Buckwheat, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/buckwheat-danny_richard.jpg.]]> Buckwheat, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> Buckwheat, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/buckwheat-danny-dwight.jpg.]]> Buckwheat, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> Buckwheat, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/buckwheat-dwight1.jpg.]]> Buckwheat, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> Buckwheat, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/buckwheat-dwight_saunders.jpg.]]> Buckwheat, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> Buckwheat, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/buckwheat-bus_card.jpg.]]> Buckwheat, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
"Diamond Teeth" Mary moved to Bradenton, Florida, in 1960, where she began performing gospel music, rather than secular blues, and remained there until her death in April 2000. She was given national exposure in the late 1970s, when Steven Zeitlin of the Smithsonian Institution tracked her down and convinced her to perform at the American Folklife Festival. She performed for President Ronald Reagan at the White House in 1980, appeared in an off-Broadway production in 1981, became one of the first recipients of the Florida Folk Heritage Award in 1986, recorded her first album, If I Can't Sell It, I'm Gonna Sit On It, in 1993, and continued to perform at blues festivals in the United States and Europe until her death at age 97. A play about her life premiered at the Florida Folk Festival in 2000.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/34564.jpg.]]> http://www.tampabaymusichistory.com/resources/DiamondTeethMary.jpg.]]> http://www.tampabaymusichistory.com/resources/35464352.jpeg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Blues Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
Formed in Tampa, Florida, in 1971, White Witch was a glam, psychedelic, hard rock band that recorded two albums with Capricorn Records in the early 1970s. Pendergrass and Shea had once belonged to the popular Tampa area rock band, The Tropics, in the mid to late 1960s. Their name was a paean to "white magic," contrary to the "black magic" of groups such as Black Sabbath. The band would announce before their shows, "To bring good where there once was evil, to bring love where there once was hate, to bring wisdom where there once was ignorance—this is the power of White Witch." They toured to support their two records, opening for such established acts as Alice Cooper, Grand Funk Railroad, and Billy Preston. The group was inducted into the Florida Musicians Hall of Fame's Florida Music Honor Roll.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/10411087_816701458372528_5541827826245837596_n.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/47884907696f071073b63db922dc6a14.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/Wheader-450x450.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/onderdenaald_whitewitch_1972_band.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/15743_218659867836_215085887836_4195556_2936354_n.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/The%20Tropics3.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/15743_215746717836_215085887836_4175124_7881811_n.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/17467_296462922836_215085887836_4703232_1048287_n.jpg.]]> http://www.tampabaymusichistory.com/resources/17467_296462927836_215085887836_4703233_2921998_n.jpg.]]> http://www.tampabaymusichistory.com/resources/17467_296462937836_215085887836_4703234_8018536_n.jpg.]]> http://www.tampabaymusichistory.com/resources/17467_296462957836_215085887836_4703236_6490552_n.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/The%20Tropics.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/The%20Tropics4.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/15743_215138837836_840642_n.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> The Tampa Times on January 4, 1968, describing a concert with the bands The Tropics and The Rascals. In this photograph, a large banner hangs from the upper level that reads, "WORLD TEENAGE SHOW 1966 TOP CHAMPIONS," and "INTERNATIONAL BATTLE OF THE BANDS WINNERS."

The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971.]]> The Tampa Times, January 4, 1968: Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> The Tampa Times]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/15743_215140827836_215085887836_4171118_2836496_n.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/15743_218662622836_215085887836_4195577_2735513_n.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> The Tampa Times describing the victory of The Tropics, a Tampa-based band, at the International Battle of the Bands. The headline reads, "Tropics Win International Prize," and was written by Nancy Trice and Carole Newman. According to the article, The Tropics played "I'm a Man," "Misirloo," and "Black-Jacket Woman." The band one new equipment from Ludwig Drum Company, recognition as the house band for WLS Radio for one year, and the opportunity to perform with The Mamas and The Papas in Chicago on August 20th.

