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                  <text>Florida Land Colonization Company Collection</text>
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                  <text>FLCC Collection</text>
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                  <text>Sanford, Henry Shelton, 1823-1891</text>
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                  <text>Sanford (Fla.)</text>
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                  <text>Mackinnon, William, 1823-1893</text>
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                  <text>Polk County (Fla.)</text>
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                  <text>Sumter County (Fla.)</text>
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                  <text>Hernando County (Fla.)</text>
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                  <text>Brevard County (Fla.)</text>
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                  <text>Volusia County (Fla.)</text>
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                  <text>Manayunk (Philadelphia, Pa.)</text>
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              <name>Is Part Of</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                  <text>Sanford, Florida</text>
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                  <text>Manayunk Bank, Manayunk, Philadelphia, Pennsylvania</text>
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                  <text>New York City, New York</text>
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                  <text>Washington, D.C.</text>
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                  <text>Brussels, Belgium</text>
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                  <text>Gingelom, Belgium</text>
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                  <text>Hombourg, Belgium</text>
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                  <text>Berlin, Germany</text>
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                  <text>Florida Land and Colonization Company, London, England, United Kingdom</text>
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              <name>Curator</name>
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="511653">
                  <text>Fedorka, Drew M.</text>
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                <elementText elementTextId="459694">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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              <name>External Reference</name>
              <description/>
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                <elementText elementTextId="459696">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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              <name>Provenance</name>
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                <elementText elementTextId="511649">
                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
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                <elementText elementTextId="511651">
                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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                <text>Letter from Edwyn Sandys Dawes to Henry Shelton Sanford (December 31, 1884)</text>
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                <text>Letter from Dawes to Sanford (Dec. 31, 1884)</text>
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                <text>Investments--Florida</text>
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                <text>Insurance--Florida</text>
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                <text>A letter from Edwyn Sandys Dawes (1838-1903) to Henry Shelton Sanford (1823-1891), dated December 31, 1884. Dawes was one of the founding partners of Gray Dawes and Company. The lengthy letter discussed a number of business matters related to the Florida Land and Colonization Company (FLCC). In particular, Dawes rejected a loan proposal put forth by the Manayunk Bank, a Philadelphia-based financial institution with some ties to Sanford. Early in the letter, Dawes noted that "the board recognize[sic] [Sanford] as having control over affairs" and that he was sorry that the company's letter dated November 16th "failed to convey this to [Sanford's] mind," perhaps reflecting a fraught struggle for control and influence over the direction of the company. Later in the letter, Dawes confessed that "all your colleagues, myself included, have felt a good deal of timidity in following you in all that you have recommended and chiefly on financial grounds." The letter demonstrates the often tense relationship between Sanford and his London-based partners in the FLCC. Sanford's financial strategies were often deemed too risky by his business partners.  &#13;
&#13;
Dawes was one of the founding partners of Gray Dawes and Company, a London-based company founded in 1865 by business partners Archie Gray and Edwyn Sandys Dawes. Located at 13 Austin Friars in London, England, the company was focused, at least initially, on maritime insurance. By the mid-1870s, the company had also expanded its operations into shipping, overseeing a fleet of steamships that circulated within a trade network including London, Calcutta, Madras, and elsewhere. The company was closely linked to the Scottish shipping titan, Sir William MacKinnon (1823-1893). Gray was Mackinnon's nephew. Dawes, meanwhile, went on to become a close and trusted business partner to MacKinnon. As such, the firm became a useful means for MacKinnon to reward his friends and business associates. The company availed insurance accounts to these select individuals, accounts that could be used as a source of credit to be paid at a later date. The company became associated with Henry Shelton Sanford thanks to the mutual connection to MacKinnon. In 1880, MacKinnon lent Sanford, who was faced at the time with financial difficulties, some £8,000 to facilitate the founding of a Florida land investment company. The money offered by MacKinnon was in fact loaned to Sanford by Gray Dawes and Company. Additionally, at the behest of MacKinnon, both Gray and Dawes became reluctant subscribers to Sanford’s land investment scheme, the Florida Land and Colonization Company.</text>
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                <text>Original letter from Edwyn Sandys Dawes to Henry Shelton Sanford, December 31, 1884: box 53, folder 7, subfolder 53.7.12, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Is Part Of</name>
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                <text>Box 53, Folder 7, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/98" target="_blank"&gt;Florida Land Colonization Company Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original letter from Edwyn Sandys Dawes to Henry Shelton Sanford, December 31, 1884.</text>
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                <text>Gray Dawes and Company, London, England, United Kingdom </text>
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            <description/>
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                <text>Dawes, Edwyn Sandys</text>
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            <description/>
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              <elementText elementTextId="522806">
                <text>12/31/1884</text>
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                <text>History Teacher</text>
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                <text>Economics Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
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                <text>Originally created by Edwyn Sandys Dawes.</text>
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                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
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                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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                <text>Fedorka, Drew M. </text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <description/>
            <elementTextContainer>
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                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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        <name>Edwyn Sandys Dawes</name>
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      <tag tagId="6430">
        <name>FLCC</name>
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      <tag tagId="2551">
        <name>Florida Land and Colonization Company</name>
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      <tag tagId="7575">
        <name>Gray Dawes and Company</name>
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        <name>Henry Shelton Sanford</name>
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      <tag tagId="410">
        <name>insurance</name>
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        <name>investments</name>
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      <tag tagId="45611">
        <name>investors</name>
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      <tag tagId="6440">
        <name>Manayunk Bank</name>
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      <tag tagId="28053">
        <name>William MacKinnon</name>
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                  <text>The Sanford State Farmers' Market Collection contains images of the market's history and its significance to local and state agriculture. The Sanford State Farmers' Market was founded in 1934 in order to provide a central location in which farmers would sell their produce directly to consumers. The idea for the Sanford State Farmers' Market was devised by Fred Dorner and Gus Schmach, both members of the Seminole Agricultural Club. The Sanford Chamber of Commerce president Harry Papworth also contributed to the development of the market. The Federal Emergency Relief Administration (FERA) authorized construction plans on June 11, 1934. On June 20, 1934, the City of Sanford donated a portion of the Alex V. French properties to the Florida State Marketing Board, which selected the northwest corner of French Avenue and Thirteenth Street. The board approved the installation of telegraph and telephone equipment, as well as a three-pump filling station.&#13;
&#13;
The Sanford State Farmer's Market opened on December 18, 1934. By 1939, the Farmers' Market was bringing a total volume of business of $627,065.81. In 1941, business volume reached over $700,000. On April 4, 1957, a fire destroyed the building and caused damages estimated at $2.5 million. Reconstruction began almost immediately and the Farmers' Market was expected to re-open by the fall of 1957. In 1991, plans were created to restore, preserve, and convert the citrus packing house into a museum.</text>
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                  <text>&lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt;</text>
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                  <text>&lt;a href="http://dlis.dos.state.fl.us/" target="_blank"&gt;State Library and Archives of Florida&lt;/a&gt;</text>
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                  <text>Sanford Farmers' Market Collection</text>
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                <elementText elementTextId="443926">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Seminole County Collection, RICHES of Cenral Florida.</text>
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                  <text>Sanford State Farmers' Market, Sanford, Florida</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
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                  <text>Marra, Katherine</text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505354">
                  <text>&lt;span&gt;Sheffield, Glenn. "&lt;a href="http://www.hmdb.org/Marker.asp?Marker=52232" target="_blank"&gt;Sanford State Farmers' Market&lt;/a&gt;." The Historical Marker Database. http://www.hmdb.org/Marker.asp?Marker=52232.&lt;/span&gt;</text>
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                  <text>Lewis, L. H. &lt;a title="Florida State Farmers' Markets" href="http://ufdc.ufl.edu/UF00015016" target="_blank"&gt;&lt;em&gt;Florida State Farmers' Markets&lt;/em&gt;&lt;/a&gt;. Tallahassee, Florida: State of Florida Department of Agriculture, 1955. http://ufdc.ufl.edu/UF00015016.</text>
                </elementText>
                <elementText elementTextId="505356">
                  <text>Florida. &lt;a href="http://www.worldcat.org/oclc/1403385" target="_blank"&gt;&lt;em&gt;Florida State Farmers Markets:...Annual Report&lt;/em&gt;&lt;/a&gt;. Jacksonville, Fla: Board, 1945-, 1945.</text>
                </elementText>
                <elementText elementTextId="505357">
                  <text>&lt;span&gt;Sanford Historical Society (Fla.). &lt;a title="Sanford" href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2003.&lt;/span&gt;</text>
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                <elementText elementTextId="505358">
                  <text>&lt;span&gt;"&lt;a title="Sanford: a Brief History" href="http://www.sanfordfl.gov/index.aspx?page=48" target="_blank"&gt;Sanford: a Brief History&lt;/a&gt;." City of Sanford Florida. http://www.sanfordfl.gov/index.aspx?page=48.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="505359">
                  <text>&lt;span&gt;Bishop, Katherine. &lt;a href="http://www.worldcat.org/oclc/3576018" target="_blank"&gt;&lt;em&gt;Sanford Now and Then: An Official Project of the Greater Sanford Chamber of Commerce, Commemorating the Incorporating of the City of Sanford, 1877&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. 1976.&lt;/span&gt;</text>
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            <description/>
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                <text>Celery Capital</text>
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          <element elementId="86">
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              <elementText elementTextId="196651">
                <text>Celery Capital</text>
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          <element elementId="49">
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              <elementText elementTextId="196652">
                <text>Sanford (Fla.)</text>
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                <text>Farmers' markets--Florida</text>
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                <text>Seminole County (Fla.)</text>
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              <elementText elementTextId="494688">
                <text>Longwood (Fla.)</text>
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              <elementText elementTextId="494689">
                <text>Celery industry</text>
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              <elementText elementTextId="196654">
                <text>Newspaper article in the &lt;em&gt;Florida Grower&lt;/em&gt; on the Sanford State Farmers' Market in 1940. The article also discusses other features of Central Florida.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;&lt;span&gt;The Sanford State Farmers' Market, located at 1300 South French Avenue, was founded in 1934 in order to provide a central location in which farmers would sell their produce directly to consumers. The idea for the Sanford State Farmers' Market was devised by Fred Dorner and Gus Schmach, both members of the Seminole Agricultural Club. Sanford Chamber of Commerce president Harry M. Papworth also contributed to the development of the market. The Federal Emergency Relief Administration (FERA) authorized construction plans on June 11, 1934. On June 20, 1934, the City of Sanford donated a portion of the Alex V. French properties to the State Marketing Board, which selected the northwest corner of French Avenue and Thirteenth Street. The board approved the installation of telegraph and telephone equipment, as well as a three-pump filling station. The Sanford State Farmer's Market opened on December 18, 1934. By 1939, the Farmers' Market was bringing a total volume of business of $627,065.81. In 1941, business volume reached over $700,000. On April 4, 1957, a fire destroyed the building and caused damages estimated at $2.5 million. Reconstruction began almost immediately and the Farmers' Market was expected to re-open by the fall of 1957. In 1991, plans were created to restore, preserve, and convert the citrus packing house into a museum.&lt;/span&gt;&lt;/span&gt;</text>
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            <name>Creator</name>
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                <text>Dawson, C. R.</text>
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          <element elementId="48">
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              <elementText elementTextId="196656">
                <text>Photocopy of original newspaper article: "Celery Capital." &lt;a href="http://www.growingproduce.com/" target="_blank"&gt;&lt;em&gt;Florida Grower&lt;/em&gt;&lt;/a&gt;, May 1940, pages 6 and 12: State Farmers' Market Collection, &lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/"&gt;Museum of Seminole County History&lt;/a&gt;, Sanford, Florida.</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description/>
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              <elementText elementTextId="196657">
                <text>American Fruit Grower Publishing Company</text>
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          <element elementId="90">
            <name>Date Created</name>
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              <elementText elementTextId="196658">
                <text>ca. 1940-05</text>
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          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="196659">
                <text>Digital reproduction of photocopied newspaper article: "Celery Capital." &lt;a href="http://www.growingproduce.com/" target="_blank"&gt;&lt;em&gt;Florida Grower&lt;/em&gt;&lt;/a&gt;, May 1940, pages 6 and 12..</text>
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            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="196660">
                <text>&lt;a href="http://www.growingproduce.com/" target="_blank"&gt;&lt;em&gt;Florida Grower&lt;/em&gt;&lt;/a&gt;, May 1940.</text>
              </elementText>
              <elementText elementTextId="494693">
                <text>State Farmers' Market Collection, &lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/"&gt;Museum of Seminole County History&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
              <elementText elementTextId="494694">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/11" target="_blank"&gt;Sanford State Farmers' Market Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <elementTextContainer>
              <elementText elementTextId="196662">
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          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="196663">
                <text>875 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="196664">
                <text>1 newspaper article</text>
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          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="196665">
                <text>eng</text>
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            </elementTextContainer>
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            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="196666">
                <text>Text</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="196667">
                <text>Sanford State Farmers' Market, Sanford, Florida</text>
              </elementText>
              <elementText elementTextId="494695">
                <text>Seminole Big Tree Park, Longwood, Florida</text>
              </elementText>
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            <name>Spatial Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="196668">
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            <description/>
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              <elementText elementTextId="196669">
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                <text>1800-01-01/1940-05-31</text>
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            <name>Accrual Method</name>
            <description/>
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                <text>Donation</text>
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            <name>Mediator</name>
            <description/>
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                <text>History Teacher</text>
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              <elementText elementTextId="494698">
                <text>Economics Teacher</text>
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              <elementText elementTextId="494699">
                <text>Geography Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="196673">
                <text>Originally created by C. R. Dawson and published by &lt;a href="http://www.growingproduce.com/" target="_blank"&gt;&lt;em&gt;Florida Grower&lt;/em&gt;&lt;/a&gt;.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="196674">
                <text>Copyright to this resource is held by &lt;a href="http://www.growingproduce.com/" target="_blank"&gt;&lt;em&gt;Florida Grower&lt;/em&gt;&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="196680">
                <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php"&gt;Building Blocks&lt;/a&gt;</text>
              </elementText>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="196681">
                <text>Cepero, Laura</text>
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          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="196682">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
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          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="196683">
                <text>&lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/"&gt;Museum of Seminole County History&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="196684">
                <text>Florida. &lt;a href="http://www.worldcat.org/oclc/1403385" target="_blank"&gt;&lt;em&gt;Florida State Farmers Markets:...Annual Report&lt;/em&gt;&lt;/a&gt;. Jacksonville, Fla: Board, 1945-, 1945.</text>
              </elementText>
              <elementText elementTextId="196685">
                <text>Lewis, L. H. &lt;a href="http://www.worldcat.org/oclc/10264262" target="_blank"&gt;&lt;em&gt;Florida State Farmers' Markets&lt;/em&gt;&lt;/a&gt;. Tallahassee, Fla: State of Florida Dept. of Agriculture, 1955. http://ufdc.ufl.edu/UF00015016.</text>
              </elementText>
              <elementText elementTextId="494700">
                <text>Sheffield, Glenn. "&lt;a href="http://www.hmdb.org/Marker.asp?Marker=52232" target="_blank"&gt;Sanford State Farmers' Market&lt;/a&gt;." The Historical Marker Database. http://www.hmdb.org/Marker.asp?Marker=52232.</text>
              </elementText>
              <elementText elementTextId="494701">
                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/1147" target="_blank"&gt;City Donates 20-Acre Tract for Market&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;, June 20, 1934.</text>
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            </elementTextContainer>
          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="196689">
                <text>Pioneer Farmers' Market&#13;
&#13;
Seminole county is the cradle, so to speak, of the Florida State Farmers' Market system. The first of these markets operated in Florida was opened at Sanford with official dedication on December 18, 1934. Its successful operation in showing an increase of business every year since its opening is largely responsible for the network of farmers' markets wither already operating or now under construction throughout the state. This system is said to be the greatest advancement for the betterment of farmers and agricultural marketing during modern times. The Florida system is being studied and adapted to varying conditions by agricultural departments of many other states. And the Sanford market is almost constantly visited by officials and delegations interested in market developments in their own sections. &#13;
The Sanford market occupies 20 acres of land and has a shed 618 feet long. This shed is the concentration point for vegetable production not only from this bur several adjoining counties. Practically every county south of Seminole is represented on our market map as having sent produce by truck for marketing on the Sanford platform. &#13;
At this state owned and operated market approximate gross sales of Florida products for the fiscal year closing June 30, 1939 are reported as $534,473.93. Out of state products handled amounting to $92,591.88 brought total volume of business of the market for the year to $627,065.81. The Farmers' market did $166,000 business in March of this year, a real achievement considering the damage done to Florida crops by the freeze of last January. An active Market Master, employed to operate the Farmers' market is aided by a supervising committee of nine local men, who are appointed by the State Marketing board. &#13;
A number of wholesale concerns have located in Sanford because of its advantages as a distributing center with transportation by water available. Sanford is one of the few interior cities of Florida having both rail and water transportation. Freight service is operated on the St. Johns river by the St. Johns River lines, which maintain a daily schedule. The county is served by the Atlantic Coast Line and Seaboard Air Line rail-</text>
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            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="494690">
                <text>1940-05</text>
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            <name>Date Issued</name>
            <description/>
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              <elementText elementTextId="494691">
                <text>1940-05</text>
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            <name>Has Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="494692">
                <text>Original newspaper article: "Celery Capital." &lt;a href="http://www.growingproduce.com/" target="_blank"&gt;&lt;em&gt;Florida Grower&lt;/em&gt;&lt;/a&gt;, May 1940, pages 6 and 12.</text>
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        <name>agriculture</name>
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        <name>American Fruit Grower Publishing Company</name>
      </tag>
      <tag tagId="11286">
        <name>Atlantic Coast Line Railroad Company</name>
      </tag>
      <tag tagId="12135">
        <name>canning plant</name>
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        <name>celery</name>
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      <tag tagId="724">
        <name>Celery City</name>
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        <name>cypress lumber</name>
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      <tag tagId="12138">
        <name>cypress tree</name>
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      <tag tagId="12140">
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.</text>
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                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
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                  <text>Rajtar, Steve. &lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;. Charleston, SC: History Press, 2006.</text>
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                <text>Implosion of 1958 Orlando City Hall</text>
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                <text>The implosion of the 1958 Orlando City Hall, which was featured in &lt;em&gt;Lethal Weapon 3&lt;/em&gt;. During Mayor Bill Frederick’s (b. 1934) campaign to beautify and transform Orlando, a new city hall had been built to replace the one built in 1958 under Mayor Bob Carr (1899-1967). Through the marketing efforts of Orlando-based production manager Oscar Testagrossa, the city government’s desire to demolish the old city hall attracted the attention of Hollywood production company Silver Pictures. A $50,000 agreement between the City of Orlando and the production company for exclusive rights to footage of the implosion worked to offset the $80,000 demolition cost. The demolition was contracted to the Orlando firm Chapman &amp;amp;amp</text>
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                <text>Sons, Inc. with its explosives phase subcontracted to Controlled Demolition, Inc. (CDI) of Phoenix, Maryland. Before the demolition, the new city hall—less than 10 feet away—was insured for $20 million. Through a collaborative effort between CDI and Warner Bros. to synchronize 180 pounds of explosives and 400 special effects charges, the building collapsed within six seconds.</text>
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                <text>Original color film still: Orlando Remembered Exhibit, &lt;a href="http://www.cityoforlando.net/city-hall-hours-directions/" target="_blank"&gt;Orlando City Hall&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/173" target="_blank"&gt;Orlando City Hall Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original color film still.</text>
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                <text>de Bont, Jan</text>
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            <name>Language</name>
            <description/>
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              <elementText elementTextId="626552">
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            <name>Mediator</name>
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                <text>History Teacher</text>
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              <elementText elementTextId="626554">
                <text> Civics/Government Teacher</text>
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              <elementText elementTextId="626555">
                <text> Geography Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
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                <text>Originally created by Jan de Bont.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
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                <text>Copyright to this resource is held by &lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text> Cepero, Laura</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.controlled-demolition.com/orlando-city-hall" target="_blank"&gt;Orlando City Hall&lt;/a&gt;.” Controlled-demolition.com. Accessed April 7, 2016. http://www.controlled-demolition.com/orlando-city-hall.</text>
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              <elementText elementTextId="626564">
                <text>"&lt;a href="http://www.planetmediagroup.com/RJTbio.shtml" target="_blank"&gt;Executive Producer - Bio&lt;/a&gt;." Planet Media Group Production Credits &amp;amp; Bio. Accessed April 7, 2016. http://www.planetmediagroup.com/RJTbio.shtml.</text>
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              <elementText elementTextId="626565">
                <text>McLaughlin, Abraham T. "&lt;a href="http://lasvegassun.com/news/1997/oct/21/want-to-get-rid-of-a-bridge-have-hollywood-blow-it/" target="_blank"&gt;Want to Get Rid of a Bridge? Have Hollywood Blow It Up&lt;/a&gt;." &lt;em&gt;The Las Vegas Sun&lt;/em&gt;, October 21, 1997. Accessed April 7, 2016. http://lasvegassun.com/news/1997/oct/21/want-to-get-rid-of-a-bridge-have-hollywood-blow-it/.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459696">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="459697">
                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
                </elementText>
                <elementText elementTextId="459698">
                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                <elementText elementTextId="459699">
                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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                <elementText elementTextId="459700">
                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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              <name>Description</name>
              <description/>
              <elementTextContainer>
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                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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              <name>Contributor</name>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            </element>
            <element elementId="124">
              <name>Provenance</name>
              <description/>
              <elementTextContainer>
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                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                <elementText elementTextId="511650">
                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
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                <elementText elementTextId="511651">
                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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            <element elementId="125">
              <name>Rights Holder</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511652">
                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <name>Original Format</name>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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                <text>Telegram from the Admiral Louis Raymond de Montaignac de Chauvance to Henry Shelton Sanford (December 15, 1879)</text>
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                <text>Admiral de Montaignac to Sanford (December 15, 1879)</text>
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                <text>MacKinnon, William, 1823-1893</text>
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                <text>Sanford, Henry Shelton, 1823-1891</text>
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            <name>Description</name>
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              <elementText elementTextId="491472">
                <text>A telegram from Louis Raymond de Montaignac de Chauvance (1811-1891) to Henry Shelton Sanford (1823-1891) on December 15, 1879. The telegram tells Sanford to ignore an address listed in Brazza, perhaps a reference to the French city of Brazzaville, founded the following year in French Equatorial Africa. The admiral notes that he will write to an unspecified geographic society from Paris, France. Admiral de Montaignac was a figure of some importance in various naval and political arenas during the French Third Republic. It is unclear how or in what capacity he knew Sanford.</text>
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            <name>Type</name>
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              <elementText elementTextId="491474">
                <text>Original telegram from Admiral Louis Raymond de Montaignac de Chauvance to Henry Shelton Sanford, December 15, 1879: box 127, folder 2, subfolder 127.2.22, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491475">
                <text>&lt;a href="http://www.adobe.com/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>Box 127, folder 2, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
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                <text>Digital reproduction of original telegram from Admiral Louis Raymond de Montaignac de Chauvance to Henry Shelton Sanford, December 15, 1879.</text>
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                <text>Brazzaville, French Equatorial Africa</text>
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            <name>Creator</name>
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                <text>de Montaignac de Chauvance, Louis Raymond</text>
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            <name>Date Created</name>
            <description/>
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                <text>1879-12-15</text>
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                <text>application/pdf</text>
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            <name>Language</name>
            <description/>
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              <elementText elementTextId="491486">
                <text>fre</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491487">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="491488">
                <text> Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491497">
                <text>Originally created by Admiral Louis Raymond de Montaignac de Chauvance.</text>
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              <elementText elementTextId="491498">
                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
              </elementText>
              <elementText elementTextId="491499">
                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
              </elementText>
              <elementText elementTextId="491500">
                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491501">
                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491502">
                <text>Donation</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
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                <text>Fedorka, Drew M.</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491509">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491510">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
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                <text>&lt;a href="http://www.senat.fr/senateur-3eme-republique/de_montaignac_de_chauvance_louis1515r3.html" target="_blank"&gt;"de MONTAIGNAC DE CHAUVANCE Louis"&lt;/a&gt;." Sénat: Un Site au Service des Citoyens. http://www.senat.fr/senateur-3eme-republique/de_montaignac_de_chauvance_louis1515r3.html.</text>
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          <element elementId="276">
            <name>Transcript</name>
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              <elementText elementTextId="501397">
                <text>[Dec. 15, 1879]&#13;
INDICATIONS DE SERVICE:&#13;
&#13;
ADMINISTRATION DES POSTES ET TÉLÉGRAPHES&#13;
&#13;
TÉLÉGRAMME&#13;
&#13;
BUREAU D’ARRIVÉE:&#13;
&#13;
[Stamped] Bruxelles Ministere 15 Dec. [18]79&#13;
&#13;
Déposé à [?] Le 18/12 a 4:40s No 44[?]&#13;
&#13;
Tanore Dresse Brazza [?] a societe geographique je lui ecris a Paris [?] avenue. &#13;
&#13;
Amiral de monlaignae&#13;
&#13;
Recu a &#13;
7h[?]&#13;
Le Telegraphiste, &#13;
[?]&#13;
&#13;
Sanford [?]&#13;
Conco[?] avenue [?]&#13;
[?]</text>
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        <name>Brazza</name>
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        <name>Brazzaville, French Equatorial Africa</name>
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        <name>Brazzaville, Republic of Congo</name>
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        <name>Louis Raymond de Montaignac de Chauvance</name>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description/>
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                  <text>DeBary Collection</text>
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            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="714142">
                  <text>On July 8 2024, the City of Debary partnered with the University of Central Florida Department of History and RICHES  to host their first history harvest at DeBary City Hall, located at 16 Colomba Road in DeBary, Florida.&#13;
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
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                <text>DeBary (Fla.)</text>
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            <name>Description</name>
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                <text>A black and white brochure entitled "Welcome to Sparkling DeBary and Deltona" distributed by the DeBary Chamber of Commerce. One side of the brochure contains a map of Florida with the location of DeBary highlighted. It reads, "DeBary Florida's Fastest Growing Friendly Retirement Community. N.E.S. or West. See the entire state from DeBary, a self sustaining community having its own Medical Center - Bank - Savings and Loan - Fire and Police Department - Library - State headquarters for Florida Federation of Arts at DeBary Mansion. Lake Mary Estates, Inc. High, rolling tree shaded lots in a quiet suburban area. Located in DeBary, within a short drive from the Atlantic Ocean and many of Florida's major attractions. Fully paved streets - city water &amp; street lighting. Alice and William Thrower, Developer Ph. 668-6252 DeBary or write Lake Marie Estates, Inc. The other side reads, "Leisure Living Homes by James 'Joe' Davis Builder. General Contractor. 126 South Shell Road, DeBary, Florida 32713. Phone 668-4548. 2-3-4 bedroom homes built for you with our plans of Custom Designed. Custom built cabinets. Central hear included. Air cond optional." There are three images of houses at the top of the page and a directory of all streets in DeBary and Deltona are listed below that.</text>
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            <name>Requires</name>
            <description/>
            <elementTextContainer>
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                <text>Multimedia software, such as &lt;a href="http://www.apple.com/quicktime/download/" target="_blank" rel="noreferrer noopener"&gt; QuickTime&lt;/a&gt;.</text>
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                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank" rel="noreferrer noopener"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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            <name>Is Part Of</name>
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            <elementTextContainer>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/233" target="_blank" rel="noreferrer noopener"&gt;DeBary Collection&lt;/a&gt;, &lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/75" target="_blank" rel="noreferrer noopener"&gt;Volusia County Collection&lt;/a&gt;, RICHES.</text>
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          <element elementId="38">
            <name>Coverage</name>
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                <text>DeBary, Florida</text>
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                <text> Deltona, Florida.</text>
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          <element elementId="39">
            <name>Creator</name>
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            <elementTextContainer>
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                <text>DeBary Chamber of Commerce</text>
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            <name>Publisher</name>
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            <elementTextContainer>
              <elementText elementTextId="713527">
                <text>DeBary Chamber of Commerce</text>
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            <name>Format</name>
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                <text>eng</text>
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                <text> Music Teacher</text>
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                <text>Originally created and published by DeBary Players Inc.</text>
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                <text>Copyright to this resource is held by DeBary Community Center and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>City of DeBary. "&lt;a href="https://debary.org/309/DeBary-History/" target="_blank" rel="noreferrer noopener"&gt;DeBary History&lt;/a&gt;.” City of DeBary. Accessed July 21, 2026. https://debary.org/309/DeBary-History.</text>
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                <text>A business card for the DeBary Players musical &lt;em&gt;The King and I&lt;/em&gt; by Rodgers and Hammerstein at the DeBary Community Center in DeBary, Florida, from August 29 through September 1, 1974. The front of the card reads, “DeBary Players, Inc. Presents “The King and I” Aug. 29, 30 and 31, 1975 - 8:00 P.M. Matinee, Sept. 1sr, 1974 - 3:00 P.M. DeBary Community Center Admission $1.50 Children 12 or under .75 cents. The back of the card reads, “Tickets donated by ALLEN-SUMMERHILL - - FUNERAL HOME DeLand - 734-4663 Orange City - 775-4664 Established in 1877. A handwritten “22” appears in the top right corner.</text>
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                <text>A newspaper article published in &lt;em&gt;The Decatur Herald&lt;/em&gt; on July 30, 1953. The article discusses the promotion of three employees of the Decatur General Electric Company plant. One of the men, Arthur Herman Huisken Jr. (1919-1996), was promoted from supervisor of wage rate and methods to general foreman of the Silicone Fabricated Rubber Section.&lt;br /&gt;&lt;br /&gt; 
Born on January 30, 1919, in Baltimore, Maryland, Huisken later moved to the Midwest with his family, living in Wisconsin and Illinois. While attending Purdue University, Huisken enlisted in the United States Navy Reserves. After graduation, he received commissioning as an officer, first as a Ensign and later a Lieutenant Junior Grade. He served on the USS Steamer Bay, which was as an escort carrier that assisted in various operations in the Palau Islands, the Philippines, and Japan. The ship returned to the West Coast of the United States in August of 1945. After his discharge on April 22, 1946, Huisken began his career with General Electric in the plastic division of the company. His career took him to various places, including Pittsfield, Massachusetts, Decatur, Illinois, Taunton and Lynn, Massachusetts. While in Pittsfield, he met Janet Gray, whom he married on October 26, 1946. The couple bore a daughter, Deborah, and a son, David. After his retirement from General Electric, he and his wife moved to Central Florida, settling in Leesburg. On July 3, 1996, Huisken passed away at the age of seventy-seven, leaving behind his wife and two children. The Florida National Cemetery in Bushnell, placed a memorial headstone in honor of Huisken and later for his wife, Janet, who passed away in 2008.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>By 1969, America's involvement in the Vietnam War was at its approximate climax, with 1968 being the key year of exponential escalation. While more and more troops poured into South Vietnam, America’s youth grew more and more restless. This restlessness was epitomized by demonstration on college campuses. Often times, troops were shunned or discredited in Vietnam or once returned home, however, in a compassionate act, this FTU fraternity displays otherwise.  </text>
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                <text>Decker, Dee D.</text>
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                <text>University of Central Florida Special Collections and Archives, University of Central Florida Scrapbook Collection, 1960-2009. Series 1: University History Scrapbooks, 1963-2009, Sub-Series 1: Catalogued Scrapbooks, 1963-1967, Item 3: Scrapbook, Volume 3, 1970-1971.</text>
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                <text>     Have an left-over, new or used Christmas cards? Tau Epsilon Rho (TEP) fraternity of FTU needs them!&#13;
     They are presently embarked upon a Christmas card drive to send greetings to servicemen in Vietnam. The drive began on Nov. 20 and will continue through Dec. 18. &#13;
      "WE HAVE HAD excellent response from the general public and we are now appealing to FTU students," said Joe Griffen, TEP brother.&#13;
      The cards will be signed "Citizens of Central Florida and Students of FTU." They will be addressed to "Any Soldier in S. Vietnam." TEP will take care of the addressing. &#13;
      "We hope to get a card to each soldier in Vietnam," said Griffen &#13;
&#13;
     FTU PRESIDENT Charles Millican is compiling a list of Central Florida men in Vietnam. Those cards will be addressed personally. &#13;
     Persons donating cards may write any type of message to the soldiers if they desire, and are requested to turn cards in to the Main Desk of the TEP mailbox or mail them to TEP at FTU. </text>
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                  <text>Collection of digital images and oral histories related to the  former Recruit Training Center Orlando (RTC Orlando) for the United States Navy. The training center transformed raw recruits into highly effective sailors. This process took place over an intensive eight-week training period, commonly referred to as "boot camp." RTC Orlando occupied roughly one half of the former Naval Training Center Orlando (NTC Orlando), which was located at present day Baldwin Park, Orlando, Florida. Between 1968 and 1994, over 650,000 men and women graduated from RTC Orlando.</text>
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                  <text>&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;Lone Sailor Navy Memorial History Project&lt;/a&gt;</text>
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                  <text>&lt;a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/24" target="_blank"&gt;UCF Community Veterans History Project Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>eng</text>
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                  <text>Naval Training Center, Orlando, Florida</text>
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                  <text>&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;Lone Sailor Navy Memorial History Project&lt;/a&gt;</text>
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                  <text>&lt;a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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              <name>Curator</name>
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                  <text>Cepero, Laura</text>
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            <element elementId="134">
              <name>Digital Collection</name>
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                <elementText elementTextId="511781">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;About the Project&lt;/a&gt;." UCF Community Veterans History Project, RICHES of Central Florida, University of Central Florida. http://riches.cah.ucf.edu/veterans/.</text>
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                <elementText elementTextId="511783">
                  <text>"&lt;a href="http://cfnavyleague.org/lone-sailor/" target="_blank"&gt;The History&lt;/a&gt;." Lone Sailor Navy Memorial History Project. http://cfnavyleague.org/lone-sailor/</text>
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                  <text>"&lt;a href="http://rtcorlando.homestead.com/" target="_blank"&gt;The History&lt;/a&gt;." RTC Orlando. http://rtcorlando.homestead.com/.</text>
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                  <text>&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;. Charleston, SC: History Press, 2006.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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              <text>3 color photographs</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
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                <text>Recruit Training Center Orlando Graduation Review</text>
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                <text>RTC Orlando Graduation</text>
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                <text>Orlando (Fla.)</text>
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                <text>Navy</text>
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                <text> Graduation ceremonies</text>
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                <text>The members of a co-educational recruit company pass in review at Naval Training Center (NTC) Orlando. NTC Orlando was in operation from 1968 to 1998 and was one of three recruit training centers used by the U.S. Navy. It resided in the area that is now the community of Baldwin Park. Beginning in 1973, NTC Orlando became the Navy's only co-ed recruit training center. Following an intense 8-week training program, the various companies would march along the vast field know as the "Grinder" and pass before the base commanders for review. This ceremony would mark the completion of their transformation from civilians to sailors.</text>
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                <text>Original color photographs, July 24, 1992: image 6476857, &lt;a href="http://research.archives.gov/description/6274097" target="_blank"&gt;Combined Military Service Digital Photographic Files&lt;/a&gt;, National Archives at College Park, U.S. Department of Defense.</text>
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            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="495876">
                <text>&lt;a href="http://research.archives.gov/description/6274097" target="_blank"&gt;Combined Military Service Digital Photographic Files&lt;/a&gt;, National Archives at College Park, U.S. Department of Defense.</text>
              </elementText>
              <elementText elementTextId="495877">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/109" target="_blank"&gt;Lone Sailor Navy Memorial History Project Collection&lt;/a&gt;, UCF Community Veterans History Project Collection, RICHES of Central Florida.</text>
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            </elementTextContainer>
          </element>
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            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
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                <text>Digital reproduction of original color photograph, July 24, 1992.</text>
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          <element elementId="100">
            <name>Has Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="495880">
                <text>Digital reproduction of original color photograph, 1992: "&lt;a href="http://research.archives.gov/description/6476853" target="_blank"&gt;Flagbearers carry religious flags during the graduation ceremony of a co-ed recruit company. Recruit Training Command, Orlando, is the only Navy command where both men and women undergo basic training&lt;/a&gt;." Image number 6476853, Combined Military Service Digital Photographic Files, National Archives at College Park, U.S. Department of Defense. https://research.archives.gov/id/6476853.</text>
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                <text>Digital reproduction of original color photograph, July 24, 1992: "&lt;a href="http://research.archives.gov/description/6476857" target="_blank"&gt;Members of a co-ed recruit company pass in review during their graduation ceremony. Recruit Training Command, Orlando, is the only Navy command where both men and women undergo basic training, 07/24/1992&lt;/a&gt;." Image 6476857, Combined Military Service Digital Photographic Files, National Archives at College Park, U.S. Department of Defense. http://research.archives.gov/description/6476857.</text>
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                <text>Digital reproduction of original color photograph, July 24, 1992: "&lt;a href="http://research.archives.gov/description/6476858" target="_blank"&gt;Members of a recruit drill team present the state flags as they perform during their company's graduation ceremony. Recruit Training Command, Orlando, is the only Navy command where both men and women undergo basic training, 07/24/1992&lt;/a&gt;." Image 6476858, Combined Military Service Digital Photographic Files, National Archives at College Park, U.S. Department of Defense. http://research.archives.gov/description/6476858.</text>
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            <name>Creator</name>
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                <text>Defense Visual Information Center, American Forces Information Service, &lt;a href="http://www.defense.gov/" target="_blank"&gt;U.S. Department of Defense&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.archives.gov/" target="_blank"&gt;National Archives at College Park&lt;/a&gt;, U.S. Department of Defense</text>
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                <text>185 KB</text>
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              <elementText elementTextId="587229">
                <text>235 KB</text>
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              <elementText elementTextId="495889">
                <text>3 color photographs</text>
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          <element elementId="122">
            <name>Mediator</name>
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                <text>History Teacher</text>
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                <text> Civics/Government Teacher</text>
              </elementText>
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                <text> Geography Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
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                <text>Originally created by the Defense Visual Information Center, American Forces Information Service, &lt;a href="http://www.defense.gov/" target="_blank"&gt;U.S. Department of Defense&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
            <description/>
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                <text>Copyright to this resource is held by the Defense Visual Information Center, American Forces Information Service, &lt;a href="http://www.defense.gov/" target="_blank"&gt;U.S. Department of Defense&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://research.archives.gov/description/6274097" target="_blank"&gt;Combined Military Service Digital Photographic Files&lt;/a&gt;</text>
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                <text> Cepero, Laura</text>
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            <description/>
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                <text>&lt;a href="http://www.archives.gov/" target="_blank"&gt;National Archives at College Park&lt;/a&gt;</text>
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              <elementText elementTextId="495920">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>Source Repository</name>
            <description/>
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                <text>&lt;a href="http://www.archives.gov/" target="_blank"&gt;National Archives at College Park&lt;/a&gt;</text>
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            <description/>
            <elementTextContainer>
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                <text>Dobie, Kathy. "A Few Nice Men. (using Coed U.S. Navy Boot Camps to Reduce Incidence of Sexual Harassment)." &lt;a href="http://www.worldcat.org/oclc/1769261" target="_blank"&gt;&lt;em&gt;Vogue&lt;/em&gt;&lt;/a&gt; 183, no. 2 (1993): 234,37, 299.</text>
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              <elementText elementTextId="495923">
                <text>"&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;The History&lt;/a&gt;." Navy Memorial of Central Florida. http://www.lonesailorfl.com/.</text>
              </elementText>
              <elementText elementTextId="495924">
                <text>Rajtar, Steve. &lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;. Charleston, SC: History Press, 2006.</text>
              </elementText>
              <elementText elementTextId="496801">
                <text>"&lt;a href="http://rtcorlando.homestead.com/" target="_blank"&gt;The History&lt;/a&gt;." RTC Orlando. http://rtcorlando.homestead.com/.</text>
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        <name>graduates</name>
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      <tag tagId="29364">
        <name>graduations</name>
      </tag>
      <tag tagId="20775">
        <name>Naval Training Center Orlando</name>
      </tag>
      <tag tagId="11879">
        <name>NTC Orlando</name>
      </tag>
      <tag tagId="795">
        <name>orlando</name>
      </tag>
      <tag tagId="1435">
        <name>Orlando Naval Training Center</name>
      </tag>
      <tag tagId="22045">
        <name>Recruit Training Center Orlando</name>
      </tag>
      <tag tagId="12482">
        <name>RTC Orlando</name>
      </tag>
      <tag tagId="3700">
        <name>sailors</name>
      </tag>
      <tag tagId="188">
        <name>U.S. Navy</name>
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                  <text>Lone Sailor Navy Memorial History Project Collection</text>
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              <description/>
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                  <text>Lone Sailor Collection</text>
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                  <text>United States. Navy</text>
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                  <text>Navy</text>
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                  <text>Collection of digital images and oral histories related to the  former Recruit Training Center Orlando (RTC Orlando) for the United States Navy. The training center transformed raw recruits into highly effective sailors. This process took place over an intensive eight-week training period, commonly referred to as "boot camp." RTC Orlando occupied roughly one half of the former Naval Training Center Orlando (NTC Orlando), which was located at present day Baldwin Park, Orlando, Florida. Between 1968 and 1994, over 650,000 men and women graduated from RTC Orlando.</text>
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              <description/>
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                  <text>&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;Lone Sailor Navy Memorial History Project&lt;/a&gt;</text>
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                  <text>&lt;a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/24" target="_blank"&gt;UCF Community Veterans History Project Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              <name>Language</name>
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                  <text>eng</text>
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              <description/>
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              <name>Contributing Project</name>
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                <elementText elementTextId="511778">
                  <text>&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;Lone Sailor Navy Memorial History Project&lt;/a&gt;</text>
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                  <text>&lt;a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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              <name>Curator</name>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;About the Project&lt;/a&gt;." UCF Community Veterans History Project, RICHES of Central Florida, University of Central Florida. http://riches.cah.ucf.edu/veterans/.</text>
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                  <text>"&lt;a href="http://cfnavyleague.org/lone-sailor/" target="_blank"&gt;The History&lt;/a&gt;." Lone Sailor Navy Memorial History Project. http://cfnavyleague.org/lone-sailor/</text>
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                  <text>"&lt;a href="http://rtcorlando.homestead.com/" target="_blank"&gt;The History&lt;/a&gt;." RTC Orlando. http://rtcorlando.homestead.com/.</text>
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                  <text>&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;. Charleston, SC: History Press, 2006.</text>
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                <text>Orlando Recruit Training Center Graduation</text>
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            <name>Subject</name>
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                <text> Graduation ceremonies</text>
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                <text> Sailors--United States</text>
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                <text>Flagbearers carry religious flags during the graduation of a co-ed recruit company at the Orlando Naval Training Center in 1992. NTC Orlando was in operation from 1968-1998 and was one of three recruit training centers used by the Unites States Navy. It resided in the area that is now the community of Baldwin Park. During the thirty years that NTC Orlando was operational, more than 650,000 men and women were transformed from civilians to sailors. Beginning in 1973, NTC Orlando became the Navy's only co-educational recruit training center. Following an intense eight week training program, the various companies would march along the vast field know as the "Grinder" and pass before the base commanders for review. This ceremony would mark the completion of their transformation from civilians to sailors.</text>
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                <text>Original color photograph, 1992: &lt;a href="http://www.archives.gov/" target="_blank"&gt;National Archives at College Park&lt;/a&gt;, U.S. Department of Defense.</text>
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                <text>Digital reproduction of original color photograph, 1992.</text>
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                <text>Digital reproduction of original color photograph, 1992: &lt;a href="http://www.archives.gov/" target="_blank"&gt;National Archives at College Park&lt;/a&gt;, U.S. Department of Defense. &lt;a href="http://research.archives.gov/description/6476853" target="_blank"&gt;http://research.archives.gov/description/6476853/&lt;/a&gt;.</text>
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            <name>Temporal Coverage</name>
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                <text>1992-07-24/1992-07-24</text>
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                <text>28.573336, -81.336672</text>
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                <text>Naval Training Center, Orlando, Florida</text>
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            <name>Creator</name>
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              <elementText elementTextId="496064">
                <text>Defense Visual Information Center, American Forces Information Service, &lt;a href="http://www.defense.gov/" target="_blank"&gt;U.S. Department of Defense&lt;/a&gt;</text>
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            <name>Contributor</name>
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                <text>&lt;a href="http://www.archives.gov/" target="_blank"&gt;National Archives at College Park&lt;/a&gt;, U.S. Department of Defense</text>
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                <text>1 color photograph</text>
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            <name>Mediator</name>
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            <elementTextContainer>
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                <text>History Teacher</text>
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                <text> Civics/Government Teacher</text>
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              <elementText elementTextId="496072">
                <text> Geography Teacher</text>
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            <name>Audience Education Level</name>
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            <elementTextContainer>
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                <text>Primary and Secondary Sources</text>
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                <text> American Society and Culture</text>
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                <text> Late 20th Century</text>
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                <text> Florida History</text>
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                <text> Purposes of Government</text>
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                <text> Federal Government</text>
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                <text> Civic Responsibilities</text>
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                <text> Civic Participation</text>
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                <text> Physical Features</text>
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                <text> Cultural Features</text>
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                <text> Florida Geography</text>
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                <text> Location</text>
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                <text> Environmental Geography</text>
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                <text> Weather, Climate, and Vegetation</text>
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                <text> North American Cultures</text>
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                <text> Spatial Studies</text>
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            <name>Provenance</name>
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                <text>Originally created by the Defense Visual Information Center, American Forces Information Service, &lt;a href="http://www.defense.gov/" target="_blank"&gt;U.S. Department of Defense&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by the Defense Visual Information Center, American Forces Information Service, &lt;a href="http://www.defense.gov/" target="_blank"&gt;U.S. Department of Defense&lt;/a&gt; and is provided here by a href="http://riches.cah.ucf.edu/"&amp;gt;RICHES of Central Florida for educational purposes only.</text>
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            <name>Accrual Method</name>
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                <text>Donation</text>
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            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="496096">
                <text>&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;Lone Sailor Memorial Project&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="496097">
                <text>&lt;a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
              </elementText>
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            <name>Curator</name>
