, un—until the world changes, you know, we’re gonna have this sort of thing. It’s gonna come and it’s gonna happen occasionally. You know? Like different places around the world.</p>
<p>I mean this—this is nothing compared to what’s happening overseas. So—but, uh—but—so that’s why it’s kind of nice to have like the chorus to have, you know—to put some positive part into your life. And so that’s kind of, you know—I’m looking forward to the show. Come—it’s—it’s on December 10<sup>th</sup>[, 2016]. Um, a little—a little, uh, fu—uh, you know, uh, a little, uh, sales pitch there [<em>laughs</em>].</p>
<p>So yeah. So we’re really just—you know, what I think what it is is I think we’re all just getting back to our lives now. You know? And so that’s, um—you know, it’s been a quite—quite a few months since it’s happened. And—and, um, so it’s nice to just kind of give back and, you know, look forward to—to being a part of that group again. And doing s—something that’s more entertaining and fun and, uh—and positive. So I think that’s really a part of it—i—is that re—you know, you had the tragedies—tragedies, but you also have a lot of things to look forward to. So I’m really looking forward to it. That—that sort of thing. So…</p>
<p><strong>Schneider<br /></strong>Alright. Is there anything else you wanted to share?</p>
<p><strong>Herman<br /></strong>Um, no. I think that’s pretty [<em>laughs</em>]…</p>
<p><strong>Schneider<br /></strong>[<em>laughs</em>].</p>
<p><strong>Herman<br /></strong>…mu—much it. Yeah. It’s quite a[sic] ordeal [<em>laughs</em>].</p>
<p><strong>Schneider<br /></strong>[<em>laughs</em>].</p>
<p><strong>Herman<br /></strong>Um, no. You know? It’s just this. I think, you know, like, um, yeah. I guess the one thing that I would like to say about, um, the chorus is i—it does, uh, benefit people that like, you know—you know, that we come together a lot. That I’m certainly gul—you know, happy that—that I have something that—you know, that—that is very community-oriented. I think that’s really the, uh—one of the things that I really enjoy about it—is that it—is, uh—is that it puts me back into the community. Something that, you know—that—when you’re working every day and you—and y—all your life is pretty much just work and—a—that’s nice to have that outlet. Yeah. So. An—an—an—and I’ve done—an—I’ve had a lot of nice experiences. So—but…</p>
<p><strong>Schneider<br /></strong>Great. Well—well, thank you so much. Thanks for talking with us. We really appreciate it.</p>
<p><strong>Herman<br /></strong>Thank you. Thanks.</p>
<div><br /><div>
<p><a title="" href="#_ftnref1">[1]</a> Pennsylvania State University</p>
</div>
<div>
<p><a title="" href="#_ftnref2">[2]</a> Gay and Lesbian Association of Choruses</p>
</div>
<div>
<p><a title="" href="#_ftnref3">[3]</a> Cynthia Ann Stephanie Lauper</p>
</div>
<div>
<p><a title="" href="#_ftnref4">[4]</a> November 2015 Paris attacks</p>
</div>
<div>
<p><a title="" href="#_ftnref5">[5]</a> President Barack Obama visited Osceola County Stadium in Kissimmee, Florida, on November 6, 2016, in support of Democratic nominee Hillary Clinton’s final push to win Florida.</p>
</div>
</div>
2016 Orlando nightclub shooting
A Salute to the American Flag
America the Beautiful
assault rifles
Bob Carr Theater
Come Out With Pride Orlando
Cyndi Lauper
Cynthia Ann Stephanie Lauper
Denver
Dr. Phillips Center for the Performing Arts
Facebook
Fort Lauderdale
Fort Lauderdale Gay Men’s Chorus
fundraisers
GALA Choruses Festival
Gay and Lesbian Association of Choruses
GLBT
gun control
gun regulation
gun violence
hate crimes
homosexuality
John Hugh “Buddy” Dyer
Kissimmee
Latin dancing
LGBT
LGBTIQ
LGBTQ
mass shootings
Miami
New Port Richey
November 2015 Paris attacks
orlando
Orlando City Soccer Club
Orlando Gay Chorus
Orlando Philharmonic Orchestra
Orlando Strong
Orlando United
outreach events
Patrick Herman
Pennsylvania State University
Pulse massacre
Pulse nightclub
Pulse nightclub shooting
Pulse tributes
Sarah Schneider
terrorist attacks
True Colors
vigils
Washington, D.C.
-
https://richesmi.cah.ucf.edu/omeka/files/original/2b8a11d96bfa9cc226953a904ba8a367.pdf
d85821d7b62801905e463b3e7cbfe894
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Watermark Collection
Alternative Title
The Watermark Collection
Subject
Gay culture--United States
Description
Since 1994, <em>The Watermark</em> has been the cornerstone source of LGBTQ+ (Lesbian, Gay, Bisexual, Trans, Queer/Questioning, and others) centered news for the Central Florida region. Founded by Tom Dyer in Orlando, the publication began generating bi-weekly issues beginning August 31, 1994. Since then, <em>The Watermark</em> has consistently published newspaper style issues every other Thursday. Gaining traction, the publication expanded in 1995 to include Tampa and, in 1997, <em>The Watermark</em> became a permanent piece of LGBTQ+ culture when the publication initiated the first large-scale Gay Days Weekend event, the Beach Ball at Disney’s Typhoon Lagoon. Before 1999, the publication printed 20,000 copies every week, distributing them to over 500 locations between its two major cities. Following 1999, the publication launched watermarkonline.com shifting to an online publication style. In 2016, Rick Claggett purchased <em>The Watermark</em>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/" target="_blank">RICHES Program</a>
Type
Collection
Contributing Project
<a href="http://www.floridalgbtqmuseum.org/%20" target="_blank">GLBT History Museum of Central Florida</a>
<a href="http://www.watermarkonline.com/">The Watermark</a>
Curator
Smith, Robert
Cepero, Laura
O'Neal, Rhiannon
Hearn, Nikki
Greene, Quintella
Rodriguez, Sharon
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.floridalgbtqmuseum.org/%20" target="_blank">GLBT History Museum of Central Florida</a>
External Reference
"<a href="http://www.watermarkonline.com/aboutcontact/" target="_blank">About/Contact</a>." WatermarkOnline.com, accessed July 11, 2016. http://www.watermarkonline.com/aboutcontact/.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
The Watermark, Vol. 7, No. 1, January 6-19, 2000
Alternative Title
Watermark, Vol. 7, No. 1
Subject
Gay culture--United States
Description
The ninth issue of <em>The Watermark</em> was published on January 6-19, 2000, and focuses on community issues with the LGBTQ+ (Lesbian, Gay, Bisexual, Trans, Queer/Questioning, and others) movement. The main topics covered in this issue include a letter from the editor
the Supreme Court of Vermont's decision on same-sex marriages
the Millennium March on Washington (MMOW)
BeachFest in Daytona Beach, the closing of the Gay, Lesbian, Bisexual Community Center (GLBCC)
the resignation of Charles Albrecht, executive director of the Tampa AIDS Network (TAN)
the anti-gay comments of Lee County Sheriff John McDougall regarding Matthew Shepard, a young, homosexual man who was brutally tortured and murdered in Wyoming
an increase in hate crimes against minorities
members of the LGBTQ+ community who have hearing impairments
legal and medical issues related to human immunodeficiency virus infection and acquired immune deficiency syndrome (HIV/AIDS)
the Gay Financial Network's (GFN) first annual list of the 25 Most Influential Gay and Lesbian Corporate Executives
fundamentalism and the LGBTQ+ community
New Year's resolutions to improve gay culture
gay choruses in Orlando and Tampa Bay
being single in the upcoming year
gays and lesbians in sports
aerobics and authenticity
breast augmentation
and astronomer and gay rights activist Frank Kameny (1925-2011). This issue also includes various advertisements, film reviews, a calendar of events, organizations and meetings, an astrology section, and personal classifieds. Finally this issues includes <em>The Waterfront<em> supplement, which featured articles about Parliament House, The Factory at Garage, and the sale of Viagra on the black market, as well as a gossip column, a nightlife column, music reviews, comics, maps of LGBTQ+ businesses in various Florida cities, and a sex talk column.<br /><br />Since 1994, <em>The Watermark</em> has been the cornerstone source of LGBTQ+ centered news for the Central Florida region. Founded by Tom Dyer in Orlando, the publication began generating bi-weekly issues beginning August 31, 1994. Since then, <em>The Watermark</em> has consistently published newspaper-style issues every other Thursday. Gaining traction, the publication expanded in 1995 to include Tampa and, in 1997, <em>The Watermark</em> became a permanent piece of LGBTQ+ culture when the publication initiated the first large-scale Gay Days Weekend event, the Beach Ball at Disney’s Typhoon Lagoon. Before 1999, the publication printed 20,000 copies every week, distributing them to over 500 locations between its two major cities. Following 1999, the publication launched watermarkonline.com shifting to an online publication style. In 2016, Rick Claggett purchased <em>The Watermark</em>.</em></em>
Type
Text
Source
Original 32-page newspaper: <a href="http://www.watermarkonline.com/" target="_blank"><em>The Watermark</em></a>, Vol. 7, No. 1, January 6-19, 2000: Publications Collection, <a href="http://glbthistorymuseum.com/joomla25/index.php?lang=en" target="_blank">GLBT History Museum of Central Florida</a>, Orlando, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
<a href="https://richesmi.cah.UCF.edu/omeka/collections/show/203" target="_blank">The Watermark Collection</a>, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 32-page newspaper: <a href="http://www.watermarkonline.com/" target="_blank"><em>The Watermark</em></a>, Vol. 7, No. 1, January 6-19, 2000.
Coverage
Parliament House, Orlando, Florida
Vermont
Washington, D.C.
Daytona Beach, Florida
Lee County, Florida
Tampa Bay, Florida
Creator
Dyer, Tom
Peterson, Keith
Cavilla, Derek
Simmons, Todd Martinez-Padilla
Smith, Scott
Johnson, Carl A.
Worth, Ken
Rennels, Sam
Smirnow, Vic
Pritchard, Casie
Sullivan, John
Smith, Nadine
Wilde, Diane
Crescitelli, James A.
Adams, Stacey A.
Kundis, Ken
Thomas, Clive
Triggs, Greg
York, KimBoo
Masters, Billy
Wiggins, Hayelle
Varnell, Paul
Harris, L. Paul
Dittman, Earl
Schwartz, Harriet L.
Hartlage, Kirk
Carson, Kelly
Holbdy, Philip
Sheppard, Simon
Huisman, Mark J.
Bechdel, Alison
Orner, Eric
Porter, Jill
Fernandez, Victor
Pabon, Algieri
Maniscalco, Rex Reynolds, Christine E.
Warner, Tom
Francesca
Roehr, Bob
Wiggins, Jayelle
Alvear, Michael
Siegel, Randy
Bianco, David
Jack the Lad
Sheppard, Simon
Publisher
<a href="http://www.watermarkonline.com/" target="_blank">Watermark Media</a>
Date Created
ca. 1994-12-21
Date Issued
12/21/1994
Date Copyrighted
12/21/1994
Format
application/pdf
Extent
652 MB
Medium
32-page newspaper
Language
eng
Mediator
History Teacher
Provenance
Originally published by <a href="http://www.watermarkonline.com/" target="_blank">Watermark Media</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.watermarkonline.com/" target="_blank">Watermark Publishing Group</a> and is provided here by <a href="http://riches.cah.UCF.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
<a href="http://glbthistorymuseum.com/joomla25/index.php?lang=en" target="_blank">GLBT History Museum of Central Florida</a>
Curator
Smith, Robert
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.UCF.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://glbthistorymuseum.com/joomla25/index.php?lang=en" target="_blank">GLBT History Museum of Central Florida</a>
External Reference
"<a href="http://www.watermarkonline.com/aboutcontact/" target="_blank">About/Contact</a>." WatermarkOnline.com, accessed July 11, 2016. http://www.watermarkonline.com/aboutcontact/.
A. J. Mclean
A. Johnson
Abercrombie
Abercrombie & Fitch
Albrecht
Algieri Pabon
Alison Bechdel
Allan Gilmour
Altamonte Springs
Andrew Tobias
Andy Dick
Andy Kaufman
Ann Heche
Annie Russell Theatre
Anthony Evans
Bain
Barry Newman
Becky Baker
Bennett
Bergstrom
Berliner
Bill Bradley
Bill Schumacher
bisexuals
Bo Clements
Bob Witeck
Bowles
Boynton Beach
Bradley
Brandon Gold
Brunner
Busch Gardens
Cameron Diaz
Carey
Carter
Cecil Beaton
Charles Albrecht
Christine E. Reynolds
Christmas
Clark
Clements
Clive Thomas
Conway
Copello
Crumley
Dale Mabry
Danny Devito
Darden
David Bohnett
David Brunner
David Geffen
David Killiam
David Killlam
David Lynch
Daytona
Daytona Beach
Daytona Beach Business Guild
Dennis Enos
Diana Ross
Diane Wilde
Diaz
Donald Granatstein
Doris Humphrey
Drennen
Edgewater
Edmund White
Egmont Key
Eisner
Ellen DeGeneres
Everett
Forman
Fort Lauderdale
Frank Kameny
Fred Berliner
G. Elliott Barber
gay
Gebhardt
Greater Daytona Beach Business Guild
Hadar Namir
Hall
Helen Bean
Homer
homosexuality
homosexuals
Hottinaer
J. Edgar Hoover
Jack Miller
James Jacob
Jayelle Wiggins
Jeb Bush
Jeffrey Gaines
Jeffrey L. Newman
Jill Porter
Jim Carey
Jim Roth
Jimmy Josun
Jimmy Stewart
Joan Baez
Joan Garry
Joey Brooks
John Carpenter
John Curley
John Cusack
John Malkovich
John Sullivan
Jose Limon
Joy Metropolitan Community Church
Judy Shepard
Julian Bain
Kameny
Karen Ann Edwards
Kathy Levinson
Keener
Kelley
Ken Kundis
Kimberly Bowles
Lambda
Lance Armstrong
Latka Gravis
Laurie
Leiber
Leigh Shannon
lesbians
LGBT
LGBTQ+
Longstreth
Longwood
Madonna
Mahaffey Theater
Maitland Art Center
Makoma
Malkovich
Mandy Carter
Mark McGwire
Mary Mellstrom
Matthew Shepard
Maxwell C. King Center
McCain
Megiddo
Michael Eisner
Michael Freeman
Michael Fritts
Mickey Didn
Miller
Milos Forman
Nadine Smith
Nathanson
New Port Richey
Nickerson
orlando
Pacillla Simmons
Pamela J. Helton
Pete Sampras
Peter Pan
queers
questioning
Rainbow Endowment
Randy Siegel
Rick Cirillo
Rick Sprengiteld
Risa Steinberg
Rob Owen
Robert Morgan
Rocker
Rosen
Russ Crumley
same-sex
Sarasota
Schumacher
Scooby Doo
Scott Bessent
Scott Kramer
Seminole
Serena Williams
Shepard
Shlomo Benizri
Simon Sheppard
Sonny Southerlin
Sonny Sutherland
Southern Voice
St. Petersburg
Stacey A. Adams
Steffi Graf
Stephanie Shippae
Stephen K. Friedman
Steve Fuchs
Steven Fallon
Steven Rivera.
Sunshine Rainbow Alliance
Susan M. Murray
Tampa
Tampa Bay
Terry L. Harden
Tesche
The Watermark
Todd Martinez-Padilla
Todd Meyer
Tom Sadler
Toni Collette
Tony Danza
trans
transgender
Victor Fernandez
W. Swann
Walgreens
Wayne Stayskal
Whitney Houston
Will and Grace
William Cunningham
William Orbit
Willie Nelson
-
https://richesmi.cah.ucf.edu/omeka/files/original/c84ffd9334a01b26ce7f635f14d9a3dd.pdf
7861204383dda2d6842dd65ce82829df
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Watermark Collection
Alternative Title
The Watermark Collection
Subject
Gay culture--United States
Description
Since 1994, <em>The Watermark</em> has been the cornerstone source of LGBTQ+ (Lesbian, Gay, Bisexual, Trans, Queer/Questioning, and others) centered news for the Central Florida region. Founded by Tom Dyer in Orlando, the publication began generating bi-weekly issues beginning August 31, 1994. Since then, <em>The Watermark</em> has consistently published newspaper style issues every other Thursday. Gaining traction, the publication expanded in 1995 to include Tampa and, in 1997, <em>The Watermark</em> became a permanent piece of LGBTQ+ culture when the publication initiated the first large-scale Gay Days Weekend event, the Beach Ball at Disney’s Typhoon Lagoon. Before 1999, the publication printed 20,000 copies every week, distributing them to over 500 locations between its two major cities. Following 1999, the publication launched watermarkonline.com shifting to an online publication style. In 2016, Rick Claggett purchased <em>The Watermark</em>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/" target="_blank">RICHES Program</a>
Type
Collection
Contributing Project
<a href="http://www.floridalgbtqmuseum.org/%20" target="_blank">GLBT History Museum of Central Florida</a>
<a href="http://www.watermarkonline.com/">The Watermark</a>
Curator
Smith, Robert
Cepero, Laura
O'Neal, Rhiannon
Hearn, Nikki
Greene, Quintella
Rodriguez, Sharon
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.floridalgbtqmuseum.org/%20" target="_blank">GLBT History Museum of Central Florida</a>
External Reference
"<a href="http://www.watermarkonline.com/aboutcontact/" target="_blank">About/Contact</a>." WatermarkOnline.com, accessed July 11, 2016. http://www.watermarkonline.com/aboutcontact/.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
The Watermark, Vol. 2, No. 5, March 8, 1995
Alternative Title
Watermark, Vol. 2, No. 5
Subject
Gay culture--United States
Description
The eighth issue of <em>The Watermark</em> was published on March 5, 1995, and focuses on community issues with the LGBTQ+ (Lesbian, Gay, Bisexual, Trans, Queer/Questioning, and others) movement. The main topics discussed in this issue include Olympic athlete Greg Louganis (b. 1960), the incarceration of gay Christian activist Mel White, U.S. Supreme Court case <em>Romer v. Evans</em>, the selection of Michael Slaymaker as the new executive director of the Hope and Help Center of Central Florida, an amendment proposal in Alachua County that would prohibit county commissioners from passing ordinances that would protect civil rights based on sexual orientation, the military's violations of its "Don't ask, don't tell" (DADT) policy, gay adoption, and legal and medical issues related to human immunodeficiency virus infection and acquired immune deficiency syndrome (HIV/AIDS). This issue also includes various advertisements, letters to the editor, film reviews, comics, a travel section, a calendar of events, and personal classifieds.<br /><br />Since 1994, <em>The Watermark</em> has been the cornerstone source of LGBTQ+ centered news for the Central Florida region. Founded by Tom Dyer in Orlando, the publication began generating bi-weekly issues beginning August 31, 1994. Since then, <em>The Watermark</em> has consistently published newspaper-style issues every other Thursday. Gaining traction, the publication expanded in 1995 to include Tampa and, in 1997, <em>The Watermark</em> became a permanent piece of LGBTQ+ culture when the publication initiated the first large-scale Gay Days Weekend event, the Beach Ball at Disney’s Typhoon Lagoon. Before 1999, the publication printed 20,000 copies every week, distributing them to over 500 locations between its two major cities. Following 1999, the publication launched watermarkonline.com shifting to an online publication style. In 2016, Rick Claggett purchased <em>The Watermark</em>.
Type
Text
Source
Original 32-page newspaper: <a href="http://www.watermarkonline.com/" target="_blank"><em>The Watermark</em></a>, Vol. 2, No. 5, March 5, 1995: Publications Collection, <a href="http://glbthistorymuseum.com/joomla25/index.php?lang=en" target="_blank">GLBT History Museum of Central Florida</a>, Orlando, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
<a href="https://richesmi.cah.UCF.edu/omeka/collections/show/203" target="_blank">The Watermark Collection</a>, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 32-page newspaper: <a href="http://www.watermarkonline.com/" target="_blank"><em>The Watermark</em></a>, Vol. 2, No. 5, March 5, 1995.
Coverage
Virginia Beach, Virginia
Colorado
Hope and Help Center of Central Florida, Winter Park, Florida
Alachua County, Florida
St. Petersburg, Florida
Miami, Florida
Washington, D.C.
Richmond, Virginia
Daytona Beach, Florida
Creator
Dyer, Tom
Gustetter, April
Peterson, Keith
Emmer, Sarah
Bruin, Patrick
Kilgore, Michael L.
Fowler, G. K.
Brenner, harmony
Schultz, Nan
Maines, Ted
Toscas, Dimitri
Crescitelli, James A.
Newman, Leslea
Kundis, Ken
Badal, Sharon
De Matteis, Stephen
Sloan, Rosanne
Sarano, Joe
Almeida
Provencher, William André
Dean, Brandon
Wilde, Diane
Sheehan, Patty
Vasel, Yvonne C. T.
Hartman, Keith
Bechdel, Alison
Orner, Eric
Porter, Jill
Vangelys, Gabriel
Kershow, Rob
Cash, Christina
Roberts, Stephen E.
Campbell, Jeff
Publisher
<a href="http://www.watermarkonline.com/" target="_blank">Watermark Media</a>
Date Created
ca. 1994-12-07
Date Issued
1994-12-07
Date Copyrighted
1994-12-07
Format
application/pdf
Extent
321 MB
Medium
32-page newspaper
Language
eng
Mediator
History Teacher
Provenance
Originally published by <a href="http://www.watermarkonline.com/" target="_blank">Watermark Media</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.watermarkonline.com/" target="_blank">Watermark Publishing Group</a> and is provided here by <a href="http://riches.cah.UCF.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
<a href="http://glbthistorymuseum.com/joomla25/index.php?lang=en" target="_blank">GLBT History Museum of Central Florida</a>
Curator
Smith, Robert
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.UCF.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://glbthistorymuseum.com/joomla25/index.php?lang=en" target="_blank">GLBT History Museum of Central Florida</a>
External Reference
"<a href="http://www.watermarkonline.com/aboutcontact/" target="_blank">About/Contact</a>." WatermarkOnline.com, accessed July 11, 2016. http://www.watermarkonline.com/aboutcontact/.
A. Bichler
Ahmanson
Alachua County
Alex Escarano
Alison Bechdel
Allene Baus
Allene Bous
Amanda Donohoe
Andre Provencher
Andrews
Anne Rice
Anne Waldron
Annie Lennox
Annie Russell
Annie Russell Theatre
Barbara Walters
Barnett Bank
Bartsch
BellSouth
Billy Graham
Billy Shakespeare
bisexuals
Bob Carr Performing Arts
Bob Graves
Bob Spears
Boswell
Bradley
Brenda Heim
Burke
Butler
Carlson
Carol Bartsch
Carol Wild
Carr
Carr Performing Arts Centre
Cathcart
Cecil Ray Deloach
Centers For Disease Control
Chester Darling
Chris Alexander
Christina Cash
Chuck Hummer
Cindy Crawford
Claudia Schiffer
Concerned Citizens Of Alachua County
Conrad Dindledey
Cook
Cybil Shepherd
Dale Almund
Dale Dimmer
Daniel A. Helminiak
Daniel A. Rodriguez
David Almeida
David Bain
David Copperfield
David Letterman
David Richards
Daytona
Daytona Beach
Daytona Beach Business Guild
De Matteis
Debbie Simmons
Debbie Tucci
Dennis Enos
Diane Wilde
Dimitri Toscas
Donald Spitz
Doug Prince
Douglas
Douglas Quackenbush
E. Cadwell
Elgan
Eric Marcus
Eric Orner
Erin Somers
Fowler
Gale Norton
Gary Lambert
Gary Nixon
gay
Gene Kapp
George III
George Seurat
Geri Michael
Graham
Greater Daytona Beach Business Guild
Greg Bowman
Greg Louganis
Hal Boedeker
Hancock
Hawthorne
Helen Mirren
Help Center Of Central Florida
Helping Hand
Herndon Laundry
Herzfeld
Hodges
Holly Cole
Holm
homosexuality
homosexuals
Hopkins
House Of Flowers
Hugh Grant
Ian Holm
Ivan Turgenev
Jacksonville
James A. Crescitelli
James Brock
James Dobson
Jay Boyar
Jeanne White
Jerry Falwell
Jill Porter
Jim Hall
Jimmy Brock
Joe Mantello
Joel Strack
John Benjamin
John Boswell
John G. Bak
John Michael Montgomery
Johnson
Justin Kirk
K. Butler
Katz
Kay Bottom
Kay Bottoms
Keith Hartman
Keith Morrison
Keith Peterson
Keith Tanner
Ken Kundis
Kevin Cathcart
King
King Lear
Lake Eola
Lambda Legal Defense
Larry Nicastro
Larry Tackett
Lawrence Concepts International Realtors
Lennox
lesbians
Leslie Bennet
letterman
Lewis
LGBT
LGBTQ+
Life Care Resources
Lisa Lacy
Louganis
Lyle C. Miller
Lyle Miller
Mark Hilf
Mark L. Wolf
Mark Two Dinner Theater
Martin Kunz
Mary Brooks
Mary Kay Lafeber
Mel White
Metropolitan Business Association
Michael Dunn
Michael L. Kilgore
Micky Dolenz
Moon Saloon
Nancy Wilson
National Legal Foundation
Newman
Nicholas Hytner
Nigel Hawthorne
Nike
Olsten
Oprah Winfrey
orlando
Osborne
Palm Beach
Pam Harrington
Parliament House
Pat Doesn
Pat Robertson
Patrick Bruin
Patrick Stearns
Patty Sheehan
Pedro Zamora
Penny Ensley
Perkins
Pete Wilson
Peter Rocchio
Phillips
Phyllis Murphy
queers
questioning
Ramada Resort
Randy Becker
Rex Smith
Ric Munoz
Richard Farrell
Richard Gere
Richard Katz
Richard Ryder
Rick Boucher
Ridgewood
Rita Graham
Ritchie
Robert Edewaard
Robert Skolrood
Robertson
Rocchio
Rocky Ward
Rollins
Rosanne Sloan
Routh
Rupert Everett
Rupert Graves
Russell Evans
Ryan Do
Ryan White
Sally Struthers
Sam Rivers
same-sex
Sarah Emmer
Sarano
Sarasota
Schultz
Scott Lafeber
Scott Laurent
Shannon Addison
Sharon Badal
Sharon Bottoms
Shepherd
Smith
Somers
Sondheim
Southern Ballet Theatre
Spencer Osborne
spitz
St. Augustine
Steny Hoyer
Stephen Ash
Stephen Miller
Stephen Sondheim
Stephen Wadsworth
Steve Roberts
Steve Rossignol
Supreme Court of the United States
Susan Hubbard
Tammy Lynn Esckilsen
Tammy Rossignol
Tampa
Ted Kennedy
Terence Blanchard
The Barracks
The Oasis Beach
The Watermark
The Wizard
Tim Van Zandt
Tom Dyer
Tom Schultz
Tracy Thome
trans
transgender
Troy Perry
Tyler Doustou
U.S. Supreme Court
UCF
Waddell
Walter Kerr
Walters
Walton Beach
Watermark Media, Inc.
White
Wiggins
Willis
Winfrey
Winnie Stachelberg
Yonne C. T. Vassel
Zweifel
-
https://richesmi.cah.ucf.edu/omeka/files/original/fd31296325e31836da3e2617590ede99.pdf
40467b57837f2023d78fda2079632458
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Watermark Collection
Alternative Title
The Watermark Collection
Subject
Gay culture--United States
Description
Since 1994, <em>The Watermark</em> has been the cornerstone source of LGBTQ+ (Lesbian, Gay, Bisexual, Trans, Queer/Questioning, and others) centered news for the Central Florida region. Founded by Tom Dyer in Orlando, the publication began generating bi-weekly issues beginning August 31, 1994. Since then, <em>The Watermark</em> has consistently published newspaper style issues every other Thursday. Gaining traction, the publication expanded in 1995 to include Tampa and, in 1997, <em>The Watermark</em> became a permanent piece of LGBTQ+ culture when the publication initiated the first large-scale Gay Days Weekend event, the Beach Ball at Disney’s Typhoon Lagoon. Before 1999, the publication printed 20,000 copies every week, distributing them to over 500 locations between its two major cities. Following 1999, the publication launched watermarkonline.com shifting to an online publication style. In 2016, Rick Claggett purchased <em>The Watermark</em>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/" target="_blank">RICHES Program</a>
Type
Collection
Contributing Project
<a href="http://www.floridalgbtqmuseum.org/%20" target="_blank">GLBT History Museum of Central Florida</a>
<a href="http://www.watermarkonline.com/">The Watermark</a>
Curator
Smith, Robert
Cepero, Laura
O'Neal, Rhiannon
Hearn, Nikki
Greene, Quintella
Rodriguez, Sharon
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.floridalgbtqmuseum.org/%20" target="_blank">GLBT History Museum of Central Florida</a>
External Reference
"<a href="http://www.watermarkonline.com/aboutcontact/" target="_blank">About/Contact</a>." WatermarkOnline.com, accessed July 11, 2016. http://www.watermarkonline.com/aboutcontact/.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
The Watermark, Vol. 2, No. 2, January 25, 1995
Alternative Title
Watermark, Vol. 2, No. 2
Subject
Gay culture--United States
Description
The second issue of volume two of <em>The Watermark</em> was published on January 25, 1995, and focuses on community issues with the LGBTQ+ (Lesbian, Gay, Bisexual, Trans, Queer/Questioning, and others) movement. The main topics discussed in this issue are Iran's persecution of gay nightclub patrons, West Palm Beach voters' defeat of a proposal that sought to remove gay rights protections from municipal law, the Metropolitan Business Association's (MBA) Second Annual Expo, a federal court's ruling allowing a veterans group to bar the LGBTQ+ community from marching in Boston's St. Patrick's Day Parade, and Scott Laurent Galleries. This issue also includes letters to the editor, theater and film reviews, restaurant reviews, and comic strips, as well as culture, artful living, travel, marketplace, and classifieds sections.<br /><br />Since 1994, <em>The Watermark</em> has been the cornerstone source of LGBTQ+ centered news for the Central Florida region. Founded by Tom Dyer in Orlando, the publication began generating bi-weekly issues beginning August 31, 1994. Since then, <em>The Watermark</em> has consistently published newspaper-style issues every other Thursday. Gaining traction, the publication expanded in 1995 to include Tampa and, in 1997, <em>The Watermark</em> became a permanent piece of LGBTQ+ culture when the publication initiated the first large-scale Gay Days Weekend event, the Beach Ball at Disney’s Typhoon Lagoon. Before 1999, the publication printed 20,000 copies every week, distributing them to over 500 locations between its two major cities. Following 1999, the publication launched watermarkonline.com shifting to an online publication style. In 2016, Rick Claggett purchased <em>The Watermark</em>.
Type
Text
Source
Original 32-page newspaper: <a href="http://www.watermarkonline.com/" target="_blank"><em>The Watermark</em></a>, Vol. 2, No. 2, January 25, 1995: Publications Collection, <a href="http://glbthistorymuseum.com/joomla25/index.php?lang=en" target="_blank">GLBT History Museum of Central Florida</a>, Orlando, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
<a href="https://richesmi.cah.UCF.edu/omeka/collections/show/203" target="_blank">The Watermark Collection</a>, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 32-page newspaper: <a href="http://www.watermarkonline.com/" target="_blank"><em>The Watermark</em></a>, Vol. 2, No. 2, January 25, 1995.
Coverage
Bahia Shrine Temple, Orlando, Florida
Iran
West Palm Beach, Florida
Walt Disney World, Lake Buena Vista, Florida
Boston, Massachusetts
Duke University, Durham, North Carolina
Denver, Colorado
United Kingdom
Kansas City, Missouri
Gaborone, Botswana
Daytona Beach, Florida
Scott Laurent Galleries, Winter Park, Florida
Creator
Kudis, Ken
Bartsch, Carol
Sheehan, Patty
Dyer, Tom
Johnson, D. J.
Brenner, Harmony
Anderson, Mark
Maines, Ted
Bray, Dan
Gustetter, April
Peterson, Keith
Emmer, Sarah
Kilgore, Michael L.
Fowler, G. K.
Schultz, Nan
Toscas, Dimitri
Crescitelli, Jim A.
Newsman, Leslea
Badal, Sharon
De Matteis, Stephen
Sloan, Rosanne
Saran, Joe
Almeida, David
Provencher, William André
Dean, Brandon
Bruin, Patrick
Wilde, Diane
Vassel, Yvonne C. T.
Hartman, Keith
Bechdel, Alison
Orner, Eric
Porter, Jill
Vangelys, Gabriel
Holland, Robert
Messmer, Katie
Kenney, Tera
Williams, Mike
Publisher
<a href="http://www.watermarkonline.com/" target="_blank">Watermark Media</a>
Date Created
ca. 1994-11-23
Date Issued
1994-11-23
Date Copyrighted
1994-11-23
Format
application/pdf
Extent
282 MB
Medium
32-page newspaper
Language
eng
Mediator
History Teacher
Provenance
Originally published by <a href="http://www.watermarkonline.com/" target="_blank">Watermark Media</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.watermarkonline.com/" target="_blank">Watermark Publishing Group</a> and is provided here by <a href="http://riches.cah.UCF.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
<a href="http://glbthistorymuseum.com/joomla25/index.php?lang=en" target="_blank">GLBT History Museum of Central Florida</a>
Curator
Smith, Robert
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.UCF.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://glbthistorymuseum.com/joomla25/index.php?lang=en" target="_blank">GLBT History Museum of Central Florida</a>
External Reference
"<a href="http://www.watermarkonline.com/aboutcontact/" target="_blank">About/Contact</a>." WatermarkOnline.com, accessed July 11, 2016. http://www.watermarkonline.com/aboutcontact/.
activism
activists
Alachua County
Alan Bruun
Amnesty International
Anderson
Andre Provencher
Andrews Sisters
Anne Waldron
Anthony Fauci
Audrey Hepburn
Bahia Shrine Auditorium
Barbie
Bart Zarcone
Bennett Klein
bisexuals
Bob Spears
Brad Houghton
Bruce Jenner
capital punishment
Carl S. Simon
Carol Bartsch
Cheryl Griggs
Chris Lynde
Christine Robison
Chuck Almand
Clermont
Cloutier
Dade
David Almeida
David Caton
David Geffen
David Ho
David Roberson
David Schwartz
Daytona
Daytona Beach
De Matteis
Diana Ross
Diane Wilde
Dimitri Toscas
Disney
Don Dias
Douglas Battawa
Eddie Hilliard
Eleanor Roosevelt
Elgan
Elke Martin
Enyart
Epcot
Eric Overmyer
Eric Rollings
Erica Rand
Finn
Fowler
Gail Bird
gay
Georg Ketelhohn
George Coscia
George M. Shaw
Glenda Hood
Graham
Gus Van Sant
Harold Fong
HOMAN
homosexuality
homosexuals
Ian Russell
Iran
Islamic Penal Law
James Bybee
James S. Koopman
Jamie P. Still
Jay Boyar
Jay Levy
Jim Crescitelli
Joel Strack
John Doe
John McCombs
John Rose
John Travolta
Johns Hopkins
Johnson
Johnston
Jonathan Bamford
Jonathan Hollingshead
Judy Davis
Katie Messmer
Keanu Reeves
Keith Baber
Keith Bergstrasser
Keith Bergstrasser & Company, Inc
Keith Brodie
Keith Morrison
Keith Peterson
Ken Kundis
Keohane
Kim Jones
Lambda Center
Laurence Mark
Laurent Nicastro
Leonard Cohen
lesbians
Lesbigay Coalition
Leslie Bennet
LGBT
LGBTQ+
Life Care Resources
Linda Chapin
Lou Baio
Lucy Carney
Lyman
Maitland
Maitland Civic Center
Marcia Gay Harden
Margaret Reinfeld
Margarethe Cammermeyer
Mario Pabon
Marlene Bernstein
Martha Stewart
Martin
Martin Scorsese
Mary Jess
Mary Linger
Menino
Metropolitan Business Association
Miami
Michael Dunn
Michael Hodges
Michael Jackson
Miller
Moonstruck
Natural Born Killers
Newman
Nicastro
orlando
Orlando Public Library
Palm Beach
Palm Beach County
Paradise Island
Patrick Bruin
Patty Sheehan
Phil Donahue
Phillips
queers
questioning
Rainbow Democratic Club
Richard Cloutier
Richard Giorgio
Robert Deniro
Robert Holland
Robert Sean Leonard
Robin Buhrke
Ron Carnival
Ronald Reagan
Rosalind Russell
Rosanne Sloan
Saidi Sirjani
Sam Shepard
same-sex
Sandie Swift
Sandy Fink
Sarah Emmer
Sarah Nuckles
Sarano
Saviz Shafaie
Schwartz
Scott Alles
Sean Astin
Sharia law
Sharon Badal
Shepard
Somers
Stephan Likosky
Steve Rheaume
Steve Roberts
Susan Sarandon
Tampa
Tampa Bay
Tampa Bay Gay Men's Chorus
Ted Maines
Tera Kenney
The Client
The Lambda Center
The Watermark
Tim Huskins
Tom Dyer
trans
transgender
Val Stevens
W. Thomas Dyer
Watermark Media, Inc.
West Palm Beach
William F. Weld
William Finn
Wilson
Winslow
Winter Park
Yolanda Clark
-
https://richesmi.cah.ucf.edu/omeka/files/original/c4a7c19efcd344fcc98e14addfc7600f.pdf
340d2c2cc0e254c232e5ce4f0457fab2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Orlando Gay Chorus Collection
Alternative Title
Gay Chorus Collection
Is Part Of
Orlando Gay Chorus Collection, RICHES Program
Type
Collection
Digital Collection
<div class="element-text"><a href="https://richesmi.cah.ucf.edu/">RICHES MI</a></div>
<div class="element-text"> </div>
Subject
Orlando (Fla.)
Music--Florida
Dance--United States
Gay culture--United States
Description
The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community.
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Oral History of Reverend Margaret E. "Peggy" Howland
Alternative Title
Oral History, Reverend Margaret E. "Peggy" Howland
Subject
Orlando (Fla.)
Music--Florida
Mass shootings
Memorials--Florida
Women clergy
Description
An oral history interview of Reverend Margaret E. “Peggy” Howland, a member of the Orlando Gay Chorus and a former Presbyterian minister. The interview was conducted by Geoffrey Cravero at the interviewee’s residence in Orlando, Florida, on December 13th, 2016. Some of the topics covered include becoming one of the first female ministers, fighting for GLBTQ+ rights, joining the Orlando Gay Chorus, her role in the Orlando Gay Chorus, her favorite productions, the mass shooting at Pulse nightclub, women in the chorus, the Orlando Gay Chorus’s response to Pulse tragedy, changing community attitudes on homosexuality, missing out on initial vigils, memorials and outreaches, physical challenges, performing at the first responders breakfast, the long-term consequences of Pulse tragedy, and her closing remarks.
Table Of Contents
0:00:00 Becoming one of the first female ministers <br />0:05:35 Fighting for GLBTQ+ rights <br />0:13:12 Joining the Orlando Gay Chorus <br />0:20:54 Role in the Orlando Gay Chorus and favorite productions <br />0:24:21 Mass shooting at Pulse nightclub <br />0:26:12 Role in the Orlando Gay Chorus and favorite productions (continued) <br />0:27:58 Women in the chorus <br />0:31:04 Orlando Gay Chorus’s response to Pulse tragedy <br />0:37:58 Changing community attitudes on homosexuality <br />0:41:57 Missing out on initial vigils, memorials and outreaches <br />0:44:23 Physical challenges <br />0:45:31 First responders breakfast <br />0:48:18 Long-term consequences of Pulse tragedy <br />0:52:27 Closing remarks
Abstract
Oral history interview of Reverend Margaret E. “Peggy” Howland. Interview conducted by Geoffrey Cravero in Orlando, Florida, on December 13, 2016.
Type
Moving Image
Source
Howland, Margaret E. "Peggy". Interviewed by Geoffrey Cravero, December 13, 2016. Audio record available. <a href="http://riches.cah.ucf.edu/" target="_blank" rel="noreferrer noopener">RICHES</a>, Orlando, Florida.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank" rel="noreferrer noopener"> QuickTime</a>.
<a href="http://www.adobe.com/products/reader.html" target="_blank" rel="noreferrer noopener">Adobe Acrobat Reader</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank" rel="noopener">Orlando Gay Chorus Collection</a>, LGBTQ+ Collection, RICHES.
Has Format
Digital transcript of original 56-minute, and 28-second oral history: Howland, Margaret E. "Peggy". Interviewed by Geoffrey Cravero. Audio record available. <a href="http://riches.cah.ucf.edu/" target="_blank" rel="noreferrer noopener">RICHES of Central Florida</a>, Orlando, Florida.
Coverage
Dr. Phillips Center for the Performing Arts, Orlando, Florida
Gay and Lesbian Association of Choruses Festival, Denver, Colorado
Joy Metropolitan Community Church, Orlando, Florida
Orange County Convention Center, Orlando, Florida
Orlando Museum of Art, Orlando, Florida
The Plaza Live, Orlando, Florida
Pulse nightclub, Orlando, Florida
Creator
Howland, Margaret E. "Peggy"
Cravero, Geoffrey
Publisher
<a href="http://riches.cah.ucf.edu/" target="_blank" rel="noreferrer noopener">RICHES</a>
Date Created
2016-12-13
Date Copyrighted
2016-12-13
Format
video/mp4
application/pdf
Extent
363 MB
Medium
56-minute, and 28-second audio recording
18-page digital transcript
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Reverend Margaret E. "Peggy" Howland and Geoffrey Cravero and published by <a href="http://riches.cah.ucf.edu/" target="_blank" rel="noopener">RICHES</a>.
Rights Holder
<a href="http://riches.cah.ucf.edu/" target="_blank" rel="noreferrer noopener">RICHES</a>
Accrual Method
Item Creation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a>
External Reference
Ahlquist, Karen. <a href="http://www.worldcat.org/oclc/62281651" target="_blank" rel="noreferrer noopener"><em>Chorus and Community</em></a>. Urbana: University of Illinois Press, 2006.
Boedeker, Hal. "<a href="http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html" target="_blank" rel="noreferrer noopener">Orlando Gay Chorus marks 25 years</a>." <em>Orlando Sentinel</em>, October 18, 2016. Accessed October 18, 2016. http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html.
Ogles, Jacob. "<a href="http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning" target="_blank" rel="noreferrer noopener">Pride in Orlando Will Take on New Meaning</a>." <em>The Advocate</em>, October 6, 2016. Accessed October 18, 2016. http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning.
Hyman, Jamie. "<a href="http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/" target="_blank" rel="noreferrer noopener">Community rises up after mass shooting at Orlando gay nightclub kills 49</a>." <em>Watermark</em>, June 16, 2016. Accessed October 18, 2016. http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/.
Click to View (Movie, Podcast, or Website)
<a href="https://www.youtube.com/watch?v=AGxwUnVAyGU&feature=youtu.be" target="_blank" rel="noreferrer noopener">Oral History of Reverend Margaret E. "Peggy" Howland</a>
Transcript
Cravero
Alright. Let’s see. Okay. Let’s see. This is Geoffrey Cravero and I’m conducting an oral history with Reverend Peggy Howland of the Orlando Gay Chorus. The interview is being conducted at the interviewee’s residence in Orlando, Florida, on Tuesday, December 13th, 2016.
Peggy, thanks for speaking with us today. If you would, let’s start by having you state your full name and telling us a little bit about where you’re from.
Howland
Well, officially, I’m the Reverend Margaret E. Howland. But I’m called Peggy. Um, I’m a—a New Yorker. Um, was living in New York City and right around there for 54 years before I came down here to Orlando, um, going almost four years now.
Cravero
That’s great. What, um—let’s see. What about a little about your family history? What did your parents do?
Howland
My father was an attorney. Head of a law firm. And, um, my mother had taught school before she started having her five children [laughs]. And, um, we had a very c—comfortable life after three of u—the first three of us were born during the [Great] Depression. And, um, we skimped and saved a lot. And, uh—but then, uh, as my father became, um—got his law degree and became active as a lawyer and a community figure, we—we had a fairly comfortable life.
Cravero
And, um, how and when did you become involved in, uh, the church?
Howland
Oh. We went to Sunday school from childhood. My, um—my—my father had been an Episcopalian and my mother a Presbyterian. But they decided on a Methodist church that had a big Sunday school. And, uh, we went to Sunday school all the time.
Uh, but as a teenager, I began to become—I think really partly it was the i—influence of my Sunday school teachers that I became more interested in the Bible. And I—I think I spent all my life searching for love. And, uh, I—I think—I think my mother wasn’t able to show, uh, love in a very overt way. Uh, because I always had the feeling I was trying to get my mother to love me. But God loved me. And I began as a—especially as a teenager, I began to have this overwhelming conviction of the love of God for me and for all people. And, um—and I fell in love with the Bible, uh, and the stories.
And eventually, uh—it was a time when a woman—I mean there were no women ministers. Um, and I didn’t even—we were Republicans in our family. And we didn’t, uh—we—people talked about women’s rights. Equal rights for women. And I didn’t know if I was in favor of that because I had been taught by some pretty conservative Christians that, um, women were supposed to be in a different position than men. Course, I don’t believe that any more. Uh, I think God loves us all the same. And, uh—and I think it’s a misinterpretation of the Bible, uh, to make—and—and—and failing to see the, um, teachings of Jesus and the example of Jesus. It—and—and even the example of St. Paul and others in the Bible, uh, for whom women, eh—Christianity liberated women and gave them an opportunity to be part of—of this message of—of God’s love, uh, for people.
And, um, i—it was—it was slow. I was slow growing into that. But at—at the University of Pennsylvania, uh, where I went to school, uh, I was able to major in the Lands of the Bible. I majored in Oriental Studies. Basically, the Near East. And I studied Ancient, um, Art. And Literature. And History. And Language. And Civilization of Egypt. And Mesopotamia. And Palestine. All the lands, uh, of the Bible. And s—I studied Greek and Hebrew to read the Bible in the original languages. And, uh, it was—it was just, uh—I was just so in love with the Bible and of the message of God’s love, uh, for people.
It was a long time before I fully began to understand God’s love for everybody. Um, when we were young, uh, we didn’t know anything about gay and lesbian. That was, uh—it was—it was so much in the closet. So hidden that you never saw it. And, uh—but as a woman minister—as one of the very first, uh, women—wo—uh, women me—in the ministry in the Presbyterian Church, uh—as we began—as—it was a long time. It was maybe 20 years after I was ordained that women began to be more, uh—it began to be more common for women to be clergy. And, uh, as we would meet in support groups and—and, uh, sharing with one another, it began to be very clear to us—it was in the early seventies that, uh, churches began to get concerned about whether homosexuals were allowed to be ordained. Um, which people thought was, you know—they began to think, Well, we shouldn’t—we should be kind to other people. But ordain them? Um, and, uh—and nobody ever thought marriage [laughs].
But, uh—but the women clergy began to see that gay people were being treated the same way we had been treated. Um, I mean people—people said very rude and crude things to me about they didn’t, you know—they didn’t believe—that God was—the Bible was against us. Wi—they didn’t believe that—that God would call a woman to be—to preach. But I knew from the very beginning that it wasn’t my idea [laughs].
Cravero
[laughs].