The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971.]]> The Tampa Times, August 10, 1966: Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> The Tampa Times]]> Tampa Bay Music Scene Historical Society]]> The Tampa Times, August 10, 1966. http://www.tampabaymusichistory.com/resources/15743_215142242836_215085887836_4171128_3418623_n.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966.jpg.]]> http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966b.jpg.]]> http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966c.jpg.]]> http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966d.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/Tempests%20-%201964.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/Surfers%20Club%20-%201966.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/promo%20ad%20-%201960%27s.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/tempests%20ad%20-%201966.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/Tempests.JPG.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
Infinity's End was the first of several bands that Bollea, popularly known as Hulk Hogan, performed with during the late 1960s and early 1970s in Tampa, Florida. Bollea was in ninth grade when he formed the group, and they quickly began performing at weekend parties. Their manager was the father of keyboard player, Gary, and their costume designer was Gary's mother. The band consisted of two guitar players, a drummer, a bassist, and a keyboardist, and performed classic rock hits of the day, such as "In-A-Gadda-Da-Vida" by Iron Butterfly and various songs by Steppenwolf. After Infinity's End, Bollea performed with the bands Koko and Ruckus, before going on to a career in professional wrestling.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/Infinity%27s%20End%20%28circa%201969%29.jpg.]]> http://www.tampabaymusichistory.com/resources/207294_1020968211087_5843621_n.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
Infinity's End was the first of several bands that Bollea, popularly known as Hulk Hogan, performed with during the late 1960s and early 1970s in Tampa, Florida. Bollea was in ninth grade when he formed the group, and they quickly began performing at weekend parties. Their manager was the father of keyboard player, Gary, and their costume designer was Gary's mother. The band consisted of two guitar players, a drummer, a bassist, and a keyboardist, and performed classic rock hits of the day, such as "In-A-Gadda-Da-Vida" by Iron Butterfly and various songs by Steppenwolf. After Infinity's End, Bollea performed with the bands Koko and Ruckus, before going on to a career in professional wrestling.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/IE%2012-30-69.jpg.]]> http://www.tampabaymusichistory.com/resources/IE%20december%2030%201969.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/IE%2068%20or%2069.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
Infinity's End was the first of several bands that Bollea, popularly known as Hulk Hogan, performed with during the late 1960s and early 1970s in Tampa, Florida. Bollea was in ninth grade when he formed the group, and they quickly began performing at weekend parties. Their manager was the father of keyboard player, Gary, and their costume designer was Gary's mother. The band consisted of two guitar players, a drummer, a bassist, and a keyboardist, and performed classic rock hits of the day, such as "In-A-Gadda-Da-Vida" by Iron Butterfly and various songs by Steppenwolf. After Infinity's End, Bollea performed with the bands Koko and Ruckus, before going on to a career in professional wrestling.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/IE%201970.jpg.]]> http://www.tampabaymusichistory.com/resources/IE%20circa%201970.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/IE%20logo.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/The%20Outlaws.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/Auto%27s.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> RICHES of Central Florida for educational purposes only.]]>
Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/EARLY%20OUTLAWS.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/The%20Outlaws2.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/the-outlaws.jpg.]]> http://www.tampabaymusichistory.com/resources/the_outlaws.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> RICHES of Central Florida for educational purposes only.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/bde9b63600303be12e951bb679bad334.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/tb_outlaws_450.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/koco.jpg.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/Koco2.jpg.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
In 1963, the band formed in Port Richey, Florida, as The Kingsmen. the band would change their name to The Allusions, The Split Ends, and finally, Boot, an acronym for Blues Of Our Time. The group featured Dan Eliassen on bass and vocals, Bruce Knox on lead guitar and vocals, Mike Mycz on rhythm guitar and vocals, and Jim O'Brock on drums and vocals. All four original members remained together for 10 years before breaking up in 1973. Career highlights include performing on Dick Clark's "Happening '67" Tour and the Dick Clark band contest show, "Happening '68," as well as performing with The Allman Brothers Band, Lynyrd Skynyrd, Jefferson Airplane, Canned Heat, The Outlaws, Steppenwolf, Iron Butterfly, B. B. King, and Neil Diamond.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/boot-02.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> RICHES of Central Florida for educational purposes only.]]>
In 1963, the band formed in Port Richey, Florida, as The Kingsmen. the band would change their name to The Allusions, The Split Ends, and finally, Boot, an acronym for Blues Of Our Time. The group featured Dan Eliassen on bass and vocals, Bruce Knox on lead guitar and vocals, Mike Mycz on rhythm guitar and vocals, and Jim O'Brock on drums and vocals. All four original members remained together for 10 years before breaking up in 1973. Career highlights include performing on Dick Clark's "Happening '67" Tour and the Dick Clark band contest show, "Happening '68," as well as performing with The Allman Brothers Band, Lynyrd Skynyrd, Jefferson Airplane, Canned Heat, The Outlaws, Steppenwolf, Iron Butterfly, B. B. King, and Neil Diamond.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/boot-01.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> RICHES of Central Florida for educational purposes only.]]>
Sammy and Andrew "Andy" Arena, who performed together as The Arena Twins, were among Tampa's first recording artists in the late 1950s. Born in Tampa, Florida, the brothers entertained audiences since the age of 14, when they first took the stage at the Cuban Club's "Fiesta in Tampa." In 1958, they signed with Kapp Records and released six singles, before signing with Columbia Records in 1960. Marty Manning conducted and arranged for some the most well known jazz performers, including Dinah Washington and Sarah Vaughn.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> Columbia Records, Inc.]]> http://www.tampabaymusichistory.com/resources/!Bn6du5QBmk~%24%28KGrHqYH-DwEtr8S9nD6BLlZie26QQ~~_35.JPG.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
Sammy and Andrew "Andy" Arena, who performed together as The Arena Twins, were among Tampa's first recording artists in the late 1950s. Born in Tampa, Florida, the brothers entertained audiences since the age of 14, when they first took the stage at the Cuban Club's "Fiesta in Tampa." In 1958, they signed with Kapp Records and released six singles, before signing with Columbia Records in 1960.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> Columbia Records, Inc.]]> http://www.tampabaymusichistory.com/resources/Arena%20twins%2COh%20what%20a%20shame%2C33rpm.JPG.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/arena-twins-3jpg.jpeg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/arenatwinspic.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/Full.jpeg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/sotto-01-aug-weds-column-01-cu.jpeg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/the_arena_twins.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
Sammy and Andrew "Andy" Arena, who performed together as The Arena Twins, were among Tampa's first recording artists in the late 1950s. Born in Tampa, Florida, the brothers entertained audiences since the age of 14, when they first took the stage at the Cuban Club's "Fiesta in Tampa." In 1958, they signed with Kapp Records and released six singles, before signing with Columbia Records in 1960.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/WALT_daveArchard_arena_twins_1958_R.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/charlie-brantley-and-his-original-honey-dippers.php.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Blues Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/the_outsiders.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
The Outsiders formed in Tampa, Florida, in 1964, consisting of Hardy Dial on vocals, Buddy Richardson and Ronnie Vaskovsky on guitar, Ronnie Elliot on bass guitar, and Spencer Hinkle on drums. They recorded their debut single, "She's Coming On Stronger," for the Tampa record label, Knight, in late 1965. Dial was replaced on vocals by John DeLise and the band recorded its second single, a cover of Eddie Cochran's "Summertime Blues," in the spring of 1966. The record was a regional success and the band was picked up by the Laurie Records subsidiary Providence, which convinced them to change their name to The Soul Trippers, in order to avoid conflict with several bands that had the same name. In July 1966, they recorded a garage rock version of James Moore's "I'm a King Bee," which sold 20,000 copies. When radio station managers discovered the band was white, they pulled the record from their playlists, and the group departed ways shortly thereafter. Buddy Richardson later formed White Witch and John DeLise went on to play in The Rovin' Flames.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/the_soul_trippers2.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
The Outsiders formed in Tampa, Florida, in 1964, consisting of Hardy Dial on vocals, Buddy Richardson and Ronnie Vaskovsky on guitar, Ronnie Elliot on bass guitar, and Spencer Hinkle on drums. They recorded their debut single, "She's Coming On Stronger," for the Tampa record label, Knight, in late 1965. Dial was replaced on vocals by John DeLise and the band recorded its second single, a cover of Eddie Cochran's "Summertime Blues," in the spring of 1966. The record was a regional success and the band was picked up by the Laurie Records subsidiary Providence, which convinced them to change their name to The Soul Trippers, in order to avoid conflict with several bands that had the same name. In July 1966, they recorded a garage rock version of James Moore's "I'm a King Bee," which sold 20,000 copies. When radio station managers discovered the band was white, they pulled the record from their playlists, and the group departed ways shortly thereafter. Buddy Richardson later formed White Witch and John DeLise went on to play in The Rovin' Flames.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society]]> http://www.tampabaymusichistory.com/resources/the_soul_trippers%20%281%29.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> http://www.tampabaymusichistory.com/resources/RovinFlames1966PromoPhotoPoliceA.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> http://www.tampabaymusichistory.com/resources/capture-20130201-091134.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Decca Records]]> http://www.tampabaymusichistory.com/resources/RovinFlamesDecca45HowManyTimes.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> http://www.tampabaymusichistory.com/resources/the_rovin_flames.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> http://www.tampabaymusichistory.com/resources/RovinFlamesSoapBoxDerbyParade1968July13b.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]>
The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> http://www.tampabaymusichistory.com/resources/RovinFlamesPhotoSummer67.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> The Tampa Tribune on September 1, 1966, describing an interview with The Rovin' Flames. The article was written by Rose Marie Almas and Cherie Wallace. In the upper right corner is a photograph of the band standing on a truck. Photographed from left to right is Paul Battle, Hardy Dial, J. R. Maietta (seated), Jim Morris, and Jerry Goff.