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            <elementTextContainer>
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                <text>Barnes, Mark</text>
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                <text> Cepero, Laura</text>
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            <name>Digital Collection</name>
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            <elementTextContainer>
              <elementText elementTextId="496100">
                <text>&lt;a href="http://www.archives.gov/" target="_blank"&gt;National Archives at College Park&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="496101">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>Source Repository</name>
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            <elementTextContainer>
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                <text>U.S. Department of Defense, &lt;a href="http://www.archives.gov/" target="_blank"&gt;National Archives at College Park&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="496103">
                <text>Brokaw, David. Interview by Freddie Roman-Toro. Video. February 22, 2014. Lone Sailor Navy Memorial Project. RICHES of Central Florida. University of Central Florida, Orlando, Fla.</text>
              </elementText>
              <elementText elementTextId="496104">
                <text>Dobie, Kathy. "A Few Nice Men. (using Coed U.S. Navy Boot Camps to Reduce Incidence of Sexual Harassment)." &lt;a href="http://www.worldcat.org/oclc/1769261" target="_blank"&gt;&lt;em&gt;Vogue&lt;/em&gt;&lt;/a&gt; 183, no. 2 (1993): 234_37, 299.</text>
              </elementText>
              <elementText elementTextId="496105">
                <text>"&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;The History&lt;/a&gt;." Navy Memorial of Central Florida. http://www.lonesailorfl.com/.</text>
              </elementText>
              <elementText elementTextId="496106">
                <text>Rajtar, Steve. &lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;. Charleston, SC: History Press, 2006.</text>
              </elementText>
              <elementText elementTextId="496797">
                <text>"&lt;a href="http://rtcorlando.homestead.com/" target="_blank"&gt;The History&lt;/a&gt;." RTC Orlando. http://rtcorlando.homestead.com/.</text>
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        <name>Orlando Naval Training Center</name>
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        <name>sailors</name>
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        <name>U.S. Navy</name>
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                  <text>Collection of digital images and oral histories related to the  former Recruit Training Center Orlando (RTC Orlando) for the United States Navy. The training center transformed raw recruits into highly effective sailors. This process took place over an intensive eight-week training period, commonly referred to as "boot camp." RTC Orlando occupied roughly one half of the former Naval Training Center Orlando (NTC Orlando), which was located at present day Baldwin Park, Orlando, Florida. Between 1968 and 1994, over 650,000 men and women graduated from RTC Orlando.</text>
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                  <text>&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;Lone Sailor Navy Memorial History Project&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="511773">
                  <text>&lt;a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/24" target="_blank"&gt;UCF Community Veterans History Project Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;Lone Sailor Navy Memorial History Project&lt;/a&gt;</text>
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                  <text>&lt;a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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            <element elementId="133">
              <name>Curator</name>
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                  <text>Cepero, Laura</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511781">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>External Reference</name>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;About the Project&lt;/a&gt;." UCF Community Veterans History Project, RICHES of Central Florida, University of Central Florida. http://riches.cah.ucf.edu/veterans/.</text>
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                <elementText elementTextId="511783">
                  <text>"&lt;a href="http://cfnavyleague.org/lone-sailor/" target="_blank"&gt;The History&lt;/a&gt;." Lone Sailor Navy Memorial History Project. http://cfnavyleague.org/lone-sailor/</text>
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                  <text>"&lt;a href="http://rtcorlando.homestead.com/" target="_blank"&gt;The History&lt;/a&gt;." RTC Orlando. http://rtcorlando.homestead.com/.</text>
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                  <text>&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;. Charleston, SC: History Press, 2006.</text>
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                <text>A rifle drill team performing during the graduation of a co-educational recruit company at Naval Training Center (NTC) Orlando. NTC Orlando was in operation from 1968 to 1998 and was one of three recruit training centers used by the U.S. Navy. It resided in the area that is now the community of Baldwin Park. During the 30 years that NTC Orlando was operational, more than 650,000 men and women were transformed from civilians to sailors. Beginning in 1973, NTC Orlando became the Navy's only co-educational recruit training center. Following an intense eight week training program, the various companies would march along the vast field know as the "Grinder" and pass before the base commanders for review. This ceremony would mark the completion of their transformation from civilians to sailors.</text>
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            <name>Coverage</name>
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                <text>Naval Training Center Orlando, Orlando, Florida</text>
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            <name>Creator</name>
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                <text>Defense Visual Information Center, American Forces Information Service, &lt;a href="http://www.defense.gov/" target="_blank"&gt;U.S. Department of Defense&lt;/a&gt;</text>
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            <name>Contributor</name>
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                <text>&lt;a href="http://www.archives.gov/" target="_blank"&gt;National Archives at College Park&lt;/a&gt;, U.S. Department of Defense</text>
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            <name>Medium</name>
            <description/>
            <elementTextContainer>
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                <text>2 color photographs</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
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                <text>History Teacher</text>
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                <text> Civics/Government Teacher</text>
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              <elementText elementTextId="496133">
                <text> Geography Teacher</text>
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            <name>Provenance</name>
            <description/>
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                <text>Originally created by the Defense Visual Information Center, American Forces Information Service, &lt;a href="http://www.defense.gov/" target="_blank"&gt;U.S. Department of Defense&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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              <elementText elementTextId="496154">
                <text>Copyright to this resource is held by the Defense Visual Information Center, American Forces Information Service, &lt;a href="http://www.defense.gov/" target="_blank"&gt;U.S. Department of Defense&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="496156">
                <text>Donation</text>
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          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
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              <elementText elementTextId="496157">
                <text>&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;Lone Sailor Memorial Project&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="496158">
                <text>&lt;a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
              </elementText>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
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                <text>Barnes, Mark</text>
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              <elementText elementTextId="496160">
                <text> Cepero, Laura</text>
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            <name>Digital Collection</name>
            <description/>
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              <elementText elementTextId="496161">
                <text>&lt;a href="http://www.archives.gov/" target="_blank"&gt;National Archives at College Park&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="496162">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>Source Repository</name>
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              <elementText elementTextId="496163">
                <text>&lt;a href="http://www.archives.gov/" target="_blank"&gt;National Archives at College Park&lt;/a&gt;</text>
              </elementText>
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            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="496164">
                <text>Dobie, Kathy. "A Few Nice Men. (using Coed U.S. Navy Boot Camps to Reduce Incidence of Sexual Harassment)." &lt;a href="http://www.worldcat.org/oclc/1769261" target="_blank"&gt;&lt;em&gt;Vogue&lt;/em&gt;&lt;/a&gt; 183, no. 2 (1993): 234–37, 299.</text>
              </elementText>
              <elementText elementTextId="496165">
                <text>"&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;The History&amp;lt;/a." Navy Memorial of Central Florida. http://www.lonesailorfl.com/.&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="496166">
                <text>"&lt;a href="http://rtcorlando.homestead.com/" target="_blank"&gt;The History&lt;/a&gt;." RTC Orlando. http://rtcorlando.homestead.com/.</text>
              </elementText>
              <elementText elementTextId="496795">
                <text>Rajtar, Steve. &lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;. Charleston, SC: History Press, 2006.</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587230">
                <text>&lt;a href="http://research.archives.gov/description/6274097" target="_blank"&gt;Combined Military Service Digital Photographic Files&lt;/a&gt;, National Archives at College Park, U.S. Department of Defense.</text>
              </elementText>
              <elementText elementTextId="587231">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/109" target="_blank"&gt;Lone Sailor Navy Memorial History Project Collection&lt;/a&gt;, UCF Community Veterans History Project Collection, RICHES of Central Florida.</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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        <name>drill team</name>
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        <name>drill teams</name>
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        <name>drills</name>
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        <name>graduates</name>
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      <tag tagId="29364">
        <name>graduations</name>
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        <name>Naval Training Center Orlando</name>
      </tag>
      <tag tagId="11879">
        <name>NTC Orlando</name>
      </tag>
      <tag tagId="1435">
        <name>Orlando Naval Training Center</name>
      </tag>
      <tag tagId="12295">
        <name>rifle drill</name>
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      <tag tagId="12297">
        <name>rifles</name>
      </tag>
      <tag tagId="3700">
        <name>sailors</name>
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        <name>U.S. Navy</name>
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        <src>https://richesmi.cah.ucf.edu/omeka/files/original/161077a907d6ec96c5aac94f782c57a4.pdf</src>
        <authentication>7e51e090ddb5cd46005e6b96a14bc7bd</authentication>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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              <name>Title</name>
              <description/>
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                  <text>Henry L. DeForest Collection</text>
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            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
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              <name>Subject</name>
              <description/>
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                  <text>Sanford (Fla.)</text>
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                <elementText elementTextId="499610">
                  <text>Businessmen--Florida</text>
                </elementText>
                <elementText elementTextId="499611">
                  <text>Citrus fruit industry--Florida</text>
                </elementText>
                <elementText elementTextId="499612">
                  <text>Agriculture--Florida</text>
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              <name>Description</name>
              <description/>
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                  <text>Henry L. DeForest was born February 7, 1857 in Derby, Connecticut, and knew Henry Shelton Sanford from childhood. In 1870, DeForest came to Florida seeking better health in the warmer climate. He became Sanford's agent and helped carry out the work of establishing Sanford, Florida. He managed the contracted workers for Sanford's groves, especially the contracted Swedes that Sanford brought over in 1871.&#13;
&#13;
By the 1880s, he had married Anna M. Sperry, also from Derby, and had become an established businessman and grove owner in Sanford. He built his general store in 1887 which was the second oldest brick building in Downtown Sanford. His general store was the building where the historic September 1887 fire stopped. DeForest built other commercial buildings in Downtown. His home, known as "The Palms," was located at 105 Aldean Drive and still stands today. Henry L. DeForest died on December 23, 1902.</text>
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              <name>Contributor</name>
              <description/>
              <elementTextContainer>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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              <name>Language</name>
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              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="499621">
                  <text>Sanford, Florida</text>
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            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
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                  <text>Cepero, Laura</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="499625">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </element>
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              <name>External Reference</name>
              <description/>
              <elementTextContainer>
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                  <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, Nev: University of Nevada Press, 1982.</text>
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                  <text>Molloy, Leo T. &lt;a href="http://www.worldcat.org/oclc/503116097" target="_blank"&gt;&lt;em&gt;Henry Shelton Sanford: (1823-1891)&lt;/em&gt;&lt;/a&gt;. Derby, Connecticut: Valley Historical Research Committee, 2009.</text>
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                  <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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          <name>Original Format</name>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="500124">
                <text>Letter from Anna M. Sperry DeForest to Henry L. DeForest (November 3, 1881)</text>
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                <text>Letter from Anna DeForest to Henry DeForest (November 3, 1881)</text>
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            <name>Subject</name>
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                <text>Sanford (Fla.)</text>
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                <text> Derby (Conn.)</text>
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            <name>Description</name>
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                <text>Personal letter from Anna M. Sperry DeForest to her husband, Henry L. DeForest (1857-1902). In the letter, Anna discusses the weather, Mr. Day and Ed Shelton, and her son with DeForest.&lt;br /&gt;&lt;br /&gt;DeForest was born in Derby, Connecticut, and knew Henry Shelton Sanford since childhood. In 1870, DeForest came to Florida seeking better health in the warmer climate. He became Sanford's agent and helped carry out the work of establishing Sanford. He managed the contracted workers for Sanford's groves, especially the contracted Swedes that Sanford brought over in 1871. By the 1880s, he had married Anna M. Sperry, also from Derby, and had become an established businessman and grove owner in Sanford. He built his general store in 1887, which was the second oldest brick building in Downtown Sanford. His general store was the building where the historic September 1887 fire stopped. DeForest built other commercial buildings in downtown. His home, known as "The Palms," was located at 105 Aldean Drive and still stands today.</text>
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            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="500130">
                <text>Original letter from Anna M. Sperry DeForest to Henry L. DeForest, November 3, 1881: DeForest Collection, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Requires</name>
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                <text>My dear Henry-&#13;
	My dear old fellow&#13;
how I wish I was with&#13;
you but – I am thankful to &#13;
write you Henry is better&#13;
and so when he is well&#13;
I feel as if it could not&#13;
?e long before I was you&#13;
[?] [?] I wish the “long” could&#13;
Be counted by hours _ Well&#13;
some day it may be.&#13;
I am so sorry he has had &#13;
this poor spell for I shall&#13;
feel more an[?] [?] wait&#13;
for cooler weather for him&#13;
but we have had so little&#13;
that we can call real&#13;
cool weather yet. I am so&#13;
hopeful we shall have a few&#13;
pleasant days soon. We have&#13;
had rain every day except Sun&#13;
day since Saturday and of&#13;
course it is pleasant for us&#13;
all [?]  [?]?k the springs will&#13;
fill and there will not be a&#13;
dearth of water all winter&#13;
here on the hill they have&#13;
fun using for some&#13;
time rain water for every&#13;
thing some of the time&#13;
the bucket do not dip now &#13;
in the well. I have not&#13;
heard from Mr Day&#13;
yet I tried to get his&#13;
address but could not&#13;
from Ed Shelton for he was&#13;
away_ I hope it will not&#13;
be long before I see him-&#13;
[?]-will seem as if I had&#13;
got back to Sanford when&#13;
I do. How I long to be &#13;
there_ Well_ I musn’t complain&#13;
as I said before. I only ask &#13;
for my dear husband com-&#13;
fort and oru darling boy’s &#13;
life_ Well _ I only can&#13;
trust in our Heavenly&#13;
Father’s care for his creatures&#13;
and that he will watch&#13;
over us and be with us&#13;
Wherever we may be_&#13;
God bless and keep &#13;
You darling and may&#13;
I be with you very &#13;
soon dear dear husband&#13;
	Lovingly Yours&#13;
Anna&#13;
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                <text>BIRMINGHAM CONN. &#13;
NOV 3 &#13;
3PM&#13;
&#13;
Mrs. Henry L. DeForest&#13;
Sanford, Florida. &#13;
&#13;
[?] [?]&#13;
NOV 3 81&#13;
9:30 PM</text>
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                  <text>Henry L. DeForest was born February 7, 1857 in Derby, Connecticut, and knew Henry Shelton Sanford from childhood. In 1870, DeForest came to Florida seeking better health in the warmer climate. He became Sanford's agent and helped carry out the work of establishing Sanford, Florida. He managed the contracted workers for Sanford's groves, especially the contracted Swedes that Sanford brought over in 1871.&#13;
&#13;
By the 1880s, he had married Anna M. Sperry, also from Derby, and had become an established businessman and grove owner in Sanford. He built his general store in 1887 which was the second oldest brick building in Downtown Sanford. His general store was the building where the historic September 1887 fire stopped. DeForest built other commercial buildings in Downtown. His home, known as "The Palms," was located at 105 Aldean Drive and still stands today. Henry L. DeForest died on December 23, 1902.</text>
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                <text>A personal letter from Henry L. DeForest (1857-1902) to his future wife, Anna M. Sperry. In the letter, DeForest discusses his conversation with Henry Shelton Sanford (1823-1891), his correspondence with Mr. Day, Sperry's birthday, and his plans to travel north.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;DeForest (1857-1902)&lt;/span&gt;, along with four African-Americans at the DeForest home in 1905. Called "The Palms," the DeForest home was located at 105 Aldean Drive in Sanford, Florida. DeForest was born in Derby, Connecticut, and knew Sanford since childhood. In 1870, DeForest came to Florida seeking better health in the warmer climate. He became Sanford's agent and helped carry out the work of establishing Sanford. He managed the contracted workers for Sanford's groves, especially the contracted Swedes that Sanford brought over in 1871. By the 1880s, he had married Anna M. Sperry, also from Derby, and had become an established businessman and grove owner in Sanford. He built his general store in 1887, which was the second oldest brick building in Downtown Sanford. His general store was the building where the historic September 1887 fire stopped. DeForest built other commercial buildings in downtown.</text>
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                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, Nev: University of Nevada Press, 1982.</text>
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                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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                <text>Sanford, Fla April 7 – 78&#13;
My Dearest Anna,&#13;
Yours of the 31st with mov&#13;
ed me last night, and I note with real&#13;
pleasure the increased length of your recent &#13;
letters.&#13;
Today had been lovely, and &#13;
I enjoyed the greater part of it at home&#13;
Ms F is away and I am alone with &#13;
Mrs F tonight and I fear I shall not&#13;
be able to write you at length. Mr + &#13;
Mrs Sanford together with Mr + Mrs&#13;
Fred Shelton arrived last night. I &#13;
called li dee the butler this afternoon but&#13;
they were out. I believe that I before&#13;
have told you that when Mr Sanford&#13;
and myself parted we did not [?]&#13;
any great amount of affection&#13;
for each other although he wrote me &#13;
a letter expressing his hopes for and&#13;
interest in my future welfare, but&#13;
without lack of charity I never gave &#13;
Mrs Sanford the [?]- of being succession[?].&#13;
I have written as above to show why&#13;
I purposely omitted calling an heir, I &#13;
am told he is very much troubled over&#13;
his affairs here and that he is very&#13;
“blue.” He certainly has reason to be, his&#13;
business is in a very bad way and if it&#13;
so continues it is very easy to forsee the &#13;
end.&#13;
I occasionaly hear from Mr&#13;
Day, but know but little of his plans – in&#13;
fact I think he has none. He may come&#13;
down here next fall, but not before.&#13;
	I am so sorry deary, that I did not&#13;
know of your birthday. I would liked to have&#13;
given you some little keepsake. As I have &#13;
nothing else I send you a violet. &#13;
In order not to disappoint either of us&#13;
I shall not arrange to go north before &#13;
the last of july. Although, I may go by &#13;
the 15th but not before. – This is for&#13;
three months in the future. I delay going&#13;
untill July in order to remain until&#13;
the last of Sept, as I can not well be &#13;
absent longer than two months. I am&#13;
anxiously awaiting a reply to my last&#13;
Sundays letter in refferense to details.&#13;
I so long to be with you tonight &#13;
my darling that I haven’t the heart to &#13;
write of it. Mrs F is longing for her&#13;
husband who has been absent just &#13;
five days and when I remark “just&#13;
think of me “being without a sight of you&#13;
for seven months” she comforts me by&#13;
informing me that I do not miss you &#13;
as I would a few months hence. This&#13;
may all be, but I am pish wed to &#13;
see you.&#13;
Remember the li dell of home and &#13;
to will + live. &#13;
Remember with the --- faith my &#13;
measures me, that the truest desire of &#13;
hear and with Gods help the firmest resolve&#13;
of my life is that I may succeed in &#13;
making yours a happy future.    With&#13;
loving kindness I hope to wholly win &#13;
your heart, efervently  pray God that our&#13;
lives may be made one by his blessing&#13;
and I earnestly hope that together we&#13;
may show our gratitude for this Great Gift&#13;
[?] perfectly then I at least have done&#13;
In the past.&#13;
Good night my darling&#13;
God bless and keep you&#13;
		Your own&#13;
			Henry&#13;
&#13;
SANFORD FLA. &#13;
&#13;
Miss Anna M. Sperry&#13;
Derby Conn. </text>
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        <name>DeForest, Henry L.</name>
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                  <text>Henry L. DeForest Collection</text>
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                  <text>Henry L. DeForest was born February 7, 1857 in Derby, Connecticut, and knew Henry Shelton Sanford from childhood. In 1870, DeForest came to Florida seeking better health in the warmer climate. He became Sanford's agent and helped carry out the work of establishing Sanford, Florida. He managed the contracted workers for Sanford's groves, especially the contracted Swedes that Sanford brought over in 1871.&#13;
&#13;
By the 1880s, he had married Anna M. Sperry, also from Derby, and had become an established businessman and grove owner in Sanford. He built his general store in 1887 which was the second oldest brick building in Downtown Sanford. His general store was the building where the historic September 1887 fire stopped. DeForest built other commercial buildings in Downtown. His home, known as "The Palms," was located at 105 Aldean Drive and still stands today. Henry L. DeForest died on December 23, 1902.</text>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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                  <text>Sanford, Florida</text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, Nev: University of Nevada Press, 1982.</text>
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                  <text>Molloy, Leo T. &lt;a href="http://www.worldcat.org/oclc/503116097" target="_blank"&gt;&lt;em&gt;Henry Shelton Sanford: (1823-1891)&lt;/em&gt;&lt;/a&gt;. Derby, Connecticut: Valley Historical Research Committee, 2009.</text>
                </elementText>
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                  <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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          <element elementId="50">
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                <text>Letter from Henry L. DeForest to Anna M. Sperry DeForest (December 6, 1881)</text>
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                <text>Letter from Henry DeForest to Anna DeForest (December 6, 1881)</text>
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                <text>A personal letter from Henry L. DeForest (1857-1902) to his wife, Anna M. Sperry DeForest. In the letter, DeForest discusses Henry Shelton Sanford's (1823-1891) recent illness, DeForest's love for his wife, and his desire for her to travel to Sanford, Florida, to visit him.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;DeForest (1857-1902)&lt;/span&gt;, along with four African-Americans at the DeForest home in 1905. Called "The Palms," the DeForest home was located at 105 Aldean Drive in Sanford, Florida. DeForest was born in Derby, Connecticut, and knew Sanford since childhood. In 1870, DeForest came to Florida seeking better health in the warmer climate. He became Sanford's agent and helped carry out the work of establishing Sanford. He managed the contracted workers for Sanford's groves, especially the contracted Swedes that Sanford brought over in 1871. By the 1880s, he had married Anna M. Sperry, also from Derby, and had become an established businessman and grove owner in Sanford. He built his general store in 1887, which was the second oldest brick building in Downtown Sanford. His general store was the building where the historic September 1887 fire stopped. DeForest built other commercial buildings in downtown.</text>
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                <text>Original letter from Henry L. DeForest to Anna M. Sperry DeForest, December 6, 1881: DeForest Collection, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>DeForest Collection, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/116" target="_blank"&gt;Henry L. DeForest Collection&lt;/a&gt;, Sanford Collection,, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>DeForest, Henry L.</text>
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                <text>1881-12-06</text>
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                <text>Originally created by Henry L. DeForest.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text> Cepero, Laura</text>
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                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, Nev: University of Nevada Press, 1982.</text>
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                <text>Molloy, Leo T. &lt;a href="http://www.worldcat.org/oclc/503116097" target="_blank"&gt;&lt;em&gt;Henry Shelton Sanford: (1823-1891)&lt;/em&gt;&lt;/a&gt;. Derby, Connecticut: Valley Historical Research Committee, 2009.</text>
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              <elementText elementTextId="503672">
                <text>  		Sanford, Fla., Dec 6, 1881&#13;
My dear darling wife&#13;
Yours of the 2nd came today. +&#13;
should wifes from Henry’s symptoms that he might be&#13;
realy a little better – As long as he throws up bile &#13;
he is not in a way to recover. – The bile ought to &#13;
assimilate with food + to s? to me or &#13;
Penniy might succeed us connecting this trouble –&#13;
I have [?] a good deal of faith in D?&#13;
    Don’t worry about me darling. You have enough &#13;
to care for. I can get a long + be comfortable – but&#13;
not happy.&#13;
Don’t feel that your duty is&#13;
with me – I feel as if I ought to be with you&#13;
to assist.&#13;
Oh dear darling wife I do love&#13;
you better than all the world. I have about&#13;
made up my mind that it will be a long&#13;
time before I see you but I shall love you&#13;
all the same. I feel that it is almost the &#13;
greatest trial I have ever had – this separation, still&#13;
if our precious boy gets well + strong it will&#13;
be nothing.&#13;
I have not seen to very much&#13;
of him since he was born, still I love him dearly, &#13;
but dearest my love for you has only increased by &#13;
sharing it with him.&#13;
If you should find any&#13;
time this month that you could come, do &#13;
so if you wish. I think Henry could remain&#13;
here till May 1st + that it would be better&#13;
for him than north. -&#13;
I am almost afraid&#13;
to have him start while he is so poor in flesh&#13;
and having ups + downs.&#13;
Good night precious. God bless you both&#13;
			Henry</text>
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                <text>SANFORD FLA. &#13;
DEC 7&#13;
&#13;
Mrs. Henry L. DeForest&#13;
Derby Conn. &#13;
&#13;
NEW YORK TRANSIT&#13;
DEC 10 81&#13;
1:30 PM</text>
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&#13;
By the 1880s, he had married Anna M. Sperry, also from Derby, and had become an established businessman and grove owner in Sanford. He built his general store in 1887 which was the second oldest brick building in Downtown Sanford. His general store was the building where the historic September 1887 fire stopped. DeForest built other commercial buildings in Downtown. His home, known as "The Palms," was located at 105 Aldean Drive and still stands today. Henry L. DeForest died on December 23, 1902.</text>
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                  <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, Nev: University of Nevada Press, 1982.</text>
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                <text>A personal letter from Henry L. DeForest (1857-1902) to his wife, Anna M. Sperry DeForest. In the letter, DeForest discusses Henry Shelton Sanford's (1823-1891) recovery from an illness, DeForest's purchase of land from Sanford, the "celebrated occultist" Dr. Agnew's visit to Sanford, Mr. Case's hotel, and DeForest's hope to see Anna in the winter.&lt;br /&gt;&lt;br /&gt;DeForest was born in Derby, Connecticut, and knew Henry Shelton Sanford since childhood. In 1870, DeForest came to Florida seeking better health in the warmer climate. He became Sanford's agent and helped carry out the work of establishing Sanford. He managed the contracted workers for Sanford's groves, especially the contracted Swedes that Sanford brought over in 1871. By the 1880s, he had married Anna M. Sperry, also from Derby, and had become an established businessman and grove owner in Sanford. He built his general store in 1887, which was the second oldest brick building in Downtown Sanford. His general store was the building where the historic September 1887 fire stopped. DeForest built other commercial buildings in downtown. His home, known as "The Palms," was located at 105 Aldean Drive and still stands today.</text>
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                <text>                                    Sanford Fla Dec 8/81&#13;
Dear darling Wife&#13;
	Your telegram of yesterday that Henry&#13;
[?] highter + better read today. This is good so far&#13;
as it goes, but I don’t dora to hope for too [?]&#13;
I fear I shall hear he is worse again.&#13;
I moved &#13;
down here today.&#13;
I bought today from Sanford&#13;
Eight town lots for $2100 - $700 cash down - $ 700 &#13;
one year from date + $700 2 years from date – two of&#13;
the lots are next to the Monroe house. – The other six are&#13;
just above Dr Frenchs + have 3 cottages on them. These&#13;
cottages rent for $100 – each per year. I think I&#13;
made a good purchase + that the property will &#13;
be valuable some day. I think I can pay for this&#13;
property out of my store + not touch the money&#13;
with Cornell + Shelton or Wilcox avove, bit if I &#13;
used that money it would pay better than &#13;
where it now is.	&#13;
Dr. Agnew of N.Y.&#13;
is here – he is the celebrated occulist. He called &#13;
on me today + spent an hour or two in a &#13;
very pleasant chat. He goes tomorrow but may come&#13;
down again this winter.&#13;
The new hotel proprietor, Mr&#13;
Case keeps as fully good a house as the Hales + is &#13;
a much more agreeable man.&#13;
I still have a &#13;
faint hope to d  of seeing you this winter but I hardly&#13;
expect to. – wouldn’t we have a glorious time if you did&#13;
come. I would kill all the Turkeys + have a big big&#13;
dinner.&#13;
Good night darling. God bless + keep you&#13;
both for your own&#13;
		Henry&#13;
</text>
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                <text>Mrs. Henry L. DeForest&#13;
Derby Conn.&#13;
&#13;
DERBY CONN&#13;
DEC 1[?] 1881</text>
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&#13;
By the 1880s, he had married Anna M. Sperry, also from Derby, and had become an established businessman and grove owner in Sanford. He built his general store in 1887 which was the second oldest brick building in Downtown Sanford. His general store was the building where the historic September 1887 fire stopped. DeForest built other commercial buildings in Downtown. His home, known as "The Palms," was located at 105 Aldean Drive and still stands today. Henry L. DeForest died on December 23, 1902.</text>
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                  <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, Nev: University of Nevada Press, 1982.</text>
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                <text>A personal letter from Henry L. DeForest (1857-1902) to his wife, Anna M. Sperry DeForest. In the letter, DeForest discusses their baby son, rainy weather, his boredom in Sanford, a letter he received from Loise Cornell, and Anna's travel to Savannah, Georgia.&lt;br /&gt;&lt;br /&gt;DeForest was born in Derby, Connecticut, and knew Henry Shelton Sanford since childhood. In 1870, DeForest came to Florida seeking better health in the warmer climate. He became Sanford's agent and helped carry out the work of establishing Sanford. He managed the contracted workers for Sanford's groves, especially the contracted Swedes that Sanford brought over in 1871. By the 1880s, he had married Anna M. Sperry, also from Derby, and had become an established businessman and grove owner in Sanford. He built his general store in 1887, which was the second oldest brick building in Downtown Sanford. His general store was the building where the historic September 1887 fire stopped. DeForest built other commercial buildings in downtown. His home, known as "The Palms," was located at 105 Aldean Drive and still stands today.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text> Cepero, Laura</text>
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                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, Nev: University of Nevada Press, 1982.</text>
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                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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                <text>			Sanford, Fla., May 4, 1881&#13;
My dear darling wife&#13;
No news to write of and am anxiously&#13;
awaiting a letter from you from Jacksonville -  I do hope&#13;
dear baby is better and I think he must be for he&#13;
was certainly improving when he left here – if you&#13;
and baby are well I shall be happy – I do love the little&#13;
fellow more each day and my wife is the dearest of all&#13;
to me.&#13;
We are having rainy weather and everything&#13;
is so much fresher – it has rained to that I have&#13;
not been out have you but shall go this [?] if &#13;
I can. &#13;
[?] is dull and I expect I shall&#13;
get pretty tired of staying in town it may be&#13;
that I shall go out to the house and stay awhile for&#13;
a change – I don’t like it in town at all + could not be&#13;
induced to live here. We have a pleasant little house &#13;
as we could wish and I am much attached to it&#13;
if it was not for the “ifs”&#13;
I had a letter from Loise Cornell ([?]) yesterday he says [?]&#13;
is improving a little.&#13;
Remember me to all and write often.&#13;
Did you&#13;
+ Christine get through to Savannah on the Pass&#13;
&#13;
Your loving husband&#13;
		Henry&#13;
</text>
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                <text>SANFORD FLA. &#13;
MAY 4&#13;
&#13;
Mrs. Henry L. DeForest&#13;
Derby Conn. &#13;
&#13;
DERBY CONN&#13;
MAY 9 1881</text>
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&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Bob Carr Theater, Orlando, Florida</text>
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                  <text>Enzian Theater, Maitland, Florida</text>
                </elementText>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                <text>A 45 RPM vinyl record single of the song, "How Many Times," recorded by The Rovin' Flames for Decca Records in September of 1967. The song was written by John DeLise and Uncapher, produced by John Brumage, and published by Nozark Music Publishing Company and Fuller Music Publishing Company. The B-side is "Love Song No. 6." &lt;br /&gt;&lt;br /&gt;The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969.</text>
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                <text>Original vinyl record, September 1967: &lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original vinyl record, September 1967. &lt;a href="http://www.tampabaymusichistory.com/resources/RovinFlamesDecca45HowManyTimes.jpg" target="_blank"&gt;http://www.tampabaymusichistory.com/resources/RovinFlamesDecca45HowManyTimes.jpg&lt;/a&gt;.</text>
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                <text> Uncapher</text>
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                <text> The Rovin' Flames</text>
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                <text>&lt;a href="http://www.decca.com/" target="_blank"&gt;Decca Records&lt;/a&gt;</text>
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              <elementText elementTextId="553013">
                <text>Copyright to this resource is held by &lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Cravero, Geoffrey</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
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                <text>Joynson, Vernon. &lt;a href="http://www.worldcat.org/oclc/38424827" target="_blank"&gt;&lt;em&gt;Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)&lt;/em&gt;&lt;/a&gt;. Glasgow: Borderline, 1997.</text>
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                <text>Jones, Martin. &lt;a href="http://www.worldcat.org/oclc/759863392" target="_blank"&gt;&lt;em&gt;Lovers Buggers &amp;amp; Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1&lt;/em&gt;&lt;/a&gt;. Manchester: Headpress, 2005.</text>
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              <elementText elementTextId="553021">
                <text>"&lt;a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank"&gt;The Rovin' Flames&lt;/a&gt;." http://www.tampabaymusichistory.com/the-rovin-flames.php.</text>
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        <name>DeLise, John</name>
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        <name>Fuller Music Publishing Company</name>
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        <name>garage</name>
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        <name>garage band</name>
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        <name>Love Song No. 6</name>
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        <name>Maietta, J. R.</name>
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        <name>Morris, Jim</name>
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        <name>Morris, Jimmy</name>
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        <name>Morris, Jimmy "Mouse"</name>
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        <name>Rogers, John</name>
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        <name>Taylor, Eddie</name>
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        <name>The Rovin' Flames</name>
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                  <text>Veterans Legacy Program Collection</text>
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                  <text>In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                  <text>&lt;div class="element-text"&gt;&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;&lt;/div&gt;
&lt;div class="element-text"&gt;&lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;&lt;/div&gt;</text>
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                <text>Interment Control Form, 1942</text>
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                <text>National Cemetery System (U.S.)</text>
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                <text> Veterans--Florida</text>
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                <text> World War, 1914-1918</text>
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                <text>"The interment control form for Will Johnson (1889-1942). Interment cards are control forms for burial lots in national cemeteries. They provide the details of name, rank, serial number, unit(s) and war(s) served in, discharge, death, interment date, gravesite, and next of kin when possible. According to his card, Johnson served in World War I as part of the 315th Labor Battalion, was discharged on July 29, 1919, and died September 17, 1942. His next of kin was unavailable, and his religious mark for the headstone could not be determined.&lt;br /&gt;&lt;br /&gt; Born on July 6, 1889, in Wilmington, North Carolina, Johnson eventually moved to Georgia. Before the war, he married his wife, Hattie Hokes. After registering for the draft, Johnson joined the United States Army at Camp Gordon on July 17, 1918. Although he began his service in the 15th Depot Brigade, he became part of Company D of the 315th Labor Battalion on August 29, 1918. The unit boarded the &lt;em&gt;USS Orizaba&lt;/em&gt; on September 4, 1918, to depart for France. Johnson and his unit remained in France after the war, leaving on July 7, 1919, from St. Nazaire. The Army discharged Johnson on July 29, 1919. He died on September 17, 1942, and is buried in the St. Augustine National Cemetery at Plot D, Grave 11.&lt;br /&gt;&lt;br /&gt; In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans."</text>
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                <text>Digital reproduction of original typewritten interment control form by James W. Dell, September 22, 1942: Office of the Quartermaster General, Record Group 92.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/210" target="_blank"&gt;Veterans Legacy Program Collection&lt;/a&gt;</text>
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                <text>St. Augustine National Cemetery, St. Augustine, Florida</text>
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                <text>Originally created by James W. Dell and published by the Office of the Quartermaster General.</text>
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            <name>Rights Holder</name>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt; • reproduce the work in print or digital form&lt;br /&gt; • create derivative works&lt;br /&gt; • perform the work publicly&lt;br /&gt; • display the work&lt;br /&gt; • distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt; This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="https://www.ancestry.com/" target="_blank"&gt;Ancestry.com&lt;/a&gt;</text>
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                <text>Dalessandro, Robert J. and Gerald Torrence. &lt;a href="http://www.worldcat.org/oclc/264045802" target="_blank"&gt;&lt;em&gt;Willing Patriots: Men of Color in the First World War&lt;/em&gt;&lt;/a&gt;. Atglen, PA: Schiffer Publishing Ltd., 2009.</text>
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                <text>Georgia Adjutant General's Office. "&lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;&amp;amp;db=GeorgiaWWIServiceCards&amp;amp;h=49714" target="_blank"&gt;Will Johnson&lt;/a&gt;." &lt;em&gt;Georgia World War I Service Cards, 1917-1919&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. Ashmond, Turner, Georgia. WWI Statement of Service Summary Cards, CLM-409, Georgia State Archives. Accessed August 28, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;db=GeorgiaWWIServiceCards&amp;amp;h=49714.</text>
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                <text>Keene, Jennifer. &lt;a href="http://www.worldcat.org/oclc/837560460" target="_blank"&gt;&lt;em&gt;World War I: The American Soldier Experience&lt;/em&gt;&lt;/a&gt;. Lincoln, NE: University of Nebraska Press, 2011.</text>
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                  <text>In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>The interment control form for Joseph Williams (1895-1942). Interment cards are control forms for burial lots in United States national cemeteries. The card provides information such as name, rank, serial number, company, regiment and other service information, date of death, date of interment, and gravesite.&lt;br /&gt;&lt;br /&gt; Joseph Williams, serial number 2952952, served as a Private in Company M of the 807th Pioneer Infantry. He was inducted in June 1918, was discharged in July 1919, and died in December 1942. He is buried in the St. Augustine National Cemetery in Florida.&lt;br /&gt;&lt;br /&gt; Joseph Williams was born on March 4, 1895 and lived in St. Augustine, Florida for much of his life. Before World War I, he worked as a cook. He registered for the draft on May 29, 1917 and was selected for serice on June 20, 1918. He was sent to train at Camp Dix in New Jersey. From September 4, 1918 to July 3, 1919 he served overseas as part of Compan M of the 807th Pioneer Infantry. This unit was responsible for technical assistance such as repairing and constructing roads, bridges, and railways. After the war ended, Williams was discharged on July 9, 1919 and returned home to St. Augustine. There, he resumed life as a cook, and married his wife, Pauline. Williams died on December 23, 1942. He is buried in the St. Augustine National Cemetery at Section D, Grave 18.&lt;br /&gt;&lt;br /&gt; In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>Originally created by James W. Dell and published by the Office of the Quartermaster General, Memorial Division.</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt; • reproduce the work in print or digital form&lt;br /&gt; • create derivative works&lt;br /&gt; • perform the work publicly&lt;br /&gt; • display the work&lt;br /&gt; • distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt; This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans&lt;/a&gt;." &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
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                <text>Dalessandro, Robert J. and Gerald Torrence. &lt;a href="http://www.worldcat.org/oclc/264045802" target="_blank"&gt;&lt;em&gt;Willing Patriots: Men of Color in the First World War&lt;/em&gt;&lt;/a&gt;. Atglen, PA: Schiffer Publishing Ltd., 2009.</text>
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                <text>Florida Department of Military Affairs. "&lt;a href="https://www.floridamemory.com/items/show/219878" target="_blank"&gt;Joseph Williams&lt;/a&gt;." Online database with images, &lt;em&gt;FloridaMemory&lt;/em&gt;. St. Augustine, Florida. Army Box 16. Accessed October 2, 2018. https://www.floridamemory.com/items/show/219878.</text>
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                <text>Keene, Jennifer D. &lt;a href="http://www.worldcat.org/oclc/837560460" target="_blank"&gt;&lt;em&gt;World War I: The American Soldier Experience&lt;/em&gt;&lt;/a&gt;. Lincoln, NE: University of Nebraska Press, 2011.</text>
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                <text>Office of the Quartermaster General. "&amp;lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;amp</text>
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                <text>db=IntermentControlForms&amp;amp;amp</text>
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                <text>h=1409720" target="_blank"&amp;gt;Joseph Williams." &lt;em&gt;U.S. National Cemetery Interment Control Forms, 1928-1962&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. St. Augustine National Cemetery, Florida. Record Group 92, A1 2110-B. Accessed October 2, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;amp</text>
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                <text>R.L. Polk &amp;amp;amp</text>
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                <text>h=674708580" target="_blank"&amp;gt;Joseph Williams." &lt;em&gt;U.S. City Directories, 1822-1995&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. St. Augustine, Florida, City Directory, 1924. Accessed October 2, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;amp</text>
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                <text>Selective Service System. "&amp;lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;amp</text>
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                <text>h=536960" target="_blank"&amp;gt;Joseph Williams." &lt;em&gt;U.S. Lists of Men Ordered to Report to Local Board for Military Duty, 1917-1918&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. St. Johns, Florida. Record Group 163, NAI Number 1159403. Accessed October 2, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;amp</text>
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                <text>Selective Service System. "&amp;lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;amp</text>
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                <text>h=9617696" target="_blank"&amp;gt;Joseph Williams." &lt;em&gt;U.S. World War I Draft Registration Cards, 1917-1918&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. St. Johns, Florida. NARA microfilm publication M1509, Roll 1556927. Accessed October 2, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;amp</text>
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Andrew Jackson was born in July 1893 in Sparr, Florida, though his draft card lists May 16 as his birthday. Little is known about his early life. He registered for the draft, like many, on June 5, 1917, and was inducted into the United States Army in August 1918. From September 1918 to July 1919, Jackson served as a private in Company M of the 807th Pioneer Infantry. The unit served in a technical capacity, constructing and repairing infrastructure, and this work often brought them in direct action with the enemy. Jackson was discharged on July 9, 1919. He returned to Florida and married his wife, Lucille, with whom he had three children. He worked for the Flroida East Coast Railroad until his death on November 4, 1937. He is buried in the St. Augustine National Cemetery at Section A Grave 216.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt; 
• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans&lt;/a&gt;." &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
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                <text> Dalessandro, Robert J. and Gerald Torrence. &lt;a href="http://www.worldcat.org/oclc/264045802" target="_blank"&gt;&lt;em&gt;Willing Patriots: Men of Color in the First World War&lt;/em&gt;&lt;/a&gt;. Atglen, PA: Schiffer Publishing Ltd., 2009.</text>
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                <text> Florida Department of Military Affairs. "&lt;a href="https://www.floridamemory.com/items/show/198899" target="_blank"&gt;Andrew Jackson&lt;/a&gt;." Online database with images, &lt;em&gt;FloridaMemory&lt;/em&gt;. Sparr, Florida. Army Box 8. Accessed October 29, 2018. https://www.floridamemory.com/items/show/198899.</text>
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                <text> Keene, Jennifer D. &lt;a href="http://www.worldcat.org/oclc/837560460" target="_blank"&gt;&lt;em&gt;World War I: The American Soldier Experience&lt;/em&gt;&lt;/a&gt;. Lincoln, NE: University of Nebraska Press, 2011.</text>
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                <text> Litwack, Leon. &lt;a href="http://www.worldcat.org/oclc/320392488" target="_blank"&gt;&lt;em&gt;Trouble in Mind: Black Southerners in the Age of Jim Crow&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, Inc., 1998.</text>
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                <text> Office of the Quartermaster General. "&lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp</text>
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&lt;div class="element-text"&gt;&lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;&lt;/div&gt;</text>
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                <text>The internment card for Charles E.T. Wade. The document provides information including name, rank, company, regiment and other service information, date of death, date of internment and gravesite.&lt;br /&gt;&lt;br /&gt; Charles E.T. Wade was born in the West Indies and migrated to Maryland. Before serving in the United States Army, he worked as a laborer. On March 25, 1899, Wade enlisted as a Private in the Company K Ninth United States Cavalry Regiment in Baltimore, Maryland. He served in the Western United States, escorting funds for Native Americans. In the early 1900s, during the Philippine-American War, the Ninth Cavalry was stationed in the Philippine Islands, guarding small villages and military bases. Wade was honorably discharged on March 24, 1902, in Draga, Philippines, and remained there following his service. He married a Philippine woman named Seage Awai Soong and had a daughter, Federica Wade, born in 1910. On July 2, 1935, Wade traveled back to the United States and died three years later on December 10, 1938, in Jacksonville, Florida. He was interned at St. Augustine National Cemetery on December 28, 1938, in section A row 218.&lt;br /&gt;&lt;br /&gt; In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for K-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/210" target="_blank"&gt;Veterans Legacy Program Collection&lt;/a&gt;</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt; • reproduce the work in print or digital form&lt;br /&gt; • create derivative works&lt;br /&gt; • perform the work publicly&lt;br /&gt; • display the work&lt;br /&gt; • distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt; This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="https://vlp.cah.ucf.edu/" target="_blank"&gt;Veterans Legacy Program Project&lt;/a&gt;</text>
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                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans Veterans&lt;/a&gt;." &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
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                <text>Jones, Gregg R. "&lt;a href="http://www.worldcat.org/oclc/826454791" target="_blank"&gt;&lt;em&gt;Honor in the Dust: Theodore Roosevelt, War in the Philippines, and the Rise and Fall of America's Imperial Dream&lt;/em&gt;&lt;/a&gt;. New York: New American Library/Penguin Group, 2013.</text>
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                  <text>Irizarry, Michael</text>
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                  <text>Joshi, Ashis</text>
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                  <text>Reed, Michael</text>
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                  <text>Shumate, Alayna</text>
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                  <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://tinyurl.com/o4zfrls" target="_blank"&gt;Downtown Orlando Post Office&lt;/a&gt;, Downtown Orlando, Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank"&gt;Orlando Remembered Collection&lt;/a&gt;, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/20" target="_blank"&gt;Orlando Collection&lt;/a&gt;, Orange County Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank"&gt;Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <description/>
              <elementTextContainer>
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                  <text>Rajtar, Steve. &lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;A Guide to Historic Orlando&lt;/a&gt;&lt;/em&gt;. Charleston, SC: History Press, 2006.</text>
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                  <text>"&lt;a href="https://about.usps.com/who-we-are/postal-history/welcome.htm" target="_blank"&gt;Postal History&lt;/a&gt;." United States Postal Service. https://about.usps.com/who-we-are/postal-history/welcome.htm.</text>
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                  <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/23369979" target="_blank"&gt;St. James Pioneer Days: Parish &amp;amp; School Reunion : October 5-6, 1974&lt;/a&gt;&lt;/em&gt;. [Orlando, Fla.]: [St. James Parish], 1974.</text>
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                  <text>"&lt;a href="http://www.stjamesorlando.org/about-us/" target="_blank"&gt;About Us&lt;/a&gt;." St. James Cathedral. http://www.stjamesorlando.org/about-us/.</text>
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                  <text>The new Downtown Orlando Post Office building, located at 51 East Jefferson Street, in 1958. The original post office was housed in the Federal Building, located 44 East Central Boulevard in Downtown Orlando, Florida, from 1917 to 1941. In 1935, when James Beggs, Jr. became the postmaster, he began petitioning to move the post office from its Central Boulevard and Court Avenue location to a more spacious building. In 1939, St. James Catholic Church sold a plot of land on Jefferson Street for the new building. The building was designed by Louis A. Simon in the Northern Italian Palazzo Revival-style, and was constructed by J. P. Cullen and Sons. The new building opened in 1941 and housed the post office, the courthouse, and Internal Revenue Service (IRS) offices. The building was named an Orlando Historic Landmark in 1989. However, it was eventually sold back to the St. James Church. In 2003, the building was renovated and came under joint ownership by both the church and the federal government. Today, the building retains its post office services but also includes offices for the Catholic Diocese.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description/>
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                <text>Envelope from A. Dellinger  to Elaine Pancake</text>
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                <text>An envelope sent from A. Dellinger  to Elaine Pancake, the customer relations coordinator for the Downtown Orlando Post Office, located at 51 East Jefferson Street in Downtown Orlando, Florida. This particular post office was constructed in a Spanish Colonial Revival style from 1939 to 1941 and dedicated on April 14, 1941. It has been occupied by the United States Postal Service since 1941, the Federal District Courthouse from 1941 to circa 1974, and the office of the Roman Catholic Church since 2003.</text>
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                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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          <element elementId="125">
            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by the &lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Original envelope from A. Dellinger to Elaine Pancake, May 2001: &lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://tinyurl.com/o4zfrls" target="_blank"&gt;Downtown Orlando Post Office&lt;/a&gt;, Downtown Orlando, Florida.</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Newspaper article about the Seminole High School reunion held on June 1, 1991. The reunion was held at Sanford Middle School, which was the former building for the high school at 1700 French Avenue in Sanford, Florida.&lt;br /&gt;&lt;br /&gt;Originally located at 301 West Seventh Street in Sanford, Florida, Seminole High School was first established as Sanford High School in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/1669" target="_blank"&gt;Smith, Walter&lt;/a&gt;. Interviewed by John Settle. &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, HAR 1063392P. March 2, 2013. Video record available. UCF Public History Center.</text>
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                <text>Originally created by Vicki DeSormier and published by &lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;.</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; History Harvest, Spring 2013</text>
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                <text>"&lt;a href="http://www.seminolehs.scps.k12.fl.us/" target="_blank"&gt;Seminole High School&lt;/a&gt;." Seminole High School, Seminole County Public Schools. http://www.seminolehs.scps.k12.fl.us/.</text>
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                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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                <text>Celery Feds say 'Hi' and 'Goodbye'&#13;
&#13;
Sanford Middle School Principal Dan Pelham holds up good-condition June 2, 1926 copy Sanford Herald moments after removing it from time capsule taken from cornerstone of former high school on Friday. &#13;
&#13;
Sanford landmark school building hosts reunion and its last hurrah&#13;
_________________________________________&#13;
By VICKI DeSORMIER&#13;
Herald Staff Writer&#13;
__________________________________________&#13;
SANFORD--There was a party going on at Sanford Middle School on Saturday. &#13;
And it's the last one that will take place in the school which was built as Seminole high School in 1927. &#13;
The facility, located at 1700 French Ave., which some say has outlived its usefulness, will be torn down next month to reveal a new school which has been under construction behind it for over two years. &#13;
"There are a lot of good memories in this old place," said Roy Wright, who was president of the class of 1936 and quarterbaclk of the Celery Feds football team in those days. "But I think the old building has outlived its usefulness and the new buildings will hold some new memories for people."&#13;
Those who came to reminisce with old friends and to say goodbye to the school of their memories had the chance to walk down Memory Lane where old annuals, photos and newspapers were encased in a glass enclosure. &#13;
Many of the items in the display had been removed from a time capsule that was removed from the cornerstone of the old building on Friday. &#13;
Issues of the "Sanford Herald" and the "Sanford Morning signal" from June 1926 were on display. An issue of the "Celery Fed" school newspaper from the 1950s was also shown. &#13;
"Oh I wish we could  take those out and look at them," said Jane Thornton of Deltona, who didn't want to say what year she graduated. &#13;
'"I want to try on that helmet," chimed in her husband Dave who did not graduate from the school, but said he was interested in seeing the school that his wife had talked so much about. &#13;
"She talks about this place all the time," he said. "I just had to see it for myself."&#13;
In the new school cafeteria, more than 500 people from the classes of 1927 through 1960 gathered at long tables festooned with bright stalks of celery and orange and black balloons to eat a spaghetti dinner prepared by the lunchroom staff. &#13;
The school's jazz band entertained. &#13;
Small piece's of the gymnasium's wooden floor were on sale for three dollars apiece. Many alumni were buying the mementos. &#13;
Elizabeth Shoemaker Lynch, who lives in Sanford, was a member of the class of 1927, was also a math teacher at he school in the 1930s and 1940s. &#13;
"I've seen a lot of my old students here today, but they all looked so much older," she laughed. &#13;
Margaret Sprout Green, another member of the class of 1927, was unhappy about the impending destruction of a piece of Seminole County history. &#13;
"It should be preserved," she said. &#13;
The Celery Feds concluded the day-long reunion with a dance at the Sanford Chamber of Commerce. &#13;
The Banana Boys (music with appeal, they said), who played at all the school's dances in the 1940s and early 1950s provided the music. </text>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>The Windsor Hotel in Jacksonville, Florida, around 1903. Originally built in 1875, the hotel burnt down in a 1901 fire that consumed much of the city's downtown. It was rebuilt and expanded throughout the years, but was eventually demolished in 1950. Clyde Emerson (1890-1919) worked at the hotel prior to World War I.&lt;br /&gt;&lt;br /&gt; Clyde Emerson was born on September 22, 1890, in Grand Rapids, Michigan, and his family moved to Florida in the early twentieth century. He worked in the hospitality industry after high school. On February 26, 1918, he was inducted into the United States Army and became a sergeant in the 81st "Wildcat" Division, where he served in the 318th Machine Gun Battalion. He left for Europe on July 31, 1918, and his unit participated in a number of the last major campaigns of World War I, including the Meuse-Argonne Offensive. Emerson survived the war and remained in Europe awaiting demobilization. During this time, he contracted Spanish influenza, which would claim the lives of more soldiers and civilians than the war, and died on January 30, 1919. He was originally buried two days later in Aix-les-Bains, Savoie, France. However, he was later reinterred on December 22, 1922, at the Aisne-Marne American Cemetery in Belleau, France. Grave 8, Plot 11, Block B is his final resting place.&lt;br /&gt;&lt;br /&gt; In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program continues, engaging a team of scholars to make the life stories of veterans buried in national cemeteries available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 headstones at four national cemeteries, two in Florida (Florida National Cemetery and St. Augustine National Cemetery) and two in France (American Battle Monuments Commission cemeteries at Aisne-Marne and the Meuse-Argonne), where they can access the UCF student-authored biographies of veterans.</text>
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                <text>Florida Department of Military Affairs. "&lt;a href="https://www.floridamemory.com/items/show/214874" target="_blank"&gt;Clyde A Emerson&lt;/a&gt;." Online database with images, &lt;em&gt;FloridaMemory&lt;/em&gt;. Ocala, Florida. Army Box 5. Accessed September 14, 2018. https://www.floridamemory.com/items/show/214874.</text>
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                <text>Selective Service System. "&lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;db=WW1draft&amp;amp;h=940096" target="_blank"&gt;Clyde Atwood Emerson&lt;/a&gt;." &lt;em&gt;U.S. World War I Draft Registration Cards, 1917-1918&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. Monroe, Florida. NARA microfilm publication M1509, Roll 1556876. Accessed September 14, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;db=WW1draft&amp;amp;h=940096.</text>
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                <text>&lt;em&gt;The Ocala Evening Star&lt;/em&gt;, "&lt;a href="https://www.newspapers.com/image/339362997/?terms=Ocala%2BHouse%2BImprovements/" target="_blank"&gt;Ocala House Improvements&lt;/a&gt;." March 14, 1914. From Newspapers.com. https://www.newspapers.com/image/339362997/?terms=Ocala%2BHouse%2BImprovements/.</text>
              </elementText>
              <elementText elementTextId="661680">