Howland
That it was God’s idea. Because I—I really believed that God had led me, uh, in this direction. Uh, so it didn’t matter what they said. And—and I, uh, often have thought about the words of, uh, Susan B. Anthony , who in 1848, was among the women who asked for the right to vote. And they didn’t get it until 1920, long after Susan B. Anthony was dead. And she had—she had gone to congress every year of her life, um, ask—asking and working for the right to vote. And she didn’t live to see it but she said, “Failure is impossible.” And this is what I began to t—tell my gay friends. “Failure is impossible [laughs].”
Uh, even though y—they couldn’t see that there would any time be acceptance, um—in the beginning, I used to worry that people would think that I was gay because I knew that the gay clergy—people that I knew were gay weren’t—were still in the closet. And I was never—I was never outing them. And they—I knew that they couldn’t speak up in public. But I could. And I felt—I began to feel a little angry about it for a while. Why do I have to do this all the time? People will start thinking I’m gay. And then it got to the point where I didn’t care if they did. And now I think I even consider it a compliment if somebody thinks I’m gay. Because, um—especially—I—I mean the gay people that I’ve known in the church have been very active through—in the Presbyterian Church nationally in terms of helping to open up, uh, ordination to women. Uh, I was a representative for my Presbytery to testify, um, at our general assembly, where we finally approved the ordination of gay and lesbian and transgender people.
And, um—and also was active—very active in working up in New York State, uh, for, uh, the—the state to approve the, uh, marriage of, uh, gay people. And I can remember just before the final vote of the senate in New York—and I was up there in my clerical collar, uh, at this[sic] senate hearings. And, um, demonstrating. And one of the men who was there—I think it was an Episcopal deacon, uh, said to me that he and his partner were married. They’d been married in Canada and they lived in New York. And I found out then that there were already 9,000 couples in New York—gay couples who were married legally and recognized by the State of New York because they’d been married somewhere else. Because the state would—would—while they wouldn’t allow anybody to be married in New York, they’d let—they’d recognize marriages from elsewhere. And so then, New York State voted, uh, to approve the, uh, marriage of—of gay and lesbian couples.
And, uh, then, shortly after that, I came to Florida and started working on it down here. And when I came to Florida, uh, my friends were appalled that I was leaving. I was kind of appalled, too. But I kne—I knew that I needed to take care of myself. And I was able to find a retirement community that I could come to here that I could afford. And so I said to them a—as I was leaving I would say, “I’m being sent as a missionary to a racist, sexist, homophobic, gun-totin’ state.” And they would laugh. And I would laugh. But after I got here, I gradually began to realize this was my mission here.
And, um, I—I—I—I couldn’t believe at the age of 80, when I came here, I could still sing. Because a lot of my friends were losing their voices. And, um, I—the first Sunday I was here—and I went to the Park Lake Presbyterian Church—uh, they had a notice in the bulletin about the Park Lake Gay-Straight Partnership meeting that next week. And, uh, I was thrilled. Um, and we have this marvelous small group of—of gay and straight people who—we have a partnership and we try to help educate the church, um, and other people about this. And—and last year we had our first marriage in the church of t—uh, two men. Then we had a wonderful celebration. And I—far as I know, we’re the only Presbyterian church so far in this Central Florida Presbytery that has had a gay marriage, uh, in the church. And it was a—it was great.
Um, but I—one of my friends introduced me to someone—we were at a gathering of FAVO. The Faith Arts Village of Orlando, which our church sponsors, uh, in a—in an old converted motel, uh, next door to the church. Um, it’s a marvelous, uh, thing. The first Friday of every month. And I was there and I was having—having something to eat sitting outside. And I got introduced to this guy who was a member of the Orlando Gay Chorus. And I said—and, uh, I said, “Oh.” I said, “I’ve gotta find someplace to sing, um, here in Orlando. Because I’m afraid if I don’t keep singing, I’ll lose the ability to sing. Because so many of my friends my age can’t sing anymore.” And he says, “You can join the Orlando Gay Chorus.” And I said, “You have women?” And they said, “Yes.” I said, “Do you have to be gay?” He said, “No.
Cravero
[laughs].
Howland
Everybody can sing.” So that was in the summer. First summer here. And at Christmastime I went to the holiday show that the chorus had at the Plaza Live. And I—I bought a—a ticket that cost a little more so I could get in early. And I went and sat in the front row. And I can see on the stage standing on the risers there were some people sitting on the risers, who obviously weren’t able to stand. And so they were allowed to sit. And there were people with white hair. And there were young and very old. There were men and women. There were—there were—I already knew there were gay and straight and trans. And black and white. And really, really fat people. And really skinny people [laughs]. And, uh, then I began to—at the end they came—they came down the steps right in front of me and walked out. And I saw them helping a woman down the steps who obviously had cerebral palsy. And I thought, I can belong to this group.
And so we had the auditions in January, um, three years ago. And, uh—and I became a member of the chorus. And it’s been just amazing. On the—there are two of us that are 83 years old in the chorus. We’re the two oldest. And, um, I’m very proud of that [laughs].
Cravero
[laughs].
Howland
But that’s—that’s what I found in this community. Uh, a loving, caring, thoughtful, kind, talented group of people of every sort who—who sing. And who work hard. And, uh, they’ve been so helpful and accepting of me. And in the beginning—in the beginning, I couldn’t stand the noise. I was—I—I—there’s so much—there—these young people, they—they make a lot of noise [laughs].
Cravero
[laughs].
Howland
I thought, I—I don’t know if I can last through this. But I have. And, um, they’re so helpful and—and kind. And they’re really like a family to me. Um, it’s been wonderful. And, uh, especially the last couple years, um, with our new, um, artistic directors. The quality of the chorus—it only be can’t—only became a soprano, alto, tenor and bass a couple years before I came here. F—s—it’s going on for 26 years now. And there’s still some of the original men who founded the chorus in it.
Uh, what courage these men had 26 years ago, uh, to come out. Uh, and that—to me, that’s what really has brought about, uh, the—the acceptance, um—full acceptance of people. Uh, it’s pretty good here in the Orlando area. Although there’s still problems some places. But, um, the—the one thing that has made it possible is the courage of gay and lesbian and trans people, uh, to come out. Uh, straight people being allies, um, is important but—but it’s nothing like the courage of these people who know, uh—I remember the first time I went to—in—in 2003, I had become so active with the LGBTQ organizations and the Presbyterian Church, um—in 2003, I went to a—a huge, uh, gathering—a conference called “Witness Our Welcome”. It was held at the University of Pennsylvania, which is my—my alma mater. And, um, it was people of all faiths, um, different religions, uh, gay and le—LGBT groups coming together. And I was a little scared to go because I didn’t quite know how I would relate to—to gay people, uh, you know, on a wider basis [laughs]. And I remember going—oh—oh, there were people out there with their signs. Their hateful signs. Uh, but I remember they had worship every evening in an Episcopal cathedral, uh, right near the campus. And I remember thinking when I went to those services, This is the most joyous worship I had ever been part of in my whole life. Because here were people who knew that God loved them. And they were in a safe place. And they were able to worship with such joy. And, uh, to me, that—that changed everything for me.
And now I have [laughs]—I have gay friends that are Jewish. That are Wiccan. That are any religion or no religion. And they’re all wonderful. And I even have friend that are drag queens [laughs].
Cravero
[laughs].
Howland
Which is kind of fun [laughs].
Cravero
Do you have, um—well, can you talk a little about what role you have in the chorus? And maybe, um, talk about, uh, one of your favorite early productions before, um, the Pulse tragedy. And we’ll talk a little bit about post afterwards.
Howland
Um, [sighs].
Cravero
[clears throat].
Howland
Well, I’m a soprano. I have been an alto all my life. But I’ve sung in—I’ve sung in choirs. Um, and for years I’ve been an alto. And, uh, after I retired from full-time pastoral ministry, um, back in 1998, um—18 years ago now—uh, I found—I didn’t—I didn’t sing in a choir or anything for a while. But I had been participating in a—in a church near where I lived in White Plains, New York. And, uh, they had a group that was getting ready to go to Africa—to Kenya to sing. And, uh, they wanted to sing back to the, uh—the Kenyans, when you come, they always sing for you. They sing and dance. And so we wanted to sing back to them. And so we—we practiced for a year. And I got into this group to go to Kenya for three weeks.
And, um, I guess I was singing soprano ‘cause that’s kind of what they needed. And after I came back from Kenya I decided to join the church choir. And they needed sopranos. And so I became a soprano. And I had never been able to sing that high before. But I tr—we had a marvelous soprano soloist. And I would imitate her. I would try to sing like—like she did. And I was having a marvelous time.
So when I came here and I au—I auditioned for the Orlando Gay Chorus, um, they dec—they thought, Yes. You’re a soprano. We’ll make you a soprano 2. ‘Cause we have soprano 1 and 2, alto 1 and 2, et cetera. And, uh, so I sing soprano and when we s—divide I sing the low soprano part. And every once in a while, I get to sing the high part, too.
Cravero
[laughs].
Howland
And I can sing higher notes than I ever could before. And I’m 83. And it amazes me. We even had a, uh—we—we have these cabarets every once in a while. And twice now, I’ve sung a solo in one of our cabarets. The first year I sang “I Could Have Danced All Night” from My Fair Lady. And, uh, then last year—in fact, it was the night before the Pulse. On June 11th[, 2016], we had this cabaret at the Orlando Museum of Art. And I sang “We Kiss in a Shadow” from, uh, The King and I. And—as a solo. And ah—it was just wonderful because I—here I was at my age singing solos. And I’m even working on one for the next time.
Um, but after the—after the concert—and the thing is, I was able to do it because the people in the chorus were so affirming. And telling me how great it sounded. So I—so I didn’t have to be scared any more. I didn’t have to be nervous any more.
And, uh, that night I had a friend come with me to the Museum of Art. And after it was over, we were hungry. And we were looking for a pizza place. And we didn’t, uh—we thought, Where—where’s a place that’s open that’s—that we can get to? And finally, we decided to go down to—we went down South Orange Avenue past the Pulse to McDonald’s and had hamburgers. And this is—this is just a couple hours before the thing happened. And so at midnight, we’re coming back past the Pulse back to home here. And I—I couldn’t believe it the next morning when I—when I woke up and looked at my phone. And people were saying—and my friends were saying, “Are you safe?” “Are you safe?” “I’m safe. Are you safe?” And, um—and that’s why every single morning since then—every morning when I wake up I—I—I—I remember the Pulse. And think about that morning for six months now.
I was telling you how I got into the chorus. And, uh, it’s—it’s been a marvelous experience. I never in my life ever before memorized all these songs. And then we have choralography they call it, where we—we, you know, do motions and things and—while we’re singing [laughs] all in concert together. Uh, and our productions are not just—i—we’re not just standing there singing like a choir. We’re participating in many different ways. Um, and it’s a real great show and production.
And, uh, I guess I’m really grateful to the Disney people who came to Orlando and helped make Orlando the kind of area where, uh, the arts and all the different kinds of production and everything, uh, were really, uh, i—it was just a place that would attract, uh, creative, uh, wonderful people. And it’s such a place of music and art her in—in Orlando. And i—it’s—it’s just so wonderful how the chorus has become a part of that in the city. The—the chor—the concerts we just had this past weekend, Glad Tidings over at the Plaza Live, we were sold out both nights. And people said it was the best show ever.
And one of the things that’s happened, uh, since—since I’ve been here it’s been happening, but it started before I came here. The Orlando Gay Chorus never was just men. Women came. Lesbians came and wanted to be part of it. And they weren’t really—I don’t think they were really welcomed at first, but they insisted. And—but for 25—for—well, 20, maybe 22, 23 years, it was an—a TTBB : just the tenor and bass, uh, chorus. It was a—it was a men’s chorus that had some women in it, who were singing with men’s voices. They were singing tenor parts. We—we even had a woman who was a bass. And, um, just a couple years before I came here, it became soprano, alto, tenor and bass.
And, um, s—it’s been harder getting as many women in. Uh, and the difference has been y—you know what gay men’s choruses sound like. I remember the first time I hear—I’ve heard gay men’s choruses in different cities. And they have this strong men’s sound. And—which is wonderful. But, um, with the soprano and alto being added to it, uh, and with our—with the current director we have, James [A.] Rode, and Harold Wright, who is his assistant, they are working for something other than the loud gay men’s voice. Instead, uh, it’s much more—the music is much more nuanced. We sing softly. Uh, we sing expressively. Uh, we sing tenderly. Uh, as well as loud [laughs]. We—we do all kinds of—of singing.
And, uh, the chorus has grown in its maturity musically within the last few years. Uh, and I’ve seen it happen. Because I think the first year I was here, we were still a gay men’s chorus in tone. Uh, and, um—and we’re—we’re becoming more—more nuanced. But—but in the last—the last year, even my friends—my musical friends say to me, “Wow. You’re so much better. You’re fabulous.” And I think it’s—it’s really because of the leadership and direction that we’ve had that’s helped us all to find our voices.
And we have al—we have—we have some men altos and women tenors. And—and, uh, uh, it’s been a—a wonderful experience. I’m not sure I remember what I’m supposed to be answering.
Cravero
Oh, I—I think you covered it.
Howland
Okay.
Cravero
And plenty [laughs]. Well, you did mention, um, when you first heard about Pulse that morning. Could you talk a little bit about, um, what you did that Sunday: the day after the tragedy? And…
Howland
Well, it was the day of the tragedy.
Cravero
Right.
Howland
I mean it happened—it started at two minutes after two that morning. And at five o’clock, they were still—I don’t if they were really starting to really get the people out of there. I mean the bodies were still in there. And, um, we—we got a call, um, I—I don’t know—we—we just have this amazing communication [laughs] now with our cellphones. And, um, I heard that we were to be at the, um—the church. The, um, Metropolitan Community Church. The Joy Metropolitan Community Church, uh, which you may know is basically a gay and lesbian organiz—uh, church. Uh, and we were to be there for a service at six o’clock. And I guess we were supposed to be there at five. Uh, and to come in our, uh—in one of our wardrobe things that we wear. And, uh—and sing. And I guess they were waiting to see how many of us showed up and who showed up as to exactly what we would sing. And we didn’t have an accompanist. So some of it was gonna be things that were acapella.
Um, and, um, I had—I had a flat tire on the way there. I—I—I must have hit the curb or something. And I had a flat tire. But thankfully, people in the house fixed the ti—they changed my tire for me. And I got to the church in time. And there was standing room only at the Metropolitan Community Church. Um, there—there were people outside. They broadcast[sic] the service to the outside. And now this—this had happened two o’clock in the morning. That day at six o’clock at this service, there were Metropolitan Community Church pastors from all over Florida. From Tallahassee. And Sarasota. And Miami, who were there for that service. I mean they just came right away. And some of our members had been standing out in lines trying to give blood that afternoon. As there were people—people were standing in line for eight hours that day to give blood. And—and—and then a lot of them came back the next day and gave blood.
Um, we—there wasn’t room for us all to sit down in the church. Uh, so a lot of the chorus members were standing along the side. And we sang two numbers that we didn’t need to have, um accompaniment for. W—we sang—and these were songs that we had just sung in our concert, uh, that—that spring, just a short time before. It was “True Colors” and “You’ll Never Walk Alone”. And those two songs we sang a hundred times after that. Uh, we started having from that day—and—and the very next night was, uh—in the evening was this candlelight vigil with 6,000 people there at the Dr. Phillips Performing Arts Center in front of it. Between City Hall and there I could still see that huge, huge crowd of people. And the experience of—of being there.
And at one point, as it was getting dark, they—they began to toll the bells. They began to toll the bell 49 times. And each time they would read the name of someone who had died. And—and there was a man standing next to me. He heard one of the names and he just collapsed. And his friends picked him up and held him. And, uh, people were lighting their candles and listening to the bells and to the—and to the names being—being read. It—there—there were—this—th—there was a woman—there was a woman there who was one of the ministers at the Mother Emanuel Church in Charleston, [South Carolina], where they had the—where nine people had been killed by a gunman just a year before. And this was just—i—it was just a little before—I think that very week they were having a first anniversary. And she came down here to be with us. And the, um—there was also a prayer given by a Muslim imam.
And what I saw that day, the very day after this happened, was—were three things. I saw love. I saw solidarity. And I saw unity. And that’s what they were talking about: “Orlando United”. “Orlando Strong”. And it—it was such a moving thing to be part of an experience and see a city that just came together over this. And—and that day when it happened. On that Sunday. I—I’ve always said that I’m a New Yorker. And I’m proud to be a New Yorker. I’m a Yankee fan. Uh, but I was proud to be an Orlandoan that day. And I—and I—given me such a sense of being part of this community, that is united and strong. And loving and supportive.
And—and I know that there’s people here who, uh, still want to, uh, ridicule and condemn gay people. But, uh—but I think there’s less of them. And I think people are opening up. One of the a—amazing things that’s happened, because I live here in this retirement community, just last night a woman said to me, “You know, I have a daughter who’s gay.” I have another friend—at—the people—because they knew here that I’ve been singing with the Orlando Gay Chorus, there were people who said to me—I remember one woman in tears who said to me, “My granddaughter’s gay. I’m so worried for her.” Because when they realize that—that this attack at the Pulse, uh, hit home to gay people.
And—and, of course, I sing with the Orlando Gay Chorus. We went the following month in July—the beginning of July—only three weeks later—out to Denver, Colorado, for the GALA Festival. The Gay and Lesbian Association of Choruses. And we had choruses from all over the world. Mainly from the United States, but other places, too. And, um, people there were—were hugging and kissing us [laughs] all the time. They would say—they would see that we were from Orlando and they’d say, “May I hug you?”
Um, but all around the world people felt this. The same way as my friend whose granddaughter was gay here. And other people who live here who have gay family members who are, uh—who just fear for them, uh, because of this. Uh, and it brought back all the—the tender, um, uh, heart-wrenching, uh, experiences that people have had. And, of course, now with the new president-elect , um, making, uh, bigotry seem more powerful, um, people are feel—feeling the same thing again.
But I—I am so proud of—of the gay community here. And I’m proud, uh, to be considered part of it as an ally. And to be totally accepted, uh, by them. And it’s given me—there were—in the beginning of living here, uh, at what I call here “the Old Folks Home”, I—I was—I did not often wear my t-shirts that say “Orlando Gay Chorus” on them. Uh, because I didn’t want to offend people. But I don’t care anymore. And, uh, I want them to be—if it offends them, fine. We’ll talk about it. And, uh, I want to—I really think I’ve become known here, uh, as—as, uh—as somebody who’s a member of the Orlando Gay Chorus. And, um, I’ve met employees here who are gay. Um, people still are pretty much in the closet. Uh, anybody who’s gay here at this old folks home. But, um—and I’m not outing anybody, but I’m outing myself as an ally. And if they think I’m gay, that’s fine, too. That’s alright.
Cravero
Um, [clears throat] as you, uh—well, you were speaking about some of the vigils. As you reflect on some of your experiences with the vigils, um—well, how many did you participate in afterwards? And is there anything that—that particularly stands out to you from those?
Howland
Well, I probably have participated in 20 or 30 of them. We’ve had 50 or 60. Uh, some, uh—we have four ensembles in the chorus. And some of the—some of the vigils have been done by ensembles because they were the easiest ones to get together. Uh, a lot of them have come just at a few moments notices. Um, I, uh, was—I participated—I had to leave town for 10 days, uh, at the end of June. In between the time the Pulse happened and the GALA Festival out in Denver. Uh, I went to Portland, Oregon, where the Presbyterian Church General Assembly was meeting. And, uh, I’m a very active, uh, participant in, um, uh, working with the Presbyterian Peace Fellowship and other organizations. And with the, uh—the LGBTQ organizations as well out there. Uh, and so I spent a lot of my time telling people out there about, uh, Orlando. So I missed a bunch of the, uh, important outreaches that we had. The memorials. The vigils.
Um, there have been so many of—different kinds. Some of them were fundraising. We sang “True Colors” and—and, uh, “When you walk through the storm." We sang both of those, uh, a great deal. And some other songs as well. Some of us—p—people just carried their—their shirts. We had our Billboard shirts that we usually sing in. And whatever the wardrobe was gonna be people just carried it in their cars so that they’d be available at a moment’s notice.
And I’m—you know, I’m handicapped. I’m—I’m elderly. I use a walker and a cane. And I’m—the—PJ Galas Finster is our, um, stage manager for all kinds of things. And he would always make sure wherever we sang that there was a way—there were people to help me up steps if I had to get up steps. Uh, there was a place I could sit or I would sit in my walker seat. Uh, we—they always arranged to include me in it. And, uh, it was a lot of effort many times to get a parking place and to be able to move, uh, to where we were supposed to sing [door closes]. Uh, it was a tremendous effort for me to keep walking, uh, when I—when I didn’t feel like walking. And, um, because I am physically challenged. But, uh, eh, they—the people in the chorus have done so much to help include me.
Um, some of the things—we had a thing out at, um—at UCF . It was—I think it was the School of Social Work. Maybe there were two different schools together that had a memorial service after people came back to school in—in September. And that was moving. To hear people tell the stories. We sang, um, over at the [Orange County] Convention Center, uh, on International Drive for a first responders breakfast. Um, oh, I had to walk a mile to get to that. Um, the Convention Center’s so huge. I had a terrible time. I couldn’t even find the place. And then when I found it, I had to walk forever inside the building to get to where we were singing.
But then, to be there, uh—the singing—we were gr—we were so grateful that we were able to be there and sing. And give some su—support to them. But then, to hear the stories that were told of what these first responders did for which they were being honored. They were giving out awards that day. Uh, and a bunch of them were for people who were at the Pulse. Uh, and to hear what they went through in, um—and what they did, uh, to, uh—at a danger to themselves. And, um, there was one police—I—I don’t know that he was honored f—for this, but one of the police, uh, responders has—the last I heard, he was still suffering from PTSD from all that he saw—that he just can’t—that he—he—he dreams about it at night. He can’t get it out of his mind. He’s been unable to work.
Um, people don’t realize—a—and—and the stories the doctors—th—the doct—the doctor who had the bloody shoes that he’s never given up and never cleaned. The bloody shoes while he was operating on people. Um, there were so many things that we heard from other people. And, um, I don’t—I don’t—tell—tell me—tell me, have I answered…
Cravero
Oh, absolutely.
Howland
[laughs].
Cravero
Yeah. You’ve—you’ve covered questions I would—I didn’t even have to ask [laughs].
Um, what would you, uh, hope that some of the long-term consequences would be for not only the Orlando gay community, but maybe for the larger city or even the, you know, larger society as a whole, uh, from—from this tragedy?
Howland
Well, I hope people will be kindler[sic]—kinder and gentler. I—I have been so impressed with the spirit that Orlando has had. I mean I just k—keep seeing this “Orlando Strong”, or y—or—course being right down here in Downtown South, where it all happened, um—eh, the—the signs all over the place about “Orlando Strong”.
I mean even—even I wore—I was wearing a Pulse shirt yesterday. I wore my Pulse shirt for the—for the, um, six-month anniversary. And an old woman [laughs] said to me, “Oh. Can—are those still available? Do you think I could get one?” And—and I—I wear t-shirts all the time around here. I’m probably the o—only what that does. I mean occasionally other people wear t-shirts. But I happen to love t-shirts. And—and so I’m very comfortable in them. So I don’t dress up every day. I wear t-shirts. I love t-shirts. And, um, so I have all my t-shirts for solidarity. Uh, and I guess maybe people are able to respond to me because of that.
But, um, I just—I’m impressed. And I’ve seen a spirit in Orlando. I mean even the fact that this past weekend at our concerts that we had of the Orlando Gay Chorus—our holiday concert, um—it—the—it was packed. Full—full house. Both—both times. And there’s—the people who are going out of their way to stand up for the community and for the gay community and for inclusion—people are becoming prouder of who they are. And prouder of their support and solidarity and unity.
And, uh, I think even some of the ultra-conservative Bible Belt people, um, are growing in their understanding. And—and realizing—eh, eh—some of my friends here, um—here at the old folks home ha—were so shocked when they heard about the Pulse. That these young people needed a safe place to be. It was a safe place for them. And they were kind of shocked and chagrinned that young people would need a safe place. But—but we have it here. We have the Zebra Coalition and the Hope and Help Center [of Central Florida]. Uh, all the different groups here in Orlando that are working for—helping people that have—they’re homeless because they’re gay. And I—I think people are coming together more. I—I hate to have to say that a terrible thing like this has been responsible for it, but I think the response of the community is—is strengthening who we are. And I—I hope it can extend more to the rest of the country.
Cravero
I think you’ve covered all of the questions I had for you. Is there any, uh, other final thoughts or anything else you’d like to add that we haven’t discussed yet?
Howland
I think—I think that even though I’m at a stage in my life where things are becoming much more physically difficult for me, um, that the courage that this has given to me, um, is something that I’m grateful for. Uh, and I—I hope I can—I hope I can continue doing as much as I can, uh, for as long as I can. Um, but I—I—I can at least say things and write things. Just today, there came out in the email—I happened to be on the development committee of the Presbyterian Peace Fellowship—that I’ve been an active, uh, participant in, uh, on the serving on the national committee and, uh—for 48 years. Um, we have an advent appeal for funds, uh, eh, in the month before Christmas. And we were doing emails every few says, uh, this month. And I wrote the one last week that came out today in the email. And I wrote it about gun violence.
That’s another thing that I see happening. I see the gay community really getting behind the whole, um, end gen[sic] vi—uh, gun violence movement. And for my—for my little, uh, story that I wrote for the email that came out this morning, um, I told them how every morning I wake up thinking about the Pulse. And if I wake up every morning thinking about that, what is going through the minds of the families, uh, from Charleston[, South Carolina], from Sandy Hook [Elementary School]? These families that lost those precious children. Um, how many people throughout our country are, uh, experiencing these flashbacks, these memories that tug at their hearts? Um, eh, that will never leave them their whole lives of what has happened to them. Uh, and how we all have to, uh, get into this—it—it’s absolutely necessary that we get rid of these assault rifles and that we—we work hard on gun violence. And making sure that—that this—that i—it’s—it’s happening every single day in this country. And we have to do something about it.
And I’m—I’m—I’m happy that, uh, the gay community, that’s a strong community and has a lot to—to, uh—a lot of power and a lot of voice now, um, will—will get into this battle, too, to end gun violence.
Cravero
Peggy, thank you so much for sharing your experiences and thoughts with us today. Um, this has been Geoffrey Cravero with Peggy Howland on Tuesday, December 13th, 2016.
Howland
Thank you.
2016 Orlando nightclub shooting
Charleston
choralography
chorus
Denver
Dr. Phillips Center for the Performing Arts
Emanuel African Methodist Episcopal Church
FAVO
female clergy
first responders
first responders breakfast
fundraisers
GALA Choruses Festival
Gay and Lesbian Association of Choruses
gay marriage
Geoffrey Cravero
Glad Tidings
GLBT
GLBTQ+
gun control
gun regulation
gun violence
Harold Wright
hate crimes
homophobia
homosexuality
Hope and Help Center of Central Florida
I Could Have Danced All Night
James A. Rode
JMCC
Joy Metropolitan Community Church
Kenya
Latinx community
LGBT
LGBTIQ
LGBTQ
Margaret E. "Peggy" Howland
mass shootings
ministers
Mother Emanuel Church
My Fair Lady
Orange County Convention Center
orlando
Orlando Gay Chorus
Orlando Museum of Art
Orlando Strong
Orlando United
outreach events
Park Lake Gay-Straight Partnership
Park Lake Presbyterian Church
PJ Galas Finster
Plaza Live
Portland
post-traumatic stress disorder
Presbyterian
Presbyterian Church General Assembly
Presbyterian Peace Fellowship
PTSD
Pulse massacre
Pulse nightclub
Pulse nightclub shooting
Pulse tributes
Sandy Hook Elementary School
terrorist attacks
The Faith Arts Village of Orlando
The King and I
True Colors
University of Pennsylvania
vigils
We Kiss in a Shadow
Witness Our Welcome
women clergy
You’ll Never Walk Alone
Zebra Coalition
-
https://richesmi.cah.ucf.edu/omeka/files/original/c20009fd747d934827e4fb7335c31c26.pdf
0799da4ded85e4da02adc7ea62130277
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Orlando Gay Chorus Collection
Alternative Title
Gay Chorus Collection
Is Part Of
Orlando Gay Chorus Collection, RICHES Program
Type
Collection
Digital Collection
<div class="element-text"><a href="https://richesmi.cah.ucf.edu/">RICHES MI</a></div>
<div class="element-text"> </div>
Subject
Orlando (Fla.)
Music--Florida
Dance--United States
Gay culture--United States
Description
The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community.
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Oral History of Emmanuel J. Agon Kresky
Alternative Title
Oral History, Emmanuel J. Agon Kresky
Subject
Orlando (Fla.)
Music--Florida
Mass shootings
Memorials--Florida
Gay culture--United States
Description
An oral history interview of Emmanuel J. Agon Kresky, a member of the Orlando Gay Chorus. The interview was conducted by Sarah Schneider at the University of Central Florida Center for Emerging Media in Orlando, Florida, on November 17th, 2016. Some of the topics covered include joining the Orlando Gay Chorus, his favorite productions, the 2012 and 2016 Gay and Lesbian Association of Choruses festivals, the mass shooting at Pulse nightclub, the Orlando Gay Chorus’s response to the Pulse tragedy, the community, national and international responses to the Pulse tragedy, the significance of Pulse before and after the tragedy, the role of social media in the aftermath of the tragedy, and the long-term consequences of the tragedy.
Table Of Contents
0:00:00 Joining the Orlando Gay Chorus and favorite productions <br />0:02:51 Gay and Lesbian Association of Choruses festival <br />0:05:12 Mass shooting at Pulse nightclub <br />0:09:43 Orlando Gay Chorus’s response to Pulse tragedy <br />0:20:11 Community response to Pulse tragedy <br />0:22:31 National and international response to Pulse tragedy <br />0:24:57 2016 Gay and Lesbian Association of Choruses festival <br />0:29:10 Significance of Pulse before and after tragedy <br />0:32:57 Role of social media in aftermath of tragedy <br />0:36:23 Long-term consequences of Pulse tragedy <br />0:38:52 Closing remarks
Abstract
Oral history interview of Emmanuel J. Agon Kresky. Interview conducted by Sarah Schneider in Orlando, Florida, on November 17, 2016.
Type
Moving Image
Source
Kresky, Emmanuel J. Agon. Interviewed by Sarah Schneider, November 17, 2016. Audio record available. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>, Orlando, Florida.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank">Orlando Gay Chorus Collection</a>, LGBTQ+ Collection, RICHES of Central Florida.
Has Format
Digital transcript of original 40-minute, and 37-second oral history: Kresky, Emmanuel J. Agon. Interviewed by Sarah Schneider. Audio record available. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>, Orlando, Florida.
Coverage
Cathedral Church of St. Luke, Orlando, Florida
Dr. Phillips Center for the Performing Arts, Orlando, Florida
GALA Choruses Festival, Denver Performing Arts Center, Denver, Colorado
Lake Eola Park, Orlando, Florida
Orlando, Florida
Camping World Stadium, Orlando, Florida
Parliament House, Orlando, Florida
Publix Supermarkets, Inc., Orlando, Florida
Pulse nightclub, Orlando, Florida
Creator
Kresky, Emmanuel J. Agon
Schneider, Sarah
Publisher
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Date Created
2016-11-17
Date Copyrighted
2016-11-17
Format
video/mp4
application/pdf
Extent
1.17 GB
Medium
40-minute and 37-second audio recording
16-page digital transcript
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Emmanuel J. Agon Kresky and Sarah Schneider and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>.
Rights Holder
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Accrual Method
Item Creation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Ahlquist, Karen. <a href="http://www.worldcat.org/oclc/62281651" target="_blank"><em>Chorus and Community</em></a>. Urbana: University of Illinois Press, 2006.
Boedeker, Hal. "<a href="http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html" target="_blank">Orlando Gay Chorus marks 25 years</a>." <em>Orlando Sentinel</em>, October 18, 2016. Accessed October 18, 2016. http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html.
Ogles, Jacob. "<a href="http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning" target="_blank">Pride in Orlando Will Take on New Meaning</a>." <em>The Advocate</em>, October 6, 2016. Accessed October 18, 2016. http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning.
Hyman, Jamie. "<a href="http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/" target="_blank">Community rises up after mass shooting at Orlando gay nightclub kills 49</a>." <em>Watermark</em>, June 16, 2016. Accessed October 18, 2016. http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/.
Click to View (Movie, Podcast, or Website)
<a href="https://youtu.be/KGGSKVhkBrg" target="_blank">Oral History of Emmanuel "Manny" J. Agon Kresky</a>
Transcript
<p><strong>Schneider <br /></strong>[<em>beep</em>] Today is Thursday, November 17<sup>th</sup>, 2016. My name is Sarah Schneider and I am conducting an oral history interview with Manny [Emmanuel J.] Agon Kresky of the Orlando Gay Chorus. The interview is being conducted at the UCF [University of Central Florida] Center for Emerging Media in Orlando, Florida.</p>
<p>So thank you for being here today.</p>
<p><strong>Kresky<br /></strong>Mmhmm.</p>
<p><strong>Schneider<br /></strong>And can you start off by telling us your name please?</p>
<p><strong>Kresky<br /></strong>Sure. Um, my—my full name is Emmanuel. Emmanuel J. Agon Kresky.</p>
<p><strong>Schneider<br /></strong>Thank you. And to start off, can you tell us where were you born and how long have you lived in Orlando?</p>
<p><strong>Kresky<br /></strong>Um, I was born in South Florida. I was born—born in Hollywood, um—Hollywood, Florida. My parents lived in Dania Beach[, Florida]. Um, grew up in South Florida and went to college in [Washington,] D.C. After college, I went back to South Florida. And then moved to Orlando[, Florida] in, um, maybe 1998 or so. 1998 or 1999.</p>
<p><strong>Schneider<br /></strong>Okay. And how long have you been a part of the Orlando Gay Chorus?</p>
<p><strong>Kresky<br /></strong>Since, um, early 2000s. So maybe like 2003. I’d have to double check, but I think around 2002, 2003.</p>
<p><strong>Schenider<br /></strong>And what brought you to join the chorus?</p>
<p><strong>Kresky<br /></strong>[<em>laughs</em>] Um, let’s see. I had—I had sung with, um, Candlelight—uh, the Candlelight, uh, Processional over at Epcot. I sang with cast choir there. And after performing with Disney, I kind of wanted to continue singing after the holidays. And I had attended one or two OGC[1] concerts. And, um, I auditioned after maybe the second time seeing them perform.</p>
<p><strong>Schenider<br /></strong>Okay. And, um, can you tell us about some of your favorite productions or…</p>
<p><strong>Kresky<br /></strong>[<em>laughs</em>].</p>
<p><strong>Schneider<br /></strong>…performances you had?</p>
<p><strong>Kresky<br /></strong>Um, sure. So the—the—the holiday concerts always[sic] the most popular ones. The ones that people get, uh, most excited about. Um, I think my personal favorite was the one that had the format of a radio show. And so there was an MC[2] and, um, it was like a broadcasted concert. It was like a, um—it was—it was more structured. Um, it was a more structured concert.</p>
<p>Another one that I—that—that sticks out in my mind was one of the earlier ones. And it was called, um, “From Sissies to Superstars”. And it told the story of Oliver Button. I think that was his name. Oliver Button. And, um, it told of a story of a—of a—of a kid who was a little different. Um, and how he navigated through some challenges in his life.</p>
<strong>Schneider<br /></strong>Mm. Um, and have you participated in the GALA[3] events?
<p><strong>Kresky<br /></strong>Yes. I go—for whatever reason, I did not go to the ones that were actually closer to home. So there’s one in Tampa[, Florida] and there was one in Miami[, Florida]. Uh, I didn’t go to those. Um, my first GALA festival was in Denver in 2012. And we returned this year, um, to—to Denver for the 2016 festival.</p>
<p><strong>Schneider<br /></strong>So you—you have—you’ve been there twice for GALA events.</p>
<p><strong>Kresky<br /></strong>Yes.</p>
<p><strong>Schneider<br /></strong>[inaudible].</p>
<p><strong>Kresky<br /></strong>Yes. Even though I have been in the chorus for longer, for whatever reason I, um, did not join the rest of the chorus members by doing the festival up until 2012.</p>
<p><strong>Schneider<br /></strong>Mmhmm. And, um, what has your experience at the GALA events be[sic] like—been like? Can you tell me a little bit more about what that event is like?</p>
<p><strong>Kresky<br /></strong>2012 and 2016 were very different. Um, and a big part of that was because of Pulse[4]. Um, it was just very, eh—eh, [<em>sighs</em>]—it was—it was affirming. It was humbling. Um, there were—there were just a lot of random people who’d come up to us. And because they knew that we were from Orlando, they would give us words of encouragement. They would hug us. Um, they would thank us for coming. Um, it was just very—very humbling.</p>
<p>Um, 2012, being that it was my first GALA, was a different experience, where it was like, “Oh, my god. I can’t believe this is my first year coming. I don’t know why I didn’t go to the one in Tampa. I don’t know why I didn’t go to the one in Miami.” Um, we did a great set. It was just very uplifting to be surrounded by so many likeminded people. And i—in 2012, it was just a more joyous celeb—celebratory kind of feel to it. It was also when I started dating Nick [Nicholas Agon Kresky]. So, um, that will always have a very, um, you know—an important, uh, piece of my heart. Uh, 2012.</p>
<p>But, yeah. Two very different experiences. Uh, both great experiences. Just very different.</p>
<strong>Schneider<br /></strong>Um, and so, getting to Pulse, um, can you tell us how you first heard about what happened?
<p><strong>Kresky<br /></strong>Yeah. So, um, I guess it was Sunday morning. Um, I—Nick had already gone—Nick, my husband, had already gone to work at Universal [Studios Florida]. We were having some work done upstairs in our house, so we were sleeping downstairs. For whatever reason, I checked my iPhone from work. Um, I don’t always do that on the weekends. Um, but for whatever reason, I did. I hope my boss isn’t watching this because I—I check my iPhone all the time [inaudible] [<em>laughs</em>]. Um, so i—the —for whatever reason, I—I—I scroll through, uh, my messages. And I work for an online travel agency. And there was a message from one of our operational, um, departments—is—mi—mentioning that there was an incident. And, um, they were trying to ascertain whether or not any of the travelers that booked through our website were impacted by it.</p>
<p>And so be—this was before we knew the extent of it. We knew that there was a shooting. We didn’t know that—how many people were injured. How many people were dead. Um, and then—so, um, I read it. I didn’t—again, not knowing that it was a terrorist or it’s somebody who is mentally disturbed, um, I—I knew that the operations people were looking, um—looking into it.</p>
<p>Um, I didn’t think that anyone that I—I knew would have been at the club at the time of the day—or time of night. Um, and then—so I think I sent out a few emails to my hotel partners saying, “Hey. Um, I heard there was a shooting. I hope every—all of your guests are okay.” And then I—I didn’t really put that much thought into it.</p>
<p>Um, later that same morning, I started getting texts and Facebook messages from—from my friends outside of Florida asking if I was alright. And, um, you know, wishing that I was safe. And, um, telling like that they hope I’m doing well. And just—you’re kind of like awestruck. It’s like I—why is this happening [<em>laughs</em>]? Like who—uh, why are people reaching out? Again, not knowing the extent of how many people lost their lives. How many were injured at, um—at Pulse.</p>
<p>Eh, gr—I grew up in South Florida. Went to school in [Washington,] D.C. So, sad to say, shootings were not unheard of. And so, again, not realizing the extent of the damage that was done to the patrons that were there. Um, to the community. Just mindboggling. And then, um, you know, I started watching the news. The—you know, it’s hard to go back to sleep. Right? So you [<em>laughs</em>]—you watch the news. And then, um, just kept the TV on. And then, you know, more messages, um, about what’s going on.</p>
<p>And, uh, I think I worked—I had to work that day, so, um, we were hearing about—I think one of the West Coast cities was having their pride event. And there might have been some hubbub about, um, somebody, eh, going to one of their pride events with maybe ammunition—with guns in their car. Wondering what the extent of this attack was going to be. Again, at—at this time, we don’t—I don’t think we knew that much information on—no—I don’t think we knew the—who the perpetrator was on Sunday afternoon.</p>
<p>So just very—you know i—it was just not anything that I could relate to. Like 9/11[5], like I was—I was born. I mean I was—I was alive during 9/11. But it was—it was much more remote. Right? Um, and this one hit a lot closer to home. Because while—while I don’t think I knew anyone there that night, I knew that pe—other people did.</p>
<strong>Schneider<br /></strong>Mmhmm. And so can you tell me a little bit about the Orlando Gay Chorus’s response, um, in the days and weeks following the shooting?
<p><strong>Kresky<br /></strong>Yeah. So, um, I think Carol Studer,[6] um, and J.D. Casto[7] were just on top of it—on top of everything. So there were many requests for us to, um—to perform at various events. It was—you—there were so many—there was—it was—it was almost impossible if you had a, um—i—if you have a job or other commitments that you could actually make every event. Um, because the chorus was, eh, pretty much in high demand. And, um, y—you know, some were m—more uplifting than others. Right? So there were, eh—the—the ones—the—Cory [Connell]’s outside of Publix [Supermarkets, Inc.] was—was hard because, um, it was unlike some of the other ones where we were trying to raise awareness or create a sense of community or strengthen the sense of community or raise money or something like that. It was like, <em>We’re at somebody’s memorial service</em>. Um, you know, quite—quite sobering for that.</p>
<p>Um, so there was—there was Cory’s event. Um, there was the—there was prayer vigil at the cathedral that we go to. The Episcopal cathedral that we—we go to. [Cathedral Church of] St. Luke’s. We went to that. There were two events over at Dr. Phillips Center [for the Performing Arts]. One that was put on by the local arts community, um, and one that was actually, uh, Broadway folks. They came down from New York for a fundraiser. Um, more recently, there was a vigil, um, actually at Pulse. And, um, some of the survivors, uh, w—were—were invited. And it was the first time back at Pulse for many of them. Um, and up until that time, nobody could go through the fence. Um, but that night that we were there, uh, they opened up the fence and we actually, um, sang inside—inside the—the fence.</p>
<p><strong>Schneider<br /></strong>And what were you feeling and thinking as that was going on? What was that—the atmosphere like at that—what you just described?</p>
<p><strong>Kresky<br /></strong>Um, I mean we can’t feel—I mean i—it’s like—it’s—it’s—I—I guess the only thing I can equate it to would be if you’re going to—if you’re going to a place of worship and regardless of whether it’s your church or somebody else’s church or synagogue, um, you—y—you j—you just know enough to be respectful. And then you, um, you know, talk in hushed tones. And you can smile at your friends, but you’re not—it’s not necessarily a time to be joyous per se. Or happy per se.</p>
<p>Um, it was, um—they had—they had murals on the wall. They had, um, eh, i—th—I don’t think it was—it was a permanent mural. It was more like a canvas or paper. I’m not sure exactly what the material was. But people were saying their goodbyes or writing down the names of their loved ones. Um, and it was—we were honored to be there. Uh, but it was very, um—I don’t know if sobering is the word. It’s kind of—I hope your other interviewees are much more articulate than I am [<em>laughs</em>].</p>
<p><strong>Schneider<br /></strong>[<em>laughs</em>].</p>
<p><strong>Kresky<br /></strong>I—it was—it was—it was—we were honored to be there. We were honored to be there. And we, um—we—we sang “True Colors”, which is fitting for the event. Um, another one that we didn’t sing that night, but, um, “You’ll Never Walk Alone”. Those seem to be the—the two most requested songs from us. Or—or the ones that we seemed to be the most appropriate for the type of event. [inaudible].</p>
<p><strong>Schneider<br /></strong>Um, and do you have any other moments in those vigils or memorial services that stand out to you? Um, or things about them that you think—or you’d like to share?</p>
<p><strong>Kresky<br /></strong>The, um—the—the church we go to—the cathedral—St. Luke’s Cathedral did a—did a wonderful, um—wonderful job, um, of—and I think there—there was media there, so there might be—there might be a t—a tape or something of it. Uh, of that night. But it was sh—they—they had one candle on the altar for each and every single victim. They had 49 candles. Each candle was—was different. No two candles were alike. Um, it was very—i—it was very nice. It was very, um—it was something that only like the cathedral could do because there was a sense of, um, kind of pageantry to it. But so tasteful. And so respectful. And just—just—it was—it—I felt that it was the right, um, um—th—the right, uh, feel to it. If that makes sense.</p>
<p>Um, later that night, after we had cleared out of the cathedral, they had a vigil on Lake Eola. So this might have been [<em>sighs</em>] a week. The Sunday after Pulse. Right? A week after. Um, the vigil at Dr. Phillips [Center for the Performing Arts] on the lawn the day after Pulse, um—I—I was not able to make it because I had to work. Uh, Nick [Nicholas Agon Kresky] went, but I was unable to make it. So, um, fo—for me, that was like the big, massive gathering event where you could actually—after leaving the cathedral, we walked over to Lake Eola, which is just maybe a block away. And then you could see the entire border of the lake surrounded with people with candles.</p>
<p>Um, it was just very nice to see that many people come together. Whether it was the LGBT community. Whether it was the Latinx community, um, coming together. Whether it was just people who wanted to put an end to gun violence. It was just really nice to see the—the city coming together. That probably stuck out the most.</p>
<p>Um, another one actually that sticks out—not a vigil. Much more, um, joyous, um, was actually Orlando City Soccer [Club]. Like I never thought I enjoyed soccer until we were invited to sing at the halftime show. And they had the entire, um, stadium decked out in a rainbow. So it was one section was red, next one was orange. All the way around. And they had 49 seats up in the bleachers left empty for, um, the victims of the shooting. And there was a candle—or not a candle, but a balloon on each of the seat[sic] to commemorate them. And you could see those balloons from anywhere in the stadium. It was just very—it was very nice to see. Um, I think it was 49 minutes into the game. They actually stopped the game for a moment of silence. So—never was interested in soccer before [<em>laughs</em>]. It’s like, <em>Wow. I really like soccer now. And I really like this team</em>. Because I think that was the first, um, major sports event after the Pulse shooting. I think it was the—I think it was the Saturday after Pulse that they did that. Then they had their—their game.</p>
<p><strong>Schneider<br /></strong>And what did you think about singing in the stadium? What was tha—what’d that feel like—the actual performance element?</p>
<p><strong>Kresky<br /></strong>Um, [<em>laughs</em>] from a—from a technical standpoint, there were some learnings[sic]. Um, there was a—I guess there’s a delay. So I don’t know how we sounded. The people that saw us on TV soun—heard—uh, said th—that, uh—that we sounded—we sounded good. Um, i—it was very welcoming. I never—I’ve never necessarily been the victim of—of—of a hate crime. I’ve never, eh—I don’t believe that I’ve been discriminated before in the past because of my, um, sexual orientation as an adult. And I don’t—in Orlando, I don’t really expect that anyway. Um, but these soccer fans seemed very, very welcoming. And there were just so many rainbow flags that night at the soccer stadium you would have thought it was a Pride event. Um, it was just very uplifting. Very affirming. Uh, very welcoming. Yeah.</p>
<strong>Schneider<br /></strong>And what did you think about, um, the reaction of the community—the local community to what had happened? You touched on this a little bit already…
<p><strong>Kresky<br /></strong>Mmhmm.</p>
<p><strong>Schneider<br /></strong>…but is there anything else you—you had thought or—or felt in the communi—in response—the community’s reaction?</p>
<p><strong>Kresky<br /></strong>Eh, um, i—it—it’s unfortunate it takes something like this to actually bring people together. Um, but—but in a—in a sense that’s—that’s what happened. People came together. And, um, I think, you know, i—the people at—the people at work kind of gave me my space, um, because [inaudible] go through all sorts of emotions. I think every day for a week I cried at some point. Listening to the radio. Watching TV. Talking to somebody. I would—I would cheer up inevitably. Um, in the car on my way to work. And—and occasionally, I’ll watch a clip or something on YouTube and I’ll start tearing up. People would just say, “Hey. If you need somebody to talk to, I’m here.”<br /><br />Um, the week following the incident, I reached out—well, I didn’t take any time off. I just continued my work. But I have some gay partners. I—I work for an online travel agency, so we have, uh, partners that are—that work in hotels. And I reached out to all my—my gay friends [<em>laughs</em>] that worked in hotels. And it just been m—meet with them—one—one for lunch. Um, you know, ‘cause you never know when somebody’s not gonna be there anymore. So it was a—a nice time to reconnect and kind of, um—kind of reconnect. And then I—kind of like process together. And thank God for Nick. Because y—you know, we have each other to make—to try to make sense of it all. Um, not that we did make sense of it, but th—we have each other to—to lean on, which I was very grateful for.</p>
<p><strong>Schneider<br /></strong>And, um, what did you think about reactions to the Pulse shooting from people outside of the local community? So either nationally or even internationally. Um, did you s—did you feel any of that or think about that?</p>
<p><strong>Kresky<br /></strong>Yeah. I—I think w—[<em>sighs</em>] you know, when I would cheer up in the car or watching TV or—or YouTube, it wasn’t really tears of sadness. I think it was just feeling the love from the other—the other cities. Um, seeing pictures of, you know, the White House decked out in rainbow colors. The Sydney Opera House. All these, um, landmarks. And seeing them as just from the people around the world sending their love to Orlando.</p>
<p>Um, the other—I work for Expedia. That’s the online travel agency. I’m not sure if you have to edit it—that out. But, um, the other Expedia offices, um, sent us, you know, “We Love Orlando” signs. And they took a picture of their, um—of their team holding up rainbow flags, banners and stuff like that. It’s—it’s quite unfortunate that after—after Pulse, you know, we were doing the same thing for the offices in France. And I think there was—there was[sic] a few with gun violence and terrorist attacks in Europe that we—we did the same for them. Right? Um, because you never think it’s gonna happen to your—your—your own city. Right? There was New York. There was Boston. We might be a big—“big-ish” city, but we’re not the same par as the size of those cities. Right? So you don’t think that we would be a target for—for a terrorist attack.</p>
<p>Um, but yeah. The—the f—oh, my God. And talk about Festival GALA, you know, just—the love that we got from there—from—from our fellow choruses from around the world. They had these huge banners. Um, “We Are With You, Orlando”. “We Are Orlando”. Just like huge banners. Um, I think one’s at the [Orange County Regional] History Center. But probably—I don’t know. It seems like the length of this—of this room out there in the other room on the—in the foyer area. Um, just lots of love from the other cities.</p>
<p><strong>Schneider<br /></strong>Mmhmm. And, um, what else did you i—I know you talked about how different 2012 and 2016 were at the GALA events, but can you say more about, um, what the 2016 event was like and—and, um, yeah—how Pulse impacted…</p>
<p><strong>Kresky<br /></strong>Yeah. So…</p>
<p><strong>Schenider<br /></strong>…that experience?</p>
<p><strong>Kresky<br /></strong>…um, we had—we had gone into, um—into rehearsals with a totally different set. Um, and Nick is actually probably a little better versed at talking about what we actually intended to sing originally before Pulse. After Pulse, it’s like, <em>Okay. W—we—this set does not—is not fitting anymore. We need to have a new set. </em>And we came up with a new set.</p>
<p>Um, so “True Colors” again. It was probably the song that we sung[sic] most often at the—at the events. And then we ended with, um, “You’ll Never Walk Alone”.[8] And I hope there’s a—I—I know there is on YouTube, um, our director speaking to the audience.[9] Packed audience. Um, when we performed there were people who tried to get in that couldn’t. Um, everyone wanted to see Orlando from what they tell us. But there was—we—we—he spoke about what it was like waking up that morning. Um, similar—similar experience. Like, <em>Why are these people contacting me? Why—why am I getting all these texts? Why am I getting all these Facebook messages?</em></p>
<p>Um, and we were just a mess. The chorus members [<em>laughs</em>] were just like trying to hold it together. We had gotten through almost every song. We knew that “You’ll Never Walk Alone”, um, was—was gonna be the next song. And it was just—it was—it was very hard to—to—to get through his introduction of that song. Um, and then when we sang, he had invited the entire, um, audience to sing along with us. Because there was no way we were getting through that song without crying if we weren’t already crying. Um, and then we ended on a—on a different song after that to kind of show people that, y—you know, Pulse is not—I think Mayor [John Hugh “Buddy”] Dyer said that Pulse is not going to define us. We weren’t gonna end on a sad song. Right? “You’ll Never Walk Alone” can be a little, um, solitary. It’s a little melancholy. So we ended with up with, uh, “We Are Family”. And then we had pink boas and pink glasses and little things in our hair. And it was just a—a—a—a fun number to end on.</p>
<p>Um, but yeah. Eh, tha—I think [<em>sighs</em>], uh, that was, um—eh, I—they—they said that the s—our set was the set that everyone was trying to get into to see.</p>
<p>And then the other—the other choruses actually—many of them made reference to, uh, the gun violence or homophobia or, um, something along those lines in their own set. And they made—a lot of times, they made mention of it. Um, now that I think about it—because while we performed, we’d also watch other people perform as well.</p>
<p><strong>Schneider<br /></strong>And, um, was there anything else you wanted to say about the interactions between you and members of the other gay—uh, the other choruses at that event, you know, outside of the performance?</p>
<p><strong>Kresky<br /></strong>[<em>laughs</em>].</p>
<p><strong>Schneider<br /></strong>Was there anything else…</p>
<p><strong>Kresky<br /></strong>Yeah.</p>
<p><strong>Schneider</strong> …you heard from people?</p>
<p><strong>Kresky<br /></strong>Um, just a lot of—a lot of hugs from random people [<em>laughs</em><span style="text-decoration:underline;">]</span>. I—so I, um—I’m not always the most “huggy” person [<em>laughs</em>]. So it’s like, <em>Oh! Why are you hugging me?</em> Um, but no. It was, um—I—I—I always appreciate when people say, “Can I hug you?” Or “May I…” It’s like, <em>Sure.</em> You know? I know it’s coming. Um, but yeah. There was[sic] a lot of people who wanted to welcome us. To thank us for being there. Reaffirming.</p>
<strong>Schneider<br /></strong>Mm. And I’m curious what the, um—Pulse as a place—if it meant anything to you as a place before what happened. And if now i—it has any significance in your mind as a location and site.