The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969.]]> Tampa Tribune, September 1, 1966: Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> The Tampa Tribune]]> Tampa Tribune, September 1, 1966.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society and Tampa Tribune and is provided here by RICHES of Central Florida for educational purposes only.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> http://www.tampabaymusichistory.com/resources/307085_435002073199347_838502425_n.jpg.]]> Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society.]]> Rock Collection, Central Florida Music History Collection, RICHES of Central Florida.]]> Tampa Bay Music Scene Historical Society and is provided here by RICHES of Central Florida for educational purposes only.]]> Oakland Nature Preserve, Oakland, Florida.]]> Oakland Nature Preserve, Oakland, Florida.]]> Oakland Nature Preserve Collection, RICHES of Central Florida.]]> Friends of Lake Apopka and is provided here by RICHES of Central Florida for educational purposes only.]]> Oakland Nature Preserve, Oakland, Florida.]]> Oakland Nature Preserve, Oakland, Florida.]]> Oakland Nature Preserve Collection, RICHES of Central Florida.]]> Adobe Flash Player]]> Friends of Lake Apopka and is provided here by RICHES of Central Florida for educational purposes only.]]> Oakland Nature Preserve, Oakland, Florida.]]> Oakland Nature Preserve, Oakland, Florida.]]> Oakland Nature Preserve Collection, RICHES of Central Florida.]]> Adobe Flash Player]]> Friends of Lake Apopka and is provided here by RICHES of Central Florida for educational purposes only.]]>
Episode 43 features a discussion of surfboards and surfing in Central Florida, including surfboards displayed at the Halifax Historical Museum in Daytona Beach, Florida. This podcast also includes interviews with Dr. Mark Howard Long of the University of Central Florida and photographer and painter Paul Aho.]]> https://youtu.be/XSWvE9n2cl8.]]> RICHES]]> Indian River Citrus Museum]]> Halifax Historical Museum]]> Florida Memory Project]]> Library of Congress]]> Internet Archive]]> RICHES Podcast Documentaries, Orlando, Florida.]]> A History of Central Florida Collection, RICHES Podcast Documentaries Collection, RICHES of Central Florida.]]> Adobe Flash Player]]> Java]]> RICHES.]]> RICHES]]> Orlando Remembered Exhibit, Downtown Orlando Post Office, Downtown Orlando, Florida.]]> Orlando Remembered Exhibit, Downtown Orlando Post Office, Downtown Orlando, Florida.
]]> Downtown Orlando Post Office Collection, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.]]> Orange County Regional History Center and is provided here by RICHES of Central Florida for educational purposes only.]]>
Episode 44 features a discussion of The Highway Men paintings displayed at the Orange County Regional History Center in Orlando, Florida. This podcast also includes interviews with painter Al Black and Gary Monroe of Daytona State College.]]> https://youtu.be/OcET5mQlITQ.]]> RICHES of Central Florida]]> Florida Memory Project]]> RICHES Podcast Documentaries, Orlando, Florida.]]> A History of Central Florida Collection, RICHES Podcast Documentaries Collection, RICHES of Central Florida.]]> Adobe Flash Player]]> Java]]> RICHES of Central Florida.]]> RICHES of Central Florida]]>
Episode 42 features a discussion of racial segregation signs used in the Jim Crow South, which are housed at the Orange County Regional History Center in Orlando, Florida. This podcast also includes interviews with Dr. Stephen Caldwell Wright of Seminole State College and Dr. Julian C. Chambliss of Rollins College.]]> 0:01:52 The Jim Crow South
0:02:35 Origins of racial segregation
0:04:24 Origins of “Jim Crow”
0:05:08 Segregation in practice
0:07:07 African-American communities and business districts
0:09:09 Brown v. the Board of Education of Topeka and desegregation
0:11:12 Desegregating schools
0:11:59 African-American communities post-segregation
0:14:58 Conclusion
0:15:21 Credits]]> http://youtu.be/wvzC9ergWHg.]]> RICHES]]> Orange County Regional History Center]]> Florida Memory Project]]> Library of Congress]]> RICHES Podcast Documentaries, Orlando, Florida.]]> A History of Central Florida Collection, RICHES Podcast Documentaries Collection, RICHES of Central Florida.]]> Adobe Flash Player]]> Java]]> RICHES.]]> RICHES]]> Indian River Lagoon, an acrylic painting created by Dr. Walter Gaudnek in 1974. Indian River Lagoon depicts a spacecraft in outer space, with the Sun and Saturn in the background. Born in Fleyh, Czechoslovakia, in 1931, pop artist Dr. Gaudnek is known for his blend of his bold colors, philosophy, religious symbolism, labyrinth installations, and mixtures of performance and art. He also draws heavy inspiration from Bohemia, Caravaggio, Kazimir Malevich, and Pablo Picasso. A 1957 Fulbright Scholar who received his doctorate from New York University, he joined the art faculty of the Florida Technological University (present-day University of Central Florida) in Orlando, Florida, in 1970. Dr. Gaudnek previously taught at universities in Los Angeles, New York, and Ohio. He founded the Long Island University's Hillwood Art Museum in Greenvale, New York. His honors from UCF include Distinguished Researcher of the Year (1990), the Teaching Incentive Program Award (1995 and 2005), the Professional Excellence Program Award (1997), the President’s Award (1999), and the Research Incentive Award (2002). In 1994, the Sudetendeutecher Landsmannschaft, an organization dedicated to recognizing the achievements of the Czech-German diaspora, awarded him the Kulturpreis for Fine Art and Architecture.