                <text>U.S. Census Bureau. "&lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;db=1900usfedcen&amp;amp;h=41217144" target="_blank"&gt;Clide A Emerson&lt;/a&gt;." &lt;em&gt;1900 United States Federal Census&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. Dayton Ward 4, Montgomery, Ohio. NARA microfilm publication T623, FHL microfilm 1241306. Accessed September 14, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;db=1900usfedcen&amp;amp;h=41217144.</text>
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                <text>War Department, Office of the Quartermaster General, Grave Registration Service. "&lt;a href="https://catalog.archives.gov/id/6943087" target="_blank"&gt;Card Register of Burials of Deceased American Soldiers, 1917-1922&lt;/a&gt;." Record Group 92: &lt;em&gt;Records of the Office of the Quartermaster General, 1774-1985&lt;/em&gt;. Online database, &lt;em&gt;National Archives and Records Administration&lt;/em&gt;. Entry Number NM-81 1945. Accessed September 14, 2018. https://catalog.archives.gov/id/6943087.</text>
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        <name>Hotel Windsor</name>
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        <name>hotels</name>
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        <name>Jacksonville</name>
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        <name>military history</name>
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        <name>military service</name>
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      <tag tagId="12957">
        <name>veterans</name>
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      <tag tagId="9515">
        <name>Veterans Administration</name>
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      <tag tagId="51088">
        <name>Veterans Legacy Program</name>
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      <tag tagId="2973">
        <name>Windsor Hotel</name>
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                  <text>Collection of digital images, documents, and oral histories depicting the life and work of Jesse Cutler. Cutler has spent an illustrious career, beginning at age 12, as a musician, composer, actor, producer, and entrepreneur. Starting in New York City in the 1960s and then in Los Angeles from the early ‘70s through the late ‘90s, Jesse performed with his bands and in the original cast of Godspell on Broadway, made records that saw Billboard’s Top 100, formed his own companies and appeared on TV and radio and in national print.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.wphistory.org/explore-history/winter-park/" target="_blank" rel="noreferrer noopener"&gt;WINTER PARK HISTORY&lt;/a&gt;." Winter Park History Museum, Winter Park Historical Society. http://www.wphistory.org/explore-history/winter-park/.</text>
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                  <text>Cutler, Jesse. "&lt;em&gt;&lt;a href="https://search.worldcat.org/title/268957223" target="_blank" rel="noreferrer noopener"&gt;Starlust : The Price of Fame&lt;/a&gt;&lt;/em&gt;. Garden City, N.Y.: Morgan James Publishing. 2008.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/140" target="_blank" rel="noreferrer noopener"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES.</text>
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            <name>Title</name>
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                <text>Gotham Go-Round: Edie Sedgwick Finds What's Happening at Peter Stark's Party</text>
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                <text>"Gotham Go-Round: Edie Sedgwick Finds What's Happening at Peter Stark's Party"</text>
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                <text>Music--New York (State)--New York--20th century</text>
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              <elementText elementTextId="698564">
                <text> New York world-telegram</text>
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                <text>A newspaper article published in &lt;em&gt;New York World-Telegram&lt;/em&gt; entitled, "Gotham Go-Round: Edie Sedgwick Finds What's Happening at Peter Stark's Party". The article describes a party at Peter Stark's venue The Scene, where The Executives performed. The article contains an image of artist, director and producer, Andy Warhol and actress and model, Edie Sedgwick.&lt;br /&gt;&lt;br /&gt;Initially called the Executives, the band was formed in 1963 by Jesse Cutler (then known as Lou London), Ricky Shutter and Steve Wagner. The band signed to Mercury Records in 1964, where they recorded a hit single called "Everybody Do the Duck". That same year, the band appeared as guests on the Joe Franklin Show, Wonderama, The Clay Cole Show, American Bandstand, Hullaballoo and Shindig. Over the next two years they performed at charity events and private celebrity parties all over Long Island and New York City. They played in the company of the Rolling Stones, Sammy Davis Jr., Barbra Streisand, Anthony Newley, Joan Collins and the Beatles. The group broke up in 1966.&lt;br /&gt;&lt;br /&gt;Jesse Cutler has spent an illustrious career, beginning at age 12, as a musician, composer, actor, producer, and entrepreneur. Starting in New York City in the 1960s and then in Los Angeles from the early ‘70s through the late ‘90s, Jesse performed with his bands and in the original cast of Godspell on Broadway, made records that saw Billboard’s Top 100, formed his own companies and appeared on TV and radio and in national print.</text>
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                <text>Original newspaper article: "Gotham Go-Round: Edie Sedgwick Finds What's Happening at Peter Stark's Party." &lt;em&gt;New York World-Telegram&lt;/em&gt;, ca. 1963 to 1966: Private Collection of Jesse Cutler.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/227" target="_blank" rel="noreferrer noopener"&gt;Jesse Cutler Collection&lt;/a&gt;, &lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/140" target="_blank" rel="noreferrer noopener"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
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                <text>The Scene, New York City, New York</text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
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              <elementText elementTextId="698570">
                <text>Dever, Joseph X.</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698571">
                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank" rel="noreferrer noopener"&gt;RICHES&lt;/a&gt;</text>
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          <element elementId="90">
            <name>Date Created</name>
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                <text>ca. 1963 to 1966</text>
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          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698573">
                <text>ca. 1963 to 1966</text>
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            <name>Format</name>
            <description/>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
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            <description/>
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            <name>Language</name>
            <description/>
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              <elementText elementTextId="698577">
                <text>eng </text>
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          <element elementId="122">
            <name>Mediator</name>
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                <text>History Teacher</text>
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                <text> Music Teacher&#13;
</text>
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            <name>Provenance</name>
            <description/>
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                <text>Originally created by Joseph X. Dever and published by &lt;em&gt;New York World-Telegram&lt;/em&gt;.</text>
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            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
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                <text>Copyright to this resource is held by Jesse Cutler and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank" rel="noreferrer noopener"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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            <name>Curator</name>
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                <text>Cravero, Geoffrey</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Cutler, Jesse. "&lt;em&gt;&lt;a href="https://search.worldcat.org/title/268957223" target="_blank" rel="noreferrer noopener"&gt;Starlust : The Price of Fame&lt;/a&gt;&lt;/em&gt;. Garden City, N.Y.: Morgan James Publishing. 2008.</text>
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                <text>&lt;br /&gt;&lt;br /&gt;"&lt;a href="http://www.wphistory.org/explore-history/winter-park/" target="_blank" rel="noreferrer noopener"&gt;WINTER PARK HISTORY&lt;/a&gt;." Winter Park History Museum, Winter Park Historical Society. http://www.wphistory.org/explore-history/winter-park/.</text>
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                <text>&lt;br /&gt;&lt;br /&gt;&lt;span&gt;"&lt;/span&gt;&lt;a href="http://cityofwinterpark.org/" target="_blank" rel="noreferrer noopener"&gt;City of Winter Park&lt;/a&gt;&lt;span&gt;." City of Winter Park, Florida. http://cityofwinterpark.org/.&lt;/span&gt;</text>
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        <name>Andrew Warhola Jr.</name>
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        <name>Andy Warhol</name>
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      <tag tagId="56639">
        <name>Edie Minturn Sedgwick Post</name>
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        <name>Jesse Cutler</name>
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        <name>Joseph X. Dever</name>
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      <tag tagId="56622">
        <name>Lou London</name>
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        <name>Louis Milo Gibaldi</name>
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        <name>music</name>
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        <name>Ricky Shutter</name>
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      <tag tagId="56637">
        <name>Steve Paul</name>
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        <name>Steve Wagner</name>
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        <name>The Scene</name>
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        <name>The Young Executives</name>
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                  <text>Weeki Wachee Collection</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>Schumacher, Elmer "Sparky"</text>
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            <element elementId="104">
              <name>Is Part Of</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Newspaper article entitled "Perry 'Choked Up' at Dedication" describing a ceremony dedicating a new swimming pool at Central Florida Community College to Newton "Newt" Perry some time between 1970-1987. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
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                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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                  <text>In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>The Fifteenth United States Census records for Elizabeth City, Union County, New Jersey, for 1930. The census divides the population into categories of name, age, sex, race, marital status, occupants and relation to head of house, whether the home is owned or rented, value of home or rent, whether home is a farm residence, whether the home has a radio. It also records college attendance, literacy, birthplace and birthplace of parents, citizenship status, language spoken before coming to United States, year of immigration, occupation or business, class of worker, whether they worked the previous day, military status, and the war or expedition participated in.&lt;br /&gt;&lt;br /&gt;
A notable resident listed in the record is Warren Justus Liesegang (1928-1998). Born in Elizabeth, New Jersey, on June 17, 1928, Liesegang enlisted in the United States Navy in 1950. During his service, he held the position of DC-3, which is known as a Damage Controlman Petty Officer 3rd Class. Following his service, Liesegang served as a merchant seaman until retiring. In 1954, while still serving in the military, Warren Liesegang married Darlene Denise Wiggins in Duval, Florida. They later had a daughter named Theresa Leigh Liesegang. Warren and his family lived in various areas across the state of Florida, including Fruitland Park, Fort Pierce, and Vero Beach. He retired in Fort Pierce, where he lived until his death on January 9th 1998. He is memorialized at Florida National Cemetery in Bushnell, Florida.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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• create derivative works&lt;br /&gt;
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This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                  <text>Mormino, Gary R. 2002. "&lt;a href="http://www.worldcat.org/oclc/5544029021" target="_blank"&gt;Sunbelt Dreams and Altered States: A Social and Cultural History of Florida, 1950-2000&lt;/a&gt;." &lt;em&gt;The Florida Historical Quarterly. &lt;/em&gt;81, no. 1: 3-21.</text>
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            <description/>
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            <name>Description</name>
            <description/>
            <elementTextContainer>
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                <text>Two unidentified portions of Sky Lake, a residential community and unincorporated area in Orange County, Florida, in the 1960s. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.</text>
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            <description/>
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          <element elementId="48">
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            <description/>
            <elementTextContainer>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/179" target="_blank"&gt;Sky Lake Collection&lt;/a&gt;, Orange County Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
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                <text>Digital reproduction of original 8 x 10 inch black and white photograph by Fred DeWitt.</text>
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            <description/>
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                <text>Sky Lake, Florida</text>
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            <name>Creator</name>
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                <text>DeWitt, Fred</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description/>
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                <text>Lake, Harriett</text>
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            <description/>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="600997">
                <text>ca. 1962-1965</text>
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          <element elementId="93">
            <name>Date Submitted</name>
            <description/>
            <elementTextContainer>
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                <text> 199 KB</text>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
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                <text>image/jpg</text>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601001">
                <text>8 x 10 inch black and white photographs</text>
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          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601002">
                <text>eng </text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601003">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="601004">
                <text> Geography Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601005">
                <text>Originally created by Fred DeWitt.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601006">
                <text>Copyright to this resource is held by Fred DeWitt and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601007">
                <text>Donation</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601008">
                <text>Barnes, Mark </text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601009">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
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                <text>&lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601011">
                <text>Tracy, Jane. "&lt;a href="http://dc.ocls.info/memory/image/harriett-and-hymen-lake" target="_blank"&gt;Harriett and Hymen Lake&lt;/a&gt; .'" Orlando Memory, March 11, 2014, http://dc.ocls.info/memory/image/harriett-and-hymen-lake.</text>
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        <name>homes</name>
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      <tag tagId="29744">
        <name>houses</name>
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      <tag tagId="19158">
        <name>housing</name>
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      <tag tagId="31090">
        <name>neighborhoods</name>
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      <tag tagId="795">
        <name>orlando</name>
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      <tag tagId="38684">
        <name>residential developments</name>
      </tag>
      <tag tagId="38865">
        <name>Sky Lake</name>
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            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="598528">
                  <text>Sky Lake Collection</text>
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            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="601388">
                  <text>Sky Lake Collection</text>
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              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="601389">
                  <text>Orlando (Fla.)</text>
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              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="601390">
                  <text>Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.</text>
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              </elementTextContainer>
            </element>
            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="601391">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank"&gt;Orange County Collection&lt;/a&gt;, RICHES of Central Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="601392">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="601393">
                  <text>Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="601394">
                  <text>Sky Lake, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="601395">
                  <text>Barnes, Mark</text>
                </elementText>
                <elementText elementTextId="601396">
                  <text>Cepero, Laura</text>
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              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="601397">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="601398">
                  <text>&lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="601399">
                  <text>Mormino, Gary R. 2002. "&lt;a href="http://www.worldcat.org/oclc/5544029021" target="_blank"&gt;Sunbelt Dreams and Altered States: A Social and Cultural History of Florida, 1950-2000&lt;/a&gt;." &lt;em&gt;The Florida Historical Quarterly. &lt;/em&gt;81, no. 1: 3-21.</text>
                </elementText>
                <elementText elementTextId="601400">
                  <text>Arsenault, Raymond. "The End of the Long, Hot Summer: The Air Conditioner and Southern Culture." &lt;a href="http://www.worldcat.org/oclc/1782314" target="_blank"&gt;&lt;em&gt;Journal of Southern History&lt;/em&gt;&lt;/a&gt; Vol. 50, no. 4 (November, 1984): 597-628.</text>
                </elementText>
                <elementText elementTextId="601401">
                  <text>Staeheli, Lynn A. and Don Mitchell. "USA’s Destiny? Regulating Space and Creting Community in American Shopping Malls." &lt;a href="http://www.worldcat.org/oclc/37915650" target="_blank"&gt;&lt;em&gt;Urban Studies&lt;/em&gt;&lt;/a&gt; Vol. 43, nos 5/6 (May 2006): 977-992.</text>
                </elementText>
                <elementText elementTextId="601402">
                  <text>Dietrich, T. Stanton. &lt;a href="http://www.worldcat.org/oclc/4683014" target="_blank"&gt;&lt;em&gt;The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970&lt;/em&gt;&lt;/a&gt;. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978.</text>
                </elementText>
                <elementText elementTextId="601403">
                  <text>Rome, Adam Ward. &lt;a href="http://www.worldcat.org/oclc/44594084" target="_blank"&gt;&lt;em&gt;The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism&lt;/em&gt;&lt;/a&gt;. Cambridge: Cambridge University Press, 2001.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
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    </collection>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="601364">
              <text>2 black and white photographs</text>
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          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="601365">
              <text>8 x 10 inches</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601012">
                <text>Publix in Sky Lake</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601013">
                <text>Sky Lake Publix</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601014">
                <text>Orlando (Fla.)</text>
              </elementText>
              <elementText elementTextId="601015">
                <text> Supermarkets--United States</text>
              </elementText>
              <elementText elementTextId="601016">
                <text> Housing--Florida</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601017">
                <text>This photograph shows a wide angle view of the Publix Supermarket on U.S. Route 441 (US 441), also known as Orange Blossom Trail (OBT) in Sky Lake, a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter. Sky Lake can be seen in the background.</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="601018">
                <text>Still Image </text>
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            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601019">
                <text>Original 8 x 10 inch black and white photograph by Fred DeWitt: &lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt;, Pine Castle, Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601020">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/179" target="_blank"&gt;Sky Lake Collection&lt;/a&gt;, Orange County Collection, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601021">
                <text>Digital reproduction of original 8 x 10 inch black and white photograph by Fred DeWitt.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601022">
                <text>Sky Lake, Florida</text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601023">
                <text>DeWitt, Fred</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601024">
                <text>Lake, Harriett</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601025">
                <text>ca. 1962-1965</text>
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            </elementTextContainer>
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          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601026">
                <text>ca. 1962-1965</text>
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            </elementTextContainer>
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          <element elementId="93">
            <name>Date Submitted</name>
            <description/>
            <elementTextContainer>
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              </elementText>
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              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
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                <text>image/jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601030">
                <text>8 x 10 inch black and white photographs</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601031">
                <text>eng </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601032">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="601033">
                <text> Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
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                <text>Originally created by Fred DeWitt.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601035">
                <text>Copyright to this resource is held by Fred DeWitt and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
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            <description/>
            <elementTextContainer>
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          </element>
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            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601037">
                <text>Barnes, Mark </text>
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            </elementTextContainer>
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          <element elementId="134">
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="601038">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601039">
                <text>&lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
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                <text>Tracy, Jane. "&lt;a href="http://dc.ocls.info/memory/image/harriett-and-hymen-lake" target="_blank"&gt;Harriett and Hymen Lake&lt;/a&gt; .'" Orlando Memory, March 11, 2014, http://dc.ocls.info/memory/image/harriett-and-hymen-lake.</text>
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        </elementContainer>
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        <name>groceries</name>
      </tag>
      <tag tagId="29703">
        <name>grocery stores</name>
      </tag>
      <tag tagId="31090">
        <name>neighborhoods</name>
      </tag>
      <tag tagId="9088">
        <name>OBT</name>
      </tag>
      <tag tagId="957">
        <name>Orange Blossom Trail</name>
      </tag>
      <tag tagId="795">
        <name>orlando</name>
      </tag>
      <tag tagId="39048">
        <name>Publix</name>
      </tag>
      <tag tagId="38865">
        <name>Sky Lake</name>
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            <name>Subject</name>
            <description/>
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                <text>Orlando (Fla.)</text>
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            <name>Description</name>
            <description/>
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                <text>The entrance to the Oak Ridge portion of the residential development in Sky Lake, Florida. The cross street on the left is Sand Lake Road. Sky Lake is a residential community and unincorporated area located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.</text>
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            <description/>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/179" target="_blank"&gt;Sky Lake Collection&lt;/a&gt;, Orange County Collection, RICHES of Central Florida.</text>
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            <name>Date Copyrighted</name>
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            <elementTextContainer>
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                <text>ca. 1962-1965</text>
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            <name>Date Submitted</name>
            <description/>
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            <description/>
            <elementTextContainer>
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            <description/>
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            <name>Language</name>
            <description/>
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            <name>Mediator</name>
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            <elementTextContainer>
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              <elementText elementTextId="601088">
                <text> Geography Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
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                <text>Originally created by Fred DeWitt.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601090">
                <text>Copyright to this resource is held by Fred DeWitt and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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            <elementTextContainer>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
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          <element elementId="134">
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            <description/>
            <elementTextContainer>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
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              <elementText elementTextId="601095">
                <text>Tracy, Jane. "&lt;a href="http://dc.ocls.info/memory/image/harriett-and-hymen-lake" target="_blank"&gt;Harriett and Hymen Lake&lt;/a&gt; .'" Orlando Memory, March 11, 2014, http://dc.ocls.info/memory/image/harriett-and-hymen-lake.</text>
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              <name>Title</name>
              <description/>
              <elementTextContainer>
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            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="601388">
                  <text>Sky Lake Collection</text>
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            <element elementId="49">
              <name>Subject</name>
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              <name>Description</name>
              <description/>
              <elementTextContainer>
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                  <text>Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.</text>
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              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="601391">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank"&gt;Orange County Collection&lt;/a&gt;, RICHES of Central Florida</text>
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              <name>Language</name>
              <description/>
              <elementTextContainer>
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              <name>Type</name>
              <description/>
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                <elementText elementTextId="601393">
                  <text>Collection</text>
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              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="601394">
                  <text>Sky Lake, Florida</text>
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              <name>Curator</name>
              <description/>
              <elementTextContainer>
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                  <text>Barnes, Mark</text>
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                <elementText elementTextId="601396">
                  <text>Cepero, Laura</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="601397">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="601398">
                  <text>&lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="601399">
                  <text>Mormino, Gary R. 2002. "&lt;a href="http://www.worldcat.org/oclc/5544029021" target="_blank"&gt;Sunbelt Dreams and Altered States: A Social and Cultural History of Florida, 1950-2000&lt;/a&gt;." &lt;em&gt;The Florida Historical Quarterly. &lt;/em&gt;81, no. 1: 3-21.</text>
                </elementText>
                <elementText elementTextId="601400">
                  <text>Arsenault, Raymond. "The End of the Long, Hot Summer: The Air Conditioner and Southern Culture." &lt;a href="http://www.worldcat.org/oclc/1782314" target="_blank"&gt;&lt;em&gt;Journal of Southern History&lt;/em&gt;&lt;/a&gt; Vol. 50, no. 4 (November, 1984): 597-628.</text>
                </elementText>
                <elementText elementTextId="601401">
                  <text>Staeheli, Lynn A. and Don Mitchell. "USA’s Destiny? Regulating Space and Creting Community in American Shopping Malls." &lt;a href="http://www.worldcat.org/oclc/37915650" target="_blank"&gt;&lt;em&gt;Urban Studies&lt;/em&gt;&lt;/a&gt; Vol. 43, nos 5/6 (May 2006): 977-992.</text>
                </elementText>
                <elementText elementTextId="601402">
                  <text>Dietrich, T. Stanton. &lt;a href="http://www.worldcat.org/oclc/4683014" target="_blank"&gt;&lt;em&gt;The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970&lt;/em&gt;&lt;/a&gt;. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978.</text>
                </elementText>
                <elementText elementTextId="601403">
                  <text>Rome, Adam Ward. &lt;a href="http://www.worldcat.org/oclc/44594084" target="_blank"&gt;&lt;em&gt;The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism&lt;/em&gt;&lt;/a&gt;. Cambridge: Cambridge University Press, 2001.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="601370">
              <text>1 black and white photograph</text>
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          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="601371">
              <text>8 x 10 inches</text>
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          </elementTextContainer>
        </element>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601096">
                <text>Sky Bowl</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601097">
                <text>Sky Bowl</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
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                <text>Orlando (Fla.)</text>
              </elementText>
              <elementText elementTextId="601099">
                <text> Bowling--Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601100">
                <text>An aerial view of Sky Bowl in Sky Lake, Florida, in the 1960s. Sky Bowl was built in 1961 and is still in operation today as AMF Sky Lane. The road pictured in the forefront of the photograph is U.S. Route 441 (US 441), also known as Orange Blossom Trail (OBT).&lt;br /&gt;&lt;br /&gt;Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.</text>
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                <text>Still Image </text>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601102">
                <text>Original 8 x 10 inch black and white photograph by Fred DeWitt: &lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt;, Pine Castle, Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601103">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/179" target="_blank"&gt;Sky Lake Collection&lt;/a&gt;, Orange County Collection, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601104">
                <text>Digital reproduction of original 8 x 10 inch black and white photograph by Fred DeWitt.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601105">
                <text>Sky Bowl, Sky Lake, Florida</text>
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            </elementTextContainer>
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            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601106">
                <text>DeWitt, Fred</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description/>
            <elementTextContainer>
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                <text>Lake, Harriett</text>
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          <element elementId="90">
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            <description/>
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                <text>ca. 1962-1965</text>
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            </elementTextContainer>
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          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601109">
                <text>ca. 1962-1965</text>
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          <element elementId="93">
            <name>Date Submitted</name>
            <description/>
            <elementTextContainer>
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            <name>Format</name>
            <description/>
            <elementTextContainer>
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                <text>image/jpg</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601112">
                <text>8 x 10 inch black and white photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601113">
                <text>eng </text>
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          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
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                <text> Geography Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
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                <text>Originally created by Fred DeWitt.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601117">
                <text>Copyright to this resource is held by Fred DeWitt and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
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                <text>Barnes, Mark </text>
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          </element>
          <element elementId="134">
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            <description/>
            <elementTextContainer>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
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                <text>&lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601122">
                <text>Tracy, Jane. "&lt;a href="http://dc.ocls.info/memory/image/harriett-and-hymen-lake" target="_blank"&gt;Harriett and Hymen Lake&lt;/a&gt; .'" Orlando Memory, March 11, 2014, http://dc.ocls.info/memory/image/harriett-and-hymen-lake.</text>
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            </elementTextContainer>
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        </elementContainer>
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      <tag tagId="29745">
        <name>homes</name>
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      <tag tagId="29744">
        <name>houses</name>
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      </tag>
      <tag tagId="38949">
        <name>Sky Bowl</name>
      </tag>
      <tag tagId="38865">
        <name>Sky Lake</name>
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                  <text>Dietrich, T. Stanton. &lt;a href="http://www.worldcat.org/oclc/4683014" target="_blank"&gt;&lt;em&gt;The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970&lt;/em&gt;&lt;/a&gt;. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978.</text>
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            <name>Language</name>
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                <text> Geography Teacher</text>
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                <text>Copyright to this resource is held by Fred DeWitt and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Barnes, Mark </text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt;</text>
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                <text>Tracy, Jane. "&lt;a href="http://dc.ocls.info/memory/image/harriett-and-hymen-lake" target="_blank"&gt;Harriett and Hymen Lake&lt;/a&gt; .'" Orlando Memory, March 11, 2014, http://dc.ocls.info/memory/image/harriett-and-hymen-lake.</text>
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                  <text>Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank"&gt;Orange County Collection&lt;/a&gt;, RICHES of Central Florida</text>
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                  <text>Arsenault, Raymond. "The End of the Long, Hot Summer: The Air Conditioner and Southern Culture." &lt;a href="http://www.worldcat.org/oclc/1782314" target="_blank"&gt;&lt;em&gt;Journal of Southern History&lt;/em&gt;&lt;/a&gt; Vol. 50, no. 4 (November, 1984): 597-628.</text>
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                  <text>Staeheli, Lynn A. and Don Mitchell. "USA’s Destiny? Regulating Space and Creting Community in American Shopping Malls." &lt;a href="http://www.worldcat.org/oclc/37915650" target="_blank"&gt;&lt;em&gt;Urban Studies&lt;/em&gt;&lt;/a&gt; Vol. 43, nos 5/6 (May 2006): 977-992.</text>
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                  <text>Dietrich, T. Stanton. &lt;a href="http://www.worldcat.org/oclc/4683014" target="_blank"&gt;&lt;em&gt;The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970&lt;/em&gt;&lt;/a&gt;. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978.</text>
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                  <text>Rome, Adam Ward. &lt;a href="http://www.worldcat.org/oclc/44594084" target="_blank"&gt;&lt;em&gt;The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism&lt;/em&gt;&lt;/a&gt;. Cambridge: Cambridge University Press, 2001.</text>
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                <text>Voltaire Drive, 1966</text>
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                <text>The Voltaire Drive entrance to Sky Lake, located off of Lancaster Road. The shot angle was due north of the entrance. Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.</text>
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                <text>Copyright to this resource is held by Fred DeWitt and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Tracy, Jane. "&lt;a href="http://dc.ocls.info/memory/image/harriett-and-hymen-lake" target="_blank"&gt;Harriett and Hymen Lake&lt;/a&gt; .'" Orlando Memory, March 11, 2014, http://dc.ocls.info/memory/image/harriett-and-hymen-lake.</text>
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        <name>Voltaire Drive</name>
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              <name>Title</name>
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                  <text>Sky Lake Collection</text>
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                  <text>Sky Lake Collection</text>
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              <name>Subject</name>
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                  <text>Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.</text>
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              <name>Is Part Of</name>
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                <elementText elementTextId="601391">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank"&gt;Orange County Collection&lt;/a&gt;, RICHES of Central Florida</text>
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            <element elementId="44">
              <name>Language</name>
              <description/>
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                <elementText elementTextId="601392">
                  <text>eng</text>
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              <name>Type</name>
              <description/>
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                <elementText elementTextId="601393">
                  <text>Collection</text>
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              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="601394">
                  <text>Sky Lake, Florida</text>
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              <name>Curator</name>
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              <elementTextContainer>
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                  <text>Barnes, Mark</text>
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                <elementText elementTextId="601396">
                  <text>Cepero, Laura</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="601397">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>Source Repository</name>
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                  <text>&lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="601399">
                  <text>Mormino, Gary R. 2002. "&lt;a href="http://www.worldcat.org/oclc/5544029021" target="_blank"&gt;Sunbelt Dreams and Altered States: A Social and Cultural History of Florida, 1950-2000&lt;/a&gt;." &lt;em&gt;The Florida Historical Quarterly. &lt;/em&gt;81, no. 1: 3-21.</text>
                </elementText>
                <elementText elementTextId="601400">
                  <text>Arsenault, Raymond. "The End of the Long, Hot Summer: The Air Conditioner and Southern Culture." &lt;a href="http://www.worldcat.org/oclc/1782314" target="_blank"&gt;&lt;em&gt;Journal of Southern History&lt;/em&gt;&lt;/a&gt; Vol. 50, no. 4 (November, 1984): 597-628.</text>
                </elementText>
                <elementText elementTextId="601401">
                  <text>Staeheli, Lynn A. and Don Mitchell. "USA’s Destiny? Regulating Space and Creting Community in American Shopping Malls." &lt;a href="http://www.worldcat.org/oclc/37915650" target="_blank"&gt;&lt;em&gt;Urban Studies&lt;/em&gt;&lt;/a&gt; Vol. 43, nos 5/6 (May 2006): 977-992.</text>
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                <elementText elementTextId="601402">
                  <text>Dietrich, T. Stanton. &lt;a href="http://www.worldcat.org/oclc/4683014" target="_blank"&gt;&lt;em&gt;The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970&lt;/em&gt;&lt;/a&gt;. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978.</text>
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                <elementText elementTextId="601403">
                  <text>Rome, Adam Ward. &lt;a href="http://www.worldcat.org/oclc/44594084" target="_blank"&gt;&lt;em&gt;The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism&lt;/em&gt;&lt;/a&gt;. Cambridge: Cambridge University Press, 2001.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
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          <name>Physical Dimensions</name>
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          <elementTextContainer>
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                <text>Sky Lake, 1966</text>
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            <description/>
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                <text> Housing--Florida</text>
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                <text> Shopping malls--United States</text>
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                <text> Retail industry</text>
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                <text>A south view of Sky Lake, Florida, in 1966. The second photograph is annotated to identify the Beeline Mall, Publix, Oak Ridge and Oak Ridge II, Sky Bowl, Orlando Central Park, Oak Ridge High School, and Candlelight Park. The roadway at the bottom of the photograph is Florida State Road 528 (SR 528) also called the Martin Andersen Bee Line Expressway. The Bee Line has since changed its name to the Martin Andersen Beachline Expressway.&lt;br /&gt;&lt;br /&gt;Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.</text>
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                <text>Still Image </text>
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            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601211">
                <text>Original 8 x 10 inch black and white photographs, 1966: &lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt;, Pine Castle, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/179" target="_blank"&gt;Sky Lake Collection&lt;/a&gt;, Orange County Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
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            <elementTextContainer>
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                <text>Digital reproduction of original 8 x 10 inch black and white photographs, 1966.</text>
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            <name>Coverage</name>
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                <text>The Adams</text>
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            <name>Language</name>
            <description/>
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            <name>Mediator</name>
            <description/>
            <elementTextContainer>
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                <text>Copyright to this resource is held by Fred DeWitt and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Barnes, Mark </text>
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            <description/>
            <elementTextContainer>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt;</text>
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                <text>Tracy, Jane. "&lt;a href="http://dc.ocls.info/memory/image/harriett-and-hymen-lake" target="_blank"&gt;Harriett and Hymen Lake&lt;/a&gt; .'" Orlando Memory, March 11, 2014, http://dc.ocls.info/memory/image/harriett-and-hymen-lake.</text>
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      <tag tagId="19158">
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      <tag tagId="13258">
        <name>Lake Jessamine</name>
      </tag>
      <tag tagId="30410">
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      <tag tagId="13449">
        <name>Oak Ridge</name>
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      <tag tagId="38932">
        <name>Oak Ridge High School</name>
      </tag>
      <tag tagId="38933">
        <name>Oak Ridge II</name>
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      <tag tagId="795">
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      </tag>
      <tag tagId="39048">
        <name>Publix</name>
      </tag>
      <tag tagId="38684">
        <name>residential developments</name>
      </tag>
      <tag tagId="15194">
        <name>retail</name>
      </tag>
      <tag tagId="38956">
        <name>shopping malls</name>
      </tag>
      <tag tagId="35714">
        <name>shops</name>
      </tag>
      <tag tagId="38949">
        <name>Sky Bowl</name>
      </tag>
      <tag tagId="38865">
        <name>Sky Lake</name>
      </tag>
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                  <text>Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank"&gt;Orange County Collection&lt;/a&gt;, RICHES of Central Florida</text>
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                  <text>Barnes, Mark</text>
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                  <text>Cepero, Laura</text>
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            <element elementId="134">
              <name>Digital Collection</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>Source Repository</name>
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                  <text>&lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="601399">
                  <text>Mormino, Gary R. 2002. "&lt;a href="http://www.worldcat.org/oclc/5544029021" target="_blank"&gt;Sunbelt Dreams and Altered States: A Social and Cultural History of Florida, 1950-2000&lt;/a&gt;." &lt;em&gt;The Florida Historical Quarterly. &lt;/em&gt;81, no. 1: 3-21.</text>
                </elementText>
                <elementText elementTextId="601400">
                  <text>Arsenault, Raymond. "The End of the Long, Hot Summer: The Air Conditioner and Southern Culture." &lt;a href="http://www.worldcat.org/oclc/1782314" target="_blank"&gt;&lt;em&gt;Journal of Southern History&lt;/em&gt;&lt;/a&gt; Vol. 50, no. 4 (November, 1984): 597-628.</text>
                </elementText>
                <elementText elementTextId="601401">
                  <text>Staeheli, Lynn A. and Don Mitchell. "USA’s Destiny? Regulating Space and Creting Community in American Shopping Malls." &lt;a href="http://www.worldcat.org/oclc/37915650" target="_blank"&gt;&lt;em&gt;Urban Studies&lt;/em&gt;&lt;/a&gt; Vol. 43, nos 5/6 (May 2006): 977-992.</text>
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                <elementText elementTextId="601402">
                  <text>Dietrich, T. Stanton. &lt;a href="http://www.worldcat.org/oclc/4683014" target="_blank"&gt;&lt;em&gt;The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970&lt;/em&gt;&lt;/a&gt;. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978.</text>
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                <elementText elementTextId="601403">
                  <text>Rome, Adam Ward. &lt;a href="http://www.worldcat.org/oclc/44594084" target="_blank"&gt;&lt;em&gt;The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism&lt;/em&gt;&lt;/a&gt;. Cambridge: Cambridge University Press, 2001.</text>
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                <text>Sky Lake Construction</text>
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                <text>Sky Lake Construction</text>
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            <name>Subject</name>
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                <text>Orlando (Fla.)</text>
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                <text> Housing--Florida</text>
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            <name>Description</name>
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                <text>Construction at Sky Lake, located approximately seven miles south of Downtown Orlando, Florida, between Lancaster Road and Sand Lake Road.  The Sky Lake residential community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. This residential community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.</text>
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                <text>Original black and white photograph by Fred DeWitt: &lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt;, Pine Castle, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/179" target="_blank"&gt;Sky Lake Collection&lt;/a&gt;, Orange County Collection, RICHES of Central Florida.</text>
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            <name>Coverage</name>
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            <name>Contributor</name>
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                <text>Lake, Harriett</text>
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            <name>Date Created</name>
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              <elementText elementTextId="630046">
                <text>ca. 1962-1965</text>
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            </elementTextContainer>
          </element>
          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="630047">
                <text>ca. 1962-1965</text>
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            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="630048">
                <text>image/jpg</text>
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            </elementTextContainer>
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            <name>Extent</name>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="630050">
                <text>1 black and white photograph</text>
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            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="630051">
                <text>eng </text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
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                <text>History Teacher</text>
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                <text> Geography Teacher</text>
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            <name>Provenance</name>
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                <text>Originally created by Fred DeWitt.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by the &lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
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                <text>Cepero, Laura</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="630058">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
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              <elementText elementTextId="630060">
                <text>Tracy, Jane. "&lt;a href="http://dc.ocls.info/memory/image/harriett-and-hymen-lake" target="_blank"&gt;Harriett and Hymen Lake&lt;/a&gt; .'" Orlando Memory, March 11, 2014, http://dc.ocls.info/memory/image/harriett-and-hymen-lake.</text>
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        <name>construction</name>
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      <tag tagId="47080">
        <name>excavators</name>
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      <tag tagId="35597">
        <name>Fred DeWitt</name>
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      <tag tagId="795">
        <name>orlando</name>
      </tag>
      <tag tagId="38865">
        <name>Sky Lake</name>
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                  <text>Oviedo Historical Society Collection</text>
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            <element elementId="86">
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            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="525083">
                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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            <element elementId="104">
              <name>Is Part Of</name>
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              <elementTextContainer>
                <elementText elementTextId="525084">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank"&gt;Oviedo Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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              </elementTextContainer>
            </element>
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              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="525085">
                  <text>eng</text>
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              <name>Type</name>
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              <name>Coverage</name>
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                  <text>Oviedo, Florida</text>
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            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
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                <elementText elementTextId="525088">
                  <text>&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;</text>
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                <elementText elementTextId="525089">
                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="525090">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="525091">
                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
                </elementText>
                <elementText elementTextId="525092">
                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
                </elementText>
                <elementText elementTextId="525093">
                  <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
                </elementText>
                <elementText elementTextId="525094">
                  <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
                </elementText>
                <elementText elementTextId="525095">
                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="541216">
              <text>1 color photograph</text>
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          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description/>
          <elementTextContainer>
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              <text>20 x 16 inches</text>
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          </elementTextContainer>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
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                <text>Pre-Cooler at the Nelson and Company Packing Plant, 1973</text>
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          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="541119">
                <text>Nelson and Co. Packing Plant Pre-Cooler</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
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              <elementText elementTextId="541120">
                <text>Agriculture--Florida</text>
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              <elementText elementTextId="541121">
                <text> Oviedo (Fla.)</text>
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                <text> Celery industry</text>
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                <text> Packing industry</text>
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                <text> Precooling</text>
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          <element elementId="41">
            <name>Description</name>
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                <text>The Nelson and Company Packing plant and a pre-cooler. The company was originally founded by Steen Nelson and Gus Nelson and called Nelson Brothers. The company changed its name to Nelson and Company after it became a three-way partnership between the brothers and Benjamin Franklin Wheeler. In 1923, Wheeler became sole owner after buying out the company. The Wheeler Fertilizer Plant was a holding of Nelson and Company. The original plant was destroyed in a fire in 1947, but eventually rebuilt six months later. Nelson and Company is located in what is now the Nelson and Company Historic District, and was incorparated in September of 2001. The 80-acre district encompasses four of Nelson and Company's historic buildings. This photograph was taken by Henry DeWolf in 1973 for an aerial survey of Oviedo.</text>
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            <description/>
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                <text>&lt;a href="http://history.cah.ucf.edu/files/events/3099.pdf" target="_blank"&gt;Oviedo History Harvest&lt;/a&gt;</text>
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                <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                  <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                <text>The Nelson and Company Packing Plant, as well as the Wheeler Fetilizer Company Plant. The company was originally founded by Steen Nelson and Gus Nelson and called Nelson Brothers. The company changed its name to Nelson and Company after it became a three-way partnership between the brothers and Benjamin Franklin Wheeler. In 1923, Wheeler became sole owner after buying out the company. The Wheeler Fertilizer Plant was a holding of Nelson and Company. The original plant was destroyed in a fire in 1947, but eventually rebuilt six months later. Nelson and Company is located in what is now the Nelson and Company Historic District, and was incorparated in September of 2001. The 80-acre district encompasses four of Nelson and Company's historic buildings. This photograph was taken by Henry DeWolf in 1973 for an aerial survey of Oviedo.</text>
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                <text>&lt;a href="http://history.cah.ucf.edu/files/events/3099.pdf" target="_blank"&gt;Oviedo History Harvest&lt;/a&gt;</text>
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                <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                  <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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      <name>Still Image</name>
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            <name>Title</name>
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                <text>Citizens Bank of Oviedo, 1973</text>
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                <text>Citizens Bank of Oviedo</text>
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          <element elementId="49">
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                <text>The Citizens Bank of Oviedo, which originally opened on East Broadway Street on July 2, 1946. The land on which the bank sits was originally the Bill Browning celery farm. The Citizens Bank of Oviedo took in over half a million dollars in deposits on its first day, with B. F. Wheeler as president, C. R. Clonts as vice president, and Charles Shaffer as the cashier. In 1949, the bank moved to the Memorial Building, which is located at 38 South Central Avenue. This photograph was taken by Henry DeWolf for an aerial survey of Oviedo, Florida. On March 25, 1974, the Citizens' Bank of Oviedo reopened at 156 Geneva Drive. The bank is now the Citizens' Bank of Florida with locations throughout Seminole County.</text>
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                <text>Original 20 x 16 inch color photograph by Henry DeWolf: Private Collection of Arthur Evans.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank"&gt;Oviedo Historical Society Collection&lt;/a&gt;, Oviedo Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original 20 x 16 inch color photograph by Henry DeWolf.</text>
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            <name>Extent</name>
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            <name>Mediator</name>
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            <elementTextContainer>
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                <text> Economics Teacher</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by Henry DeWolf and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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            <elementTextContainer>
              <elementText elementTextId="541209">
                <text>&lt;a href="http://history.cah.ucf.edu/files/events/3099.pdf" target="_blank"&gt;Oviedo History Harvest&lt;/a&gt;</text>
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              <elementText elementTextId="541210">
                <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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            <name>Curator</name>
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                <text>Dossie, Porsha</text>
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            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="541213">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          </element>
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            <name>Source Repository</name>
            <description/>
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                <text>Private Collection of Arthur Evans</text>
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            <name>External Reference</name>
            <description/>
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              <elementText elementTextId="541215">
                <text>Neely, Larry. "Citizens Bank Founded in 1946." &lt;em&gt;The Oviedo Heritage&lt;/em&gt;, June 30, 1977.</text>
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              <elementText elementTextId="555994">
                <text>Rajtar, Steve. "&lt;a href="http://www.geocities.ws/krdvry/hikeplans/oviedo/planoviedo.html" target="_blank"&gt;Oviedo Historical Trail&lt;/a&gt;". Steve Rajtar. http://www.geocities.ws/krdvry/hikeplans/oviedo/planoviedo.html.</text>
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        <name>bank</name>
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        <name>banking</name>
      </tag>
      <tag tagId="23908">
        <name>Citizens'  Bank of Oviedo</name>
      </tag>
      <tag tagId="23909">
        <name>Citizens' Bank of Florida</name>
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      <tag tagId="23910">
        <name>Geneva Drive</name>
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        <name>Henry DeWolf</name>
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                  <text>This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards.</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="560088">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
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                <text>Circular Congregational Church Postcard</text>
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                <text>A postcard depicting the Circular Congregational Church in Charleston, which was organized in 1681. It is one of the oldest continuously worshipping congregations in the South. The present building was completed in 1892 using bricks from the Old Circular Hall, which burned down in 1861.&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
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            <description/>
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                <text>Original 3 x 5 inch color postcard: ACC# SM-00-243, file folder 1 (U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>File folder 1 (U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Digital reproduction of original 3 x 5 inch color postcard.</text>
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                <text>H. L. Koester &amp;amp;amp</text>
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                <text>3 x 5 inch color postcard</text>
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                <text>eng</text>
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                <text>History Teacher</text>
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                <text>Originally created by Dexter Press, Inc. and published by H. L. Koester &amp;amp;amp</text>
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                <text>Son.</text>
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            <name>Rights Holder</name>
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              <elementText elementTextId="593129">
                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Raffel, Sara</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.circularchurch.org/history" target="_blank"&gt;A Brief History of the Circular Church&lt;/a&gt;." Circular Congregational Church. http://www.circularchurch.org/history.</text>
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        <name>Charles Town, South Carolina</name>
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        <name>churches</name>
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        <name>Independent Church of Charles Town</name>
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        <name>Lance Hall</name>
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        <name>Meeting House</name>
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                  <text>Lucile Campbell Collection</text>
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                  <text>Sanford (Fla.)</text>