<p><strong>Kresky<br /></strong>Yeah. So, um, I was, um—I am acquainted with one of the old managers there. Uh, with Ron Legler. I—I met him through Florida Theatrical Association. And so, um, he—he moved to Baltimore[, Maryland] a—a little while ago. I don’t know that I’ve been to Pulse since he left Orlando. Um, so for me, I—I’ve been a few times. Usually as his guest. Um, it’s not a place where I f—I frequented. It was no—my—my place was actually Parliament—uh, not—well, Parliament House nowadays. But, um, back—back when I was younger, um, we used to go to Pleasure Island [Walt Disney World Resort] on Thursdays. So it was usually [<em>laughs</em>] in—in my twenties—in my late-twenties, it was Pleasure Island on Thursday and Southern Nights on Friday. And then Saturday night: Parliament House. On those rotations that I went out every single night of the weekend. I don’t do that anymore. Um, now it’s like maybe once a month there’s a show over at Parliament House we wanna see. We’ll go to Parliament House.</p>
<p>Um, so, eh, Pulse kind of opened up—kind of as—as—kind of off of that “go every weekend” kind of phase of my life. Um, but Ron’s partner, Andrew—Andrew Springer, had his birthday party there. So there was a reason to go to Pulse. Right? Um, so if there was a birthday party. If there were friends coming in from out of town, then we might go to Pulse.</p>
<p>Um, I—I think some of the—some of the stuff that the newscasters said after Pulse could be true for any of the gay clubs. That it was a safe place. That for many in the community, it was, you know, their place of worship if you will. I thought that was a change—it was strange, um—a strange, uh, term to use. But I—I know that a number of people have used gay clubs in general as a—as a—as a—as their place of worship. As their church. Um, so I—I appreciate it for that. Um, for that aspect of it. While it wasn’t necessarily my place of worship, um, I do respect it for being a safe place where people would gather. Where people would feel safe. Um, where people can be their—themselves. Right? Um, yeah.</p>
<p>And now that I’m older, it’s like I don’t know that I can stay out past midnight [<em>laughs</em>]. So I—had I been out, I think I would’ve been in bed way before—way before 1:45 at that point.</p>
<p>But if it was—you know, as you think about how if it wasn’t Pulse and if it was Parlia—and if it was Parliament House. And if it wasn’t 1:45, but it was twelve midnight or something like that, it could have been any one of us. Right? Um, you never know.</p>
<strong>Schneider<br /></strong>Um, you mentioned briefly, um, Facebook and things like that. People contacting you after it happened. Did you see social media playing any response in—or any, um, part in the time following the shooting in people’s response to the shooting? Or did you feel like that wasn’t really a big part of—of people’s reactions?
<p><strong>Kresky<br /></strong>Before Pulse, I never knew that there was a feature on Facebook to mark yourself safe. And while I was appreciative of that so I can see which of my friends were, um—were safe, I was like, <em>Oh, my God. Why is this even necessary? Or like what kind of world to we live in that this is necessary that they built this?</em> Um, I don’t know—eh, you know, I like to think that, for the most part, Facebook is—is neutral. And so I don’t know that they did anything to either, um, promote awareness about Pulse or downplay it. Um, obviously, so much of what we see on Facebook is just who we decide to follow on Facebook. Um, so lo—lots of posts from, um—lots—lots of posts about, um—from—from other—from other cities wishing us well. From other gay choruses wishing us well. Um, lots of that stuff, which was quite uplifting.</p>
<p>Um, eh, there were th—you know, there were the—the pictures of—of the outside of Pulse. As people were driving by. Um, I—I never visited either the hospital or Pulse while the memorials were up. Before, eh, the [Orange County] Regional History Center started protecting the—the—the stuff left behind. Um, but there was[sic] many pictures of the memorials were laid out. Either—and there was actually—they were laying stuff out on the lawn, too, of Dr. Phillips. Um, so saw many pictures of that on Facebook as well.</p>
<p>It was helpful to find out, you know—to promote certain things. Like, um, the little arts organizations did the “Beautiful Together” event over at Dr. Phillips. So there was lots of, um, you know, <em>We’re trying to—to—to promote the event. And then so, you know, we’re sharing stuff on Facebook.</em> Um, [<em>laughs</em>] I don’t know how much of it you could share for the—for the—“From Broadway with Love[: A Benefit Concert for Orlando]” because I think that the event sold out almost immediately. Um, but there was—there were[sic] lots of mention about who’s coming to the event and who confirmed. And, um, during the event and after the event, lots of pictures of—of—of, you know, the celebrities interacting with the—with the locals, which was nice to see.</p>
<p>Yeah. But for the most part, I think that—I like to think that Facebook is pretty neut—neutral. And then, uh—it’s just a tool that we use, in that, you know, we’re—we’re—we see [<em>door closes</em>] what we choose to see and who we choose to follow on Facebook.</p>
<strong>Schneider<br /></strong>Do you have any thoughts about the long-term impact of Pulse, um, and the shooting, whether the impact, um—what—let me—let me s—ask that question again. What would you think the long-term consequences of the shooting might be for the Orlando gay community and for the larger City of Orlando?
<p><strong>Kresky<br /></strong>Um, gun control reform I think would be a big one. I—y—you know, the perpetrator wasn’t from Orlando. He came from outside of Orlando. So I think that just educating people I think would help. Um, but, you know—but then, you know, we wonder like, <em>Okay. Are—do we need to go outside of Orlando to educate people there? </em>Um, you know, when somebody shoots somebody like what’s—in any fashion, it’s like, <em>What the heck’s going through their mind?</em> Like <em>H—where did this come from? Where did this hate come from? Where’d this ignorance come—came—come from?</em> And y—you like—we can’t always dictate how people think. I don’t think we should dictate what people think. But I think that we can—we—we can put laws in place that prevent massive harm through—through assault rifles. Through guns. Through gun violence. Whatever. Um, I think they go hand in hand. I think we need more [<em>sighs</em>], um—I think we need gun control that makes sense. I think we need to—to reform some of the stuff that we have out there. Um, but at the same time, I think we need to continue to educate. Um, part of our mission statement for the—for the Orlando Gay Chorus is about changing people’s hearts and people’s minds. And I think that we need to continue doing that so that this doesn’t happen in the future.</p>
<strong>Schneider<br /></strong>Um, do you have any other reflections about the Pulse shooting or about your i—involvement in the Orlando Gay Chorus or anything else you’d like to talk about?
<p><strong>Kresky<br /></strong>Um, I w—I’m appreciative of you—being given the opportunity to do this. Um, the chorus has been—you know, it’s family. It can be dysfunctional. We don’t always get along. There’s sibling rivalry. Um, but we’re lucky in the sense that we had a family to fall back on. And we had our own support group. I don’t know how many other people, um, have that luxury. Right? Um, that have the ability to—to seek the support of someone as easily as we had it. Um, we’re—we’re able to be there for each other. We’re—we’re definitely very appreciative of that. Um, you know? So i—this would’ve been totally different if it wasn’t for the chorus I think. And if it wasn’t for Nick. Um, yeah.</p>
<p><strong>Schneider<br /></strong>Well, is there anything else you didn’t talk about that you’d like to share?</p>
<p><strong>Kresky<br /></strong>Um, I’m sure I’ll think of something as soon as you turn off the camera. But [<em>laughs</em>] for…</p>
<p><strong>Schneider<br /></strong>[inaudible].</p>
<p><strong>Kresky<br /></strong>…right now, I’m good.</p>
<p><strong>Schenider<br /></strong>Okay. Well, thank you so much for participating and sharing your story with us. We really appreciate it.</p>
<strong>Kresky<br /></strong>Yeah.
<div><br /><div>
<p>[1] Orlando Gay Chorus</p>
</div>
<div>
<p>[2] Master of Ceremonies</p>
</div>
<div>
<p>[3] Gay and Lesbian Association of Choruses</p>
</div>
<div>
<p>[4] 2016 Orlando nightclub shooting</p>
</div>
<div>
<p>[5] September 11 attacks</p>
</div>
<div>
<p>[6] Vice President of Orlando Gay Chorus</p>
</div>
<div>
<p>[7] Public Relations and Marketing for the Orlando Gay Chorus</p>
</div>
<div>
<p>[8] https://www.youtube.com/watch?v=ClS4TKtZMk4</p>
</div>
<div>
<p>[9] https://www.youtube.com/watch?v=U1urPSxm7Gc</p>
</div>
</div>
2016 Orlando nightclub shooting
Andrew Springer
Beautiful Together
Candlelight Processional
Carol Studer
Cathedral Church of St. Luke
Cory Connell
Denver
Dr. Phillips Center for the Performing Arts
Emmanuel "Manny" J. Agon Kresky
Epcot
Expedia, Inc.
Expedia.com
Facebook
From Broadway with Love: A Benefit Concert for Orlando
From Sissies to Superstars
fundraisers
GALA Choruses Festival
Gay and Lesbian Association of Choruses
GLBT
gun control
gun regulation
gun violence
hate crimes
homophobia
homosexuality
J.D. Casto
John Hugh “Buddy” Dyer
Lake Eola Park
Latinx community
LGBT
LGBTIQ
LGBTQ
mass shootings
Nicholas Agon Kresky
Oliver Button
Orange County Regional History Center
orlando
Orlando City Soccer Club
Orlando Gay Chorus
outreach events
Parliament House
Pleasure Island (Walt Disney World)
Publix Supermarkets, Inc.
Pulse massacre
Pulse nightclub
Pulse nightclub shooting
Pulse tributes
rainbow flags
Ron Legler
Sarah Schneider
social media
Southern Nights
Sydney Opera House
terrorist attacks
True Colors
University of Central Florida Center for Emerging Media
vigils
We Are Family
White House
You’ll Never Walk Alone
-
https://richesmi.cah.ucf.edu/omeka/files/original/db109e8ff003ee2355b67f4d868179cf.pdf
37c2dfdfddbae25e6058a32dc212224d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Orlando Gay Chorus Collection
Alternative Title
Gay Chorus Collection
Is Part Of
Orlando Gay Chorus Collection, RICHES Program
Type
Collection
Digital Collection
<div class="element-text"><a href="https://richesmi.cah.ucf.edu/">RICHES MI</a></div>
<div class="element-text"> </div>
Subject
Orlando (Fla.)
Music--Florida
Dance--United States
Gay culture--United States
Description
The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community.
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Oral History of Nicholas Agon Kresky
Alternative Title
Oral History, Nicholas Agon Kresky
Subject
Orlando (Fla.)
Music--Florida
Mass shootings
Memorials--Florida
Gay culture--United States
Description
An oral history interview of Nicholas Agon Kresky, a member of the Orlando Gay Chorus who serves on the chorus’s Music and Artistic Development Committee. The interview was conducted by Sarah Schneider at the University of Central Florida Center for Emerging Media in Orlando, Florida, on November 17th, 2016. Some of the topics covered include joining the Orlando Gay Chorus, his favorite productions, the 2012 Gay and Lesbian Association of Choruses (GALA) festival, the mass shooting at Pulse nightclub, the Orlando Gay Chorus’s response to the Pulse tragedy, the community response to the Pulse tragedy, pet therapy, the national response to the Pulse tragedy, the 2016 Gay and Lesbian Association of Choruses (GALA) festival, support from other gay choruses, the significance of Pulse before and after the tragedy, the role of social media in the aftermath of the tragedy, and the long-term consequences of the Pulse tragedy.
Table Of Contents
0:00:00 Joining the Orlando Gay Chorus and favorite productions <br />0:02:15 2012 Gay and Lesbian Association of Choruses festival <br />0:03:22 Mass shooting at Pulse nightclub and its aftermath <br />0:06:03 Orlando Gay Chorus’s response to Pulse tragedy <br />0:09:04 Community response to Pulse tragedy <br />0:10:18 Pet therapy <br />0:11:55 National response to Pulse tragedy <br />0:14:05 2016 Gay and Lesbian Association of Choruses festival <br />0:18:38 Support from other gay choruses <br />0:19:49 Significance of Pulse before and after tragedy <br />0:22:43 Role of social media in aftermath of tragedy <br />0:23:54 Long-term consequences of Pulse tragedy <br />0:25:45 Closing remarks
Abstract
Oral history interview of Nicholas Agon Kresky. Interview conducted by Sarah Schneider in Orlando, Florida, on November 17, 2016.
Type
Moving Image
Source
Kresky, Nicholas Agon. Interviewed by Sarah Schneider, November 17, 2016. Audio record available. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>, Orlando, Florida.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank">Orlando Gay Chorus Collection</a>, LGBTQ+ Collection, RICHES of Central Florida.
Has Format
Digital transcript of original 27-minute, and 00-second oral history: Kresky, Nicholas Agon. Interviewed by Sarah Schneider. Audio record available. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>, Orlando, Florida.
Coverage
Dr. Phillips Center for the Performing Arts, Orlando, Florida
GALA Choruses Festival, Denver Performing Arts Center, Denver, Colorado
Orlando, Florida
Pulse nightclub, Orlando, Florida
Creator
Kresky, Nicholas Agon
Schneider, Sarah
Publisher
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Date Created
2016-11-17
Date Copyrighted
2016-11-17
Format
video/mp4
application/pdf
Extent
799 MB
Medium
27-minute and 00-second audio recording
14-page digital transcript
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Provenance
Originally created by Nicholas Agon Kresky and Sarah Schneider and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>.
Rights Holder
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Accrual Method
Item Creation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Ahlquist, Karen. <a href="http://www.worldcat.org/oclc/62281651" target="_blank"><em>Chorus and Community</em></a>. Urbana: University of Illinois Press, 2006.
Boedeker, Hal. "<a href="http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html" target="_blank">Orlando Gay Chorus marks 25 years</a>." <em>Orlando Sentinel</em>, October 18, 2016. Accessed October 18, 2016. http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html.
Ogles, Jacob. "<a href="http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning" target="_blank">Pride in Orlando Will Take on New Meaning</a>." <em>The Advocate</em>, October 6, 2016. Accessed October 18, 2016. http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning.
Hyman, Jamie. "<a href="http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/" target="_blank">Community rises up after mass shooting at Orlando gay nightclub kills 49</a>." <em>Watermark</em>, June 16, 2016. Accessed October 18, 2016. http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/.
Click to View (Movie, Podcast, or Website)
<a href="https://youtu.be/B-KE6q281eY" target="_blank">Oral History of Nicholas Agon Kresky</a>
Transcript
<p><strong>Schneider<br /></strong>Today is Thursday, November 17<sup>th</sup>, 2016. My name is Sarah Schneider and I’m conducting an oral history interview with Nick [Nicholas] Agon Kresky of the Orlando Gay Chorus. The interview is being conducted at the UCF[1] Center for Emerging Media in Orlando, Florida.</p>
<p>So thank you for being here today.</p>
<p><strong>Kresky<br /></strong>Thank you.</p>
<p><strong>Schneider<br /></strong>And can you start off by stating your name for us?</p>
<p><strong>Kresky<br /></strong>Sure. My name is Nick Agon Kresky.</p>
<p><strong>Schenider<br /></strong>Thank you. And could you start off by telling us where you were born and how long you’ve lived in Orlando?</p>
<p><strong>Kresky<br /></strong>Sure. Um, I was born in Duluth, Minnesota. I grew up in the upper peninsula of Michigan and I moved to Orlando in 2010.</p>
<p><strong>Schneider<br /></strong>Great. And what brought you to the Orlando Gay Chorus?</p>
<p><strong>Kresky<br /></strong>Um, looking for kind of an outlet. Something different. Um, when I was—when I was younger, growing up in—in Michigan, I was brought to Milwaukee Pride as kind of a celebration of my high school graduation. And I got to see the—I think they were the Brew City Chorus. Um, it was LGBT[2] chorus over in Milwaukee.<br /><br />And when I moved to Orlando, I was like, “Orlando’s big enough. They should have something.” So I went and I Googled it. And sure enough, there they were. Hm.</p>
<p><strong>Schneider<br /></strong>Um, and so can you tell us about some of your favorite productions or performances…</p>
<p><strong>Kresky<br /></strong>Mmhmm.</p>
<p><strong>Schneider<br /></strong>…you’ve done through the chorus.</p>
<p><strong>Kresky<br /></strong>Um, my first performance was “Rainbows over Broadway”. It was a 2011 spring concert. And I really enjoyed that one because it was just a—a lot of campy fun. Just kind of ceb—celebrating the community. Um, and then I—I’m not a fan of the music from our “Pillow Talk” performance. I like the cohesion and the—we—it had a great storyline. Lots of, um—lots of [inaudible], so—and I—I like a show with good production.</p>
<p><strong>Schneider<br /></strong>Mmhmm. Um, and did—I’m not sure if I already—if you already said…</p>
<p><strong>Kresky<br /></strong>Mmhmm.</p>
<p><strong>Schneider<br /></strong>…how long have you been a part of the [Orlando] Gay Chorus?</p>
<p><strong>Kresky<br /></strong>I’ve been with the chorus for about five and a half years.</p>
<strong>Schneider<br /></strong>Okay. And, um, have you participated in any of the GALA[3] events?
<p><strong>Kresky<br /></strong>Uh, yeah. I’ve been in two different GALA events.</p>
<p><strong>Schneider<br /></strong>Okay. And, um, where were those located?</p>
<p><strong>Kresky<br /></strong>They were both in Denver[, Colorado]. So I think 2012 and 2016 as well.</p>
<p><strong>Schenider<br /></strong>Okay. And can you tell me more about the 2012 GALA event and what your experience was like there?</p>
<p><strong>Kresky<br /></strong>Sure. Um, in 2012, uh, I had needed a little bit of escape, too. And I’d—I finished relationship[sic] months and months prior. And I’d just kind of started a romantic interest with another chorus member. Um, and then we, uh—yeah. 2012 I guess was just more about learning about the—the gay choral movement. I never knew there was an actual movement. And, um, kind of learning about the sense of community that comes from gay choruses. Mm.</p>
<strong>Schneider<br /></strong>Um, and so, getting to Pulse. Could…
<p><strong>Kresky<br /></strong>Mmhmm.</p>
<p><strong>Schneider<br /></strong>…you tell me a little bit about how you first heard about the Pulse shooting?</p>
<p><strong>Kresky<br /></strong>Sure. Um, my husband, Manny, and I were working on renovations at the house. So we’re stuck sleeping downstairs on these little [inaudible] beds. And we started getting f—like random phone calls and text messages. And it’s really early in the morning and we were trying to sleep. I had to work in the morning. I’m like, “I’m old and I’m tired [<em>laughs</em>].” So I’m checking the messages and everybody’s checking to see if we’re okay. And I mean instantly, your mind is, “What’s—what’s going on?” It’s—that’s when we were going into Facebook and the media. Um, checking CNN.com. You realize that there’s an incident at Pulse happening. And then we’re having to reassure everybody at three o’clock in the morning that we’re okay. Please let us sleep. We did not really know the gravity of the situation ‘til much later.</p>
<p><strong>Schneider<br /></strong>And, um, what did you do the rest of that Sunday?</p>
<p><strong>Kresky<br /></strong>Um, that Sunday I actually had to turn—go into work. Um, and so I got in there, um—it was a[sic] early morning shift. So, of course, you had all those phone calls. And then you’re like, “I have to report to work.” And I work at a—a local theme park with lots of young people. People that have been out in the clubs all night. So, you know, would they—that’s when they started doing body counts. And we’re sitting in the break room, getting ready to start our day. And we didn’t know who was going to show up and who wasn’t.</p>
<p><strong>Schneider<br /></strong>Um, and what were your thoughts as sort of the rest of the day unfolded and as—in those few days following Pulse?</p>
<p><strong>Kresky<br /></strong>It was completely surreal because when you’re out working with guests, you had to ignore that it even happened. It’s—that’s—you know, escapism is all—is all about the theme park industry. And as a—as a[sic] employee, you have to go out there and escape with them. Nothing bad ever happens at a theme park. And so you had to take that part of your brain and—and switch it off. And you’re really walking a fine line of fantasy and reality. Mm.</p>
<strong>Schneider<br /></strong>Um, and so, um, what was the Orlando Gay Chorus’s response like in those first few days and—and in weeks following?
<p><strong>Kresky<br /></strong>It was—it was insane. You just did—out of—out of nowhere, we started just getting emails and messages as—as members, um, from—from our leadership. And we’ve got—we’ve been asked to go in the first—the first night we were asked to do a vigil over at the church [Joy Metropolitan Community Church]. We were asked—um, over at [Joy] MCC. And we were asked not to advertise anything about it on social media because we didn’t really know really how dangerous the environment was going to be. And so this was—it was all kind of under wraps.</p>
<p>And at that time, it was such a shock for—for myself that I had—had declined the invitation. But then, the following day, when they had decided to go and do the—the performance at, uh, Dr. Phillips Center [for the Performing Arts]. Then I decided, yes. It’s about time just to kind of gauge, you know, what—what community am I walking out into [<em>clears throat</em>]?</p>
<p>Um, the chorus’s response was just incredible though. It was very, uh—it was probably the most recognized I’ve ever seen us. You know? We—we’re—we’re all about singing. We’re all about going out and having fun with a message. And now, we’re expected to take all of these cats and herd them. And tell ‘em where to be and how to be. And we—we had just invested in this, um—oh, goodness—Chorus Connection, which is a—a really great app, um, and, uh, kind of organizational software for choruses. And so we were able to just, within an hour or two, respond to a vigil request. And, you know, you all of a sudden have representation. We’d never been that organized [<em>laughs</em>] before that [inaudible].</p>
<p><strong>Schneider<br /></strong>Mm.</p>
<p><strong>Kresky<br /></strong>So…</p>
<p><strong>Schneider<br /></strong>Mm. And, um, so what was your experience, as a member of the [Orlando] Gay Chorus…</p>
<p><strong>Kresky<br /></strong>Mmhmm.</p>
<p><strong>Schneider<br /></strong>…um, participating in vigils and memorial services and other events?</p>
<p><strong>Kresky<br /></strong>Um, it was—it was a mixture of trying to find some sort of self-sooving[sic]—self-soothing and trying to project a—a message of caring and wanting to support the greater community. You know? You’re, eh—you’re, uh—in the end, you’re trying to figure out who’s actually supporting you. Um, and just kind of coming to a realization that, you know, we were all in it together. We were all supporting each other. Whether it be, you know, a person standing three hundred, four hundred people back. Or, you know, a person standing next to you onstage.</p>
<strong>Schneider<br /></strong>Um, and what did you think when you, um, participated and—and experienced the reaction of the local community? What did you think about the local reaction?
<p><strong>Kresky<br /></strong>It was extremely overwhelming. It—I—I grew up in a really rural, conservative area that’s—I mean I g—I grew up in a time where—or—and in a place where being gay could, you know, send you home in a black bag. Like that was—it was a dangerous time. You don’t talk about it. You don’t act on it. Um, and then I come into this community, where, you know, the—it was like the second night and we’re still trying to figure out how many people and what was going on. And then you have this huge gathering, you know, right on the lawn of the Dr. Phillips Center [for the Performing Arts]. And you look out there and there’s—there’s no more green space. There were so many people there. It was just—it was so surreal to see that level of support for the LGBT community. And then, you know, the city as a whole. Mm.</p>
<strong>Schneider<br /></strong>Um, and what other moments stand out for you, um, in that time period of—of all the vigils and events and things happening? Do any other moments come to mind?
<p><strong>Kresky<br /></strong>Um, I think, uh, you notice [<em>laughs</em>] I won’t say. They had the—they had the, um—at the dogs. They had the, uh—I—I don’t know how many times that I—I was in human services for 10 years. And I really s—believed in pet therapy. I loved it. And I knew that in times of crisis, people would come in with these therapy dogs. And, you know, it was just to kind of bring a little soothing and maybe even kind of just ground you, if just for the moment.</p>
<p>And I realized the gravity of the situation. And how much of a—how much of a tragedy on our community it is. Again, this was all surreal. I mean, there was—there was no reality to this. And I realized how bad it was when the therapy dogs were there. And they had traveled miles to get there. And they’re walking through the crowd with these dogs. Because this is something I had studied. This is something that I knew. And it felt great because in participating in the—you know, [inaudible] on the dog that’s there. But, again, to realize the reality of the situation that these dogs were there. Mm.</p>
<strong>Schneider<br /></strong>Um, did you—what did you think about or experience in terms of the national, maybe the international—but broader…
<p><strong>Kreksy<br /></strong>Mmhmm.</p>
<p><strong>Schneider<br /></strong>…reactions to the event beyond just the local community?</p>
<p><strong>Kresky<br /></strong>Um, can you rephrase the [inaudible]?</p>
<p><strong>Schneider<br /></strong>Um…</p>
<p><strong>Kresky<br /></strong>Sorry.</p>
<p><strong>Schneider<br /></strong>…what did you think about the reaction of people beyond Orlando to the Pulse shooting?</p>
<p><strong>Kresky<br /></strong>Um, I guess as the chorus traveled, we got to maybe s—witness, uh, a very la—a very large—I guess a greater view of that. I mean you he—you see—you see responses on CNN. You see responses on Facebook. You—and you’re—and you’re watching the feeds and whatnot. But, you know, you realize s—support, but you didn’t really feel it until you walked to the car rental desk. And they look at your driver’s license and they say, “Oh. Orlando.” And then they want to talk about it. And they want to—they’re looking for some sense of closure as well. You don’t realize that it hurt our community. It hurt our city. But it also impacted the nation pretty heavily for the couple weeks that it was running in the media.</p>
<p>I think we, even after Denver, um—Manny and I—my husband and I went to, uh, California for a couple of days. And, you know, you couldn’t esc—we were trying to just escape Pulse for a little bit. We’re just gonna go have fun and unwind. But when you hand over your—your driver’s license or they ask you to fill in the visitor’s book and then they say, “Orlando,” or then they want to talk about it, you realize that it comes from a place of genuine warmth and kindness. But it’s, again, very overwhelming. You—you—you realize how big this was.</p>
<strong>Schneider<br /></strong>Um, and so can you tell me now about the GALA in Denver…
<p><strong>Kresky<br /></strong>Mmhmm.</p>
<p><strong>Schneider<br /></strong>…in 2016—so after Pulse—and what that experience was like?</p>
<p><strong>Kresky<br /></strong>Whew. That’s—that’s a lot to tell [<em>laughs</em>].</p>
<p><strong>Schneider<br /></strong>[<em>laughs</em>].</p>
<p><strong>Kresky<br /></strong>Um, we—in 2—and we’re talking about 2012 or 2016?</p>
<p><strong>Schneider<br /></strong>Um, 2—whichever do you like.</p>
<p><strong>Kresky<br /></strong>Okay.</p>
<p><strong>Schneider<br /></strong>But I…</p>
<p><strong>Kresky<br /></strong>Sure.</p>
<p><strong>Schneider<br /></strong>…I was thinking 2016.</p>
<p><strong>Kresky<br /></strong>So in 2012, you know, we were just—we’re the campy little choir with the Mickey [Mouse] ears. And everybody loves to come see Orlando because we bring the fun. And we bring—you know, we bring the little silly with us. And—and, you know, we are—our songs tell a story. It’s a very kind of—you get the warm fuzz and you leave.</p>
<p>This year—this time when we went, we didn’t—we didn’t even have to sing to—to get accolades. To get warmth through, um—the first day, we were—we were invited to a singalong with a couple of the choruses. And we’re basically just kind of backup. Right [<em>laughs</em>]? It was walking in, uh, doing—doing our lines and then leave. And the crowd didn’t let us leave. The crowd—cr—crowd wouldn’t even let the concert start. Because we were—we’re the last people to walk into the hall. Nobody announced us. They just saw our shirts. And there was an immediate standing ovation. Just because we were walking [<em>cries</em>] by. Just because we were walking to the hall.</p>
<p>You could, um—I mean you could see—just our presence, you could see people crying. You could see them holding each other. And its hard—it—initially, it was hard because we were the group that was invoking tears. But then you realize we were the group that was [<em>clears throat</em>]—we were the group that was invoking solidarity. [<em>sniffs</em>] There were—there were banners everywhere that says[sic], you know, “We Stand with Orlando,” “Orlando Strong.” Um, you know, these are probably from people that may have never even been to our city. And there they are standing with us. All supporting us because, you know, their brothers and sisters were attacked.</p>
<p>It was—we—we performed three different times when really we’re—initially s—we were supposed to only perform once. We were supposed to perform this cheesy little montage that we pulled over from our—our spring show. And it just—within moments of—of the incident, we realized we had to go ch—completely change the whole set. And pull from wherever we could to create something that was, uh, you know—that was heartfelt. That would maybe bring about some sort of healing.</p>
<p>Um, w—we had—so we had our invitation for the first night. Then we did our performance. Um, and again, the—the—these performances are timed, so the minute you hit the stage, you have x amount of minutes to perform and get off. They moved our set to the end ‘cause they knew they couldn’t time us. They knew that just by walking on the stage we would have to wait for the applause to end. And it was right. We walked in. There was standing room only. We’ve never had that before [<em>laughs</em>]. I mean we—the—the amount of—of support and warmth that outpoured was just incredible. And then—then there we were again, um, for, my goodness—it was En—was it “Engendered Species”? I can’t even remember. There were so many [<em>laughs</em>].</p>
<p>And, again, it was just our presence that just kept on bringing the crowds of people wanting to feel like they were a part of—of us. And I—and I really hope that, you know, we were able to make that happen for them. That we were able to help them find some kind of closure or some sort of healing as well. Mmhmm.</p>
<strong>Schneider<br /></strong>And how did people ac—interact with you from the other choruses on a personal level outside of the actual performance when you met people?
<p><strong>Kresky<br /></strong>Sure. The—the first night, I was afraid to even wear my Orlando shirt because I knew people would want to talk to us about it. And I personally wasn’t ready. I did not want to—I did not want to be Orlando. I just wanted to be a GALA singer. And then you run out—you run out of clothes. No. I’m kidding [<em>laughs</em>]. No. Um, I—it just—I saw some of the other chorus members wearing their shirts. Realized it was going to be okay to wear mine. But as soon as I put it on, like random people would hug you. Even people that weren’t even going to the GALA conference, they’re just, you know, on the—the bus with you, trying to get somewhere downtown, want to hug you. And it was—it was—it was wild. I’m a hugger. Um, I—I’m not opposed to human touch. But, oh, my goodness [<em>laughs</em>]. It was—it was a lot [<em>sniffs</em>].</p>
<strong>Schneider<br /></strong>Um, and I’m also wondering if Pulse as a site meant anything…
<p><strong>Kresky<br /></strong>Mmhmm.</p>
<p><strong>Schneider<br /></strong>…to you before the shooting. And, um, what, if anything, it represents for you now.</p>
<p><strong>Kresky<br /></strong>Um, before the shooting, it was a place where the kids go. And I—I’m really not that old. I’m, um, in my mid-thirties. Uh, but the crowd that attended Pulse was, you know, a younger crowd. A trendier crowd. Maybe a thinner crowd [<em>laughs</em>].</p>
<p><strong>Scheider<br /></strong>[<em>laughs</em>].</p>
<p><strong>Kresky<br /></strong>But, you know, they were, um—they—it wasn’t usually—it wasn’t typically a place that I would—I would go to. It wasn’t—it wasn’t my home bar I guess. Um, I knew of it. I drove by it. It looked like a great, you know, fun place. And I got—there were times where I—I intended to go and visit just because it was something different. But I don’t know. I felt like I would be a little out of place.</p>
<p>Afterward, it just became, you know, just a—a living memorial. It just—it sits there and it—it, um—it almost reminds—it almost makes—it’s kind of a mark of this overcoming silly divisions that are even in our own community. In the LGBT community. You know? We create our little cliques. Our little groups. And you realize that, you know, we’re all dealing with the same struggles. And we’re all dressed in the same flesh. And to drive by the building anymore is sh—you know? The first time, it was horrific. You know? I s—I tried to—days—days upon days just avoiding streets to get around it and not having to pass it. But then the first time I passed it, you know, reality sank in that, yep, this is the place. And now, the building itself is almost like a—almost like a mausoleum. It’s—it—it’s hard to look at it. It’s hard to drive by it.</p>
<p>Um, you know, I—we—we had coworkers from our company that—that had passed away in the tragedy. Um, and it just, you know—it really brings it home every time. You know? How much—how much hatred can really impact a community. And how much destruction can happen because of it. You know? It’s—it’s no longer, you know, the place that you might go on a Saturday. It’s now the site of the worst, you know, massacre in modern American history.</p>
<strong>Schneider<br /></strong>Um, and did social media play any part in your, um, reaction to your experience with the aftermath of the shooting?
<p><strong>Kresky<br /></strong>Um, social media became kind of an outlet to form your thoughts. You know? And we—you’re able to edit the words that you’re typing. You’re able to process things as you’re putting it out. So it almost becomes a live journal. Um, it was nice to see the support from others. Um, it also gave an opportunity to—to educate people. Pardon me. Um, you know, they immediately, as with any other, um—as with any other public shooting, you start having these discussions about gun control legislation. And you start having discussions about mental health. You i—it—it runs the whole gamut. And social media just came—became kind of a place to—a safe place to have those kinds of discussions. Mm.</p>
<strong>Schneider<br /></strong>Um, and do have any thoughts about what the long-term consequences might be for the Orlando gay community or for the broader Orlando community or what you might hope the long-term impact of the shooting would be?
<p><strong>Kresky<br /></strong>Um, the long-term consequences. Initially, I was afraid that we would be stuck going back into our little boxes. Um, and maybe being less out. Um, being less true to ourselves. Uh, obviously, it seems like the—the exact opposite has happened. You know? And [<em>laughs</em>] you see this meme, you know, “You just pissed off the gay community. Watch out.” That kind of [<em>laughs</em>]—we get stuff done. Um, and sure enough I—I strongly believe that I—it’s my hope that for our city, we develop a—a tolerance for each other. Um, it’s—it’s a big enough city to get lost in. But it’s small enough to know people. And so, really hoping that this gives us a chance to reach out and get to know people that you normally wouldn’t—you normally wouldn’t associate with. You normally wouldn’t talk with.</p>
<p>Um, on a broader scale, you know, I—I don’t know how realistic it is, but I really do hope that we begin to fund, you know, better mental health treatment. We begin to look at, um, more sane gun legislation. You know? It’s—if 49 isn’t enough, then, you know, what is?</p>
<strong>Schneider<br /></strong>Um, and what other reflections have you had about the Pulse shooting or about your involvement in the [Orlando] Gay Chorus or anything else that you’ve been thinking about that we haven’t talked about?
<p><strong>Kresky<br /></strong>Mm. Let’s see. Um, don’t forget h—how your actions affect others. You know? Uh, whether it’s, you know, considering—considering acting out on such a grand scale, uh, as the shooter did, or if it is, you know, just wanting to lash out at somebody, don’t—don’t forget, you know, how—how your actions affect other people. Step outside of the box. Step outside of the tunnel vision. And that’s—I hope that that’s one of our lasting legacies.</p>
<p><strong>Schneider<br /></strong>Um, is there anything else we didn’t talk about that you’d like to say or share?</p>
<p><strong>Kresky</strong> Um, not that I can think of. You know [<em>laughs</em>]? Thank you.</p>
<p><strong>Schneider</strong> Okay. Well, thank you so much. We really…</p>
<p><strong>Kresky<br /></strong>I appreciate it.</p>
<p><strong>Schneider<br /></strong>…appreciate you talking with us.</p>
<div><br /><div>
<p>[1] University of Central Florida</p>
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<p>[2] Lesbian Gay Bisexual Transgender</p>
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<p>[3] Gay and Lesbian Association of Choruses</p>
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2016 Orlando nightclub shooting
Brew City Chorus
Cable News Network
Chorus Connection
CNN
CNN.com
Colorado
Denver
Dr. Phillips Center for the Performing Arts
Duluth
Facebook
fundraisers
GALA Choruses Festival
Gay and Lesbian Association of Choruses
GLBT
gun control
gun regulation
gun violence
hate crimes
homosexuality
Joy MCC
Joy Metropolitan Community Church
LGBT
LGBTIQ
LGBTQ
mass shootings
Michigan
Milwaukee Pride
Minnesota
Nicholas Agon Kresky
orlando
Orlando Gay Chorus
Orlando Strong
Orlando United
outreach events
pet therapy
Pillow Talk
Pulse massacre
Pulse nightclub
Pulse nightclub shooting
Pulse tributes
Rainbows over Broadway
Sarah Schneider
social media
terrorist attacks
theme parks
UCF
University of Central Florida
University of Central Florida Center for Emerging Media
vigils
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https://richesmi.cah.ucf.edu/omeka/files/original/fce724952773f51471717fce7ed72c54.pdf
0fd076b6610ed90aeadf407cf5e14674
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Orlando Gay Chorus Collection
Alternative Title
Gay Chorus Collection
Is Part Of
Orlando Gay Chorus Collection, RICHES Program
Type
Collection
Digital Collection
<div class="element-text"><a href="https://richesmi.cah.ucf.edu/">RICHES MI</a></div>
<div class="element-text"> </div>
Subject
Orlando (Fla.)
Music--Florida
Dance--United States
Gay culture--United States
Description
The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community.
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Oral History of Richard Lamberty
Alternative Title
Oral History, Richard Lamberty
Subject
Orlando (Fla.)
Music--Florida
Mass shootings
Dance--United States
Gay culture--United States
Description
An oral history interview of Richard Lamberty, a member of the Orlando Gay Chorus, same-sex ballroom dancer, and software developer. This interview was conducted by Geoffrey Cravero at the Center for Humanities and Digital Research at the University of Central Florida (UCF) in Orlando, Florida, on October 11th, 2016. Some of the topics covered include a biographical summary, his educational history, discovering dance, his family history, his relationship with his father, same-sex ballroom dancing, the Orlando Gay Chorus, Orlando Cloggers, becoming a dance instructor, losing communication and physical skills from rheumatoid arthritis, world travels as a dance instructor, homosexuality in Japan, the end of his dance career, North American Same-Sex Partner Dance Association (NASSPDA), the history of same-sex dancing, the kinesiology of dance, Dance Vision International Dancers Association (DVIDA) American Smooth Bronze Syllabus manual, reasons for joining the Orlando Gay Chorus, the mass shooting at the Pulse nightclub and its aftermath, the Gay and Lesbian Association of Choruses (GALA) Festival, being a public figure and representing Orlando, violence against homosexuals, meeting a transsexual Muslim, the John F. Kennedy Space Center (KSC) vigil for victims of the Pulse massacre, homosexuality in the space and defense industry, turning tragedy into positive change, gun control reform, the community response to Pulse tragedy, the significance of the rainbow flag, the long-term consequences of the Pulse tragedy, and the rise of fundamentalism.
Table Of Contents
0:00:00 Introduction <br />0:03:06 Family <br />0:07:24 Same-sex dancing and the Orlando Gay Chorus <br />0:11:06 Living with rheumatoid arthritis <br />0:13:43 Changing attitudes towards homosexuality in Japan <br />0:18:05 History of same-sex dancing <br />0:25:04 Dance Vision International Dancers Association (DVIDA) and the kinesiology of dance <br />0:30:13 Joining the Orlando Gay Chorus <br />0:36:00 Mass shooting at Pulse nightclub <br />0:48:08 Achievements in computer science <br />0:50:36 2016 GALA Choruses Festival and abuse against the LGTBQ+ community <br />1:01:01 Singing at John F. Kennedy Space Center and gun control <br />1:06:37 Community response to Pulse tragedy <br />1:09:11 How the Orlando Gay Chorus can influence political and social change <br />1:17:07 Closing remarks
Abstract
Oral history interview of Richard Lamberty. Interview conducted by Geoffrey Cravero in Orlando, Florida, on October 11, 2016.
Type
Moving Image
Source
Lamberty, Richard. Interviewed by Geoffrey Cravero, October 11, 2016. Audio record available. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>, Orlando, Florida.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank">Orlando Gay Chorus Collection</a>, LGBTQ+ Collection, RICHES of Central Florida.
Has Format
Digital transcript of original 1-hour, 18-minute, and 03-second oral history: Lamberty, Richard. Interviewed by Geoffrey Cravero. Audio record available. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>, Orlando, Florida.
Coverage
Dr. Phillips Center for the Performing Arts, Orlando, Florida
GALA Choruses Festival, Denver Performing Arts Center, Denver, Colorado
Japan
Orlando, Florida
Pulse, Orlando, Florida
Rollins College, Winter Park, Florida
University of Central Florida, Orlando, Florida
Creator
Lamberty, Richard
Cravero, Geoffrey
Publisher
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Date Created
2016-10-11
Date Copyrighted
2016-10-11
Format
video/mp4
application/pdf
Extent
1.09 GB
283 KB
Medium
1-hour, 18-minute and 4-second video recording
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher
Dance Teacher
Provenance
Originally created by Richard Lamberty and Geoffrey Cravero and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>.
Rights Holder
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Accrual Method
Item Creation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Katalin, Lnyi. <a href="http://www.worldcat.org/oclc/951006947" target="_blank"><em>Same-Sex Ballroom Dance - A Challenge to Patriarchal Gender Order</em></a>. VDM Verlag, 2008.