Dr. Gaudnek’s work can be seen at the Gaudnek Europe Museum (GEM) in Altomünster, Germany, as well as the UCF Library, which contains a retrospective of his work from 1945 to 2007. He has participated in more than 200 solo and group exhibitions, installations, and performances in Germany, Italy, Spain, England, Colombia, the Czech Republic, and the United States. His works have also been exhibited in museums in New York, San Francisco, Los Angeles, Virginia, Arizona, Florida, Europe, and Brazil, as well as schools, banks, office buildings, libraries, theaters, museums, and private homes in Europe and the United States. He has been featured in documentaries in San Francisco, New York, Munich, São Paolo, and Paris.]]> Indian River Lagoon, 1974: City of Orlando Terrace Gallery, Orlando, Florida.]]> Indian River Lagoon, 1974.]]> City of Orlando Terrace Gallery, Orlando, Florida.]]> Art Legends of Orange County Collection, RICHES of Central Florida.]]> RICHES of Central Florida for educational purposes only.]]> Two Figures in Green Landscape.

McKean moved to Orlando, Florida, from College Hill in Beaver Falls, Pennsylvania, where he was raised. He earned his bachelor’s degree from Rollins College in Winter Park in 1930 and joined its faculty in 1932, later heading its art department. He studied art at the Pennsylvania Academy of the Fine Arts in Philadelphia, Art Students League in New York City, the École des Beaux-Arts at Fontainebleau in France, and Harvard University. The Tiffany Foundation also selected him in 1930 to join other artists at Laurelton Hall, Louis Comfort Tiffany’s mansion at Cold Spring Harbor, Long Island, New York, under Tiffany’s tutelage. In 1940, he received his master’s degree from Williams College in Williamstown, Massachusetts. He married Jeannette Genius , the granddaughter of Charles Hosmer Morse, in 1945. McKean then served as the president of Rollins College from 1951 to 1969 and the director of the Charles Hosmer Morse Museum of American Art from 1942 until his death in 1995.]]> Orange County Regional History Center, Orlando, Florida.]]> Orange County Regional History Center, Orlando, Florida.]]> Art Legends of Orange County Collection, RICHES of Central Florida.]]> RICHES of Central Florida for educational purposes only.]]> Orange County Regional History Center, Orlando, Florida.]]> Orange County Regional History Center, Orlando, Florida.]]> Art Legends of Orange County Collection, RICHES of Central Florida.]]> RICHES of Central Florida for educational purposes only.]]> Old Mill, a painting by Ralph L. Bagley (ca. 1914-2008). Old Mill features a mill in Pigeon Forge, Tennessee.

Bagley was an artist and instructor who taught in Central Florida from the 1950s until his death in 2008, when he was 94 years old. He was born in Bertrand, Missouri, and attended the Flint Institute of Art in Flint, Michigan, continuing his studies in New York and Washington, D.C. Bagley and his wife, Marianne Bagley, moved to Orlando, Florida in 1950, where Bagley founded the Orlando Institute of Art, the city’s first fine-arts school. Bagley depicted landscapes, still lifes, and portraits in a variety of media, including oil, watercolor, and charcoal.

Bagley also taught at Orlando Junior College, becoming head of the school’s art department in 1965. After the college closed in 1971, he taught at Lake-Sumter Community College in Leesburg, the Maitland Art Center in Maitland, and the Loch Haven Art Center (now the Orlando Museum of Art). He toured the nation with at least 30 one-man art shows featuring his paintings. Among many positions he held in art organizations, Bagley was president of the Orlando Art Association and a founding member and president of the Artists’ League of Orange County. The works of his many students sustain his legacy.]]> Old Mill: City of Orlando Terrace Gallery, Orlando, Florida.]]> Old Mill.]]> City of Orlando Terrace Gallery, Orlando, Florida.]]> Art Legends of Orange County Collection, RICHES of Central Florida.]]> RICHES of Central Florida for educational purposes only.]]>
Bagley also taught at Orlando Junior College, becoming head of the school’s art department in 1965. After the college closed in 1971, he taught at Lake-Sumter Community College in Leesburg, the Maitland Art Center in Maitland, and the Loch Haven Art Center (now the Orlando Museum of Art). He toured the nation with at least 30 one-man art shows featuring his paintings. Among many positions he held in art organizations, Bagley was president of the Orlando Art Association and a founding member and president of the Artists’ League of Orange County. The works of his many students sustain his legacy.]]> City of Orlando Terrace Gallery, Orlando, Florida.]]> City of Orlando Terrace Gallery, Orlando, Florida.]]> Art Legends of Orange County Collection, RICHES of Central Florida.]]> City of Orlando Terrace Gallery and is provided here by RICHES of Central Florida for educational purposes only.]]> Mother Crying Over the World, a sculpture created by Albin Polasek in 1942. Polasek was born in 1879 in Frenštát pod Radhoštěm, Moravia (now part of the Czech Republic). He apprenticed as a woodcarver in Vienna, Austria, and immigrated to the United States in 1901. After working in the Midwest for nearly four years, Polasek finally began his formal training at the Pennsylvania Academy of Fine Arts in Philadelphia, Pennsylvania. In 1910, Polasek won the Prix de Rome competition, spending three years at the American Academy of Art in Rome, Italy. Once he completed his studies in Rome, Polasek moved to New York City, New York, and set up a studio there. In 1916, the Art Institute of Chicago invited him to head its sculpture department, where he remained for nearly 30 years.