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                  <text>This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards.</text>
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                  <text>Campbell, Lucille</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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      <name>Still Image</name>
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              <text>1 color photographic postcard</text>
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          <name>Physical Dimensions</name>
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              <text>3 x 5 inches</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
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                <text>Butler's Postcard</text>
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            <description/>
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                <text>Butler's Postcard</text>
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            <name>Subject</name>
            <description/>
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                <text>Restaurants--Florida</text>
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            <description/>
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                <text>A postcard depicting the exterior of Butler's, advertised as the first restaurant in Florida on U.S. Route 17. Butler's was located at the junction of US 17, Florida State Road 200 (SR 200), and Florida State Road A1A (SR A1A) in Yulee, a census-designated place that is now known for a golf course designed in part by Arnold Palmer (1929-).&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
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            <name>Type</name>
            <description/>
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                <text>Still Image</text>
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            <name>Source</name>
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                <text>Original 3 x 5 inch color postcard by Dexter Press, Inc.: ACC# SM-00-243, file folder 1 (U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="593825">
                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>File folder 1 (U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
            <description/>
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                <text>Digital reproduction of original 3 x 5 inch color postcard.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
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                <text>Yulee, Florida</text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
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              <elementText elementTextId="593830">
                <text>Dexter Press, Inc.</text>
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            <name>Publisher</name>
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                <text>Inlow, Norton D.</text>
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            <name>Contributor</name>
            <description/>
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                <text>Campbell, Lucile</text>
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            <name>Date Created</name>
            <description/>
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                <text>ca. 1950-1970</text>
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            <name>Date Copyrighted</name>
            <description/>
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              <elementText elementTextId="593834">
                <text>ca. 1950-1970</text>
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            <name>Format</name>
            <description/>
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                <text>application/pdf</text>
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            <name>Extent</name>
            <description/>
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                <text>255 KB</text>
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            <name>Medium</name>
            <description/>
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                <text>3 x 5 inch color postcard</text>
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            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="593838">
                <text>eng</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="593839">
                <text>History Teacher</text>
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              <elementText elementTextId="593840">
                <text> Geography Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
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                <text>Originally created by Dexter Press, Inc. and published by Norton D. Inlow.</text>
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            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
            <description/>
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                <text>Donation</text>
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            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
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                <text>Aphasia Project</text>
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            <name>Curator</name>
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                <text>Raffel, Sara</text>
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          <element elementId="134">
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            <description/>
            <elementTextContainer>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="593847">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
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                <text>Hunn, Max. "&lt;a href="https://news.google.com/newspapers?id=j3NPAAAAIBAJ&amp;amp;sjid=vgQEAAAAIBAJ&amp;amp;pg=3656%2C1357787" target="_blank"&gt;Driving Through Florida History&lt;/a&gt;." &lt;em&gt;The Ocala Star-Banner&lt;/em&gt;, Aug 19, 1956. https://news.google.com/newspapers?id=j3NPAAAAIBAJ&amp;amp;sjid=vgQEAAAAIBAJ&amp;amp;pg=3656%2C1357787.</text>
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        <name>Butler's</name>
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        <name>cars</name>
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        <name>Florida State Road 200</name>
      </tag>
      <tag tagId="19208">
        <name>Florida State Road A1A</name>
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        <name>motor vehicles</name>
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        <name>SR 200</name>
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      <tag tagId="19209">
        <name>SR A1A</name>
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        <name>truck stops</name>
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      <tag tagId="12544">
        <name>U.S. Route 17</name>
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      <tag tagId="37758">
        <name>US 17</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://cityofwinterpark.org/" target="_blank" rel="noreferrer noopener"&gt;City of Winter Park&lt;/a&gt;&lt;span&gt;." City of Winter Park, Florida. http://cityofwinterpark.org/.&lt;/span&gt;</text>
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                  <text>"&lt;a href="http://www.wphistory.org/explore-history/winter-park/" target="_blank" rel="noreferrer noopener"&gt;WINTER PARK HISTORY&lt;/a&gt;." Winter Park History Museum, Winter Park Historical Society. http://www.wphistory.org/explore-history/winter-park/.</text>
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                  <text>Cutler, Jesse. "&lt;em&gt;&lt;a href="https://search.worldcat.org/title/268957223" target="_blank" rel="noreferrer noopener"&gt;Starlust : The Price of Fame&lt;/a&gt;&lt;/em&gt;. Garden City, N.Y.: Morgan James Publishing. 2008.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/140" target="_blank" rel="noreferrer noopener"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES.</text>
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                <text>Letter from Morris I. Diamond to Lou Gibaldi (December 20, 1965)</text>
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                <text>Letter from Morris to Gibaldi (December 20, 1965)</text>
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                <text>A letter of correspondence from Morris I. Diamond, National Promotion Director of Mercury Record Corporation, to Lou Gibaldi. Diamond informs Gibaldi that he received his letter and picutres of The Young Executives, and requests that a few thousand more be sent so that he could mail them to all radio stations. Diamond says that they all like the record and asks if the band is available to do some promotion. He asks if the kids in the band go to school and requests a complete biography on all three of them.&lt;br /&gt;&lt;br /&gt;Initially called the Executives, the band was formed in 1963 by Jesse Cutler (then known as Lou London), Ricky Shutter and Steve Wagner. The band signed to Mercury Records in 1964, where they recorded a hit single called "Everybody Do the Duck". That same year, the band appeared as guests on the Joe Franklin Show, Wonderama, The Clay Cole Show, American Bandstand, Hullaballoo and Shindig. Over the next two years they performed at charity events and private celebrity parties all over Long Island and New York City. They played in the company of the Rolling Stones, Sammy Davis Jr., Barbra Streisand, Anthony Newley, Joan Collins and the Beatles. The group broke up in 1966.&lt;br /&gt;&lt;br /&gt;Jesse Cutler has spent an illustrious career, beginning at age 12, as a musician, composer, actor, producer, and entrepreneur. Starting in New York City in the 1960s and then in Los Angeles from the early ‘70s through the late ‘90s, Jesse performed with his bands and in the original cast of Godspell on Broadway, made records that saw Billboard’s Top 100, formed his own companies and appeared on TV and radio and in national print.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/227" target="_blank" rel="noreferrer noopener"&gt;Jesse Cutler Collection&lt;/a&gt;, &lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/140" target="_blank" rel="noreferrer noopener"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES.</text>
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                <text>Malverne, New York</text>
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                <text> Mercury Record Corporation, Chicago, Illinois</text>
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                <text>Diamond, Morris I.</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank" rel="noreferrer noopener"&gt;RICHES&lt;/a&gt;</text>
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                <text>1965-12-20</text>
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                <text>1965-12-20</text>
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                <text>eng </text>
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                <text>History Teacher</text>
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                <text> Music Teacher&#13;
</text>
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                <text>Originally created and published by Morris I. Diamond.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by Jesse Cutler and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank" rel="noreferrer noopener"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Cravero, Geoffrey</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Private Collection of Jesse Cutler.</text>
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                <text>Cutler, Jesse. "&lt;em&gt;&lt;a href="https://search.worldcat.org/title/268957223" target="_blank" rel="noreferrer noopener"&gt;Starlust : The Price of Fame&lt;/a&gt;&lt;/em&gt;. Garden City, N.Y.: Morgan James Publishing. 2008.</text>
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                <text>&lt;br /&gt;&lt;br /&gt;"&lt;a href="http://www.wphistory.org/explore-history/winter-park/" target="_blank" rel="noreferrer noopener"&gt;WINTER PARK HISTORY&lt;/a&gt;." Winter Park History Museum, Winter Park Historical Society. http://www.wphistory.org/explore-history/winter-park/.</text>
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              <elementText elementTextId="698506">
                <text>&lt;br /&gt;&lt;br /&gt;&lt;span&gt;"&lt;/span&gt;&lt;a href="http://cityofwinterpark.org/" target="_blank" rel="noreferrer noopener"&gt;City of Winter Park&lt;/a&gt;&lt;span&gt;." City of Winter Park, Florida. http://cityofwinterpark.org/.&lt;/span&gt;</text>
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        <name>Jesse Cutler</name>
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        <name>Lou Gibaldi</name>
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        <name>Lou London</name>
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        <name>Louis Milo Gibaldi</name>
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        <name>Mercury Record Corporation</name>
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        <name>Mercury Records</name>
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        <name>Morris I. Diamond</name>
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        <name>music</name>
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        <name>musicians</name>
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        <name>Record Industry Association of America</name>
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        <name>Ricky Shutter</name>
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        <name>Steve Wagner</name>
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                  <text>Collection of digital images, documents, and oral histories depicting the life and work of Jesse Cutler. Cutler has spent an illustrious career, beginning at age 12, as a musician, composer, actor, producer, and entrepreneur. Starting in New York City in the 1960s and then in Los Angeles from the early ‘70s through the late ‘90s, Jesse performed with his bands and in the original cast of Godspell on Broadway, made records that saw Billboard’s Top 100, formed his own companies and appeared on TV and radio and in national print.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://cityofwinterpark.org/" target="_blank" rel="noreferrer noopener"&gt;City of Winter Park&lt;/a&gt;&lt;span&gt;." City of Winter Park, Florida. http://cityofwinterpark.org/.&lt;/span&gt;</text>
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                  <text>"&lt;a href="http://www.wphistory.org/explore-history/winter-park/" target="_blank" rel="noreferrer noopener"&gt;WINTER PARK HISTORY&lt;/a&gt;." Winter Park History Museum, Winter Park Historical Society. http://www.wphistory.org/explore-history/winter-park/.</text>
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                  <text>Cutler, Jesse. "&lt;em&gt;&lt;a href="https://search.worldcat.org/title/268957223" target="_blank" rel="noreferrer noopener"&gt;Starlust : The Price of Fame&lt;/a&gt;&lt;/em&gt;. Garden City, N.Y.: Morgan James Publishing. 2008.</text>
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              <name>Is Part Of</name>
              <description/>
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                <elementText elementTextId="690828">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/140" target="_blank" rel="noreferrer noopener"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698507">
                <text>Letter from Morris I. Diamond to All Distributors, Promotion Managers and Regional Managers (December 28, 1965)</text>
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                <text>Letter from Morris to Distributors and Managers (December 28, 1965)</text>
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            <name>Subject</name>
            <description/>
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                <text>Music--New York (State)--New York--20th century</text>
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                <text>A letter of correspondence from Morris I. Diamond, National Promotion Director of Mercury Record Corporation, to all distributors, promotion managers and regional manager. Diamond mentions a new Mercury single called "Everybody Do the Duck", that had been sent to the recipients the previous week. Diamond praises the song and the band, The Young Executives. A black and white promotional photograph of the group is attached. The word "Young" is handwritten in between the typed words "The" and Executives", indicating that the band's name had been updated.&lt;br /&gt;&lt;br /&gt;Initially called the Executives, the band was formed in 1963 by Jesse Cutler (then known as Lou London), Ricky Shutter and Steve Wagner. The band signed to Mercury Records in 1964, where they recorded a hit single called "Everybody Do the Duck". That same year, the band appeared as guests on the Joe Franklin Show, Wonderama, The Clay Cole Show, American Bandstand, Hullaballoo and Shindig. Over the next two years they performed at charity events and private celebrity parties all over Long Island and New York City. They played in the company of the Rolling Stones, Sammy Davis Jr., Barbra Streisand, Anthony Newley, Joan Collins and the Beatles. The group broke up in 1966.&lt;br /&gt;&lt;br /&gt;Jesse Cutler has spent an illustrious career, beginning at age 12, as a musician, composer, actor, producer, and entrepreneur. Starting in New York City in the 1960s and then in Los Angeles from the early ‘70s through the late ‘90s, Jesse performed with his bands and in the original cast of Godspell on Broadway, made records that saw Billboard’s Top 100, formed his own companies and appeared on TV and radio and in national print.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/227" target="_blank" rel="noreferrer noopener"&gt;Jesse Cutler Collection&lt;/a&gt;, &lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/140" target="_blank" rel="noreferrer noopener"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES.</text>
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                <text>Cutler, Jesse. "&lt;em&gt;&lt;a href="https://search.worldcat.org/title/268957223" target="_blank" rel="noreferrer noopener"&gt;Starlust : The Price of Fame&lt;/a&gt;&lt;/em&gt;. Garden City, N.Y.: Morgan James Publishing. 2008.</text>
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                <text>Halifax Historical Society (Daytona Beach, Fla.). &lt;a href="http://www.worldcat.org/oclc/46980986" target="_blank"&gt;&lt;em&gt;Timeless Daytona Beach. Daytona Beach, Fla: Halifax Historical Society, 2001.&lt;/em&gt;&lt;/a&gt;</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>Wahl, Julie</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Fisher, Marc. &lt;a href="http://www.worldcat.org/oclc/69594101" target="_blank"&gt;&lt;em&gt;Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation&lt;/em&gt;&lt;/a&gt;. New York: Random House, 2007.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                <text>"Bo Diddley" by The Rovin' Flames</text>
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                <text>"Bo Diddley" by Rovin' Flames</text>
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                <text>Rovin' Flames (Musical group)</text>
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                <text> Tampa (Fla.)</text>
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                <text> Music--United States</text>
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                <text> Diddley, Bo, 1928-2008</text>
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                <text> Bates, Ellas, 1928-2008</text>
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                <text> Goff, Jerry</text>
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                <text> Morris, Jimmy</text>
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                <text>A 45 RPM vinyl record single of the song, "Bo Diddley," recorded by The Rovin' Flames on Tampa Bay Records at H and H Productions in Tampa, Florida, in June of 1966. The record was produced by Phil Kempin and the song was written by Bo Diddley, a.k.a. Ellas Otha Bates or Ellas McDaniel. The B-side is "Seven Million People."&lt;br /&gt;&lt;br /&gt;The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969.</text>
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                <text>Original vinyl record, June 1966: &lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank"&gt;Profiles: Bands &amp;amp; Artists&lt;/a&gt;, Tampa Bay Music Scene Historical Society.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original vinyl record, June 1966. &lt;a href="http://www.tampabaymusichistory.com/resources/capture-20130201-091134.jpg" target="_blank"&gt;http://www.tampabaymusichistory.com/resources/capture-20130201-091134.jpg&lt;/a&gt;.</text>
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                <text>Diddley, Bo</text>
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                <text> The Rovin' Flames</text>
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                <text>Copyright to this resource is held by &lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.tampabaymusichistory.com/" target="_blank"&gt;Tampa Bay Music Scene Historical Society&lt;/a&gt;</text>
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                <text>Joynson, Vernon. &lt;a href="http://www.worldcat.org/oclc/38424827" target="_blank"&gt;&lt;em&gt;Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)&lt;/em&gt;&lt;/a&gt;. Glasgow: Borderline, 1997.</text>
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        <name>Diddley, Bo</name>
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      <tag tagId="27183">
        <name>Kempin, Phil</name>
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        <name>Maietta, J. R.</name>
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        <name>McDaniel, Ellas</name>
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        <name>Morris, Jimmy "Mouse"</name>
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                  <text>Veterans--Florida</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener"&gt;RICHES&lt;/a&gt;.</text>
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                  <text>&lt;a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener"&gt;Florida-France Soldier Stories Project&lt;/a&gt;.</text>
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              <name>Language</name>
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                  <text>Barnes, Mark </text>
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                  <text>Cepero, Laura</text>
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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                <elementText elementTextId="627733">
                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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        <element elementId="7">
          <name>Original Format</name>
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              <text>1 black and white photograph </text>
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        <name>Dublin Core</name>
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            <name>Title</name>
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                <text>Grave of Lieutenant Dean N. Post, Jr.</text>
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                <text>Grave of Lt. Dean Post</text>
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                <text>World War II, 1939-1945</text>
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                <text>Veterans--Florida</text>
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                <text>The gravesite of Lieutenant Dean N. Post, Jr. (1921-1944). Lt. Post was a pilot from Tampa, Florida, who served in the U.S. Army during World World II with the 357th Fighter Group of the 264th Fighter Squadron. His airplane crashed in Martimpré, France, on May 27, 1944, and was executed by German authorities after being hidden by French citizens in Gérardmer. Lt. Post is buried at Epinal American Cemetery and Memorial in Dinozé, France. </text>
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            <name>Creator</name>
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                <text>Didier, Jean</text>
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            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description/>
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              <elementText elementTextId="601494">
                <text>Digital reproduction of original black and white photograph by André Voirin, May 27, 1944. &lt;a href="http://francecrashes39-45.net/page_fiche_av.php?id=2675" target="_blank"&gt;http://francecrashes39-45.net/page_fiche_av.php?id=2675&lt;/a&gt;.</text>
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                <text>1944-05-29</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601496">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601497">
                <text>image/jpg</text>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
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                <text>233 KB</text>
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            </elementTextContainer>
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            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601552">
                <text>1 black and white photograph </text>
              </elementText>
            </elementTextContainer>
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            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601553">
                <text>fre</text>
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                <text>Gérardmer, France</text>
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          <element elementId="117">
            <name>Accrual Method</name>
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            <name>Provenance</name>
            <description/>
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                <text>Originally created by Jean Didier.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
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                <text>Copyright to this resource is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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          <element elementId="138">
            <name>Contributing Project</name>
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                <text>Epinal Cemetery Project</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
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                <text>Bates, Chris</text>
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              <elementText elementTextId="601563">
                <text>Cepero, Laura</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <description/>
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                <text>"&lt;a href="https://familysearch.org/ark:/61903/1:1:VTZL-TCM" target="_blank"&gt;Dean Post&lt;/a&gt;." FamilySearch. https://familysearch.org/ark:/61903/1:1:VTZL-TCM.</text>
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                <text>"&lt;a href="http://francecrashes39-45.net/page_fiche_av.php?id=2675" target="_blank"&gt;Crash du P-51 Mustang - type B-10-NA - s/n 42-106632 C5*?&lt;/a&gt;" Franch-Crashes 39-45. http://francecrashes39-45.net/page_fiche_av.php?id=2675.</text>
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                <text>"&lt;a href="https://fold3.com/image/28628684/?terms=Dean%20Post" target="_blank"&gt;Missing Air Crew Reports&lt;/a&gt;." fold3.com. https://fold3.com/image/28628684/?terms=Dean%20Post.</text>
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                <text>Frommer, Jean-Loup. "&lt;a href="http://www.aerosteles.net/stelefr-gerardmer-post" target="_blank"&gt;1st Ltt Post N. Dean Jr.&lt;/a&gt;" Aérostèles. http://www.aerosteles.net/stelefr-gerardmer-post.</text>
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                <text>La tombe de l'aviateur américain Post DEAN, assassiné à Gérardmer, le 29 mai 1944. La tombe fut recoverte de gerbes de lilas par les Gérômois. Les Allemands firent enlever les fleurs à plusiers reprises...Photo Jean Didier</text>
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                <text>The grave of an American aviator&#13;
Post DEAN, murdered in Gerardmer, &#13;
May 29, 1944.&#13;
The tomb was covered with lilac wreaths by Gérômois. &#13;
The Germans did remove the flowers several times ...&#13;
&#13;
Photo Jean Didier &#13;
</text>
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        <name>aviators</name>
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        <name>U.S. Army</name>
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                  <text>Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank"&gt;Orange County Collection&lt;/a&gt;, RICHES of Central Florida</text>
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            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="601397">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="601398">
                  <text>&lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="601399">
                  <text>Mormino, Gary R. 2002. "&lt;a href="http://www.worldcat.org/oclc/5544029021" target="_blank"&gt;Sunbelt Dreams and Altered States: A Social and Cultural History of Florida, 1950-2000&lt;/a&gt;." &lt;em&gt;The Florida Historical Quarterly. &lt;/em&gt;81, no. 1: 3-21.</text>
                </elementText>
                <elementText elementTextId="601400">
                  <text>Arsenault, Raymond. "The End of the Long, Hot Summer: The Air Conditioner and Southern Culture." &lt;a href="http://www.worldcat.org/oclc/1782314" target="_blank"&gt;&lt;em&gt;Journal of Southern History&lt;/em&gt;&lt;/a&gt; Vol. 50, no. 4 (November, 1984): 597-628.</text>
                </elementText>
                <elementText elementTextId="601401">
                  <text>Staeheli, Lynn A. and Don Mitchell. "USA’s Destiny? Regulating Space and Creting Community in American Shopping Malls." &lt;a href="http://www.worldcat.org/oclc/37915650" target="_blank"&gt;&lt;em&gt;Urban Studies&lt;/em&gt;&lt;/a&gt; Vol. 43, nos 5/6 (May 2006): 977-992.</text>
                </elementText>
                <elementText elementTextId="601402">
                  <text>Dietrich, T. Stanton. &lt;a href="http://www.worldcat.org/oclc/4683014" target="_blank"&gt;&lt;em&gt;The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970&lt;/em&gt;&lt;/a&gt;. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978.</text>
                </elementText>
                <elementText elementTextId="601403">
                  <text>Rome, Adam Ward. &lt;a href="http://www.worldcat.org/oclc/44594084" target="_blank"&gt;&lt;em&gt;The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism&lt;/em&gt;&lt;/a&gt;. Cambridge: Cambridge University Press, 2001.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="601386">
              <text>1 black and white photograph</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="601387">
              <text>8 x 10 inches</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601315">
                <text>Sky Lake, 1959</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601316">
                <text>Sky Lake</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601317">
                <text>Orlando (Fla.)</text>
              </elementText>
              <elementText elementTextId="601318">
                <text> Housing--Florida</text>
              </elementText>
              <elementText elementTextId="601319">
                <text> Real estate--Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601320">
                <text>An aerial view from 1959, likely depicting the land that would be used to developed Sky Lake, Florida. The second photograph is annotated to identify the surrounded roads, including Lancaster Road, Oak Ridge Road, and U.S. Route 441 (US 441), also known as Orange Blossom Trail (OBT). Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.</text>
              </elementText>
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          </element>
          <element elementId="51">
            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601321">
                <text>Still Image </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601322">
                <text>Original 8 x 10 inch black and white photograph, September 15, 1959: &lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt;, Pine Castle, Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601323">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/179" target="_blank"&gt;Sky Lake Collection&lt;/a&gt;, Orange County Collection, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601324">
                <text>Digital reproduction of original 8 x 10 inch black and white photograph, September 15, 1959.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601325">
                <text>Sky Lake, Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601326">
                <text>Dillon Aerial Photography</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601327">
                <text>Lake, Harriett</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601328">
                <text>1959-09-15</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="93">
            <name>Date Submitted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601329">
                <text>179 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601330">
                <text>image/jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601331">
                <text>8 x 10 inch black and white photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601332">
                <text>eng </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601333">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="601334">
                <text> Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601335">
                <text>Originally published by Dillon Aerial Photography.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601336">
                <text>Copyright to this resource is held by Dillon Aerial Photography and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601337">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601338">
                <text>Barnes, Mark </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601339">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601340">
                <text>&lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="601341">
                <text>Tracy, Jane. "&lt;a href="http://dc.ocls.info/memory/image/harriett-and-hymen-lake" target="_blank"&gt;Harriett and Hymen Lake&lt;/a&gt; .'" Orlando Memory, March 11, 2014, http://dc.ocls.info/memory/image/harriett-and-hymen-lake.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="29745">
        <name>homes</name>
      </tag>
      <tag tagId="29744">
        <name>houses</name>
      </tag>
      <tag tagId="19158">
        <name>housing</name>
      </tag>
      <tag tagId="31090">
        <name>neighborhoods</name>
      </tag>
      <tag tagId="795">
        <name>orlando</name>
      </tag>
      <tag tagId="7239">
        <name>real estate</name>
      </tag>
      <tag tagId="38684">
        <name>residential developments</name>
      </tag>
      <tag tagId="38865">
        <name>Sky Lake</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="3094" public="1" featured="0">
    <fileContainer>
      <file fileId="4008">
        <src>https://richesmi.cah.ucf.edu/omeka/files/original/b68be473f951291de70776da931af490.pdf</src>
        <authentication>ce748faaff6172c2f6a075c8200d5854</authentication>
      </file>
    </fileContainer>
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      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="437150">
                  <text>Celery Soup: Florida's Folk Life Play Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="437151">
                  <text>Celery Soup Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="437152">
                  <text>Sanford (Fla.)</text>
                </elementText>
                <elementText elementTextId="437153">
                  <text>Community theater--United States</text>
                </elementText>
                <elementText elementTextId="437154">
                  <text>Theater--United States</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="437155">
                  <text>The &lt;em&gt;Celery Soup: Florida’s Folk Life Play&lt;/em&gt; Collection encompasses photographs, artifacts, and oral histories related to the production of Creative Sanford, Inc.'s and Celery Soup's play &lt;em&gt;Remade - Not Bought&lt;/em&gt;, performed at the Princess Theater in 2013. Many of the items in this collection were collected by Dr. Scot French's Tools in Digital History Seminar Graduate Class during the Fall 2013 semester at the University of Central Florida.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="437157">
                  <text>Dingle, Cathy Lee</text>
                </elementText>
                <elementText elementTextId="511465">
                  <text>Delgado, Natalie</text>
                </elementText>
                <elementText elementTextId="511466">
                  <text>Fedorka, Drew M.</text>
                </elementText>
                <elementText elementTextId="511467">
                  <text>Ford, Nancy Harris</text>
                </elementText>
                <elementText elementTextId="511468">
                  <text>French, Scot A.</text>
                </elementText>
                <elementText elementTextId="511469">
                  <text>Kelley, Katie</text>
                </elementText>
                <elementText elementTextId="511470">
                  <text>Lee, Luticia Gormley</text>
                </elementText>
                <elementText elementTextId="511471">
                  <text>Maliczowski, Linda Lee</text>
                </elementText>
                <elementText elementTextId="511472">
                  <text>Maples, Marilyn</text>
                </elementText>
                <elementText elementTextId="511473">
                  <text>Miller, Mark</text>
                </elementText>
                <elementText elementTextId="511474">
                  <text>Reisz, Autumn</text>
                </elementText>
                <elementText elementTextId="511475">
                  <text>Thompson, Trish</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="437158">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="560035">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="437159">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="437160">
                  <text>Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="437161">
                  <text>Celery Soup: Florida’s Folk Life Play, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511476">
                  <text>Creative Sanford, Inc., Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511477">
                  <text>Princess Theater, Sanford, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="437165">
                  <text>&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="437166">
                  <text>&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Celery Soup: Florida’s Folk Life Play&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="511478">
                  <text>&lt;span&gt;Dr. &lt;/span&gt;&lt;a href="http://history.scotfrench.com/" target="_blank"&gt;Scot A. French&lt;/a&gt;&lt;span&gt;'s Tools in Digital History Seminar Graduate Class, Fall 2013 at the &lt;/span&gt;&lt;a href="http://www.ucf.edu/" target="_blank"&gt;University of Central Florida&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="437167">
                  <text>Cepero, Laura</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="437170">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="437172">
                  <text>"&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;WHO IS CREATIVE SANFORD, INC?&lt;/a&gt;" Celery Soup. http://www.celerysoupsanford.com//about.</text>
                </elementText>
                <elementText elementTextId="437173">
                  <text>"&lt;a href="http://www.celerysoupsanford.com/about/" target="_blank"&gt;About: History and Purpose&lt;/a&gt;." Celery Soup. http://www.celerysoupsanford.com/about/.</text>
                </elementText>
                <elementText elementTextId="437174">
                  <text>"&lt;a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank"&gt;Sanford, Florida: How do you make Celery Soup? Add stories, then stir&lt;/a&gt;." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="2">
          <name>Interviewer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="449000">
              <text>French, Scot</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="449003">
              <text>Lee, Latisha</text>
            </elementText>
            <elementText elementTextId="449004">
              <text>Mallaskaski, Linda</text>
            </elementText>
            <elementText elementTextId="449005">
              <text>Bingle, Cathy</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="449006">
              <text>Sanford, Florida</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="449007">
              <text>1 audio/video recording</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="449008">
              <text>32 minutes and 17 seconds</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="15">
          <name>Bit Rate/Frequency</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="449009">
              <text>912kbps</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="448722">
                <text>Oral History of Luticia "Tish" Lee, Linda Maliczowski, and Catherine "Cathy" Dingle</text>
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            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="448723">
                <text>Oral History, Lee, Maliczowski, and Dingle</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="448724">
                <text>Sanford (Fla.)</text>
              </elementText>
              <elementText elementTextId="448725">
                <text>Oral history--United States</text>
              </elementText>
              <elementText elementTextId="448726">
                <text> Rolling pins</text>
              </elementText>
              <elementText elementTextId="448727">
                <text> Baking--United States</text>
              </elementText>
              <elementText elementTextId="448728">
                <text> World War II--United States</text>
              </elementText>
              <elementText elementTextId="448729">
                <text> Secretaries--Biography</text>
              </elementText>
              <elementText elementTextId="448730">
                <text> American Legion</text>
              </elementText>
              <elementText elementTextId="448731">
                <text> Heirlooms--United States</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
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                <text>Oral history of Luticia "Tish" Lee and her two daughters, Linda &lt;span&gt;Maliczowski&lt;/span&gt; and Cathy Dingle. The interview was conducted by University of Central Florida Professor of History Dr. Scot French on October 20, 2013.&lt;br /&gt;&lt;br /&gt;Lee was born in Sanford, Florida in 1923 and lived in her family house, which was constructed in 1926, while growing up. Her father was a member of the American Legion and worked as a superintendent for the Crown Paper Company, and also as a carpenter. Following her high school graduation, Lee worked as a secretary for the local ice plant, which no longer stands. Other topics in the oral history include Sanford during World War II, the cannon at the American Legion Hall, the Lee family rolling pin and other family heirlooms, baking various foods, Lee's father, the grocery store run by Lee's mother and aunt, Lee's involvement with Creative Sanford, Inc. productions, a family fireless cooker, and the French house.</text>
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                <text>0:00:00 Introduction&lt;br /&gt;0:00:30 Lee's biographical information&lt;br /&gt;0:01:59 Cedar chest and rolling pin&lt;br /&gt;0:03:23 Reflections on life&lt;br /&gt;0:04:26 Sanford during World War II&lt;br /&gt;0:06:25 Scrap metal drive and the American Legion cannon&lt;br /&gt;0:08:46 History of family rolling pin&lt;br /&gt;0:10:56 Lee's father&lt;br /&gt;0:12:40 History of the American Legion cannon&lt;br /&gt;0:13:39 Memories of the home front and the end of WWII&lt;br /&gt;0:15:37 Sailors and the Naval Air Station (NAS) Sanford&lt;br /&gt;0:16:58 How Sanford change after the war&lt;br /&gt;0:18:12 Family heirlooms&lt;br /&gt;0:18:33 Lee's grandfather and his hospital&lt;br /&gt;0:18:58 Uncle James' grocery store&lt;br /&gt;0:21:02 How Lee got involved with Creative Sanford&lt;br /&gt;0:23:19 Lee's daughters, Linda &lt;span&gt;Maliczowski&lt;/span&gt; and Cathy Dingle&lt;br /&gt;0:25:10 Cooking and its connection to family memories&lt;br /&gt;0:26:11 Closing remarks&lt;br /&gt;0:26:55 RECORDING CUTS OFF&lt;br /&gt;0:26:55 History of the fireless cooker&lt;br /&gt;0:30:30 The French house</text>
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                <text>Oral history interview of Luticia Lee, Linda &lt;span&gt;Maliczowski&lt;/span&gt;, and Cathy Dingle. Interview conducted by Scot French at the Lee home in Sanford, Florida.</text>
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                <text>An oral history interview conducted by Dr. Scot French. The interviewees were Luticia “Tish” Lee and her two daughters, Linda Maliczowski and Cathy Dingle. We discuss the Second World War, life in Sanford during this time, the rolling pin and its origins and significance, and several other important topics.</text>
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                <text>Lee, Luticia, Linda &lt;span&gt;Maliczowski&lt;/span&gt;, and Cathy Dingle. Interviewed by Scot French. October 30, 2013. Audio/video record available. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;, Orlando, Florida.</text>
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                <text>Multimedia software, such as &lt;a href="http://get.adobe.com/flashplayer/" target="_blank"&gt; Adobe Flash Player&lt;/a&gt;.</text>
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                <text>Application software, such as &lt;a href="http://java.com/en/download/index.jsp" target="_blank"&gt; Java&lt;/a&gt;.</text>
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                <text>&lt;a href="http://www.adobe.com/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/82" target="_blank"&gt;&lt;em&gt;Celery Soup: Florida’s Folk Life Play&lt;/em&gt; Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Digital transcript of original 32-minute and 17-second oral history: Lee, Luticia, Linda Maliczowski, and Cathy Dingle. Interviewed by Scot French. October 30, 2013. Audio/video record available. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;, Orlando, Florida.</text>
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              <elementText elementTextId="448763">
                <text>Creative Sanford, lnc., Sanford, Florida</text>
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                <text>Celery Soup, Sanford, Florida</text>
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                <text>Lee Grocery Store, Sanford, Florida</text>
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                <text>Lee, Luticia</text>
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                <text>Maliczowski, Linda</text>
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                <text>Dingle, Cathy</text>
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              <elementText elementTextId="448773">
                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>Orleman, Andrew</text>
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              <elementText elementTextId="448775">
                <text>Snow, Paul</text>
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          <element elementId="90">
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="448777">
                <text>2013-10-30</text>
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            <description/>
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              <elementText elementTextId="448778">
                <text>2014-01-06</text>
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                <text>video/mp4</text>
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              <elementText elementTextId="448780">
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              <elementText elementTextId="448781">
                <text>211 MB</text>
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              <elementText elementTextId="448782">
                <text>222 KB</text>
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                <text>32-minute and 17-second audio/video recording</text>
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                <text>23-page digital transcript</text>
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              <elementText elementTextId="448785">
                <text>eng</text>
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                <text> Geography Teacher</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="448807">
                <text>Originally created by Scot French, Luticia Lee, Linda Maliczowski, and Cathy Dingle, and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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            <elementTextContainer>
              <elementText elementTextId="448808">
                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
              </elementText>
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              <elementText elementTextId="448809">
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="448815">
                <text>&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="448816">
                <text>&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Celery Soup&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="448817">
                <text>Dr. &lt;a href="http://history.scotfrench.com/" target="_blank"&gt;Scot French&lt;/a&gt;'s "Tools in Digital History Seminar," Fall 2013 at the &lt;a href="http://www.ucf.edu/" target="_blank"&gt;University of Central Florida&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="448818">
                <text>Snow, Paul</text>
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              <elementText elementTextId="448819">
                <text> Orleman, Andrew</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="448820">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="448821">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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              <elementText elementTextId="448822">
                <text>"&lt;a href="http://www.americanlegionpost53florida.com/" target="_blank"&gt;American Legion Campbell-Lossing Post 53&lt;/a&gt;." American Legion Campbell-Lossing Post 53. http://www.americanlegionpost53florida.com/.</text>
              </elementText>
              <elementText elementTextId="448823">
                <text>"&lt;a href="http://www.legion.org/history" target="_blank"&gt;History&lt;/a&gt;." The American Legion. http://www.legion.org/history.</text>
              </elementText>
              <elementText elementTextId="448824">
                <text>American Legion. &lt;a href="http://www.worldcat.org/oclc/9009612" target="_blank"&gt;&lt;em&gt;The American Legion&lt;/em&gt;&lt;/a&gt;. Indianapolis, Ind: American Legion, 1981.</text>
              </elementText>
              <elementText elementTextId="448825">
                <text>"&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;WHO IS CREATIVE SANFORD, INC?&lt;/a&gt;" Celery Soup. http://www.celerysoupsanford.com//about.</text>
              </elementText>
              <elementText elementTextId="448826">
                <text>"&lt;a href="http://www.celerysoupsanford.com/about/" target="_blank"&gt;About: History and Purpose&lt;/a&gt;." Celery Soup. http://www.celerysoupsanford.com/about/.</text>
              </elementText>
              <elementText elementTextId="448827">
                <text>"&lt;a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank"&gt;Sanford, Florida: How do you make Celery Soup? Add stories, then stir&lt;/a&gt;." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida.</text>
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              <elementText elementTextId="448835">
                <text>&lt;a href="http://youtu.be/TqOAVymoNAk" target="_blank"&gt;Oral History of Luticia "Tish" Lee, Linda Maliczowski, and Catherine "Cathy" Dingle&lt;/a&gt;</text>
              </elementText>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="505315">
                <text>2013-10-30</text>
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              <elementText elementTextId="505317">
                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
              </elementText>
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          <element elementId="276">
            <name>Transcript</name>
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              <elementText elementTextId="505318">
                <text>&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;So to—to—what we usually do with the beginning of the interviews is introduce ourselves and I’m Scot [French]. This is October 30&lt;sup&gt;th&lt;/sup&gt;, 2013. And, um, we are interviewing, uh, Luticia Lee. Do you go by “Tish?” “Tisch?”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;/strong&gt; &lt;br /&gt;Tish.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Tish?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Tish.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;How do you spell that? “T-I-C-H” or “S-H”?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;S-H.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;T-I-S-H.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;You know, on some of the things we had from Creative Sanford[, Inc]. It had “C,” and so I’m glad we asked.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Yes[?].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Um, and so the first—let[sic] me do is to ask you: would you intro—you mind introducing yourself to us?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;All&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laugh&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Well…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Just tell ‘em your name.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt; &lt;/strong&gt;Tell ‘em your name.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;My name is Luticia Lee, and I was born in Sanford in, um, 1923. And my house was built in 1926. And at—growing up, I could walk everywhere. I could walk to school. And um, at that time, there were just three houses on the block. And then in, um—I’m not sure when—but the Spencer house that was on the corner, it burned. It was the old house and it burned. So, until ’46, there was just this house and the one my aunt and uncle built. And then in ‘46, Braley[?] Oaklem[?] built more houses. And um, so things really did change you know. You—you didn’t have that many people here [&lt;em&gt;laughs&lt;/em&gt;]. And, uh, you knew everybody. And now, I go to town and I don’t know anybody.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;All &lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laugh&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;It’s changed so, but, um—and, I do have friends that I went to school with. And we try to go out once a week for dinner and we graduated together in ‘42 [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;And that’s when, um, my dad—Mom and Daddy gave me my cedar chest. And that’s when, um, Mama crocheted me a bedspread, which I still have. And Daddy wanted to make something, and that’s when—it was the beginning of the [World] War [II]. And they asked for scrap metal and that’s when they took—were taking out—down their cannon. And Daddy had—was in the military and he helped take it down. And he got the, um, spoke from the wheel, and made my rolling pin, which is the only rolling pin I have used all these years. And I’m giving it to Cathy [Dingle],&lt;a title=""&gt;[1]&lt;/a&gt; ‘cause she cooks, and she bakes cookies, and she rolls ‘em.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;All&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laugh&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;She&lt;a title=""&gt;[2]&lt;/a&gt; cooks as well, but I bake [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;I get the, um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Fireless…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Fireless cooker.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;All&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laugh&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski &lt;br /&gt;&lt;/strong&gt;I’m gonna do the crock pot thing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;All &lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laugh&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French &lt;br /&gt;&lt;/strong&gt;Oh great. Great.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;So she gets the—and um…&lt;/p&gt;
&lt;p&gt;But I’ve had a wonderful life. I really have. Been right here. Still have friends that I’ve had all my life. I’ve lost a lot, but when you reach 90, you, um—you—it happens, you know? So—and if I get sad, I just sit down and count my blessings, ‘cause I’ve got a lot of them.&lt;/p&gt;
&lt;p&gt;I have three children, I have four grandchildren, I have four great-grandchildren, and I have wonderful in-laws. Everybody is good to me. And my husband took care of me. He’s been gone 10 years, but I have somebody do the yard, I have a landscaper, I have, um, a cleaning service to do the house. So I just sit around and watch people work.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;All&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laugh&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;I don’t work anymore [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Well we’re—we’re putting you to work today, because you are our resident historian.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;All&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laugh&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French &lt;br /&gt;&lt;/strong&gt;And we’re—we’d love to hear a little bit more about Sanford during World War II. Uh, you graduated from high school in ’42?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French &lt;br /&gt;&lt;/strong&gt;And what are your memories of that period—of being in Sanford during the war?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Well, now, I was working during the war. Um, I was a secretary at the ice plant. And um, and we, um—we iced the cars. That, you know—I didn’t do it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Unidentified&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;The people did. And, um, I kept the records. And, uh, they took all the stuff to troops and everything.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;These are railroad cars or— or shipping cars? What kind of cars were they?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;They were railroad cars. Railroad cars. It was the—on the tracks out on [Florida State Road] 46. And I think they still—they don’t—I don’t know if the ice plant’s still there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle &lt;br /&gt;&lt;/strong&gt;No.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;It was for years, but, uh, I don’t think it is anymore.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;And, um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;And you were a secretary at the…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Ice plant?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;For a few years. It didn’t really take.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;All &lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laugh&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;I just did what I was told. And I—but, um, and it—it’s Sanford during the war. We—we had the base&lt;a title=""&gt;[3]&lt;/a&gt; out here. And, uh, sometimes we dated the pilots, which was a lot of fun.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;All &lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laugh&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee &lt;br /&gt;&lt;/strong&gt;But, um, I don’t know.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Did you, um—were—were there local rallies or efforts to sort of rally the town’s people? Uh, you mentioned that they decided to melt the cannon, because of the scrap metal drive. Do you remember much about the scrap metal drives, and other things?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Honey, I got—I—I researched that, and there’s the papers over there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;And it—yeah. I wanted to know.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;And so are these, uh—okay. So these are some of the materials that you—you did all the research on this, you…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Yes. I did.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;You went down to the museum?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;And um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;And see? It says, “County League [inaudible] scrap collection on per capita basis.” And, um, I—it was very interesting. It really was. And, and, uh “Legion pole?” Oh, I can’t read…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;“Legion post will give up cannon in scrap drive.” This is perfect. This is exactly what we were hoping…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;To find. You’ve done the work for us. [&lt;em&gt;laughs&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;All&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laugh&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Well…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;I wanted to know what was, you know—and this was the Legion Hut.&lt;a title=""&gt;[4]&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;And she had pictures made, and—and a frame made, and took the picture out to the Legion.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;And see…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Oh, wonderful.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;So they would know.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;And that’s what…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Is this also from the museum?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Hm?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Is this from the museum? Or is this a….&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Well, um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French &lt;br /&gt;&lt;/strong&gt;This photograph…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Uh, they took a picture. You see, they didn’t have a picture out at the new Legion Hut. And, um, I thought they should have one. So I went and—and got a picture. And—of the canon, and, um, now—but I couldn’t ever find out who that man was.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French &lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee &lt;br /&gt;&lt;/strong&gt;I guess the ones that were there then were all gone. So I don’t know who he was. But anyway, I had that, um, copied and I framed it and I took it out and I gave it to them, so they’d have a picture of the old Legion Hut.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;That is wonderful.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;And they put it up.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;That is wonderful.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;So, anyway…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;This is great. And this—you—these pictures are from the museum? Is that where you found these?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Yes. I found them…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Great.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;From the paper.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French &lt;br /&gt;&lt;/strong&gt;Great. Wow. And this is, uh, a handwritten note?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;I had that and I can’t read it now [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French &lt;br /&gt;&lt;/strong&gt;Do you rem—what of the—you wrote this for yourself? Or…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee &lt;br /&gt;&lt;/strong&gt;Yes. For me.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French &lt;br /&gt;&lt;/strong&gt;And what was the—what was the event that led you to write that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee &lt;br /&gt;&lt;/strong&gt;Well, uh, I think there was something in, um—in the paper about, um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Do you want me to read it?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Want me to go look, Mama?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;You can read it maybe. It’s about when Daddy decided to make, um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Oh, oh this is when, um—deciding which precious keepsake you wanted…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;To write about from your cedar chest.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;And, um, how Granddaddy wanted you to have something that was from him. And how he went about getting the—the spoke and…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Making the…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Making my…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Your rolling pin.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Your rolling pin to go in your hope chest. That’s why you wrote that up.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;And this was from the paper?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;I wrote it up to put in the cedar chest.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French &lt;br /&gt;&lt;/strong&gt;Oh, to put in the cedar chest. So did you write this?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle &lt;br /&gt;&lt;/strong&gt;So that people would know what, you know—so that we would know where it came from. We would—we would have a history of why she had it and where it came from.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French &lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Because, um, I wanted them to know. See, Mama crocheted the bedspread and Daddy wanted to put something in it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle &lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee &lt;br /&gt;&lt;/strong&gt;So I wrote it…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski &lt;br /&gt;&lt;/strong&gt;Wrote it down for us.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French &lt;br /&gt;&lt;/strong&gt;So, this is the rolling pin. Do you mind if I…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee &lt;br /&gt;&lt;/strong&gt;Sure.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Go ahead.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee   &lt;br /&gt;&lt;/strong&gt;I just wrap it up. I haven’t used it for a while. But she’s going to use it to make Christmas cookies.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Yes. I will.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;You can tell it’s been used.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;All&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laugh&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Lots of biscuits.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;A lot. Yeah. Biscuit—biscuit [inaudible] and pies.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Biscuits and pies are mainly what it did.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French &lt;br /&gt;&lt;/strong&gt;Mmhmm…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Mainly it was Daddy’s biscuits.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;That’s right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;So when I read the story about this, we got to talking and—and, uh, thought about &lt;em&gt;Well, what made him think to make a rolling pin out of a spoke? &lt;/em&gt;Because he worked at a paper factory, correct?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;All &lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French &lt;br /&gt;&lt;/strong&gt;So he would have been familiar with all the equipment that you could do this with, uh, milling? It’s called “milling?”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Yeah, but he was superintendent of the Crown Paper Company. That’s when they—they printed they, uh, wrappers. That’s when they wrapped fruit. It was individually wrapped for a long time. They don’t do that anymore. They just pack it in boxes and ship it off. But, um, Daddy was there so—and he was in the [American] Legion, and when they went to send the cannon back, he went to help them dismantle it, and that’s when he got the spoke, and, um, that’s what he could do. He could make me a rolling pin, and that was in ‘42.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Because everybody needed a rolling pin.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;All &lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laugh&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;He was also a carpenter, so he had worked with wood in building this house. And if—if you look on the floor, you’ll see there’s designs in the wood. And…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;And there’s my—my, uh, [inaudible]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Back in the corner. So he was…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;That Daddy had built for me, when I was—yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;When I was four or five.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;So he was always thinking of things to do with wood and something else to make and something to do, so I think that just came naturally to…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;To do that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;To do the rolling pin.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Something for her.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;It would go in a cedar chest.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;All &lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laugh&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;It would fit.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski &lt;br /&gt;&lt;/strong&gt;It would fit.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;So, do you know the story of the cannon? What was the history of this cannon? Was this someth—it was brought back from World War I?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Well, yeah. When they built the Legion Hut. Um, I don’t know where they got the cannon. But, um, they wanted a cannon from the First World War. So, I don’t know where they got it. Now they got a cannon out at the other—the other Legion Hut. And I don’t know where they got it. I think they just feel that, you know, it’s history. They had cannons.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Unidentified&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee &lt;br /&gt;&lt;/strong&gt;It’s an old one. It’s got wooden spokes I think. I haven’t gotten out of the car to examine it, but I’ve driven by.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Uh, so, um, what other—do you have other memories of the home front during the war or the end of the war? There’s[sic] certain moments of that period…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Oh, I remember end of the war. Oh, there was a parade down on First Street, and I remember being [&lt;em&gt;laughs&lt;/em&gt;] in the car. And we was[sic] driving, and my cousins were with me, and everybody was screaming and hollering. And Mama remembered the end of the First World War. And how, um, things were downtown then.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Now during this time, didn’t Grandma and Aunt Marty still—didn’t they run the grocery store at that time, during the war? Were they running it? [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;They came in 1910.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;No, but did they still have the store in the ‘40s?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee  &lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Okay. Well, tell them about them having the store and one of the reasons—like, during the war they didn’t have this much[sic] problem with food, because they had a grocery store?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Yeah, but they also had rationing, you know.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;They rationed, uh, meat. They rationed sugar, and, um—and I do remember that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;They rationed shoes. And tell them what happened with you. She has very tiny feet.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Oh, yeah. Shoes were rationed. Isn’t that funny? They rationed shoes [&lt;em&gt;laughs&lt;/em&gt;]. Oh dear.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;But she had such a hard time finding shoes that everybody—whenever she would find it they would give her their shoe coup—what were they, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Shoe coupon.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Shoe coupon, so that she could buy the shoes, because she would—she loved shoes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;All&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laugh&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;It was hard for her to find them in her size so if they found a pair that would fit her they…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;They would have to use somebody else’s coupon to buy her a pair of shoes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;That’s great. That’s great. Did you know soldiers who had—from Sanford—young men of your age?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Yes.Yeah. I remember one of the boys in my class, who was killed. He was Fred Dyson[sp]. I remember that. I don’t remember. I don’t remember a lot of them going to war.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;And the base being nearby—what was—you mentioned the pilots, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Was there—was[sic] there other kinds of connections to the base, besides the kind of social connections?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee  &lt;br /&gt;&lt;/strong&gt;Well, um, several of my friends worked out there. And, um, I know Margie married, er, one of the pilots. And, um, a lot of them, you know—I met some of them through friends that worked there. But, um, we didn’t—I mean, they weren’t there that long, you know. You just see ‘em and I know one time we went to New Smyrna [Beach] with a group, uh, a whole—I mean, it was usually in a group. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;You mentioned that after the war, how much Sanford changed. You mentioned I think one of—all the building…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Oh, yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Construction in this area.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Construction started. Houses were built.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;And so this little town you grew up in became—started to grow and grow [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Yeah. And it’s still growing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;All&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laugh&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Sanford was lucky, because it was both on the river and it had the railroad.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;So that’s one of the reasons it was able to flourish like it did. And, um, there’s a big hotel downtown—well, now it’s not the hotel anymore, it’s, um, is the New Tribe’s Mission headquarters—world headquarters. It used to be the Mayfair Hotel. And people would come and stay for the winter, and that sort of thing. So it—ya know, it drew a lot of people and brought them here to spend their money in Sanford while they were getting away from the cold.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;So, um, you stayed. People have come and people have gone. And you’ve been here, uh, and—why did you stay?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;This is my home and I want to stay right here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French &lt;br /&gt;&lt;/strong&gt;Uh, you’re surrounded by, uh, a lot of the artifacts of your life. All the great, um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French &lt;br /&gt;&lt;/strong&gt;Pieces of furniture and art and…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Yeah. Uh huh. And Aunt Marty’s pitcher and bowl when she came in 1910. My grandfather was a doctor in Mount Olive, North Carolina. And when he died, um—he had made a—he bought a small hotel, and he made into a—that’s where he could take patients, and it was like a small hospital. And Aunt Marty worked for him.&lt;/p&gt;