PeRez, Robert. "<a href="http://articles.orlandosentinel.com/2005-12-27/news/DANCER27_1_dance-instructors-professional-dancer-same-sex-dancing" target="_blank">Orlando native overcomes odds, rules dance floor</a>." <em>Orlando Sentinel</em>, December 27, 2005. Accessed November 7, 2016. http://articles.orlandosentinel.com/2005-12-27/news/DANCER27_1_dance-instructors-professional-dancer-same-sex-dancing.
Shepherd, Lindy T. "<a href="http://www.orlandoweekly.com/orlando/who-leads/Content?oid=2253395#" target="_blank">WHO LEADS?</a>." <em>Orlando Weekly</em>, March 30, 2006. Accessed November 7, 2016. http://www.orlandoweekly.com/orlando/who-leads/Content?oid=2253395#.
Ahlquist, Karen. <a href="http://www.worldcat.org/oclc/62281651" target="_blank"><em>Chorus and Community</em></a>. Urbana: University of Illinois Press, 2006.
Boedeker, Hal. "<a href="http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html" target="_blank">Orlando Gay Chorus marks 25 years</a>." <em>Orlando Sentinel</em>, October 18, 2016. Accessed October 18, 2016. http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html.
Ogles, Jacob. "<a href="http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning" target="_blank">Pride in Orlando Will Take on New Meaning</a>." <em>The Advocate</em>, October 6, 2016. Accessed October 18, 2016. http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning.
Hyman, Jamie. "<a href="http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/" target="_blank">Community rises up after mass shooting at Orlando gay nightclub kills 49</a>." <em>Watermark</em>, June 16, 2016. Accessed October 18, 2016. http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/.
Click to View (Movie, Podcast, or Website)
<a href="https://youtu.be/K2rphgLl1sQ" target="_blank">Oral History of Richard Lamberty</a>
Transcript
<p><strong>Cravero<br /></strong>Alright. Let’s see. This is Geoffrey Cravero, and I’m conducting an oral history with Richard Lamberty of the Orlando Gay Chorus. The interview is being conducted in the conference room of the Center fo—of—Center for [<em>laughs</em>] Humanities and Digital Research at the University of Central Florida in Orlando, Florida, on Tuesday, October 11<sup>th</sup>, 2016 [<em>clears throat</em>].</p>
<p><strong>Lamberty<br /></strong>Which, by the way, happens to be National Coming Out Day.</p>
<p><strong>Cravero<br /></strong>National Coming Out Day. I saw the s—I saw the sign earlier. Excellent, good timing. So, uh, Mr. Lamberty, thank you for speaking with us today. If you would, let’s start by having you state your name and telling us a little about where you’re from.</p>
<p><strong>Lamberty<br /></strong>Richard Lamberty. L-A-M-B—as in boy—E-R-T-Y. Um, I was born in Chicago, Illinois, and we moved to Orlando when I was five. Um, we stayed here until I was 16, and then we briefly moved to Maryland, where I graduated high school, and then I came back to Orlando and attended Rollins [College], um, and then after Rollins, I actually came to UCF[1] for almost two years, during which time I was diagnosed with rheumatoid arthritis and they put me on a medication. Um, one of the side effects of that medication was I lost the ability to read, write, and speak, and so I was unable to complete my graduate degree at that time, um—ended[sic] up moving to New Mexico, where my parents had gone, and enrolled in the university out there to, uh, work in their computer science artificial intelligence department, which by the time I got there, was gone, and so there was not a single person left on campus that even knew that I existed, and there was no one to help me with paperwork or any of the transfers of credit or anything. It was start over.</p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>[<em>laughs</em>] Um, continued to work on the degree out there, but got hired to work on a NASA[2] project that I did for five years, and then moved to California, where I stayed for another 18 years, before coming back to Orlando in 2005, um, basically, to be closer to family, and so I have lived here in Orlando ever since.</p>
<p>Um, I started dancing—you were ask—gonna ask about the dancing thing—I started dancing when I was 10 years old, and I danced first with the Orlando Cloggers, which was a—a youth, square-dance clogging group that was sponsored by the City of Orlando, and from that I got involved in what’s called “round dancing,” which is kind of a hybrid between square dancing and ballroom dancing—ballroom dances and figures, but it’s cued in the same way that a square dance is called, and then directly involved in ballroom from that, and, uh—but because of the arthritis issues then it was like, <em>This is not gonna be what I do with my life.</em> I have to have something else to do, but as long as I’m able I can dance, and I’ve continued to do so for most of my life, um, and that’s taken me all over the world. In fact, I just got back from two weeks in Europe, where I was teaching for the 22<sup>nd</sup> year that I’ve been over there teaching at this event in Germany.</p>
<p><strong>Lamberty<br /></strong>Um, you know, life in Orlando—mostly what my life about[sic] here is I’m taking care of my elderly mother. I am her primary caretaker, and, um, and then I do what work is available to me, in addition to that, and, you know, in my field if it can be, so designing software, computer systems and things, or doing people’s websites and such, but, um, mostly my life is about dealing with family, taking care of family.</p>
<p><strong>Cravero<br /></strong>And, uh, what d—what did your family do? It was your—did your mother work? Or…</p>
<p><strong>Lamberty<br /></strong>Uh, my father was an electrical engineer. Um, he had seven children. I’m the fifth of seven, and, uh, so my mother was basically a stay-at-home mom for a lot that, and then didn’t start really working until I was about 16, um, in Maryland, and then…</p>
<p>[<em>phone rings</em>]</p>
<p><strong>Lamberty<br /></strong>Go away.</p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>And don’t do that again.</p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>I’ll make that stop.</p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>I should’ve thought of that first.</p>
<p><strong>Cravero<br /></strong>Oh, that’s alright.</p>
<p><strong>Lamberty<br /></strong>The only person who can make my phone ring now is my mother.</p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>[<em>laughs</em>]. Okay, um, my father was an electrical engineer. He did a wide variety of things for Swift[?] Martin Marietta [Corporation]. Well, actually, in Chicago, we moved down here for a job at Martin—which was before it was Lockheed Martin—and then, um, up to Maryland. Hated it. Cold weather. Not a[sic] interesting job for him. Came back to Florida at Harris Corporation, where they got involved with the satellite project, um, and then eventually ended up with TRW [Inc.] Space and Defense and retired from them. Um, I worked with TRW Space and Defense—was my first real job in my industry, and then, um, that—on the same project as my father, which was an extraordinary privilege. My father was brilliant and exceedingly humble, um, but just this brilliant man, and I had the privilege of spending five years working with him, and just, you know, being around that mind every day and seeing how he viewed the world, which was fascinating because growing up I didn’t experience my parents quite that way. Um, I grew up in a household where debate was the normal form of communication [<em>laughs</em>].</p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>You know, and I never knew what my parents thought about anything, because if one of ‘em would say something, the other one’d automatically take the opposite position, and so what did, you know—what did either of them actually believe about the world was almost impossible for me to determine, and, um, you know, in that time period, I actually got to learn about my father, and one of the things that I learned was that he wasn’t ashamed of me, because growing up, he never spoke to me, um, and I—I didn’t know why. It turned out he didn’t speak to me because he was partially deaf and he couldn’t hear me. So when my voice really changed then he could hear me, you know? Alone—the two of us, then he could hear me, and I walked into—he worked in a trailer in the desert, and I walked into his office one day for some reason, and on the wall was a framed poster of a dance exhibition that I had done when I was at Rollins, and I went home and I said to my mother, “Did you know that Dad has the poster from Rollins on the wall in—office?” And she said, “Oh, yes. Your father’s very proud of you,” and up until that very moment, what I had assumed was that he was embarrassed about me because I was a dancer and, you know, not like his other sons, and that really—that wasn’t true. So, you know, that was just—it was remarkable, and, you know, in an era where being gay was not okay, you know, having the security clearance and being gay was not okay, um, it was a very hard thing to do, um, and, you know, my parents were very Catholic. Uh, you know, like “know the pope” kind of Catholic. Um, there’s a photograph of my mother with John Paul II—just the two of them. You know, so it was a, you know—that was not okay.</p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>And yet, there this poster was. It was an incredible experience.<br /><br />Um, but no. When I came back to Orlando, I continued to dance, and I had gotten involved with same-sex ballroom dancing. Uh, you know, two men dancing together, two women dancing together—which again, two women dancing together has always been socially acceptable; two men dancing together has not, and so, um—and I had a partner here in Orlando. We trained, we worked hard, we eventually won world titles together, and then he quit, and I didn’t have anything to do, so I had heard the [Orlando Gay] Chorus sing, and I thought, <em>I can try this. I don’t sing, but I can try this</em>, you know? I was in chorus in seventh and eighth grade, but, um, I didn’t get a good grade, and when I asked the teacher why she told me I didn’t have a good voice, and so I quit singing, and I never sang again. I mean I wouldn’t sing “Happy Birthday” to people for 35 years. So I joined the chorus and then, you know, started singing with them, and it was fun. It was—I didn’t have to be good. There were [<em>laughs</em>] zero expectations that I actually be good at anything. Not like work, not like dancing, you know—just show up, sing, gave a good time, and, you know, as it happens, apparently, I’ve gotten to the point where I’m okay as a singer, and, you know, had the—the privilege of being a part of the chorus now for six years, and it’s really—it is—it’s a lot of fun. Wonderful thing.</p>
<p><strong>Cravero<br /></strong>That’s fantastic. Um, so, uh, can you tell us a little more about how you got involved in, uh, ballroom and Latin dancing? Um, what sort of work, uh, did you do as a board member on the—I saw that you did…</p>
<p><strong>Lamberty<br /></strong>Oh.</p>
<p><strong>Cravero<br /></strong>The North American Same-Sex Partner Dance Association [NASSPDA]…</p>
<p><strong>Lamberty<br /></strong>You Googled me.</p>
<p><strong>Cravero<br /></strong>I Googled.</p>
<p><strong>Lamberty<br /></strong>Yes.</p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>Okay, my parents were square dancers. They had taken a square dance class here in Orlando, and they had what was called “hoedown,” which was in the parking lot of the, uh, um, uh, Colonial Plaza Mall in where—what now would be the—I guess the Walgreens or the CVS is in that corner—that was parking. They put up a tent one day and they just had the square dance callers with a whole bunch of people, and people were dancing in the parking lot [<em>door closes</em>], and I saw the Orlando Cloggers perform, and that’s what I wanted to do. I wasn’t quite old enough yet. You had to be 10 and I wasn’t 10 yet, and so as soon as I turned 10, then I could start the classes, and it was amazing. It was run by the city. It was $5 per family for the season—not $5 a week, not $5 a person. It was $5 for the entire thing—for three of us to go and take the classes, and I loved it. I thought it was awesome. I loved the dancing, so, you know, I learned to clog, I learned to square dance, and then I learned the round dancing, which was like ballroom, and, um, we moved to Maryland when I was in high school, and I can dance, and I got a job at an independent ballroom dancing studio as a dance teacher at the age of 16. I—and this is 1975—’75 —’76 —and I was making $16 an hour, which is basically still what a—a beginning dance instructor makes—same—same thing—but I was making $16 an hour teaching dance lessons, and I think the minimum wage was $2.85 [<em>laughs</em>]. So it’s like, <em>Woo hoo.</em> I had money. It’s like I’m 16 years old, I’ve got this job that I can—that I love, and I have money. It was amazing and—and I loved the dancing.</p>
<p>Um, when I developed [rheumatoid] arthritis and—you know, what they told me was I’d never walk again. I was 100 percent disabled, and that was while I was here at UCF. You know, the campus was not that big, as it is now, but I couldn’t walk across campus, and the medication had this profound effect on me. I—I couldn’t communicate, um, you know, I couldn’t write coherently, I couldn’t make sense of what I was reading, and I couldn’t—I could not talk intelligently, um, and fortunately, there was a professor here in the Computer Science Department who understood what was going on, and she advised me to, you know, get the medical records brought in and have my record expunged and sealed so that all of that failing grade stuff that showed up, because of that, would not show up on my transcript ever, and without that I would have simply just failed, uh, graduate school, and probably never been able to get back in, um, and then, you know, got enough better that I could move and get back into school and get a job that was, uh—that I loved, um, and tried to dance, you know, as best I could, and it wasn’t always easy physically.</p>
<p>I was—I was allergic to the non-steroidal anti-inflammatories, and so any of them that I would take would cause some kind of a very unpleasant neurological side effect, so it was just better to be in pain. So basically, for 30 years—so I just lived in pain, and didn’t tell anybody. You didn’t talk about it. Um, you know, if it was a bad day, you just tried to dance with your partner not touching actually, you know? It’s like you’re s—and don’t say. Don’t s—never tell anybody why you can’t do anything, you know? Um, yeah, it was really horrible, um, pretending, you know—pretending about a lot of things—pretending about being okay, pretending about not being gay, pretending about, you know, that my brain was working normally when it wasn’t. Basically, life was a whole lot about pretending a lot of things, and very painful—physically, psychologically, emotionally painful experience to live that way all the time.</p>
<p>But, yeah, I got, you know—I danced as much as I could, and slowly, slowly over time. Basically, most dancers peak in their late 20s or early 30. It’s like, <em>Mm, yeah. Not until I was in my late-40s</em>, [<em>laughs</em>] you know, and, um, you know, d—did what teaching I could over the years. I mean, I’ve been traveling to Europe for over 20 years and teaching there, um, uh, various places around the United States, Canada, Japan. Uh, we did—a couple years ago, we did a three week tour in Japan—six different teaching events while we were there. It was just amazing—which in and of itself was fascinating because, you know, there’s a large community of dancers in Japan, and they knew of me and they—they would—when they would come to the United States, there[sic] was[sic] always be at the events that I was at, um, and they brought people over all the time to teach, and I asked—was a big, big international convention that I was teaching at—there was a huge group of Japanese there, and I got invited to the room party with the Japanese—was the only white person at this party, and, um, so I asked, you know—it’s like, you know, “When will I get invited to Japan?” And this—there was this discussion. This rapid discussion in Japanese, and the woman who spoke English best took me into the—the bathroom in the connected hotel rooms and closed the door and said to me, “We cannot invite you.” I was like, “Well, why?” And she goes, “Because whoever invites you would have to accept your shame.” I was like, “Oh.”</p>
<p>So when I got contacted a couple years ago about coming over, there was an American woman living in Japan—I didn’t know her history, but she was an American woman living in Japan with the dancing—and so I wrote to her and said, “I’d love to come, but, you know, you need to know,” and she said to me, you know, “It’s not how it is now.” Things changed. Things changed because finally, the Japanese government had to acknowledge that there were people in Japan dying of AIDS,[3] and so everything changed when they acknowledged that—that these are Japanese people; therefore, they’re Japanese, and the laws changed, and the way that people behaved changed, and now it was just not a problem, and this was like, you know, social change on this huge scale in a couple of years, you know? Things that we have been fighting for in this country for 20 or 30 years and still don’t have—that they could achieve because, as a society, it’s more important that you’re Japanese than it is that you’re gay, you know? So she arranged this trip, we went, we had this amazing time, and it didn’t matter at all, you know? It didn’t matter at all. It matters more here than it does there. Um, you know, I mean I’m—and I still—I love dancing. Although at this point, I’m probably done. I don’t have a partner anymore.</p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>And if I can’t dance on a regular basis then I lose the ability to dance, which anybody would. Any skill that you’ve developed, if you don’t use it, you lose it. It’s, you know—especially physical skills, but in my case, it’s not just that. Dancing’s what’s kept me well. Um, if I don’t move, I can’t move, and I’ve tried other things. I’ve, you know, gone to gyms, I’ve done swimming, I’ve done all kinds of things. The only thing that’s been really effective is the dancing that I do, and so basically, you know, 47 years of dancing and I don’t have a partner. If I don’t have a partner, I can’t dance. If I can’t dance, I don’t know how long it is that I can walk. That’s the equation. I mean, you know, we talked—I—walking over here from the parking garage was an ordeal, and that’s been, you know—it’s four—four months that I haven’t danced regularly. Going to Germany and having to dance all day, every day, you know? It’s like the first day was just horrible, and after that it was like, <em>Oh, dancing. My body is happy.</em></p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>“It’s fine.” Yeah, so I get distracted easily. It’s okay [<em>laughs</em>].</p>
<p><strong>Cravero<br /></strong>Oh [<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>[<em>laughs</em>] I’m chatty.</p>
<strong>Cravero<br /></strong>Um, I was gonna—I have a question following up on that—is, um, what kind of—did you face any sort of challenges, um, early on, um, in a same-sex partner dance organization? Like what did you…
<p><strong>Lamberty<br /></strong>Oh, you were—asked about NASSPDA.[4] That was not the first.</p>
<p><strong>Cravero<br /></strong>Mmhmm.</p>
<p><strong>Lamberty<br /></strong>Um, the first organization kind of disappeared. It[?] was the United States same-sex dance, uh, organization that I was one of the founders of. I was also a—a—an honorary founding member of the European same-sex dance organization,[5] and then, at the same time that those two were formed, there was a world organization that was formed that I was on the committee that help form it, write the bylaws, was an officer of, and then there was a dispute about, you know: was that the right way to do this? Did it happen too fast? All that. So that organization shut down. The North American one disappeared, and a couple years later, the, um—or the U.S. one disappeared. Then the—they decided to do—try again, and we created the North American Same-Sex Partner Dance Association—NASSPDA—and I was, again, one of the founders, uh—original co—co-president with a woman, um, Barbara Zoloth, was one—one of my students for many years, and, um, you know, then—actually, I was the first honorary member of the organization when I went off the board. They voted me in, and, uh, you know—so I—I’ve been involved in the history of same-sex dancing in the United States since essentially its beginning.</p>
<p>Um, I ran the first, uh—well, not the first. The first same-sex dance competition was a long time ago in New York—the first one we know of—but it was a one-time thing, and then nothing happened for years and years, but I put one together with, uh, my partner that[sic] I went to the Gay Games in 1998 with—Tom Slater—and a woman—a straight woman that[sic] was helping us—Ava Kaye—and, um, then the three of us decided this was important, and we put together, um, it was—I think it was “March Madness”—might have been the first one. It was either “March Madness” or “April Follies,” and then, the next one, you know—we did series of them that—that I ran with the two of them for many years, starting around 2000—2001—and then, when I moved away, I ran the next year remotely, you know, went back for it, but it was too much. So I turned it over to this organization—a non-profit in the [San Francisco] Bay area that has run it ever since, and so it’s the longest-running same-sex, uh, dance competition in North America, and longer than many of the ones in Europe, um, and, uh, so there’s the—you know, very small community of people involved in that in this country. We don’t have a history of partner dancing in this country in the way they do in Europe and other places in the world, but there are people that are[sic] really love it. It’s this wonderful thing to do. It’s social, it’s engaging, it challenges the mind and the body, um, it’s great exercise in a gentle way, um, and it’s fun. It’s just a tremendous amount of fun.</p>
<p>Um, competing in the same-sex world is so different than the mainstream world. The mainstream world is very cutthroat, and the same-sex world is, you know, the—the—the people who’ve been to mainstream competition that come to one of the same-sex events is like, “What? It’s like, “You s—you act like you like each other. You know, this isn’t like a competition. It’s like a party. It’s a celebration,” and that’s exactly what it feels like. We are celebrating something that we can’t have. I mean there were rules against same-sex couples competing, uh, in regular competitions. Some of that has changed now, but there were rules against it. You weren’t allowed, you know, a—and it’s not just that you, you know, could if you wanted to. Y—you weren’t allowed, and while I wasn’t directly involved in a lot of the politics in the mainstream world to do that, um, I was behind the people who were, you know? I wasn’t—they hated me in the mainstream world of ballroom dancing from day one because I was an out[-of-the-closet] gay man doing ballroom dancing, and there were none. It was like, “Y—you can’t do that.” I got told when I was trying to compete as an amateur, and then as a professional, “Sh—y—you can’t be ‘out.’ You ca—you have to stop talking about this. You can’t bring a boyfriend.” I was like, “Yeah. No, I don’t—I y—I don’t need you to dance. I don’t do this for a living. You can’t make me,” and so—oh, they did not like me [<em>laughs</em>]. I mean I—when I was still trying to be an amateur, there were actually lawsuits filed against me. Try to keep me from dancing—trying to, you know, declare me “not an amateur.” I was—I had a sports lawyer. It was—I mean, I f—finally quit. I was spending about $5,000 a year defending my amateur status with the lawyer. It was like, <em>This is ridiculous.</em> This thing’s already so expensive. I was spending $20-25,000 a year dancing, and on top of that, I’ve got to spend lawyers’ fees? Nobody else has to do this. So I just—I gave up. I let them m—make me go pro, and then, you know, dance in Europe more than the United States, because in Europe nobody knows who I am. They don’t care. Then you get judged on the dancing.</p>
<p>Uh, you know—you know, this thing that I’m passionate about. I just love doing it. I love teaching, I love dancing, you know? The, um—the next world championships for same-sex dancing is gonna be in Miami in August of 2017 at the, uh—the World Outgames, and I won’t be dancing, you know? I’ve—I’ve danced at every Gay Game since 1998. I’m the only one. The Gay Games in 1998 was the first time they had dancing, and my partner and I took third. We danced in Sydney[, Australia], and then, let’s see—it was, uh, Amsterdam[, Netherlands], Sydney[, Australia], I wanna say Chicago[, Illinois], Cologne[, Germany], Cleveland[, Ohio]. The next one’s Paris[, France] in ’18, and, uh—and then the Outgames. We danced in Montreal[, Canada] for the first one. We didn’t go to the next ones, and then, um—and then it’ll be Miami. I don’t have a partner. I don’t get to dance. It’s like a four-hour drive from where I live, and I won’t be dancing. It’s just so miserable. I don’t have a partner, and it’s something—you can’t do it alone, you know, and it’s really—you know, it’s hard to reflect on—the 47 years is coming to an end, and I don’t have a say in that. It’s just gonna happen.</p>
<strong>Cravero<br /></strong>It’s tough [<em>sighs</em>]. Um, well, let me see. I—I—you already discussed, uh—I saw that you had to—you overcame rheumatoid arthritis, actually, in a profile I was reading online. Um…
<p><strong>Lamberty<br /></strong>Oh, was it the one in <em>The Orlando Sentinel</em>?</p>
<p><strong>Cravero<br /></strong>I think it was, yeah.</p>
<p><strong>Lamberty<br /></strong>Yeah.</p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>With a picture of me and the dog.</p>
<p><strong>Cravero<br /></strong>That’s right.</p>
<p><strong>Lamberty<br /></strong>Yeah.</p>
<p><strong>Cravero<br /></strong>Then that was the one.</p>
<p><strong>Lamberty<br /></strong>[<em>laughs</em>].</p>
<p><strong>Cravero<br /></strong>Um, oh…</p>
<p><strong>Lamberty<br /></strong>You’ll see.</p>
<p><strong>Cravero<br /></strong>I also saw there that you did, um—you were a technical consultant on the rewrite of a DVIDA[6] American Smooth Bronze Syllabus manual. Could…</p>
<p><strong>Lamberty<br /></strong>Oh, yeah, DVIDA.</p>
<p><strong>Cravero<br /></strong>Could you explain what that is and describe the work you did on that?</p>
<p><strong>Lamberty<br /></strong>Um, DVIDA is, uh, oh, Dance Vision—D—Dance Vision International—DVIDA—of—Dance Vision International is the company. DA—o I don’t remember what it stands for. A friend of mine, um, Diane Jarmolow, that I used to coach and have known forever, um, she got—she contacted me about helping with the manual, which was very nice. It was great. It was really lovely to be asked, but I’m very technical. People know that I have this profound very deep understanding of dancing, which happened while I lived in New Mexico. Um, I couldn’t dance much. It was, you know, a 60-mile drive to the closest dance studio, which I would do. There[?] was a—a woman there that did some dancing that I could do, but we were only allowed to dance after the studio closed at night, ‘cause the owner didn’t want people seeing us because we didn’t fit the profile—she was the teacher there, and he was afraid that we would scare people off, you know? It’s like wrong level, wrong kind of dancing for what the studio was about, and so two weeknights a week, I would drive to El Paso[, Texas], be there at 10 o’clock at night, and dance ‘til midnight, and drive home and have to be at work at seven in the morning.</p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>Um, but, um, while I was there, I met this woman who did ballet, and her husband—fiancé was a PhD kinesiologist at New Mexico State University and he wanted a project, but, you know, at the time—this was when they were doing a lot of things with, you know, analyzing on video tape athletic performance, ‘cause they were looking at, you know, runners on treadmills or swimmers in float tanks or cyclists on stationary bicycles, and seeing, you know, how do you optimize the human body in motion—and he didn’t want to do any of that stuff. So what I did was taught his w—his fiancé how to ballroom dance while he analyzed what we were doing, which, basically, no one had ever done before. No one had ever looked at the—the—the actual human body while it was dancing in this way, and n—not just one body, but two—how two bodies worked together, and he did this analysis of it with—with knowing nothing about dancing. So all of the language of dancing that had been used for 80-90 years to teach it had nothing to do with what he wrote about…</p>
<p><strong>Cravero<br /></strong>Right.</p>
<p><strong>Lamberty<br /></strong>Or what he analyzed. So not, “Here’s what somebody has always said about what we’re doing,” but, “This is what the bodies are doing,” and I—so he wrote about that and then I got all that information, and then I had that, so I could write about dancing in—in the dance world, and I wrote papers that would get published about here’s why the feet do what they do, here’s the way that your hold actually works in the frame—you know, not what Patrick Swayze says about it in <em>Dirty Dancing</em>…</p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>But what’s actually going on, and that kind of revolutionized the way that dancing was looked at all over the world, and my—my work got spread all over, um, and so because of that I became well-known for this level of technical understanding, and when Diane needed help with the new manuals they were writing, then I got an email. It’s like, “You willing?” It’s like [<em>claps hands</em>] yes.” [<em>laughs</em>].</p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>“I’ve been waiting for this.”</p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>“Fix the stuff that’s wrong.”</p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>And so, yeah. I worked on those manuals, and, in fact, my former partner is now working on the new set. He’s up in, uh, Indiana, and he was actually just down here for three days to talk to me about it, ‘cause he’s actually—he’s now the consultant for the next set of stuff that’s being done, um, but yeah, I got a credit in the—in the—in the book and everything, and it’s like “technical consultant,” and it was all this weird stuff. What’s the difference between “brush to” and “brush toward”? What’s the difference between a “brush” and a “collect”? You know, it’s like how to—what’s the difference between “side and slightly forward” and “forward and slightly side,” and it’s like all this really technical stuff, which I’m well-suited to because I love language, you know, from my own issues with language—couldn’t speak for a long time. I love language. I’m a mathematician. So, you know, my—I had a double major at Rollins—mathematics and English—and the dancing is mathematical. The partner dancing is a—is a mathematical construct actually, and then I had all this understanding of what was going on because of this analysis that had been done by this PhD kinesiologist. It’s like, you know—it’s perfect. Love it.</p>
<p><strong>Cravero<br /></strong>So cool.</p>
<p><strong>Lamberty<br /></strong>Yeah.</p>
<strong>Cravero<br /></strong>[<em>laughs</em>] So, um, could you tell us, uh—so you joined the, uh, [Orlando] Gay Chorus. You talked a little bit about how you got involved. Um, do you have a favorite production that you did that you can recall?
<p><strong>Lamberty<br /></strong>Um, no [<em>laughs</em>].</p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>It’s—it’s funny. I don’t have a sticky memory for lyrics. Lyrics are so hard for me to learn—that they don’t stick in my brain very well, and, uh, so, you know, people will say, “Oh, we sang this five years ago,” and I’m going, “Really? I was here then. Did we? I don’t remember,” um, but I—I love singing with the chorus. I—I have no interest in doing any of the solo stuff or anything like that. I have zero—I love singing with the chorus, and we do two major concerts a year—the spring and the holiday. Um, I like the spring concerts, but I tend to love the holiday stuff because the music is different, you know? The—the Christmas stuff, the holiday stuff in general—it’s just got this wonderful character, and, uh, learning—learning about music. I mean, I always had to know something about music because of the dancing. I played piano for several years and I—it was the first thing—I didn’t understand at the time, but it hurt. It got to the point where it hurt, and so I quit, and then I was a great believer in <em>I’m young and healthy. Park across campus and walk</em>, and, uh, at Rollins, I was in the math program. The math courses were on the fourth floor of the [Archibald Granville] Bush Science Center. I always took the stairs. I got to the point where I couldn’t climb the stairs. So I didn’t know what was going on, um, but, you know, how did I get involved with the chorus? My partner quit, and I thought, <em>Well, I won’t be dancing. I need something to do that’s interesting, that will challenge my mind, that will be fun, that will get me out in the world</em>, ‘cause I don’t have a regular job. I don’t meet people. I don’t, you know, have people at work. I don’t go out to lunch. I don’t meet people. <em>So I’ll join the chorus. It’ll be fun</em>, and it has been. It’s really lovely, um, but—and I was afraid to sing, ‘cause I hadn’t—I’d been told I didn’t sing well. Well, they didn’t care, you know?</p>
<p>Now, it’s a little different. The—the chorus actually is[sic] improved dramatically from then. Well, you know, the work of Jim Brown—here at UCF—was our director at the time that I joined, and he did great work with the chorus, and now we have a new director, who’s very, very choral. Very, you know—the sound is gonna be the sound kind of thing, and, uh, I don’t know that I could get in now. You know, if I had—if I tried to join now, I doubt that they would take me. Now, I’m okay. I mean I’ve learned, but, you know, between the two of them, I learned a lot. Understanding a music that’s fundamentally different. I love that. I love learning, and then being with the group and doing.</p>
<p>So, you know, particular thing that we sing that I like the best? No, no. I mean, every concert there’s something that I end up really loving, which is usually a surprise. It’s not the thing that I think at first that I’m gonna like, and, you know, something that’s not my favorite, you know—sing it anyway, um, and most of the stuff is like, <em>Oh, this is fun or not</em>, you know? Some things are more fun to sing. Some things—just the sound of them. We did, um, in the last concert before we went to Denver for GALA[7]—one of the things we sang was a song for—“A Prayer for Children,” and it’s an old s—piece. It was written, um, I think about Croatia during the [Croatian] War [of Independence] there, and it’s gorgeous. It’s hard, but it’s so beautiful. Um, when I first joined it was like I had to be surrounded by other people singing my part, and so it was—you know, it’s like, <em>Mm</em>. I can’t stand next to somebody who’s doing anything different than me. I don’t sing that well, and now, normally, where I get placed is standing next to the altos. I sing bass—I sing low bass. So it’s like bass, baritone—we usually sing the same thing, but not always—and then the altos, and so I’m standing next to an alto and the—in the front, and I can hear the rest of the chorus, and it’s so beautiful sometimes. I mean, there’s pieces that we do—the fun stuff I love. It’s great and fun to sing, but the s—I love the things that the sound of them is—it’s amazing to experience, and that’s what I’ve always looked for in the dance music, you know—the sound of the music that I choose for my own choreography is what I’m interested in, but, you know, chorus is great.</p>
<p>It’s—it’s always been interesting to belong, you know? There’s—like any other human endeavor and organization, there’s groups that form and factions, and the politics of it and all that. It’s normal. I’m used to that, but at the heart of it, there’s this thing that we’re doing something that matters as a group. Um, when the chorus was formed 26 years ago, you know, the—the small group of people that did that, they were risking, you know, employment. You know, to be associated with a gay group publicly like that, many of them could have been fired for it. Um, it was a brave thing to do then, um, and y—you know, it’s not like that n—now. We belong. It’s okay in Orlando.</p>
But, you know, this summer’s been kind of insane. We had had our concert, and the—the weekend of the shooting at Pulse there were several things going on. Um, every year right around that time there is the Orange Blossom [Dance] Festival, which is a big country western dance competition, and I always try to go. Um, well, at least one night, go by, dance and visit with people, ‘cause I know a lot of people, and if like—convention friends—you see them once a year, and—‘cause I don’t go to the other stuff, and I’m not a country western dancer, but some of these people do other things. Some of them are involved in the same-sex ballroom, um, and it’s often my birthday, ‘cause my birthday’s June 11<sup>th</sup>, and so, normally what would happen is I would go on the Saturday. It’s the better night. If you go Friday, people don’t stay up that late ‘cause a lot of them have to get up in the morning and compete—dance with their students or dance in some way, and Saturday’s better. A lot of the competition is over. The stuff on Sunday is different, and so, you know, go there, dance all evening. Around midnight or so, get a group of people and we’ll go out. Go someplace where there is music, um, and—music that you can dance to—partner dance to, and that has, in fact, been Pulse in the past, eh, when it matched up. Latin Night—if it was going on—e could go there and dance. That’d be great.
<p>Um, this year, I went on Friday because Saturday night we had one of our, uh, non-outreach—there’s another word—I—I forget this word every time I go to do it, uh—cabaret. We have three cabaret performances a year. One of them’s at the Parliament House. It’s called “Uncut.” It’s the raunchy one, and then we have the—the, um—the h—February Valentine’s Day one. That’s the love one, and then, the—we have the summer one, and this year, it was early in the summer. It’s often later, and, um—and it happened to be on that Saturday, and since it was my birthday weekend—I wasn’t singing. I—it was like, <em>I’ll go</em>, and they had these VIP’s tickets with the reception and the dinner and then the thing, and it’s like, <em>I’ll go to that</em>. So I had the ticket and I went. It was wonderful, had great time, and then it was done and nobody wanted to really go out, and I did not want to drive all the way out to this hotel and see what’s going on because it was late. Any other year, I would have been at the hotel with the dancers and we would have been going to Pulse and arriving about 12:30 and staying until they closed or later—make them stay open and play music. So I would have had, you know, 25-30 people from out of town, who just love to dance, be there with me, and I just, you know—when—<em>I’m tired. I think I’ll go home.</em> That was the decision.</p>
<p>So Sunday morning, I wake up. I look at my phone and I—there’s all these text messages. “Are you okay?” “Are you okay?” And I’m thinking, <em>It was one singer. Yes, I know we sing at The Plaza [Live]</em>, you know, <em>People know we sing at The Plaza. I’m fine. I’m fine. I’m fine</em>, and then I get into the shower and turn on the radio [<em>laughs</em>]. It was like, <em>Turn off the shower, go back to the phone.</em> It’s like, “Oh, my God. I—I had no idea,” you know—listening to the news. I was like, <em>Wow</em>, you know, nut for being tired, I would have been there. I would[?], uh—bringing people.</p>
<p>So I don’t—I’m not a Facebook person really, but I looked to see, and I saw that there was gonna be a special Mass. The, um—there’s a gay, Catholic group in Orlando, and the priest who runs that, uh, used to sing in the chorus with us, and so I take my mother to Mass every Sunday—very Catholic—in Winter Park—St. Margaret Mary [Catholic Church] —very affluent—and, you know—and after Mass and I was waiting to see would[sic] they say anything, and they—and they did. Um, it wasn’t hugely specific, but it was, you know—they acknowledged what had happened, and the violence. Not that it was a gay attack or anything, but—but at least they acknowledged it at Mass, and we left immediately from there and went to the—to the place, which is a bar, you know? St. Matthew’s [Tavern at the Orlando Beer Garden]. Is—it used to be I wanna say Revolution—on Mills[Avenue]…</p>
<p><strong>Cravero<br /></strong>Right.</p>
<p><strong>Lamberty<br /></strong>Next to the [Lesbian, Gay, Bisexual, Transgender Community] Center [of Central Florida]. Alright, that’s where they have Mass, and so we went, and, you know, we s—we went to Mass there, and, you know, at some point in the afternoon, there was a message that came out about—we had been invited to sing at, um, Joy MCC,[8] and I was like, “Absolutely, I’ll be there.” It was massive. When[?] you show up and there’s all these cameras, and they have relegated them to this corner in the back, and there’s[sic] way too many people, and there’s some seating reserved in the front for the chorus, and there’s not enough. There’s so many of us that showed up, and I felt terrible. I had to sit, ‘cause I—I couldn’t stand. My hip hurt, my knee hurt. I couldn’t—I couldn’t stand for the whole thing. I had to take a chair away from somebody else, you know, but—and then, it came time to sing. So we lined up in the front and, um, we had “True Colors” and, um, “You’ll Never Walk Alone,” and we sang, and, um, by the time I got home, you know, I looked at Facebook and there was a video that had been posted. It was CBS News, and the CBS newsman thought he was so clever. He had gotten the camera spot that was right in the center aisle, and so when we went to do “True Colors,” of course, that’s where the conductor stood, and right in front of him was the soloist, Caitlyn[sp], and so he had a completely blocked view [<em>laughs</em>] of the soloist. He couldn’t get her face—couldn’t get her face, but there’s the camera and there am I.</p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>And out of this like two and a half minute video, about 60 seconds of it is on my face, and this got posted on Facebook, and re-p—tagged, and posted and posted, and by the time I got home, I had messaged from 11 countries, and it was overwhelming. I mean, you know—we didn’t know a lot yet. We didn’t even know really how many people were dead yet. I didn’t know whether or not I knew anybody. I did—nobody well, no close friends, but it’s a small community. You know—you don’t know what to do. You know what there was to do? Sing. As it happens, I don’t have a day job. So when we get asked to go and sing and—I can say, “Yes.” I can show up at one o’clock at UCF across town for something, or drive out to the [Orange County] Convention Center at crack of dawn and not worry about being late to work, or—I could show up. That’s what I could do, and it was fascinating to see. </p>
<p>We had the Sunday night there and then Monday night at Dr. Phillips [Center for the Performing Arts] on the lawn, which was not supposed to be what it was, but turned into this thing, and—and it just started happening, and we had GALA [Choruses Festival] coming. We knew—and that was gonna change. Everything was gonna change. So we got invited to the—to sing at the formal thing at Dr. Phillips on the 28<sup>th</sup>.[9] I was flying out. I was going early. I have an ex-boyfriend that lives in Denver[, Colorado], and four years ago, I got to visit with him. This year, I was going to do the same. Go early, spend some time with him, meet the husband—you know, of 11 years that I had never met, um—and so I wasn’t—I wasn’t at the first concert at Dr. Phillips inside, um, and I had a few days. I mean, there had been so many things. I think Carol said that between June 20<sup>th</sup>—the 12<sup>th</sup> and the 28<sup>th</sup>, there were 20 outreach things that we did, and I lost count how many I did. You know, some of them were just the ensemble things and s—one or two people, but—but, you know, 20 things that the chorus was involved in, and I had like at least nine that I did in those few days, and I got to Denver, and I had time away from all of it, you know? It was no longer in the news every day, and not what everybody’s talking about. Just time—and, uh, people talk about processing. It was like, <em>Oh, this is what that means.</em> Time to really think—to—to stop and feel, and then GALA would come, and I knew—I knew what it was gonna be like. I mean, GALA’s crazy anyway, and it was gonna be different. We were gonna, you know—kind of like, if you’re gonna be a part of this, you accept an obligation about certain things.</p>
I’m used to—I’m used to being a public figure. Mm—I’m a—I’m well-known in the world of dancing. In the world of same-sex dancing, I’m the grandfather. I’m known. Um, I was well-known in my work in California. I mean, we didn’t talk about it, but I’ve—I’ve done things that people don’t understand, you know? I worked on—when you type on the computer and it offers you the corrected spelling[10] or look ahead,[11] I developed that for the very first system that ever had it—was the—the satellite control system that I did for NASA in the [19]80s. That didn’t become available for a very, very long time. I developed that. The very first clickable interface to purchase—“online shopping” is what we call it now—I developed that. The—the idea that you can get credit by filling out an online form, that was revolutionary. I did that. I designed that. Um, then when you go to an ATM[12] and you put in your money or your check, and it just reads it and tells you—instead of putting that in an envelope and writing on the envelope, and a person has to open it and count it. I did that—not—not for ATMs. Didn’t fit in an ATM when I did it.
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>But that technology was something I developed. That’s what I worked on. I’ve done all these things with computers that have transformed the world as we know it, and that are now a part of everybody’s existence in the Western world, and how we just interact all the time, and my name is not on any of it. I have no patents. I’m not famous for any of it, but the people who were there, they all knew, you know? I walked into a room of computer nerds in the Bay area. Everybody knew who I was. I was the guy that had won a congressional award for software. There wasn’t anybody else that had done that and never has been, you know? I was the guy that walked up to Steve Jobs and told him he was wrong.</p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>[<em>laughs</em>] He was not happy with me. Um, and I—I know what it’s like to be public, and what the chorus was facing was—we were gonna be the face of Orlando—the face of Pulse at this huge thing. When somebody comes walking up and they have to say something to you, or they have to express how they feel, the obligation is listen. Let them. Let them feel what they feel. Let them share what they have to say. Because at that point, it’s no longer about us. People need the space to be able to express, to—to grieve, to process, and we were gonna be their outlet for doing that.<strong><br /></strong></p>
<p>James [A. Rode] was not exactly the kind of director that was used to talking a lot, especially in a performance. The first time he was involved with a performance of the chorus, we sang. He probably said six words to the audience. Not his thing. We were in the waiting area backstage and he spoke to us. We had this set of songs, carefully chosen—changed from what it was supposed to be. I mean, we had—our—our set for GALA was celebratory when we started. Had to change—the message had to change, and some of the music was not music that people wanted to necessarily be singing, um, but it told a story, and he talked to us. “We have an obligation. Find a connection to that music. Relay the message that we’re bringing. It’s hard,” you know, “There’s suffering, there’s pain, and there’s hope. It’s up to us. Create hope, create love.” Like it was beautiful.</p>
<p>So we all walk onstage and we start to sing, as we [inaudible] the ovation, and, you know, you just have to stand there and take it. I used to teach people, “You just gotta stand there and take it.” I made my staff learn to be acknowledged. It’s not easy holding up. It’s not easy, and what did we do? Well, we have to live in Orlando and sing [<em>sniffles</em>]. [inaudible] cause is[?] [inaudible], and then, James read his statement to the audience. None of us had a clue what it said, and then—I mean—oh, God. The man’s eloquent, you know? He’s a schoolteacher, he’s educated, he knows how to write. It was good. It was devastating. It was like—and then, “Let’s sing.” It was like, <em>Oh, no. You’ve gotta be kidding.</em> It’s like—like—I—but, you know, at that point, it didn’t matter. We could’ve stood there and flapped our arms like birds and nobody would’ve cared, and so—but we tried. I mean, by the second verse—it was “You’ll Never Walk Alone”—by the second verse, we—we could maybe sort of sing, and the walkout into that crowd of people.</p>
<p>I remember being in Washington, D.C., you know, mid-[19]90s in like the second March on Washington [for Lesbian, Gay, and Bi Equal Rights and Liberation]. Being on the subway when I lived in the Bay area—you know, one of gay centrals—it’s like, “No.” You know when you ride on BART,[13] you’re not safe. Doesn’t matter that it’s San Francisco[, California], you know? You—y—y—there’s a way of being circumspect, and I’m—I spent my whole childhood being abused because I was different. I didn’t understand that “different” meant “gay,” but they did. I went[?], you know—I—it was a normal part of my experience to be physically attacked on a regular basis. Thrown into lockers, you know, punched and hit—and that was just normal, and n—there was[sic] no adults who really cared. My mother asked me the other day it was like, “Where—wa—was I affectionate as a mother?” And I said, “Not to me,” And she was shocked—just shocked. It’s like, “I’m the wrong one to ask.” I didn’t let anyone touch me. From—from the day—first day of first grade—new school, you know, didn’t know anybody, new city—and the first thing that happened to me was to be attacked. Yeah, I didn’t let people touch me. Dancing was my way of touch. Other than that, no one touched me, you know? Not hug people, barely would shake hands. Not allowed to touch, and you walk out to this—wanting to hug you. I’m not good at hugging. You have to let people, and I had scheduled my flights that I would actually not stay to the very end. I was so grateful. I couldn’t take it anymore [<em>sniffs</em>].</p>
<p>At GALA, they have “coffee concerts” in the morning. They, um—a longer time slot to do something with. A very small, Canadian group had one of ‘em. It was very crowded. I managed to get a seat. It was marvelous. It was funny. Almost every one of the choruses added something in to acknowledge. you know, It was very—uh, um, I don’t want to seem callous, but it was like, you know, one more—“Thanks,” you know, [<em>laughs</em>] but—and the Canadians change theirs—program too a little bit, but what was fascinating to me was they had this woman in a hijab singing with them [<em>sniffs</em>]. She was fascinating. Soaring soprano voice, phenomenally animated—just, you know, capture everyone’s eye when she was onstage, and they—they sang a song in, um, not Farsi, but, um, Arabic, because of her, and, you know, it’s normal, you know? People are leaving the stage and you line the hallways and everybody comes in. Everybody [inaudible]. So I just waited. I waited. I waited.</p>
<p>We had—we had, uh, you know—people had ribbons that we had made and stickers and the Pulse logos and there was like [inaudible], and I wanted to talk to this woman, and everybody wanted to talk to this woman. She had friends there—all this—and I waited, and finally. Finally, there was a camera crew following her around, and I just waited until she was kind of done and all settled down, and she saw me in the shirt—the shirt, and she looked at me and I looked at her, and I put out my hand and it had one of the Pulse stickers in it, and I said to her, “I want you to have this,” and it was extraordinary. Here’s this woman, who turns out isn’t a woman. She’s—she’s a transsexual in process, who is a convert to Islam, who decided to be Orthodox, found an organization in Canada that would accept her for who she is, you know? Coming to America to a major city after a shooting that’s related to, you know, an Islamic fundamentalist supposedly—not really, but that’s the perception—and as we stood there, we talked—I don’t know—20 minutes. It was amazing, and, you know, the stories that she had to tell. Just m—this is—this is what bravery looks like. I was like, “Let’s get the picture,” you know? I don’t do pictures. I always forget, but I have my picture with her. You know, put it on Facebook. It’s mine.</p>
There were—there’s been a lot of things. Um, one of the outreaches was at, um, [John F.] Kennedy Space Center, and not many people could go. It was like, workday, Tuesday, all day, have to be able to get on base. Not everybody would pass the minimal clearance requirements, um, but I could go, and, um, I was like, <em>Oh, this’ll be interesting</em>, you know? <em>I wonder in anybody will know my project</em>, and that was—it was—and, you know, when I worked with TRW Space and Defense, being gay was not a good thing, um, and when we show up it’s gonna be this auditorium full of people, who— ‘cause they have an organization now. It’s like NASA has an organization for gay people. Different world, and—and, yes, you know—people know the project that I worked on. It’s still a meaningful thing. People actually, you know, there were people who know my father’s name. It was amazing, and that was hard. That was—for me, that was the hardest one to sing there.
<p>There’s still—I just—we just went Sunday to the movie theater, ‘cause Tony Romero—I don’t know what his last name is—invited the chorus and a few other people, ‘cause Ellen [DeGeneres] gave him a showing of <em>Finding Dory</em>, which I did not see, and it’s like, <em>Okay, this is lovely. Get to go</em>—it’s changing. We get to reflect differently. We get to look to a future. The obligation to create something meaningful is on those who survive, who are after. It’s like funerals aren’t for the dead. They’re for the living. We’re living. We get to choose what this means. We get to choose what happens. I want—I want there to be a difference. I want the world to wake up and know, and I don’t want it to be because it was a gay club in Orlando, but something has to do it.</p>
<p>You know, you take the populations of Great Britain, and Australia, Denmark, and Sweden, and, you know, several other countries combined—is less than the population of the United States, and we have, you know, up 50 times the murder rate that they do. It’s not just because we’re stupid; it’s because they have gun laws that are meaningful and we don’t. You know, Australia had a mass shooting[14] and they changed their world. It was sane. We’re insane. We’re living in an insane society. I want sanity. I’m tired of it costing lives.</p>
<p>I don’t look forward to my birthday next year, ‘cause it’s gonna be, you know, the weekend of the one-year anniversary. I don’t want there to be a one-year anniversary. There will be. I’ll be there. I wish I didn’t have to. It’s so preventable. We have to be responsible for what happens next. I have to be responsible for what happens next.</p>
<strong>Cravero<br /></strong>[<em>clears throat</em>]. Well, I guess, what sort of, uh—what would you hope the long-term consequences will be for the Orlando gay community, and really just for the city—the larger city or the—just maybe even society from this?