In 1949, Polasek retired to Winter Park, Florida, building a home on Lake Osceola. In spite of suffering a stroke in 1950 that left him confined to a wheelchair and his left side paralyzed, Polasek continued to paint, draw, sculpt clay, and carve wood, creating a total of 18 major works before his death in 1965. In 1961, Polasek established the Polasek Foundation, designating his personal galleries, chapel, and gardens as a museum. Each year, thousands of local and international guests come to Winter Park to visit Polasek’s historic home and studio at the Albin Polasek Museum & Sculpture Gardens. Polasek’s works can be found in Europe, all over the United States, and locally in Winter Park and Orlando.]]> Man Carving His Own Destiny: Albin Polasek Museum & Sculpture Gardens, Winter Park, Florida.]]> Mother Crying Over the World, 1942.]]> Albin Polasek Museum & Sculpture Gardens, Winter Park, Florida.]]> Art Legends of Orange County Collection, RICHES of Central Florida.]]> RICHES of Central Florida for educational purposes only.]]> Man Carving His Own Destiny, a sculpture chiseled from limestone by Albin Polasek in 1961. Polasek sculpted his first version of Man Carving His Own Destiny while studying under Charles Grafly at the Pennsylvania Academy of Fine Arts in Philadelphia, Pennsylvania, in 1907. Reminisicent of Michaelangelo's Slaves, the sculpture depicts a man chiseling himself out of stone. Polasek has sculpted 53 different variations of Man Carving His Own Destiny throughout his lifetime. His various recreations depict differences in arm positions, the look of the hair, and how much of the man's body is emerged from the rock.

Polasek was born in 1879 in Frenštát pod Radhoštěm, Moravia (now part of the Czech Republic). He apprenticed as a woodcarver in Vienna, Austria, and immigrated to the United States in 1901. After working in the Midwest for nearly four years, Polasek finally began his formal training at the Pennsylvania Academy of Fine Arts in Philadelphia, Pennsylvania. In 1910, Polasek won the Prix de Rome competition, spending three years at the American Academy of Art in Rome, Italy. Once he completed his studies in Rome, Polasek moved to New York City, New York, and set up a studio there. In 1916, the Art Institute of Chicago invited him to head its sculpture department, where he remained for nearly 30 years.

In 1949, Polasek retired to Winter Park, Florida, building a home on Lake Osceola. In spite of suffering a stroke in 1950 that left him confined to a wheelchair and his left side paralyzed, Polasek continued to paint, draw, sculpt clay, and carve wood, creating a total of 18 major works before his death in 1965. In 1961, Polasek established the Polasek Foundation, designating his personal galleries, chapel, and gardens as a museum. Each year, thousands of local and international guests come to Winter Park to visit Polasek’s historic home and studio at the Albin Polasek Museum & Sculpture Gardens. Polasek’s works can be found in Europe, all over the United States, and locally in Winter Park and Orlando.]]> Man Carving His Own Destiny: Albin Polasek Museum & Sculpture Gardens, Winter Park, Florida.]]> Man Carving His Own Destiny.]]> Albin Polasek Museum & Sculpture Gardens, Winter Park, Florida.]]> Art Legends of Orange County Collection, RICHES of Central Florida.]]> RICHES of Central Florida for educational purposes only.]]> Forest Idyl, a sculpture recreated by Albin Polasek (1879-1965) in 1964. The original sculpture was created with bronze in 1924. Polasek was inspired by Henry Wadsforth Longellow's epic poem "The Song of Hiawartha." Another casting of Forest Idyl was contributed to an art gallery in New York, where the sculptor of the Lincoln Memorial, Daniel Chester French, won the sculpture in a draawing of the gallery's supporting members. While at the American Academy in Rome, Italy, as an honorary professor in 1931, Polasek created a life-size version of Forest Idyl for sculptor Anna Hyatt Huntongton for Brookgreen Gardens, which was her estate in Murrells Inlet, South Carolina. A copy of the 1931 sculpture was also contributed to Ball State University's library in Muncie, Indiana, where she is called "The Naked Lady."

For his 1964 version photographed here, Polasek used the same conceptual design that he used in 1924, but instead used the face and hairstyle of his wife, Emily Muska Kubat Polasek, as a model. This casting resides on the front lawn of the Albin Polasek Museum & Sculpture Gardens in Winter Park, and another casting of the 1964 version is located at the Winter Park City Hall. The sculpture's plaque reads: "This statue was donated to the City of Winter Park by the world renowned sculptor Albin Polasek. Mr. Polasek’s many works reflect a gratitude and appreciation for God’s world and America. He loved Winter Park, which became his 'Florida paradise.' This statue, now dedicated to his memory, is a testimonial to that devotion. December, 1966."

Polasek was born in 1879 in Frenštát pod Radhoštěm, Moravia (now part of the Czech Republic). He apprenticed as a woodcarver in Vienna, Austria, and immigrated to the United States in 1901. After working in the Midwest for nearly four years, Polasek finally began his formal training at the Pennsylvania Academy of Fine Arts in Philadelphia, Pennsylvania. In 1910, Polasek won the Prix de Rome competition, spending three years at the American Academy of Art in Rome, Italy. Once he completed his studies in Rome, Polasek moved to New York City, New York, and set up a studio there. In 1916, the Art Institute of Chicago invited him to head its sculpture department, where he remained for nearly 30 years.