&lt;p&gt;But then he died and, um, uh, Uncle [James] came down and he was—he’s the one that started the grocery store, and his friend from here was up there. and he told my Uncle James he would sell him half of the grocery store, and give his son the other half, and—if he would come down. So they all decided to come in 1910.&lt;/p&gt;
&lt;p&gt;Now Mama, and Aunt Ruth, and Grandma stayed up there ‘til they got the house built on Laurel Avenue. It burned down later. And, um, that’s when they came and Mama went to grammar school to the high school. And then they built the new—what was—we went to junior high. And it was the high school, and that’s where Mama graduated in 1913. And so Uncle James had started the grocery store—I mean, he was half-owner. But then his son didn’t like it, and he sold his half [&lt;em&gt;laughs&lt;/em&gt;]. So it was [inaudible] and it was all during the war.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;And do you have memories of the store?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Huh?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Do you have memories or picture of the store? Do you have any photographs of the store?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Ya know, it—it’s down—the building is still there, and it’s where &lt;em&gt;The&lt;/em&gt; [&lt;em&gt;Sanford&lt;/em&gt;] &lt;em&gt;Herald&lt;/em&gt; is, right on the corner of Palmetto [Avenue] and First Street. And back then, the city didn’t decorate like they do[sic] now. And every, um, owner of the store would. And I remember Daddy putting— tying the Christmas tree to the lamp post [&lt;em&gt;laughs&lt;/em&gt;] and—and decorating it for Aunt Marty. So, because Uncle James died recently, Aunt Marty ran the grocery store, so…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Well, some of these stories—well, the one story that—that the Creative San—well, first I wanted to ask you a little bit about how you, um, came to be interviewed for the Creative Sanford play? Do you know the…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Well, I have a friend who was involved in Creative Sanford during both of the productions they’ve made so far, and I went to school with her sister, and so she knew me, and she knew Mama, and she knew that she must have some kind of story that she can tell. And so she said, “We need to interview Luticia.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;They came and interviewed me.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;And yeah. So they came and started talking to her and that was the…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee &lt;br /&gt;&lt;/strong&gt;[inaudible]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Particular story that they decided to go with.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;So they didn’t know when they came about the rolling pin. They just…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;No. They just knew that she had things.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;All&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laugh&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;And stories and that she had been here her whole life. That she—that she was born here and grew up here. And that’s why they wanted to know her view of—I mean, they asked her lots of questions about lots of things, and this was one of the things they felt that they could incorporate into the play.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Were you surprised that they chose to tell that story?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Yes. I was. [&lt;em&gt;laughs&lt;/em&gt;] And it was just real neat. And they did it really good[sic].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Unidentified&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;And—and they—they told ‘em how Daddy did the rolling pin, you know. So we were given front row seats.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski &lt;br /&gt;&lt;/strong&gt;Yeah. In the original, uh—the first play&lt;a title=""&gt;[5]&lt;/a&gt; one of mom’s best friends had a story in it. So they—they got so many stories that they couldn’t put them all in the first play. So they put ‘em in—they made a second play.&lt;a title=""&gt;[6]&lt;/a&gt; And they’re going to have a third one,&lt;a title=""&gt;[7]&lt;/a&gt; I think.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;They said they were doing—still doing interviews for…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;I think they’re doing something now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Yeah. They—they’re getting ready to.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;And, um, so the other—I had a third [inaudible] just one other [inaudible] that I forgot in my notes here. Um, um, well, let me ask my—my colleagues here. Other questions that you would like to ask?&lt;/p&gt;
&lt;p&gt;No? So we, uh, are also interested in this as a family story. So I’ll just step off the couch here for a minute and just have—if I could ask the two of you to join your mom. And we’ll just talk about it as a—this is a family. Oh, wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Just if you wanted to see some…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Fantastic.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Here, Cath. you sit in the middle and you get to hold the rolling pin.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;It’s my rolling pin.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;So if you wouldn’t mind introducing yourselves.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;I’m Linda Maliczowski. I’m the middle child [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;I’m Cathy Dingle. I’m the oldest. Our brother’s not here. He’s the baby.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;And so you, um, were you part of the—the original interview. I know if you were, because you had the connection to your friend.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Right. And I live here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French &lt;br /&gt;&lt;/strong&gt;And you live here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;In Sanford.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;And so, um, for you, um, this is a—a family heirloom. And, um, as you told the story, it—you—your memory of this is not just in a hope chest, but, as, uh something your mom used and…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Oh yeah. Yeah. I mean we grew up with her doing that and eventually she told us all about it. But I mean, when someone would say, “Go get the rolling pin,” you knew what to get [&lt;em&gt;laughs&lt;/em&gt;] and that was it. We had one rolling pin.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;And I really remember mostly biscuits. And pies.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Biscuits and pies, because I learned how to do pies.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Yes. And I learned to make a lot of biscuits with it so…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;So for you, the memories attached to it are family memories? Not, not World War II, American Legion, home front, sacrifice.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;No. It’s Mama baking with it. Using it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;She also made donuts.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle &lt;br /&gt;&lt;/strong&gt;Donuts. That’s right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;We had to roll them out and cut them with the little donut thing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Cut them and fry them. Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Well, one of the things that that makes me think about is that people cooked like that all the time, and now it’s more rare[sic]. And you have a choice, whether you want to do that. It’s not part of our everyday lives to have a rolling pin but you still, uh—I’m sorry, but who’s getting the rolling pin?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski &lt;br /&gt;&lt;/strong&gt;Cathy.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;You still cook and you…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Oh, yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;So does that make you feel connected in some way through the, you know—through the [inaudible]?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Yes, because, you know, I remember Mama using it and I remember it, you know, in this house. And I remember it in our other house, and my granddaughters will help me use it. So, in fact, one asked me last week, she says, “Are we going to get to make Christmas cookies and use a rolling pin?” I said, “Yes. We are.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;All&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laugh&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;So they’re—they’re used to that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;And, um, do you—do you also have things like recipes and cookbooks, and things like that, that are…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Oh, yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;We have a student in our class who’s studying cookbooks. It’s actually a historical subject and an interesting one.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Oh [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski &lt;br /&gt;&lt;/strong&gt;There’s so many.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Oh, so many. Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;So, uh, one of the things we’ve been thinking about in our class is the connection between personal stories and personal history. And then there’s the community history— Sanford. And then there’s national and world history. And I think that’s what’s unique about this object is that it connects all of them, you know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Yeah. Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;So we really thank you so much for sharing that story with us, and sharing your time with us. The only—the other thing is if, if it would be okay with you for us to take still photographs of some of these objects, uh, for inclusion in the exhibit.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski &lt;br /&gt;&lt;/strong&gt;Sure.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;That would be wonderful. Thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;No problem.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Do you—do you want anything else that we should talk about on the—the…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Orleman&lt;br /&gt;&lt;/strong&gt;No. the recording—I think we’re…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;We’re good?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Orleman&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Okay. Very good. Thank you so…&lt;/p&gt;
&lt;p&gt;One quick question, because we were talking about this before was the, um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Fireless cooker.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Fireless cooker.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Fireless cooker, which is over there. But could you just tell us the story of the fireless…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;My—my son, um—he, um, went online [&lt;em&gt;clears throat&lt;/em&gt;] to find out more about it [&lt;em&gt;clears throat&lt;/em&gt;]. And he said that in one of the—years ago, presidents had one in his[sic] house, but I don’t remember.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;But they—tell him where this one came from.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;This one came from, um, Miss Bessie.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle &lt;br /&gt;&lt;/strong&gt;Yup&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;And it—well, I already told you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Yeah, but they want to video it. They want to…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;All &lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laugh&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] I’m at it again. [&lt;em&gt;clears &lt;/em&gt;throat] Well, in 1910, when my aunt came down, when she roomed in Miss Bessy’ house[?]. Her mother—[&lt;em&gt;clears throat&lt;/em&gt;] excuse me. Her mother had a boarding house, and she did not cook on a Sunday, so she had the fireless cooker—that one. And, um, she would put the—the—it’s all there. Every piece. And the stones that had the thing to hook and put them in her fire. She had a wood stove. When they got hot, she’d put them in the fireless cooker. And then she would get her food hot on—in the pans, put them in, and close it up, and it would cook all night. And when she came home from church on Sunday, she’d open it up and she could serve it, but she didn’t have to cook. So that’s what—and my husband was fascinated with it. I said, “What do we do with it?” He says[sic], “I don’t care what we do with it. It’s a chest.” So it’s been in the living room in the old house. I told you we were in the French house years ago.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;And that’s where we raised the kids. And Mama was—was still here and my aunts. And, um, [&lt;em&gt;clears &lt;/em&gt;throat] so, um—where was I?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;You had it in the old house and then you brought it here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Yeah. I had it in the living room over there, and then I brought it here. So the fireless cooker’s always been in the living room. It’s been a piece to show people.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;But we never used it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee  &lt;br /&gt;&lt;/strong&gt;No. never used it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;I plan on using it someday. Tell them about, um, how they used to use them during the war.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Oh, well, yeah. When Jimmy [Lee] researched it, he said they were used during the First World War—fireless cookers—mainly in tanks, so they could put the food in the cooker, and then they could go where they were going. And they would have the food.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;So, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;We don’t know where they got this one, but we’re glad they did.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;All&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laugh&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;So, but that’s—and they had—had—in fact, I used to get the [inaudible] magazine. And somebody had put theirs in, only it was just a one, but they made one, and they made two, and ours is a three.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Great.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee &lt;br /&gt;&lt;/strong&gt;Three—whatever.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Three pans [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Three pots.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;Three pots.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Yes.Three pots&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;And you mentioned the French house. Where—what was the address of the French house?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;113 West Fifteenth Street.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Is it still there?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;It is. If you go up Oak Avenue—if you’re going up Oak, then you have to go around…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;/strong&gt; &lt;br /&gt;You would run into the house.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle&lt;br /&gt;&lt;/strong&gt;You would run into the house if you went straight up, but—yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;My husband and I bought the house from Mom and Dad. And we lived there for quite a few years. We sold it when my son was about 13.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French &lt;br /&gt;&lt;/strong&gt;Oh, okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;And, it…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;Just a minute.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Yeah. Do you have the thing from when we sold it?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French  &lt;br /&gt;&lt;/strong&gt;So this is one of the—the—the same French as French Ave[nue] and…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Yeah. French Avenue was his brother.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French &lt;br /&gt;&lt;/strong&gt;Oh, okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;There was an A. J., um, Seth and A.J. French. And, um, the man who owned our house was the mayor. I think he was the second mayor.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dingle &lt;br /&gt;&lt;/strong&gt;I think so.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Mom might remember, but he was one of the first mayors of Sanford.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Oh, okay. Great. But this was the house that was built by…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Right. And my grandmother was living here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;I see.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;And then when Mom and Dad—when they first got married, we lived over in Orlando and we moved over here when were seven and eight years old. And they found—that house was available so they bought that house. And we were there—the whole family—from when they bought it and then when I sold it, we were there for over 50 years.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Great. Wow. So, uh, this is great. I think, Andrew [Orleman], we can, uh—we’ll wrap up the…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;br /&gt;&lt;/strong&gt;Oh, she’s got the, um—yeah. This isn’t what I was thinking but this is—it was on the Sanford our of home so…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Oh, okay. I went two years ago. I didn’t—okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;That’s what it looks like now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;French&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Lee&lt;br /&gt;&lt;/strong&gt;But it looked like that [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maliczowski&lt;/strong&gt;&lt;br /&gt;Well Mom and Dad, when we were growing up it was [inaudible]…&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Lee’s daughter.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; Linda Maliczowski, Lee’s daughter and Dingle’s sister.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; Naval Air Station (NAS) Sanford.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[4]&lt;/a&gt; American Legion Campbell-Lossing Post 53.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[5]&lt;/a&gt; &lt;em&gt;Touch and Go&lt;/em&gt;.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[6]&lt;/a&gt; &lt;em&gt;Made – Not Bought&lt;/em&gt;.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[7]&lt;/a&gt; &lt;em&gt;Remade – Not Bought&lt;/em&gt;.&lt;/p&gt;
&lt;/div&gt;
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                  <text>Rajtar, Steve. &lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;A Guide to Historic Orlando&lt;/a&gt;&lt;/em&gt;. Charleston, SC: History Press, 2006.</text>
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                  <text>"&lt;a href="https://about.usps.com/who-we-are/postal-history/welcome.htm" target="_blank"&gt;Postal History&lt;/a&gt;." United States Postal Service. https://about.usps.com/who-we-are/postal-history/welcome.htm.</text>
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                  <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/23369979" target="_blank"&gt;St. James Pioneer Days: Parish &amp;amp; School Reunion : October 5-6, 1974&lt;/a&gt;&lt;/em&gt;. [Orlando, Fla.]: [St. James Parish], 1974.</text>
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                  <text>"&lt;a href="http://www.stjamesorlando.org/about-us/" target="_blank"&gt;About Us&lt;/a&gt;." St. James Cathedral. http://www.stjamesorlando.org/about-us/.</text>
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                  <text>The new Downtown Orlando Post Office building, located at 51 East Jefferson Street, in 1958. The original post office was housed in the Federal Building, located 44 East Central Boulevard in Downtown Orlando, Florida, from 1917 to 1941. In 1935, when James Beggs, Jr. became the postmaster, he began petitioning to move the post office from its Central Boulevard and Court Avenue location to a more spacious building. In 1939, St. James Catholic Church sold a plot of land on Jefferson Street for the new building. The building was designed by Louis A. Simon in the Northern Italian Palazzo Revival-style, and was constructed by J. P. Cullen and Sons. The new building opened in 1941 and housed the post office, the courthouse, and Internal Revenue Service (IRS) offices. The building was named an Orlando Historic Landmark in 1989. However, it was eventually sold back to the St. James Church. In 2003, the building was renovated and came under joint ownership by both the church and the federal government. Today, the building retains its post office services but also includes offices for the Catholic Diocese.</text>
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                <text>The staff of the Downtown Orlando Post Office, located at 44 East Central Boulevard in Downtown Orlando, Florida, in 1938, including Postmaster Beggs. All employees of the Post Office, including the custodians, were considered full employees of the federal government making these jobs quite sought after by the general public. Employees were well taken care of thanks to government benefits and job security was rather high making these jobs secure and reliable sources of income.&#13;
&#13;
In 1935, when James Beggs, Jr. became the postmaster, he began petitioning to move the post office from its Central Boulevard and Court Avenue location to a more spacious building. In 1939, St. James Catholic Church sold a plot of land on Jefferson Street for the new building. The building's designer was Louis Simon, who used a Northern Italian Palazzo Revival-style. The new building opened in 1941 and housed the post office, the courthouse, and Internal Revenue Service (IRS) offices.</text>
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                <text>Original black and white photograph, 1938: &lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://tinyurl.com/o4zfrls" target="_blank"&gt;Downtown Orlando Post Office&lt;/a&gt;, Downtown Orlando, Florida.</text>
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                <text>Copyright to this resource is held by the &lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/157" target="_blank"&gt;Downtown Orlando Post Office Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                <text>The crowd at Rock Superbowl XII featuring the Rolling Stones at the Tangerine Bowl in Orlando, Florida, on October 25, 1981. The ticket price was $15.60, including tax, and the show began at noon, with the doors opening at 9 am. The opening act was Van Halen. The concert was promoted by Cellar Door Productions and Beach Club Productions. This photograph was taken by Orlando radio personality, Mick Dolan.&lt;br /&gt;&lt;br /&gt;The Rolling Stones are an English rock and blues band formed in 1962 that have become one of the most successful musical acts of all time. The band enjoyed the height of their commercial and critical success during the 1960s and 1970s. The Tangerine Bowl has also been known as Orlando Stadium, the Citrus Bowl, Florida Citrus Bowl Stadium and is currently known as Orlando Citrus Bowl Stadium. It opened in 1936 and has been home to numerous sporting and entertainment events throughout its existence.&lt;br /&gt;&lt;br /&gt;The Rolling Stones 1981 Tour was the first time a band had a corporate sponsorship, allowing Jovan Musk to pay them several million dollars to sponsor the tour without the band having to officially endorse the company. The band explained that "selling out" to corporate sponsors would help keep ticket prices down. The average ticket price was $16 and the tour grossed $50 million in tickets sales, the highest of any tour in 1981. This would be the last time the band toured the United States until 1989.</text>
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                <text>Original color photograph: Private Collection of Mick Dolan.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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            <name>Medium</name>
            <description/>
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                <text>1 color photograph</text>
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          <element elementId="122">
            <name>Mediator</name>
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            <elementTextContainer>
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                <text> Geography Teacher</text>
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                <text> Humanities Teacher</text>
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              <elementText elementTextId="540876">
                <text> Music Teacher</text>
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          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="540877">
                <text>Copyright to this resource is held by Mick Dolan and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="540882">
                <text>Booth, Stanley. &lt;a href="http://www.worldcat.org/oclc/42435091" target="_blank"&gt;&lt;em&gt;The True Adventures of the Rolling Stones&lt;/em&gt;&lt;/a&gt;. Chicago, IL: A Capella, 2000.</text>
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                <text>Loder, Kurt and Steven Pond. “&lt;a href="%E2%80%9Dhttp%3A//www.rollingstone.com/music/news/stones-tour-pays-off-19820121%E2%80%9D"&gt;Stones Tour Pays Off&lt;/a&gt;." &lt;em&gt;Rolling Stone&lt;/em&gt; 361 (January 21, 1982). http://www.rollingstone.com/music/news/stones-tour-pays-off-19820121.</text>
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                <text>Galbraith, Gary. “&lt;a href="%E2%80%9D" target="_blank"&gt;1981 American Tour 1981 (Still Life) Part 1: 14th September to 26th October&lt;/a&gt;." &lt;em&gt;The "Rocks Off" Rolling Stones Setlists Page&lt;/em&gt;. http://rocksoff.org/1981.htm.</text>
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                <text>“&lt;a href="%E2%80%9Dhttp%3A//www.rockshowvideos.com/rocksuperbowl12.html%E2%80%9D"&gt;Rock Super Bowl XII&lt;/a&gt;.” &lt;em&gt;Orlando Rock Super Bowls&lt;/em&gt;. Rock Show Videos.com http://www.rockshowvideos.com/rocksuperbowl12.html.</text>
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        <name>Beach Club Productions</name>
      </tag>
      <tag tagId="20948">
        <name>Capital One Bowl</name>
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      <tag tagId="21018">
        <name>Cellar Door Productions</name>
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      <tag tagId="2091">
        <name>Citrus Bowl</name>
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      <tag tagId="21205">
        <name>concerts</name>
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      <tag tagId="20950">
        <name>Florida Citrus Bowl</name>
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        <name>Jovan Fragrances</name>
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      <tag tagId="21025">
        <name>Jovan Musk</name>
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        <name>Jovan, Inc.</name>
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        <name>Orlando Stadium</name>
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                  <text>Rock Collection</text>
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                  <text>Rock Collection</text>
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                  <text>Maitland (Fla.)</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>Knickerbocker, Carl</text>
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                  <text>Wahl, Julie</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <elementText elementTextId="523499">
                  <text>Bob Carr Theater, Orlando, Florida</text>
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                  <text>Enzian Theater, Maitland, Florida</text>
                </elementText>
                <elementText elementTextId="523501">
                  <text>Great Southern Music Hall, Orlando, Florida</text>
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              <name>Curator</name>
              <description/>
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                  <text>Cepero, Laura</text>
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                  <text>Cravero, Geoffrey</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Fisher, Marc. &lt;a href="http://www.worldcat.org/oclc/69594101" target="_blank"&gt;&lt;em&gt;Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation&lt;/em&gt;&lt;/a&gt;. New York: Random House, 2007.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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              <name>Language</name>
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                  <text>eng</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
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                <text>Mark Samansky</text>
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                <text>Mark Samansky</text>
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              <elementText elementTextId="540914">
                <text> Disc jockeys--United States</text>
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                <text> Shock radio</text>
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              <elementText elementTextId="540916">
                <text> Radio--United States</text>
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                <text> Music--Florida</text>
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                <text> Rock music--United States</text>
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                <text>Mark Samansky, a popular radio personality, a pioneering DJ, and one of the earliest "shock jocks" in Orlando, Florida. He was half of the iconic “Baxter and Mark Show," which aired from 5:30 am to 10:00 am weekdays on 100.3 WDIZ-FM, from 1983 to 1992. Known for his twisted and irreverent sense of humor, extensive knowledge of rock music, and musical parodies, Samansky performed on-air and at various small Orlando venues, Samansky was a staple of rock radio in the region for 20 years.&lt;br /&gt;&lt;br /&gt;Samansky's radio career began in 1976 in Cheyenne, Wyoming, before he moved to Denver, Colorado; Chicago, Illinois; and finally, Houston, Texas, where he began a hit show with fellow disc jockey Alan Baxter, "The Baxter and Mark Show," which they brought to Orlando in 1983. The show was the #1 rated radio show among adults 18 to 34 years old in Orlando for a period. Samansky left the show in 1992 and moved to 740 WWNZ-AM in Orlando, where he remained until he was fired in 1993 for an off-color comment he made on-air. He next moved to the Orlando classic-rock station 96.5 WHTQ-FM, experiencing a ratings-topping summer in 1996 among 25- to 54-year-olds. Samansky later served a one-year stint at 101.1 WJRR-FM in 2000 alongside Larry the Cable Guy, and helped produce the future-famous comedian's first album. Samansky passed away in 2011.</text>
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                <text>Original black and white photograph: Private Collection of Mick Dolan.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>ca. 1983-1991</text>
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            <elementTextContainer>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
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                <text> Geography Teacher</text>
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              <elementText elementTextId="540935">
                <text> Humanities Teacher</text>
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              <elementText elementTextId="540936">
                <text> Music Teacher</text>
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          <element elementId="125">
            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by Mick Dolan and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Brewster, Bill, and Frank Broughton. &lt;a href="http://www.worldcat.org/oclc/43445660" target="_blank"&gt;&lt;em&gt;Last Night a Dj Saved My Life: The History of the Disc Jockey&lt;/em&gt;&lt;/a&gt;. New York: Grove Press, 2000.</text>
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&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                <text>Alan Baxter, an unidentified man, and radio personality, radio personality Mick Dolan, on May 5, 2012, at the Shovelhead Lounge in Longwood, Florida. The three men are wearing black t-shirts with a photograph of Mark Samansky and the caption, "CINCO DE MARKO" printed on them. Baxter and Samansky co-hosted the "Baxter and Mark Show," which aired from 5:30 am to 10:00 am weekdays on 100.3 WDIZ-FM, from 1983 to 1992. Known for their twisted and irreverent sense of humor, extensive knowledge of rock music, and musical parodies, the pair performed on-air and at various small Orlando venues and was a staple of rock radio in Orlando. Samansky passed away in 2011, and "Cinco de Marko" became a celebration of his life, since he was born on May 5.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Copyright to this resource is held by Mick Dolan and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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&#13;
Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. &#13;
&#13;
During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock.&#13;
&#13;
Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Bob Carr Theater, Orlando, Florida</text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Altschuler, Glenn C. &lt;a href="http://www.worldcat.org/oclc/51518334" target="_blank"&gt;&lt;em&gt;All Shook Up: How Rock 'n' Roll Changed America&lt;/em&gt;&lt;/a&gt;. Oxford: Oxford University Press, 2003.</text>
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                  <text>Fisher, Marc. &lt;a href="http://www.worldcat.org/oclc/69594101" target="_blank"&gt;&lt;em&gt;Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation&lt;/em&gt;&lt;/a&gt;. New York: Random House, 2007.</text>
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                  <text>Studwell, William E., and D. F. Lonergan. &lt;a href="http://www.worldcat.org/oclc/41090615" target="_blank"&gt;&lt;em&gt;The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s&lt;/em&gt;&lt;/a&gt;. New York: Haworth Press, 1999.</text>
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                  <text>eng</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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                <text>Mick Dolan's Ticket Stub and Press Pass Collection</text>
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                <text>Mick Dolan's Collection</text>
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                <text>Orlando (Fla.)</text>
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              <elementText elementTextId="540981">
                <text> Lakeland (Fla.)</text>
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                <text> Concerts</text>
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              <elementText elementTextId="540983">
                <text> Rock concerts</text>
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                <text> Music--Florida</text>
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                <text> Rock music--United States</text>
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                <text> Pop music</text>
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                <text> Soul music--United States</text>
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                <text>A collection of ticket stubs and press passes from Orlando radio personality, Mick Dolan. The items are collectively mounted and framed, along with several guitar picks, business cards and stickers. Some of the ticket stubs include Twisted Sister at the Lakeland Civic Center in Lakeland, Florida, on October 19, 1984; Uriah Heep on October 4, 1986; The Romantics on June 20, 1984; The Police at Rock Super Bowl XIX on October 29, 1983; The B-52's at Orlando Seminole Jai Alai Fronton in Fern Park on July 1983; Joe Jackson at Bob Carr Performing Arts Centre in Orlando on March 30, 1983; and Bob Seger, Triumph, and Men at Work. Some of the press passes include Molly Hatchet's 1986-1987 Tour; Ratt at Orange County Civic Center in Orlando on December 6, 1985; Van Halen at Lakeland Civic Center on January 22, 1984;, Elvis Costello at the Bob Carr Performing Arts Centre on August 5, 1984; Foghat at Tom's Point After Lounge in Orlando on November 13, 1983; Men at Work's 1985 Tour; Pat Travers Band's 1986 Tour; Rick Springfield's 1983 World Tour; Iron Maiden; REO Speed Wagon; STYX; Ted Nugent; Triumph;, A Flock of Seagulls; and Yes.</text>
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                <text>Original color photograph: Private Collection of Mick Dolan.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"&gt;Rock Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original color photograph.</text>
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                <text>Orlando Seminole Jai Alai Fronton, Fern Park, Florida</text>
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              <elementText elementTextId="541014">
                <text> Tangerine Bowl, Orlando, Florida</text>
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              <elementText elementTextId="541015">
                <text> Lakeland Civic Center, Lakeland, Florida</text>
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              <elementText elementTextId="541016">
                <text> Bob Carr Performing Arts Centre, Orlando, Florida</text>
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              <elementText elementTextId="541017">
                <text> Orange County Civic Center, Orlando, Florida</text>
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                <text> Tom's Point After Lounge, Orlando, Florida</text>
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            <name>Creator</name>
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                <text>Dolan, Mick</text>
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              <elementText elementTextId="541021">
                <text>ca. 2014-03-20</text>
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            <name>Medium</name>
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            <name>Language</name>
            <description/>
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              <elementText elementTextId="541025">
                <text>eng</text>
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            <name>Mediator</name>
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                <text>History Teacher</text>
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                <text> Geography Teacher</text>
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              <elementText elementTextId="541028">
                <text> Humanities Teacher</text>
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              <elementText elementTextId="541029">
                <text> Music Teacher</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by Mick Dolan and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Cravero, Geoffrey</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <description/>
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                <text>Turley, Julie, and Stella Gleitsman. &lt;a href="http://www.worldcat.org/oclc/746725068" target="_blank"&gt;&lt;em&gt;Ticket Stubs of the 80's&lt;/em&gt;&lt;/a&gt;. New York, NY: The author, 2011.</text>
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              <elementText elementTextId="541036">
                <text>Brewster, Bill, and Frank Broughton. &lt;a href="http://www.worldcat.org/oclc/43445660" target="_blank"&gt;&lt;em&gt;Last Night a Dj Saved My Life: The History of the Disc Jockey&lt;/em&gt;&lt;/a&gt;. New York: Grove Press, 2000.</text>
              </elementText>
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                <text>Neer, Richard. &lt;a href="http://www.worldcat.org/oclc/46713260" target="_blank"&gt;&lt;em&gt;FM: The Rise and Fall of Rock Radio&lt;/em&gt;&lt;/a&gt;. New York: Villard Books, 2001.</text>
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        <name>Declan Patrick MacManus</name>
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                  <text>Friends of Lake Apopka Collection</text>
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                  <text>Lake Apopka (Fla.)</text>
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                  <text>The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.</text>
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                  <text>Orlando, Florida</text>
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                  <text>Saint Johns River, Florida</text>
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                  <text>Winter Garden, Florida</text>
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                  <text>Winter Haven, Florida</text>
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                  <text>Zellwood, Florida</text>
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                  <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
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                  <text>Cepero, Laura</text>
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                  <text>King, Joshua</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.fola.org/" target="_blank"&gt;Our Mission &amp;amp; Purpose&lt;/a&gt;." Friends of Lake Apopka. http://www.fola.org/.</text>
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                <text>Letter from John R. Dollar to W. R. Clonts (December 10, 1979)</text>
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                <text>Letter from Dollar to Clonts (Dec. 10, 1979)</text>
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                <text>A letter from John R. Dollar to W. R. Clonts, dated December 10, 1979. In this letter, Dollar the Project Manager for Post, Buckley, Shuch &amp;amp; Jernigan Inc., writes to Clonts, a farmer in the Zellwood Drainage and Water Control District (ZDWCD), to inform him of changes made by the Orange County Pollution Control Board to the district's usage of water from Lake Apopka. The changes include monitoring requirements for various pumps used by the ZDWCD, such as fuel usage and water quality sampling.&lt;br /&gt;&lt;br /&gt; The Zellwood Drainage and Water Control District was created by the Florida Legislature in 1941 for taxation and land management of farming areas on the north shore of Lake Apopka. The district was granted powers of self-taxation and permitted to construct canals, bridges, and dikes in the area. The north shore farms were constructed on "muck land" created by the drainage of wetlands bordering Lake Apopka. The soil in these areas, often called "muck soil," is highly fertile and vulnerable to oxidation. The ZDWCD was permitted to routinely flood farmlands, when not in use, in order to keep the soil wet and preventing its loss to oxidation. These lands would then be drained before each growing season and this water was discharged back into Lake Apopka. Practices like these were considered to contribute to the pollution of Lake Apopka, with the discharge of fertilizer-rich water creating conditions of “eutrophication” in the lake and promoting the growth of harmful algae.&lt;br /&gt;&lt;br /&gt;The Friends of Lake Apopka (FOLA), a citizen advocacy group organized for the environmental restoration of Lake Apopka in the early 1990s, lobbied for increased restrictions on the district’s ability to utilize water from Lake Apopka. These efforts culminated in a buyout of the Zellwood Drainage and Water Control District farmlands by the State of Florida in 1998, and farming operations ceased in June of that year. The ZDWCD was dissolved by the Florida Legislature in September of 2000.</text>
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                <text>Original 2-page typewritten letter from John R. Dollar to W. R. Clonts, December 10, 1979: binder 1979, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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                <text>Binder 1979, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank"&gt;Friends of Lake Apopka Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
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                <text>Digital reproduction of original 2-page typewritten letter from John R. Dollar to W. R. Clonts, December 10, 1979.</text>
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                <text>Lake Apopka, Florida</text>
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                <text>Dollar, John R.</text>
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                <text>1979-12-10</text>
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                <text>169 KB</text>
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                <text>2-page typewritten letter on Post, Buckley, Shuch &amp; Jernigan Inc. letterhead</text>
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                <text>eng</text>
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            <name>Mediator</name>
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                <text>History Teacher</text>
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            <name>Provenance</name>
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                <text>Originally created by John R. Dollar.</text>
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            <name>Rights Holder</name>
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            <elementTextContainer>
              <elementText elementTextId="629614">
                <text>Copyright to this resource is held by the &lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Donation</text>
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                <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
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                <text>King, Joshua</text>
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            <name>Digital Collection</name>
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              <elementText elementTextId="629618">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
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                <text>Jackson, Jerry. "&lt;a href="http://articles.orlandosentinel.com/1985-08-12/business/0320160151_1_vegetable-industry-muck-lake-apopka" target="_blank"&gt;Reaping Bucks From Muck Central Florida's $70 Million Vegetable Industry Thrives In Rich Soil&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, August 12, 1985. Accessed August 1, 2015. http://articles.orlandosentinel.com/1985-08-12/business/0320160151_1_vegetable-industry-muck-lake-apopka.</text>
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                <text>"&lt;a href="https://dca.deo.myflorida.com/fhcd/sdip/OfficialListdeo/dissolved.cfm" target="_blank"&gt;Special District Accountability Program&lt;/a&gt;." Florida Department of Economic Opportunity. Accessed August 1, 2016. https://dca.deo.myflorida.com/fhcd/sdip/OfficialListdeo/dissolved.cfm.</text>
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        <name>agriculture</name>
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        <name>John R. Dollar</name>
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        <name>Lake Apopka</name>
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        <name>Orange County Pollution Control Board</name>
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        <name>phosphorus</name>
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        <name>Post, Buckley, Schuh &amp; Jernigan, Inc.</name>
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        <name>pumps</name>
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        <name>W. R. Clonts</name>
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        <name>water management</name>
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        <name>ZDWCD</name>
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        <name>Zellwood Drainage and Water Control District</name>
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                  <text>Veterans Legacy Program Collection</text>
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                  <text>In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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&lt;div class="element-text"&gt;&lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;&lt;/div&gt;</text>
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                <text>The Sixteenth Unites States Census records for Plymouth County, Hingham, Massachusetts for 1940. The census divides the population by name, age, sex, race, marital status, residence, home owned or rented, value of home or monthly rent, whether living on a farm, other residents of same address, relation to head of house, attended school or college after March 1940, highest grade completed, state or foreign country of birth, employment status, hours of work per week, duration of employment, and wages. Supplemental questions include the father and mother's birthplace, language spoken in home during childhood, veteran status, father's veteran status, social security, usual occupation and industry, class of worker, if women have been married more than once, age at first marriage if so, and number of children born. A notable resident listed in this record is Henry Francis Cavicchi (1896-1991). &lt;br /&gt;&lt;br /&gt;Born on September 4, 1896 in Quincey, Massachusetts, Cavicchi was a first generation Italian-American. His father moved from Italy to the United States in the 1880s, where he married a Canadian immigrant and settled in New York. Shortly after Henry’s birth, the family moved to Massachusetts. After working for the family business, Cavicchi Polishing Machine Co., Henry briefly joined the United States Navy in June 1918, where he served during the First World War. When he left the Navy in 1919, Cavicchi returned to Massachusetts, where he married his wife, Emily A. Essex, in 1922. He continued working at Cavicchi Polishing Machine Co. with his father and brothers until his retirement in the 1980s. Cavicchi died on July 30, 1991, and is buried in the Florida National Cemetery. &lt;br /&gt;&lt;br /&gt;In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>The &lt;em&gt;Celery Soup: Florida’s Folk Life Play&lt;/em&gt; Collection encompasses photographs, artifacts, and oral histories related to the production of Creative Sanford, Inc.'s and Celery Soup's play &lt;em&gt;Remade - Not Bought&lt;/em&gt;, performed at the Princess Theater in 2013. Many of the items in this collection were collected by Dr. Scot French's Tools in Digital History Seminar Graduate Class during the Fall 2013 semester at the University of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Celery Soup: Florida’s Folk Life Play&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Dr. &lt;/span&gt;&lt;a href="http://history.scotfrench.com/" target="_blank"&gt;Scot A. French&lt;/a&gt;&lt;span&gt;'s Tools in Digital History Seminar Graduate Class, Fall 2013 at the &lt;/span&gt;&lt;a href="http://www.ucf.edu/" target="_blank"&gt;University of Central Florida&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;WHO IS CREATIVE SANFORD, INC?&lt;/a&gt;" Celery Soup. http://www.celerysoupsanford.com//about.</text>
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                  <text>"&lt;a href="http://www.celerysoupsanford.com/about/" target="_blank"&gt;About: History and Purpose&lt;/a&gt;." Celery Soup. http://www.celerysoupsanford.com/about/.</text>
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                  <text>"&lt;a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank"&gt;Sanford, Florida: How do you make Celery Soup? Add stories, then stir&lt;/a&gt;." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida.</text>
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                <text>Letter from Chris Dorworth to Trish Thompson (June 16, 2011)</text>
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                <text>A letter from Florida House Representative Chris Dorworth recognizing and congratulating Creative Sanford, Inc. and its then-President Trish Thompson for their work preserving and presenting community history through folk-life plays, specifically &lt;em&gt;Touch and Go&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;Creative Sanford, Inc. is a non-profit organization created to manage Celery Soup community theater productions. The original idea for the &lt;em&gt;Celery Soup: Florida’s Folk Life Play&lt;/em&gt; project came from Jeanine Taylor, the owner of a folk-art gallery on First Street in Sanford, Florida. Their first production was &lt;em&gt;Touch and Go&lt;/em&gt;, a play focusing on the people of Sanford and their determination to overcome various obstacles, including the Freeze of 1894-1895, the fall of Sanford's celery industry, and the closing of Naval Air Station (NAS) Sanford in the 1960s. Richard Geer and Jules Corriere, partners from Community Performance International, were in charge of assessing oral histories, converting them into scenes for the play, and writing original songs. Director Geer also used an all-volunteer cast from the local community, many of whom were not experienced actors. In the process of producing the show, Creative Sanford decided to rehabilitate an historic building, the Princess Theater, which is located on 115 West First Street and owned by Stephen Tibstra. The Creative Sanford offices are housed in the Historic Sanford Welcome Center, located at 203 East First Street.</text>
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                <text>Original letter from Chris Dorworth to Trish Thompson, June 16, 2011: &lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;, Historic Sanford Welcome Center, Sanford, Florida.</text>
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                <text>&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;, Sanford Welcome Center, Sanford Florida.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/3093" target="_blank"&gt;Oral History of Trish Thompson&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/3093.</text>
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                <text>Originally created by &lt;a href="http://www.myfloridahouse.com/Sections/Representatives/details.aspx?MemberId=4419&amp;amp;SessionId=57" target="_blank"&gt;Chris Dorworth&lt;/a&gt; and owned by Trish Thompson and &lt;a href="http://www.celerysoupsanford.com//" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;</text>
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                <text>Copyright to the resource is held by &lt;a href="http://www.celerysoupsanford.com//" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;</text>
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              <elementText elementTextId="445430">
                <text>&lt;em&gt;&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Celery Soup: Florida's Folk Life Play&lt;/a&gt;&lt;/em&gt;</text>
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                <text>Dr. &lt;a href="http://history.scotfrench.com/" target="_blank"&gt;Scot French&lt;/a&gt;'s "Tools in Digital History Seminar", Fall 2013 at the &lt;a href="http://www.ucf.edu/" target="_blank"&gt;University of Central Florida&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;</text>
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              <elementText elementTextId="445435">
                <text>"&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;WHO IS CREATIVE SANFORD, INC?&lt;/a&gt;" Celery Soup. http://www.celerysoupsanford.com//about.</text>
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              <elementText elementTextId="445436">
                <text>"&lt;a href="http://www.celerysoupsanford.com/about/" target="_blank"&gt;About: History and Purpose&lt;/a&gt;." Celery Soup. http://www.celerysoupsanford.com/about/.</text>
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              <elementText elementTextId="445437">
                <text>"&lt;a href="http://articles.orlandosentinel.com/2010-10-20/entertainment/os-celery-soup-sanford-20101020_1_oral-histories-swamp-gravy-celery-soup" target="_blank"&gt;Tales of Sanford's resilience are the stars of 'Touch and Go'.&lt;/a&gt;" &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, October 20, 2010. http://articles.orlandosentinel.com/2010-10-20/entertainment/os-celery-soup-sanford-20101020_1_oral-histories-swamp-gravy-celery-soup.</text>
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              <elementText elementTextId="445438">
                <text>"&lt;a href="http://mysanfordherald.com/view/full_story/12128828/article-Young-dancer-helps-put-spark-in--Touch-and-Go" target="_blank"&gt;Young dancer helps put spark in 'Touch and Go'&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;, March 2, 2011. http://mysanfordherald.com/view/full_story/12128828/article-Young-dancer-helps-put-spark-in--Touch-and-Go.</text>
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                <text>Originally created by Lathrop Douglass.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.lathropdouglassarchitects.com/" target="_blank"&gt;Lathrop Douglass Architects&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt;</text>
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                <text>Tracy, Jane. "&lt;a href="http://dc.ocls.info/memory/image/harriett-and-hymen-lake" target="_blank"&gt;Harriett and Hymen Lake&lt;/a&gt; .'" Orlando Memory, March 11, 2014, http://dc.ocls.info/memory/image/harriett-and-hymen-lake.</text>
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                <text> Palmer, Jottie. "Big Shopping Mall Planned." &lt;a href="http://www.orlandosentinel.com/" target="_blank"&gt;&lt;em&gt;The Orlando Sentinel&lt;/em&gt;&lt;/a&gt;. March 31, 1966.</text>
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        <name>The Bee Line</name>
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Sixteenth Census Population Schedule for Election Precinct 12, Orlando, Ward 1</text>
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                <text>The Census population schedule for Precinct 12, Orlando, Ward 1 in 1940. Individuals are identified by name, titles and terms, gender, age, marital status, race, relationship to head of household, birthplace, birth year, the last place of residence, and occupation. A notable resident listed in this record was James Whitley (ca. 1924-1944), who appears on row 11. A native of Orange County, Florida, Whitely was a private in the U.S. Army during World War II. He died during his service in France and is currently buried at the Epinal American Cemetery and Memorial in Dinozé, France. Whitley is one of 85 Florida residents interned at Epinal. He was born to John Whitely and Rachel Whitley sometime around the end of 1924. As an African-American, Whitley grew up in segregated Orange County. He was drafted into the Army on February 9, 1943, and was assigned to a segregated unit in the 4255th Quartermaster Truck Company. Whitley's unit transferred to Hampshire, England, on June 30, 1944, where they managed supplies for the invasion of Europe by the Allied Forces. Whitley died during combat in France on September 12, 1944. He was awarded the American Campaign Medal, the World War II Victory Medal, and a Purple Heart for his service.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Originally created by William S. Duckworth and published by the &lt;a href="http://www.census.gov/" target="_blank"&gt;Bureau of the Census&lt;/a&gt;.</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:
&lt;ul class="one_column_bullet"&gt;&lt;li&gt;reproduce the work in print or digital form&lt;/li&gt;
&lt;li&gt;create derivative works&lt;/li&gt;
&lt;li&gt;perform the work publicly&lt;/li&gt;
&lt;li&gt;display the work&lt;/li&gt;
&lt;li&gt;distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;/li&gt;
&lt;/ul&gt;
This resources is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank"&gt;Section 5&lt;/a&gt; of &lt;a href="http://www.copyright.gov/title17/92chap1.html" target="_blank"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>"&lt;a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GSln=Whitley&amp;amp;GSfn=James&amp;amp;GSbyrel=all&amp;amp;GSdyrel=all&amp;amp;GScntry=7&amp;amp;GSob=n&amp;amp;GRid=56376324&amp;amp;df=all&amp;amp;" target="_blank"&gt;Pvt James Whitley&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GSln=Whitley&amp;amp;GSfn=James&amp;amp;GSbyrel=all&amp;amp;GSdyrel=all&amp;amp;GScntry=7&amp;amp;GSob=n&amp;amp;GRid=56376324&amp;amp;df=all&amp;amp;.</text>
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              <elementText elementTextId="586616">
                <text>"&lt;a href="https://familysearch.org/ark:/61903/1:1:KMVK-BW1" target="_blank"&gt;James Whitley: United States World War II Army Enlistment Records&lt;/a&gt;." FamilySearch. https://familysearch.org/ark:/61903/1:1:KMVK-BW1 (accessed October 20, 2015).</text>
              </elementText>
              <elementText elementTextId="586617">
                <text>"&lt;a href="https://familysearch.org/ark:/61903/1:1:VTC4-NZK" target="_blank"&gt;James Whitley: United States Census, 1940&lt;/a&gt;." FamilySearch. https://familysearch.org/ark:/61903/1:1:VTC4-NZK (accessed October 20, 2015).</text>
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                <text>"&lt;a href="https://aad.archives.gov/aad/record-detail.jsp?dt=893&amp;amp;mtch=168&amp;amp;cat=all&amp;amp;tf=F&amp;amp;sc=24994,24995,24996,24998,24997,24993,24981,24983&amp;amp;q=James+Whitley&amp;amp;bc=sl,fd&amp;amp;sort=24996%20desc&amp;amp;rpp=50&amp;amp;pg=1&amp;amp;rid=4950307&amp;amp;rlst=5191388,5184322,177367,4950307,5213432,5081800,6251237,6257171,1101903,5671352" target="_blank"&gt;World War II Army Enlistment Records&lt;/a&gt;." National Archives. Last modified September 30, 2002. http://aad.archives.gov/aad/record-detail.jsp?dt=893&amp;amp;mtch=168&amp;amp;cat=all&amp;amp;tf=F&amp;amp;sc=24994,24995,24996,24998,24997,24993,24981,24983&amp;amp;q=James+Whitley&amp;amp;bc=sl,fd&amp;amp;sort=24996%20desc&amp;amp;rpp=50&amp;amp;pg=1&amp;amp;rid=4950307&amp;amp;rlst=5191388,5184322,177367,4950307,5213432,5081800,6251237,6257171,1101903,5671352 (accessed October 8, 2015).</text>
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        <name>Alice Varner</name>
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      <tag tagId="36488">
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        <name>Alonzo Varner</name>
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      <tag tagId="36476">
        <name>Annie P. Robinson</name>
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        <name>Charlotte Jones</name>
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        <name>Chester Dukes</name>
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        <name>Chester Jones</name>
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      <tag tagId="36507">
        <name>Chester Jones, Jr.</name>
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        <name>Edward Coar</name>
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      <tag tagId="36470">
        <name>Election Precinct 12</name>
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      <tag tagId="36504">
        <name>Ernestine Patrick</name>
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      <tag tagId="36472">
        <name>Etta B. Coar</name>
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      <tag tagId="36479">
        <name>Eugene Myrick</name>
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      <tag tagId="36473">
        <name>George Coar</name>
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        <name>Gloria Smith</name>
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      <tag tagId="36496">
        <name>Gussie Mae Whitley</name>
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        <name>Hercules Stokes</name>
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        <name>Isabell Demps</name>