<p><strong>Lamberty<br /></strong>You know, [<em>sighs</em>] it was interesting. Um, after this, it’s like you’re driving around town and there’s rainbow lights everywhere, and like, you know, it was August. W—my brother was in town for the weekend or the day with this wife. They live in Melbourne[, Florida], and we were gonna go to brunch up in Longwood. Driving and getting off at the exit in I[nterstate] 4, it was raining, and it’s—and below it is the banner—“Orlando Untied”—with the rainbow flag. I was looking at it, it’s like [inaudible]. I took a picture out of the window of the car, and we got to the restaurant and, you know, had this wonderful brunch, and leaving the restaurant, they have one of those chalkboard things, you know—two-sided, and on the front side g—walking in is all the specials, and on the back side was the “Orlando Strong”—“Orlando United,” but, you know, I don’t—where was I? Longwood somewhere. Casselberry, and there is the CVS [Pharmacy] with the electronic sign out front that cycles through its set of stuff. One of which was “Orland Strong.” I was like—I think it would be beautiful if what would just happen is that we could be the “City of Rainbows.” W—let’s, you know, that—somehow [<em>laughs</em>] the gay community got the rainbow flag. It’s like, <em>Wow, that was smart</em> [<em>laughs</em>].</p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>I don’t know if they were actually planning that far in advance, but it was like, <em>Wow, we co-opted the rainbow</em> [<em>laughs</em>].</p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>It’s like, <em>That’s awesome</em>. It’s like “The City Beautiful.” It’s like “The City of Rainbows.” Wow, I would—I would love for all of these city buildings and—and banks and everything else just like keep putting up rainbows. They’re beautiful. We can create all the meaning we want from them. They’re beautiful. That would be a wonderful thing to have happen.</p>
Um, I would—I want gun control that makes sense. I don’t know that we’re gonna get it. I don’t know how we’re gonna get it, because we—our society is literally insane, but I would like that to be an outcome.
<p>I would like that, you know—we have this political season that we’re dealing with. We’re dealing with the rise of fundamentalism. People don’t understand what that means. Fundamentalism is a particular thing in philosophy. It’s—it’s not just an extreme point of view—that’s orthodoxy. It’s not just that “I’m right and you’re wrong.” It is: “I’m right, you’re wrong,” and the existence of other ideas, other beliefs cannot be tolerated, and must be suppressed or eliminated by whatever means necessary. That’s fundamentalism. We’ve seen it in religions—not just Islam. I mean, you know, American Christianity is full of its fundamentalism. “You will believe the way that I say it’s supposed to be or”—and when, you—political fundamentalism—“I’ll get what I want in this bill or this bill will never happen.” There is no such thing as compromise in fundamentalism. Nationalism is a form of fundamentalism. Brexit is fundamentalism. The rise of these nationalistic parties in Europe—that’s fundamentalism. You know, even the idea that the news doesn’t tell us the facts. They tell us how we’re supposed to feel about what happens. No, you don’t get to tell me how to feel, but somehow that’s become part of news. No, but that’s representive[sic] of fundamentalism. It’s, “You don’t get to have your opinion.” There is “the opinion” and that’s it.</p>
<p>As long as that’s true, we’re not gonna see gun control. We’re not gonna see a society where it’s truly safe to be gay. We’ve made huge progress, but that doesn’t change the way that people think, or believe—believe is worse. Belief takes no foundation. There’s—doesn’t have to be proved, and anything that stands in the way of it can be discounted.</p>
<p>We sing, you know—you know, we talk about the—what is our purpose? We’re gonna change hearts and minds from musical excellence. The opportunity that’s been presented to the Orlando Gay Chorus because of this horrific thing is phenomenal. We get an audience that we would never have had, and we get to stand up, and we get to sing, and we get to do it as a gay group, and people get to hear good music, good singing, and it has a message, and we’re gay. I—you know, I talked to the leadership in the chorus and said, “Don’t be afraid. It’s—you’re not—there’s nothing wrong—there’s nothing wrong with capitalizing on this moment.” We’ve said for a long time that we want to stand up and mean something. The opportunity’s been handed to us. The mistake would be to not take it. Say, “Yes.” Do these things. Put the message out there, and do it for the right reasons.</p>
<p>I said to Tony the other day—the business manager—“You know, there are a lot of survivors in a lot of ways. Most of them can’t—can’t stand up and talk to the world. It’s not a part of who they are,” but he can, and I remember eighth grade. There was this thing happening, you know—one of the kids in school—and I went home and I complained to my mother about it, and she said, “Who did you talk to?” I was like, “No one. Not me,” You know, and she’s, “Well, you know? You should.” I was like, “Why?” It’s like, “Well, because you can.” So the next day, I marched myself into the principal’s office and complained on behalf of somebody who couldn’t. Those who can need to. Tony can stand up and talk to the world about his experience, and maybe change the world’s thinking—little bit by little bit by doing that. he should. He’s not opportunistic. He has a message that needs to be heard, and he’s capable of delivering it, and he can do that on behalf of victims everywhere. He should. The chorus has an opportunity. We should. We can. It’s not opportunistic. Yes, does it move our agenda forward—the agenda we’ve had f—long before this happened? Absolutely, but it’s still the right thing to do, and it’s for the right reasons, and that’s what we should do. We should keep saying “yes” to the opportunities that arise, and over time—it’s already happening—that they’re—they’re not about that anymore. We got to sing with the Second Harvest Food Bank [of Central Florida], because I go to their dinners, and I know the organizer there, and she likes me.</p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>And after this happened, she said to me, “You sing with the Gay Chorus.” I was like, “Yes, I do.” “I wanna talk to you about it.” I was like, “Not the right one to talk to, but, boy, can I get you in touch with the person who is,” and we got to do this amazing event for an audience who we would otherwise never touch. Changed the perception of a lot of things.</p>
<p>We got to sing the national anthem[15] at the First Responders’ Breakfast. This is not a group of people who are gonna just suddenly say, “Oh, gosh. We need to have the Orlando Gay Chorus come and sing.” We’re gonna sing for the AFL-CIO.[16] It’s like Jimmy Hoffa’s[17] union.[18]</p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>We’re gonna sing for them. The gay chorus in Orlando is gonna sing for Jimmy Hoffa’s union.</p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>That was not gonna happen before, and now, it is. So, you know, what’s gonna come of this? I hope that. I hope lots of things like that. I hope a dialogue, in music for us, that lets people have a different experience of what “gay” means, and then, maybe the world really can change.</p>
<strong>Cravero<br /></strong>Thank you so much for sharing that with us today, Richard. I really appreciate it. Is there anything else you’d like to add? I mean I—that was a great—that was a great place to end, I think.
<p><strong>Lamberty<br /></strong>No, you don’t—you don’t want to get me started on Lucy.[19] It’s okay.</p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>[<em>laughs</em>] Read the blog.[20]</p>
<p><strong>Cravero<br /></strong>We can always do a second interview.</p>
<p><strong>Lamberty<br /></strong>[<em>laughs</em>].</p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>Read—read the blog on Lucy.</p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>Did you find my blog?</p>
<p><strong>Cravero<br /></strong>I did.</p>
<p><strong>Lamberty<br /></strong>Yeah.</p>
<p><strong>Cravero<br /></strong>I did.</p>
<p><strong>Lamberty<br /></strong>Yeah.</p>
<p><strong>Cravero<br /></strong>Well, that’s an interview for another time.</p>
<p><strong>Lamberty<br /></strong>Oh, yeah.</p>
<p><strong>Cravero<br /></strong>[<em>laughs</em>].</p>
<p><strong>Lamberty<br /></strong>This—thank you. You know, it’s like—this’ll go into an archive, and—and who knows? Maybe some researcher a hundred years from now will look at it, but probably, other than that, nothing.</p>
<p><strong>Cravero<br /></strong>Aw.</p>
<p><strong>Lamberty<br /></strong>That’s okay.</p>
<p><strong>Cravero<br /></strong>It’s fantastic. Well, this is, uh—this has been Geoffrey Cravero with Richard Lamberty in the conference room of the Center for Digital Humanities and Research at UCF in Orlando, Florida, on Tuesday, October 11<sup>th</sup>, 2016.</p>
<br /><div>
<div>
<p>[1] University of Central Florida.</p>
</div>
<div>
<p>[2] National Aeronautics and Space Administration.</p>
</div>
<div>
<p>[3] Acquired immune deficiency syndrome.</p>
</div>
<div>
<p>[4] North American Same-Sex Partner Dance Association.</p>
</div>
<div>
<p>[5] European Same-Sex Dancing Association (ESSDA).</p>
</div>
<div>
<p>[6] Dance Vision International Dancers Association.</p>
</div>
<div>
<p>[7] Gay and Lesbian Association of Choruses.</p>
</div>
<div>
<p>[8] Joy Metropolitan Community Church.</p>
</div>
<div>
<p>[9] Of June.</p>
</div>
<div>
<p>[10] Spell check.</p>
</div>
<div>
<p>[11] Typeahead.</p>
</div>
<div>
<p>[12] Automatic teller machine.</p>
</div>
<div>
<p>[13] Bay Area Rapid Transit.</p>
</div>
<div>
<p>[14] Port Arthur massacre.</p>
</div>
<div>
<p>[15] The Star-Spangled Banner.</p>
</div>
<div>
<p>[16] American Federation of Labor and Congress of Industrial Organizations.</p>
</div>
<div>
<p>[17] Born James Riddle Hoffa.</p>
</div>
<div>
<p>[18] Correction: Jimmy Hoffa was the president of the International Brotherhood of Teamsters (IBT).</p>
</div>
<div>
<p>[19] Lamberty’s now-deceased dog.</p>
</div>
<div>
<p>[20] http://rexl.org/.</p>
</div>
</div>
2016 Orlando nightclub shooting
A Prayer for Children
acquired immune deficiency syndrome
AFL-CIO
AIDS
American Federation of Labor and Congress of Industrial Organizations
April Follies
ATM machines
automated teller machine
Ava Kaye
ballroom dancers
ballroom dancing
Barbara Zoloth
BART
Bay Area Rapid Transit
bullying
cash machines
Casselberry
Catholicism
Catholics
CBS News
Center for Humanities and Digital Research
CHDR
Christian fundamentalism
Christianity
coffee concerts
Colonial Plaza Mall
Croatian War of Independence
dance instructors
Dance Vision International Dancers Association
dancers
defense
Denver
Diane Jarmolow
Dr. Phillips Center for the Performing Arts
DVIDA American Smooth Bronze Syllabus manual
El Paso
Ellen DeGeneres
ESSDA
European Same-Sex Dancing Association
Facebook
Finding Dory
fundamentalism
fundraisers
GALA Choruses Festival
Gay and Lesbian Association of Choruses
Gay Games
Geoffrey Cravero
GLBT
GLBT Community Center of Central Florida
gun control
gun regulations
gun violence
Harris Corporation
hate crimes
hijab
HIV
hoedowns
homophobia
homosexuality
human immunodeficiency virus infection
James A. Rode
Japan
Jim Brown
John F. Kennedy Space Center
Joy MCC
Joy Metropolitan Community Church
Kennedy Space Center Vigil
kinesiology
KSC
Latin Night
LGBT
LGBT Center of Central Florida
LGBTIQ
LGBTQ
Lockheed Martin
Longwood
March Madness
March on Washington for Lesbian, Gay, and Bi Equal Rights and Liberation
Martin Marietta Corporation
mass shootings
NASA
NASSPDA
National Aeronautics and Space Administration
New Mexico
North American Same-Sex Partner Dance Association
OGC
online credits
online shopping
Orange Blossom Dance Festival
Orange County Convention Center
orlando
Orlando Cloggers
Orlando Gay Chorus
Orlando Strong
Orlando United
Orthodox Muslims
outreach events
Parliament House
Port Arthur massacre
Pulse
Pulse massacre
Pulse nightclub
Pulse nightclub shooting
Pulse tributes
RA
rainbow flags
religious fundamentalism
rheumatoid arthritis
Rollins College
round dancing
same-sex
San Francisco
Second Harvest Food Bank of Central Florida
space
spell check
square dancers
square dancing
St. Margaret Mary Catholic Church
St. Matthew’s Tavern at the Orlando Beer Garden
Steve Jobs
terrorism
terrorist attacks
terrorists
The Center
The Plaza Live
Tom Slater
transgender
True Colors
TRW Space and Defense Park
TRW, Inc. Space and Defense
typeahead
UCF
Uncut
University of Central Florida
vigils
World Outgames
You'll Never Walk Alone
Yugoslav Wars
-
https://richesmi.cah.ucf.edu/omeka/files/original/5f5e1a4b2ac980afff25c47379902613.pdf
58992383a0fe29ffd131fc322940fb07
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
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A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District, January 1974
Alternative Title
Seminole Soil and Water Conservation Annual Report
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for January 1974. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. This report discusses the introduction of new plants and grasses to Seminole County and also mentions a flood hazard study for U.S. Housing and Urban Development (HUD). In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year.
Type
Text
Source
Original 5-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, January 1974: Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 5-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, January 1974.
Coverage
Seminole County, Florida
Creator
Hughes, James E.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Hughes, James E.
Date Created
ca. 1974-01
Date Issued
ca. 1974-01
Format
application/pdf
Extent
566 KB
Medium
5-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by James E. Hughes and published by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>.
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This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:
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<li>perform the work publicly</li>
<li>display the work</li>
<li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li>
</ul>
This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Hughes, James E. 1974. <em>1974 Annual Report of the Seminole Soil and Water Conservation District</em>. Sanford, Florida.
agriculture
Charles A. Wales
citrus
conservation
farmers
farming
grasses
Hubert Bagwell
James E. Hughes
Joe Hopkins
land use
natural resources
S. B. Crowe
Sanford
Seminole County
Seminole Soil and Water Conservation District
Soil and Conservation Service
soil improvement
SSWCD
U.S. Department of Agriculture
USDA
water
water control
-
https://richesmi.cah.ucf.edu/omeka/files/original/178a2de01e32dd82d3a928f53861b713.pdf
367e7f225c49b82f72ea8ce41f2cb13a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District,1972
Alternative Title
Seminole Soil and Water Conservation Annual Report
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1972. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year. The report acknowledges contributions from the Seminole County Board of Commissioners and the assistance of the U.S. Department of Agriculture (USDA) and the Florida State Forestry Service. The report also thanks the local office of the Farm Bureau and the local radio station, WTRR, for promoting conservation efforts.
Type
Text
Source
Original 2-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1972: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 2-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1972.
Coverage
Seminole County, Florida
Creator
Hughes, James E.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Hughes, James E.
Date Created
ca. 1972
Date Issued
ca. 1972
Format
application/pdf
Extent
364 KB
Medium
2-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by James E. Hughes and published by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:
<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li>
<li>create derivative works</li>
<li>perform the work publicly</li>
<li>display the work</li>
<li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li>
</ul>
This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Hughes, James E. 1972. <em>1972 Annual Report of the Seminole Soil and Water Conservation District</em>. Sanford, Florida.
Bishop C. Beville
Cecil Jernigan
Charles A. Wales
Cliff Carter
Commercial Street
conservation
dikes
Emiley Norris
Ernest Copeland
Farm Bureau
fish hatcheries
fish hatchery
fish ponds
Hubert Bagwell
Jackson Heights Elementary School
James E. Hughes
JHES
Jim Krider
Joe Hopkins
John McEvoy
levees
Oviedo
Peat Heard
Rankin Peadon
Robert Craig
S. B. Crowe
Sanford
Seminole County
Seminole Soil and Water Conservation District
Soil and Conservation Service
SSWCD
U.S. Department of Agriculture
USDA
Welaka
WTRR
-
https://richesmi.cah.ucf.edu/omeka/files/original/0dd840ce068cc08d933a5fe6cb99b847.pdf
b6d19b3a52ac07486407ba4c4e8696a7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District,1971
Alternative Title
Seminole Soil and Water Conservation Annual Report
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1971. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year. The report acknowledges contributions from the Seminole County Board of Commissioners and the assistance of the U.S. Department of Agriculture (USDA) and the Florida State Forestry Service. The report also thanks the local office of the Farm Bureau and the local radio station, WTRR, for promoting conservation efforts. The report also discusses the introduction to the county of a new pasture grass called Hemarthria Altissima, furnished by the Plant Materials Center of the Soil Conservation Service in Brooksville, Florida, due to its low temperature requirements and rank growth. Finally, the report discusses the development and management of fishponds and catfish production and two animal waste lagoons installed at local dairies.
Type
Text
Source
Original 5-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1971: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 5-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1971.
Coverage
Seminole County, Florida
Creator
Linz, W. W.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Linz, W. W.
Date Created
ca. 1971
Date Issued
ca. 1971
Format
application/pdf
Extent
2.2 MB
Medium
5-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and W. W. Linz.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:
<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li>
<li>create derivative works</li>
<li>perform the work publicly</li>
<li>display the work</li>
<li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li>
</ul>
This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Linz, W. W. 1971. <em>1971 Annual Report of the Seminole Soil and Water Conservation District</em>. Sanford, Florida.
Charles A. Wales
conservation
Hemarthria Altissima
Hubert Bagwell
James E. Hughes
Jim Hughes
Joe Hopkins
John Winter
natural resources
pollution
radio
Seminole County
Seminole Soil and Water Conservation District
Soil and Conservation Service
SSWCD
timber
U.S. Department of Agriculture
University of Florida
USDA
W. W. Linz
wildlife
wildlife management
WTRR
-
https://richesmi.cah.ucf.edu/omeka/files/original/9602c039b671dee6af00b6ee15b9284f.pdf
8939754089a44064c80aeca06b9c1727
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District,1970
Alternative Title
Seminole Soil and Water Conservation Annual Report
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1970. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year. The report acknowledges contributions from the Seminole County Board of Commissioners and the assistance of the U.S. Department of Agriculture (USDA) and the Florida State Forestry Service. The report also thanks the local office of the Farm Bureau and the local radio station, WTRR, for promoting conservation efforts. Additionally, the report discusses the introduction to the county of a new pasture grass called Haltgrass, or Hemarthria Altissima, furnished by the Plant Materials Center of the Soil Conservation Service it Brooksville, Florida. The report explains that the new grass is useful for grazing and haying. Finally, the report discusses the revamping of tile systems on vegetable land and includes statistical information for 1970 and an appropriation ledger for office supplies and expenses for 1969 and 1970.
Type
Text
Source
Original 7-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1970: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 7-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1970.
Coverage
Seminole County, Florida
Creator
Linz, W. W.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Linz, W. W.
Date Created
ca. 1970
Date Issued
ca. 1970
Format
application/pdf
Extent
702 KB
Medium
6-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and W. W. Linz.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:
<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li>
<li>create derivative works</li>
<li>perform the work publicly</li>
<li>display the work</li>
<li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li>
</ul>
This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Linz, W. W. 1970. <em>1970 Annual Report of the Seminole Soil and Water Conservation District</em>. Sanford, Florida.
Central Florida Experiment Station
Charles A. Wales
Commercial Street
conservation
Creeping Beggarweed Seed
FFS
Florida Cooperative Extension Service
Florida Forest Service
Hubert Bagwell
James E. Hughes
Jim Hughes
Maidencane Stolons
Plant Materials Center
Richard Schultz
Sanford
Seminole County
Seminole Soil and Water Conservation District
Soil and Conservation Service
SSWCD
tile systems
U.S. Department of Agriculture
USDA
vegetables
W. W. Linz
-
https://richesmi.cah.ucf.edu/omeka/files/original/5b0daf3cc9cbbe976dec03954bc9df97.pdf
3cda54ed39561398cadf1ed54cadcdc6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District,1969
Alternative Title
Seminole Soil and Water Conservation Annual Report
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1969. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year. The report acknowledges contributions from the Seminole County Board of Commissioners and the assistance of the U.S. Department of Agriculture (USDA) and the Florida State Forestry Service. The report also discusses the 1969 Recreational Potential Appraisal meant to publicize areas within Seminole County with recreational or public attraction potential. Additionally, the report describes the popular use of ponds for water storage and stocking of fish, such as bream and black bass for recreational purposes. Nineteen ponds were constructed along with 22,000 feet of drainage ditches, and 90,000 feet of vegetable tiles. Finally, the report includes an appropriation ledger for office supplies and expenses for 1968 and 1969.
Type
Text
Source
Original 6-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1969: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 6-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1969.
Coverage
Seminole County, Florida
Creator
Linz, W. W.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Linz, W. W.
Date Created
ca. 1969
Date Issued
ca. 1969
Format
application/pdf
Extent
546 KB
Medium
5-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and W. W. Linz.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:
<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li>
<li>create derivative works</li>
<li>perform the work publicly</li>
<li>display the work</li>
<li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li>
</ul>
This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Linz, W. W. 1969. <em>1969 Annual Report of the Seminole Soil and Water Conservation District</em>. Sanford, Florida.
black bass
bream
Central Florida Experiment Station
Charles A. Wales
Commercial Street
conservation
drainage
farmers
farming
FFS
fish ponds
fishing
Florida Forest Service
Hubert Bagwell
James E. Hughes
Jim Hughes
recreation
Richard Schultz
Sanford
Seminole County
Seminole Soil and Water Conservation District
Soil and Conservation Service
SSWCD
U.S. Department of Agriculture
USDA
vegetables
W. W. Linz
water control
-
https://richesmi.cah.ucf.edu/omeka/files/original/5f08d8a513212383d1c4db5ead93ed9c.pdf
2428759df93f5f161820f8fe568b6050
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District,1968
Alternative Title
Seminole Soil and Water Conservation Annual Report
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1968. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year.
Type
Text
Source
Original 4-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1968: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 4-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1968.
Coverage
Seminole County, Florida
Creator
Linz, W. W.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Linz, W. W.
Date Created
ca. 1968
Date Issued
ca. 1968
Format
application/pdf
Extent
324 KB
Medium
3-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and W. W. Linz.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:
<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li>
<li>create derivative works</li>
<li>perform the work publicly</li>
<li>display the work</li>
<li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li>
</ul>
This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Linz, W. W. 1968. <em>1968 Annual Report of the Seminole Soil and Water Conservation District</em>. Sanford, Florida.
agriculture
Central Florida Experiment Station
Charles A. Wales
conservation
farmers
farming
fish
fishing
Florida State Forestry Service
Hubert Bagwell
James E. Hughes
Jim Hughes
John Winter
Richard Schultz
Russell Rudd
Seminole County
Seminole Soil and Water Conservation District
Soil and Conservation Service
SSWCD
St Johns River
U.S. Department of Agriculture
USDA
W. W. Linz
-
https://richesmi.cah.ucf.edu/omeka/files/original/0b8575dcf55a71ea6e3e41dd2ee9c040.pdf
6cc1eed2a9ddd15794823718d647c50a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District, 1967
Alternative Title
Seminole Soil and Water Conservation Annual Report
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1967. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year. The report acknowledges contributions from the Seminole County Board of Commissioners and the assistance of the U.S. Department of Agriculture (USDA) and the Florida State Forestry Service.
Type
Text
Source
Original 6-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1967: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 6-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1967.
Coverage
Seminole County, Florida
Creator
Linz, W. W.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Linz, W. W.
Date Created
ca. 1967
Date Issued
ca. 1967
Format
application/pdf
Extent
550 KB
Medium
6-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and W. W. Linz.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:
<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li>
<li>create derivative works</li>
<li>perform the work publicly</li>
<li>display the work</li>
<li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li>
</ul>
This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Linz, W. W. 1967. <em>1967 Annual Report of the Seminole Soil and Water Conservation District</em>. Sanford, Florida.
agriculture
C. A. Wales
catfish
conservation
farmers
farming
fish
fishing
James E. Hughes
Sanford
Seminole County
Seminole Soil and Water Conservation District
Soil and Conservation Service
SSWCD
U.S. Department of Agriculture
USDA
W. W. Linz
-
https://richesmi.cah.ucf.edu/omeka/files/original/854970cdf6cb94a8d23ac6e1154799cc.pdf
6e4a79c882d2b522df3a4ef384d0c5d4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District, 1965
Alternative Title
Seminole Soil and Water Conservation Annual Report
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1965. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year.
Type
Text
Source
Original 6-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1965: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 6-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1965.
Coverage
Seminole County, Florida
Creator
Linz, W. W.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Linz, W. W.
Date Created
ca. 1965
Date Issued
ca. 1965
Format
application/pdf
Extent
485 KB
Medium
6-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and W. W. Linz.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:
<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li>
<li>create derivative works</li>
<li>perform the work publicly</li>
<li>display the work</li>
<li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li>
</ul>
This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Linz, W. W. 1965. <em>1965 Annual Report of the Seminole Soil and Water Conservation District</em>. Sanford, Florida.
agriculture
Charles A. Wales
citrus
conservation
farmers
farming
housing development
Hubert Bagwell
James E. Hughes
Jim Hughes
John Winter
land use
National Association of Soil and Water Conservation
recreation
Richard Schultz
Russell Rudd
Sanford
Seminole County
Seminole Soil and Water Conservation District
Soil and Conservation Service
SSWCD
U.S. Department of Agriculture
USDA
vegetables
W. W. Linz
-
https://richesmi.cah.ucf.edu/omeka/files/original/6a59dbc55f9e04827fb7755bde62e525.pdf
94e3de49f584bc2e6b04754c083ac6ba
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District, 1964
Alternative Title
Seminole Soil and Water Conservation Annual Report
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1964. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year.
Type
Text
Source
Original 6-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1964: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 6-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1964.
Coverage
Seminole County, Florida
Creator
Linz, W. W.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Linz, W. W.
Date Created
ca. 1964
Date Issued
ca. 1964
Format
application/pdf
Extent
665 KB
Medium
6-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and W. W. Linz.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:
<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li>
<li>create derivative works</li>
<li>perform the work publicly</li>
<li>display the work</li>
<li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li>
</ul>
This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Linz, W. W. 1964. <em>1964 Annual Report of the Seminole Soil and Water Conservation District</em>. Sanford, Florida.
agriculture
Ben Wiggins
Bill West
Central Florida Experiment Station
Charles A. Wales
citrus
conservation
Don Farrens
Don Sipes
Farmer's Herald
farmers
farming
forest rangers
Hubert Bagwell
Jack Dodd, Elbert Cammack
James E. Hughes
Jim Hughes
John Winter
Raymond McGough
Richard Schultz
Russell Rudd
Sanford
Seminole County
Seminole Soil and Water Conservation District
Soil and Conservation Service
SSWCD
Terrell Davis
The Farm Forester
tile drain
U.S. Department of Agriculture
USDA
W. W. Linz
wetland citrus groves
Wilber Arp
-
https://richesmi.cah.ucf.edu/omeka/files/original/684e58ba5e32d5eb9d90d2971b948d0b.pdf
22c0d87b09cd76c115ffcad66260e494
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District, 1963
Alternative Title
Seminole Soil and Water Conservation Annual Report
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1963. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year.
Type
Text
Source
Original 9-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1963: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 9-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1963.
Coverage
Seminole County, Florida
Creator
Linz, W. W.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Linz, W. W.
Date Created
ca. 1963
Date Issued
ca. 1963
Format
application/pdf
Extent
1.23 MB
Medium
6-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and W. W. Linz.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:
<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li>
<li>create derivative works</li>
<li>perform the work publicly</li>
<li>display the work</li>
<li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li>
</ul>
This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Linz, W. W. 1963. <em>1963 Annual Report of the Seminole Soil and Water Conservation District</em>. Sanford, Florida.
agriculture
Al Furman
bass
Ben Wiggins
Boy Scouts
bream
Cape Kennedy
Cecil Tucker
Charles A. Wales
Chuluota
conservation
development
Don Sipes
drainage
Elbert Cammack
Farm Bureau
farmers
farming
farmland
Fern Park
FFA
fish
fishing
flowing wells
Forrest City
Groveland
H. L. Hunt
H. L. Hunt Plant
Horace White
housing development
Hubert Bagwell
industrial
irrigation
Jack Dodd
James E. Hughes
Jim Hughes
John Winter
Mark Bullock
martin company
orlando
Oviedo
Phil Westgate
R. V. Forbes
Ralph Hammond
recreation
Richard Schultz
Sanford
Sanford Rotary Club
Seminole County
Seminole Soil and Water Conservation District
Soil and Conservation Service
SSWCD
Terrell Davis
The Sanford Herald
U.S. Department of Agriculture
USDA
W. W. Linz
water control
Wilber Arp
wildlife
-
https://richesmi.cah.ucf.edu/omeka/files/original/7eb0350256df630f23a44f9543e5c30e.pdf
7821d637a78b1371a8ce67c488be7f12
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District, 1962
Alternative Title
Seminole Soil and Water Conservation Annual Report
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1962. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year.
Type
Text
Source
Original 7-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1962: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 7-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1962.
Coverage
Seminole County, Florida
Creator
Hammond, Ralph
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Hammond, Ralph
Date Created
ca. 1962
Date Issued
ca. 1962
Format
application/pdf
Extent
1.02 MB
Medium
6-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and Ralph Hammond.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:
<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li>
<li>create derivative works</li>
<li>perform the work publicly</li>
<li>display the work</li>
<li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li>
</ul>
This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Hammond, Ralph. 1962. <em>1962 Annual Report of the Seminole Soil and Water Conservation District</em>. Sanford, Florida.
agriculture
Allen Sandifer
bass
Ben Wiggins
Boy Scouts
bream
Cecil Tucker
Central Florida Experiment Station
Charles A. Wales
citrus
conservation
controlled burns
development
Don Sipes
drainage
Econlockhatchee
Econlockhatchee River
Elbert Cammack
Farm Bureau
farmers
farming
farmland
FFA
firebreaks
fires
fish
fish ponds
fishing
Groveland
Horace White
housing development
Hubert Bagwell
irrigation
Jack Dodd
James E. Hughes
Jim Hughes
John Winter
Mark Bullock
orlando
Phil Westgate
R. V. Forbes
rainfall
Ralph Hammond
recreation
Richard Schultz
Sanford
Sanford Rotary Club
Seminole County
Seminole Soil and Water Conservation District
Soil and Conservation Service
SSWCD
Terrell Davis
U.S. Department of Agriculture
USDA
W. W. Linz
water control
wildlife
-
https://richesmi.cah.ucf.edu/omeka/files/original/88c6dcfcb49982b801cf4e37e63e9267.pdf
f525add24752d09f8fa8e15a635fb346
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District, 1961
Alternative Title
Seminole Soil and Water Conservation Annual Report
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1961. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year.
Type
Text
Source
Original 11-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1961: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 11-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1961.
Coverage
Seminole County, Florida
Creator
Hammond, Ralph
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Hammond, Ralph
Date Created
ca. 1961
Date Issued
ca. 1961
Format
application/pdf
Extent
1.48 MB
Medium
6-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and Ralph Hammond.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:
<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li>
<li>create derivative works</li>
<li>perform the work publicly</li>
<li>display the work</li>
<li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li>
</ul>
This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Hammond, Ralph. 1961. <em>1961 Annual Report of the Seminole Soil and Water Conservation District</em>. Sanford, Florida.
Al Furman
Allen Sandifer
Ben Wiggins
Bill West
Bonner L. Carter
C. A. Wales
cattle ranching
Cecil Tucker II
Central Florida Experiment Station
Charles Chellman
citrus
citrus farming
conservation
Curtin Green
Don Farrens
Elbert Cammack
Farm Bureau
farmers
farming
FFA
Homer Ballard
Horace White
irrigation, water control
Jack P. Dodd
John Winter
orlando
Phil Westgate
R. V. Forbes
Ralph Hammond
ranching
Robert E. Lee
Sanford
Sanford Junior High School
Seminole County
Seminole High School
Seminole Soil and Water Conservation District
SHS
Soil and Conservation Service
SSWCD
U.S. Department of Agriculture
USDA
Vo-Ag
W. W. Linz
-
https://richesmi.cah.ucf.edu/omeka/files/original/bbd8911ad8f5d95bcff8bd10f2034e0f.pdf
3a67ee760a60904189357bb95db1dce9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District, 1960
Alternative Title
Seminole Soil and Water Conservation Annual Report
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1960. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year.
Type
Text
Source
Original 10-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1960: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 10-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1960.
Coverage
Seminole County, Florida
Creator
Lee, Robert E.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Lee, Robert E.
Date Created
ca. 1960
Date Issued
ca. 1960
Format
application/pdf
Extent
1.41 MB
Medium
6-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and Robert E. Lee.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:
<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li>
<li>create derivative works</li>
<li>perform the work publicly</li>
<li>display the work</li>
<li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li>
</ul>
This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Lee, Robert E. 1960. <em>1960 Annual Report of the Seminole Soil and Water Conservation District</em>. Sanford, Florida.
agriculture
Ben Wiggins
Bill West
Billy Alford
Bob Jessup
Bob Leverett
Bonner Carter
C. A. Wales
cattle ranching
Cecil Tucker II
Central Florida Experiment Station
Charles Chellman
citrus
conservation
controlled burns
Ernest Lundberg
farming
fertilization
FFA
fires
fish ponds
fishing
flooding
Florence Mapes
high water levels
Horace White
housing development
Jack P. Dodd
John Winter
Lake Alfred
Lake Alfred Experiment Station
orlando
Phil Westgate
R. V. Forbes
Ralph Hammond
ranching
Robert E. Lee
Seminole County
Seminole High School
Seminole Soil and Water Conservation District
SHS
Soil and Conservation Service
SSWCD
The Farm Forester
U.S. Department of Agriculture
USDA
W. W. Linz
water control
wetland
wildlife
woodlands
-
https://richesmi.cah.ucf.edu/omeka/files/original/8c84d1799c3fd5edee47170662dfb192.pdf
aac10e98537aa76e2bbfe8d450b9a00f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District, 1959
Alternative Title
Seminole Soil and Water Conservation Annual Report
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1959. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year.
Type
Text
Source
Original 12-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1959: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 12-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1959.
Coverage
Seminole County, Florida
Creator
Harris, Roger L.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Harris, Roger L.
Date Created
ca. 1959
Date Issued
ca. 1959
Format
application/pdf
Extent
1.24 MB
Medium
6-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and Roger L. Harris.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:
<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li>
<li>create derivative works</li>
<li>perform the work publicly</li>
<li>display the work</li>
<li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li>
</ul>
This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Harris, Roger L. 1959. <em>1959 Annual Report of the Seminole Soil and Water Conservation District</em>. Sanford, Florida.
Ben Wiggins
Bill West
Billy Alford
Bonner L. Carter
Boy Scouts
C. A. Wales
Cecil Tucker II
Central Florida Experiment Station
Charles Chellman
citrus
conservation
Curtin Green
drainage
farmers
fertilizers
FFA
Florence Mapes
grazing
H. O. White
high water levels
irrigation
Jack P. Dodd
John Winter
Phil Westgate
R. V. Forbes
Ralph Hammond
ranchers
ranching, farming
Robert E. Lee
Sanford
Seminole County
Seminole High School
Seminole Soil and Water Conservation District
SHS
Soil and Conservation Service
SSWCD
truck farming
U.S. Department of Agriculture
USDA
Vo-Ag
W. W. Linz
water control
-
https://richesmi.cah.ucf.edu/omeka/files/original/81658210b8eef1688656003a505d9c7a.pdf
3ed326b847792edef3a9ad9577a7b1b5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District, 1958
Alternative Title
Seminole Soil and Water Conservation Annual Report
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1958. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year.
Type
Text
Source
Original 10-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1958: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 10-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1958.
Coverage
Seminole County, Florida
Creator
Carter, Bonner L.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Carter, Bonner L.
Date Created
ca. 1958
Date Issued
ca. 1958
Format
application/pdf
Extent
1.47 MB
Medium
6-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and Bonner L. Carter.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:
<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li>
<li>create derivative works</li>
<li>perform the work publicly</li>
<li>display the work</li>
<li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li>
</ul>
This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Carter, Bonner L. 1958. <em>1958 Annual Report of the Seminole Soil and Water Conservation District</em>. Sanford, Florida.
agriculture
Ben Wiggins
Bonner L. Carter
C. A. Wales
Cecil Tucker II
Central Florida Experiment Station
Charles Simeon Lee
chlorides
church
churches
conservation
drainage
farmers
flowing wells
irrigation
John Winter
Methodists
nematodes
Oviedo: C. S. Lee
Phil Westgate
R. V. Forbes
Ralph Hammond
ranchers
ranching, farming
Robert E. Lee
Robert Lee
Sanford
Seminole County
Seminole Soil and Water Conservation District
Soil and Conservation Service
SSWCD
truck farming
U.S. Department of Agriculture
USDA
Vo-Ag
W. W. Linz
water control
-
https://richesmi.cah.ucf.edu/omeka/files/original/627ff70378d62a4ed6cdcd5f6b5d9b43.pdf
c4dc28e04630b523d06e7830222d94a7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District, 1957
Alternative Title
Seminole Soil and Water Conservation Annual Report
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1957. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year.
Type
Text
Source
Original 10-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1957: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 10-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1957.
Coverage
Seminole County, Florida
Creator
Carter, Bonner L.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Carter, Bonner L.
Date Created
ca. 1957
Date Issued
ca. 1957
Format
application/pdf
Extent
1.47 MB
Medium
6-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and Bonner L. Carter.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:
<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li>
<li>create derivative works</li>
<li>perform the work publicly</li>
<li>display the work</li>
<li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li>
</ul>
This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Carter, Bonner L. 1957. <em>1957 Annual Report of the Seminole Soil and Water Conservation District</em>. Sanford, Florida.
Al Swartz
C. A. Wales
C. B. Blickensderfer
Central Florida Experiment Station
citrus
CoE
Colin D. Gunn
conservation
crop damage
drainage
Elbert Cammack
Elmo Dowling
Farm Bureau
farmers
farming
Florida Game and Fresh Water Fish Commission
flowing wells
freezes
GFC
Hamp Dasher
Henry Wight
Howard Bissland
irrigation
John S. Winter
John Winter
land use
nematodes
pasture planting
Phil Westgate
public speaking contest
R. J. Bauman
R. V. Forbes
Ralph Hammond
Robert E. Lee
Robert Lee
Sanford
Sanford-Titusville Canal
Seminole County
Seminole Soil and Water Conservation District
Soil and Conservation Service
SSWCD
Titusville
U.S. Department of Agriculture
U.S. Geological Survey
United States Army Corps of Engineers
USACE
USDA
USGS
W. W. Linz
water control
-
https://richesmi.cah.ucf.edu/omeka/files/original/647d9459b1540e3dca50d138f5485072.pdf
f448ccb94c4fd1f685a7b923213df831
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District, 1956
Alternative Title
Seminole Soil and Water Conservation Annual Report
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1956. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year.
Type
Text
Source
Original 13-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1956: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 13-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1956.
Coverage
Seminole County, Florida
Creator
crea
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Carter, Bonner L.
Date Created
ca. 1956
Date Issued
ca. 1956
Format
application/pdf
Extent
1.43 MB
Medium
6-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and Bonner L. Carter.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:
<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li>
<li>create derivative works</li>
<li>perform the work publicly</li>
<li>display the work</li>
<li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li>
</ul>
This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Carter, Bonner L. 1956. <em>1956 Annual Report of the Seminole Soil and Water Conservation District</em>. Sanford, Florida.
Bahia grass
Bahia grasses
beef
Bonner L. Carter
C. A. Wales
C. H. Galloway
cattle
cattle ranching
Cecil Tucker II
chlorides
citrus
conservation
dairy
Econlockhatchee
Econlockhatchee River
farm drainage
farming
fertilizers
FFS
fire control
fires
fishing
Florida Forest Service
flowing wells
Frank Russell
game fishing
Hairy Indigo
Henry Wight
Hubam clovers
Huban clovers
irrigation
Jack Barraclough
milk
nitrogen
oats
partridge peas
pollution
rainfall
Ralph Hammond
ranching
recreation
rotational system
rye
Sanford
Seminole County
Seminole Soil and Water Conservation District
Soil and Conservation Service
SSWCD
timber
timber management
U.S. Department of Agriculture
U.S. Geological Survey
USDA
USGS
W. W. Linz
water control
wildlife preservation
-
https://richesmi.cah.ucf.edu/omeka/files/original/6301356a0b653ce6e9e14df18befd1c3.pdf
85cce5a845f4c21a0cb000fba8b616ca
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District, 1955
Alternative Title
Seminole Soil and Water Conservation Annual Report
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1955. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year.
Type
Text
Source
Original 11-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1955: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 11-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1955.
Coverage
Seminole County, Florida
Creator
Carter, Bonner L.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Carter, Bonner L.
Date Created
ca. 1955
Date Issued
ca. 1955
Format
application/pdf
Extent
1.25 MB
Medium
6-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and Bonner L. Carter.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:
<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li>
<li>create derivative works</li>
<li>perform the work publicly</li>
<li>display the work</li>
<li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li>
</ul>
This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Carter, Bonner L. 1955. <em>1955 Annual Report of the Seminole Soil and Water Conservation District</em>. Sanford, Florida.
agriculture
artesian wells
beef
birds
Bonner L. Carter
C. A. Wales
cattle
Central Florida Experiment Station
citrus
conservation
dairy
drainage
Elbert Cammack
Elbert Cammack, The Farm Forester
farmers
farming
FFS
fire control
fires
Florida Forest Service
Florida Game and Fresh Water Fish Commission
GFC
Henry Wight
irrigation
lespedeza
milk
Ralph Hammond
Sanford
Seminole County
Seminole Soil and Water Conservation District
silage
Soil and Conservation Service
SSWCD
U.S. Department of Agriculture
USDA
W. B. West
W. W. Linz
water control
water levels
Wells
wildlife
-
https://richesmi.cah.ucf.edu/omeka/files/original/e868839a1e0c3195cec1705e0878d466.pdf
25ba18fe985bd8554f392619435226fd
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District, 1954
Alternative Title
Seminole Soil and Water Conservation Annual Report
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1954. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year.
Type
Text
Source
Original 11-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1954: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 11-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1954.
Coverage
Seminole County, Florida
Creator
Carter, Bonner L.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Carter, Bonner L.
Date Created
ca. 1954
Date Issued
ca. 1954
Format
application/pdf
Extent
1.42 MB
Medium
6-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and Bonner L. Carter.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:
<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li>
<li>create derivative works</li>
<li>perform the work publicly</li>
<li>display the work</li>
<li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li>
</ul>
This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Carter, Bonner L. 1954. <em>1954 Annual Report of the Seminole Soil and Water Conservation District</em>. Sanford, Florida.
agriculture
birds
Bonner L. Carter
C. A. Wales
caladiums
citrus
conservation
farmers
farming
fire control
fires
George Harden
Gloriosa
grasses
Hairy Indigo
Henry Wight
Homer Osborne, Ed Cameron
John D. Martin
partridge peas
preservation
Ralph Hammond
Sanford
Seminole County
Seminole Soil and Water Conservation District
soil
soil improvement
SSWCD
The Farm Forester
W. W. Linz
water
water control
-
https://richesmi.cah.ucf.edu/omeka/files/original/f066cebfce7df0932e6d72758a977fdf.pdf
f372f3eb35fc5696babfb3ea91162f48
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District, 1950
Alternative Title
Seminole Soil and Water Conservation Annual Report
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1950. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year.
Type
Text
Source
Original 6-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1950: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 6-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1950.
Coverage
Seminole County, Florida
Creator
Osborne, Homer L.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Osborne, Homer L.
Date Created
ca. 1950
Date Issued
ca. 1950
Format
application/pdf
Extent
619 KB
Medium
6-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and Homer L. Osborne.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:
<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li>
<li>create derivative works</li>
<li>perform the work publicly</li>
<li>display the work</li>
<li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li>
</ul>
This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Osborne, Homer L. 1950. <em>1950 Annual Report of the Seminole Soil and Water Conservation District</em>. Sanford, Florida.
C. A. Wales
cattle
celery
Central Florida Experiment Station
Chase and Company
conservation
dairy
David Powell
Donald J. Bales
drainage
farmers
farming
fertilizers
FGS
Five Points
Florida Geological Survey
H. H. Cooper, Jr.
H. James Gut
irrigation
J. W. Christie
James Weir
Les Jacobsen
Leslie A. Jacobsen
Millard S. Morgan
nematodes
nematologist
Otis E. Smith
Oviedo
Philip Westgate
R. E. Witheral
R. W. Ruprecht
Randall Chase
Robert G. Jessup
Sanford
Seminole County
Seminole Soil and Water Conservation District
Soil and Conservation Service
SSWCD
U.S. Department of Agriculture
U.S. Geological Survey
USDA
USGS
W. W. Linz
water
water control
-
https://richesmi.cah.ucf.edu/omeka/files/original/eb8340b2adf222336e88cc5a1e3a3fce.pdf
c46329fbfe159d74000d7e7256933793
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Seminole Soil and Water Conservation District Collection
Alternative Title
Seminole Soil and Water Conservation Collection
Subject
Seminole County (Fla.)
Environmental protection--Florida
Contributor
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida.
Language
eng
Type
Collection
Coverage
Seminole County, Florida
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District, 1949
Alternative Title
Seminole Soil and Water Conservation Annual Report
Subject
Seminole County (Fla.)
Environmental protection--Florida
Description
The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1949. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year.
Type
Text
Source
Original 4-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1949: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 4-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1949.
Coverage
Seminole County, Florida
Creator
Wales, C. A.
Publisher
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
Wales, C. A.
Date Created
ca. 1949
Date Issued
ca. 1949
Format
application/pdf
Extent
17.5 MB
Medium
6-page typewritten report
Language
eng
Mediator
History Teacher
Provenance
Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and C. A. Wales.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>.
Accrual Method
Donation
Curator
Baker, Holly
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>
External Reference
Wales, C. A. 1949. <em>1949 Annual Report of the Seminole Soil and Water Conservation District</em>. Sanford, Florida.
agriculture
black bass
citrus
conservation
E. J. Cameron
F. T. Merriweather
farmers
farming
Fellowship Biblical College
fertilizers
FFA
fish
fish hatcheries
fish hatchery
fish ponds
fishing
Forrest City
Fosgate Growers Cooperative
Hairy Indigo
Howard Bissland
hurricanes
Jack Hagar
M. L. Cullum
Martin Anderson
R. F. Cooper
recreation
Ross Mobley
Sanford
Sanford Municipal Airport
Seminole County
Seminole Soil and Water Conservation District
soil
Soil and Conservation Service
SSWCD
The Orlando Sentinel Star
The Sanford Herald
truck farming
U.S. Department of Agriculture
USDA
water
water control
Welaka
wildlife
wildlife conservation
-
https://richesmi.cah.ucf.edu/omeka/files/original/719d2f1c6a214cfdef26f5845341b10f.pdf
2ed74c217e2ef65413dff53aac55a256
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Orlando Gay Chorus Collection
Alternative Title
Gay Chorus Collection
Is Part Of
Orlando Gay Chorus Collection, RICHES Program
Type
Collection
Digital Collection
<div class="element-text"><a href="https://richesmi.cah.ucf.edu/">RICHES MI</a></div>
<div class="element-text"> </div>
Subject
Orlando (Fla.)