In 1949, Polasek retired to Winter Park, Florida, building a home on Lake Osceola. In spite of suffering a stroke in 1950 that left him confined to a wheelchair and his left side paralyzed, Polasek continued to paint, draw, sculpt clay, and carve wood, creating a total of 18 major works before his death in 1965. In 1961, Polasek established the Polasek Foundation, designating his personal galleries, chapel, and gardens as a museum. Each year, thousands of local and international guests come to Winter Park to visit Polasek’s historic home and studio at the Albin Polasek Museum & Sculpture Gardens. Polasek’s works can be found in Europe, all over the United States, and locally in Winter Park and Orlando.]]> Forest Idyl, 1964. Albin Polasek Museum & Sculpture Gardens, Winter Park, Florida.]]> Forest Idyl, 1964.]]> Albin Polasek Museum & Sculpture Gardens, Winter Park, Florida.]]> Art Legends of Orange County Collection, RICHES of Central Florida.]]> RICHES of Central Florida for educational purposes only.]]> European Village, an etching created by Jules André Smith. Born in 1880 to American parents in Hong Kong, raised in New York and Connecticut, and educated at Cornell University, J. André Smith worked for several years as an architect, never giving up on his first love of art. His early passion was printmaking, specifically etching. In 1915, he was awarded a gold medal at the Panama-Pacific Exposition in San Francisco, California. During World War I, Smith continued to work in both drawing and printmaking, selected as one of eight artists by the U.S. government to go to France in 1918 to record military activities. He would later publish those works in a book titled In France with the American Expeditionary Forces.

While travelling to Miami in the 1930s, Smith made an unplanned stop in Maitland, Florida. Having experienced a stunning sunset on nearby Lake Sybelia, he decided to travel no further and would go on to build his winter home and studio here, which is now the Maitland Art Center. Frustrated and disappointed with the area’s lack of support for contemporary art, Smith began plans for a residential "Lab-Gallery" that would encourage artistic exploration and experimentation in a sheltered studio environment. The studio compound, later known as The Research Studio, was the winter residence of prominent American artists such as Ralston Crawford, David Burlick, Ernest Roth, Milton Avery, Arnold Blanch, Doris Lee, and Hal McIntosh. André Smith’s vision continued to thrive for over two decades under the generous financial support from his patron, philanthropist Mary Curtis Bok. Smith’s legacy is alive and well today at the Art & History Museum’s Maitland Art Center through its residency programs and exhibitions.]]> European Village: Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> European Village.]]> Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> Art Legends of Orange County Collection, RICHES of Central Florida.]]> Art & History Museums - Maitland and is provided here by RICHES of Central Florida for educational purposes only.]]>
Bill Orr (1925-), photographed on the left, grew up in Michigan, where he worked breaking in mustang ponies. When World War II broke out, Orr joined the U.S. Army and was a member of the cavalry regiment. Later seeing action on Okinawa in the Pacific Theater, he was among the first servicemen to serve in Japan after the war. Orr found his way to the Research Studio in 1961 after applying for a position through a newspaper advertisement. As an artist, Orr made a living doing life-size portraits of horses. He would go on to establish himself as a leading equine artist, a tribute to his lifetime love of horses.