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        <name>Jim Patrick</name>
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        <name>John H. Smith</name>
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      <tag tagId="36489">
        <name>John H. Smith, Jr.</name>
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      <tag tagId="36475">
        <name>John Robinson</name>
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        <name>John Whitley</name>
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        <name>Johnnie Mae Riley</name>
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        <name>Maxcy Jones</name>
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        <name>Minnie Patrick</name>
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                  <text>The Sanford Riverfront Collection consists of images depicting the history and significance of Lake Monroe and the St. Johns River to the City of Sanford, Florida. The waterways that surround Sanford have provided transportation, commerce, defense, and leisure activities for the city's citizens and visitors since its creation in 1877.</text>
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                  <text>&lt;a href="http://www.thehistorycenter.org/research/library" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt;</text>
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                  <text>&lt;a href="http://dlis.dos.state.fl.us/" target="_blank"&gt;State Library and Archives of Florida&lt;/a&gt;</text>
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              <elementTextContainer>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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              <description/>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
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                  <text>Marra, Katherine</text>
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                <elementText elementTextId="443919">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505352">
                  <text>&lt;em&gt;The Seminole Herald&lt;/em&gt;&lt;span&gt;. &lt;a href="http://www.worldcat.org/oclc/52633016" target="_blank"&gt;&lt;em&gt;Sanford: Our First 125 Years&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. [Sanford, FL]: The Herald, 2002.&lt;/span&gt;</text>
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                <elementText elementTextId="505353">
                  <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
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          <name>Original Format</name>
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          <name>Physical Dimensions</name>
          <description/>
          <elementTextContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
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                <text>People Fishing on Lake Monroe</text>
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            <name>Alternative Title</name>
            <description/>
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                <text>Fishing on Lake Monroe</text>
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          <element elementId="49">
            <name>Subject</name>
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                <text>Waterfront Districts</text>
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                <text>Recreation--Florida</text>
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                <text>Fishing--Florida</text>
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                <text>St. Johns River (Fla.) </text>
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                <text>Postcard of people fishing along Lake Monroe in Sanford, Florida. Lake Monroe is a lake that is part of the St. Johns River system in Florida and is also the eighth largest lake in the Orlando metropolitan area. Sanford is located on its northern shore and DeBary and Deltona are located along its northern shore. Two major roadways, State Road 415 and Interstate, run near the lake. Lake Monroe also forms the border of Seminole County and Volusia County.</text>
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                <text>Dukane Scenics</text>
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            <name>Source</name>
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                <text>Original 4 x 6 inch color postcard by Dukane Scenics: Postcard Collection, call number PC5642, Florida Photographic Collection, &lt;a title="State Archives of Florida" href="http://dlis.dos.state.fl.us/index_Researchers.cfm" target="_blank"&gt;State Library and Archives of Florida&lt;/a&gt;, Tallahassee, Florida.</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description/>
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              <elementText elementTextId="141819">
                <text>&lt;a title="State Archives of Florida" href="http://dlis.dos.state.fl.us/index_Researchers.cfm" target="_blank"&gt;State Library and Archives of Florida&lt;/a&gt;</text>
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            <name>Date Created</name>
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                <text>ca. 1960-1990</text>
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            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="141821">
                <text>Digital reproduction of original 4 x 6 inch color postcard by Dukane Scenics on Florida Memory Project: Postcard Collection, call number PC5642, Florida Photographic Collection, State Library and Archives of Florida. &lt;a title="People fishing on Lake Monroe - Sanford, Florida" href="http://floridamemory.com/items/show/163494" target="_blank"&gt;http://floridamemory.com/items/show/163494&lt;/a&gt;.</text>
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            <description/>
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                <text>4 x 6 inch color postcard</text>
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            <description/>
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            <description/>
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          <element elementId="115">
            <name>Spatial Coverage</name>
            <description/>
            <elementTextContainer>
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            <name>Temporal Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="141829">
                <text>1960-01-01/1990-12-31</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
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                <text>Deposit</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="141831">
                <text>Copyright to this resource is held by the &lt;a title="State Archives of Florida" href="http://dlis.dos.state.fl.us/index_Researchers.cfm" target="_blank"&gt;State Library and Archives of Florida&lt;/a&gt;, and is provided here by &lt;a title="RICHES of Central Florida" href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="141838">
                <text>Cepero, Laura</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="141839">
                <text>&lt;a title="Florida Memory Project" href="http://www.floridamemory.com/" target="_blank"&gt;Florida Memory Project&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="426174">
                <text>&lt;a title="RICHES MI" href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="141840">
                <text>&lt;a title="State Archives of Florida" href="http://dlis.dos.state.fl.us/index_Researchers.cfm" target="_blank"&gt;State Library and Archives of Florida&lt;/a&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="141841">
                <text>Sanford Historical Society (Fla.). &lt;a title="Sanford" href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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              <elementText elementTextId="426175">
                <text>"&lt;a title="Monroe Harbour Marina" href="http://www.monroeharbour.com/" target="_blank"&gt;Monroe Harbour Marina&lt;/a&gt;." Monroe Harbour Marina. http://www.monroeharbour.com/.</text>
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            <name>Transcript</name>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="426169">
                <text>&lt;a title="Postcard Collection" href="http://floridamemory.com/photographiccollection/collections/?id=36" target="_blank"&gt;Postcard Collection&lt;/a&gt;, Florida Photographic Collection, State Library and Archives of Florida, Tallahassee, Florida.</text>
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              <elementText elementTextId="436072">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/10" target="_blank"&gt;Sanford Riverfront Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <name>Mediator</name>
            <description/>
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              <elementText elementTextId="426172">
                <text>Geography Teacher</text>
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            <elementTextContainer>
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                <text>Originally created and owned by Dukane Scenics.</text>
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                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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                <text>A letter from the Duncan Macneill Tea Company to Henry Shelton Sanford (1823-1891) dated July 3, 1879. The letter informed Sanford that Sir William MacKinnon had sent him a chest of Indian tea. The letter noted that MacKinnon had already paid the full costs of the tea, the shipping, and the duty in Belgium. The gesture was presumably meant as a show of gratitude for some service or hospitality previously rendered by Sanford. The Duncan Macneill Tea Company was based in British India.&lt;br /&gt;&lt;br /&gt;Sir William MacKinnon was a Scottish ship-owner and businessman who established significant trade networks and commercial interests in British India and later in East Africa. Among other business ventures, he founded the British India Steam Navigation Company and the short-lived Imperial British East Africa Company. During his lifetime, he was one of the leading ship-owners in the British Empire. By the 1880s, he controlled more shipping tonnage than any other individual in Britain.&lt;br /&gt;&lt;br /&gt;MacKinnon met Henry Shelton Sanford sometime in the late 1870s and the two began corresponding regularly in 1879. MacKinnon's interest in Sanford stemmed from the former American ambassador's close proximity to King Leopold II (1835-1909) of Belgium and the Brussels inner-circle of businessmen, politicians, and diplomats. Sanford, living in a château in Brussels, provided a valuable lifeline for MacKinnon, who sought Belgian business connections to support his expanding commercial ventures, particularly in East Africa. He was a vital factor in the formation of the Florida Land and Colonization Company (FLCC), going so far as to lend Sanford £8,000 in early January 1880. He also played an essential role in helping Sanford court early participants in the investment plan. Many of the board members of the FLCC, like Edwyn Sandys Dawes (1838-1903), were close associates of MacKinnon. With his business ventures strongly tied to British and Belgian development schemes in Africa, MacKinnon had no ostensible interest in Florida land investment. His participation in Sanford's Florida ambitions was thus directly linked to his interest in maintaining strong relations with Sanford and his valuable connections in Belgium.</text>
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                <text>Original letter from the Duncan Macneill Tea Company to Henry Shelton Sanford, dated July 3, 1879: box 127, folder 2, subfolder 127.2.11, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Format</name>
            <description/>
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                <text>image/jpg</text>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
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            <name>Medium</name>
            <description/>
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                <text>1-page handwritten letter</text>
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            <name>Language</name>
            <description/>
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                <text>History Teacher</text>
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                <text> Economics Teacher</text>
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            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490888">
                <text>Originally created by Duncan Macneill Tea Company.</text>
              </elementText>
              <elementText elementTextId="490889">
                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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              <elementText elementTextId="490890">
                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
              </elementText>
              <elementText elementTextId="490891">
                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490892">
                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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            <name>Accrual Method</name>
            <description/>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
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              <elementText elementTextId="490903">
                <text>Fedorka, Drew M.</text>
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            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490904">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490905">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490906">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
              </elementText>
              <elementText elementTextId="490907">
                <text>Hochschild, Adam. &lt;a href="http://www.worldcat.org/oclc/39042794" target="_blank"&gt;&lt;em&gt;King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa&lt;/em&gt;&lt;/a&gt;. Boston: Houghton Mifflin, 1998.</text>
              </elementText>
              <elementText elementTextId="490908">
                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
              </elementText>
              <elementText elementTextId="490909">
                <text>Munro, J. Forbes. “"&lt;a href="http://www.worldcat.org/oclc/772540825" target="_blank"&gt;Shipping Subsidies and Railway Guarantees&lt;/a&gt;" &lt;em&gt;The Journal of African History&lt;/em&gt; 28, no. 2 (1987): 209-230.</text>
              </elementText>
              <elementText elementTextId="490910">
                <text>Boulger, Demetrius Charles. &lt;a href="http://www.worldcat.org/oclc/2129362"&gt;&lt;em&gt;The Congo State or, the Growth of Civilization in Central Africa&lt;/em&gt;&lt;/a&gt;. London: Thacker, 1898.</text>
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        </elementContainer>
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    <tagContainer>
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        <name>British India</name>
      </tag>
      <tag tagId="11837">
        <name>Duncan Macneill Tea Company</name>
      </tag>
      <tag tagId="11838">
        <name>Indian tea</name>
      </tag>
      <tag tagId="11819">
        <name>MacKinnon, William</name>
      </tag>
      <tag tagId="2056">
        <name>Sanford, Henry Shelton</name>
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            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="585578">
                  <text>Florida-France Soldier Stories Project Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="585579">
                  <text>Florida-France Soldier Stories Project</text>
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              </elementTextContainer>
            </element>
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              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="585580">
                  <text>Cemeteries--Europe</text>
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                <elementText elementTextId="585581">
                  <text>Veterans--Florida</text>
                </elementText>
                <elementText elementTextId="585582">
                  <text>World War II, 1939-1945</text>
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                <elementText elementTextId="585583">
                  <text>Army</text>
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              </elementTextContainer>
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            <element elementId="104">
              <name>Is Part Of</name>
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                <elementText elementTextId="585584">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener"&gt;RICHES&lt;/a&gt;.</text>
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                  <text>&lt;a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener"&gt;Florida-France Soldier Stories Project&lt;/a&gt;.</text>
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              </elementTextContainer>
            </element>
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              <name>Language</name>
              <description/>
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                  <text>eng</text>
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              <name>Type</name>
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                  <text>Epinal American Cemetery and Memorial, Dinozé, France</text>
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                  <text>Florida-France Soldier Stories Project</text>
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              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="585589">
                  <text>Barnes, Mark </text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="585592">
                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="627733">
                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="637743">
                <text>Telegram from Robert H. Dunlop to Edna P. Hancock (1944)</text>
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            <elementTextContainer>
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                <text>Telegram from Dunlop to Hancock (1944)</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
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                <text>World War II, 1939-1945</text>
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                <text> Veterans--Florida</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
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            <elementTextContainer>
              <elementText elementTextId="637747">
                <text>A telegram from Adjutant General Robert H. Dunlop to Edna P. Hancock. In the telegram, AG Dunlop informs Hancock that her husband, then-Private John B. Hancock (1913-1944), had been returned to duty after being injured in action.&lt;br /&gt;&lt;br /&gt;Sergeant Hancock was born in Thomasville, Georgia, in 1913, but later migrated to Auburndale, Florida. Hancock managed a Great Atlantic &amp;amp</text>
              </elementText>
              <elementText elementTextId="637748">
                <text> Pacific Tea Company (A&amp;amp</text>
              </elementText>
              <elementText elementTextId="637749">
                <text>P) store in Haines City until he enlisted in the 45th Infantry Division's 179th Infantry Regiment. Sgt. Hancock served initially in Africa in 1943, until the 45th Infantry Division's participation in the Allied invasion of Sicily, codenamed Operation Husky. The division then went on to participate in the Allied invasion of Italy, where Sgt. Hancock was injured. He was returned to duty in February of 1944 in southern France. On November 1, 1944, Sgt. Hancock went Missing in Action (MIA) after serving in the Allied invasion of Southern France, codenamed Operation Dragoon. He was eventually buried at Epinal American Cemetery and Memorial in Dinozé, France.</text>
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            <name>Type</name>
            <description/>
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              <elementText elementTextId="637750">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="637751">
                <text>Photocopy of original 1-page typewritten telegram from Robert H. Dunlop to Edna P. Hancock, 1944: Private Collection of Linda Hughes.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="637752">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="637753">
                <text>Digital reproduction of photocopied 1-page typewritten telegram from Robert H. Dunlop to Edna P. Hancock.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="637754">
                <text>Italy</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="637755">
                <text>Dunlop, Robert H.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="637756">
                <text>Hughes, Linda</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="637757">
                <text>ca. 1944-03-25</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="637758">
                <text>image/jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="637759">
                <text> </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="637760">
                <text>1-page typewritten telegram</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="637761">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="120">
            <name>Audience</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="637762">
                <text> </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="637763">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="637764">
                <text> Civics/Government Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="637765">
                <text>Originally created by Robert H. Dunlop.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="637766">
                <text>Copyright to this resource is held by Linda Hughes and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="637767">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="637768">
                <text>Epinal American Cemetery and Memorial Project</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="637769">
                <text>Bates, Chris</text>
              </elementText>
              <elementText elementTextId="637770">
                <text> Cepero, Laura</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="637771">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="637772">
                <text>Private Collection of Linda Hughes</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="637773">
                <text>"&lt;a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp</text>
              </elementText>
              <elementText elementTextId="637774">
                <text>GRid=56372799" target="_blank"&gt;Sgt John B Hancock&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp</text>
              </elementText>
              <elementText elementTextId="637775">
                <text>GRid=56372799.</text>
              </elementText>
              <elementText elementTextId="637776">
                <text> "Killed in Action." RICHES of Central Florida.</text>
              </elementText>
              <elementText elementTextId="637777">
                <text> "Letter from John R. Hull to Edna P. Hancock (April 23, 1945)." RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="49330">
        <name>Edna P. Hancock</name>
      </tag>
      <tag tagId="49329">
        <name>Jack Hancock</name>
      </tag>
      <tag tagId="49328">
        <name>John B. Hancock</name>
      </tag>
      <tag tagId="50649">
        <name>Robert H. Dunlop</name>
      </tag>
      <tag tagId="12957">
        <name>veterans</name>
      </tag>
      <tag tagId="5640">
        <name>World War II</name>
      </tag>
      <tag tagId="283">
        <name>WWII</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="2825" public="1" featured="0">
    <fileContainer>
      <file fileId="1989">
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        <authentication>c0fc7a0f7cb357ad6edb756c848b84d6</authentication>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="431011">
                  <text>Central Florida Monuments Collection</text>
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              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="431012">
                  <text>Monuments Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="431013">
                  <text>Florida</text>
                </elementText>
                <elementText elementTextId="431014">
                  <text>Orlando (Fla.)</text>
                </elementText>
                <elementText elementTextId="431015">
                  <text>Kissimmee (Fla.)</text>
                </elementText>
                <elementText elementTextId="431016">
                  <text>Sanford (Fla.)</text>
                </elementText>
                <elementText elementTextId="431017">
                  <text>Winter Springs (Fla.)</text>
                </elementText>
                <elementText elementTextId="431018">
                  <text>Memorials--Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
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                  <text>Central Florida is a unique place. Diversity exists throughout the spectrum of population, neighborhoods, tourism, and attractions. Because of our uniqueness and seemingly never-ending list of things to do, we tend to overlook the things that make us unique. We tend to overlook our past. We walk through parks, down the street, and around lakes, catch a glimpse of a commemorative plaque or statue, but it stops there. Central Florida is rich of monuments and memorials, yet very rarely do we know why it is there and who put it there.&#13;
&#13;
Our small University of Central Florida Public History class selected a number of memorials and monuments around Central Florida. We found busts, markers, structures, and statues that stand tall. Some of these are obvious, but others are hidden amongst the brush. We had no idea what we would find in regards to these gems; some of us found very little, but others found gold. We found that monuments in places like Kissimmee, Lake Eola, and Sanford offer a glimpse into our past that has been overlooked, and in some cases untouched. Through the history of our monuments and memorials, we have been able to gauge social sentiment, populations, but more importantly, the reasons why our predecessors have commemorated what they have.&#13;
&#13;
Our sampling in no way represents all of the history Central Florida has to offer, but we can offer you a glimpse and hope that you dig further through the history our region has to offer. Come into our exhibit and look through our shared past and see what was important, and what has been forgotten. Come in and see for yourself a familiar statue to which you can finally give meaning. Come in and see Central Florida in a new light— a light that will take you through the years and the changes of our region. </text>
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                  <text>Kittel, Carly&#13;
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                  <text>Messamore, Kyle&#13;
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                  <text>Schell, Kristal&#13;
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=525" target="_blank"&gt;Dr. Anne Lindsay&lt;/a&gt;'s Public History: Principles and Techniques Undergraduate Class</text>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/cflmonuments" target="_blank"&gt;Hidden in Plain Sight: A Selection of Central Florida Monuments&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/exhibits/show/cflmonuments.</text>
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                  <text>&lt;span&gt;Dickinson, Greg, Carole Blair, and Brian L. Ott. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/663080291" target="_blank"&gt;&lt;em&gt;Places of Public Memory The Rhetoric of Museums and Memorials&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Tuscaloosa: University of Alabama Press, 2010. &lt;/span&gt;</text>
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                  <text>&lt;span&gt;Bodnar, John E. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/23731520" target="_blank"&gt;&lt;em&gt;Remaking America: Public Memory, Commemoration, and Patriotism in the Twentieth Century&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Princeton, N.J.: Princeton University Press, 1991.&lt;/span&gt;</text>
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                <text>The Bust of Simón Bolívar at Lake Eola in Downtown Orlando, Florida, in 2013. This life-sized, 150-pound bronze bust is set on a polished stone plinth and was erected in March 1996. The monument was donated to the City of Orlando by Rafael Antonio Caldera Rodríguez, the president of the Bolivarian Republic of Venezuela from 1969 to 1974 and again from 1994 to 1999. The monument honors Simón José Antonio de la Santísima Trinidad Bolívar y Palacios Ponte y Blanco, the founder of Bolivia and the liberator of Venezuela, Colombia, Ecuador, Panama, and Peru. The Bust of Simón Bolívar was the first in a series of sculptures of international heroes that lines International Plaza and Bridge.&lt;br /&gt;&lt;br /&gt;Bolívar, considered one of the most influential politicians in the history of the Americas, was a major player in Latin America's struggle for independence from the Spanish Empire during the early 19th century. Bolívar was also fundamental in the foundation of Gran Colombia, the first union of independent Hispanic nations, and led as its president from 1819 to 1830.</text>
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                <text>Copyright to this resource is held by Robin Dunn and is provided here by &lt;a title="RICHES of Central Florida" href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Spear, Kevin. "&lt;a href="http://articles.orlandosentinel.com/1996-03-18/news/9603170537_1_lake-eola-park-bolivar-lake-water" target="_blank"&gt;South American Hero Memorialized At Lake Eola&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, March 18, 1996. http://articles.orlandosentinel.com/1996-03-18/news/9603170537_1_lake-eola-park-bolivar-lake-water.</text>
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                <text>Bolívar, Simón, and Laurent Tranier. &lt;a href="http://www.worldcat.org/oclc/496791985f" target="_blank"&gt;&lt;em&gt;Simon Bolivar&lt;/em&gt;&lt;/a&gt;. [Toulouse]: Toute latitude éditions, 2008.</text>
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                <text>SIMON BOLIVAR WAS BORN IN CARACAS, VENEZUELA, ON JULY 24, 1783 AND DIED IN SANTA MARTA, COLOMBIA, ON DECEMBER 17, 1830. &#13;
&#13;
LIBERATOR OF VENEZUELA, COLOMBIA, ECUADOR, PANAMA, PERU, AND FOUNDER OF BOLIVIA. &#13;
&#13;
"WITHOUT EQUALITY, ALL FREEDOMS AND ALL RIGHTS WILL PERISH."&#13;
SIMON BOLIVAR&#13;
&#13;
DONATED BY DR. RAFAEL CALDERA, &#13;
PRESIDENT OF &#13;
THE REPUBLIC OF VENEZUELA&#13;
TO THE CITY OF ORLANDO. &#13;
MARCH 1996. </text>
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                <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=525" target="_blank"&gt;Dr. Anne Lindsay&lt;/a&gt;'s Public History: Principles and Techniques Undergraduate Class</text>
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        <name>International Plaza and Bridge</name>
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                  <text>&lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt;</text>
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              <description/>
              <elementTextContainer>
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                  <text>Mormino, Gary R. 2002. "&lt;a href="http://www.worldcat.org/oclc/5544029021" target="_blank"&gt;Sunbelt Dreams and Altered States: A Social and Cultural History of Florida, 1950-2000&lt;/a&gt;." &lt;em&gt;The Florida Historical Quarterly. &lt;/em&gt;81, no. 1: 3-21.</text>
                </elementText>
                <elementText elementTextId="601400">
                  <text>Arsenault, Raymond. "The End of the Long, Hot Summer: The Air Conditioner and Southern Culture." &lt;a href="http://www.worldcat.org/oclc/1782314" target="_blank"&gt;&lt;em&gt;Journal of Southern History&lt;/em&gt;&lt;/a&gt; Vol. 50, no. 4 (November, 1984): 597-628.</text>
                </elementText>
                <elementText elementTextId="601401">
                  <text>Staeheli, Lynn A. and Don Mitchell. "USA’s Destiny? Regulating Space and Creting Community in American Shopping Malls." &lt;a href="http://www.worldcat.org/oclc/37915650" target="_blank"&gt;&lt;em&gt;Urban Studies&lt;/em&gt;&lt;/a&gt; Vol. 43, nos 5/6 (May 2006): 977-992.</text>
                </elementText>
                <elementText elementTextId="601402">
                  <text>Dietrich, T. Stanton. &lt;a href="http://www.worldcat.org/oclc/4683014" target="_blank"&gt;&lt;em&gt;The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970&lt;/em&gt;&lt;/a&gt;. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978.</text>
                </elementText>
                <elementText elementTextId="601403">
                  <text>Rome, Adam Ward. &lt;a href="http://www.worldcat.org/oclc/44594084" target="_blank"&gt;&lt;em&gt;The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism&lt;/em&gt;&lt;/a&gt;. Cambridge: Cambridge University Press, 2001.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614075">
                <text>Sky Lake Plaza Paving and Drainage, 1972</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614076">
                <text>Sky Lake Plaza Paving and Drainage</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614077">
                <text>Orlando (Fla.)</text>
              </elementText>
              <elementText elementTextId="614078">
                <text> Shopping malls-- United States</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614079">
                <text>An engineering blueprint showing the detail paving plan for the parking lot at Sky Lake Plaza, later named Skyview Plaza and sometimes referred to as the BeeLine Mall. Hymen Lake designed the plaza as regional shopping center, featuring a Publix supermarket and other mixed-goods stores in Sky Lake, a residential community and unincorporated area in Orange County, Florida. Skyview Plaza was constructed in 1964 and is located on the northeast corner of U.S. Route 441 (US 441), also known as Orange Blossom Trail (OBT) and Sand Lake Road. The developers dubbed this area the "Triangle of Success," formed by the City of Orlando, the Martin Company, and McCoy Air Force Base.</text>
              </elementText>
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          </element>
          <element elementId="51">
            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614080">
                <text>Still Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614081">
                <text>Original 36 x 22 inch engineering blueprint by Howard Durden, May 30, 1972: &lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt;, Pine Castle, Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614082">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/179" target="_blank"&gt;Sky Lake Collection&lt;/a&gt;, Orange County Collection, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614083">
                <text>Digital reproduction of original 36 x 22 inch engineering blueprint by Howard Durden, May 30, 1972.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614084">
                <text>Sky Lake, Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614085">
                <text>Durden, Howard</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614086">
                <text>Michaels Engineering Company</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614087">
                <text>Lake, Harriett</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614088">
                <text>1972-05-30</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614089">
                <text>image/jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614090">
                <text>1.29 MB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614091">
                <text>36 x 22 inch engineering blueprint</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614092">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614093">
                <text>History Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614094">
                <text>Originally created by Howard Durden and published by Michaels Engineering Company.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614095">
                <text>Copyright to this resource is held by Michaels Engineering Company and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614096">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614097">
                <text>Barnes, Mark </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614098">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614099">
                <text>&lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="614100">
                <text>Tracy, Jane. "&lt;a href="http://dc.ocls.info/memory/image/harriett-and-hymen-lake" target="_blank"&gt;Harriett and Hymen Lake&lt;/a&gt; .'" Orlando Memory, May 11, 2014, http://dc.ocls.info/memory/image/harriett-and-hymen-lake.</text>
              </elementText>
              <elementText elementTextId="614101">
                <text> Palmer, Jottie. "Big Shopping Mall Planned." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;. May 31, 1966.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="16308">
        <name>architecture</name>
      </tag>
      <tag tagId="42533">
        <name>BeeLine Mall</name>
      </tag>
      <tag tagId="169">
        <name>construction</name>
      </tag>
      <tag tagId="42537">
        <name>Groo-Michaels Services, Inc.</name>
      </tag>
      <tag tagId="42536">
        <name>Howard Durden</name>
      </tag>
      <tag tagId="42539">
        <name>Michaels Engineering Company</name>
      </tag>
      <tag tagId="9088">
        <name>OBT</name>
      </tag>
      <tag tagId="957">
        <name>Orange Blossom Trail</name>
      </tag>
      <tag tagId="795">
        <name>orlando</name>
      </tag>
      <tag tagId="15194">
        <name>retail</name>
      </tag>
      <tag tagId="38956">
        <name>shopping malls</name>
      </tag>
      <tag tagId="38865">
        <name>Sky Lake</name>
      </tag>
      <tag tagId="38950">
        <name>Sky Lake Plaza</name>
      </tag>
      <tag tagId="42538">
        <name>Skyview Drive</name>
      </tag>
      <tag tagId="39045">
        <name>Skyview Plaza</name>
      </tag>
      <tag tagId="12552">
        <name>U.S. Route 441</name>
      </tag>
      <tag tagId="36199">
        <name>US 441</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="6741" public="1" featured="0">
    <fileContainer>
      <file fileId="6533">
        <src>https://richesmi.cah.ucf.edu/omeka/files/original/b0bb7d2de2887b7cd7d96e2456365afb.pdf</src>
        <authentication>4cc92ff41ce549f84d0573c576944e6a</authentication>
      </file>
    </fileContainer>
    <collection collectionId="151">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="539464">
                  <text>Lucile Campbell Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="539465">
                  <text>Campbell Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560077">
                  <text>Sanford (Fla.)</text>
                </elementText>
                <elementText elementTextId="560078">
                  <text>Teachers--Florida</text>
                </elementText>
                <elementText elementTextId="560079">
                  <text>Educators--Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560080">
                  <text>This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560081">
                  <text>Campbell, Lucille</text>
                </elementText>
                <elementText elementTextId="560082">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560083">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560084">
                  <text>Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560085">
                  <text>Sanford, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560086">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="560087">
                  <text>Raffel, Sara</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560088">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560089">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="595698">
              <text>1 color postcard</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="595699">
              <text>3 x 5 inches</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="592742">
                <text>Florida's Largest Live Oak Postcard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="592743">
                <text>Florida's Largest Live Oak Postcard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="592744">
                <text>Mandarin (Fla.)</text>
              </elementText>
              <elementText elementTextId="592745">
                <text> Stowe, Harriet Beecher, 1811-1896</text>
              </elementText>
              <elementText elementTextId="592746">
                <text> Trees--Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="592748">
                <text>A postcard depicting the exterior of the house of Harriet Beecher Stowe (1811-1896) in Mandarin, Florida, which was also home to several large live oak trees. A famous abolitionist and author of &lt;em&gt;Uncle Tom's Cabin; or, Life Among the Lowly&lt;/em&gt;, Stowe spent her winters in Florida beginning in 1867, although she was reportedly not welcomed in the area.&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="592750">
                <text>Still Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="592751">
                <text>Original 3 x 5 inch color postcard by Duval News Company: ACC# SM-00-243, file folder 1 (U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="111">
            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="592752">
                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="592753">
                <text>File folder 1 (U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
              <elementText elementTextId="592754">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="592755">
                <text>Digital reproduction of original 3 x 5 inch color postcard by Duval News Company.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="592756">
                <text>Stowe Lodge, Mandarin, Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="592757">
                <text>Duval News Company</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="592758">
                <text>Curt Teich and Company</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="592759">
                <text>Campbell, Lucile</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="592760">
                <text>ca. 1950-1959</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="592761">
                <text>ca. 1950-1959</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="592762">
                <text>application/pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="592763">
                <text>351 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="592764">
                <text>3 x 5 inch color postcard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="592765">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="592766">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="592767">
                <text> Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
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                <text>Second Lieutenant Richard Lee McClintock served in the 276th Infantry regiment of the 70th Infantry Division. Richard was born in 1914 in South Carolina and would be killed in action on January 5th, 1945. Before enlisting in 1942 at Camp Blanding Florida, he would be marry his wife, Jewel. Second Lieutenant McClintock would be award a purple heart and silver star for "conspicuous gallantry and intrepidity in action against the enemy." He earned these awards while serving on an advanced party within the division called Task Force Herren, whose mission was to take defensive positions along the West Bank of the Rhine to stall what would be the final German offensive in the west, Operation Nordwind.</text>
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 “United States Census, 1940,” database with images, FamilySearch (accessed October 11, 2016)&#13;
“World War II Army Enlistment Records, 1938-1946,” Camp Blanding, Florida, &#13;
Electronic and Special Media Records Services Division (NWME), National Archives at College Park, https://aad.archives.gov/aad/series-description.jsp?s=3360&amp;cat=WR26&amp;bc=,sl (accessed October 11, 2016)&#13;
United States Army, US Army Center of Military History, http://www.history.army.mil/index.html (accessed October 11, 2016)</text>
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                  <text>&lt;a href="http://www.floridalgbtqmuseum.org/%20" target="_blank"&gt;GLBT History Museum of Central Florida&lt;/a&gt;</text>
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                <text>The Watermark, Vol. 8, No. 20, September 27-October 10, 2001</text>
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                <text>The twentieth issue in the eighth volume of &lt;em&gt;The Watermark&lt;/em&gt; was published on September 27, 2001 and came after the tragic events of September 11, 2001. Throughout the issue, many columns focused on the tragedy, highlighting the experiences and reactions of the columnists. A re-printed article was featured from the &lt;em&gt;Washington Blade&lt;/em&gt; about some members of the LGBTQ+ (Lesbian, Gay, Bisexual, Trans, Queer/Questioning, and others) community who were lost in the terrorists attacks. Prominent among these individuals was gay public relations executive, Mark Bingham (1970-2001), who was on Flight 93. However, despite the freshness of pain and loss in this issue, there was a concerted effort to focus on some of the more positive events going on in the LGBTQ+ community, such as the 12th Annual Tampa International Gay and Lesbian Film Festival and the Hope &amp;amp;amp</text>
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                <text>Help Center's Headdress Ball. Also highlighted were occurrences in the international LGBTQ+ community, such as the possibility of the Czech Republic recognizing same-sex partnerships, and a gay Cairo teen sentenced to prison. This issue of &lt;em&gt;The Watermark&lt;/em&gt; strikes a balance between hurt and loss with positivity and community while maintaining the paper's unique outlook on all events.&lt;br /&gt;&lt;br /&gt; Since 1994, &lt;em&gt;The Watermark&lt;/em&gt; has been the cornerstone source of LGBTQ+ centered news for the Central Florida region. Founded by Tom Dyer in Orlando, the publication began generating bi-weekly issues beginning August 31, 1994. Since then, &lt;em&gt;The Watermark&lt;/em&gt; has consistently published newspaper-style issues every other Thursday. Gaining traction, the publication expanded in 1995 to include Tampa and, in 1997, &lt;em&gt;The Watermark&lt;/em&gt; became a permanent piece of LGBTQ+ culture when the publication initiated the first large-scale Gay Days Weekend event, the Beach Ball at Disney’s Typhoon Lagoon. Before 1999, the publication printed 20,000 copies every week, distributing them to over 500 locations between its two major cities. Following 1999, the publication launched watermarkonline.com shifting to an online publication style. In 2016, Rick Claggett purchased &lt;em&gt;The Watermark&lt;/em&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="http://www.watermarkonline.com/" target="_blank"&gt;Watermark Publishing Group&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>The third issue of &lt;em&gt;The Watermark&lt;/em&gt; was published on September 28, 1994 and continued to focus on family-orientated LGBTQ+ (Lesbian, Gay, Bisexual, Trans, Queer/Questioning, and others) issues. The front page was dedicated to two articles, one about the rapidly increasing gay marriage movement, and the other focusing on National Coming Out Day. The third page included a half page obituary for Charles W. Hummer III, who died of AIDS of September 19, 2016. The paper continued to publish more national stories this time including, New York’s push to include "significant others" on insurance benefits, the limitations put on lesbian mothers in Utah, and a dental discrimination case in Texas. The paper also continues to discuss discrimination in schools that had started in the previous issue.&lt;br /&gt;&lt;br /&gt;Since 1994, &lt;em&gt;The Watermark&lt;/em&gt; has been the cornerstone source of LGBTQ+ centered news for the Central Florida region. Founded by Tom Dyer in Orlando, the publication began generating bi-weekly issues beginning August 31, 1994. Since then, &lt;em&gt;The Watermark&lt;/em&gt; has consistently published newspaper-style issues every other Thursday. Gaining traction, the publication expanded in 1995 to include Tampa and, in 1997, &lt;em&gt;The Watermark&lt;/em&gt; became a permanent piece of LGBTQ+ culture when the publication initiated the first large-scale Gay Days Weekend event, the Beach Ball at Disney’s Typhoon Lagoon. Before 1999, the publication printed 20,000 copies every week, distributing them to over 500 locations between its two major cities. Following 1999, the publication launched watermarkonline.com shifting to an online publication style. In 2016, Rick Claggett purchased &lt;em&gt;The Watermark&lt;/em&gt;.</text>
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                <text>FLORIDA' S DISTINCTIVE CAY AND LESBIAN PUBLICATION.&#13;
VOLUME 1, NUMBER 3	SEPTEMBER 28,1994&#13;
SOMETHI&#13;
SOMETH!&#13;
NG OLD,&#13;
NGNEW&#13;
THE BOOM IN GAY MARRIAGE&#13;
by G. K. Fowler&#13;
Carol Bartsch met Kim Newton at a nightspot “and yes, it was love at first sight. We had just met and it was amazing how many people came up to us that night and made comments&#13;
like ‘how long have you two been together?’” Within six weeks they were sure of their feelings and within a few months had moved in together “to build our lives.” Last August, after ten years of successful partnership, they exchanged formal vows.&#13;
Carol is a cool and intelligible community activist, but she describes her wedding like a bom romantic. “It was perfect. My perfect day.” She and Kim had long celebrated the night they met as a private occasion (“it seemed unlikely we would ever have a wedding anniversary,”) and gradually decided on formal commitment for their tenth. “We wanted it all. We wanted a full ceremony to affirm our relationship and share the feelings we have for each other with our families and friends.&#13;
“And there was another reason. I was raised thinking in terms of falling in love and getting married. Finally it just seemed like something we should not be denied because we were lesbians, something in life we didn’t want to feel we’d missed out bn. I’d like to see it become legal of course, but in the meantime I wasn’t going to waste my life waiting. In the meantime, while we’re still young and so much in love, why not marry?”&#13;
Bemie LaTour was an occasional customer at the upscale Orlando store Eric Boyd manages. Interest wasn’t lacking, but they had no occasion to speak until Bemie managed a third-party introduction. Conversation led to dating and dating to romance.&#13;
A few months later Bemie let slip the word “love” while speaking of other things. Sly Bemie. Eric nearly missed it. “You know,” he says, “he wasn’t going to say anything in order to see if I’d caught it. And I said ‘wait a minute, just stop. Stop the truck! What did you say?”’ Cornered,&#13;
Kim Newton (left) and Carol Bartsch: “Something we should not be denied.”&#13;
Continued Page 8&#13;
THE COMING OF NATIONAL&#13;
COMING OUT&#13;
BAY&#13;
For more than a decade, Rob Eichberg has been one of a handful of activists standing at the forefron* of the gay rights movement. Through his books, speaking engagements and television appearances, Rob has passionately carried the&#13;
about your life. Live powerfully* not fully. Come out of the closet.&#13;
Those who saw him in Orlando last spring, when he addressed the Metropolitan Business Association, know that he is a brilliant communicator, sincere, intelligent, charismatic, and inspiring as only true believers can be. But Rob’s greatest value to the gay community may be as an “idea person,*’ He is one of those rafb people capable of creating a grand vision and then making it happen. National Coming Out Day may be his best idea, his best vision so far.&#13;
Celebrated each October 11 since 1988, National Coming Out Day is when millions of lesbians and gay men recognise how important it is that we share our lives with our families, friends and co-workers. That we not hide. That we put a face on gay and lesbian experience.&#13;
“Ultimately, visibility is the key to the success of our movement,” says Eichberg. “Studies show that those who know agay or lesbian person support our issues 70% of the time. Bo what do we need to do? We need to make sure that everyone knows a lesbian or gay man, and die way to do that is to come out.”&#13;
Eichberg acknowledges that the idea for a celebration associated with coming out was not his alone. But the need became apparent to him when he md Advocate magazine editor David Goodstein founded “The Advocate Experience” in 1976. “The idea behind The Experience was to empower lesbians and gay men , to function lovingly and openly with&#13;
Continued Page 20&#13;
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WATERMARK / September 28,1994 3&#13;
LOCAL &amp; STATE NEWS&#13;
CHARLES “CHUCK” W. HUMMER III&#13;
Orlando lost a rare and bright light when Charles “Chuck” W. Hummer III succumbed to AIDS on September 19. Volunteer, activist, and friend to many, Chuck brought enthusiasm and energy to each of his many projects and relationships. He had a rare ability to be diligent and responsible.. .a force to be reckoned with.. .while also outrageous and childlike. Chuck truly had gifts to give; the love in his heart and the twinkle in his eye. With a sturdy shoulder, a disarming wink and an off-color joke, Chuck helped many, many people through difficult times.&#13;
Chuck Hummer was the first and only Executive Director of the Hope &amp; Help Center of Central Florida. He first joined Hope &amp; Help in 1988, when the agency was formed to provide support services to those affected by the HIV disease. Chuck started as a volunteer, subsequently became the first paid&#13;
1962 -1994&#13;
staff member, and ultimately oversaw expansion to a present staff of 23.&#13;
As a person living with HIV, Chuck had to overcome many of the obstacles facing people with AIDS: job discrimination, access to medical treatment, loss of health insurance. His positive attitude toward life and living with AIDS, stressing living rather than dying, was indelibly woven into the fabric of Hope &amp; Help.&#13;
Chuck advocated a holistic approach to life and health, believing that care of the body was inextricably tied to mental and spiritual health. Chuck was active in drug studies and HIV related research at the National Institutes of Health (NIH) in Bethesda, Maryland since 1988. This involvement increased his medical awareness and understanding of HIV Disease.&#13;
Over the years, Chuck was instrumental&#13;
in assisting clients to enroll in drug studies at NIH. Currently, 32 local clients participate in NIH studies and are able to network with other clients by sharing the most current medical information. The availability of otherwise unreleased treatment protocols motivated his strong and continuing participation in the NIH research effort. He was deeply committed to finding effective treatments for HIV/AIDS.&#13;
In addition to his administrative role at Hope &amp; Help, Chuck actively supported outreach efforts to the community at large. He lectured in Hope &amp; Help’s unique teen peer education program, in the risk reduction distribution program, and the general population outreach program.&#13;
Chuck was born in the Republic of Panama, where he lived and went to school. He moved to the United States with his parents in 1979. He was a student activist in high school, and a thespian since his first appearance on stage at age 7. A graduate of Balboa High School in the Panama Canal Zone, he attended Canal Zone College and then Northern Virginia Community College. He received his Bachelors degree in International Studies from the American University in Washington D.C. in 1985, and was seeking a Masters Degree at Rollins College.&#13;
Chuck is survived by his mother, Greta N. Hummer, of Reston, Virginia; his father and stepmother, Charles W. Hummer, Jr. and Sandra Hummer, of Haines City, Florida; his longtime companion, Mark Steffy, of Davenport, Florida; and step-grandmothers, Sarita Chiari de Selee, of Panama City, Panama, and L. Phyllis Hummer, of Pinellas Park, Florida.&#13;
For those who may wish, a donation may be made in Chuck’s name to the Hope &amp; Help Center of Central Florida, 1935 Woodcrest Dr., Winter Park, Florida 32792.&#13;
SUE YORK, LOCAL LESBIAN ACTIVIST: 1943 - 1994&#13;
Sue York, a lesbian activist and Central Florida resident, died on September 15, 1994. She was 51 years old.&#13;
According to friend Barb Fallon, York was a soft-spoken woman with an unwavering belief in human dignity and equal rights for all. She was involved in the civil rights struggle in the south during the ’60s, and has long worked for equal rights for lesbians, gay men and bisexuals in both Orlando and Daytona Beach.&#13;
York offered her wealth of experience to&#13;
the LCN Express, a monthly newspaper with a large and devoted readership among Central Florida’s lesbian community. At LCN she served as editor, contributing writer, and in the words of Fallon, “continual inspiration.” Fallon adds, “I remember during the March on Washington, when all of us were tired and weary, Sue let us know with just her smile that everything was going to be alright.. .both that day and afterward.”&#13;
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Although difficult to measure, the gay and lesbian vote has been recognized as potentially influential in some local races. The Orlando Sentinel stated in a September 10 article that a strong gay and lesbian vote in east Orange County may have helped County Chairman candidate Fran Pignone there.&#13;
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WATERMARK / September 28, 1994 4&#13;
NATIONAL &amp; INTERNATIONAL NEWS&#13;
LESBIAN ALLOWED ONE VISIT WITH CHILD OF FORMER PARTNER&#13;
SALT LAKE CITY (AP) - A lesbian seeking the right to have regular visitation with the child of her former partner has been granted a single, two-hour visit next weekend while the matter remains under consideration. The visit was granted by 3rd District Judge Leslie Lewis.&#13;
The plaintiff, identified in court only as A.I., has not seen the 4-year-old boy of her former partner, C.D., since July. “I’m ecstatic right now,” A.I., 43, said Monday. C.D., 27, did not comment.&#13;
Witnesses said A.I. was present at the boy’s birth, shared daily duties such as bathing and clothing him, helped give him asthma treatments and took time off work when he needed medical attention. They said she helped support C.D. and her family.&#13;
The defense contends the woman’s role was like that of a baby sitter and that the court did not have the right to grant visitation.&#13;
STATE PATROL ASSIGNED TO GEORGIA POLITICIAN AFTER GAY HARASSMENT&#13;
ATLANTA (AP) - Republican Lt. Governor nominee Nancy Shaefer recieved a State Patrol bodyguard after complaining about harassing phone calls from gays and lesbians.&#13;
Public Safety Commissioner Sid Miles said that the harassment was serious enough to warrant protection even though there had been no threats of bodily harm from any specific group. “We decided it would be in her best interest to assign someone to her,” Miles said. The extra security will continue through the Nov. 8 election.&#13;
“I’m sorry we have to do something such as this,” Schaefer said. The 59-year-old candidate said she, her husband and campaign workers have received harassing calls in recent weeks. She said several callers telephoned the Doubletree Hotel on Friday and threatened a picket by gays and lesbians if Schaefer didn’t cancel a fund-raiser there.&#13;
Schaefer has drawn criticism for her statements that heterosexual and homosexual domestic partnerships are illegal and immoral. Her organization, Family Concerns, helped finance a lawsuit challenging city of Atlanta legislation to authorize health benefits for the unmarried partners of city employees. The ordinance was declared unconstitutional by a Fulton County judge.&#13;
NEW YORK PLAN OFFERS INSURANCE BENEFITS TO “SIGNIFICANT OTHERS”&#13;
ALBANY, N.Y. (AP) - The new year will bring health insurance benefits to the live-in mates of unmarried state prison guards and public university professors who qualify under a new agreement.&#13;
The move will make such coverage available to homosexual or heterosexual partners. The deal announced Friday was the result of negotiations between the staff of Gov. Mario Cuomo and two public-sector unions _ United University Professions and Council 82 of the American Federation of State, County and Municipal Employees.&#13;
Vermont is the only state that currently provides such coverage for domestic partners, but New York City, Rochester and Ithaca do so for city employees. “It’s part of the movement to equalize the way we cover the people who are left out of the system,” said Joseph Bress, director of the state Office of Employee Relations. “We do not feel one set of employees should be deprived of benefits others are entitled to.”&#13;
To qualify for the program, which would start on Jan. 1 or soon after, domestic partners must be adults unrelated by blood or marriage, involved in an exclusive and “committed” relationship and living together for six months, and can demonstrate financial interdependence. Bress said partners would be certified through the use of financial documents such as bank accounts and mortgage statements.&#13;
Some state workers who would not be affected by the program have questioned the timing of it, saying they believed the governor was seeking votes in November’s election. They claim Cuomo is pandering to downstate gay voters while keeping the issue quiet among the more conservative upstate voters who might be cool to the idea of using government money to cover homosexual couples.&#13;
The Public Employees Federation, New York’s second-largest state workers’ union, was also close to signing its own agreement, the Albany’s Times Union reported.&#13;
The Civil Service Employees Association is also considering the plan, he said. The unions represent more than 100,000 of the 162,000-member state workforce eligible to apply for domestic partner benefits under the program. Bress said the projected cost for the program ranges from a low of $249,000 to a high of $2.1 million. The latter figure is based on if all unions agreed to the plan.&#13;
NATIONAL GAY AND LESBIAN JOURNALISTS’ GROUP MEETS&#13;
MINNEAPOLIS (AP) - Four years ago, says Leroy Aarons, most gay journalists were “still in the closet or just peeping their heads out.” Now, the National Lesbian and Gay Journalists Association, which Aarons founded in 1990, has about 1,000 members in news organizations across the country. About 400 of them attended the group’s national conference in Minneapolis, at which U. S. Surgeon General Joycelyn Elders was the featured speaker.&#13;
While last year’s gathering was held in New York City, this year, Minneapolis was chosen to help attract journalists from smaller communities, said Aarons, who worked for the Washington Post in the 1960s and 1970s. The theme was “Out on Main Street.” Members compared how gay and lesbian issues are covered in their communities, and also how work environments differ, he said.&#13;
Kim Severson, entertainment editor at the Anchorage Daily News in Anchorage, Alaska, a city of about 250,000, formed part of a panel discussion on those differences. She said extra challenges exist in smaller communities, where “issues of gays and lesbians are really hot.” Severson recalled an article she wrote about closeted gays in Alaska state government that caused a local uproar. “If you tried to do a story like that in New York or San Francisco, editors would say, ‘So what?’ ” she said.&#13;
Elders addressed homophobia as a public health issue, especially as it relates to gay teenage suicide. The conference agenda included an ethics seminar, a discussion on homophobia in sports with California psychiatrist Dee Mosbacher, a panel on news coverage of health issues and another on the career effects of being openly gay.&#13;
Minneapolis Mayor Sharon Sayles Belton gave the welcoming address. Massachusetts Rep. Barney Frank, one of two openly gay members of Congress, addressed a Saturday lunch session, and gay comic Kate Clinton also appeared.&#13;
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WATERMARK / September 28, 1994 6&#13;
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MIAMI (AP) - Vemelle Lowder gave up her children, moved back to her Georgia hometown and made plans to kill herself after being told she had the HIV virus. It was all a mistake.&#13;
A Dade Circuit Court jury has awarded $600,000 to Lowder, 49, for pain and suffering after her 1990 AIDS test was misread. Dr. Homer L. Kirkpatrick, who gave anti-AIDS medication to Lowder, settled for $250,000 on the eve of the trial.&#13;
Although AIDS cannot be transmitted by casual contact, Lowder worried about touching her children, now ages 17,19 and 21, her attorney, Steven Mitchel said. She gave legal custody of her children to her mother - who would wash her daughter’s dirty dishes with bleach.&#13;
Finally, she returned in October 1992 to her hometown of Waycross in Georgia. At an AIDS hospice clinic in Waycross, she was retested and learned she was HIV-negative.&#13;
Lowder went to the Family Health Center in Hialeah for a checkup in November 1990. She decided to be tested for AIDS because she had received a blood transfusion in 1980. After being told she was HIV-positive, Lowder took medication prescribed by Kirkpatrick for several months that made her nauseous and weak, her attorney said.&#13;
MAN AWARDED $100,000 IN DENTAL CARE DISCRIMINATION CASE&#13;
HOUSTON (AP) - A Houston man who was refused treatment at a dental center after disclosing that he was infected with HIV will receive $100,000 as part of an out-of-court settlement of a discrimination lawsuit.&#13;
The U.S. Justice Department said the settlement under the Americans with Disabilities Act is the first of its kind. Last year, the department sued the Castle Dental Center in Houston for violating the act by telling Harrison J. Totten it would no longer treat him.&#13;
Totten, 30, said his orthodontic treatment was discontinued in May 1992 when he revealed that he had HIV, the virus that causes AIDS.&#13;
“This settlement is more than just a slap on the wrist,” Totten’s attorney John Paul Bamich said. “The message I would like to go out is that if people are going to be intentionally ignorant, we’re going to make it as painful as possible.”&#13;
Title III of the Americans with Disabilities Act prohibits discrimination from the offices of health care providers. Testing positive for HIV and having AIDS are disabilities under the act.&#13;
The Justice Department became involved in the case when Bamich contacted them after filing a 1993 lawsuit in state court on Totten’s behalf. The suit alleged that Totten went to the center in 1991 to get braces. When he went back in May 1992 to have his teeth cleaned, he was given a form to complete that asked if he had AIDS or had tested HIV-positive.&#13;
After writing that he had tested HIV-positive, Totten waited 45 minutes without receiving services and then left. “The word that Harrison Totten was infected with HIV spread around Castle Dental Center. His patient file was conspicuously marked with a red sticker saying ‘AIDS,’” the suit stated.&#13;
The following month, Totten called Castle to confirm an appointment and was told he should have received notice that the dental center would not treat him again, Bamich said.&#13;
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WATERMARK / September 28,1994 7&#13;
BUSINESS&#13;
COMPANIES VALUE CULTURAL DIVERSITY&#13;
by Ken Kundis&#13;
It was a simple act, really. Something that most of his fellow employees at Federal Express did without thought. Ted placed the photograph of his lover on his desk and went about his work, wondering what his new associates would say. To his surprise, they said almost nothing at all.&#13;
This simple act of assertiveness fifteen years ago by Ted Maines, now a senior manager at Federal Express, was the beginning of a path that would culminate in his inclusion on Federal Express’ Cultural Diversity steering committee. He discussed not only his positive experiences at Federal Express but also the climate for gays and lesbians in corporate America during a presentation at the Rainbow Democratic Club meeting held, Monday, September 19.&#13;
According to Maines, a growing number of companies are adding the words “sexual orientation” to their equal employment opportunity (EEO) statements and offering equal treatment to gays and lesbians. However, most companies in America still do not have written policies protecting the rights of gays and lesbians, and do not offer equal benefits to their gay employees.&#13;
The list of companies that do have such protections, however, is impressive. It includes Disney, Microsoft, Lotus Development Corporation, DuPont Chemical, Xerox, Apple Computers, and Chase Manhattan Banks. Maines indicates that these companies and many others are offering fair and equitable treatment to gays and lesbians in one of the following areas.&#13;
Inclusion in EEO statement All companies, large and small, have EEO statements - that is, a short proclamation that the company does not discrimination against specified minorities. By adding the words “sexual orientation” to the list of protected minorities, companies can take the first step in protecting the rights of gays and lesbians, Maines said.&#13;
“Most important, it makes the policy clear to all the employees of the company that harassment or discrimination of gays and lesbians will not be tolerated,” he said.&#13;
A Safe Work Environment Maines defines this environment as a workplace free of homophobia and AIDSphobia. According to Maines, one company that is leading the way in providing such an environment is telecommunications giant AT&amp;T.&#13;
“They have instituted a training seminar entitled ‘Homophobia in the Workplace,’ designed to educate middle and upper management as well as hourly employees on the issues associated with homophobia, and how it can negatively influence a workplace,” Maines said.&#13;
Another step toward providing a safe workplace is the use of inclusive language in all company communications. An example of this would be to use “significant other” or “partner” instead of “spouse” in corporate communications.&#13;
Equitable Benefits Programs&#13;
Maines feels that gays and lesbians should be offered equal compensation for equal work. This extends to the disbursement of benefits, particularly regarding domestic partners.&#13;