Music--Florida
Dance--United States
Gay culture--United States
Description
The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community.
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewer
Campbell, Tyler
Interviewee
Strack, Joel
Bit Rate/Frequency
128kbps
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Oral History of Joel Strack
Alternative Title
Oral History, Strack
Subject
Orlando (Fla.)
Music--Florida
Mass shootings
Memorials--Florida
Gay culture--United States
Description
An oral history interview of Joel Strack, one of the founding members of the Orlando Gay Chorus. The interview was conducted by Tyler Campbell in the conference room at the Center for Humanities and Digital Research (CHDR) at the University of Central Florida (UCF) in Orlando, Florida, on September 26th, 2016. Some of the topics covered include founding the Orlando Gay Chorus, naming the chorus, the initial community reaction, women in the chorus, the evolving relationship with the community, becoming a mixed vocal group, hearing about the shooting at Pulse nightclub, vigils, outreach events and fundraisers, coping and seeking counseling, the Gay and Lesbian Association of Choruses (GALA) Festival, the Orlando community’s response to the Pulse tragedy, the long-term impact on the Gay Chorus and the Orlando community, and an increase in membership.
Table Of Contents
0:00:00 Founding the Orlando Gay Chorus<br />0:05:27 Directors and accompanists<br />0:08:17 Initial community reaction<br />0:11:16 Women in the chorus<br />0:12:23 Evolving relationship with the community<br />0:14:11 Becoming a mixed vocal group<br />0:16:16 Mass shooting at Pulse nightclub and its aftermath<br />0:24:12 Gay and Lesbian Association of Choruses Festival<br />0:27:20 Community response to Pulse tragedy<br />0:30:12 Long-term impact on the Gay Chorus and the Orlando community<br />0:33:50 Final remarks
Abstract
Oral history interview of Joel Strack. Interview conducted by Tyler Campbell in Orlando, Florida, on September 26, 2016.
Type
Moving Image
Source
Strack, Joel. Interviewed by Tyler Campbell, September 26, 2016. Audio record available. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>, Orlando, Florida.
Requires
Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>.
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank">Orlando Gay Chorus Collection</a>, LGBTQ+ Collection, RICHES of Central Florida.
Has Format
Digital transcript of original 36-minute, and 26-second oral history: Strack, Joel. Interviewed by Tyler Campbell. Audio record available. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>, Orlando, Florida.
Coverage
GALA Choruses Festival, Denver Performing Arts Center, Denver, Colorado
GLBT Community Center of Central Florida, Orlando, Florida
Joy Metropolitan Community Church, Orlando, Florida
Orlando, Florida
Orlando Museum of Art, Orlando, Florida
Pulse, Orlando, Florida
Valencia College, Orlando, Florida
Creator
Strack, Joel
Campbell, Tyler
Publisher
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Contributor
Campana, Kayla
Cravero, Geoffrey
Date Created
2016-09-26
Date Copyrighted
2016-09-26
Format
video/mp4
application/pdf
Extent
234 MB
188 KB
Medium
36-minute and 26-second audio recording
13-page digital transcript
Language
eng
Mediator
History Teacher
Humanities Teacher
Music Teacher`
Provenance
Originally created by Joel Strack and Tyler Campbell, published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>, and transcribed by Geoffrey Cravero.
Rights Holder
<a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>
Accrual Method
Item Creation
Curator
Cravero, Geoffrey
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
External Reference
Ahlquist, Karen. <a href="http://www.worldcat.org/oclc/62281651" target="_blank"><em>Chorus and Community</em></a>. Urbana: University of Illinois Press, 2006.
Page, Robert, Louise Greenberg, and Fred Leise. <a href="http://www.worldcat.org/oclc/43552259" target="_blank"><em>The Chorus Handbook: Chorus 101 : the How-to Book for Organizing and Operating a Professional or Volunteer Choral Ensemble</em></a>. Washington, D.C.: Chorus America, 1999.
Boedeker, Hal. "<a href="http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html" target="_blank">Orlando Gay Chorus marks 25 years</a>." <em>Orlando Sentinel</em>, October 18, 2016. Accessed October 18, 2016. http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html.
Ogles, Jacob. "<a href="http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning" target="_blank">Pride in Orlando Will Take on New Meaning</a>." <em>The Advocate</em>, October 6, 2016. Accessed October 18, 2016. http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning.
Hyman, Jamie. "<a href="http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/" target="_blank">Community rises up after mass shooting at Orlando gay nightclub kills 49</a>." <em>Watermark</em>, June 16, 2016. Accessed October 18, 2016. http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/.
Click to View (Movie, Podcast, or Website)
<a href="https://youtu.be/VuV-MWPkf0A" target="_blank">Oral History of Joel Strack</a>
Transcript
<p><strong>Campbell<br /></strong>It’s September 26<sup>th</sup>, 2016. My name is Tyler Campbell and I am conducting an oral history with Joel Strack of the Orlando Gay Chorus. The interview’s being conducted in the conference room at the Center for Humanities and Digital Research at the University of Central Florida in Orlando, Florida. Um, can you start by, uh, telling us your name and how you came to be associated with the Orlando Gay Chorus?</p>
<p><strong>Strack<br /></strong>Yeah, my name is Joel Strack, and, um, I actually have the distinct position of being one of the founding members of the [Orlando] Gay Chorus, and even sort of, um, uh, before the Gay Chorus, when it was still in its, uh, idea state, I had a—I had a gay cousin—still have a gay cousin, Nardy, and Nardy sang with the Boston Gay Men’s Chorus, and the Boston Gay Men’s Chorus was going to a GALA Festival. GALA is the Gay and Lesbian Association of Choruses, and they do a—they did at that point a festival about every three years, and so they were doing their GALA Festival in Seattle, and Nardy asked if I wanted to join him so he had somebody to hang out with while they were in Seattle, and I said, “Sure,” um, got set up, um, with tickets and everything, and as I sat there watching these choruses from throughout the U.S. perform, I said, “We’ve got to have this in Orlando. This would be something”—and I started saying that out loud to people, you know? “O—Orlando’s gotta have something like this,” and, um, along the way, someone said, “Oh, you need to talk to David Schuler. David Schuler sings with the River City Gay Chorus—or Mixed Chorus—and, um, he’s moving to Orlando, and he wants, you know—it’s one of his dreams, because he was an executive with the River City Chorus—to be, um—to have a chorus here in Orlando.” So David and I met on the steps outside of one of the concert halls. I remember standing there in my overalls, ‘cause that was fashionable of—at the time, and, um, chatting with David about, you know, how this might work out.</p>
<p>I was sitting on the Board of Directors here in town for what was then, uh, GCS—the Gay Community Services. Now it’s The Center,<a title="">[1]</a> and so I was sitting on the board at GCS, and I went to the board, um, when I got home and said, “Wo—would the board be willing to set aside a certain amount of money as seed money for this organization—this new organization to get its legs under itself?” And the board, um, did set aside $500, which was a pretty big chunk of money back then, for the group, um—for us to be able to do a seed concert, and David sort of took over the helm, because he’d been part of the GALA choruses already, contacted the South Florida Gay Men’s Chorus and the Gay Men’s Chorus of Tampa, who came in and actually did the f—initial concert at Valencia College, and, um, so we had our—our first, uh, concert, and everybody who came was given the opportunity to sing up if they were interested in getting more information about the potential of starting a gay chorus here in Orlando. We ended up with about 65 people that signed the list. When we had our first gathering and contacted the people, about 30 people showed up, which was a pretty good ratio considering, and, um,—and that’s sort of when it started happening, um, and that’s how I became involved, um…</p>
<p><strong>Campbell<br /></strong>And w—what year was that?</p>
<p><strong>Strack<br /></strong>This would have been 1991 or ’90. ’90 would have been the seed concert and the meeting. Um, and then we actually incorporated, um, on February 14<sup>th</sup>—on Valentine’s Day in 1991—was the incorporation of the Orlando Gay Chorus, and I remember those first meetings as we were m—moving towards incorporation, w—what’s—what’s your name gonna be? What’s our name gonna be? And we—is it gonna be “Gay” first or is it gonna be “Orlando” first? ‘Cause there was lots of, you know, “The Gay Chorus of New York” and the “Gay Chorus of Boston,” uh, and—and are we gonna use the word “Men’s” in our title or is it just gonna stand alone, “Gay?” And it got pretty, um, um, intense as people were talking about why they thought a different placement of words, what words—are we “The Gay Chorus of Central Florida?” Are we “Greater Orlando?” Are we just “Orlando?” All of those things were part of the discussion, and, um, one of the founding members was Penny [Jo] Chessmen, and so having a woman singing a tenor part with us led a number of us to say, “Well, we can’t disqualify her by choosing ‘Men’ as part of our name,” and, um—and she was pushing—or not pushing. She’s—the suggestion came up that it would be the “Gay and Lesbian Chorus of—of Orlando” or “Central Florida” or whatever. Anyway, that was—that was a—a[sic] interesting lead-in to actually becoming incorporated, and David, uh, became the first president of the chorus. Um, through a sort of a behind-the-scenes search, Charlie Callahan, who was the, um, uh, Composer-in-Residence at Rollins College, was contacted, and he became our first, uh, director, which was a coup for us.<br /><br />Um, his—he was a classic music person, uh, that was world-renowned for his organ music. He—he would go and travel through Europe playing organ concerts. Um, interestingly enough, because of that and not working with vocals so much, his style of directing [<em>laughs</em>] was a little bit different than what we currently got[sic] and what we had since then. Um, the first, uh, accompanist was Terry Thomas, and he then became our—when Charlie left, I believe he became our second, um, director, and then he also—Terry came back and became our emergency director at one point. Um, uh, one of the directors had decided, “I’m done” or they had to move or whatever reason. We were—we needed, uh, a director on the fly, and Terry came back to us and actually—and so he’s sort of our little angel savior, uh, director, and over the course we’ve probably had 9 to 12 different directors over our 27 year history. Um, a—a broad variety of individuals with m—m—many different skill sets that they brought to the table, and I think it’s one of the things that made the chorus really strong—was that this person, um, uh, Aubrey [Connelly-Candelario]—Aubrey, um, focused on production. He came from a musical theater background. So suddenly we were doing costumes and sets and—and surprise moments, and not just standing and singing. Um, Absalon, uh, Figueroa came to us, and he was an accompanist, but he was sort of a New Age-y, um, uh, guru-type guy from Canada. Uh, he was living here, um, with his—later to be his husband. Uh, they m—moved to Canada because he—his husband couldn’t stay here, or he couldn’t stay here. So they both moved to Canada. Now they live in Hawaii…</p>
<p><strong>Campbell<br /></strong>[<em>laughs</em>].</p>
<p><strong>Strack<br /></strong>Happily married. I love how things change in the world, um—but Absalon brought, uh, a healing, um, and a—an empowerment sort of spirit to the chorus that was needed at that time because we’d had a[sic] unfortunate experience with a director just prior to Absalon. So every—every director sort of brought in their own gift and made the chorus that much better.</p>
<p><strong>Campbell<br /></strong>Um, how was the—the chorus received in the community in the first—in that early period?</p>
<p><strong>Strack<br /></strong>[<em>laughs</em>] Um, initially, we were sort of, uh, th—th—the arts community didn’t want to have anything to do with us. We actually, um, uh—there was an arts magazine that was published quarterly, and we, um, contacted them to get an advertisement put in about our next—our upcoming holiday concert, and, uh, they refused it because it was too controversial. That—it wasn’t the name of the holiday concert. It was that it was a gay chorus, and they just didn’t want us—anything to do with it. Uh, Valencia College, where we did our first seed concert—we went back to them to try to rent out that same auditorium for our concerts and they refused us, because we weren’t a student organization—was their reasoning, or—or, uh, representing the students of Valencia, and so, uh, we’ve had a number of, um, eh, prickly, uh, unwelcoming experiences during those early years.</p>
<p>Now, th—the—the gay community, the G—GLBT community, was, uh—we were—when we went onstage the first—for our first concert in, um, June of ’91—would have been—yeah—June of ’91, we went onto the stage at the [Orlando] Museum of Art in Orlando—Orlando Museum of Art in their theater, and all of us were like, “W—how is this gonna play in Orlando?” You know? Y—we couldn’t have been more loved. It was—it was just a really, really intense—almost like—almost like the audience had been waiting for something that was that uniquely geared to them that was public and accessible, and it was—the—the—the energy in the room w—we’re—we’re singing and the energy is flowing off the stage, and the audience is there sending it all back at us. It was just—it was really cool, and we still get a lot of that feeling today, but that first one, because we didn’t know—you know, there were people onstage that thought that, you know, somebody’s gonna, uh, do a false alarm or a bomb threat or—and, you know, that, uh—to make sure that this concert didn’t happen, and there—so there was a lot of fear, and there were individuals in the chorus that would not put their names into the program. Even though they were standing there publicly, to have it written down somewhere that somebody could pass onto a boss or onto a principal of a school, eh, or, you know—they just didn’t have their names printed or they used aliases.</p>
<p><strong>Campbell<br /></strong>Mmhmm.</p>
<p><strong>Strack<br /></strong>So those were the early years. Um, it was, uh—we all sang, uh, men’s voice parts even though there were always females in the chorus. From Penny on, we never did a concert without a female or several females onstage with us, but we sang, um, tenor one, tenor two, baritone and bass, and so, most of the women that joined us would sing senor one. Sometimes they’d sing it up an octave. Ironically, um, in our last concert—no, not the last one—the one before, um—one of our bass twos—the low bass parts—was a female—Linda—Linda Knutson. Yeah, I was a section leader at the time and sitting next to her during, uh, rehearsal, and, um, I—I took a bass two part because they—we were just shorthanded, and so I said—and I’m sitting next to Linda and I’m like, [<em>laughs</em>] “You hit those notes way better than I do. Have you ever considered joining the bass two section?” She’s like—she’s like, “Well—well, okay.” So she became our—our low bass—one of our low basses.</p>
<p><strong>Campbell<br /></strong>Um, how have you, uh, kind of—if you can kind of describe the—the—the change—maybe the reception of the community over the course—from when you first started to maybe this year. Um, has that relationship with the community changed and kind of in what ways?</p>
<p><strong>Strack<br /></strong>Yeah, um, definitely changed, and part of it was that, um, as the gay and lesbian community in Orlando came out, um, the arts community started recognizing us not as a key element or a gem within, but part of a tapestry of art organizations here in Florida. Um, the audiences—interestingly enough, our audiences are—uh, when they do the demographics studies, um, our largest segment of audience members are straight women over the age of 60, and in—again, I think it’s due to the outreach and then the changing nature of how people perceive the gay and lesbian community.</p>
<p>Um, we’ve gone through—depending on who the director is— we’ve gone through different phases of being a little more campy or a little more serious, um, and I—I think that that adds to the totality of what people perceive us to be, and that’s not just, you know—we—we will do the number of “Men in Tights” with—with the sugar plum fairies being the big ol’ bears coming across the stage, dancing th—in their tutus, but it’s one piece within the whole concert. So we’ll—we’ll be self-defacing and joke and be campy, but it’s not all we have to offer, and—and I think the—the community’s responded.</p>
<p><strong>Strack<br /></strong>Probably the biggest change we had during that time was going from being a men’s vocal, uh, group to a mixed vocal group, which we are now. It’s, um, soprano, alto, tenor, bass, and, um, because we kept promoting females joining the chorus, um, one of our presidents, Rob Noll—it became his mission to have more women in the chorus, and so he did a lot of artreach[sic]—outreach and effort to try to get more women, but at certain point[sic], I mean, how can you have women that normally sing soprano having to sing tenor? You know, it’s—it’s hard. It’s not enjoyable for them, and so, w—the—the chorus leadership after Rob, very—uh, I—I won’t say strategically, but very carefully—we started having more and more music where the women starting singing soprano and alto, and, you know, it was two pieces in this concert and there was[sic] four pieces in the next concert, and then pretty soon, it was all the pieces in the concert, and it was never like any—nobody put a stake in the ground and said, “We’re becoming an SATB chorus”—and that’s soprano, alto, tenor, bass. It just—the leadership knew that’s where they wanted to end up and they slowly brought this massive group of unique individuals into that reality, and by the time it happened, anybody[?] who[?] went, “All the music’s SATB?” You know, it’s like, “Yeah, it is.” [<em>laughs</em>] You know, it’s just—it’s sort of a matter of fact now, and p—and there were people that left. There were men that left because that went against their reason for wanting to sing, um, but few—few and far between, and it expanded the number of women that we had, so—because suddenly they were a—a—actually able to sing soprano and alto.</p>
<p>Um, one of the other—eh, back to the question about the community and how the community responded, um, huge, huge, um—the Pulse massacre was probably one of the biggest, um, or—or the most impactful moments for the chorus to take its position within not just the arts community, but the whole…</p>
<p><strong>Campbell<br /></strong>I—I—I kind of want to get into that a little bit more. Um, just you on a personal level, um. How did you—how did you hear about the shooting happen[sic]?</p>
<p><strong>Strack<br /></strong>Mm, um, I am retired, and so I was sleeping in on that Sunday morning, and it was probably 10:30 or so, and, um, I turned off my phone when I went to bed, because my friends have a habit of deciding to send pictures and comments at, you know, 12 at night and one in the morning, and so I had the phone off, and I turned my phone on and there was just a rolodex of—of folks that had sent text messages to me, and, you know— “Are you okay?” “Are you there?” “Is there”—and I—<em>This is really odd. Why in the world</em>—and then, as I started, um—some of ‘em started getting a little more specific. “I just wanted to check to make sure you weren’t, uh, at—at Pulse last night or, um, d—eh, that you weren’t injured.” “I just want to hear from you,” and I went, <em>What?</em> Eh—eh, and then I did, um, my Google search and went, <em>Holy mackerel</em>, and I became part of the web of—“I haven’t heard from you. Is”—my friend Rob, that[sic] I mentioned that was the president, I—I called an, uh, he—nobody answered at his house, and he’s the type of person that might go out to that, uh—Pulse on a whim. Um, me—it’s—it’s not a club I normally would go to. Um, it’s—the crowd is way younger than the people I would be hanging with, but Rob might do that just on a whim, and we couldn’t get a hold of him. He wasn’t answering his cell phone and he wasn’t answering the house phone, but I had his roommate, Sherry[sp]—so I called Sherry’s phone, and she was out walking the dog. I said, “Sherry, I just want to check to make sure Rob’s at home. Is Rob—Rob there?” She goes, “Well, yeah. He was sleeping this morning when I got up.” I’m like, “Okay, just—just wanted to check,” but that was happening everywhere, and to—to spend an hour, hour and a half, two hours checking to see if your friends are alive was really mind blowing. It was so, um—what’s the w—a word that I wanna use for it? It was, eh, eh—it was just unimaginable that—that this could be part of my world now, so—but that’s how I found out—was through people checking in to make sure I was okay, and then I’d reached out to people that might be concerned about me—my parents, family and friends outside of the Orlando area—to make sure they knew I was okay.</p>
<p><strong>Campbell<br /></strong>Hm, um, when was the first time that you got in touch with—that the chorus, uh, decided to maybe have a meeting or anything about th—the actual shooting? Did you guys get together that day, or…</p>
<p><strong>Strack<br /></strong>Um…</p>
<p><strong>Campbell<br /></strong>Any time soon?</p>
<p><strong>Strack<br /></strong>The Sounds of Freedom Band [and Color Guard] by chance was doing their concert, um, i—in Loch Haven Park at the theater there, eh—The REP,<a title="">[2]</a> and so a number of us got together to go and be with the community, and then the next night, um, we did our first vigil, as I recall. Eh, it was at the Joy Metropolitan Community Church, and the word just spread to the chorus. It wasn’t—there was, you know—“Alright, we’re gonna meet. Here’s what we’re gonna wear,” and we’d done outreaches before, but nothing on this short of a notice. So, uh, we got together and did the—that vigil, and, uh, some of the—some of the tapes went international from that night, and then we’ve probably done an average of three to five a week ever since.</p>
<p><strong>Campbell<br /></strong>And can you just explain a little bit, like, uh, how those experiences were and anything that sticks out to you in particular?</p>
<p><strong>Strack<br /></strong>Um, for me personally, I think, uh, it was so, um, fulfilling and, um, comforting to have a task, so that I couldn’t go into my own head. I, you know—there was this to get done. We were gonna go perform at the, um, uh, [AIGA Orlando’s] Love by Design today. Tomorrow, we’re doing this. Um, th—there were people in the chorus that started carrying their chorus wardrobe in their cars in case an event—an outreach event or a vigil or something—a fundraiser came up during that they that they could jump into their clothes—drive straight to the event and—and have their clothes with them, um, but it—i—it was—I—I—I went through probably, um, three days of just totally numb, sort of zombielike experience. Um, anything could make me cry. I al—I wear my emotions on my sleeve anyway [<em>laughs</em>]. So this just was like, “Oh, good. I’m brushing my teeth and just sobbing,” you know, um, but, uh, those three days went by and I took advantage of The [LGBT] Center [of Central Florida]’s, um, counseling that they were offering—free counseling to people, and so I went in and talked to a—a woman for about 15 minute[sic], and I think—well, I’ll share with you what I shared with her.</p>
<p>Eh, my—my big internal issue was that I’m—by nature, I’m a Pollyanna. I—I like making people happy. I like—I like keeping things i—in a positive space, and it was hard for me—whenever there was even an inkling of—like looking at the chorus and going, <em>This is gonna bring us closer together. This is gonna be such a good emotional, um, outcome for us as a—as a[sic] organization</em>, and then I’d—and then I’d go into my, <em>How can you say there’s something good that comes out of this?</em> And so that’s what I had to talk with her—with the counselor about—is I feel guilty trying to find the silver linings, and, um, she—she did a nice job, and by the time I walked out, I—my head was back on square again and I was able to move on—still numb, but much more myself again. So that was—that was pretty big. Probably, um, continued to have that, um, out-of-body sort of feeling for about three weeks, and then it—then it subsided and I started getting my legs under me, and we—we traveled to the, um—the festival in Denver in, uh, first part of July. So we went to the Gay and Lesbian Association of Choruses big festival, and, um, we as a chorus [<em>laughs</em>]—you know, the 6,000 people—singers—and they’d been sending us videos for the last like week and a half, three weeks.<br /><br />“W—We Stand with Orlando.” Singing songs that were significant to them, reflecting ‘em on the Pulse ex—um, tragedy, and they would s—you know, “We’re with you, Orlando,” and a lot of it, because it was chorus-to-chorus, was directed right at us—not just the community, but to our singers—and so when we got there to Denver, the outpouring of affection and, um—I made the joke. I said, “At this point we could go onstage and all of us burp in unison [<em>laughs</em>] and the crowd’s gonna go crazy,” [<em>laughs</em>] you know, ‘cause w—we just—we could do no wrong at this point, um, and that wasn’t necessary in the end, uh, but to be there was so healing to so many of us I think, ‘cause it—it was—it was such a, um, uh, clear program that had been put out for us. You know, you can ten—attend this block of s—concerts or this block, and—and this is where we’re gonna get together for this party, and—and every—you—you got to focus on that instead of on doing another vigil.</p>
<p>We did get our wonderful moment onstage, and it was amazing. It was amazing, yeah—and, uh, our director, James [A.] Rode, uh, did a little speech in the mid—in—towards the end of it, um, that described sort of what our experience was as a chorus, and, uh, then wrapped it up with inviting the—the—the theaters weren’t big enough to hold everybody, so there was—you’d have concerts running simultaneously, but we had probably three thousand people in the theater we were in, and James invited ‘em to join us. Um, our final piece was, uh, “You’ll Never Walk Alone” from Man of La Mancha, and so, you know, three thousand other singers—and even they—some of them wrote on—on the webpage for the GALA Choruses their experience, and—and shaking and feeling weak in the knees, and, um, the emotional—that if they hadn’t been there with their brothers and sisters in song, help and hold them up, they would’ve crumbled.</p>
<p><strong>Campbell<br /></strong>Um, how do you feel that the—did you feel that the shooting has changed th—the—the group’s relation to the community in Orlando?</p>
<p><strong>Strack<br /></strong>Tremendously, yeah, um, and I—because of our exposure, I think as any—as much as anything else—I mean, we—we went and sang at the, um, Orlando City Soccer [Club] game and the, um, organizers contacted the, uh, ticketholders and invited them—if you’re sitting in sections 17 through 29, wear green, and so we ended up with this rainbow around the stadium, um, and these are people that probably had never—many of them probably never even knew the Orlando Gay Chorus existed in Orlando, and yet, because of the tragedy, um, they—they stepped up as members of Orlando’s community, supporting, um, the gay community as well.</p>
<p>Um, one of the other things I—I found really exciting during this—is I think the Latin community, um, stepped up in a way, connecting with the gay community that hadn’t been as, um, easygoing or as—as generous, and, um—and likewise. I think the gay community felt for the Latin community—not just those people that got killed, but the—the hurt and the pain wasn’t just ours, and which—to me, I think that’s what’s made—that’s the silv—that’s the big silver lining, you know, that the Orlando—the City of Orlando, um, proved itself to be a community that could face some really wicked tragedy without the response being anger or hatred, um, or scapegoating—that, uh, from the city leaders all the way down to grandma and grandpa in their house, you know, on my street that put out their “Orlando United” sign in front. It was such a wonderful thing to see that this is—this is where I live.</p>
<p><strong>Campbell<br /></strong>Um, and that kind of brings me to my next question. Where do kind of see the relationship between, uh, the Orlando Gay Chorus and the community going moving forward?</p>
<p><strong>Strack<br /></strong>Um, we’re already seeing it, I think, to a degree. We are—we’re getting invited to be a part of events that normally, um—that wouldn’t reach out as far as the Gay Chorus. It would have been these church choirs and that high school choir and th—the community chorus of Orlando—that’d be the group they’d put together for this event, and now, we’re on that list. Now we’re a—a prominent piece of that invitation, um, to a point where I think there’s consciousness of, uh—“And we can’t leave them out,” you know? “They’re—they’re such a significant part of our community,” and because of the exposure we’ve had—excuse me—uh, the exposure we’ve had over the last few months, um, we’ve—people know that we’re pretty good, you know, [<em>laughs</em>]—that, uh, as a musical group, we’re not a flash in the pan, and you—i—if you want to give them money for your ticket, but you don’t go, “You’re not missing anything.” It’s not that way, you know, um, and like to—yesterday, which would have been the 25<sup>th</sup> of September, we, um, worked with the Second Harvest Food Bank [of Central Florida]. They provided the food, we provided all the entertainment—atmospheric as well as a concert—at the Second Harvest Food Bank to raise funds for these two very disparate non-profit organizations, and I—that never would have happened, I don’t believe. You know, maybe—maybe I’m—maybe I just have my blinders on, but I think that that’s one of the things that, as we move forward, we’re getting those opportunities, um, and bringing our story to the, you know—the general public in a way that we never had a chance to do before.</p>
<p><strong>Campbell<br /></strong>And, uh, what did—did your membership change any a—after you started g—getting more, um, uh—I don’t want to say screen time— but more—more visibility in the community? Did people want to communicate with you all and—and maybe join the chorus? Or have your numbers kind of stayed the same throughout?</p>
<p><strong>Strack<br /></strong>Um, we definitely saw a bump. I know that the interest—again, it’s probably twice the number of people that actually came to audition, um, but we’re over a hundred, and we were down to about 80, um, prior to, um, the Pulse massacre, be—and partly I think it’s because people just didn’t even know we were there, and partly I think it was because, um, some people wanted to step up and say, “I—I need to be a part of this forward motion that’s happening in Orlando,” and so—yeah. It, um—the demographics are about the same as far as age and, um, sexuality. We’ve—we’ve got[sic] a lot of, uh, straight allies that are part of our—our, uh—to[?] women’s section. We got our first male straight guy that’s gonna be—hopefully, he’ll be singing with us if—he just joined the chorus, um, but the general population percentages are about the same as they were before.</p>
<p><strong>Campbell<br /></strong>Um, is there anything else, uh, about the chorus or about, um, the chorus’ response to the—to the shooting that you’d like to talk about today?</p>
<p><strong>Strack<br /></strong>Hm, I think—well, this is gonna—I, uh, was at a point in my history with the chorus after having sung with them in every concert for 26 years, I was ready to quit. Um, I just—you know, I s—there were things going on that I didn’t necessarily all[sic] agree with, um, and I just had decided to myself, you know, sometimes, you just need to move on for your own—and for the organization’s, you know, benefit, but when—and th—there was another person in the chorus I know for a fact was in that same space, um, and after becoming such a valuable entity in the community as a chorus, and doing the vigils and doing the fundraisers, and, um, help—we—we started using that—the, um—“Love, Hope, and Healing”—“the Ambassadors of Love, Hope, and Healing,” and so, as that transpired and I got to watch that in re—in real time, I said, <em>Uh, maybe—maybe I need to stick around</em>, because this—this has really refocused us back to what I feel the chorus was supposed to be about, you know? It was—it’s more than just doing a concert and standing onstage. It’s—it’s building people’s pride. It’s being—yeah—more than a musical group. I was—I’ve said it’s three things. It’s music, it’s socialization, and it’s, um, political. Just the fact that we gave “gay” in the name makes us a political organization, and the socialization within the chorus members is so significant to my happiness, and then, of course, the music. You have to do—have musical excellence to be able to get an audience in the seats, um, and—and it’s really—it’s brought me back to the chorus again ever since, so another silver lining.</p>
<p><strong>Campbell<br /></strong>Well, thank you so much for talking with us today and—and for participating in this program.</p>
<p><strong>Strack<br /></strong>It’s my pleasure.</p>
<div><br /><div>
<p><a title="">[1]</a> GLBT Community Center of Central Florida.</p>
</div>
<div>
<p><a title="">[2]</a> Orlando Repertory Theatre.</p>
</div>
</div>
2016 Orlando nightclub shooting
Absalon Figueroa
AIGA Orlando’s Love by Design
American Institute of Graphic Arts
Aubrey Connelly-Candelario
Boston Gay Men's Chorus
Center for Humanities and Digital Research
Charlie Callahan
CHDR
chorus
choruses
David Schuler
fundraisers
GALA Choruses Festival
gay
Gay and Lesbian Association of Choruses
Gay Community Services
Gay Men’s Chorus of Tampa
GCS
GLBT
GLBT Community Center of Central Florida
gun violence
hate crimes
Hispanics
homosexuality
homosexuals
James A. Rode
Joel Strack
Joy Metropolitan Community Church
Kayla Campana
Latinas
Latinos
LGBT
LGBT Center of Central Florida
LGBTIQ
LGBTQ
Linda Knutson
Man of La Mancha
mass shootings
Men in Tights
mixed vocal group
music
nightclubs
orlando
Orlando City SC
Orlando City Soccer
Orlando City Soccer Club
Orlando Gay Chorus
Orlando Museum of Art
Orlando Repertory Theatre
Orlando United
outreach events
Penny Jo Chessmen
Pulse
Pulse massacre
Pulse memorial
Pulse nightclub shooting
rainbows
River City Mixed Chorus
Rob Noll
Rollins College
SATB chorus
Second Harvest Food Bank of Central Florida
Soprano Alto Tenor Bass chorus
Sounds of Freedom Band and Color Guard
South Florida Gay Men’s Chorus
terrorism
terrorist attacks
terrorists
Terry Thomas
The Center
The REP
tributes
Tyler Campbell
UCF
University of Central Florida
Valencia College
vigils
You'll Never Walk Alone
-
https://richesmi.cah.ucf.edu/omeka/files/original/718427d950ca7d61416fae5c10afd7dd.jpg
f9a734accfc80166faae3e3280c812d0
https://richesmi.cah.ucf.edu/omeka/files/original/261acae4fbd990c74525097cad5db860.jpg
3d4b69f56d087cef7af7af51afd68060
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Sky Lake Collection
Alternative Title
Sky Lake Collection
Subject
Orlando (Fla.)
Description
Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida
Language
eng
Type
Collection
Coverage
Sky Lake, Florida
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Mormino, Gary R. 2002. "<a href="http://www.worldcat.org/oclc/5544029021" target="_blank">Sunbelt Dreams and Altered States: A Social and Cultural History of Florida, 1950-2000</a>." <em>The Florida Historical Quarterly. </em>81, no. 1: 3-21.
Arsenault, Raymond. "The End of the Long, Hot Summer: The Air Conditioner and Southern Culture." <a href="http://www.worldcat.org/oclc/1782314" target="_blank"><em>Journal of Southern History</em></a> Vol. 50, no. 4 (November, 1984): 597-628.
Staeheli, Lynn A. and Don Mitchell. "USA’s Destiny? Regulating Space and Creting Community in American Shopping Malls." <a href="http://www.worldcat.org/oclc/37915650" target="_blank"><em>Urban Studies</em></a> Vol. 43, nos 5/6 (May 2006): 977-992.
Dietrich, T. Stanton. <a href="http://www.worldcat.org/oclc/4683014" target="_blank"><em>The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970</em></a>. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978.
Rome, Adam Ward. <a href="http://www.worldcat.org/oclc/44594084" target="_blank"><em>The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism</em></a>. Cambridge: Cambridge University Press, 2001.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Laurel Oak Court
Alternative Title
Laurel Oak Court
Subject
Orlando (Fla.)
Housing--Florida
Description
Laurel Oak Court in Sky Lake, located approximately seven miles south of Downtown Orlando, Florida, between Lancaster Road and Sand Lake Road. The Sky Lake residential community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. This residential community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.
Type
Still Image
Source
Original black and white photographs: <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>, Pine Castle, Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/179" target="_blank">Sky Lake Collection</a>, Orange County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original black and white photographs.
Coverage
Laurel Oak Court, Sky Lake, Florida
Contributor
Lake, Harriett
Date Created
ca. 1962-1969
Date Copyrighted
ca. 1962-1969
Format
image/jpg
Extent
361 KB
381 KB
Medium
2 black and white photographs
Mediator
History Teacher
Geography Teacher
Rights Holder
Copyright to this resource is held by the <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Tracy, Jane. "<a href="http://dc.ocls.info/memory/image/harriett-and-hymen-lake" target="_blank">Harriett and Hymen Lake</a> .'" Orlando Memory, March 11, 2014, http://dc.ocls.info/memory/image/harriett-and-hymen-lake.
homes
houses
housing
Laurel Oak Court
orlando
Sky Lake
-
https://richesmi.cah.ucf.edu/omeka/files/original/bb0c5802c87563143e19e48f741dd4ce.jpg
654f3946c26a4a06329961762c831d15
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Sky Lake Collection
Alternative Title
Sky Lake Collection
Subject
Orlando (Fla.)
Description
Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida
Language
eng
Type
Collection
Coverage
Sky Lake, Florida
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Mormino, Gary R. 2002. "<a href="http://www.worldcat.org/oclc/5544029021" target="_blank">Sunbelt Dreams and Altered States: A Social and Cultural History of Florida, 1950-2000</a>." <em>The Florida Historical Quarterly. </em>81, no. 1: 3-21.
Arsenault, Raymond. "The End of the Long, Hot Summer: The Air Conditioner and Southern Culture." <a href="http://www.worldcat.org/oclc/1782314" target="_blank"><em>Journal of Southern History</em></a> Vol. 50, no. 4 (November, 1984): 597-628.
Staeheli, Lynn A. and Don Mitchell. "USA’s Destiny? Regulating Space and Creting Community in American Shopping Malls." <a href="http://www.worldcat.org/oclc/37915650" target="_blank"><em>Urban Studies</em></a> Vol. 43, nos 5/6 (May 2006): 977-992.
Dietrich, T. Stanton. <a href="http://www.worldcat.org/oclc/4683014" target="_blank"><em>The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970</em></a>. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978.
Rome, Adam Ward. <a href="http://www.worldcat.org/oclc/44594084" target="_blank"><em>The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism</em></a>. Cambridge: Cambridge University Press, 2001.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Swimming Pool at Travelodge Orlando-Sky Lake
Alternative Title
Travelodge Orlando-Sky Lake
Subject
Orlando (Fla.)
Hotels--Florida
Description
The swimming pool at Travelodge Orlando-Sky Lake, which was located at 7101 South Orange Blossom Trail (OBT), just north of the Bee Line Toll Road, in Orlando, Florida.. The hotel was constructed in 1970 by Hymen Lake and is currently in operation as the Royal Inn. Photographs from this era show the hotel offered a free continental breakfast, heated pool, and color television. The Onan Corporation, based in Minneapolis, Minnesota, commissioned the photographs. Onan was photographing a standby electric plant that had been recently installed at the hotel.
Type
Still Image
Source
Original color photograph: <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>, Pine Castle, Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/179" target="_blank">Sky Lake Collection</a>, Orange County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photograph.
Coverage
Travelodge Orlando-Sky Lake, Sky Lake, Florida
Contributor
Lake, Harriett
Date Created
ca. 1970-1979
Format
image/jpg
Extent
203 KB
Medium
1 color photograph
Language
eng
Mediator
History Teacher
Economics Teacher
Geography Teacher
Rights Holder
Copyright to this resource is held by the <a href="http://power.cummins.com/" target="_blank">Onan Corporation</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
"<a href="https://www.ocpafl.org/Searches/ParcelSearch.aspx/PID/292327000000030" target="_blank">7101 S Orange Blossom Trl</a>." Orange County Property Appraiser. https://www.ocpafl.org/Searches/ParcelSearch.aspx/PID/292327000000030.
hotels
motels
orlando
Sky Lake
swimming pools
tourism
travel lodges
Travelodge Orlando-Sky Lake
-
https://richesmi.cah.ucf.edu/omeka/files/original/9a1731cb3b902e69268b87bc1e1bc528.jpg
5af0a38cd42f7ba10bbba93eb39f5403
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Sky Lake Collection
Alternative Title
Sky Lake Collection
Subject
Orlando (Fla.)
Description
Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida
Language
eng
Type
Collection
Coverage
Sky Lake, Florida
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Mormino, Gary R. 2002. "<a href="http://www.worldcat.org/oclc/5544029021" target="_blank">Sunbelt Dreams and Altered States: A Social and Cultural History of Florida, 1950-2000</a>." <em>The Florida Historical Quarterly. </em>81, no. 1: 3-21.
Arsenault, Raymond. "The End of the Long, Hot Summer: The Air Conditioner and Southern Culture." <a href="http://www.worldcat.org/oclc/1782314" target="_blank"><em>Journal of Southern History</em></a> Vol. 50, no. 4 (November, 1984): 597-628.
Staeheli, Lynn A. and Don Mitchell. "USA’s Destiny? Regulating Space and Creting Community in American Shopping Malls." <a href="http://www.worldcat.org/oclc/37915650" target="_blank"><em>Urban Studies</em></a> Vol. 43, nos 5/6 (May 2006): 977-992.
Dietrich, T. Stanton. <a href="http://www.worldcat.org/oclc/4683014" target="_blank"><em>The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970</em></a>. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978.
Rome, Adam Ward. <a href="http://www.worldcat.org/oclc/44594084" target="_blank"><em>The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism</em></a>. Cambridge: Cambridge University Press, 2001.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Hotel Room at Travelodge Orlando-Sky Lake
Alternative Title
Travelodge Orlando-Sky Lake
Subject
Orlando (Fla.)
Hotels--Florida
Description
A hotel room at Travelodge Orlando-Sky Lake, which was located at 7101 South Orange Blossom Trail (OBT), just north of the Bee Line Toll Road, in Orlando, Florida.. The hotel was constructed in 1970 by Hymen Lake and is currently in operation as the Royal Inn. Photographs from this era show the hotel offered a free continental breakfast, heated pool, and color television. The Onan Corporation, based in Minneapolis, Minnesota, commissioned the photographs. Onan was photographing a standby electric plant that had been recently installed at the hotel.
Type
Still Image
Source
Original color photograph: <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>, Pine Castle, Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/179" target="_blank">Sky Lake Collection</a>, Orange County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photograph.
Coverage
Travelodge Orlando-Sky Lake, Sky Lake, Florida
Contributor
Lake, Harriett
Date Created
ca. 1970-1979
Format
image/jpg
Extent
203 KB
Medium
1 color photograph
Language
eng
Mediator
History Teacher
Economics Teacher
Rights Holder
Copyright to this resource is held by the <a href="http://power.cummins.com/" target="_blank">Onan Corporation</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
"<a href="https://www.ocpafl.org/Searches/ParcelSearch.aspx/PID/292327000000030" target="_blank">7101 S Orange Blossom Trl</a>." Orange County Property Appraiser. https://www.ocpafl.org/Searches/ParcelSearch.aspx/PID/292327000000030.
hotel rooms
hotels
motels
OBT
Orange Blossom Trail
orlando
Sky Lake
tourism
travel lodges
Travelodge Orlando-Sky Lake
U.S. Route 441
US 441
-
https://richesmi.cah.ucf.edu/omeka/files/original/46776d1c01febc23f253ddc0ccce8c7c.jpg
9e9950464791cfae58c3a11ac263c003
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Sky Lake Collection
Alternative Title
Sky Lake Collection
Subject
Orlando (Fla.)
Description
Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida
Language
eng
Type
Collection
Coverage
Sky Lake, Florida
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Mormino, Gary R. 2002. "<a href="http://www.worldcat.org/oclc/5544029021" target="_blank">Sunbelt Dreams and Altered States: A Social and Cultural History of Florida, 1950-2000</a>." <em>The Florida Historical Quarterly. </em>81, no. 1: 3-21.
Arsenault, Raymond. "The End of the Long, Hot Summer: The Air Conditioner and Southern Culture." <a href="http://www.worldcat.org/oclc/1782314" target="_blank"><em>Journal of Southern History</em></a> Vol. 50, no. 4 (November, 1984): 597-628.
Staeheli, Lynn A. and Don Mitchell. "USA’s Destiny? Regulating Space and Creting Community in American Shopping Malls." <a href="http://www.worldcat.org/oclc/37915650" target="_blank"><em>Urban Studies</em></a> Vol. 43, nos 5/6 (May 2006): 977-992.
Dietrich, T. Stanton. <a href="http://www.worldcat.org/oclc/4683014" target="_blank"><em>The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970</em></a>. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978.
Rome, Adam Ward. <a href="http://www.worldcat.org/oclc/44594084" target="_blank"><em>The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism</em></a>. Cambridge: Cambridge University Press, 2001.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Exterior of Travelodge Orlando-Sky Lake
Alternative Title
Travelodge Orlando-Sky Lake
Subject
Orlando (Fla.)
Hotels--Florida
Description
Travelodge Orlando-Sky Lake was located at 7101 South Orange Blossom Trail (OBT), just north of the Bee Line Toll Road, in Orlando, Florida.. The hotel was constructed in 1970 by Hymen Lake and is currently in operation as the Royal Inn. Photographs from this era show the hotel offered a free continental breakfast, heated pool, and color television. The Onan Corporation, based in Minneapolis, Minnesota, commissioned the photographs. Onan was photographing a standby electric plant that had been recently installed at the hotel.
Type
Still Image
Source
Original color photograph: <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>, Pine Castle, Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/179" target="_blank">Sky Lake Collection</a>, Orange County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photograph.
Coverage
Travelodge Orlando-Sky Lake, Sky Lake, Florida
Contributor
Lake, Harriett
Date Created
ca. 1970-1979
Format
image/jpg
Extent
210 KB
Medium
1 color photograph
Language
eng
Mediator
History Teacher
Economics Teacher
Geography Teacher
Rights Holder
Copyright to this resource is held by the <a href="http://power.cummins.com/" target="_blank">Onan Corporation</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
"<a href="https://www.ocpafl.org/Searches/ParcelSearch.aspx/PID/292327000000030" target="_blank">7101 S Orange Blossom Trl</a>." Orange County Property Appraiser. https://www.ocpafl.org/Searches/ParcelSearch.aspx/PID/292327000000030.
hotels
motels
OBT
Orange Blossom Trail
orlando
Sky Lake
tourism
travel lodges
Travelodge Orlando-Sky Lake
U.S. Route 441
US 441
-
https://richesmi.cah.ucf.edu/omeka/files/original/56bdc13e111a34e46d5bffbe9cf5409f.jpg
9f1948caf94256637c9dc977864f8e5f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Sky Lake Collection
Alternative Title
Sky Lake Collection
Subject
Orlando (Fla.)
Description
Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida
Language
eng
Type
Collection
Coverage
Sky Lake, Florida
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Mormino, Gary R. 2002. "<a href="http://www.worldcat.org/oclc/5544029021" target="_blank">Sunbelt Dreams and Altered States: A Social and Cultural History of Florida, 1950-2000</a>." <em>The Florida Historical Quarterly. </em>81, no. 1: 3-21.
Arsenault, Raymond. "The End of the Long, Hot Summer: The Air Conditioner and Southern Culture." <a href="http://www.worldcat.org/oclc/1782314" target="_blank"><em>Journal of Southern History</em></a> Vol. 50, no. 4 (November, 1984): 597-628.
Staeheli, Lynn A. and Don Mitchell. "USA’s Destiny? Regulating Space and Creting Community in American Shopping Malls." <a href="http://www.worldcat.org/oclc/37915650" target="_blank"><em>Urban Studies</em></a> Vol. 43, nos 5/6 (May 2006): 977-992.
Dietrich, T. Stanton. <a href="http://www.worldcat.org/oclc/4683014" target="_blank"><em>The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970</em></a>. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978.
Rome, Adam Ward. <a href="http://www.worldcat.org/oclc/44594084" target="_blank"><em>The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism</em></a>. Cambridge: Cambridge University Press, 2001.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Travelodge Orlando-Sky Lake During Construction
Alternative Title
Travelodge Orlando-Sky Lake
Subject
Orlando (Fla.)
Hotels--Florida
Description
Travelodge Orlando-Sky Lake was located at 7101 South Orange Blossom Trail (OBT), just north of the Bee Line Toll Road, in Orlando, Florida.. The hotel was constructed in 1970 by Hymen Lake and is currently in operation as the Royal Inn. Photographs from this era show the hotel offered a free continental breakfast, heated pool, and color television. The Onan Corporation, based in Minneapolis, Minnesota, commissioned the photographs. Onan was photographing a standby electric plant that had been recently installed at the hotel.
Type
Still Image
Source
Original color photograph: <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>, Pine Castle, Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/179" target="_blank">Sky Lake Collection</a>, Orange County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photograph.
Coverage
Travelodge Orlando-Sky Lake, Sky Lake, Florida
Contributor
Lake, Harriett
Date Created
ca. 1970
Format
image/jpg
Extent
389 KB
Medium
1 color photograph
Language
eng
Mediator
History Teacher
Economics Teacher
Geography Teacher
Rights Holder
Copyright to this resource is held by the <a href="http://power.cummins.com/" target="_blank">Onan Corporation</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
"<a href="https://www.ocpafl.org/Searches/ParcelSearch.aspx/PID/292327000000030" target="_blank">7101 S Orange Blossom Trl</a>." Orange County Property Appraiser. https://www.ocpafl.org/Searches/ParcelSearch.aspx/PID/292327000000030.
construction
hotels
motels
OBT
Orange Blossom Trail
orlando
Sky Lake
tourism
travel lodges
Travelodge Orlando-Sky Lake
U.S. Route 441
US 441
-
https://richesmi.cah.ucf.edu/omeka/files/original/3e8529bba45978715ce5665a66a19d12.jpg
84f39f028d5b0915e0b6f2801cf011d0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Sky Lake Collection
Alternative Title
Sky Lake Collection
Subject
Orlando (Fla.)