Orlando native Maury Hurt (1934-2013), photographed on the right, graduated from the University of Florida with a design degree in 1956. After serving a short tour in the U.S. Army, Hurt continued to work in the graphic arts fields for several years before abandoning the profession to become a full-time painter. From a studio at the Art & History Museums' Maitland Art Center, Hurt’s work centered on primitive and archaic themes often focusing on the relationship of humans, animals, and early prehistoric life. Hurst's legacy lies in his masterful work and is mentorship of artists across Central Florida.]]> Orlando Weekly, Orlando, Florida.]]> Orlando Weekly]]> Orlando Weekly, Orlando, Florida.]]> Orlando Weekly, Orlando, Florida.]]> Art Legends of Orange County Collection, RICHES of Central Florida.]]> Orlando Weekly.]]> Orlando Weekly and is provided here by RICHES of Central Florida for educational purposes only.]]>
Episode 45 features a discussion about the charter class and first graduating class of Florida Technological University (present-day University of Central Florida), as well as a diploma plate displayed at the University of Central Florida Libraries in Orlando, Florida. This podcast also includes interviews with Dr. Christopher Loss of Vanderbilt University, Retha Riley Underwood, Dr. Robert Bledsoe of the University of Central Florida, Joyce Hart Perkins, Mike Canavan, and Richard King.]]> https://youtu.be/jAX3sVD8NuE.]]> RICHES]]> University of Central Florida Special Collections and University Archives]]> Florida Memory Project]]> RICHES Podcast Documentaries, Orlando, Florida.
]]> A History of Central Florida Collection, RICHES Podcast Documentaries Collection, RICHES of Central Florida.]]> Adobe Flash Player]]> Java]]> RICHES.]]> RICHES]]> The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition is the first ever issue, and it features articles on topics such as the modernization of the local fire department, the achievements of the town council, the development of the town's first residential neighborhood, urban planning, the construction of a new hotel, a local concert, a calendar of local events, the Bank of Maitland, the development of the Greenwood Gardens residential neighborhood, the Needlework Guild, and the publication plans of The Maitland News itself. Also featured are several advertisements for local businesses.]]> The Maitland News, Vol. 01, No. 01, April 12, 1926: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News, Vol. 01, No. 01, April 12, 1926. ]]> Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News Collection, Maitland Historical Museum Collection, Maitland Collection, Orange County Collection, RICHES of Central Florida.]]> Adobe Acrobat Reader]]> RICHES of Central Florida for educational purposes only.]]> The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as building permits and construction in Maitland compared to Orlando and Winter Park, a town slogan contest, a new fruit company, water wells, a new radio program, the Mayor's outline for town planning and development projects, the construction of residential subdivisions, waterworks bonds, an obituary for local resident Lida P. Bronson, a local banquet and reception, and a local events calendar. Also featured are several advertisements for local businesses, including the Greenwood Gardens residential community.]]> The Maitland News, Vol. 01, No. 02, April 29, 1926: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News, Vol. 01, No. 02, April 29, 1926. ]]> Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News Collection, Maitland Historical Museum Collection, Maitland Collection, Orange County Collection, RICHES of Central Florida.]]> Adobe Acrobat Reader]]> RICHES of Central Florida for educational purposes only.]]> The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as the rising demand for housing in Maitland, a school graduation, library renovations, water wells, new sidewalks, an obituary for local resident Ruth Fleming, a press banquet, a wedding anniversary, and a local events calendar. Also featured are several advertisements for local businesses, including one by the Maitland Realty Company announcing the need for a local drug store, a garage building, a cement block plant, novelty works, a filling station, and a warehouse, and anyone who can finance or furnish any of these. This edition is missing pages 2 and 3.]]> The Maitland News, Vol. 01, No. 03, May 22, 1926: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News, Vol. 01, No. 03, May 22, 1926. ]]> Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News Collection, Maitland Historical Museum Collection, Maitland Collection, Orange County Collection, RICHES of Central Florida.]]> Adobe Acrobat Reader]]> RICHES of Central Florida for educational purposes only.]]> The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as the Maitland Lumber Company rebuilding following a fire, new housing in Greenwood Gardens subdivision, a Chamber of Commerce meeting, a new garbage disposal system, a new municipal engineer, a Boy Scout camping trip, local elected officials, new books available at the Maitland Library, and a local events calendar. Also featured are several advertisements for local businesses.]]> The Maitland News, Vol. 01, No. 04, May 29, 1926: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News, Vol. 01, No. 04, May 29, 1926. ]]> Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News Collection, Maitland Historical Museum Collection, Maitland Collection, Orange County Collection, RICHES of Central Florida.]]> Adobe Acrobat Reader]]> RICHES of Central Florida for educational purposes only.]]> The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as plans to erect a new municipal building, park improvements, building codes, housing, architecture styles, new books for the library, local banking, a picnic held by the Maitland Auxiliary, and a local events calendar. Also featured are several advertisements for local businesses.]]> The Maitland News, Vol. 01, No. 05, June 5, 1926: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News, Vol. 01, No. 05, June 5, 1926. ]]> Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News Collection, Maitland Historical Museum Collection, Maitland Collection, Orange County Collection, RICHES of Central Florida.]]> Adobe Acrobat Reader]]> RICHES of Central Florida for educational purposes only.]]> The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as plans to establish a building and loan association for Maitland, fishing, housing and urban development, new books added to the library, local banking services, and a local events calendar. Also featured is a poem by local resident "Wib" Chaffee, and several advertisements for local businesses.]]> The Maitland News, Vol. 01, No. 06, June 12, 1926: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News, Vol. 01, No. 06, June 12, 1926. ]]> Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News Collection, Maitland Historical Museum Collection, Maitland Collection, Orange County Collection, RICHES of Central Florida.]]> Adobe Acrobat Reader]]> RICHES of Central Florida for educational purposes only.]]> The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as the paving of local streets, students receiving honors, a wedding, a resident receiving an academic prize, the remodeling of a church, growth in Maitland, banking and currency, new library books, and a local events calendar. Also featured are several advertisements for local businesses. This edition is missing pages 3 and 4.]]> The Maitland News, Vol. 01, No. 07, June 19, 1926: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News, Vol. 01, No. 07, June 19, 1926. ]]> Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News Collection, Maitland Historical Museum Collection, Maitland Collection, Orange County Collection, RICHES of Central Florida.]]> Adobe Acrobat Reader]]> RICHES of Central Florida for educational purposes only.]]> The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as the completion of the city's waterworks, the construction of a new town hall and firehouse, the town council's trip to DeLand to observe water pumps, freight shipping statistics for Florida, the growth of the central Florida area, citrus culture, banking, an obituary, two weddings, and a local events calendar. Also featured are several advertisements for local businesses.]]> The Maitland News, Vol. 01, No. 08, June 26, 1926: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News, Vol. 01, No. 08, June 26, 1926. ]]> Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News Collection, Maitland Historical Museum Collection, Maitland Collection, Orange County Collection, RICHES of Central Florida.]]> Adobe Acrobat Reader]]> RICHES of Central Florida for educational purposes only.]]> The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as a new fire truck, Chamber of Commerce meeting times, a new office building for the Maitland Realty Company, the establishment of fire zones, a new tax assessor, the Maitland Auxiliary, automobile accidents, and a local events calendar. Also featured are several advertisements for local businesses. This edition is missing pages 3 and 4.]]> The Maitland News, Vol. 01, No. 09, July 3, 1926: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News, Vol. 01, No. 09, July 3, 1926. ]]> Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News Collection, Maitland Historical Museum Collection, Maitland Collection, Orange County Collection, RICHES of Central Florida.]]> Adobe Acrobat Reader]]> RICHES of Central Florida for educational purposes only.]]> The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as airplane maps of Maitland, a new fire truck, a new citrus packing house, the Fourth of July, an obituary, the housing arrangements of local residents, and a local events calendar. Also featured are several advertisements for local businesses. This edition is missing pages 3 and 4.]]