These benefits can include such things as allowing domestic partners to be included on medical and dental plans and allowing fora non-married significant other to receive survivor pensions. However, providing equitable benefits can be something as simple as providing bereavement pay or family leave to domestic partners.&#13;
Public Support&#13;
Some companies are also publicly lending their names and financial support to gay and lesbian causes. For example, during the referendum in Colorado on prohibiting the protection of civil rights for gays and lesbians, companies such as Apple Computer, Microsoft, US West Telecommunications and Philip Morris wrote letters and contributed money to defeat the initiative.&#13;
According to Maines, gay and lesbian employees also have a responsibility in the struggle for equality in the workplace.&#13;
“The best thing you can do is come out at work. Put a face on the issue. Don’t allow yourself to be treated like a second class citizen in the workplace,” Maines said.&#13;
Also at the meeting:&#13;
•	Carol Bartsch of the Federal Advocacy Network (FAN), affilialecl with tlie Human Rights Campaign Fund, spoke about the attempt by the American Family Association (AFA) to overturn legislation in Alachua County designed to protect gays and lesbians from discrimination. The AFA, which attempted something similar on a statewide level under a different name last year, has chosen Alachua County to begin again their battle against legal protection of gays and lesbians.&#13;
•	A videotape of Senate committee hearings regarding ENDA (the Employment Non-Discrimination Act of 1994) was also played for attendees. The act, sponsored by Sen. Edward Kennedy, D-Mass, would prohibit employment discrimination based solely on sexual orientation. The short program also featured the testimony of a gay man and a lesbian who were each discriminated against in their workplace. Thus far, 31 senators and 136 representatives have signed on as co-supporters of ENDA.&#13;
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WATERMARK / September 28, 1994 8&#13;
COVER STORY&#13;
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MARRIAGE&#13;
From Page 1&#13;
Bemie answered: “it slipped, but I do love you.”&#13;
Eric had been in love awhile himself by then, but was wary of raising the issue until he could be “certain, absolutely certain, that Bemie felt the same way. Well...we were both crying.” Last April, after eighteen months of true courtship, they formally committed themselves to each other in Holy Union.&#13;
These couples have what most people want: the house where love lives. In marrying, however, they have done something few gay people, until recently, considered possible or even desirable.&#13;
In the early 1970’s, when Kim, Carol, Eric and Bemie were kids, the dominant avant-garde of the young gay rights movement were not, to put it mildly, the marrying kind. Michael Sherry, a professor of gay and lesbian studies at northwestern University, interviewed in the June 2, 1994 edition of Chicago’s Windy City Times, characterized their attitude as principled rejection. “The idea of wanting to join the institution of marriage was anathema.&#13;
“It wasn’t just a sense that it would be impossible legally or politically, but that you wouldn’t want to do so even if you could, because marriage is at the center of the circle of oppressive institutions. Marriage was seen as oppressive to women, and oppressive to the gay men caught in it.” He might have added that, in the rhetoric of the time, marriage was a central pillar of the culture of hatred oppressing all minorities.&#13;
Indeed, formal religion was justly held in contempt as the fountainhead of gay and lesbian persecution. A judge upholding an anti-sodomy law can honestly say “The Bible tells me so” - as indeed many have. In such a context a politically-aware gay couple seeking religious union had all the social cachet of freeborn black abolitionists moving south to make a killing in the slave trade.&#13;
Things have clearly changed. Men and women who proudly identify themselves as gay; people who are out to stay, who witness, who march for freedom, nowadays march down the aisle as well. Some, like our newlyweds, even pose in tuxes and gowns for the Wedding Album photos. They speak of marriage as an institution in terms of meaningfulness, completion, and human possibility rather than oppression, exploitation, or conformity. They talk about freedom and happiness - precisely what Gay Lib promised.&#13;
How to account for this revolution in sensibility? Of the many factors at play the most potent is doubtless the increasingly public presence of gay men and lesbian women in America’s communities of faith. This presence and the dialogue it necessitates must rank among the most remarkable religious developments of our time.&#13;
Chief among the movers and shakers have been The Universal Fellowship of Metropolitan Community Churches (MCC), the Unitarian Church, and the Society of Friends (Quakers). Also significant are the increasingly vocal lay organizations Integrity (Episcopalian) and Dignity (Roman Catholic). The Jewish faith is vocally represented by congregation Beth Chayin Chadashim, the outreach synagogue of Los Angeles, New York’s Congregation Beth Simchat Torah, other affiliates of The World Congress of Gay and Lesbian Jewish Organizations such as Congregation Beth Ahava (Philadelphia) and Congregation B’nai Haskalah (Boston). The United Church of Christ (UCC) also boasts a Lesbian/Gay Coalition. At present, Orlando claims only a few representative organizations. But these are enough to tie us into the mainstream of the Gay Nineties.&#13;
Rick Effinger, an activist in the local chapter of Integrity, considers marriage as less a religious than a political issue because of its obvious benefits to individuals and the community. The blessing of a union, he says,&#13;
solidifies a relationship. Men and women clearly benefit from the stability and growth long-term relationships provide, and “when you’re talking about two people who are in a loving, caring, mutually-sustaining relationship, the gender of those two people is essentially irrelevant.”&#13;
Gay couples can reach the mark, “but it’s very difficult. One of the reasons is that we have so few socially-instituted and recognized, sanctioned events that reinforce relationships in the way such events do for heterosexuals. And that’s crucial for relationships.” According to Effinger, two-person union is a legitimate human goal, perhaps even biologically-determined. In most species, dating (attracting a partner) occurs so that mating (commitment) can occur. It’s lunacy, he says, to expect that homosexuals simply date forever, or would be satisfied doing so. Yet although gay people obviously share with heterosexuals the same biological drives and social needs, they have traditionally been denied the prospect - even the conception - of the dating ritual’s logical outcome.&#13;
Personal fulfillment and health issues aside (he is an MD), there is, unavoidably, a theological layer to Effinger’s argument. “The ultimate long-term goal is to have unions because they allow all persons in the community of the faithful full access to all the sacraments. You can’t have groups of people isolated from certain sacraments simply because of human dictate. The idea, from a Christian perspective, is to include everybody. That’s a mandate we have, to include everybody in the arms of God.”&#13;
Joe Curtis, Chairman of Dignity Orlando, the Catholic outreach organization, makes the same argument by putting theology first. “In our community in Orlando, couples are married within the Church. Formally married with a priest. We don’t dance a the thing as far as it being a ‘holy union.’ It’s Holy Matrimony. It’s sacramental. It’s their spiritual right. It’s their spiritual inheritance, if you will, from the Church. It’s part of that treasure we’re promised at Baptism.”&#13;
Asked whether marriage is, as the Church holds, the only permissible context of sexual activity, he says “We don’t mince words. We advocate matrimony. We say that it is actually the preferred condition for gay couples in the scheme of things. Because people have responsibilities to be in committed relationships. We talk about sex being exploitative and abusive or non-exploitative and honest. Holy Matrimony is the best expression of the fact that two people are giving themselves fully with full commitment to each other... .All people are called to chastity. It’s just as wrong for gay Catholics to screw around as it is for straight Catholics.”&#13;
The Church, Curtis says, has the truth. But laws were made for men, not men for laws. He agrees with Effinger that marriage is desirable as much for its human as its sacramental benefits. “Hopefully Holy Matrimony will become common for Gay Catholics...in the next century, probably. Obviously there’s not enough critical mass to have a pre-Cana program [Church-led premarital counseling]...down the road, hopefully, we’ll have something like that. Because those programs have value to couples.&#13;
“There’s a great deal of value in having someone think through whether they want to marry. Unfortunately in our community you see quite the opposite.. .and there’s a lot of hurt, broken gays for that reason. While I don’t want to impose a vast structure on the gay community, I think a lot of those mechanisms would be useful.”&#13;
Carol Hale, Associate Pastor at Joy Metropolitan Community Church (Joy MCC), performed the Holy Union Service at which Eric and Bemie were joined. She agrees that couples have to look carefully at their reasons before accepting Holy Union. (MCC requires that couples receive pre-Union&#13;
Continued Page 9&#13;
WATERMARK / September 28,1994 9&#13;
COVER STORY&#13;
MARRIAGE&#13;
From Page 8&#13;
counseling.) “One of the first things we ask a couple is ‘why do you want to have a Holy Union?’ If they think it’s going to mend a relationship, they’re in trouble.”&#13;
For Rev. Hale, communication is the key. “Are they pretty much set on their goals together? Are they communicating with each other when they’re sitting here? My primary interest is, are they communicating about what they both want from the relationship, long-term.”&#13;
“I don’t think that gay relationships are any different than straight relationships ...they’re two people living together who face the same worldly problems that any couple faces. So they’re facing the same stresses - if not more, because of the gay&#13;
“Now in my own thinking there are two very legitimate reasons for Holy Union. One is, it offers a very public opportunity for two people to make a commitment to each other. For example, if I discover someone who is special to me and with whom I want to enjoy a long-term relationship, why shouldn’t I make a public proclamation of that? The other reason is, if I discover someone who means this much to me, why not celebrate that? And Holy Union is an opportunity to celebrate what has happened to us.”&#13;
In Brock’s mind the absence of secular arrangements reinforces the spiritual meaning of Holy Union. “We affirm that this is a Christian ceremony. Therefore I don’t do a secular ceremony. I don’t just say ‘here are two people who love each other’; what I say is based on the Bible. So it is a reli-&#13;
Eric Boyd (left) and Bernie LaTour: “The thing to do.”&#13;
and lesbian lifestyle. The dynamics of being gay and lesbian don’t affect the couples so much as the dynamics of family relationship enter into it.”&#13;
So she speaks to couples about safe sex, communication, boundaries, and finances - the worldly stresses that destroy relationships. “Have they set the boundaries in the relationship and do they understand where each stands? How do they discuss finances? If they buy property together, how are they going to handle that? How they handle their checkbook...you know, I don’t care how they handle these things, only that they talk about them.”&#13;
MCC has been performing Holy Union services since the year of its founding, 1968. The Reverend Jimmy Brock, Pastor of Joy MCC, is very clear about what, exactly, the couples he unites are doing. “I try to make it clear to people in my Holy Unions that we’re not imitating a marriage ceremony. You cannot get married. Marriage in our culture is a secular contract...which requires a marriage license issued by a governmental agency. It’s a secular union. Therefore, since they won’t give you a marriage license, you can’t get married.”&#13;
He is equally straightforward when considering the reasons couples unite. “I think there are a lot of wrong reasons for having Holy Unions, and I try to say this in counseling. I think some people have a need to have pious words said over them - and that’s not much of a reason for having a Holy Union. Having a Holy Union is not going to make a relationship better, just as a marriage doesn’t by itself make a relationship better for heterosexuals. It’s not going to be any better the day after the Union than the day before you have it. The relationship depends on you, not on what someone says.”&#13;
gious experience for us. And if people don’t want that.. .1 don’t do the ceremony if they don’t want it to be a Christian ceremony. We’re a church, not a social club. We’re dead serious.”&#13;
Theological distinctions aside, Effinger, Curtis, Hale and Brock agree with Kim, Carol, Bernie, and Eric that love is what it’s all about and that God likes love.”&#13;
God gave me Kim,” Carol says. “God is definitely in our lives. God brought us together. My life has been better, Kim’s life has been better, our families are better, everything is better. God wouldn’t have given us so much goodness in our lives if He didn’t love us.”&#13;
And if He didn’t want us to get married, I’m sure He would have found some way to circumvent it. And instead, not only did everything go beautifully, it went beyond beautifully. It was perfect. My perfect day. And all the people at the ceremony, the straight people there, my friends, the family, all of them felt the same thing. It was just a glowing.. .how can I describe it? Everyone was starry-eyed, all loving, even a week later.”&#13;
It’s a cliche, but Bernie and Eric are so in love it shows. Even seated across a room from each other they seem joined; the space between them something they own and share. They speak for each other and finish each other’s sentences. Everything they do says This Is What It’s All About. “It’s just become a form of our life to accommodate each other,” Eric says. Of marriage, Bernie says, “It was the important thing to do. When you finally have met that right person, before God, before friends, and to each other, that’s the thing to be done. I think that’s the way it was always supposed to be, but something got lost.”&#13;
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WATERMARK / September 28,1994 10&#13;
VIEWPOINT&#13;
SORT OF&#13;
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bj R. M. Williams&#13;
I walked by the little gazebo where I was to meet a group of people, all strangers to me. There was a bench nearby hidden by an oak tree, so I sat down to gather my thoughts and watch the strangers furtively. God, how I just wanted to drive away and forget the whole affair. But what would I be running to? The same closed and solitary life I know so well? The same strangling self-pity? I would loathe that decision before my foot ever touched the gas pedal. So I stood up, stomach knotting, and walked to the gazebo. With reddening face - my signature -1 met the supervisor and a few of the members of the Delta Youth Alliance (DYA).&#13;
DYA is a group designed for gay, lesbian and bisexual youth, and is but one in what I’ve come to realize is a vast array of support groups and regular social events specifically designed for the homosexual community.&#13;
I had come across an advertisement for DYA by chance, and kept it in the bottom of my desk drawer for several months; a concealed symbol of incipient courage. I am not proud to admit the number of times I called the phone number and hung up, but my courage grew a little each time. I was paranoid, to put it mildly, but I spoke and I listened. I learned about Gay and Lesbian Community Services (GLCS). Community? There’s a community? And I began to discover the plethora of opportunities for me to find places where I would belong.&#13;
I go to DYA meetings, but why haven’t I embraced more of the programs available? Good question. I suppose my answer is true for a lot of young homosexuals. It’s the double whammy of shame instilled by family and culture, and the universal and ever-present fear of rejection by peers.&#13;
Joining DYA, an immense step in my&#13;
coming out process, took much thought and, modestly, bravery. This was a first open acknowledgment of my homosexuality. I needn’t tell anyone how frightening that is. But I’m stuck at this first step. Because of my embarrassment or self-esteem issues or whatever, I have not yet experienced the friendship and freedom that the larger gay community offers me. I see it in others, but I am not ready yet. I have learned, however, that I am not alone; this joyful knowledge sustains me for now.&#13;
I feel lucky. I stumbled upon the “circuit.” But there are many young and not-so-young homosexuals who have not made this discovery. They have not landed in Oz, and the world for them remains black and white. They will continue their personal battles alone. Some will bare deep scars and, I suspect, some won’t make it. Others may find their own unique formula for individual happiness. But I wish the gay community could rent a big flatbed truck and drive through every neighborhood announcing on loudspeakers, “Here we are! You’re not alone! We’re waiting for you!”&#13;
Like many, I grew up in a homophobic family and, like many, I’m afraid of losing my family to gain my freedom. Using the resources I now know are available to me would be evidence of that freedom. I am&#13;
afraid. What if someone recognized me going into Out &amp; About Books and then “outted” me? What if I couldn’t find a plausible alibi if I encountered some acquaintance at a gay event? If I fully utilize groups like DYA and GLCS, and places like Out &amp; About, I will have taken a step toward my homosexuality that I can no longer hide in my bottom desk drawer.&#13;
Sure, I yearn for companionship and comfortable gay friendships. I want to walk down the street, head held high, with my life-long love. I want to talk with my family about what I really did while I was supposedly at the library. Maybe it is the youthful strength of my mental walls that keeps me from breaking my self-induced chains; that keeps me from embracing the gay community in all its richness.&#13;
Ignorant family? Deep rooted shame? Self-esteem? It certainly isn’t lack of opportunity. Perhaps one day I will arrive at a point where self-acceptance means more than acceptance by others. But for now, I hope everyone struggling with their sexual identity could at least know what I know; that a wonderful gay and lesbian culture awaits us. It’s easy to find, and there are wonderful people to welcome you...even if you need to sit on the park bench and watch for a while.&#13;
WATERMARK&#13;
Watermark Media, Inc.&#13;
©1994&#13;
editor / publisher Tom Dyer layout / managing editor April Gustetter account executive Keith Peterson contributing writers Michael L. Kilgore, G. K. Fowler, Harmony Brenner, Nan Schultz,&#13;
R. A. Bach, Dimitri Toscas,&#13;
Jim Crescitelli, Mark Lawhon, Yvonne Vassell, Ken Kundis,&#13;
Rafael Gasti, Leslea Newman, Rosanne Sloan, Joe Sarano photographers &amp; illustrators Alison Bechdel, Eric Orner,&#13;
Russell Tucker, student contributors Robert Holland, Katie Messmer,&#13;
Tera Kenney, Mike Williams&#13;
CONTENTS of WATERMARK are protected by federal copyright law and may not be reproduced in whole or part without the permission of the publisher. Unsolicited article submissions will not be returned unless accompanied by a self-addressed, stamped envelope. Although WATERMARK is supported by many fine advertisers, we cannot accept responsibility for claims made by advertisers.&#13;
Publication of the name or photograph of any person or organization in articles, advertising, or listing is WATERMARK is not to be construed as any indication of the sexual orientation of such persons or members of such organizations (unless, of course, sexual orientation is stated specifically).&#13;
WATERMARK is published every second Wednesday, except the first week in January and the second week in July. Subscription rates are $35.00 (third class).&#13;
The official views of WATERMARK are expressed only in editorials. Opinions offered in signed columns, letters and articles are those of the writers and do not necessarily represent the opinions of the newspaper’s owner or management. We reserve the right to edit or reject any material submitted for publication.&#13;
WATERMARK is not responsible for damages due to typographical errors, except for the cost of replacing ads that have such errors.&#13;
WATERMARK P.O. Box 533655 Orlando, FL 32853-3655 TEL 407.481.2243 FAX 407.481.2246&#13;
LETTERS&#13;
EDITOR&#13;
The article in the Watermark of Sept. 14 concerning “good fences/neighbors” is somewhat in error and lacking in coverage of the complete story.&#13;
Your unnamed reporter is incorrect when stating that the fence was constructed “in compliance with a legal settlement agreement between the establishments” (the Parliament House and the Full Moon Saloon). The building permit to construct that fence was obtained by the Parliament House and they alone are responsible for its construction.&#13;
Patrons of both establishments were quoted as “outraged, calling the action childish and further evidence of divisiveness within the gay community.” They are uninformed - and perhaps the gay media should fill that void...&#13;
Jeff Campbell&#13;
Editor’s Note:&#13;
We apologize for any statements in the “ Fences” article (Issue 1.02) which may be innacurate or misleading. Although spokesmen for the Parliament House and the Full Moon Saloon both indicated that a settlement had been reached over disputed matters, neither party would discuss the nature of the dispute or the settlement. Neither party stated that an agreement had been reached to build a fence. As of September 26, the only building permit presently at or near the fence in question was issued to the Carolina Moon Trailer Park.&#13;
letters are snbjeet to | editing for content and ||| leiigtli.:Iyetters should be sent to:&#13;
R0. Box 533655 . Orlando, WL 32853-3655&#13;
HEADDRESS BALL: She’s got legs...but who noticed?&#13;
WATERMARK / September 28,1994 11&#13;
VIEWPOINT&#13;
THE&#13;
RADICAL RIGHT’S SCHOOL DAZE&#13;
by Nan Schultz&#13;
The most daring experiment of American democracy is under attack. America’s public school system, the first in the world to propose liberal (as in “liberating”) arts education for everyone, is the object of an intense and frighteningly successful campaign to undermine its religious neutrality and its pluralistic outlook. So, what? You’re not a teacher; you don’t have any kids in school, or maybe you do. But still, why should you care about what goes on in the public schools? Because they are the site of the religious right’s most successful campaign against, let’s see, what are they calling it this year...Secular Humanism?... Atheistic Socialism?...New Ageism? Well, it doesn’t matter. They mean you.&#13;
According to Janet L. Jones, writing in the American School Board Journal, groups representing the far-right such as the Christian Coalition, Citizens for Excellence in Education, and Focus on the Family are engaged in a “well-orchestrated cultural war for control of the public schools.” As any good propagandist knows, a successful war calls for an easily identifiable and infinitely evil enemy. In their continuing quest for a sufficiently alarming “scourge of the month,” the leaders of the radical right have run the gamut from the New Math to the New Age. But despite the fickle nature of their hatreds, these warriors have consistently trained their sites on the “homosexual lifestyle” as a primary target.&#13;
Rest easy, my friends, we may be targets, but we are in good company. Among the individuals and organizations named by various far-right writers as likely to under-&#13;
mine the morals of America’s youth are Mother Teresa, Ralph Nader, and the Muppets. And I feel I would be remiss if I did not also warn you that according to some on the radical right, the following practices may lead to your moral downfall: aerobics at the Y, positive thinking, net-&#13;
.. .we may be tabut we are in good company... among.. .Mother&#13;
Ralph Nade; and the Muppets.&#13;
working, and the Save the Whales Movement. And you thought homosexuality was your major problem.&#13;
But seriously...very seriously, the success of these groups is alarming, and increasingly gays and lesbians are their focus. According to Jones, programs which emphasize diversity and promote respect for other cultures, “especially if the curriculum includes information on homosexual lifestyles,” are drawing as much heat from the right as those believed to promote satan-ism and witchcraft. A recent example is the Children of the Rainbow curriculum, removed from New York City public schools through the action of the national Christian Coalition and the local Family Defense Council. Most prominently, they cited information on gay and lesbian parents as&#13;
morally objectionable material.&#13;
The radical right is not large, but it is well-organized, well-funded and immeasurably aided by our ignorance and apathy. If you don’t believe it, consider the following case-in-point.&#13;
In December of 1992, a fund-raising letter from Citizens for Excellence in Education (CEE), a group determined to restore its version of Christian values to education, asked its members for money (a measly $15,000!) to “work for legislation to outlaw the teaching of homosexuality/lesbian-ism as a normal lifestyle.” In March of this year, the U.S. House of Representatives passed the “Reauthorization of the 1965 Elementary and Secondary Education Act” (ESEA) with an amendment (proposed by M. Hancock, R-Missouri) that “prohibits educational agencies from using money in the bill to distribute material to students that encourage or support homosexuality as a positive lifestyle.” Not long after, the bill passed the Senate with a similar amendment, sponsored in that body by none other than Jesse Helms (R-North Carolina).&#13;
A further amendment allows local school districts to determine the acceptability of&#13;
educational programs, which is very good in districts where an educated and alert electorate have put on the school board those with children’s best interests at heart, and very bad in places like our own Lake County where three of five school board members have ties to the Citizens for Excellence in Education.&#13;
What can you do? First of all, call your elected officials and let them know that the Helms-Hancock amendment to the Elementary and Secondary Education Act is unacceptable. The bill is currently in conference committee and can be stopped there. Call (202) 224-3121 and speak to your congress-persons, senators, or committee members William Ford (D-Michigan) or Edward Kennedy (D-Massachusetts).&#13;
Second, recognize that the radical right is your enemy. They are not going to go away. Their current strategy is local elections, especially low-turnout races like school board and county and city commissions. Inform yourself, particularly regarding these low-level, low-glamour positions.&#13;
And by all means, vote.&#13;
FEMME&#13;
FATALE&#13;
by Michael C. Kilgore&#13;
One of the best parts of being gay is the opportunity (some might say duty) we have to create and re-create ourselves. Having few positive role models and usually no one to talk with while growing up, when it came to sexual orientation, our inner voices were our main mentors. One result of this isolation is our originality. When it comes to those pivotal decisions in life, both creativity and cussedness is a gay hallmark: how we relate to others, how we express ourselves, and for some of us, most importantly, what we wear.&#13;
As a community we have perfected the theater of dress. There is every sort of drag conceivable. From fashion fetishist to radical faery, diesel dyke to lipstick lesbian, leather devotee to fitness freak, conservative suit to screaming drag queen, each of us has a need to create that perfect expression of who we are, or who we would like to be. Sometimes the results are outrageous, sometimes droll, but almost always there is a level of consciousness about the way lesbians and gay men dress that is rarely evidenced in the nongay world. So whenever I encounter a gay brother or sister in some extreme manifestation of dress, I regard their effort with both appreciation and respect, occasionally awe.&#13;
One of the best of these creations whom&#13;
I’ve encountered recently was Carmella Marcella Garcia, whose show I stumbled into late one night at the now-shuttered Tracks Orlando. A sixty something, but timeless, drag queen, her act was polished in the same way furniture picks up a patina from admiring touches. Having rubbed up against countless audiences, her patter never missed a beat, intuitively going for the jugulars of the obviously self-conscious in the crowd. Unlike many less talented performers, however, her comments were never mean spirited. Her barbs were more like an arrow waiting to fly: the tension released as frequently by turning the remark back on herself as on the hapless bar patron. Her between costume changes go-go boys were squeaky-clean, polished dancers with good choreography. Her costumes were outstanding—a half-century of sewing lessons and deep closets were hot lost on the appreciative audience. Picking up her dollar tips as she moved effortlessly from patron to patron, her show was professional, well-staged and witty: in effect, drag at its outrageous best.&#13;
So it was with some surprise that I saw her pause, after receiving one of her tips followed by a whisper. The man who gave her the $20 bill was young, drop dead gorgeous. He was with an older gentleman.&#13;
Both had expensive designer clothes. After the tip and the whisper, the young man retreated to his older companion. Raising&#13;
the twenty to the crowd she announced, “It’s&#13;
.. .someone yelled “Roll, bitch, roll. ”.. .Suddenly, the show had moved from performance to public spectacle.&#13;
his birthday, and he’d like to have the audience choose something special for the next number. So what do you want?” Anticipating that people would yell out a favorite lip-sync song, I waited for the first voice. But there were no words. Instead there was a buzz, almost like a generator charging, which became louder until finally someone yelled out, “Roll, bitch, roll.” Others picked up on the phrase, and soon almost everyone had joined in the chant, “Roll, bitch, roll.”&#13;
What had happened? Suddenly, the show had moved from performance to public spectacle. But always a trooper, and it was, after all, a twenty, Carmella began a shimmy which ended with a few turns on the floor in her sequined gown. Looking a little ruffled, but none the worse for wear, she started to resume her show, only to have the young man return with yet another bill and whisper. Clutching the new bill in her hand, Carmella stared first at the older man wearing the Versace shirt, and then the bill. Almost inaudibly, she announced to the crowd, “This is almost half a month’s rent. Do you know what this means to an&#13;
old drag queen?” The older man nodded at her, and the young man returned with another whisper.&#13;
Without knowing the request, the audience tensed. Like piranha swimming through blood, they’d had a taste but now wanted flesh. Carmella, addressing only the older man, said quietly, “You don’t want that. I’m an ugly old bitch. I’m nothing without these clothes.” His response was only a nod. The crowd went wild, “Take it off, take it all off.” Plunging the bill into her bosom, the music shifted, and Carmella began her strip. The crowd chanted and cat-called to the beat of the music. The contract was sealed.&#13;
Time took on a freeze frame character as Carmella removed the first layer of her identity. Every nuance of her striptease was captured on the large screen video as the crowd continued to chant. First the dress, then the slip, then the heels, then the bra and underwear, and finally, the long red wig. From the comer of my eye, I noticed the designer duo leaving the room. In front of us stood a flabby, older man with only wisps of gray hair remaining on his balding head. All that remained of Carmella was the red wig covering his genitals, and the flash of green between his breasts. The crowd grew quiet. What now?&#13;
Looking at himself on the giant video screen, he announced in a steady, sure voice, “You wanted a freak show, you got a freak show. Not a pretty sight.” And with that he left the stage, leaving the remains of Carmella on the floor behind.&#13;
As the audience began to disperse, I sat stunned. What had just happened here? What code had been broken? Why had we been so eager to humiliate one of our own? And who, exactly, were the freaks?&#13;
H For Christ’s sake, open your mouths; don’t you people get tired of being stepped on?&#13;
u■ ■&#13;
T80F&#13;
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WATERMARK / September 28,1994 13&#13;
Theatre Review. by&#13;
limitil&#13;
flcscas!&#13;
SIX&#13;
DEGREES ©F&#13;
Ain ATiriki&#13;
Orlando,^eatmDowhi)^&#13;
ing and cbntrovifersial |^ic|igp|;; Most of die time, Ifsjnst plain oP :' “Good Thea^ran^;|i^liWi: :;; of Separation i$no exception. ' This production can be described in ;&#13;
(the kandmski^paint&amp;g |b«b^jebb- 'of ;J^;.|i^^||||| p^ihMtai&#13;
ordered, and the back is abstwt)»| Director Tim :|l|i||:r|||||||| stirred up a world where reality and illusion run back to back, just like the Kandinski spinning above the. set; On one side the produc-| tion is well ordered and direct, and ; on the reverse Side it’s an abstract collage of lost dreams and values, hidden desires, and terrify ing buj man experience.; |;&#13;
Of course, John Guam's script lays out quite an exceptipnal rbad : map for all of this to happen, but Muldrew’s personal vision ocea^&#13;
..stonally; succeeds in pushing j Guare’s play even were monients when 1 wished llrr;, a little more time to see both sides&#13;
: ally&#13;
wrenching. A little more time to ' see the- “backside” of these events ■ wouki bate driven the emotions home.&#13;
-^e bpsi stkc^s^tej&#13;
ee$ of the evening were consistent %jth, this' two-sided vi$jpi|^e? characters became 1 lying kan-f dinskis.&#13;
As Ouisa, the upperclass wife and mother, Peg O’Keef was direct and witty, then desperate and yearning, revealing a woman uncomfortable with who she had&#13;
: M. Wegman was pb^ssed Mth : wealth and fame, but also consumed with a desire to be real and creative.&#13;
Ill As the unexpected intruder Paul, Jim Braswell was intelligent&#13;
.	Continued Page 21&#13;
Leigh Shannon, Forever Young Florist&#13;
Bruce Ground, Gaiy Bailey&#13;
Art Grindle, Cameron Matthews, Co-Chair Sam Odom^ Mardi Gras’ King Apollo XVII&#13;
Erin Sommers&#13;
Commissioner Fran Pignone&#13;
Dancer&#13;
On Saturday, September 17, over 700 gowned and tuxedoed partiers converged on the Hilton Walt Disney World Village for the Headdress Ball. Fittingly, this year’s Headdress was dedicated to Sam Ewing and Hattie Wolfe for helping make the five-year-old fundraiser for the Hope &amp; Help Center one of the most anticipated events of both gay and straight social seasons. And the most fun.	^&#13;
Where else could you join a dazzling array of local luminaries, including Linda Chapin and Fran Pignone (sitting at opposite sides of the room), to watch an amazing display of costumes, pyrotechnics, half-naked dancers and singers...and 99%-naked Stephanie Shippae! The centerpiece (no pun intended) of the event, the Floral Headdress competition,was captured by Greg Brown and B-Wear.&#13;
PHOTOS BY RUSSELL TUCKER ♦&#13;
Debra Sanders, Co-Chair M. VVhyne Gebhart,	Sam Ewing, County Chaiiman Linda Chapin, Hattie Wolfe&#13;
Steve Cummings&#13;
WATERMARK / September 28,1994 14&#13;
ARTFUL LIVING&#13;
SPEC'S, OMNI MUSIC AND RECORD HUT&#13;
OR CALL:&#13;
(407) 839-3900&#13;
Fai?tasn?a Productions Presents&#13;
The Music and Comedy of&#13;
SANDRA&#13;
BERNHARD&#13;
Live On Stage&#13;
TUESDAY • OCTOBER 11 Doors Open at 8PM Show at 9PM&#13;
Tickets On Sale Now at&#13;
The Club Box Office and&#13;
JAixEd MeM&#13;
&#13;
AT THE MOVIES: Caught David O’Russell’s Spanking the Monkey at Enzian during its brief run in Orlando. This low budget film won the Audience Prize at the Sundance Film Festival. Essentially a coming-of-age movie with a twist, Spanking deals with the taboo subject of incest. Newcomers Jeremy Davies and Alberta Watson bring the characters of an MIT student and his bed-ridden mother to life...the audience is simultaneously disturbed and amused by these characters. The outstanding performances of the two leads make this an unforgettable character study that haunts you after you leave the theatre. An impressive debut for director O’Russell.&#13;
MUSIC, MUSIC, MUSIC: So often it seems movie soundtracks are nothing more than a compilation of songs you don’t even remember were in the film. Not so with the disturb-ing-as-the-movie soundtrack to Natural Born Killers, Trent Reznor (of Nine Inch Nails fame) produced this CD and, as you might expect from Reznor, it pushes the envelope. Spliced between pieces of dialogue from the film are songs from Leonard Cohen, Bob Dylan, Nine Inch Nails, and Jane’s Addiction. The experience you get from listening to this soundtrack matches the film (if you’re up to reliving it). Track for track/frame by frame.. .a rarity and a gem.&#13;
Isn’t it great that CD prices are finally coming down in O-Town? Following the lead of discounters Circuit City and Best Buy, Peaches is actually slashing the prices on their Top Twenty releases to $10.99 (CD) and the unbelievable $6.99 (cassettes). Now we can take some risks and try out some new music.&#13;
AND ON VIDEO: Recently rented Rock Hudson's Home Movies. This has got to be the cheesiest piece of trash ever assembled to cannibalize a dead celeb!! First of all, let’s make one thing clear: there are no home movies.. .just clips from his films slapped together in a way to make it SO OBVIOUS HE WAS GAY. Gee-whiz.. .maybe a revelation to someone who spent the 70s and 80s in a coma. This video is so incredibly bad that it verges on camp, but it’s simply too awful to merit even that assignment. The absolutely creepy monotone narration by Eric Farr, the poor film quality, and worse yet, the evidence that the closeted star was nothing more than a once-handsome-but-mediocre actor amounts to an unbearable, unforgivable 90-minute video. One moment worth seeing: when the smarmy narrator from hell bursts into song - singing, yes, I’m not kidding - “I’m Too Sexy”! YUKH&#13;
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WATERMARK / September 28,1994 15&#13;
IN REVIEW&#13;
|yL	ME AND MY GIRL&#13;
	Theatre Review by Dimitri Toscas&#13;
	&#13;
Out I went to enjoy an evening at the Civic Theatre, for the MainStage Production of Me and My Girl. I had never heard the music or seen the show before, so my outlook was fresh. Besides, everyone knows Civic’s “Opening-of-the-Season Musical” is traditionally...well...BIG! So, that’s what I expected.&#13;
The set was big. Sometimes too big, and too clumsy, and not painted very well, but it still was a rather impressive thing: turning around, and flying in, and rolling on, and opening up. In fact, it was the first thing to really make an impression. But this show can’t revolve around the set, it revolves around a traditional, Musical Theatre subject: love.&#13;
A charming, yet crass couple take on the upper class, when Bill Snibson (Roy Alan) discovers he’s heir to royalty. He tries to adapt and gain their approval. The lovers are torn apart. Then, after Bill’s “Girl”, Sally (Gail Bartell) goes through a Pygmalionesque transformation, they gain the acceptance of the upper crust.&#13;
Sounds like a familiar formula, right? An easy sell..&#13;
Unfortunately, the couple never really bubbled over with the excitement of young love. Oh, don’t get me wrong, Alan and Bartell were adequate centerpieces for this high spirited song-and-dance show. Roy’s physical comedy showed a strong technical agility, as did Gail’s vocal work. Individually, they maintained energy while displaying their theatrical strengths, but they never really came together as a genuinely charming couple, and that’s the basic foun-&#13;
dation of this piece.&#13;
Even though that fundamental base wasn’t established from the get go, it didn’t stop the charm of this production from shining through. It was found in the great performances of the supporting roles and ensemble.&#13;
Key Howard, as the drunk Sir John Tremayne, was astonishingly well grounded. Audrey McMahon’s portrayal of Lady Jaqueline Carstone had the style and sophistication of a high class, 1930’s vamp, with legs for days and a great beige costume in the second act. Gregg Birkhimer seemed more than comfortable as the high class, thinned lipped, nail breaking, almost “ishy” Gerald Bolingbroke, and with only a few brief moments on stage, Hilda Philips, as the eavesdropping, loud screaming Mrs. Brown, developed a character that nearly stopped the show.&#13;
But, hands down, one of the funniest moments of the evening came from Jay Schoonover, who caught the audience off guard, as Herbert Parchester. Well deserving of the applause he received in the middle of his musical number, his bouncing, skipping, light-in-the-ol’-loafers routine was quite endearing.&#13;
The charm of the show gleams on the faces of this supporting cast and through some big numbers, like “The Lambeth Walk”, but that only made it more obvious that the core relationship of the show was missing.&#13;
Director Alan Bruun could have helped the lead couple with some intimate blocking and deeper character development.&#13;
Gail Bartell and Roy Alan star in and My Girl&#13;
Also, the contrast and tension between classes was not defined well enough to give us a sense of struggle. At moments, like in the Kitchen scene, the servants appeared more refined than the upper class, which more than likely was due to the efforts of choreographer, Paula K. Gale.&#13;
A little more balancing may have corrected these fundamental problems, but in the end, Alan’s direction moved the show along at a nice quick pace...until the end, when it came to a screeching halt.&#13;
Something snaps at the very end of this production, leaving the audience with a bit&#13;
of whiplash. The finale quickly approaches. All the company rushes center stage. Boy gets Girl back. Big climax.&#13;
Then, silence.&#13;
Big set change. Big costume change. Finally, when all that is done...sing the big showstopper, again.&#13;
Sometimes BIG isn’t good. This is one of those times.&#13;
Everyone knows what to expect from Civic’s opening productions, but the opener for Civic’s new season came crashing in on itself, right at the last moment, leaving Me and My Girl a bit shy of that tradition.&#13;
NEXT ISSUE available October 12;&#13;
CAYS AND THE LOCAL MEDIA: why we make them&#13;
uneasy&#13;
TOM WOODARD: how his landmark lawsuit changed his life&#13;
SecondStage Series&#13;
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September 29 thru October 16,1994&#13;
Thursdays thru Saturdays at 8 pm; Sundays at 2:30 pm&#13;
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WATERMARK / September 28,1994 16&#13;
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T The most recent issue of Vanity Fair features an article about Grace Kelly. Flash! She was a human being. She had weight problems. She had a difficult menopause. She had problems with her children. She and the Prince (whom she called “the Dodo”) grew apart. She drank sometimes. And for many years she was the most breathtakingly beautiful woman in the world. Only Audrey Hepburn has since offered the same level of grace, elegance, and class. Think for a second. Can you name anyone today who even compares? Grace Kelly died the same day as Anwar Sadat. A very, very bad day. We wish the Vanity Fair article had more pictures.&#13;
▼	Speaking of beauty, have you seen pictures of RuPaul “unmasked”? We wish The Advocate article had fewer pictures.&#13;
▼	Whatever movie studio is responsible for It’s Pat, the full-length feature about Julia Sweeney’s androgynous Saturday Night Live character, has decided to pull it before it even opens. And after massive prepublicity. Hope they hadn’t made too many talking “Pat” dolls. Pull the drawstring and it says, “This is my friend Kelly.”&#13;
▼	We are sadly underwhelmed by this year’s Broadway Series at Bob Carr. Four, count them, four revivals: Jesus Christ Superstar, Hello, Dolly!, Joseph and the Amazing Technicolor Dreamcoat, and Grease. Then there’s Phantom, making the entire series musicals. Sadly underwhelmed.&#13;
▼	This new book is being advertised everywhere. Bob and Rod! “A stunning, landmark portrait of love between two men.” Is it somehow different than the many other stunning, landmark portraits of love between Bob and Rod? Is arching angularly off large pieces of driftwood with no clothes on what men in love do? Blech.&#13;
▼	Baba Wawa interviewed Babs Bush on television recently. Baba quoted Babs in her new book as saying that A1 Gore was “dogmatic.” Baba then asked Babs what “dogmatic” means. Babs didn’t know. Babs was highly overrated.&#13;
▼	Overheard at the Headdress Ball... Erin Somers has been approached about syndication. Big surprise.&#13;
▼	Headdress Ball Co-Chair Sam Odom was a little nervous when he found himself seated near County Chair Linda Chapin while the almost naked Stephanie Shippae waxed philosophic about her “titties and dick.” Was Mrs. Chapin amused, or was she “appalled with two p’s?” We think the former. She busted a gut when Stephanie ended her number by declaring that it was time to “go backstage and Free Willy.”&#13;
TRANSITS &amp; LUNATIONS&#13;
BY MARK LAWHON, MARA&#13;
ARIES (Mar 21-Apr 19): Your efforts at work are still being unexpectedly and undeservedly scrutinized. This will pass, but keep a low profile, stay focused, and let the bullshit roll off your back. The New Moon on the 5th may reveal some innovative compromises. Just don’t go too far. If a parent decides to move in with you, be gracious but firm (you can do that, Aries). Don’t get involved in your friends’ messy finances.&#13;
TAURUS (Apr 20-May 20): Heaps of energy around family and home. Like too much Prozac, this could lead to agitation; particularly between boys and their Mommies and girls and their Daddies. Its only temporary, so chill ‘cause you’ll never be able to take back those spoken words. Your philosophical and spiritual realignment is well under way. Partnerships require every bit of your limited patience until January, 1995.&#13;
GEMINI (May 21-Jun 20): C’mon, make whoopee! Good times are in store as the New Moon trines the Sun. It will pass, but take advantage because in this challenging world, thirty good days are still thirty good days. Double your fun by telling your friends everything - in great detail. They’ll go green. Just don’t loan them any money.&#13;
CANCER (Jun 21-Jul 22): There may be war on the homefront early this month...or at least a skirmish. The end result will be positive, so let the bodies fall where they may. If possible, make a Gemini your Secretary of Defense. And remember, war is romantic. Use it. If you’ve been procrastinating on legal or school stuff, now is the time to dive in.&#13;
LEO (Jul 23-Aug 22): Phew...it’s hot. All kinds of fire sign action, and it all points to dirt. Real estate. So secure that mortgage. Close that deal. As your realtor has no doubt told you.. .for the last six months.. .NOW is the time to make that dream a reality. There are always glitches, but don’t be dissuaded. Commissions should be earned.&#13;
VIRGO (Aug 23-Sep 22): You are the master manipulator. You know it. You can’t help it. But like a good chess player, you must think several moves ahead to avoid negative consequences. A word of advice: sidestep any discussions about who spent what for whose benefit. It’s a trap, and you may be a few moves behind.&#13;
LIBRA (Sep 23-Oct 23): Brace yourself, Librans. You’re in the middle of an aspect that occurs only once every 19 years! There is tremendous potential for personal growth and reevaluation. But it will be like liver.. .looks bad, tastes bad, but sooo good for you. Consult your Leo and Sagittarius brothers and sisters, but focus on yourself...like that’s ever been a problem for you (cough).&#13;
SCORPIO (Oct 24-Nov 21): Your “fear nothing” facade is just that - but you need it right now. You have deep feelings that need evaluating, and as you attend to that, your emotions are uncomfortably close to the surface. The process is worthwhile however, so gut it out, Scorpio...and trust your fine-tuned intuition. Lingering affairs of the heart may finally be resolved.&#13;
SAGITTARIUS (Nov 22-Dec 21): Many things are ending rapidly, but this will leave you with a clear path. Don’t be scared or deterred. Spend time with friends while you experience this transition. As a constant in your life, they’ll be of great comfort to you now. Look closely at these people for useful examples of how to.. .or how not to.. .adapt.&#13;
CAPRICORN (Dec 22-Jan 19): Are you, by chance, noticing that your best friend also has nice legs? Acute butt? Jupiter and Venus have co-joined, so this special relationship is protected. Take a chance. Friends CAN become lovers. Meanwhile, bend that friend’s ear about all that crap going on at work, including your boss’s unexpected lack of candor.&#13;
AQUARIUS (Jan 20-Feb 18): You say po-tA-to, she says po-tAH-to; you say retirement account, he says hot-tub/jacuzzi with deluxe decking. This is an excellent time for you and your partner to resolve issues regarding differences in basic values. Be prepared to compromise, but don’t commit to any final decisions until after the Full Moon on the 19th.&#13;
PISCES (Feb 19-Mar 20): What would you say to O.J. to cheer him up? “Accentuate the positive.”? “You’re lawyer has nice suits.”? Look hard, Pisces, and you too will find things to feel good about. If nothing else, compare your life to those of your friends, then be supportive...even condescending if that’s what it takes to make you feel better. But don’t push it too far. “Detachments” are highlighted this month.&#13;
Mark Lawhon is certified by the American Federation of Astrologers,and is available for consultations by calling 407-894-1506.&#13;
WATERMARK / September 28, 1994 18&#13;
OUR CULTURE&#13;
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▼ The Destiny off We continues at The Acting Studio through Sunday, Oct. 16. Destiny is Larry Kramer’s 1993 Obie Award-winning sequel to his earlier AIDS play, The Normal Heart. Tickets are $12; seniors and students $10. Call (407) 425-2281 for tickets.&#13;
y The 5th Annual International Pride film festival in Tampa begins on Sept. 30 and runs through Oct. 9. The festival will be held at the historic Tampa Theatre, as well as other venues.&#13;
Highlights include: an appearance by Perry Watkins on Monday, Oct. 3, in conjunction with SIS: The Perry Watkins Story, the award-winning video about Watkins’ 15 years as an openly gay man in the U.S. Army; the Central Florida premiere of Priscilla, Queen of the Desert, on Sunday, Oct. 9; appearances by comic and singing duo Romanovsky and Phillips and Orlando’s Improvabilities on Sunday, Oct. 9.&#13;
T The Orlando Gay Chorus begins their fall season with a concert and party at the Maitland Art Center on Saturday, Oct. 1 at 6 PM. Recording artists, The Rhythm Method, an a capella women’s group from Boulder, Colorado, will also perform. Tickets are $15.00. Call (407) 645-5866 for more information.&#13;
V Lewis Routh’s outrageous WhorCS Off a Different Color returns to Orlando after a five year hiatus. The off-beat comedy played to packed houses at the Parliament House last time around, and in fact, the play is set on the Parliament House stage, as six gay actors rehearse a play based on a Greek myth about male/male love. According to Routh, the play is a “fun-filled romp that still packs a punch with its message.” Tickets are on sale now and limited to 100 seats per performance. Opening night, Thu. Oct. 13, will be a benefit for Gay &amp; Lesbian Community Services. For more information, call (407) 521-8134.&#13;
T GTCS sponsors their first annual GAY-TO^Tf f N, Sun. Oct 30, at the Orlando Marriott Downtown (formerly the Omni). There will be a cash bar, a raffle, and a costume contest. Festivities begin at 8 PM. Admission is $25 for members, $30 for nonmembers, and $35 at the door. Call (407) 425-4527 for tickets or more information.&#13;
T	Parents FLAG, Delta Youth Alliance (DYA), and the Rainbow Democratic Club&#13;
(RDC) are selling a new and expanded 1995 Entertainment Coupon Book. This year’s book contains hundreds of coupons offering savings of up to 50% off purchases at restaurants, businesses, and entertainment outlets. Coupon books are only $30. Many who purchased books last year claim huge savings. Proceeds can be designated for the organization of your choice. To place an order call Allene Baus at (407) 896-0689, or send your check for $32 to: “Coupon Book,” P.O. Box 141312, Orlando FL 32814-1312.&#13;
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The Civic Theatre of Central Florida opens its SecondStage season with the cabaret musical Nightclub Cantata by Elizabeth Swados. Conceived as a musical revue, Cantata features the poems of such writers as Carson McCullers, Pablo Neruda, Sylvia Plath, Frank O’Hara and Delmore Schwartz set to music by Swados. Eight performers and two musicians bring the show’s 18 musical numbers to life under the direction of Orlando Opera Director of Education Robin Jensen. Cantata runs from Sep. 29-Oct. 16. Ticket prices are $12. Call the Civic Theatre Box Office for reservations. (407) 896-7365.&#13;
DEEE LITE &amp;&#13;
AT THE CLUI&#13;
I mean, WE used to be the Young&#13;
PYKESP REMEMBER? 1HE TugYfB-SIVE5, -THE AVANT-GAEPE.THE UP-AMD-CoMlNC, ' WHAT HAPPENED ? TH NEW BABES LOOK AT ME LIKE&#13;
I M anINJUPAIKE salesman.'&#13;
IF they look at me at&#13;
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FOR A MILLION BUCKS, AND 1 KEJDA UKE THESE LiTTLE Un£5 r’M GETtiNG ARounPM/&#13;
EYES. i r s Jotr,All oe a suppen , i'm&#13;
Retro-pop-funk-dance band, Deee Lite will perform at The Club on Friday, Sep. 30. Polyester and platform heels optional. Tickets are $15, and showtime is midnight.&#13;
Then on Tuesday, Oct. 11, Sandra Bernhard will bring her “Excuses for Bad Behavior”tour to The Club. Bernhard, who plays a lesbian character on ABC’s Rosanne, will be backed by her band, The Strap Ons. A self-appointed chronicler of the times, Bernhard is expected to share her life while flirting with issues in true Sandra style, “sassily and with a big (but always entertaining) mouth.” Doors open at 8 PM. Tickets are $20 and are available at Ticketmaster or The Club Box Office. Those who have purchased tickets for the previously scheduled Tupperware show must refund and rebuy new tickets.&#13;
&#13;
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Comedy Central repeats TV history with its second queer comedy special, “Out There II,” debuting October 11, on National Coming Out Day.&#13;
“Out There II” will be hosted by Orlando’s Amanda Bearse, and will feature performances by today’s hottest gay comics. The hour-long show will feature a mix of stand-up comedy, comedy performances and celebrity roll-ins including Whoopi Goldberg, Cybill Shepherd and Patrick Stewart. Performers include Karen Williams, Frank Maya, Maggie Casella, Scott Silverman, Mark Davis, Kate Clinton, Elvira Kurt and John McGivern. Check local TV listings for exact times.&#13;
WATERMARK / September 28, 1994 19&#13;
OUR CULTURE&#13;
29		30		1		CM		CO		4		5&#13;
RAINBOW		DEEE LITE AT THE		ORLANDO GAY		TAMPA GAY FILM		DELTA YOUTH	jjjijij	O.B.B.A. Orlando’s		FAMILY VALUES.&#13;
CONNECTION.		CLUB. See article,		CHORUS. See Local		FEST. Featuring		ALLIANCE. Support		largest gay &amp; lesbian		Gay &amp; lesbian radio&#13;
Group for teens &amp;		p. 18.		Color, p. 18.		Queer Animation Fest		group for gay, lesbian		bowling league. 9 PM.		on 91.5 FM. Talk,&#13;
young adults from 18-						at 4 PM. See Local		&amp; bisexual youth		644-2244.		music, news, inter-&#13;
25. GLCS at 7:30 PM.				ORLANDO		Color, p. 18.		under 22. 6 PM.				views, community&#13;
425-7450.				FRONTRUNNERS.				236-9415.				events. 8-9 PM. 646-&#13;
				9 AM. See Oct. 3.								2398.&#13;
LUCKY LADIES								ORLANDO				&#13;
BOWLING. Fair				OUT LOUD RADIO.				FRONTRUNNERS.				ORLANDO&#13;
Lanes Indian Hills.				See Oct. 8.				Meet at the red pagoda				FRONTRUNNERS.&#13;
6:30 PM. 293-8849.				GLBL. Bowling at Fair Lanes Indian Hills. 831-7171.				at Lake Eola. 6:30 PM. 857-1777.				7:30 PM. See Oct. 3.&#13;
THR		FRI		SAT		SUN		MON		TUE		WED&#13;
o&gt;		7		8		9		10		11		12&#13;
MBA MEETING.		THEATRE		OUT LOUD.		CENTRAL	||	GAYSKATE.		NATIONAL		FAMILY VALUES.&#13;
Downtown Radisson.		SELECTIONS.		Lesbigay talk radio.		FLORIDA BEARS.		Semoran Skateway in		COMING OUT DAY.		See Oct. 5.&#13;
6:30 PM. 420-2182.		The Destiny of Me.		1300 AM in Cocoa;		Full Moon Saloon.		Fern Park. 9:15 PM.				&#13;
				1600 AM in Orlando		4:30 PM. 657-1817.		425-4527.		SANDRA		ORLANDO&#13;
THE		Six Degrees of		4-7 PM. 290-1600.						BERNHARD AT		FRONTRUNNERS.&#13;
IMPROVABILITIES.		Separation.				TAMPA GAY FILM		DELTA YOUTH		THE CLUB. See		7:30 PM. See Oct. 3.&#13;
Eola Theatre. 8:30 PM.				ORLANDO		FEST CLOSING		ALLIANCE.		article p. 18.		&#13;
521-7499.		Me &amp; My Girl.		FRONTRUNNERS.		PARTY. See Local		See Oct. 3.				&#13;
				9 AM. See Oct. 3.		Color, p. 18.				OUT THERE II ON		&#13;
LADIES BOWLING.		Nightclub Cantata.						ORLANDO		COMEDY		&#13;
See Sep. 29.				BOWLING.				FRONTRUNNERS.		CENTRAL.		&#13;
				See Oct. 1.				6:30 PM. See Oct. 3.		See article p. 18.		&#13;
RAINBOW												&#13;
CONNECTION.				TENNIS. See p. 22.						BOWLING.		&#13;
See Sep. 29.										See Oct. 4.		&#13;
THR		FRI		SAT		SUN		MON		TUE		WED&#13;
Q: Is	one of you “butch” and the other “femme”?&#13;
A: Yes , but we trade off every time we roll over.&#13;
A commonly asked question of lesbians (and the answer you may never hear) from the book, LESBIAN LISTS&#13;
OFF-BROADWAY AT CIVIC&#13;
1994 - '95&#13;
SecondStage Series&#13;
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September 29 thru October 16,1994&#13;
Fast-paced, fun and fascinating!&#13;
November 3 thru 20, 1994&#13;
Wacky, weird and wonderful!&#13;
January 19 thru February 5, 1995&#13;
A compelling evening of theatre!&#13;
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WATERMARK / September 28, 1994 20&#13;
MARKETPLACE&#13;
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From Page 1&#13;
their family and friends, and to teach them to lead powerful lives.” At that time, he points out, “there was such resistance to coming out... to being visible.”&#13;
Graduates from The Experience went on to help found the Gay Games, the Human Rights Campaign Fund (HRCF), the Stop AIDS Project, and many local community awareness programs. A component of each was the importance of coming out and living pridefully.&#13;
But for Eichberg, the need to motivate gays and lesbians to come out crystallized at the ’87 “March on Washington.” As he walked among the estimated half-million in attendance, Eichberg conducted a three-question survey: Are you out to your family? Are you out to your friends? Are you out at work?&#13;
“Almost everyone I talked to said they were not. So I took this message home with me and decided to work toward putting coming out squarely at the forefront of the gay and lesbian movement.” The driving vision, and for Eichberg there is always a vision, was that “it would be OK to be gay before the year 2000.”&#13;
Eichberg points out that the AIDS epidemic had a paradoxical effect on his vision. “On the one hand, AIDS turned attention away from the issue of visibility and toward ad-&#13;
Rob Eichberg, Co-Founder of National Coming Out Day&#13;
dressing the crisis at hand. But AIDS also drew many, willingly or not, out of the closet.” Rock Hudson is the most obvious example.&#13;
In October, 1988, the first National Coming Out Day was celebrated in 16 states. According to Eichberg, the reception was mixed. While the gay press and most activists and community leaders were enthusiastic, negative reaction came from two fronts. Many who were already comfortably out thought the concept was silly and unnecessary. Author Randy Shilts and Outweek editor Gabriel Rotello fell into this camp; both later told Eichberg they were glad he had not listened to them. Others were angry, feeling like they were being pushed out. For many in this group, National Coming Out Day was an unwanted reminder of rationalization and failed courage.&#13;
That first year, only Oprah used the event to bring attention to the impact of the closet on gay lives. But in 1990, Eichberg published Coming Out: An Act Of Love, now widely recognized as essential gay reading. By then, Eichberg and National Coming Out Day were in great demand on TV talk shows and in the gay and straight press. By 1992, Co-Chairs Eichberg and Jean O’Leary had turned the running of National Coming Out Day over to the HRCF Foundation. It is presently recognized in all 50 states.&#13;
One of Eichberg’s goals was always to convince celebrities to come out publicly. It’s happened. Since 1988, a previously unimaginable lineup of high-profile individuals has talked openly about being homosexual, demonstrating courage and offering role models for millions of clos-&#13;
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Continued Page 21&#13;
WATERMARK / September 28,1994 21&#13;
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EICHBERG&#13;
From Page 20&#13;
eted lesbians and gay men. Eichberg has himself accompanied actors such as Orlando’s Amanda Bearse and Dick Sargent from Bewitched as they came out to television audiences.&#13;
But Eichberg notes that not everyone can be an activist. After reading his book, a “very famous actor” called to tell Eichberg that he disagreed with his contention that people, famous or not, face exactly the same difficulties in coming out. “He pointed out that if he came out, everyone on the street would know he was gay, automatically subjecting him to the prejudices of everyone he encountered. This wouldn’t happen for most people, and I had to agree with him.”&#13;
Eichberg’s own coming out occurred in 1970, and was complicated by the fact that he came out as bisexual and not gay. A student at UCLA and engaged to be married, Eichberg also accompanied his gay best friend to gay bars near campus. And like his friend, Eichberg found that he was attracted to some of the men he was meeting. He deferred his marriage and began dating both men and women, never hiding his bisexuality.&#13;
“For me it was a ‘freedom of choice’ issue,” he says. He also points out that, as a bisexual, he made both hetero and homosexuals uncomfortable. “In some ways it’s more difficult being bisexual. Gays think you’re closeted or in denial; straights just don’t get it... they don’t understand.”&#13;
When asked whether he thinks it’s easier to come out now, Eichberg points to another paradox. “Generally, it’s easier,” he says. “So many more people have come out, there are support groups in most communities, and there’s a more widespread acceptance of the lifestyle. But specifically... individually... it is no easier. For those in the process of coming out, it is not significantly different than it has always been. And that’s because it is largely an internal process involving issues of self-acceptance and self-truth.” “I never forget the process,” he adds. “It still takes courage to tell the truth.”&#13;
Eichberg feels that leaders in the gay and lesbian movement must learn to take the long view. In that context, he feels the struggle for gay rights in the military reveals much about progress made in the last decades. “This was the first time a national political figure, much less the President, has publicly and articulately raised our issues. There is no turning back from that.”&#13;
Eichberg is pleased with the progress toward his vision for the year 2000, when it will be “OK to be gay.” “We are now a very long way from the depths of the closet,” he says. “Bars are no longer fires waiting to happen, as they truly once were... hidden in back alleys with no windows. I don’t ever forget how deeply closeted we were in the 70s.”&#13;
Rob Eichberg, Ph.D., is a licensed clinical psychologist living in Santa Fe, New Mexico. He is the author of Coming Out: An Act Of Love. He is also the co-creator of “The Experience," a weekend workshop held regularly throughout the country. More information regarding dates and locations for “The Experience" may be obtained by calling 1-800-966-3896.&#13;
SIX DEGREES&#13;
From Page 13&#13;
and self-realized, then unbalanced and terrified of being an unloved nobody.&#13;
As Paul’s gullible victim Rick, Bill Patterson was honest and optimistic, struggling and confused by his homosexual encounter,thus revealing a man living in shame and failure.&#13;
The rest of the company worked as an ensemble, creating a viable reality for these contrasts to be played out. Lined up like watercolors in a case, the ensemble sat in the first row. Always visible, they became ever present in the lives of these main characters.&#13;
The minimal set worked as a blank canvas upon which these living Kandinskis were painted, and the lighting always helped the colors of the story appear to be more vivid. The technical and artistic work of this cast and company came together to enhance the script, helping this production live up to the quality that is expected from Theatre Downtown.&#13;
NOTE: Due to the popularity of this production, the scheduled evenings are close to capacity. There is the possibility of an extension, so please call the Theatre Downtown Box Office for information. (407) 841-0083.&#13;
Rosi'.Y viisirrs&#13;
MOOREHELDS...&#13;
NEXT ISSUE&#13;
vya i fiiviviAKn / September 28,19V4 22&#13;
SPORTS&#13;
GAY&#13;
TENNIS&#13;
GROUP&#13;
GROWS&#13;
by Tom Dyer&#13;
OBTA members, Jeff Horn and Mary Boothby&#13;
At 10:30 on the second Sunday morning of each month, around twenty lesbians and gay men converge on the tennis courts at Rosemont Country Club. Some are bright-eyed and ready for the first serve and volley. Others, showing signs from the previous night’s activities, are trying to figure out how to swing a racket with a cup of coffee in hand. All are looking to make friends, get some exercise, and if possible, improve their tennis game.&#13;
The Orange Blossom Tennis Association (OBTA) was started three years ago by a group of avid... and good... tennis players. According to co-founder Jeff Horn, “we all knew each other from the tennis circuit, and became friends that way. It’s a cliche, but none of us knew the others were gay until we ran into each other at the Parliament House.”&#13;
Inspired by bowling and volleyball groups, they began talking about the viability of a gay tennis league. “In fact,” notes Jeff, “we ripped our name off from the Orange Blossom Bowling Association... I guess its too late to ask them if its OK.”&#13;
The group began meeting on the tennis courts at Edgewater High School, but they soon outgrew that location. They moved to Rollins College, and then last year to Rosemont, where Horn is the resident tennis professional. They are currently considering adding another day of tennis&#13;
each month.&#13;
At present, OBTA has more men than women, but Mary Boothby hopes that situation will change. “It would be more fun for everybody if we had as many women as men... straights too.” Horn points out that “Orlando/Winter Park has what may be the strongest lesbian tennis community in the world. There are a number of nationally ranked amatuers... mostly former pros, who live here. I wish they’d join us.”&#13;
OBTA is a member of the International Gay &amp; Lesbian Tennis Association (IGLTA), and regularly sends competitive teams to IGLTA sanctioned tournaments. The most recent was in Atlanta earlier this month. Indeed, OBTA has some excellent tennis players among their membership, including co-founder T.J. Jones, who captured two gold medals at the Gay Games in New York.&#13;
Horn himself is a certified tennis professional who competed professionally for two years. However, he and Boothby are quick to point out that most members of OBTA “are in the beginner to intermediate range.” “Everyone is welcome. It’s just a lot of fun, and all you have to do is show up with a racket.” Membership dues are $25 annually or $5 per Sunday. OBTA will meet again on October 9 at Rosemont Country Club. For more information call Jeff Horn at 895-3722.&#13;
STANDINGS &amp; SCORES&#13;
CWAN6E BLOSSOM 80WLB&amp; ASSOCIATION&#13;
ill	rm	mm	wm&#13;
t	tumft	llil!	2&#13;
%		12	2&#13;
i	Team #J8	12 :	2&#13;
i 4		11	3&#13;
5	2 Balls Short	18	4&#13;
! 6	1 Macho lloditiSHi		! 4&#13;
mm	Ih Slippery Wm Wet 14		! 4&#13;
8	idThe tinker 9 V“1		! 1&#13;
9	Team #16	■ 9	. 5&#13;
14	Team #19	8	:"4 1&#13;
11	OeodNHealy	8	4&#13;
II	m	8	4&#13;
13	3 hies LA Hole	inn	16.&#13;
14	llpsyCome Easy (Jo8 11		6&#13;
15	f Troop	t	ill&#13;
16	j	t	1&#13;
tt	Team #3	4	II®&#13;
1* !	Team #22	4	8&#13;
19	(SMI Ms lip	4	8&#13;
24	Team #8	4	8&#13;
iiiii	Mama’s CMs	$	9&#13;
22	Tim kimps 5:11-		9 !&#13;
23	Tuesday Knurls	4	19&#13;
24	ffl&amp;*p msmm	4	19&#13;
25	iillliiiiii	4	19&#13;
26 ;	Ball Bangers	4	14&#13;
tt	111Bariwuy lanersC:	4	19&#13;
Mil	1 Team #21	3	11&#13;
29	mwiM	1	12&#13;
39	Cactus Cluit	2	ii*&#13;
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JUST LIKE KEY WEST-College Park 2 bdrm, 2 bath pool home in a&#13;
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DRAMATIC NEOCLASSICAL-Fabulous like new 4 bdrm, 3-112 bath designer home in College Park. Exquisite features include luxury master suite, 2 fireplaces, and gourmet kitchen. Over 3375 sq. ft. $429,900. Kathy Lightcap, 841 -6060 ext. 439, The Prudential Florida Realty.&#13;
DOWNTOWN HOME-For sale/rent-charming 1930 Southern Tudor in historic Eola. 5/2, 2 fireplaces, oak floors, 10’ ceilings, remodeled kitchen, alarm, sprinkler, garage, central heat &amp; A/C. Avail. Nov. 1. Must see. 625 Hillcrest St. $172,500 or $1400/ mo. Call for appt/info 648-4154.&#13;
Altamonte/Capistrano Condo. 2/2 on ground floor. Near pool &amp; tennis. Has all appliances and screened porch. Assumable no-qualify loan. $2,000 down plus small 2nd moves you in. Call Bill @ 834-0203.&#13;
Bank owned and HUD homes. $ 1,000&#13;
will get you a home of your own. Call Realtor @ 1-800-861-0203. Serving our community for over 40 years.&#13;
ROOMMATES&#13;
ROOMMATE WANTED - 2 bedroom, 1.5 bath home near downtown/ Lake Como. Renovated kitchen, washer/dryer. Non-smoker preferred. $275/mo. plus utilities. Call Jim at 895-0993. Available mid-Oct.&#13;
NO TAN LINE. Beautiful 3/2 pool home. SE location. Will share with neat, employed, liberal M/F. $425/mo includes all but phone. Call (407) 282-3024.&#13;
HOME TO SHARE. 3/2 w/ full house privileges. Quiet neighborhood. Washer/dryer. Cable. Avail, immediately. Prefer female. $330/mo includes utilities. Deposit. Call (407) 293-2961.&#13;
SERVICES&#13;
PRIVATE INVESTIGATOR -Missing persons, background checks, asset checks, service of process in Orange county. 644-8057. Agency no. 93-00111.&#13;
BOOKSTORE - NEW &amp; USED. Enjoy the warm, friendly atmosphere of Acorn Books. Hot/cold cappuccino, etc., intelligent conversation and a large selection of books in every subject. Publisher orders &amp; out-of-print service. (407) 647-2755.&#13;
MEET SOMEONE TODAY! Find that special guy or girl with the "Telephone Matchmaker.” Always a free call and anonymous. Call in Orlando at 648-9047. (Gay owned &amp; operated).&#13;
NEON/INTERIOR NEON. Mood lighting; Neon Sculptures, customized to your needs. LET ME LIGHT UP YOUR NIGHTS! BERND’S NEON - licensed &amp; reputable. Telephone &amp; Fax (407) 644-0553. References available.&#13;
IN YOUR HOME one on one fitness experience designed to fit your personal needs, including weight loss, body, shaping, cardiovascular aerobics conditioning. Flexible hours &amp; payment plans available. Call 932-4319.&#13;
YOUR IMAGE. Needs a professional&#13;