Description
Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida
Language
eng
Type
Collection
Coverage
Sky Lake, Florida
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Mormino, Gary R. 2002. "<a href="http://www.worldcat.org/oclc/5544029021" target="_blank">Sunbelt Dreams and Altered States: A Social and Cultural History of Florida, 1950-2000</a>." <em>The Florida Historical Quarterly. </em>81, no. 1: 3-21.
Arsenault, Raymond. "The End of the Long, Hot Summer: The Air Conditioner and Southern Culture." <a href="http://www.worldcat.org/oclc/1782314" target="_blank"><em>Journal of Southern History</em></a> Vol. 50, no. 4 (November, 1984): 597-628.
Staeheli, Lynn A. and Don Mitchell. "USA’s Destiny? Regulating Space and Creting Community in American Shopping Malls." <a href="http://www.worldcat.org/oclc/37915650" target="_blank"><em>Urban Studies</em></a> Vol. 43, nos 5/6 (May 2006): 977-992.
Dietrich, T. Stanton. <a href="http://www.worldcat.org/oclc/4683014" target="_blank"><em>The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970</em></a>. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978.
Rome, Adam Ward. <a href="http://www.worldcat.org/oclc/44594084" target="_blank"><em>The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism</em></a>. Cambridge: Cambridge University Press, 2001.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Aerial View of Travelodge Orlando-Sky Lake
Alternative Title
Travelodge Orlando-Sky Lake
Subject
Orlando (Fla.)
Hotels--Florida
Description
Travelodge Orlando-Sky Lake was located at 7101 South Orange Blossom Trail (OBT), just north of the Bee Line Toll Road, in Orlando, Florida.. The hotel was constructed in 1970 by Hymen Lake and is currently in operation as the Royal Inn. Photographs from this era show the hotel offered a free continental breakfast, heated pool, and color television. The Onan Corporation, based in Minneapolis, Minnesota, commissioned the photographs. Onan was photographing a standby electric plant that had been recently installed at the hotel.
Type
Still Image
Source
Original black and white photograph: <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>, Pine Castle, Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/179" target="_blank">Sky Lake Collection</a>, Orange County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original black and white photograph.
Coverage
Travelodge Orlando-Sky Lake, Sky Lake, Florida
Contributor
Lake, Harriett
Date Created
ca. 1970-1979
Format
image/jpg
Extent
308 KB
Medium
1 black and white photograph
Language
eng
Mediator
History Teacher
Economics Teacher
Geography Teacher
Rights Holder
Copyright to this resource is held by the <a href="http://power.cummins.com/" target="_blank">Onan Corporation</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
"<a href="https://www.ocpafl.org/Searches/ParcelSearch.aspx/PID/292327000000030" target="_blank">7101 S Orange Blossom Trl</a>." Orange County Property Appraiser. https://www.ocpafl.org/Searches/ParcelSearch.aspx/PID/292327000000030.
hotels
motels
OBT
Orange Blossom Trail
orlando
Sky Lake
tourism
travel lodges
Travelodge Orlando-Sky Lake
U.S. Route 441
US 441
-
https://richesmi.cah.ucf.edu/omeka/files/original/afd39cc44b0773d620953c0de2e83c45.jpg
fe1afb59e317984be5754e0556e7cfd3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Sky Lake Collection
Alternative Title
Sky Lake Collection
Subject
Orlando (Fla.)
Description
Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida
Language
eng
Type
Collection
Coverage
Sky Lake, Florida
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Mormino, Gary R. 2002. "<a href="http://www.worldcat.org/oclc/5544029021" target="_blank">Sunbelt Dreams and Altered States: A Social and Cultural History of Florida, 1950-2000</a>." <em>The Florida Historical Quarterly. </em>81, no. 1: 3-21.
Arsenault, Raymond. "The End of the Long, Hot Summer: The Air Conditioner and Southern Culture." <a href="http://www.worldcat.org/oclc/1782314" target="_blank"><em>Journal of Southern History</em></a> Vol. 50, no. 4 (November, 1984): 597-628.
Staeheli, Lynn A. and Don Mitchell. "USA’s Destiny? Regulating Space and Creting Community in American Shopping Malls." <a href="http://www.worldcat.org/oclc/37915650" target="_blank"><em>Urban Studies</em></a> Vol. 43, nos 5/6 (May 2006): 977-992.
Dietrich, T. Stanton. <a href="http://www.worldcat.org/oclc/4683014" target="_blank"><em>The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970</em></a>. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978.
Rome, Adam Ward. <a href="http://www.worldcat.org/oclc/44594084" target="_blank"><em>The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism</em></a>. Cambridge: Cambridge University Press, 2001.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Sky Lake Construction
Alternative Title
Sky Lake Construction
Subject
Orlando (Fla.)
Housing--Florida
Description
Construction at Sky Lake, located approximately seven miles south of Downtown Orlando, Florida, between Lancaster Road and Sand Lake Road. The Sky Lake residential community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. This residential community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.
Type
Still Image
Source
Original black and white photograph by Fred DeWitt: <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>, Pine Castle, Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/179" target="_blank">Sky Lake Collection</a>, Orange County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original black and white photograph by Fred DeWitt.
Coverage
Sky Lake, Florida
Creator
DeWitt, Fred
Contributor
Lake, Harriett
Date Created
ca. 1962-1965
Date Copyrighted
ca. 1962-1965
Format
image/jpg
Extent
355 KB
Medium
1 black and white photograph
Language
eng
Mediator
History Teacher
Geography Teacher
Provenance
Originally created by Fred DeWitt.
Rights Holder
Copyright to this resource is held by the <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Tracy, Jane. "<a href="http://dc.ocls.info/memory/image/harriett-and-hymen-lake" target="_blank">Harriett and Hymen Lake</a> .'" Orlando Memory, March 11, 2014, http://dc.ocls.info/memory/image/harriett-and-hymen-lake.
construction
excavators
Fred DeWitt
orlando
Sky Lake
-
https://richesmi.cah.ucf.edu/omeka/files/original/8a513a83dbf31fd257c8b9ebdb764708.jpg
504a607b648a9384fc5ceba725808e5a
https://richesmi.cah.ucf.edu/omeka/files/original/0b3ccbc05556e9551ab778fe9b823340.jpg
a83b5675563b6437ebee9c2d4116dbd5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Sky Lake Collection
Alternative Title
Sky Lake Collection
Subject
Orlando (Fla.)
Description
Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida
Language
eng
Type
Collection
Coverage
Sky Lake, Florida
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Mormino, Gary R. 2002. "<a href="http://www.worldcat.org/oclc/5544029021" target="_blank">Sunbelt Dreams and Altered States: A Social and Cultural History of Florida, 1950-2000</a>." <em>The Florida Historical Quarterly. </em>81, no. 1: 3-21.
Arsenault, Raymond. "The End of the Long, Hot Summer: The Air Conditioner and Southern Culture." <a href="http://www.worldcat.org/oclc/1782314" target="_blank"><em>Journal of Southern History</em></a> Vol. 50, no. 4 (November, 1984): 597-628.
Staeheli, Lynn A. and Don Mitchell. "USA’s Destiny? Regulating Space and Creting Community in American Shopping Malls." <a href="http://www.worldcat.org/oclc/37915650" target="_blank"><em>Urban Studies</em></a> Vol. 43, nos 5/6 (May 2006): 977-992.
Dietrich, T. Stanton. <a href="http://www.worldcat.org/oclc/4683014" target="_blank"><em>The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970</em></a>. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978.
Rome, Adam Ward. <a href="http://www.worldcat.org/oclc/44594084" target="_blank"><em>The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism</em></a>. Cambridge: Cambridge University Press, 2001.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Sky Lake House
Alternative Title
Sky Lake
Subject
Orlando (Fla.)
Housing--Florida
Description
A house in Sky Lake, located approximately seven miles south of Downtown Orlando, Florida, between Lancaster Road and Sand Lake Road. It is unclear as to what street this house was located along. The Sky Lake residential community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. This residential community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.
Type
Still Image
Source
Original black and white photographs: <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>, Pine Castle, Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/179" target="_blank">Sky Lake Collection</a>, Orange County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original black and white photographs.
Coverage
Sky Lake, Florida
Contributor
Lake, Harriett
Date Created
ca. 1962-1969
Date Copyrighted
ca. 1962-1969
Format
image/jpg
Extent
308 KB
251 KB
Medium
2 black and white photographs
Mediator
History Teacher
Geography Teacher
Rights Holder
Copyright to this resource is held by the <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Tracy, Jane. "<a href="http://dc.ocls.info/memory/image/harriett-and-hymen-lake" target="_blank">Harriett and Hymen Lake</a> .'" Orlando Memory, March 11, 2014, http://dc.ocls.info/memory/image/harriett-and-hymen-lake.
homes
houses
housing
orlando
Sky Lake
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Sky Lake Collection
Alternative Title
Sky Lake Collection
Subject
Orlando (Fla.)
Description
Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida
Language
eng
Type
Collection
Coverage
Sky Lake, Florida
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Mormino, Gary R. 2002. "<a href="http://www.worldcat.org/oclc/5544029021" target="_blank">Sunbelt Dreams and Altered States: A Social and Cultural History of Florida, 1950-2000</a>." <em>The Florida Historical Quarterly. </em>81, no. 1: 3-21.
Arsenault, Raymond. "The End of the Long, Hot Summer: The Air Conditioner and Southern Culture." <a href="http://www.worldcat.org/oclc/1782314" target="_blank"><em>Journal of Southern History</em></a> Vol. 50, no. 4 (November, 1984): 597-628.
Staeheli, Lynn A. and Don Mitchell. "USA’s Destiny? Regulating Space and Creting Community in American Shopping Malls." <a href="http://www.worldcat.org/oclc/37915650" target="_blank"><em>Urban Studies</em></a> Vol. 43, nos 5/6 (May 2006): 977-992.
Dietrich, T. Stanton. <a href="http://www.worldcat.org/oclc/4683014" target="_blank"><em>The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970</em></a>. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978.
Rome, Adam Ward. <a href="http://www.worldcat.org/oclc/44594084" target="_blank"><em>The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism</em></a>. Cambridge: Cambridge University Press, 2001.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Sky Lake Houses
Alternative Title
Sky Lake
Subject
Orlando (Fla.)
Housing--Florida
Description
Houses in Sky Lake, located approximately seven miles south of Downtown Orlando, Florida, between Lancaster Road and Sand Lake Road. It is unclear as to what street(s) these houses were located along. The Sky Lake residential community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. This residential community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.
Type
Still Image
Source
Original color photographs: <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>, Pine Castle, Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/179" target="_blank">Sky Lake Collection</a>, Orange County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photographs.
Coverage
Sky Lake, Florida
Contributor
Lake, Harriett
Date Created
ca. 1962-1979
Date Copyrighted
ca. 1962-1979
Format
image/jpg
Extent
202 KB
231 KB
193 KB
186 KB
205 KB
173 KB
197 KB
178 KB
183 KB
242 KB
207 KB
208 KB
279 KB
222 KB
Medium
15 color photographs
Language
eng
Mediator
History Teacher
Geography Teacher
Rights Holder
Copyright to this resource is held by the <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Tracy, Jane. "<a href="http://dc.ocls.info/memory/image/harriett-and-hymen-lake" target="_blank">Harriett and Hymen Lake</a> .'" Orlando Memory, March 11, 2014, http://dc.ocls.info/memory/image/harriett-and-hymen-lake.
homes
houses
housing
orlando
Sky Lake
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Sky Lake Collection
Alternative Title
Sky Lake Collection
Subject
Orlando (Fla.)
Description
Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida
Language
eng
Type
Collection
Coverage
Sky Lake, Florida
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Mormino, Gary R. 2002. "<a href="http://www.worldcat.org/oclc/5544029021" target="_blank">Sunbelt Dreams and Altered States: A Social and Cultural History of Florida, 1950-2000</a>." <em>The Florida Historical Quarterly. </em>81, no. 1: 3-21.
Arsenault, Raymond. "The End of the Long, Hot Summer: The Air Conditioner and Southern Culture." <a href="http://www.worldcat.org/oclc/1782314" target="_blank"><em>Journal of Southern History</em></a> Vol. 50, no. 4 (November, 1984): 597-628.
Staeheli, Lynn A. and Don Mitchell. "USA’s Destiny? Regulating Space and Creting Community in American Shopping Malls." <a href="http://www.worldcat.org/oclc/37915650" target="_blank"><em>Urban Studies</em></a> Vol. 43, nos 5/6 (May 2006): 977-992.
Dietrich, T. Stanton. <a href="http://www.worldcat.org/oclc/4683014" target="_blank"><em>The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970</em></a>. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978.
Rome, Adam Ward. <a href="http://www.worldcat.org/oclc/44594084" target="_blank"><em>The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism</em></a>. Cambridge: Cambridge University Press, 2001.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Aerial Views of Sky Lake
Alternative Title
Sky Lake
Subject
Orlando (Fla.)
Housing--Florida
Description
Sky Lake, located approximately seven miles south of Downtown Orlando, Florida, between Lancaster Road and Sand Lake Road. This residential community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. This residential community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.
Type
Still Image
Source
Original black and white photographs: <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>, Pine Castle, Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/179" target="_blank">Sky Lake Collection</a>, Orange County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original black and white photographs.
Coverage
Sky Lake, Florida
Contributor
Lake, Harriett
Date Created
ca. 1962-1965
Date Copyrighted
ca. 1962-1965
Format
image/jpg
Extent
386 KB
412 KB
376 KB
308 KB
325 KB
334 KB
320 KB
Medium
7 black and white photographs
Mediator
History Teacher
Geography Teacher
Rights Holder
Copyright to this resource is held by the <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Tracy, Jane. "<a href="http://dc.ocls.info/memory/image/harriett-and-hymen-lake" target="_blank">Harriett and Hymen Lake</a> .'" Orlando Memory, March 11, 2014, http://dc.ocls.info/memory/image/harriett-and-hymen-lake.
homes
houses
housing
orlando
Sky Lake
-
https://richesmi.cah.ucf.edu/omeka/files/original/59b818426b25fe607af57ea4572f93f4.jpg
384df36f5f336cb292fa275cda725aa4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Sky Lake Collection
Alternative Title
Sky Lake Collection
Subject
Orlando (Fla.)
Description
Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida
Language
eng
Type
Collection
Coverage
Sky Lake, Florida
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Mormino, Gary R. 2002. "<a href="http://www.worldcat.org/oclc/5544029021" target="_blank">Sunbelt Dreams and Altered States: A Social and Cultural History of Florida, 1950-2000</a>." <em>The Florida Historical Quarterly. </em>81, no. 1: 3-21.
Arsenault, Raymond. "The End of the Long, Hot Summer: The Air Conditioner and Southern Culture." <a href="http://www.worldcat.org/oclc/1782314" target="_blank"><em>Journal of Southern History</em></a> Vol. 50, no. 4 (November, 1984): 597-628.
Staeheli, Lynn A. and Don Mitchell. "USA’s Destiny? Regulating Space and Creting Community in American Shopping Malls." <a href="http://www.worldcat.org/oclc/37915650" target="_blank"><em>Urban Studies</em></a> Vol. 43, nos 5/6 (May 2006): 977-992.
Dietrich, T. Stanton. <a href="http://www.worldcat.org/oclc/4683014" target="_blank"><em>The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970</em></a>. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978.
Rome, Adam Ward. <a href="http://www.worldcat.org/oclc/44594084" target="_blank"><em>The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism</em></a>. Cambridge: Cambridge University Press, 2001.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Skyview Drive
Alternative Title
Skyview Drive
Subject
Orlando (Fla.)
Housing--Florida
Description
Sky Lake, located approximately seven miles south of Downtown Orlando, Florida, between Lancaster Road and Sand Lake Road. This residential community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. This residential community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.
Type
Still Image
Source
Original color photograph: <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>, Pine Castle, Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/179" target="_blank">Sky Lake Collection</a>, Orange County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original color photograph.
Coverage
Sky Lake, Florida
Contributor
Lake, Harriett
Date Created
ca. 1962-1965
Date Copyrighted
ca. 1962-1965
Format
image/jpg
Extent
382 KB
Medium
1 color photograph
Mediator
History Teacher
Geography Teacher
Rights Holder
Copyright to this resource is held by the <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Tracy, Jane. "<a href="http://dc.ocls.info/memory/image/harriett-and-hymen-lake" target="_blank">Harriett and Hymen Lake</a> .'" Orlando Memory, March 11, 2014, http://dc.ocls.info/memory/image/harriett-and-hymen-lake.
homes
houses
housing
orlando
Sky Lake
Skyview Drive
-
https://richesmi.cah.ucf.edu/omeka/files/original/3de062c124e2b1ef252ab2335377e93a.jpg
b95943f6d9019e1ad665b4dd810829b6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Sky Lake Collection
Alternative Title
Sky Lake Collection
Subject
Orlando (Fla.)
Description
Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida
Language
eng
Type
Collection
Coverage
Sky Lake, Florida
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Mormino, Gary R. 2002. "<a href="http://www.worldcat.org/oclc/5544029021" target="_blank">Sunbelt Dreams and Altered States: A Social and Cultural History of Florida, 1950-2000</a>." <em>The Florida Historical Quarterly. </em>81, no. 1: 3-21.
Arsenault, Raymond. "The End of the Long, Hot Summer: The Air Conditioner and Southern Culture." <a href="http://www.worldcat.org/oclc/1782314" target="_blank"><em>Journal of Southern History</em></a> Vol. 50, no. 4 (November, 1984): 597-628.
Staeheli, Lynn A. and Don Mitchell. "USA’s Destiny? Regulating Space and Creting Community in American Shopping Malls." <a href="http://www.worldcat.org/oclc/37915650" target="_blank"><em>Urban Studies</em></a> Vol. 43, nos 5/6 (May 2006): 977-992.
Dietrich, T. Stanton. <a href="http://www.worldcat.org/oclc/4683014" target="_blank"><em>The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970</em></a>. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978.
Rome, Adam Ward. <a href="http://www.worldcat.org/oclc/44594084" target="_blank"><em>The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism</em></a>. Cambridge: Cambridge University Press, 2001.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Grid Map of Unincorporated Communities South of Orlando
Alternative Title
Pine Castle Grid Map
Subject
Orlando (Fla.)
Pine Castle (Orlando, Fla.)
Edgewood (Fla.)
Taft (Fla.)
Belle Isle (Fla.)
Description
A grid map of various unincorporated communities south of Orlando, Florida. Such communities include Edgewood, Pine Castle, Conway, Belle Isle, and Taft. Other notable sites on the map include the Orlando International Airport and the Martin Andersen Bee Line Expressway, formerly called Florida State Road 528 (SR 528).
Type
Still Image
Source
Original map: <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>, Pine Castle, Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida.
Is Format Of
Digital reproduction of original map.
Coverage
Edgewood, Florida
Pine Castle, Florida
Conway, Florida
Belle Isle, Florida
Taft, Florida
Orlando International Airport, Orlando, Florida
Contributor
Lake, Harriett
Date Created
ca. 1960-1969
Format
image/jpg
Extent
548 KB
Medium
1 map
Language
eng
Mediator
History Teacher
Geography Teacher
Rights Holder
Copyright to this resource is held by the <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Tracy, Jane. "<a href="http://dc.ocls.info/memory/image/harriett-and-hymen-lake" target="_blank">Harriett and Hymen Lake</a> .'" Orlando Memory, March 11, 2014, http://dc.ocls.info/memory/image/harriett-and-hymen-lake.
airports
Belle Isle
Conway
Edgewood
Florida State Road 528
grids
I-4
Interstate 4
Martin Andersen Beachline Expressway
Martin Andersen Bee Line Expressway
orlando
Orlando International Airport
Pine Castle
South Orlando
SR 528
Taft
-
https://richesmi.cah.ucf.edu/omeka/files/original/09f88af1867f319fcf6f5b5fd234b018.jpg
7a41a14cc9985b35d8e6c8896862b900
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Sky Lake Collection
Alternative Title
Sky Lake Collection
Subject
Orlando (Fla.)
Description
Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida
Language
eng
Type
Collection
Coverage
Sky Lake, Florida
Curator
Barnes, Mark
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Mormino, Gary R. 2002. "<a href="http://www.worldcat.org/oclc/5544029021" target="_blank">Sunbelt Dreams and Altered States: A Social and Cultural History of Florida, 1950-2000</a>." <em>The Florida Historical Quarterly. </em>81, no. 1: 3-21.
Arsenault, Raymond. "The End of the Long, Hot Summer: The Air Conditioner and Southern Culture." <a href="http://www.worldcat.org/oclc/1782314" target="_blank"><em>Journal of Southern History</em></a> Vol. 50, no. 4 (November, 1984): 597-628.
Staeheli, Lynn A. and Don Mitchell. "USA’s Destiny? Regulating Space and Creting Community in American Shopping Malls." <a href="http://www.worldcat.org/oclc/37915650" target="_blank"><em>Urban Studies</em></a> Vol. 43, nos 5/6 (May 2006): 977-992.
Dietrich, T. Stanton. <a href="http://www.worldcat.org/oclc/4683014" target="_blank"><em>The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970</em></a>. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978.
Rome, Adam Ward. <a href="http://www.worldcat.org/oclc/44594084" target="_blank"><em>The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism</em></a>. Cambridge: Cambridge University Press, 2001.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Orlando Grid Map
Alternative Title
Orlando Grid Map
Subject
Orlando (Fla.)
Description
A grid map of Orlando, Florida, showing what appears to be the proposed site for the Sky Lake, a residential community and unincorporated area. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. This residential community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. This residential community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.
Type
Still Image
Source
Original map: <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>, Pine Castle, Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/20" target="_blank">Orlando Collection</a>, Orange County Collection, RICHES of Central Florida.
Is Format Of
Digital reproduction of original map.
Coverage
Sky Lake, Florida
Contributor
Lake, Harriett
Date Created
ca. 1950-1969
Format
image/jpg
Extent
548 KB
Medium
1 map
Language
eng
Mediator
History Teacher
Geography Teacher
Rights Holder
Copyright to this resource is held by the <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>
External Reference
Tracy, Jane. "<a href="http://dc.ocls.info/memory/image/harriett-and-hymen-lake" target="_blank">Harriett and Hymen Lake</a> .'" Orlando Memory, March 11, 2014, http://dc.ocls.info/memory/image/harriett-and-hymen-lake.
Dean Road
Florida State Road 15
Florida State Road 50
Florida Technological University
Florida's Turnpike
FTU
grids
I-4
Interstate 4
Lake Barton Road
Martin
OBT
Orange Blossom Trail
orlando
Orlando-Cape Canaveral Expressway
Rio Pinar Country Club
Scenic Parkway
Sky Lake
SR 15
SR 50
U.S. Route 441
UCF
University of Central Florida
US 441
-
https://richesmi.cah.ucf.edu/omeka/files/original/e0f9a9ade90745a2c6ecbe44564418e8.jpg
a0cee927ecfa769ac78adec176cc1cd9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Friends of Lake Apopka Collection
Alternative Title
FOLA Collection
Subject
Lake Apopka (Fla.)
Water quality--Florida
Pollution--Florida
Description
The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.
Contributor
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Language
eng
Type
Collection
Coverage
Lake Apopka, Florida
Florida Game and Fresh Water Commission, Tallahassee, Florida
Oakland, Florida
Orlando, Florida
Saint Johns River, Florida
Winter Garden, Florida
Winter Haven, Florida
Zellwood, Florida
Contributing Project
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Curator
Cepero, Laura
King, Joshua
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>
External Reference
"<a href="http://www.fola.org/" target="_blank">Our Mission & Purpose</a>." Friends of Lake Apopka. http://www.fola.org/.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A Second Lake Apopka Fish Kill
Alternative Title
Lake Apopka Fish Kill
Subject
Lake Apopka (Fla.)
Water quality management--Florida
Fishing--Florida
Description
A newspaper article published in <em>The Winter Garden Times</em> discussing a fish kill in Lake Apopka in July of 1981. This fish kill, totaling an estimated four million fish, occurred two weeks after another larger kill in Lake Apopka on June 20, 1981. The article states that the kills are due to a combination of factors affecting the lake, including low water levels, high temperatures, and stormy weather, which led to the lake's high algae content deoxygenating the lake.<br /><br />Lake Apopka is one of Florida’s largest lakes and was once considered to be one of the world’s best lakes for bass fishing. The lake’s sport fish population began to decline in the 1960s, with major die-offs occurring almost yearly. The lake’s problems are generally considered to be the result of over-nutrification from various sources. Twenty thousand acres of wetlands bordering the lake’s north shore were drained in the 1940s and used for highly fertile “muck farms.” These farms were routinely flooded to protect the fragile soil, and the fertilizer and pesticide-laden water was then discharged back into the lake prior to each growing season. Other sources of pollution include discharge from citrus processing operations, as well as treated wastewater from sewage plants. The nutrient-rich discharge promoted algae growth in the lake, turning the water to a green color, and blocked sunlight from reaching aquatic vegetation, which provided food and habit to the lake’s fish population. The lake’s bottom soil became increasingly “mucky,” also disrupting aquatic vegetation from taking root. <br /><br />Restoration work on the lake began in the 1960s with attempts by various agencies to remove “trash fish,” such as gizzard shad, from the lake via seining, which would hopefully allow the lake’s sportfish to thrive. The Lake Apopka Restoration Council, an initiative formed under Governor Claude Kirk (1926-2011) in 1967, launched several studies to find methods to improve the lake, though no serious action was taken. Various methods were debated to restore the lake through the 1970s and 1980s, including “drawdown,” which entailed completely draining the lake to allow the mucky bottom to consolidate. Restoration attempts were stalled for lack of funding and research.<br /><br />The Lake Apopka Restoration Council was reformed in 1985 under Governor Bob Graham (b. 1936), and, in 1987, the Surface Water and Improvement Management Act was passed. Together, these actions allowed comprehensive restoration plans to take shape, such as the Marsh Flow-way, a project by the St John’s Water Management District that uses natural methods to remove nutrients from the lake. The Friends of Lake Apopka, a citizen environmental advocacy group, began to push for further restoration efforts in the 1990s. The lake’s north shore muck farms were eventually purchased by the State of Florida, helping to reduce the amount of nutrient entering the lake.
Type
Text
Source
Photocopy of original newspaper article: "A Second Lake Apopka fish kill." <a href="http://www.orangeobserver.com/" target="_blank"><em>The Winter Garden Times</em></a>, Vol. 50, No. 29, July 16, 1981: binder 1981, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida.
Is Part Of
Binder 1981, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank">Friends of Lake Apopka Collection</a>, RICHES of Central Florida.
Is Format Of
Digital reproduction of photocopied newspaper article: "A Second Lake Apopka fish kill." <a href="http://www.orangeobserver.com/" target="_blank"><em>The Winter Garden Times</em></a>, Vol. 50, No. 29, July 16, 1981.
Coverage
Lake Apopka, Florida
Publisher
<a href="http://www.orangeobserver.com/" target="_blank"><em>The Winter Garden Times</em></a>
Date Created
ca. 1981-07-16
Date Issued
1981-07-16
Date Copyrighted
1981-07-16
Format
image/jpg
Extent
281 KB
Medium
1 newspaper article
Language
eng
Mediator
History Teacher
Provenance
Originally published by <a href="http://www.orangeobserver.com/" target="_blank"><em>The Winter Garden Times</em></a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.orangeobserver.com/" target="_blank">The West Orange Times &amp</a>
Observer and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Curator
King, Joshua
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>
External Reference
"<a href="http://www.sjrwmd.com/lakeapopka/history.html" target="_blank">History of Lake Apopka</a>." St John's River Water Management District. January 28, 2013. Accessed June 5, 2016. http://www.sjrwmd.com/lakeapopka/history.html.
algae
Bill Johnson
black crappie
Dorosoma cepedianum
Dorosoma petenense
fish kills
Florida Game and Fresh Water Fish Commission
GFC
gizzard shad
Harold L. Moody
Lake Apopka
Pomoxis nigromaculatus
threadfin shad
-
https://richesmi.cah.ucf.edu/omeka/files/original/80da7b12623a1e831701f782576483fe.jpg
6c416802473fc2f539693d0a943e7418
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Friends of Lake Apopka Collection
Alternative Title
FOLA Collection
Subject
Lake Apopka (Fla.)
Water quality--Florida
Pollution--Florida
Description
The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.
Contributor
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Language
eng
Type
Collection
Coverage
Lake Apopka, Florida
Florida Game and Fresh Water Commission, Tallahassee, Florida
Oakland, Florida
Orlando, Florida
Saint Johns River, Florida
Winter Garden, Florida
Winter Haven, Florida
Zellwood, Florida
Contributing Project
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Curator
Cepero, Laura
King, Joshua
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>
External Reference
"<a href="http://www.fola.org/" target="_blank">Our Mission & Purpose</a>." Friends of Lake Apopka. http://www.fola.org/.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Officials Think Fish Kills May Spread
Alternative Title
Fish Kills May Spread
Subject
Lake Apopka (Fla.)
Fishing--Florida
Description
A newspaper article published in <em>The Leesburg Daily Commercial</em> discussing fish kills that occurred in Lake Apopka in June of 1981. The article gives quotes from Harold L. Moody and Mike Wicker of the Florida Game and Fresh Water Fish Commission (GFC), who state that further fish kills are very likely to occur. The article states that the current drought conditions in Florida were exacerbating the poor condition of the lake, concentrating the lake's water and promoting the growth of algae. The algae growth causes the lake's oxygen levels to drop, triggering fish die-offs. The Lake Apopka fish kill is estimated to have killed between 30 million and 40 million fish.<br /><br />Lake Apopka is one of Florida’s largest lakes and was once considered to be one of the world’s best lakes for bass fishing. The lake’s sport fish population began to decline in the 1960s, with major die-offs occurring almost yearly. The lake’s problems are generally considered to be the result of over-nutrification from various sources. Twenty thousand acres of wetlands bordering the lake’s north shore were drained in the 1940s and used for highly fertile “muck farms.” These farms were routinely flooded to protect the fragile soil, and the fertilizer and pesticide-laden water was then discharged back into the lake prior to each growing season. Other sources of pollution include discharge from citrus processing operations, as well as treated wastewater from sewage plants. The nutrient-rich discharge promoted algae growth in the lake, turning the water to a green color, and blocked sunlight from reaching aquatic vegetation, which provided food and habit to the lake’s fish population. The lake’s bottom soil became increasingly “mucky,” also disrupting aquatic vegetation from taking root. <br /><br />Restoration work on the lake began in the 1960s with attempts by various agencies to remove “trash fish,” such as gizzard shad, from the lake via seining, which would hopefully allow the lake’s sportfish to thrive. The Lake Apopka Restoration Council, an initiative formed under Governor Claude Kirk (1926-2011) in 1967, launched several studies to find methods to improve the lake, though no serious action was taken. Various methods were debated to restore the lake through the 1970s and 1980s, including “drawdown,” which entailed completely draining the lake to allow the mucky bottom to consolidate. Restoration attempts were stalled for lack of funding and research.<br /><br />The Lake Apopka Restoration Council was reformed in 1985 under Governor Bob Graham (b. 1936), and, in 1987, the Surface Water and Improvement Management Act was passed. Together, these actions allowed comprehensive restoration plans to take shape, such as the Marsh Flow-way, a project by the St John’s Water Management District that uses natural methods to remove nutrients from the lake. The Friends of Lake Apopka, a citizen environmental advocacy group, began to push for further restoration efforts in the 1990s. The lake’s north shore muck farms were eventually purchased by the State of Florida, helping to reduce the amount of nutrient entering the lake.
Type
Text
Source
Photocopy of original newspaper article: Horvath, Paula. "Officials Think Fish Kills May Spread." <a href="http://www.dailycommercial.com/" target="_blank"><em>The Leesburg Daily Commercial</em></a>, July 22, 1981: binder 1981, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida.
Is Part Of
Binder 1981, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank">Friends of Lake Apopka Collection</a>, RICHES of Central Florida.
Is Format Of
Digital reproduction of photocopied newspaper article: Horvath, Paula. "Officials Think Fish Kills May Spread." <a href="http://www.dailycommercial.com/" target="_blank"><em>The Leesburg Daily Commercial</em></a>, July 22, 1981.
Coverage
Lake Apopka, Florida
Creator
Horvath, Paula
Publisher
<a href="http://www.dailycommercial.com/" target="_blank"><em>The Leesburg Daily Commercial</em></a>
Date Created
ca. 1981-07-22
Date Issued
1981-07-22
Date Copyrighted
1981-07-22
Format
image/jpg
Extent
193 KB
Medium
1 newspaper article
Language
eng
Mediator
History Teacher
Provenance
Originally created by Paula Horvath and published by <a href="http://www.dailycommercial.com/" target="_blank"><em>The Leesburg Daily Commercial</em></a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.dailycommercial.com/" target="_blank"><em>The Leesburg Daily Commercial</em></a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Curator
King, Joshua
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>
External Reference
"<a href="http://www.sjrwmd.com/lakeapopka/history.html" target="_blank">History of Lake Apopka</a>." St John's River Water Management District. January 28, 2013. Accessed June 5, 2016. http://www.sjrwmd.com/lakeapopka/history.html.
algae
Dorosoma cepedianum
fish kills
Florida Game and Fresh Water Fish Commission
GFC
gizzard shad
Harold L. Moody
Lake Apopka
Lake Dora
Lake Griffin
Mike Wicker
Paula Horvath
St. Johns River Fishery Program
wetlands
-
https://richesmi.cah.ucf.edu/omeka/files/original/5556ae962761fea367f2c0866651146e.pdf
e2f13d9d3dbc3b448c9564931590d7ab
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Friends of Lake Apopka Collection
Alternative Title
FOLA Collection
Subject
Lake Apopka (Fla.)
Water quality--Florida
Pollution--Florida
Description
The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.
Contributor
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Language
eng
Type
Collection
Coverage
Lake Apopka, Florida
Florida Game and Fresh Water Commission, Tallahassee, Florida
Oakland, Florida
Orlando, Florida
Saint Johns River, Florida
Winter Garden, Florida
Winter Haven, Florida
Zellwood, Florida
Contributing Project
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Curator
Cepero, Laura
King, Joshua
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>
External Reference
"<a href="http://www.fola.org/" target="_blank">Our Mission & Purpose</a>." Friends of Lake Apopka. http://www.fola.org/.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Letter from William E. Johnson to Dennis Holcomb (July7, 1981)
Alternative Title
Letter from Johnson to Holcomb (July7, 1981)
Subject
Lake Apopka (Fla.)
Water quality management--Florida
Environmental protection--Florida
Description
A letter from William E. Johnson to Dennis Holcomb, dated July7, 1981. Enclosed with the letter is a report by Johnson, a biologist with the Florida Game and Fresh Water Fish Commission (GFC) regarding a fish kill in Lake Apopka that occurred in June of 1981. The report states that the fish kill was first reported on June 20, and described as "massive" by Holcomb, who was also a fisheries biologist with the GFC. Sample counts of areas of the fish kill estimate that the fish kill totaled 18 million fish, primarily gizzard and threadfin shad. The report also states that no largemouth bass were present in the kill, and it is assumed that none are present in the lake at the time of writing. 15-20 Sunshine bass were observed. Sunshine bass are a hybrid bass used to artificially stock lakes, and Lake Apopka was stocked with Sunshine bass fingerlings in May of 1981. The report concludes, based on water samples, that the fish kill was a result of oxygen depletion after a period of above-average temperatures and stormy weather conditions. Water quality data from the samples are also attached.<br /><br />Lake Apopka is one of Florida’s largest lakes and was once considered to be one of the world’s best lakes for bass fishing. The lake’s sport fish population began to decline in the 1960s, with major die-offs occurring almost yearly. The lake’s problems are generally considered to be the result of over-nutrification from various sources. Twenty thousand acres of wetlands bordering the lake’s north shore were drained in the 1940s and used for highly fertile “muck farms.” These farms were routinely flooded to protect the fragile soil, and the fertilizer and pesticide-laden water was then discharged back into the lake prior to each growing season. Other sources of pollution include discharge from citrus processing operations, as well as treated wastewater from sewage plants. The nutrient-rich discharge promoted algae growth in the lake, turning the water to a green color, and blocked sunlight from reaching aquatic vegetation, which provided food and habit to the lake’s fish population. The lake’s bottom soil became increasingly “mucky,” also disrupting aquatic vegetation from taking root. <br /><br />Restoration work on the lake began in the 1960s with attempts by various agencies to remove “trash fish,” such as gizzard shad, from the lake via seining, which would hopefully allow the lake’s sportfish to thrive. The Lake Apopka Restoration Council, an initiative formed under Governor Claude Kirk (1926-2011) in 1967, launched several studies to find methods to improve the lake, though no serious action was taken. Various methods were debated to restore the lake through the 1970s and 1980s, including “drawdown,” which entailed completely draining the lake to allow the mucky bottom to consolidate. Restoration attempts were stalled for lack of funding and research.<br /><br />The Lake Apopka Restoration Council was reformed in 1985 under Governor Bob Graham (b. 1936), and, in 1987, the Surface Water and Improvement Management Act was passed. Together, these actions allowed comprehensive restoration plans to take shape, such as the Marsh Flow-way, a project by the St John’s Water Management District that uses natural methods to remove nutrients from the lake. The Friends of Lake Apopka, a citizen environmental advocacy group, began to push for further restoration efforts in the 1990s. The lake’s north shore muck farms were eventually purchased by the State of Florida, helping to reduce the amount of nutrient entering the lake.
Type
Text
Source
Original 8-page typewritten letter from William E. Johnson to Dennis Holcomb, July7, 1981: binder 1981, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Binder 1981, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank">Friends of Lake Apopka Collection</a>, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 8-page typewritten letter from William E. Johnson to Dennis Holcomb, July7, 1981.
Coverage
Lake Apopka, Florida
Creator
Johnson, William E.
Date Created
1981-07-07
Format
application/pdf
Extent
678 KB
Medium
8-page letter on Florida Game and Fresh Water Fish Commission letterhead
Language
eng
Mediator
History Teacher
Civics/Government Teacher
Science Teacher
Provenance
Originally created by William E. Johnson.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Secton 24 of the Florida Constitution</a>.
Accrual Method
Donation
Contributing Project
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Curator
King, Joshua
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>
External Reference
"<a href="http://www.sjrwmd.com/lakeapopka/history.html" target="_blank">History of Lake Apopka</a>." St John's River Water Management District. January 28, 2013. Accessed June 5, 2016. http://www.sjrwmd.com/lakeapopka/history.html.
Actinastrum
Agmenellum
algae
Ameiurus nebulosus
ammonia
Amphipleura
Anabaena
Anacystis
Asterionella
Bill Johnson
black crappie
bluegill
brown bullhead catfish
calcium
Carteria
Chlamydomonas
chlorophyll
Dennis Holcomb
Dorosoma cepedianum
Dorosoma petenense
Euglena
fish kills
Florida Game and Fresh Water Fish Commission
GFC
gizzard shad
Lake Apopka
largemouth bass
Lepomis macrochirus
Lyngbya
magnesium
Melosira
Micropterus salmoides
Navicula
nitrates
Pediastrum
Pedinomonas
pheophytin
phosphate
phytoplankton
Pomoxis nigromaculatus
potassium
Scenedesmus
sodium
Spirulina
Staurastrum
sulfate
Sunshine bass
threadfin shad
tilapia
water management
William E. Johnson
-
https://richesmi.cah.ucf.edu/omeka/files/original/4200d10d1d3dfb902d3ce525384ed10b.jpg
d64e1d35b5a1d60c7364555be144ac47
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Friends of Lake Apopka Collection
Alternative Title
FOLA Collection
Subject
Lake Apopka (Fla.)
Water quality--Florida
Pollution--Florida
Description
The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.
Contributor
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Language
eng
Type
Collection
Coverage
Lake Apopka, Florida
Florida Game and Fresh Water Commission, Tallahassee, Florida
Oakland, Florida
Orlando, Florida
Saint Johns River, Florida
Winter Garden, Florida
Winter Haven, Florida
Zellwood, Florida
Contributing Project
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Curator
Cepero, Laura
King, Joshua
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>
External Reference
"<a href="http://www.fola.org/" target="_blank">Our Mission & Purpose</a>." Friends of Lake Apopka. http://www.fola.org/.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Letter from Andy Ireland to Harold L. Moody (June 17, 1981)
Alternative Title
Letter from Ireland to Moody (June 17, 1981)
Subject
Water quality--Florida
Environmental protection--Florida
Legislation--Florida
Description
A letter from U.S. Representative Andy Ireland (b. 1930) to Harold L. Moody, fisheries biologist with the Florida Game and Freshwater Fish Commission (GFC), dated June 17, 1981. In the letter, Rep. Ireland discusses his co-sponsorship of House Resolution 38, which would create an Ad Hoc Committee for Water Resources. Rep. Ireland states that water management programs suffer from mismanagement and lack of coordination at the state and federal levels. He also states that as of the time of writing, there were 12 panels and 29 subcommittees in the U.S. House of Representatives and 10 committees and 21 subcommittees in the U.S. Senate that each deal with water management. Rep. Ireland's proposed Ad Hoc Committee on Water Resources would work towards a coordinated policy at the national level.<br /><br />Although the letter does not state so explicitly, it was likely written in reference to Lake Apopka, which is one of Florida’s largest lakes and was once considered to be one of the world’s best lakes for bass fishing. The lake’s sport fish population began to decline in the 1960s, with major die-offs occurring almost yearly. The lake’s problems are generally considered to be the result of over-nutrification from various sources. Twenty thousand acres of wetlands bordering the lake’s north shore were drained in the 1940s and used for highly fertile “muck farms.” These farms were routinely flooded to protect the fragile soil, and the fertilizer and pesticide-laden water was then discharged back into the lake prior to each growing season. Other sources of pollution include discharge from citrus processing operations, as well as treated wastewater from sewage plants. The nutrient-rich discharge promoted algae growth in the lake, turning the water to a green color, and blocked sunlight from reaching aquatic vegetation, which provided food and habit to the lake’s fish population. The lake’s bottom soil became increasingly “mucky,” also disrupting aquatic vegetation from taking root. <br /><br />Restoration work on the lake began in the 1960s with attempts by various agencies to remove “trash fish,” such as gizzard shad, from the lake via seining, which would hopefully allow the lake’s sportfish to thrive. The Lake Apopka Restoration Council, an initiative formed under Governor Claude Kirk (1926-2011) in 1967, launched several studies to find methods to improve the lake, though no serious action was taken. Various methods were debated to restore the lake through the 1970s and 1980s, including “drawdown,” which entailed completely draining the lake to allow the mucky bottom to consolidate. Restoration attempts were stalled for lack of funding and research.<br /><br />The Lake Apopka Restoration Council was reformed in 1985 under Governor Bob Graham (b. 1936), and, in 1987, the Surface Water and Improvement Management Act was passed. Together, these actions allowed comprehensive restoration plans to take shape, such as the Marsh Flow-way, a project by the St John’s Water Management District that uses natural methods to remove nutrients from the lake. The Friends of Lake Apopka, a citizen environmental advocacy group, began to push for further restoration efforts in the 1990s. The lake’s north shore muck farms were eventually purchased by the State of Florida, helping to reduce the amount of nutrient entering the lake.
Type
Text
Source
Original 1-page typewritten letter from Andy Ireland to Harold L. Moody, June 17, 1981: binder 1981, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida.
Is Part Of
Binder 1981, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank">Friends of Lake Apopka Collection</a>, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 1-page typewritten letter from Andy Ireland to Harold L. Moody, June 17, 1981.
Coverage
Winter Garden, Florida
Creator
Ireland, Andrew P.
Date Created
1981-06-17
Format
image/jpg
Extent
177 KB
Medium
1-page letter on Congress of the United States letterhead
Language
eng
Mediator
History Teacher
Provenance
Originally created by Andy Ireland.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Secton 24 of the Florida Constitution</a>.
Accrual Method
Donation
Contributing Project
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Curator
King, Joshua
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>
External Reference
"<a href="http://www.sjrwmd.com/lakeapopka/history.html" target="_blank">History of Lake Apopka</a>." St John's River Water Management District. January 28, 2013. Accessed June 5, 2016. http://www.sjrwmd.com/lakeapopka/history.html.
Ad Hoc Committee on Water Resources
Andrew P. Ireland
Andy Ireland
Congress
environmental protection
federal government
Harold L. Moody
House Resolution 38
pollution
sinkholes
U.S. House of Representatives
water management
wetlands
-
https://richesmi.cah.ucf.edu/omeka/files/original/ffc044e378e1c2e2ceaa14ae40dcb4de.pdf
519d9fc3528b46260f9ede2d049d39fd
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Friends of Lake Apopka Collection
Alternative Title
FOLA Collection
Subject
Lake Apopka (Fla.)
Water quality--Florida
Pollution--Florida
Description
The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.
Contributor
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Language
eng
Type
Collection
Coverage
Lake Apopka, Florida
Florida Game and Fresh Water Commission, Tallahassee, Florida
Oakland, Florida
Orlando, Florida
Saint Johns River, Florida
Winter Garden, Florida
Winter Haven, Florida
Zellwood, Florida
Contributing Project
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Curator
Cepero, Laura
King, Joshua
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>
External Reference
"<a href="http://www.fola.org/" target="_blank">Our Mission & Purpose</a>." Friends of Lake Apopka. http://www.fola.org/.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Letter from John R. Dollar to W. R. Clonts (December 10, 1979)
Alternative Title
Letter from Dollar to Clonts (Dec. 10, 1979)
Subject
Lake Apopka (Fla.)
Water quality--Florida
Agriculture--Florida
Description
A letter from John R. Dollar to W. R. Clonts, dated December 10, 1979. In this letter, Dollar the Project Manager for Post, Buckley, Shuch & Jernigan Inc., writes to Clonts, a farmer in the Zellwood Drainage and Water Control District (ZDWCD), to inform him of changes made by the Orange County Pollution Control Board to the district's usage of water from Lake Apopka. The changes include monitoring requirements for various pumps used by the ZDWCD, such as fuel usage and water quality sampling.<br /><br /> The Zellwood Drainage and Water Control District was created by the Florida Legislature in 1941 for taxation and land management of farming areas on the north shore of Lake Apopka. The district was granted powers of self-taxation and permitted to construct canals, bridges, and dikes in the area. The north shore farms were constructed on "muck land" created by the drainage of wetlands bordering Lake Apopka. The soil in these areas, often called "muck soil," is highly fertile and vulnerable to oxidation. The ZDWCD was permitted to routinely flood farmlands, when not in use, in order to keep the soil wet and preventing its loss to oxidation. These lands would then be drained before each growing season and this water was discharged back into Lake Apopka. Practices like these were considered to contribute to the pollution of Lake Apopka, with the discharge of fertilizer-rich water creating conditions of “eutrophication” in the lake and promoting the growth of harmful algae.<br /><br />The Friends of Lake Apopka (FOLA), a citizen advocacy group organized for the environmental restoration of Lake Apopka in the early 1990s, lobbied for increased restrictions on the district’s ability to utilize water from Lake Apopka. These efforts culminated in a buyout of the Zellwood Drainage and Water Control District farmlands by the State of Florida in 1998, and farming operations ceased in June of that year. The ZDWCD was dissolved by the Florida Legislature in September of 2000.
Type
Text
Source
Original 2-page typewritten letter from John R. Dollar to W. R. Clonts, December 10, 1979: binder 1979, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Binder 1979, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank">Friends of Lake Apopka Collection</a>, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 2-page typewritten letter from John R. Dollar to W. R. Clonts, December 10, 1979.