> The Maitland News, Vol. 01, No. 10, July 10, 1926: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News, Vol. 01, No. 10, July 10, 1926. ]]> Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News Collection, Maitland Historical Museum Collection, Maitland Collection, Orange County Collection, RICHES of Central Florida.]]> Adobe Acrobat Reader]]> RICHES of Central Florida for educational purposes only.]]> The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as the organization of the fire department, modern retail stores, waterworks bonds, a new contracting firm, highway construction, Bible school, a duplex apartment building, Chamber of Commerce meetings, economic development across the southeast United States, the housing arrangements of local residents, and a local events calendar. Also featured are several advertisements for local businesses.]]> The Maitland News, Vol. 01, No. 11, July 17, 1926: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News, Vol. 01, No. 11, July 17, 1926. ]]> Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News Collection, Maitland Historical Museum Collection, Maitland Collection, Orange County Collection, RICHES of Central Florida.]]> Adobe Acrobat Reader]]> The Maitland News Company.]]> The Maitland News Company and is provided here by RICHES of Central Florida for educational purposes only.]]> The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as new management at the Maitland Realty Company, tax rates, a grocery store, an automobile accident, a burglary incident, construction on a church rectory, billboard advertisements, building construction rates, banking and currency, the housing arrangements of local residents, and a local events calendar. Also featured are several advertisements for local businesses.]]> The Maitland News, Vol. 01, No. 12, July 24, 1926: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News, Vol. 01, No. 12, July 24, 1926. ]]> Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News Collection, Maitland Historical Museum Collection, Maitland Collection, Orange County Collection, RICHES of Central Florida.]]> Adobe Acrobat Reader]]> The Maitland News Company.]]> The Maitland News Company and is provided here by RICHES of Central Florida for educational purposes only.]]> The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as the passing of a pioneer resident of Maitland, the completion of a new town hall, Bible school, a local fire, water meters, the growth of Maitland, the housing arrangements of local residents, and a local events calendar. Also featured are several advertisements for local businesses.]]> The Maitland News, Vol. 01, No. 13, July 31, 1926: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News, Vol. 01, No. 13, July 31, 1926. ]]> Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News Collection, Maitland Historical Museum Collection, Maitland Collection, Orange County Collection, RICHES of Central Florida.]]> Adobe Acrobat Reader]]> The Maitland News Company.]]> The Maitland News Company and is provided here by RICHES of Central Florida for educational purposes only.]]> The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as a tropical storm, improvements to the Maitland School, Bible school, an injured child, the Maitland Auxiliary, summer activities, several resolutions regarding the improvements of city roads, a poem by Parson Ebony Snow, the housing arrangements of local residents, and a local events calendar. Also featured are several advertisements for local businesses.]]> The Maitland News, Vol. 01, No. 14, August 7, 1926: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News, Vol. 01, No. 14, August 7, 1926. ]]> Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News Collection, Maitland Historical Museum Collection, Maitland Collection, Orange County Collection, RICHES of Central Florida.]]> Adobe Acrobat Reader]]> The Maitland News Company.]]> The Maitland News Company and is provided here by RICHES of Central Florida for educational purposes only.]]> The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as street lights, an act of vandalism, a police raid on a still, a Presbyterian church service, improvements to the Maitland Garage, weeding, new library books, an article by W. R. G. Orwick on the intersection of business and religion, the housing arrangements of local residents, and a local events calendar. Also featured are several advertisements for local businesses.]]> The Maitland News, Vol. 01, No. 15, August 14, 1926: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News, Vol. 01, No. 15, August 14, 1926. ]]> Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News Collection, Maitland Historical Museum Collection, Maitland Collection, Orange County Collection, RICHES of Central Florida.]]> Adobe Acrobat Reader]]> The Maitland News Company.]]> The Maitland News Company and is provided here by RICHES of Central Florida for educational purposes only.]]> The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as a Chamber of Commerce meeting, a clean-up week, the closure of a restaurant for repairs, a new bank in Longwood, the explosion of a gasoline stove, the new municipal building, electrical laws, building permits, a new retail store, the housing arrangements of local residents, and a local events calendar. Also featured are several advertisements for local businesses.]]> The Maitland News, Vol. 01, No. 16, August 21, 1926: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News, Vol. 01, No. 16, August 21, 1926. ]]> Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News Collection, Maitland Historical Museum Collection, Maitland Collection, Orange County Collection, RICHES of Central Florida.]]> Adobe Acrobat Reader]]> The Maitland News Company.]]> The Maitland News Company and is provided here by RICHES of Central Florida for educational purposes only.]]> The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as the rebuilding of Maitland Lumber Company, lots sold in Greenwood Gardens subdivision, the Maitland Auxiliary, property values, a church gathering, a Chamber of Commerce meeting, clean-up efforts, riots in Calcutta in India, fishing, the opening of the school year, the housing arrangements of local residents, and a local events calendar. Also featured are several advertisements for local businesses.]]> The Maitland News, Vol. 01, No. 17, August 28, 1926: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News, Vol. 01, No. 17, August 28, 1926. ]]> Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News Collection, Maitland Historical Museum Collection, Maitland Collection, Orange County Collection, RICHES of Central Florida.]]> Adobe Acrobat Reader]]> The Maitland News Company.]]> The Maitland News Company and is provided here by RICHES of Central Florida for educational purposes only.]]> The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as the paving of streets, a Chamber of Commerce social event, clean-up efforts, the beautification of the town hall, electric light service, several property improvement resolutions, the re-opening of several banks, the housing arrangements of local residents, and a local events calendar. Also featured is a special section detailing the property assessments and improvement resolutions of many properties in Maitland, as well as several advertisements for local businesses.]]> The Maitland News, Vol. 01, No. 18, September 4, 1926: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News, Vol. 01, No. 18, September 4, 1926. ]]> Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News Collection, Maitland Historical Museum Collection, Maitland Collection, Orange County Collection, RICHES of Central Florida.]]> Adobe Acrobat Reader]]> The Maitland News Company.]]> RICHES of Central Florida for educational purposes only.]]> The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as the implementation of drainage pipes to connect Maitland's lakes and alleviate flooding, the need for a local fruit packing house, the distribution of property assessment pamphlets, the construction of new homes, a Labor Day celebration, a property assessment map of Eatonville, a piano recital, flower gardens, road paving contractor bids, an update on available library books, the housing arrangements of local residents, and a local events calendar. Also featured are several advertisements for local businesses.]]> The Maitland News, Vol. 01, No. 19, September 11, 1926: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News, Vol. 01, No. 19, September 11, 1926. ]]> Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News Collection, Maitland Historical Museum Collection, Maitland Collection, Orange County Collection, RICHES of Central Florida.]]> Adobe Acrobat Reader]]> The Maitland News Company.]]> RICHES of Central Florida for educational purposes only.]]> The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as a new town water pump, an anniversary party, tax assessment complaints, WDBO radio programming, the opening of school, locally-grown fresh fruit, a church dinner, the health concerns of a local pastor, the housing arrangements of local residents, and a local events calendar. Also featured are several advertisements for local businesses.]]> The Maitland News, Vol. 01, No. 20, September 18, 1926: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News, Vol. 01, No. 20, September 18, 1926. ]]> Maitland Historical Museum, Art & History Museums - Maitland, Maitland, Florida.]]> The Maitland News Collection, Maitland Historical Museum Collection, Maitland Collection, Orange County Collection, RICHES of Central Florida.]]> Adobe Acrobat Reader]]> The Maitland News Company.]]> RICHES of Central Florida for educational purposes only.]]>