look - to get the job you want or to complete that college project. Put 14 years of experience behind your resume, documents, and word processing. Great prices and quick quality results. Call Patti at (407) 898-4237,_________________________&#13;
LOVING LAWN CARE. Help to support a new family business. Blue Skye Lawn Service is a licensed, professional business that specializes in all aspects of lawn maintenance. Call (407) 629-0302.&#13;
MR. DOMEZTIC. Home and pool cleaning set to your individual parameters. Fast, convenient service. Call (407) 628-6110.&#13;
GAYLINE ONLINE. GayLink (BBS) has gone computerized. Our national network went online August 1 st. For a free software package and a 30-day Free Membership, contact the Genesis Foundation. Call (407) 857-5444. Fax (407) 438-3695.&#13;
MISCELLANEOUS&#13;
Healthy, loving, stable, long-term professional gay couple seek lesbian&#13;
to function as surrogate mother. Flexible regarding nature of future involvement with child. SERIOUS RESPONSES ONLY. Will pay all medical and associated expenses. Reply c/o W. Thomas Dyer, Attorney at Law, 701 E. Washington St., Suite 2oo, Orlando, FL 32801. (407) 648-1153.&#13;
Gorgeous AKC Registered DALMATION puppies. Available Oct. 6. Parents on premises. (6) males $300, (4) females $325 and up. Call Rick at 682-6096. All come with certificate of health.&#13;
REAL ESTATE WANTED: Need 3/ 2 home within reasonable commute of Disney. Around $80,000. Can pay 10% dwon on a no-qualify mortgage. Call Frank @ 834-0989.&#13;
WATERMARK SEEKS&#13;
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	Drs. Goodgame &amp; Hopkins	&#13;
	FAMILY MEDICINE/INTERNAL MEDICINE	&#13;
	•New Patients Accepted W A Through over 100 active insurance programs with few full panels J0A jSfe Specialized HIV panels with several HMO’s • Board Certified Physicians wLj Family Practice &amp; Internal Medicine ^ A ^ Members of Florida Hospital Medical Center and Columbia/ Winter Park Memorial Hospital Medical Staffs • Member of Westat DATRI Division of AIDS Treatment Initiative Members include Harvard, Duke, Johns Hopkins, Georgetown, Cedars-Sinai, UCLA &amp; UCSF . Eleven active HIV &amp; AIDS clinical trials Most of which are funded to eliminate any cost to participants	&#13;
		&#13;
	HIV Clinical Trials	&#13;
	The Research Office at Drs. Goodgame &amp; Hopkins is now recruiting HIV positive men and women for several clinical drug trials. Potential participants with T-cell counts below 500 may have several study options available to them. If you are interested in possibly receiving the 0 JR latest in investigational antivirals or prophylac-* tic research treatments, or would like further % jflg information, please call Chuck or Rob at: (407) 647-6000 *	&#13;
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si rs SIM!&#13;
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                <text>The eighth issue of &lt;em&gt;The Watermark&lt;/em&gt; was published on March 5, 1995, and focuses on community issues with the LGBTQ+ (Lesbian, Gay, Bisexual, Trans, Queer/Questioning, and others) movement. The main topics discussed in this issue include Olympic athlete Greg Louganis (b. 1960), the incarceration of gay Christian activist Mel White, U.S. Supreme Court case &lt;em&gt;Romer v. Evans&lt;/em&gt;, the selection of Michael Slaymaker as the new executive director of the Hope and Help Center of Central Florida, an amendment proposal in Alachua County that would prohibit county commissioners from passing ordinances that would protect civil rights based on sexual orientation, the military's violations of its "Don't ask, don't tell" (DADT) policy, gay adoption, and legal and medical issues related to human immunodeficiency virus infection and acquired immune deficiency syndrome (HIV/AIDS). This issue also includes various advertisements, letters to the editor, film reviews, comics, a travel section, a calendar of events, and personal classifieds.&lt;br /&gt;&lt;br /&gt;Since 1994, &lt;em&gt;The Watermark&lt;/em&gt; has been the cornerstone source of LGBTQ+ centered news for the Central Florida region. Founded by Tom Dyer in Orlando, the publication began generating bi-weekly issues beginning August 31, 1994. Since then, &lt;em&gt;The Watermark&lt;/em&gt; has consistently published newspaper-style issues every other Thursday. Gaining traction, the publication expanded in 1995 to include Tampa and, in 1997, &lt;em&gt;The Watermark&lt;/em&gt; became a permanent piece of LGBTQ+ culture when the publication initiated the first large-scale Gay Days Weekend event, the Beach Ball at Disney’s Typhoon Lagoon. Before 1999, the publication printed 20,000 copies every week, distributing them to over 500 locations between its two major cities. Following 1999, the publication launched watermarkonline.com shifting to an online publication style. In 2016, Rick Claggett purchased &lt;em&gt;The Watermark&lt;/em&gt;.</text>
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                <text>The twentieth issue in the fourth volume of &lt;em&gt;The Watermark&lt;/em&gt; was published on October 2, 1997, and covers relevant news in the LGBTQ+ (Lesbian, Gay, Bisexual, Trans, Queer/Questioning, and others) community. The cover story features the discrepancy in Public Broadcasting System (PBS) programming regarding the gay and lesbian television magazine, &lt;em&gt;In the Life&lt;/em&gt;. The show was hosted by Katherine Linton and aired in all major Florida cities except Orlando. Other stories include an interview with lesbian author Patricia Nell Warren regarding her latest novel in &lt;em&gt;The Front Runners&lt;/em&gt; series, an interview with gay author Ethan Mordden about his latest installment in his "Buddies" series, &lt;em&gt;Some Men Are Lookers&lt;/em&gt;, and a collection of anecdotes about LGBTQ+ individuals' first experiences at gay bars. Additionally, this issue provides updates on the decline in new AIDS cases and new breakthroughs in treatment for AIDS. Other topics covered included the court case of a Washington State teen, who had been bullied at school for being gay, and a local theatre production of &lt;em&gt;Life In Other People's Shoes&lt;/em&gt;. This issue of &lt;em&gt;The Watermark&lt;/em&gt; deals heavily with the concept of gay culture, especially as it is found in mass media, such as literature and television, and its lasting impact on LGBTQ+ individuals.&lt;br /&gt;&lt;br /&gt; Since 1994, &lt;em&gt;The Watermark&lt;/em&gt; has been the cornerstone source of LGBTQ+ centered news for the Central Florida region. Founded by Tom Dyer in Orlando, the publication began generating bi-weekly issues beginning August 31, 1994. Since then, &lt;em&gt;The Watermark&lt;/em&gt; has consistently published newspaper-style issues every other Thursday. Gaining traction, the publication expanded in 1995 to include Tampa and, in 1997, &lt;em&gt;The Watermark&lt;/em&gt; became a permanent piece of LGBTQ+ culture when the publication initiated the first large-scale Gay Days Weekend event, the Beach Ball at Disney’s Typhoon Lagoon. Before 1999, the publication printed 20,000 copies every week, distributing them to over 500 locations between its two major cities. Following 1999, the publication launched watermarkonline.com shifting to an online publication style. In 2016, Rick Claggett purchased &lt;em&gt;The Watermark&lt;/em&gt;.</text>
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                <text>Lt. John L. Leslie gave his life in order for every man to bail out of ship. Interphone system was shot out and he couldn't contact men to see if they had jumped. Warning bell was out and bombay was on fire. He chose to stay with the ship rather than bail out. Not knowing if all had bailed out.&lt;br&lt;br&gt;Douglas Buntin gave his life even tho badly wounded himself. He went to the aid of the tail gunner who was wounded, and was trying to aid him when ship blew up. Neither one had chutes on. This was told to me by both radio man and ball turret gunmen</text>
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This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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&lt;br /&gt;
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• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
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                <text>Walters, Glenda A. Images of America: Lynn Haven. Charleston: Arcadia Publishing, 2005, 20.</text>
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                  <text>&lt;span&gt;Antequino, Stephanie Gaub, and Tana Mosier Porter. &lt;a href="http://www.worldcat.org/oclc/783150094" target="_blank"&gt;&lt;em&gt;Lost Orlando&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt; Charleston, S.C.: Arcadia Pub, 2012.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Rajtar, Steve. &lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Smith, Margaret. &lt;a href="http://www.worldcat.org/oclc/51888803" target="_blank"&gt;&lt;em&gt;The Edward Bok Legacy: A History of Bok Tower Gardens: The First Fifty Years&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Lake Wales, Fla: Bok Tower Gardens Foundation, 2002.&lt;/span&gt;</text>
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                <text>Originally created and published by E. C. Kropp Company.</text>
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                <text>Copyright to this resource is held by E. C. Kropp Company and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Antequino, Stephanie Gaub, and Tana Mosier Porter. &lt;a href="http://www.worldcat.org/oclc/783150094" target="_blank"&gt;&lt;em&gt;Lost Orlando&lt;/em&gt;&lt;/a&gt;. Charleston, S.C.: Arcadia Pub, 2012.</text>
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                <text>LAKE LUCERNE, ORLANDO, FLA.&#13;
POST CARD&#13;
PLACE ONE CENT STAMP HERE&#13;
FIVE CENTS TO ANYWHERE IN U.S. VIA AIRMAIL&#13;
MADE IN U.S.A. BY E. C. KROPP CO., MILWAUKEE, WIS.</text>
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                <text>ca. 1920</text>
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                  <text>&lt;span&gt;Antequino, Stephanie Gaub, and Tana Mosier Porter. &lt;a href="http://www.worldcat.org/oclc/783150094" target="_blank"&gt;&lt;em&gt;Lost Orlando&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt; Charleston, S.C.: Arcadia Pub, 2012.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://sanfordhistory.tripod.com/Links/wtour.pdf" target="_blank"&gt;Downtown Orlando Historic District Walking Tour&lt;/a&gt;&lt;span&gt;." City of Orlando. http://sanfordhistory.tripod.com/Links/wtour.pdf.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Rajtar, Steve. &lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Smith, Margaret. &lt;a href="http://www.worldcat.org/oclc/51888803" target="_blank"&gt;&lt;em&gt;The Edward Bok Legacy: A History of Bok Tower Gardens: The First Fifty Years&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Lake Wales, Fla: Bok Tower Gardens Foundation, 2002.&lt;/span&gt;</text>
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      <name>Still Image</name>
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          <name>Original Format</name>
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                <text>Postcard showing the State Bank of Orlando Building, located at 1 North Orange Avenue in Downtown Orlando, Florida. The bank was formed in 1893 with Louis Massey as its president. In 1919, the State Bank converted into the State Bank and Trust Company and also acquired the northeast corner of Orange Avenue and Central Boulevard that year. A. G. Bentley constructed a ten-story building on that lot, designed by W. L. Stoddart in the 20th Century Commercial style with Neo-Classical elements. The building was used by the bank until it closed in 1929. In 1927, the building was acquired by Orange County and served as governmental offices, including the office of the sheriff and supervisor of elections. In 1933, the Florida Bank at Orlando acquired the property. In 2002, it housed the temporary home of Florida Atlantic Metropolitan University's Law School.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/103" target="_blank"&gt;Postcard Collection&lt;/a&gt;, Thomas Cook Collection, RICHES of Central Florida.</text>
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            <name>Requires</name>
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                <text>&lt;a href='http://www.adobe.com/reader.html' target='_blank'&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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            <name>Extent</name>
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            <name>Language</name>
            <description/>
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            <name>Mediator</name>
            <description/>
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                <text>Economics Teacher</text>
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                <text>Geography Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
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                <text>Originally created and published by E. C. Kropp Company.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
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              <elementText elementTextId="148379">
                <text>Copyright to this resource is held by E. C. Kropp Company and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <description/>
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                <text>Antequino, Stephanie Gaub, and Tana Mosier Porter. &lt;a href="http://www.worldcat.org/oclc/783150094" target="_blank"&gt;&lt;em&gt;Lost Orlando&lt;/em&gt;&lt;/a&gt;. Charleston, S.C.: Arcadia Pub, 2012.</text>
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                <text>"&lt;a href="http://sanfordhistory.tripod.com/Links/wtour.pdf" target="_blank"&gt;Downtown Orlando Historic District Walking Tour&lt;/a&gt;." City of Orlando. http://sanfordhistory.tripod.com/Links/wtour.pdf.</text>
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                <text>Frazer, William Johnson. &lt;a href="http://www.worldcat.org/oclc/32703345" target="_blank"&gt;&lt;em&gt;The Florida Land Boom: Speculation, Money, and the Banks&lt;/em&gt;&lt;/a&gt;. Westport, Conn: Quorum, 1995.</text>
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                <text>Rajtar, Steve. &lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;. Charleston, SC: History Press, 2006.</text>
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          <element elementId="276">
            <name>Transcript</name>
            <description/>
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              <elementText elementTextId="148397">
                <text>STATE BANK OF ORLANDO AND TRUST CO.&#13;
E. C. Kropp Co., Milwaukee.&#13;
POST CARD ADDRESS PLACE STAMP HERE DOMESTIC ONE CENT FOREIGN TWO CENTS</text>
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          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="496725">
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        <name>A. Bentley Company</name>
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                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>eng</text>
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                <text> Geography Teacher</text>
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                <text>Originally created by E. C. Kropp Company and published by Sun News Company.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.baypines.va.gov/BAYPINES/about/history.asp" target="_blank"&gt;Our History&lt;/a&gt;." U.S. Department of Veterans Affairs. http://www.baypines.va.gov/BAYPINES/about/history.asp.</text>
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                  <text>&lt;a href="http://www.cookman.edu/about_BCU/history/index.html" target="_blank"&gt;Mary McLeod Bethune Foundation&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.daytonabeach.com/resources/history/" target="_blank"&gt;Local History&lt;/a&gt;." Daytona Beach. http://www.daytonabeach.com/resources/history/.</text>
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                <text>A postcard depicting the Sheraton Plaza, located at 600 North Atlantic Avenue in Daytona Beach, Florida. The building was originally constructed as a cottage for Charles Ballough in 1888. In 1895, Ballough partnered with C. C. Post to convert the building into a hotel called Daytona Beach’s Grand Resort. The new Grand Resort opened in 1911. In 1925, the resort hotel became the first on the east coast of Florida to remain open yearlong. During World War II, the hotel was closed down and converted into a barracks for the Women’s Army Corps (WAC). In 1944, the hotel reopened as the Sheraton Plaza. The hotel now operates as the Plaza Resort and Spa.</text>
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Thomas E. Eason (1922-1945) served over three years in the United States Air Force, 569th Bomber Squadron, 390th Bomber Group, as a waist gunner on a B-17 nicknamed "Sweet and Lovely."  He completed twenty-eight missions in both the Pacific and European Theaters of World War II.  On January 20, 1945, he was killed in Eastern France after his plane was shot down by enemy combatants.  Over the course of his service, he was awarded the Distinguished Flying Cross with two Oak Leaf Clusters.  Today, he is buried in the Epinal American Cemetery.&#13;
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&#13;
Aside from his diplomatic career, Sanford was also a businessman and investor. He made several real estate investments in Florida in the late 1860s and early 1870s, the most notable being the purchase of the "Sanford Grant" in May 1870. The grant encompassed over 20 square miles and provided the basis for the town that eventually bore Sanford's name. Sanford was convinced that Florida would prove a profitable place to invest. Anticipating significant traffic and commerce by waterway, Sanford bought a land grant positioned on Lake Monroe along the St. Johns River. The city of Sanford thus became deemed the "Gate City of South Florida" - the southernmost stop along the river. During the 1870s, Sanford invested significant amounts of money to the development of his city - he built a wharf, several hotels, a general store, and a sawmill - all of which he hoped would spur investment and growth in the city. Sanford also developed several experimental citrus groves in his Florida city. The first was St. Gertrude's Grove. The second and more successful grove was Belair, developed in the early 1870s. Though Sanford never lived in Florida, he did visit occasionally from the late 1860s until his death in 1891. His diplomatic and business duties kept him preoccupied abroad, and most of his development in Florida was undertaken by representatives and confidants. Following the "Great Freeze" of 1888, Sanford's Belair grove was destroyed. Sanford was committed to rebuilding the grove and, in the late stages of his life, he committed his energies to his Florida investments. He died several years later though, and his wife Gertrude, in an effort to settle debts owed in Europe and elsewhere following his death, sold many of Sanford's properties in Florida.</text>
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                  <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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                <elementText elementTextId="486111">
                  <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
                </elementText>
                <elementText elementTextId="486112">
                  <text>Donated to the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="125">
              <name>Rights Holder</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486113">
                  <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486114">
                  <text>Cepero, Laura</text>
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                <elementText elementTextId="486115">
                  <text>Fedorka, Drew M.</text>
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            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486116">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
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            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486117">
                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
                </elementText>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486118">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                <elementText elementTextId="486119">
                  <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
                </elementText>
                <elementText elementTextId="486120">
                  <text>&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Sanford, Florida: 1889&lt;/span&gt;</text>
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                <elementText elementTextId="486121">
                  <text>&lt;em&gt;&lt;a href="http://www.sanfordfl.gov/media/pdf/leisure_services/20110407_historic_brochure.pdf" target="_blank"&gt;Sanford: Central Florida's Waterfront Gateway&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: City of Sanford, 2005.</text>
                </elementText>
                <elementText elementTextId="486122">
                  <text>Florida Citrus Mutual. "&lt;a href="http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=321" target="_blank"&gt;Sydney Chase Sr. (1860-1941)&lt;/a&gt;." &lt;em&gt;Florida Citrus Hall of Fame&lt;/em&gt;, 2012.</text>
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            <element elementId="37">
              <name>Contributor</name>
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              <elementTextContainer>
                <elementText elementTextId="511765">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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        <element elementId="7">
          <name>Original Format</name>
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            <elementText elementTextId="488640">
              <text>1 handwritten check&#13;
</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
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                <text>Personal Check from Edwin G. Eastman to S. B. Hubbard (June 8, 1871)</text>
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              <elementText elementTextId="488598">
                <text>Check from Eastman to Hubbard</text>
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            <name>Subject</name>
            <description/>
            <elementTextContainer>
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                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="488600">
                <text>Sanford, Henry S. (Henry Shelton), 1823-1891</text>
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                <text>This is a personal check written on June 8, 1871, and addressed from Edwin G. Eastman to S. B. Hubbard in the amount of $238.06. Eastman was an associate of Henry Shelton Sanford (1823-1891). The two initially met through their mutual service in the U.S. Diplomatic Corps during the American Civil War. Eastman served as an adviser and representative to Sanford for a brief period between 1870 and 1871. Eastman oversaw operations in the what would become Sanford, Florida, beginning in December 1870. He was put in charge by Henry Sanford to ensure the successful management of the sawmill built in 1870, He was also tasked with maintaining the various experimental groves owned by Sanford, first St. Gertrude's Grove and later Belair Grove. &lt;br /&gt;&lt;br /&gt;The more successful of the two, Belair Grove, was an experimental grove located three miles southwest of the city named after Sanford. It was part of the Sanford Grant, a 12,547.15-square acre allotment of land purchased by Henry Sanford in 1870. In Belair, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could effectively grow and introduce new varieties into the burgeoning citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. Eventually, following Sanford's death in 1891, his wife, Gertrude Ellen Dupuy Sanford (1841-1902), handed over the operations of Belair to Sydney Octavius Chase, Sr. (1860-1941) and Joshua Coffin Chase (1858-1948).</text>
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              <elementText elementTextId="488603">
                <text>Eastman, Edwin G.&#13;
</text>
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          <element elementId="48">
            <name>Source</name>
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              <elementText elementTextId="488604">
                <text>Original check from Edwin G. Eastman to S. B. Hubbard, June 8, 1871: box 45, folder 1, subfolder 45.1.26, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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          <element elementId="90">
            <name>Date Created</name>
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            <elementTextContainer>
              <elementText elementTextId="488605">
                <text>1871-06-08&#13;
</text>
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          <element elementId="103">
            <name>Is Format Of</name>
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              <elementText elementTextId="488606">
                <text>Digital reproduction of original check from Edwin G. Eastman to S. B. Hubbard, June 8, 1871.&#13;
</text>
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            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488607">
                <text>Box 45, folder 1, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/83" target="_blank"&gt;&lt;br /&gt;&lt;/a&gt;</text>
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              <elementText elementTextId="488608">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/83" target="_blank"&gt;Henry Shelton Sanford Papers Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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          </element>
          <element elementId="111">
            <name>Requires</name>
            <description/>
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              <elementText elementTextId="488609">
                <text>&lt;a href="http://www.adobe.com/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
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              <elementText elementTextId="488610">
                <text>application/pdf&#13;
</text>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
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              <elementText elementTextId="488611">
                <text>127 KB&#13;
</text>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
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              <elementText elementTextId="488612">
                <text>1 handwritten check&#13;
</text>
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          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488613">
                <text>eng&#13;
</text>
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          <element elementId="51">
            <name>Type</name>
            <description/>
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              <elementText elementTextId="488614">
                <text>Text</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488615">
                <text>Jacksonville, Florida&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488618">
                <text>Donation</text>
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          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488619">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="488620">
                <text>Economics Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488621">
                <text>Originally created by Edwin G. Eastman.</text>
              </elementText>
              <elementText elementTextId="488622">
                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
              </elementText>
              <elementText elementTextId="488623">
                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
              </elementText>
              <elementText elementTextId="488624">
                <text>Donated to the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488625">
                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488626">
                <text>Fedorka, Drew M.&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488627">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488628">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488629">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
              </elementText>
              <elementText elementTextId="488630">
                <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
              </elementText>
              <elementText elementTextId="488631">
                <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: 1889.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="11771">
        <name>Ambler, D. G.</name>
      </tag>
      <tag tagId="3002">
        <name>Belair Grove</name>
      </tag>
      <tag tagId="11768">
        <name>Eastman, Edwin G.</name>
      </tag>
      <tag tagId="11775">
        <name>Hubbard, S. B.</name>
      </tag>
      <tag tagId="5710">
        <name>Lake Mary</name>
      </tag>
      <tag tagId="400">
        <name>Sanford</name>
      </tag>
      <tag tagId="2056">
        <name>Sanford, Henry Shelton</name>
      </tag>
    </tagContainer>
  </item>
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    <fileContainer>
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        <src>https://richesmi.cah.ucf.edu/omeka/files/original/2620a5599ef29492c49645d489826149.pdf</src>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486085">
                  <text>Henry Shelton Sanford Accounts Collection</text>
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            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486086">
                  <text>Sanford Accounts Collection</text>
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            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486087">
                  <text>Sanford (Fla.)</text>
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                <elementText elementTextId="486088">
                  <text>Sanford, Henry Shelton, 1823-1891</text>
                </elementText>
                <elementText elementTextId="486089">
                  <text>Banks and banking--Florida</text>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
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                <elementText elementTextId="486093">
                  <text>Collection of documents related to the financial accounts of Henry Shelton Sanford (1823-1891), an American diplomat, lawyer, and businessman. Born in Derby, Connecticut, Sanford eventually joined the United States Diplomatic Corps in 1849. During his initial tenure in the Diplomatic Corps, Sanford served as Secretary of the American Legation at Paris. In 1853, he was promoted to the position of Chargé D'Affaires in France. In 1861, President Lincoln named Sanford as the U.S. Minister to Belgium. During the Civil War, Sanford served as a fiscal agent for the U.S. Government and supervised the U.S. Secret Service in Europe. After his tenure as Minister to Belgium, Sanford played a role in the establishment of the Congo Free State, a vast colony in Equatorial Africa under the direct control of the Belgian King Leopold II. In particular, it was Sanford who lobbied U.S. President Chester A. Arthur to recognize King Leopold's colony, a move that sparked broader international recognition of the Congo Free State. He also served as a delegate for the American Geographical Society at the International African Association Congress established by Leopold II and held in Brussels in 1887. Sanford organized the "Sanford Exploring Expedition," an expedition that served to answer scientific and commercial inquiries in the Congo.&#13;
&#13;
Aside from his diplomatic career, Sanford was also a businessman and investor. He made several real estate investments in Florida in the late 1860s and early 1870s, the most notable being the purchase of the "Sanford Grant" in May 1870. The grant encompassed over 20 square miles and provided the basis for the town that eventually bore Sanford's name. Sanford was convinced that Florida would prove a profitable place to invest. Anticipating significant traffic and commerce by waterway, Sanford bought a land grant positioned on Lake Monroe along the St. Johns River. The city of Sanford thus became deemed the "Gate City of South Florida" - the southernmost stop along the river. During the 1870s, Sanford invested significant amounts of money to the development of his city - he built a wharf, several hotels, a general store, and a sawmill - all of which he hoped would spur investment and growth in the city. Sanford also developed several experimental citrus groves in his Florida city. The first was St. Gertrude's Grove. The second and more successful grove was Belair, developed in the early 1870s. Though Sanford never lived in Florida, he did visit occasionally from the late 1860s until his death in 1891. His diplomatic and business duties kept him preoccupied abroad, and most of his development in Florida was undertaken by representatives and confidants. Following the "Great Freeze" of 1888, Sanford's Belair grove was destroyed. Sanford was committed to rebuilding the grove and, in the late stages of his life, he committed his energies to his Florida investments. He died several years later though, and his wife Gertrude, in an effort to settle debts owed in Europe and elsewhere following his death, sold many of Sanford's properties in Florida.</text>
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              <name>Is Part Of</name>
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              <elementTextContainer>
                <elementText elementTextId="486096">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/83" target="_blank"&gt;Henry Shelton Sanford Papers Collection&lt;/a&gt;, RICHES of Central Florida.</text>
                </elementText>
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            <element elementId="44">
              <name>Language</name>
              <description/>
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                <elementText elementTextId="486098">
                  <text>eng</text>
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              <name>Type</name>
              <description/>
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                <elementText elementTextId="486099">
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486100">
                  <text>Belair Grove, Lake Mary, Florida</text>
                </elementText>
                <elementText elementTextId="486101">
                  <text>Jacksonville, Florida</text>
                </elementText>
                <elementText elementTextId="486102">
                  <text>St. Augustine, Florida</text>
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            </element>
            <element elementId="117">
              <name>Accrual Method</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486107">
                  <text>Donation</text>
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            <element elementId="124">
              <name>Provenance</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486110">
                  <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
                </elementText>
                <elementText elementTextId="486111">
                  <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
                </elementText>
                <elementText elementTextId="486112">
                  <text>Donated to the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
                </elementText>
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            <element elementId="125">
              <name>Rights Holder</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486113">
                  <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486114">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="486115">
                  <text>Fedorka, Drew M.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486116">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486117">
                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486118">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="486119">
                  <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
                </elementText>
                <elementText elementTextId="486120">
                  <text>&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Sanford, Florida: 1889&lt;/span&gt;</text>
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                <elementText elementTextId="486121">
                  <text>&lt;em&gt;&lt;a href="http://www.sanfordfl.gov/media/pdf/leisure_services/20110407_historic_brochure.pdf" target="_blank"&gt;Sanford: Central Florida's Waterfront Gateway&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: City of Sanford, 2005.</text>
                </elementText>
                <elementText elementTextId="486122">
                  <text>Florida Citrus Mutual. "&lt;a href="http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=321" target="_blank"&gt;Sydney Chase Sr. (1860-1941)&lt;/a&gt;." &lt;em&gt;Florida Citrus Hall of Fame&lt;/em&gt;, 2012.</text>
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            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511765">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="488596">
              <text>1 handwritten check</text>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487355">
                <text>Personal Check from Edwin G. Eastman to Jacob Brock (June 4, 1871)</text>
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          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487356">
                <text>Check from Eastman to Brock</text>
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            </elementTextContainer>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487357">
                <text>Sanford (Fla.)</text>
              </elementText>
              <elementText elementTextId="487358">
                <text> Sanford, Henry S. (Henry Shelton), 1823-1891</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487360">
                <text>This is a check written on June 4, 1871 and addressed to Jacob Brock from Edwin G. Eastman in the amount of $16.50, likely related to a transaction involving Belair Grove. Eastman was an associate of Henry Shelton Sanford (1823-1891). The two initially met through their mutual service in the U.S. Diplomatic Corps during the American Civil War. Eastman served as an advisor and representative to Sanford for a brief period between 1870 and 1871. Eastman oversaw operations in the what would become Sanford, Florida, beginning in December 1870. He was put in charge by Henry Sanford to ensure the successful management of the sawmill built in 1870, He was also tasked with maintaining the various experimental groves owned by Sanford, first St. Gertrude's Grove and later Belair Grove.&lt;br /&gt;&lt;br /&gt;The more successful of the two, Belair Grove, was an experimental grove located three miles southwest of the city named after Sanford. It was part of the Sanford Grant, a 12,547.15-square-acre allotment of land purchased by Henry Sanford in 1870. In Belair, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could effectively grow and introduce new varieties into the burgeoning citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. Eventually, following Sanford's death in 1891, his wife, Gertrude Ellen Dupuy Sanford (1841-1902), handed over the operations of Belair to Sydney Octacius Chase, Sr. (1860-1941) and Joshua Coffin Chase (1858-1948).</text>
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            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487361">
                <text>Text</text>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487362">
                <text>Original check from Edwin G. Eastman to Jacob Brock, June 4, 1871: box 45, folder 1, subfolder 45.1.21, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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          <element elementId="111">
            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487363">
                <text>&lt;a href="http://www.adobe.com/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487364">
                <text>Box 45, folder 1, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
              <elementText elementTextId="487365">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/83" target="_blank"&gt;Henry Shelton Sanford Papers Collection&lt;/a&gt;, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487366">
                <text>Digital reproduction of original check from Edwin G. Eastman to Jacob Brock, June 4, 1871.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487369">
                <text>Jacksonville, Florida</text>
              </elementText>
              <elementText elementTextId="583748">
                <text>Belair Grove, Lake Mary, Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487370">
                <text>Eastman, Edwin G.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487371">
                <text>1871-06-04</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487372">
                <text>application/pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487373">
                <text>163 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487374">
                <text>1 handwritten check</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487375">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487376">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="487377">
                <text> Economics Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487386">
                <text>Originally created by Edwin G. Eastman.</text>
              </elementText>
              <elementText elementTextId="487387">
                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
              </elementText>
              <elementText elementTextId="487388">
                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
              </elementText>
              <elementText elementTextId="487389">
                <text>Donated to the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487390">
                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487391">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487401">
                <text>Fedorka, Drew M.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487402">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487403">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487404">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
              </elementText>
              <elementText elementTextId="487405">
                <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
              </elementText>
              <elementText elementTextId="487406">
                <text>&lt;em&gt;&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: 1889.&lt;/em&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="3002">
        <name>Belair Grove</name>
      </tag>
      <tag tagId="11769">
        <name>Brock, Jacob</name>
      </tag>
      <tag tagId="11779">
        <name>E. G. Eastman</name>
      </tag>
      <tag tagId="11768">
        <name>Eastman, Edwin G.</name>
      </tag>
      <tag tagId="29354">
        <name>finances</name>
      </tag>
      <tag tagId="314">
        <name>Jacksonville</name>
      </tag>
      <tag tagId="5710">
        <name>Lake Mary</name>
      </tag>
      <tag tagId="400">
        <name>Sanford</name>
      </tag>
      <tag tagId="2056">
        <name>Sanford, Henry Shelton</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="3990" public="1" featured="0">
    <fileContainer>
      <file fileId="3317">
        <src>https://richesmi.cah.ucf.edu/omeka/files/original/1b73770c786f83e845eae9c086da7247.jpg</src>
        <authentication>f2c019ea03ccdd4f081697f67f8a120f</authentication>
      </file>
    </fileContainer>
    <collection collectionId="108">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486085">
                  <text>Henry Shelton Sanford Accounts Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486086">
                  <text>Sanford Accounts Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486087">
                  <text>Sanford (Fla.)</text>
                </elementText>
                <elementText elementTextId="486088">
                  <text>Sanford, Henry Shelton, 1823-1891</text>
                </elementText>
                <elementText elementTextId="486089">
                  <text>Banks and banking--Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486093">
                  <text>Collection of documents related to the financial accounts of Henry Shelton Sanford (1823-1891), an American diplomat, lawyer, and businessman. Born in Derby, Connecticut, Sanford eventually joined the United States Diplomatic Corps in 1849. During his initial tenure in the Diplomatic Corps, Sanford served as Secretary of the American Legation at Paris. In 1853, he was promoted to the position of Chargé D'Affaires in France. In 1861, President Lincoln named Sanford as the U.S. Minister to Belgium. During the Civil War, Sanford served as a fiscal agent for the U.S. Government and supervised the U.S. Secret Service in Europe. After his tenure as Minister to Belgium, Sanford played a role in the establishment of the Congo Free State, a vast colony in Equatorial Africa under the direct control of the Belgian King Leopold II. In particular, it was Sanford who lobbied U.S. President Chester A. Arthur to recognize King Leopold's colony, a move that sparked broader international recognition of the Congo Free State. He also served as a delegate for the American Geographical Society at the International African Association Congress established by Leopold II and held in Brussels in 1887. Sanford organized the "Sanford Exploring Expedition," an expedition that served to answer scientific and commercial inquiries in the Congo.&#13;
&#13;
Aside from his diplomatic career, Sanford was also a businessman and investor. He made several real estate investments in Florida in the late 1860s and early 1870s, the most notable being the purchase of the "Sanford Grant" in May 1870. The grant encompassed over 20 square miles and provided the basis for the town that eventually bore Sanford's name. Sanford was convinced that Florida would prove a profitable place to invest. Anticipating significant traffic and commerce by waterway, Sanford bought a land grant positioned on Lake Monroe along the St. Johns River. The city of Sanford thus became deemed the "Gate City of South Florida" - the southernmost stop along the river. During the 1870s, Sanford invested significant amounts of money to the development of his city - he built a wharf, several hotels, a general store, and a sawmill - all of which he hoped would spur investment and growth in the city. Sanford also developed several experimental citrus groves in his Florida city. The first was St. Gertrude's Grove. The second and more successful grove was Belair, developed in the early 1870s. Though Sanford never lived in Florida, he did visit occasionally from the late 1860s until his death in 1891. His diplomatic and business duties kept him preoccupied abroad, and most of his development in Florida was undertaken by representatives and confidants. Following the "Great Freeze" of 1888, Sanford's Belair grove was destroyed. Sanford was committed to rebuilding the grove and, in the late stages of his life, he committed his energies to his Florida investments. He died several years later though, and his wife Gertrude, in an effort to settle debts owed in Europe and elsewhere following his death, sold many of Sanford's properties in Florida.</text>
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            </element>
            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486096">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/83" target="_blank"&gt;Henry Shelton Sanford Papers Collection&lt;/a&gt;, RICHES of Central Florida.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486098">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486099">
                  <text>Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486100">
                  <text>Belair Grove, Lake Mary, Florida</text>
                </elementText>
                <elementText elementTextId="486101">
                  <text>Jacksonville, Florida</text>
                </elementText>
                <elementText elementTextId="486102">
                  <text>St. Augustine, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="117">
              <name>Accrual Method</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486107">
                  <text>Donation</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="124">
              <name>Provenance</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486110">
                  <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
                </elementText>
                <elementText elementTextId="486111">
                  <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
                </elementText>
                <elementText elementTextId="486112">
                  <text>Donated to the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="125">
              <name>Rights Holder</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486113">
                  <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486114">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="486115">
                  <text>Fedorka, Drew M.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486116">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486117">
                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486118">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                <elementText elementTextId="486119">
                  <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
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                <elementText elementTextId="486120">
                  <text>&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Sanford, Florida: 1889&lt;/span&gt;</text>
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                  <text>&lt;em&gt;&lt;a href="http://www.sanfordfl.gov/media/pdf/leisure_services/20110407_historic_brochure.pdf" target="_blank"&gt;Sanford: Central Florida's Waterfront Gateway&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: City of Sanford, 2005.</text>
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                <elementText elementTextId="486122">
                  <text>Florida Citrus Mutual. "&lt;a href="http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=321" target="_blank"&gt;Sydney Chase Sr. (1860-1941)&lt;/a&gt;." &lt;em&gt;Florida Citrus Hall of Fame&lt;/em&gt;, 2012.</text>
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                <elementText elementTextId="511765">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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              <text>1 handwritten check</text>
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          <element elementId="50">
            <name>Title</name>
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            <elementTextContainer>
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                <text>Personal Check from Edwin G. Eastman Paid to Self (June 8, 1871)</text>
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              <elementText elementTextId="487419">
                <text>Check from Eastman to Self</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
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                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="487421">
                <text> Sanford, Henry S. (Henry Shelton), 1823-1891</text>
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                <text>This is a check written on June 8, 1871 by Edwin G. Eastman, made payable to himself in the amount of $100.00, likely related to a transaction involving Belair Grove. Eastman was an associate of Henry Shelton Sanford (1823-1891). The two initially met through their mutual service in the U.S. Diplomatic Corps during the American Civil War. Eastman served as an advisor and representative to Sanford for a brief period between 1870 and 1871. Eastman oversaw operations in the what would become Sanford, Florida, beginning in December 1870. He was put in charge by Henry Sanford to ensure the successful management of the sawmill built in 1870, He was also tasked with maintaining the various experimental groves owned by Sanford, first St. Gertrude's Grove and later Belair Grove.&lt;br /&gt;&lt;br /&gt;The more successful of the two, Belair Grove, was an experimental grove located three miles southwest of the city named after Sanford. It was part of the Sanford Grant, a 12,547.15-square-acre allotment of land purchased by Henry Sanford in 1870. In Belair, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could effectively grow and introduce new varieties into the burgeoning citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. Eventually, following Sanford's death in 1891, his wife, Gertrude Ellen Dupuy Sanford (1841-1902), handed over the operations of Belair to Sydney Octacius Chase, Sr. (1860-1941) and Joshua Coffin Chase (1858-1948).</text>
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            <name>Source</name>
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                <text>Original check from Edwin G. Eastman to Self, June 8, 1871: box 45, folder 1, subfolder 45.1.22, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Is Part Of</name>
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            <elementTextContainer>
              <elementText elementTextId="487426">
                <text>Box 45, folder 1, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
              <elementText elementTextId="487427">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/83" target="_blank"&gt;Henry Shelton Sanford Papers Collection&lt;/a&gt;, RICHES of Central Florida.</text>
              </elementText>
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          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487428">
                <text>Digital reproduction of original check from Edwin G. Eastman, June 8, 1871.</text>
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          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487431">
                <text>Jacksonville, Florida</text>
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              <elementText elementTextId="583752">
                <text>Belair Grove, Lake Mary, Florida</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487432">
                <text>Eastman, Edwin G.</text>
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            </elementTextContainer>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487433">
                <text>1871-06-08</text>
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            <name>Format</name>
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                <text>image/jpg</text>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487435">
                <text>180 KB</text>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487436">
                <text>1 handwritten check</text>
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          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487437">
                <text>eng</text>
              </elementText>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487438">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="487439">
                <text> Economics Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487448">
                <text>Originally created by Edwin G. Eastman.</text>
              </elementText>
              <elementText elementTextId="487449">
                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
              </elementText>
              <elementText elementTextId="487450">
                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
              </elementText>
              <elementText elementTextId="487451">
                <text>Donated to the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487452">
                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487453">
                <text>Donation</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487463">
                <text>Fedorka, Drew M.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487464">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
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          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487465">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487466">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
              </elementText>
              <elementText elementTextId="487467">
                <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
              </elementText>
              <elementText elementTextId="487468">
                <text>&lt;em&gt;&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: 1889.&lt;/em&gt;</text>
              </elementText>
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    <tagContainer>
      <tag tagId="11771">
        <name>Ambler, D. G.</name>
      </tag>
      <tag tagId="3002">
        <name>Belair Grove</name>
      </tag>
      <tag tagId="11779">
        <name>E. G. Eastman</name>
      </tag>
      <tag tagId="11768">
        <name>Eastman, Edwin G.</name>
      </tag>
      <tag tagId="29354">
        <name>finances</name>
      </tag>
      <tag tagId="314">
        <name>Jacksonville</name>
      </tag>
      <tag tagId="5710">
        <name>Lake Mary</name>
      </tag>
      <tag tagId="400">
        <name>Sanford</name>
      </tag>
      <tag tagId="2056">
        <name>Sanford, Henry Shelton</name>
      </tag>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486085">
                  <text>Henry Shelton Sanford Accounts Collection</text>
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            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486086">
                  <text>Sanford Accounts Collection</text>
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            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486087">
                  <text>Sanford (Fla.)</text>
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                <elementText elementTextId="486088">
                  <text>Sanford, Henry Shelton, 1823-1891</text>
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                  <text>Banks and banking--Florida</text>
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                <elementText elementTextId="486093">
                  <text>Collection of documents related to the financial accounts of Henry Shelton Sanford (1823-1891), an American diplomat, lawyer, and businessman. Born in Derby, Connecticut, Sanford eventually joined the United States Diplomatic Corps in 1849. During his initial tenure in the Diplomatic Corps, Sanford served as Secretary of the American Legation at Paris. In 1853, he was promoted to the position of Chargé D'Affaires in France. In 1861, President Lincoln named Sanford as the U.S. Minister to Belgium. During the Civil War, Sanford served as a fiscal agent for the U.S. Government and supervised the U.S. Secret Service in Europe. After his tenure as Minister to Belgium, Sanford played a role in the establishment of the Congo Free State, a vast colony in Equatorial Africa under the direct control of the Belgian King Leopold II. In particular, it was Sanford who lobbied U.S. President Chester A. Arthur to recognize King Leopold's colony, a move that sparked broader international recognition of the Congo Free State. He also served as a delegate for the American Geographical Society at the International African Association Congress established by Leopold II and held in Brussels in 1887. Sanford organized the "Sanford Exploring Expedition," an expedition that served to answer scientific and commercial inquiries in the Congo.&#13;
&#13;
Aside from his diplomatic career, Sanford was also a businessman and investor. He made several real estate investments in Florida in the late 1860s and early 1870s, the most notable being the purchase of the "Sanford Grant" in May 1870. The grant encompassed over 20 square miles and provided the basis for the town that eventually bore Sanford's name. Sanford was convinced that Florida would prove a profitable place to invest. Anticipating significant traffic and commerce by waterway, Sanford bought a land grant positioned on Lake Monroe along the St. Johns River. The city of Sanford thus became deemed the "Gate City of South Florida" - the southernmost stop along the river. During the 1870s, Sanford invested significant amounts of money to the development of his city - he built a wharf, several hotels, a general store, and a sawmill - all of which he hoped would spur investment and growth in the city. Sanford also developed several experimental citrus groves in his Florida city. The first was St. Gertrude's Grove. The second and more successful grove was Belair, developed in the early 1870s. Though Sanford never lived in Florida, he did visit occasionally from the late 1860s until his death in 1891. His diplomatic and business duties kept him preoccupied abroad, and most of his development in Florida was undertaken by representatives and confidants. Following the "Great Freeze" of 1888, Sanford's Belair grove was destroyed. Sanford was committed to rebuilding the grove and, in the late stages of his life, he committed his energies to his Florida investments. He died several years later though, and his wife Gertrude, in an effort to settle debts owed in Europe and elsewhere following his death, sold many of Sanford's properties in Florida.</text>
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              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486096">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/83" target="_blank"&gt;Henry Shelton Sanford Papers Collection&lt;/a&gt;, RICHES of Central Florida.</text>
                </elementText>
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            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486098">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
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              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486099">
                  <text>Collection</text>
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            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486100">
                  <text>Belair Grove, Lake Mary, Florida</text>
                </elementText>
                <elementText elementTextId="486101">
                  <text>Jacksonville, Florida</text>
                </elementText>
                <elementText elementTextId="486102">
                  <text>St. Augustine, Florida</text>
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            </element>
            <element elementId="117">
              <name>Accrual Method</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486107">
                  <text>Donation</text>
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            </element>
            <element elementId="124">
              <name>Provenance</name>
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              <elementTextContainer>
                <elementText elementTextId="486110">
                  <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
                </elementText>
                <elementText elementTextId="486111">
                  <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
                </elementText>
                <elementText elementTextId="486112">
                  <text>Donated to the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="125">
              <name>Rights Holder</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486113">
                  <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486114">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="486115">
                  <text>Fedorka, Drew M.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486116">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486117">
                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486118">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="486119">
                  <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
                </elementText>
                <elementText elementTextId="486120">
                  <text>&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Sanford, Florida: 1889&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="486121">
                  <text>&lt;em&gt;&lt;a href="http://www.sanfordfl.gov/media/pdf/leisure_services/20110407_historic_brochure.pdf" target="_blank"&gt;Sanford: Central Florida's Waterfront Gateway&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: City of Sanford, 2005.</text>
                </elementText>
                <elementText elementTextId="486122">
                  <text>Florida Citrus Mutual. "&lt;a href="http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=321" target="_blank"&gt;Sydney Chase Sr. (1860-1941)&lt;/a&gt;." &lt;em&gt;Florida Citrus Hall of Fame&lt;/em&gt;, 2012.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511765">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="488594">
              <text>1 handwritten check</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487480">
                <text>Personal Check from Edwin G. Eastman to Manuel Medecis (June 8, 1871)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487481">
                <text>Check from Eastman to Medecis</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487482">
                <text>Sanford (Fla.)</text>
              </elementText>
              <elementText elementTextId="487483">
                <text> Sanford, Henry S. (Henry Shelton), 1823-1891</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487485">
                <text>Personal check from Edwin G. Eastman paid to Manuel Medicis in the amount of $100.50 on June 8, 1871, likely related to a transaction involving Belair Grove. Eastman was an associate of Henry Shelton Sanford (1823-1891). The two initially met through their mutual service in the U.S. Diplomatic Corps during the American Civil War. Eastman served as an advisor and representative to Sanford for a brief period between 1870 and 1871. Eastman oversaw operations in the what would become Sanford, Florida, beginning in December 1870. He was put in charge by Henry Sanford to ensure the successful management of the sawmill built in 1870, He was also tasked with maintaining the various experimental groves owned by Sanford, first St. Gertrude's Grove and later Belair Grove.&lt;br /&gt;&lt;br /&gt;The more successful of the two, Belair Grove, was an experimental grove located three miles southwest of the city named after Sanford. It was part of the Sanford Grant, a 12,547.15-square-acre allotment of land purchased by Henry Sanford in 1870. In Belair, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could effectively grow and introduce new varieties into the burgeoning citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. Eventually, following Sanford's death in 1891, his wife, Gertrude Ellen Dupuy Sanford (1841-1902), handed over the operations of Belair to Sydney Octacius Chase, Sr. (1860-1941) and Joshua Coffin Chase (1858-1948).</text>
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          <element elementId="51">
            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487486">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487487">
                <text>Original check from Edwin G. Eastman to Manuel Medecis, June 8, 1871: box 45, folder 1, Subfolder 45.1.23, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487488">
                <text>Box 45, folder 1, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
              <elementText elementTextId="487489">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/83" target="_blank"&gt;Henry Shelton Sanford Papers Collection&lt;/a&gt;, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487490">
                <text>Digital reproduction of original check from Edwin G. Eastman to Manuel Medecis, June 8, 1871.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487493">
                <text>Jacksonville, Florida</text>
              </elementText>
              <elementText elementTextId="583749">
                <text>Belair Grove, Lake Mary, Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487494">
                <text>Eastman, Edwin G.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487495">
                <text>1871-06-08</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487496">
                <text>image/jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487497">
                <text>192 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487498">
                <text>1 handwritten check</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487499">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487500">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="487501">
                <text> Economics Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487510">
                <text>Originally created by Edwin G. Eastman.</text>
              </elementText>
              <elementText elementTextId="487511">
                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
              </elementText>
              <elementText elementTextId="487512">
                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
              </elementText>
              <elementText elementTextId="487513">
                <text>Donated to the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487514">
                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487515">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487525">
                <text>Fedorka, Drew M.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487526">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487527">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487528">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
              </elementText>
              <elementText elementTextId="487529">
                <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
              </elementText>
              <elementText elementTextId="487530">
                <text>&lt;em&gt;&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: 1889.&lt;/em&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="11771">
        <name>Ambler, D. G.</name>
      </tag>
      <tag tagId="3002">
        <name>Belair Grove</name>
      </tag>
      <tag tagId="11779">
        <name>E. G. Eastman</name>
      </tag>
      <tag tagId="11768">
        <name>Eastman, Edwin G.</name>
      </tag>
      <tag tagId="29354">
        <name>finances</name>
      </tag>
      <tag tagId="314">
        <name>Jacksonville</name>
      </tag>
      <tag tagId="5710">
        <name>Lake Mary</name>
      </tag>
      <tag tagId="11772">
        <name>Medicis, Manuel</name>
      </tag>
      <tag tagId="400">
        <name>Sanford</name>
      </tag>
      <tag tagId="2056">
        <name>Sanford, Henry Shelton</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