Coverage
Lake Apopka, Florida
Creator
Dollar, John R.
Date Created
1979-12-10
Format
application/pdf
Extent
169 KB
Medium
2-page typewritten letter on Post, Buckley, Shuch & Jernigan Inc. letterhead
Language
eng
Mediator
History Teacher
Provenance
Originally created by John R. Dollar.
Rights Holder
Copyright to this resource is held by the <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Curator
King, Joshua
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>
External Reference
Jackson, Jerry. "<a href="http://articles.orlandosentinel.com/1985-08-12/business/0320160151_1_vegetable-industry-muck-lake-apopka" target="_blank">Reaping Bucks From Muck Central Florida's $70 Million Vegetable Industry Thrives In Rich Soil</a>." <em>The Orlando Sentinel</em>, August 12, 1985. Accessed August 1, 2015. http://articles.orlandosentinel.com/1985-08-12/business/0320160151_1_vegetable-industry-muck-lake-apopka.
"<a href="https://dca.deo.myflorida.com/fhcd/sdip/OfficialListdeo/dissolved.cfm" target="_blank">Special District Accountability Program</a>." Florida Department of Economic Opportunity. Accessed August 1, 2016. https://dca.deo.myflorida.com/fhcd/sdip/OfficialListdeo/dissolved.cfm.
agriculture
John R. Dollar
Lake Apopka
nitrogen
Orange County Pollution Control Board
phosphorus
Post, Buckley, Schuh & Jernigan, Inc.
pumps
W. R. Clonts
water management
ZDWCD
Zellwood Drainage and Water Control District
-
https://richesmi.cah.ucf.edu/omeka/files/original/4a0d6e55272e6d33b359549f50dbd4f5.jpg
69348a5650ea978ef998fa1ec381da68
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Friends of Lake Apopka Collection
Alternative Title
FOLA Collection
Subject
Lake Apopka (Fla.)
Water quality--Florida
Pollution--Florida
Description
The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.
Contributor
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Language
eng
Type
Collection
Coverage
Lake Apopka, Florida
Florida Game and Fresh Water Commission, Tallahassee, Florida
Oakland, Florida
Orlando, Florida
Saint Johns River, Florida
Winter Garden, Florida
Winter Haven, Florida
Zellwood, Florida
Contributing Project
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Curator
Cepero, Laura
King, Joshua
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>
External Reference
"<a href="http://www.fola.org/" target="_blank">Our Mission & Purpose</a>." Friends of Lake Apopka. http://www.fola.org/.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Map of Zellwood Drainage and Water Control District Unit No. 1 and Unit No. 2
Alternative Title
Zellwood Drainage and Water Control District Map
Subject
Agriculture--Florida
Water quality--Florida
Lake Apopka (Fla.)
Description
A map that identifies pump stations, canals, and allotments within Unit No. 1 and Unit No. 2 of the Zellwood Drainage and Water Control District (ZDWCD), which was created by the Florida Legislature in 1941 for taxation and land management of farming areas on the north shore of Lake Apopka. The district was granted powers of self-taxation and permitted to construct canals, bridges, and dikes in the area. The north shore farms were constructed on "muck land" created by the drainage of wetlands bordering Lake Apopka. The soil in these areas, often called "muck soil," is highly fertile and vulnerable to oxidation. The ZDWCD was permitted to routinely flood farmlands, when not in use, in order to keep the soil wet and preventing its loss to oxidation. These lands would then be drained before each growing season and this water was discharged back into Lake Apopka. Practices like these were considered to contribute to the pollution of Lake Apopka, with the discharge of fertilizer-rich water creating conditions of “eutrophication” in the lake and promoting the growth of harmful algae.<br /><br />The Friends of Lake Apopka (FOLA), a citizen advocacy group organized for the environmental restoration of Lake Apopka in the early 1990s, lobbied for increased restrictions on the district’s ability to utilize water from Lake Apopka. These efforts culminated in a buyout of the Zellwood Drainage and Water Control District farmlands by the State of Florida in 1998, and farming operations ceased in June of that year. The ZDWCD was dissolved by the Florida Legislature in September of 2000.
Type
Text
Source
Photocopy of original map, 1979: binder 1979, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida.
Is Part Of
Binder 1979, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank">Friends of Lake Apopka Collection</a>, RICHES of Central Florida.
Is Format Of
Digital reproduction of photocopied map, 1979.
Coverage
Lake Apopka, Florida
Date Created
ca. 1979
Format
image/jpg
Extent
185 KB
Medium
1-page map
Language
eng
Mediator
History Teacher
Geography Teacher
Rights Holder
Copyright to this resource is held by the <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Curator
King, Joshua
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>
External Reference
Jackson, Jerry. "<a href="http://articles.orlandosentinel.com/1985-08-12/business/0320160151_1_vegetable-industry-muck-lake-apopka" target="_blank">Reaping Bucks From Muck Central Florida's $70 Million Vegetable Industry Thrives In Rich Soil</a>." <em>The Orlando Sentinel</em>, August 12, 1985. Accessed August 1, 2015. http://articles.orlandosentinel.com/1985-08-12/business/0320160151_1_vegetable-industry-muck-lake-apopka.
"<a href="https://dca.deo.myflorida.com/fhcd/sdip/OfficialListdeo/dissolved.cfm" target="_blank">Special District Accountability Program</a>." Florida Department of Economic Opportunity. Accessed August 1, 2016. https://dca.deo.myflorida.com/fhcd/sdip/OfficialListdeo/dissolved.cfm.
agriculture
canals
Lake Apopka
McDonald Canal
muck farms
pumps
ZDWCD
Zellwood Drainage and Water Control District
-
https://richesmi.cah.ucf.edu/omeka/files/original/06e02dc86b2087e9c98e9a81317612f1.pdf
9276602723d249d0c951e521a3ff0334
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Friends of Lake Apopka Collection
Alternative Title
FOLA Collection
Subject
Lake Apopka (Fla.)
Water quality--Florida
Pollution--Florida
Description
The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.
Contributor
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Language
eng
Type
Collection
Coverage
Lake Apopka, Florida
Florida Game and Fresh Water Commission, Tallahassee, Florida
Oakland, Florida
Orlando, Florida
Saint Johns River, Florida
Winter Garden, Florida
Winter Haven, Florida
Zellwood, Florida
Contributing Project
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Curator
Cepero, Laura
King, Joshua
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>
External Reference
"<a href="http://www.fola.org/" target="_blank">Our Mission & Purpose</a>." Friends of Lake Apopka. http://www.fola.org/.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Water Resources Restoration and Preservation Program Projects
Alternative Title
Water Resources Restoration and Preservation Program
Subject
Environmental protection--Florida
Pollution--Florida
Water quality--Florida
Description
A document describing the formation of the Water Resources Restoration and Preservation program (WRR&P) within the Florida Department of Environmental Regulation (DER), as mandated by legislation passed by the Florida Legislature on July 1, 1977. The document also lists 12 restoration projects, both completed and underway, by the program, and gives updates on the Lake Apopka Restoration Project, including the proposed drawdown of Lake Apopka. Additionally, the document states that work on an Environmental Impact Statement (EIS), as required by the Environmental Protection Agency (EPA), was started in March of 1978 and was scheduled to be completed by early 1979. Finally, the document describes public involvement efforts by the program, including a public meeting held in Eustis on March 7, 1978.<br /><br />Lake Apopka is one of Florida’s largest lakes and was once considered to be one of the world’s best lakes for bass fishing. The lake’s sport fish population began to decline in the 1960s, with major die-offs occurring almost yearly. The lake’s problems are generally considered to be the result of over-nutrification from various sources. Twenty thousand acres of wetlands bordering the lake’s north shore were drained in the 1940s and used for highly fertile “muck farms.” These farms were routinely flooded to protect the fragile soil, and the fertilizer and pesticide-laden water was then discharged back into the lake prior to each growing season. Other sources of pollution include discharge from citrus processing operations, as well as treated wastewater from sewage plants. The nutrient-rich discharge promoted algae growth in the lake, turning the water to a green color, and blocked sunlight from reaching aquatic vegetation, which provided food and habit to the lake’s fish population. The lake’s bottom soil became increasingly “mucky,” also disrupting aquatic vegetation from taking root. <br /><br />Restoration work on the lake began in the 1960s with attempts by various agencies to remove “trash fish,” such as gizzard shad, from the lake via seining, which would hopefully allow the lake’s sportfish to thrive. The Lake Apopka Restoration Council, an initiative formed under Governor Claude Kirk (1926-2011) in 1967, launched several studies to find methods to improve the lake, though no serious action was taken. Various methods were debated to restore the lake through the 1970s and 1980s, including “drawdown,” which entailed completely draining the lake to allow the mucky bottom to consolidate. Restoration attempts were stalled for lack of funding and research.<br /><br />The Lake Apopka Restoration Council was reformed in 1985 under Governor Bob Graham (b. 1936), and, in 1987, the Surface Water and Improvement Management Act was passed. Together, these actions allowed comprehensive restoration plans to take shape, such as the Marsh Flow-way, a project by the St John’s Water Management District that uses natural methods to remove nutrients from the lake. The Friends of Lake Apopka, a citizen environmental advocacy group, began to push for further restoration efforts in the 1990s. The lake’s north shore muck farms were eventually purchased by the State of Florida, helping to reduce the amount of nutrient entering the lake.
Type
Text
Source
Original 2-page typewritten document, 1978: binder 1978, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Binder 1978, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank">Friends of Lake Apopka Collection</a>, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 2-page typewritten document, 1978.
Coverage
Lake Apopka, Florida
Lake Jackson, Florida
Lake Lulu, Florida
Lake Washington, Florida
Sanibel River, Florida
Cape Coral, Florida
Bayou Chico, Florida
Bayou Texar, Florida
Pond Creek, Florida
Big Hickory Pass, Florida
Lake Eola, Florida
Publisher
<a href="http://www.dep.state.fl.us/mainpage/default.htm" target="_blank">Florida Department of Environmental Regulation</a>
Date Created
ca. 1978-04
Format
application/pdf
Extent
305 KB
Medium
2-page typewritten document
Language
eng
Mediator
History Teacher
Civics/Government Teacher
Provenance
Originally published by the <a href="http://www.dep.state.fl.us/mainpage/default.htm" target="_blank">Florida Department of Environmental Regulation</a>.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:
<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li>
<li>create derivative works</li>
<li>perform the work publicly</li>
<li>display the work</li>
<li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li>
</ul>
This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Secton 24 of the Florida Constitution</a>.
Accrual Method
Donation
Contributing Project
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Curator
King, Joshua
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>
External Reference
"<a href="http://www.sjrwmd.com/lakeapopka/history.html" target="_blank">History of Lake Apopka</a>." St John's River Water Management District. January 28, 2013. Accessed June 5, 2016. http://www.sjrwmd.com/lakeapopka/history.html.
aquifers
Bayou Chico
Bayou Texar
Big Hickory Pass
Cape Coral
citrus groves
DER
EIS
Environmental Impact Statement
Environmental Protection Agency
EPA
estuaries
estuary
FIT
Florida Department of Environmental Regulation
Florida Institute of Technology
Florida State University
FSU
Hawthorne Aquifer
Lake Apopka
Lake Apopka Restoration Project
Lake Carlton
lake drawdown
Lake Eola
Lake Jackson
Lake Lulu
Lake Washington
muck farms
Office of Lake Restoration
Pollution Recovery Trust Fund
Pond Creek
saltwater intrusion
Sanibel River
Water Resources Restoration and Preservation Program
wetlands
WRR&P
-
https://richesmi.cah.ucf.edu/omeka/files/original/8f61bc55cccfeedfddb5bb38e2c1c4a7.pdf
b4bee2b7b1e3d8d0c8edd693e7f9d75b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Friends of Lake Apopka Collection
Alternative Title
FOLA Collection
Subject
Lake Apopka (Fla.)
Water quality--Florida
Pollution--Florida
Description
The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.
Contributor
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Language
eng
Type
Collection
Coverage
Lake Apopka, Florida
Florida Game and Fresh Water Commission, Tallahassee, Florida
Oakland, Florida
Orlando, Florida
Saint Johns River, Florida
Winter Garden, Florida
Winter Haven, Florida
Zellwood, Florida
Contributing Project
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Curator
Cepero, Laura
King, Joshua
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>
External Reference
"<a href="http://www.fola.org/" target="_blank">Our Mission & Purpose</a>." Friends of Lake Apopka. http://www.fola.org/.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Lake Apopka: A Fact Sheet for Public Meetings
Alternative Title
Lake Apopka Fact Sheet
Subject
Lake Apopka (Fla.)
Water quality--Florida
Environmental protection--Florida
Description
A fact sheet, published by the Florida Department of Environmental Regulation (DER), giving a brief timeline of Lake Apopka's environmental history and summarizing key points related to the proposed restoration of the lake. The fact sheet describes the current conditions of the lake, and lists public concerns about the potential impact of the Lake Apopka restoration project.<br /><br />Lake Apopka is one of Florida’s largest lakes and was once considered to be one of the world’s best lakes for bass fishing. The lake’s sport fish population began to decline in the 1960s, with major die-offs occurring almost yearly. The lake’s problems are generally considered to be the result of over-nutrification from various sources. Twenty thousand acres of wetlands bordering the lake’s north shore were drained in the 1940s and used for highly fertile “muck farms.” These farms were routinely flooded to protect the fragile soil, and the fertilizer and pesticide-laden water was then discharged back into the lake prior to each growing season. Other sources of pollution include discharge from citrus processing operations, as well as treated wastewater from sewage plants. The nutrient-rich discharge promoted algae growth in the lake, turning the water to a green color, and blocked sunlight from reaching aquatic vegetation, which provided food and habit to the lake’s fish population. The lake’s bottom soil became increasingly “mucky,” also disrupting aquatic vegetation from taking root. <br /><br />Restoration work on the lake began in the 1960s with attempts by various agencies to remove “trash fish,” such as gizzard shad, from the lake via seining, which would hopefully allow the lake’s sportfish to thrive. The Lake Apopka Restoration Council, an initiative formed under Governor Claude Kirk (1926-2011) in 1967, launched several studies to find methods to improve the lake, though no serious action was taken. Various methods were debated to restore the lake through the 1970s and 1980s, including “drawdown,” which entailed completely draining the lake to allow the mucky bottom to consolidate. Restoration attempts were stalled for lack of funding and research.<br /><br />The Lake Apopka Restoration Council was reformed in 1985 under Governor Bob Graham (b. 1936), and, in 1987, the Surface Water and Improvement Management Act was passed. Together, these actions allowed comprehensive restoration plans to take shape, such as the Marsh Flow-way, a project by the St John’s Water Management District that uses natural methods to remove nutrients from the lake. The Friends of Lake Apopka, a citizen environmental advocacy group, began to push for further restoration efforts in the 1990s. The lake’s north shore muck farms were eventually purchased by the State of Florida, helping to reduce the amount of nutrient entering the lake.
Type
Text
Source
Original 2-page document, 1978: binder 1978, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Binder 1978, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank">Friends of Lake Apopka Collection</a>, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 2-page document, 1978.
Coverage
Lake Apopka, Florida
Winter Garden, Florida
Publisher
<a href="http://www.dep.state.fl.us/mainpage/default.htm" target="_blank">Florida Department of Environmental Regulation</a>
Date Created
ca. 1978-06
Date Issued
ca. 1978-06
Format
application/pdf
Extent
344 KB
Medium
2-page typewritten document
Language
eng
Mediator
History Teacher
Provenance
Originally published by the <a href="http://www.dep.state.fl.us/mainpage/default.htm" target="_blank">Florida Department of Environmental Regulation</a>.
Rights Holder
This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Secton 24 of the Florida Constitution</a>.
Accrual Method
Donation
Contributing Project
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Curator
King, Joshua
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>
External Reference
"<a href="http://www.sjrwmd.com/lakeapopka/history.html" target="_blank">History of Lake Apopka</a>." St John's River Water Management District. January 28, 2013. Accessed June 5, 2016. http://www.sjrwmd.com/lakeapopka/history.html.
algae
Apopka-Beauclair Canal
citrus processing industry
DER
Eichhornia crassipes
eutrophication
FDPC
fish kills
Florida Department of Environmental Regulation
Florida Department of Pollution Control
Florida Game and Fresh Water Fish Commission
GFC
Hurricane of 1947
Jay Landers
Joseph W. Landers, Jr.
Lake Apopka
Lake Dora
Lake Eustis
largemouth bass
Micropterus dolomieu
Micropterus salmoides
muck farms
Oklawaha River
Reubin Askew
Reubin O'Donovan Askew
smallmouth bass
St. Johns River
water hyacinth
West Orange Chamber of Commerce
Winter Garden
-
https://richesmi.cah.ucf.edu/omeka/files/original/0a0d1fd843045fa2e432be6ee477c994.jpg
3ea56e070dece94bd47c893ffd7359d5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Friends of Lake Apopka Collection
Alternative Title
FOLA Collection
Subject
Lake Apopka (Fla.)
Water quality--Florida
Pollution--Florida
Description
The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.
Contributor
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Language
eng
Type
Collection
Coverage
Lake Apopka, Florida
Florida Game and Fresh Water Commission, Tallahassee, Florida
Oakland, Florida
Orlando, Florida
Saint Johns River, Florida
Winter Garden, Florida
Winter Haven, Florida
Zellwood, Florida
Contributing Project
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Curator
Cepero, Laura
King, Joshua
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>
External Reference
"<a href="http://www.fola.org/" target="_blank">Our Mission & Purpose</a>." Friends of Lake Apopka. http://www.fola.org/.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Letter from Gary I. Sharp to the West Orange Chamber of Commerce (May 19, 1977)
Alternative Title
Letter from Sharp to West Orange Chamber of Commerce (May 19, 1977)
Subject
Environmental protection--Florida
Parks--Florida
Springs--Florida
Description
A letter from Gary I. Sharp to the West Orange Chamber of Commerce, dated May 19, 1977. In the letter, Sharp states that he is no longer able to continue his efforts to have the Gourd Neck Springs area purchased by the State of Florida for use as a recreational park. Sharp writes that the State of Florida continues to show no interest in the area, and that he is forced to put the parcels of land he owns in the area up for sale. Sharp also mentions nearby parcels owned by Herbert S. Sharp that have been recently sold, but states that the majority of the area is still intact.<br /><br />Gourd Neck Springs is a small spring located in the southwest portion of Lake Apopka, in a small cove called “Gourd Neck” due to its distinctive shape. This area of the lake was considered in the 1960s as a potential nursery for fish. The Lake Apopka Technical Committee explored damming the Gourd Neck, separating it from the lake and preventing polluted lake water from entering, but these plans did not materialize. Efforts were also made in the 1960s to have the Gourd Neck area purchased by the State of Florida for use as a public park. The Gourd Neck Springs Park Association was formed in 1961 to study the site’s potential for a park and lobby for support from legislators. The land bordering the area was privately-owned by various individuals. One of these, Gary Sharp, continued seeking support for a park into the 1970s. While the project received support from Florida legislators and environmentalists, the land was never purchased by the state.
Type
Text
Source
Original 1-page typewritten letter from Gary I. Sharp to the West Orange Chamber of Commerce, May 19, 1977: binder 1977, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida.
Is Part Of
Binder 1977, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank">Friends of Lake Apopka Collection</a>, RICHES of Central Florida.
References
Twitty, Tom. "Gourd Neck Park Dream in Danger." <em>The Orlando Sentinel Star</em>, September 26, 1976.
Is Format Of
Digital reproduction of original 1-page typewritten letter from Gary I. Sharp to the West Orange Chamber of Commerce, May 19, 1977.
Coverage
Gourd Neck Springs, Florida
Lake Apopka, Florida
Creator
Sharp, Gary I.
Date Created
1977-05-19
Format
image/jpg
Extent
181 KB
Medium
1-page typewritten letter
Language
eng
Mediator
History Teacher
Provenance
Originally created by Gary I. Sharp.
Rights Holder
Copyright to this resource is held by the <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Curator
King, Joshua
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>
External Reference
"<a href="http://www.lake.wateratlas.usf.edu/resource.aspx?wbodyid=8500" target="_blank">Apopka Spring</a>." Lake County Water Atlas. Accessed June 08, 2016. http://www.lake.wateratlas.usf.edu/resource.aspx?wbodyid=8500.
Campbell, Ramsey. "<a href="http://articles.orlandosentinel.com/1995-04-23/news/9504220188_1_lake-apopka-spring-water-bottled-water" target="_blank">Source of Surprise: Crystal Clear Water from Lake Apopka</a>." <em>The Orlando Sentinel</em>, April 23, 1995. Accessed June 8, 2016. http://articles.orlandosentinel.com/1995-04-23/news/9504220188_1_lake-apopka-spring-water-bottled-water.
Transcript
May 23 1977
P.O. Box 341
Winter Park, Florida 32790
Telephone: 305 295-5877
May 19, 1977
TO: West Orange Chamber of Commerce
SUBJECT: GOURD NECK SPRINGS
AFTER WORKING FOR WELL OVER TWO YEARS ON TRYING TO PRESERVE THE GOURD NECK SPRINGS RUN PROPERTY, I REGRET THAT WE DID NOT HAVE ENOUGH “CLOUT” TO ACCOMPLISH SOMETHING OF THIS MAGNITUDE, AND THAT I NO LONGER AM ABLE TO PURSUE THIS DREAM. IT SEEMS THAT NO GOVERNMENTAL AGENCY, INCLUDING THE FLORIDA DEPARTMENT OF NATURAL RESOURCES, IS WILLING TO TAKE ANY ACTION OR RESPONSIBILITY AT THIS TIME. BECAUSE OF OTHER INTERESTS, I HAVE PUT MY 23-ACRE PARCEL (WHICH IS APPROXIMATELY MID-WAY ALONG THE RUN) UP FOR SALE. OTHER CRITICAL TRACTS, INCLUDING THOSE ADJOINING THE SPRINGS, ARE ALSO ON THE OPEN MARKET.
ALTHOUGH TWO 5-ACRE AND ONE 7-ACRE PARCEL OF MR. STARR’S PROPERTY HAVE BEEN SOLD WITHIN THE LAST FEW WEEKS FOR RESIDENTIAL USE, THE MAIN PART OF THE PROPERTY IS STILL BASICALLY INTACT. MY PURPOSE IN SENDING THIS MEMO IS THAT, HOPEFULLY, SOMEONE RECEIVING IT MIGHT KNOW OF SOMEONE, OR SOME AGENCY, WHO MIGHT BE INTERESTED IN PURCHASING IT IN ITS ENTIRETY (APPROXIMATELY 300 ACRES) OR ANY PART OF THIS PROPERTY IN ORDER TO PRESERVE IT FOR THIS AND FUTURE GENERATIONS, AS I STILL BELIEVE IT SHOULD BE.
IF ANYONE WOULD LIKE MORE INFORMATION OR WOULD LIKE TO VISIT THE PROPERTY (I WILL BE HAPPY TO GIVE YOU A TOUR ANY TIME DURING THE NEXT COUPLE OF WEEKS), PLEASE CALL ME AT AREA 305 295-5877 IN ORLANDO IF YOU HAVE ANY INTEREST, IDEAS, ETC.
I WOULD LIKE TO EXPRESS MY APPRECIATION FOR ALL OF THE HELP AND ENCOURAGEMENT THAT I HAVE RECEIVED FROM THE INDIVIDUALS AND ORGANIZATIONS WHO SUPPORT THE PRESERVATION OF THIS BEAUTIFUL, UNIQUE PROPERTY AND ITS WILDLIFE, AND SINCERELY THANK ALL OF YOU VERY MUCH. I ONLY HOPE IT HAS NOT BEEN IN VAIN, AND THAT SOMEONE WILL CONTINUE ON AND SAVE GOURD NECK SPRINGS FROM DESTRUCTION.
SINCERELY,
GARY I. SHARP
FDNR
Florida Department of Natural Resources
Gary I. Sharp
Gourd Neck Springs
Herbert S. Starr
Lake Apopka
orange county
The Orlando Sentinel
Tom Twitty
West Orange Chamber of Commerce
-
https://richesmi.cah.ucf.edu/omeka/files/original/8c72fc51b7d1be0eb66cec47f5e865bb.pdf
919ad43b89a21d8a98a5c4b64d0f9ac2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Friends of Lake Apopka Collection
Alternative Title
FOLA Collection
Subject
Lake Apopka (Fla.)
Water quality--Florida
Pollution--Florida
Description
The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.
Contributor
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Language
eng
Type
Collection
Coverage
Lake Apopka, Florida
Florida Game and Fresh Water Commission, Tallahassee, Florida
Oakland, Florida
Orlando, Florida
Saint Johns River, Florida
Winter Garden, Florida
Winter Haven, Florida
Zellwood, Florida
Contributing Project
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Curator
Cepero, Laura
King, Joshua
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>
External Reference
"<a href="http://www.fola.org/" target="_blank">Our Mission & Purpose</a>." Friends of Lake Apopka. http://www.fola.org/.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
StreamLines, No. 2 (March 1977)
Alternative Title
StreamLines (March 1977)
Subject
Lake Apopka (Fla.)
Orlando (Fla.)
Environmental protection--Florida
Pollution--Florida
Description
The <em>StreamLines</em>, a newsletter published by the East Central Florida Regional Planning Council (ECFRPC), for March 1977.This newsletter discusses workshops held by the ECFRPC reviewing financial concerns related to water management, as well as ongoing plans for a drawdown of Lake Apopka, stating that the first phase of the restoration program is due to begin in 1977, and estimates the total cost of the project to be three million dollars. The newsletter also discusses the ECFRPC's 208 Program, a water quality management program aimed at achieving water quality standards mandated by section 208 of the Clean Water Act of 1972.<br /><br />Lake drawdown is a method of environmental restoration that is used to control erosion and aquatic vegetation. Lake drawdown has also been sought as a potential method to lessen the effects of pollution by exposing the lake bed and allowing bottom sediments to dry, trapping pollutants. Opponents of lake drawdowns cite the impact of polluted water on areas downstream of the area being drained, in cases where the targeted lake is connected to a river system. Citrus growers have also opposed drawdowns on the grounds that draining large lakes makes nearby citrus groves more vulnerable to freezes, as lakes help keep temperatures stable throughout the year.<br /><br />Drawdowns of Lake Apopka have been sought by restoration efforts dating back to the 1960s, beginning with the Lake Apopka Restoration Project, organized by Governor Claude R. Kirk Jr. (1926-2011) and headed by C. W. Sheffield. These efforts were delayed and no drawdown was performed by the project. Plans for a drawdown continued to be developed, and federal and state efforts to gather funds and perform feasibility studies began in 1970. An experimental drawdown of Lake Apopka was performed in 1971, lowering the lake level by four feet, but was halted after public fears that wildlife deaths in the area were the result of the drawdown. Drawdown plans continued through the 1970s, but were continually delayed and projected costs for the project rose sharply. The project was cancelled by Governor Bob Graham (b. 1936) in 1979.
Type
Text
Source
Original 4-page typewritten newsletter: <em>StreamLines</em>, March 1977: binder 1977, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Binder 1977, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank">Friends of Lake Apopka Collection</a>, RICHES of Central Florida.
Is Format Of
Digital reproduction of original 4-page typewritten newsletter: <em>StreamLines</em>, March 1977.
Coverage
Lake Apopka, Florida
Lake Eola, Orlando, Florida
Publisher
<a href="http://www.ecfrpc.org/" target="_blank">East Central Florida Regional Planning Council</a>
Date Created
ca. 1977-03
Date Issued
1977-03
Date Copyrighted
1977-03
Format
application/pdf
Extent
820 KB
Medium
4-page newsletter
Language
eng
Mediator
History Teacher
Provenance
Originally published by the <a href="http://www.ecfrpc.org/" target="_blank">East Central Florida Regional Planning Council</a>.
Rights Holder
Copyright to this resource is held by the <a href="http://www.ecfrpc.org/" target="_blank">East Central Florida Regional Planning Council</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Curator
King, Joshua
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>
External Reference
"<a href="http://www.sjrwmd.com/lakeapopka/history.html" target="_blank">History of Lake Apopka</a>." St John's River Water Management District. January 28, 2013. Accessed June 5, 2016. http://www.sjrwmd.com/lakeapopka/history.html.
Thomson, Bailey. "<a href="http://articles.orlandosentinel.com/1986-11-23/news/0270330262_1_lake-apopka-lakes-of-central-fish" target="_blank">The Politics of Saving a Dying Lake</a>." <em>The Orlando Sentinel</em>, November 23, 1986. Accessed July 13, 2016. http://articles.orlandosentinel.com/1986-11-23/news/0270330262_1_lake-apopka-lakes-of-central-fish.
"<a href="http://www.ecy.wa.gov/programs/wq/plants/management/drawdown.html" target="_blank">Aquatic Plant Management - Water Level Drawdown</a>." Washington Department of Ecology. Accessed July 13, 2016. http://www.ecy.wa.gov/programs/wq/plants/management/drawdown.html.
208 Program
Bob Dillard
citrus groves
East Central Florida Regional Planning Council
ECFRPC
Environmental Protection Agency
EPA
eutrophication
FDER
Federal Water Pollution Control Act of 1972
Florida Department of Environmental Regulation
John Bateman
John F. Hurlebaus
Lake Apopka
lake drawdown
Lake Eola
Lake Lawne
Lake Weston
muck farms
orlando
sewage treatments plants
sport fishing
water management
-
https://richesmi.cah.ucf.edu/omeka/files/original/4f738d569ce295495723a0678853bc66.pdf
03006558f2473199dcd88eb456ae1efa
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Friends of Lake Apopka Collection
Alternative Title
FOLA Collection
Subject
Lake Apopka (Fla.)
Water quality--Florida
Pollution--Florida
Description
The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.
Contributor
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Language
eng
Type
Collection
Coverage
Lake Apopka, Florida
Florida Game and Fresh Water Commission, Tallahassee, Florida
Oakland, Florida
Orlando, Florida
Saint Johns River, Florida
Winter Garden, Florida
Winter Haven, Florida
Zellwood, Florida
Contributing Project
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Curator
Cepero, Laura
King, Joshua
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>
External Reference
"<a href="http://www.fola.org/" target="_blank">Our Mission & Purpose</a>." Friends of Lake Apopka. http://www.fola.org/.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Letter from John R. Squire to Mrs. Jerry Boyd (October 12, 1976)
Alternative Title
Letter from Squire to Boyd (Oct. 12, 1976)
Subject
Environmental protection--Florida
Parks--Florida
Springs--Florida
Description
A letter from John R. Squire, the Recreation Planner Supervisor for the Bureau of Plans, Programs, and Services of the Florida Division of Recreation and Parks to Mrs. Jerry Boyd, dated October 12, 1976. In the letter, Squires clarifies the Environmentally Endangered Lands (EEL) Program's definitions of land types. Squires quotes the program's definition of "tropical" and "semi-tropical" hammocks, and explains that the Gourd Neck Springs area of Lake Apopka does not meet the qualifications for a tropical hammock.<br /><br />The Environmentally Endangered Lands Program was formed in 1972 as part of the larger Land Conservation Act of 1972. The EEL program was initially funded through the sale of state bonds. The program was designed to help the state acquire lands considered environmentally sensitive and was not designed for creating areas for recreational use. Potential sites for acquisition could be suggested by citizens, county and state governments, and nonprofit organizations. After evaluation for environmental value, potential sites would be approved by the Executive Director of the Florida Department of Natural Resources and finalized by the Governor. In 1979, the former Executive Director, Harmon Shields, was indicted on corruption charges involving the lands-acquisition process. Following this scandal, the EEL program was replaced by Conservation and Recreation Lands Program. This change replaced the program's funding with tax revenues instead of bond sales, and formed the Land Acquisition Selection Committee, made up by six executive directors of Florida environmental agencies, to select sites for approval by the governor. The Division of State Lands was also created as a division of the Department of Natural Resources to over-see mapping and evaluation of potential sites for acquisition.<br /><br />Gourd Neck Springs is a small spring located in the southwest portion of Lake Apopka, in a small cove called “Gourd Neck” due to its distinctive shape. This area of the lake was considered in the 1960s as a potential nursery for fish. The Lake Apopka Technical Committee explored damming the Gourd Neck, separating it from the lake and preventing polluted lake water from entering, but these plans did not materialize. Efforts were also made in the 1960s to have the Gourd Neck area purchased by the State of Florida for use as a public park. The Gourd Neck Springs Park Association was formed in 1961 to study the site’s potential for a park and lobby for support from legislators. The land bordering the area was privately-owned by various individuals. One of these, Gary Sharp, continued seeking support for a park into the 1970s. While the project received support from Florida legislators and environmentalists, the land was never purchased by the state.
Type
Text
Source
Photocopy of original 2-page typewritten letter from John R. Squires to Mrs. Jerry Boyd, October 12, 1976: binder 1976, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida.
Requires
<a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a>
Is Part Of
Binder 1976, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida.
<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank">Friends of Lake Apopka Collection</a>, RICHES of Central Florida.
Is Format Of
Digital reproduction of photocopied original 2-page typewritten letter from John R. Squires to Mrs. Jerry Boyd, October 12, 1976.
Coverage
Gourd Neck Springs, Florida
Lake Apopka, Florida
Creator
Squires, John R.
Date Created
1976-10-12
Format
application/pdf
Extent
299 KB
Medium
2-page typewritten letter on Florida Department of Natural Resources letterhead
Language
eng
Mediator
History Teacher
Provenance
Originally created by John R. Squires.
Rights Holder
Copyright to this resource is held by the <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Contributing Project
<a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a>
Curator
King, Joshua
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>
External Reference
"<a href="http://www.lake.wateratlas.usf.edu/resource.aspx?wbodyid=8500" target="_blank">Apopka Spring</a>." Lake County Water Atlas. Accessed June 08, 2016. http://www.lake.wateratlas.usf.edu/resource.aspx?wbodyid=8500.
Campbell, Ramsey. "<a href="http://articles.orlandosentinel.com/1995-04-23/news/9504220188_1_lake-apopka-spring-water-bottled-water" target="_blank">Source of Surprise: Crystal Clear Water from Lake Apopka</a>." <em>The Orlando Sentinel</em>, April 23, 1995. Accessed June 8, 2016. http://articles.orlandosentinel.com/1995-04-23/news/9504220188_1_lake-apopka-spring-water-bottled-water.
"<a href="https://richesmi.cah.ucf.edu/omeka/items/show/6858" target="_blank">Letter from Arthur W. Sinclair to C. W. Sheffield (December 22, 1967)</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka/items/show/6858.
"<a href="https://news.google.com/newspapers?nid=1291&dat=19800502&id=IB5UAAAAIBAJ&sjid=mI0DAAAAIBAJ&pg=3814,204016&hl=en" target="_blank">Harmon Shields Indicted</a>." Boca Raton News, May 2, 1980. Accessed June 14, 2016. https://news.google.com/newspapers?nid=1291&dat=19800502&id=IB5UAAAAIBAJ&sjid=mI0DAAAAIBAJ&pg=3814,204016&hl=en.
Farr, James A., and O. Greg Brock. "<a href="http://www.dep.state.fl.us/lands/files/Florida_LandAcquisition.pd" target="_blank">Florida's Landmark Programs for Conservation and Recreation Land Acquisition</a>." Sustain 14 (2006). Accessed June 14, 2016. http://www.dep.state.fl.us/lands/files/Florida_LandAcquisition.pdf.
Bursera simaruba
Carya
Celtis laevigata
Coccoloba diversifolia
eel
Environmentally Endangered Lands Program
Everglades
False mastic trees
FDNR
FDRP
Ficus aurea
Florida Department of Natural Resources
Florida Division of Recreation and Parks
Florida Keys
Florida poisonwood trees
Florida strangler figs
Gourd Neck Springs
gumbo-limbo trees
hickory
Interagency Planning Committee on Environmentally Endangered Lands
Ironwood trees
Jamaica dogwood
Jerry Boyd
John R. Squire
Ken Woodburn
Lancewood trees
live oaks
magnolia grandiflora
Mastichodendron foetidissimum
Metopium toxiferum
Ocotea coriacea
Pigeon plum trees
Piscidia erythrina
Piscidia piscipula
Reubin Askew
Reubin O'Donovan Askew
semi-tropical hammocks
Sideroxylon foetidissimum
Sideroxylon salicifolium
Southern hackberry
southern magnolias
tropical hammocks
Willow bustic trees
-
https://richesmi.cah.ucf.edu/omeka/files/original/b06772627c921d696a319232ce660ab0.pdf
40cc551406bfeddd256d2a3bde502d4c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Watermark Collection
Alternative Title
The Watermark Collection
Subject
Gay culture--United States
Description
Since 1994, <em>The Watermark</em> has been the cornerstone source of LGBTQ+ (Lesbian, Gay, Bisexual, Trans, Queer/Questioning, and others) centered news for the Central Florida region. Founded by Tom Dyer in Orlando, the publication began generating bi-weekly issues beginning August 31, 1994. Since then, <em>The Watermark</em> has consistently published newspaper style issues every other Thursday. Gaining traction, the publication expanded in 1995 to include Tampa and, in 1997, <em>The Watermark</em> became a permanent piece of LGBTQ+ culture when the publication initiated the first large-scale Gay Days Weekend event, the Beach Ball at Disney’s Typhoon Lagoon. Before 1999, the publication printed 20,000 copies every week, distributing them to over 500 locations between its two major cities. Following 1999, the publication launched watermarkonline.com shifting to an online publication style. In 2016, Rick Claggett purchased <em>The Watermark</em>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/" target="_blank">RICHES Program</a>
Type
Collection
Contributing Project
<a href="http://www.floridalgbtqmuseum.org/%20" target="_blank">GLBT History Museum of Central Florida</a>
<a href="http://www.watermarkonline.com/">The Watermark</a>
Curator
Smith, Robert
Cepero, Laura
O'Neal, Rhiannon
Hearn, Nikki
Greene, Quintella
Rodriguez, Sharon
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.floridalgbtqmuseum.org/%20" target="_blank">GLBT History Museum of Central Florida</a>
External Reference
"<a href="http://www.watermarkonline.com/aboutcontact/" target="_blank">About/Contact</a>." WatermarkOnline.com, accessed July 11, 2016. http://www.watermarkonline.com/aboutcontact/.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Holy Homophobia!
Alternative Title
Holy Homophobia
Subject
Gay culture--United States
Description
A newspaper article about an issue of DC Comics' <em>Green Lantern</em> that would address homophobia. According to the author, the idea for addressing the issue of gay bashing—verbal or physical abuse directed at the LGBTQ+ (Lesbian, Gay, Bisexual, Trans, Queer/Questioning, and others) community—was inspired by the friendship that cartoonist Judd Winick (b. 1970) developed with Pedro Zamora (1972-1994), his openly gay, HIV-positive castmate on MTV's <em>The Real World: San Francisco</em>. This article was published in <em>The Watermark</em>, Central Florida's local LGBTQ+ publication.<br /><br />Since 1994, <em>The Watermark</em> has been the cornerstone source of LGBTQ+ centered news for the Central Florida region. Founded by Tom Dyer in Orlando, the publication began generating bi-weekly issues beginning August 31, 1994. Since then, <em>The Watermark</em> has consistently published newspaper-style issues every other Thursday. Gaining traction, the publication expanded in 1995 to include Tampa and, in 1997, <em>The Watermark</em> became a permanent piece of LGBTQ+ culture when the publication initiated the first large-scale Gay Days Weekend event, the Beach Ball at Disney’s Typhoon Lagoon. Before 1999, the publication printed 20,000 copies every week, distributing them to over 500 locations between its two major cities. Following 1999, the publication launched watermarkonline.com shifting to an online publication style. In 2016, Rick Claggett purchased <em>The Watermark</em>.
Type
Text
Source
Original newspaper article: Sullivan, John E. "Holy Homophobia!." <a href="http://www.watermarkonline.com/" target="_blank"><em>The Watermark Colors</em></a>, Vol. 9, No. 19, September 12-25, 2002, page 1: Publications Collection, <a href="http://glbthistorymuseum.com/joomla25/index.php?lang=en" target="_blank">GLBT History Museum of Central Florida</a>, Orlando, Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/203" target="_blank">The Watermark Collection</a>, RICHES of Central Florida.
Is Format Of
Digital reproduction of original newspaper article: Sullivan, John E. "Holy Homophobia!." <a href="http://www.watermarkonline.com/" target="_blank"><em>The Watermark Colors</em></a>, Vol. 9, No. 19, September 12-25, 2002, page 1.
Coverage
Orlando, Florida
San Francisco, California
Creator
Sullivan, John E.
Publisher
<a href="http://www.watermarkonline.com/" target="_blank">Watermark Media</a>
Date Created
ca. 2002-09-12
Date Issued
2002-09-12
Date Copyrighted
2002-09-12
Format
application/pdf
Extent
389 KB
Medium
1 newspaper article
Language
eng
Mediator
History Teacher
Provenance
Originally created by John E. Sullivan and published by <a href="http://www.watermarkonline.com/" target="_blank">Watermark Media</a>.
Rights Holder
Copyright to this resource is held by <a href="http://www.watermarkonline.com/" target="_blank">Watermark Publishing Group</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only.
Accrual Method
Donation
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://glbthistorymuseum.com/joomla25/index.php?lang=en" target="_blank">GLBT History Museum of Central Florida</a>
External Reference
"<a href="http://www.watermarkonline.com/aboutcontact/" target="_blank">About/Contact</a>." WatermarkOnline.com, accessed July 11, 2016. http://www.watermarkonline.com/aboutcontact/.
acquired immune deficiency syndrome
AIDS
cartoons
comic books
comics
DC Comics
gay
gay bashing
Green Lantern
HIV
homophobia
homosexuality
homosexuals
human immunodeficiency virus
John E. Sullivan
Judd Winick
Kyle Rayner
LGBT
LGBTQ+
Nuts & Bolts
Pedro and Me
Pedro Pablo Zamora y Díaz
Pedro Zamora
queer
same-sex
superhero
superheroes
Terry Berg
The Real World: San Francisco
The Watermark
The Watermark: Colors
-
https://richesmi.cah.ucf.edu/omeka/files/original/7cdde423b1b28e59bf386f56b2944602.jpg
e7fda3d34988d77e25e7c80f4d899c91
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Watermark Collection
Alternative Title
The Watermark Collection
Subject
Gay culture--United States
Description
Since 1994, <em>The Watermark</em> has been the cornerstone source of LGBTQ+ (Lesbian, Gay, Bisexual, Trans, Queer/Questioning, and others) centered news for the Central Florida region. Founded by Tom Dyer in Orlando, the publication began generating bi-weekly issues beginning August 31, 1994. Since then, <em>The Watermark</em> has consistently published newspaper style issues every other Thursday. Gaining traction, the publication expanded in 1995 to include Tampa and, in 1997, <em>The Watermark</em> became a permanent piece of LGBTQ+ culture when the publication initiated the first large-scale Gay Days Weekend event, the Beach Ball at Disney’s Typhoon Lagoon. Before 1999, the publication printed 20,000 copies every week, distributing them to over 500 locations between its two major cities. Following 1999, the publication launched watermarkonline.com shifting to an online publication style. In 2016, Rick Claggett purchased <em>The Watermark</em>.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/" target="_blank">RICHES Program</a>
Type
Collection
Contributing Project
<a href="http://www.floridalgbtqmuseum.org/%20" target="_blank">GLBT History Museum of Central Florida</a>
<a href="http://www.watermarkonline.com/">The Watermark</a>
Curator
Smith, Robert
Cepero, Laura
O'Neal, Rhiannon
Hearn, Nikki
Greene, Quintella
Rodriguez, Sharon
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.floridalgbtqmuseum.org/%20" target="_blank">GLBT History Museum of Central Florida</a>
External Reference
"<a href="http://www.watermarkonline.com/aboutcontact/" target="_blank">About/Contact</a>." WatermarkOnline.com, accessed July 11, 2016. http://www.watermarkonline.com/aboutcontact/.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
Dykes to Watch Out For: Let Them Eat Cake
Alternative Title
Mostly Unfabulous Social Life of Ethan Green
Subject
Gay culture--United States
Description
<em>Dykes to Watch Out For</em> comic from the inaugural issue of <em>The Watermark</em>, published on September 14, 1994. The comic strip was created by Alison Bechdel, an openly gay cartoonist, and centered around the lives of a diverse group of characters, most of whom were lesbians. The comic was first published in 1983 and ran until 2008, when it went on hiatus.<br /><br />Since 1994, <em>The Watermark</em> has been the cornerstone source of LGBTQ+ (Lesbian, Gay, Bisexual, Trans, Queer/Questioning, and others) centered news for the Central Florida region. Founded by Tom Dyer in Orlando, the publication began generating bi-weekly issues beginning September 14, 1994. Since then, <em>The Watermark</em> has consistently published newspaper-style issues every other Thursday. Gaining traction, the publication expanded in 1995 to include Tampa and, in 1997, <em>The Watermark</em> became a permanent piece of LGBTQ+ culture when the publication initiated the first large-scale Gay Days Weekend event, the Beach Ball at Disney’s Typhoon Lagoon. Before 1999, the publication printed 20,000 copies every week, distributing them to over 500 locations between its two major cities. Following 1999, the publication launched watermarkonline.com shifting to an online publication style. In 2016, Rick Claggett purchased <em>The Watermark</em>.
Type
Still Image
Source
Original newspaper comic strip: Bechdel, Alison. <em>Dykes to Watch Out For</em><a href="http://www.watermarkonline.com/" target="_blank"><em>The Watermark</em></a>, Vol. 1, No. 2, September 14, 1994, page 14: Publications Collection, <a href="http://www.floridalgbtqmuseum.org/" target="_blank">GLBT History Museum of Central Florida</a>, Orlando, Florida.
Is Part Of
<a href="https://richesmi.cah.ucf.edu/omeka/collections/show/203" target="_blank">The Watermark Collection</a>, RICHES of Central Florida.
Is Format Of
Digital reproduction of original newspaper comic strip: Bechdel, Alison. <em>Dykes to Watch Out For</em><a href="http://www.watermarkonline.com/" target="_blank"><em>The Watermark</em></a>, Vol. 1, No. 2, September 14, 1994, page 14.
Coverage
Orlando, Florida
Creator
Bechdel, Alison
Publisher
<a href="http://www.watermarkonline.com/" target="_blank">Watermark Media</a>
Date Created
ca. 1994-09-14
Date Issued
1994-09-14
Date Copyrighted
1994-09-14
Format
image/jpg
Extent
583 KB
Medium
1 newspaper comic strip
Language
eng
Mediator
History Teacher
Provenance
Originally created by Alison Bechdel and published by <a href="http://www.watermarkonline.com/" target="_blank">Watermark Media</a>.
Rights Holder
Copyright to this resource is held by <a href="http://dykestowatchoutfor.com/" target="_blank">Alison Bechdel</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> for educational purposes only.
Accrual Method
Donation
Curator
Cepero, Laura
Digital Collection
<a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a>
Source Repository
<a href="http://www.floridalgbtqmuseum.org/" target="_blank">GLBT History Museum of Central Florida</a>
External Reference
Garner, Dwight. "<a href="http://www.nytimes.com/2008/12/03/books/03garner.html?_r=0" target="_blank">The Days of Their Lives: Lesbians Star in Funny Pages</a>." <em>The New York Times</em>, December, 2006. http://www.nytimes.com/2008/12/03/books/03garner.html?_r=0.
"<a href="http://www.watermarkonline.com/aboutcontact/" target="_blank">About/Contact</a>." WatermarkOnline.com, accessed July 11, 2016. http://www.watermarkonline.com/aboutcontact/.
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